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Speaker 1: This is how we do it. This is how we

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Speaker 1: do it. No no, no, no, no, na, this is

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Speaker 1: how we do it. No no, no, no no. Hi guys,

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Speaker 1: we can't even interest Joel. Look at her. She's just

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Speaker 1: her Internet Internet. She's promise Internet face. I see yeah, Yo,

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Speaker 1: I gotta tell you something. Go ahead, one, I have

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Speaker 1: so much to tell you. Yes, go on, I miss you, guys.

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Speaker 1: My daughter's birthdays coming up this week. On Friday, she

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Speaker 1: turned six, while de Francis Fazon turned six years oldthday.

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Speaker 1: I am so excited. That's what I'm talking about. That

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Speaker 1: is what I'm talking about. Do you want to hear

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Speaker 1: something crazy? Everything? This is the craziest thing is my

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Speaker 1: late father would say every time he saw an old friend,

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Speaker 1: tell me everything. Okay, my daughter is for some reason.

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Speaker 1: I don't know how this is possible. Well I do

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Speaker 1: know how it's possible, but I just got to say,

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Speaker 1: shout out to this lovely lady. My daughter is obsessed

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Speaker 1: with Valerie Burton Elly. I know, look at your faces,

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Speaker 1: you guys are all like, I love Valerie Burton, Elle, Adam,

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Speaker 1: How did how did she get exposed to Valerie Burton? Ellie?

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Speaker 1: That's exactly what well. Listen, First of all, they have

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Speaker 1: the same birthday. Okay, that's one. She knows all of

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Speaker 1: Valerie's hobbies now and it's all due to Kids Baking Championship. Yes, so, Valerie, Burton,

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Speaker 1: Ellie and this dude Duff host this show, Kids Baking

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Speaker 1: Championship where they have a bunch of kids bake cakes, cookies,

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Speaker 1: you name it. Right, My daughter's watched every season. And

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Speaker 1: she's not only watched every season, she's watched every season

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Speaker 1: in like flu pandemic, so pandemic. Kids Baking Championship has

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Speaker 1: become the number one thing in our house. Wow. She

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Speaker 1: loves the cook because she does Casey cook with her

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Speaker 1: or baker. No, no, because I'm the baker in the

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Speaker 1: house right, Oh, I see. And so I'll be making

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Speaker 1: stuff and my daughter's like, is that fondon? Are you

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Speaker 1: gonna make fond that? Yeah? Are you gonna do buttercream?

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Speaker 1: If you're gonna do butter cream, this is what I suggest,

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Speaker 1: you know what I mean. Like, she's totally into it.

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Speaker 1: She's like, Valerie loves lemon. She loves she loves lemon flavor.

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Speaker 1: That's so funny. So maybe when you're back you could

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Speaker 1: cook with her bake with her. Oh dude, I got

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Speaker 1: it all set I got it set in stone. For

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Speaker 1: her birthday, we're gonna surprise her with some baking stuff.

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Speaker 1: But for her birthday, all she wants to do is

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Speaker 1: meet Valerie Burton. Now, I feel like you can make

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Speaker 1: that happen. I don't know that we can. Man. You know,

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Speaker 1: if anybody out there that's listening right now has a connection, listen,

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Speaker 1: With all due respect to Valerie, she's not asking to

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Speaker 1: meet Beyonce, right, I think Valerie, I think I have

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Speaker 1: a better shot at meeting Beyonce, her meeting Beyonce than

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Speaker 1: meeting Valerie. Though. I think like my only in with

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Speaker 1: Valerie is that we were on the same network for

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Speaker 1: a few seasons. We were on, we were on. This

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Speaker 1: is how you. I think if you, if you use

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Speaker 1: your agent um to call Valerie's agent and just write

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Speaker 1: a very sweet note saying, because of the baking show,

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Speaker 1: my daughter is obsessed. And I'm sure you get other

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Speaker 1: parents saying this, but is there any chance you'd consider

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Speaker 1: just doing a little video for her? There's no way

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Speaker 1: she's going to say no to you. Well, I don't know,

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Speaker 1: I love her, you know, my daughter really loves her. Yeah,

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Speaker 1: you could even say that you love her and you

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Speaker 1: grew up watching her. And you know, I don't want

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Speaker 1: to say I grew up anytime somebody says I grew

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Speaker 1: up watching you. I got a problem with that. For

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Speaker 1: some reason, why people say that to us all the time. Yeah,

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Speaker 1: I got a problem with I got a problem with

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Speaker 1: him thinking that I'm an old as motherfucker. I'm not old, Okay,

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Speaker 1: I am young. I had this funny moment. The kids

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Speaker 1: in my movie Cheaper by the Dozen. They you know,

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Speaker 1: they're they're too young to even no scrubs. But like

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Speaker 1: I blew their minds when I told them I was

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Speaker 1: checking little, like I saw I put the video on Instagram.

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Speaker 1: They're little. I was just one of them. Their their

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Speaker 1: minds were like, all of a sudden, I went I

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Speaker 1: became exponentially cooler to that because I was the voice

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Speaker 1: of Chicken Little. I love that. That's great though, man.

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Speaker 1: But so yeah, I mean, you know, we're not on

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Speaker 1: You know some of these kids. You know the fact

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Speaker 1: that Wilder is a Valerie Burton elly fan is adorable

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Speaker 1: and funny because you know, I mean that that lady

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Speaker 1: has a hustle. I'm gonna tell you that right now. Man,

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Speaker 1: she went from actress, producer, director, you know, in the

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Speaker 1: entertainment industry, and now she's a sincere cook, like she

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Speaker 1: can throw down in the kitchen Valley Burton Elly Cannon.

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Speaker 1: So you know, well, I think you can make it happen, dude,

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Speaker 1: if you really committed, I think you could. You could

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Speaker 1: place two well written emails and magic could happen. We'll see,

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Speaker 1: see Wilder. When is Wilder's birthday, because I'd probably have

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Speaker 1: to send a present. She's my god daughter. Right Friday,

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Speaker 1: the twenty third of April, Wilder turns three, Wildness. Also,

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Speaker 1: let me tell you this now. So here's the other thing.

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Speaker 1: Go ahead. I am loving my job. Yeah you are.

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Speaker 1: I'm gonna be so disappointed if this CW doesn't pick

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Speaker 1: up this show. That's what I'm about. That's what I'm

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Speaker 1: talking about. And this could be a possibility, this could

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Speaker 1: be I don't know, man. This is why I think

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Speaker 1: you've got a lot in your favor. Okay, there's a

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Speaker 1: lot of hype about the show. I've never been on

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Speaker 1: anything that You've got. Greg brand Lanny, who's possibly the

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Speaker 1: biggest show runner in TV. He's the biggest TV right

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Speaker 1: producer right now, if you ask me, no offense to Bill.

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Speaker 1: But I don't even know if Bill's listening. But um,

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Speaker 1: Greg Lanny is a powerhouse. I don't think Greg gets knows. Um,

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Speaker 1: So I think you're and everyone's you know, people are

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Speaker 1: talking about this. It's in the Joel, You're a pop

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Speaker 1: culture expert. Aren't people so excited about this? Yeah? Man, listen.

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Speaker 1: I listen to other podcasts of which I have no

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Speaker 1: relationship or association with, and it's so funny to hear

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Speaker 1: them talking like, yeah, Don's gonna play the Professor and

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Speaker 1: we're talking costumes and designs, and all my friends are

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Speaker 1: chatting about it. Everyone's real excited. I mean, PowerUP Girls.

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Speaker 1: It's been a main staple in the zeit guys for

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Speaker 1: over twenty years now, so to see it come to life,

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Speaker 1: I think it's exciting for people. Right. I'm gonna say

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Speaker 1: this to all the fans out there who are true

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Speaker 1: Powerpuff fans and everything. We're sticking to the OG series. Okay,

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Speaker 1: so everything that happened in the OG series is possible

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Speaker 1: could happen on our show. You know what I mean?

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Speaker 1: It's it's I I for one, like you know me

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Speaker 1: how it comes when it comes to reading scripts, I

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Speaker 1: don't necessarily do it all the time. I memorize my lines. Wow,

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Speaker 1: to the point where I can go do other things now,

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Speaker 1: like what do I have tomorrow? What time about to

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Speaker 1: be at work? Fine, I'll be there. I know exactly

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Speaker 1: what I need to do. Like, there's nothing that anyone

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Speaker 1: can do that'll throw me off in my work for

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Speaker 1: this job right now, like I am in it to

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Speaker 1: win it. Well, you've also you're also I think, newly

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Speaker 1: energized and excited by the jobs. So you're committed and

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Speaker 1: you're not phoning it in. You know, you're you're you're,

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Speaker 1: you're all in. Yeah, absolutely, man, it's it's a blast.

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Speaker 1: And my girls away, they're not picking it up. Girls, dude,

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Speaker 1: please don't jinx us. But yeah, the girls. I'm not

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Speaker 1: superstitious like that. I think that you have to manifest

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Speaker 1: it and say it's going to happen. In it. Put

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Speaker 1: it on the whiteboard, Put it on the whiteboard, Act

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Speaker 1: as if my stepmother would say, act as if, act

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Speaker 1: as if it's happening. I have be the person who

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Speaker 1: had already happened to so you're just living it. I

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Speaker 1: have very very high hopes, very very high hopes anyway,

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Speaker 1: and we're trying to make it look dope to like,

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Speaker 1: trying to make it be you know, the CW's most

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Speaker 1: in a lot of ways authentic to the girls, the

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Speaker 1: original Powerpuff Girls, and also the special effects, trying to

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Speaker 1: be as dope of special effects as we could possible. Well,

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Speaker 1: you sent me in a secret video that looked awesome.

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Speaker 1: I mean, even though you were just fucking around, it

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Speaker 1: looked awesome, and I was like, wow, that's I mean,

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Speaker 1: you must be you're like in heaven. This is like

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Speaker 1: your fucking dream situation. I mean, besides being in a

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Speaker 1: Star Wars thing, this is like your dream situation. Well,

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Speaker 1: the rector, Maggie, she's amazing. Diablo is amazing, Like the

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Speaker 1: girls are amazing, you know, the cast is amazing. I'm

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Speaker 1: just you know, I sound like an amazing geek right now. No,

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Speaker 1: you sound like a happy person. And you know what,

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Speaker 1: after a year of being a hermit in the pandemic,

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Speaker 1: it's in it wonderful and we should be so grateful

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Speaker 1: that we're able to go back to work and do

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Speaker 1: what we love. And I feel very grateful that I

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Speaker 1: get to be making cheaper by the dozen. I yeah,

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Speaker 1: but how's it going? I love it? Man, I'm the

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Speaker 1: same way. I mean, this is too good to be true.

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Speaker 1: I love these these kids are so cute and they're

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Speaker 1: so smart, and I just love I love working with them,

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Speaker 1: I love the director. Um it's it's a great script.

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Speaker 1: I just think, you know, I end the day when

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Speaker 1: we when we're done, you know, doing whatever scenes we

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Speaker 1: did the day going like this is just gonna be

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Speaker 1: so perfect for families. It's it's it's the ultimate thing

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Speaker 1: you can watch with your whole family, you know. I

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Speaker 1: know parents. I'm not a parent, but I know parents

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Speaker 1: are always looking for what's that thing that my kids

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Speaker 1: are gonna like that I can watch with them and

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Speaker 1: also enjoy. And I just feel proud that I think,

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Speaker 1: I think and I hope that this is going to

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Speaker 1: be that because I'm cracking up and and it's a

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Speaker 1: kids movie, you know, but um, but the kids are hilarious.

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Speaker 1: I mean, they spent a year looking for these children.

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Speaker 1: They the whole pandemic. She was director was searching all

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Speaker 1: across North America for these kids, and and they're so

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Speaker 1: talented and they cracked me up, and um, I love them.

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Speaker 1: There's there's the two that I want to adopt. All right.

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Speaker 1: I'm sure they have parents, so I don't know if

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Speaker 1: that's the past. Of course the parents are. I mean,

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Speaker 1: it's just the awesome it's streaming. It's it's too gonna

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Speaker 1: be true. By the way, I gotta say, because Clay

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Speaker 1: Aiken is in this episode, we're gonna do before we

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Speaker 1: get into the episode. Are you guys watching American Idol

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Speaker 1: this year? It is so good, like I've never watched

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Speaker 1: I haven't watched American Idol in years, but I don't

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Speaker 1: know if there's a new director or new producer. They

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Speaker 1: had to figure out how to do it without really

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Speaker 1: a much of an audience, so they in the redesign,

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Speaker 1: they built this beautiful set in the light being in

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Speaker 1: the camera work and the projections, like it's beautiful. And

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Speaker 1: then I don't remember ever watching American isiold where there's

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Speaker 1: like legit eight people that could win. I mean, really, okay, dude,

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Speaker 1: I'm telling you. Listen, Listener, listen, listener, listen, go back.

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Speaker 1: If you just want to wat this will air on Tuesday.

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Speaker 1: If you want to just want to start with last

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Speaker 1: week's episodes. I found them on Hulu. I mean, you

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Speaker 1: can't believe there's one sixteen year old girl who has

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Speaker 1: the sickest rock and roll voice and you're just you

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Speaker 1: cut to Lionel Ritchie with his jaw on the floor.

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Speaker 1: I mean, they are. There's so much talent and it's

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Speaker 1: just exciting to watch. I'm so invested because I love

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Speaker 1: watching talent that no one's discovered before. And there's just

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Speaker 1: some really really talented people and I'm really enjoying it.

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Speaker 1: So I highly recommend they have Lionel Richie Night where

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Speaker 1: they sing nothing but Lionel Richie songs. Maybe they will,

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Speaker 1: but he's actually a really good judge and mentor is

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Speaker 1: a good mentor. He doesn't really mentor them. I guess

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Speaker 1: he does mentor them. He gives them at the point

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Speaker 1: in the competition where they perform and you know America

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Speaker 1: is voting, but then the judges give them their tips.

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Speaker 1: You know. It's a much kindler, gentler version than the

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Speaker 1: Simon Cowell version, where which was funny, but this isn't

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Speaker 1: that isn't really the way anymore. And Simon was trying

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Speaker 1: to get Simon was trying to get that show number

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Speaker 1: one ratings, so he'd just say whatever he wanted to say. Well,

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Speaker 1: I mean I really liked that, actually, I thought even

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Speaker 1: though even even I thought he was funny. And but

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Speaker 1: I think in this kindler, gentler era, it's not really

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Speaker 1: what people want anymore. Um but but so they aren't

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Speaker 1: really criticizing so much as they're the cheerleaders, the coaches,

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Speaker 1: and they they'll say positive things they don't really say

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Speaker 1: at this point, they don't really say anything negative. Um

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Speaker 1: but it doesn't matter. It's just it's just it's just

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Speaker 1: I don't know, it's it's it's again. It's something like

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Speaker 1: Cheaper by the dozen that you can watch with your kids,

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Speaker 1: and um, it's so wholesome and I like, I literally cry.

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Speaker 1: I mean, it's just so you watch someone get up

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Speaker 1: there and kill it and it's just and they they

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Speaker 1: they this is the biggest moment of the life and

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Speaker 1: they kill it. It's just I'm happy for them. I

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Speaker 1: hear that. I gotta tell you, I am not watching

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Speaker 1: American Idol, but I'd love that you have found something

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Speaker 1: that is I'm telling you you'd like shows where people

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Speaker 1: who get their shot succeed. Absolutely. I'm one of those

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Speaker 1: people who loves to see people succeed when they're given

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Speaker 1: the opportunity. Right, well, I love that. This is my

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Speaker 1: pitch for American Idol. All right, we have Schae Serrano

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Speaker 1: on the show, which is very exciting to address the

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Speaker 1: out of order thing. For those of you that missed it,

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Speaker 1: the live show aired on Thursday. For those of you

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Speaker 1: who who weren't there, I hope you enjoyed it. And

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Speaker 1: now we're going a little bit more back out of

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Speaker 1: order as we do My life and four cameras because

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Speaker 1: we wanted to have Shae Serrano on for this one

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Speaker 1: because it's one of his favorites. And then here going forward,

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Speaker 1: we should be back in order, correct you, Well, that

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Speaker 1: is absolutely correct. All right, welling, So all of you

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Speaker 1: out there that are hating and are so annoyed by

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Speaker 1: us bumping and jumping around and stuff like that, your

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Speaker 1: wish has been granted. We are now back in order. Yeah,

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Speaker 1: I'm sure you'll find something else to hate. Yeah, Donald,

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Speaker 1: you just stop reading those comments, dude, the comments like, real, dude,

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Speaker 1: your life is too good to be getting upset by Instagram.

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Speaker 1: I just want sometimes I want that smoke though, you

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Speaker 1: know what I mean? Something I really don't want the smoke.

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Speaker 1: But sometimes I'm like smoke. Sometimes I got you know

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Speaker 1: what I mean? Sometimes I got that time. You know

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Speaker 1: what I mean? There are days where I got time.

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Speaker 1: You know what I'm saying. Listen, Every once in a while,

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Speaker 1: you need to remind me, and I need to remind

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Speaker 1: you that you cannot let one person comments on Instagram

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Speaker 1: upset you. Oh I don't let it upset me. I

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Speaker 1: just I just block them so they can't see what

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Speaker 1: but you said you got you got quote unquote all

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Speaker 1: smoked up or something. Yeah, No, I didn't get all

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Speaker 1: smoked up. I just had time that day. I had

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Speaker 1: time that day. You want they caught me sometimes, you know,

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Speaker 1: to catch me when I'm out and about with my kids.

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Speaker 1: You know, I don't really got time. But yesterday, pimp,

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Speaker 1: Pimp squiller, I had time for you know what I'm saying.

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Speaker 1: I want to say, Cashmius. How about that? No, I

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Speaker 1: don't want to say catch me outside because did you

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Speaker 1: run into people? And it's some people? Do you know?

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Speaker 1: When did I tell you? When we did it wasn't

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Speaker 1: family feud. When we were rehearsing um for Cheaper by

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Speaker 1: the dozen on the paramounts lot, I went to the restroom,

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Speaker 1: and all of a sudden, I went around a corner

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Speaker 1: and I was in the Doctor Phil hallway. I was

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Speaker 1: in the cashmi outside, how about that hallway? Get out here? Yeah.

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Speaker 1: I didn't know who to tell, but I was like, guys, guys,

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Speaker 1: to myself, how about that hallway? That girl made a career.

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Speaker 1: Doctor Phil gave that young lady a courage though she's

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Speaker 1: I mean, I just saw on something on the news

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Speaker 1: that she's coming back and saying, I guess they sent

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Speaker 1: her after the show to some troubled teen experience where

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Speaker 1: you go into a camp and they and they, you know,

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Speaker 1: tough love kind of thing, and she was saying that

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Speaker 1: it was a horrible experience and they were abusive. Um

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Speaker 1: and so so I just saw she's still she's still coming,

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Speaker 1: She's still on the major come up. Man, she definitely turned.

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Speaker 1: I would have gotten it wrong that the cashman I saw,

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Speaker 1: how about that girl would have a big music career,

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Speaker 1: But it sounds like she did it. Yeah, she did it.

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Speaker 1: Did so as a banger, we should get into the

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Speaker 1: She got a couple of them where I'm like, yeah,

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Speaker 1: she got a couple of them where I'm like, okay, girl,

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Speaker 1: all right, we should get into the show before we do.

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Speaker 1: Are you watching these TikTok videos I send you? Because

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Speaker 1: some of them, do you laugh? I don't know. You

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Speaker 1: don't know I laugh out loud. Some of them that

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Speaker 1: you send me are very uh provocative. I should say, well,

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Speaker 1: there's one that I don't understand. This woman that there's

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Speaker 1: a trend where they danced to this song. I'm gonna

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Speaker 1: stay it in a way that might be um be

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Speaker 1: appropriate in case your kids are on the car. The

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Speaker 1: song lyrics appear to be if we copulate whilst I'm

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Speaker 1: enjoying this percoset, I'm gonna do such a good job

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Speaker 1: that you your gonna tell you it will be quite lubricated.

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Speaker 1: Oh everyone know what this gend is? Oh no? And

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Speaker 1: then people are dancing to the song, yeah, as you do,

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Speaker 1: but like in in in their underwear. I send it

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Speaker 1: to Donald, I'm like, do I have the lyrics of

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Speaker 1: this song? Correct? This is what this singer is saying.

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Speaker 1: That's a all right, I'll send you the video. It's insane.

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Speaker 1: I don't know what you google, Daniel. You look like

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Speaker 1: you're about to google. I don't know, I am, I

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Speaker 1: don't know what you're gonna google. Google already ruined. So yeah,

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Speaker 1: you Google, but Google like um percocet TikTok song. It's

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Speaker 1: really bad for the children. All right, let's bring Shane.

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Speaker 1: Let's start the show. Send Donald about show we made

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Speaker 1: about nurses story never so yeado around here, yeado around

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Speaker 1: Where is that handsome Shae serround? Yeah give it. Welcome, welcome, welcomescome, dude.

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Speaker 1: We're so happy to have you back on. Man listen.

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Speaker 1: There have been other guests, but there have not been

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Speaker 1: any Chase serrounds. Well, you know, congratulations to you guys.

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Speaker 1: I keep seeing y'all's names pop up and all these

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Speaker 1: news articles with cool stuff happening in your careers. That's cool.

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Speaker 1: I'm telling people now, like y'all are my friends. I'm like,

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Speaker 1: sh I saw that you got a nice little uh

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Speaker 1: jersey from the San Antonio Spurs. But it came and

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Speaker 1: I popped up in a box and stuff like that

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Speaker 1: Spurs that's a and that's a that's an official jersey too, right, yeah, yeah, yeah.

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Speaker 1: My buddy works for the team or works with the team.

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Speaker 1: He does all of the media stuff and whatever whatever.

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Speaker 1: So when the new when they put out the Fiesta jerseys,

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Speaker 1: which we have been asking for for years. I hit

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Speaker 1: him up and I said, Hey, where do I buy

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Speaker 1: one of these? And he said, don't worry about it,

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Speaker 1: just check your mailbox in like six months while I

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Speaker 1: was in there, and then it was in there. It

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Speaker 1: took a while, but it got here and I love

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Speaker 1: it still. Man. They're not doing that well this year. Man,

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Speaker 1: that's okay. They're having a tough one. And you know,

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Speaker 1: I'm gonna tell you something. I love Damar DeRozan. I

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Speaker 1: think he needs a one punch though, you know what

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Speaker 1: I mean, Like he's a two now. He's not the

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Speaker 1: one anymore, you know what I mean. I feel like

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Speaker 1: I feel like I don't feel like he's I don't

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Speaker 1: feel like he's over the hill. But I feel like

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Speaker 1: in today's NBA he's better. He'll score more if he's

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Speaker 1: the second option and they don't focus on him as much,

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Speaker 1: you know what I mean. Like Lebron isn't necessarily the

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Speaker 1: one anymore. Ad is you know you know what I mean?

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Speaker 1: Working on it. We're working on it. Dejonte, Derek Lannie,

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Speaker 1: We're working on it. Killed. Yeah, you got some young talent.

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Speaker 1: I just wish I just wish that San Antonio would

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Speaker 1: make moves like they did back in that day. It

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Speaker 1: seems like, you know, I don't know. I think Pop

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Speaker 1: should stay around forever, and if Pop leaves, I think

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Speaker 1: Becky Hammond should be the first female coach, you know

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Speaker 1: what I mean? Like then Becky, Yeah, that's a that's

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Speaker 1: a that's a misconception though, Like the Spurs never were

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Speaker 1: like a marquee free agent place. LaMarcus was the first

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Speaker 1: time we got a big name like that, Tam Duncan,

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Speaker 1: because you guys got David Robinson got injured and you

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Speaker 1: guys came in last place, and then you got Tim

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Speaker 1: Duncan in the draft. That's Tim, Tony Manu yeah, Toni

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Speaker 1: and Manu uh. And then after that, yeah, you know,

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Speaker 1: you've gone to European They've gone to European route for

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Speaker 1: the most part, and LaMarcus Alders was their biggest pickup.

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Speaker 1: All right, Kawhi, But you had Kawhi too and you

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Speaker 1: let them go. I can only I can only humans

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00:19:55,040 --> 00:20:01,520
Speaker 1: myself for so long time, too much to be included.

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Speaker 1: I gave you your minute. I gave you your minute

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Speaker 1: of speaking in your secret tongues. Although you'll be happy

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Speaker 1: to know Shay that I am one degree of separation

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Speaker 1: from d Wade, who now owns the Utah Jazz. I

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Speaker 1: think it's safe to say that we are not friends yet,

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Speaker 1: but I have big plans for our friends soon enough.

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Speaker 1: It's coming out. Yes, um so, Shay, we wanted to

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Speaker 1: have you on because we always ask Shay listeners because

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Speaker 1: he is a wonderful writer and love Scrubs and always

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00:20:33,400 --> 00:20:36,800
Speaker 1: says the thing's way more articulate than Donald and I

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Speaker 1: and I always at the beginning of the season say Shay,

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Speaker 1: which episode of season of this season do you want

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Speaker 1: to come on? And he, without hesitation, said, my life

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Speaker 1: and four cameras. And it really is a special episode.

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Speaker 1: I gotta say, I didn't remember the specifics of it,

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Speaker 1: but it is so clever and well done and funny.

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Speaker 1: There's a lot of funny moments that's absolutely right. Each

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Speaker 1: time y'all invite me on, which, as you said, is

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Speaker 1: once this season, I try and pick an episode that

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Speaker 1: A I like a lot, and B maybe a little

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Speaker 1: more importantly, will let me talk about a specific piece

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Speaker 1: or two of greatness within Scrubs. You know something that

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Speaker 1: Scrubs did in a way that other shows either weren't

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Speaker 1: doing yet or couldn't do as well. So yeah, when

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Speaker 1: you hit me up and you asked, and I said, oh,

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Speaker 1: we're doing season four, it's got to be my life

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Speaker 1: in four cameras because that episode, that episode really has

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Speaker 1: two very wonderful parson it that I was hoping that

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Speaker 1: three of us could talk about Number one. Obviously, this

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Speaker 1: is the this is one of the high concept episodes

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Speaker 1: that Scrubs put out. I just want to explain to

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Speaker 1: people because I always find out there's some people that

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Speaker 1: aren't super clear on the distinction between single camera and

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Speaker 1: multi camera or four cameras in this case, So I

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Speaker 1: just want to just quickly delineate that for people. So

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Speaker 1: when you hear a traditional sitcom, the old school kind

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Speaker 1: like Friends or How I Met Your Mother's or Cheers,

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Speaker 1: their shot like a play. There's an audience, they have

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Speaker 1: four or so cameras, and it's like you're doing a

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Speaker 1: play in front of an audience. Um, and that's how

418
00:22:09,560 --> 00:22:12,720
Speaker 1: half hour comedies were always made up until a certain

419
00:22:12,800 --> 00:22:16,479
Speaker 1: point when the what's called the single camera comedy started

420
00:22:16,520 --> 00:22:20,040
Speaker 1: to come out. Um. And my earliest from which is

421
00:22:20,040 --> 00:22:21,680
Speaker 1: not in front of lives, he shot like a movie

422
00:22:21,800 --> 00:22:25,679
Speaker 1: like Scrubs. Um. My earliest memory was one called um

423
00:22:27,200 --> 00:22:30,120
Speaker 1: what was the one? Um? Uh? The I was about

424
00:22:30,160 --> 00:22:32,800
Speaker 1: a kid um in high school. No, Wonder Years was

425
00:22:32,880 --> 00:22:36,240
Speaker 1: a very early one. But before Lewis Can't Lose? Do

426
00:22:36,280 --> 00:22:37,960
Speaker 1: you remember that show? I never watched it, but it

427
00:22:38,000 --> 00:22:43,200
Speaker 1: was Did you ever watch that, Shay? I did not? Yeah,

428
00:22:43,880 --> 00:22:45,920
Speaker 1: just in my memory as a as a TV lover,

429
00:22:46,080 --> 00:22:50,280
Speaker 1: it was. It was the start of Marca Lewis Can't Lose? Okay,

430
00:22:50,320 --> 00:22:52,560
Speaker 1: that was the first comedy I remembered that wasn't like

431
00:22:52,640 --> 00:22:54,760
Speaker 1: shot in front of a live audience. And then Wonder

432
00:22:54,840 --> 00:22:57,639
Speaker 1: Years was you know, a dramedy comedy. But um, but

433
00:22:57,800 --> 00:23:00,560
Speaker 1: again breaking the mold of of what that half hour

434
00:23:00,600 --> 00:23:04,280
Speaker 1: it could be. Alan mcbel Yeah, Ali mcpeel may have

435
00:23:04,320 --> 00:23:07,480
Speaker 1: been an hour show, right, I don't remember, Not that

436
00:23:07,600 --> 00:23:10,879
Speaker 1: it matters, but um but anyway, So so there you go.

437
00:23:11,000 --> 00:23:13,639
Speaker 1: That's that's just the rough difference. And you know the

438
00:23:13,720 --> 00:23:16,840
Speaker 1: sitcom is is is it even more heightened reality because

439
00:23:16,920 --> 00:23:19,600
Speaker 1: you're pausing for laughs And as we all know, sometimes

440
00:23:19,640 --> 00:23:23,120
Speaker 1: people kiss and the audience goes ooh, and then someone

441
00:23:23,240 --> 00:23:25,800
Speaker 1: comes in and they applause. They have entrance applause, and

442
00:23:26,240 --> 00:23:28,880
Speaker 1: it's like seeing a comedic play. Yes, Donald, I gotta

443
00:23:28,920 --> 00:23:31,600
Speaker 1: go back, though. I think I think we're missing a

444
00:23:31,760 --> 00:23:34,760
Speaker 1: lot of sitcoms that were single cam from back in

445
00:23:34,840 --> 00:23:40,399
Speaker 1: a day, like Mash, Gilligan's Island. Uh, those were all

446
00:23:40,520 --> 00:23:46,240
Speaker 1: single camera shows shot right now now. Donald's talking about

447
00:23:46,280 --> 00:23:48,440
Speaker 1: a bit of a hybrid. If you like Ganja, you know,

448
00:23:48,560 --> 00:23:53,679
Speaker 1: there's Sativa Indica, and then there's hybrids. Um, there are

449
00:23:53,800 --> 00:23:58,920
Speaker 1: hybrids like Mash and where they had a laugh track,

450
00:23:59,119 --> 00:24:01,720
Speaker 1: I think some man Actually they tried doing an audience

451
00:24:01,760 --> 00:24:03,479
Speaker 1: that for some reason, I know this tidbit, and then

452
00:24:03,840 --> 00:24:06,280
Speaker 1: they went back and forth and then they shot it

453
00:24:06,440 --> 00:24:08,600
Speaker 1: like a single camera show, but added the laugh track

454
00:24:08,680 --> 00:24:12,119
Speaker 1: because the audience back in the day sort of was

455
00:24:12,320 --> 00:24:14,720
Speaker 1: used to the style of where is the laugh? The

456
00:24:14,800 --> 00:24:17,040
Speaker 1: laugh tells us when to laugh? In so many words,

457
00:24:17,480 --> 00:24:22,760
Speaker 1: interesting tidbit about Mash, Donald Shit, Joel Daniel. They didn't

458
00:24:22,800 --> 00:24:26,560
Speaker 1: have the laugh track whenever they were in surgery. Did

459
00:24:26,600 --> 00:24:28,200
Speaker 1: you know that? I did not know. If you go

460
00:24:28,320 --> 00:24:30,280
Speaker 1: back and watch Mash, they have a laugh track now,

461
00:24:30,320 --> 00:24:32,720
Speaker 1: a laugh track again for those of you who is

462
00:24:32,760 --> 00:24:36,880
Speaker 1: just fake laughter. It m shows like like Mash would

463
00:24:36,880 --> 00:24:38,520
Speaker 1: have a laugh track, even though they weren't from an audience.

464
00:24:38,560 --> 00:24:42,600
Speaker 1: Or Gilligan's Island example a good example. Donald certain shows

465
00:24:42,640 --> 00:24:45,200
Speaker 1: are still sitcoms, but they just never brought bringing an audience.

466
00:24:45,359 --> 00:24:49,520
Speaker 1: I remember an alf being an example because spoilers, Alf

467
00:24:49,640 --> 00:24:52,480
Speaker 1: isn't real. He's a puppet and pretty hard to have

468
00:24:52,560 --> 00:25:00,280
Speaker 1: an audience. Sorry, Daniel Danel Alf was a puppet Alf. Yeah.

469
00:25:00,280 --> 00:25:03,240
Speaker 1: We always talk about Max right hating alf. I love that. Oh,

470
00:25:04,440 --> 00:25:07,119
Speaker 1: there's something special about Max Wright, the father who played

471
00:25:07,240 --> 00:25:14,800
Speaker 1: in the family hating Alfry. So now that we have

472
00:25:14,880 --> 00:25:17,720
Speaker 1: the clear delineations and this this episode is meant to

473
00:25:17,760 --> 00:25:22,280
Speaker 1: be an homage to the four camera sitcom Shay continue. Sorry. So,

474
00:25:22,680 --> 00:25:25,280
Speaker 1: so this is one of the first This is one

475
00:25:25,320 --> 00:25:28,399
Speaker 1: of the high concept episodes that y'all did, and in fact,

476
00:25:28,800 --> 00:25:31,199
Speaker 1: this is like the first big one, which is part

477
00:25:31,240 --> 00:25:32,600
Speaker 1: of the reason it was so impactful. You have this

478
00:25:32,680 --> 00:25:35,080
Speaker 1: one in season four, you have a Wizard of Oz

479
00:25:35,240 --> 00:25:38,200
Speaker 1: in season five, the musical in season six, Fairytal in

480
00:25:38,240 --> 00:25:41,320
Speaker 1: season seven, Sesame Street in season eight. Hadn't happened before

481
00:25:41,400 --> 00:25:43,359
Speaker 1: this one, like, not on this scale, and then it

482
00:25:43,440 --> 00:25:47,119
Speaker 1: happened in every season afterward. So this episode is a

483
00:25:47,400 --> 00:25:50,040
Speaker 1: is a legacy marker, really, and beyond that, it's just

484
00:25:50,160 --> 00:25:53,160
Speaker 1: an extremely good episode. You took all of the stuff

485
00:25:53,200 --> 00:25:57,399
Speaker 1: that Scrubs normally did, the jokes, the twists, the thing

486
00:25:57,440 --> 00:25:59,800
Speaker 1: where you make everyone feel safe and happy, and then

487
00:25:59,840 --> 00:26:03,360
Speaker 1: you drop a fucking four hundred pound anvil of sadness

488
00:26:03,600 --> 00:26:05,520
Speaker 1: on my head. Like you took all of that and

489
00:26:05,640 --> 00:26:09,159
Speaker 1: you turned it into this multicam sitcom and the crazy

490
00:26:09,240 --> 00:26:12,440
Speaker 1: thing is like rewatching it even now. It never felt

491
00:26:12,480 --> 00:26:15,160
Speaker 1: like y'all were doing it in a mean spirited way.

492
00:26:15,240 --> 00:26:18,320
Speaker 1: It was never like our show is better than these shows. Right,

493
00:26:18,680 --> 00:26:20,920
Speaker 1: that's all said. Well, you know that's well said shape

494
00:26:20,920 --> 00:26:24,760
Speaker 1: because you know, Bill Lawrence came up and sitcoms. He

495
00:26:24,840 --> 00:26:27,879
Speaker 1: loves sitcoms. He still makes it comes um that he's

496
00:26:27,880 --> 00:26:30,000
Speaker 1: got it. He's got a new one coming out ahead

497
00:26:30,040 --> 00:26:32,720
Speaker 1: of the Class remake coming out. So so he was

498
00:26:32,840 --> 00:26:35,000
Speaker 1: never like, oh, let's make fun of these our show

499
00:26:35,119 --> 00:26:38,200
Speaker 1: is better. The attitude was like, obviously, we're we're we're

500
00:26:38,320 --> 00:26:40,879
Speaker 1: laughing with it because they are heightened and they are silly.

501
00:26:40,960 --> 00:26:44,160
Speaker 1: The whole entrance applause, the whole uh you know, audience

502
00:26:44,240 --> 00:26:46,840
Speaker 1: going oh all that stuff. But but by the way,

503
00:26:47,119 --> 00:26:50,280
Speaker 1: in rewatching this sitcom version of this, I still found

504
00:26:50,320 --> 00:26:53,240
Speaker 1: it very funny. I mean I was laughing, not I

505
00:26:53,400 --> 00:26:55,560
Speaker 1: was laughing genuinely, not just at it, you know what

506
00:26:55,600 --> 00:26:58,200
Speaker 1: I mean? Yeah, yeah, yeah, it felt It felt to

507
00:26:58,320 --> 00:27:02,399
Speaker 1: me like like when you watched Scream. You remember going

508
00:27:02,440 --> 00:27:05,240
Speaker 1: to the theater and watching Scream, and when you left

509
00:27:05,320 --> 00:27:08,560
Speaker 1: you were like, man, whoever made that movie fucking loved

510
00:27:08,640 --> 00:27:11,680
Speaker 1: horror movies like love And that's what That's what this

511
00:27:11,840 --> 00:27:14,479
Speaker 1: feels like. Here felt like a bunch of people said, hey,

512
00:27:14,560 --> 00:27:16,240
Speaker 1: you know what, I want to write a love letter

513
00:27:16,280 --> 00:27:18,840
Speaker 1: to the sitcoms that I grew up watching. That meant

514
00:27:18,880 --> 00:27:21,520
Speaker 1: a lot to me. Let's do that. And then y'all

515
00:27:21,560 --> 00:27:25,000
Speaker 1: made this episode. So there's that piece of it, the

516
00:27:25,119 --> 00:27:28,840
Speaker 1: sort of obvious piece. The second part this is this

517
00:27:29,080 --> 00:27:32,720
Speaker 1: is a really great Turk and Carla relationship episode. I

518
00:27:32,800 --> 00:27:35,800
Speaker 1: absolutely agree with you. Yes, right, I think I think

519
00:27:35,840 --> 00:27:38,160
Speaker 1: I may have mentioned this before. I know I've written

520
00:27:38,200 --> 00:27:39,560
Speaker 1: it before. I can't remember if we talked about it

521
00:27:39,640 --> 00:27:41,840
Speaker 1: on here or not, But Turk and Carla are my

522
00:27:41,920 --> 00:27:44,959
Speaker 1: favorite TV couple that's ever been. They're they're higher up

523
00:27:45,000 --> 00:27:48,560
Speaker 1: on the list than than Jim and Pam, than from

524
00:27:48,600 --> 00:27:51,840
Speaker 1: the Office than Drey and Rainbow from Blackish Korean to

525
00:27:51,920 --> 00:27:54,879
Speaker 1: Panga Boy meets World, Jake and Amy and Brooklyn nine

526
00:27:54,920 --> 00:27:57,200
Speaker 1: and nine whoever like David and Patrick and Shitt's Creek

527
00:27:58,200 --> 00:28:04,600
Speaker 1: uncle Phil and both of the on vivs that relationship. Yeah, yeah,

528
00:28:04,920 --> 00:28:07,800
Speaker 1: Uncle Phil might be my favorite father figure for sure,

529
00:28:08,240 --> 00:28:12,520
Speaker 1: for sure. Yeah, and and the you go into i mean,

530
00:28:12,680 --> 00:28:14,800
Speaker 1: just speak to a minute, why what what resonates for

531
00:28:14,920 --> 00:28:17,640
Speaker 1: you as a lover of TV comedy so much about

532
00:28:17,680 --> 00:28:20,520
Speaker 1: that couple? You know what it is? They just do

533
00:28:20,800 --> 00:28:22,520
Speaker 1: such a good job. I'm going to say they like

534
00:28:22,520 --> 00:28:24,960
Speaker 1: I'm talking about Turk like it's a different person than

535
00:28:25,040 --> 00:28:28,119
Speaker 1: Donald's because it's just easier for me to absolutely they do.

536
00:28:28,240 --> 00:28:31,840
Speaker 1: They do such a good job of showing how relationships

537
00:28:31,960 --> 00:28:34,600
Speaker 1: are a supposed to be a little bit bumpy and

538
00:28:34,840 --> 00:28:37,960
Speaker 1: b how that bumpiness is precisely how you know a

539
00:28:38,000 --> 00:28:40,840
Speaker 1: couple is supposed to be together and that they're in love.

540
00:28:40,920 --> 00:28:43,440
Speaker 1: Because with Turk and Carlo, no matter what happens, when

541
00:28:43,480 --> 00:28:45,200
Speaker 1: we get to that inflection point, when we get to

542
00:28:45,280 --> 00:28:48,320
Speaker 1: one of those moments where one of them really has

543
00:28:48,360 --> 00:28:51,200
Speaker 1: to show up for the other one, they they always

544
00:28:51,280 --> 00:28:53,960
Speaker 1: come through and it's really hard to do that on

545
00:28:54,080 --> 00:28:57,120
Speaker 1: a show in a way that feels real, because you

546
00:28:57,200 --> 00:28:59,840
Speaker 1: can't just write the words on the page, like you

547
00:29:00,120 --> 00:29:02,880
Speaker 1: need two actors who can be warm with one another

548
00:29:03,280 --> 00:29:05,920
Speaker 1: and vulnerable with one another and funny with one another.

549
00:29:06,200 --> 00:29:08,480
Speaker 1: Like a lot of times, if two characters are in

550
00:29:08,560 --> 00:29:11,000
Speaker 1: a relationship on a TV show and they get into

551
00:29:11,000 --> 00:29:12,520
Speaker 1: an argument or a fight, or they have a stretch

552
00:29:12,600 --> 00:29:14,560
Speaker 1: where it's supposed to be they're supposed to be struggling

553
00:29:14,880 --> 00:29:17,480
Speaker 1: when the audience is watching it, it starts to feel like, man,

554
00:29:18,040 --> 00:29:20,520
Speaker 1: y'all should just just break up already, this isn't worth it.

555
00:29:20,880 --> 00:29:23,640
Speaker 1: And it never feels like that With Turk and Carla.

556
00:29:23,640 --> 00:29:26,320
Speaker 1: It always feels like they're headed in the right direction.

557
00:29:26,400 --> 00:29:30,000
Speaker 1: You know. Any argument that they have or disagreement or

558
00:29:30,040 --> 00:29:33,280
Speaker 1: fight is like a disguise. It's a chance for them

559
00:29:33,320 --> 00:29:35,280
Speaker 1: to get to know something else about the other person,

560
00:29:35,520 --> 00:29:39,760
Speaker 1: to become closer with that other person. I think my

561
00:29:39,920 --> 00:29:44,360
Speaker 1: favorite favorite overall moment actually happens a couple of episodes

562
00:29:44,400 --> 00:29:46,680
Speaker 1: after this one, when Carlo goes to visit her mom's

563
00:29:46,720 --> 00:29:48,920
Speaker 1: grave site and Turk and Carlo by this point, I've

564
00:29:48,920 --> 00:29:50,920
Speaker 1: been in a respot for a bit and Turk shows

565
00:29:50,960 --> 00:29:52,720
Speaker 1: up at the end and he tries to reconcile with

566
00:29:52,840 --> 00:29:55,640
Speaker 1: her and she's like I'm not ready, like not yet,

567
00:29:56,080 --> 00:29:57,880
Speaker 1: and he's just you see him beat up about it.

568
00:29:57,960 --> 00:30:00,160
Speaker 1: He's like okay, and he gets ready to leave and

569
00:30:00,320 --> 00:30:01,960
Speaker 1: she's like, wait, can you just sit with me for

570
00:30:02,000 --> 00:30:04,680
Speaker 1: a minute? And he stays and like that little moment.

571
00:30:04,800 --> 00:30:07,719
Speaker 1: This is twenty five thirty seconds, but you see them

572
00:30:07,800 --> 00:30:11,240
Speaker 1: go through so many different, like real life emotions. It

573
00:30:11,400 --> 00:30:14,560
Speaker 1: just feels like you're watching an actual, real relationship on TV.

574
00:30:14,920 --> 00:30:18,160
Speaker 1: And it's great. It's it's it's it's wonderful. You know,

575
00:30:18,320 --> 00:30:22,239
Speaker 1: Shay I wrote in this episode, uh for this one. Uh,

576
00:30:22,520 --> 00:30:26,520
Speaker 1: Carla and Turk crush cute in this episode, Like absolutely

577
00:30:26,560 --> 00:30:30,240
Speaker 1: even know they're having a hard time with their relationship.

578
00:30:30,400 --> 00:30:34,320
Speaker 1: They're so fucking cute. Her being jealous of j D

579
00:30:34,760 --> 00:30:39,520
Speaker 1: and his and his Jungle Fever relationship, are licking him, him,

580
00:30:39,640 --> 00:30:43,440
Speaker 1: singing him, singing, uh, the Sam Fond and Sun theme song,

581
00:30:43,920 --> 00:30:47,200
Speaker 1: the arm wrestling, and then when they decide, Joe, you

582
00:30:47,280 --> 00:30:51,479
Speaker 1: know what, let's kiss three times a day. And then

583
00:30:51,480 --> 00:30:53,880
Speaker 1: when they do it the first time right here, let's

584
00:30:54,000 --> 00:30:58,040
Speaker 1: let's make this. You know, they're just so cute. Uh

585
00:30:58,320 --> 00:31:01,840
Speaker 1: and and and you're what they go through at the

586
00:31:02,000 --> 00:31:04,080
Speaker 1: end of it. You never feel like they're going to

587
00:31:04,160 --> 00:31:06,400
Speaker 1: break up. You feel more like, oh, wow, they went

588
00:31:06,440 --> 00:31:10,120
Speaker 1: through a journey together exactly and they figured something out. Well.

589
00:31:10,200 --> 00:31:12,480
Speaker 1: That's what I think I really like about what Chase

590
00:31:12,560 --> 00:31:16,200
Speaker 1: said too, is that it isn't like, for dramatic TV

591
00:31:16,320 --> 00:31:18,400
Speaker 1: show reasons, we're going to always have you feel like

592
00:31:18,480 --> 00:31:21,040
Speaker 1: they're on the edge of a breaking up. It's a

593
00:31:21,120 --> 00:31:24,360
Speaker 1: real reality thing for a couple, especially a newly wed

594
00:31:24,600 --> 00:31:29,360
Speaker 1: couple settling into the reality of being in a lifelong

595
00:31:29,440 --> 00:31:31,880
Speaker 1: commitment with each other and then watching JD with some

596
00:31:32,440 --> 00:31:35,080
Speaker 1: you know, in the puppy dog phase of a relationship

597
00:31:35,160 --> 00:31:38,160
Speaker 1: where he's just like, we're we're racing to kiss each other,

598
00:31:38,600 --> 00:31:41,320
Speaker 1: you know, every day, and how that lands with a

599
00:31:41,400 --> 00:31:44,000
Speaker 1: couple that's kind of like, oh, is there something wrong

600
00:31:44,040 --> 00:31:46,360
Speaker 1: with us that we're not doing that anymore? And all

601
00:31:46,560 --> 00:31:48,120
Speaker 1: the things that are very real and I think all

602
00:31:48,160 --> 00:31:50,440
Speaker 1: people can relate to but but but done in in

603
00:31:50,520 --> 00:31:52,560
Speaker 1: a TV comedy way. But I think that's right. It's

604
00:31:52,920 --> 00:31:57,800
Speaker 1: it feels very relatable to people. And what's really what's

605
00:31:57,800 --> 00:31:59,959
Speaker 1: really impressive about the performance in this episode I think

606
00:32:00,280 --> 00:32:02,400
Speaker 1: is we watch them do two different versions of it.

607
00:32:02,720 --> 00:32:05,160
Speaker 1: We watched them do the serious one. They have that

608
00:32:05,360 --> 00:32:07,920
Speaker 1: that really great moment. Again, it's a fast it's like

609
00:32:08,040 --> 00:32:10,280
Speaker 1: three seconds there on screen, but they're sitting on the

610
00:32:10,360 --> 00:32:12,760
Speaker 1: couch and they don't say anything and he just reaches

611
00:32:12,800 --> 00:32:14,880
Speaker 1: his hand out and she puts her hand in his,

612
00:32:15,480 --> 00:32:18,240
Speaker 1: and it's like, like, I've done that exact thing. You

613
00:32:18,320 --> 00:32:21,080
Speaker 1: don't know what to say. All that you wanted, all

614
00:32:21,120 --> 00:32:22,200
Speaker 1: that you know is you need to let the other

615
00:32:22,240 --> 00:32:24,760
Speaker 1: person know, I'm we're in this together. Like, so you

616
00:32:24,840 --> 00:32:26,840
Speaker 1: have them doing that, but then you also have them

617
00:32:26,920 --> 00:32:29,880
Speaker 1: doing the like hokey, silly version of it in the

618
00:32:30,040 --> 00:32:33,480
Speaker 1: sitcom itself, they're doing both of them at the same time.

619
00:32:34,200 --> 00:32:37,080
Speaker 1: It's great. And like the start of the episode when

620
00:32:37,120 --> 00:32:39,160
Speaker 1: you have Turk singing the Sanford ands On song, Yeah,

621
00:32:39,280 --> 00:32:43,160
Speaker 1: let's get it, let's start, let's start, let's start. Nope,

622
00:32:43,280 --> 00:32:46,080
Speaker 1: I don't think anybody on the show is better at

623
00:32:46,120 --> 00:32:49,080
Speaker 1: being funny and a tiny amount of space than Turk is. Like,

624
00:32:49,160 --> 00:32:52,800
Speaker 1: he has an extremely high player efficiency rating. We're gonna

625
00:32:52,800 --> 00:32:57,080
Speaker 1: go back to basketball, like the average the average, Yeah,

626
00:32:57,160 --> 00:33:00,200
Speaker 1: the average player efficiency rating the NBA is like fifteen,

627
00:33:00,760 --> 00:33:02,680
Speaker 1: Turk is up there in the twenty five, twenty six,

628
00:33:02,720 --> 00:33:06,160
Speaker 1: twenty seven range with with MJ and Lebron and Shack

629
00:33:06,240 --> 00:33:11,840
Speaker 1: and Wilt like he needs this much spaces up there,

630
00:33:12,080 --> 00:33:16,479
Speaker 1: wights up there trying to get in my smart I. Uh.

631
00:33:16,920 --> 00:33:19,880
Speaker 1: I loved the fact that Turk was a huge Sandford

632
00:33:19,920 --> 00:33:22,920
Speaker 1: and Sun fan, because a lot of my comedy comes

633
00:33:23,000 --> 00:33:26,520
Speaker 1: from Red Fox and stuff. You know, he he probably

634
00:33:27,360 --> 00:33:31,440
Speaker 1: he's the king, right, It was him, then Richard, then Eddie,

635
00:33:31,840 --> 00:33:34,720
Speaker 1: and then you know what I mean, George, and then

636
00:33:34,920 --> 00:33:37,360
Speaker 1: you know, uh and then now we have a bunch

637
00:33:37,440 --> 00:33:44,160
Speaker 1: of people who pretty much copy those those uh four George, Eddie,

638
00:33:45,560 --> 00:33:48,120
Speaker 1: Richard and Red you know what I'm saying, And so

639
00:33:48,400 --> 00:33:50,360
Speaker 1: I love it. In the beginning of this episode, we're

640
00:33:50,400 --> 00:33:54,440
Speaker 1: clearly setting up, um the love of sitcoms that we have,

641
00:33:54,760 --> 00:33:59,160
Speaker 1: and it's very meta because we're we're we're a comedic

642
00:33:59,240 --> 00:34:02,440
Speaker 1: show that people watch to be cheered up and to

643
00:34:03,360 --> 00:34:06,720
Speaker 1: take their mind off things and to have a source

644
00:34:06,800 --> 00:34:09,920
Speaker 1: of humor when when they need cheering up. And the

645
00:34:10,040 --> 00:34:13,640
Speaker 1: episode starts with us so excited to gather around and

646
00:34:13,800 --> 00:34:16,680
Speaker 1: watch Sandford and the Sun, and then it's book ended

647
00:34:16,760 --> 00:34:20,160
Speaker 1: really beautifully after the end of this, you know, act

648
00:34:20,280 --> 00:34:24,319
Speaker 1: long fantasy with j D after such a stressful day

649
00:34:25,040 --> 00:34:29,480
Speaker 1: getting comfort from watching from comedy. So it's very, very,

650
00:34:29,680 --> 00:34:32,640
Speaker 1: very meta because you know, people told us over the years.

651
00:34:33,800 --> 00:34:37,200
Speaker 1: Every day Donald and I get messages about how this

652
00:34:37,400 --> 00:34:40,640
Speaker 1: show helped them through difficult times in their life. And

653
00:34:41,560 --> 00:34:43,520
Speaker 1: I mean I've had people say it saved their lives.

654
00:34:43,600 --> 00:34:45,160
Speaker 1: They were just they were down in the dumps and

655
00:34:45,239 --> 00:34:47,759
Speaker 1: they just binge Scrubs and it and it cheered them up.

656
00:34:47,800 --> 00:34:49,800
Speaker 1: And of course that means so much to us. But

657
00:34:49,840 --> 00:34:52,520
Speaker 1: I was very moved at the end that the show

658
00:34:52,640 --> 00:34:54,879
Speaker 1: sort of in a very meta way ends with JD

659
00:34:55,120 --> 00:34:58,040
Speaker 1: needing to be cheered up and he's comforted by TV comedy,

660
00:34:58,200 --> 00:35:02,839
Speaker 1: just like Scrubs is for other people. Bo Yeah, I well,

661
00:35:03,200 --> 00:35:05,160
Speaker 1: you know, I think we all have that in us.

662
00:35:05,800 --> 00:35:08,440
Speaker 1: There's something that you grew up on. I know, I

663
00:35:08,560 --> 00:35:11,200
Speaker 1: know it. There's something on television that you grew up

664
00:35:11,280 --> 00:35:15,600
Speaker 1: on that makes that made you feel comfortable no matter

665
00:35:15,760 --> 00:35:18,239
Speaker 1: what you know, and you find it as adults now

666
00:35:18,320 --> 00:35:21,680
Speaker 1: like Zach, you're really into documentaries now this is your

667
00:35:21,719 --> 00:35:24,279
Speaker 1: comfort food. My wife is into forty eight hours and

668
00:35:24,440 --> 00:35:26,000
Speaker 1: freaking the next you know, what I mean. Your wife

669
00:35:26,080 --> 00:35:28,399
Speaker 1: is texting me being like, I'm out of true crime docs.

670
00:35:28,440 --> 00:35:32,600
Speaker 1: What you got right? I'm serious, Like, it's there's a

671
00:35:32,719 --> 00:35:36,920
Speaker 1: comfort in finding your niche, your niche on television, you know,

672
00:35:37,080 --> 00:35:40,200
Speaker 1: whatever it is that you watch. There's comfort in knowing, well,

673
00:35:40,239 --> 00:35:42,080
Speaker 1: you know what, I had a stressful day, but I

674
00:35:42,160 --> 00:35:45,719
Speaker 1: can unwind and watch what I love. Yeah, you know,

675
00:35:45,920 --> 00:35:48,839
Speaker 1: you know it's wild is that. I'm I'm gonna bet

676
00:35:48,920 --> 00:35:52,560
Speaker 1: that everybody who goes and turns on this podcast to

677
00:35:52,640 --> 00:35:54,800
Speaker 1: listen to this thing like Scrubs is a show that

678
00:35:54,920 --> 00:35:56,680
Speaker 1: does that for them. I know That's how it is

679
00:35:56,719 --> 00:35:59,080
Speaker 1: for me. Like after a tough week, I'm like, man,

680
00:35:59,200 --> 00:36:01,879
Speaker 1: let me watch like six episodes of Scrubs and fall

681
00:36:01,920 --> 00:36:03,680
Speaker 1: asleep on the couch, and that's gonna make me just

682
00:36:04,280 --> 00:36:07,240
Speaker 1: feel better. You know that makes me so happy, especially,

683
00:36:07,280 --> 00:36:09,320
Speaker 1: I mean, I love we love hearing that from anyone,

684
00:36:09,440 --> 00:36:13,120
Speaker 1: but from someone like you who really knows television and

685
00:36:13,239 --> 00:36:16,720
Speaker 1: really knows TV comedy. Um, that makes us feel extra special.

686
00:36:17,120 --> 00:36:20,080
Speaker 1: So let's just dive in. Um, I laughed out loud. Donald.

687
00:36:20,080 --> 00:36:21,839
Speaker 1: Do you remember the first of all, when you sing

688
00:36:21,960 --> 00:36:25,000
Speaker 1: the Sanford and Sun song with your own lyrics? Was

689
00:36:25,080 --> 00:36:28,080
Speaker 1: that was that written? Or did you make that up? A? Okay,

690
00:36:28,120 --> 00:36:31,439
Speaker 1: so Bill made Bill made up the song? Right, Bill

691
00:36:31,520 --> 00:36:35,759
Speaker 1: made up? Buy it down? Now it is time to

692
00:36:35,920 --> 00:36:40,400
Speaker 1: watch the show. Yes, it started don't be licking me

693
00:36:40,600 --> 00:36:43,279
Speaker 1: no More? And then I made up mad of fact,

694
00:36:43,360 --> 00:36:49,799
Speaker 1: could you get me a handy? Why it's so funny? Now?

695
00:36:49,880 --> 00:36:51,920
Speaker 1: Did you have did they? I was just wondering you

696
00:36:52,000 --> 00:36:54,279
Speaker 1: probably not gonna remember, but like, did you did they

697
00:36:54,320 --> 00:36:56,279
Speaker 1: play you the song? Because you're singing it in the

698
00:36:56,480 --> 00:37:00,560
Speaker 1: key perfectly and we didn't have it on set, so

699
00:37:00,680 --> 00:37:05,640
Speaker 1: I'm sure I went back and redid it in post.

700
00:37:06,239 --> 00:37:08,040
Speaker 1: You wouldn't have been able to because your lips. I mean,

701
00:37:08,200 --> 00:37:10,959
Speaker 1: while you're saying the key, you think the key? Yeah,

702
00:37:11,320 --> 00:37:14,120
Speaker 1: because I just was impressed that you you're singing an acapella.

703
00:37:14,320 --> 00:37:17,560
Speaker 1: But then your tempo and the key are the exact

704
00:37:17,719 --> 00:37:20,160
Speaker 1: right thing for the melody. Well, you could change the

705
00:37:20,200 --> 00:37:27,319
Speaker 1: tempo easily, but you can, and you can change. Maybe

706
00:37:27,360 --> 00:37:29,520
Speaker 1: we just know that song so well that you just

707
00:37:29,640 --> 00:37:33,359
Speaker 1: can find the key. Yeah, you know, I, like I said,

708
00:37:33,440 --> 00:37:35,800
Speaker 1: one of my favorites. It's very funny. You made me

709
00:37:35,880 --> 00:37:39,120
Speaker 1: laugh and um, matter of fact, can you get me

710
00:37:39,160 --> 00:37:42,120
Speaker 1: a handy? Wipe. Now, I think of all the memes

711
00:37:42,200 --> 00:37:44,640
Speaker 1: and gifts that get sent to Donald and I on

712
00:37:44,800 --> 00:37:46,799
Speaker 1: social media and that I see on the web. One

713
00:37:46,840 --> 00:37:50,280
Speaker 1: of the most common of all is the arm wrestling bit. Okay,

714
00:37:50,360 --> 00:37:52,880
Speaker 1: now this this was ad libbed completely by all Right,

715
00:37:53,080 --> 00:37:56,799
Speaker 1: tell me tell the story because clearly, clearly it goes

716
00:37:56,840 --> 00:37:59,800
Speaker 1: without saying fans love this moment. Okay. So there's a

717
00:37:59,880 --> 00:38:03,360
Speaker 1: movie called The Warriors came out We've spoken about a

718
00:38:03,360 --> 00:38:07,359
Speaker 1: long time ago, right, Warriors come out and play right,

719
00:38:07,640 --> 00:38:12,240
Speaker 1: And in it there's this uh gang called the Orphans,

720
00:38:13,080 --> 00:38:16,759
Speaker 1: and the Warriors tangle with the Orphans and kind of

721
00:38:16,840 --> 00:38:20,080
Speaker 1: get their asses kicked by these by this gang. Right,

722
00:38:20,800 --> 00:38:26,040
Speaker 1: And as they're leaving, this one character like looks like

723
00:38:26,160 --> 00:38:28,239
Speaker 1: the character that you look like, punch in the face

724
00:38:28,280 --> 00:38:32,160
Speaker 1: and they crumble easily. Goes you see what you get?

725
00:38:32,320 --> 00:38:39,400
Speaker 1: Warriors the Orphans. And I was, you know, do you

726
00:38:39,440 --> 00:38:41,680
Speaker 1: know the movie as well? He does. Yeah, it's a

727
00:38:41,760 --> 00:38:45,080
Speaker 1: great movie. And so when I saw that in my

728
00:38:45,640 --> 00:38:48,360
Speaker 1: in my neighborhood. You know, I grew up in Hell's Kitchen.

729
00:38:49,120 --> 00:38:52,360
Speaker 1: Warriors like is New York City, So like people that

730
00:38:52,719 --> 00:38:55,640
Speaker 1: lived in my building starred in The Warriors. You know

731
00:38:55,840 --> 00:39:00,319
Speaker 1: that it was. It wasn't just warriors. I actually knew

732
00:39:00,360 --> 00:39:03,239
Speaker 1: people that were warriors that lived to the end too.

733
00:39:03,400 --> 00:39:08,040
Speaker 1: It was amazing, right, And uh so this was like

734
00:39:08,160 --> 00:39:10,600
Speaker 1: one of those movies that we always quoted, you know,

735
00:39:10,920 --> 00:39:15,080
Speaker 1: like uh, Ajax running and he's like and other dudes like, oh,

736
00:39:15,400 --> 00:39:17,520
Speaker 1: I don't think I could make it. I'm tired, and

737
00:39:17,600 --> 00:39:20,200
Speaker 1: he goes good because I'm sick of running from these

738
00:39:20,280 --> 00:39:24,040
Speaker 1: whimps and turns around it just starts making people knocking

739
00:39:24,080 --> 00:39:27,200
Speaker 1: people out, right, Like I just loved that movie growing up,

740
00:39:27,600 --> 00:39:31,279
Speaker 1: and uh and this was an opportunity. I knew I

741
00:39:31,360 --> 00:39:36,080
Speaker 1: needed to do something here, and you know, I was like,

742
00:39:36,320 --> 00:39:40,000
Speaker 1: I'll call on the warriors and I did. So it's

743
00:39:40,040 --> 00:39:43,200
Speaker 1: so funny because Jad and Kylie are being so adorable

744
00:39:43,280 --> 00:39:45,880
Speaker 1: and cute, see just like a new couple rubbing noses

745
00:39:45,920 --> 00:39:48,880
Speaker 1: and oh, you beat me. And then what shows the

746
00:39:48,960 --> 00:39:51,799
Speaker 1: contrast to to Turk and Carlin Moore than that Cameron

747
00:39:51,880 --> 00:39:54,879
Speaker 1: Dolly's over and he's you don't just you don't just win, dude,

748
00:39:54,920 --> 00:40:01,759
Speaker 1: you slam her arm. She was well, I told her

749
00:40:01,880 --> 00:40:03,600
Speaker 1: when I told her I was gonna do it, right.

750
00:40:03,680 --> 00:40:06,160
Speaker 1: I told Judy that I was gonna do it. So

751
00:40:06,320 --> 00:40:09,640
Speaker 1: she even acts like I slam her hand down, Like really,

752
00:40:09,719 --> 00:40:12,040
Speaker 1: all I just do is this right? You know, put

753
00:40:12,200 --> 00:40:14,640
Speaker 1: my hand down real fast. She sells it with the

754
00:40:14,719 --> 00:40:17,360
Speaker 1: prep fall of the falling out of screen and stuff.

755
00:40:17,800 --> 00:40:19,560
Speaker 1: I thought. I was like, I was like, well, he

756
00:40:19,680 --> 00:40:22,480
Speaker 1: really fucking nailed her. And then I thought, actually it

757
00:40:22,560 --> 00:40:26,400
Speaker 1: was an Ultimate Warrior WWF thing. I didn't know your Warriors. No,

758
00:40:26,480 --> 00:40:29,719
Speaker 1: it was from actually the movie The Warriors. Well that's

759
00:40:29,760 --> 00:40:32,200
Speaker 1: fucking hilarious, dude, I laughed out loud. Now I also

760
00:40:32,280 --> 00:40:36,360
Speaker 1: laughed out loud when um Kylie, Yeah, I made that up.

761
00:40:36,719 --> 00:40:39,120
Speaker 1: We don't on an improv we're on an improv role

762
00:40:39,200 --> 00:40:43,080
Speaker 1: this day because she comes over Monday, Wednesday, Friday she

763
00:40:43,200 --> 00:40:45,720
Speaker 1: takes a cab over here, and Tuesday Thursday, I scooted

764
00:40:45,719 --> 00:40:57,560
Speaker 1: it to my baby man. Yeah, I j D. I

765
00:40:57,600 --> 00:40:59,560
Speaker 1: mean other than Elliott, I don't think he's been this

766
00:41:00,200 --> 00:41:04,439
Speaker 1: crazy about a girl, right, you know he's really into her. Yeah,

767
00:41:04,480 --> 00:41:07,120
Speaker 1: but that's because she's a master kisser, you know what

768
00:41:07,160 --> 00:41:09,719
Speaker 1: I mean? To be able to keep because to be

769
00:41:09,840 --> 00:41:13,120
Speaker 1: able to keep somebody that low, You guys are in

770
00:41:13,160 --> 00:41:16,359
Speaker 1: a relationship. You're not sleeping together yet, you know all,

771
00:41:16,440 --> 00:41:18,600
Speaker 1: you do know that maybe some time has passed and

772
00:41:18,680 --> 00:41:20,440
Speaker 1: she finally let me have sex. I don't know. Well

773
00:41:20,480 --> 00:41:23,960
Speaker 1: this is this, Well the episode after after this, you

774
00:41:24,360 --> 00:41:26,160
Speaker 1: get kicked out of the apartment and she's like you

775
00:41:26,200 --> 00:41:29,399
Speaker 1: should leave. I'm sorry, I'm cut. You are correct because

776
00:41:29,440 --> 00:41:31,600
Speaker 1: we went out of order. I'm sorry. Yes, we are,

777
00:41:31,719 --> 00:41:34,239
Speaker 1: we are, we are. We are only kissing her. Yeah.

778
00:41:34,320 --> 00:41:38,439
Speaker 1: And so to be able to keep somebody around that long,

779
00:41:38,840 --> 00:41:41,360
Speaker 1: whether it be male or female, without giving up the

780
00:41:43,400 --> 00:41:45,360
Speaker 1: but you got to be a chance a lot. You

781
00:41:45,440 --> 00:41:49,600
Speaker 1: have to tickle their brain with conversation and right whatever

782
00:41:49,680 --> 00:41:52,319
Speaker 1: it is, but then with imagination of what it's going

783
00:41:52,400 --> 00:41:55,799
Speaker 1: to be like, and then the kissing is phenomenal. Yeah.

784
00:41:55,880 --> 00:41:58,279
Speaker 1: But also, I mean it's so it's such a it's

785
00:41:58,320 --> 00:42:01,560
Speaker 1: so exciting, right, like dragged something out that long and

786
00:42:01,680 --> 00:42:04,560
Speaker 1: have it just be Oh my god, what's gonna happen

787
00:42:04,600 --> 00:42:06,960
Speaker 1: when we finally do. I'll tell you what's going to

788
00:42:07,040 --> 00:42:12,840
Speaker 1: happen in a couple of seconds. Okay, thank you, Donald,

789
00:42:13,360 --> 00:42:16,320
Speaker 1: That's what I'm talking about. Say, we have a soundboard

790
00:42:16,400 --> 00:42:18,439
Speaker 1: since you were last on. It allows me to play

791
00:42:19,400 --> 00:42:23,160
Speaker 1: I'm aware. Do you do y'all ever do a thing?

792
00:42:23,440 --> 00:42:26,320
Speaker 1: Where you're watching something or you're like super into it

793
00:42:27,239 --> 00:42:29,920
Speaker 1: anything a TV show, movie, an album, you just like

794
00:42:30,160 --> 00:42:33,800
Speaker 1: start looking for meaning and maybe moments where there isn't

795
00:42:34,239 --> 00:42:37,160
Speaker 1: like a deeper meaning because this, this is what happened

796
00:42:37,160 --> 00:42:39,120
Speaker 1: to me when I was watching rewatching it to get

797
00:42:39,160 --> 00:42:41,360
Speaker 1: ready for this is they have the shot that you

798
00:42:41,440 --> 00:42:44,360
Speaker 1: were just talking about where it's j D and Kylie

799
00:42:44,400 --> 00:42:46,560
Speaker 1: and Turk and Carla and they're all at once and

800
00:42:46,640 --> 00:42:49,839
Speaker 1: you see this like new young, happy couple being all

801
00:42:49,880 --> 00:42:52,440
Speaker 1: love you, kissing and flirty. And then you see the

802
00:42:52,680 --> 00:42:55,200
Speaker 1: like you know, years later version of it, and when

803
00:42:55,200 --> 00:42:57,279
Speaker 1: you're watching it, you're like if if you don't know

804
00:42:57,360 --> 00:42:59,239
Speaker 1: any better, you go, oh, this is like what you

805
00:42:59,280 --> 00:43:01,680
Speaker 1: should aspire to. Is what's on what's happening on the left,

806
00:43:02,080 --> 00:43:04,360
Speaker 1: and you don't realize only one of these couples is

807
00:43:04,400 --> 00:43:06,359
Speaker 1: going to make it through the end of the seat,

808
00:43:06,400 --> 00:43:08,600
Speaker 1: like they're gonna end up together, and it's the one

809
00:43:08,640 --> 00:43:11,279
Speaker 1: on the right, whether they're whether not like playing or

810
00:43:11,800 --> 00:43:14,479
Speaker 1: or they're just being very truthful with one another. Turk

811
00:43:14,600 --> 00:43:17,960
Speaker 1: is doing his thing, Carla looks absolutely fed up with it,

812
00:43:18,080 --> 00:43:19,960
Speaker 1: but like she kind of expected it as well, Like

813
00:43:20,200 --> 00:43:22,120
Speaker 1: you know what I'm saying, and she's like, oh, this

814
00:43:22,320 --> 00:43:24,040
Speaker 1: is this is what you should be trying to get to,

815
00:43:24,440 --> 00:43:27,120
Speaker 1: not this fake version over here, right, that's fake shit.

816
00:43:27,880 --> 00:43:29,920
Speaker 1: I agree with you that fake shit never works. And

817
00:43:30,040 --> 00:43:32,879
Speaker 1: it's and it's and it's a freaking it's not only

818
00:43:32,960 --> 00:43:36,560
Speaker 1: a phase. There's a there's a it's a bit also,

819
00:43:36,880 --> 00:43:40,200
Speaker 1: you know. Yeah, it's like it's we're being fake. It's

820
00:43:40,239 --> 00:43:45,680
Speaker 1: not fake. There's something when something's brand new we've all experienced.

821
00:43:45,800 --> 00:43:48,840
Speaker 1: There's just you're you can you're just intoxicated, you're drunk

822
00:43:48,920 --> 00:43:51,160
Speaker 1: on on the fun of something new. Then. But that's

823
00:43:51,239 --> 00:43:55,040
Speaker 1: but that's not real. That's not a committed relationship over

824
00:43:55,239 --> 00:43:57,759
Speaker 1: years that takes work, as we all know. But I

825
00:43:57,800 --> 00:43:59,560
Speaker 1: don't I think I don't. I wouldn't say that it's

826
00:43:59,560 --> 00:44:02,840
Speaker 1: not real. It's just it's you're high. I feel like

827
00:44:02,920 --> 00:44:04,840
Speaker 1: if you do that type of stuff in front of people,

828
00:44:05,320 --> 00:44:09,680
Speaker 1: you're doing a bit. That's just me personally. I feel

829
00:44:09,719 --> 00:44:12,120
Speaker 1: like when I see a young couples, like out at

830
00:44:12,160 --> 00:44:14,680
Speaker 1: a restaurant doing something like that, I'm just like, just

831
00:44:16,120 --> 00:44:18,120
Speaker 1: send me a text after y'all too getting your first

832
00:44:18,160 --> 00:44:20,680
Speaker 1: fight about like the mortgage payment, and let me let

833
00:44:20,719 --> 00:44:24,759
Speaker 1: me let me know what life looks like right then, right, yeah, yeah,

834
00:44:24,800 --> 00:44:26,239
Speaker 1: but we've all been there. I'm not saying you're in

835
00:44:26,280 --> 00:44:28,960
Speaker 1: public going no, you're the doodle bug, but you know,

836
00:44:32,840 --> 00:44:34,840
Speaker 1: all right, so then there's the crowd all shows up

837
00:44:34,920 --> 00:44:38,320
Speaker 1: because if there's an E. Coli scare and everybody in

838
00:44:39,680 --> 00:44:42,640
Speaker 1: town wherever this takes place thinks they have it and

839
00:44:43,880 --> 00:44:46,800
Speaker 1: and which is very much like what happened early on

840
00:44:47,200 --> 00:44:52,200
Speaker 1: in in uh, what we just went through this past year.

841
00:44:52,320 --> 00:44:54,560
Speaker 1: In the beginning, it seemed like the lines were like

842
00:44:54,680 --> 00:44:57,080
Speaker 1: if you had a if you had a sniffle, you

843
00:44:57,160 --> 00:45:00,120
Speaker 1: would run to the hospital, like, hey, look, we to

844
00:45:00,239 --> 00:45:03,120
Speaker 1: check to see if I got uh COVID. I never

845
00:45:03,200 --> 00:45:04,800
Speaker 1: went to the hospital, but I thought I had it

846
00:45:04,920 --> 00:45:07,680
Speaker 1: like ten times over the I would like feel tired

847
00:45:07,719 --> 00:45:12,680
Speaker 1: and be like, oh, this is it. I'm abnormally tired.

848
00:45:12,800 --> 00:45:15,640
Speaker 1: This is it. Yeah, I'm sure that happened to you. Donald.

849
00:45:16,320 --> 00:45:18,360
Speaker 1: Oh absolutely, Jay. Did you ever think you had it

850
00:45:18,440 --> 00:45:22,400
Speaker 1: over the course of the pandemic? Um, Yeah, anytime, Like

851
00:45:23,239 --> 00:45:26,880
Speaker 1: if I felt even one percent weird about anything, or

852
00:45:26,960 --> 00:45:29,200
Speaker 1: if I just saw like a thing like if someone

853
00:45:29,280 --> 00:45:31,279
Speaker 1: coughed on TV, I'd be like, I think I got it.

854
00:45:31,400 --> 00:45:35,520
Speaker 1: Now right. It definitely definitely reached me. Yeah, it was

855
00:45:35,560 --> 00:45:40,520
Speaker 1: the same way. Um um alright, So Jake, so JD

856
00:45:40,719 --> 00:45:43,480
Speaker 1: is crowdsurfing, which I thought was funny. He's crowdsurfing all

857
00:45:43,520 --> 00:45:46,120
Speaker 1: the people that think they have E. Coli. And then

858
00:45:46,160 --> 00:45:49,560
Speaker 1: I go, whoa, Grandma, that's my no fly zone. Well

859
00:45:49,800 --> 00:45:51,680
Speaker 1: not just that, this has also cracked me up. I

860
00:45:51,760 --> 00:45:57,200
Speaker 1: hope I don't have dog flu. By the way, yes,

861
00:45:57,440 --> 00:46:01,640
Speaker 1: let me get a yes. Yes, that is on Primetime TV.

862
00:46:01,960 --> 00:46:06,600
Speaker 1: That is a did JD fuck rowdy joke? Yes? Yes?

863
00:46:08,840 --> 00:46:13,600
Speaker 1: Because yeah, which is so crazy that that that got true.

864
00:46:13,640 --> 00:46:18,200
Speaker 1: I don't think the censors God not just as a

865
00:46:18,320 --> 00:46:24,560
Speaker 1: dead dead dead joke. The censor. The censor yawned during

866
00:46:24,640 --> 00:46:28,799
Speaker 1: that moment, and it didn't catch the joke because Cox says,

867
00:46:28,880 --> 00:46:31,040
Speaker 1: you know, some of these flues these people think they have,

868
00:46:31,200 --> 00:46:33,839
Speaker 1: you'd actually have to copulate with the animal in order

869
00:46:33,880 --> 00:46:36,839
Speaker 1: to get it. He's being sarcastic. I imagine who knows.

870
00:46:37,400 --> 00:46:39,560
Speaker 1: And then he leaves and Jad's like, hope, I don't

871
00:46:39,600 --> 00:46:45,120
Speaker 1: have dog flu, which means that jadrowdy probably or I

872
00:46:45,160 --> 00:46:47,680
Speaker 1: don't or a dog of some sort. No, I don't

873
00:46:47,719 --> 00:46:50,279
Speaker 1: think he's fucking random dogs. But first, I don't think

874
00:46:50,320 --> 00:46:55,480
Speaker 1: it's yeah only I don't think. First of all, let's

875
00:46:55,480 --> 00:46:59,359
Speaker 1: talk about it. Rowdy's a boy, so this would mean

876
00:46:59,719 --> 00:47:04,560
Speaker 1: that jey Um had anal sex with Rowdy. Yes, as

877
00:47:04,600 --> 00:47:09,040
Speaker 1: I recall Rowdy's taxes, I mean anis was non existent.

878
00:47:10,160 --> 00:47:13,920
Speaker 1: That doesn't mean you can't cut a little hole. What

879
00:47:14,800 --> 00:47:20,640
Speaker 1: is happening right now? I don't know. We don't have

880
00:47:20,719 --> 00:47:22,359
Speaker 1: to cut it, but let's stop now. All right, Well,

881
00:47:22,360 --> 00:47:25,399
Speaker 1: I'm just saying I'm ladies and gentlemen before you think

882
00:47:25,480 --> 00:47:27,600
Speaker 1: we're going too far. There is a joke where JD

883
00:47:27,719 --> 00:47:30,200
Speaker 1: appears to be concerned that he has dog flew from

884
00:47:30,280 --> 00:47:36,600
Speaker 1: having tonight on jokes that wouldn't be on the show

885
00:47:36,680 --> 00:47:41,840
Speaker 1: in twenty twenty one. All right, Um, so no tongue

886
00:47:41,880 --> 00:47:44,360
Speaker 1: before ten. That's a rule that you and Carla have.

887
00:47:45,440 --> 00:47:48,799
Speaker 1: That's bullshit. But I don't think you're really throwing tongue

888
00:47:48,840 --> 00:47:50,880
Speaker 1: around with Casey before ten. All right, that's I mean,

889
00:47:50,920 --> 00:47:52,640
Speaker 1: I feel it may not be a rule, but it's

890
00:47:52,680 --> 00:47:54,960
Speaker 1: sort of like in practice, it's too early for time.

891
00:47:55,040 --> 00:47:57,560
Speaker 1: If I wake up in the morning, yeah, and the

892
00:47:57,719 --> 00:48:01,040
Speaker 1: mood is right, and she's into the mood too, tongue

893
00:48:01,040 --> 00:48:04,920
Speaker 1: about tongues are going everywhere? Is your scope involved or

894
00:48:04,960 --> 00:48:07,279
Speaker 1: you or I don't mind, I don't mind my wife

895
00:48:07,480 --> 00:48:10,319
Speaker 1: one in breath, Okay, you just go right in right

896
00:48:11,400 --> 00:48:13,160
Speaker 1: when you in love, you don't give a shit about that.

897
00:48:13,960 --> 00:48:16,400
Speaker 1: You can get past that. That's easy to get past.

898
00:48:17,640 --> 00:48:19,440
Speaker 1: I'm still in the phase. I get up and have

899
00:48:19,640 --> 00:48:21,920
Speaker 1: my morning pe I just have a little shot of scope.

900
00:48:21,960 --> 00:48:25,239
Speaker 1: So so my breath's good. Okay, Well, good for you.

901
00:48:25,400 --> 00:48:31,120
Speaker 1: You guys are congratulations. Um, allow me to present man

902
00:48:31,320 --> 00:48:36,680
Speaker 1: not caring, says Cox. Yes, and then and then the

903
00:48:36,840 --> 00:48:41,360
Speaker 1: whole joke with Jordan and Cox about and and and

904
00:48:41,520 --> 00:48:46,799
Speaker 1: Elliott about how Elliot is saying the exact same things

905
00:48:46,880 --> 00:48:51,640
Speaker 1: that Jordan said last night. Carla, Carla, oh yes, Carlin,

906
00:48:51,719 --> 00:48:54,359
Speaker 1: it says that that's right. Yeah, that that had me laughing.

907
00:48:54,440 --> 00:48:56,520
Speaker 1: And then the last one Okay, now it's getting spooky. Yea,

908
00:48:56,600 --> 00:49:03,799
Speaker 1: that's three third step, the third one, Yeah, that was clever.

909
00:49:04,000 --> 00:49:06,479
Speaker 1: And now Deontay, who we just had on the show

910
00:49:06,600 --> 00:49:09,359
Speaker 1: with another line. We just we just spoke about how

911
00:49:09,400 --> 00:49:11,399
Speaker 1: Deontay was a hustler and knew how to get lines,

912
00:49:11,440 --> 00:49:13,920
Speaker 1: and here he is without his pooka shells but he

913
00:49:14,080 --> 00:49:17,439
Speaker 1: has a line, want to play some ball? Yeah, Hey, Turk,

914
00:49:17,840 --> 00:49:19,480
Speaker 1: want to go outside and play some He had a

915
00:49:19,520 --> 00:49:23,680
Speaker 1: lot of lines too, and he put it together. Yeah.

916
00:49:23,960 --> 00:49:26,560
Speaker 1: I didn't recognize him without his pooka shell joker. But

917
00:49:28,440 --> 00:49:31,000
Speaker 1: maybe his character doesn't wear him when he plays basketball. Yeah,

918
00:49:31,160 --> 00:49:32,719
Speaker 1: it might be a little too dangerous. Yeah, they might

919
00:49:32,719 --> 00:49:36,640
Speaker 1: be chase. They probably chase or choke choke. They chamber joke.

920
00:49:38,320 --> 00:49:41,160
Speaker 1: So Turk's trying to get out of his ritual, newly

921
00:49:41,239 --> 00:49:44,920
Speaker 1: planned ritual to make out with Carla regularly because he

922
00:49:45,040 --> 00:49:47,880
Speaker 1: possibly basketball. Yeah, but the first time they the first

923
00:49:47,920 --> 00:49:50,239
Speaker 1: time they kiss, it's hilarious because now we're going through

924
00:49:50,320 --> 00:49:53,280
Speaker 1: the hospital and there he runs into a long haired gentleman,

925
00:49:53,600 --> 00:49:56,759
Speaker 1: she runs into a bald head lady, and then immediately

926
00:49:56,880 --> 00:50:00,560
Speaker 1: after that, Cox runs into a lady that looks like

927
00:50:00,800 --> 00:50:04,600
Speaker 1: Kelsoe from behind. I thought that was great. I also

928
00:50:04,719 --> 00:50:09,560
Speaker 1: laughed when when when Turk and Carla finally meet each

929
00:50:09,560 --> 00:50:13,399
Speaker 1: other and they're like, where were you and they're expressing

930
00:50:13,480 --> 00:50:15,760
Speaker 1: where they were. It kind of sounds like when Harry

931
00:50:15,840 --> 00:50:18,520
Speaker 1: met Sally. I was on the second floor of the

932
00:50:18,680 --> 00:50:22,440
Speaker 1: Empire State Building. He was on the first. I traveled

933
00:50:22,520 --> 00:50:25,800
Speaker 1: all the way and they're doing it at the same time. Hilarious.

934
00:50:25,840 --> 00:50:28,080
Speaker 1: I laughed, really heard at that. Yeah, yeah, that was

935
00:50:28,120 --> 00:50:29,920
Speaker 1: well done. And I think they must have you know

936
00:50:30,040 --> 00:50:33,760
Speaker 1: that woman who has who had the shaved head from behind,

937
00:50:33,880 --> 00:50:35,680
Speaker 1: It so looked like you that I think that they

938
00:50:35,760 --> 00:50:39,799
Speaker 1: must have like used you for the behind shot first. Yeah, yeah,

939
00:50:40,600 --> 00:50:45,520
Speaker 1: because yeah, absolutely absolutely. Um all right, so then we

940
00:50:45,640 --> 00:50:51,000
Speaker 1: cut to this awesome epic fantasy and we see that waits.

941
00:50:51,160 --> 00:50:54,000
Speaker 1: We're missing some things though ahead. Why is Frank still

942
00:50:54,040 --> 00:50:56,640
Speaker 1: wearing those pants? First of all, the dude loses two

943
00:50:56,719 --> 00:50:59,320
Speaker 1: hundred and thirty pounds and it's still walking around the

944
00:50:59,400 --> 00:51:03,200
Speaker 1: house to brag how much weight he lost every day

945
00:51:03,680 --> 00:51:08,120
Speaker 1: every day. Listen, if you lost that much weight, you

946
00:51:08,160 --> 00:51:11,320
Speaker 1: would be so proud you'd wear those pants. Well, you know,

947
00:51:11,719 --> 00:51:14,160
Speaker 1: I put a belt on. At least he's just walking

948
00:51:14,200 --> 00:51:16,719
Speaker 1: around holding him like this, holding him out with his thumb.

949
00:51:16,800 --> 00:51:18,320
Speaker 1: By the way, speaking of losing weight, do you know

950
00:51:18,480 --> 00:51:21,480
Speaker 1: Ron Funcious, the amazing stand up comedian. Oh, he's lost

951
00:51:21,520 --> 00:51:23,279
Speaker 1: a ton of weight. Dude, he's he was, He's in

952
00:51:23,680 --> 00:51:26,640
Speaker 1: Cheaper by the dozen with me and he you can't

953
00:51:26,680 --> 00:51:29,200
Speaker 1: I didn't recognize him really, so and and and His

954
00:51:29,360 --> 00:51:32,719
Speaker 1: trainer was Jorgan DeMay, who's bills trainer who helped him.

955
00:51:33,040 --> 00:51:35,080
Speaker 1: But yeah, he dude, he I don't know how much

956
00:51:35,120 --> 00:51:38,399
Speaker 1: weight he lost, but he's an inspiration. He he would

957
00:51:38,440 --> 00:51:41,040
Speaker 1: work very hard. He worked very super funny as a

958
00:51:41,200 --> 00:51:44,440
Speaker 1: as King Shark on the Harley Quinn Show. Is that

959
00:51:44,480 --> 00:51:49,160
Speaker 1: who plays King Shark? Yeah, he does a lot of

960
00:51:49,400 --> 00:51:51,800
Speaker 1: In fact, just as I was wowing the kids with

961
00:51:51,880 --> 00:51:53,759
Speaker 1: the chicken little he, I guess he does one of

962
00:51:53,800 --> 00:51:56,960
Speaker 1: the trolls. So then he tried to get in on

963
00:51:57,040 --> 00:51:59,640
Speaker 1: my game and upstage me by being a troll voice.

964
00:51:59,760 --> 00:52:01,319
Speaker 1: He has the best He has one of the best

965
00:52:01,400 --> 00:52:11,239
Speaker 1: lines and trolls a pinky promise. Dang, he's so is

966
00:52:11,400 --> 00:52:14,920
Speaker 1: man and how and also the last thing before we

967
00:52:15,000 --> 00:52:19,279
Speaker 1: get into the into the fantasy sequence, the janitor knows

968
00:52:19,480 --> 00:52:22,640
Speaker 1: everyone because he reads their files. Yeah, and so he's

969
00:52:22,680 --> 00:52:26,320
Speaker 1: able to tell what's going on with the three or

970
00:52:26,440 --> 00:52:30,360
Speaker 1: four people in the in the hospital cafeteria because he's

971
00:52:30,400 --> 00:52:33,760
Speaker 1: read their files. Yeah. Now it's funny that the janitor

972
00:52:33,920 --> 00:52:35,440
Speaker 1: is talking about all the different people that work in

973
00:52:35,440 --> 00:52:37,440
Speaker 1: the cafeteria and who to fire, but he doesn't ever

974
00:52:37,560 --> 00:52:43,120
Speaker 1: bring up his best friend Troy, right or Margo. Well,

975
00:52:43,160 --> 00:52:46,040
Speaker 1: crazy Eyes Margo. Is she not the cashier? No, that's

976
00:52:46,040 --> 00:52:48,640
Speaker 1: a different name. I don't know why they didn't call

977
00:52:48,760 --> 00:52:51,200
Speaker 1: in Troy and Crazy Eyes Margo. You'd think they would

978
00:52:51,200 --> 00:52:55,440
Speaker 1: have loved the cafeteria shout out yeah. Now. Also, according

979
00:52:55,480 --> 00:52:58,040
Speaker 1: to the to the janitor, there's only three people that

980
00:52:58,160 --> 00:53:01,239
Speaker 1: work in the cafeteria. I feel like there's more. Well yeah,

981
00:53:01,280 --> 00:53:03,279
Speaker 1: and then and then Clay Akon shows up. Do you

982
00:53:03,320 --> 00:53:06,880
Speaker 1: remember Clay aken Um? He. I remember Clay is allergic

983
00:53:07,000 --> 00:53:10,160
Speaker 1: to something or several things, and it was very serious,

984
00:53:10,239 --> 00:53:13,000
Speaker 1: like no messing around. I think it's nuts and or

985
00:53:13,080 --> 00:53:15,759
Speaker 1: other things. But we had a whole we had a

986
00:53:15,800 --> 00:53:18,799
Speaker 1: whole list of instructions, like to be safe around Clay.

987
00:53:19,000 --> 00:53:20,640
Speaker 1: It was like, don't look him in the eye. He's

988
00:53:20,640 --> 00:53:22,960
Speaker 1: allergic to that. Yeah, if you had a nuts yesterday,

989
00:53:23,640 --> 00:53:26,400
Speaker 1: if you had if you had peanuts yesterday, and you

990
00:53:26,480 --> 00:53:31,200
Speaker 1: made eye contact with Clay, he'll explode. No, I mean

991
00:53:31,320 --> 00:53:35,320
Speaker 1: making up American Idol, your favorite show, I know, and

992
00:53:35,480 --> 00:53:38,160
Speaker 1: his and his voice is beautiful when he sings you

993
00:53:38,280 --> 00:53:41,080
Speaker 1: and Carlos song in the Fantasy. But um, yeah, I

994
00:53:41,120 --> 00:53:43,640
Speaker 1: just remember that Clay was was very nice. But I

995
00:53:43,680 --> 00:53:47,560
Speaker 1: remember like he he does have some sort of very

996
00:53:47,600 --> 00:53:51,239
Speaker 1: serious no messing around um allergy we were warned about.

997
00:53:52,080 --> 00:53:55,799
Speaker 1: Let's go to break real quick. Oh yes, break right

998
00:53:55,840 --> 00:54:06,560
Speaker 1: back with Sha Serrano, and we're back. We're back, We're back,

999
00:54:06,600 --> 00:54:08,800
Speaker 1: We're back. So okay, so we go to this fantasy

1000
00:54:09,080 --> 00:54:11,880
Speaker 1: now in the world of the sitcom, we're sort of

1001
00:54:11,960 --> 00:54:14,920
Speaker 1: saying that everything's a bit heightened as they are in sitcoms. Like,

1002
00:54:15,600 --> 00:54:19,319
Speaker 1: you know, no one has an apartment like Monica's apartment, right,

1003
00:54:19,920 --> 00:54:22,200
Speaker 1: Well I disagree now, so okay, So here's the thing.

1004
00:54:22,320 --> 00:54:24,880
Speaker 1: This is what I've learned. Okay, I forgot about this.

1005
00:54:25,120 --> 00:54:27,840
Speaker 1: I forgot about this. But I grew up with a

1006
00:54:27,920 --> 00:54:32,360
Speaker 1: lot of people who had losts in New York City

1007
00:54:33,040 --> 00:54:38,640
Speaker 1: and who had a really big apartments in New York City,

1008
00:54:38,719 --> 00:54:41,319
Speaker 1: and it was all rent controlled back in the day.

1009
00:54:41,360 --> 00:54:43,160
Speaker 1: So like, let's say you lived in the apartment for

1010
00:54:43,280 --> 00:54:47,480
Speaker 1: over thirty years, you're still paying very little rent on it,

1011
00:54:47,680 --> 00:54:52,480
Speaker 1: as as the property value has gone up. So I

1012
00:54:52,680 --> 00:54:57,400
Speaker 1: know people who have it's like Monica's loft and affordable,

1013
00:54:57,600 --> 00:55:03,120
Speaker 1: very very yeah, very similar situations like Monica does on Friends,

1014
00:55:03,320 --> 00:55:05,640
Speaker 1: and I pooh pooed on that for the longest, Like

1015
00:55:05,760 --> 00:55:09,000
Speaker 1: that's impossible. But then when I think back, holy shit, no,

1016
00:55:09,120 --> 00:55:11,719
Speaker 1: that's real. I know. I know people who have like

1017
00:55:12,040 --> 00:55:16,480
Speaker 1: lost the size of the loft in ghost you know

1018
00:55:16,520 --> 00:55:18,560
Speaker 1: what I mean, where it's just like it's literally a

1019
00:55:18,680 --> 00:55:22,279
Speaker 1: warehouse's pillers and stuff like that, you know what I mean.

1020
00:55:22,800 --> 00:55:26,399
Speaker 1: Like I remember I grew up with people that had

1021
00:55:26,480 --> 00:55:29,280
Speaker 1: that being like, dude, your bathroom is a mile away,

1022
00:55:29,719 --> 00:55:31,759
Speaker 1: how do you make it there at night? You know?

1023
00:55:32,880 --> 00:55:35,120
Speaker 1: Just putting it out there, all right. So, but needless

1024
00:55:35,160 --> 00:55:38,560
Speaker 1: to say, the sets and reality of sitcoms are heightened,

1025
00:55:38,680 --> 00:55:41,720
Speaker 1: and we're spoofing that. That's why they built a version

1026
00:55:41,800 --> 00:55:43,680
Speaker 1: of our set, which wasn't a set, It was a

1027
00:55:43,719 --> 00:55:46,960
Speaker 1: real hospitals as you as we've told you. We built

1028
00:55:47,000 --> 00:55:49,960
Speaker 1: that on a sitcom stage in front of a live audience.

1029
00:55:50,040 --> 00:55:54,799
Speaker 1: So the lobby and ice you are are are there,

1030
00:55:54,920 --> 00:55:59,239
Speaker 1: but they're you know, they're more colorful, they're less realistic

1031
00:55:59,520 --> 00:56:02,960
Speaker 1: than the real thing. Um. And then of course all

1032
00:56:03,000 --> 00:56:06,400
Speaker 1: the women have cleavage and their and their brows are showing,

1033
00:56:06,520 --> 00:56:10,879
Speaker 1: and Sarah's in a short scourge, and so's Judy. Judy

1034
00:56:11,000 --> 00:56:14,440
Speaker 1: is looking like at yes, the ladies are all looking

1035
00:56:14,760 --> 00:56:18,120
Speaker 1: very um, sexy and there's even a naked man that

1036
00:56:18,320 --> 00:56:22,239
Speaker 1: was in the background for no reason other than to

1037
00:56:22,280 --> 00:56:25,480
Speaker 1: make sure there were people that like men had something

1038
00:56:25,520 --> 00:56:27,520
Speaker 1: to look at. It even the background changed, you know

1039
00:56:27,560 --> 00:56:29,600
Speaker 1: what I mean, it went from the normal background that

1040
00:56:29,680 --> 00:56:32,000
Speaker 1: we had and it you know, Central Casting got the

1041
00:56:32,040 --> 00:56:33,759
Speaker 1: call we don't want the normal. We're gonna pay the

1042
00:56:33,800 --> 00:56:37,440
Speaker 1: extra twenty five dollars and you give us, send us

1043
00:56:37,520 --> 00:56:44,320
Speaker 1: the premiums we should probably shouldn't phrase it. That's the truth. Well, okay,

1044
00:56:45,080 --> 00:56:49,080
Speaker 1: am I wrong? U? I think there is now no

1045
00:56:49,239 --> 00:56:52,040
Speaker 1: You are right in that if you want sexy people,

1046
00:56:52,440 --> 00:56:55,960
Speaker 1: that you pay more money for sexy people, which I

1047
00:56:56,080 --> 00:57:01,240
Speaker 1: guess is capitalism. But that's a real thing. Yes, wild,

1048
00:57:01,680 --> 00:57:04,440
Speaker 1: that's wild. Well yeah, yeah, if you want any specialty,

1049
00:57:04,520 --> 00:57:07,440
Speaker 1: if it's like I need jugglers or I need um.

1050
00:57:07,920 --> 00:57:11,160
Speaker 1: You know, the joke is, she's a hot girl, quote unquote,

1051
00:57:11,160 --> 00:57:13,400
Speaker 1: they're gonna hire a model. They're gonna hire a juggler,

1052
00:57:13,480 --> 00:57:16,000
Speaker 1: you know. So there's a there's so in this when

1053
00:57:16,000 --> 00:57:18,320
Speaker 1: they cuts the naked man who's got all these muscles

1054
00:57:18,320 --> 00:57:21,200
Speaker 1: and he's supposed to be sexy, he's a niche. So yeah,

1055
00:57:21,240 --> 00:57:23,400
Speaker 1: he's a special he's a specialty. If you will, so

1056
00:57:23,480 --> 00:57:26,600
Speaker 1: you're paying more money for You can't just say, oh,

1057
00:57:26,720 --> 00:57:30,000
Speaker 1: bring me a person who might have muscles. You know,

1058
00:57:30,080 --> 00:57:32,560
Speaker 1: you're gonna select the guy from a picture and he's

1059
00:57:32,600 --> 00:57:37,480
Speaker 1: been chosen because he's a specific thing. Yes, that's interesting,

1060
00:57:37,600 --> 00:57:40,240
Speaker 1: but that's a more delicate way to phrase it. Then well,

1061
00:57:40,520 --> 00:57:49,200
Speaker 1: bring me the premiums. Sorry, but it's true. I remember

1062
00:57:49,240 --> 00:57:51,360
Speaker 1: reading an article about like there was some company in

1063
00:57:51,720 --> 00:57:55,040
Speaker 1: la who they had gathered together all of the like

1064
00:57:55,240 --> 00:57:57,880
Speaker 1: Mexicans who look like trollos or gangsters or whatever, and

1065
00:57:58,000 --> 00:57:59,680
Speaker 1: if you wanted one for your movie, you had to

1066
00:57:59,720 --> 00:58:02,080
Speaker 1: go to them to get it. Yeah, I'm sure, And

1067
00:58:02,240 --> 00:58:04,959
Speaker 1: that's okay, that's a real thing. That's neat. Well, also,

1068
00:58:05,280 --> 00:58:06,800
Speaker 1: I don't know, I don't know as a real thing,

1069
00:58:06,840 --> 00:58:09,080
Speaker 1: but I imagine that's true. I'm sure it is in

1070
00:58:09,160 --> 00:58:13,120
Speaker 1: the Orthodox Jewish background world. You know, a lot of

1071
00:58:13,160 --> 00:58:15,000
Speaker 1: those people who are super religious are certainly not going

1072
00:58:15,040 --> 00:58:17,080
Speaker 1: to go do background work. So there's a whole niche

1073
00:58:17,200 --> 00:58:21,080
Speaker 1: of background people in New York particularly that have the

1074
00:58:21,160 --> 00:58:23,920
Speaker 1: beards and and and know and I even probably have

1075
00:58:24,000 --> 00:58:25,800
Speaker 1: the outfit and know how to dress up like an

1076
00:58:25,880 --> 00:58:29,240
Speaker 1: Orthodox Jew because there's so much work for Orthodox Jewish

1077
00:58:29,280 --> 00:58:33,720
Speaker 1: background in New York Stories. You know, I thought Neil's

1078
00:58:33,840 --> 00:58:38,880
Speaker 1: entrance was amazing. Yes, so again everyone's everyone's outfits are

1079
00:58:38,960 --> 00:58:42,720
Speaker 1: are colorful and bright. And Neil comes into entrance applause,

1080
00:58:42,760 --> 00:58:46,680
Speaker 1: which is a very funny sitcom thing where when someone enters,

1081
00:58:47,000 --> 00:58:51,960
Speaker 1: they not everyone, but some people get applause. And his

1082
00:58:52,120 --> 00:58:54,840
Speaker 1: applause was his applause was like all the applause that

1083
00:58:54,920 --> 00:58:57,959
Speaker 1: you hear in this is pretty much genuine, like they've

1084
00:58:58,080 --> 00:59:00,080
Speaker 1: clapped for a really long time. And he had to

1085
00:59:00,200 --> 00:59:03,400
Speaker 1: point at you and everything to you at the time

1086
00:59:03,560 --> 00:59:07,400
Speaker 1: go by. Another thing in the sitcom world, a person

1087
00:59:07,480 --> 00:59:11,280
Speaker 1: has to stall for the for the laughter or applause

1088
00:59:11,360 --> 00:59:13,760
Speaker 1: to die down right, like you have to like thump

1089
00:59:13,760 --> 00:59:16,880
Speaker 1: for like he's pointing at them, he's looking around right.

1090
00:59:17,080 --> 00:59:18,840
Speaker 1: And we really shot this in from of Life only

1091
00:59:18,840 --> 00:59:20,680
Speaker 1: its like we said, and they were big Scrubs fans,

1092
00:59:20,840 --> 00:59:25,280
Speaker 1: and so we this really was genuinely they were really laughing.

1093
00:59:25,440 --> 00:59:27,800
Speaker 1: We we did sort of like when I come out

1094
00:59:27,880 --> 00:59:29,720
Speaker 1: later with the with the we'll talk, we'll get to it,

1095
00:59:29,760 --> 00:59:32,400
Speaker 1: but with the Spider Man face paint, like we saved that.

1096
00:59:32,600 --> 00:59:34,880
Speaker 1: So it was a surprise for the audience. So we

1097
00:59:34,960 --> 00:59:37,120
Speaker 1: really did kind of try and do it like they

1098
00:59:37,280 --> 00:59:40,520
Speaker 1: really would in a sitcom. We actually shot at like

1099
00:59:40,560 --> 00:59:42,640
Speaker 1: a real sitcom. Also, there was there were not a

1100
00:59:42,720 --> 00:59:45,080
Speaker 1: lot of takes at this for this, there's like one

1101
00:59:45,160 --> 00:59:48,520
Speaker 1: or two takes and then we moved on um and

1102
00:59:48,720 --> 00:59:51,760
Speaker 1: and we rehearsed it like a sitcom also, so uh,

1103
00:59:54,120 --> 00:59:58,080
Speaker 1: what's interesting is when you do uh, it's shot in order.

1104
00:59:58,160 --> 01:00:01,000
Speaker 1: That's the one thing that sitcom are done. They're always

1105
01:00:01,080 --> 01:00:04,880
Speaker 1: shot in order so that the audience can follow along.

1106
01:00:05,480 --> 01:00:08,760
Speaker 1: And that's what we did with this. We started from

1107
01:00:09,960 --> 01:00:13,080
Speaker 1: you know, where they're around the patient at the bed,

1108
01:00:13,440 --> 01:00:15,520
Speaker 1: and we went directly to the end to where he

1109
01:00:15,640 --> 01:00:19,160
Speaker 1: passes out with you know. And when you're not working

1110
01:00:19,240 --> 01:00:21,880
Speaker 1: in those scenes, you're usually off in your trailers, so

1111
01:00:22,000 --> 01:00:25,760
Speaker 1: you don't necessarily experience how the audience is unless you're

1112
01:00:25,800 --> 01:00:29,800
Speaker 1: hanging out on set. It's it's it's really interesting. This

1113
01:00:29,960 --> 01:00:33,080
Speaker 1: was my first time experiencing what it was really like

1114
01:00:33,320 --> 01:00:36,160
Speaker 1: to do sitcom work, because after that I went onto

1115
01:00:36,200 --> 01:00:39,720
Speaker 1: the ex's and it was it was exactly like how

1116
01:00:39,840 --> 01:00:43,200
Speaker 1: we shot this episode. The other thing we had they

1117
01:00:43,200 --> 01:00:45,160
Speaker 1: had with sitcoms is a warm up guy. So if

1118
01:00:45,160 --> 01:00:48,720
Speaker 1: you've never been to a live taping. They have this

1119
01:00:48,880 --> 01:00:51,400
Speaker 1: comedian who interacts with the crowd. You get everyone in

1120
01:00:51,440 --> 01:00:53,600
Speaker 1: a silly mood because they want the audience to be

1121
01:00:53,880 --> 01:00:56,120
Speaker 1: gigli and silly, and you know, they keep the ac

1122
01:00:56,560 --> 01:00:59,160
Speaker 1: super crank, so it's like, you know, you have energies

1123
01:00:59,200 --> 01:01:00,920
Speaker 1: and there's a guy and every time, because there's a

1124
01:01:00,960 --> 01:01:02,720
Speaker 1: lot of downtime, so while they're moving the cameras, while

1125
01:01:02,720 --> 01:01:04,919
Speaker 1: they're just you don't want the audience slumping in their seats,

1126
01:01:04,920 --> 01:01:07,680
Speaker 1: seemed getting tired and being like let's go home. Want them,

1127
01:01:08,360 --> 01:01:11,200
Speaker 1: you want them gold and you want them giggly. So

1128
01:01:11,280 --> 01:01:13,520
Speaker 1: they have this comedian who's you know, doing jokes and

1129
01:01:13,920 --> 01:01:16,280
Speaker 1: competitions with the audience and throwing our T shirts. It's

1130
01:01:16,280 --> 01:01:18,760
Speaker 1: like it's like a hype man. And so we even

1131
01:01:18,800 --> 01:01:20,880
Speaker 1: had that guy you remember that Donald, Yeah, I do.

1132
01:01:21,560 --> 01:01:23,800
Speaker 1: There's one guy who was really good at it um

1133
01:01:24,840 --> 01:01:29,160
Speaker 1: passed away. You had a guy at the Ex's when

1134
01:01:29,480 --> 01:01:32,000
Speaker 1: name was well, yeah that was Alan. But Brodie Stevens

1135
01:01:32,800 --> 01:01:36,680
Speaker 1: was one of the great audience warm you know, he

1136
01:01:36,720 --> 01:01:39,000
Speaker 1: would warm up an audience. He was a great stand

1137
01:01:39,120 --> 01:01:41,760
Speaker 1: up comic. Also he's a good stand up comic, but

1138
01:01:42,000 --> 01:01:45,600
Speaker 1: he was a great audience, Like he would warm up

1139
01:01:45,640 --> 01:01:48,240
Speaker 1: the audience so well. He was really good at it.

1140
01:01:48,920 --> 01:01:51,080
Speaker 1: I just wanted to show he's he passed away a

1141
01:01:51,160 --> 01:01:53,160
Speaker 1: few years ago, but I just wanted to shout him out,

1142
01:01:53,240 --> 01:01:55,400
Speaker 1: you know, for all of you people out there who

1143
01:01:55,480 --> 01:01:58,520
Speaker 1: know who he is. He was a special one. It's

1144
01:01:58,560 --> 01:02:01,320
Speaker 1: a very specific skill set because you're doing stand up,

1145
01:02:01,360 --> 01:02:04,280
Speaker 1: but obviously it's got to be PG. You're not doing

1146
01:02:04,320 --> 01:02:08,320
Speaker 1: anything racy. You're also trying to like, uh, interact with everyone,

1147
01:02:08,360 --> 01:02:10,560
Speaker 1: get them involved, and you're sort of doing little mini

1148
01:02:10,640 --> 01:02:13,240
Speaker 1: contests and then at any moment they'll say, the crew

1149
01:02:13,320 --> 01:02:15,040
Speaker 1: will will say we're ready and you have to stop.

1150
01:02:15,640 --> 01:02:17,840
Speaker 1: And then they'll do a scene and okay, we have

1151
01:02:17,880 --> 01:02:19,960
Speaker 1: another five minutes of downtime here, I'm gonna do a

1152
01:02:20,080 --> 01:02:22,440
Speaker 1: quick bit. And so anyway, there's there's a there's a

1153
01:02:22,480 --> 01:02:24,400
Speaker 1: handful of people that are really really good at it.

1154
01:02:24,520 --> 01:02:27,840
Speaker 1: And Alan Alan is another one. Uh he's who did

1155
01:02:27,880 --> 01:02:29,560
Speaker 1: your show, right, He's the one that did the Excess.

1156
01:02:29,600 --> 01:02:31,680
Speaker 1: He's he's really good at it. Yeah. I remember when

1157
01:02:31,680 --> 01:02:33,920
Speaker 1: I was on your show doing an episode of The Excess.

1158
01:02:34,040 --> 01:02:36,080
Speaker 1: Laughing because you know, if you're if you're on the show,

1159
01:02:36,080 --> 01:02:38,440
Speaker 1: you've probably heard all the stick a thousand times and

1160
01:02:38,520 --> 01:02:40,240
Speaker 1: you're not necessarily laughing. But I was new to it.

1161
01:02:40,360 --> 01:02:42,600
Speaker 1: So on Donald's show The Exes, I was laughing. Well

1162
01:02:42,640 --> 01:02:45,160
Speaker 1: he wasn't only on the Ex's he was also he

1163
01:02:45,320 --> 01:02:50,800
Speaker 1: also did bills. Uh und he did that one with

1164
01:02:51,160 --> 01:02:53,720
Speaker 1: Ron Vuncius. There you go. Yes, look what good storytellers

1165
01:02:53,800 --> 01:02:56,640
Speaker 1: we are. We're circling. I want to make sure I

1166
01:02:56,680 --> 01:02:58,960
Speaker 1: get his name, Alan Murray. That's who is. That's that's

1167
01:02:58,960 --> 01:03:02,280
Speaker 1: who it is. Alan Murray is another one that crushes

1168
01:03:02,360 --> 01:03:04,800
Speaker 1: like he does Sammy Davis Junior. He does a bunch

1169
01:03:04,880 --> 01:03:08,760
Speaker 1: of bits like, uh, he even got me to go

1170
01:03:08,920 --> 01:03:12,680
Speaker 1: into the audience. That's not hard, bro. You loved it. Yeah,

1171
01:03:12,720 --> 01:03:15,280
Speaker 1: I did. But he found he found able to get

1172
01:03:15,400 --> 01:03:18,040
Speaker 1: me to go into the audience. He found. But the

1173
01:03:18,280 --> 01:03:21,280
Speaker 1: is he found a song that I would that I

1174
01:03:21,320 --> 01:03:24,080
Speaker 1: would have fun with. Like, so you know, they give

1175
01:03:24,200 --> 01:03:27,040
Speaker 1: all of this candy to actors and stuff on stage

1176
01:03:27,160 --> 01:03:30,840
Speaker 1: throughout the week of shooting. There's gum, there's like you

1177
01:03:31,000 --> 01:03:32,800
Speaker 1: name it. It's just like a shit ton of candy

1178
01:03:32,920 --> 01:03:37,440
Speaker 1: on stage. And so I would take the candy and

1179
01:03:37,640 --> 01:03:42,200
Speaker 1: go into audience and he would play uh, Sammy Davis Juniors.

1180
01:03:42,280 --> 01:03:46,760
Speaker 1: The candy Man can would run around just tossing bubblegum

1181
01:03:47,240 --> 01:03:52,000
Speaker 1: and and lemon heads and sour grapes all up into

1182
01:03:52,080 --> 01:03:55,800
Speaker 1: the air, uh and at people. So yeah, Alan Murray

1183
01:03:55,880 --> 01:03:58,560
Speaker 1: is another one amazing audience when the world When the

1184
01:03:58,600 --> 01:04:02,680
Speaker 1: world reopens, and if you come to Hollywood, I definitely

1185
01:04:02,760 --> 01:04:05,880
Speaker 1: recommend um. If you like this stuff, go find go

1186
01:04:06,280 --> 01:04:08,440
Speaker 1: you know, google how to go to a sitcom taping

1187
01:04:08,520 --> 01:04:11,240
Speaker 1: because it's it's it's a cool experience. I remember coming

1188
01:04:11,240 --> 01:04:13,520
Speaker 1: as a kid, I went to see The Bob Newhart Show.

1189
01:04:13,960 --> 01:04:15,480
Speaker 1: We saw a taping of that, and I was as

1190
01:04:15,480 --> 01:04:17,000
Speaker 1: someone who wanted to be in film, I was like,

1191
01:04:17,080 --> 01:04:19,680
Speaker 1: this is the goal, as they ever. Um, all right,

1192
01:04:19,760 --> 01:04:23,680
Speaker 1: Daniel is the guest here. Both guests are here. Oh interesting,

1193
01:04:23,880 --> 01:04:26,520
Speaker 1: Joel are you are you? Are you okay? There you

1194
01:04:26,640 --> 01:04:30,560
Speaker 1: are Joel? You're having some internet troubles today. What's happening? Sorry?

1195
01:04:30,760 --> 01:04:34,760
Speaker 1: I spectrum. It's a whole journey. We're getting there, we're

1196
01:04:34,800 --> 01:04:40,480
Speaker 1: figuring it out. Oh my god, you get that. That's

1197
01:04:40,520 --> 01:04:46,800
Speaker 1: how I'm doing this now right now. Yeah. When it works,

1198
01:04:46,840 --> 01:04:49,760
Speaker 1: it works. You know why we have spectrum. Why because

1199
01:04:49,800 --> 01:04:52,640
Speaker 1: it's the only thing that we can have the monopoly

1200
01:04:52,720 --> 01:04:56,040
Speaker 1: in my neighborhood. All right, quick break, we'll be right

1201
01:04:56,080 --> 01:05:07,560
Speaker 1: back with a very exciting guest. And Sha, how's your

1202
01:05:07,600 --> 01:05:10,280
Speaker 1: podcast going? Should we plug your podcast? Oh? I don't

1203
01:05:10,320 --> 01:05:14,000
Speaker 1: have a podcast downcast what I was before. I was

1204
01:05:14,120 --> 01:05:17,560
Speaker 1: before the guy who I was doing it with, Jason Kincepts, Jon,

1205
01:05:17,680 --> 01:05:19,520
Speaker 1: got a new job. And then I don't want to

1206
01:05:19,560 --> 01:05:22,120
Speaker 1: do it anymore because I missed because I missed him.

1207
01:05:23,320 --> 01:05:26,520
Speaker 1: So but now I'm just doing book stuff, all right.

1208
01:05:26,560 --> 01:05:29,680
Speaker 1: Tell we'd like to tell everyone always when you're on

1209
01:05:29,880 --> 01:05:33,000
Speaker 1: how they find your Scrubs book because he wrote it amazing,

1210
01:05:33,040 --> 01:05:35,640
Speaker 1: not anything that you're doing. Just tell them how they

1211
01:05:35,680 --> 01:05:38,360
Speaker 1: can find it. Yeah. I gave Donald the basketball book

1212
01:05:38,400 --> 01:05:41,680
Speaker 1: so he could read it on the Pooper. Oh excellence, excellent,

1213
01:05:43,200 --> 01:05:47,560
Speaker 1: your story. Just go to a website halfway books dot com.

1214
01:05:47,800 --> 01:05:51,640
Speaker 1: Everything is on there, halfway books dot com. Yeah, um,

1215
01:05:51,760 --> 01:05:54,560
Speaker 1: I promise you halfway books dot com. Did he say

1216
01:05:54,640 --> 01:06:00,480
Speaker 1: halfway Yes, it's halfway. Halfway crooks like crooks, things as

1217
01:06:00,520 --> 01:06:05,240
Speaker 1: halfway crooks. There is such thing as halfway books dot com.

1218
01:06:05,640 --> 01:06:11,520
Speaker 1: Halfway Books, halfway books dot com. And Shay Is is

1219
01:06:11,640 --> 01:06:16,120
Speaker 1: an incredibly smart and clever writer. And if you love Scrubs,

1220
01:06:16,160 --> 01:06:20,120
Speaker 1: you'll want to pick up a Scrubs book because it's very,

1221
01:06:20,240 --> 01:06:23,880
Speaker 1: very well written, and it's essays about something you apparently

1222
01:06:24,040 --> 01:06:26,439
Speaker 1: are interested in, which is the TV show Scrubs. Say,

1223
01:06:26,480 --> 01:06:30,040
Speaker 1: do you ever think about writing movies, creating or TV

1224
01:06:30,320 --> 01:06:32,560
Speaker 1: and stuff like that? Just so you know you're such

1225
01:06:32,560 --> 01:06:34,920
Speaker 1: a great writer, do you ever think why don't I

1226
01:06:34,960 --> 01:06:39,000
Speaker 1: get into that? Mostly I just like to watch the stuff. Hello,

1227
01:06:39,080 --> 01:06:41,120
Speaker 1: y'all do that part of it and I'll do that part.

1228
01:06:41,680 --> 01:06:44,520
Speaker 1: That's what I'm just asking. Well, I'm just asking. I

1229
01:06:44,600 --> 01:06:47,440
Speaker 1: think you should consider it, Shay, because you're funny and

1230
01:06:47,560 --> 01:06:50,840
Speaker 1: you know, um, you know the genre really well, really well.

1231
01:06:51,680 --> 01:06:53,440
Speaker 1: At some point when you win it, when you win

1232
01:06:53,520 --> 01:06:55,120
Speaker 1: an Emmy, I want you to thank Donald and I

1233
01:06:55,280 --> 01:06:58,960
Speaker 1: all right, let's bring on, by the way, this we

1234
01:06:59,000 --> 01:07:02,080
Speaker 1: didn't win many Emmy's Scrubs, but this one won for editing.

1235
01:07:03,520 --> 01:07:06,920
Speaker 1: And I think it's a little controversial this win because

1236
01:07:07,280 --> 01:07:13,520
Speaker 1: it won four multi camera editing, So it does feel

1237
01:07:13,600 --> 01:07:16,520
Speaker 1: like a bit of a cheat. I mean no offense

1238
01:07:16,560 --> 01:07:18,880
Speaker 1: to John Michelle. He's an incredible editor and he should

1239
01:07:18,880 --> 01:07:20,880
Speaker 1: have won for I just feel he should have won

1240
01:07:21,000 --> 01:07:25,920
Speaker 1: for other amazing Scrubs episodes, but he won for this one. Um.

1241
01:07:26,000 --> 01:07:29,439
Speaker 1: All right, let's bring in our guests. Joel. By the way, Joel,

1242
01:07:29,480 --> 01:07:33,080
Speaker 1: did you have um any contact with your your new

1243
01:07:33,240 --> 01:07:37,080
Speaker 1: lady friend this week? Uh? Nothing to write at home

1244
01:07:37,160 --> 01:07:40,960
Speaker 1: about just yet, but we'll update. They broke up already,

1245
01:07:41,040 --> 01:07:43,840
Speaker 1: they broke up. Excuse to play the song for everybody

1246
01:07:43,920 --> 01:07:46,400
Speaker 1: but you. You don't know. She said her mom hates

1247
01:07:46,440 --> 01:07:48,880
Speaker 1: the song because it makes you sound easy. Let's talk

1248
01:07:48,880 --> 01:07:50,920
Speaker 1: about that before you bring in the guest. Before you

1249
01:07:51,000 --> 01:07:53,640
Speaker 1: bring in the guests, we're gonna play the Joel's. We're

1250
01:07:53,640 --> 01:07:56,040
Speaker 1: gonna play the Jowell don't play it. Her mom doesn't

1251
01:07:56,080 --> 01:07:57,720
Speaker 1: like it. We're gonna talk about why her mom doesn't

1252
01:07:57,760 --> 01:08:01,120
Speaker 1: like it. Okay, here's the Joel dating theme song. Get

1253
01:08:01,160 --> 01:08:07,880
Speaker 1: the word out all town. Joelmonique is down to get down,

1254
01:08:09,880 --> 01:08:12,760
Speaker 1: no matter what's between your legs. Tomorrow bone and you

1255
01:08:12,880 --> 01:08:17,840
Speaker 1: could be making eggs. Joe, get down, get down. Oh yeah,

1256
01:08:18,760 --> 01:08:24,599
Speaker 1: JOELMONI get down to get Okay, now, Joel, your mom

1257
01:08:24,720 --> 01:08:27,200
Speaker 1: tell you that she doesn't like it because it makes

1258
01:08:27,200 --> 01:08:31,760
Speaker 1: you sound too easy. Yes, she down to get down,

1259
01:08:31,960 --> 01:08:34,800
Speaker 1: just anyone. I don't like it. I was like it's catchy.

1260
01:08:35,040 --> 01:08:38,240
Speaker 1: I don't want to listen to it. But it's not

1261
01:08:38,360 --> 01:08:40,759
Speaker 1: like we don't say down to get down with anyone.

1262
01:08:40,920 --> 01:08:44,400
Speaker 1: Just Joel Monique is down to get down. It does

1263
01:08:44,479 --> 01:08:47,280
Speaker 1: say it says no matter what's between your leg your legs,

1264
01:08:48,280 --> 01:08:54,880
Speaker 1: that's simply suggesting the preference. Oh my god, you could

1265
01:08:54,920 --> 01:09:00,400
Speaker 1: be making joel'a meggs. Joe al Monique is down there times.

1266
01:09:00,920 --> 01:09:03,519
Speaker 1: There are times when songs in my head all day

1267
01:09:03,600 --> 01:09:06,240
Speaker 1: long and I'm just humming it to myself. I have

1268
01:09:06,400 --> 01:09:08,720
Speaker 1: sing it to myself on more than one well, usually

1269
01:09:08,760 --> 01:09:14,240
Speaker 1: want I'm cooking. Do you sing it in a third

1270
01:09:14,320 --> 01:09:20,320
Speaker 1: person or do you say I am always keep person?

1271
01:09:22,520 --> 01:09:25,719
Speaker 1: Please try and have another zoom date because or maybe

1272
01:09:26,000 --> 01:09:28,600
Speaker 1: maybe you can even have a socially distanced cup of

1273
01:09:28,640 --> 01:09:32,120
Speaker 1: coffee with her. Because our fans need updates on this

1274
01:09:32,920 --> 01:09:36,760
Speaker 1: exciting new relationship. All right, all right, all right, let's

1275
01:09:36,760 --> 01:09:39,679
Speaker 1: bring in the bringing day. Hello to Galen and Lindsay.

1276
01:09:40,760 --> 01:09:51,080
Speaker 1: Galen and Lindsay, Welcome to show, Welcome to the show. Welcome,

1277
01:09:52,240 --> 01:09:55,240
Speaker 1: Hey guys, how are you welcome? You guys? How do

1278
01:09:55,320 --> 01:09:56,960
Speaker 1: you guys? Do you guys know each other? Are we

1279
01:09:57,040 --> 01:10:00,760
Speaker 1: just doing It's a mystery down that we're gonna find. Okay,

1280
01:10:01,200 --> 01:10:04,000
Speaker 1: from names farmer and his is Wilson. Okay, Well they

1281
01:10:04,080 --> 01:10:05,800
Speaker 1: might not want their last names out there, but there

1282
01:10:05,880 --> 01:10:10,240
Speaker 1: you go, go Worries. This is Shay Serrano, guys, and

1283
01:10:10,320 --> 01:10:13,599
Speaker 1: that's of course Joel and Dale. Well, Lindsey, actually you're

1284
01:10:13,640 --> 01:10:15,960
Speaker 1: into this show because she wanted to be on with Shay.

1285
01:10:16,439 --> 01:10:19,479
Speaker 1: Oh good, Joel, you are good at your job. We

1286
01:10:19,520 --> 01:10:23,840
Speaker 1: got a Shay specific guest. All right, go on, go on,

1287
01:10:24,120 --> 01:10:27,720
Speaker 1: explain to us, lindsay, what's your what's your question or

1288
01:10:28,120 --> 01:10:32,920
Speaker 1: Shay related singings? So actually, so, Galen's my brother in law. Um,

1289
01:10:33,240 --> 01:10:36,880
Speaker 1: and this time last year I got an email that

1290
01:10:37,000 --> 01:10:40,240
Speaker 1: said from Shay Serrano and it was like I get

1291
01:10:40,280 --> 01:10:42,040
Speaker 1: from Galen and I was like, what is this? I

1292
01:10:42,120 --> 01:10:44,519
Speaker 1: opened it up and it was just a PDF. So

1293
01:10:44,640 --> 01:10:46,960
Speaker 1: I was like, hey, Galen, what, I don't want to

1294
01:10:47,000 --> 01:10:49,240
Speaker 1: open a right in pdf. So Galen then explained to

1295
01:10:49,320 --> 01:10:52,280
Speaker 1: me that he had sent me for my birthday Shay's

1296
01:10:52,920 --> 01:10:56,920
Speaker 1: essays um from Stretch so um and told me all

1297
01:10:56,920 --> 01:11:01,040
Speaker 1: about Shay and how awesome he is. And he was like,

1298
01:11:01,120 --> 01:11:03,519
Speaker 1: I know you're a huge Scrubs fan. Um, So I

1299
01:11:03,520 --> 01:11:05,360
Speaker 1: thought this would be perfect for you. And then he's

1300
01:11:05,360 --> 01:11:08,800
Speaker 1: also wanted to support Shay because of all the awesome

1301
01:11:08,840 --> 01:11:11,760
Speaker 1: things that Shay was doing to support his followers at

1302
01:11:11,760 --> 01:11:13,600
Speaker 1: the sort of COVID and so he was like, this

1303
01:11:14,320 --> 01:11:17,760
Speaker 1: sport and give you a little like early birthday. Yet.

1304
01:11:17,960 --> 01:11:20,000
Speaker 1: So then when of course she came on the podcast

1305
01:11:20,120 --> 01:11:22,679
Speaker 1: the first time, I was like, oh, I know exactly

1306
01:11:22,760 --> 01:11:25,360
Speaker 1: who she is and I've read these essays. So, um,

1307
01:11:25,479 --> 01:11:28,759
Speaker 1: I wanted to invite him on today with me because

1308
01:11:29,200 --> 01:11:32,439
Speaker 1: he is an awesome brother in law. Um, he's been

1309
01:11:32,479 --> 01:11:34,720
Speaker 1: in my life since I was fifteen and more than

1310
01:11:34,760 --> 01:11:37,040
Speaker 1: half my life now. So I just wanted to say

1311
01:11:37,040 --> 01:11:39,160
Speaker 1: a way to say thank you to him, to get

1312
01:11:39,280 --> 01:11:42,800
Speaker 1: his one of his um favorite writers for him the

1313
01:11:42,880 --> 01:11:47,800
Speaker 1: chance to see him. And so a great way for

1314
01:11:47,920 --> 01:11:49,439
Speaker 1: me to go on the show because I'm such a

1315
01:11:49,520 --> 01:11:57,759
Speaker 1: huge fan and I love Scrubs. Wow. That's wow. So, Galen,

1316
01:11:57,840 --> 01:12:01,920
Speaker 1: how did you find out about es Well? I was

1317
01:12:02,000 --> 01:12:04,160
Speaker 1: a big reader of grant Lands back in the day

1318
01:12:04,200 --> 01:12:06,679
Speaker 1: and then The Ringer, and so I've been reading stuff

1319
01:12:06,720 --> 01:12:09,360
Speaker 1: that SHA's written and listening to the Shad podcasts for

1320
01:12:10,160 --> 01:12:11,800
Speaker 1: years and years and years at this point, so I

1321
01:12:12,160 --> 01:12:15,080
Speaker 1: started following him on Twitter and just sort of getting

1322
01:12:15,120 --> 01:12:18,599
Speaker 1: into his whole you know, his whole thing with basketball,

1323
01:12:18,640 --> 01:12:20,639
Speaker 1: with movieses, just with all the all the things he's into.

1324
01:12:20,720 --> 01:12:23,160
Speaker 1: And he's just such a such such a fun writer

1325
01:12:23,280 --> 01:12:26,599
Speaker 1: and an outspoken person. Just just love this stuff. That's

1326
01:12:26,720 --> 01:12:29,719
Speaker 1: stuff speaking of basketball. I'll let you know what. I'll

1327
01:12:29,800 --> 01:12:32,439
Speaker 1: let Shave respond to all of this. Yeah, Shaye, do

1328
01:12:32,439 --> 01:12:34,439
Speaker 1: you have a response to all this love you're getting?

1329
01:12:35,360 --> 01:12:37,760
Speaker 1: I don't how. This is like a new thing for

1330
01:12:37,920 --> 01:12:40,160
Speaker 1: me to hear it. It's usually i'd like someone will

1331
01:12:40,160 --> 01:12:42,760
Speaker 1: send me an email or something. This is very overwhelming,

1332
01:12:43,080 --> 01:12:45,200
Speaker 1: But that's like a I'm like, I'm gonna feel real

1333
01:12:45,240 --> 01:12:48,720
Speaker 1: good for the rest of the week, right, I'm saying

1334
01:12:48,760 --> 01:12:51,080
Speaker 1: I'm gonna carry that with me. Well what what? What

1335
01:12:51,320 --> 01:12:54,400
Speaker 1: higher honor can a writer have than people saying, not

1336
01:12:54,560 --> 01:12:56,960
Speaker 1: only do I love your work, but I'm gifting it away?

1337
01:12:57,280 --> 01:13:01,000
Speaker 1: Yeah that's right? People amazing? Yeah? Um, and you really

1338
01:13:01,040 --> 01:13:03,719
Speaker 1: do Shay making IMpower? Are you still is a prolific

1339
01:13:03,800 --> 01:13:06,840
Speaker 1: on Twitter? I'm off Twitter now, but are you still

1340
01:13:06,880 --> 01:13:10,200
Speaker 1: as prolific and doing all the cool things you do? Oh? Yeah,

1341
01:13:10,400 --> 01:13:17,320
Speaker 1: I'm real lonely, So okay, Kaylan, I gotta say this.

1342
01:13:17,439 --> 01:13:21,040
Speaker 1: First of all, your last name well first of all.

1343
01:13:21,520 --> 01:13:23,760
Speaker 1: The second of all, I see you got Oakland all

1344
01:13:23,880 --> 01:13:27,439
Speaker 1: in the background and you got the town uh T

1345
01:13:27,680 --> 01:13:30,320
Speaker 1: shirt on. Let me ask you something right now, how

1346
01:13:30,439 --> 01:13:33,840
Speaker 1: proud are you a Steph Curry? Right now? Holy cow, man,

1347
01:13:34,600 --> 01:13:38,479
Speaker 1: holy cow. He's just been I mean this season, this

1348
01:13:38,760 --> 01:13:41,160
Speaker 1: excuse for the Dubs was kind of a loss when

1349
01:13:41,400 --> 01:13:44,559
Speaker 1: Clay was out before it started. But just the way

1350
01:13:44,640 --> 01:13:47,120
Speaker 1: Steps been playing has been inspiring, just like makes makes

1351
01:13:47,120 --> 01:13:48,840
Speaker 1: it fun to tune in, you know, every night. So

1352
01:13:49,080 --> 01:13:51,760
Speaker 1: it's it's awesome. I know people are saying Yokich is

1353
01:13:51,760 --> 01:13:53,240
Speaker 1: the MVP, but I don't. I want to step to

1354
01:13:53,280 --> 01:13:55,400
Speaker 1: get a little love this year because like, who's really

1355
01:13:55,439 --> 01:13:57,320
Speaker 1: playing better than him? I don't think the Warriors would have,

1356
01:13:57,760 --> 01:14:00,760
Speaker 1: you know, six wins if it wasn't for Steps that

1357
01:14:01,240 --> 01:14:05,799
Speaker 1: you know, he well, Draymond too, is is It's totally important.

1358
01:14:06,080 --> 01:14:08,760
Speaker 1: But I think yo Ki it's either yo kihold Dame

1359
01:14:08,840 --> 01:14:11,599
Speaker 1: Lillard for me or or I would I would give

1360
01:14:12,439 --> 01:14:16,200
Speaker 1: I would give Joel and be a chance at it two.

1361
01:14:16,280 --> 01:14:19,439
Speaker 1: But those three d Steph are the definitely in the

1362
01:14:19,560 --> 01:14:22,360
Speaker 1: forefront for me. I love a good Curry. Um, sometimes

1363
01:14:22,439 --> 01:14:26,360
Speaker 1: I'll have it. Uh, which what's your favorite kind of curry?

1364
01:14:27,280 --> 01:14:33,920
Speaker 1: I love a yellow curry, Zack. You can't talk to

1365
01:14:34,000 --> 01:14:36,040
Speaker 1: my brother in law about tennis. I made sure again

1366
01:14:36,040 --> 01:14:39,439
Speaker 1: I'm talking. Oh thank you. I'm not good, Galen, but

1367
01:14:39,520 --> 01:14:42,960
Speaker 1: I love it. Donald and I sometimes attend the same lesson,

1368
01:14:43,160 --> 01:14:46,280
Speaker 1: and it's my favorite thing to do. It's my favorite

1369
01:14:46,320 --> 01:14:48,439
Speaker 1: form of exercise. I just love it. I wish I

1370
01:14:48,560 --> 01:14:51,760
Speaker 1: was good, but I'm just kind of math lindsay. It

1371
01:14:51,920 --> 01:14:59,280
Speaker 1: says stronger on your shirt, stronger than you, guys, just

1372
01:14:59,400 --> 01:15:02,599
Speaker 1: for you. I do love me some. I do love

1373
01:15:02,680 --> 01:15:05,400
Speaker 1: me some. Grow Gou, You guys are really great guests

1374
01:15:05,439 --> 01:15:07,240
Speaker 1: so far because you're hitting us from all angles. You

1375
01:15:07,320 --> 01:15:10,759
Speaker 1: got basketball with shay On. You got a baby Yoda

1376
01:15:10,880 --> 01:15:14,960
Speaker 1: for Donald grow Gou. Oh No one calls him grow Gou?

1377
01:15:15,000 --> 01:15:18,760
Speaker 1: Do they really? The boy's name is grow Gou, but

1378
01:15:19,000 --> 01:15:21,960
Speaker 1: bro does anyone accept Mega Mega fans like you and

1379
01:15:22,040 --> 01:15:24,479
Speaker 1: Joel call him grogu When he shows up with a

1380
01:15:24,560 --> 01:15:26,679
Speaker 1: lightsaber next week, you ain't gonna call him baby Yoda.

1381
01:15:26,720 --> 01:15:28,719
Speaker 1: You're gonna be going like grog was kicking that ass.

1382
01:15:28,800 --> 01:15:32,160
Speaker 1: So I saw there's a new I'm not gonna get

1383
01:15:32,160 --> 01:15:34,240
Speaker 1: down a wormhole. Okay, we're gonna do three sentences on this.

1384
01:15:34,720 --> 01:15:38,200
Speaker 1: I saw there's a new Star Wars animated show coming out,

1385
01:15:38,360 --> 01:15:42,400
Speaker 1: like the bad Batch the bad Batch. Are you exciting

1386
01:15:42,439 --> 01:15:46,519
Speaker 1: to that? I am, yes, it's it's it's a connection. Listen,

1387
01:15:46,600 --> 01:15:50,840
Speaker 1: anything in between Clone Wars and a new Hope is

1388
01:15:51,120 --> 01:15:53,280
Speaker 1: a lot of fun to talk about. And now what

1389
01:15:53,400 --> 01:15:57,280
Speaker 1: we're learning is that anything in between, uh, the last

1390
01:15:57,479 --> 01:15:59,680
Speaker 1: not the last Jota, the Force awakens and return to

1391
01:15:59,720 --> 01:16:03,880
Speaker 1: the g That's an interesting time. So I'm always excited

1392
01:16:03,920 --> 01:16:08,080
Speaker 1: when we explore those um and UM. I I wanted

1393
01:16:08,080 --> 01:16:10,559
Speaker 1: the audience to know that when whenever I stumble across

1394
01:16:10,600 --> 01:16:13,040
Speaker 1: anything Star Wars, I send it to Donald and um,

1395
01:16:13,080 --> 01:16:15,760
Speaker 1: I would say that every seventh thing or something gets

1396
01:16:15,800 --> 01:16:20,080
Speaker 1: a response. Um. But I I'm just like, I'm like

1397
01:16:20,160 --> 01:16:23,920
Speaker 1: the parent who's like, oh my son loves Star Wars legos, honey,

1398
01:16:24,000 --> 01:16:31,599
Speaker 1: Look was alright, Donald or Donald or Joel? What's what's

1399
01:16:31,640 --> 01:16:35,479
Speaker 1: the connection of the name Galen to Star Wars Galen Soul?

1400
01:16:36,240 --> 01:16:42,200
Speaker 1: Come on? I was too easy to have to get

1401
01:16:42,240 --> 01:16:44,120
Speaker 1: on the level of like, what's the cereal of the

1402
01:16:44,240 --> 01:16:52,479
Speaker 1: battery that's used in the speeder? Can I ask can

1403
01:16:52,479 --> 01:16:55,599
Speaker 1: I ask Lindsay a question because I couldn't because I couldn't.

1404
01:16:55,600 --> 01:16:58,680
Speaker 1: I couldn't ask this of zach o'donald because they were

1405
01:16:58,760 --> 01:17:00,840
Speaker 1: part of the show. Lindsay, when you were watching this

1406
01:17:00,960 --> 01:17:04,240
Speaker 1: episode My Life and four cameras and they cut, they

1407
01:17:04,320 --> 01:17:07,400
Speaker 1: cut for the first time into the like sitcom thing,

1408
01:17:07,800 --> 01:17:09,880
Speaker 1: did you think that this was like a very quick

1409
01:17:09,920 --> 01:17:12,559
Speaker 1: one off fantasy and we're just going to be back

1410
01:17:12,600 --> 01:17:15,519
Speaker 1: to normal or did you know right then that the

1411
01:17:15,640 --> 01:17:16,840
Speaker 1: rest of the show is going to be like that.

1412
01:17:18,000 --> 01:17:20,080
Speaker 1: That's a good question because I definitely have seen this

1413
01:17:20,200 --> 01:17:24,080
Speaker 1: episode a couple of times. I had to rewatch it yesterday.

1414
01:17:24,280 --> 01:17:27,760
Speaker 1: But I actually have interesting opinions on this episode. It's

1415
01:17:27,800 --> 01:17:30,400
Speaker 1: not one of my favorite, but I do get out.

1416
01:17:30,520 --> 01:17:35,120
Speaker 1: Thanks thanks Linda, Thanks ladies and gentlemen, get it up

1417
01:17:35,160 --> 01:17:42,160
Speaker 1: for Lindsay. I do love these sitcom references that it does,

1418
01:17:42,400 --> 01:17:44,479
Speaker 1: like do this where of course, like I love One

1419
01:17:44,560 --> 01:17:46,400
Speaker 1: Division also, so I think it's fun to kind of

1420
01:17:46,439 --> 01:17:50,240
Speaker 1: again make that and then happy like, oh well, Scrubs

1421
01:17:50,280 --> 01:17:53,439
Speaker 1: did it first, so it's like, yeah, One Division was

1422
01:17:53,720 --> 01:17:57,840
Speaker 1: right there, you go. So I think I can't remember

1423
01:17:57,880 --> 01:17:59,519
Speaker 1: the first time because the person i'd watched it such

1424
01:17:59,520 --> 01:18:02,400
Speaker 1: a long time ago, but I think and then rewatching it,

1425
01:18:02,439 --> 01:18:04,360
Speaker 1: I knew that, like the whole thing kind of went

1426
01:18:04,520 --> 01:18:09,080
Speaker 1: through um that it goes through the whole time of

1427
01:18:09,439 --> 01:18:14,200
Speaker 1: the fantasy sequence. It's really interesting. It's really interesting that

1428
01:18:14,360 --> 01:18:18,720
Speaker 1: you say that because WandaVision definitely stole from us, and

1429
01:18:18,840 --> 01:18:22,360
Speaker 1: then Falcon and the Winter Soldier definitely stole from us.

1430
01:18:25,120 --> 01:18:27,000
Speaker 1: Come on, man, you've never seen her. First of all,

1431
01:18:27,080 --> 01:18:31,720
Speaker 1: it's an eagle dude. It's a dude with the flying

1432
01:18:31,840 --> 01:18:35,760
Speaker 1: around with his buddy one two. They're the best. They're

1433
01:18:35,840 --> 01:18:39,040
Speaker 1: like the best bromance on television right now. Who started that?

1434
01:18:39,200 --> 01:18:44,080
Speaker 1: The interracial romance at that? Like, come on, man, come on, buddy.

1435
01:18:44,280 --> 01:18:47,080
Speaker 1: Did you like this latest episode? Yeah, they've set it

1436
01:18:47,160 --> 01:18:51,280
Speaker 1: up for whatever this Friday is, for Thursday at midnight.

1437
01:18:51,400 --> 01:18:55,639
Speaker 1: For me, they spent like one hundred and fifty seven

1438
01:18:55,760 --> 01:19:00,280
Speaker 1: million dollars on this show. One hundred and fifty seven million.

1439
01:19:00,600 --> 01:19:05,040
Speaker 1: Most of it goes into special effects and visual effects

1440
01:19:05,040 --> 01:19:07,599
Speaker 1: and stuff like that. So far, I haven't seen one

1441
01:19:07,640 --> 01:19:10,160
Speaker 1: hundred and fifty seven million dollars worth of visual effects

1442
01:19:11,120 --> 01:19:14,640
Speaker 1: keeping it one hundred. I might have seen fifty. They

1443
01:19:14,720 --> 01:19:17,400
Speaker 1: got about one hundred whole flight scene for episode one.

1444
01:19:18,000 --> 01:19:22,320
Speaker 1: That's about fifty that's about fifty million dollars donald budgets

1445
01:19:22,360 --> 01:19:28,280
Speaker 1: of production. I thought that, um that this fight was,

1446
01:19:28,640 --> 01:19:31,680
Speaker 1: this fight in this last episode was was amazing. Was

1447
01:19:31,760 --> 01:19:34,439
Speaker 1: really well done. Yeah, I like, I like everywhere that

1448
01:19:34,520 --> 01:19:38,519
Speaker 1: it's going on, Louis Dreyfus. That was cool her arrival.

1449
01:19:38,960 --> 01:19:43,920
Speaker 1: What you know, it's the only thing is you got

1450
01:19:44,040 --> 01:19:48,080
Speaker 1: a deep dive into who Contessa is or Vale is,

1451
01:19:48,120 --> 01:19:50,680
Speaker 1: i should say. And when you deep dive into it,

1452
01:19:50,800 --> 01:19:52,680
Speaker 1: you learned that she used to date Nick Fury, and

1453
01:19:52,760 --> 01:19:55,640
Speaker 1: you learn that you know, she was Madame Hydra or

1454
01:19:55,720 --> 01:19:58,639
Speaker 1: Lady Hydro or something like that. So you know she's

1455
01:19:58,680 --> 01:20:02,360
Speaker 1: coming from the fact that she's talking to John Walker

1456
01:20:02,400 --> 01:20:04,720
Speaker 1: in the first place. You know she's evil. You know,

1457
01:20:05,200 --> 01:20:07,599
Speaker 1: she's a baddie. She's a bad guy of some sort.

1458
01:20:07,920 --> 01:20:11,200
Speaker 1: I'm hoping that they dig into the Thunderbolts because that's

1459
01:20:11,240 --> 01:20:16,240
Speaker 1: a really awesome group of and Thunderbolts is led by

1460
01:20:16,360 --> 01:20:18,960
Speaker 1: Zimo actually, who's on the show, So that would be

1461
01:20:19,120 --> 01:20:22,719
Speaker 1: really awesome if that's what it turns into, where Zemo

1462
01:20:22,800 --> 01:20:26,040
Speaker 1: and the Thunderbolts get their suicide squad type movie. You

1463
01:20:26,120 --> 01:20:28,519
Speaker 1: know what I mean or suicide squad type show where

1464
01:20:28,560 --> 01:20:31,679
Speaker 1: they're the bad guys who who you know, everybody thinks

1465
01:20:31,760 --> 01:20:35,200
Speaker 1: they're doing good, but really they're bad guys plotting for

1466
01:20:35,360 --> 01:20:37,920
Speaker 1: a future event. Well, I'm glad it was Julia Bee

1467
01:20:38,040 --> 01:20:40,000
Speaker 1: drive is because everybody loves her. You can't not love

1468
01:20:40,120 --> 01:20:43,479
Speaker 1: her absolutely um and she's a Northquestern grad. All right,

1469
01:20:43,640 --> 01:20:46,479
Speaker 1: do you guys have a question? So my question away,

1470
01:20:46,479 --> 01:20:49,160
Speaker 1: it's like with this episode, one of the big things

1471
01:20:49,200 --> 01:20:53,680
Speaker 1: that it starts is this issue like storyline and arc

1472
01:20:53,760 --> 01:20:57,240
Speaker 1: of Turk and Carla's like marial issues and working through

1473
01:20:57,400 --> 01:21:01,280
Speaker 1: those time. Did you all have like a favorite storyline

1474
01:21:01,360 --> 01:21:03,800
Speaker 1: or arc, either for your characters that you'd like to

1475
01:21:03,920 --> 01:21:07,519
Speaker 1: kind of act through or for everyone else, like want

1476
01:21:07,600 --> 01:21:10,360
Speaker 1: a storyline or arc that in particular that you really loved.

1477
01:21:12,520 --> 01:21:15,400
Speaker 1: Growing up, my favorite storylines on television shows were the

1478
01:21:15,479 --> 01:21:18,519
Speaker 1: love stories. You know, not necessarily the will they or

1479
01:21:18,560 --> 01:21:22,400
Speaker 1: won't they, but the love stories like Alex P. Keaton

1480
01:21:22,439 --> 01:21:24,400
Speaker 1: when he finds his first girlfriend, when he meets his

1481
01:21:24,439 --> 01:21:26,000
Speaker 1: first girlfriend who turns out to be his wife in

1482
01:21:26,040 --> 01:21:28,960
Speaker 1: real life, Michael J. Fox's wife in real life, or

1483
01:21:29,160 --> 01:21:35,439
Speaker 1: Kurt Cameron's first loved in his on growing pains right well,

1484
01:21:35,920 --> 01:21:39,599
Speaker 1: and then you know Kadeem Hardison being so Dwayne Wayne

1485
01:21:39,680 --> 01:21:43,559
Speaker 1: being so in love with Denise but then finding love

1486
01:21:43,640 --> 01:21:48,680
Speaker 1: and Jasmine guys character, Um, I I loved that, and

1487
01:21:48,760 --> 01:21:52,800
Speaker 1: I love that you could find music and play the

1488
01:21:53,000 --> 01:21:58,640
Speaker 1: music with U this theme and so in Scrubs, my

1489
01:21:58,840 --> 01:22:02,160
Speaker 1: favorite arc is the Turk and Carless storyline. Like I,

1490
01:22:02,840 --> 01:22:06,000
Speaker 1: you know, Shay says it will can say it way

1491
01:22:06,080 --> 01:22:08,800
Speaker 1: better than me, But I truly believe that you know,

1492
01:22:10,120 --> 01:22:14,320
Speaker 1: that relationship is as close to a real relationship that

1493
01:22:14,520 --> 01:22:19,479
Speaker 1: I've ever been in, Like it mirrors my relationship with

1494
01:22:19,680 --> 01:22:23,000
Speaker 1: my wife. You know, not only are they cute, but

1495
01:22:23,280 --> 01:22:27,400
Speaker 1: you know, they're both very passionate about what they believe

1496
01:22:27,439 --> 01:22:29,640
Speaker 1: in and sometimes the other one doesn't believe in it,

1497
01:22:29,760 --> 01:22:34,120
Speaker 1: but they still find love, you know, uh with within

1498
01:22:34,920 --> 01:22:39,000
Speaker 1: their complications. And so I I love it when I

1499
01:22:39,200 --> 01:22:42,360
Speaker 1: loved when I got to do stuff with Judy like this,

1500
01:22:42,800 --> 01:22:46,360
Speaker 1: like love stories with Judy. Yeah, I have a similar answer.

1501
01:22:46,400 --> 01:22:48,760
Speaker 1: I think that the well obviously first and foremost my

1502
01:22:48,920 --> 01:22:51,960
Speaker 1: my love affair with with Donald and Turk, but I

1503
01:22:52,320 --> 01:22:55,960
Speaker 1: really I'm I'm a sucker for romance too, And I

1504
01:22:56,080 --> 01:22:59,479
Speaker 1: loved that that that throughout the arc of the eight seasons,

1505
01:23:00,360 --> 01:23:03,439
Speaker 1: the regular eight seasons that that Sarah and I ended

1506
01:23:03,520 --> 01:23:05,639
Speaker 1: up together, Elliott and Jdi ended up together. I thought,

1507
01:23:06,200 --> 01:23:08,760
Speaker 1: I thought that was very romantic and real and that

1508
01:23:08,880 --> 01:23:12,040
Speaker 1: they both had to grow. Um well, JD in particular

1509
01:23:12,160 --> 01:23:13,920
Speaker 1: had to grow, but Elliot had to do some growing

1510
01:23:13,960 --> 01:23:15,720
Speaker 1: of her own and date. You know, they hadn't really

1511
01:23:15,800 --> 01:23:17,680
Speaker 1: dated a lot of people when when they first meet

1512
01:23:17,720 --> 01:23:19,840
Speaker 1: there they're in college, and then they're in med school

1513
01:23:19,840 --> 01:23:21,920
Speaker 1: and they're so busy, and and they were kind of

1514
01:23:22,040 --> 01:23:27,880
Speaker 1: each other's first crush outside of school that I think

1515
01:23:27,880 --> 01:23:30,720
Speaker 1: we can infer and then and then then they have

1516
01:23:30,800 --> 01:23:32,280
Speaker 1: a lot of growing up to do, and then the

1517
01:23:32,360 --> 01:23:34,519
Speaker 1: fact that they are able to find each other after

1518
01:23:34,680 --> 01:23:37,599
Speaker 1: they've dated other people and sort of gotten the hooking

1519
01:23:37,680 --> 01:23:40,040
Speaker 1: up out of their systems, and then well, this is crazy.

1520
01:23:40,120 --> 01:23:43,120
Speaker 1: I want to be with you. I'm such a sucker

1521
01:23:43,200 --> 01:23:45,560
Speaker 1: for that. I love romance. And I thought that was

1522
01:23:45,600 --> 01:23:48,840
Speaker 1: really well done by Bill. But you're right, zach Us

1523
01:23:49,000 --> 01:23:54,639
Speaker 1: playing you know, our our bit our stick by far,

1524
01:23:55,120 --> 01:23:58,040
Speaker 1: I should say, the love story comes a close second

1525
01:23:58,280 --> 01:24:01,560
Speaker 1: to that. Yeah. Well, yeah, I mean because I think that,

1526
01:24:01,800 --> 01:24:04,360
Speaker 1: you know, as as as JD says to Elliott and

1527
01:24:04,360 --> 01:24:10,439
Speaker 1: the Bahamas, Elliott, I love you more than turk. What

1528
01:24:10,640 --> 01:24:15,040
Speaker 1: what's a more romantic thing you could say? All right,

1529
01:24:15,080 --> 01:24:18,679
Speaker 1: do you guys have another question? And my other questions

1530
01:24:18,760 --> 01:24:22,040
Speaker 1: is gonna be about you guys get these really fine

1531
01:24:22,120 --> 01:24:26,240
Speaker 1: fantasy sequences the show. Um, did you guys ever have

1532
01:24:26,520 --> 01:24:29,080
Speaker 1: a favorite costume that went along with one of those? Oh,

1533
01:24:29,120 --> 01:24:33,120
Speaker 1: my Eddie Murphy raw, Yeah, that one, either that one

1534
01:24:33,360 --> 01:24:37,400
Speaker 1: or Indiana Jones. I got to be the black Indiana Jones.

1535
01:24:37,600 --> 01:24:42,000
Speaker 1: And you know, I loved the The Princess Bride episode.

1536
01:24:42,000 --> 01:24:44,960
Speaker 1: It was so underappreciated in my book because it was

1537
01:24:45,120 --> 01:24:46,920
Speaker 1: it was a really weird time for the show, and

1538
01:24:47,040 --> 01:24:49,439
Speaker 1: we thought it might go off the air, and I

1539
01:24:49,560 --> 01:24:54,679
Speaker 1: think the audience thought that it might be the series finale,

1540
01:24:54,760 --> 01:24:56,880
Speaker 1: and so it was sort of judged in a why

1541
01:24:57,040 --> 01:25:00,599
Speaker 1: is this the series finale? Way? Um? But I think

1542
01:25:00,640 --> 01:25:02,960
Speaker 1: it was probably our most expensive episode and our most

1543
01:25:03,840 --> 01:25:08,040
Speaker 1: definitely and most ambitious episode, And I directed it, so

1544
01:25:08,080 --> 01:25:11,320
Speaker 1: I'm extra biased, but I I I just look. I

1545
01:25:11,439 --> 01:25:15,200
Speaker 1: thought the costumes in that by Carrie Bennett were extraordinary,

1546
01:25:15,360 --> 01:25:19,439
Speaker 1: and um, the amount of work that went into that

1547
01:25:19,520 --> 01:25:23,880
Speaker 1: episode was like quadruple um. Anything we ever did on

1548
01:25:23,880 --> 01:25:33,880
Speaker 1: another episode. So that's what comes to my mind. All right.

1549
01:25:33,920 --> 01:25:36,400
Speaker 1: I don't know who we're helping, whether it's Lindsay or Galen,

1550
01:25:36,520 --> 01:25:38,120
Speaker 1: but it is time for where Where do you live?

1551
01:25:38,200 --> 01:25:46,640
Speaker 1: Lindsay's actually for Galen. Okland. It's time for Oakland, Oaktown's

1552
01:25:47,200 --> 01:25:57,080
Speaker 1: favorite segment. Everyone, it's time to fix Yea, We're gonna

1553
01:25:57,160 --> 01:25:59,840
Speaker 1: hella fix your life. That's what they say in Oakland, Donald, Hella,

1554
01:26:00,479 --> 01:26:02,479
Speaker 1: is that what they say? Well the teenagers too. I

1555
01:26:02,479 --> 01:26:03,680
Speaker 1: don't know if you know, you know, I love me

1556
01:26:03,760 --> 01:26:06,560
Speaker 1: some E forty tell me where to go? Hey, we

1557
01:26:06,680 --> 01:26:08,880
Speaker 1: just tell me where to go. We just had an

1558
01:26:08,960 --> 01:26:12,080
Speaker 1: E forty track in the in the in the show.

1559
01:26:12,479 --> 01:26:15,000
Speaker 1: Um and she probably doesn't. And they're trying to get

1560
01:26:15,200 --> 01:26:18,760
Speaker 1: a PG version number the song because the lyrics. But

1561
01:26:18,880 --> 01:26:22,960
Speaker 1: it's a great song. You know that song they played

1562
01:26:23,000 --> 01:26:27,040
Speaker 1: in basketball games apparently a long um shay, you should

1563
01:26:27,080 --> 01:26:29,559
Speaker 1: know this. They played in basketball games. We're here trying

1564
01:26:29,560 --> 01:26:32,800
Speaker 1: to we're trying to function. Tell me where to go?

1565
01:26:33,320 --> 01:26:37,599
Speaker 1: What's it called function? Yeah? You know that song? Function? Donald?

1566
01:26:37,840 --> 01:26:41,800
Speaker 1: Go go? No? No, yeah, I don't I know that one.

1567
01:26:42,160 --> 01:26:43,479
Speaker 1: All right, Well, Donald, I'm gonna send it to you

1568
01:26:43,479 --> 01:26:46,080
Speaker 1: because it's a really good song, tell Me where to Go.

1569
01:26:46,400 --> 01:26:48,639
Speaker 1: Apparently they're going to try and get mister e forty

1570
01:26:48,720 --> 01:26:52,519
Speaker 1: to make a Disney friend friendly version of it, tell

1571
01:26:52,600 --> 01:26:56,439
Speaker 1: Me where to Go? All right, we digress, Galen, how

1572
01:26:56,479 --> 01:26:58,479
Speaker 1: can we help you, sir? Well? And I was gonna say,

1573
01:26:58,520 --> 01:27:01,400
Speaker 1: I think mister fab is the Oakland sort of least

1574
01:27:01,600 --> 01:27:08,200
Speaker 1: least appreciate or a most underrated rapper. But um so,

1575
01:27:09,240 --> 01:27:12,440
Speaker 1: about nine months ago, my wife and I started fostering

1576
01:27:12,840 --> 01:27:16,840
Speaker 1: two babies who are about twenty one days apart, and

1577
01:27:17,040 --> 01:27:19,160
Speaker 1: so we don't we don't know ultimately what's going to

1578
01:27:19,240 --> 01:27:21,519
Speaker 1: go on with them, but there's a chance in the

1579
01:27:21,600 --> 01:27:24,360
Speaker 1: long run that we could adopt both of them. Wow,

1580
01:27:24,560 --> 01:27:28,400
Speaker 1: So they're in effect, they're there because they're so close

1581
01:27:28,479 --> 01:27:32,040
Speaker 1: in age and developmentally, and they've they've basically been almost

1582
01:27:32,120 --> 01:27:34,920
Speaker 1: raised together. They're they're eleven months now. They're they're sort

1583
01:27:34,960 --> 01:27:37,400
Speaker 1: of in effect, they're like twins. They're very much like twins.

1584
01:27:37,439 --> 01:27:39,920
Speaker 1: And so I had a question for Donald in for Shay,

1585
01:27:40,439 --> 01:27:44,280
Speaker 1: who both I think have twins, unless I misread Wikipedia,

1586
01:27:44,640 --> 01:27:47,439
Speaker 1: But my question was, do you have anything that you

1587
01:27:47,520 --> 01:27:51,800
Speaker 1: could tell a new parent who's potentially raising twins. Uh,

1588
01:27:52,000 --> 01:27:54,280
Speaker 1: something that you wish you would have known about raising twins,

1589
01:27:54,400 --> 01:27:58,320
Speaker 1: or you know, any information that would be pertinent to

1590
01:27:58,439 --> 01:28:01,360
Speaker 1: a to a future or a current in future twin. Dad,

1591
01:28:01,760 --> 01:28:05,519
Speaker 1: All right, wait before we get to them answering, tell

1592
01:28:05,600 --> 01:28:07,759
Speaker 1: us a little more backstory. How did this come about

1593
01:28:07,960 --> 01:28:11,120
Speaker 1: that you and your wife stepped up in such an

1594
01:28:11,240 --> 01:28:17,920
Speaker 1: incredible way to take on fostering babies. The problem with

1595
01:28:18,040 --> 01:28:20,639
Speaker 1: this story is there's no we can figure out. We've

1596
01:28:20,720 --> 01:28:23,120
Speaker 1: been we've been together for ever and ever, and for

1597
01:28:23,280 --> 01:28:25,160
Speaker 1: some reason both of us just at some point in

1598
01:28:25,160 --> 01:28:29,040
Speaker 1: our life had a sort of interest in fostering an

1599
01:28:29,040 --> 01:28:31,519
Speaker 1: adoption as a way to start a family, and so

1600
01:28:31,920 --> 01:28:35,000
Speaker 1: we set about it a couple a couple of years ago.

1601
01:28:35,080 --> 01:28:37,639
Speaker 1: Is actually Game one of the twenty seventeen NBA Finals

1602
01:28:37,840 --> 01:28:40,640
Speaker 1: is like the first the first event we had to

1603
01:28:40,680 --> 01:28:43,080
Speaker 1: go to a minute. It took several years to get,

1604
01:28:43,520 --> 01:28:46,960
Speaker 1: you know, fully certified, et cetera, et cetera. And then

1605
01:28:47,200 --> 01:28:50,040
Speaker 1: Lindsay actually has a super connection to this because she's

1606
01:28:50,080 --> 01:28:55,120
Speaker 1: a social worker and works with foster and adoption in Atlanta.

1607
01:28:55,200 --> 01:28:58,519
Speaker 1: So it's it's like, really in our family right now. Wow,

1608
01:28:58,600 --> 01:29:02,479
Speaker 1: And so the thing fostering as I understand it is, um,

1609
01:29:03,080 --> 01:29:06,080
Speaker 1: they're with you? Is it is a situation and excuse

1610
01:29:06,160 --> 01:29:08,200
Speaker 1: me for not knowing the answer, but Lindsey can help

1611
01:29:08,240 --> 01:29:11,479
Speaker 1: me because she's a social worker. Where if the if

1612
01:29:11,520 --> 01:29:14,559
Speaker 1: the parent of either of these children, uh comes back

1613
01:29:14,640 --> 01:29:18,599
Speaker 1: into the picture, you could then lose the child to them. Yeah,

1614
01:29:18,760 --> 01:29:22,320
Speaker 1: that's that's a distinct possibility. So that's really that's extra

1615
01:29:22,439 --> 01:29:25,120
Speaker 1: frightening because you're if you've fallen in love with these babies,

1616
01:29:25,120 --> 01:29:27,800
Speaker 1: I'm sure, and yet you might have to relinquish them.

1617
01:29:29,400 --> 01:29:31,600
Speaker 1: Part of a lot of the training is sort of

1618
01:29:31,720 --> 01:29:34,720
Speaker 1: trying to prepare you emotionally for saying, you have to

1619
01:29:34,800 --> 01:29:36,400
Speaker 1: treat these kids as if you're own. You have to

1620
01:29:36,800 --> 01:29:38,800
Speaker 1: love them like they're your own. But you also have

1621
01:29:38,920 --> 01:29:42,639
Speaker 1: to know that, you know, at a moment's notice, somebody

1622
01:29:42,720 --> 01:29:44,760
Speaker 1: can show up and they can go back with with

1623
01:29:45,040 --> 01:29:47,840
Speaker 1: you know, their their mom or their dad or or

1624
01:29:47,960 --> 01:29:50,720
Speaker 1: a or a you know kinship or you know, some

1625
01:29:50,840 --> 01:29:52,920
Speaker 1: other family member. And so it's it is it is

1626
01:29:53,000 --> 01:29:55,880
Speaker 1: tough emotionally that they don't you know, it's not like

1627
01:29:55,960 --> 01:29:57,599
Speaker 1: they hide that. They sort of tell you one day

1628
01:29:57,680 --> 01:30:01,680
Speaker 1: one that that's a distinct possibility. So it's it's emotionally

1629
01:30:01,680 --> 01:30:03,880
Speaker 1: a little a little strange, but we just we're just

1630
01:30:03,960 --> 01:30:07,040
Speaker 1: kind of rolling with it. Wow, that's so impressive, and

1631
01:30:07,200 --> 01:30:09,960
Speaker 1: thank god there are people like you doing doing that,

1632
01:30:10,200 --> 01:30:13,320
Speaker 1: because what a difference you're making in the world. I mean,

1633
01:30:13,640 --> 01:30:17,720
Speaker 1: all I did today was make a smoothie. Well I

1634
01:30:17,760 --> 01:30:20,519
Speaker 1: would and I would say, we're you know, we don't

1635
01:30:20,560 --> 01:30:23,360
Speaker 1: deserve that much credit because we were seeking where we

1636
01:30:23,479 --> 01:30:26,280
Speaker 1: wanted to foster, you know, babies, which I think there's

1637
01:30:26,280 --> 01:30:28,080
Speaker 1: a lot of demand for him, As Lindsay would tell you,

1638
01:30:28,400 --> 01:30:30,720
Speaker 1: if there's folks out there who want to foster like

1639
01:30:30,880 --> 01:30:34,560
Speaker 1: teenagers or you know, middle school age kids, you know

1640
01:30:34,680 --> 01:30:36,559
Speaker 1: that kind of thing, that there's really there's a really

1641
01:30:36,640 --> 01:30:39,120
Speaker 1: big need for that. And so we you know that

1642
01:30:39,280 --> 01:30:41,000
Speaker 1: maybe something that we do in the future. We weren't

1643
01:30:41,040 --> 01:30:43,080
Speaker 1: quite ready for that. We wanted to start with babies.

1644
01:30:43,120 --> 01:30:45,680
Speaker 1: But that's that's like those people who do that kind

1645
01:30:45,680 --> 01:30:49,400
Speaker 1: of fostering are sort of really the heroes. Lindsey, Um,

1646
01:30:49,560 --> 01:30:51,960
Speaker 1: is there a resource for people that might be listening

1647
01:30:52,000 --> 01:30:54,840
Speaker 1: and going I would like to do that. That's been

1648
01:30:54,880 --> 01:30:56,360
Speaker 1: a dream of mine. Do you do you know of

1649
01:30:56,680 --> 01:30:59,639
Speaker 1: of a website or or where they could go? Yeah,

1650
01:30:59,800 --> 01:31:03,120
Speaker 1: you for each state, it's you can google your state

1651
01:31:03,240 --> 01:31:07,640
Speaker 1: and then like for Georgia, just googling foster children in

1652
01:31:07,720 --> 01:31:09,800
Speaker 1: Georgia and it will usually take you straight to the

1653
01:31:10,720 --> 01:31:14,920
Speaker 1: states like main page, and from there you can do

1654
01:31:15,720 --> 01:31:18,120
Speaker 1: usually like on Georgia stage, you can do an inquiry

1655
01:31:18,360 --> 01:31:20,400
Speaker 1: and then they'll connect you kind of with your county,

1656
01:31:20,840 --> 01:31:25,120
Speaker 1: but they'll also go ahead and put you first in

1657
01:31:25,160 --> 01:31:27,640
Speaker 1: an informational meeting, so they'll kind of again lay out

1658
01:31:27,680 --> 01:31:29,519
Speaker 1: a lot of this tell you a lot more about

1659
01:31:29,560 --> 01:31:32,679
Speaker 1: the process because it is a big process. Sometimes people

1660
01:31:32,680 --> 01:31:34,760
Speaker 1: are just like, oh, like easy peasy, like I can

1661
01:31:34,800 --> 01:31:36,760
Speaker 1: get approved like that, but there's a lot that goes

1662
01:31:36,800 --> 01:31:39,320
Speaker 1: into the approval process. Well, thank goodness, right, because you

1663
01:31:39,360 --> 01:31:42,360
Speaker 1: don't watch just anybody getting a child. Yeah, So there's

1664
01:31:42,360 --> 01:31:44,599
Speaker 1: a lot of training involved, there's a lot of home

1665
01:31:44,680 --> 01:31:47,760
Speaker 1: studies looking at your home, there's a lot of interviewing,

1666
01:31:49,040 --> 01:31:52,680
Speaker 1: and so it definitely is a process, and it's a

1667
01:31:52,760 --> 01:31:55,120
Speaker 1: really once you even get approved and you've got a placement,

1668
01:31:55,200 --> 01:31:59,360
Speaker 1: it's really difficult and challenging, but it is such an important,

1669
01:31:59,439 --> 01:32:05,000
Speaker 1: important need and there are I can't remember how I

1670
01:32:05,080 --> 01:32:07,240
Speaker 1: think the stat is about there's like about four hundred

1671
01:32:07,280 --> 01:32:10,639
Speaker 1: thousand kids in foster care usually on average each year,

1672
01:32:11,600 --> 01:32:13,880
Speaker 1: and there's a really high number of teens that end

1673
01:32:13,960 --> 01:32:16,559
Speaker 1: up aging out of foster care and so being able

1674
01:32:16,600 --> 01:32:19,640
Speaker 1: to get in a specially support teams. And it is

1675
01:32:19,840 --> 01:32:22,680
Speaker 1: much harder in the state. When I've had teams that

1676
01:32:22,720 --> 01:32:25,200
Speaker 1: I've had to place in two different foster homes or

1677
01:32:25,320 --> 01:32:28,600
Speaker 1: group homes. The preference is always a foster home, but

1678
01:32:28,680 --> 01:32:32,040
Speaker 1: those are harder because again, teams have gone through trauma,

1679
01:32:32,200 --> 01:32:35,120
Speaker 1: they've had different issues heres, and so people aren't quite

1680
01:32:35,160 --> 01:32:37,800
Speaker 1: as ready. But there's also so much training out there

1681
01:32:38,479 --> 01:32:40,479
Speaker 1: that people can be a part of. There's a lot

1682
01:32:40,520 --> 01:32:43,400
Speaker 1: of different again in two in social media and Facebook

1683
01:32:43,479 --> 01:32:46,840
Speaker 1: that people that you can utilize as support systems to

1684
01:32:47,000 --> 01:32:49,400
Speaker 1: help them. And then also to trying to rely on

1685
01:32:49,520 --> 01:32:51,400
Speaker 1: the state, trying to rely on these case man indors

1686
01:32:51,439 --> 01:32:53,600
Speaker 1: of like hey, if if your team is struggling with

1687
01:32:53,720 --> 01:32:56,200
Speaker 1: this or that, like making sure that they get those services.

1688
01:32:56,240 --> 01:32:59,879
Speaker 1: So maybe the government doesn't the government help you financially

1689
01:33:00,160 --> 01:33:03,280
Speaker 1: if you take a child. They do, Yeah, they provide

1690
01:33:03,280 --> 01:33:04,880
Speaker 1: a snipend. So it's one of those they try and

1691
01:33:04,920 --> 01:33:09,080
Speaker 1: stress that it's not a it's not supplemental income, but

1692
01:33:09,200 --> 01:33:11,240
Speaker 1: it's like an assistant. So a lot of the times

1693
01:33:11,280 --> 01:33:15,200
Speaker 1: they'll get more like reimburse for certain things, and they

1694
01:33:15,320 --> 01:33:17,800
Speaker 1: may get a stipend like at the end of a

1695
01:33:17,880 --> 01:33:20,719
Speaker 1: month or the next month to kind of help reimburse

1696
01:33:20,800 --> 01:33:25,160
Speaker 1: you for previous things. Well, that's an incredible story, Galen,

1697
01:33:25,200 --> 01:33:28,360
Speaker 1: and I think we on behalf of all of us.

1698
01:33:28,720 --> 01:33:31,439
Speaker 1: We wish you success with that. And also I just

1699
01:33:31,560 --> 01:33:33,240
Speaker 1: met you, but I really hope you get to keep

1700
01:33:33,280 --> 01:33:36,200
Speaker 1: those those babies and become an awesome father to them.

1701
01:33:36,600 --> 01:33:39,600
Speaker 1: I will say this, I hope their parents get it

1702
01:33:39,680 --> 01:33:42,240
Speaker 1: together and are able to get the babies back first.

1703
01:33:42,360 --> 01:33:45,680
Speaker 1: But if not, I do hope that, Galen, I do

1704
01:33:45,800 --> 01:33:47,640
Speaker 1: hope that we want joy for the children. It's what

1705
01:33:47,760 --> 01:33:50,519
Speaker 1: we want right now, guys, let's pivot to the more

1706
01:33:50,600 --> 01:33:53,400
Speaker 1: fun question. Do you guys have any advice on what

1707
01:33:53,560 --> 01:33:56,160
Speaker 1: it's like? Even though these aren't literal twins, he feels

1708
01:33:56,200 --> 01:33:58,120
Speaker 1: like he's raising them as twins. Of advice on what

1709
01:33:58,280 --> 01:34:02,640
Speaker 1: that's like. That's tough, man, because if they act like

1710
01:34:02,800 --> 01:34:06,000
Speaker 1: twins and they've been together their whole lives, they're gonna

1711
01:34:06,040 --> 01:34:11,120
Speaker 1: gang up on you. So good, so good, and you

1712
01:34:11,280 --> 01:34:14,080
Speaker 1: heard of good Cop, Bad Cop. It's crazy when your

1713
01:34:14,120 --> 01:34:19,559
Speaker 1: kids do that to you. My kids, my twins are

1714
01:34:19,640 --> 01:34:24,200
Speaker 1: twenty twenty one years old now, and one's good cop

1715
01:34:24,280 --> 01:34:26,080
Speaker 1: and one's bad cop. One of them will give it

1716
01:34:26,120 --> 01:34:28,160
Speaker 1: to me like one gives it to me like I

1717
01:34:28,360 --> 01:34:30,920
Speaker 1: need it, and the other one is a sweetheart about it.

1718
01:34:31,080 --> 01:34:34,479
Speaker 1: Dottie is a sweetheart about everything. Everything is. Dad, You're

1719
01:34:34,520 --> 01:34:38,439
Speaker 1: my hero, You're my I love you so much. My daughter,

1720
01:34:39,240 --> 01:34:41,080
Speaker 1: my daughter tells me she loves me, but I've never

1721
01:34:41,200 --> 01:34:45,479
Speaker 1: heard you're my hero from my daughter. My daughter freaking

1722
01:34:45,600 --> 01:34:49,120
Speaker 1: gives me the real you're gonna wear that or look

1723
01:34:49,160 --> 01:34:55,120
Speaker 1: at you? You decided to work out today, huh oh

1724
01:34:55,439 --> 01:34:57,960
Speaker 1: yeah yeah, and I also decided to move all your

1725
01:34:57,960 --> 01:35:00,240
Speaker 1: stuff onto the front lawn. No, no, no, I would

1726
01:35:00,240 --> 01:35:02,880
Speaker 1: never do that. Go ahead from from like a very

1727
01:35:03,040 --> 01:35:07,400
Speaker 1: pragmatic standpoint, that's a very good answer there. It's gonna

1728
01:35:07,439 --> 01:35:09,599
Speaker 1: feel like they're just running a two on one fast

1729
01:35:09,640 --> 01:35:12,679
Speaker 1: break against you at all times. Like it doesn't. There's

1730
01:35:12,720 --> 01:35:14,479
Speaker 1: there's nothing that you're gonna be able to do to

1731
01:35:14,720 --> 01:35:16,720
Speaker 1: sort of separate those two. They're just gonna be a

1732
01:35:16,800 --> 01:35:20,120
Speaker 1: pair forever. My twins are fourteen or thirteen going on

1733
01:35:20,240 --> 01:35:22,920
Speaker 1: fourteen now, but they're like they're all they look like

1734
01:35:23,040 --> 01:35:25,160
Speaker 1: young men. Now they got wide shoulders and we play.

1735
01:35:25,320 --> 01:35:27,240
Speaker 1: They're bigger than me for the most part, and like

1736
01:35:28,080 --> 01:35:32,519
Speaker 1: it's terrible, but also like kind of great. So number one,

1737
01:35:32,800 --> 01:35:34,920
Speaker 1: they're gonna beat the hell out of you, but number two,

1738
01:35:35,200 --> 01:35:37,760
Speaker 1: like your only job in this situation is to make

1739
01:35:37,800 --> 01:35:40,519
Speaker 1: sure that they know your house is like a good

1740
01:35:40,600 --> 01:35:42,360
Speaker 1: place to be and you want them there with you

1741
01:35:42,439 --> 01:35:44,680
Speaker 1: and you love them, and then all the rest is

1742
01:35:44,720 --> 01:35:47,040
Speaker 1: like whatever, screw it up a million times if you want.

1743
01:35:47,200 --> 01:35:49,400
Speaker 1: But if they know that part of it, it seems

1744
01:35:49,439 --> 01:35:52,439
Speaker 1: like everything works out pretty good. If they can come

1745
01:35:52,520 --> 01:35:55,040
Speaker 1: to you, if they can come to you with their problems,

1746
01:35:55,560 --> 01:35:58,200
Speaker 1: you're winning. You are winning. You are winning big time.

1747
01:35:58,520 --> 01:36:00,439
Speaker 1: And so you want to make yourself available to them

1748
01:36:00,479 --> 01:36:02,439
Speaker 1: and let them know that at a very early age

1749
01:36:02,479 --> 01:36:06,360
Speaker 1: that you are safe with me. Yeah, awesome. I was

1750
01:36:06,400 --> 01:36:08,920
Speaker 1: trying to think, what's what's the metaphor for taking a charge?

1751
01:36:08,960 --> 01:36:11,040
Speaker 1: And while they're running the two on one against me,

1752
01:36:11,080 --> 01:36:16,080
Speaker 1: but there's nothing. You're You're Jason Terry with Lebron bearing

1753
01:36:16,160 --> 01:36:18,840
Speaker 1: down on you. That's all that is. There's no way

1754
01:36:18,880 --> 01:36:22,040
Speaker 1: to stop it. There's there's the great thing that's going

1755
01:36:22,120 --> 01:36:24,599
Speaker 1: to happen is there will be times where they very

1756
01:36:24,680 --> 01:36:27,280
Speaker 1: clearly decide they're going to team up against you. Like

1757
01:36:27,320 --> 01:36:29,639
Speaker 1: I remember one time I got a call from the school.

1758
01:36:30,080 --> 01:36:31,880
Speaker 1: This is the twins were in like the third grade

1759
01:36:31,960 --> 01:36:34,960
Speaker 1: or something, and they were cheating on a test. It

1760
01:36:35,040 --> 01:36:36,599
Speaker 1: was very clear they were cheating on a test. They

1761
01:36:36,600 --> 01:36:40,040
Speaker 1: didn't have definitive proof, but they both got the exact

1762
01:36:40,080 --> 01:36:42,840
Speaker 1: same answers wrong in the exact same way, and it

1763
01:36:42,960 --> 01:36:45,560
Speaker 1: was like, what are the chances of this happening? So

1764
01:36:46,000 --> 01:36:47,760
Speaker 1: we knew they were cheating, and we sat them down

1765
01:36:47,800 --> 01:36:49,280
Speaker 1: and we were like, you know, who was cheating off? Who?

1766
01:36:49,320 --> 01:36:51,320
Speaker 1: What's going on here? And they would not crack. And

1767
01:36:51,439 --> 01:36:53,680
Speaker 1: again they're ten ten years old at this time, and

1768
01:36:53,760 --> 01:36:55,680
Speaker 1: they would not sell the other one out. And it

1769
01:36:55,840 --> 01:36:57,800
Speaker 1: was very clear that they had talked about it ahead

1770
01:36:57,800 --> 01:37:01,080
Speaker 1: of time and decided, no matter what happened, we're just

1771
01:37:01,160 --> 01:37:04,120
Speaker 1: both gonna get in trouble right now. And I was

1772
01:37:04,160 --> 01:37:06,439
Speaker 1: like frustrated because I could. I was like I was

1773
01:37:06,520 --> 01:37:08,439
Speaker 1: trying to, like, you know, interrogate them like the police do,

1774
01:37:08,520 --> 01:37:10,439
Speaker 1: and they wouldn't give me the answer, and so I

1775
01:37:10,520 --> 01:37:12,360
Speaker 1: was frustrated. But I was like in the back of

1776
01:37:12,439 --> 01:37:14,360
Speaker 1: my head, proud of them that they had so bad.

1777
01:37:17,160 --> 01:37:19,760
Speaker 1: Don't you call one of them the baby that's the

1778
01:37:19,840 --> 01:37:22,120
Speaker 1: youngest one. I have three, I have the twins and

1779
01:37:22,200 --> 01:37:24,960
Speaker 1: the baby, and the baby is a straight up demon.

1780
01:37:25,439 --> 01:37:28,840
Speaker 1: He's running, He's running everything right now. That's how it goes. Man,

1781
01:37:28,960 --> 01:37:33,040
Speaker 1: It's like, it's really interesting. It's really interesting, the dynamic

1782
01:37:33,120 --> 01:37:35,320
Speaker 1: of it all. You would think that the older one,

1783
01:37:35,400 --> 01:37:38,840
Speaker 1: because they had to go through like all of your

1784
01:37:39,479 --> 01:37:42,320
Speaker 1: mistakes as a parent. Yeah, you would think that they

1785
01:37:42,360 --> 01:37:45,000
Speaker 1: would be the ones that are freaking crazy. It's the

1786
01:37:45,080 --> 01:37:47,639
Speaker 1: ones that got it easy that turn into the turn

1787
01:37:47,760 --> 01:37:50,800
Speaker 1: into the bad guys. Man. My daughter says things to

1788
01:37:50,880 --> 01:37:57,280
Speaker 1: me like I never loved you, the same thing in

1789
01:37:57,400 --> 01:37:59,599
Speaker 1: my house. This will look you're dead in your eyes

1790
01:37:59,640 --> 01:38:02,559
Speaker 1: and be like you're the worst, and don't you ever

1791
01:38:02,600 --> 01:38:04,680
Speaker 1: talk to me again. And I can't ask if you

1792
01:38:04,760 --> 01:38:07,800
Speaker 1: wanted some cereal? What's it right right now? What's you

1793
01:38:07,960 --> 01:38:12,360
Speaker 1: talking about. I'll zoom my wife because I'm out of

1794
01:38:12,439 --> 01:38:15,840
Speaker 1: town right now shooting this this show. I'll zoom my

1795
01:38:15,920 --> 01:38:17,960
Speaker 1: wife and I'll be like, let me talk to the kids,

1796
01:38:18,240 --> 01:38:21,519
Speaker 1: and she'll call them in. And my kid, my youngest daughter,

1797
01:38:21,720 --> 01:38:24,400
Speaker 1: I'd be like, hey, baby, how's it going through the zoom?

1798
01:38:24,479 --> 01:38:28,120
Speaker 1: She'll look at me like freaking share horror, which looks

1799
01:38:28,200 --> 01:38:31,000
Speaker 1: at freaking the dude that put his arm around her

1800
01:38:31,040 --> 01:38:33,400
Speaker 1: while she was walking through the plot get off me,

1801
01:38:33,880 --> 01:38:36,560
Speaker 1: as if like she looks at me like that, like

1802
01:38:36,720 --> 01:38:38,840
Speaker 1: as if I'm gonna talk to you right now, Dad,

1803
01:38:39,479 --> 01:38:45,560
Speaker 1: get out of here. Reference. Yeah, I love so. I

1804
01:38:45,600 --> 01:38:46,920
Speaker 1: don't know, I don't know if you guys know this.

1805
01:38:47,040 --> 01:38:50,080
Speaker 1: I'm sober nowadays. Uh. And because of and and so

1806
01:38:50,280 --> 01:38:53,280
Speaker 1: because of that, I'm a little quicker. I'm a little quicker. Yeah.

1807
01:38:53,600 --> 01:38:56,160
Speaker 1: By the way, I saw a couple of comments like, wow,

1808
01:38:56,280 --> 01:39:00,120
Speaker 1: Donald sober is a little quick, a lot quick, more

1809
01:39:00,160 --> 01:39:03,280
Speaker 1: than Stone Donald, that's what and moving slow motion though,

1810
01:39:03,560 --> 01:39:07,040
Speaker 1: Well that's it. You're welcome. I hope we helped it all. Uh, Galen,

1811
01:39:07,280 --> 01:39:10,680
Speaker 1: Um was awesome, good luck with everything, and thank you

1812
01:39:10,760 --> 01:39:12,360
Speaker 1: guys for coming on. That was a lot of fun

1813
01:39:12,560 --> 01:39:16,160
Speaker 1: and um and we appreciate you. Yes, we do, thank

1814
01:39:16,200 --> 01:39:20,840
Speaker 1: you guys. So Galen, before you go, we should ye yes,

1815
01:39:21,280 --> 01:39:24,919
Speaker 1: God that we are going to be giving you a palide?

1816
01:39:25,800 --> 01:39:30,240
Speaker 1: Is that what it is? Pale pallette tte so not

1817
01:39:30,360 --> 01:39:32,760
Speaker 1: a palide? And no you could we could give him

1818
01:39:32,760 --> 01:39:34,679
Speaker 1: a palette, but it wouldn't be anything. So we're gonna

1819
01:39:34,720 --> 01:39:37,519
Speaker 1: give him a palette. A palette, so let me say

1820
01:39:37,560 --> 01:39:40,120
Speaker 1: that again. No, keep that in there, Okay, y'all can

1821
01:39:40,320 --> 01:39:42,559
Speaker 1: y'all can know how dumb I am. I don't care.

1822
01:39:43,000 --> 01:39:46,320
Speaker 1: You are deservant of the word palette. That's the new

1823
01:39:46,360 --> 01:39:49,320
Speaker 1: one palette. And I was thinking, Paladin, I don't know

1824
01:39:49,600 --> 01:39:52,599
Speaker 1: why Paladin. All right, Well tell the man what he's

1825
01:39:52,600 --> 01:39:57,400
Speaker 1: getting a palette of. You're getting a palette of gts Kimboocha.

1826
01:39:57,640 --> 01:40:00,760
Speaker 1: There you go, now, don't give it's too infants. I

1827
01:40:00,880 --> 01:40:05,720
Speaker 1: do think it's recommended for infants, it's for adults. I

1828
01:40:05,880 --> 01:40:09,640
Speaker 1: love that. Well, you're about to have a whole lot

1829
01:40:09,680 --> 01:40:13,840
Speaker 1: of gtscha and the whole family will be happy. Thank you,

1830
01:40:14,200 --> 01:40:16,600
Speaker 1: Thank you guys so much. We appreciate you, Thank you,

1831
01:40:19,439 --> 01:40:25,080
Speaker 1: thank you nice. That was very nice, very nice people. Yeah,

1832
01:40:26,760 --> 01:40:31,200
Speaker 1: taking on two different infants, they're not messing around two

1833
01:40:31,280 --> 01:40:35,120
Speaker 1: they've been together since they were since they were even

1834
01:40:35,200 --> 01:40:37,160
Speaker 1: younger than this. The two of them have so I

1835
01:40:37,200 --> 01:40:40,880
Speaker 1: think it's very noble. I agree. I think we're almost

1836
01:40:40,920 --> 01:40:45,440
Speaker 1: done with the show. Um. I think Sarah Sarah's um Shakespeare,

1837
01:40:45,600 --> 01:40:50,000
Speaker 1: Sarah's German Shakespeare. I remember being hilarious, very funny. Anytime

1838
01:40:50,080 --> 01:40:52,920
Speaker 1: Sarah yells in German. I just started giggling. Here you

1839
01:40:53,600 --> 01:40:57,640
Speaker 1: because she puts on this sort of angry face. It's angry.

1840
01:40:58,000 --> 01:41:03,200
Speaker 1: She's got the angry German. Yeah, yeah, she screams it.

1841
01:41:03,280 --> 01:41:05,360
Speaker 1: I mean I think if you someone unscrubs WICKI wrote

1842
01:41:05,360 --> 01:41:07,599
Speaker 1: that if you look like we're also starting to laugh

1843
01:41:07,640 --> 01:41:12,160
Speaker 1: because it was just genuinely so funny. The janitor doing

1844
01:41:12,240 --> 01:41:15,599
Speaker 1: stand up, very funny. Yes, what about us doing World's

1845
01:41:15,720 --> 01:41:19,000
Speaker 1: most giant Doctor goes to a farm? And that is

1846
01:41:19,080 --> 01:41:22,800
Speaker 1: our and that is what did you say? That is

1847
01:41:22,920 --> 01:41:29,440
Speaker 1: our version of World's Greatest Doctor goes to a farm?

1848
01:41:30,680 --> 01:41:32,439
Speaker 1: And then there's we think there's a mix up because

1849
01:41:32,479 --> 01:41:34,680
Speaker 1: sitcoms have a happy ending, So oh, you're not the

1850
01:41:34,760 --> 01:41:37,559
Speaker 1: one dying, it's somebody else, and don't worry about him,

1851
01:41:37,880 --> 01:41:44,160
Speaker 1: and who cares about him? He's anti Semitic. Let's talk

1852
01:41:44,200 --> 01:41:49,160
Speaker 1: about Clayake and singing at the end, Yes, isn't she lovely?

1853
01:41:49,960 --> 01:41:59,200
Speaker 1: Not live? Or yeah, isn't she er? Isn't she precious?

1854
01:42:00,040 --> 01:42:01,960
Speaker 1: That's a funny song for a couple to have as

1855
01:42:02,080 --> 01:42:05,040
Speaker 1: their song because it's not about it's about a baby. Yeah,

1856
01:42:05,040 --> 01:42:08,679
Speaker 1: it's about a Baby's right, it's about a baby named Aisha.

1857
01:42:09,560 --> 01:42:15,120
Speaker 1: I like it when he goes my favorite part. I

1858
01:42:15,439 --> 01:42:20,040
Speaker 1: can't believe what God has done there you go through us.

1859
01:42:20,160 --> 01:42:25,120
Speaker 1: He's given life to one and that's so very lovely

1860
01:42:26,240 --> 01:42:32,880
Speaker 1: made from love. Um all right, well then we come

1861
01:42:32,920 --> 01:42:39,320
Speaker 1: back to talk about unlatching and now Donald will scream

1862
01:42:39,400 --> 01:42:44,840
Speaker 1: fake Harmonica. Um. Hey, I thought the end was really cool. Uh.

1863
01:42:45,200 --> 01:42:50,120
Speaker 1: We sort of exaggerated the real world of of scrubs

1864
01:42:50,320 --> 01:42:52,439
Speaker 1: in the coloring. They made it look even more gritty

1865
01:42:52,520 --> 01:42:56,160
Speaker 1: and dark and tinted um, just to really heighten the

1866
01:42:56,240 --> 01:42:58,320
Speaker 1: difference coming back from the sitcom, which I thought was

1867
01:42:58,600 --> 01:43:00,400
Speaker 1: was a cool thing to do. And then of course

1868
01:43:00,439 --> 01:43:03,719
Speaker 1: the character dies because in the real world not everything's

1869
01:43:03,920 --> 01:43:06,600
Speaker 1: happy like an end of a sitcom. I also like

1870
01:43:06,720 --> 01:43:08,840
Speaker 1: the fact that the person that was in charge of

1871
01:43:08,880 --> 01:43:11,920
Speaker 1: it all is Elliott, Like they're really we're sticking to

1872
01:43:12,320 --> 01:43:16,320
Speaker 1: the fact that Elliott is a better doctor under pressure

1873
01:43:16,720 --> 01:43:21,880
Speaker 1: than jd is, you know. Uh, and that's how that's

1874
01:43:21,920 --> 01:43:25,400
Speaker 1: how you guys were coach chiefs, right co chiefs. Yeah.

1875
01:43:25,920 --> 01:43:29,519
Speaker 1: And but she you know, there was that episode where

1876
01:43:30,040 --> 01:43:32,640
Speaker 1: she just was a better doctor than you. There's no

1877
01:43:32,760 --> 01:43:35,360
Speaker 1: way to there's no way, you know, Elliot's a better

1878
01:43:35,400 --> 01:43:37,680
Speaker 1: doctor than Jad. There's no way to put it other

1879
01:43:37,720 --> 01:43:41,599
Speaker 1: way to put it, especially under pressure. And this guy

1880
01:43:41,720 --> 01:43:46,240
Speaker 1: goes into you know, he's starting the code and who

1881
01:43:46,400 --> 01:43:50,880
Speaker 1: jumps in Elliott And you know, for someone who's rewatching

1882
01:43:50,920 --> 01:43:54,000
Speaker 1: the show, it's refreshing to see that they're sticking to

1883
01:43:54,920 --> 01:43:58,800
Speaker 1: the characters. Uh. I guess you would call it the

1884
01:43:58,880 --> 01:44:01,280
Speaker 1: character bible. Like we said, this is what it is,

1885
01:44:01,360 --> 01:44:04,759
Speaker 1: and it's the moment that it happens, and JD instead

1886
01:44:04,800 --> 01:44:09,559
Speaker 1: of staying in the room to assist, he steps back

1887
01:44:09,600 --> 01:44:11,680
Speaker 1: and gives her her space like, oh, she's got this.

1888
01:44:12,600 --> 01:44:17,200
Speaker 1: This is this is where she excels. And he goes home, Yeah,

1889
01:44:17,960 --> 01:44:22,519
Speaker 1: and watches. We assume it's Cheers, I think, right, or

1890
01:44:22,560 --> 01:44:25,639
Speaker 1: maybe it's San franci On. We don't know. I've watched

1891
01:44:25,680 --> 01:44:28,720
Speaker 1: through the series enough times that like imprinted in my

1892
01:44:28,800 --> 01:44:32,519
Speaker 1: head is is anytime that doctor Cox puts his hands

1893
01:44:32,720 --> 01:44:34,880
Speaker 1: on his head like this, like I know he's feeling

1894
01:44:34,960 --> 01:44:37,040
Speaker 1: like a real bad way and he does that really

1895
01:44:37,120 --> 01:44:39,719
Speaker 1: quickly as Clay Achon is walking out of the hospital,

1896
01:44:40,000 --> 01:44:42,280
Speaker 1: And every time at the arms well up, I'm like,

1897
01:44:42,320 --> 01:44:46,160
Speaker 1: oh god, this is like very very It's just imprinted

1898
01:44:46,680 --> 01:44:49,160
Speaker 1: from the from the It Was Arabies episode when he

1899
01:44:49,240 --> 01:44:50,479
Speaker 1: does it and he holds them up there and he's like,

1900
01:44:50,479 --> 01:44:55,040
Speaker 1: oh god, yeah, so many signature moves. It's like that,

1901
01:44:55,720 --> 01:44:58,000
Speaker 1: but they all have purpose. That's the that's the great

1902
01:44:58,080 --> 01:45:03,479
Speaker 1: thing about it. You know, Johnny he really dug into

1903
01:45:03,600 --> 01:45:07,240
Speaker 1: his character and you know, really said, well, this is

1904
01:45:07,360 --> 01:45:10,360
Speaker 1: when I do this, it's because of a specific reason.

1905
01:45:10,439 --> 01:45:14,160
Speaker 1: It's not it's I'm not doing it for you know,

1906
01:45:14,360 --> 01:45:19,360
Speaker 1: for for flash. This is I'm doing this because this

1907
01:45:19,600 --> 01:45:21,320
Speaker 1: is how I feel at this moment. It's one of

1908
01:45:21,320 --> 01:45:23,439
Speaker 1: the things that makes Johnny such a special actor is

1909
01:45:23,840 --> 01:45:27,880
Speaker 1: that he makes such unique choices. Um and and they're

1910
01:45:27,920 --> 01:45:31,080
Speaker 1: not choices anybody else would ever make. You're really getting

1911
01:45:31,880 --> 01:45:35,280
Speaker 1: such a unique character from him, you know. Um And

1912
01:45:35,400 --> 01:45:37,840
Speaker 1: it's not forced. It's like Christopher Walkin in a way,

1913
01:45:37,920 --> 01:45:41,719
Speaker 1: it's like it's not forced. Those odd Christopher Walkin choices

1914
01:45:41,840 --> 01:45:44,160
Speaker 1: are are his. That's who he is as an actor.

1915
01:45:44,280 --> 01:45:47,160
Speaker 1: And it's just so interesting because it's so unique and special.

1916
01:45:48,080 --> 01:45:50,479
Speaker 1: You know, Diablo Cody was telling me that she's gonna

1917
01:45:50,520 --> 01:45:56,160
Speaker 1: watch Wall Street this weekend. I got really excited because

1918
01:45:56,200 --> 01:45:59,680
Speaker 1: you know, Johnny's in Wall Street. Yeah, it's a very

1919
01:45:59,720 --> 01:46:03,439
Speaker 1: big roll in Wall Street, and I just want to

1920
01:46:03,439 --> 01:46:05,680
Speaker 1: shout him out like this. Before he did Scrubs, he

1921
01:46:05,720 --> 01:46:09,240
Speaker 1: was in everything. He was in everything, every Scrubs. He

1922
01:46:09,520 --> 01:46:12,120
Speaker 1: pops up in seven. I remember being like, oh yeah,

1923
01:46:12,439 --> 01:46:17,000
Speaker 1: oh wait a minute, he's the dickhead cop in point Break.

1924
01:46:17,240 --> 01:46:20,160
Speaker 1: I forgot about that, dude, he's the cop in set

1925
01:46:20,200 --> 01:46:23,640
Speaker 1: it off as well? Right, was like what everywhere? What

1926
01:46:23,720 --> 01:46:29,519
Speaker 1: about after? After the Brad Pitt moment in seven that

1927
01:46:29,600 --> 01:46:31,680
Speaker 1: I won't spoil if you haven't have seen seven, and

1928
01:46:31,680 --> 01:46:33,360
Speaker 1: if you haven't seen seven, what the hell's wrong with you?

1929
01:46:33,840 --> 01:46:36,519
Speaker 1: He goes he's in the chopper and he goes, oh, man,

1930
01:46:36,880 --> 01:46:43,600
Speaker 1: somebody calls somebody. Really. There's a really cool moment in

1931
01:46:43,680 --> 01:46:47,679
Speaker 1: the director's cut, David think of seven where they're talking

1932
01:46:47,720 --> 01:46:49,840
Speaker 1: about whether they like watching You're watching it with David

1933
01:46:49,880 --> 01:46:52,160
Speaker 1: Fincher and Brad Pitt, and they talk about how great

1934
01:46:52,439 --> 01:46:54,479
Speaker 1: John C. McKinney was, like just in the small things

1935
01:46:54,520 --> 01:46:56,400
Speaker 1: that they had him doing it now, it's really cool

1936
01:46:56,439 --> 01:46:58,559
Speaker 1: to hear. They also talk about how Brad Pitt did

1937
01:46:58,640 --> 01:47:00,800
Speaker 1: ad R and looped a lot of his lines just

1938
01:47:00,960 --> 01:47:04,559
Speaker 1: for performance. Looping is when after the fact, in post

1939
01:47:04,600 --> 01:47:07,640
Speaker 1: production you can you can fix lines, you can rerecord them.

1940
01:47:08,080 --> 01:47:10,679
Speaker 1: And as I recall from that, do you remember this, Shay,

1941
01:47:10,960 --> 01:47:13,040
Speaker 1: brad Pitt talks about how he didn't he didn't like

1942
01:47:13,120 --> 01:47:14,840
Speaker 1: a lot of his choices and so he did something

1943
01:47:14,880 --> 01:47:17,000
Speaker 1: that I never really knew about actors doing, but like

1944
01:47:17,640 --> 01:47:20,960
Speaker 1: started changing the inflection and the performance of scenes in

1945
01:47:21,439 --> 01:47:23,879
Speaker 1: I've done that. I've done that quite a bit. Actually,

1946
01:47:25,520 --> 01:47:29,759
Speaker 1: when when getting the opportunity to do a dr adr

1947
01:47:29,840 --> 01:47:32,439
Speaker 1: saves a lot of performances, you know, it really does.

1948
01:47:32,600 --> 01:47:34,400
Speaker 1: I've never used it as a director for that. It's

1949
01:47:34,400 --> 01:47:36,120
Speaker 1: just like, oh, let's fix the lines. We can hear

1950
01:47:36,160 --> 01:47:38,840
Speaker 1: it in terms of like changing your performance. I the

1951
01:47:38,880 --> 01:47:40,360
Speaker 1: first time I heard of someone doing that was Brad

1952
01:47:40,400 --> 01:47:43,599
Speaker 1: Pitt and seven I've done that before. It's it's it's

1953
01:47:43,720 --> 01:47:46,599
Speaker 1: really you know, if you look back at the movie

1954
01:47:46,640 --> 01:47:49,120
Speaker 1: now that you know that, you'll see so much of

1955
01:47:49,160 --> 01:47:53,920
Speaker 1: it looks recorded after the fact. Oh shit, I mean

1956
01:47:54,080 --> 01:47:55,519
Speaker 1: you'd have to be looking for it. But I noticed

1957
01:47:55,560 --> 01:47:58,280
Speaker 1: it because I noticed that. Shit. Anyway, that's our show. Everybody,

1958
01:47:58,360 --> 01:48:01,320
Speaker 1: Thank you, Shay. Hey, you're the best guest there is

1959
01:48:02,520 --> 01:48:06,400
Speaker 1: best always. Just thank you so much and follow Sha

1960
01:48:06,520 --> 01:48:10,400
Speaker 1: on Twitter and the the website again for your your

1961
01:48:10,560 --> 01:48:15,759
Speaker 1: Your work is what halfaway books dot com not halfway Crooks,

1962
01:48:15,800 --> 01:48:18,759
Speaker 1: because there ain't no such things as halfway crooks. Correct,

1963
01:48:18,760 --> 01:48:22,360
Speaker 1: there is such thing as halfway books dot com halfway

1964
01:48:22,360 --> 01:48:25,080
Speaker 1: books dot com. Check out Shay's work and thank you

1965
01:48:25,560 --> 01:48:28,280
Speaker 1: listeners as always for tuning in. We really appreciate you

1966
01:48:28,560 --> 01:48:32,120
Speaker 1: and we hope you're safe and happy and uh what else? Donald,

1967
01:48:32,720 --> 01:48:35,200
Speaker 1: I like what Ron says on his podcast. I hope

1968
01:48:35,240 --> 01:48:39,760
Speaker 1: you are loved. I hope you love somebody. Ron's Ron

1969
01:48:39,880 --> 01:48:42,679
Speaker 1: Function is me saying some deep shit. Man. I'm telling

1970
01:48:42,720 --> 01:48:44,720
Speaker 1: you that right now. I didn't know that you listen

1971
01:48:44,800 --> 01:48:47,960
Speaker 1: to Ron Functions podcast. I don't. I listen to his Twitter,

1972
01:48:48,200 --> 01:48:51,400
Speaker 1: I mean his Instagram. No, and sometimes he plays some

1973
01:48:51,560 --> 01:48:55,000
Speaker 1: of sometimes he plays some of his podcast on Instagram.

1974
01:48:55,520 --> 01:48:58,559
Speaker 1: And when listen, you know how Ron has a lovely,

1975
01:48:58,880 --> 01:49:01,720
Speaker 1: lovely voice, you know what I mean, And it's very

1976
01:49:01,840 --> 01:49:05,120
Speaker 1: it's very soothing. And when he talks about, you know,

1977
01:49:05,640 --> 01:49:09,080
Speaker 1: hoping that people are loved and hope they feel loved

1978
01:49:09,120 --> 01:49:12,360
Speaker 1: for somebody, He's really good at making you feel good.

1979
01:49:12,479 --> 01:49:14,519
Speaker 1: So if you if I want to give a shout

1980
01:49:14,520 --> 01:49:17,000
Speaker 1: out to Ron function since we're talking about the brother,

1981
01:49:17,080 --> 01:49:18,960
Speaker 1: let's steal his lines. Since we're talking about him. I

1982
01:49:19,000 --> 01:49:22,600
Speaker 1: hope that you hope he's loved, feel loved? How do

1983
01:49:22,680 --> 01:49:27,639
Speaker 1: you feel loved? And um and be hope you love somebody.

1984
01:49:27,720 --> 01:49:31,120
Speaker 1: I hope you are kind to people. Yes, he's so amazing.

1985
01:49:31,600 --> 01:49:34,439
Speaker 1: All right, well, thank you Ron for our new tagline. Um,

1986
01:49:34,600 --> 01:49:37,160
Speaker 1: and thank you Shay Serrano for being on the show.

1987
01:49:37,479 --> 01:49:41,280
Speaker 1: Thank you so next time, boys, five six seven day

1988
01:49:41,400 --> 01:49:47,000
Speaker 1: stories about show. We made about a bunch of doctor

1989
01:49:47,160 --> 01:49:59,080
Speaker 1: nurses stories. So yeah around here, A yeah around here,

1990
01:49:59,200 --> 01:49:59,240
Speaker 1: A