1 00:00:01,320 --> 00:00:04,280 Speaker 1: Welcome to Stuff You Missed in History Class, a production 2 00:00:04,400 --> 00:00:14,360 Speaker 1: of iHeartRadio, Hey and Happy Friday. I'm Holly Frye and 3 00:00:14,440 --> 00:00:16,960 Speaker 1: I'm Tracy V. Wilson. We talked about Vinnie Reem all 4 00:00:17,000 --> 00:00:19,920 Speaker 1: week the Hall Week Listen. She's one of those people. 5 00:00:20,000 --> 00:00:22,200 Speaker 1: I have many thoughts that developed while I was working 6 00:00:22,200 --> 00:00:25,079 Speaker 1: on this one. I was just gonna do a one parter, 7 00:00:25,200 --> 00:00:29,080 Speaker 1: and then I was like, how yeah, just no way. 8 00:00:29,200 --> 00:00:31,480 Speaker 1: And I know we included a lot of quotes from 9 00:00:31,480 --> 00:00:33,519 Speaker 1: the papers and whatnot, but I really felt like we 10 00:00:33,560 --> 00:00:37,159 Speaker 1: had to establish just how vitriolic all the back and 11 00:00:37,200 --> 00:00:42,360 Speaker 1: forth was about her, right whoo Yeah. Two, My position 12 00:00:42,400 --> 00:00:46,680 Speaker 1: on her may have shifted a little, yeah, because I 13 00:00:46,760 --> 00:00:49,879 Speaker 1: came into this episode and the research really ready to 14 00:00:49,960 --> 00:00:54,360 Speaker 1: be like this poor girl. People accused her of a 15 00:00:54,400 --> 00:00:58,240 Speaker 1: lot of things. She was clearly victimized because she was 16 00:00:58,280 --> 00:01:01,320 Speaker 1: a young woman, And yes, I did more research. I 17 00:01:01,320 --> 00:01:05,000 Speaker 1: was like, I'm not saying that she was, you know, 18 00:01:05,040 --> 00:01:07,360 Speaker 1: the harlet she was painted to be, but she was 19 00:01:07,400 --> 00:01:10,720 Speaker 1: definitely managing the situation to her benefit and knew that 20 00:01:10,760 --> 00:01:12,840 Speaker 1: these men were obsessed with her well. 21 00:01:12,880 --> 00:01:13,800 Speaker 2: And it's one of those. 22 00:01:13,680 --> 00:01:15,800 Speaker 1: Things where I think multiple things are true at the 23 00:01:15,840 --> 00:01:20,440 Speaker 1: same time, correct, right, correct. So where she really lost 24 00:01:20,560 --> 00:01:24,360 Speaker 1: me was the guy telling her, you know, Albert Pike, 25 00:01:24,440 --> 00:01:26,120 Speaker 1: being like, I am so in love with you, I 26 00:01:26,160 --> 00:01:28,039 Speaker 1: cannot bear the thought of you with another man, and 27 00:01:28,080 --> 00:01:31,160 Speaker 1: her going you can be in my wedding that. Yeah, 28 00:01:31,200 --> 00:01:33,200 Speaker 1: I was like, this is weird. I also found it 29 00:01:33,240 --> 00:01:38,480 Speaker 1: weird that she had sherman walk her down the island 30 00:01:38,520 --> 00:01:43,960 Speaker 1: instead of her dad. I was like, this is why though, yeah, 31 00:01:44,000 --> 00:01:47,040 Speaker 1: sherman apparently like his response was like, is this okay 32 00:01:47,080 --> 00:01:49,320 Speaker 1: with your parents? And I guess they talked it through, 33 00:01:49,960 --> 00:01:52,520 Speaker 1: but to me just kind of vibed a little weird 34 00:01:52,600 --> 00:01:57,360 Speaker 1: of like are you just doing this for show? Because 35 00:01:57,400 --> 00:02:02,400 Speaker 1: that seems like an odd choices. I said that I 36 00:02:02,400 --> 00:02:05,760 Speaker 1: would read her description of how she met Franz list. Yes, 37 00:02:05,800 --> 00:02:07,000 Speaker 1: I'm very excited for this. 38 00:02:07,120 --> 00:02:08,080 Speaker 2: It's quite charming. 39 00:02:08,600 --> 00:02:12,280 Speaker 1: So she described this where she says she's sitting in 40 00:02:12,360 --> 00:02:15,680 Speaker 1: quote a chair almost immediately back of the piano at 41 00:02:15,720 --> 00:02:19,720 Speaker 1: Liz's right hand. The wonderful magician swept his slender hands 42 00:02:19,760 --> 00:02:23,880 Speaker 1: over the keys, fascinating all who heard, and with tremulous vibrations, 43 00:02:23,960 --> 00:02:26,960 Speaker 1: touched some tender chords with such a spell that I 44 00:02:27,120 --> 00:02:30,560 Speaker 1: was deeply affected. The tears which I could not repress, 45 00:02:30,680 --> 00:02:33,960 Speaker 1: rose to my eyes, and being so near and fearful 46 00:02:34,000 --> 00:02:37,120 Speaker 1: of making the slightest interruption, I dared not raise my 47 00:02:37,200 --> 00:02:41,080 Speaker 1: hand to brush them away. The great artist felt the 48 00:02:41,120 --> 00:02:44,840 Speaker 1: spell he was exercising over me. He noticed my emotion, 49 00:02:45,280 --> 00:02:48,160 Speaker 1: and playing softly with his left hand, he reached his 50 00:02:48,240 --> 00:02:51,079 Speaker 1: right hand over and laid it for an instant, tenderly 51 00:02:51,200 --> 00:02:55,440 Speaker 1: on mine. We needed no introduction. We understood each other. 52 00:02:55,600 --> 00:02:58,560 Speaker 1: And when he finished playing and all rushed to congratulate 53 00:02:58,639 --> 00:03:01,760 Speaker 1: him and thank him, I waited silently by to try 54 00:03:01,800 --> 00:03:04,359 Speaker 1: and speak, but he offered me his arm, and as 55 00:03:04,360 --> 00:03:07,440 Speaker 1: we promenaded with the rest down the old convents halls, 56 00:03:07,480 --> 00:03:10,960 Speaker 1: he said, you need not speak. I understand you, and 57 00:03:11,040 --> 00:03:14,120 Speaker 1: you understand me. And during all my stay in Rome, 58 00:03:14,200 --> 00:03:17,120 Speaker 1: this great Master was a constant visitor at my studio 59 00:03:17,600 --> 00:03:20,320 Speaker 1: and my warm and devoted friend. I love that she 60 00:03:20,360 --> 00:03:23,799 Speaker 1: has set up this scenario where like they were never introduced, 61 00:03:23,840 --> 00:03:24,560 Speaker 1: and he's just like. 62 00:03:25,040 --> 00:03:32,680 Speaker 2: You are my people. It's very fascinating. Yeah. 63 00:03:32,960 --> 00:03:38,080 Speaker 1: Yeah, here's another thing that really really jumped out at me. Okay, 64 00:03:38,400 --> 00:03:42,480 Speaker 1: as interesting in this we have talked so many times 65 00:03:42,480 --> 00:03:45,720 Speaker 1: on the show about the civil war, I would say 66 00:03:45,760 --> 00:03:47,760 Speaker 1: we also live in a time right now when our 67 00:03:47,800 --> 00:03:51,160 Speaker 1: country is very divided. I don't think that's a controversial statement, 68 00:03:52,040 --> 00:03:55,280 Speaker 1: and it is very hard for most people, myself included, 69 00:03:55,400 --> 00:04:01,440 Speaker 1: to understand how people of side can be cool and 70 00:04:01,480 --> 00:04:04,480 Speaker 1: hang with people from the other side of this, you know, 71 00:04:04,560 --> 00:04:09,320 Speaker 1: political ideology split. But reading through Vinnie Reims stuff, I 72 00:04:09,440 --> 00:04:14,200 Speaker 1: was really struck by it over and over, and she, like, 73 00:04:14,280 --> 00:04:18,440 Speaker 1: for example, her brother Bob we mentioned, stayed behind in 74 00:04:18,560 --> 00:04:21,640 Speaker 1: Arkansas when the family moved to Washington, and because he 75 00:04:21,720 --> 00:04:24,560 Speaker 1: was in Arkansas when everything started, he fought for the 76 00:04:24,600 --> 00:04:27,719 Speaker 1: Confederacy and he was actually missing for a little while, 77 00:04:27,839 --> 00:04:32,839 Speaker 1: and she was like petitioning her contacts in Washington to 78 00:04:33,000 --> 00:04:34,960 Speaker 1: like figure out if she could get a pass to 79 00:04:35,080 --> 00:04:38,400 Speaker 1: cross the line and go try to find him, which 80 00:04:38,440 --> 00:04:41,400 Speaker 1: didn't ever work out because she didn't have enough information. Really, 81 00:04:42,640 --> 00:04:45,039 Speaker 1: it was kind of like you're just gonna run around 82 00:04:45,040 --> 00:04:47,240 Speaker 1: the wilderness of the country yelling his name, like there's 83 00:04:47,279 --> 00:04:49,599 Speaker 1: no you don't know where he is, And of course 84 00:04:49,640 --> 00:04:52,560 Speaker 1: he pops back up later having surrendered during the war. 85 00:04:52,640 --> 00:04:56,880 Speaker 1: But then her association with Pike, who if you don't 86 00:04:56,920 --> 00:04:59,520 Speaker 1: know about Albert Pike, I'm making a face, because I 87 00:04:59,560 --> 00:05:05,120 Speaker 1: don't even know how to describe him, very controversial, purported 88 00:05:05,200 --> 00:05:10,480 Speaker 1: ties to the KKK, very much like a Southern military man, 89 00:05:12,279 --> 00:05:15,679 Speaker 1: everything against all of the people that Vinnie Reem seemed 90 00:05:15,760 --> 00:05:18,960 Speaker 1: to align with. But yet they did have a very 91 00:05:18,960 --> 00:05:23,600 Speaker 1: close relationship and I think an actual romance of some flavor. 92 00:05:24,960 --> 00:05:27,880 Speaker 1: He bought a little cottage that he called their Place 93 00:05:28,000 --> 00:05:32,520 Speaker 1: or whatever, and like she allegedly it's it stated very 94 00:05:32,520 --> 00:05:34,520 Speaker 1: oddly in some of the biographies, where it's like, well, 95 00:05:34,560 --> 00:05:36,960 Speaker 1: she would stay there, but she slept in a room upstairs. 96 00:05:37,000 --> 00:05:41,000 Speaker 1: Like I'm like, yeah, but this sounds this sounds like, 97 00:05:41,160 --> 00:05:44,320 Speaker 1: you know, you're trying to protect her identity or the 98 00:05:44,360 --> 00:05:51,080 Speaker 1: integrity of her you know, purity or whatever. And you know, 99 00:05:51,200 --> 00:05:54,080 Speaker 1: his letters to her very much suggests that there was 100 00:05:54,400 --> 00:05:57,680 Speaker 1: romance between them, and I'm like, but ha, how does 101 00:05:57,720 --> 00:06:02,279 Speaker 1: that work with that? Because he was obviously against all 102 00:06:02,320 --> 00:06:05,760 Speaker 1: the things you were four, and you supported both Lincoln 103 00:06:05,760 --> 00:06:12,919 Speaker 1: and Johnson and you However, she also, this will not 104 00:06:12,960 --> 00:06:17,320 Speaker 1: surprise anybody, I'm sure, had problems with the suffragettes, okay, 105 00:06:18,920 --> 00:06:23,360 Speaker 1: because there had been write ups in several papers that 106 00:06:23,520 --> 00:06:27,960 Speaker 1: were women's rights papers that kind of took the side 107 00:06:28,000 --> 00:06:31,320 Speaker 1: of like, what is this kid doings? She seems to 108 00:06:31,360 --> 00:06:34,480 Speaker 1: be doing something inappropriate, And so when it came time 109 00:06:34,520 --> 00:06:36,360 Speaker 1: and they were like, do you want to sign any 110 00:06:36,400 --> 00:06:41,640 Speaker 1: of our petitions, she was like, nope, nope. You treated 111 00:06:41,680 --> 00:06:43,880 Speaker 1: me really badly. You don't get my name on your stuff. 112 00:06:44,320 --> 00:06:49,160 Speaker 1: So it's weird. She has this life where she walks 113 00:06:49,160 --> 00:06:52,640 Speaker 1: in both those worlds and associates with both those worlds 114 00:06:53,120 --> 00:06:57,359 Speaker 1: in a way that to me seems very hard to envision, 115 00:06:57,560 --> 00:07:00,000 Speaker 1: Like I would have a hard time envisioning that for myself, 116 00:07:00,320 --> 00:07:01,920 Speaker 1: but I know people do it. But it was just 117 00:07:01,960 --> 00:07:03,240 Speaker 1: one of those things where I was like, oh, we 118 00:07:03,240 --> 00:07:06,080 Speaker 1: always think of particularly the Civil War and after as 119 00:07:06,120 --> 00:07:09,880 Speaker 1: like we are in two groups and we look at 120 00:07:09,920 --> 00:07:13,320 Speaker 1: each other with with leering anger, and that's all we get. 121 00:07:13,840 --> 00:07:15,520 Speaker 1: But that doesn't seem to have been what was going 122 00:07:15,560 --> 00:07:18,600 Speaker 1: on in a lot of cases. So that was fascinating. 123 00:07:19,280 --> 00:07:21,960 Speaker 1: One of the things that also tickled me was all 124 00:07:22,000 --> 00:07:26,320 Speaker 1: the stuff she bought in Paris, and okay, because she like, 125 00:07:26,880 --> 00:07:29,320 Speaker 1: she just bought a lot of stuff she could not. 126 00:07:29,520 --> 00:07:31,880 Speaker 1: I think it's one of those cases where, remember they 127 00:07:31,880 --> 00:07:35,400 Speaker 1: were not a wealthy family, and then suddenly she was 128 00:07:35,560 --> 00:07:39,760 Speaker 1: very famous and had some pocket money, and like when 129 00:07:39,800 --> 00:07:41,960 Speaker 1: they were in Paris, she like bought herself a harp, 130 00:07:42,280 --> 00:07:44,560 Speaker 1: Like what are you gonna do with a harp? I mean, 131 00:07:44,600 --> 00:07:47,880 Speaker 1: she played, but like it seemed like everywhere they went, 132 00:07:48,000 --> 00:07:49,840 Speaker 1: even if they were only staying a few weeks, she 133 00:07:49,960 --> 00:07:52,800 Speaker 1: moved in like it was her new home and decorated 134 00:07:52,840 --> 00:07:54,640 Speaker 1: and did all the stuff. We talked about her studio 135 00:07:54,680 --> 00:07:57,840 Speaker 1: in Rome and how she set it up, like with 136 00:07:57,920 --> 00:08:00,600 Speaker 1: full decor and furniture and you know, like a little 137 00:08:01,000 --> 00:08:06,120 Speaker 1: a little beautiful gallery and work studio. I also don't 138 00:08:06,160 --> 00:08:11,720 Speaker 1: understand why she sh she stayed in Rome, m because 139 00:08:12,040 --> 00:08:17,360 Speaker 1: like Carrera is up in Tuscany, there are cities there. 140 00:08:17,440 --> 00:08:19,840 Speaker 1: She could have stayed in Florence and been much closer. 141 00:08:20,680 --> 00:08:23,600 Speaker 1: I don't I didn't find in any of my reading 142 00:08:23,640 --> 00:08:25,760 Speaker 1: it may have been there, and I just didn't ide 143 00:08:25,840 --> 00:08:30,520 Speaker 1: it an explainer for why she would choose to live 144 00:08:30,840 --> 00:08:35,120 Speaker 1: four hours plus away from the place where her bust 145 00:08:35,200 --> 00:08:39,400 Speaker 1: was being replicated in Marble well in probably longer than 146 00:08:39,559 --> 00:08:41,640 Speaker 1: four hours right the time. 147 00:08:42,360 --> 00:08:42,920 Speaker 2: Yeah, I don't know. 148 00:08:44,800 --> 00:08:47,640 Speaker 1: My opinions on this are like definitely influenced by having 149 00:08:47,800 --> 00:08:53,200 Speaker 1: been to Rome and Tuscany, like recent times and our 150 00:08:53,360 --> 00:08:55,160 Speaker 1: very long bus trip between the two. 151 00:08:55,360 --> 00:08:56,360 Speaker 2: Very long bus trip. 152 00:08:57,000 --> 00:08:59,320 Speaker 1: But like, I mean, that has no bearing on what 153 00:08:59,400 --> 00:09:01,160 Speaker 1: it was like in the nineteenth century. 154 00:09:01,360 --> 00:09:02,040 Speaker 2: Who knows. 155 00:09:02,360 --> 00:09:07,360 Speaker 1: Yeah, yeah, I'm not clear at all about that. I 156 00:09:07,400 --> 00:09:09,480 Speaker 1: also was kind of fascinated by the fact that it 157 00:09:09,520 --> 00:09:12,600 Speaker 1: became very apparent and we didn't really break it down, 158 00:09:12,600 --> 00:09:14,480 Speaker 1: but I tried to include it in the narrative so 159 00:09:14,520 --> 00:09:18,240 Speaker 1: that people could kind of get the workings of it. 160 00:09:18,440 --> 00:09:22,720 Speaker 1: How a memorial statue is made. It's not like someone 161 00:09:22,840 --> 00:09:25,040 Speaker 1: hands her a hunk of marble and she gets her chisel. 162 00:09:25,960 --> 00:09:28,800 Speaker 1: You know, she creates the model that is then recreated 163 00:09:28,840 --> 00:09:34,240 Speaker 1: by master chiselers who their whole job is recreating artists 164 00:09:34,600 --> 00:09:38,080 Speaker 1: right clay models in marble. So that was very interesting 165 00:09:38,080 --> 00:09:42,200 Speaker 1: because some of them, you know, the really snarky commentary 166 00:09:42,320 --> 00:09:45,240 Speaker 1: by Mary Todd Lincoln's friend was very like, she doesn't 167 00:09:45,320 --> 00:09:47,440 Speaker 1: know what a chisel is, and it's really need to 168 00:09:47,440 --> 00:09:48,839 Speaker 1: do exactly what you're talking about. 169 00:09:50,640 --> 00:09:52,600 Speaker 2: That was kind of fascinating. 170 00:09:52,040 --> 00:10:03,120 Speaker 3: Too, Okay, Mary Todd Lincoln. 171 00:10:04,720 --> 00:10:07,240 Speaker 1: One I will say I didn't find I'm sure it's 172 00:10:07,280 --> 00:10:10,440 Speaker 1: out there. I never managed to get my eyeballs on it. 173 00:10:11,160 --> 00:10:15,880 Speaker 1: Anything about what Mary Todd Lincoln thought of the statue 174 00:10:15,920 --> 00:10:19,800 Speaker 1: when it was completed. We know she wasn't in favor 175 00:10:19,840 --> 00:10:21,760 Speaker 1: of any ream and she said a lot of nasty 176 00:10:21,800 --> 00:10:27,080 Speaker 1: stuff right that whole, like burn this, don't I'm not like, 177 00:10:27,320 --> 00:10:29,120 Speaker 1: you know what you're doing is wrong when you're like 178 00:10:29,200 --> 00:10:33,319 Speaker 1: burn this letter. But I never saw anything about it. 179 00:10:33,400 --> 00:10:35,840 Speaker 1: And now it's possible because her son did go see 180 00:10:35,880 --> 00:10:38,760 Speaker 1: the statue and he seemed to like it, that that 181 00:10:38,880 --> 00:10:40,200 Speaker 1: was enough for her and she didn't want to get 182 00:10:40,200 --> 00:10:40,840 Speaker 1: involved past that. 183 00:10:40,960 --> 00:10:42,400 Speaker 2: But I don't know what she thought. 184 00:10:43,280 --> 00:10:45,400 Speaker 1: I have always known that Mary Todd Lincoln is a 185 00:10:45,440 --> 00:10:48,600 Speaker 1: mixed bag, but I really was kind of startled at 186 00:10:48,600 --> 00:10:52,920 Speaker 1: how kind of petty she could be. Yeah, I didn't 187 00:10:52,960 --> 00:10:59,439 Speaker 1: really know much about her at all personally, and Patrick 188 00:10:59,520 --> 00:11:03,280 Speaker 1: was reading I think maybe Team of Rivals was reading, 189 00:11:03,320 --> 00:11:12,120 Speaker 1: you know, some work about Abraham Lincoln and said something 190 00:11:12,160 --> 00:11:14,120 Speaker 1: offhandedly about her, and I was kind of like, well, 191 00:11:14,160 --> 00:11:16,439 Speaker 1: you know, a lot of times the historical counts of 192 00:11:16,480 --> 00:11:19,000 Speaker 1: women are like particularly vindictive and harsh because ofh blah 193 00:11:19,000 --> 00:11:20,800 Speaker 1: blah blah. And then he told me some details about 194 00:11:20,800 --> 00:11:24,320 Speaker 1: some stuff and I was like, oh, well, okay, two 195 00:11:24,360 --> 00:11:28,280 Speaker 1: things are true at the same time, as we said earlier. Yeah, yeah, 196 00:11:28,320 --> 00:11:30,400 Speaker 1: I mean we know, right, Like we talked about her. 197 00:11:30,480 --> 00:11:35,120 Speaker 1: She came up briefly in our live show episode we 198 00:11:35,200 --> 00:11:39,679 Speaker 1: did on spirit photography, right, yeah, and she came up 199 00:11:39,840 --> 00:11:44,960 Speaker 1: in our episodes about mediums at various times. Like we 200 00:11:45,080 --> 00:11:47,000 Speaker 1: know that she was like kind of into the occult 201 00:11:47,040 --> 00:11:50,000 Speaker 1: and this idea of spiritualism that was sweeping the nature 202 00:11:50,040 --> 00:11:52,240 Speaker 1: at the time. She was not an outlier in this regard, 203 00:11:52,960 --> 00:11:55,160 Speaker 1: so we knew, like I always knew she was. She 204 00:11:55,200 --> 00:11:57,280 Speaker 1: could be perceived as a bit kooky because of that, 205 00:11:57,480 --> 00:11:59,720 Speaker 1: but I really did not have a sense of just 206 00:12:00,040 --> 00:12:02,800 Speaker 1: how vindictive she could be. Yeah, and like the whole 207 00:12:02,840 --> 00:12:05,760 Speaker 1: like I don't know, you like she perfected that well before. 208 00:12:05,800 --> 00:12:07,320 Speaker 2: Mariah Carey was like. 209 00:12:07,600 --> 00:12:10,520 Speaker 1: Yeah, I was sort of like death of a child, 210 00:12:10,600 --> 00:12:12,600 Speaker 1: death of a husband, Like it just seems like so 211 00:12:12,679 --> 00:12:14,880 Speaker 1: much was happening in her life. But then I will 212 00:12:15,679 --> 00:12:19,440 Speaker 1: hear specific, you know, accounts of particular things that happen. 213 00:12:19,520 --> 00:12:21,839 Speaker 1: I'm like, whoa, Okay, I don't feel like what I 214 00:12:22,040 --> 00:12:26,480 Speaker 1: just said can really mitigate that story. Yeah, some of 215 00:12:26,520 --> 00:12:32,000 Speaker 1: it's really venomous. Also, she was notoriously it came up 216 00:12:32,000 --> 00:12:33,800 Speaker 1: and I didn't mention it to you. Beforehand, and it 217 00:12:33,880 --> 00:12:39,920 Speaker 1: was in a passage that you had to read. Hmm, her, Listen, 218 00:12:39,960 --> 00:12:42,240 Speaker 1: we write out stuff and sometimes there are lots of 219 00:12:42,240 --> 00:12:44,800 Speaker 1: typos and whatnot. But I know there was a weird 220 00:12:44,880 --> 00:12:47,400 Speaker 1: moment in one of them, and I had forgot to 221 00:12:47,480 --> 00:12:51,560 Speaker 1: mention to you that I had copied it directly because 222 00:12:51,600 --> 00:12:55,360 Speaker 1: her punctuation was fast and loose, like where I would 223 00:12:55,360 --> 00:12:57,520 Speaker 1: be writing it, reading it and being like, there shouldn't 224 00:12:57,520 --> 00:13:00,160 Speaker 1: be a period here. That completely breaks the concept to 225 00:13:00,200 --> 00:13:04,040 Speaker 1: this sentence. What is this fragment that's off on its own, 226 00:13:04,160 --> 00:13:08,160 Speaker 1: like just held out by dashes? What is She's pretty 227 00:13:08,200 --> 00:13:10,800 Speaker 1: notorious in her letter writing for having kind of a 228 00:13:11,240 --> 00:13:20,160 Speaker 1: I will call it a very staccato style of community. Yeah, fascinating, fascinating. 229 00:13:22,120 --> 00:13:25,199 Speaker 2: Have you gotten it? Do you know the Lincoln statue? 230 00:13:25,480 --> 00:13:29,840 Speaker 1: Uh? I looked at it because I wanted I did 231 00:13:29,840 --> 00:13:33,319 Speaker 1: not know immediately what statue were talking about. And there 232 00:13:33,400 --> 00:13:38,600 Speaker 1: is also like a Lincoln Emancipation Memorial statue, and I 233 00:13:38,640 --> 00:13:42,000 Speaker 1: wanted to make sure it wasn't that one, because I 234 00:13:42,040 --> 00:13:44,760 Speaker 1: did not remember who had sculpted that one or the 235 00:13:44,840 --> 00:13:48,400 Speaker 1: story behind it. It is not that one. The Emancipation 236 00:13:48,480 --> 00:13:52,400 Speaker 1: statue has like a whole complicated history, but the visual 237 00:13:52,480 --> 00:13:55,800 Speaker 1: representation of it is like there's Lincoln and then at 238 00:13:56,080 --> 00:14:02,720 Speaker 1: Lincoln's feet a sort of worshipfully adoring looking freed black person, 239 00:14:02,920 --> 00:14:07,920 Speaker 1: and like it's, uh, yeah. 240 00:14:07,000 --> 00:14:08,600 Speaker 2: There is you. 241 00:14:08,600 --> 00:14:11,840 Speaker 1: You bring up a thing that I did not include 242 00:14:12,120 --> 00:14:16,600 Speaker 1: in our show because I simply it's it's in the 243 00:14:16,640 --> 00:14:21,760 Speaker 1: exact same vein as this. But in write ups about 244 00:14:21,920 --> 00:14:26,680 Speaker 1: the unveiling of the Lincoln statue, there were also present 245 00:14:27,520 --> 00:14:30,440 Speaker 1: black people at that unveiling, and the way they are 246 00:14:30,480 --> 00:14:33,120 Speaker 1: described as reacting is very much in line with this, 247 00:14:33,360 --> 00:14:39,240 Speaker 1: Like that really does the whole white saviorism thing. And 248 00:14:39,320 --> 00:14:40,800 Speaker 1: I was like, oh, we don't need to put in 249 00:14:41,080 --> 00:14:45,560 Speaker 1: a show. Yeah, not yourmane. Yeah. And I also like 250 00:14:45,600 --> 00:14:48,200 Speaker 1: I have no idea whether like was the Cherokee nation 251 00:14:48,320 --> 00:14:52,720 Speaker 1: involved in the Sequoia statue. I don't know, I would 252 00:14:52,800 --> 00:14:57,040 Speaker 1: I would think probably not. Yeah. Yeah, it's all a 253 00:14:57,080 --> 00:15:01,160 Speaker 1: little it's all a little KOOKI Again, I mostly came 254 00:15:01,200 --> 00:15:03,440 Speaker 1: away with like the Pike story of like, hm, hmm, 255 00:15:03,680 --> 00:15:07,120 Speaker 1: I'm obsessed with you cool? Will you wear a suit 256 00:15:07,160 --> 00:15:09,040 Speaker 1: and a boot near for my wedding? It's not to you, 257 00:15:13,600 --> 00:15:16,960 Speaker 1: Like that's a whole level of I'm curious what your 258 00:15:16,960 --> 00:15:19,280 Speaker 1: thoughts are. Do you think she was calculating or do 259 00:15:19,320 --> 00:15:20,920 Speaker 1: you think she was like a go with the flow 260 00:15:21,000 --> 00:15:23,000 Speaker 1: that was like this is working out for me in 261 00:15:23,080 --> 00:15:24,840 Speaker 1: terms of anything in particular. 262 00:15:25,320 --> 00:15:26,160 Speaker 2: I think just in. 263 00:15:26,160 --> 00:15:29,480 Speaker 1: General her behavior with men, like obviously she lobbied at 264 00:15:29,600 --> 00:15:35,480 Speaker 1: various times. Yeah, but I don't have a good sense. 265 00:15:35,560 --> 00:15:38,280 Speaker 1: I don't have a firm stance on whether I think 266 00:15:38,320 --> 00:15:40,200 Speaker 1: she was like, yes, I will flirt with these old 267 00:15:40,240 --> 00:15:42,520 Speaker 1: dudes to get what I want, or if she was like, 268 00:15:42,600 --> 00:15:44,720 Speaker 1: I'm just being super nice. I'm just a super nice 269 00:15:44,760 --> 00:15:47,320 Speaker 1: person that's friendly. Like, I don't know, I don't know, 270 00:15:48,120 --> 00:15:50,080 Speaker 1: I don't know. I mean, there is part of me 271 00:15:50,160 --> 00:15:53,400 Speaker 1: that's like, girl, you know a lot of people writeing 272 00:15:53,480 --> 00:15:57,080 Speaker 1: you very aggressively romantic letter. Surely it must have clicked 273 00:15:57,120 --> 00:15:59,640 Speaker 1: at some point that you were getting what you wanted 274 00:15:59,680 --> 00:16:02,240 Speaker 1: because they thought there was some promise at least of 275 00:16:02,320 --> 00:16:04,280 Speaker 1: some romance with you. 276 00:16:05,920 --> 00:16:06,400 Speaker 2: I don't know. 277 00:16:06,960 --> 00:16:09,640 Speaker 1: I feel like that's a whole tangle. It is a 278 00:16:09,720 --> 00:16:12,320 Speaker 1: full tangle, and it's hard, and you don't want to 279 00:16:12,400 --> 00:16:16,560 Speaker 1: like get into shaming her. There's also part of me 280 00:16:16,600 --> 00:16:18,760 Speaker 1: that's like, Okay, what if that was the case. What 281 00:16:18,840 --> 00:16:21,360 Speaker 1: if she was conniving a hack and she was like, listen, 282 00:16:21,920 --> 00:16:22,960 Speaker 1: they can fall in love with me. 283 00:16:23,040 --> 00:16:23,480 Speaker 2: That's fine. 284 00:16:23,480 --> 00:16:24,960 Speaker 1: I don't need to love them back, but there is 285 00:16:25,000 --> 00:16:26,720 Speaker 1: no other way I'm gonna be able to do what 286 00:16:26,760 --> 00:16:29,480 Speaker 1: I want to do with my life. Well, and we 287 00:16:29,640 --> 00:16:34,600 Speaker 1: also know that, like attractive women, public figures often get 288 00:16:34,640 --> 00:16:39,040 Speaker 1: a lot of unwanted attention from men, yes, and then 289 00:16:39,080 --> 00:16:46,440 Speaker 1: are accused of having encouraged that unwanted attention by existing. 290 00:16:47,840 --> 00:16:51,000 Speaker 1: So like, I'm super reluctant to make any kind of 291 00:16:51,560 --> 00:16:55,760 Speaker 1: conclusive Oh yeah, I mean she was interacting with all 292 00:16:55,800 --> 00:16:57,560 Speaker 1: of these people in a way that I'm like, it's 293 00:16:57,600 --> 00:17:01,560 Speaker 1: not quite the same as that in my mind, you know, 294 00:17:01,680 --> 00:17:04,720 Speaker 1: like when apparently I didn't I didn't read all the 295 00:17:04,840 --> 00:17:08,680 Speaker 1: letters between them. But apparently when she started dating Hoxy 296 00:17:08,760 --> 00:17:13,400 Speaker 1: for example, and people like Pike, Pike in particular obviously 297 00:17:13,520 --> 00:17:15,520 Speaker 1: was writing her and she was telling him like no, no, 298 00:17:15,560 --> 00:17:16,960 Speaker 1: it's nothing to worry about. 299 00:17:17,400 --> 00:17:18,639 Speaker 2: No, no, no, no, no, it's fine. 300 00:17:19,880 --> 00:17:23,920 Speaker 1: When she was obviously dating this other person, right, I'm like, Okay, 301 00:17:23,920 --> 00:17:25,919 Speaker 1: what is the impetus for that, Like you are lying 302 00:17:25,960 --> 00:17:29,440 Speaker 1: to him? Is there a way that I can see 303 00:17:29,440 --> 00:17:33,240 Speaker 1: that she is doing so that is benevolent and not weasily. 304 00:17:33,400 --> 00:17:36,439 Speaker 1: I don't know, unless she just thought he's quite an 305 00:17:36,440 --> 00:17:39,440 Speaker 1: elderly man. I don't want to scare him to pieces, don't. 306 00:17:39,520 --> 00:17:40,040 Speaker 2: I don't know. 307 00:17:41,560 --> 00:17:45,320 Speaker 1: That's part of why her legacy is so difficult. Boy, 308 00:17:45,400 --> 00:17:49,520 Speaker 1: I do think we didn't talk that much about her art. Actually, 309 00:17:50,400 --> 00:17:52,399 Speaker 1: I mean, I think she was a perfectly fine artist. 310 00:17:52,480 --> 00:17:55,840 Speaker 1: I don't I she is not an artist. You have 311 00:17:55,880 --> 00:17:58,960 Speaker 1: seen me fall apart in front of sculptures before. Her 312 00:17:59,359 --> 00:18:01,800 Speaker 1: art does not inspire that in me. But I always 313 00:18:01,800 --> 00:18:03,760 Speaker 1: do think it's lovely, like no part of me is like, 314 00:18:04,119 --> 00:18:10,280 Speaker 1: what is this? So the jury will be out on 315 00:18:10,359 --> 00:18:15,280 Speaker 1: Vinnie Ream forever. We don't know anymore really about whether 316 00:18:15,359 --> 00:18:19,280 Speaker 1: or not she was the cause of Charles Francis Hall's death, 317 00:18:20,320 --> 00:18:23,240 Speaker 1: but that even seems fascinating to me. If that was 318 00:18:23,320 --> 00:18:26,320 Speaker 1: the sticking point that motivated Bessel's and he did in 319 00:18:26,359 --> 00:18:29,760 Speaker 1: fact kill Charles Francis Hall, that's a weird thing like that. 320 00:18:30,119 --> 00:18:32,720 Speaker 1: If that's the case, that speaks to her appeal that 321 00:18:32,800 --> 00:18:34,760 Speaker 1: they knew her for a couple of weeks and out 322 00:18:34,800 --> 00:18:37,000 Speaker 1: of that he was like, I will kill for her. 323 00:18:37,720 --> 00:18:42,000 Speaker 1: That's a lot and kind of does again bring into 324 00:18:42,000 --> 00:18:47,280 Speaker 1: focus how much like franz List, people just could not. 325 00:18:46,440 --> 00:18:49,719 Speaker 2: Not fall in love with them wild. 326 00:18:49,359 --> 00:18:53,160 Speaker 1: Yeah, franz List, he just knew we were the same. 327 00:18:55,600 --> 00:19:00,000 Speaker 1: I love it anyway. That was Vinny Reem. I feel 328 00:19:00,119 --> 00:19:02,680 Speaker 1: like we could do and somebody could do a long, 329 00:19:02,880 --> 00:19:06,040 Speaker 1: like twenty seven part series on her and there would 330 00:19:06,040 --> 00:19:08,639 Speaker 1: still be stuff left unturned because it's a lot. 331 00:19:10,240 --> 00:19:11,520 Speaker 2: We hope that if. 332 00:19:11,359 --> 00:19:14,080 Speaker 1: You have time off in the coming days, you do 333 00:19:14,160 --> 00:19:16,399 Speaker 1: not have to deal with anything or anyone that is 334 00:19:16,520 --> 00:19:21,280 Speaker 1: a lot unless you like that. If you don't have 335 00:19:21,359 --> 00:19:23,639 Speaker 1: time off, we still hope you get some rest and 336 00:19:23,680 --> 00:19:26,640 Speaker 1: relaxation in the mix, because everybody needs it. We will 337 00:19:26,680 --> 00:19:29,440 Speaker 1: be right back here tomorrow with a classic episode and 338 00:19:29,480 --> 00:19:36,960 Speaker 1: then on Monday with something brand new. Stuff you missed 339 00:19:36,960 --> 00:19:40,120 Speaker 1: in History Class is a production of iHeartRadio. For more 340 00:19:40,160 --> 00:19:44,520 Speaker 1: podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or 341 00:19:44,560 --> 00:19:47,720 Speaker 1: wherever you listen to your favorite shows.