1 00:00:00,240 --> 00:00:02,600 Speaker 1: Hello, and welcome back to Movie Mike's Movie Podcast. I 2 00:00:02,640 --> 00:00:05,280 Speaker 1: am your host Movie Mike, joined this week by my wife, Kelsey. 3 00:00:05,320 --> 00:00:06,360 Speaker 2: How are you great. 4 00:00:06,480 --> 00:00:09,760 Speaker 1: We're gonna be talking Pixar movies. We're gonna be drafting 5 00:00:09,920 --> 00:00:12,920 Speaker 1: our mount Rushmore of Pixar movies. You just watched a 6 00:00:12,960 --> 00:00:15,680 Speaker 1: really big Pixar movie for the first time. I did, 7 00:00:15,880 --> 00:00:18,560 Speaker 1: so we'll talk about that in the movie review. It's 8 00:00:18,600 --> 00:00:20,880 Speaker 1: all connected because I'll be giving my review of Inside 9 00:00:20,880 --> 00:00:23,000 Speaker 1: Out too. And in the trailer park there's a new 10 00:00:23,040 --> 00:00:25,560 Speaker 1: movie with the one and only George Clooney and Brad 11 00:00:25,600 --> 00:00:29,320 Speaker 1: Pitt together called Wolf's Interesting, So we'll get into all that. 12 00:00:29,440 --> 00:00:31,680 Speaker 1: Thank you for being here, Thank you for being subscribed, 13 00:00:31,800 --> 00:00:33,440 Speaker 1: Shout out to the Monday Morning Movie crew. 14 00:00:33,880 --> 00:00:35,680 Speaker 3: And now let's talk movies. 15 00:00:36,000 --> 00:00:39,200 Speaker 4: In a world where everyone and their mother has a podcast, 16 00:00:39,680 --> 00:00:43,600 Speaker 4: one man stands to infiltrate the ears of listeners like 17 00:00:43,680 --> 00:00:47,640 Speaker 4: never before in a movie podcast. A man with so 18 00:00:47,800 --> 00:00:53,199 Speaker 4: much movie knowledge, he's basically like a walking IMTB with glasses. 19 00:00:53,600 --> 00:00:58,960 Speaker 3: From the Nashville Podcast Network. This Movie Mike's Movie Podcast. 20 00:00:59,400 --> 00:01:02,480 Speaker 1: All right, we are going to build our Mount Rushmore 21 00:01:02,520 --> 00:01:05,320 Speaker 1: of Pixar movies. There are now twenty eight Pixar movies 22 00:01:05,640 --> 00:01:07,960 Speaker 1: Inside Out to being that twenty eight point that just 23 00:01:08,000 --> 00:01:09,399 Speaker 1: came out over the weekend. 24 00:01:09,640 --> 00:01:12,560 Speaker 3: The rule is, once we pick one, it is off 25 00:01:12,560 --> 00:01:12,960 Speaker 3: the board. 26 00:01:13,120 --> 00:01:14,720 Speaker 2: Got it. We're going like one for one. 27 00:01:14,840 --> 00:01:18,399 Speaker 1: Yeah, we're gonna spin the coin to see who goes first. Ready, 28 00:01:18,640 --> 00:01:22,759 Speaker 1: you call it head details heads, and the wheel is 29 00:01:23,959 --> 00:01:28,440 Speaker 1: it's spinning. It's spinning. It's spinning where it falls, we 30 00:01:28,520 --> 00:01:33,479 Speaker 1: don't know it is tails. I go first. I feel 31 00:01:33,520 --> 00:01:36,880 Speaker 1: like I gotta go with my first little Oh, I'm 32 00:01:37,120 --> 00:01:40,080 Speaker 1: in between two. Since I'm taking the first pick, I 33 00:01:40,080 --> 00:01:43,880 Speaker 1: gotta go nineteen ninety five Toy Story as my number 34 00:01:43,959 --> 00:01:44,520 Speaker 1: one movie. 35 00:01:44,680 --> 00:01:45,760 Speaker 2: Knew that was gonna be yours. 36 00:01:45,800 --> 00:01:48,440 Speaker 1: When I'm thinking of my Mount Rushmore, I'm also thinking 37 00:01:48,480 --> 00:01:50,720 Speaker 1: of the character that's gonna go up on the big 38 00:01:50,800 --> 00:01:53,760 Speaker 1: Rock statue, and I want to see Woody there. I 39 00:01:53,800 --> 00:01:55,920 Speaker 1: want to see it, like just the faces of all 40 00:01:55,920 --> 00:01:58,720 Speaker 1: these movies too. So I'm also considering the esthetic. I'm 41 00:01:58,760 --> 00:02:02,560 Speaker 1: big on esthetic, going just movie preference, just purely. 42 00:02:02,240 --> 00:02:03,880 Speaker 3: On the enjoyment of the film and. 43 00:02:03,800 --> 00:02:06,000 Speaker 2: The rock people can make it look good. 44 00:02:06,080 --> 00:02:08,000 Speaker 3: All Right, you have the second pick. What are you 45 00:02:08,080 --> 00:02:08,600 Speaker 3: going with? 46 00:02:08,800 --> 00:02:11,040 Speaker 2: This will come as no surprise to you. I am 47 00:02:11,080 --> 00:02:13,600 Speaker 2: going with a classic. He touched the butty. 48 00:02:13,600 --> 00:02:16,880 Speaker 1: Finding Nemo that's a big one. Finding Nemo is off 49 00:02:16,919 --> 00:02:18,920 Speaker 1: the board. I gotta take it off my list, so 50 00:02:18,960 --> 00:02:20,960 Speaker 1: I don't pick it from two thousand and three. That 51 00:02:21,040 --> 00:02:24,400 Speaker 1: does a strong first pick, and we'll do back to me. 52 00:02:25,360 --> 00:02:28,120 Speaker 1: Do I want to stick in the nineties? Do I 53 00:02:28,160 --> 00:02:31,520 Speaker 1: want to move into something? You know, I'm gonna have 54 00:02:31,560 --> 00:02:34,760 Speaker 1: to go with one that is personal to me because 55 00:02:34,760 --> 00:02:37,480 Speaker 1: when I look at movies, it wasn't until really the 56 00:02:37,520 --> 00:02:40,840 Speaker 1: twenty tens where I started to see some representation being 57 00:02:41,080 --> 00:02:44,560 Speaker 1: a Mexican American. So I'm gonna go with twenty seventeen. 58 00:02:44,840 --> 00:02:47,160 Speaker 1: Coco also knew that was gonna make your list. Yeah, 59 00:02:47,160 --> 00:02:48,440 Speaker 1: you just referenced it the other day. 60 00:02:48,600 --> 00:02:49,960 Speaker 3: Yeah, what were we talking about? 61 00:02:50,080 --> 00:02:52,480 Speaker 2: I feel like we're talking about like sad movie songs. 62 00:02:52,200 --> 00:02:53,840 Speaker 3: And I just started thinking, remember Me. 63 00:02:54,240 --> 00:02:56,760 Speaker 1: And it was because whenever I watched that movie with 64 00:02:56,800 --> 00:02:59,680 Speaker 1: my mom, she like loved it so much, and I 65 00:02:59,720 --> 00:03:01,720 Speaker 1: think that was the first time for her ever seeing 66 00:03:01,720 --> 00:03:05,680 Speaker 1: a movie of that caliber that also represented our culture. 67 00:03:05,760 --> 00:03:08,160 Speaker 1: And I think that's huge for kids. And I love 68 00:03:08,240 --> 00:03:11,080 Speaker 1: that Pixars always pushed that boundary. So That is my 69 00:03:11,400 --> 00:03:13,600 Speaker 1: number two on my Mount Rushmore. So I have Woody 70 00:03:13,840 --> 00:03:15,440 Speaker 1: and then I have me Gale right next to him. 71 00:03:15,639 --> 00:03:16,280 Speaker 1: What's your pick? 72 00:03:16,639 --> 00:03:20,000 Speaker 2: I would like to see, Mike Waskowski Monsters Inc. 73 00:03:20,080 --> 00:03:21,959 Speaker 1: You're going heavy in the two thousands. I think we're 74 00:03:21,960 --> 00:03:25,079 Speaker 1: seeing a difference in our age just a little bit. 75 00:03:25,160 --> 00:03:26,960 Speaker 1: Because I was born in ninety one. 76 00:03:27,200 --> 00:03:28,720 Speaker 2: There's only a few in the nineties. 77 00:03:28,760 --> 00:03:30,880 Speaker 1: Though, Yeah, I guess they, Yeah, I guess. Toy Story 78 00:03:30,919 --> 00:03:31,880 Speaker 1: was the first Pixar movie in. 79 00:03:31,919 --> 00:03:33,399 Speaker 2: Ninety three in the nineties. 80 00:03:33,600 --> 00:03:37,120 Speaker 1: But I still I grab on to those more so 81 00:03:37,240 --> 00:03:39,400 Speaker 1: than the two thousands because when those are huge, I 82 00:03:39,480 --> 00:03:40,120 Speaker 1: was still. 83 00:03:39,840 --> 00:03:42,600 Speaker 2: A very twenty seventeen movie. 84 00:03:42,880 --> 00:03:45,600 Speaker 1: True, and you're judging me for picking, but I decided 85 00:03:45,600 --> 00:03:47,760 Speaker 1: to hop to that one because I if I didn't 86 00:03:47,760 --> 00:03:49,400 Speaker 1: get that one on my Mount Rushmore, I would be 87 00:03:49,400 --> 00:03:52,040 Speaker 1: bummed out. So I thought by taking that one and 88 00:03:52,040 --> 00:03:54,040 Speaker 1: then working my way back, I could still pick up 89 00:03:54,080 --> 00:03:55,920 Speaker 1: some of my favorites in the later rounds. 90 00:03:55,960 --> 00:03:57,080 Speaker 3: It's also strategy in this. 91 00:03:57,320 --> 00:04:01,880 Speaker 2: But yes, I was seven when Monsters Inc. Came out, 92 00:04:02,240 --> 00:04:04,160 Speaker 2: and then nine when Finding Nemo came out. 93 00:04:04,320 --> 00:04:06,400 Speaker 1: We'll take it off my list, all right, All right? 94 00:04:06,480 --> 00:04:10,200 Speaker 1: Back to me, got Toy Story, I got Coco. Mmm, 95 00:04:11,040 --> 00:04:13,760 Speaker 1: some big ones still left on the board. What do 96 00:04:13,800 --> 00:04:15,520 Speaker 1: I want to go with? Do I want to go 97 00:04:15,600 --> 00:04:18,400 Speaker 1: with a little bit more fun, a little bit more emotional? 98 00:04:18,440 --> 00:04:21,000 Speaker 1: I also have to kind of split up my you 99 00:04:21,000 --> 00:04:22,920 Speaker 1: know what, I'm going to go back to the nineties, 100 00:04:22,960 --> 00:04:24,600 Speaker 1: since I was talking about it the one I wanted 101 00:04:24,640 --> 00:04:26,120 Speaker 1: to pick up. I'm going with the Bugs Life from 102 00:04:26,160 --> 00:04:26,600 Speaker 1: ninety eight. 103 00:04:26,760 --> 00:04:29,240 Speaker 3: Dang it to get that that was my next one. 104 00:04:29,480 --> 00:04:30,919 Speaker 2: I didn't want to give it away that I was 105 00:04:30,960 --> 00:04:32,039 Speaker 2: going back to the nineties. 106 00:04:32,920 --> 00:04:35,640 Speaker 1: Yeah, Toy Story and A Bugs Life were such a 107 00:04:35,640 --> 00:04:38,280 Speaker 1: big part of my childhood. And A Bugs Life, I 108 00:04:38,320 --> 00:04:40,600 Speaker 1: feel doesn't really get talked about enough as. 109 00:04:40,520 --> 00:04:41,839 Speaker 2: Far as you're the poo poo plotter. 110 00:04:42,040 --> 00:04:44,479 Speaker 3: It's so good like all the characters in A Bugs Life. 111 00:04:44,520 --> 00:04:47,479 Speaker 1: And also just the story of Flick of it was 112 00:04:47,520 --> 00:04:50,520 Speaker 1: inspiring now because he was always trying to be so 113 00:04:50,760 --> 00:04:53,839 Speaker 1: innovative and do things differently, and it was a commentary 114 00:04:53,880 --> 00:04:55,680 Speaker 1: on people just want to do the same old thing 115 00:04:55,880 --> 00:04:58,520 Speaker 1: and it's because of Flick that they were able to 116 00:04:58,640 --> 00:05:00,479 Speaker 1: survive and beat the grass. 117 00:05:00,760 --> 00:05:01,760 Speaker 3: And that's a funny movie. 118 00:05:01,760 --> 00:05:04,599 Speaker 1: I rewatched it whenever it got added to Disney Plus 119 00:05:04,880 --> 00:05:07,400 Speaker 1: and that reminded me that they remastered a lot of. 120 00:05:07,320 --> 00:05:09,480 Speaker 3: Them that was recently, right, Yeah, that was pretty recently. 121 00:05:09,560 --> 00:05:12,080 Speaker 1: I fell asleep to you watching it, and I was like, 122 00:05:12,120 --> 00:05:14,640 Speaker 1: this movie looks so much better now. They did the 123 00:05:14,720 --> 00:05:17,120 Speaker 1: high def treatment, so it's so much brighter, and it 124 00:05:17,160 --> 00:05:20,320 Speaker 1: almost felt like I was rewatching it for the first time. 125 00:05:20,440 --> 00:05:21,960 Speaker 2: So, Madam, I'm crossing it off my list. 126 00:05:22,160 --> 00:05:23,960 Speaker 1: Oh, mine is like a good I feel good about it. 127 00:05:24,080 --> 00:05:26,039 Speaker 1: I mean, yours is really solid so far. But what 128 00:05:26,200 --> 00:05:27,680 Speaker 1: is your pick for number three? 129 00:05:28,040 --> 00:05:28,840 Speaker 2: The Incredibles? 130 00:05:29,120 --> 00:05:32,200 Speaker 1: Ah, that's a good. That one's gonna be my fourth Huh. 131 00:05:32,360 --> 00:05:34,600 Speaker 1: I wanted to get that one, all right, you're still 132 00:05:34,600 --> 00:05:37,040 Speaker 1: in the two thousand, so my final pick, all right, 133 00:05:37,760 --> 00:05:40,039 Speaker 1: do I want? I want to go on Emotion here, 134 00:05:40,680 --> 00:05:42,400 Speaker 1: and there are two movies that come to mind when 135 00:05:42,400 --> 00:05:45,160 Speaker 1: I think of Emotion, what I feel is a little 136 00:05:45,160 --> 00:05:48,640 Speaker 1: bit too recent. So I'm gonna go as my fourth 137 00:05:48,680 --> 00:05:52,200 Speaker 1: pick on my Mount Rushmore. M has that really Mount 138 00:05:52,279 --> 00:05:54,760 Speaker 1: Rushmore worthy? I don't know that that one is. And 139 00:05:54,800 --> 00:05:57,160 Speaker 1: I don't want to pick two from the same franchise 140 00:05:57,360 --> 00:05:59,800 Speaker 1: because I feel like that's just not the best representation 141 00:05:59,839 --> 00:06:03,120 Speaker 1: of Pixar. So I'm gonna go with I'm going with UP. 142 00:06:03,320 --> 00:06:06,000 Speaker 2: Dang it, you knew you were picking my last one. 143 00:06:06,120 --> 00:06:08,200 Speaker 3: You didn't know, am I supposed to know. 144 00:06:08,400 --> 00:06:10,719 Speaker 2: You knew because you know me and you know which 145 00:06:10,760 --> 00:06:12,240 Speaker 2: Pixar movies I like, and. 146 00:06:12,160 --> 00:06:14,960 Speaker 3: You know I don't. I was going purely based on me. 147 00:06:15,520 --> 00:06:18,440 Speaker 3: You knew I go back all of these. I had. 148 00:06:18,480 --> 00:06:21,520 Speaker 1: I relate back to watching them with my mom. I 149 00:06:21,560 --> 00:06:23,280 Speaker 1: went to go see it for the first time two 150 00:06:23,320 --> 00:06:25,480 Speaker 1: movies from me. My brother and I went to go 151 00:06:25,520 --> 00:06:27,479 Speaker 1: see it in three D, and then we took my 152 00:06:27,560 --> 00:06:30,360 Speaker 1: mom again, and I just remember that experience of seeing 153 00:06:30,400 --> 00:06:33,040 Speaker 1: my mom reacted. The opening scene was still good, and 154 00:06:33,160 --> 00:06:36,240 Speaker 1: for every movie on this list, it has the strongest opening, 155 00:06:36,520 --> 00:06:40,120 Speaker 1: memorable characters. Big Fun Adventure in two thousand and nine 156 00:06:40,160 --> 00:06:42,080 Speaker 1: is one of my favorite years ever. So I had 157 00:06:42,080 --> 00:06:44,520 Speaker 1: to go with UP so I could see Carl Frederickson's 158 00:06:44,520 --> 00:06:45,680 Speaker 1: face up there or Russell. 159 00:06:45,680 --> 00:06:47,359 Speaker 3: I mean, there's so many great characters in that. 160 00:06:47,640 --> 00:06:49,039 Speaker 2: Well, I'm gonna go the other one that I know 161 00:06:49,200 --> 00:06:52,320 Speaker 2: you didn't, which one Inside Out? Ah? 162 00:06:52,440 --> 00:06:54,599 Speaker 3: You just watched this one, Yeah, but I don't. 163 00:06:54,839 --> 00:06:57,760 Speaker 2: I honestly don't like any of these enough to put 164 00:06:57,760 --> 00:06:59,880 Speaker 2: them on my mount rushmore like, I don't want to 165 00:06:59,880 --> 00:07:01,960 Speaker 2: go oh a sequel. Like if I was gonna pick 166 00:07:01,960 --> 00:07:03,400 Speaker 2: a Toy Story, it was gonna be the original. 167 00:07:03,560 --> 00:07:05,360 Speaker 3: I was either gonna go Toy Story one or Toy 168 00:07:05,400 --> 00:07:05,960 Speaker 3: Story three. 169 00:07:06,040 --> 00:07:09,039 Speaker 2: I don't want to go a sequel. Cars meh rat 170 00:07:09,080 --> 00:07:12,160 Speaker 2: a two week cute little rat, but like, eh, Wally 171 00:07:12,600 --> 00:07:17,280 Speaker 2: absolutely not goes on the dumpster fire for me, absolute 172 00:07:17,600 --> 00:07:18,720 Speaker 2: trash dumpster fire. 173 00:07:18,880 --> 00:07:21,640 Speaker 3: It tears me up inside that you dislike Wally so much. 174 00:07:21,720 --> 00:07:24,320 Speaker 2: And then I didn't really watch a lot of the 175 00:07:24,480 --> 00:07:28,680 Speaker 2: like twenty teens because I was in college and didn't 176 00:07:28,720 --> 00:07:30,960 Speaker 2: go home as much to see my little brothers. And 177 00:07:31,000 --> 00:07:33,480 Speaker 2: then I feel like I started watching more when we 178 00:07:33,640 --> 00:07:36,840 Speaker 2: started dating, but there were none that I want. Incredibles 179 00:07:36,840 --> 00:07:37,960 Speaker 2: two was already six years ago. 180 00:07:38,040 --> 00:07:40,080 Speaker 3: Wow, that still feels brand new to me. 181 00:07:40,440 --> 00:07:43,240 Speaker 2: Time flies when you're in existential dread. 182 00:07:43,400 --> 00:07:45,320 Speaker 3: So we'll recap our mountain. 183 00:07:45,400 --> 00:07:46,880 Speaker 2: Start talking about my decision. 184 00:07:46,920 --> 00:07:48,800 Speaker 1: Well, we can still go into it, just so everybody 185 00:07:48,840 --> 00:07:52,600 Speaker 1: knows our picks. I have Toy Story, Cocoa, a Bugs, Life, 186 00:07:52,680 --> 00:07:55,679 Speaker 1: and Up, and you have besides the glare you're giving 187 00:07:55,680 --> 00:07:56,520 Speaker 1: me right now. 188 00:07:56,720 --> 00:08:00,000 Speaker 2: I have Finding Nemo Monsters, inc. The Incredibles and Inside Out. 189 00:08:00,080 --> 00:08:01,520 Speaker 3: All right, let's go through some of these other ones. 190 00:08:01,600 --> 00:08:05,440 Speaker 2: I want to see Sadness on a Rocky from Inside Out. Yeah, 191 00:08:05,440 --> 00:08:07,400 Speaker 2: some of the other ones. The Good Dinosaur. I don't 192 00:08:07,400 --> 00:08:08,360 Speaker 2: even remember what that movie. 193 00:08:08,840 --> 00:08:11,600 Speaker 1: I think it is the worst Pixar movie on this list. 194 00:08:11,760 --> 00:08:12,360 Speaker 2: Sounds boring. 195 00:08:12,440 --> 00:08:15,760 Speaker 1: It doesn't even fit the caliber of movie that Pixar is. 196 00:08:16,080 --> 00:08:19,440 Speaker 1: After that movie, you really have a bunch of sequels, 197 00:08:19,760 --> 00:08:22,480 Speaker 1: so many sequels, And then some people would say in 198 00:08:22,560 --> 00:08:25,040 Speaker 1: the last five years, Pixar has a bit of a 199 00:08:25,040 --> 00:08:27,400 Speaker 1: slump if you look at the last movies, not including 200 00:08:27,400 --> 00:08:28,040 Speaker 1: Inside Out too. 201 00:08:28,080 --> 00:08:30,800 Speaker 3: It's Elemental, which I think was actually a good movie. 202 00:08:31,000 --> 00:08:31,440 Speaker 2: Enjoyed it. 203 00:08:31,480 --> 00:08:33,680 Speaker 1: I think it came out at a time where people 204 00:08:33,760 --> 00:08:36,240 Speaker 1: were quick to jump on that one of hating it, 205 00:08:36,280 --> 00:08:37,960 Speaker 1: But if you actually went to go see it's actually 206 00:08:38,000 --> 00:08:41,040 Speaker 1: a pretty solid Pixar movie. It gave me vibes of 207 00:08:41,080 --> 00:08:43,680 Speaker 1: the original, not the original, but like the early two 208 00:08:43,679 --> 00:08:44,680 Speaker 1: thousands Pixar movie. 209 00:08:44,720 --> 00:08:48,520 Speaker 3: So I think Elemental was good. Light Year was controversial. 210 00:08:47,880 --> 00:08:50,520 Speaker 1: For a weird way because people were so fired up 211 00:08:50,520 --> 00:08:54,200 Speaker 1: about Tim Allen not returning to voice Buzz light Year, 212 00:08:54,240 --> 00:08:56,360 Speaker 1: except it's not about the toy it's about the pert. 213 00:08:56,440 --> 00:08:58,960 Speaker 1: It was just hard to explain exactly what was going 214 00:08:59,000 --> 00:08:59,959 Speaker 1: on in light Year. 215 00:09:00,200 --> 00:09:03,079 Speaker 2: Wasn't there. Also, I feel like there was another controversial. 216 00:09:02,600 --> 00:09:05,560 Speaker 3: The same sex kiss. It was so like, you watched 217 00:09:05,559 --> 00:09:06,440 Speaker 3: the movie so dumb. 218 00:09:06,480 --> 00:09:08,480 Speaker 2: I couldn't even remember what the controversy was. 219 00:09:08,520 --> 00:09:10,480 Speaker 3: You watch it and you don't even really notice it. 220 00:09:10,600 --> 00:09:12,000 Speaker 2: I don't even remember that being a part. 221 00:09:12,200 --> 00:09:14,400 Speaker 3: I don't. I don't think it's that big of a part. 222 00:09:14,480 --> 00:09:16,559 Speaker 1: It's not like, oh, here comes the may coun scene 223 00:09:16,640 --> 00:09:19,000 Speaker 1: between a same sex couple that didn't really happen. 224 00:09:19,320 --> 00:09:24,760 Speaker 2: Also, every Pixar movie, every Disney movie, whatever, since we 225 00:09:24,760 --> 00:09:27,240 Speaker 2: were kids, and we talked about sever DreamWorks movie had 226 00:09:27,400 --> 00:09:30,120 Speaker 2: things that were above kids' heads that, if you examine it, 227 00:09:30,480 --> 00:09:34,760 Speaker 2: were not appropriate. The sexual innuindows in the Shrek trilogy alone, 228 00:09:35,200 --> 00:09:35,679 Speaker 2: a lot of those. 229 00:09:35,760 --> 00:09:37,680 Speaker 3: Yeah, not Disney, but yes, I said. 230 00:09:37,440 --> 00:09:40,160 Speaker 2: And DreamWorks, I said, all of like the kids movies. 231 00:09:39,880 --> 00:09:41,920 Speaker 3: I mean, like a sleeping beauty no consent there. 232 00:09:42,240 --> 00:09:44,160 Speaker 2: Yeah, it's given a little baby, it's cold outside. 233 00:09:44,320 --> 00:09:46,680 Speaker 1: You go back into the history of the Disney vault. 234 00:09:46,840 --> 00:09:49,240 Speaker 1: Yeah it's weird just because it's on the other way. 235 00:09:49,280 --> 00:09:51,960 Speaker 1: But yeah, two same sex couple is like, oh, this 236 00:09:52,120 --> 00:09:53,920 Speaker 1: is can't ever kids watching that. 237 00:09:54,000 --> 00:09:55,880 Speaker 2: But anyways, that was a dumb reason for light Year 238 00:09:55,880 --> 00:09:57,880 Speaker 2: to be controversial. I actually really enjoyed light Year. 239 00:09:58,000 --> 00:09:58,520 Speaker 3: I did too. 240 00:09:58,960 --> 00:10:01,240 Speaker 1: You had before that Turn Red, which is also a 241 00:10:01,280 --> 00:10:03,600 Speaker 1: really good movie, but also one that they didn't put 242 00:10:03,640 --> 00:10:06,320 Speaker 1: out fully in theaters. It was a Disney Plus movie. 243 00:10:06,000 --> 00:10:08,040 Speaker 2: And that people got mad about for some reasons, like. 244 00:10:08,160 --> 00:10:10,560 Speaker 3: People just getting fired up about things. 245 00:10:10,760 --> 00:10:13,959 Speaker 1: Luca before that, which Luca was a really solid I 246 00:10:14,000 --> 00:10:16,160 Speaker 1: would say middle of the Road picks on movie. 247 00:10:16,280 --> 00:10:16,719 Speaker 3: I think I. 248 00:10:16,679 --> 00:10:18,760 Speaker 1: Watched that one just me. I think you said, I'm 249 00:10:18,760 --> 00:10:20,920 Speaker 1: good without that one. But I feel like if that 250 00:10:21,000 --> 00:10:23,200 Speaker 1: movie came out in the twenty tens, it would have 251 00:10:23,200 --> 00:10:25,520 Speaker 1: crushed at the box office. But it said came out 252 00:10:25,600 --> 00:10:28,679 Speaker 1: right on Disney Plus in twenty twenty one. Before that, 253 00:10:28,720 --> 00:10:31,000 Speaker 1: in twenty twenty we had Soul, which also came out 254 00:10:31,040 --> 00:10:32,040 Speaker 1: at the end of that year. 255 00:10:32,160 --> 00:10:33,800 Speaker 2: I do remember watching that one. That one was a 256 00:10:33,800 --> 00:10:36,439 Speaker 2: little bit of like existential crisis. It wasn't really a 257 00:10:36,520 --> 00:10:37,760 Speaker 2: kid's movie, really wasn't. 258 00:10:37,800 --> 00:10:40,480 Speaker 1: It was more of a movie for adults who are 259 00:10:40,520 --> 00:10:43,280 Speaker 1: struggling with finding their identity and finding their true calling 260 00:10:43,320 --> 00:10:45,800 Speaker 1: in life. Aren't we all, so it resonated more than me, 261 00:10:45,880 --> 00:10:48,400 Speaker 1: and I think all the great reviews that had were 262 00:10:48,440 --> 00:10:52,319 Speaker 1: from the twenty five plus thirty year old Pixar fans 263 00:10:52,600 --> 00:10:55,120 Speaker 1: that watched it. I don't really know that that's many kids' 264 00:10:55,200 --> 00:10:56,640 Speaker 1: favorite Pixar movie. 265 00:10:56,600 --> 00:11:00,360 Speaker 2: And if that is, please get your child therapist out. 266 00:11:01,000 --> 00:11:04,320 Speaker 1: And then before that in twenty twenty was Onward, which 267 00:11:04,360 --> 00:11:07,839 Speaker 1: I feel was pretty vanilla when it Oh, yeah, it's 268 00:11:07,920 --> 00:11:12,480 Speaker 1: Chris Pratt, Tom Holland have a dad, dad, Yes, their brothers, 269 00:11:12,679 --> 00:11:14,920 Speaker 1: and it's a sense it was almost like a Dungeons 270 00:11:14,920 --> 00:11:16,720 Speaker 1: and Dragons based movie. 271 00:11:16,520 --> 00:11:17,880 Speaker 2: That was like right before the pandemic. 272 00:11:18,040 --> 00:11:19,920 Speaker 3: Yeah. I think that was one of the only movies 273 00:11:19,960 --> 00:11:21,960 Speaker 3: I saw in theater. That was the last one you 274 00:11:22,000 --> 00:11:25,959 Speaker 3: saw that. I almost blacked that memory out of my head. 275 00:11:26,920 --> 00:11:29,440 Speaker 3: The last movie to see in d I remember seeing 276 00:11:29,440 --> 00:11:29,800 Speaker 3: in theater. 277 00:11:29,840 --> 00:11:32,880 Speaker 1: I remember seeing Bad Boys for Life early in the year, 278 00:11:33,120 --> 00:11:36,400 Speaker 1: and then going to see Onward and then never going 279 00:11:36,440 --> 00:11:39,760 Speaker 1: back to the theater in twenty twenty s So I 280 00:11:39,800 --> 00:11:42,600 Speaker 1: wish that one had a little bit more significance. It 281 00:11:42,640 --> 00:11:45,480 Speaker 1: wasn't bad, It's just when I go watch a Pixar movie, 282 00:11:45,520 --> 00:11:49,800 Speaker 1: I'm expecting a plus story, a plus animation. I'm expecting 283 00:11:49,800 --> 00:11:53,160 Speaker 1: to have this big extension on an incredible library that 284 00:11:53,200 --> 00:11:55,080 Speaker 1: they have, and for them just to come out with 285 00:11:55,080 --> 00:11:58,440 Speaker 1: a that was fun, it's just almost not even their 286 00:11:58,480 --> 00:12:01,920 Speaker 1: standard of quality. I think they're in a slump. I 287 00:12:02,080 --> 00:12:05,439 Speaker 1: just think that really it's the Disney Plus model hurting 288 00:12:05,440 --> 00:12:08,520 Speaker 1: them a little bit. Yeah, of there's not that same 289 00:12:08,679 --> 00:12:10,920 Speaker 1: impact moment that a movie comes out in theaters it 290 00:12:10,960 --> 00:12:13,520 Speaker 1: crushes at the box office like we had in the 291 00:12:13,520 --> 00:12:16,080 Speaker 1: two thousands and the twenty tens. Now it's a little 292 00:12:16,080 --> 00:12:18,520 Speaker 1: bit more of a slow roll that people discover them later, 293 00:12:18,600 --> 00:12:20,360 Speaker 1: So I feel like it has less of an impact. 294 00:12:20,400 --> 00:12:23,120 Speaker 2: I think like the immediate consumption of movies and the 295 00:12:23,160 --> 00:12:26,160 Speaker 2: immediate availability is again we've talked about this before, like 296 00:12:26,200 --> 00:12:29,920 Speaker 2: content overload. Yeah, Like I log onto like Netflix or Hulu, 297 00:12:30,040 --> 00:12:32,880 Speaker 2: Disney Plus and there's like a thousand new things and 298 00:12:32,920 --> 00:12:37,280 Speaker 2: I'm like, I can't decide, So I'm gonna go watch Er, which, 299 00:12:37,280 --> 00:12:38,680 Speaker 2: as we've talked about, is my comfort show. 300 00:12:38,840 --> 00:12:41,760 Speaker 1: And I think it's important for Disney and Pixar movies 301 00:12:41,800 --> 00:12:45,160 Speaker 1: to have that immediateness because it's tied into a lot 302 00:12:45,200 --> 00:12:47,079 Speaker 1: of things. When they put out a new movie in theaters. 303 00:12:47,120 --> 00:12:50,160 Speaker 1: They also do like a line of toys that McDonald's 304 00:12:50,200 --> 00:12:53,840 Speaker 1: are burger King, or they roll out things in stores. 305 00:12:53,880 --> 00:12:56,640 Speaker 1: So I feel like, without having that impact. 306 00:12:56,280 --> 00:12:58,199 Speaker 2: You just unlocked a core memory. 307 00:12:57,920 --> 00:13:00,720 Speaker 3: Of going to McDonald's for movie based Disney toys. 308 00:13:00,840 --> 00:13:02,920 Speaker 2: Wow, hadn't thought about that in so long? 309 00:13:03,080 --> 00:13:04,560 Speaker 3: Really, I think about that all the time. 310 00:13:04,600 --> 00:13:07,720 Speaker 1: I guess now that I'm going into collecting things, I'm like, oh, yeah, 311 00:13:07,720 --> 00:13:08,160 Speaker 1: I remember the. 312 00:13:08,160 --> 00:13:09,360 Speaker 3: Old McDonald's toys. 313 00:13:09,559 --> 00:13:10,200 Speaker 2: What a time. 314 00:13:10,520 --> 00:13:13,520 Speaker 1: I think the best collab ever that a movie and 315 00:13:13,760 --> 00:13:16,960 Speaker 1: restaurant had had to be the Pokemon movie and Burger 316 00:13:17,040 --> 00:13:19,839 Speaker 1: King connection. It came out with the poke balls where 317 00:13:19,840 --> 00:13:21,440 Speaker 1: you have like the gold card inside of it. 318 00:13:21,720 --> 00:13:24,520 Speaker 2: Just was never a Burger King. No, maybe it's more. 319 00:13:24,400 --> 00:13:26,839 Speaker 1: Of a Mexican thing, like we only went to Burger King. 320 00:13:26,920 --> 00:13:28,880 Speaker 1: I never went to McDonald's. 321 00:13:28,360 --> 00:13:31,760 Speaker 2: I think because I'm currently hungry as we record this. Okay, 322 00:13:31,760 --> 00:13:34,120 Speaker 2: you know what's still kind of slapped into adulthood. What 323 00:13:34,200 --> 00:13:37,400 Speaker 2: a ninety nine cent cheeseburger for McDonald loved it dollar 324 00:13:37,520 --> 00:13:38,280 Speaker 2: seven attacks. 325 00:13:38,520 --> 00:13:42,400 Speaker 1: Back in my days of drinking and eating poorly, go 326 00:13:42,440 --> 00:13:44,439 Speaker 1: to was the ninety nine cent cheeseburgers. 327 00:13:44,600 --> 00:13:47,640 Speaker 2: If I could still eat gluten and dairy. I would 328 00:13:47,960 --> 00:13:49,920 Speaker 2: sew you one of those right now, but like perfect 329 00:13:49,960 --> 00:13:52,360 Speaker 2: little like snacker meal on the go that it has 330 00:13:52,400 --> 00:13:54,439 Speaker 2: the pickles on it, the ketchup. I really would have 331 00:13:54,480 --> 00:13:55,679 Speaker 2: been burger right now. 332 00:13:56,280 --> 00:13:59,120 Speaker 1: Or I used to live we lived in walking distance 333 00:13:59,240 --> 00:14:01,520 Speaker 1: between any fast food restaurants. 334 00:14:01,559 --> 00:14:03,840 Speaker 2: So we lived in like the which is funny because 335 00:14:03,880 --> 00:14:06,720 Speaker 2: Austin is such a healthy city, but like you lived 336 00:14:06,720 --> 00:14:07,920 Speaker 2: in the part where it was just like. 337 00:14:07,840 --> 00:14:09,280 Speaker 3: I lived in a terrible corner. 338 00:14:09,480 --> 00:14:12,040 Speaker 1: There was like city, there was a McDonald's, a waterburger, 339 00:14:12,080 --> 00:14:13,120 Speaker 1: a lunge on Silvers. 340 00:14:13,160 --> 00:14:14,160 Speaker 3: That those are my dark days. 341 00:14:14,200 --> 00:14:15,840 Speaker 1: Whenever I go to Lung John Silvers, I'm like, I'm 342 00:14:15,840 --> 00:14:17,640 Speaker 1: at the bottom of the barrel right now, Jack in 343 00:14:17,679 --> 00:14:18,559 Speaker 1: the blocks. 344 00:14:18,320 --> 00:14:20,920 Speaker 2: Long John Silvers is is a dark shay water burger, 345 00:14:21,040 --> 00:14:23,560 Speaker 2: not a dark day, a good day Long John Slivers. Yeah. 346 00:14:23,640 --> 00:14:25,240 Speaker 1: I mean my go to diet was like a six 347 00:14:25,360 --> 00:14:28,400 Speaker 1: pack of perhaps blue ribbon Tall Boys and then walking 348 00:14:28,440 --> 00:14:30,960 Speaker 1: over to whatever fast food restaurant I had coupons for 349 00:14:31,120 --> 00:14:31,920 Speaker 1: that I'd get in the mail. 350 00:14:32,080 --> 00:14:33,920 Speaker 2: And that's just so funny to me because I obviously 351 00:14:33,960 --> 00:14:36,680 Speaker 2: never knew that version of you. But like now, if 352 00:14:36,720 --> 00:14:39,400 Speaker 2: we like, don't eat a vegetable one day, we're both like, 353 00:14:39,720 --> 00:14:42,320 Speaker 2: I feel terrible, Which it's very rare that we don't 354 00:14:42,320 --> 00:14:44,400 Speaker 2: need a vegetable. But it's just funny to think like 355 00:14:44,520 --> 00:14:47,200 Speaker 2: that used to be your diet, but putting my public 356 00:14:47,200 --> 00:14:49,000 Speaker 2: health cap on when that's all that's available to you, 357 00:14:49,040 --> 00:14:51,280 Speaker 2: and that's what's cheap that it's affordable. 358 00:14:51,160 --> 00:14:54,760 Speaker 1: For any new listeners here about. I guess it's almost 359 00:14:54,800 --> 00:14:56,960 Speaker 1: ten years ago now when I made the decision to 360 00:14:57,000 --> 00:14:57,480 Speaker 1: get healthy. 361 00:14:57,600 --> 00:14:58,800 Speaker 2: That's crazy changed the way. 362 00:14:58,840 --> 00:15:01,240 Speaker 1: I eight lost one hundred pounds in a year and 363 00:15:01,280 --> 00:15:03,920 Speaker 1: have kept it off now and for me so much. 364 00:15:04,240 --> 00:15:06,440 Speaker 1: Isn't the thing now of like being so self conscious 365 00:15:06,440 --> 00:15:09,040 Speaker 1: of everything I eat, being so like strict about it? 366 00:15:09,080 --> 00:15:10,640 Speaker 3: Is just eating things that made me feel good. 367 00:15:10,680 --> 00:15:13,040 Speaker 1: Like I just see food is fuel now, putting things 368 00:15:13,080 --> 00:15:15,160 Speaker 1: in into my body that's going to carry me throughout 369 00:15:15,160 --> 00:15:17,760 Speaker 1: the day. So yeah, like it just happens to be 370 00:15:17,920 --> 00:15:20,400 Speaker 1: now when I eat fruits and vegetables and things that 371 00:15:20,400 --> 00:15:22,320 Speaker 1: are good for me, I feel better. So it's not 372 00:15:22,360 --> 00:15:24,640 Speaker 1: that I don't allow myself to eat those other things 373 00:15:24,680 --> 00:15:26,680 Speaker 1: because I'm like afraid of them like I used to be. 374 00:15:26,760 --> 00:15:28,440 Speaker 1: I had a pretty bad relationship with food It's just 375 00:15:28,520 --> 00:15:31,480 Speaker 1: that when I don't eat how I've now trained myself. 376 00:15:31,200 --> 00:15:33,480 Speaker 3: To do, I just don't feel good. Yeah, and it's 377 00:15:33,520 --> 00:15:34,880 Speaker 3: just not good for me. 378 00:15:35,200 --> 00:15:37,320 Speaker 2: And I just can't really eat any of the fun 379 00:15:37,320 --> 00:15:38,080 Speaker 2: stuff anymore. 380 00:15:38,680 --> 00:15:40,880 Speaker 1: I mean, I've also been vegan for like seven eight 381 00:15:40,920 --> 00:15:41,640 Speaker 1: years now too. 382 00:15:41,960 --> 00:15:44,840 Speaker 2: Yeah, I'm working on convincing you to drop that someday. 383 00:15:44,920 --> 00:15:47,400 Speaker 2: It would be so much easier for me. Going all right, 384 00:15:47,440 --> 00:15:49,440 Speaker 2: this is real tangent. My bad everyone. 385 00:15:49,640 --> 00:15:51,840 Speaker 1: Keeping with the Pixar theme, I did see the head 386 00:15:51,840 --> 00:15:55,080 Speaker 1: of Pixar said that he is saying no to making 387 00:15:55,240 --> 00:15:58,680 Speaker 1: any live action remakes of Pixar movies because Disney, that's 388 00:15:58,680 --> 00:16:01,440 Speaker 1: all they do right now, put out an animated movie 389 00:16:01,560 --> 00:16:04,640 Speaker 1: maybe every year, maybe. 390 00:16:04,320 --> 00:16:06,960 Speaker 2: Every two years, and then we live re enacted. 391 00:16:06,800 --> 00:16:09,600 Speaker 1: And we have the Mufasa quote unquote live action movie 392 00:16:09,640 --> 00:16:10,840 Speaker 1: coming out later this year. 393 00:16:10,960 --> 00:16:13,160 Speaker 3: We kind of stop, guys, and they just keep doing it. 394 00:16:13,320 --> 00:16:16,600 Speaker 1: I'm glad to see that he is saying that it 395 00:16:16,600 --> 00:16:18,760 Speaker 1: would bother him if they did any kind of live 396 00:16:18,800 --> 00:16:21,800 Speaker 1: action Pixar movie, because I think the integrity of a 397 00:16:21,800 --> 00:16:25,120 Speaker 1: Pixar movie is the magic of animation and how powerful 398 00:16:25,120 --> 00:16:25,720 Speaker 1: that medium is. 399 00:16:25,760 --> 00:16:27,640 Speaker 2: I don't want to see finding Nemo with real fish. 400 00:16:27,480 --> 00:16:29,240 Speaker 3: And I don't think anything would really work. 401 00:16:29,280 --> 00:16:31,480 Speaker 1: I did Pull five that I think would work, but 402 00:16:31,520 --> 00:16:33,120 Speaker 1: even that would be a bit of a stretch. 403 00:16:33,240 --> 00:16:33,840 Speaker 2: Toy Story. 404 00:16:33,920 --> 00:16:36,960 Speaker 1: Toy Story is on my list of live action movies 405 00:16:37,000 --> 00:16:39,520 Speaker 1: that would work only but it would kind of still 406 00:16:39,560 --> 00:16:43,160 Speaker 1: be in that same way that that Lion King is 407 00:16:43,200 --> 00:16:45,520 Speaker 1: live action, because obviously you can't make toys come to live. 408 00:16:45,600 --> 00:16:47,560 Speaker 1: But I think having the real life human aspect of 409 00:16:47,600 --> 00:16:49,200 Speaker 1: it could work a little bit. 410 00:16:49,320 --> 00:16:51,440 Speaker 2: I mean you could make the you could make the 411 00:16:51,440 --> 00:16:54,560 Speaker 2: people toys like Andy Jesse, those could be humans. 412 00:16:55,080 --> 00:16:57,080 Speaker 3: Oh, you totally switch it up, make them humans. 413 00:16:57,200 --> 00:16:57,360 Speaker 2: Yeah. 414 00:16:57,400 --> 00:16:58,760 Speaker 1: I didn't even think of that. I was thinking the 415 00:16:58,840 --> 00:17:00,880 Speaker 1: humans are humans and the toy there's still some kind 416 00:17:00,880 --> 00:17:01,800 Speaker 1: of like Chucky. 417 00:17:02,080 --> 00:17:04,280 Speaker 2: No. I was thinking, like the toys could become humans. 418 00:17:04,280 --> 00:17:05,639 Speaker 2: Oh yeah, I mean you can't. 419 00:17:05,720 --> 00:17:07,640 Speaker 3: I mean entirely different movie Peep. 420 00:17:07,840 --> 00:17:08,040 Speaker 4: Yeah. 421 00:17:08,080 --> 00:17:09,280 Speaker 3: I think that would actually. 422 00:17:08,960 --> 00:17:10,800 Speaker 2: Work too, But I'm saying it would be terrible, but 423 00:17:10,800 --> 00:17:11,199 Speaker 2: it could be. 424 00:17:11,359 --> 00:17:13,600 Speaker 1: It would be it'd be like a Broadway musical type 425 00:17:13,720 --> 00:17:14,840 Speaker 1: level movie. 426 00:17:14,520 --> 00:17:16,680 Speaker 2: But without the talent of a Broadway musical. 427 00:17:16,359 --> 00:17:19,159 Speaker 1: Exactly the one I think is an easy plug and 428 00:17:19,280 --> 00:17:21,520 Speaker 1: play to make a live action Pixar movie would be 429 00:17:21,560 --> 00:17:24,280 Speaker 1: The Incredibles, because really it's just a superhero movie. 430 00:17:24,400 --> 00:17:26,680 Speaker 2: Can I throw one into consideration, red a toy. 431 00:17:27,680 --> 00:17:30,600 Speaker 1: I didn't have someone on my list, but that would 432 00:17:30,600 --> 00:17:31,960 Speaker 1: probably be the cutest one. 433 00:17:32,000 --> 00:17:34,120 Speaker 3: A little rat in the Yeah, no. 434 00:17:34,400 --> 00:17:36,520 Speaker 2: You need like a New York Street rat. I'm not 435 00:17:36,560 --> 00:17:39,400 Speaker 2: talking cute, I'm talking like the fat Subway rats. 436 00:17:39,720 --> 00:17:40,680 Speaker 3: Oh, the big fat rat. 437 00:17:41,560 --> 00:17:43,480 Speaker 1: I did see some people saying that they should get 438 00:17:43,480 --> 00:17:45,920 Speaker 1: the guy from Challengers. 439 00:17:45,520 --> 00:17:48,520 Speaker 2: To remake I kind of look like the cartoon. 440 00:17:48,800 --> 00:17:50,960 Speaker 3: I mean there's that whole trend of rodent men. 441 00:17:51,080 --> 00:17:52,600 Speaker 2: Yeah, I could talk about that all day long. 442 00:17:52,680 --> 00:17:54,600 Speaker 1: I feel like if I was one of those guys 443 00:17:54,640 --> 00:17:56,919 Speaker 1: being put on that list, I feel kind of bad. 444 00:17:56,960 --> 00:17:58,200 Speaker 3: I mean, it's colder getting the attention. 445 00:17:58,240 --> 00:18:01,240 Speaker 2: But they put Jeremy Allen White, and like everyone thinks 446 00:18:01,240 --> 00:18:03,320 Speaker 2: he's attractive. Heated a Calvin Klinad. So I don't think 447 00:18:03,400 --> 00:18:04,880 Speaker 2: rodent man is like an insult. 448 00:18:05,200 --> 00:18:07,119 Speaker 1: Yeah, I think you still have to be a level 449 00:18:07,160 --> 00:18:09,720 Speaker 1: of attractive to be in that category that the two 450 00:18:09,720 --> 00:18:11,920 Speaker 1: other guys and Jeremy Allen wide are in. Yeah, it 451 00:18:12,359 --> 00:18:14,399 Speaker 1: was like both the guys from Challengers, but it was like, 452 00:18:14,400 --> 00:18:16,000 Speaker 1: for me, it's like, Okay, we just came out and 453 00:18:16,040 --> 00:18:19,480 Speaker 1: hit movie. My career is about to skyrocket. 454 00:18:19,480 --> 00:18:19,640 Speaker 2: Here. 455 00:18:19,680 --> 00:18:21,800 Speaker 1: I have all this attention and then you see every 456 00:18:21,880 --> 00:18:24,840 Speaker 1: single article about rodent men. Is your picture right there? 457 00:18:25,119 --> 00:18:27,240 Speaker 1: Not the fact that you just crushed it in Challengers. 458 00:18:27,240 --> 00:18:28,600 Speaker 1: Is the fact that you look like a rat but 459 00:18:28,680 --> 00:18:30,119 Speaker 1: you're still kind of attractive to women. 460 00:18:30,320 --> 00:18:32,480 Speaker 2: This is where TikTok has gone off the rails, because 461 00:18:32,520 --> 00:18:35,959 Speaker 2: that's where that trend started. Yeah, it's TikTok with rodent Man. 462 00:18:36,000 --> 00:18:36,919 Speaker 2: It's kind of funny. 463 00:18:36,640 --> 00:18:39,000 Speaker 1: Though I would I would take it, but still was like, 464 00:18:39,040 --> 00:18:40,960 Speaker 1: man of all the things for me to be attracted for, 465 00:18:41,000 --> 00:18:43,480 Speaker 1: it's because I look like a rat, a little pizza rat. 466 00:18:43,560 --> 00:18:47,119 Speaker 2: Pizza rat. See. I think Ratitude could be great and okay, 467 00:18:47,400 --> 00:18:50,080 Speaker 2: but it's like a dark live action. 468 00:18:50,400 --> 00:18:52,119 Speaker 3: That's kind of what I have, the idea of all 469 00:18:52,160 --> 00:18:53,000 Speaker 3: these little. 470 00:18:53,320 --> 00:18:56,640 Speaker 2: Dark live action Ratitude. We lost his job, so he's 471 00:18:56,640 --> 00:18:59,360 Speaker 2: stealing pizza off the subway. Wow. I just somebody called 472 00:18:59,359 --> 00:18:59,680 Speaker 2: me up. 473 00:18:59,640 --> 00:19:02,280 Speaker 3: Because I hit my idea for the toy story. Would 474 00:19:02,359 --> 00:19:05,480 Speaker 3: it'd be a horror movie killing each other? 475 00:19:05,560 --> 00:19:08,399 Speaker 2: It really is like like Chucky or Gremlins. 476 00:19:08,640 --> 00:19:10,480 Speaker 1: The other ones I had on my list were up 477 00:19:10,680 --> 00:19:13,280 Speaker 1: I think that Outdoor work because they're all mostly humans 478 00:19:13,440 --> 00:19:14,640 Speaker 1: and then you have the dog in there. 479 00:19:14,800 --> 00:19:15,360 Speaker 2: Love the dog. 480 00:19:15,720 --> 00:19:17,960 Speaker 3: I also have I think Monsters Ink would work. 481 00:19:18,240 --> 00:19:21,679 Speaker 1: No oh, kind of like a like a Muppets movie 482 00:19:21,760 --> 00:19:25,640 Speaker 1: where you have the humans and then the Muppets. Maybe 483 00:19:25,680 --> 00:19:27,840 Speaker 1: it because we just watched that Eric show on Netflix 484 00:19:28,000 --> 00:19:30,800 Speaker 1: where you have the big how about cars? 485 00:19:31,119 --> 00:19:32,080 Speaker 3: Do you just need cars? 486 00:19:32,440 --> 00:19:33,160 Speaker 2: It could be done. 487 00:19:33,240 --> 00:19:35,840 Speaker 3: It could be done. You just need cars cars. I 488 00:19:35,840 --> 00:19:37,240 Speaker 3: mean it kind of like Transformers. 489 00:19:37,480 --> 00:19:40,920 Speaker 2: Yeah, talking cars are like Herbie fully Loaded one Lindsayyan's 490 00:19:40,960 --> 00:19:42,040 Speaker 2: Greater Movies. 491 00:19:41,920 --> 00:19:43,640 Speaker 1: And then the last one I had on my list 492 00:19:43,840 --> 00:19:46,760 Speaker 1: was along the same lines of Toy Story would be 493 00:19:46,840 --> 00:19:50,080 Speaker 1: light Year, just because that's essentially just a sci fi movie. 494 00:19:50,119 --> 00:19:52,000 Speaker 1: I'm glad though, that they are saying they're not going 495 00:19:52,080 --> 00:19:54,919 Speaker 1: to remake any live action movies, because I feel like 496 00:19:55,000 --> 00:19:58,920 Speaker 1: now they are getting into a point where before Pixar 497 00:19:59,040 --> 00:20:01,640 Speaker 1: just wouldn't make sequels of things they put out one. 498 00:20:02,040 --> 00:20:03,720 Speaker 2: I mean, yeah, The Incredibles took fourteen years. 499 00:20:03,720 --> 00:20:06,000 Speaker 1: It took forever, But now we're going to get a 500 00:20:06,040 --> 00:20:09,639 Speaker 1: Toy Story five. We just got Inside Out two. The 501 00:20:09,640 --> 00:20:12,040 Speaker 1: only original Pixar movie they have coming out is in 502 00:20:12,040 --> 00:20:15,159 Speaker 1: twenty twenty five Ilio or Leo maybe is how you 503 00:20:15,200 --> 00:20:17,480 Speaker 1: pronounce it, which is also kind of a sci fi movie. 504 00:20:17,680 --> 00:20:20,000 Speaker 1: But this kid who gets I think his dad goes 505 00:20:20,000 --> 00:20:22,520 Speaker 1: missing or his mom goes missing. Yeah, and we saw 506 00:20:22,560 --> 00:20:24,879 Speaker 1: that trailer like maybe a year and a half, almost 507 00:20:24,920 --> 00:20:26,720 Speaker 1: two years ago, and it's been delayed for a while. 508 00:20:27,040 --> 00:20:31,280 Speaker 1: I think they're struggling, and now because of some movies 509 00:20:31,320 --> 00:20:34,159 Speaker 1: not having as much success as those last movies in 510 00:20:34,200 --> 00:20:36,439 Speaker 1: the last five years we were talking about, they're not 511 00:20:36,640 --> 00:20:40,840 Speaker 1: taking so much more risks on original ideas, where I 512 00:20:40,880 --> 00:20:42,960 Speaker 1: think that is going to hurt them in the end. 513 00:20:43,000 --> 00:20:45,200 Speaker 2: I'm still thinking about Dark rad of Towey. I think 514 00:20:45,240 --> 00:20:48,840 Speaker 2: this has something. So if anyone out there has connections, 515 00:20:49,200 --> 00:20:50,800 Speaker 2: let me know, because I am also in the boat 516 00:20:50,800 --> 00:20:53,199 Speaker 2: of like struggling with my purpose. You know, I'm like 517 00:20:53,240 --> 00:20:55,600 Speaker 2: soul If you want to ride a dark live action 518 00:20:55,760 --> 00:20:58,280 Speaker 2: rat of Touey and I need to relocate and live 519 00:20:58,320 --> 00:21:00,320 Speaker 2: in New York for a while, I'm so good I 520 00:21:00,320 --> 00:21:02,120 Speaker 2: will not handle the rats though that would be someone 521 00:21:02,119 --> 00:21:02,640 Speaker 2: else's job. 522 00:21:02,840 --> 00:21:03,240 Speaker 4: Yeah. 523 00:21:03,280 --> 00:21:05,480 Speaker 3: So the Pixar movie you just watched for the first time, 524 00:21:05,680 --> 00:21:06,240 Speaker 3: which made. 525 00:21:06,080 --> 00:21:08,040 Speaker 2: It onto my mouth rushmore because you took. 526 00:21:07,920 --> 00:21:12,120 Speaker 1: Ump Inside Out, which I forgot, came out twenty fifteen. 527 00:21:12,680 --> 00:21:14,680 Speaker 1: It's almost the ten year anniversary of that one, and 528 00:21:14,720 --> 00:21:16,200 Speaker 1: we just got the sequel to it. How did you 529 00:21:16,240 --> 00:21:18,480 Speaker 1: feel after watching Inside Out? Did it make you feel 530 00:21:18,520 --> 00:21:19,480 Speaker 1: all the feelings? 531 00:21:19,840 --> 00:21:22,600 Speaker 2: Didn't make me feel all the feelings really just made 532 00:21:22,600 --> 00:21:24,359 Speaker 2: me really to sadness. 533 00:21:25,000 --> 00:21:25,840 Speaker 3: A lot of characters. 534 00:21:25,920 --> 00:21:28,280 Speaker 2: Sadness was a vibe. I thought it was great. I'm 535 00:21:28,280 --> 00:21:31,240 Speaker 2: really looking forward to the second one. We did discover 536 00:21:31,359 --> 00:21:34,280 Speaker 2: though they recast some people because they lowballed everyone. 537 00:21:34,480 --> 00:21:38,600 Speaker 1: Yeah, they recast Many Kaling and Bill Hayter, which they 538 00:21:38,760 --> 00:21:41,320 Speaker 1: said that it was because some of their schedules maybe 539 00:21:41,320 --> 00:21:43,280 Speaker 1: didn't the line. They're like, hey, we made this movie 540 00:21:43,320 --> 00:21:45,880 Speaker 1: back in twenty fifteen. When you try to get everybody 541 00:21:45,920 --> 00:21:48,639 Speaker 1: back together, some things that work out. But it looks like, 542 00:21:48,680 --> 00:21:51,520 Speaker 1: according to some reports, they lowballed him a little bit. 543 00:21:51,600 --> 00:21:54,440 Speaker 1: That I think Amy Pohler made between four to five 544 00:21:54,440 --> 00:21:57,119 Speaker 1: million dollars for returning his Joy and they're trying to 545 00:21:57,119 --> 00:22:00,000 Speaker 1: give everybody else one hundred thousand dollars to do this movie. 546 00:22:00,080 --> 00:22:02,520 Speaker 2: That's an insane disparity. 547 00:22:02,080 --> 00:22:05,880 Speaker 1: Incredibly low, and some people were we haven't seen it yet. 548 00:22:05,880 --> 00:22:06,960 Speaker 3: The time of recording this. 549 00:22:07,400 --> 00:22:09,359 Speaker 1: Some were saying that, well, if they come back and 550 00:22:09,400 --> 00:22:12,639 Speaker 1: don't have as prominent of a role, maybe that's based 551 00:22:12,680 --> 00:22:14,800 Speaker 1: on how much their character is going to be in it, 552 00:22:14,800 --> 00:22:17,159 Speaker 1: because they are introducing a whole lot of characters. So 553 00:22:17,200 --> 00:22:19,200 Speaker 1: if you have Bill Hater coming back, but he really 554 00:22:19,280 --> 00:22:21,640 Speaker 1: is just the cameo and you're not going to pay 555 00:22:21,720 --> 00:22:23,840 Speaker 1: him the same that you would pay Amy Poehler, who 556 00:22:23,920 --> 00:22:24,960 Speaker 1: is the star of the movie. 557 00:22:25,160 --> 00:22:27,480 Speaker 2: I can't wait for some of the new voices they have. 558 00:22:27,840 --> 00:22:31,680 Speaker 2: My absolute favorite of the moment Iowa Debris, love her, 559 00:22:31,880 --> 00:22:32,960 Speaker 2: can't wait to hear her in it. 560 00:22:33,000 --> 00:22:35,000 Speaker 3: And Maya Hawk as anxiety. 561 00:22:35,160 --> 00:22:38,600 Speaker 2: I feel like I will deeply relate to that one. 562 00:22:38,720 --> 00:22:41,080 Speaker 1: The reason I like Maya Hawk right now is because 563 00:22:41,119 --> 00:22:43,399 Speaker 1: she came out an interview recently and said, I know 564 00:22:43,480 --> 00:22:46,960 Speaker 1: I'm a Nepple baby, and i know I've had some advantages, 565 00:22:47,080 --> 00:22:49,240 Speaker 1: but I'm going to own it. And I think being 566 00:22:49,280 --> 00:22:52,760 Speaker 1: so upfront about it that because you have parents Uma Thurman, 567 00:22:53,400 --> 00:22:57,080 Speaker 1: Ethan Hawk, that you're gonna have some advantages over other people. 568 00:22:57,359 --> 00:22:59,119 Speaker 1: But she was like, yeah, I'm not going to deny that. 569 00:22:59,240 --> 00:23:01,080 Speaker 1: Like it has been a little bit easier for me 570 00:23:01,119 --> 00:23:01,720 Speaker 1: because of that. 571 00:23:02,080 --> 00:23:05,800 Speaker 2: Uma Thurman and Maya Hawk were at the Taylor Swift 572 00:23:05,800 --> 00:23:09,080 Speaker 2: show I went to last year, and they're both stunningly 573 00:23:09,400 --> 00:23:11,840 Speaker 2: attractive in person, and you're just like, wow. 574 00:23:12,000 --> 00:23:15,280 Speaker 3: I mean, that's some DNA to have, truly, But. 575 00:23:15,280 --> 00:23:18,000 Speaker 2: Yeah, Mayahawk will be really good as anxiety. 576 00:23:17,880 --> 00:23:21,880 Speaker 1: Anything else you have. As far as feelings on Pixar. 577 00:23:21,560 --> 00:23:23,800 Speaker 2: Movies, I'm looking at the list again. 578 00:23:24,040 --> 00:23:26,320 Speaker 1: Yeah, I know people are gonna get upset, like, why 579 00:23:26,440 --> 00:23:28,080 Speaker 1: did you not pick this one? Why did you not 580 00:23:28,119 --> 00:23:30,639 Speaker 1: pick that one? Like I said, Toy Story three was 581 00:23:31,040 --> 00:23:32,120 Speaker 1: in consideration for. 582 00:23:32,160 --> 00:23:33,640 Speaker 3: Me, Wally was up there. 583 00:23:33,680 --> 00:23:36,480 Speaker 1: Wally is top ten for me, but not top five, 584 00:23:37,000 --> 00:23:40,439 Speaker 1: So wouldn't make that top mount Rushmore spot unless you 585 00:23:40,480 --> 00:23:42,879 Speaker 1: took every single one of mine. And then if you 586 00:23:42,880 --> 00:23:45,160 Speaker 1: look further down the list, I feel like Toy Story 587 00:23:45,160 --> 00:23:47,800 Speaker 1: four shouldn't exist. Toy Story four kind of felt like 588 00:23:47,840 --> 00:23:50,119 Speaker 1: the epilogue in the story, which is why I'm kind 589 00:23:50,119 --> 00:23:52,080 Speaker 1: of bummed out that they're making Toy Story five. 590 00:23:52,160 --> 00:23:53,000 Speaker 3: Will probably do six. 591 00:23:53,040 --> 00:23:56,080 Speaker 1: It's probably gonna be a continuing thing until maybe Tom 592 00:23:56,119 --> 00:23:58,959 Speaker 1: Hanks and Tim Allen are no longer alive and then 593 00:23:59,000 --> 00:24:01,040 Speaker 1: they just picked somebody else to totally change it. But 594 00:24:01,080 --> 00:24:04,160 Speaker 1: it just feels like they're gonna keep relying on their 595 00:24:04,200 --> 00:24:07,640 Speaker 1: biggest properties to continue to make Pixar movies. Inside Out 596 00:24:07,680 --> 00:24:09,359 Speaker 1: was up there. I think Inside Out is almost a 597 00:24:09,440 --> 00:24:11,160 Speaker 1: top five for me, so good. 598 00:24:11,640 --> 00:24:14,240 Speaker 2: I just like anything that gets people talking about their feelings. 599 00:24:14,359 --> 00:24:19,440 Speaker 2: I love like deep conversations. I'm an introvert. I can 600 00:24:19,480 --> 00:24:21,760 Speaker 2: be good at small talk. Small talk is awkward. I'd 601 00:24:21,840 --> 00:24:23,560 Speaker 2: rather skip the small talk and just like dive in. 602 00:24:23,840 --> 00:24:26,920 Speaker 2: I'd rather be what Kate Kennedy calls like dressing room friends, 603 00:24:26,920 --> 00:24:28,600 Speaker 2: like when you go shopping or you close enough share 604 00:24:28,680 --> 00:24:31,600 Speaker 2: dressing room. I don't like the small talk. I get weird. 605 00:24:31,960 --> 00:24:33,679 Speaker 2: I don't know what to say. I'd rather just like 606 00:24:33,880 --> 00:24:36,520 Speaker 2: dive in and like just talk about our feelings big talk, 607 00:24:36,920 --> 00:24:38,320 Speaker 2: big talk, Yeah, I like big talk. 608 00:24:38,760 --> 00:24:40,800 Speaker 1: The only other one I'll mention that I know people 609 00:24:40,840 --> 00:24:42,840 Speaker 1: are gonna be screaming about that neither of us picked 610 00:24:42,920 --> 00:24:45,280 Speaker 1: was Cars. And I've just never been a fan of 611 00:24:45,320 --> 00:24:46,240 Speaker 1: the Cars movies. 612 00:24:46,359 --> 00:24:48,600 Speaker 2: I don't think it deserves span them ount rushmore. 613 00:24:48,760 --> 00:24:52,480 Speaker 1: I never found them to have the same effect on 614 00:24:52,560 --> 00:24:55,280 Speaker 1: me that all the other Pixar movies did. I almost 615 00:24:55,320 --> 00:24:58,800 Speaker 1: feel like the Cars movies were made purely to sell cars, toys. 616 00:24:59,200 --> 00:25:01,919 Speaker 2: They were just how like the cars, beds, you know, 617 00:25:01,920 --> 00:25:03,640 Speaker 2: people would get beds. They look like lightning Queen. 618 00:25:03,880 --> 00:25:06,359 Speaker 1: I see it more as the merchandise than the actual product, 619 00:25:06,400 --> 00:25:08,720 Speaker 1: which when you look at any animated movie, the goal 620 00:25:08,760 --> 00:25:11,080 Speaker 1: of them really is to sell toys to kids. They're 621 00:25:11,160 --> 00:25:15,720 Speaker 1: essentially ninety minute to two hour commercials to sell products, 622 00:25:15,760 --> 00:25:18,320 Speaker 1: to get people into Disney World the end of the day. 623 00:25:18,359 --> 00:25:21,120 Speaker 1: That is why Disney makes these movies. It's because it's 624 00:25:21,119 --> 00:25:23,760 Speaker 1: the vehicle to drive the machine. And I think that's 625 00:25:23,800 --> 00:25:27,960 Speaker 1: why they meet Dark Yeah feel I mean his business, 626 00:25:28,320 --> 00:25:30,679 Speaker 1: but I think that's why they are looking for the 627 00:25:30,720 --> 00:25:33,320 Speaker 1: next big hit and focusing on things that work, because 628 00:25:33,600 --> 00:25:36,480 Speaker 1: if they don't put out good movies that are essentially commercials, 629 00:25:36,480 --> 00:25:37,800 Speaker 1: they still have to be art at the end of 630 00:25:37,840 --> 00:25:39,919 Speaker 1: it to resonate with people. If you're not making that 631 00:25:40,000 --> 00:25:42,280 Speaker 1: great art, it's not going to fund all the other 632 00:25:42,359 --> 00:25:45,199 Speaker 1: aspects of Disney. So when it comes to what I 633 00:25:45,240 --> 00:25:48,159 Speaker 1: look for in Pixar movies to make me feel and 634 00:25:48,200 --> 00:25:51,040 Speaker 1: to make me laugh and to also push the boundaries 635 00:25:51,040 --> 00:25:53,119 Speaker 1: on animation, the Cars movies have just never been that 636 00:25:53,160 --> 00:25:55,720 Speaker 1: for me. So wouldn't even put it in the top ten. 637 00:25:55,640 --> 00:25:57,359 Speaker 2: Wouldn't a big lightning queen girly either. 638 00:25:57,520 --> 00:26:00,520 Speaker 1: Yeah, I mean, I mean even had like the like 639 00:26:00,560 --> 00:26:02,399 Speaker 1: the catch phrase. That felt a little bit for us 640 00:26:02,600 --> 00:26:04,800 Speaker 1: not into it. So I'm glad that I don't think 641 00:26:04,800 --> 00:26:07,679 Speaker 1: they'll be making any more of those. So that is 642 00:26:07,720 --> 00:26:11,200 Speaker 1: our Mount Rushmore. That is our discussion of Pixar. We'll 643 00:26:11,200 --> 00:26:13,920 Speaker 1: come back and give our movie review of inside Out two. 644 00:26:14,440 --> 00:26:16,400 Speaker 2: And now I really want to McDonald's cheeseburger. 645 00:26:16,440 --> 00:26:18,919 Speaker 1: All right, Well, go to McDonald's even though I'm vegan 646 00:26:18,960 --> 00:26:20,680 Speaker 1: and you can't have dari or gluten. 647 00:26:21,240 --> 00:26:23,639 Speaker 2: And do we even have McDonald's near us? 648 00:26:23,960 --> 00:26:28,919 Speaker 3: Yeah, there's one. Okay, let's see if they have toys. Okay, 649 00:26:34,200 --> 00:26:35,080 Speaker 3: let's get into it now. 650 00:26:35,160 --> 00:26:39,239 Speaker 1: A spoiler free movie review of inside Out two. And 651 00:26:39,320 --> 00:26:41,880 Speaker 1: I am coming at this review as somebody who loved 652 00:26:41,880 --> 00:26:44,720 Speaker 1: the original, even though at the time that came out 653 00:26:44,720 --> 00:26:47,040 Speaker 1: in twenty fifteen, probably out of the demographic now is 654 00:26:47,080 --> 00:26:49,600 Speaker 1: a thirty two almost thirty three year old. I'm not 655 00:26:49,640 --> 00:26:52,840 Speaker 1: the demographic. So how I'm going to review this review 656 00:26:52,880 --> 00:26:55,240 Speaker 1: because always in the comments I get, people say. 657 00:26:55,080 --> 00:26:57,119 Speaker 3: You're an adul Why are you talking about kids movies? 658 00:26:57,200 --> 00:26:59,600 Speaker 1: First of all, I feel like inside Out One and 659 00:26:59,640 --> 00:27:03,959 Speaker 1: now In Out to transcend what people call kids movies. 660 00:27:04,080 --> 00:27:08,919 Speaker 1: I think you can watch any movie no matter what age. 661 00:27:08,680 --> 00:27:09,800 Speaker 3: You are and enjoy it. 662 00:27:09,880 --> 00:27:12,760 Speaker 1: I think whenever we categorize Disney and Pixar movies as 663 00:27:12,800 --> 00:27:15,800 Speaker 1: they're for kids, there's some truth to that. They are 664 00:27:15,960 --> 00:27:20,320 Speaker 1: the key demographic. In this movie, Riley takes place after 665 00:27:20,400 --> 00:27:22,640 Speaker 1: the first one where she was twelve years old. Now 666 00:27:22,680 --> 00:27:25,800 Speaker 1: she is thirteen years old entering high school. Although it 667 00:27:25,880 --> 00:27:29,520 Speaker 1: is for kids, the character in this movie is now 668 00:27:29,560 --> 00:27:33,159 Speaker 1: a teenager. So I don't know if teenagers are really 669 00:27:33,200 --> 00:27:35,400 Speaker 1: into Pixar movies. They're probably a little bit too cool 670 00:27:35,440 --> 00:27:37,840 Speaker 1: for this. But I think this is the type of 671 00:27:37,920 --> 00:27:40,440 Speaker 1: movie I needed as a kid. So how I'm going 672 00:27:40,480 --> 00:27:44,199 Speaker 1: to review this movie. That kid inside of me that 673 00:27:44,359 --> 00:27:46,880 Speaker 1: lives deep in there that as you can see by 674 00:27:46,920 --> 00:27:49,720 Speaker 1: the look, so this studio still comes out of me 675 00:27:49,800 --> 00:27:51,879 Speaker 1: a lot. One emotion in particular that I'll get into 676 00:27:51,960 --> 00:27:54,159 Speaker 1: later in this review is still rampant. I mean, look 677 00:27:54,200 --> 00:27:56,199 Speaker 1: at my mug that I'm drinking get right now for 678 00:27:56,280 --> 00:27:59,680 Speaker 1: those of you watching on YouTube, it's literally a Wolverine mug. 679 00:27:59,800 --> 00:28:02,439 Speaker 1: That kid inside of me is going to review this movie, 680 00:28:02,680 --> 00:28:04,760 Speaker 1: and the adult in me is going to review it 681 00:28:04,800 --> 00:28:07,920 Speaker 1: as what kind of movie I needed as a kid, 682 00:28:07,920 --> 00:28:12,520 Speaker 1: because for me, Disney movies were often my guiding light 683 00:28:12,640 --> 00:28:15,960 Speaker 1: because I had parents who from Mexico didn't really talk 684 00:28:16,000 --> 00:28:19,040 Speaker 1: a whole lot about emotions. Mental health really wasn't a 685 00:28:19,040 --> 00:28:22,600 Speaker 1: thing for us growing up. I'm a millennial to my core, 686 00:28:22,800 --> 00:28:25,600 Speaker 1: so I feel we kind of got the tail end 687 00:28:25,680 --> 00:28:28,440 Speaker 1: of that of being more upfront talking about our emotions. 688 00:28:28,440 --> 00:28:30,800 Speaker 1: But as a kid wasn't really a thing. The only 689 00:28:30,880 --> 00:28:34,960 Speaker 1: thing we focused on growing up was physical health doing 690 00:28:35,040 --> 00:28:38,680 Speaker 1: all right, and for me and my family that was 691 00:28:38,760 --> 00:28:39,720 Speaker 1: a big struggle. 692 00:28:39,800 --> 00:28:41,080 Speaker 3: My dad has diabetes. 693 00:28:41,320 --> 00:28:45,320 Speaker 1: I struggled with my weight all throughout middle and high 694 00:28:45,360 --> 00:28:49,560 Speaker 1: school and college. Like for me dealing with just physical 695 00:28:49,560 --> 00:28:53,280 Speaker 1: health that I pushed any kind of mental health way 696 00:28:53,400 --> 00:28:56,080 Speaker 1: down there and put no kind of priority on that. 697 00:28:56,120 --> 00:28:59,240 Speaker 1: And I think now as an adult that is healthier. 698 00:28:59,280 --> 00:29:02,120 Speaker 1: I've lost weight. I'm kind of making up for all that. 699 00:29:02,400 --> 00:29:04,920 Speaker 1: So where we find our characters in this movie takes 700 00:29:04,920 --> 00:29:08,240 Speaker 1: place pretty much right after the first one. Everything is 701 00:29:08,280 --> 00:29:12,680 Speaker 1: going good. Joy sadness, anger, disgust, and fear have all 702 00:29:12,720 --> 00:29:17,440 Speaker 1: been running Riley just normally everything is good and the 703 00:29:17,520 --> 00:29:20,440 Speaker 1: whole main message and inside out one was learning to 704 00:29:20,520 --> 00:29:24,680 Speaker 1: deal with sadness and realizing that it is okay to 705 00:29:24,800 --> 00:29:28,520 Speaker 1: feel sad. It is part of the human condition. But 706 00:29:28,600 --> 00:29:31,280 Speaker 1: then you have some new emotions show up after the 707 00:29:31,320 --> 00:29:35,600 Speaker 1: puberty alarm goes off, and now you have anxiety really 708 00:29:35,680 --> 00:29:40,840 Speaker 1: running that main role that Joy is just so familiar 709 00:29:40,880 --> 00:29:43,680 Speaker 1: with and so comfortable running. And then you have all 710 00:29:43,720 --> 00:29:48,680 Speaker 1: these other new emotions coming in, like envy, embarrassment, all 711 00:29:48,720 --> 00:29:51,640 Speaker 1: those things that come along with going through puberty. And 712 00:29:52,200 --> 00:29:54,320 Speaker 1: I'll say right at the beginning of this is that 713 00:29:54,400 --> 00:29:57,920 Speaker 1: is what I really enjoyed about. This movie doesn't stray 714 00:29:57,960 --> 00:29:59,960 Speaker 1: away from that. And I know we just had turned, 715 00:30:00,520 --> 00:30:03,200 Speaker 1: so it's not out of the ballpark for them to 716 00:30:03,240 --> 00:30:05,920 Speaker 1: do a movie on puberty. But also I think it's 717 00:30:06,360 --> 00:30:08,720 Speaker 1: a little bit of a risk. Some parents, even though 718 00:30:08,760 --> 00:30:11,480 Speaker 1: all kids deal with it, maybe don't want to take 719 00:30:12,080 --> 00:30:14,600 Speaker 1: a four or five year old to see a movie 720 00:30:14,640 --> 00:30:17,760 Speaker 1: about puberty. But I think for me looking at it 721 00:30:17,800 --> 00:30:21,200 Speaker 1: as hey, maybe some kid doesn't have a parent who 722 00:30:21,280 --> 00:30:23,720 Speaker 1: is going to help them through that, this is a 723 00:30:23,800 --> 00:30:27,000 Speaker 1: really good movie to watch to learn how to deal 724 00:30:27,040 --> 00:30:29,719 Speaker 1: with all these new things that you were feeling, And 725 00:30:29,760 --> 00:30:33,040 Speaker 1: that is really what resonated with me, and it took 726 00:30:33,080 --> 00:30:36,920 Speaker 1: me back to the first time I felt anxiety in 727 00:30:36,960 --> 00:30:40,080 Speaker 1: my life and didn't know it. I was in second grade. 728 00:30:40,680 --> 00:30:44,040 Speaker 1: I went to school and I was so anxious. As 729 00:30:44,040 --> 00:30:46,160 Speaker 1: a kid, I did not want to be late. I 730 00:30:46,240 --> 00:30:48,720 Speaker 1: never wanted to miss a day, and I didn't know 731 00:30:48,760 --> 00:30:52,160 Speaker 1: what that feeling was. But looking back on it, it 732 00:30:52,320 --> 00:30:55,120 Speaker 1: was my anxiety, which I still struggle with. 733 00:30:55,560 --> 00:30:56,720 Speaker 3: Go to therapy for it. 734 00:30:56,800 --> 00:30:59,760 Speaker 1: I take sleeping medications so I can sleep at night 735 00:31:00,320 --> 00:31:03,959 Speaker 1: because anxiety has become such a just rampant thing in 736 00:31:03,960 --> 00:31:07,480 Speaker 1: my life. But I've, over the course of doing therapy 737 00:31:07,720 --> 00:31:11,360 Speaker 1: and learning how to use these tools to combat it 738 00:31:11,440 --> 00:31:14,520 Speaker 1: a little bit. This movie, even for me, it was helpful. 739 00:31:14,560 --> 00:31:17,080 Speaker 1: But I can only imagine if I watched this back 740 00:31:17,120 --> 00:31:20,160 Speaker 1: when I was eight, nine, ten years old, even twelve, 741 00:31:20,200 --> 00:31:23,080 Speaker 1: thirteen years old, I would have taken so much from it, 742 00:31:23,760 --> 00:31:27,840 Speaker 1: because it probably wasn't until high school even college that 743 00:31:27,920 --> 00:31:30,800 Speaker 1: I really was able to identify that what I was 744 00:31:30,840 --> 00:31:32,960 Speaker 1: struggling with is anxiety. 745 00:31:33,800 --> 00:31:35,920 Speaker 3: And I love the way. 746 00:31:35,800 --> 00:31:39,880 Speaker 1: That this movie handled it so well and really showed 747 00:31:41,160 --> 00:31:44,360 Speaker 1: what anxiety does to not just a kid, but a person. 748 00:31:45,040 --> 00:31:47,920 Speaker 1: And I think Maya Hawk did a fantastic job voicing 749 00:31:47,960 --> 00:31:51,640 Speaker 1: the character and you realize just how much she has 750 00:31:51,680 --> 00:31:54,400 Speaker 1: that emotion in her voice. And I think just voice 751 00:31:54,440 --> 00:31:57,440 Speaker 1: acting in this well when it came to anxiety, was 752 00:31:57,480 --> 00:32:00,600 Speaker 1: really great. I really hate the fact that they replaced 753 00:32:00,640 --> 00:32:04,520 Speaker 1: Bill Hayter and Mindy Kayling as fear and disgust, and 754 00:32:04,560 --> 00:32:06,800 Speaker 1: I will say the only really points that I held 755 00:32:06,880 --> 00:32:10,240 Speaker 1: against this movie was the fact that I did enjoy 756 00:32:10,360 --> 00:32:13,160 Speaker 1: the new fear and disgust, and I think to have 757 00:32:13,240 --> 00:32:16,120 Speaker 1: two people who have such great animated voices like Bill 758 00:32:16,160 --> 00:32:20,360 Speaker 1: Hayter and Mindy Kayling who really felt so perfect in 759 00:32:20,400 --> 00:32:24,080 Speaker 1: that role. It was a reminder to me of like 760 00:32:24,080 --> 00:32:26,560 Speaker 1: when I would watch cartoons as a kid and they 761 00:32:26,560 --> 00:32:29,440 Speaker 1: would replace my favorite characters. I knew people think that 762 00:32:29,520 --> 00:32:31,360 Speaker 1: kids don't know. I knew, and I felt it in 763 00:32:31,400 --> 00:32:33,680 Speaker 1: this movie. But back to the way the anxiety was 764 00:32:33,720 --> 00:32:36,479 Speaker 1: portrayed in this movie, I think it is perfect so 765 00:32:37,320 --> 00:32:40,080 Speaker 1: much like in the first one where Joy is trying 766 00:32:40,120 --> 00:32:45,440 Speaker 1: to suppress everything that is harmful To'riiley. No bad emotions, 767 00:32:45,520 --> 00:32:48,800 Speaker 1: no bad memories, all good all the time, and we 768 00:32:48,880 --> 00:32:54,160 Speaker 1: learned from that not sustainable. And I think this movie 769 00:32:54,240 --> 00:32:57,479 Speaker 1: is also great because it shows that you don't have 770 00:32:57,560 --> 00:32:59,480 Speaker 1: to be happy all the time, and that was something 771 00:32:59,520 --> 00:33:02,360 Speaker 1: I struggle with a lot because maybe it was the 772 00:33:02,440 --> 00:33:05,240 Speaker 1: millennial generation, but I feel like there was a lot 773 00:33:05,240 --> 00:33:10,320 Speaker 1: of toxic positivity outline and people just telling you just smile. 774 00:33:10,120 --> 00:33:12,920 Speaker 3: Get through the day. There are other people going through 775 00:33:12,960 --> 00:33:13,600 Speaker 3: worse things. 776 00:33:13,600 --> 00:33:15,800 Speaker 1: You don't have it that bad, and I think sometimes 777 00:33:15,840 --> 00:33:19,040 Speaker 1: you need that a little reminder that hey, maybe what 778 00:33:19,120 --> 00:33:21,920 Speaker 1: you're going through isn't the worst thing, but sometimes you 779 00:33:22,080 --> 00:33:24,360 Speaker 1: just need to feel bad. You need to feel angry, 780 00:33:24,400 --> 00:33:26,680 Speaker 1: you need to feel sad, you need to feel anxious, 781 00:33:27,480 --> 00:33:30,520 Speaker 1: and you can't just feel happy all the time, because 782 00:33:31,360 --> 00:33:33,400 Speaker 1: the more you just put on that front, the more 783 00:33:33,520 --> 00:33:36,680 Speaker 1: everything else just bubbles up a little bit more. 784 00:33:36,720 --> 00:33:38,400 Speaker 3: You have these memories in the back of your head. 785 00:33:38,400 --> 00:33:41,640 Speaker 1: And that's also what this movie shows that just being 786 00:33:41,680 --> 00:33:44,800 Speaker 1: happy all the time isn't going to be good for you. 787 00:33:44,800 --> 00:33:46,480 Speaker 3: You need to let all of these. 788 00:33:46,280 --> 00:33:49,720 Speaker 1: Emotions coexist together, much like they do in this movie. 789 00:33:49,840 --> 00:33:51,440 Speaker 3: They all need to be at the. 790 00:33:51,400 --> 00:33:56,080 Speaker 1: Control for different times, and it's all important to making 791 00:33:56,120 --> 00:33:59,680 Speaker 1: you the person. I really enjoyed what this movie had 792 00:33:59,720 --> 00:34:02,640 Speaker 1: to say, and also the animation was a pretty big 793 00:34:02,840 --> 00:34:06,360 Speaker 1: improvement from the first one. Being that the last one 794 00:34:06,400 --> 00:34:09,520 Speaker 1: came out in twenty fifteen, obviously they made some improvements 795 00:34:09,520 --> 00:34:10,160 Speaker 1: in just the way. 796 00:34:10,040 --> 00:34:11,040 Speaker 3: The characters looked. 797 00:34:11,640 --> 00:34:14,799 Speaker 1: I loved the combination again much like they did in 798 00:34:14,840 --> 00:34:19,440 Speaker 1: the original, of using different kind of animation styles for 799 00:34:19,480 --> 00:34:21,799 Speaker 1: different characters. I thought that was a really nice touch. 800 00:34:21,840 --> 00:34:24,840 Speaker 1: There was a video game character that very much looked 801 00:34:24,840 --> 00:34:27,400 Speaker 1: like an early two thousands or maybe like twenty tens 802 00:34:27,440 --> 00:34:30,800 Speaker 1: video game character. I loved all the new characters they added, 803 00:34:30,840 --> 00:34:33,440 Speaker 1: and feel like they added a lot more comedy. The 804 00:34:33,560 --> 00:34:36,000 Speaker 1: other part of this movie I really enjoyed that they 805 00:34:36,040 --> 00:34:38,600 Speaker 1: stepped up a little bit more. Were all the other 806 00:34:39,320 --> 00:34:42,239 Speaker 1: elements of the mind that they decided to illustrate. You 807 00:34:42,280 --> 00:34:45,400 Speaker 1: may remember from the first one the stream of consciousness 808 00:34:45,719 --> 00:34:48,120 Speaker 1: or the train of thought that was literally a stream 809 00:34:48,239 --> 00:34:51,960 Speaker 1: and literally a train. There are so many more things 810 00:34:52,040 --> 00:34:53,719 Speaker 1: like that in this movie that I don't want to 811 00:34:53,719 --> 00:34:57,040 Speaker 1: really spoil if you haven't seen it yet, because I 812 00:34:57,080 --> 00:34:59,880 Speaker 1: feel like that adds a little bit of comedy. Because 813 00:35:00,280 --> 00:35:03,919 Speaker 1: you always say these things, you reference them a lot 814 00:35:04,000 --> 00:35:06,239 Speaker 1: if you just talk about mental health or talk about 815 00:35:06,280 --> 00:35:08,120 Speaker 1: what's going on in your brain, and it was fun 816 00:35:08,120 --> 00:35:10,040 Speaker 1: to see them all come to life in a really 817 00:35:10,120 --> 00:35:13,960 Speaker 1: creative way, and I think that is really what made 818 00:35:13,960 --> 00:35:18,040 Speaker 1: me feel like Picks are put so much just time 819 00:35:19,080 --> 00:35:23,800 Speaker 1: and emphasis on really doing what they do best and saying, 820 00:35:23,880 --> 00:35:26,960 Speaker 1: this needs to be one of our flagshit movies. 821 00:35:27,320 --> 00:35:28,680 Speaker 3: We're gonna make you feel. 822 00:35:28,880 --> 00:35:31,120 Speaker 1: We're also gonna give you some really great treats to 823 00:35:31,200 --> 00:35:34,400 Speaker 1: your eyes, and then we're gonna pack it all in 824 00:35:34,400 --> 00:35:37,080 Speaker 1: in an hour and twenty five minutes, which this movie 825 00:35:37,120 --> 00:35:40,200 Speaker 1: does not slump whatsoever. There's no time to What this 826 00:35:40,280 --> 00:35:44,520 Speaker 1: one actually did was show Riley a lot more in 827 00:35:44,600 --> 00:35:47,000 Speaker 1: person and what she was going through with her friends. 828 00:35:47,440 --> 00:35:50,120 Speaker 1: They went to this hockey camp, and right at the 829 00:35:50,160 --> 00:35:52,600 Speaker 1: start of the movie, she finds out that her two 830 00:35:52,680 --> 00:35:55,080 Speaker 1: best friends that she made are not gonna go to 831 00:35:55,160 --> 00:35:57,440 Speaker 1: high school with her. So it's all these emotions that 832 00:35:57,520 --> 00:36:00,560 Speaker 1: she's struggling with of wanting to hang out with their 833 00:36:00,600 --> 00:36:03,919 Speaker 1: best friends but also trying to make new friends who 834 00:36:03,920 --> 00:36:06,959 Speaker 1: could potentially be her high school friends if she makes 835 00:36:07,000 --> 00:36:08,960 Speaker 1: the hockey team that she is trying to make at 836 00:36:08,960 --> 00:36:11,759 Speaker 1: this hockey camp this weekend. So I felt by them 837 00:36:11,840 --> 00:36:15,120 Speaker 1: doing that, they definitely gave Riley a lot more on 838 00:36:15,160 --> 00:36:19,120 Speaker 1: screen time as opposed to just the emotions in her mind, 839 00:36:19,320 --> 00:36:22,440 Speaker 1: and that got me thinking that they could probably do. 840 00:36:22,480 --> 00:36:23,280 Speaker 3: One more of these. 841 00:36:23,400 --> 00:36:25,839 Speaker 1: I never really thought they would make an inside out too, 842 00:36:25,960 --> 00:36:30,440 Speaker 1: that maybe her as a teenager wouldn't really work. They 843 00:36:30,520 --> 00:36:33,160 Speaker 1: really eliminated that thought for me, and I think I 844 00:36:33,239 --> 00:36:36,279 Speaker 1: want one more. You may get into some weird territories 845 00:36:36,320 --> 00:36:38,680 Speaker 1: you get further into the teenage years, but if you 846 00:36:38,760 --> 00:36:42,000 Speaker 1: keep it really wholesome, I think you get one more. 847 00:36:42,080 --> 00:36:45,799 Speaker 1: They would probably just go fifteen years old. I think 848 00:36:45,880 --> 00:36:48,200 Speaker 1: sixteen would be the year to do it, although it 849 00:36:48,239 --> 00:36:52,600 Speaker 1: would be interesting to see how her emotions change going 850 00:36:52,760 --> 00:36:56,320 Speaker 1: from high school, graduating, and going to college. 851 00:36:56,400 --> 00:36:58,560 Speaker 3: I think that would be a really interesting movie. 852 00:36:58,920 --> 00:37:01,839 Speaker 1: I feel like that one could be really emotional, and 853 00:37:01,920 --> 00:37:04,600 Speaker 1: the dark side in me was thinking, what if one 854 00:37:04,600 --> 00:37:06,239 Speaker 1: of these emotions died, because that's what. 855 00:37:06,200 --> 00:37:06,799 Speaker 3: Pig Star does. 856 00:37:06,840 --> 00:37:08,880 Speaker 1: They eventually kill off a character or make you think 857 00:37:08,920 --> 00:37:10,719 Speaker 1: they're killing off a character, But. 858 00:37:10,640 --> 00:37:13,440 Speaker 3: Do you really lose an emotion through life? 859 00:37:13,560 --> 00:37:15,919 Speaker 1: Maybe I'm a little dead sized, so I probably lost 860 00:37:15,920 --> 00:37:16,879 Speaker 1: some emotions along the way. 861 00:37:17,000 --> 00:37:18,680 Speaker 3: But I loved all the new characters. 862 00:37:18,840 --> 00:37:22,840 Speaker 1: I think nostalgia that whole joke was probably my favorite 863 00:37:22,880 --> 00:37:26,000 Speaker 1: new character, even though on screen just a couple of 864 00:37:26,080 --> 00:37:28,719 Speaker 1: times really for just one joke that was kind of 865 00:37:28,719 --> 00:37:29,399 Speaker 1: the same joke. 866 00:37:29,480 --> 00:37:32,080 Speaker 3: But maybe it's because I have. 867 00:37:31,920 --> 00:37:34,600 Speaker 1: Such a love for nostalgia that it made me think 868 00:37:34,600 --> 00:37:37,160 Speaker 1: of what is going on in my brain. I think 869 00:37:37,280 --> 00:37:40,439 Speaker 1: at the control nostalgia's just running my things right now. 870 00:37:40,560 --> 00:37:42,400 Speaker 1: And the other thing that really stuck out to me 871 00:37:42,560 --> 00:37:45,719 Speaker 1: about this movie wasn't even on the screen, but it 872 00:37:45,760 --> 00:37:46,600 Speaker 1: was in the lobby. 873 00:37:47,000 --> 00:37:47,800 Speaker 3: It was full. 874 00:37:48,480 --> 00:37:51,840 Speaker 1: Our showing was completely sold out. We ended up changing 875 00:37:51,880 --> 00:37:54,240 Speaker 1: times because we have regal and limited and come basically 876 00:37:54,560 --> 00:37:57,839 Speaker 1: just switch to anytime anytime we want. And we got 877 00:37:57,840 --> 00:38:01,080 Speaker 1: the last two seats to a showing on a Saturday 878 00:38:01,120 --> 00:38:05,480 Speaker 1: afternoon and the lobby was full of people, the theater 879 00:38:05,719 --> 00:38:07,479 Speaker 1: was live, and that. 880 00:38:07,480 --> 00:38:08,200 Speaker 3: Just felt good. 881 00:38:08,239 --> 00:38:10,799 Speaker 1: For a Pixar movie, there hasn't been one in a 882 00:38:10,840 --> 00:38:13,680 Speaker 1: while that really felt like an event, and I've been 883 00:38:13,680 --> 00:38:16,560 Speaker 1: talking so much about how it feels like a lot 884 00:38:16,560 --> 00:38:19,240 Speaker 1: of people are waiting until it goes on to Disney Plus. 885 00:38:20,200 --> 00:38:23,520 Speaker 1: But maybe it's because it's such a big movie, such 886 00:38:23,560 --> 00:38:27,360 Speaker 1: a big property, that there was that urgency. It crushed 887 00:38:27,400 --> 00:38:30,160 Speaker 1: at the box office, making two hundred and ninety five 888 00:38:30,239 --> 00:38:34,000 Speaker 1: million dollars worldwide, now has the biggest opening of the 889 00:38:34,080 --> 00:38:37,880 Speaker 1: year beating out none, which is huge, And I just 890 00:38:38,000 --> 00:38:40,759 Speaker 1: felt that energy in the theater because it reminded me 891 00:38:40,800 --> 00:38:42,080 Speaker 1: of when we went to go see If. 892 00:38:42,520 --> 00:38:45,840 Speaker 3: Audience was dead. Kids were not enjoying that movie. 893 00:38:46,640 --> 00:38:51,439 Speaker 1: Maybe laughed out loud twice in that entire showing of If, 894 00:38:51,680 --> 00:38:54,440 Speaker 1: which just lacked imagination. I felt like it was a 895 00:38:54,520 --> 00:38:56,279 Speaker 1: rip off to kids who went to go see it, 896 00:38:56,880 --> 00:38:58,600 Speaker 1: and one of those last was super cheap because it 897 00:38:58,680 --> 00:39:01,960 Speaker 1: was a fart joke. So for this one, it felt 898 00:39:02,000 --> 00:39:06,200 Speaker 1: so different. The audience felt more engaged, and I think 899 00:39:06,800 --> 00:39:10,360 Speaker 1: this is going to be a core Pixar movie. 900 00:39:10,920 --> 00:39:12,240 Speaker 3: It'll easily jump. 901 00:39:12,000 --> 00:39:14,680 Speaker 1: Into a lot of people's top five. For me, I 902 00:39:14,760 --> 00:39:18,239 Speaker 1: think it would have been a perfect movie. But the 903 00:39:18,280 --> 00:39:22,400 Speaker 1: way I have to judge it, since it is a sequel, 904 00:39:22,480 --> 00:39:24,320 Speaker 1: I have to compare it to the first one. 905 00:39:24,600 --> 00:39:25,920 Speaker 3: That first one hit hard. 906 00:39:26,719 --> 00:39:28,880 Speaker 1: There were some moments in that one that really just 907 00:39:30,120 --> 00:39:32,560 Speaker 1: hit you in the chest, hit you in the gut, 908 00:39:32,800 --> 00:39:35,719 Speaker 1: and still resonate with me. I don't think Inside Out 909 00:39:35,760 --> 00:39:38,080 Speaker 1: two had that. I know the moment they were going for, 910 00:39:38,440 --> 00:39:41,440 Speaker 1: which I won't spoil, but when that moment came, didn't 911 00:39:41,520 --> 00:39:45,239 Speaker 1: quite pack that punch that Inside Out one. Did you 912 00:39:45,320 --> 00:39:47,399 Speaker 1: add that on to the fact that they replace fear 913 00:39:47,440 --> 00:39:50,600 Speaker 1: and disgust? I just can't get over that. I love 914 00:39:50,600 --> 00:39:52,960 Speaker 1: Bill Hater and Mandy Kaling too much. They should have 915 00:39:53,000 --> 00:39:55,640 Speaker 1: paid them the money. It is interesting to see how 916 00:39:55,840 --> 00:39:59,320 Speaker 1: little some of the emotions speaks, so maybe that plays 917 00:39:59,320 --> 00:40:02,919 Speaker 1: a little bit to it, because I feel like Embarrassment 918 00:40:03,000 --> 00:40:05,839 Speaker 1: probably could have done his entire lines in one day. 919 00:40:05,880 --> 00:40:10,120 Speaker 1: But again that's the character of Embarrassment. So by any understandards, 920 00:40:10,200 --> 00:40:12,640 Speaker 1: this would be a perfect five out of five movie. 921 00:40:12,760 --> 00:40:15,319 Speaker 1: But in my heart, I still love the first one more. 922 00:40:15,600 --> 00:40:18,280 Speaker 1: But for Inside Out too, I give it four point 923 00:40:18,360 --> 00:40:20,680 Speaker 1: five out of five. Core Memories. 924 00:40:25,320 --> 00:40:27,400 Speaker 3: It's time to head down to movie. 925 00:40:27,520 --> 00:40:29,000 Speaker 4: Mike Treylar Paul. 926 00:40:29,680 --> 00:40:32,719 Speaker 1: I feel like it's becoming more and more rare to 927 00:40:32,800 --> 00:40:35,480 Speaker 1: not only get one a plus actor in a movie, 928 00:40:35,480 --> 00:40:39,920 Speaker 1: but to get two together. And I'm talking superstars because 929 00:40:39,960 --> 00:40:43,360 Speaker 1: in Wolf's we have Brad Pitt and George Cooney teaming 930 00:40:43,440 --> 00:40:46,520 Speaker 1: up together. It's like going out to dinner and getting 931 00:40:46,520 --> 00:40:49,160 Speaker 1: a steak and as aside to that steak, you get 932 00:40:49,160 --> 00:40:49,920 Speaker 1: another steak. 933 00:40:50,800 --> 00:40:53,000 Speaker 3: How could this movie be bad? And going through their. 934 00:40:52,880 --> 00:40:54,800 Speaker 1: History of movies that they've done together, for some reason. 935 00:40:54,840 --> 00:40:57,440 Speaker 1: I think they've been in so many movies, but really 936 00:40:57,680 --> 00:41:01,239 Speaker 1: primarily it's been The Ocean's franchise that were also in 937 00:41:01,320 --> 00:41:04,719 Speaker 1: burn after reading together. So I'm really excited to see 938 00:41:04,760 --> 00:41:09,960 Speaker 1: two legendary actors back sharing the screen. It's always interesting 939 00:41:09,960 --> 00:41:12,080 Speaker 1: to have that dynamic because you have two people who 940 00:41:12,520 --> 00:41:16,840 Speaker 1: don't need another A list star to make a movie compelling. 941 00:41:16,880 --> 00:41:18,120 Speaker 3: They can do it all by themselves. 942 00:41:18,120 --> 00:41:21,120 Speaker 1: They've been leading men since the nineties, but now to 943 00:41:21,160 --> 00:41:23,680 Speaker 1: have them both together and just seeing the friction between 944 00:41:23,719 --> 00:41:26,960 Speaker 1: their characters, it's almost like they're two egos also battling 945 00:41:26,960 --> 00:41:30,000 Speaker 1: each other on screen. So I think for audiences like us, 946 00:41:30,080 --> 00:41:32,520 Speaker 1: that is going to be really entertaining to watch and 947 00:41:32,640 --> 00:41:35,280 Speaker 1: worthy of going to the theater to watch a movie 948 00:41:35,320 --> 00:41:37,160 Speaker 1: like this. Just by the looks of this trailer, it's 949 00:41:37,200 --> 00:41:40,399 Speaker 1: giving me those early two thousands action comedy vibes, which 950 00:41:40,400 --> 00:41:42,400 Speaker 1: I think we need right now. That's not attached to 951 00:41:42,440 --> 00:41:45,319 Speaker 1: a franchise, not a part of some cinematic universe, just 952 00:41:45,440 --> 00:41:47,520 Speaker 1: really straight ahead Hollywood movie. 953 00:41:47,680 --> 00:41:50,240 Speaker 3: But will people seek it out? That's the big question. 954 00:41:50,520 --> 00:41:54,040 Speaker 1: Our two names like Clooney and Pitt, is that enough 955 00:41:54,040 --> 00:41:56,440 Speaker 1: to make a hit right now? So this movie I 956 00:41:56,480 --> 00:42:00,400 Speaker 1: feel will have a big impact on what Star Power is. 957 00:42:00,200 --> 00:42:02,960 Speaker 3: Going to be moving forward. But what the movie is about. 958 00:42:03,200 --> 00:42:07,239 Speaker 1: George Clooney plays a professional fixer hired to cover high 959 00:42:07,239 --> 00:42:10,280 Speaker 1: profile crimes. At the start of this trailer, this woman 960 00:42:10,320 --> 00:42:13,720 Speaker 1: discovers a dead body in her apartment, not clear whether 961 00:42:13,760 --> 00:42:17,120 Speaker 1: she killed them or somebody else killed them. She calls 962 00:42:17,160 --> 00:42:19,839 Speaker 1: up Colooney to come clean it up. So we'll get 963 00:42:19,840 --> 00:42:22,360 Speaker 1: into more about the plot. My thought on the title 964 00:42:22,640 --> 00:42:25,400 Speaker 1: who's directing this movie? Before I do that, here's just 965 00:42:25,440 --> 00:42:27,280 Speaker 1: a little bit of the Wolves trailer. 966 00:42:29,040 --> 00:42:32,120 Speaker 3: How did you get this number? I was told not 967 00:42:32,280 --> 00:42:34,600 Speaker 3: that I ever needed help to call you. 968 00:42:34,600 --> 00:42:36,200 Speaker 2: You're a man who can fix things. 969 00:42:36,960 --> 00:42:39,479 Speaker 3: I didn't know people like you really existed. They don't. 970 00:42:40,000 --> 00:42:41,040 Speaker 3: There's nobody can do what I do. 971 00:42:41,080 --> 00:42:45,359 Speaker 2: Who are you? I'm here to take care of your problem. 972 00:42:45,960 --> 00:42:47,560 Speaker 3: We clearly have a situation here. 973 00:42:48,280 --> 00:42:50,560 Speaker 1: We have decided that the only course of action is 974 00:42:50,600 --> 00:42:54,200 Speaker 1: for you both to work together. No, it's not how 975 00:42:54,200 --> 00:42:54,560 Speaker 1: I work. 976 00:42:54,680 --> 00:42:55,760 Speaker 3: It's not how I work. 977 00:42:58,760 --> 00:43:02,200 Speaker 1: So in this movie, both George Clooney and Brad Pitt 978 00:43:02,239 --> 00:43:05,360 Speaker 1: play lone Wolves. Clooney gets calls out to the scene. 979 00:43:05,440 --> 00:43:08,280 Speaker 1: He starts doing this thing, but then Brad Pitt shows 980 00:43:08,360 --> 00:43:11,040 Speaker 1: up and then it gets a little bit more complicated 981 00:43:11,120 --> 00:43:14,240 Speaker 1: and they are forced to work together. Throughout this trailer 982 00:43:14,280 --> 00:43:16,719 Speaker 1: we see some more things kind of start spiraling out. 983 00:43:16,840 --> 00:43:19,719 Speaker 1: They get intertwined more and more. There seems to be 984 00:43:20,320 --> 00:43:23,080 Speaker 1: this CD underground of crime they get involved in, so 985 00:43:23,120 --> 00:43:25,879 Speaker 1: these really bad people start coming after them. You also 986 00:43:25,920 --> 00:43:28,600 Speaker 1: have new actor Austin Abrams in this movie who is 987 00:43:28,640 --> 00:43:30,120 Speaker 1: in the mix of it all. Looks like he's gonna 988 00:43:30,120 --> 00:43:32,280 Speaker 1: be adding some of the comedy relief. I'm just glad 989 00:43:32,320 --> 00:43:34,759 Speaker 1: to see a young actor also in playing here because 990 00:43:34,800 --> 00:43:37,840 Speaker 1: I think when making a movie with actors like Clooney 991 00:43:37,880 --> 00:43:40,399 Speaker 1: and Pitt, which to us who have been around since 992 00:43:40,440 --> 00:43:45,120 Speaker 1: the nineties have been the movie stars to the younger generation, 993 00:43:45,280 --> 00:43:48,520 Speaker 1: they are probably seeing as much older actors, maybe to 994 00:43:48,560 --> 00:43:51,839 Speaker 1: the point now, I mean they're both in their sixties, 995 00:43:51,960 --> 00:43:54,560 Speaker 1: but kind of how we saw like a Clint Eastwood, 996 00:43:54,760 --> 00:43:57,400 Speaker 1: because that's crazy to me. Clooney is sixty three and 997 00:43:57,480 --> 00:44:01,000 Speaker 1: in this trailer he is as silver Fox ever and 998 00:44:01,040 --> 00:44:03,239 Speaker 1: Brad Pitt is right behind him at sixty years old, 999 00:44:03,239 --> 00:44:06,200 Speaker 1: although he does not look it, he could honestly pass 1000 00:44:06,280 --> 00:44:08,719 Speaker 1: for fifty. But yeah, dude, to sixty now, so I 1001 00:44:08,760 --> 00:44:11,400 Speaker 1: think to have a younger actor like Austin Abrams to 1002 00:44:11,520 --> 00:44:14,759 Speaker 1: kind of offset them, bring in the newer generation. He 1003 00:44:14,960 --> 00:44:18,120 Speaker 1: was really popular after Euphoria. He was also in a 1004 00:44:18,160 --> 00:44:21,239 Speaker 1: really good Netflix movie called Do Revenge with Maya Hank 1005 00:44:21,239 --> 00:44:23,279 Speaker 1: If you haven't checked that one out, highly recommend that 1006 00:44:23,320 --> 00:44:25,880 Speaker 1: one as well. But cool to see him entering this 1007 00:44:25,920 --> 00:44:29,640 Speaker 1: new class of Hollywood and bringing some fresh blood into 1008 00:44:29,680 --> 00:44:30,480 Speaker 1: a movie that I. 1009 00:44:30,440 --> 00:44:31,640 Speaker 3: Think really needs it. 1010 00:44:31,680 --> 00:44:34,960 Speaker 1: So you have these two A plus leads in this movie, 1011 00:44:35,160 --> 00:44:37,760 Speaker 1: and they are both really good at playing lone wolves. 1012 00:44:37,840 --> 00:44:39,839 Speaker 1: I think a movie's like Up in the Year from 1013 00:44:39,840 --> 00:44:42,600 Speaker 1: George Clooney, which is one of my favorites. George Clooney 1014 00:44:42,640 --> 00:44:46,200 Speaker 1: does two genres really well, rom coms and crime movies 1015 00:44:46,360 --> 00:44:48,799 Speaker 1: like this, that is where he just shines. Ask for 1016 00:44:48,840 --> 00:44:51,400 Speaker 1: Brad Pitt really don't go to him for the rom comms. 1017 00:44:51,400 --> 00:44:54,040 Speaker 1: He's much more of a dramatic actor for me, but 1018 00:44:54,160 --> 00:44:56,600 Speaker 1: also can do a little bit of comedy just because 1019 00:44:56,640 --> 00:44:59,279 Speaker 1: he is so charismatic. So I think the plot of 1020 00:44:59,280 --> 00:45:02,640 Speaker 1: this movie and just their personalities kind of mirror the 1021 00:45:02,719 --> 00:45:05,040 Speaker 1: characters that they are playing. And the title of this 1022 00:45:05,120 --> 00:45:09,440 Speaker 1: movie did stick out to me because it's called wolves wolfs, 1023 00:45:09,719 --> 00:45:13,200 Speaker 1: which we all know. The plural of wolf is wolves 1024 00:45:13,360 --> 00:45:16,680 Speaker 1: with a V. And at first I thought maybe it's 1025 00:45:16,719 --> 00:45:20,040 Speaker 1: a playoff of their character, since they are both lone 1026 00:45:20,080 --> 00:45:22,520 Speaker 1: wolves and in this trailer they do not want to 1027 00:45:22,560 --> 00:45:26,359 Speaker 1: team up together. Maybe it was a commentary, I thought 1028 00:45:26,640 --> 00:45:28,880 Speaker 1: on them not wanting to even be a unit. They 1029 00:45:28,880 --> 00:45:31,640 Speaker 1: didn't want to be referred to as wolves, so they 1030 00:45:31,640 --> 00:45:34,880 Speaker 1: had to settle that we are both singular lone wolves, 1031 00:45:35,200 --> 00:45:37,680 Speaker 1: so we're gonna be called wolves. But what I actually 1032 00:45:37,719 --> 00:45:40,799 Speaker 1: think it is a reference to is pulp fiction, which 1033 00:45:40,840 --> 00:45:44,680 Speaker 1: in that movie, Samuel L. Jackson and John Travolta are 1034 00:45:44,800 --> 00:45:47,240 Speaker 1: driving they accidentally kill a guy in their back seat. 1035 00:45:47,560 --> 00:45:50,359 Speaker 1: They drive over to Quentin Tarantino's house, park the car 1036 00:45:50,400 --> 00:45:52,960 Speaker 1: in the garage and try to get his help, and 1037 00:45:53,000 --> 00:45:55,400 Speaker 1: they end up calling a guy who shows up and 1038 00:45:55,440 --> 00:45:58,200 Speaker 1: it is his job to deal with problems like this, 1039 00:45:58,440 --> 00:46:01,120 Speaker 1: and that guy's last name happened to be Wolf. So 1040 00:46:01,200 --> 00:46:03,399 Speaker 1: here's the clip of pulp fiction from ninety four. 1041 00:46:03,719 --> 00:46:06,200 Speaker 2: You're Jimmy right, this is your house? 1042 00:46:06,600 --> 00:46:08,280 Speaker 3: Sure is? I'm Winston Wolf. 1043 00:46:08,960 --> 00:46:10,360 Speaker 1: I solve problems. 1044 00:46:10,400 --> 00:46:13,319 Speaker 3: Good, we got one, so I heard I commend. Yeah, 1045 00:46:13,360 --> 00:46:13,800 Speaker 3: please do it. 1046 00:46:14,200 --> 00:46:16,600 Speaker 1: So I kind of feel like it is a reference 1047 00:46:16,640 --> 00:46:20,239 Speaker 1: to Winston Wolf from pulp Fiction, because that was his 1048 00:46:20,360 --> 00:46:22,439 Speaker 1: job in that movie. He was hired to go tell 1049 00:46:22,480 --> 00:46:24,840 Speaker 1: them how to dispose of this body and how to 1050 00:46:24,880 --> 00:46:27,440 Speaker 1: take care of this problem, which we all know, a 1051 00:46:27,480 --> 00:46:30,640 Speaker 1: profession like this, much like a hit man, doesn't really exist. 1052 00:46:30,800 --> 00:46:33,520 Speaker 1: It's been Hollywood putting this idea into our heads that 1053 00:46:33,560 --> 00:46:36,399 Speaker 1: there are people who will risk their life or risk 1054 00:46:36,480 --> 00:46:40,200 Speaker 1: going to prison in order to make money. Not really 1055 00:46:40,280 --> 00:46:42,799 Speaker 1: a thing, but in the world of cinema we like 1056 00:46:42,840 --> 00:46:44,840 Speaker 1: to think it is because it makes for a great 1057 00:46:44,920 --> 00:46:47,759 Speaker 1: movie and a great character. So I feel like that 1058 00:46:47,920 --> 00:46:49,920 Speaker 1: is the reason why this movie is called Wolf's. It 1059 00:46:50,000 --> 00:46:52,200 Speaker 1: is a pulp fiction reference. I love a good pulp 1060 00:46:52,200 --> 00:46:55,640 Speaker 1: fiction reference. The movie is directed by John Watts, who 1061 00:46:55,680 --> 00:46:59,200 Speaker 1: you probably know best as the director of the Tom 1062 00:46:59,280 --> 00:47:02,480 Speaker 1: Holland Spider Man movies. He did Homecoming in twenty seventeen, 1063 00:47:02,840 --> 00:47:05,600 Speaker 1: Far From Home in twenty nineteen, and No Way Home 1064 00:47:05,640 --> 00:47:08,560 Speaker 1: in twenty twenty one. He is also still attached to 1065 00:47:08,640 --> 00:47:11,759 Speaker 1: Spider Man four whenever that is going to happen. And 1066 00:47:11,840 --> 00:47:14,440 Speaker 1: I always like it when directors who have really made 1067 00:47:14,480 --> 00:47:17,960 Speaker 1: a name for themselves in the MCU start branching out 1068 00:47:18,000 --> 00:47:21,040 Speaker 1: into different adventures and do something completely different, which I 1069 00:47:21,040 --> 00:47:23,920 Speaker 1: think for the most part, that's why a director takes 1070 00:47:23,920 --> 00:47:25,920 Speaker 1: on a Marvel movie, because they know if they can 1071 00:47:25,960 --> 00:47:28,880 Speaker 1: do this well, they can go on to do any 1072 00:47:28,960 --> 00:47:32,040 Speaker 1: movie they want, because once you have some success at 1073 00:47:32,040 --> 00:47:34,560 Speaker 1: the box office, it's a lot easier to have a 1074 00:47:34,719 --> 00:47:38,120 Speaker 1: say in your vision. And you even get a little 1075 00:47:38,160 --> 00:47:41,160 Speaker 1: glimpse of his MCU background in the final scene of 1076 00:47:41,200 --> 00:47:44,439 Speaker 1: this trailer, wherever Austin Abrams is about to get run 1077 00:47:44,480 --> 00:47:47,160 Speaker 1: over by George Clooney who is driving this car hauling 1078 00:47:47,320 --> 00:47:50,640 Speaker 1: but and he jumps over the car does like this 1079 00:47:50,840 --> 00:47:53,719 Speaker 1: flip in slow motion. I felt like that was very 1080 00:47:53,800 --> 00:47:56,000 Speaker 1: much a Spider Man move. So I hope this movie 1081 00:47:56,080 --> 00:47:59,000 Speaker 1: has some more fun action comedy elements like that. 1082 00:47:59,120 --> 00:48:01,440 Speaker 3: And this movie is all just really banking on. 1083 00:48:01,440 --> 00:48:03,959 Speaker 1: Their star power because it has a pretty quick plot 1084 00:48:04,000 --> 00:48:06,800 Speaker 1: line follows two lone wolf fixers who are assigned to 1085 00:48:06,840 --> 00:48:11,960 Speaker 1: do the same job. Clooney Pit Wolves September twentieth and 1086 00:48:12,640 --> 00:48:16,439 Speaker 1: I've seen movies that have a big A list star 1087 00:48:16,520 --> 00:48:19,640 Speaker 1: who has been dominant for so long come out and 1088 00:48:19,719 --> 00:48:23,200 Speaker 1: it is welcomed with really lukewarm numbers. So I think 1089 00:48:23,239 --> 00:48:25,840 Speaker 1: this movie and its success at the box office is 1090 00:48:25,880 --> 00:48:29,279 Speaker 1: going to be a big indication on whether or not 1091 00:48:29,360 --> 00:48:33,080 Speaker 1: you can only rely on star power alone. I honestly 1092 00:48:33,120 --> 00:48:37,120 Speaker 1: think it's not enough anymore. We have so much access 1093 00:48:37,160 --> 00:48:40,799 Speaker 1: now to celebrities, and even our feelings towards some of 1094 00:48:40,800 --> 00:48:44,399 Speaker 1: these A list people have kind of faded. I think 1095 00:48:44,400 --> 00:48:47,160 Speaker 1: it's not enough just to have big names attached to it. 1096 00:48:47,400 --> 00:48:50,880 Speaker 1: You also have to have a really compelling and unique story. 1097 00:48:51,000 --> 00:48:54,000 Speaker 1: I think that is really what is going to inspire 1098 00:48:54,520 --> 00:48:58,360 Speaker 1: the next phase of cinema. We're getting away from the 1099 00:48:58,480 --> 00:49:04,080 Speaker 1: big superhero action movies, big names attached to them explosions. 1100 00:49:04,320 --> 00:49:06,800 Speaker 1: We have to take a bit of a direction into 1101 00:49:06,880 --> 00:49:10,359 Speaker 1: just making great movies that resonate with audiences that make 1102 00:49:10,480 --> 00:49:13,240 Speaker 1: us feel whether it's sad, whether it's happy, or whether 1103 00:49:13,320 --> 00:49:15,560 Speaker 1: it's excitement, which I think is what this movie is 1104 00:49:15,600 --> 00:49:18,800 Speaker 1: going for. So I think having these two names attached 1105 00:49:18,920 --> 00:49:21,640 Speaker 1: is really important. There are people we want to see 1106 00:49:21,680 --> 00:49:23,960 Speaker 1: on the big screen. But I don't think it's going 1107 00:49:24,000 --> 00:49:27,200 Speaker 1: to be and immediate. This is going to be successful 1108 00:49:27,320 --> 00:49:29,839 Speaker 1: just because we have these two actors. It's really going 1109 00:49:29,880 --> 00:49:32,720 Speaker 1: to rely on what they do leading up to this movie. 1110 00:49:32,760 --> 00:49:35,040 Speaker 1: How they start promoting it with them two together, which 1111 00:49:35,080 --> 00:49:36,960 Speaker 1: is what I want to see. I want that content 1112 00:49:37,000 --> 00:49:39,520 Speaker 1: of them two together, but also the word of mouth 1113 00:49:39,640 --> 00:49:42,160 Speaker 1: once it's actually out, because I think people aren't going 1114 00:49:42,200 --> 00:49:44,000 Speaker 1: to rush to a theater just to see these two 1115 00:49:44,000 --> 00:49:47,120 Speaker 1: people together. It's going to have to have something to 1116 00:49:47,160 --> 00:49:49,840 Speaker 1: get people excited who probably haven't been to a movie 1117 00:49:49,880 --> 00:49:52,760 Speaker 1: in a while, because that is the demographic you're looking 1118 00:49:52,800 --> 00:49:56,319 Speaker 1: at with having two really well established actors who have 1119 00:49:56,400 --> 00:49:58,839 Speaker 1: been around forever like Pitt and Clooney. So again, it's 1120 00:49:58,840 --> 00:50:01,640 Speaker 1: called Wolf's and it's coming out on September twentieth. 1121 00:50:02,280 --> 00:50:05,960 Speaker 2: And that was this week's edition of Movie b tram 1122 00:50:06,080 --> 00:50:06,560 Speaker 2: or Bar. 1123 00:50:06,719 --> 00:50:08,880 Speaker 1: And that is going to do it for another episode 1124 00:50:08,920 --> 00:50:11,279 Speaker 1: here of the podcast. But before I go, I got 1125 00:50:11,280 --> 00:50:13,480 Speaker 1: to give my listener shout out of the week. How 1126 00:50:13,480 --> 00:50:15,480 Speaker 1: do you get one of these? You can comment on 1127 00:50:15,520 --> 00:50:19,440 Speaker 1: my Instagram, Facebook, TikTok, which I'm trying to post a 1128 00:50:19,440 --> 00:50:23,080 Speaker 1: lot more content over there, mostly movie related still, but 1129 00:50:23,239 --> 00:50:25,319 Speaker 1: I feel like I'm in a place at TikTok where 1130 00:50:25,440 --> 00:50:27,720 Speaker 1: I just want to try anything and see what's working 1131 00:50:27,719 --> 00:50:30,799 Speaker 1: over there. Because the algorithm is so weird. People tell 1132 00:50:30,800 --> 00:50:33,440 Speaker 1: you you gotta only post one thing, but I'm trying 1133 00:50:33,440 --> 00:50:37,239 Speaker 1: out a lot of different things, like ranking movies very casually, 1134 00:50:37,360 --> 00:50:39,200 Speaker 1: not always just clips from the podcast. So if you 1135 00:50:39,200 --> 00:50:41,480 Speaker 1: don't follow me on TikTok, do me a favor and 1136 00:50:41,560 --> 00:50:44,440 Speaker 1: hit that link in the podcast episode notes. But for 1137 00:50:44,520 --> 00:50:46,839 Speaker 1: this listener shout out of the week, I'm going over 1138 00:50:46,920 --> 00:50:49,600 Speaker 1: to X and I'm giving out the listeners shout out 1139 00:50:49,600 --> 00:50:52,160 Speaker 1: of the week to Dell Schaefer, who said great podcast. 1140 00:50:52,600 --> 00:50:55,080 Speaker 1: I might be wrong, but I think you forgot to 1141 00:50:55,160 --> 00:50:58,480 Speaker 1: mention the name of number four Late Night with the Devil. 1142 00:50:58,560 --> 00:51:01,200 Speaker 1: This is in reference to the last week episode where 1143 00:51:01,239 --> 00:51:03,520 Speaker 1: I did my top five movies to stream right now 1144 00:51:03,600 --> 00:51:06,360 Speaker 1: at home, and to give you guys some behind the 1145 00:51:06,360 --> 00:51:07,400 Speaker 1: scenes of this podcast. 1146 00:51:07,920 --> 00:51:09,480 Speaker 3: I not only write. 1147 00:51:09,200 --> 00:51:12,279 Speaker 1: And put together all the ideas court it myself, and 1148 00:51:12,360 --> 00:51:15,080 Speaker 1: I edited myself. And sometimes when I'm sitting down here 1149 00:51:15,080 --> 00:51:17,439 Speaker 1: at this desk doing my editing, taking out the things 1150 00:51:17,480 --> 00:51:20,640 Speaker 1: I think either I went on too long about, or 1151 00:51:20,680 --> 00:51:23,360 Speaker 1: I messed something up, or things I feel like only 1152 00:51:23,440 --> 00:51:25,640 Speaker 1: I would care about you guys would think is stupid. 1153 00:51:25,680 --> 00:51:28,239 Speaker 1: Sometimes I take those things out. But in doing that, 1154 00:51:28,320 --> 00:51:30,480 Speaker 1: sometimes I take out a little bit too much, like 1155 00:51:30,520 --> 00:51:32,439 Speaker 1: saying the name of the movie so well, A little 1156 00:51:32,440 --> 00:51:35,240 Speaker 1: hard on that edit, but appreciate that Dell for letting 1157 00:51:35,280 --> 00:51:37,160 Speaker 1: me know I took that out of the episode. I 1158 00:51:37,200 --> 00:51:39,640 Speaker 1: did update it later and re upload it, so if 1159 00:51:39,640 --> 00:51:42,480 Speaker 1: you listen after Monday, the name of the movie was 1160 00:51:42,480 --> 00:51:44,920 Speaker 1: in there. But again it was Late Night with the Devil, 1161 00:51:45,120 --> 00:51:47,319 Speaker 1: the horror movie I talked about last week at number four. 1162 00:51:47,320 --> 00:51:49,880 Speaker 1: In case you missed that, my bet on that editing 1163 00:51:49,920 --> 00:51:52,920 Speaker 1: mistakes happened. Thank you to Dell. Thank you for right 1164 00:51:52,960 --> 00:51:54,640 Speaker 1: now listening to this podcast. 1165 00:51:54,719 --> 00:51:55,640 Speaker 3: Appreciate you. 1166 00:51:55,960 --> 00:51:59,000 Speaker 1: Until next time, go out and watch good movies and 1167 00:51:59,040 --> 00:52:00,839 Speaker 1: I will talk to you later.