WEBVTT - The Trial

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<v Speaker 1>When the trial was finally ready to convene in I

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<v Speaker 1>think it was May of nineteen eighty four, so it's

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<v Speaker 1>been just about a year since the incident on Old

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<v Speaker 1>Mohawk Road. The press was given the first row, so

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<v Speaker 1>if you're a reporter, you've got a guaranteed seat, but

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<v Speaker 1>you still had to get there fast because the only

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<v Speaker 1>about eight where nine people could squeeze in there, and

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<v Speaker 1>you did have some national media representation, You had courtroom

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<v Speaker 1>artists who would take up a little bit more of

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<v Speaker 1>their room, but the rest of those seats were jammed

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<v Speaker 1>from a line that would form every day of one

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<v Speaker 1>hundred and fifteen people hoping to get into the eighty

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<v Speaker 1>or eighty four seats that were available. It was the

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<v Speaker 1>place to be.

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<v Speaker 2>Reporter Dana Tims was there from the beginning of Diane's

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<v Speaker 2>story and remembers vividly how she played to the press.

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<v Speaker 1>By the time a trial came around, she was looking healthier.

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<v Speaker 1>She was like much more pregnant. She dressed in a

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<v Speaker 1>different outfit every day. It was kind of funny because

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<v Speaker 1>she had a red wristband that she wore signifying to

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<v Speaker 1>jail deputies she was a prisoner of significant danger. Perhaps,

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<v Speaker 1>And there was more than a few times when she

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<v Speaker 1>would kind of make that bracelet the kind of thing

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<v Speaker 1>they might slap on you at a hospital for identification

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<v Speaker 1>part of her outfit.

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<v Speaker 3>She would kind of have a.

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<v Speaker 1>Red matching dress to go with her matching bracelet. I thought, Assessorize,

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<v Speaker 1>you know, she's got it going on.

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<v Speaker 2>When Diane's trial began in nineteen eighty four, not only

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<v Speaker 2>was she pregnant, but she carried herself with the air

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<v Speaker 2>of someone who knew that they were the center of

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<v Speaker 2>attention and reveled in it. Eric Mason recalls what it

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<v Speaker 2>was like to see Diane enter the courtroom.

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<v Speaker 3>So literally, and and myself and other reporters are to

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<v Speaker 3>a few feet away from where they bring Diane in

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<v Speaker 3>from the sally port with chains around her wrists and ankles,

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<v Speaker 3>and it's almost like, for Diane, this is a show.

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<v Speaker 3>This is almost like, Wow, this is the circus, and

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<v Speaker 3>I am the main performer, not oh my god, my

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<v Speaker 3>children are shot and now I'm being accused, which is awful,

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<v Speaker 3>but it's almost like I am the cool rock star

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<v Speaker 3>mom who is now on trial. And if I could

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<v Speaker 3>come into some better music and sort of move to

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<v Speaker 3>the music I do it. It was odd. It was

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<v Speaker 3>strange to see that. And so before the jury gets there,

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<v Speaker 3>all the chains are taken off so that they never

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<v Speaker 3>see that. But when she gets off that van, it's

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<v Speaker 3>almost like somebody backstage at a rock concert ready to

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<v Speaker 3>go out on stage. It's almost like I'm a performer.

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<v Speaker 3>I'm here, you know, which is type a narcissist behavior.

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<v Speaker 3>It was just unreal. There was this feeling kind of

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<v Speaker 3>like I'm going to shake my hips, I'm going to

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<v Speaker 3>move my body in a way that sexual, i am

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<v Speaker 3>going to sort of like nod my head, and I'm

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<v Speaker 3>going to move past these reporters, almost as if i

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<v Speaker 3>am the center of attention. But I'm enjoying it. I

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<v Speaker 3>like what's going on, and almost as if I'm probably

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<v Speaker 3>going to walk out of this because no one's going

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<v Speaker 3>to believe I shot my kids. But also there was

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<v Speaker 3>this feeling almost like there was satisfaction in it, and

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<v Speaker 3>so that's what I think the jury felt that vibe

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<v Speaker 3>from her that it was a moment not like poor me.

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<v Speaker 3>It's more of a moment like I am going to

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<v Speaker 3>give you a show and I'm going to carry this

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<v Speaker 3>off like it's a performance. That's odd.

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<v Speaker 2>Diane's odd behavior began the night of the shooting and

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<v Speaker 2>continued throughout the reenactment and into her press appearances leading

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<v Speaker 2>up to the trial. Prosecutor Fred Hugy leaned into this

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<v Speaker 2>when presenting his case to the jury.

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<v Speaker 1>Well, you certainly had the prosecution going first. So Fred

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<v Speaker 1>Hugey putting on first on the doctors and nurses from

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<v Speaker 1>Mackenzie a Lambat hospital that had treated her that night.

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<v Speaker 1>So I'm sure he was a very methodical guy and

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<v Speaker 1>wants to kind of lay out, here's what happened the

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<v Speaker 1>very first night. Anyone knew about this, here's what's going on,

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<v Speaker 1>and along the way then people would be talking about

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<v Speaker 1>And this was certainly a theme during the trial in

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<v Speaker 1>terms of Diane's odd reactions that other people might not

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<v Speaker 1>have reacted that way. She had ever been shot through

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<v Speaker 1>her left forearm and had apparently been allowed into the

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<v Speaker 1>bathroom by herself, and one of the nurses heard water running.

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<v Speaker 1>So if you're going to be looking for a gunshot

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<v Speaker 1>residue on hands, I think that's that's an indication that

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<v Speaker 1>not just that nobody was thinking about her at that point,

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<v Speaker 1>but you have doctors and nurses on duty, not cops

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<v Speaker 1>who would have probably not let that happen.

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<v Speaker 2>Jim Jagger was Diane's defense attorney. Unlike Hugi, he had

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<v Speaker 2>very little to go on. He tried to portray Diane

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<v Speaker 2>as an abused wife and accused police of not spending

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<v Speaker 2>enough time searching for the shaggy haired stranger. Diane described so,

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<v Speaker 2>Jim Jagger was kind of the typical defense attorney.

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<v Speaker 3>I remember him opening with this, We're going to show

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<v Speaker 3>you a lot of family photos. And these photos you're

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<v Speaker 3>going to be able to look at them and see,

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<v Speaker 3>here's a mom who loves her kids, and here's a

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<v Speaker 3>mom who would never ever think arming them. And so

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<v Speaker 3>we're going to talk about pictures first. And so there

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<v Speaker 3>were quite a number of photo arrays, and you know,

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<v Speaker 3>this is Diane at the lake with kids, and this

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<v Speaker 3>is them at the Mackenzie River, and this is out

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<v Speaker 3>at Heather Bloord's house, you know, you know, or whatever

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<v Speaker 3>was being shown at the time. And so I think

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<v Speaker 3>Jim Jagger didn't have a lot of facts on his side.

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<v Speaker 3>You know, here he was with really horrible facts. So

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<v Speaker 3>he was going to have to really pound home the

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<v Speaker 3>shaggy heard stranger and how many people that could fit

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<v Speaker 3>and so reasonable that was everything, and pounding home reasonable

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<v Speaker 3>doubt the fact that the police really never made a search,

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<v Speaker 3>and he got the detective to say, how often have

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<v Speaker 3>you looked for this composite? What have you really done? Well,

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<v Speaker 3>we really didn't think there was much to it, said,

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<v Speaker 3>you know, the detectives. So he was really trying to

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<v Speaker 3>build a case around the fact that here was somebody

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<v Speaker 3>who'd been identified and there was a sketch and the

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<v Speaker 3>police had really done very little to find this person,

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<v Speaker 3>or even find anybody even from the ranks of the

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<v Speaker 3>homeless in downtown Eugene or going out to the Mohawk

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<v Speaker 3>store and saying, hey, does this look like somebody that's

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<v Speaker 3>been out here? And so I think he did a

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<v Speaker 3>fairly good job of really trying to raise reasonable doubt.

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<v Speaker 3>But he really didn't have a lot to work with.

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<v Speaker 3>But you know, he was kind of, you know, dashing,

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<v Speaker 3>nice looking, the guy with the nice briefcase and that

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<v Speaker 3>he had, you know, obviously spent time in a courtroom

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<v Speaker 3>in front of a jury and telling a really good

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<v Speaker 3>narrative about a woman who was headed out to her

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<v Speaker 3>friend's house that night, and he painted really good pictures,

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<v Speaker 3>and so he knew how to spin a tail. The

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<v Speaker 3>problem was that it was the mountain of circumstantial evidence

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<v Speaker 3>that was, you know, up against Diane. It was tough,

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<v Speaker 3>tough to deal with.

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<v Speaker 4>So it was part of the narrative that he spun

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<v Speaker 4>was that Diane was an abused woman. Do you remember

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<v Speaker 4>any of that in the courtroom?

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<v Speaker 3>I think there was. I think there was some of that,

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<v Speaker 3>And I remember Fred Hugey objecting to relevance on some

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<v Speaker 3>of it because it just was so far afield of

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<v Speaker 3>what it was that was being talked about. And you

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<v Speaker 3>know what, I can't remember how much of that made

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<v Speaker 3>it in I know, and I think I remember parts

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<v Speaker 3>of the story being offer of proof, and then I'm

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<v Speaker 3>not sure how much of it made it in front

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<v Speaker 3>of the jury because of the relevance question of how

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<v Speaker 3>close it came to whether or not it was a

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<v Speaker 3>fact of the case or not.

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<v Speaker 2>In the reenactment and subsequently, when describing the events of

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<v Speaker 2>the shooting, Diane made a point to mention a song

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<v Speaker 2>that was playing on the radio. For many people, this

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<v Speaker 2>would be triggering a reminder of a traumatic event, particularly

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<v Speaker 2>the death and attempted murder of one's children. But not Diane.

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<v Speaker 1>Another key moment of this trial, and maybe the most haunting,

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<v Speaker 1>that Diane claimed that the album she was playing the

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<v Speaker 1>night of the shooting, at least the song that was

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<v Speaker 1>on by Duran Duran going back to the mid eighties.

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<v Speaker 1>There was a hungry like the Wolf, something pulsating kind

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<v Speaker 1>of post disco era song, and the singer is sing

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<v Speaker 1>I'm on the hunt, I'm after you. Well, Diane is

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<v Speaker 1>claiming that song is playing during the shooting of her kids.

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<v Speaker 1>So Fred Huge brings in a music player and plays

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<v Speaker 1>that song, and it doesn't take more than a few

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<v Speaker 1>beats before people realize Diane is tapping her toe and

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<v Speaker 1>bobbing her head in time with the music and mouthing

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<v Speaker 1>the words, and maybe for the first time, Fred Hughey

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<v Speaker 1>in the courtroom. The entire courtroom's packed. The song is blaring,

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<v Speaker 1>and Diane alone is up there mouthing the words and

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<v Speaker 1>bopping along to this thing. And Hugh, who hadn't really

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<v Speaker 1>spent much time looking at Diane, just couldn't help himself.

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<v Speaker 1>Nobody could. We all just stared, aghast and horrified. She

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<v Speaker 1>didn't really have the benefit of the doubt, even though

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<v Speaker 1>you do in the American justice system of innocence, it

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<v Speaker 1>felt like there was something else here. But looking at that,

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<v Speaker 1>for my skeptical self, I think a lot of other

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<v Speaker 1>people if I had any doubt, I mean, not that

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<v Speaker 1>you could convict on that, but my goodness, So.

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<v Speaker 3>A natural connection of one who remembers Hungry Like Wolf

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<v Speaker 3>by Duran Duran as a background to this horrible shooting,

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<v Speaker 3>that she's somehow moving to the beat of this music

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<v Speaker 3>and that to her is just another rock and roll song.

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<v Speaker 3>I think the jury is watching that really closely. That's

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<v Speaker 3>like the most cognitive dissonance you could have, that someone

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<v Speaker 3>would be remembering this moment where her children are being

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<v Speaker 3>shot by somebody, and that she's somehow moving to the beat,

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<v Speaker 3>like she's dancing to it.

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<v Speaker 4>You're saying, this music, the song Hungry Like the Wolf

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<v Speaker 4>was playing the night or the moment of, or was

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<v Speaker 4>in the background of when the shooter shot correct the children.

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<v Speaker 3>Because that's on the radio, and that's what she says,

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<v Speaker 3>is on the radio, and so for them to be

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<v Speaker 3>playing that in the courtroom and for her to have

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<v Speaker 3>that reaction certainly is not the usual reaction of somebody

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<v Speaker 3>who's gone through this horrible traumatic thing.

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<v Speaker 2>Aside from Diane's strange behavior. A critical piece of testimony

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<v Speaker 2>came from the forensic scientist Jim Pecks. Most of the

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<v Speaker 2>credit is given to Christy's testimony, but the blood evidence

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<v Speaker 2>and forensics poked holes in Diane's story. His blood spatter analysis,

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<v Speaker 2>a technique that is today considered somewhat controversial, proved to

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<v Speaker 2>be critical in the prosecution's case.

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<v Speaker 5>There was home late in the evening, and as we

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<v Speaker 5>went forward to respond to the standard call out, I

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<v Speaker 5>was told that there was a shooting that involved children

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<v Speaker 5>and that there was a vehicle to be processed. And

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<v Speaker 5>so that's where the scene begins. It's in the processing

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<v Speaker 5>the vehicle. After the initial processing that night, I went

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<v Speaker 5>back in the daytime because it's sometimes it's always easier

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<v Speaker 5>to see these things. On the passenger side rock panel

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<v Speaker 5>below the door, there was a number of very small

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<v Speaker 5>blood droplets, which is unusual. I've been told preliminarily that

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<v Speaker 5>miss Downs had stopped for some stranger along the roadside,

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<v Speaker 5>that there had been an altercation, that he stood in

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<v Speaker 5>the driver's door and.

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<v Speaker 3>Shot the children.

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<v Speaker 5>The blood spatter on the rocker panel was documented. We

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<v Speaker 5>had it removed to preserve it, but at that time

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<v Speaker 5>it's evidence, But you don't you know how this fits

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<v Speaker 5>into the overall scheme of things time, I don't know,

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<v Speaker 5>but it's something we will pursue and look further.

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<v Speaker 2>The defense leaned on the idea of the shaggy haired stranger,

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<v Speaker 2>relying heavily on Diane's recounting of the events for their narrative,

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<v Speaker 2>but the facts Gym presented made it difficult for Diane's

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<v Speaker 2>story to hold together under scrutiny.

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<v Speaker 5>As we researched it and eliminate other possibilities, we come

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<v Speaker 5>down to the to the observation and viewpoint that someone

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<v Speaker 5>was shot outside the vehicle. She also said that the perpetrator,

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<v Speaker 5>the bushy haired stranger, was standing outside the driver's door

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<v Speaker 5>when all the shots were fired, and based upon what

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<v Speaker 5>we see on the rocker panel, that's not a possibility.

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<v Speaker 5>The choice that we felt most comfortable with was a

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<v Speaker 5>person who fired the shot to have reached in clear

0:14:57.640 --> 0:15:02.280
<v Speaker 5>cross the dry receipt the passenger seat and reached out

0:15:02.360 --> 0:15:06.160
<v Speaker 5>the driver's door, because that spatter pattern has to come

0:15:06.200 --> 0:15:10.760
<v Speaker 5>back towards the weapon, and if a person went around

0:15:10.760 --> 0:15:13.720
<v Speaker 5>the vehicle and stood on the other side, then that

0:15:13.960 --> 0:15:16.479
<v Speaker 5>spatter pattern would have been in the other direction.

0:15:16.680 --> 0:15:20.720
<v Speaker 6>So the shooter would be sitting in the driver's seat,

0:15:21.360 --> 0:15:26.320
<v Speaker 6>shoot the passenger, and then that passenger would be the

0:15:26.400 --> 0:15:30.760
<v Speaker 6>victim would be opening up their door and falling out

0:15:30.960 --> 0:15:32.120
<v Speaker 6>of the car.

0:15:33.120 --> 0:15:39.520
<v Speaker 5>That's the theory is. There is no physical evidence that

0:15:40.680 --> 0:15:45.360
<v Speaker 5>specifically states the movements of Cheryl who was in the

0:15:45.360 --> 0:15:49.960
<v Speaker 5>front seat. You have the bullet that was fired that

0:15:50.080 --> 0:15:55.080
<v Speaker 5>I found under the carpet in the vehicle, and so

0:15:56.880 --> 0:16:02.200
<v Speaker 5>one of her injuries was an entrance that would align

0:16:02.360 --> 0:16:06.160
<v Speaker 5>with where that bullet struck. So that was probably the

0:16:06.200 --> 0:16:11.880
<v Speaker 5>first shot at someone. Somehow the door was opened and

0:16:12.000 --> 0:16:16.040
<v Speaker 5>she was outside when the second shot was fired, and.

0:16:16.080 --> 0:16:18.520
<v Speaker 6>The second shot would have been fired from inside the

0:16:18.640 --> 0:16:20.440
<v Speaker 6>vehicle or outside of the vehicle.

0:16:21.600 --> 0:16:22.440
<v Speaker 3>The best.

0:16:23.800 --> 0:16:26.960
<v Speaker 5>Match to the bloodstained pattern would be someone would have

0:16:27.000 --> 0:16:32.120
<v Speaker 5>to reach clear across the passenger's seat and shoot. Well,

0:16:32.160 --> 0:16:34.240
<v Speaker 5>she's on the ground, Okay.

0:16:35.880 --> 0:16:39.160
<v Speaker 2>That paints a very different story than what happened with

0:16:39.360 --> 0:16:40.120
<v Speaker 2>Diane shared.

0:16:41.560 --> 0:16:46.000
<v Speaker 5>Yes, what it found was that the markings that were

0:16:46.520 --> 0:16:49.880
<v Speaker 5>on the cartridges that came from the rifle were a

0:16:49.920 --> 0:16:53.160
<v Speaker 5>match to the ones that were found in the vehicle.

0:16:53.240 --> 0:16:59.560
<v Speaker 5>The casings that were left behind and which meant that

0:17:00.680 --> 0:17:04.200
<v Speaker 5>the cartridges that were in the rifle at one time

0:17:05.160 --> 0:17:09.640
<v Speaker 5>had been worked through the mechanism of the same weapon

0:17:10.520 --> 0:17:12.920
<v Speaker 5>that discharged those casings in the vehicle.

0:17:13.920 --> 0:17:17.359
<v Speaker 2>And that rifle was not You couldn't find that rifle.

0:17:17.680 --> 0:17:21.520
<v Speaker 5>Rifle wasn't it. There was another It came from another weapon,

0:17:22.040 --> 0:17:25.679
<v Speaker 5>but there was a relationship between those cartridges and the

0:17:25.720 --> 0:17:26.800
<v Speaker 5>casings from the scenes.

0:17:28.960 --> 0:17:31.760
<v Speaker 2>Proponents of Diane's innocence often bring up the lack of

0:17:31.760 --> 0:17:34.920
<v Speaker 2>gunshot residue on her hands. The claim has been made

0:17:34.920 --> 0:17:38.200
<v Speaker 2>that she washed her hands before analysis, but according to Jim,

0:17:38.359 --> 0:17:41.040
<v Speaker 2>neither would have mattered because a composition of the primer

0:17:41.080 --> 0:17:43.879
<v Speaker 2>in twenty two caliber ammunition at the time would not

0:17:43.960 --> 0:17:46.639
<v Speaker 2>have contained barim and antimony, which would have made the

0:17:46.680 --> 0:17:48.320
<v Speaker 2>GSR test inconclusive.

0:17:48.600 --> 0:17:49.399
<v Speaker 3>GSR is a.

0:17:51.040 --> 0:17:55.120
<v Speaker 5>Three letter word that encompasses a lot of different aspects

0:17:55.240 --> 0:18:02.320
<v Speaker 5>of a shooting scenario, but in the analysis of a

0:18:02.359 --> 0:18:04.639
<v Speaker 5>person's hands, which are looking forward to see if they

0:18:05.119 --> 0:18:08.200
<v Speaker 5>fired a weapon or not, there is no barium in

0:18:08.280 --> 0:18:10.360
<v Speaker 5>animony in twenty two ammunition.

0:18:11.240 --> 0:18:13.040
<v Speaker 2>Jim went as far as to have part of the

0:18:13.040 --> 0:18:16.840
<v Speaker 2>car reconstructed for the courtroom demonstration. He presented evidence in

0:18:16.880 --> 0:18:19.640
<v Speaker 2>a way that was not only novel, but clear and direct,

0:18:20.000 --> 0:18:21.760
<v Speaker 2>ensuring that the jurors understood.

0:18:22.280 --> 0:18:26.200
<v Speaker 5>One of the detectives coming to work one morning, went

0:18:26.240 --> 0:18:27.920
<v Speaker 5>by a shop and there was a guy in there

0:18:27.960 --> 0:18:32.520
<v Speaker 5>who was making a store window displays and was doing

0:18:32.520 --> 0:18:34.960
<v Speaker 5>a pretty nice job. And he says, well, could you

0:18:35.040 --> 0:18:37.760
<v Speaker 5>build an inside of a vehicle? And the guy said, well, sure,

0:18:37.840 --> 0:18:42.040
<v Speaker 5>no problem, and he did. He built that mockup, and

0:18:42.320 --> 0:18:45.040
<v Speaker 5>it was even on a stand wherehere I could turn

0:18:45.080 --> 0:18:49.600
<v Speaker 5>it towards the jury so they could see what I saw.

0:18:49.680 --> 0:18:54.720
<v Speaker 5>And within that styrofoam mock up, I was able to

0:18:54.800 --> 0:18:58.159
<v Speaker 5>circle and indicate areas where blood was found, where the

0:18:58.200 --> 0:19:01.840
<v Speaker 5>cartridge casings were found, and then we had the dolls

0:19:01.880 --> 0:19:04.879
<v Speaker 5>that we placed in it as well, and do it

0:19:04.960 --> 0:19:08.520
<v Speaker 5>basically a scene recreation using that mock up.

0:19:09.640 --> 0:19:13.520
<v Speaker 7>And when you were in the trial room displaying and

0:19:13.600 --> 0:19:18.160
<v Speaker 7>explaining the vehicle, did you have a chance to look

0:19:18.200 --> 0:19:21.959
<v Speaker 7>at the jurors and see their facial expressions where they

0:19:22.040 --> 0:19:24.920
<v Speaker 7>interested in what you were revealing to them.

0:19:25.680 --> 0:19:31.240
<v Speaker 5>That's our job. Communicating with the jury is everything. And

0:19:31.880 --> 0:19:35.280
<v Speaker 5>if you're you know, halfway pison of what you do,

0:19:35.760 --> 0:19:38.000
<v Speaker 5>that's where you're going to spend your time. I had

0:19:38.040 --> 0:19:42.840
<v Speaker 5>PowerPoint presentations, we had the vehicle mockup, we had the dolls.

0:19:43.880 --> 0:19:46.680
<v Speaker 5>And then another thing that I did that I don't

0:19:46.720 --> 0:19:50.280
<v Speaker 5>know that had ever been done before, is I used

0:19:50.320 --> 0:19:54.000
<v Speaker 5>overhead transparencies back in the old days. You know, you

0:19:54.000 --> 0:19:55.919
<v Speaker 5>put it on a machine and it broadcast up on

0:19:55.960 --> 0:20:00.159
<v Speaker 5>the screen, these transparencies. And so what I had a

0:20:00.240 --> 0:20:02.040
<v Speaker 5>number of them, And what I did is I made

0:20:02.160 --> 0:20:06.680
<v Speaker 5>a notebook with all of these transparencies in the notebook,

0:20:07.880 --> 0:20:10.600
<v Speaker 5>and we gave a copy of those to each yure,

0:20:11.000 --> 0:20:14.560
<v Speaker 5>the judge, and the attorneys in the courtroom. So as

0:20:14.600 --> 0:20:18.600
<v Speaker 5>I put up a transparency and talked about it, they

0:20:18.680 --> 0:20:21.240
<v Speaker 5>could write write on that notebook, you know, whatever thoughts

0:20:21.359 --> 0:20:26.119
<v Speaker 5>or ideas they had. And that was a kind of

0:20:26.320 --> 0:20:30.760
<v Speaker 5>a new and novel way of presenting scientific evidence at

0:20:30.760 --> 0:20:31.120
<v Speaker 5>the time.

0:20:34.320 --> 0:20:37.560
<v Speaker 2>Jim's evidence essentially destroyed Diane's version of the events of

0:20:37.600 --> 0:20:40.879
<v Speaker 2>that night. At this point, the prosecution's case was more

0:20:40.960 --> 0:20:45.840
<v Speaker 2>or less sealed, with only circumstantial evidence on the defensive side.

0:20:46.600 --> 0:20:50.040
<v Speaker 2>And then came Christy. She had recovered from her stroke

0:20:50.119 --> 0:20:53.399
<v Speaker 2>well enough to provide testimony at the trial. Dana Tims

0:20:53.400 --> 0:20:55.520
<v Speaker 2>recalls Christy's testimony.

0:20:55.600 --> 0:20:58.880
<v Speaker 1>Diane made a real point early on saying how much

0:20:58.880 --> 0:21:02.160
<v Speaker 1>smarter she was in the cops. For sure, she talked

0:21:02.160 --> 0:21:05.880
<v Speaker 1>about her intelligence, and also, I'll grant her that, but

0:21:06.000 --> 0:21:10.399
<v Speaker 1>I think we can infer that her then nine year

0:21:10.440 --> 0:21:15.000
<v Speaker 1>old daughter was a pretty smart girl also, and she

0:21:16.200 --> 0:21:18.800
<v Speaker 1>could remember, and I think she remembered from the start

0:21:19.160 --> 0:21:22.480
<v Speaker 1>that she couldn't necessarily speak that or have the emotional

0:21:22.520 --> 0:21:26.000
<v Speaker 1>strength to certainly express that to a big group of

0:21:26.000 --> 0:21:28.200
<v Speaker 1>people in a courtroom, but she got to the point

0:21:28.280 --> 0:21:31.879
<v Speaker 1>she could. But then we had finally near the end

0:21:31.920 --> 0:21:35.360
<v Speaker 1>of the prosecution's case. We knew Christy was going to testify,

0:21:35.720 --> 0:21:40.439
<v Speaker 1>didn't know exactly which day, but here's that day. A

0:21:40.440 --> 0:21:42.840
<v Speaker 1>little kid comes into the courtroom and all eyes kind

0:21:42.840 --> 0:21:47.960
<v Speaker 1>of swing toward her. Diane didn't look at her. Takes

0:21:47.960 --> 0:21:50.800
<v Speaker 1>a stand. This little girl whose head barely pokes above

0:21:51.400 --> 0:21:54.320
<v Speaker 1>the witness box. She has a bit of a lisp,

0:21:54.520 --> 0:21:58.880
<v Speaker 1>probably from the stroke. She's been getting speech therapy to

0:21:58.920 --> 0:22:03.000
<v Speaker 1>be able to just increase her mobility and speak better.

0:22:04.040 --> 0:22:10.879
<v Speaker 1>And Fred Hughuy, the prosecutor, just sort of had to

0:22:11.000 --> 0:22:15.000
<v Speaker 1>establish Christy you know right from wrong, don't you, And

0:22:15.800 --> 0:22:20.520
<v Speaker 1>he was just kind of establishing a baseline for her testimony,

0:22:20.560 --> 0:22:23.440
<v Speaker 1>but then kind of walks her through it, and it

0:22:23.520 --> 0:22:26.280
<v Speaker 1>was just given all that we had known about that

0:22:26.480 --> 0:22:29.320
<v Speaker 1>and here's this little girl and now she's on the

0:22:29.359 --> 0:22:34.920
<v Speaker 1>stand with her mom twelve feet away, staring intently at her,

0:22:36.400 --> 0:22:39.960
<v Speaker 1>not glaring, but almost as if I could put a

0:22:39.960 --> 0:22:42.159
<v Speaker 1>thought into your head, little girl, I would have you

0:22:42.200 --> 0:22:48.280
<v Speaker 1>say this. But Fred asks do you know who shot you?

0:22:49.240 --> 0:22:50.600
<v Speaker 1>And she said, my mom?

0:22:52.640 --> 0:22:54.400
<v Speaker 2>And what was the reaction of the courtroom.

0:22:54.480 --> 0:22:58.560
<v Speaker 1>Oh, it's just a gasp. I mean, it was the nail.

0:23:00.280 --> 0:23:03.879
<v Speaker 1>At that point in my mind, it was done. I

0:23:03.960 --> 0:23:07.840
<v Speaker 1>never had a doubt that after that point the outcome

0:23:07.880 --> 0:23:09.320
<v Speaker 1>of that trial would go any other way.

0:23:09.160 --> 0:23:09.680
<v Speaker 3>Than it did.

0:23:10.080 --> 0:23:11.680
<v Speaker 2>Did you look at the jurors.

0:23:12.160 --> 0:23:15.080
<v Speaker 1>Yeah, they were transfixed. Well, I think maybe some were

0:23:15.720 --> 0:23:18.119
<v Speaker 1>because Christy was crying off and on during that time.

0:23:20.200 --> 0:23:21.880
<v Speaker 1>She was asked do you need a break? And she's

0:23:22.400 --> 0:23:25.200
<v Speaker 1>indicated knows she could go on. So I think I'm

0:23:25.240 --> 0:23:28.920
<v Speaker 1>recalling that nine of the twelve jurors were women, and

0:23:29.280 --> 0:23:31.320
<v Speaker 1>there was a bit of a gender breakdown, but I

0:23:31.320 --> 0:23:34.080
<v Speaker 1>think a lot of them were pretty teary because it

0:23:34.119 --> 0:23:36.200
<v Speaker 1>was just a tough moment. Here's this little girl rekind

0:23:36.200 --> 0:23:40.240
<v Speaker 1>of the worst thing in her or anybody else's experience

0:23:40.280 --> 0:23:42.800
<v Speaker 1>in that courtroom, and yet she was still keeping it together,

0:23:42.840 --> 0:23:46.080
<v Speaker 1>and you know, speaking on behalf of her dead sister

0:23:46.160 --> 0:23:48.760
<v Speaker 1>and her wounded brother was very, very powerful.

0:23:52.920 --> 0:23:55.920
<v Speaker 2>And then came the deliberation and Diane's sentencing.

0:23:56.280 --> 0:24:00.200
<v Speaker 1>It had been a six week trial, so had a

0:24:00.240 --> 0:24:03.560
<v Speaker 1>lot of time as well. The defense case put a

0:24:03.560 --> 0:24:07.320
<v Speaker 1>couple of guys on who talked about I saw somebody

0:24:07.359 --> 0:24:09.520
<v Speaker 1>else along that or in that vicinity that night. But

0:24:10.200 --> 0:24:12.040
<v Speaker 1>these guys, there are two of them, they just seem

0:24:12.080 --> 0:24:15.639
<v Speaker 1>to have no credibility. Didn't seem believable. So at the

0:24:15.720 --> 0:24:19.120
<v Speaker 1>end of a six week trial, I'd be pretty rare

0:24:19.200 --> 0:24:22.920
<v Speaker 1>to have, you know, a ten minute deliberation before conviction.

0:24:23.000 --> 0:24:24.200
<v Speaker 3>So it was three full days.

0:24:24.600 --> 0:24:26.960
<v Speaker 1>In fact, this went on into the weekend, and so

0:24:27.040 --> 0:24:32.440
<v Speaker 1>it was early Sunday morning when we were told that

0:24:32.480 --> 0:24:37.000
<v Speaker 1>there's a verdict, and so you know, it's getting close

0:24:37.040 --> 0:24:39.600
<v Speaker 1>to one in the morning and people are convening back

0:24:39.640 --> 0:24:41.920
<v Speaker 1>in court and getting ready to hear what it is.

0:24:42.720 --> 0:24:44.439
<v Speaker 3>What did you feel the verdict would be.

0:24:44.480 --> 0:24:46.400
<v Speaker 2>Did you have your own intuition about that?

0:24:46.560 --> 0:24:48.280
<v Speaker 1>Yeah, I had my feeling. I thought it was going

0:24:48.320 --> 0:24:53.840
<v Speaker 1>to be guilty. In the course of most murder trials,

0:24:54.320 --> 0:24:57.359
<v Speaker 1>I think that prosecutors are sort of loath to bring

0:24:57.400 --> 0:25:00.239
<v Speaker 1>a case they don't think that they can win. So

0:25:00.440 --> 0:25:02.760
<v Speaker 1>my feeling was, I think we're going to get a

0:25:02.880 --> 0:25:06.000
<v Speaker 1>conviction here. In my sense was that people sort of

0:25:06.000 --> 0:25:10.080
<v Speaker 1>felt the same way. But when they did read out

0:25:10.280 --> 0:25:14.760
<v Speaker 1>the verdicts, there was one murder charge, two aggravated assaults,

0:25:14.800 --> 0:25:18.400
<v Speaker 1>and two attempted murder for the other kids who survived,

0:25:19.440 --> 0:25:24.480
<v Speaker 1>found guilty in all five and Judge Foot sentenced her

0:25:24.600 --> 0:25:30.960
<v Speaker 1>that night to fifty years in prison, with a minimum

0:25:30.960 --> 0:25:34.560
<v Speaker 1>of thirty to be served. And he said something, and

0:25:34.600 --> 0:25:38.199
<v Speaker 1>this was later. He just indicated, I don't think you

0:25:38.200 --> 0:25:40.720
<v Speaker 1>should ever be in society again, and I've done my

0:25:40.800 --> 0:25:42.840
<v Speaker 1>best to make sure that that's the case.

0:26:02.520 --> 0:26:05.000
<v Speaker 2>And so Diane was put in jail, and then the

0:26:05.040 --> 0:26:08.600
<v Speaker 2>fate of the two living Down siblings was decided. The prosecutor,

0:26:08.640 --> 0:26:11.320
<v Speaker 2>Fred Huge, officially adopted Danny and Christy.

0:26:11.880 --> 0:26:17.040
<v Speaker 3>Well. To start with, Fred Hugy looks like the sad

0:26:17.160 --> 0:26:22.880
<v Speaker 3>eyed basset hound dog who hates to have to tell

0:26:22.920 --> 0:26:26.040
<v Speaker 3>you this story. He hates to have to tell you

0:26:26.359 --> 0:26:30.280
<v Speaker 3>that this mom shot her kids, and so he kind

0:26:30.280 --> 0:26:34.440
<v Speaker 3>of looks like a bloodhound almost. He never smiles. He's

0:26:34.600 --> 0:26:40.159
<v Speaker 3>always serious, and it's almost painful for him as the

0:26:40.280 --> 0:26:47.320
<v Speaker 3>various witnesses come up to get the details. So obviously

0:26:48.000 --> 0:26:51.679
<v Speaker 3>this man, who is very protective of these kids, is

0:26:51.760 --> 0:26:56.080
<v Speaker 3>thinking to himself, these kids are so traumatized by this.

0:26:56.920 --> 0:26:59.280
<v Speaker 3>I hate to have to bring you this jury. But

0:26:59.440 --> 0:27:03.440
<v Speaker 3>here's the girl in the car, and she's going to

0:27:03.560 --> 0:27:09.280
<v Speaker 3>tell you what she saw. And so I think as

0:27:09.320 --> 0:27:14.200
<v Speaker 3>he's asking her the questions and ending up with who

0:27:14.200 --> 0:27:19.040
<v Speaker 3>did this shooting, it's almost like apologetic in a way

0:27:19.520 --> 0:27:21.600
<v Speaker 3>that he's going to have to lay this out for

0:27:21.640 --> 0:27:25.320
<v Speaker 3>you because the thought of it is so terrible, and

0:27:25.400 --> 0:27:26.919
<v Speaker 3>I'm going to have to bring it to you, and

0:27:27.000 --> 0:27:30.040
<v Speaker 3>I'm the bearer of bad news. But here it is,

0:27:30.200 --> 0:27:34.400
<v Speaker 3>and the mom is responsible for this girl being shot.

0:27:35.080 --> 0:27:38.200
<v Speaker 3>So when it comes out that he is going to

0:27:38.280 --> 0:27:42.119
<v Speaker 3>adopt these kids, it was not a shock to a

0:27:42.160 --> 0:27:46.200
<v Speaker 3>lot of the people who were surrounded the case because

0:27:47.280 --> 0:27:51.120
<v Speaker 3>it almost seemed to pain him to the point of

0:27:52.359 --> 0:27:55.280
<v Speaker 3>that he was feeling that. You almost felt as though

0:27:55.920 --> 0:27:58.760
<v Speaker 3>these kids were his kids. I think because he spends

0:27:58.800 --> 0:28:01.560
<v Speaker 3>so much time around them, and he'd spent so much

0:28:01.600 --> 0:28:04.919
<v Speaker 3>time pulling these awful details out that he felt that

0:28:05.080 --> 0:28:09.919
<v Speaker 3>responsible and that protective of them, that here he was

0:28:10.720 --> 0:28:14.200
<v Speaker 3>with these very vulnerable kids just a few feet away

0:28:14.320 --> 0:28:19.520
<v Speaker 3>from the trigger person, the shooter. She's right there, she's

0:28:19.600 --> 0:28:22.959
<v Speaker 3>just feet away. And then she's getting more pregnant, of

0:28:23.000 --> 0:28:25.920
<v Speaker 3>course as time goes on, which is even a crazier

0:28:25.920 --> 0:28:28.639
<v Speaker 3>little angle to the whole thing. And here she is

0:28:28.720 --> 0:28:31.719
<v Speaker 3>ready to, you know, give birth to yet another child.

0:28:32.480 --> 0:28:36.120
<v Speaker 2>Fred Hugie clearly felt a responsibility in connection to the children,

0:28:36.520 --> 0:28:39.480
<v Speaker 2>something that he never openly discussed to any extent.

0:28:39.960 --> 0:28:42.360
<v Speaker 1>That was riding my bike along the Willamte River and

0:28:42.400 --> 0:28:47.080
<v Speaker 1>the bike paths, and this was not long after the

0:28:47.320 --> 0:28:50.600
<v Speaker 1>word of the adoption of the Hugues had been public.

0:28:52.040 --> 0:28:54.400
<v Speaker 1>I see this guy running and he's it's I can

0:28:54.400 --> 0:28:56.960
<v Speaker 1>tell it's Fred. He's in his army boots, is out

0:28:56.960 --> 0:29:00.440
<v Speaker 1>for a run. So I just kind of lighted up

0:29:00.440 --> 0:29:03.800
<v Speaker 1>beside him. I said, I think I called him mister Hughy,

0:29:03.880 --> 0:29:07.160
<v Speaker 1>not Fred. And he's just he's running and he doesn't

0:29:07.160 --> 0:29:09.040
<v Speaker 1>look at me, and he says yeah. I said, hey,

0:29:09.360 --> 0:29:13.920
<v Speaker 1>Dana Timmesotheragonian and I didn't have a very comfortable relationship

0:29:13.920 --> 0:29:15.560
<v Speaker 1>with a lot of Eugene cops because of some of

0:29:15.560 --> 0:29:18.720
<v Speaker 1>the stories that I wrote, but I never censored the animosity,

0:29:18.760 --> 0:29:20.960
<v Speaker 1>and he's just kind of yeah, And I just said,

0:29:22.120 --> 0:29:24.280
<v Speaker 1>I think it's pretty amazing that you adopted those kids,

0:29:25.960 --> 0:29:29.200
<v Speaker 1>and he said thanks, and I pedaled on.

0:29:33.800 --> 0:29:37.720
<v Speaker 2>In the meantime, Diane, pregnant and convicted, went into labor

0:29:37.800 --> 0:29:39.040
<v Speaker 2>shortly after the verdict.

0:29:39.440 --> 0:29:42.840
<v Speaker 1>About ten days after that night, Diane is driven to

0:29:43.320 --> 0:29:48.080
<v Speaker 1>Sacred Heart Hospital in Eugene by Doug Welch and another

0:29:48.120 --> 0:29:51.880
<v Speaker 1>deputy who had tended to Diane during the trial, and

0:29:52.560 --> 0:29:56.120
<v Speaker 1>basically they induced labor and she delivered the child. She

0:29:56.160 --> 0:29:58.920
<v Speaker 1>had been so pregnant with that trial, and she was

0:29:58.960 --> 0:30:01.800
<v Speaker 1>able to hold her baby for four or five hours.

0:30:01.800 --> 0:30:05.320
<v Speaker 1>Doug Welch said Diane even let him hold the baby, which,

0:30:05.960 --> 0:30:08.800
<v Speaker 1>since Diane had kind of sparred with him throughout, he

0:30:09.120 --> 0:30:11.920
<v Speaker 1>thought it was the nicest thing she had shown toward

0:30:12.040 --> 0:30:15.320
<v Speaker 1>him anyway. And from there, you know, she was on

0:30:15.400 --> 0:30:18.520
<v Speaker 1>her way to the Women's State Prison in Salem for

0:30:18.880 --> 0:30:22.600
<v Speaker 1>intake and processing. And so those two eventually, you know,

0:30:23.360 --> 0:30:26.280
<v Speaker 1>not too long after that, drove her up and dropped

0:30:26.280 --> 0:30:30.240
<v Speaker 1>her off in Salem. And even then people figured, oh well,

0:30:30.240 --> 0:30:31.520
<v Speaker 1>that's that's the end of that.

0:30:31.680 --> 0:30:33.920
<v Speaker 3>Then what did she deliver?

0:30:34.840 --> 0:30:36.880
<v Speaker 1>A baby girl or a baby she had a baby girl.

0:30:43.000 --> 0:30:46.040
<v Speaker 2>On the next episode of Happy Face Presents to Face,

0:30:46.320 --> 0:30:48.800
<v Speaker 2>we checked back in with DNA Detective Michelle with the

0:30:48.880 --> 0:30:52.360
<v Speaker 2>first round of results tracing Becky's maternal lineage in order

0:30:52.400 --> 0:30:55.000
<v Speaker 2>to determine once and for all that the baby girl

0:30:55.040 --> 0:30:58.120
<v Speaker 2>Diane gave birth to that day was, in fact Becky Babcock.

0:31:00.000 --> 0:31:03.400
<v Speaker 2>Ten Bolan is our executive producer, Melissa Moore is our

0:31:03.400 --> 0:31:07.600
<v Speaker 2>co executive producer. Maya Cole is our primary producer, Paul

0:31:07.640 --> 0:31:11.760
<v Speaker 2>Decand is our supervising producer. Sam T. Garnan is our researcher,

0:31:12.040 --> 0:31:15.160
<v Speaker 2>and Matt Riddle is our story editor. Featured music by

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<v Speaker 2>dream Tent. Happy Face Presents to Phase is a production

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<v Speaker 2>of iHeartRadio