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Speaker 1: So we've been practicing all day and I'm feeling good

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Speaker 1: and I turned to Blithe dinner and uh, she's ready.

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Speaker 1: I have the Tiger and dat Ben is also just

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Speaker 1: in the zone, and I'm like, this is gonna be great,

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Speaker 1: this is gonna be great. Lights come up, Blithe starts

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Speaker 1: banging the drums, and I am finally hit with the

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Speaker 1: weight of what we're doing that I am now in

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Speaker 1: the little band that plays next to the groundlink stage

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Speaker 1: and I'm actually like here in person, like about to

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Speaker 1: do it.

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Speaker 2: And always.

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Speaker 1: Yes and I and I know the songs like the

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Speaker 1: back of my hand, but with the pressure of these

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Speaker 1: you know, the Sunday Company is about to step out

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Speaker 1: and actually like start to do some of these unusual

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Speaker 1: conversations that they perform where two people are both being

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Speaker 1: weird characters and they're at like an airport.

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Speaker 2: Bar or either could clap at any moment.

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Speaker 1: Well yes, and it's not your turn yet, but yes,

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Speaker 1: and but it's coming to be my time. And I

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Speaker 1: finally reach out to the keys and I just go like,

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Speaker 1: you know, Satan take the wheel. Yeah, And I hope

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Speaker 1: that it comes out.

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Speaker 3: And is it comforting to know that you can't ruin

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Speaker 3: the show. You can't make it bad.

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Speaker 1: Well, these guys are fucking pro They're going to turn

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Speaker 1: it into gold.

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Speaker 2: But so you feel a.

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Speaker 3: Pressure to like contribute. But even though you must be

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Speaker 3: thinking like, well, this is gonna but I want.

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Speaker 2: To make the audience comfortable. I don't want to have

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Speaker 2: to get bailed out. I want it to go.

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Speaker 1: And the drums are going, and that's shredding, and I

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Speaker 1: reach out to the keys and I go now, dow

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Speaker 1: no no, no, no, no, no no no.

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Speaker 2: Now new am I coming? Not a left field?

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Speaker 1: I'm a rabbo does a kicks man. And of course

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Speaker 1: it's the Christmas show we were supposed to be playing. First, Noel,

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Speaker 1: it's not. I'm like, this is the Christmas show of

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Speaker 1: our episode or the Holiday.

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Speaker 3: Show where we also didn't have mad respect mad respect.

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Speaker 3: We didn't have like a seasonal theme or anything like that.

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Speaker 1: But they but you know, they're playing they're playing Christmas music.

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Speaker 1: I don't think they were playing the same song. I

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Speaker 1: think Blithe was doing good King Wins's Loss, But at

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Speaker 1: any rate, they did not want me to play feel

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Speaker 1: it still by Portugal the pan although it is sort

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Speaker 1: of holiday theme, doesn't it And it is your turn, Adam.

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Speaker 2: You know, I've been put in my place, you know,

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Speaker 2: and I feel bad.

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Speaker 1: Hey fuck it? So uh so at any rate, uh

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Speaker 1: you know, I I do sort of manage to pull

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Speaker 1: out of the skid, and I just and I just

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Speaker 1: kind of pretend that I fell asleep.

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Speaker 2: And and the growlings make a lot of hay out

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Speaker 2: of that.

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Speaker 1: Uh they're coming out. Well yeah, the one guy yeah,

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Speaker 1: comes out and just goes like.

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Speaker 2: Is it is it my turn? Huh?

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Speaker 1: Is it? No?

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Speaker 2: No? No, no, okay, you had a little there was

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Speaker 2: a moment for you. I really don't want to step

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Speaker 2: on anyone's toes again.

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Speaker 1: Yeah, And the guy comes there and goes, I'm going

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Speaker 1: I'm here to I'm here to steal all the eggs

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Speaker 1: from the grocery store. And then the grocery store manager is.

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Speaker 2: Like her, now you actually have a nice body.

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Speaker 1: And then they somehow have a romantic link. But anyway,

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Speaker 1: two boys, I don't know, I do not know. And

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Speaker 1: then the director comes down and goes like, we're going

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Speaker 1: to do an imprompt for you, and then she goes,

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Speaker 1: see name ten sound effects.

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Speaker 3: So anyway, that's the prompt. They get ten sound effects.

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Speaker 2: That is what I saw, yes.

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Speaker 3: Hey, An Insider's guide to kicking a button dropping names

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Speaker 3: in the red carpet line back hallways of this industry.

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Speaker 2: We call showbiz. What holiday? What we have? What holiday?

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Speaker 1: Ali on the show?

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Speaker 2: Adam Palladay? I you you have done this? Am I

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Speaker 2: allowed to answer? I don't want to get scolded again?

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Speaker 1: Hey man, this is golf man. Come on, what's this ship?

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Speaker 1: You know you're allowed to answer now. We were saying

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Speaker 1: your name.

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Speaker 2: I thought it's a podcast you could chime in whenever

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Speaker 2: you want, and we're all playing the same game here.

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Speaker 2: But I guess it's you've done the show four fucking times. Dog.

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Speaker 1: We have a thing where we're pretending to finish story podcasts.

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Speaker 2: I do a week, yes, okay, so I don't remember

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Speaker 2: everybody's specific intro where only they can talk. Where's yours?

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Speaker 2: When you do bang bang?

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Speaker 1: How long before you talk?

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Speaker 2: A solid hour? Flor I give a solid cook. I

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Speaker 2: got you. I don't want to take him out of

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Speaker 2: the oven.

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Speaker 1: D Let the chef do his work, of course, Man,

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Speaker 1: you know what, he's got four burners going.

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Speaker 2: It was the last thing you want is a creamy risotta.

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Speaker 3: You know, I mean, you know I'm looking at the

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Speaker 3: stuff that you have gone, like, where is your podcast?

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Speaker 2: There is money in this I have been I know that.

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Speaker 2: So I started a podcast. It's called Veno Diesel.

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Speaker 1: Okay.

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Speaker 2: The unfortunate thing is that every episode is unlistenable to you.

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Speaker 2: You can't hear okay, because that's I guess. My question

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Speaker 2: is where is It's on SoundCloud? Okay, it's for free, okay,

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Speaker 2: and go download it is each episode there is a

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Speaker 2: special guest and somebody is super interesting. You can get

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Speaker 2: each episode for real. It's up there. You cannot make

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Speaker 2: out a single word. There are an hour and a

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Speaker 2: half long.

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Speaker 3: Each today and it's wine and you drink wine and

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Speaker 3: you're talking about different kinds of wine wine.

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Speaker 2: We talked to celebrity guests. Surely this is the first

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Speaker 2: show to do to this, the one celebrities. I think

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Speaker 2: it's the first show to do it for the purpose

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Speaker 2: of no one can listen to it. Yeah, but which

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Speaker 2: is uh? I think you know everyone has a business

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Speaker 2: model and mine is going against the grain. We managed

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Speaker 2: to get Jacob Emuir fingers crossed that I don't know

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Speaker 2: they have a competing wine podcast, so fingers cry, oh

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Speaker 2: is right again? Once again, there's a difference.

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Speaker 1: This turns us against each other.

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Speaker 2: A small difference between my podcast and jac and EM

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Speaker 2: is that you can hear their yeah, which I guess

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Speaker 2: is for amateurs. I now no shots fired for real?

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Speaker 2: Uh yeah, shots fired. I talk about wrap quite a

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Speaker 2: bit at Long Last eminem g easy. Yeah, that's good,

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Speaker 2: really solid.

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Speaker 1: Start posts below Yeah, yeah, and got to be Record

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Speaker 1: of Pain as MC record no no House of Pain.

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Speaker 2: On the outside, there's only Danny Boy, no Hot Carl,

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Speaker 2: no Hawk Carl manages all of them in my on

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Speaker 2: my Mount Rush, he's off to the side with a

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Speaker 2: Bluetooth headset.

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Speaker 1: But so for a House of Pain, you're doing both

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Speaker 1: Danny Boy and Ever Clear. It ever lasts, Ever Last, Yes,

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Speaker 1: but is ever Clear on Mount rat Moore.

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Speaker 2: Yeah, of course because they're just the kind of yeah,

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Speaker 2: speed up a little bit. So yeah, are they still alive?

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Speaker 2: Because he was like sixty two and it broke right

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Speaker 2: Alex ale all right, alex Aki.

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Speaker 1: Yeah, they're a love good song and they're pissed ready

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Speaker 1: to come back.

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Speaker 2: And I want to say thank you for having me on.

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Speaker 2: It's been I'm been working a lot to get the

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Speaker 2: word out of by my new TV show. It's so

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Speaker 2: nice to be like not at a real thing we are.

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Speaker 1: Yeah, well that that's good that you feel so comfortable.

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Speaker 1: And we have already talked about your TV show.

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Speaker 2: We had you.

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Speaker 3: Here, told us a little bit about the show, like

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Speaker 3: working with you your process great. Do you want to

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Speaker 3: say kind of your side of that?

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Speaker 2: Yeah, sure, I thought it. H it's nice to like

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Speaker 2: click with someone right away. Huh. You know, and you're

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Speaker 2: talking about Sam Sam Richardson, Yeah, it's you thought it

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Speaker 2: went great. I can't even imagine a world where he

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Speaker 2: would say otherwise, uh man, and uh we keep in

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Speaker 2: touch still okay, yeah, because he got out he was

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Speaker 2: just in here, but he got out of here.

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Speaker 1: Ye really fast.

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Speaker 2: Really.

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Speaker 1: Yes.

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Speaker 2: We had asked if you guys wanted to do it together. Yeah, yeah, yeah,

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Speaker 2: and I said I I said, let's have let let

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Speaker 2: Sam shine. I don't want to you know, he really

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Speaker 2: did good good? Yeah of course he was. He's amazing. Yeah,

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Speaker 2: he's amazing. This is the last thing I want to

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Speaker 2: do is be in this really steady hand, such a

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Speaker 2: steady hand, steady hand. Yeah, no, for sure, you know,

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Speaker 2: I think that's something that he picked up from me.

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Speaker 2: For sure. And I feel like the last thing I

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Speaker 2: want to do is, you know, two sons and the

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Speaker 2: world burns out. You know, so let's let let's let

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Speaker 2: one shine. When that goes down, you know, another sun

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Speaker 2: will rise.

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Speaker 1: Two sons, two son, Arizona.

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Speaker 2: Yeah, that's right. That's where I went to college.

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Speaker 1: Hot there.

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Speaker 2: Oh yeah, let's talk about that a little bit. Fine, whatever,

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Speaker 2: I mean, that's what's so nice about this is that

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Speaker 2: it's just doesn't matter. You could do, there's any rhyme

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Speaker 2: or reason, and it's just me doing a favor for

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Speaker 2: you guys. It's it's so nice.

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Speaker 1: Yeah. So yeah, let's talk a little bit about you

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Speaker 1: going to college. What's going on? Books or what are

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Speaker 1: you doing?

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Speaker 2: Books? Yeah, they were, Thank you for that ask that question. Yes,

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Speaker 2: there were a lot of books. I didn't read a

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Speaker 2: lot of them. It was a bit of a scoundrel. Yeah, yeah,

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Speaker 2: you started. It started then a little bit.

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Speaker 3: Uh it started, Yeah, just like that's when you kind

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Speaker 3: of started being a scoundrel.

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Speaker 2: Sure, yeah, yes, it started then. I guess and I

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Speaker 2: don't know what, well, I don't know where did you

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Speaker 2: go with Cornell Brown?

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Speaker 3: I actually I went to Second City. You might be

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Speaker 3: thinking of Sean Sean with the Harvard Yeah, Hardford.

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Speaker 2: Yeah, I love that. All my friends got into Hartford. Yes,

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Speaker 2: it was great. It's so fun. Yeah, it's nice there. Yeah,

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Speaker 2: it's beautiful right smack in the middle of the nicest

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Speaker 2: part of Connecticut. Yeah.

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Speaker 1: Well, what's great about that city itself is the disparity

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Speaker 1: of wealth.

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Speaker 2: Yes, I love that about Connecticut always. That's my favorite part.

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Speaker 2: Always a recipe for good vibes. I think of Connecticut

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Speaker 2: is kind of slept on as far as the next

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Speaker 2: place for a super racial, tense war, you know, yes,

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Speaker 2: And that's kind of why I love it. It's so real,

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Speaker 2: very real. It's like I would feel tense in Connecticut

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Speaker 2: because it's so real, the opposite of how I feel here,

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Speaker 2: because this is like, this is fake. Do you think

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Speaker 2: that this is fake? No, I just feel like it's

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Speaker 2: what it doesn't matter. It's just like in the evening

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Speaker 2: that water doesn't matter. Well, when you're this close to

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Speaker 2: the beach, you know what I mean. There's so much

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Speaker 2: water at the beach. Yeah, you can't drink that water. Well,

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Speaker 2: talking about drinking, but this guy really didn't read his books. Yeah, No,

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Speaker 2: but I am happy that you're here. For our holiday episode.

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Speaker 1: Of course, since Anna Palace here going to be a

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Speaker 1: very white Christmas.

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Speaker 2: Indeed, I'm not white, that's a miss. I'm a Jew

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Speaker 2: and juice. I have seen you talking about this, uh

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Speaker 2: near press tour. Yeah.

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Speaker 3: Yeah, this is one of my big topics of unexpected

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Speaker 3: amount or people. For a funny people keep asking if

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Speaker 3: you're white.

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Speaker 2: There's a lot of Jewish lately, there's a lot of

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Speaker 2: anti Semitism in my interviews.

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Speaker 1: Uh oh, they're coming at you.

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Speaker 2: They don't think they are, but they don't realize. I

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Speaker 2: would say that a large portion of non Jewish people

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Speaker 2: don't realize the day to day anti semitism that they

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Speaker 2: that when they encounter a Jew. Okay, what's an example

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Speaker 2: of that?

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Speaker 1: So just a case so I don't yeah, okay.

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Speaker 2: So here you guys. You know, I'm sure because just

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Speaker 2: because of the bubbles that you live in, you're not

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Speaker 2: even around like you've got to us have known how

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Speaker 2: to deal with Jews. But just like you know, an

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Speaker 2: example would be I, uh, I was recognized by a civilian,

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Speaker 2: a non Jew who at my at my gym, who said,

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Speaker 2: I just stopped me. She said, I just I just

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Speaker 2: want to tell you uh, oh my god. And then

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Speaker 2: she stopped right and I was like, oh, what's going on.

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Speaker 2: I said, oh no, I thought you. I'm so sorry.

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Speaker 2: I thought you were my best friend's husband. And I

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Speaker 2: was like, I looked at her and I could see

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Speaker 2: you know what, And I said, that's okay. What is

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Speaker 2: your best friend husband's name? Is it? It's Josh And

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Speaker 2: she said no, no, it's Jared. And I said, okay,

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Speaker 2: all right, thank you. That's an anti Semitic hate crime

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Speaker 2: that was just committed. You thought I looked like every

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Speaker 2: other Jew. Wow, she did a hate crime. A hate crime.

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Speaker 1: Wow, did a hate crime. And I wouldn't do that.

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Speaker 2: It's good. Well that's an example. So that happens a lot,

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Speaker 2: and so I feel the need to remind people that

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Speaker 2: I'm not white because of it.

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Speaker 1: Okay, but when I said white Christmas, I just meant

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Speaker 1: that you were going to be uh hitting the slopes.

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Speaker 2: I don't ski. I told you that. I think I

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Speaker 2: think we've actually gone on a friendship where I said, like,

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Speaker 2: I've never skied before, I've only snowboarded. Isn't that weird?

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Speaker 2: Isn't that a sign of snowboard a time? Aha?

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Speaker 1: Yes, snowboarding.

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Speaker 2: Yes, yes, yeah, I love it.

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Speaker 1: Yeah yeah, yeah you must.

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Speaker 2: I do. I I mean Sam was saying that you.

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Speaker 3: Were really into snowboard carving, really carving the powder.

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Speaker 2: Yeah, well I did. I did. We had a week break,

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Speaker 2: so I did go to chill. We shot in the

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Speaker 2: summer went. I went to Chile with my wife and

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Speaker 2: we snowboarded like for a whole week or a week.

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Speaker 2: It was awesome. Barely slept, we just were uh snowbard

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Speaker 2: because the sun doesn't like, it doesn't set, so you

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Speaker 2: have the you have almost the whole twenty four hours

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Speaker 2: to snowboard. So we did that a lot.

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Speaker 1: Well, that is so awesome to hear that it's something

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Speaker 1: you share with your wife. And it does sort of

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Speaker 1: track with what Sam was saying, just in terms of like, yeah,

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Speaker 1: and lack of sleep and followed by maybe too much

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Speaker 1: sleep and just the energy level being you know that

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Speaker 1: show biz right, hurry up and wait, so it's moment

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Speaker 1: so frantic intensity followed by just a complete crash and

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Speaker 1: almost a zombie like.

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Speaker 2: Well, I tell you, I have been trying to stop

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Speaker 2: eating sugar, so because I know that that can happen,

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Speaker 2: and in fact, I yeah, when you can donate it

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Speaker 2: or something, because I just have this feeling on set.

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Speaker 2: Like one time after lunch, you know, the crafty came around.

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Speaker 2: They have these recis pieces and stuff, and I was like, hey, guys,

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Speaker 2: are we going to get all out of our heads

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Speaker 2: for two minutes and then not be able to function

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Speaker 2: the rest of the day. Let's get something like real

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Speaker 2: proceeed in here. What was that anti semitic in a way?

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Speaker 2: Mm hmm, Well the fact that she came to me first.

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Speaker 3: Yeah, yeah, what we like Grease, one of the Simpsons guys,

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Speaker 3: is a Jewish guy.

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Speaker 2: There you go, So when pieces you want him to

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Speaker 2: be in pieces?

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Speaker 1: Yeah, I think the fucked up I I do want

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Speaker 1: to do. Just because you are here to promote the show,

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Speaker 1: we should record a couple of quick promos for Champagne Ill.

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Speaker 1: Thank you, Hayes, And I'll just be sort of sound engineer,

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Speaker 1: and you could just go ahead and just give us

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Speaker 1: just a super clean read on. Just go, hey, champagne

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Speaker 1: Ill dropping this Tuesday, sure here with you know the

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Speaker 1: Homies Hazel show.

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Speaker 2: Sure, and this sounds that's what a great like again, Like,

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Speaker 2: let's just keep it moving, you know, and organically talk

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Speaker 2: and not have to feel like we have to like

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Speaker 2: do certain like chunks of time and set up and

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Speaker 2: premise everything. Let's just like have plants do this. Well, yeah,

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Speaker 2: so what did you want me to do? You guys

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Speaker 2: do something else? What was that? It's such a trap?

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Speaker 2: What should I do while you guys are set up

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Speaker 2: to do something to like under? What's going on again?

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Speaker 4: Tell me?

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Speaker 1: Huh? No, I I was saying that for your sake, it's.

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Speaker 2: Just some promos. You're on the mic. Yes, we're everybody recording.

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Speaker 2: Everybody get in here. It's not a diesel situation. Everybody

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Speaker 2: get in here. Let's do some promos. Yeah, okay, Uh

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Speaker 2: did you bring any Veno Diesel gear?

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Speaker 1: You have any fucking shirts or what?

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Speaker 2: I don't know. I you know I would have brought

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Speaker 2: them to you guys. I just didn't think because I

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Speaker 2: know you guys are like big on like not influencing anybody. Yeah,

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Speaker 2: and like you guys are big on just being who

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Speaker 2: you are, and you don't need you don't even want

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Speaker 2: free ship, right, Like it's like forget that you don't

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Speaker 2: want to definitely have clothes, right, So I would never

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Speaker 2: give you. I would never also never intimate that you

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Speaker 2: need anything?

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Speaker 3: Yeah, yeah, Veino Diesel does I mean like doesn't really

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Speaker 3: rhyme with vin? Does that ever come up?

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Speaker 1: Like?

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Speaker 3: Yeah, I mean like for example, something that might work

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Speaker 3: is like Veno Stamatopolis.

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Speaker 2: Sure that you know. I hope you don't mind if

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Speaker 2: I steal that because he.

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Speaker 3: Has gotten that, like he's gotten pretty Hue, that's terrific.

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Speaker 2: That is terrific. Do you have anything, Sean?

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Speaker 3: Uh?

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Speaker 1: Veno Gershan seems closer.

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Speaker 2: That's pretty good. Yeah, that is good. I don't care.

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Speaker 2: What's the next thing? What were we supposed So you

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Speaker 2: really want to keep your momentum? I just want to

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Speaker 2: look back. I feel like we had something organic that

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Speaker 2: we got to. Are you ready?

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Speaker 3: We slow down too much then the the crash will

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Speaker 3: will cover. So because you seem really wanting to like

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Speaker 3: just keep moving, I want to. I want to plow through. Okay,

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Speaker 3: all right?

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Speaker 1: Uh like a.

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Speaker 3: Snowplow, you're sort of you're sort of a snow plow

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Speaker 3: sort of okay, yeah, sort.

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Speaker 2: Of yeah, or a snowblower. No, I don't think I

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Speaker 2: would blow anything out of the way. Sure, okay, it's

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Speaker 2: like a reverse one, was it, right? I see what

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Speaker 2: you mean? Like a hoover. Yes, a vacuum. That's no vacuum. Sure,

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Speaker 2: that was a weird nickname he used to call me

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Speaker 2: on the set. Oh really yeah, I think it's like

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Speaker 2: I was always near. I was like, there's a vacuum again.

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Speaker 2: You know why is he the last one on set sweating? Like, well,

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Speaker 2: I'm hungry?

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Speaker 3: Yeah, okay, what are we Let's do one bumper?

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Speaker 2: Let's do Let's do one bumper, take a break, have

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Speaker 2: a couple of drinks, come back and do another bumper. Yeah,

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Speaker 2: one bumper, ten push ups. I have a theory about baseball.

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Speaker 2: I'd love to run by you and then then and

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Speaker 2: then we'll get into and if you want to get

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Speaker 2: vino diesel in this promo, No, no, I just champagne.

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Speaker 3: I do not come here and talk about diesel. I

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Speaker 3: definitely didn't start talking about you. I've never even heard

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Speaker 3: of it. Well, very nice. I wouldn't want to talk

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Speaker 3: about another podcast on my podcast either.

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Speaker 1: Okay, we wouldn't talk about anything exactly.

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Speaker 2: Well I would be but you wouldn't be able to

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Speaker 2: hear it, which is kind of a next level thing.

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Speaker 2: It's what we call.

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Speaker 1: Away Homer, the wind down. So uh, it's good name away,

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Speaker 1: homer away, homer Yeah.

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Speaker 2: Figure it out on the way home.

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Speaker 1: Refrigerator logic.

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Speaker 2: Wait a minute, what's refrigerator logic? Refrigerator logic?

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Speaker 3: Never?

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Speaker 2: Is that a writer's room term? Of course? You know.

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Speaker 2: I I love writer's room terms.

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Speaker 1: Isn't it so nice? It's the secret language this.

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Speaker 2: I love getting a peak behind the curtain, especially with

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Speaker 2: you two, who are like right like in the middle

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Speaker 2: of the industry. It's like, you know, you've done a

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Speaker 2: little it's not a lot, but enough to know what's

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Speaker 2: funny about this little language.

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Speaker 3: I've definitely been in writer's room just within the past

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Speaker 3: five years, and that's what's so funny about it, is

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Speaker 3: that like that you guys would like to talk about

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Speaker 3: it so comfortably, but like, to me, one of my

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Speaker 3: favorite writers room terms is blue sky.

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Speaker 2: Oh yeah, that's blue sky. Let's start over. So to

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Speaker 2: hear refrigerator logic, what does that mean?

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Speaker 1: Oh well, it's sort of like logic that only makes

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00:20:50,520 --> 00:20:56,320
Speaker 1: sense when you're cold. So it's like, oh, so, let's

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00:20:56,359 --> 00:21:00,479
Speaker 1: say I was to say to you, hey, man, but sweater,

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Speaker 1: you'd be like, it doesn't make any sense. But all

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Speaker 1: of a sudden, when you're in front of the refrigerator

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Speaker 1: trying to decide what to eat. You got your cold,

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00:21:06,880 --> 00:21:09,280
Speaker 1: jes Man, maybe I should have done that.

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Speaker 2: So it works like that. So it's like it's kind

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00:21:12,359 --> 00:21:14,399
Speaker 2: of like once you've gotten your what it's a way homer,

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Speaker 2: away homer or something you figure out on the way home.

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Speaker 2: It's like if a joke is not landing but it's smart.

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00:21:20,600 --> 00:21:22,800
Speaker 2: It's like, you want to give anybody way homers. That's

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Speaker 2: a lot of mine, a lot of ours on this show.

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Speaker 2: You don't want anyone driving home all like an hour

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Speaker 2: after being like oh right, you know, because then they

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Speaker 2: didn't feeling in the moment.

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Speaker 3: People will drive home from listening to our podcast, yes,

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Speaker 3: tweet at us and stuff and be like, ah, I've

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Speaker 3: started to.

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Speaker 2: This whole thing is kind of a way homer in

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00:21:43,840 --> 00:21:46,760
Speaker 2: a way because you can only really experience it on

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Speaker 2: your way home. What do you mean, Well, I mean

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Speaker 2: why would you listen to it when you're at your destination?

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Speaker 2: You know there's something else going on.

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Speaker 3: No, Like I was just saying, people are mostly going

427
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Speaker 3: to a place to listen to to listen to the show.

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Speaker 2: Where do you Where do you guys think this show

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Speaker 2: plays the most? Like where and where do people listen

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Speaker 2: to it?

431
00:22:08,480 --> 00:22:10,760
Speaker 1: The mom yea, the outdoor mall.

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Speaker 2: The outdoor mall with the Americana.

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Speaker 1: We we would love to get into the Americana God willing. Yeah.

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Speaker 2: No, but the outdoor mall, the modern American outdoor.

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Speaker 1: Mall, yeah yeah.

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Speaker 3: Do we do any we haven't been doing any anti

437
00:22:27,240 --> 00:22:29,640
Speaker 3: Semitic stuff. No, you guys have been great, Okay, good.

438
00:22:29,720 --> 00:22:31,920
Speaker 3: I mean I don't even I want to be nice.

439
00:22:31,960 --> 00:22:34,520
Speaker 3: I don't even want to be neutral. I want to

440
00:22:34,560 --> 00:22:36,280
Speaker 3: be like the pro submitted.

441
00:22:36,359 --> 00:22:39,359
Speaker 2: There's our first bit of anti semitism. Right, he was

442
00:22:39,440 --> 00:22:41,639
Speaker 2: so doing so good. Why wouldn't you want to be

443
00:22:41,680 --> 00:22:43,720
Speaker 2: neutral because I want to be pro. I want to

444
00:22:43,760 --> 00:22:47,640
Speaker 2: be pro submitted. The lady doth protest too much? Why

445
00:22:47,680 --> 00:22:48,600
Speaker 2: you got to be so pro?

446
00:22:49,119 --> 00:22:51,200
Speaker 3: So you just want me to So if people say,

447
00:22:51,359 --> 00:22:54,879
Speaker 3: how do you feel about these guys, these guys?

448
00:22:55,119 --> 00:22:58,760
Speaker 2: If people said this not me? If people and then

449
00:22:58,800 --> 00:23:00,639
Speaker 2: what I say, do you want me to just be like?

450
00:23:01,160 --> 00:23:05,080
Speaker 2: You know, you know people say it to me? If

451
00:23:05,119 --> 00:23:07,400
Speaker 2: people say these guys that to me, yes, I don't

452
00:23:07,480 --> 00:23:09,720
Speaker 2: want I want you to just to be like yeah,

453
00:23:10,240 --> 00:23:13,560
Speaker 2: just like to be like I don't let it. Yeah,

454
00:23:13,600 --> 00:23:17,560
Speaker 2: I go like that, hang on, I think I'm getting

455
00:23:17,600 --> 00:23:20,600
Speaker 2: a call. Okay, you don't have to squint or do

456
00:23:20,720 --> 00:23:24,160
Speaker 2: that long voice, that weird voice he just did, which

457
00:23:24,200 --> 00:23:32,400
Speaker 2: felt really to get the pro to. Just ladies and gentlemen,

458
00:23:33,320 --> 00:23:36,520
Speaker 2: thank you for listening to quick idea.

459
00:23:38,200 --> 00:23:45,440
Speaker 4: Ladies and germs. Great ladies and germs. Oh that's great,

460
00:23:46,800 --> 00:23:49,320
Speaker 4: ladles and germs. Thank you for listening. Is there anything

461
00:23:49,359 --> 00:23:49,840
Speaker 4: we can beat?

462
00:23:50,400 --> 00:23:53,600
Speaker 2: Thank you? Thank you, thank you beat, thank you, Thank you,

463
00:23:54,400 --> 00:23:57,240
Speaker 2: ladies and germs, thank you for listening. Feels kind of

464
00:23:57,280 --> 00:23:59,919
Speaker 2: Vanella too. Yeah, yeah, yeah, Vanila.

465
00:24:00,160 --> 00:24:04,600
Speaker 3: It's actually you know, it's like a strong flavor, and

466
00:24:04,640 --> 00:24:06,520
Speaker 3: people think just because it's white.

467
00:24:06,280 --> 00:24:08,000
Speaker 2: It has to be boring. Yes.

468
00:24:08,520 --> 00:24:11,120
Speaker 3: I was always you wouldn't understand this as a non

469
00:24:11,119 --> 00:24:14,520
Speaker 3: white person, right, but as a white guy, people are like, oh,

470
00:24:14,600 --> 00:24:16,960
Speaker 3: vanilla sucks because it's white.

471
00:24:17,080 --> 00:24:19,879
Speaker 2: So then what ice cream flavor would you attribute to me?

472
00:24:22,000 --> 00:24:26,520
Speaker 1: Okay, And I'm feeling like this is a dangerous area.

473
00:24:27,359 --> 00:24:30,439
Speaker 3: They're all first, let me say they're all good. I

474
00:24:30,440 --> 00:24:32,520
Speaker 3: think what you want to have a bad ice cream?

475
00:24:32,560 --> 00:24:34,480
Speaker 2: I think what you want. So you're saying some of

476
00:24:34,480 --> 00:24:39,000
Speaker 2: the flavors are bad, savory gelato, savory.

477
00:24:38,840 --> 00:24:40,680
Speaker 1: Cali, and ice cream. It is bad.

478
00:24:41,680 --> 00:24:46,240
Speaker 3: No savory okay, like what kind of savory flavor?

479
00:24:48,040 --> 00:24:53,760
Speaker 2: Anything that ends in a vowel like yes is a

480
00:24:53,800 --> 00:24:54,880
Speaker 2: tough flavor.

481
00:24:55,080 --> 00:24:56,240
Speaker 1: Okay, I.

482
00:24:58,359 --> 00:25:03,640
Speaker 2: Don't love like do you really? Isn't it so like slimy?

483
00:25:04,320 --> 00:25:07,720
Speaker 2: It's so it's so like this, guys, I don't know.

484
00:25:07,800 --> 00:25:09,520
Speaker 3: I just like, I just want to know what race

485
00:25:09,560 --> 00:25:13,720
Speaker 3: he's talking about. But I think when I saw slimy.

486
00:25:14,080 --> 00:25:18,360
Speaker 1: But but I think what Adam wants when he goes

487
00:25:18,400 --> 00:25:20,159
Speaker 1: what flavor am I is for me to go like,

488
00:25:20,240 --> 00:25:22,399
Speaker 1: oh go filter fish ice cream or something.

489
00:25:22,520 --> 00:25:23,520
Speaker 2: And I'm just not gonna do.

490
00:25:23,920 --> 00:25:24,800
Speaker 1: I'm not gonna want fall.

491
00:25:26,040 --> 00:25:28,520
Speaker 2: You would love to pin me to the wall. You

492
00:25:28,560 --> 00:25:30,280
Speaker 2: would lose your ship. You would.

493
00:25:30,359 --> 00:25:35,000
Speaker 1: You've been trying to cancel me for fifteen years.

494
00:25:35,400 --> 00:25:39,240
Speaker 2: You're you originated cancel culture. You've got to target on

495
00:25:39,280 --> 00:25:40,359
Speaker 2: my fucking ass.

496
00:25:40,400 --> 00:25:41,040
Speaker 1: That is true.

497
00:25:41,119 --> 00:25:45,160
Speaker 2: No, come on, and you know I never think about you.

498
00:25:45,480 --> 00:25:47,679
Speaker 1: I think you're gonna get it soonerly. Oh God, you

499
00:25:47,680 --> 00:25:50,280
Speaker 1: will love for the listeners to think that if you

500
00:25:50,359 --> 00:25:52,880
Speaker 1: actually turn up the volume on the Veno Diesel podcast,

501
00:25:52,960 --> 00:25:56,240
Speaker 1: it's all you just swishing wine and planning my downfall.

502
00:25:56,720 --> 00:25:59,960
Speaker 1: I know, exactly what's going on with your celebrity path.

503
00:26:00,200 --> 00:26:01,879
Speaker 2: I don't even know your last name, Sean.

504
00:26:02,400 --> 00:26:05,320
Speaker 1: And well it's a tricky one because it's just silent,

505
00:26:06,640 --> 00:26:09,120
Speaker 1: not silent, but there's a sort of tea that.

506
00:26:09,080 --> 00:26:12,000
Speaker 2: Gets too right, well Sean to Klesco.

507
00:26:12,680 --> 00:26:16,280
Speaker 1: No, but he also, you know, he is someone who

508
00:26:16,320 --> 00:26:18,160
Speaker 1: can do so many crazy voices.

509
00:26:18,359 --> 00:26:21,800
Speaker 2: So that's very nice. So is so Seawna says, you're

510
00:26:22,240 --> 00:26:23,520
Speaker 2: thank you for that? Mm hmm.

511
00:26:25,840 --> 00:26:27,240
Speaker 1: He's living rent free in your head.

512
00:26:28,400 --> 00:26:31,639
Speaker 2: I love that expression. Yeah, let me do all right?

513
00:26:31,640 --> 00:26:34,320
Speaker 2: So what do we like Amy Rent for lay in

514
00:26:34,320 --> 00:26:39,840
Speaker 2: my head? Ladles and germs spank you Vanilla.

515
00:26:39,680 --> 00:26:44,680
Speaker 1: Spank you Vanilla. Maybe instead of listening you say liftpening.

516
00:26:46,000 --> 00:26:50,520
Speaker 2: Love that. Ladies and germs spank you Vanilla for liftpening

517
00:26:51,160 --> 00:26:54,280
Speaker 2: to the And then do you want to do Hollywood

518
00:26:54,320 --> 00:26:56,240
Speaker 2: Hambook or do you know? We don't. We're good.

519
00:26:56,359 --> 00:26:58,479
Speaker 1: I don't give a ship. Oh you don't want to

520
00:26:58,480 --> 00:26:59,560
Speaker 1: barely do this show?

521
00:27:00,080 --> 00:27:04,240
Speaker 2: You What you can do is plug your show right right?

522
00:27:04,680 --> 00:27:08,640
Speaker 3: But yeah, it's a promo for Champagnel. If you want

523
00:27:08,640 --> 00:27:10,040
Speaker 3: to get Bino Diesel in there.

524
00:27:10,119 --> 00:27:12,359
Speaker 2: Well, no, I turned over to you because once he

525
00:27:12,400 --> 00:27:14,160
Speaker 2: said that he barely does anything in the show. There's

526
00:27:14,160 --> 00:27:17,320
Speaker 2: always one person who like clearly is carrying the load

527
00:27:17,359 --> 00:27:19,480
Speaker 2: and is more responsible and like does more of the work.

528
00:27:19,520 --> 00:27:20,440
Speaker 2: And there's probably resentment.

529
00:27:20,680 --> 00:27:23,719
Speaker 3: Oh yeah, I need he's letting me he's coming in. Oh,

530
00:27:24,119 --> 00:27:27,280
Speaker 3: this is like make sure they're rarely spoken. Yeah, I

531
00:27:27,320 --> 00:27:29,840
Speaker 3: don't want to agreement that we have and I need

532
00:27:29,840 --> 00:27:32,040
Speaker 3: this to keep going. I just need him to show up,

533
00:27:32,640 --> 00:27:34,399
Speaker 3: like just like be here for And.

534
00:27:34,400 --> 00:27:37,280
Speaker 2: That is not the aesthetic that is presented in all

535
00:27:37,320 --> 00:27:40,520
Speaker 2: of the photos. But yes, I get that all of.

536
00:27:40,440 --> 00:27:42,560
Speaker 1: The photos, this guy is like, I don't even think

537
00:27:42,560 --> 00:27:44,000
Speaker 1: about you. I don't even know your last name.

538
00:27:44,000 --> 00:27:47,320
Speaker 2: Everything, all of the there's photos when you walk in,

539
00:27:48,359 --> 00:27:50,480
Speaker 2: where on the shoes.

540
00:27:51,080 --> 00:27:53,359
Speaker 1: This motherfucker's looking at the shoes.

541
00:27:53,920 --> 00:27:56,200
Speaker 2: Well, it's right in your face, bit look at the

542
00:27:56,240 --> 00:27:59,680
Speaker 2: sh it's behind glass. First of all, I really again,

543
00:27:59,760 --> 00:28:03,320
Speaker 2: I know you're not trying. You're this it's a it's

544
00:28:03,400 --> 00:28:05,919
Speaker 2: a racist voice. It's a it's a voice that is

545
00:28:05,960 --> 00:28:09,440
Speaker 2: coming in with a tinge of racism. I don't even

546
00:28:09,440 --> 00:28:11,560
Speaker 2: know if you know that you're doing it. But I

547
00:28:12,040 --> 00:28:13,080
Speaker 2: want to be a bro. I want to be a

548
00:28:13,080 --> 00:28:15,520
Speaker 2: friend and tell you it's that voice is no good.

549
00:28:15,960 --> 00:28:18,239
Speaker 1: He wants to be my friend. I don't know my

550
00:28:18,320 --> 00:28:18,800
Speaker 1: last name.

551
00:28:18,880 --> 00:28:22,119
Speaker 2: And now it's like I'm in the room, I have

552
00:28:22,240 --> 00:28:27,000
Speaker 2: headphones on this mother this motherfuck you got a stile bitch,

553
00:28:27,320 --> 00:28:31,520
Speaker 2: this wild bitch. You gotta stop with it, and then

554
00:28:31,720 --> 00:28:33,320
Speaker 2: wants to be my friend.

555
00:28:33,600 --> 00:28:36,080
Speaker 3: Is that that you can't call a Jewish guy a

556
00:28:36,119 --> 00:28:36,760
Speaker 3: wild bed.

557
00:28:36,760 --> 00:28:41,479
Speaker 1: No, it is that suddenly it's Jewish people that you're

558
00:28:41,520 --> 00:28:44,440
Speaker 1: a wild Jewish. You said it, you said you don't

559
00:28:44,440 --> 00:28:46,600
Speaker 1: read books in college because you're such a wild bitch.

560
00:28:47,000 --> 00:28:51,560
Speaker 2: You have when kind of the whole thing started that

561
00:28:51,800 --> 00:28:54,200
Speaker 2: did not you guys? Have you guys said all that

562
00:28:54,280 --> 00:28:57,640
Speaker 2: when you picked up your main hobby And I didn't

563
00:28:57,680 --> 00:29:00,480
Speaker 2: know they had a lot of slopes of their Arizona

564
00:29:00,920 --> 00:29:03,120
Speaker 2: huge mountains in Arizona, it's a valley.

565
00:29:04,840 --> 00:29:09,720
Speaker 3: But it seems like two different things. What Arizona's a valley? Yes,

566
00:29:10,400 --> 00:29:10,680
Speaker 3: I don't.

567
00:29:10,720 --> 00:29:11,000
Speaker 2: I'm not.

568
00:29:11,120 --> 00:29:13,360
Speaker 3: I'm not catching up to this euphemism. What like, I

569
00:29:13,360 --> 00:29:15,360
Speaker 3: don't it's not a you are we have we been talking?

570
00:29:16,080 --> 00:29:17,320
Speaker 2: I'm not part of this culture.

571
00:29:17,360 --> 00:29:20,320
Speaker 3: Really, I don't really do that stuff, So I don't

572
00:29:19,840 --> 00:29:21,240
Speaker 3: really have you been talking in.

573
00:29:21,640 --> 00:29:23,600
Speaker 2: I've been out of the scene for a while. Yeah,

574
00:29:23,840 --> 00:29:24,720
Speaker 2: out of the scene.

575
00:29:24,760 --> 00:29:28,080
Speaker 3: We don't know what like the terms are and stuff

576
00:29:28,600 --> 00:29:29,040
Speaker 3: like plenty.

577
00:29:29,080 --> 00:29:30,360
Speaker 1: I was like, that's it for me.

578
00:29:30,360 --> 00:29:32,320
Speaker 2: Me too, honestly, because I used to do this like

579
00:29:32,360 --> 00:29:34,560
Speaker 2: comedy show there. We're talking about a comedy scene, right,

580
00:29:35,040 --> 00:29:37,960
Speaker 2: because I can be pretty funny.

581
00:29:38,960 --> 00:29:42,280
Speaker 1: Yeah, I've had some of my funniest ideas, some of

582
00:29:42,280 --> 00:29:45,080
Speaker 1: that stuff on stage on stage.

583
00:29:45,160 --> 00:29:52,320
Speaker 2: Yeah, sure, ladies and germs. Spank you for listening to

584
00:29:53,240 --> 00:29:57,960
Speaker 2: do the list lisping, ladies, and for the whole thing, not.

585
00:29:57,840 --> 00:29:59,800
Speaker 1: Just for listening.

586
00:30:00,400 --> 00:30:05,720
Speaker 2: Ladies and germs, spank you for listening to me Adam

587
00:30:05,800 --> 00:30:11,440
Speaker 2: Palley and my two good friends Sean and Hayes. And

588
00:30:11,680 --> 00:30:19,680
Speaker 2: please turn in. Oh good, thanks, turn instead of tune turned. Okay,

589
00:30:20,600 --> 00:30:23,200
Speaker 2: ladies and gyp do I did you have an engineer

590
00:30:23,240 --> 00:30:23,640
Speaker 2: back there?

591
00:30:24,360 --> 00:30:26,440
Speaker 1: Let me see, Yeah, we got someone over here.

592
00:30:26,640 --> 00:30:29,160
Speaker 2: I do I have to keep going back to the top.

593
00:30:29,240 --> 00:30:29,960
Speaker 2: You definitely don't.

594
00:30:29,960 --> 00:30:32,120
Speaker 1: We can chop it in just yeah, pick it up

595
00:30:32,120 --> 00:30:35,120
Speaker 1: where you Yeah.

596
00:30:33,920 --> 00:30:37,200
Speaker 3: And no one asked you to. I just I wasn't

597
00:30:37,200 --> 00:30:37,880
Speaker 3: coming from us.

598
00:30:37,960 --> 00:30:38,160
Speaker 1: Yeah.

599
00:30:38,680 --> 00:30:42,440
Speaker 2: Did you feel comfortable with it? I I just felt

600
00:30:42,640 --> 00:30:45,320
Speaker 2: that I didn't know if you had the tools here

601
00:30:46,080 --> 00:30:49,960
Speaker 2: to take multiple takes and edit them into one. Yeah,

602
00:30:50,720 --> 00:30:53,400
Speaker 2: just basically just on view of how jankie this whole

603
00:30:53,400 --> 00:30:56,280
Speaker 2: setup is alone. I just didn't want to over how

604
00:30:56,640 --> 00:30:58,320
Speaker 2: you want to do it, because this is for you.

605
00:30:58,480 --> 00:31:00,360
Speaker 3: This is like getting it. You know, you've got this

606
00:31:00,360 --> 00:31:04,560
Speaker 3: thing coming up, obviously a huge amount riding on it. Yes,

607
00:31:05,280 --> 00:31:07,680
Speaker 3: So however you want to do it.

608
00:31:07,800 --> 00:31:10,640
Speaker 2: Yeah, someone said to me this might be your last chance.

609
00:31:12,880 --> 00:31:15,760
Speaker 2: I was like, yeah, okay, go.

610
00:31:15,760 --> 00:31:18,040
Speaker 1: Back and do Kinky Boots on Broadway or whatever you

611
00:31:18,080 --> 00:31:21,480
Speaker 1: were doing. Yeah, whenever the fuck was going on there.

612
00:31:21,560 --> 00:31:24,280
Speaker 2: I don't know if that's supposed to be homophobic or what.

613
00:31:24,320 --> 00:31:27,400
Speaker 2: That is nothing like that to do kinky boots. So

614
00:31:27,520 --> 00:31:30,560
Speaker 2: if we just doing Broadway, I did do Broadway. Yeah, well,

615
00:31:30,560 --> 00:31:32,960
Speaker 2: I don't know what the show was off Broadway, kind

616
00:31:32,960 --> 00:31:36,120
Speaker 2: of near Broadways, the eighth Avenue, forty fourth, that's pretty close.

617
00:31:37,280 --> 00:31:41,040
Speaker 2: Did you see the New One? The New Broadway? The

618
00:31:41,120 --> 00:31:45,840
Speaker 2: new play. The show is called the New One, New Show.

619
00:31:45,920 --> 00:31:48,880
Speaker 3: When you say the new One, people know for big

620
00:31:49,080 --> 00:31:51,280
Speaker 3: that means it's Mike ver Bigley's new show.

621
00:31:51,200 --> 00:31:52,160
Speaker 1: Big Oscar.

622
00:31:52,920 --> 00:31:56,400
Speaker 2: I didn't see the New One yet, but I'm gonna go.

623
00:31:56,360 --> 00:32:01,440
Speaker 1: Imagine he goes and just tells a story that's the

624
00:32:01,520 --> 00:32:05,280
Speaker 1: Oscars just did all this fucking awards. Honestly, I would

625
00:32:05,280 --> 00:32:06,960
Speaker 1: be out of contest, man.

626
00:32:07,280 --> 00:32:09,680
Speaker 2: I always thought Spalding Gray should just host the Oscars

627
00:32:09,680 --> 00:32:12,200
Speaker 2: from behind a table and have all the awards on

628
00:32:12,240 --> 00:32:14,720
Speaker 2: a little side one and just be like reading the

629
00:32:14,800 --> 00:32:16,520
Speaker 2: name and making you come up and get it yourself,

630
00:32:16,560 --> 00:32:18,440
Speaker 2: you know, like yeah, nothing else.

631
00:32:18,480 --> 00:32:20,800
Speaker 1: And then at the end he just kills himself.

632
00:32:20,480 --> 00:32:20,920
Speaker 2: In front of it.

633
00:32:21,120 --> 00:32:27,760
Speaker 1: I got Yeah, that's sick. Yeah, yeah, that would be

634
00:32:27,760 --> 00:32:30,720
Speaker 1: better than when they said accidentally said la La Land.

635
00:32:32,160 --> 00:32:34,640
Speaker 2: Now can they thought that was embarrassing what they're going

636
00:32:34,680 --> 00:32:35,840
Speaker 2: through now? Yikes?

637
00:32:35,920 --> 00:32:39,560
Speaker 1: Oh no egg on their face? Can I ask? I

638
00:32:40,000 --> 00:32:42,640
Speaker 1: have sort of an idea for maybe a button on

639
00:32:42,680 --> 00:32:45,480
Speaker 1: the promo that you're doing great and it's so.

640
00:32:45,360 --> 00:32:47,760
Speaker 2: And again it's so nice. How organic this is. It's

641
00:32:47,800 --> 00:32:51,120
Speaker 2: just like topic flows to the next topic. It's almost

642
00:32:51,160 --> 00:32:53,440
Speaker 2: like stream of conscious is great. Yeah, anyway, what were

643
00:32:53,440 --> 00:32:54,680
Speaker 2: you saying that was so planned? Yeah?

644
00:32:54,720 --> 00:32:57,280
Speaker 1: Well, so I have an idea, like sort of a

645
00:32:57,360 --> 00:33:00,320
Speaker 1: joke that I wrote or so he wrote, yeah for

646
00:33:00,600 --> 00:33:05,560
Speaker 1: this uh, for this promo that maybe at the end

647
00:33:05,600 --> 00:33:08,240
Speaker 1: of it when you go like cause it's what's the

648
00:33:08,320 --> 00:33:10,080
Speaker 1: show on. It's on the computer.

649
00:33:10,480 --> 00:33:13,080
Speaker 2: Yeah, it's a webisode. It's called YouTube Premium. That's like

650
00:33:13,200 --> 00:33:15,840
Speaker 2: so like they say, it's like the biggest webisode. Yeah.

651
00:33:15,880 --> 00:33:19,200
Speaker 1: So you go, uh like you're sort of encouraging them

652
00:33:19,200 --> 00:33:21,160
Speaker 1: to watch the show. And you go and hey, next

653
00:33:21,200 --> 00:33:25,680
Speaker 1: time somebody uh asks you to go to a yoga class,

654
00:33:26,240 --> 00:33:29,280
Speaker 1: you just tell them. Now, mis stay in bed and

655
00:33:29,360 --> 00:33:32,120
Speaker 1: watch Champagne Ail. You know what I mean.

656
00:33:32,240 --> 00:33:32,760
Speaker 2: I love it.

657
00:33:32,880 --> 00:33:36,560
Speaker 1: Yeah, so it's because no mistay actually is and I

658
00:33:36,600 --> 00:33:38,960
Speaker 1: hope I'm not being racist and saying this like a

659
00:33:39,040 --> 00:33:39,600
Speaker 1: yoga thing.

660
00:33:40,800 --> 00:33:44,200
Speaker 2: I love it, and I also love that that joke

661
00:33:44,360 --> 00:33:48,080
Speaker 2: is the prime example of refrigerator logic. So now we've

662
00:33:48,120 --> 00:33:50,480
Speaker 2: shown the audience a little bit more about what goes

663
00:33:50,520 --> 00:33:53,680
Speaker 2: on in a writer's room. Yeah, you know, okay, And.

664
00:33:53,640 --> 00:33:55,440
Speaker 3: It's part of the selling point of the show that

665
00:33:55,520 --> 00:33:59,280
Speaker 3: you can watch it anywhere and accept a TV.

666
00:33:59,560 --> 00:34:02,720
Speaker 2: Yes, you're not supposed to watch this on TV, a phone,

667
00:34:03,200 --> 00:34:10,279
Speaker 2: a tablet hopefully, airlines maybe, Yeah, gas stations have those

668
00:34:10,280 --> 00:34:13,040
Speaker 2: little we're the number one so far there, Yeah, which

669
00:34:13,120 --> 00:34:17,360
Speaker 2: is great. Bus stops like my apparently there's those are

670
00:34:17,400 --> 00:34:20,040
Speaker 2: becoming TV in Seattle. That's like Minority Report that we

671
00:34:20,080 --> 00:34:22,160
Speaker 2: play on all the time. Wow. Yeah, in like the

672
00:34:22,200 --> 00:34:26,160
Speaker 2: suburbs of Seattle, and it freeze up buffers, it doesn't.

673
00:34:26,840 --> 00:34:29,200
Speaker 2: You do have to like sit through the things, the

674
00:34:29,239 --> 00:34:32,000
Speaker 2: little thing rolling every couple of seconds to like kind

675
00:34:32,000 --> 00:34:34,719
Speaker 2: of freeze up. But there's no ads. I love that

676
00:34:34,760 --> 00:34:37,520
Speaker 2: because I get some time to myself. Me too. It's relentless.

677
00:34:37,520 --> 00:34:40,000
Speaker 2: And with with our show, there's so many jokes. The

678
00:34:40,160 --> 00:34:44,040
Speaker 2: joke per minute is nuts, okay, And so what kind

679
00:34:44,080 --> 00:34:45,880
Speaker 2: of jokes? Yeah, what's one of them? I'd love to

680
00:34:45,880 --> 00:34:48,640
Speaker 2: tell you some of the jokes, if that's okay? Is

681
00:34:48,680 --> 00:34:51,239
Speaker 2: that okay? If I just like it's helpful, if it's

682
00:34:51,239 --> 00:34:55,720
Speaker 2: helpful for you, Yeah, okay. So one of my favorite

683
00:34:55,800 --> 00:35:01,640
Speaker 2: jokes from this is from the pilot. Yeah, oh good. So, like,

684
00:35:02,400 --> 00:35:04,600
Speaker 2: obviously are to wait too long to hear it? Not

685
00:35:04,640 --> 00:35:07,920
Speaker 2: at all? Like our two main leads have gone have

686
00:35:08,160 --> 00:35:09,760
Speaker 2: gone back to their hometown.

687
00:35:09,320 --> 00:35:11,800
Speaker 1: And they're all coming out at once, right all twelve.

688
00:35:11,800 --> 00:35:13,200
Speaker 3: But okay, I just want to say, because he was

689
00:35:13,239 --> 00:35:15,480
Speaker 3: all he's worried about waiting too long to hear it.

690
00:35:15,520 --> 00:35:17,319
Speaker 2: But you can watch them all. You can watch all

691
00:35:17,360 --> 00:35:22,600
Speaker 2: ten on twelve twelve. Yeah, so in the pilot we are, Oh,

692
00:35:22,640 --> 00:35:25,400
Speaker 2: you don't have to watch any but it's gonna be

693
00:35:25,440 --> 00:35:28,520
Speaker 2: hard to avoid it if you're taking the bus yep well,

694
00:35:28,520 --> 00:35:31,160
Speaker 2: because it's playing probably on the bus and at the stops. Yeah,

695
00:35:31,280 --> 00:35:34,320
Speaker 2: especially if you're in a suburb of Seattle. But I uh,

696
00:35:35,080 --> 00:35:39,440
Speaker 2: I we see our childhood home, Sam's child at home,

697
00:35:39,480 --> 00:35:41,720
Speaker 2: and he says, has my home always been this small?

698
00:35:42,239 --> 00:35:44,480
Speaker 2: And then I say, I don't know, maybe your dad

699
00:35:44,520 --> 00:35:47,759
Speaker 2: put a subtraction on it, and it's going to be

700
00:35:47,840 --> 00:35:49,799
Speaker 2: like a lot of stuff like that. So it's really quick,

701
00:35:49,840 --> 00:35:52,840
Speaker 2: so you got to keep up really fast, and you

702
00:35:52,960 --> 00:35:55,359
Speaker 2: got to be able to digest, you know, a lot

703
00:35:55,400 --> 00:35:55,880
Speaker 2: of stuff.

704
00:35:57,120 --> 00:36:03,640
Speaker 1: So you're saying that to Sam exactly exactly. Yeah.

705
00:36:03,719 --> 00:36:09,520
Speaker 2: Yeah, a lot of people have this same reaction where

706
00:36:09,600 --> 00:36:11,680
Speaker 2: at first it's like a slow build and then they

707
00:36:11,680 --> 00:36:13,200
Speaker 2: have to go back and pick up from the same point.

708
00:36:13,239 --> 00:36:14,520
Speaker 1: And why do you say that to him?

709
00:36:14,840 --> 00:36:18,040
Speaker 2: Because I think I'm like being like, well, maybe the

710
00:36:18,040 --> 00:36:21,959
Speaker 2: house has gotten smaller, you know, like to your eye, right,

711
00:36:22,120 --> 00:36:22,359
Speaker 2: you know.

712
00:36:22,520 --> 00:36:25,520
Speaker 3: Does it piss you off that Paced already did their

713
00:36:25,560 --> 00:36:30,479
Speaker 3: ten best shows of twenty eighteen. Yeah, and you guys

714
00:36:30,480 --> 00:36:32,160
Speaker 3: are gonna miss twenty nineteen for.

715
00:36:32,400 --> 00:36:33,160
Speaker 1: Sure, But.

716
00:36:34,800 --> 00:36:36,960
Speaker 2: Yeah, it bummed me out. You know, I sent them

717
00:36:37,000 --> 00:36:39,200
Speaker 2: a letter and I've said.

718
00:36:39,080 --> 00:36:41,719
Speaker 3: It like December third, and then they do the best

719
00:36:41,719 --> 00:36:43,279
Speaker 3: shows of twenty eight.

720
00:36:43,360 --> 00:36:45,200
Speaker 2: Well, they might not a little weird. I what I

721
00:36:45,200 --> 00:36:47,600
Speaker 2: said to them is like, I guess Paste magazine operates

722
00:36:47,600 --> 00:36:49,799
Speaker 2: on a different calendar than all their human beings, because

723
00:36:49,840 --> 00:36:52,560
Speaker 2: December is still a month of the previous year, unless

724
00:36:52,560 --> 00:36:55,160
Speaker 2: something's new to me, unless all of a sudden, Pluto's

725
00:36:55,200 --> 00:36:57,319
Speaker 2: not a planet anymore, and no one told me, you.

726
00:36:57,280 --> 00:37:01,520
Speaker 3: Know, yeah, and you know, honestly, this is like igine,

727
00:37:01,520 --> 00:37:03,400
Speaker 3: I'm not I'm being totally neutral about it.

728
00:37:03,440 --> 00:37:05,799
Speaker 2: But you guys have your own calendar. Thank you for

729
00:37:05,800 --> 00:37:07,800
Speaker 2: being neutral about it, and we do have our own calendar,

730
00:37:07,840 --> 00:37:13,680
Speaker 2: and it's totally fine to domm Is that like? Is

731
00:37:13,719 --> 00:37:17,279
Speaker 2: that okay? Yeah, it's great. Good Again, I'm not saying

732
00:37:17,320 --> 00:37:19,239
Speaker 2: I like the calend I'm not saying it's good. I

733
00:37:19,320 --> 00:37:21,440
Speaker 2: would like earlier. I wouldn't know why you would need

734
00:37:21,480 --> 00:37:23,839
Speaker 2: to say how you feel about the calendar exactly, And

735
00:37:23,880 --> 00:37:27,759
Speaker 2: I'm not well, I'm saying it right right, so you

736
00:37:27,800 --> 00:37:28,399
Speaker 2: don't like it.

737
00:37:28,520 --> 00:37:31,120
Speaker 1: No, I'm not saying if I even like.

738
00:37:31,080 --> 00:37:33,040
Speaker 2: It, but saying when I say, if someone says to you,

739
00:37:33,040 --> 00:37:34,799
Speaker 2: do you not like it? And you say no, that

740
00:37:34,960 --> 00:37:37,600
Speaker 2: is agreeing you don't like it? Well, I do not

741
00:37:37,800 --> 00:37:40,200
Speaker 2: like it? And he said no, right, so he goes,

742
00:37:40,239 --> 00:37:42,960
Speaker 2: no I don't like it? Say yes, bring up something,

743
00:37:43,080 --> 00:37:48,160
Speaker 2: bring up anything? Uh do you like? Just bring something?

744
00:37:48,160 --> 00:37:49,640
Speaker 2: Do you like? Morgan Freeman's narration.

745
00:37:51,040 --> 00:37:51,279
Speaker 1: I'm not.

746
00:37:51,520 --> 00:37:54,680
Speaker 2: I'm not saying, but don't ask me if I like it,

747
00:37:54,760 --> 00:37:57,960
Speaker 2: but just bring it up? Thought process? Yeah, what's the

748
00:37:57,960 --> 00:37:58,719
Speaker 2: first thing you think of?

749
00:38:00,719 --> 00:38:04,640
Speaker 1: Morgan Freeman's like, I mean, because I thought of something,

750
00:38:04,640 --> 00:38:06,240
Speaker 1: and you so if the answer?

751
00:38:06,320 --> 00:38:09,839
Speaker 2: If so, the answer is Jewish people? Is that bad? No,

752
00:38:09,880 --> 00:38:11,840
Speaker 2: but that's clearly been on your mind since I walked in.

753
00:38:12,640 --> 00:38:16,560
Speaker 2: But like, but why trouble for that? It's sort of

754
00:38:16,560 --> 00:38:18,680
Speaker 2: allowed to think about anything you want. So nice to

755
00:38:18,719 --> 00:38:19,080
Speaker 2: come in here.

756
00:38:19,120 --> 00:38:21,640
Speaker 1: Whoa it is like minority report at the bus stop

757
00:38:21,680 --> 00:38:24,560
Speaker 1: these days, because this is the fucking thought police. So

758
00:38:24,640 --> 00:38:27,719
Speaker 1: you are thinking it, I am allowed to think about it.

759
00:38:28,280 --> 00:38:32,040
Speaker 2: That's not the question. Well, no, no, you know, it's

760
00:38:32,080 --> 00:38:33,880
Speaker 2: it's so nice to come in here for real. For

761
00:38:35,120 --> 00:38:36,759
Speaker 2: I guess I don't know how many times, because I

762
00:38:36,800 --> 00:38:39,120
Speaker 2: don't remember any of them. And to have you guys,

763
00:38:39,239 --> 00:38:42,600
Speaker 2: I said, for you have done this, I guess so.

764
00:38:42,840 --> 00:38:44,759
Speaker 2: And it's it's nice to see that you guys are

765
00:38:44,800 --> 00:38:48,040
Speaker 2: remembering you feeling yourself and seeing you reveal yourselves and

766
00:38:48,080 --> 00:38:51,880
Speaker 2: take off the masks and hoods. Yeah, and I understand

767
00:38:51,880 --> 00:38:55,000
Speaker 2: why you prefer to keep yours on. Yeah, of course.

768
00:38:55,840 --> 00:38:58,920
Speaker 2: And it's armor. Yeah, and just kind of pretend to

769
00:38:58,960 --> 00:39:00,640
Speaker 2: be well, I'm walking in here to the lines.

770
00:39:00,680 --> 00:39:04,120
Speaker 1: Then your mask is slipping. Remember when they say that.

771
00:39:05,560 --> 00:39:07,319
Speaker 2: In What I don't know?

772
00:39:07,440 --> 00:39:10,640
Speaker 3: Isn't that it happens to Batman in the in the

773
00:39:10,680 --> 00:39:12,600
Speaker 3: third movie slipping?

774
00:39:12,960 --> 00:39:14,000
Speaker 2: Oh, Baine says it.

775
00:39:14,200 --> 00:39:18,080
Speaker 1: Yeah, Oh well Bain said it would sound different.

776
00:39:18,520 --> 00:39:24,000
Speaker 3: Uhran, come on, really to your vein and it's Baane.

777
00:39:24,360 --> 00:39:28,200
Speaker 2: What can you remember when remember when I helped you

778
00:39:28,239 --> 00:39:30,680
Speaker 2: with your s n L tape? Sure? Yeah, and you

779
00:39:30,719 --> 00:39:35,600
Speaker 2: did Baine doing all that normal stuff? Yes, can you

780
00:39:35,640 --> 00:39:38,040
Speaker 2: do a couple of those? Yeah? Absolutely absolutely?

781
00:39:42,880 --> 00:39:51,160
Speaker 1: Oh you my permissions to make a half calf soil sha.

782
00:39:55,320 --> 00:40:01,359
Speaker 2: Starbucks? Yes, of course, what a normal thing. Worry. Hey,

783
00:40:01,960 --> 00:40:03,799
Speaker 2: how come much ground day?

784
00:40:04,280 --> 00:40:05,720
Speaker 1: That means medium?

785
00:40:05,800 --> 00:40:06,120
Speaker 2: Watch?

786
00:40:06,920 --> 00:40:09,600
Speaker 3: Yeah, oh we're still at the Starbucks, okay, And that's

787
00:40:09,719 --> 00:40:10,480
Speaker 3: born in the dark.

788
00:40:10,600 --> 00:40:10,719
Speaker 4: Room.

789
00:40:10,880 --> 00:40:13,040
Speaker 2: Yeah, it's cool too, because it's like it's a bane

790
00:40:13,080 --> 00:40:15,759
Speaker 2: but it's it's also a lot of other things.

791
00:40:16,040 --> 00:40:20,799
Speaker 1: Yeah, it's universal in a way.

792
00:40:20,960 --> 00:40:25,640
Speaker 2: We're all bane. That's awesome, man, that's so nice. It's

793
00:40:25,680 --> 00:40:30,360
Speaker 2: so am I cool to leave my stuff here for

794
00:40:30,400 --> 00:40:31,720
Speaker 2: a minute when you watch this.

795
00:40:32,920 --> 00:40:36,640
Speaker 1: It's not specific stranger in a place. Could you watch

796
00:40:36,680 --> 00:40:37,960
Speaker 1: my laptop and stuff?

797
00:40:38,320 --> 00:40:42,200
Speaker 3: We we really should get this one, this promo. We

798
00:40:42,200 --> 00:40:44,800
Speaker 3: do want to say before you, like, as you're talking

799
00:40:44,840 --> 00:40:49,080
Speaker 3: about it, I maybe wouldn't talk about Sam too much

800
00:40:49,160 --> 00:40:53,080
Speaker 3: in it in case he doesn't do like a like

801
00:40:53,080 --> 00:40:56,000
Speaker 3: like he's doing for example, like in case he doesn't

802
00:40:56,000 --> 00:40:56,399
Speaker 3: come back.

803
00:40:56,560 --> 00:40:58,280
Speaker 2: I mean, in case he doesn't do a season.

804
00:40:58,320 --> 00:40:59,759
Speaker 3: Well, we was just in here and we were sort

805
00:40:59,800 --> 00:41:01,880
Speaker 3: of talking to him about it, and so like just

806
00:41:01,920 --> 00:41:05,799
Speaker 3: in case it ends up being just you for season two.

807
00:41:06,040 --> 00:41:08,239
Speaker 2: If that, I mean, that'd be weird to do a

808
00:41:08,239 --> 00:41:11,919
Speaker 2: promo with like someone who is like not strange from

809
00:41:12,040 --> 00:41:13,880
Speaker 2: not at all. This doesn't strike me as strange. And

810
00:41:13,880 --> 00:41:16,760
Speaker 2: here's why. Sam is such a good guy that he

811
00:41:16,920 --> 00:41:20,000
Speaker 2: probably sees that I that I need a full season

812
00:41:20,040 --> 00:41:23,400
Speaker 2: to shine, right, So he's probably like, you know what,

813
00:41:23,480 --> 00:41:25,400
Speaker 2: let him go and I probably. I'm sure he won't

814
00:41:25,400 --> 00:41:28,160
Speaker 2: even take a paycheck. Where's the next Happy Endings reunion

815
00:41:28,280 --> 00:41:30,359
Speaker 2: going to be Vulturefest?

816
00:41:30,719 --> 00:41:30,879
Speaker 3: Uh?

817
00:41:31,920 --> 00:41:36,240
Speaker 2: Maybe Clusterfest And we're on the fest circuit right now. Yes, yeah,

818
00:41:36,760 --> 00:41:41,440
Speaker 2: it's cool to see, like just like the hundreds of

819
00:41:41,520 --> 00:41:43,920
Speaker 2: people that love that show. You know, it's awesome.

820
00:41:44,000 --> 00:41:47,600
Speaker 3: You've done almost like a new season of Happy Endings

821
00:41:47,640 --> 00:41:50,480
Speaker 3: in just Vulturefest and reunions.

822
00:41:50,600 --> 00:41:53,120
Speaker 2: Yeah yeah, and for free.

823
00:41:53,520 --> 00:41:58,000
Speaker 3: Yeah, but the tickets are early like fifty dollars seventy five.

824
00:41:59,040 --> 00:42:02,960
Speaker 1: Yeah, uh yeah, So what a gift bag? You don't

825
00:42:03,000 --> 00:42:04,000
Speaker 1: they give you a gift bag.

826
00:42:04,040 --> 00:42:05,239
Speaker 2: They give the six of us a gift bag.

827
00:42:05,280 --> 00:42:06,960
Speaker 1: They don't give the audience cemis.

828
00:42:08,239 --> 00:42:10,840
Speaker 2: The last gift bag I got was terrific.

829
00:42:10,880 --> 00:42:12,759
Speaker 1: Trevor booking there yep.

830
00:42:12,880 --> 00:42:15,360
Speaker 2: I got and a copy of his special, which was

831
00:42:15,360 --> 00:42:18,520
Speaker 2: weird because I could also get it on Netflix. I

832
00:42:18,680 --> 00:42:23,239
Speaker 2: got all four episodes of Patriot Act. It was all

833
00:42:23,360 --> 00:42:27,959
Speaker 2: former like daily show employee stuff. They all four episodes. Yeah.

834
00:42:28,120 --> 00:42:29,719
Speaker 2: I guess they didn't think it would go more that

835
00:42:29,760 --> 00:42:30,719
Speaker 2: there was a need to but.

836
00:42:30,880 --> 00:42:35,759
Speaker 3: Okay, yeah, uh speak so speaking of that might not

837
00:42:35,880 --> 00:42:39,440
Speaker 3: be good to mention like a specific number of episodes

838
00:42:39,719 --> 00:42:42,680
Speaker 3: in this promo in case they end up but I

839
00:42:42,719 --> 00:42:45,279
Speaker 3: know they're all shot and in the can.

840
00:42:45,320 --> 00:42:46,960
Speaker 2: They are in the camp. They are in the camp.

841
00:42:47,000 --> 00:42:48,719
Speaker 3: But just like in case they end up like not

842
00:42:48,880 --> 00:42:52,680
Speaker 3: releasing all of them. We were like we were just

843
00:42:52,680 --> 00:42:55,920
Speaker 3: talking to Samon, like just it would be weird to say, like, oh,

844
00:42:55,920 --> 00:42:56,440
Speaker 3: go watch.

845
00:42:56,239 --> 00:42:59,480
Speaker 2: All these I'm not surprised. I'm not surprised if there's

846
00:42:59,520 --> 00:43:03,240
Speaker 2: like three. I'm not surprised that Sam wants to hold

847
00:43:03,320 --> 00:43:06,240
Speaker 2: his episode where he was really featured more until next season,

848
00:43:06,280 --> 00:43:10,279
Speaker 2: which one was seven through ten. Okay, so I'm not

849
00:43:10,320 --> 00:43:12,040
Speaker 2: surprised that Sam wants to take a back seat a

850
00:43:12,040 --> 00:43:15,280
Speaker 2: little bit. Okay, that's one of the jokes from episode nine. Okay,

851
00:43:15,400 --> 00:43:23,080
Speaker 2: so let me diload it all right. So h so

852
00:43:23,200 --> 00:43:28,040
Speaker 2: I have been relegated to a new a new job. Okay,

853
00:43:28,080 --> 00:43:30,360
Speaker 2: what was the old job I'd ever had one before?

854
00:43:30,400 --> 00:43:33,399
Speaker 2: Because so I'm working now at a candle kiosk. You're

855
00:43:33,440 --> 00:43:36,960
Speaker 2: relegated from not working to a new job.

856
00:43:37,120 --> 00:43:40,440
Speaker 1: Well, I'm sorry, I'll explain a little bit about the show. Okay,

857
00:43:40,960 --> 00:43:43,600
Speaker 1: he's like friends with Mount Ratmore in the show, right.

858
00:43:43,640 --> 00:43:47,040
Speaker 2: Okay, like I'm a rapper's entourage. So I don't really

859
00:43:47,040 --> 00:43:48,640
Speaker 2: have a job, but then I'm forced to take one,

860
00:43:48,960 --> 00:43:51,640
Speaker 2: And so I take a job at a candle kiosk

861
00:43:52,360 --> 00:43:58,640
Speaker 2: and I do this really humorous run about about the

862
00:43:58,719 --> 00:44:01,440
Speaker 2: sense smell, the scent of the candles and how they

863
00:44:01,480 --> 00:44:05,960
Speaker 2: all end in wood and it is and I got

864
00:44:06,000 --> 00:44:09,560
Speaker 2: to riff a little there. So they let him off

865
00:44:09,560 --> 00:44:11,320
Speaker 2: the lead. Yeah, they let the Clyde sail out of

866
00:44:11,320 --> 00:44:11,640
Speaker 2: the barn.

867
00:44:11,760 --> 00:44:15,520
Speaker 1: Let that, wow, bitch, do his thing? Is that?

868
00:44:15,640 --> 00:44:18,200
Speaker 2: Sorry? Yes, no, it's okay. And then and yeah, we

869
00:44:18,280 --> 00:44:20,920
Speaker 2: can cut that. No, it's fine, it's fine. Let's let

870
00:44:20,920 --> 00:44:23,080
Speaker 2: everybody know who Sean really is. And then they didn't.

871
00:44:23,239 --> 00:44:24,759
Speaker 2: The fun thing was like, once I was off on

872
00:44:24,800 --> 00:44:27,480
Speaker 2: these woods, they did not pull me back in. Yeah,

873
00:44:27,480 --> 00:44:28,400
Speaker 2: I would swim.

874
00:44:28,440 --> 00:44:31,759
Speaker 1: I would love if people would tell me who I

875
00:44:31,800 --> 00:44:35,480
Speaker 1: really am, because this whole podcast has really just been

876
00:44:35,480 --> 00:44:40,680
Speaker 1: an investigation for me. Really, it's sort of like searching

877
00:44:40,719 --> 00:44:43,520
Speaker 1: for Richard Simmons or whatever. But for me, it's just

878
00:44:43,560 --> 00:44:47,880
Speaker 1: like I'm just searching for the gleam dog. You know,

879
00:44:48,000 --> 00:44:48,879
Speaker 1: let's face.

880
00:44:48,600 --> 00:44:50,920
Speaker 2: It, they may you know, that's part of life. Is fine,

881
00:44:51,120 --> 00:44:53,279
Speaker 2: is coming to terms of the fact that you may

882
00:44:53,320 --> 00:44:55,320
Speaker 2: never find him. Yeah.

883
00:44:55,320 --> 00:44:58,360
Speaker 1: Well, that's what it's starting to seem like with Richard Simmons.

884
00:44:58,440 --> 00:45:01,759
Speaker 2: You mean, yeah, he have they found him.

885
00:45:02,080 --> 00:45:04,160
Speaker 1: I don't know. I don't know. I didn't listen to that.

886
00:45:04,239 --> 00:45:05,000
Speaker 1: It was too moral.

887
00:45:05,120 --> 00:45:08,200
Speaker 2: Everyone got pay. That's the important thing. Thank god. That

888
00:45:08,280 --> 00:45:09,840
Speaker 2: thing was a sundance sensation.

889
00:45:12,560 --> 00:45:15,480
Speaker 1: Uh So that fucking joke kicks ass man.

890
00:45:15,360 --> 00:45:18,560
Speaker 2: I thank you sandal Wood. And there's probably another one.

891
00:45:19,640 --> 00:45:23,919
Speaker 2: That's where we ended up. That's where we are. Oh wow, yep, yeah,

892
00:45:24,000 --> 00:45:26,640
Speaker 2: as fast as that. Pretty much there's only three three lests.

893
00:45:26,680 --> 00:45:27,960
Speaker 2: There's only three I could come up with. But in

894
00:45:28,000 --> 00:45:30,280
Speaker 2: the moment, they're not that man. I mean like, actually

895
00:45:30,360 --> 00:45:32,600
Speaker 2: it's not even a true statement, which is also as

896
00:45:32,640 --> 00:45:34,960
Speaker 2: you say that they all end in would and then

897
00:45:34,960 --> 00:45:41,520
Speaker 2: I have to come to that realization. Yeah, okay, love it, Yeah,

898
00:45:41,560 --> 00:45:45,719
Speaker 2: we gotta we gotta get some of these off. Hey, yes,

899
00:45:45,800 --> 00:45:48,000
Speaker 2: please listen to my love It or Leave It to parents? Yea.

900
00:45:48,320 --> 00:45:51,359
Speaker 1: Hayes was on Love It or Leave It? Yeah he

901
00:45:52,040 --> 00:45:54,000
Speaker 1: do you know the show His Friends? Not really a

902
00:45:54,080 --> 00:45:55,120
Speaker 1: politics guy.

903
00:45:55,280 --> 00:45:57,920
Speaker 2: I love It or leave It? I'm not no explain it.

904
00:45:57,920 --> 00:45:59,080
Speaker 2: It's kind of a smart.

905
00:45:58,800 --> 00:46:01,840
Speaker 1: Show about what's going on in uh politics.

906
00:46:01,920 --> 00:46:07,640
Speaker 2: Number one saved America. I do I remember when uh

907
00:46:08,080 --> 00:46:12,840
Speaker 2: pod made America great again? Huh what does that mean? Paga?

908
00:46:13,520 --> 00:46:15,919
Speaker 2: What's that? Nothing? All right?

909
00:46:16,080 --> 00:46:20,359
Speaker 1: Po maga poo mega because it's uh yeah, po pot

910
00:46:20,440 --> 00:46:21,359
Speaker 1: America great again?

911
00:46:21,400 --> 00:46:22,920
Speaker 2: Pot America great again. That's great.

912
00:46:23,160 --> 00:46:26,480
Speaker 1: Yeah, we should make green make America pot again, America.

913
00:46:26,840 --> 00:46:28,120
Speaker 1: You can do a million of these.

914
00:46:28,280 --> 00:46:30,839
Speaker 2: What are we going to have plans for? Like after this?

915
00:46:31,239 --> 00:46:32,040
Speaker 2: After this show?

916
00:46:33,520 --> 00:46:33,600
Speaker 1: Like?

917
00:46:33,680 --> 00:46:35,319
Speaker 2: Am I like? What am I going to do next?

918
00:46:35,400 --> 00:46:35,680
Speaker 1: Yeah?

919
00:46:35,680 --> 00:46:38,400
Speaker 2: I have a couple of things in the can? Okay,

920
00:46:39,280 --> 00:46:40,920
Speaker 2: and then that's pretty much it.

921
00:46:40,960 --> 00:46:46,360
Speaker 1: You know what's in the can? Freaking bake beans.

922
00:46:47,719 --> 00:46:50,720
Speaker 2: But you got the kid. I like that joke a lot, Sean.

923
00:46:52,719 --> 00:46:57,720
Speaker 2: I might even use that if you don't mind. Yeah, sure,

924
00:46:57,760 --> 00:46:59,319
Speaker 2: no one will listen to it. I don't hear it.

925
00:46:59,840 --> 00:47:03,080
Speaker 2: I he go out. He's scratching at the door.

926
00:47:03,840 --> 00:47:06,120
Speaker 1: I don't know. Kevin could deal with him, Kevin deal

927
00:47:06,160 --> 00:47:10,560
Speaker 1: with my dogs. I got my one dog walking my

928
00:47:10,600 --> 00:47:14,279
Speaker 1: other dog. Let that motherfucker out.

929
00:47:14,440 --> 00:47:20,919
Speaker 2: Wow, that was tough. It's just tough to see you

930
00:47:21,080 --> 00:47:23,359
Speaker 2: kind of treat employees that way.

931
00:47:24,000 --> 00:47:26,720
Speaker 1: My employees, my boss. He's a producer on the show.

932
00:47:26,840 --> 00:47:30,640
Speaker 1: Oh my god, Kevin I'm like a junior sidekick in training.

933
00:47:30,800 --> 00:47:34,000
Speaker 2: Oh my god. Wow, now let's talk about this.

934
00:47:34,440 --> 00:47:35,360
Speaker 1: What is in the can?

935
00:47:35,840 --> 00:47:41,280
Speaker 2: And don't say big beans. I shot a small part

936
00:47:41,800 --> 00:47:48,720
Speaker 2: big movie Sonic the Hedgehog. Yeah that's right, BBA voice

937
00:47:48,719 --> 00:47:52,000
Speaker 2: by BBA. He gave you a leg up. He made

938
00:47:52,000 --> 00:47:54,120
Speaker 2: it happen for me. Wow. Yeah, and you tell me

939
00:47:54,680 --> 00:48:03,560
Speaker 2: that's sick man. Yeah, what's the part? I played a

940
00:48:03,600 --> 00:48:08,919
Speaker 2: small dumb cop A small a small dumb cop part

941
00:48:09,160 --> 00:48:12,960
Speaker 2: small dumbest bag. And I get to mix it up

942
00:48:12,960 --> 00:48:17,960
Speaker 2: with Jim Carrey a little bit. Oh shit, Yeah, oh wow,

943
00:48:18,120 --> 00:48:21,719
Speaker 2: mister Pickles from Kidding, that's how he referred himself to me.

944
00:48:22,120 --> 00:48:25,759
Speaker 1: Oh wow, yeah, stating character for that. Damn man, it's

945
00:48:25,880 --> 00:48:30,360
Speaker 1: that mister trips me out so crazy.

946
00:48:30,400 --> 00:48:33,759
Speaker 2: He hosts a children's show, you know what. That's what

947
00:48:33,840 --> 00:48:38,160
Speaker 2: was so but he's decidedly adult that that whole concept

948
00:48:38,200 --> 00:48:41,560
Speaker 2: to me was so fresh that I honestly had a

949
00:48:41,560 --> 00:48:44,000
Speaker 2: hard time with the first couple episodes because I had

950
00:48:44,040 --> 00:48:46,160
Speaker 2: to wrap my head around, like, is this what these

951
00:48:46,320 --> 00:48:48,400
Speaker 2: kids show hosts are really like?

952
00:48:48,600 --> 00:48:48,759
Speaker 3: No?

953
00:48:48,880 --> 00:48:54,399
Speaker 1: It honestly completely shook me to my center of my bones. Yes,

954
00:48:55,120 --> 00:48:57,759
Speaker 1: And because I'm used to seeing kids show hosts on

955
00:48:57,920 --> 00:49:00,000
Speaker 1: like Death to Smoochie, where they're all friends, that they're.

956
00:48:59,800 --> 00:49:02,080
Speaker 2: All Yes, I thought I thought we were all like

957
00:49:02,760 --> 00:49:05,640
Speaker 2: TV hosts in general, you never are. They're never depicted

958
00:49:05,719 --> 00:49:08,960
Speaker 2: being depraved or like unhappy. But this guy is like

959
00:49:09,040 --> 00:49:12,600
Speaker 2: breaking the mirror in his dressing room. He's clearly miserable.

960
00:49:12,960 --> 00:49:14,759
Speaker 2: He's got all these kids that he has to put

961
00:49:14,800 --> 00:49:20,440
Speaker 2: on a must be gut wrenching. The name kidding so

962
00:49:20,480 --> 00:49:24,480
Speaker 2: smart because because to me, he's not. I don't know

963
00:49:24,520 --> 00:49:28,040
Speaker 2: if anyone feels that way too, but I don't think

964
00:49:28,040 --> 00:49:31,799
Speaker 2: he is. I think he's actually hoping that, but it's

965
00:49:31,880 --> 00:49:33,560
Speaker 2: hoping someone won't kid with him.

966
00:49:33,680 --> 00:49:36,520
Speaker 1: It's almost inventing a new word, though, because he's working

967
00:49:36,560 --> 00:49:37,880
Speaker 1: with kids and he's kidding.

968
00:49:38,040 --> 00:49:40,200
Speaker 2: Oh my god, I didn't even think of that, but

969
00:49:40,400 --> 00:49:44,400
Speaker 2: we think of it like he's kidding an which he sometimes.

970
00:49:44,440 --> 00:49:48,799
Speaker 2: I got a text Jim Wow, text text yes thank you.

971
00:49:48,920 --> 00:49:52,480
Speaker 3: Yeah, I'll text his assistant. So what was the conversation

972
00:49:52,600 --> 00:49:55,600
Speaker 3: with BBA? Does he expect you to initiate a thank

973
00:49:55,680 --> 00:49:56,200
Speaker 3: you for that?

974
00:49:56,360 --> 00:49:58,640
Speaker 2: No? He did not. He was That's the thing that

975
00:49:58,719 --> 00:50:01,799
Speaker 2: he was so generous. Call me right away as soon

976
00:50:01,840 --> 00:50:04,759
Speaker 2: as it was announced in deadline right away, and he goes,

977
00:50:04,920 --> 00:50:06,880
Speaker 2: I'm so happy I can make this happen for you,

978
00:50:07,040 --> 00:50:11,000
Speaker 2: and I was like, thank you so much, thank you

979
00:50:11,080 --> 00:50:12,080
Speaker 2: so much. That's a bro.

980
00:50:12,560 --> 00:50:14,680
Speaker 3: And it must have been like a lot of work

981
00:50:15,040 --> 00:50:17,360
Speaker 3: for me to get you to do a voice.

982
00:50:18,320 --> 00:50:21,680
Speaker 2: A voice? Are you kidding? To be in a live

983
00:50:21,840 --> 00:50:27,319
Speaker 2: action with a cartoon that undoubtedly will not work? Is

984
00:50:27,360 --> 00:50:28,919
Speaker 2: an honor and a thrill.

985
00:50:29,480 --> 00:50:33,080
Speaker 1: Well, and it's just so crazy to me because he

986
00:50:33,160 --> 00:50:36,080
Speaker 1: did wait for a deadline which had to be killing

987
00:50:36,160 --> 00:50:39,000
Speaker 1: him far ahead of time.

988
00:50:39,080 --> 00:50:41,640
Speaker 2: Like I've been grease in this up and if I

989
00:50:41,680 --> 00:50:43,799
Speaker 2: know anything, like I haven't been the lead voice of

990
00:50:43,840 --> 00:50:46,640
Speaker 2: an animated anything, so I don't know if this is

991
00:50:46,719 --> 00:50:49,520
Speaker 2: always how it goes, but I'm pretty sure that the

992
00:50:49,560 --> 00:50:52,920
Speaker 2: studio and the director do check with the lead voice

993
00:50:52,960 --> 00:50:56,759
Speaker 2: on all casting. So he must have known for a

994
00:50:56,920 --> 00:50:57,720
Speaker 2: long time.

995
00:50:57,840 --> 00:50:59,400
Speaker 1: Well, especially a part like that.

996
00:50:59,320 --> 00:51:02,480
Speaker 2: Yeah, who doesn't interact with his character must have known

997
00:51:02,840 --> 00:51:03,279
Speaker 2: all along.

998
00:51:03,360 --> 00:51:04,680
Speaker 1: They got to go, hey, you're not going to be

999
00:51:04,719 --> 00:51:07,040
Speaker 1: in this scene, so you got to put your stamp

1000
00:51:07,080 --> 00:51:10,640
Speaker 1: on it somehow exactly who should play the dumb cop?

1001
00:51:10,880 --> 00:51:11,560
Speaker 1: Right small?

1002
00:51:11,760 --> 00:51:15,640
Speaker 2: Yeah, And in my head that they're all sitting around

1003
00:51:16,080 --> 00:51:20,600
Speaker 2: head of sega, head of I believe it's a Warner Brothers.

1004
00:51:21,360 --> 00:51:24,799
Speaker 2: You got Neil Moritz, all these big Hollywood players bb eight,

1005
00:51:24,840 --> 00:51:27,279
Speaker 2: they're all sitting around and they're reading the script. They're

1006
00:51:27,280 --> 00:51:28,560
Speaker 2: giving notes BBA. It's like, I don't know if I

1007
00:51:28,560 --> 00:51:30,920
Speaker 2: would say this like this, would would Sonic really run

1008
00:51:30,960 --> 00:51:31,920
Speaker 2: over there that fast?

1009
00:51:32,080 --> 00:51:32,279
Speaker 4: Now?

1010
00:51:33,280 --> 00:51:35,799
Speaker 2: And then he goes, ooh, you know who would be

1011
00:51:35,960 --> 00:51:39,640
Speaker 2: great for this small part of a dumb cop?

1012
00:51:39,880 --> 00:51:40,760
Speaker 1: Yeah?

1013
00:51:40,800 --> 00:51:44,200
Speaker 2: And one one of my best friends. And so I'm

1014
00:51:44,239 --> 00:51:46,920
Speaker 2: just honored and thrilled over five honored and thrilled. We

1015
00:51:46,920 --> 00:51:48,680
Speaker 2: don't share the screen, but we're in the same thing.

1016
00:51:48,800 --> 00:51:52,359
Speaker 1: Yeah. Yeah, And so is it true that the only

1017
00:51:52,400 --> 00:51:54,160
Speaker 1: thing Sonic don't do fast is come?

1018
00:51:55,960 --> 00:52:01,960
Speaker 2: Absolutely? You should see this guy slowest comer. Oh, Sean,

1019
00:52:02,000 --> 00:52:05,320
Speaker 2: I don't know how Sonic comes. That's a question for BBAK.

1020
00:52:06,040 --> 00:52:08,759
Speaker 2: It's blow probably blue, it's really blue. I do know

1021
00:52:08,800 --> 00:52:14,160
Speaker 2: that he's upset. I'm at the Commons book all right. Anyway,

1022
00:52:14,200 --> 00:52:17,719
Speaker 2: I don't want to be involved in Yes, come on,

1023
00:52:17,800 --> 00:52:18,520
Speaker 2: I have a career.

1024
00:52:18,719 --> 00:52:21,640
Speaker 1: Yeah, no, I know. That's why. That's why I was

1025
00:52:21,640 --> 00:52:25,000
Speaker 1: asking what's in the can? And I told you, yeah,

1026
00:52:25,080 --> 00:52:27,640
Speaker 1: Sonic bake beans, bake beans.

1027
00:52:27,920 --> 00:52:30,040
Speaker 2: And I know I got but I just want to

1028
00:52:30,040 --> 00:52:32,399
Speaker 2: say that what fine, I just want to say that's

1029
00:52:32,400 --> 00:52:34,440
Speaker 2: one why are you so fucking pissed?

1030
00:52:34,600 --> 00:52:38,680
Speaker 3: I'm not I'm not baby, That's one you know, that's

1031
00:52:38,719 --> 00:52:42,720
Speaker 3: one big favor that that's called in though.

1032
00:52:42,960 --> 00:52:45,399
Speaker 2: Yes with BBA, I don't think I got his cash. Yeah,

1033
00:52:45,400 --> 00:52:48,640
Speaker 2: I got no chamber, nothing that any other people who

1034
00:52:49,040 --> 00:52:49,719
Speaker 2: can help me out?

1035
00:52:49,960 --> 00:52:52,920
Speaker 1: Yeah, yeah, because somebody sort of throw you another bone

1036
00:52:52,960 --> 00:52:53,239
Speaker 1: like that.

1037
00:52:53,400 --> 00:52:56,719
Speaker 2: Honestly, there's a lot of people that could that that

1038
00:52:56,920 --> 00:53:02,280
Speaker 2: haven't right, and I I think that that's so beautiful

1039
00:53:03,040 --> 00:53:06,319
Speaker 2: because they're saving it and they and they know that

1040
00:53:06,440 --> 00:53:09,640
Speaker 2: I don't need it, I don't want it.

1041
00:53:09,680 --> 00:53:11,520
Speaker 1: But that you would absolutely take but I would in

1042
00:53:11,560 --> 00:53:15,280
Speaker 1: a heartbeat, yeah, which is sweet. Sort of a beautiful thing.

1043
00:53:15,520 --> 00:53:19,279
Speaker 2: To me, is that with friends like these, because you

1044
00:53:19,320 --> 00:53:22,120
Speaker 2: don't spend like a ton of money except on like

1045
00:53:22,200 --> 00:53:26,319
Speaker 2: one thing. Yeah, no, I that's right now. Yeah, but

1046
00:53:26,640 --> 00:53:28,200
Speaker 2: in the past, I spent a lot of money on

1047
00:53:28,280 --> 00:53:30,680
Speaker 2: a lot of things. Okay, yeah, but now you bring

1048
00:53:31,400 --> 00:53:34,560
Speaker 2: now I'm just I'm just all in on real estate,

1049
00:53:35,719 --> 00:53:37,120
Speaker 2: is what you're talking about? Okay?

1050
00:53:37,239 --> 00:53:41,000
Speaker 1: Yeah, before I remember you would you went to like

1051
00:53:41,040 --> 00:53:46,760
Speaker 1: a special shoe store. Yeah, so so blazon.

1052
00:53:46,880 --> 00:53:51,600
Speaker 2: Mm hmm so I well, because I had invested in

1053
00:53:51,640 --> 00:53:54,640
Speaker 2: the in the shoe stores where it was located, because

1054
00:53:54,680 --> 00:53:57,879
Speaker 2: I lived above it and rented it for so long that.

1055
00:53:57,840 --> 00:54:00,760
Speaker 1: I didn't purchased the building or from the cobbler.

1056
00:54:01,520 --> 00:54:02,600
Speaker 2: Yeah, the same one.

1057
00:54:02,680 --> 00:54:06,200
Speaker 1: Yeah, this is the holiday episode, so we should talk

1058
00:54:06,239 --> 00:54:06,919
Speaker 1: a little bit.

1059
00:54:06,840 --> 00:54:12,160
Speaker 2: About the Saidlor special. Yeah, eight Crazy Nights. No, the

1060
00:54:12,280 --> 00:54:13,080
Speaker 2: Netflix special.

1061
00:54:13,480 --> 00:54:17,280
Speaker 3: Come on, Okay, I ate Crazy Nights is of course

1062
00:54:17,480 --> 00:54:18,600
Speaker 3: a holiday thing.

1063
00:54:19,000 --> 00:54:20,360
Speaker 1: So the Sailor special is.

1064
00:54:20,400 --> 00:54:21,960
Speaker 2: Now I'm just kidding. I just is like, what else

1065
00:54:22,040 --> 00:54:24,280
Speaker 2: is everybody going to talk about? So what did you say?

1066
00:54:24,480 --> 00:54:26,600
Speaker 1: No, we should talk a little bit about And then

1067
00:54:26,600 --> 00:54:28,000
Speaker 1: I didn't really have anything.

1068
00:54:28,520 --> 00:54:29,520
Speaker 2: Oh well then I saved you.

1069
00:54:29,640 --> 00:54:31,640
Speaker 3: Are we allowed, that's the thing. Are we allowed to

1070
00:54:31,640 --> 00:54:33,680
Speaker 3: talk about the Sandler Special? Are we allowed to be

1071
00:54:34,040 --> 00:54:36,520
Speaker 3: pro the Sandler Special? Are we allowed to say that

1072
00:54:36,560 --> 00:54:37,160
Speaker 3: it is good?

1073
00:54:37,280 --> 00:54:40,600
Speaker 1: I don't know why you Kevin's pointing in an invisible watch.

1074
00:54:41,160 --> 00:54:42,520
Speaker 1: He feels like there's a time.

1075
00:54:42,600 --> 00:54:45,080
Speaker 3: Oh, Kevin wants to us to get him a watch

1076
00:54:45,239 --> 00:54:46,160
Speaker 3: for Christmas?

1077
00:54:46,280 --> 00:54:48,120
Speaker 2: Yeah, heavy, what do you want? Can you guys give

1078
00:54:48,120 --> 00:54:50,560
Speaker 2: me a watch for Christmas? And uh, there's another show.

1079
00:54:50,600 --> 00:54:52,359
Speaker 1: It's supposed to start fifteen minutes ago.

1080
00:54:52,480 --> 00:54:56,719
Speaker 2: Who Teacher's Lounge? Shit, who's a guest? I don't know.

1081
00:54:56,920 --> 00:54:59,319
Speaker 1: Can you tell Teacher's Lounge that it sort of just

1082
00:54:59,360 --> 00:55:01,880
Speaker 1: took a while to get ramped up with Adam and

1083
00:55:01,920 --> 00:55:03,920
Speaker 1: we're trying to get a lot of extra stuff so

1084
00:55:03,960 --> 00:55:05,799
Speaker 1: that we can cut out some of the shit that

1085
00:55:05,960 --> 00:55:06,880
Speaker 1: was sort of flat.

1086
00:55:07,400 --> 00:55:09,799
Speaker 2: And I'm sure that this has happened before to Sean

1087
00:55:09,840 --> 00:55:11,400
Speaker 2: and Days, so it's not a problem.

1088
00:55:11,840 --> 00:55:15,000
Speaker 1: No, it's yeah, it is why we sort of trying

1089
00:55:15,040 --> 00:55:15,960
Speaker 1: a lot of different stuff.

1090
00:55:15,960 --> 00:55:17,400
Speaker 2: Oh yeah, well, how many times have you been on

1091
00:55:17,440 --> 00:55:21,880
Speaker 2: the show? I don't remember a question? Ladies and germs,

1092
00:55:21,920 --> 00:55:31,120
Speaker 2: thank you for late ladling Vanilla. This is Adam and

1093
00:55:31,600 --> 00:55:36,200
Speaker 2: Champagne Ill on December twelfth, all ten episodes.

1094
00:55:36,000 --> 00:55:38,279
Speaker 1: And next time and next time at.

1095
00:55:39,280 --> 00:55:42,560
Speaker 2: Least three episodes, and next time possibly just Adam with

1096
00:55:42,800 --> 00:55:46,000
Speaker 2: no Sam. Maybe someone else, but probably not.

1097
00:55:46,200 --> 00:55:48,200
Speaker 1: And if anybody try to get you to do yoga.

1098
00:55:48,040 --> 00:55:50,360
Speaker 2: And if anyone tried to get me to do yoga,

1099
00:55:50,560 --> 00:55:53,879
Speaker 2: tell them now I muna stay away from in bed

1100
00:55:53,960 --> 00:55:57,640
Speaker 2: so that they can watch this. Think you watch Champagne Ill? Yes?

1101
00:55:57,800 --> 00:55:59,399
Speaker 1: Yes, Traction on your house.

1102
00:56:00,200 --> 00:56:04,120
Speaker 2: Oh are we unrolling. We were talking about cocaine right,

1103
00:56:07,960 --> 00:56:09,320
Speaker 2: Oh my god.