1 00:00:19,120 --> 00:00:23,720 Speaker 1: Will Can we talk about how you made a revelation 2 00:00:23,800 --> 00:00:27,960 Speaker 1: to writer and I during one of our convention uh 3 00:00:28,360 --> 00:00:31,800 Speaker 1: Q and A's where you seem to think there was 4 00:00:31,840 --> 00:00:36,280 Speaker 1: a period of time where our audience were inmates. Yes, 5 00:00:36,400 --> 00:00:40,320 Speaker 1: I heard this. Can we talk about this please, because 6 00:00:40,720 --> 00:00:42,960 Speaker 1: we never really had confirmation, not that we doubt you, 7 00:00:43,000 --> 00:00:45,120 Speaker 1: It just seems like such a course you doubt me, 8 00:00:45,360 --> 00:00:48,880 Speaker 1: of course I would remember. What I remember is that 9 00:00:49,000 --> 00:00:51,680 Speaker 1: we brought in students on our Wednesday show. They brought 10 00:00:51,720 --> 00:00:53,880 Speaker 1: in bus loads of kids. I can't see how you 11 00:00:53,920 --> 00:00:58,560 Speaker 1: would mistake high schools. So what I can't remember? Her 12 00:00:58,640 --> 00:01:01,600 Speaker 1: name Janelle. She was the sweetest woman in the world. 13 00:01:01,640 --> 00:01:03,560 Speaker 1: She was the one responsible for the audience. She would 14 00:01:03,560 --> 00:01:05,560 Speaker 1: always bring a dirt cake. Do you remember the dirt cake? 15 00:01:05,640 --> 00:01:08,560 Speaker 1: She dirt cake. Yeah, she bring it and she there 16 00:01:08,600 --> 00:01:12,400 Speaker 1: was the awesome gummy worms coming out of the Janelle. 17 00:01:12,480 --> 00:01:16,480 Speaker 1: I was something like Janna Janelle. She was Janelle the sweetest. Yeah, 18 00:01:16,600 --> 00:01:21,759 Speaker 1: she was, Oh my gosh, and I yes, having conversations, 19 00:01:21,840 --> 00:01:25,560 Speaker 1: know how they would like obviously minimum security. It wasn't 20 00:01:25,600 --> 00:01:28,240 Speaker 1: like they were taking you know, A three seven eight 21 00:01:28,240 --> 00:01:30,520 Speaker 1: sixty one four. Come on, let's go watch Boy meets world. 22 00:01:30,880 --> 00:01:33,399 Speaker 1: It was a wearing orange jumpsuits. No, but it was 23 00:01:33,440 --> 00:01:36,240 Speaker 1: like that's what it was. They were allowed like work 24 00:01:36,280 --> 00:01:39,120 Speaker 1: release and to be out and they would come to 25 00:01:39,240 --> 00:01:42,360 Speaker 1: shows to fill audiences. Well, we couldn't get audience members. 26 00:01:42,400 --> 00:01:44,160 Speaker 1: We had to like because again at the beginning of 27 00:01:44,200 --> 00:01:47,320 Speaker 1: the shirts, there was no choice. You will enjoy this 28 00:01:47,600 --> 00:01:53,920 Speaker 1: kids adience. I'm going to find this out there whatsoever 29 00:01:54,240 --> 00:01:57,560 Speaker 1: I could Again, as I said, this is it could 30 00:01:57,600 --> 00:01:59,720 Speaker 1: so be wrong, but these are the memory that I 31 00:01:59,760 --> 00:02:02,280 Speaker 1: have a pretty good memory, and I remember having this conversation. 32 00:02:02,400 --> 00:02:04,840 Speaker 1: So what happened was we started doing so much pre tape. 33 00:02:04,840 --> 00:02:07,680 Speaker 1: By like third or fourth season, we started having an 34 00:02:07,720 --> 00:02:10,400 Speaker 1: extra audience show on Wednesday, but it wasn't a full 35 00:02:10,440 --> 00:02:12,880 Speaker 1: audience show because we wouldn't have our MC. We wouldn't 36 00:02:12,919 --> 00:02:15,359 Speaker 1: do like a big thing, so it was kind of 37 00:02:15,520 --> 00:02:18,920 Speaker 1: like not as entertaining. But and for that show, they 38 00:02:18,960 --> 00:02:21,120 Speaker 1: started bringing in kids. It was like in the middle 39 00:02:21,120 --> 00:02:23,359 Speaker 1: of the afternoon that we'd be taping our like four 40 00:02:23,440 --> 00:02:25,679 Speaker 1: or five scenes of the episode, and they would bring 41 00:02:25,680 --> 00:02:28,799 Speaker 1: in kids like high school kids in school buses. And 42 00:02:29,240 --> 00:02:34,079 Speaker 1: remember that too. Yeah, I found my super crazy, creepy 43 00:02:34,600 --> 00:02:39,760 Speaker 1: right small journally like things, seven psychopath, seven psychopath. It 44 00:02:39,880 --> 00:02:42,720 Speaker 1: just says my name over and over in different dum no. 45 00:02:43,120 --> 00:02:46,840 Speaker 1: So I found my original journal that I kept for 46 00:02:46,880 --> 00:02:49,480 Speaker 1: the first month that we were doing Boy, and I 47 00:02:49,560 --> 00:02:51,760 Speaker 1: was reading it yesterday because I was trying to find 48 00:02:51,800 --> 00:02:55,679 Speaker 1: something specific, and it talks about exactly what you're talking about, writer, 49 00:02:55,760 --> 00:02:59,280 Speaker 1: And it talks about shooting the pilot twice in the 50 00:02:59,400 --> 00:03:02,720 Speaker 1: same night. Eight and so we shot. We shoot a 51 00:03:02,840 --> 00:03:05,680 Speaker 1: shot an early show, that's all the way through. That's right. 52 00:03:05,720 --> 00:03:07,680 Speaker 1: I forgot that we used to do that. Yes, that's 53 00:03:07,800 --> 00:03:10,600 Speaker 1: what we had a full audience. And it literally says 54 00:03:10,680 --> 00:03:13,440 Speaker 1: in my notebook, I'm like, and Michael came in and 55 00:03:13,639 --> 00:03:16,520 Speaker 1: hated it. No, it would have been hated episode. Yeah, 56 00:03:16,560 --> 00:03:18,280 Speaker 1: but I did that on my other show on Julie. 57 00:03:18,320 --> 00:03:20,280 Speaker 1: We would do two shows, and other shows did that. 58 00:03:20,680 --> 00:03:22,760 Speaker 1: So what you would do is one basically where you 59 00:03:22,880 --> 00:03:24,639 Speaker 1: just do one take of everything to sort of get 60 00:03:24,639 --> 00:03:26,760 Speaker 1: it out of your system, and then the second show 61 00:03:26,760 --> 00:03:28,520 Speaker 1: would be a little bit longer and you do more takes. 62 00:03:28,520 --> 00:03:30,280 Speaker 1: If I remember correctly, that's how we did it. That's right. 63 00:03:30,320 --> 00:03:34,960 Speaker 1: I forgot that. So it says it says I was 64 00:03:35,040 --> 00:03:37,560 Speaker 1: introducing in the I was introduced in front of the audience. 65 00:03:37,640 --> 00:03:39,640 Speaker 1: This is where I would So this is day twelve 66 00:03:39,680 --> 00:03:42,000 Speaker 1: of me being in Los Angeles. At the time where 67 00:03:42,080 --> 00:03:44,240 Speaker 1: I was, I was by far the most nervous. I 68 00:03:44,280 --> 00:03:47,560 Speaker 1: was shaking. Then as the run through started, I began 69 00:03:47,600 --> 00:03:49,960 Speaker 1: to relax and really enjoy myself. Man, would a rush. 70 00:03:50,160 --> 00:03:53,240 Speaker 1: It's the biggest natural high I've ever had. That show 71 00:03:53,280 --> 00:03:57,120 Speaker 1: went okay, but not great. Then all then we all 72 00:03:57,160 --> 00:03:59,800 Speaker 1: had dinner. After dinner, Michael gave us all more notes. 73 00:04:00,200 --> 00:04:03,280 Speaker 1: He really wasn't pleased at the way the first show went. 74 00:04:04,200 --> 00:04:07,160 Speaker 1: After the note session, we got ready for the seven 75 00:04:07,160 --> 00:04:09,640 Speaker 1: o'clock show. I really wasn't nervous anymore, and we all 76 00:04:09,680 --> 00:04:11,480 Speaker 1: went out and had a great show. Man, it was 77 00:04:11,480 --> 00:04:13,040 Speaker 1: so much fun. It was by far the best, one 78 00:04:13,040 --> 00:04:15,680 Speaker 1: of the best days of my life. So wow, we 79 00:04:15,760 --> 00:04:17,919 Speaker 1: did the show twice. I remember that we did that. 80 00:04:18,200 --> 00:04:19,760 Speaker 1: We only probably did it for like one or two 81 00:04:19,760 --> 00:04:22,480 Speaker 1: episodes and then stopped doing it that way. But yeah, 82 00:04:22,480 --> 00:04:24,760 Speaker 1: that's right, And we called it a run through, but 83 00:04:24,880 --> 00:04:26,720 Speaker 1: we did it. But we did it straight through with 84 00:04:26,760 --> 00:04:30,039 Speaker 1: the cameras and an audience exactly, and then another audience 85 00:04:30,080 --> 00:04:33,359 Speaker 1: came in exactly. Yeah, that's right. I just found that 86 00:04:33,400 --> 00:04:34,919 Speaker 1: and I was I was amazed. So it's exactly what 87 00:04:34,960 --> 00:04:39,880 Speaker 1: you're just talking about. It also says I. The thing 88 00:04:39,920 --> 00:04:42,479 Speaker 1: that shocked me the most was all the prisoners in 89 00:04:42,520 --> 00:04:46,480 Speaker 1: the audience. Yes, that's what you know, what you've been 90 00:04:46,520 --> 00:04:51,840 Speaker 1: sentenced to four years in ten sitcom episodes, you get 91 00:04:51,920 --> 00:04:59,040 Speaker 1: blossom after good behavior. YEA. Welcome to pod Meet's world. 92 00:04:59,040 --> 00:05:02,800 Speaker 1: I'm Daniel Fishel, I'm Ryder Strong, and I'm wilfride So. 93 00:05:02,880 --> 00:05:06,480 Speaker 1: Today we are recapping season two episode ten, Sister Teresa, 94 00:05:06,560 --> 00:05:09,760 Speaker 1: which originally aired November twenty fifth, nineteen ninety four. The 95 00:05:09,839 --> 00:05:13,160 Speaker 1: synopsis is that Corey's new gentleman attitude earns him a 96 00:05:13,240 --> 00:05:16,039 Speaker 1: date with a cute girl named t K. However, things 97 00:05:16,080 --> 00:05:18,680 Speaker 1: get intense when Corey finds out that t K is 98 00:05:18,760 --> 00:05:22,520 Speaker 1: Harley Kiner's little sister. It was directed by David Trayner, 99 00:05:22,600 --> 00:05:25,400 Speaker 1: was written by Jeff Sherman, guest starring Danny McNulty as 100 00:05:25,400 --> 00:05:28,960 Speaker 1: Harry Chiner. With this episode that kind of makes sense 101 00:05:29,440 --> 00:05:31,760 Speaker 1: is a legendary episode in my mind. It's funny, it 102 00:05:32,000 --> 00:05:35,520 Speaker 1: really stood out. You know, Blake Soaper as Joseph Joey 103 00:05:35,600 --> 00:05:40,040 Speaker 1: the ratt Epstein Ethan Seplia's Frankie Stachino and introducing Danielle 104 00:05:40,080 --> 00:05:44,400 Speaker 1: Harris as Teresa t. K Kiner and then Herschel Sparbour 105 00:05:44,600 --> 00:05:47,880 Speaker 1: as the delivery guy who was so funny, was so funny. 106 00:05:49,160 --> 00:05:51,880 Speaker 1: So I can't believe Danielle never came back after this episode. 107 00:05:52,160 --> 00:05:56,839 Speaker 1: I right, know, how good was she mid episode? And 108 00:05:56,880 --> 00:05:59,920 Speaker 1: I remember thinking that back man, like I remember being 109 00:06:00,040 --> 00:06:03,000 Speaker 1: alone away by her because it's a lot she had 110 00:06:03,040 --> 00:06:05,839 Speaker 1: to come in and ye own this whole episode. She 111 00:06:06,080 --> 00:06:09,599 Speaker 1: did everything, and she did it, she nid Yeah, she 112 00:06:09,720 --> 00:06:12,680 Speaker 1: nailed it so good. And yeah, I can't believe she 113 00:06:12,680 --> 00:06:15,000 Speaker 1: didn't come back. I mean, I guess there's that Tapanga 114 00:06:15,040 --> 00:06:16,880 Speaker 1: girl just kind of got in the way. I know, 115 00:06:17,120 --> 00:06:19,040 Speaker 1: I was so bummed that it was going to have 116 00:06:19,120 --> 00:06:21,200 Speaker 1: to be her or me, because I was like, I 117 00:06:21,240 --> 00:06:22,960 Speaker 1: want to see more of her. I would I want 118 00:06:22,960 --> 00:06:25,080 Speaker 1: this character. I mean, especially with the way the episode 119 00:06:25,160 --> 00:06:28,400 Speaker 1: ends of her in the Matthew's kitchen and she and 120 00:06:28,440 --> 00:06:30,600 Speaker 1: it was like, gosh, I can't wait to see where 121 00:06:30,680 --> 00:06:35,040 Speaker 1: this relationship goes. It's it was, It's so cute, so funny, 122 00:06:35,120 --> 00:06:36,680 Speaker 1: and I mean, she could have just also been part 123 00:06:36,720 --> 00:06:38,960 Speaker 1: of the high school gang like, yeah, exactly could have 124 00:06:39,000 --> 00:06:41,240 Speaker 1: dated Sean. She could have, you know, it could have been. 125 00:06:41,279 --> 00:06:44,960 Speaker 1: Like it's because it's such a dynamic, fun character. It's 126 00:06:44,960 --> 00:06:48,280 Speaker 1: also perfectly keeps Harley in check exactly, So if there's 127 00:06:48,320 --> 00:06:50,720 Speaker 1: so many different levels you can play. Yeah, it was 128 00:06:50,720 --> 00:06:52,240 Speaker 1: when Bonnie used to come on the set and tell 129 00:06:52,279 --> 00:06:54,320 Speaker 1: us stories about Bill that would embarrass him in front 130 00:06:54,360 --> 00:06:56,599 Speaker 1: of us. Yeah, and then it was like humanized Bill 131 00:06:56,680 --> 00:06:58,360 Speaker 1: for us. It was those same it's that same kind 132 00:06:58,360 --> 00:07:00,880 Speaker 1: of thing. Yes, we can definitely add her to the 133 00:07:01,000 --> 00:07:05,000 Speaker 1: costar Mount Rushmore. Do you guys have any specific like 134 00:07:05,120 --> 00:07:07,480 Speaker 1: memories of her behind the scenes on set? I mean, 135 00:07:07,560 --> 00:07:09,520 Speaker 1: Danielle and I ended up kind of becoming friends because 136 00:07:09,560 --> 00:07:13,880 Speaker 1: I was like very good friends with Jennavanoy and Danielle 137 00:07:13,880 --> 00:07:15,960 Speaker 1: and Jenna were like best friends. And you dated Jenna 138 00:07:16,000 --> 00:07:17,680 Speaker 1: for a long time, so you know Danielle pretty well. 139 00:07:17,760 --> 00:07:19,200 Speaker 1: I did. Yeah, we would go out to dinner and 140 00:07:19,200 --> 00:07:21,120 Speaker 1: we would hang out. I just remember her being incredibly 141 00:07:21,200 --> 00:07:24,240 Speaker 1: nice and yes, really really good. Yeah. I just I 142 00:07:24,280 --> 00:07:26,400 Speaker 1: really were having a huge talent crush on her, Like 143 00:07:26,400 --> 00:07:28,360 Speaker 1: I just remember watching her in this episode while we 144 00:07:28,360 --> 00:07:31,400 Speaker 1: were doing it, going that's acting like the Johnson is 145 00:07:31,440 --> 00:07:34,400 Speaker 1: so fun and so in control of everything, and I 146 00:07:34,440 --> 00:07:38,520 Speaker 1: was just impressed. Yeah, yeah, she was great, fantastic. So 147 00:07:38,600 --> 00:07:40,679 Speaker 1: to start our recap, we are in the Matthews kitchen. 148 00:07:40,680 --> 00:07:43,320 Speaker 1: Amy is behind the door with her arms full of groceries, 149 00:07:43,360 --> 00:07:45,520 Speaker 1: asking for help opening the door, but Corey says he 150 00:07:45,600 --> 00:07:49,000 Speaker 1: need a minute because he is nuking his socks. Corey 151 00:07:49,040 --> 00:07:51,280 Speaker 1: is nuking his socks because he wants to wear warm clothes. 152 00:07:51,320 --> 00:07:52,960 Speaker 1: He was going to start with his underwear, but he 153 00:07:53,000 --> 00:07:57,800 Speaker 1: was a little nervous. Joke Kramer used to Mike gave 154 00:07:57,880 --> 00:08:00,280 Speaker 1: his stuff and then and then he did it in 155 00:08:00,320 --> 00:08:01,480 Speaker 1: the oven, and then he started to do it in 156 00:08:01,480 --> 00:08:02,840 Speaker 1: a pizza oven. So I don't know if we did 157 00:08:02,840 --> 00:08:05,160 Speaker 1: it first or Seinfeld did it first. They might have 158 00:08:05,200 --> 00:08:06,880 Speaker 1: stolen from us. We were right next door to them 159 00:08:06,920 --> 00:08:09,360 Speaker 1: for a while, that's true. Had spies on Earth that 160 00:08:10,400 --> 00:08:12,280 Speaker 1: Corey opens up a new peanut butter jar to he 161 00:08:12,360 --> 00:08:14,559 Speaker 1: was Celery straight from the jar, and Amy says, that's gross. 162 00:08:14,560 --> 00:08:16,480 Speaker 1: Where did you learn Where did you learn that? And 163 00:08:16,520 --> 00:08:18,240 Speaker 1: then Alan walks in from the living room doing the 164 00:08:18,280 --> 00:08:21,080 Speaker 1: exact same thing. I like the Celery reference because you 165 00:08:21,080 --> 00:08:24,920 Speaker 1: know the famous Celery post clery. I was just yeah, 166 00:08:24,960 --> 00:08:26,960 Speaker 1: it's very cute. We know, we know where he gets it. 167 00:08:28,040 --> 00:08:30,080 Speaker 1: And then we're in the school hallway. Corey tells Sean 168 00:08:30,240 --> 00:08:32,440 Speaker 1: his mom said he should be polite for one day 169 00:08:32,600 --> 00:08:34,839 Speaker 1: to see if people notice, and Sean says, well, I 170 00:08:34,920 --> 00:08:36,680 Speaker 1: think you're not. I think you're polite. But then again, 171 00:08:36,760 --> 00:08:38,839 Speaker 1: being polite in my family means wearing a tie to 172 00:08:38,880 --> 00:08:42,960 Speaker 1: your arraignment, which, hey, hey there, like you got some 173 00:08:42,960 --> 00:08:46,360 Speaker 1: stuff going on in your family. Apparently sure do. Mister 174 00:08:46,440 --> 00:08:48,199 Speaker 1: Feeney walks down the hall with a student who is 175 00:08:48,240 --> 00:08:52,319 Speaker 1: covered in the fire extinguisher white foam. I swear this 176 00:08:52,480 --> 00:08:56,000 Speaker 1: is the background actor. Who is the Sean I swear 177 00:08:56,040 --> 00:08:59,520 Speaker 1: it is this everything because he was playing the accordion. 178 00:08:59,679 --> 00:09:01,960 Speaker 1: He's like one of our all star guys. But it's 179 00:09:02,080 --> 00:09:06,400 Speaker 1: not okay, okay, I swear, I don't know anymore. He was. 180 00:09:06,679 --> 00:09:08,720 Speaker 1: This guy was great and he was consistently used, but 181 00:09:08,760 --> 00:09:11,640 Speaker 1: I don't remember his name, And interestingly, I don't remember 182 00:09:11,640 --> 00:09:14,000 Speaker 1: talking to him as much as I remember like Dusty 183 00:09:14,360 --> 00:09:16,880 Speaker 1: or yeah, some of the other extras. So it's interesting 184 00:09:16,920 --> 00:09:19,960 Speaker 1: that he was used so much and and I don't remember. 185 00:09:20,120 --> 00:09:22,520 Speaker 1: I think maybe because he was over eighteen. His name 186 00:09:22,520 --> 00:09:25,680 Speaker 1: in this, Mister Phoenie says, mister Mendoza, so he actually 187 00:09:25,679 --> 00:09:29,240 Speaker 1: gets like a name, a character name, m and I 188 00:09:29,400 --> 00:09:31,080 Speaker 1: you know, I don't know how we'll ever know whether 189 00:09:31,200 --> 00:09:32,800 Speaker 1: or not he was the kid in the Scream episode, 190 00:09:32,800 --> 00:09:34,480 Speaker 1: but we are we are split. We're gonna have to 191 00:09:34,520 --> 00:09:36,960 Speaker 1: get to the bottom of that. I know he's listening. Yeah, 192 00:09:37,000 --> 00:09:40,679 Speaker 1: mister Mendoza, if you are or whoever played writer in 193 00:09:40,720 --> 00:09:43,199 Speaker 1: the Scream episode exactly, please reach out. Please reach out 194 00:09:43,200 --> 00:09:45,040 Speaker 1: to us. You can email us a pod Meats World 195 00:09:45,040 --> 00:09:57,160 Speaker 1: show at gmail dot com. Mister Phoenie sneezes, and the 196 00:09:57,240 --> 00:10:00,320 Speaker 1: now polite Corey says, bless you. Mister Phoenie says, that's 197 00:10:00,400 --> 00:10:02,840 Speaker 1: very considerate of him, and Corey says, please tell my mother, 198 00:10:03,400 --> 00:10:06,240 Speaker 1: and then Corey jumps into hyperpolite mode and opens the 199 00:10:06,280 --> 00:10:08,520 Speaker 1: boy's room door for Eric and then asks if there's 200 00:10:08,559 --> 00:10:11,360 Speaker 1: anything else he can help him with, and Eric says, nope, 201 00:10:11,400 --> 00:10:14,880 Speaker 1: I've got it from here. I've got it from Corey says, well, 202 00:10:14,960 --> 00:10:17,160 Speaker 1: please make sure you tell mom I offered, and then 203 00:10:17,240 --> 00:10:20,400 Speaker 1: Corey turns around and bumps right into a girl wearing 204 00:10:20,440 --> 00:10:25,800 Speaker 1: a sex kitten skirt. It says sex kittens in the 205 00:10:26,120 --> 00:10:31,440 Speaker 1: in the sex pistols mount sex kitten, Yes, a sex 206 00:10:31,520 --> 00:10:36,760 Speaker 1: kitten skirt. I mean we Desiree also wore the some 207 00:10:36,760 --> 00:10:40,480 Speaker 1: some wild outfit, the kind of almost like s and 208 00:10:40,559 --> 00:10:45,160 Speaker 1: Emy kind of stuff. Yeah, straight out of Victoria's Secret. Yeah, 209 00:10:45,200 --> 00:10:50,600 Speaker 1: like this look like Lingerette with a shirt under. I 210 00:10:50,640 --> 00:10:55,400 Speaker 1: totally was like, whoa that is a high school or 211 00:10:55,480 --> 00:11:01,640 Speaker 1: seventh grader? Seventh grade? So she he knocks the book over. 212 00:11:01,720 --> 00:11:03,600 Speaker 1: He picks it up and checks to make sure she's okay, 213 00:11:03,600 --> 00:11:06,440 Speaker 1: and then she is very aggressively flirting with him. She 214 00:11:06,559 --> 00:11:09,360 Speaker 1: compliments a smile and he says, oh, I use the 215 00:11:09,360 --> 00:11:12,559 Speaker 1: toothpaste with the swirls, which I thought it was funny. 216 00:11:12,840 --> 00:11:15,840 Speaker 1: That's true. Teresa is interested in Corey, but says she 217 00:11:15,960 --> 00:11:19,120 Speaker 1: usually isn't into velcrow heads, but with you, it's working. 218 00:11:19,720 --> 00:11:22,360 Speaker 1: She writes her number on the palm of Cory's hand. Yeah, 219 00:11:24,200 --> 00:11:26,440 Speaker 1: she writes her number on the palm of Corey's hand, 220 00:11:26,440 --> 00:11:28,760 Speaker 1: And at first he thinks she's pulling out a knife, 221 00:11:29,040 --> 00:11:33,440 Speaker 1: which is funny, and he says, She says, chill, it's 222 00:11:33,440 --> 00:11:36,000 Speaker 1: just a pen. Then Sean walks up and pressed and 223 00:11:36,040 --> 00:11:38,720 Speaker 1: then there's kind of a dumb button about Corey not 224 00:11:38,840 --> 00:11:42,920 Speaker 1: realizing it was the phone number on the hand. That's 225 00:11:43,000 --> 00:11:45,320 Speaker 1: kind of cute, where it's okay, she wrote these numbers 226 00:11:45,320 --> 00:11:48,400 Speaker 1: on my hand, What could this possibly mean? Like, that's yeah, 227 00:11:48,400 --> 00:11:51,160 Speaker 1: it's pretty cute. I still now cannot because I didn't 228 00:11:51,160 --> 00:11:52,640 Speaker 1: put it and put it together that you both just 229 00:11:52,640 --> 00:11:55,640 Speaker 1: said it. She's in the seventh grade. I know. I 230 00:11:55,640 --> 00:11:58,679 Speaker 1: hadn't thought of that either. Horrifying. Well wait, going back 231 00:11:58,720 --> 00:12:00,560 Speaker 1: to the phone number thing, I didn't think him not 232 00:12:00,679 --> 00:12:03,440 Speaker 1: understanding right away that the numbers. I thought that is 233 00:12:03,480 --> 00:12:05,320 Speaker 1: cute for him to go, for him to go, what 234 00:12:05,400 --> 00:12:07,320 Speaker 1: are these numbers? And for Sean to point out that 235 00:12:07,320 --> 00:12:09,079 Speaker 1: it's her phone number. The part I thought was a 236 00:12:09,120 --> 00:12:11,120 Speaker 1: little dumb was that he goes, how am I supposed 237 00:12:11,120 --> 00:12:14,640 Speaker 1: to call her if I don't have her? And that 238 00:12:14,640 --> 00:12:17,079 Speaker 1: that like the little bit of the extra button is 239 00:12:17,080 --> 00:12:19,720 Speaker 1: a little like Okay, I don't know, but I actually 240 00:12:19,760 --> 00:12:21,760 Speaker 1: think it's very cute that he's like, what do they mean? Yeah, 241 00:12:22,320 --> 00:12:26,360 Speaker 1: that's funny. That's funny. Um. And then we go to 242 00:12:26,400 --> 00:12:29,120 Speaker 1: a commercial We're in mister Turner's classroom. Corey tells Shanny 243 00:12:29,200 --> 00:12:32,240 Speaker 1: talked to TK on the phone for two hours and 244 00:12:32,400 --> 00:12:34,640 Speaker 1: she has asked him out to the movies this weekend, 245 00:12:34,920 --> 00:12:38,840 Speaker 1: to Panga is gone, just not in the front seat, 246 00:12:39,800 --> 00:12:42,200 Speaker 1: not in the episode, not in the episode, because we're 247 00:12:42,200 --> 00:12:46,240 Speaker 1: paying someone else to be there, and uh, god, be honest, 248 00:12:47,040 --> 00:12:49,120 Speaker 1: this episode. I'm fine with it because it's so freaking 249 00:12:49,200 --> 00:12:51,680 Speaker 1: cute and I actually love this relationship, but it is 250 00:12:51,800 --> 00:12:55,319 Speaker 1: very weird to build. We had the episode, we've had, 251 00:12:55,400 --> 00:12:59,000 Speaker 1: We've had so much relationship building and then she's just gone. 252 00:12:59,480 --> 00:13:03,079 Speaker 1: It's out of order the last couple episodes. Yeah, they 253 00:13:03,160 --> 00:13:04,840 Speaker 1: just have seen like we just shot him and they 254 00:13:04,880 --> 00:13:07,440 Speaker 1: just aired him, and they should have gone until like 255 00:13:07,520 --> 00:13:10,599 Speaker 1: season five, man, Like, Yeah, we really didn't become serialized 256 00:13:10,679 --> 00:13:12,920 Speaker 1: until season four or five if I remember, Like, and 257 00:13:12,960 --> 00:13:16,360 Speaker 1: that's when it becomes like you're like the status of 258 00:13:16,440 --> 00:13:20,120 Speaker 1: Korean too. Panga's relationship defines the serialization of the show 259 00:13:20,600 --> 00:13:22,760 Speaker 1: from like season four on. You know, it's like together, 260 00:13:22,800 --> 00:13:26,040 Speaker 1: they're broken up, they're together, they're married, they're not you know, Yeah, 261 00:13:26,080 --> 00:13:28,040 Speaker 1: and so that we will become the through line. But 262 00:13:28,120 --> 00:13:30,160 Speaker 1: until then, I feel like it's just kind of a 263 00:13:30,160 --> 00:13:34,520 Speaker 1: toss of what order and they just thrown them out there. Yeah, bizarre. 264 00:13:35,040 --> 00:13:38,000 Speaker 1: Mister Turner enters and says fish kebabs will no longer 265 00:13:38,040 --> 00:13:40,360 Speaker 1: be served for lunch because of a freezer mishap, and 266 00:13:40,440 --> 00:13:43,960 Speaker 1: as the class applauds, Sean stands up and says, welcome. 267 00:13:44,000 --> 00:13:47,960 Speaker 1: It's so cute, You're welcome. It opens up so many questions, 268 00:13:48,000 --> 00:13:50,439 Speaker 1: what did you do? Did you do it on purpose? 269 00:13:51,559 --> 00:13:53,400 Speaker 1: And I love that we don't get the answers. It's 270 00:13:53,440 --> 00:13:57,280 Speaker 1: just funny. And then t K walks in. She's now 271 00:13:57,320 --> 00:14:00,520 Speaker 1: a student in the class, and she says, there's my guy. 272 00:14:00,640 --> 00:14:03,200 Speaker 1: And she asks mister Turner if it's okay to sit 273 00:14:03,240 --> 00:14:05,360 Speaker 1: two to a desk. He says no, then she tries 274 00:14:05,400 --> 00:14:09,600 Speaker 1: to bribe him with five dollars. Yeah. I love that 275 00:14:09,600 --> 00:14:13,080 Speaker 1: she's just written as a full on mafio. So like 276 00:14:13,160 --> 00:14:16,360 Speaker 1: she has just written as a mob boss. That's that's 277 00:14:16,360 --> 00:14:18,120 Speaker 1: the perfect way to think of it. They were like, 278 00:14:18,160 --> 00:14:20,840 Speaker 1: what would a mob boss do in this situation? The 279 00:14:20,880 --> 00:14:23,320 Speaker 1: stakes later, I mean, all of it, it's just hysterical. Yeah, 280 00:14:23,520 --> 00:14:26,560 Speaker 1: it's great. Uh And he points to an empty seat 281 00:14:26,640 --> 00:14:31,240 Speaker 1: next next to Corey instead, so she's, of course, well 282 00:14:31,280 --> 00:14:35,080 Speaker 1: to Pek has gone, so you know seat Yeah, And 283 00:14:35,120 --> 00:14:37,280 Speaker 1: then they're in the Matthews living room. Is Corey gets 284 00:14:37,280 --> 00:14:39,720 Speaker 1: home from school, Amy and Allen reveal a wreath and 285 00:14:39,760 --> 00:14:42,640 Speaker 1: a life size candy clown that's in the living room, 286 00:14:42,720 --> 00:14:47,080 Speaker 1: having been delivered to Corey Morgan. Lily's back, she's she's 287 00:14:47,120 --> 00:14:50,280 Speaker 1: on the run now Morgan wants to play with it. 288 00:14:50,480 --> 00:14:54,880 Speaker 1: She's also dressed like a clown. Did you guys notice No, 289 00:14:55,360 --> 00:14:58,840 Speaker 1: she's wearing like bloomers, you know, like the shorts that 290 00:14:58,880 --> 00:15:01,280 Speaker 1: look like bloomers at under like a clown costume. And 291 00:15:01,280 --> 00:15:05,840 Speaker 1: then she's wearing striped knee high socks and a red hat. 292 00:15:06,000 --> 00:15:09,600 Speaker 1: And it is a It is a truly remarkable outfit. 293 00:15:09,720 --> 00:15:12,040 Speaker 1: I was like, what is going on with I didn't 294 00:15:12,080 --> 00:15:14,920 Speaker 1: know that until the horn. That's when I was like, oh, 295 00:15:14,960 --> 00:15:19,080 Speaker 1: she's dressed like a clown. Very exchange. This was funny 296 00:15:19,080 --> 00:15:23,880 Speaker 1: though with the giant wreath. Yeah, that's it's really funny. 297 00:15:25,520 --> 00:15:28,320 Speaker 1: So Lily takes the clown's nose Lily as Morgan takes 298 00:15:28,320 --> 00:15:30,440 Speaker 1: the clown's nose to eat it. Alan and Amy ask 299 00:15:30,480 --> 00:15:32,920 Speaker 1: who TK is, and Corey says she likes him because 300 00:15:32,920 --> 00:15:35,960 Speaker 1: he's been so polite. Corey thanks Amy because of this 301 00:15:36,000 --> 00:15:39,160 Speaker 1: life lesson. Alan then opens the door to another package 302 00:15:39,160 --> 00:15:42,760 Speaker 1: from TK, this time it's sirloin steaks. The delivery guy 303 00:15:42,840 --> 00:15:45,240 Speaker 1: says nothing, says I love you like a nice piece 304 00:15:45,280 --> 00:15:47,920 Speaker 1: of meat. Can you believe how tall he is? So 305 00:15:48,000 --> 00:15:50,960 Speaker 1: I remember this guy very well. Does he come back 306 00:15:51,000 --> 00:15:55,080 Speaker 1: for other episodes? Does Jason and I had a long 307 00:15:55,160 --> 00:15:58,000 Speaker 1: talk with this guy about because he was also like 308 00:15:58,160 --> 00:16:01,000 Speaker 1: he studied martial arts, he was a fighter's almost seven 309 00:16:01,000 --> 00:16:03,680 Speaker 1: feet tall. Wow. He was in the bird Cage that 310 00:16:03,760 --> 00:16:07,600 Speaker 1: the movie The Bird Cage with Robin Williams, and he 311 00:16:07,640 --> 00:16:10,320 Speaker 1: told us a story about being a bouncer where we 312 00:16:10,320 --> 00:16:11,880 Speaker 1: were like, so, did you ever have to do anything? 313 00:16:11,920 --> 00:16:14,320 Speaker 1: Goes one time? Only one time, and I go, well, 314 00:16:14,360 --> 00:16:16,280 Speaker 1: what happened? He goes a guy stood in front of 315 00:16:16,280 --> 00:16:18,840 Speaker 1: me and he's I had to kick him out. I 316 00:16:18,880 --> 00:16:20,960 Speaker 1: was very polite, and he said I'm going to my 317 00:16:21,040 --> 00:16:25,240 Speaker 1: car to get my gun, and so I had to 318 00:16:25,320 --> 00:16:27,320 Speaker 1: hit him. And we went, well what happened? And he 319 00:16:27,360 --> 00:16:30,600 Speaker 1: went he went away, that's all he said. And we 320 00:16:30,600 --> 00:16:35,040 Speaker 1: were like, okay, okay. He was just very he was 321 00:16:35,320 --> 00:16:37,880 Speaker 1: a super nice guy. Yeah, and I was just very 322 00:16:38,240 --> 00:16:39,880 Speaker 1: and I saw his face. I was like, I remember 323 00:16:39,920 --> 00:16:42,320 Speaker 1: talking to him, yeah, extensively. So I feel like he 324 00:16:42,360 --> 00:16:44,720 Speaker 1: comes back for another episode, or maybe I think he does. 325 00:16:44,920 --> 00:16:46,480 Speaker 1: I think he does, but he won the way. I'll 326 00:16:46,480 --> 00:16:49,280 Speaker 1: never forget that he won. That that's so funny. I 327 00:16:49,320 --> 00:16:51,280 Speaker 1: don't have any memories of him, so I didn't get 328 00:16:51,280 --> 00:16:54,600 Speaker 1: those four stories. I wasn't there. You're right. Amy wants 329 00:16:54,640 --> 00:16:56,720 Speaker 1: to know this girl's deal, and Alan says, t K 330 00:16:56,960 --> 00:16:59,600 Speaker 1: is coming on way too strong and fast. But also 331 00:16:59,800 --> 00:17:04,000 Speaker 1: this is pretty impressive meat the delivery man as they're 332 00:17:04,000 --> 00:17:08,359 Speaker 1: gonna grill up great. The delivery man agrees and grabs 333 00:17:08,359 --> 00:17:10,000 Speaker 1: the steaks and he's gonna head to the kitchen to 334 00:17:10,040 --> 00:17:13,720 Speaker 1: make them awesome food. And then we're in the school hallway. 335 00:17:13,800 --> 00:17:16,639 Speaker 1: TK is upset they sent Cory a wreath instead of roses, 336 00:17:16,680 --> 00:17:18,680 Speaker 1: so she gets on the phone to make a complaint, 337 00:17:18,680 --> 00:17:25,199 Speaker 1: and she kicks Dusty off. As she yells into the 338 00:17:25,200 --> 00:17:28,040 Speaker 1: pay phone, Corey backs into Joey, did you guys notice 339 00:17:28,080 --> 00:17:32,960 Speaker 1: this like very overdone bum red stuff, always the red stuff, 340 00:17:32,960 --> 00:17:35,760 Speaker 1: getting away the red drink. This is the desiree? You know? 341 00:17:35,800 --> 00:17:41,720 Speaker 1: This is exactly the same beat lashes. No, y'all, how 342 00:17:41,760 --> 00:17:50,080 Speaker 1: funny with that? If if Joey just said yor Corey apologizes, 343 00:17:50,119 --> 00:17:52,840 Speaker 1: but Joey says he actually bumped into Corey. It's all 344 00:17:52,920 --> 00:17:56,200 Speaker 1: his fault. Weirdly, the bullies are now kissing up to Corey. 345 00:17:56,200 --> 00:17:58,560 Speaker 1: He's not sure what's going on. T K gets off 346 00:17:58,600 --> 00:18:01,639 Speaker 1: the phone, grabs Corey's buff and kisses Corey on the 347 00:18:01,720 --> 00:18:06,920 Speaker 1: lists do a nice woo from the audience, and then 348 00:18:07,040 --> 00:18:09,040 Speaker 1: she says she's going to get her coat so Corey 349 00:18:09,080 --> 00:18:11,679 Speaker 1: can walk her home, and then Harley comes out of 350 00:18:11,680 --> 00:18:14,480 Speaker 1: the bathroom says Hi to Corey. Corey is shocked because 351 00:18:14,520 --> 00:18:16,600 Speaker 1: he used his real name and didn't call him baboon, 352 00:18:17,000 --> 00:18:20,200 Speaker 1: but Harley says it's a new day. Corey thinks being 353 00:18:20,200 --> 00:18:22,560 Speaker 1: polite is what's working for him, and then mister Feeney 354 00:18:22,680 --> 00:18:25,240 Speaker 1: asks what the graffiti on the school lockers is. It 355 00:18:25,359 --> 00:18:29,760 Speaker 1: says t K loves CM, and Corey says that maybe 356 00:18:29,760 --> 00:18:35,840 Speaker 1: t K likes corn muffins. Great joke, great, yeah, but 357 00:18:35,920 --> 00:18:39,760 Speaker 1: why does he get the tension? I thank you. He 358 00:18:39,800 --> 00:18:42,520 Speaker 1: didn't do anything. He didn't do anything. Well, but they 359 00:18:42,640 --> 00:18:44,720 Speaker 1: make it a joke at least where it's like he 360 00:18:44,800 --> 00:18:47,560 Speaker 1: offers like do I guess I'm going to Phoenix might 361 00:18:47,600 --> 00:18:49,360 Speaker 1: as well? Or whatever? Like yeah, I mean, at least 362 00:18:49,359 --> 00:18:51,440 Speaker 1: they're making a joke about it, but you're right? Will 363 00:18:51,520 --> 00:18:54,119 Speaker 1: you pointed this out a couple episodes ago. Corey's been 364 00:18:54,160 --> 00:18:57,199 Speaker 1: in trouble every more week every He is the biggest 365 00:18:57,200 --> 00:18:59,400 Speaker 1: troublemaker in the history of high school and the most 366 00:18:59,440 --> 00:19:02,399 Speaker 1: popular kid school one woman after the next. Everyone always 367 00:19:02,440 --> 00:19:06,520 Speaker 1: talks about him. He's that Yeah, it's amazing. Corey tells 368 00:19:06,520 --> 00:19:08,840 Speaker 1: mister Phenie he'll see him in detention, and Poene agrees. 369 00:19:09,400 --> 00:19:12,040 Speaker 1: Corey tells Sean that TK is obsessive, and Shawan says 370 00:19:12,040 --> 00:19:14,440 Speaker 1: that he should cancel their plans for tonight, and then 371 00:19:14,760 --> 00:19:17,439 Speaker 1: TK comes over and as she breaks down the Knight's plans, 372 00:19:17,480 --> 00:19:24,440 Speaker 1: including getting the TK loves CM graffiti tattooed over her heart. 373 00:19:24,440 --> 00:19:29,520 Speaker 1: Seventh grade, Yeah, seventh grade, that's amazing, Corey starts the 374 00:19:29,600 --> 00:19:32,399 Speaker 1: canceling of their date. T K gets angry as Corey 375 00:19:32,440 --> 00:19:34,800 Speaker 1: says he just needs time and says he's just like 376 00:19:34,840 --> 00:19:37,119 Speaker 1: all the other guys. No matter how much you give someone, 377 00:19:37,160 --> 00:19:39,119 Speaker 1: they're still going to turn around and stab you in 378 00:19:39,160 --> 00:19:41,800 Speaker 1: the back, and she walks off, and then we're in 379 00:19:41,800 --> 00:19:45,240 Speaker 1: mister Turner's classroom. T K isn't in class, but Corey 380 00:19:45,280 --> 00:19:48,120 Speaker 1: wants to apologize because t K is upset, but Sean says, 381 00:19:48,160 --> 00:19:51,000 Speaker 1: calmed down. The politeness thing is really pulling him down. 382 00:19:51,640 --> 00:19:54,120 Speaker 1: And then mister Turner tells them to not talk during 383 00:19:54,160 --> 00:19:56,640 Speaker 1: his class, and right then Joey comes to the door 384 00:19:56,720 --> 00:19:59,200 Speaker 1: to tell mister Turner a truck ran over his bike. 385 00:20:00,080 --> 00:20:02,439 Speaker 1: Turner frantically runs out and Frankie comes in to tell 386 00:20:02,480 --> 00:20:07,440 Speaker 1: everyone they all need to get out. But just yeah, 387 00:20:07,480 --> 00:20:10,120 Speaker 1: read poems. He does the Tony. It's such a whole 388 00:20:10,680 --> 00:20:13,760 Speaker 1: when when he hears about them by it's such a Tony. 389 00:20:13,840 --> 00:20:16,360 Speaker 1: And I will guarantee you that he he took that 390 00:20:16,480 --> 00:20:21,440 Speaker 1: from some kind of Kurt Russell something something from back. 391 00:20:22,840 --> 00:20:25,199 Speaker 1: Oh yeah, Oh. The second I saw it, I was like, 392 00:20:25,240 --> 00:20:28,040 Speaker 1: he did that for me. I will guarantee you that 393 00:20:28,680 --> 00:20:32,080 Speaker 1: line reading was done for me. Where that got me? Like, 394 00:20:32,320 --> 00:20:33,719 Speaker 1: you see, I just did the Kurt run like it 395 00:20:33,760 --> 00:20:38,560 Speaker 1: was something that should ask We should it was to 396 00:20:38,600 --> 00:20:40,520 Speaker 1: keep track of our questions for Tony because we definitely 397 00:20:40,520 --> 00:20:42,359 Speaker 1: have to ask about the ties, you know, like, yeah, 398 00:20:42,600 --> 00:20:45,240 Speaker 1: how conscious he was of this choice? And was he 399 00:20:45,280 --> 00:20:47,479 Speaker 1: like because each one of these must have been like 400 00:20:47,640 --> 00:20:51,280 Speaker 1: a fifty dollar tie right like every week unless they're 401 00:20:51,280 --> 00:20:54,680 Speaker 1: all vintage, which they would not be surprised if they're 402 00:20:54,720 --> 00:20:58,040 Speaker 1: vintage ties, how much time Sarah must have spent researching ties. 403 00:20:58,400 --> 00:21:00,200 Speaker 1: There was a place she used to go to called 404 00:21:00,240 --> 00:21:03,879 Speaker 1: PoCA Dots and Moonbeams that I loved, and it was 405 00:21:05,080 --> 00:21:07,120 Speaker 1: I went was Sarah a few times to go shopping 406 00:21:07,440 --> 00:21:08,960 Speaker 1: and she told me like, because I was like, where 407 00:21:08,960 --> 00:21:10,720 Speaker 1: do you find this vintage stuff? And she said, Polka 408 00:21:10,720 --> 00:21:12,280 Speaker 1: Dots and Moonbeams. For all I know, it may still 409 00:21:12,280 --> 00:21:16,560 Speaker 1: be around, but it was on Melrose. Very cool. Yeah, 410 00:21:16,600 --> 00:21:21,400 Speaker 1: great stuff. So right as they're about ready to leave, 411 00:21:22,040 --> 00:21:25,000 Speaker 1: Harley comes around the corner to stop Corey. Harley is 412 00:21:25,080 --> 00:21:29,360 Speaker 1: distraught because someone meaning Corey, stole the sweet smile from 413 00:21:29,359 --> 00:21:32,800 Speaker 1: his sister's face. Corey, in that moment, realizes that t 414 00:21:32,960 --> 00:21:39,879 Speaker 1: K is Harley's sister, Teresa Kiner. This means trouble, and 415 00:21:40,000 --> 00:21:42,800 Speaker 1: we go to a commercial break and then we're in 416 00:21:42,800 --> 00:21:45,960 Speaker 1: mister Turner's classroom. Continuing, Corey explains he didn't realize t 417 00:21:46,119 --> 00:21:48,880 Speaker 1: K was Harley's sister. Harley says he would kill him, 418 00:21:48,880 --> 00:21:52,000 Speaker 1: but t K says Corey is a gentleman. Harley threatens 419 00:21:52,040 --> 00:21:54,399 Speaker 1: Corey he will take Teresa to the movies tonight and 420 00:21:54,440 --> 00:21:57,399 Speaker 1: he will be a perfect gentleman or else. His final 421 00:21:57,520 --> 00:22:01,000 Speaker 1: date is going to be with Frankie, and Ethan says, 422 00:22:01,520 --> 00:22:07,440 Speaker 1: don't expect flowers so cute, And then we're in the 423 00:22:07,440 --> 00:22:10,240 Speaker 1: Matthews living room. Corey comes downstairs wearing a suit and 424 00:22:10,280 --> 00:22:13,160 Speaker 1: a bow tie for his for forest date with TK. 425 00:22:14,040 --> 00:22:16,919 Speaker 1: Eric tells him he looks like a Ventriloquist stummy and 426 00:22:16,960 --> 00:22:19,119 Speaker 1: then says he looks like he's going to Sears to 427 00:22:19,119 --> 00:22:22,240 Speaker 1: take pictures for Grandma, not that date. If like when 428 00:22:22,240 --> 00:22:24,800 Speaker 1: you said before you said the Ventriloquist line, I had 429 00:22:24,840 --> 00:22:26,520 Speaker 1: the thought. And I don't know if it's because I 430 00:22:26,600 --> 00:22:28,600 Speaker 1: remembered the line or if he really just looks like 431 00:22:28,600 --> 00:22:31,400 Speaker 1: a Ventriloquist dummy. Either way, it was perfect. It was great. 432 00:22:31,400 --> 00:22:33,040 Speaker 1: It was a great line he does because he looks 433 00:22:33,119 --> 00:22:35,760 Speaker 1: just like yeah. Right after he said it, I was like, Yep, 434 00:22:35,800 --> 00:22:37,960 Speaker 1: that's what it is. And did you see from Tara 435 00:22:38,480 --> 00:22:42,000 Speaker 1: Moonbeams and it's still open, still open, West Hollywood on 436 00:22:42,040 --> 00:22:45,040 Speaker 1: Start Street. I want to go back, all right, shout 437 00:22:45,040 --> 00:22:50,400 Speaker 1: out to whatever in Moonbeams, M Polka dots, there you go. Uh. 438 00:22:50,440 --> 00:22:52,560 Speaker 1: Frankie comes to the door. Corey is scared he has 439 00:22:52,600 --> 00:22:55,479 Speaker 1: a date with Frankie, but no, he's just picking Corey up. 440 00:22:55,560 --> 00:22:58,240 Speaker 1: Frankie is in the Frankie. Um, Frankie is the driver. 441 00:22:58,359 --> 00:22:59,840 Speaker 1: TK is in the car. He's going to be the show. 442 00:23:00,600 --> 00:23:03,040 Speaker 1: As he walks out, Eric asks if Corey has any 443 00:23:03,119 --> 00:23:07,000 Speaker 1: last words, and he says, to tell Amy. Politeness kills. 444 00:23:09,040 --> 00:23:11,399 Speaker 1: And then we're on Corey and t K's date. Frankie 445 00:23:11,480 --> 00:23:17,440 Speaker 1: is chaperoning TK and a giant, brand new limousine. Either way, 446 00:23:17,480 --> 00:23:19,680 Speaker 1: which is the thing that I love is like, this 447 00:23:19,800 --> 00:23:22,960 Speaker 1: is like a nice ride. Yeah, I know, I think 448 00:23:23,000 --> 00:23:25,280 Speaker 1: she rented it as part of her date plans. Yeah, 449 00:23:25,320 --> 00:23:27,600 Speaker 1: I love. God's funny, but normally it comes with the driver. 450 00:23:27,800 --> 00:23:31,680 Speaker 1: So you wonder, what do you Oh, Yeah, because you 451 00:23:31,720 --> 00:23:33,080 Speaker 1: know it's a big deal. They had to bring a 452 00:23:33,160 --> 00:23:36,000 Speaker 1: car on set and perk it and like light it 453 00:23:36,160 --> 00:23:39,640 Speaker 1: so it looks like we're outside or dark around. Um. 454 00:23:39,680 --> 00:23:42,120 Speaker 1: But yeah, so I remember because all week we'd would 455 00:23:42,160 --> 00:23:44,760 Speaker 1: be rehearsing just with chairs, you know, right, and then 456 00:23:44,880 --> 00:23:47,399 Speaker 1: the day of tape or the pre tape day, they 457 00:23:47,400 --> 00:23:48,960 Speaker 1: would bring the car in. We all got to like 458 00:23:49,000 --> 00:23:51,200 Speaker 1: cram into this car with the cameras and so I have, 459 00:23:51,440 --> 00:24:02,120 Speaker 1: you know, very visceral memories of this. Yeah, it's so funny. 460 00:24:04,280 --> 00:24:06,760 Speaker 1: So having Frankie as the chaperone is a little bit 461 00:24:06,800 --> 00:24:08,959 Speaker 1: of a nuisance. T K gives Frankie money to go 462 00:24:08,960 --> 00:24:11,879 Speaker 1: get snacks and leave them alone. He loves the dancing 463 00:24:11,880 --> 00:24:14,680 Speaker 1: snacks at the beginning of the movie. Eventually, Frankie does 464 00:24:14,760 --> 00:24:17,639 Speaker 1: leave and the love birds are alone. T K then 465 00:24:17,720 --> 00:24:20,400 Speaker 1: leaves to get drinks because Corey says that he's thirsty, 466 00:24:20,440 --> 00:24:22,240 Speaker 1: and Sean hops in the car. He says, he just 467 00:24:22,320 --> 00:24:24,440 Speaker 1: lives on the other side of the fence. Ye, remember, 468 00:24:24,520 --> 00:24:26,520 Speaker 1: how does Corey not How does Corey not know that? 469 00:24:26,840 --> 00:24:28,400 Speaker 1: Because he's in the back of a limo, we didn't 470 00:24:28,400 --> 00:24:32,520 Speaker 1: know where they were going. Just course he's been there before, 471 00:24:32,640 --> 00:24:35,840 Speaker 1: you know. Yeah, Corey says, t K is all over him, 472 00:24:35,840 --> 00:24:39,240 Speaker 1: and Sean asks how he usually strikes out, and he 473 00:24:39,320 --> 00:24:43,119 Speaker 1: says it doesn't know what happens, so naturally, Sean then 474 00:24:43,240 --> 00:24:45,240 Speaker 1: leaves and t K gets back in the car. Corey 475 00:24:45,280 --> 00:24:48,680 Speaker 1: wants to talk about baseball, but t K isn't interested, 476 00:24:49,000 --> 00:24:51,440 Speaker 1: and a now disturbed t K tells a story about 477 00:24:51,480 --> 00:24:55,400 Speaker 1: having astorable time at a K and she's got layers. 478 00:24:55,840 --> 00:24:59,879 Speaker 1: Is this is I'm just curious and it might be, 479 00:25:00,280 --> 00:25:01,720 Speaker 1: and they did it in a kind of a more 480 00:25:01,800 --> 00:25:06,280 Speaker 1: diet way. But was this a story about a girl 481 00:25:07,040 --> 00:25:10,880 Speaker 1: who has such father issues that she's looking for love 482 00:25:11,680 --> 00:25:16,480 Speaker 1: physically with everybody she can find. I mean, is that 483 00:25:16,600 --> 00:25:18,520 Speaker 1: what it is? Is that because there are he talks 484 00:25:18,520 --> 00:25:20,959 Speaker 1: about I don't like knowing that my sister's fast. I mean, 485 00:25:21,080 --> 00:25:23,040 Speaker 1: is that what it is? That what this was supposed 486 00:25:23,080 --> 00:25:26,080 Speaker 1: to be because it's kind of a very poignant yeah story, 487 00:25:26,119 --> 00:25:28,359 Speaker 1: I mean, I think it also is just like that's why, 488 00:25:28,560 --> 00:25:31,840 Speaker 1: you know, because Harley is basically a father figure for right, Like, 489 00:25:32,280 --> 00:25:35,680 Speaker 1: so all of his like overprotectiveness, which we're supposed to 490 00:25:35,720 --> 00:25:38,880 Speaker 1: think is just him being a bully through this by 491 00:25:38,920 --> 00:25:42,840 Speaker 1: getting this backstory makes it more meaningful, understandable. You know 492 00:25:43,119 --> 00:25:45,680 Speaker 1: that he is just worried about her, and yeah, yeah, 493 00:25:45,680 --> 00:25:48,400 Speaker 1: I was just that because it's a very adult storyline 494 00:25:48,640 --> 00:25:51,840 Speaker 1: told in a very kind of fun sitcomy way. But 495 00:25:51,840 --> 00:25:55,880 Speaker 1: it's a I mean, that's a I know exactly well 496 00:25:57,920 --> 00:26:01,879 Speaker 1: part of the two Um, so that's a hallmark of 497 00:26:01,880 --> 00:26:04,199 Speaker 1: our show, right you have? And that's what you know? 498 00:26:04,200 --> 00:26:06,560 Speaker 1: Something like Jeff Sherman is a great writer. Is that 499 00:26:06,600 --> 00:26:10,320 Speaker 1: they take this situation and then insert a moment like this, 500 00:26:10,400 --> 00:26:14,720 Speaker 1: which you go, well, serious, Well, it also explains it 501 00:26:15,080 --> 00:26:18,920 Speaker 1: also humanizes multiple people because, like you said, it makes 502 00:26:18,960 --> 00:26:21,600 Speaker 1: Harley humanize why he is the way he is, and 503 00:26:21,640 --> 00:26:25,199 Speaker 1: then it also makes Corey soften about why TK is 504 00:26:25,240 --> 00:26:29,360 Speaker 1: as obsessive as she is because she has abandonment issues. Um, 505 00:26:29,720 --> 00:26:32,640 Speaker 1: and so yeah, it is. It's it's a sitcom. It's 506 00:26:32,640 --> 00:26:35,360 Speaker 1: a it's a totally non sitcom. You way to get 507 00:26:35,400 --> 00:26:38,600 Speaker 1: a really like funny and great meaningful message, very good. 508 00:26:38,760 --> 00:26:41,000 Speaker 1: It's just great character development. I mean that's all. And 509 00:26:41,040 --> 00:26:44,520 Speaker 1: I think great world. The hallmark is you you don't 510 00:26:44,560 --> 00:26:47,239 Speaker 1: just have jokey characters, you know, you if you have 511 00:26:47,280 --> 00:26:49,680 Speaker 1: a character, you know, obviously you can have like the 512 00:26:49,680 --> 00:26:52,640 Speaker 1: mob Boss guide delivering steaks. That can be a jokey character. Yeah, 513 00:26:52,640 --> 00:26:54,800 Speaker 1: but if somebody is a real character, you develop it, 514 00:26:55,040 --> 00:26:56,960 Speaker 1: which is why, like I think, I was so disappointed 515 00:26:57,000 --> 00:26:59,280 Speaker 1: with like the Desiree story, right, you know, because she 516 00:26:59,280 --> 00:27:02,800 Speaker 1: didn't get any moment like this. She was just yeah, 517 00:27:02,880 --> 00:27:07,080 Speaker 1: two dimensional. Yeah, whereas this case, like TK is really funny, 518 00:27:07,320 --> 00:27:09,399 Speaker 1: really over the top of you know, it's absurd, like 519 00:27:09,440 --> 00:27:12,720 Speaker 1: getting tattoos and deliver it. But you still she gets 520 00:27:12,720 --> 00:27:14,840 Speaker 1: a moment like this where you have a little character development. 521 00:27:14,840 --> 00:27:16,560 Speaker 1: She nailed it again, and she nails it. And as 522 00:27:16,600 --> 00:27:19,240 Speaker 1: we talked about, because you brought that up writer with 523 00:27:19,280 --> 00:27:21,399 Speaker 1: the groupies from the band on the run, the groupie 524 00:27:21,400 --> 00:27:23,240 Speaker 1: girls who where they were one note and we were like, yeah, 525 00:27:23,240 --> 00:27:24,600 Speaker 1: but we're never going to see them again and who 526 00:27:24,640 --> 00:27:27,960 Speaker 1: are these people? Um? It makes me wonder if the 527 00:27:28,119 --> 00:27:33,399 Speaker 1: plan definitely was for t K to come back. I think, 528 00:27:34,040 --> 00:27:38,399 Speaker 1: if I'm not mistaken, we're nearing the end of Danny 529 00:27:38,520 --> 00:27:42,320 Speaker 1: as Harley, and so you wonder whether or not quickly 530 00:27:42,480 --> 00:27:45,560 Speaker 1: that the reason she was given layers and you know, 531 00:27:45,680 --> 00:27:48,200 Speaker 1: real character development is because we were going to see 532 00:27:48,200 --> 00:27:50,840 Speaker 1: her more. And then one to your back. I mean, 533 00:27:50,840 --> 00:27:52,680 Speaker 1: well maybe I guess it was just too awkward after 534 00:27:53,119 --> 00:27:56,639 Speaker 1: but Harley back, because I mean we kept Joey, you know, 535 00:27:56,720 --> 00:27:59,480 Speaker 1: Joey and um Frank ye, So why couldn't we have 536 00:27:59,560 --> 00:28:03,240 Speaker 1: just brought I don't know whatever, But yeah, Daniel sounds 537 00:28:03,240 --> 00:28:06,119 Speaker 1: like world casting will never cease too, Yeah I know 538 00:28:06,720 --> 00:28:10,000 Speaker 1: us so yeah, so okay, So she tells the story. 539 00:28:10,080 --> 00:28:11,920 Speaker 1: She was eight years old, she was with her dad 540 00:28:11,920 --> 00:28:14,199 Speaker 1: at a game. He even had her name flash on 541 00:28:14,200 --> 00:28:18,000 Speaker 1: the scoreboard. But then he left with another woman, completely 542 00:28:18,119 --> 00:28:22,440 Speaker 1: ditching her. She sat there alone until her brother, Harvey, 543 00:28:22,920 --> 00:28:25,679 Speaker 1: came to pick her up. There it is that is 544 00:28:26,080 --> 00:28:30,600 Speaker 1: there we find out it's Harvey not Harley. Okay, I 545 00:28:30,640 --> 00:28:35,440 Speaker 1: don't understand this at all. What is is Harvey a 546 00:28:35,480 --> 00:28:38,480 Speaker 1: bad name? Like I just what they're saying. Well, I 547 00:28:38,520 --> 00:28:40,840 Speaker 1: don't think they're saying it's bad, it's just not it's 548 00:28:40,880 --> 00:28:44,440 Speaker 1: not Harley, but they keep but the whole rest of 549 00:28:44,480 --> 00:28:46,920 Speaker 1: the scene, like you know, Ethan like mistakenly calling him. 550 00:28:47,160 --> 00:28:49,760 Speaker 1: It's like it's so awful to be named Harvey. And 551 00:28:49,800 --> 00:28:52,200 Speaker 1: I'm like, is there something wrong with the name Harvey 552 00:28:52,280 --> 00:28:55,000 Speaker 1: that the name Harley is better? Like they're the same 553 00:28:55,120 --> 00:28:57,600 Speaker 1: name to me, Like, there's literally no distinction except one 554 00:28:57,680 --> 00:29:01,280 Speaker 1: is associated with a motorcycle, right, Maybe I couldn't. I mean, 555 00:29:01,320 --> 00:29:03,720 Speaker 1: you're right because the letter of the one letter off 556 00:29:03,960 --> 00:29:06,200 Speaker 1: isn't as impactful as say, if his name was like 557 00:29:06,640 --> 00:29:11,480 Speaker 1: Stacy or Carley exactly something where it could have been 558 00:29:11,520 --> 00:29:15,040 Speaker 1: more like yeah, yeah, anything that you know. But I 559 00:29:15,120 --> 00:29:17,800 Speaker 1: don't understand, Like the whole logic of this made no 560 00:29:17,840 --> 00:29:20,400 Speaker 1: sense to him. I was like, Harvey, what's wrong with Harvey? 561 00:29:20,440 --> 00:29:22,440 Speaker 1: Why would you ever be embarrassed by the name Harvey. 562 00:29:22,600 --> 00:29:25,480 Speaker 1: Don't well, I do see though. Will's point, like the 563 00:29:25,560 --> 00:29:28,200 Speaker 1: idea of like, oh my gosh, the big bully, the 564 00:29:28,280 --> 00:29:33,080 Speaker 1: real cool guy is Harley, and then yeah, wait, it's 565 00:29:33,400 --> 00:29:37,200 Speaker 1: it's it's actually Harvey, and we're calling you a cooler name. 566 00:29:37,280 --> 00:29:39,680 Speaker 1: It's not that it's such a bad name as much 567 00:29:39,720 --> 00:29:42,200 Speaker 1: as it's just not nearly as cool as being Harley. 568 00:29:42,480 --> 00:29:45,200 Speaker 1: And then to find out that little piece of information 569 00:29:45,200 --> 00:29:47,520 Speaker 1: that nobody else knows, even if it had been a 570 00:29:47,560 --> 00:29:50,080 Speaker 1: totally generic name, like wait a minute, his name is Steve. 571 00:29:50,560 --> 00:29:53,240 Speaker 1: Like even just knowing that is enough to be like, 572 00:29:53,360 --> 00:29:56,120 Speaker 1: I know something about you. That would have been better 573 00:29:56,160 --> 00:30:00,520 Speaker 1: though if it was something. Also, she specifically says, I'm 574 00:30:00,560 --> 00:30:02,040 Speaker 1: the only one who gets to call him that. So 575 00:30:02,080 --> 00:30:04,240 Speaker 1: now you know that he's insecure about it, whether or 576 00:30:04,280 --> 00:30:06,480 Speaker 1: not there's a reason to be insecure at all, he 577 00:30:07,040 --> 00:30:09,800 Speaker 1: is insecure about it. It's it's strange to me. It's 578 00:30:09,840 --> 00:30:12,000 Speaker 1: a strange choice, like I think it should have to me. 579 00:30:12,120 --> 00:30:15,120 Speaker 1: You know, it's like Sheldon or you know, like you 580 00:30:15,200 --> 00:30:18,320 Speaker 1: come up with a name that is sort of funnier 581 00:30:18,560 --> 00:30:21,640 Speaker 1: or more conservative in some ways. Instead it's just Perry. 582 00:30:22,520 --> 00:30:24,400 Speaker 1: Similar to me. It's like it's like the same name. 583 00:30:24,440 --> 00:30:28,040 Speaker 1: It doesn't make any sense, but yeah, yeah, Well, Corey 584 00:30:28,080 --> 00:30:29,960 Speaker 1: and t K are kind of having a moment and 585 00:30:30,000 --> 00:30:32,320 Speaker 1: then t K wants to kiss Corey, but Corey wants 586 00:30:32,320 --> 00:30:34,880 Speaker 1: to slow it down, and then t K pulls Corey 587 00:30:34,880 --> 00:30:36,920 Speaker 1: on top of her, and Harley appears at the car 588 00:30:36,960 --> 00:30:40,400 Speaker 1: window and sees them. He calls him Harvey on mistake 589 00:30:40,520 --> 00:30:43,600 Speaker 1: and then escapes his attack out the sunroof with Sean. 590 00:30:44,360 --> 00:30:46,920 Speaker 1: Harley yells that Corey is dead when he finds him, 591 00:30:46,960 --> 00:30:49,560 Speaker 1: and then Ethan says, yeah, but he asked for Harvey. 592 00:30:49,640 --> 00:30:56,360 Speaker 1: Who could that be? And then oh, and then we 593 00:30:56,440 --> 00:30:58,560 Speaker 1: are in the school hallway. Corey is hiding in the 594 00:30:58,560 --> 00:31:02,120 Speaker 1: locker and Sean drops off class notes, which are apparently 595 00:31:02,320 --> 00:31:04,280 Speaker 1: very bad notes with a piece of gum stuck in them. 596 00:31:05,000 --> 00:31:08,440 Speaker 1: Just then Harley, Frankie, and Joey walk over and Harley 597 00:31:08,480 --> 00:31:10,920 Speaker 1: pulls Corey out of the locker and Frankie pushes Seawan 598 00:31:11,080 --> 00:31:14,880 Speaker 1: into it. Harley after, Yeah, I think he's wearing my 599 00:31:14,960 --> 00:31:19,320 Speaker 1: leather jacket. I was wondering about this leather definitely tell 600 00:31:19,480 --> 00:31:23,160 Speaker 1: it was yours? Is you we need hold on the night. 601 00:31:23,640 --> 00:31:26,840 Speaker 1: I'm I'm sitting there going, that's my jacket, Like, yes, 602 00:31:26,960 --> 00:31:29,600 Speaker 1: Sarah just passed this jacket around like it was the 603 00:31:29,760 --> 00:31:32,880 Speaker 1: leather jacket. Now, Harley has worn a leather jacket before, 604 00:31:33,080 --> 00:31:36,680 Speaker 1: but yeah, yeah, this is a different leather jacket. I 605 00:31:36,720 --> 00:31:38,440 Speaker 1: thought that he wore the one with all the zippers 606 00:31:38,440 --> 00:31:41,320 Speaker 1: and like more of a traditional biker jacket. But this 607 00:31:41,560 --> 00:31:45,320 Speaker 1: is my jacket and it fits in better because it's 608 00:31:45,320 --> 00:31:47,560 Speaker 1: a big It was a big jacket. It was it was. Yeah, 609 00:31:47,600 --> 00:31:50,120 Speaker 1: it was big on me, but and I wore it 610 00:31:50,160 --> 00:31:51,840 Speaker 1: for the band on the run, but then it went 611 00:31:51,880 --> 00:31:54,360 Speaker 1: back to him for this episode and then it'll eventually 612 00:31:54,480 --> 00:31:58,120 Speaker 1: land on me. But yeah, it's the same jacket I thought. 613 00:31:58,160 --> 00:32:01,200 Speaker 1: I thought. So that's so funny. After sending Frankie and 614 00:32:01,240 --> 00:32:03,680 Speaker 1: Joey away, says he trusted Corey, but what he saw 615 00:32:03,840 --> 00:32:06,560 Speaker 1: wasn't cool. Corey says she made all the moves, but 616 00:32:06,640 --> 00:32:09,120 Speaker 1: Harley doesn't believe t K came on to him. He 617 00:32:09,160 --> 00:32:11,120 Speaker 1: turns around and he asks other boys in the hallway 618 00:32:11,160 --> 00:32:13,200 Speaker 1: if they know who t K is and if she's fast, 619 00:32:13,280 --> 00:32:16,360 Speaker 1: like Corey says, and they all agree, And did you 620 00:32:16,520 --> 00:32:20,280 Speaker 1: guys notice that one of the background actors is wearing 621 00:32:20,880 --> 00:32:27,640 Speaker 1: the same shirt as Corey. Really yea the God give 622 00:32:27,720 --> 00:32:31,840 Speaker 1: you where were you? Boy? Taken? That was at midnight. 623 00:32:36,480 --> 00:32:38,760 Speaker 1: I was just also coming off of Love Island UK. 624 00:32:39,080 --> 00:32:43,320 Speaker 1: My head is going different places anyway. Yes, one of 625 00:32:43,360 --> 00:32:46,600 Speaker 1: the background actors is wearing the same shirt. I was like, wait, okay, 626 00:32:46,640 --> 00:32:50,680 Speaker 1: never mind moving on, And as Harley thinks he failed 627 00:32:50,680 --> 00:32:52,920 Speaker 1: with his sister because he's too busy being a bully, 628 00:32:53,080 --> 00:32:55,760 Speaker 1: Corey tells Harley how much he means to t K 629 00:32:56,240 --> 00:32:59,360 Speaker 1: and they have a really nice heart to heart. Harley 630 00:32:59,400 --> 00:33:02,200 Speaker 1: says he was hoping that Corey would date TK and 631 00:33:02,240 --> 00:33:04,920 Speaker 1: gives him money to take her somewhere nice because she 632 00:33:05,080 --> 00:33:09,200 Speaker 1: deserves it. Very sweet, makes you just fall in love 633 00:33:09,240 --> 00:33:12,680 Speaker 1: with our bully, Harley. Corey walks away, and it's revealed 634 00:33:12,720 --> 00:33:15,040 Speaker 1: that Sean is still stuck in the locker and he's 635 00:33:15,120 --> 00:33:19,120 Speaker 1: blindly threatening Harley and then calls for Corey suddenly gets 636 00:33:19,120 --> 00:33:21,760 Speaker 1: a spine. Yeah, well, I think you're aware that they've 637 00:33:21,760 --> 00:33:24,280 Speaker 1: walked off at least for a little bit. Yeah, And 638 00:33:24,320 --> 00:33:26,480 Speaker 1: then we have our tag. We're in the Matthews kitchen. 639 00:33:26,600 --> 00:33:29,080 Speaker 1: TK is at a family dinner with the Matthews family 640 00:33:29,120 --> 00:33:32,800 Speaker 1: and acting like a scripted robot instead of her tough 641 00:33:32,880 --> 00:33:37,040 Speaker 1: guy self. She's talking slow to be nice and saying, 642 00:33:37,200 --> 00:33:42,320 Speaker 1: mister Matthews, missus math. I'm sitting in front of Dominatrix. 643 00:33:42,480 --> 00:33:47,320 Speaker 1: Yeah exactly, neck, yeah exactly, is sitting in front of 644 00:33:47,400 --> 00:33:51,200 Speaker 1: easily several hundred dollars worth of lobsters. Yeah, I know, 645 00:33:51,360 --> 00:33:53,760 Speaker 1: I thought too. I did think a couple times through 646 00:33:53,760 --> 00:33:57,320 Speaker 1: this episode. Are we to assume that their family's very 647 00:33:57,320 --> 00:34:01,640 Speaker 1: well off again mafia style? Yeah, well, yeah, you're right. 648 00:34:01,680 --> 00:34:04,040 Speaker 1: Maybe not even the truck. It's what falls off the truck. 649 00:34:04,040 --> 00:34:08,919 Speaker 1: They get the extra stakes. It's taking the trash fake too, 650 00:34:09,200 --> 00:34:13,839 Speaker 1: I know, just sit come in. Well, Eric says one 651 00:34:13,840 --> 00:34:17,320 Speaker 1: of the lobsters is missing a claw, and TK freaks 652 00:34:17,360 --> 00:34:20,239 Speaker 1: out and her angry outburst, but then she sits back 653 00:34:20,280 --> 00:34:23,279 Speaker 1: down and starts her script right over again, which is 654 00:34:23,560 --> 00:34:26,080 Speaker 1: very funny, like I'm just going to try this again 655 00:34:26,440 --> 00:34:30,319 Speaker 1: starting overset and I in this moment was like, yeah, 656 00:34:30,440 --> 00:34:33,440 Speaker 1: I'm excited to see how this character comes back and 657 00:34:33,520 --> 00:34:35,640 Speaker 1: brings to the table and develops with this family and 658 00:34:35,680 --> 00:34:38,000 Speaker 1: with Corey and well did dan Yelle get other jobs too? 659 00:34:38,000 --> 00:34:40,840 Speaker 1: I mean she was working all the time kind of stuff. 660 00:34:40,880 --> 00:34:42,919 Speaker 1: So I wonder how much of it was that too, 661 00:34:42,960 --> 00:34:45,200 Speaker 1: like she might have not wanted to compare, or you know, 662 00:34:45,239 --> 00:34:47,239 Speaker 1: just got other jobs and went into other talk about 663 00:34:47,280 --> 00:34:49,600 Speaker 1: a cool dynamic to add to the friends, I mean, 664 00:34:49,640 --> 00:34:51,879 Speaker 1: can you imagine if if it became a four kind 665 00:34:51,920 --> 00:34:54,480 Speaker 1: of was TK and to Panga of the two? I mean, 666 00:34:54,520 --> 00:34:57,560 Speaker 1: imagine a scene between the two of them, those two characters. 667 00:34:57,600 --> 00:34:59,640 Speaker 1: I mean, oh man, it would be phenomenal where you 668 00:34:59,719 --> 00:35:02,480 Speaker 1: do an episode where the entire thing is, you know, 669 00:35:02,560 --> 00:35:05,759 Speaker 1: t K asked Topanga to help her soften up, and 670 00:35:05,800 --> 00:35:07,640 Speaker 1: it really has to turn out that TK has to 671 00:35:07,640 --> 00:35:10,359 Speaker 1: have Topanga get a little harder. It's like, oh my god, 672 00:35:10,400 --> 00:35:13,000 Speaker 1: there's comedy for days and stuff like that. I mean, 673 00:35:13,040 --> 00:35:15,160 Speaker 1: if we're gonna take it one step further, what if 674 00:35:15,440 --> 00:35:18,840 Speaker 1: the Sean and Topanga character dating, and Corey and TK 675 00:35:19,000 --> 00:35:21,359 Speaker 1: are dating, and now you have this dynamic of like, well, 676 00:35:21,360 --> 00:35:23,719 Speaker 1: it seems as though these two should be together, but 677 00:35:23,960 --> 00:35:27,000 Speaker 1: there are obvious you know, they're not so much. Anyway, 678 00:35:27,000 --> 00:35:28,520 Speaker 1: I have very good news for you guys, is that 679 00:35:28,600 --> 00:35:32,600 Speaker 1: we are interviewing Danielle Harris, so we will I thought 680 00:35:32,600 --> 00:35:34,160 Speaker 1: you were going to say we're gonna be shooting that 681 00:35:34,200 --> 00:35:39,359 Speaker 1: episode next week, We're going to do it. You keep 682 00:35:39,360 --> 00:35:44,560 Speaker 1: wanting to go to step two. We have out that part. Well. 683 00:35:44,880 --> 00:35:46,759 Speaker 1: Thank you guys for joining us for this episode of 684 00:35:46,800 --> 00:35:48,680 Speaker 1: Pod Meets World. As always, you can follow us on 685 00:35:48,719 --> 00:35:51,200 Speaker 1: Instagram pod Meets World Show. You can send us your 686 00:35:51,239 --> 00:35:54,520 Speaker 1: emails pod Meets World Show at gmail dot com. And 687 00:35:54,680 --> 00:35:58,920 Speaker 1: as always we have got march like merch or whatever 688 00:36:00,960 --> 00:36:03,759 Speaker 1: pod Meets World Show dot com. Please join us for 689 00:36:03,800 --> 00:36:07,120 Speaker 1: our next episode recap Season two Episode eleven, The Beard 690 00:36:07,400 --> 00:36:12,080 Speaker 1: air December ninth, nineteen ninety four. We will see you then, 691 00:36:12,239 --> 00:36:17,359 Speaker 1: two days before Ryder Strong's eleventh brother birthday. You're exactly right, yes, 692 00:36:17,400 --> 00:36:20,160 Speaker 1: two days all right, We're almost there. Eleventh Brother, eleven, 693 00:36:20,320 --> 00:36:25,759 Speaker 1: almost the eleventh Brother. We'll send us out. We love 694 00:36:25,800 --> 00:36:31,200 Speaker 1: you all, pod dismissed. Podmeats World is an iHeart podcast 695 00:36:31,239 --> 00:36:34,400 Speaker 1: produced and hosted by Danielle Fischel Wilford Lle and Ryder Strong. 696 00:36:34,600 --> 00:36:38,400 Speaker 1: Executive producers Jensencarp and Amy Sugarman Executive in Charger Production, 697 00:36:38,480 --> 00:36:42,640 Speaker 1: Danielle Romo, producer and editor, Tara Supboch, producer, Jackie Rodriguez, 698 00:36:42,680 --> 00:36:45,279 Speaker 1: engineer and Boy Meets World super fan Easton Allen. Our 699 00:36:45,320 --> 00:36:47,600 Speaker 1: theme song is by Kyle Morton of Typhoon, and you 700 00:36:47,600 --> 00:36:50,360 Speaker 1: can follow us on Instagram at Podmeats World Show or 701 00:36:50,719 --> 00:36:53,680 Speaker 1: email us at pod Meets World Show at gmail dot com.