WEBVTT - Episode 3: Thrill Seeking

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<v Speaker 1>Before we begin, I just wanted to warn you this

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<v Speaker 1>episode contains descriptions of physical violence and war. Previously on

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<v Speaker 1>Hot Money, at.

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<v Speaker 2>That point, we just kind of had this sense that

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<v Speaker 2>Marcello was this kind of man of action and was

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<v Speaker 2>mixed up somehow in Viennese politics.

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<v Speaker 3>I know politics is corrupt, I know everything. I know that,

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<v Speaker 3>I know that I believed to know that, but this

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<v Speaker 3>is too much, I thought.

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<v Speaker 2>I hope that he will talk to you and you

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<v Speaker 2>will be able to investigate on it and perps misdeeds

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<v Speaker 2>and misbehavior stopped.

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<v Speaker 1>I'm in tunis, the capital of Tunisia in North Africa.

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<v Speaker 1>I'm in a taxi on the way to meet Killian Klinsmith.

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<v Speaker 1>When I first met Killian at Cafe Procul in Vienna,

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<v Speaker 1>he began to unravel what he knew about Jan Marcelet.

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<v Speaker 1>It was a fantastical tale. It seemed impossible to substantiate,

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<v Speaker 1>and as far as Killian was concerned at the time,

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<v Speaker 1>it was absolutely not for publication. But I believed it,

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<v Speaker 1>and one of the reasons I did was because I

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<v Speaker 1>found out more about who Killian is, not just a fantasist,

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<v Speaker 1>someone who should be taken deadly seriously yes, monsieur. We

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<v Speaker 1>kept in touch and now he's ready to talk to

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<v Speaker 1>me on tape. I can't tell you exactly where he lives.

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<v Speaker 1>In fact, we've put our phones in Faraday bags to

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<v Speaker 1>come here, electromagnetic shields that will stop the phones giving

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<v Speaker 1>away our location. Everything on this trip will be cash only.

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<v Speaker 1>But what I'll say is it's a big private house

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<v Speaker 1>on the edge of a fashionable area of the city.

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<v Speaker 1>It's surrounded by a high white wall, like all the

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<v Speaker 1>houses on this dusty street, and there are great clumps

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<v Speaker 1>of magenta bouganvillia spilling over the top.

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<v Speaker 3>It is this way.

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<v Speaker 1>Ay Killian, I learned, has never led a conventional life.

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<v Speaker 1>I'm not even sure he knows what one is, and

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<v Speaker 1>perhaps that's why he ended up getting so involved in

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<v Speaker 1>one of Jan marsal X's wildest schemes, something so left

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<v Speaker 1>field that it helped me truly see marsal x ambitions

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<v Speaker 1>something about the lives of tens of thousands of the

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<v Speaker 1>world's most desperate people and how they might be controlled used.

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<v Speaker 1>I've often found that people who operate outside the mainstream

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<v Speaker 1>can be weirdly drawn together, sometimes meeting in the ambiguous

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<v Speaker 1>space between what the world deems to be good and bad.

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<v Speaker 1>We tend to think that our values are at the

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<v Speaker 1>core of us, but people on the edge, well, they

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<v Speaker 1>can sometimes show us how fragile that notion can be.

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<v Speaker 1>In this episode, we're gonna hear Killian's story and how

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<v Speaker 1>he found himself in Yan marslex world one very close

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<v Speaker 1>but very different to his own.

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<v Speaker 4>I have said this census that certain things in my

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<v Speaker 4>life since then have done terribly wrong that I sometimes

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<v Speaker 4>think this can be a core incidence.

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<v Speaker 1>I'm Sam Jones from The Financial Times and Pushkin Industries.

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<v Speaker 1>This is Hot Money, Season three, Agent of Chaos, Episode

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<v Speaker 1>three Prill Seeking, So where do you want us? Killian,

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<v Speaker 1>as we call them. We're walking across a big, open

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<v Speaker 1>plan room that takes up almost the whole ground floor.

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<v Speaker 1>It's cool and airy, and Killian is directing us over

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<v Speaker 1>to an arrangement of low sofas around a coffee table.

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<v Speaker 1>He's left the dogs outside, but indoors, there's an assortment

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<v Speaker 1>of cats who indifferently reveal themselves to us over the

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<v Speaker 1>next few hours. Killian grew up in Berlin in the

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<v Speaker 1>nineteen seventies, and he felt drawn to alternative ways of

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<v Speaker 1>life from a young age. After some hard partying as

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<v Speaker 1>a young punk teen, he left Germany aged just eighteen

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<v Speaker 1>to go and live in the mountains in southern France.

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<v Speaker 1>And so first there were the goats, thirty five goats

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<v Speaker 1>to be exact.

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<v Speaker 4>Making gold cheese, which is a pain in the neck

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<v Speaker 4>because you have to get up at four in the morning,

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<v Speaker 4>five in the morning melting these bloody goats.

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<v Speaker 1>So your first job was as a goat farmer basically.

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<v Speaker 5>Yes.

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<v Speaker 1>Later he founded a housing cooperative, learned how to be

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<v Speaker 1>a roofer and picked up a series of odd jobs

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<v Speaker 1>along the way.

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<v Speaker 4>Worked as a stuntman somehow Any five Movies We Might

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<v Speaker 4>Know or How was a TV series Jan dach.

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<v Speaker 1>Jehan dark as in Joan of harc Yes, okay, but

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<v Speaker 1>Killian was still restless. He left France and he decided

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<v Speaker 1>to tour Africa on a motorbike, and in doing that

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<v Speaker 1>he stumbled into humanitarian and peacekeeping work through a chance

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<v Speaker 1>encounter over what else but drinks.

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<v Speaker 4>I always tell people when they asked me how did

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<v Speaker 4>you do your career? I mean how do you apply it?

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<v Speaker 4>So that said, they got into the baths.

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<v Speaker 1>These are my favorite kind of stories. In a bar

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<v Speaker 1>in Mopti, a city in Marley, Killian met a young

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<v Speaker 1>French couple. They were building a school and he well,

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<v Speaker 1>he had those roofing skills, so he helped them out

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<v Speaker 1>and things just took off from there. He got more

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<v Speaker 1>construction jobs in the AID world. His responsibilities grew. Eventually,

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<v Speaker 1>Killian became a trusted partner for the un working across Africa.

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<v Speaker 1>He'd found the unconventional life he was looking for, but

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<v Speaker 1>he'd yet to experience real danger, and then one day

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<v Speaker 1>all that changed. In nineteen ninety one, Killian was twenty

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<v Speaker 1>nine with a young family. They were living happily in Uganda.

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<v Speaker 1>It was early in the morning, so he didn't hear

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<v Speaker 1>them come in, four men armed. He woke up his

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<v Speaker 1>wife next to him with a kalashnikov pressed against his head.

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<v Speaker 1>Someone had told these four boys, really that he had

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<v Speaker 1>thirty thousand dollars hidden in the house. It was a setup.

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<v Speaker 4>And then they did everything with me what you can

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<v Speaker 4>do to someone who tried to get thirty thousand dollars.

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<v Speaker 1>From as in they beat you up.

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<v Speaker 4>Or beating me up, putting me against the wall and

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<v Speaker 4>saying now we shoot in your legs, Now we rape

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<v Speaker 4>your wife. We've just killed your gardener. We're just oh,

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<v Speaker 4>by the way, we killed your cook. Now we're going

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<v Speaker 4>to kill your baby or baby crying.

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<v Speaker 1>I mean, in that moment, did you think you were

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<v Speaker 1>going to die?

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<v Speaker 4>Yes, because at the four guys looking for something they

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<v Speaker 4>don't get, getting increasingly agitated and angry.

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<v Speaker 3>That's it.

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<v Speaker 1>They turned the house upside down. The money, of course,

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<v Speaker 1>wasn't there, but for whatever reason, they didn't kill Killian.

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<v Speaker 1>In fact, thankfully they didn't kill anyone. They just left

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<v Speaker 1>Killian badly beaten up. The horror of that experience would

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<v Speaker 1>have broken most people, and maybe it did Killian, but

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<v Speaker 1>not how you would expect. I guess most other people,

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<v Speaker 1>or many other people would think, Okay, that's it. I'm

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<v Speaker 1>moving back to the Pyrenees with my wife and my

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<v Speaker 1>young child. I'm guessing that you didn't do that.

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<v Speaker 4>Yeah, that's kind of correct. My wife said, I headed

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<v Speaker 4>I need a break somehow, and then she left for

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<v Speaker 4>Canada for many months, and I went and said, now

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<v Speaker 4>I need to go into it. I need to deep

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<v Speaker 4>dive into violence.

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<v Speaker 1>And he did. In the coming years, Killian would put himself,

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<v Speaker 1>using his connections in the un into the most dangerous

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<v Speaker 1>places he could. When the fighting died down in one place,

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<v Speaker 1>he moved somewhere else, often somewhere with an even more

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<v Speaker 1>challenging humanitarian situation. South Sudan, Somalia, Zaia, Sri Lanka. He

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<v Speaker 1>describes days hiding in swamps while being hunted by militias.

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<v Speaker 4>I was surrounded by war, I was surrounded by guns.

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<v Speaker 4>Everything I was in fact afraid of or was there plentiful.

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<v Speaker 4>I mean I had sort of transformed from the soft

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<v Speaker 4>gold keeping hippie guy into a tough sort of manager

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<v Speaker 4>him in the middle of the war. And in transformation

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<v Speaker 4>goes pretty fast, I must say.

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<v Speaker 1>He told me about one time his compound in Mogadishu

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<v Speaker 1>was attacked.

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<v Speaker 4>When we get out of the banker, security says it's

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<v Speaker 4>all over, but.

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<v Speaker 1>There's one guy lying in the street in an army uniform,

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<v Speaker 1>and too late they realize he's a suicide bomber, and.

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<v Speaker 4>He pulls the trigger and then and then sort of

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<v Speaker 4>all the body pads fly over the.

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<v Speaker 3>Wall and the rain between us.

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<v Speaker 4>So today, when there's a dead mouse somewhere, that's when

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<v Speaker 4>everything comes back. That's when the images come back of

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<v Speaker 4>dead bodies on the road.

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<v Speaker 1>In another story, he tells me it's the height of

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<v Speaker 1>the battle for control of Mogadishu when he and a

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<v Speaker 1>few others climb up onto the roof of the hotel

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<v Speaker 1>where they're staying at dusk, heavy orange sun is in

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<v Speaker 1>the sky.

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<v Speaker 4>So we were sitting there with a few people having

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<v Speaker 4>a beer or whiskey or so, which we've still managed

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<v Speaker 4>to get and.

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<v Speaker 3>Watching the fighting.

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<v Speaker 4>I mean, what's crazily wild, pervertly romantic in the same time,

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<v Speaker 4>like watching Apocalypse Now or something. We're seeing the black

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<v Speaker 4>Hawks and other choppers flying into the sunset and then

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<v Speaker 4>again fighting somewhere and shooting, and you're sitting on your

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<v Speaker 4>roof and over you're whiskey.

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<v Speaker 1>The horror, it's also bound up with the thrill, with

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<v Speaker 1>the sense that this, and not the comforts of a

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<v Speaker 1>peaceful home life, is what's real. And I do get it.

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<v Speaker 1>Even listening to Killian recount this stuff is intoxicating. There's

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<v Speaker 1>a powerful, hugely seductive kind of beauty to it. It's

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<v Speaker 1>disturbing in some ways, but also cinematic. And who hasn't

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<v Speaker 1>thought about their lives as a film? Can I just ask,

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<v Speaker 1>how are you feeling during this? Were you afraid? I mean,

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<v Speaker 1>given that you've described earlier that in a way you

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<v Speaker 1>wanted to plunge into violence to cure yourself with your

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<v Speaker 1>fear of it maybe or to somehow kind of move

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<v Speaker 1>beyond it.

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<v Speaker 3>I mean that's also what to maintain.

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<v Speaker 4>Organizations are exploiting in a way because they're getting people

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<v Speaker 4>into the sort of this adrenaline hyper thing and they

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<v Speaker 4>begin to feel invincible. You're becoming the coolest of the

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<v Speaker 4>coolest in all of this. I mean, you're completely hyped up.

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<v Speaker 4>I mean I started to feel already very good at this.

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<v Speaker 4>That was just basically after two and a half years

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<v Speaker 4>of being in war zones, and it felt I was

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<v Speaker 4>a champion.

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<v Speaker 3>It sounds like a bit of an addiction.

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<v Speaker 4>It's, of course it's an addiction, and that's but it's

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<v Speaker 4>been also used by the organization.

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<v Speaker 1>The organization meaning the un his employer at the time.

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<v Speaker 1>This is how Killian sees it.

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<v Speaker 4>Identifying the people becoming junkies, and they set them a

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<v Speaker 4>shot from time to time, so they stay junkies. You

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<v Speaker 4>don't get the chance to cool down and get back

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<v Speaker 4>to your family. I mean I had a family at

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<v Speaker 4>the time, sitting in there. Robit that recuperation becomes stressful

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<v Speaker 4>because nobody understands you. I mean, your colleagues become your

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<v Speaker 4>friends and your family. They understand what it means when

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<v Speaker 4>you say, well, we had an ied, we had an

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<v Speaker 4>improvised explosive device, or we had a vbi ID. They

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<v Speaker 4>understand what it means. Yes, there has been a car bomb.

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<v Speaker 4>Nobody else understands. Nobody understands the feeling of what it means.

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<v Speaker 1>Killian climbs the UN ladder, but over time he finds

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<v Speaker 1>his Maverick methods rub up against an increasingly bureaucratic organization,

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<v Speaker 1>and the way humanitarian work is funded is changing too.

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<v Speaker 1>NGO and government budgets are going down, the private sector

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<v Speaker 1>institutions and individual wealthy donors are becoming more important than ever.

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<v Speaker 1>Over time, Killian begins to feel that perhaps he should

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<v Speaker 1>at least try a more normal way of life, so

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<v Speaker 1>after three decades, finally in twenty fourteen, Killian decides to

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<v Speaker 1>leave the UN. He settles in Vienna as far as

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<v Speaker 1>he can settle, and launches an aid consultancy. A burgeoning

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<v Speaker 1>migrant crisis on Europe's borders and in the Balkans in particular,

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<v Speaker 1>means he's in high demand, but he doesn't exactly thrill

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<v Speaker 1>to the work. European governments are mostly looking to find

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<v Speaker 1>short term domestic solutions for the problem. They don't want

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<v Speaker 1>to do the hard stuff tackling it at its source

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<v Speaker 1>in Africa and the Middle East. The consultancy work is

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<v Speaker 1>all about fundraising, meetings with stakeholders, trial a la over

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<v Speaker 1>canopies and powerpoints. It's not a very Killian kind of world.

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<v Speaker 1>Enter Jan Marcelek. It was around this time that an

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<v Speaker 1>Austrian lobbyist government connected got in touch. He tells Killian,

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<v Speaker 1>I want you to meet someone.

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<v Speaker 4>I have a client called Jan Masele. He's the CEO

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<v Speaker 4>of Wire Cards. That is, in his private capacity, he

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<v Speaker 4>wants to contribute to the stabilization of Libya.

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<v Speaker 1>In twenty eighteen, Killian gets an invitation to come and

0:14:41.160 --> 0:14:46.800
<v Speaker 1>meet his new prospective backer, Marcelek. Marcelex suggests they meet

0:14:47.040 --> 0:14:49.680
<v Speaker 1>at the keef Schenker, the very place he met my

0:14:49.800 --> 0:14:53.640
<v Speaker 1>editor Paul Murphy and handed him the chemical formula for Navechok.

0:14:54.920 --> 0:14:59.240
<v Speaker 1>Keifa Schhenk in English means the ladybird tavern lady barg

0:14:59.280 --> 0:15:02.800
<v Speaker 1>If you're American, there are little ladybird emblems and pictures

0:15:02.800 --> 0:15:06.440
<v Speaker 1>dotted around, but it's not Kitchie. This is still a

0:15:06.480 --> 0:15:11.920
<v Speaker 1>white tablecloth place. All Killian knows is that he's meeting

0:15:11.960 --> 0:15:15.840
<v Speaker 1>a wealthy Austrian businessman. He's never heard of Yan Marslek,

0:15:16.240 --> 0:15:19.280
<v Speaker 1>but that's not an issue, at least nothing A little

0:15:19.400 --> 0:15:21.080
<v Speaker 1>keyboard due diligence can't smooth.

0:15:22.360 --> 0:15:27.600
<v Speaker 4>Started googling a bit and okay, a big luge DAX company.

0:15:28.560 --> 0:15:32.200
<v Speaker 1>The DAX is Germany's main stock market index, the forty

0:15:32.320 --> 0:15:35.640
<v Speaker 1>largest public German companies. A bit like the S and

0:15:35.640 --> 0:15:39.360
<v Speaker 1>P five hundred or the Footsy one hundred. It signals

0:15:39.400 --> 0:15:43.320
<v Speaker 1>to Killian that wirecard and mars Lek should be taken seriously.

0:15:44.280 --> 0:15:47.160
<v Speaker 4>I had been sort of a lot looking into how

0:15:47.320 --> 0:15:53.280
<v Speaker 4>the industry, how business can actually do what the humanitarance

0:15:53.440 --> 0:15:56.880
<v Speaker 4>can do. So I thought was a great idea that

0:15:57.000 --> 0:16:02.560
<v Speaker 4>if somebody has personal interests or business interests actually contributes,

0:16:04.040 --> 0:16:07.480
<v Speaker 4>and it's not the humanitarians are going to stabilize places,

0:16:07.600 --> 0:16:13.520
<v Speaker 4>it's business. It's this type of other resources which the

0:16:13.560 --> 0:16:15.520
<v Speaker 4>humanitarian world will never produce.

0:16:17.760 --> 0:16:20.800
<v Speaker 1>Killian has been told that Marcelek is interested in funding

0:16:20.840 --> 0:16:27.280
<v Speaker 1>humanitarian projects in Libya. Libya was a mess since the

0:16:27.360 --> 0:16:30.600
<v Speaker 1>Kadafi regime was deposed in twenty eleven at the height

0:16:30.640 --> 0:16:33.760
<v Speaker 1>of the Arab Spring. It had been mired in civil war.

0:16:34.800 --> 0:16:38.600
<v Speaker 1>Nothing about its future seemed at that point certain, and

0:16:38.680 --> 0:16:42.400
<v Speaker 1>it was also thanks to its newfound lawlessness, a highway

0:16:42.440 --> 0:16:46.280
<v Speaker 1>for African refugees looking to get into Europe, the longest

0:16:46.600 --> 0:16:50.680
<v Speaker 1>then unpatrolled coastline of any African country on the Mediterranean.

0:16:54.320 --> 0:16:57.600
<v Speaker 1>A reporter with the ft Borzu Daragahi was on the

0:16:57.600 --> 0:16:59.960
<v Speaker 1>ground to see what conditions in one of the countries

0:17:00.160 --> 0:17:02.680
<v Speaker 1>notorious migrant detention centers were like.

0:17:03.720 --> 0:17:07.320
<v Speaker 6>Hot, dirty, Overcrowded cells like this one are a way

0:17:07.359 --> 0:17:11.080
<v Speaker 6>of life. At the Garabouli migrant detention Center, just east

0:17:11.080 --> 0:17:16.160
<v Speaker 6>of Libya's capital, Tripoli, rooms meant for perhaps twenty people

0:17:16.200 --> 0:17:20.119
<v Speaker 6>are commonly filled with one hundred. These men, women and

0:17:20.240 --> 0:17:23.760
<v Speaker 6>children have come from as far as Eritrea and Ethiopia.

0:17:24.359 --> 0:17:28.040
<v Speaker 6>They risk their lives along desert smuggling routes lined with

0:17:28.320 --> 0:17:30.159
<v Speaker 6>bandits and other dangers.

0:17:31.040 --> 0:17:34.320
<v Speaker 1>But Libya was also a place rich in opportunities for

0:17:34.400 --> 0:17:39.160
<v Speaker 1>those with an appetite for danger. A huge oil exporting nation,

0:17:39.960 --> 0:17:44.240
<v Speaker 1>a major military power in Africa, a playground for spies,

0:17:45.440 --> 0:17:52.360
<v Speaker 1>the prospect of some work there tantalized Kilian. Marcelek arrives

0:17:52.400 --> 0:17:54.560
<v Speaker 1>for lunch. He's all Polish.

0:17:55.400 --> 0:17:56.720
<v Speaker 3>They got a little bit jealous.

0:17:56.920 --> 0:18:00.480
<v Speaker 4>While the sky is bier de mere and he is

0:18:00.520 --> 0:18:03.560
<v Speaker 4>good looking, and he is well dressed. Everything he has

0:18:03.720 --> 0:18:08.320
<v Speaker 4>smells money and care and everything is perfect.

0:18:08.400 --> 0:18:12.960
<v Speaker 3>And I come with my cheap trousers and whatnot.

0:18:13.560 --> 0:18:16.879
<v Speaker 1>A little envy prompts some German Austrian rivalry.

0:18:17.400 --> 0:18:22.560
<v Speaker 4>Well, there's a typical Austrian sort of showing off person.

0:18:22.800 --> 0:18:24.639
<v Speaker 4>I've seen many of those in Vienna.

0:18:25.680 --> 0:18:30.119
<v Speaker 1>Over lunch, the conversation becomes competitive, what.

0:18:30.240 --> 0:18:34.199
<v Speaker 4>They call alas the male cockfight. In the beginning, they

0:18:34.280 --> 0:18:37.480
<v Speaker 4>try to impress the other one of how cool you

0:18:37.600 --> 0:18:39.439
<v Speaker 4>are and how tough you are, and where you have

0:18:39.560 --> 0:18:40.360
<v Speaker 4>been and so on.

0:18:40.680 --> 0:18:41.880
<v Speaker 1>This is you and Marcelec.

0:18:42.840 --> 0:18:45.040
<v Speaker 3>You know how two cocks are when they're showing the

0:18:45.480 --> 0:18:46.760
<v Speaker 3>nice feathers and so on.

0:18:48.960 --> 0:18:53.840
<v Speaker 1>Killian tells Marcelec stories. He recounts the dangerous, violent and

0:18:54.000 --> 0:18:57.960
<v Speaker 1>volatile situations he has lived in around the world. But

0:18:58.119 --> 0:19:00.760
<v Speaker 1>Marcelek is not to be outdone.

0:19:01.359 --> 0:19:06.119
<v Speaker 4>And then very fast actually he started then talking about

0:19:06.280 --> 0:19:11.439
<v Speaker 4>his experience in Syria, facilitated by the boys. Just after

0:19:11.480 --> 0:19:16.480
<v Speaker 4>the recapture of the city of Panira from Isis.

0:19:16.119 --> 0:19:19.000
<v Speaker 1>When he said, with the boys, what did you now?

0:19:19.080 --> 0:19:21.480
<v Speaker 3>He basically said, with the Russians.

0:19:24.119 --> 0:19:28.000
<v Speaker 1>Marcelek tells Killian that he arrived in Syria in a migate.

0:19:29.080 --> 0:19:32.520
<v Speaker 1>He describes how the helicopter banked and turned, and with

0:19:32.600 --> 0:19:35.200
<v Speaker 1>a blast of dry hot air through the open door,

0:19:35.520 --> 0:19:38.919
<v Speaker 1>he looked down on the vast ruins of Roman Palmyra below.

0:19:39.920 --> 0:19:41.840
<v Speaker 1>He was the guest of the head of intelligence for

0:19:41.920 --> 0:19:47.000
<v Speaker 1>the Wagner Group, Russia's most notorious mercenary army. They didn't linger,

0:19:47.119 --> 0:19:50.480
<v Speaker 1>Marcelex said it was too dangerous, but there was time

0:19:50.480 --> 0:19:55.360
<v Speaker 1>for some photos. I've seen those photos. There's a hastily

0:19:55.400 --> 0:19:59.600
<v Speaker 1>snapped selfie in front of the amphitheater, and another shot

0:19:59.800 --> 0:20:02.520
<v Speaker 1>in in front of a burned out tank, and one

0:20:02.560 --> 0:20:06.439
<v Speaker 1>of him aiming a bazooka. In all of them, Marcelek

0:20:06.560 --> 0:20:10.760
<v Speaker 1>is posing basically in body armor and sometimes wearing dark

0:20:10.800 --> 0:20:16.920
<v Speaker 1>blue aviators. To me, he seems almost boyishly excited. What's

0:20:16.960 --> 0:20:21.200
<v Speaker 1>remarkable is that Marcelek's story, all this boasting about being

0:20:21.200 --> 0:20:24.879
<v Speaker 1>in Syria didn't strike Killian as unusual at the time.

0:20:25.760 --> 0:20:28.679
<v Speaker 1>But Killian is not a very usual kind of person.

0:20:29.720 --> 0:20:32.879
<v Speaker 4>It didn't click in my head that it's a bit

0:20:32.920 --> 0:20:36.400
<v Speaker 4>strange that a payment provider would be going into such

0:20:36.400 --> 0:20:36.840
<v Speaker 4>an area.

0:20:38.040 --> 0:20:41.320
<v Speaker 1>If it had clicked, maybe he could have avoided what

0:20:41.440 --> 0:20:46.560
<v Speaker 1>happened next. I can only assume Killian wasn't taken aback

0:20:46.920 --> 0:20:51.360
<v Speaker 1>because of the way Marcelek framed the story. He told

0:20:51.440 --> 0:20:54.960
<v Speaker 1>Killian that when he saw war ravage Syria for himself,

0:20:55.320 --> 0:20:57.760
<v Speaker 1>he realized he wanted to stop that kind of thing

0:20:57.800 --> 0:21:03.320
<v Speaker 1>from happening elsewhere, like in Libya. Marcelett convinced Killian that

0:21:03.440 --> 0:21:05.800
<v Speaker 1>he wanted to make a difference to make the world

0:21:05.840 --> 0:21:09.639
<v Speaker 1>a better place. As Killian understood it, Marcelett wanted to

0:21:09.640 --> 0:21:13.399
<v Speaker 1>commission a development plan, a blueprint for how to end

0:21:13.480 --> 0:21:17.640
<v Speaker 1>lawlessness on Libya's southern border where there was no government control.

0:21:18.560 --> 0:21:21.080
<v Speaker 4>He spoke about the gold mines at the border to

0:21:21.200 --> 0:21:23.679
<v Speaker 4>Chat where people have to work for two years to

0:21:23.760 --> 0:21:27.439
<v Speaker 4>get their passage to Europe paid off. He spoke about

0:21:27.640 --> 0:21:31.240
<v Speaker 4>the guys sitting in Monaco and being the people behind

0:21:31.280 --> 0:21:35.920
<v Speaker 4>the whole business, that they were earning one hundred dollars

0:21:35.920 --> 0:21:40.919
<v Speaker 4>per person crossing into Europe. He displayed sort of a

0:21:41.040 --> 0:21:46.000
<v Speaker 4>more emotional something has to be done to stop out

0:21:46.040 --> 0:21:46.400
<v Speaker 4>of that.

0:21:48.359 --> 0:21:54.679
<v Speaker 3>And maybe I felt that he was genuine in that.

0:21:55.080 --> 0:21:57.320
<v Speaker 1>Somehow he sounds quite impressive.

0:21:57.760 --> 0:22:01.439
<v Speaker 4>It didn't click as sort of a police ploid at

0:22:01.480 --> 0:22:04.520
<v Speaker 4>that moment. It felt more, Yes, I want to do something.

0:22:04.560 --> 0:22:06.760
<v Speaker 4>I want to contribute, so I will put two hundred

0:22:06.840 --> 0:22:10.679
<v Speaker 4>thousand euros into your Killian and your team so that

0:22:11.200 --> 0:22:15.240
<v Speaker 4>there should be collateral financing to have a full plan

0:22:15.560 --> 0:22:18.639
<v Speaker 4>of what to do with Libya so that this doesn't happen.

0:22:20.720 --> 0:22:23.880
<v Speaker 1>Killian came away from his first lunch with Jan Marsleg

0:22:24.240 --> 0:22:27.200
<v Speaker 1>feeling good about his new project and his new client.

0:22:28.480 --> 0:22:31.040
<v Speaker 1>He built a team and he got to work doing

0:22:31.080 --> 0:22:33.960
<v Speaker 1>research and making plans to pull together a kind of

0:22:33.960 --> 0:22:37.119
<v Speaker 1>feasibility study on how to bring law and order to

0:22:37.160 --> 0:22:40.240
<v Speaker 1>the region and improve the lives of the people living there,

0:22:40.800 --> 0:22:43.320
<v Speaker 1>who to speak to and what to say to them.

0:22:43.880 --> 0:22:46.359
<v Speaker 1>But it wasn't long before there were signs that not

0:22:46.480 --> 0:22:49.639
<v Speaker 1>all was as it seemed. Killian had been told that

0:22:49.680 --> 0:22:53.480
<v Speaker 1>he could trust Marcelec's handshake and that Marcelec wouldn't sign

0:22:53.480 --> 0:22:57.400
<v Speaker 1>a contract anyway, so there wasn't much Killian could do

0:22:57.520 --> 0:22:59.880
<v Speaker 1>about what happened next.

0:22:59.640 --> 0:23:03.000
<v Speaker 3>Then no money. There was no payment for me.

0:23:03.760 --> 0:23:06.160
<v Speaker 1>I mean, did it not strike you as odd that

0:23:06.240 --> 0:23:10.920
<v Speaker 1>there's this. There's this wealthy backer who has money and

0:23:10.960 --> 0:23:12.800
<v Speaker 1>he's just not not paying.

0:23:12.840 --> 0:23:14.520
<v Speaker 4>Yes, of course, I said, what's this? I mean, you

0:23:14.600 --> 0:23:19.200
<v Speaker 4>told me it's undshake quality. Finally engaged with our the contracts.

0:23:19.200 --> 0:23:21.800
<v Speaker 4>Should have never done this, big mistake.

0:23:25.400 --> 0:23:28.159
<v Speaker 1>At this point, Killian is still dealing with marcele X

0:23:28.240 --> 0:23:32.520
<v Speaker 1>through an intermediary marcele X's lobbyist in Vienna, and after

0:23:32.560 --> 0:23:36.240
<v Speaker 1>a lot of pestering about the missing finance, the intermediary

0:23:36.400 --> 0:23:40.920
<v Speaker 1>gives him a very strange answer. He says, send your

0:23:40.920 --> 0:23:47.119
<v Speaker 1>invoice to the Libyan Russian Institute in Moscow, which is

0:23:47.119 --> 0:23:50.760
<v Speaker 1>odd because no such institute even seems to exist there.

0:23:51.680 --> 0:23:55.399
<v Speaker 1>There's more. When Killian suggests that they should organize a

0:23:55.400 --> 0:23:57.960
<v Speaker 1>trip to Libya so he can talk to his backer

0:23:58.000 --> 0:24:00.400
<v Speaker 1>about his plans and show him how they might work

0:24:00.440 --> 0:24:03.720
<v Speaker 1>on the ground. He gets told this will also be arranged,

0:24:04.200 --> 0:24:05.800
<v Speaker 1>but from Moscow.

0:24:06.520 --> 0:24:13.000
<v Speaker 4>The trip will be organized by Colonel tribly Gin under

0:24:13.000 --> 0:24:18.040
<v Speaker 4>the Triblean in Moscow. So who was colonel and the Triblegian, Oh,

0:24:18.119 --> 0:24:23.159
<v Speaker 4>here's the coordinator of Russian interests in Northern Africa and

0:24:23.240 --> 0:24:24.040
<v Speaker 4>the Middle East.

0:24:25.600 --> 0:24:28.640
<v Speaker 1>By now I'm thinking for almost anyone, the jig would

0:24:28.640 --> 0:24:32.200
<v Speaker 1>be up. Whatever this project was, it was not simply

0:24:32.240 --> 0:24:34.840
<v Speaker 1>some idea from an Austrian businessman with a good heart

0:24:34.920 --> 0:24:39.399
<v Speaker 1>and an open checkbook. Killian, though, still didn't pull the plug,

0:24:40.240 --> 0:24:43.280
<v Speaker 1>maybe because at this point he's already paid his team

0:24:43.320 --> 0:24:46.879
<v Speaker 1>a considerable amount of money from his own pocket, and

0:24:46.920 --> 0:24:49.320
<v Speaker 1>he's really quite proud of the work they've done, the

0:24:49.320 --> 0:24:53.160
<v Speaker 1>study they've begun to produce. So he needs to sort

0:24:53.200 --> 0:24:55.720
<v Speaker 1>things out one way or the other, and the only

0:24:55.760 --> 0:24:58.520
<v Speaker 1>way to do that is to demand another face to

0:24:58.560 --> 0:25:08.240
<v Speaker 1>face meeting with Mas. And that's how. In February twenty eighteen,

0:25:08.720 --> 0:25:12.040
<v Speaker 1>Killian finds himself standing on a street corner in a

0:25:12.040 --> 0:25:15.240
<v Speaker 1>wealthy district of Munich. On the opposite side of the

0:25:15.240 --> 0:25:19.879
<v Speaker 1>street is the Russian Consulate. He's waiting directly outside a grand,

0:25:20.119 --> 0:25:23.879
<v Speaker 1>four story Grundadzite nineteenth century villa.

0:25:24.320 --> 0:25:27.000
<v Speaker 4>One of these big mansions will find in Vienna, you

0:25:27.000 --> 0:25:29.600
<v Speaker 4>will find in Munich, you will find in all the

0:25:29.640 --> 0:25:36.480
<v Speaker 4>century of European cities where very wealthy business families built us.

0:25:36.600 --> 0:25:40.000
<v Speaker 1>At some point, it's so big he struggles to figure

0:25:40.040 --> 0:25:42.480
<v Speaker 1>out how to get in. There doesn't seem to be

0:25:42.520 --> 0:25:44.240
<v Speaker 1>a doorbell when.

0:25:44.560 --> 0:25:49.320
<v Speaker 4>Somehow the doors of the villa they open mysteriously.

0:25:50.400 --> 0:25:56.520
<v Speaker 1>This is Jan Marcelek's house and personal office. Marcelect meets Killian,

0:25:56.600 --> 0:25:59.720
<v Speaker 1>who is with a colleague on the first floor. There's

0:25:59.760 --> 0:26:03.480
<v Speaker 1>some impressive contemporary art on the walls, but not a

0:26:03.520 --> 0:26:04.280
<v Speaker 1>lot tells.

0:26:05.160 --> 0:26:08.280
<v Speaker 4>Normal people when they live in a place, there is

0:26:08.400 --> 0:26:11.959
<v Speaker 4>always some crap lying around. I mean it's a place

0:26:12.000 --> 0:26:14.960
<v Speaker 4>where we kind of live. And when I come into

0:26:15.040 --> 0:26:19.159
<v Speaker 4>place like that and it feels like it's like a showroom,

0:26:19.840 --> 0:26:21.320
<v Speaker 4>it's nothing personal.

0:26:22.160 --> 0:26:26.000
<v Speaker 1>They enter a capacious meeting room. There's a spread of coffee,

0:26:26.080 --> 0:26:29.239
<v Speaker 1>juices and biscuits. They make small talk and then they

0:26:29.240 --> 0:26:32.600
<v Speaker 1>get down to business, but it doesn't go well.

0:26:33.160 --> 0:26:35.919
<v Speaker 3>Marsidic was visibly bored.

0:26:36.560 --> 0:26:41.479
<v Speaker 4>He sort of treated as little boys who come up

0:26:41.520 --> 0:26:49.960
<v Speaker 4>with ridiculous, humilitanian crap. Basically said, this was all child's stuff,

0:26:50.640 --> 0:26:55.560
<v Speaker 4>children's stuff, This is too small. I was thinking big projects,

0:26:56.040 --> 0:26:57.040
<v Speaker 4>big industries.

0:26:57.200 --> 0:26:59.600
<v Speaker 3>I mean, basically dismissed what we had done.

0:27:00.640 --> 0:27:04.399
<v Speaker 1>But Marceilllek is excited about something else. He's got a

0:27:04.480 --> 0:27:06.040
<v Speaker 1>video he wants to show Killian.

0:27:08.720 --> 0:27:11.880
<v Speaker 4>I have in German as a guile, I mean exciting

0:27:12.080 --> 0:27:13.840
<v Speaker 4>a video material.

0:27:14.400 --> 0:27:17.600
<v Speaker 1>Gile in this context, I think you'd probably best translators.

0:27:17.640 --> 0:27:22.680
<v Speaker 1>Sexy cool. Marcelex seems pretty psyched up about it. It's

0:27:22.760 --> 0:27:26.760
<v Speaker 1>a video filmed using some new military equipment, body cams

0:27:26.920 --> 0:27:32.480
<v Speaker 1>worn by soldiers, bodycams worn by Wagner the Russian Mercenary Army.

0:27:33.320 --> 0:27:36.040
<v Speaker 1>Marceilek is interested in getting some of these cameras for

0:27:36.119 --> 0:27:40.600
<v Speaker 1>his own purposes. He boasts to Killian that the content

0:27:40.640 --> 0:27:42.320
<v Speaker 1>of the video is shocking.

0:27:43.160 --> 0:27:46.040
<v Speaker 4>Can show it because the boys are killing all the prisoners,

0:27:47.720 --> 0:27:49.720
<v Speaker 4>So it can be used in public.

0:27:49.480 --> 0:27:53.560
<v Speaker 1>Because it's the video is graphic footage of people being murdered.

0:27:53.840 --> 0:27:57.960
<v Speaker 4>Yes, but it's great footage, and so it's pretty basically

0:27:58.040 --> 0:27:58.720
<v Speaker 4>we can show it.

0:27:58.760 --> 0:28:01.359
<v Speaker 3>And I sort of Butt's talked about all this after

0:28:01.440 --> 0:28:01.840
<v Speaker 3>the meeting.

0:28:04.160 --> 0:28:06.520
<v Speaker 1>What were you thinking when he was saying that.

0:28:07.200 --> 0:28:11.320
<v Speaker 3>Or should there's something going on here?

0:28:15.119 --> 0:28:19.439
<v Speaker 1>Killian finally begins to understand that this humanitarian project is

0:28:19.480 --> 0:28:23.000
<v Speaker 1>not at all what it seems. Trying to move things

0:28:23.000 --> 0:28:26.199
<v Speaker 1>on from the video, Killian asks how this relates to

0:28:26.240 --> 0:28:32.200
<v Speaker 1>their work. The answer chills Killian. He says, Marcelett told him.

0:28:32.000 --> 0:28:37.160
<v Speaker 4>What I want really is to convert militia men into borderguards.

0:28:38.040 --> 0:28:41.640
<v Speaker 4>Fifteen twenty thousand something big, and we train and equip them.

0:28:41.480 --> 0:28:45.280
<v Speaker 1>And sid he wants to create a military force in Libya,

0:28:45.880 --> 0:28:49.280
<v Speaker 1>a border guard that would stop migrants crossing into or

0:28:49.320 --> 0:28:52.600
<v Speaker 1>out of Libya. He wants to equip it, and fund

0:28:52.640 --> 0:28:54.280
<v Speaker 1>it and control it.

0:28:54.920 --> 0:28:57.320
<v Speaker 3>That was sort of a key moment where it said

0:28:58.280 --> 0:29:00.000
<v Speaker 3>there's something very wrong.

0:29:03.800 --> 0:29:07.680
<v Speaker 1>Afterwards, Killian replayed that meeting over and over in his head.

0:29:08.360 --> 0:29:11.040
<v Speaker 1>He asked himself, who is Jan Marcelek?

0:29:11.120 --> 0:29:11.400
<v Speaker 3>Really?

0:29:12.160 --> 0:29:15.080
<v Speaker 1>He couldn't come up with a clear answer, and perhaps

0:29:15.640 --> 0:29:18.800
<v Speaker 1>since his invoices were still open, he didn't want to.

0:29:20.280 --> 0:29:22.840
<v Speaker 1>But there was something about the whole situation which made

0:29:22.920 --> 0:29:27.000
<v Speaker 1>him think that Marcelek might not just be a wealthy fantasist,

0:29:28.120 --> 0:29:31.120
<v Speaker 1>that he might be serious about these proposals, and he

0:29:31.200 --> 0:29:34.040
<v Speaker 1>might even have the means to achieve them. He tried

0:29:34.080 --> 0:29:36.360
<v Speaker 1>to ignore that feeling until he couldn't.

0:29:36.880 --> 0:29:42.840
<v Speaker 4>It really sort of clicked completely later that year, October November.

0:29:43.360 --> 0:29:46.520
<v Speaker 1>That's when Killian bumped into a military contact who had

0:29:46.560 --> 0:29:48.520
<v Speaker 1>also been working on the side with Marceilek.

0:29:49.520 --> 0:29:54.640
<v Speaker 3>He tells him, Killian, you know, with Jan one cannot work.

0:29:55.320 --> 0:29:56.880
<v Speaker 3>He's too close to the Russians.

0:29:57.560 --> 0:30:03.200
<v Speaker 4>So from that point onward, yes, and that's late twenty eighteen.

0:30:04.560 --> 0:30:08.520
<v Speaker 4>Here I am with something that I knowed that is

0:30:09.880 --> 0:30:25.320
<v Speaker 4>a lot more to the whole story.

0:30:25.520 --> 0:30:30.440
<v Speaker 1>Killian Kleinschmidt knows he has potentially explosive information about jan Marcelek,

0:30:31.200 --> 0:30:34.200
<v Speaker 1>but Killian also knows he has to be careful. He

0:30:34.280 --> 0:30:37.120
<v Speaker 1>knows Austria well enough now enough to know that Marcelek,

0:30:37.360 --> 0:30:41.120
<v Speaker 1>while somewhat in the shadows, seems to be extremely well connected.

0:30:42.200 --> 0:30:45.520
<v Speaker 1>Months go by, and then in the summer of twenty nineteen,

0:30:45.880 --> 0:30:49.360
<v Speaker 1>Killian sees an opportunity to raise the alarm. He's in

0:30:49.440 --> 0:30:52.600
<v Speaker 1>Tunis and he's invited to a garden party at the

0:30:52.640 --> 0:30:56.040
<v Speaker 1>residence of the Austrian ambassador to Libya who's based there.

0:30:56.760 --> 0:30:59.400
<v Speaker 1>He grabs a few minutes with the host and.

0:30:59.360 --> 0:31:02.960
<v Speaker 4>I explained to him the story an Austrian national very

0:31:03.040 --> 0:31:07.240
<v Speaker 4>much doing strange things and Libya and whether there was

0:31:07.240 --> 0:31:10.360
<v Speaker 4>on the radar screen and so on. And when I

0:31:10.360 --> 0:31:12.960
<v Speaker 4>had finished the story, and he said, how you have

0:31:13.040 --> 0:31:13.600
<v Speaker 4>to be careful.

0:31:13.640 --> 0:31:17.680
<v Speaker 3>It could be one of them.

0:31:17.720 --> 0:31:20.720
<v Speaker 1>You have to be careful. I could be one of them.

0:31:21.080 --> 0:31:24.000
<v Speaker 1>Even though this sounds ominous. When I first heard this,

0:31:24.240 --> 0:31:27.320
<v Speaker 1>I took it as a joke. And the ambassador confirmed

0:31:27.360 --> 0:31:30.760
<v Speaker 1>as much to me. He told me he remembers meeting

0:31:30.840 --> 0:31:34.440
<v Speaker 1>Killian but doesn't recall exactly what he said, and that

0:31:34.680 --> 0:31:38.520
<v Speaker 1>making joking remarks sounds like something he'd probably do just

0:31:38.560 --> 0:31:41.360
<v Speaker 1>to try and break the ice. He wanted to make

0:31:41.440 --> 0:31:44.520
<v Speaker 1>clear though, that he didn't and doesn't have a connection

0:31:44.600 --> 0:31:49.560
<v Speaker 1>to Marcelek regardless. Back then, at this party, Killian is

0:31:49.600 --> 0:31:52.560
<v Speaker 1>already feeling nervous and gets the impression he should hold

0:31:52.560 --> 0:31:56.680
<v Speaker 1>his tongue, an impression reinforced when a year later, at

0:31:56.720 --> 0:31:59.560
<v Speaker 1>the same garden party, the ambassador joked again.

0:32:00.360 --> 0:32:03.400
<v Speaker 4>That's when he's said in front of other people and

0:32:03.520 --> 0:32:07.360
<v Speaker 4>saying it, Oh, that's Kleinschmidt. Yeah, I have the instruction

0:32:07.480 --> 0:32:12.480
<v Speaker 4>to not let you out alife. So obviously humor, but

0:32:12.520 --> 0:32:18.720
<v Speaker 4>it was as well kind of menacing, kind of immature.

0:32:20.920 --> 0:32:22.840
<v Speaker 1>I mean, even though it was a joke, there is

0:32:22.920 --> 0:32:25.800
<v Speaker 1>a slight message there for you, isn't there. He's trying

0:32:25.840 --> 0:32:28.320
<v Speaker 1>to tell you something, which is maybe that you're annoying

0:32:28.400 --> 0:32:29.600
<v Speaker 1>or maybe you should shut up.

0:32:29.680 --> 0:32:30.920
<v Speaker 3>But basically yes.

0:32:33.280 --> 0:32:36.040
<v Speaker 1>So from then on, Killian only speaks to one or

0:32:36.040 --> 0:32:40.160
<v Speaker 1>two close friends about Marcelek. He worries that if he

0:32:40.240 --> 0:32:42.880
<v Speaker 1>tells anyone who knows him less well, he might land

0:32:42.960 --> 0:32:46.200
<v Speaker 1>himself in serious trouble or end up sounding like well,

0:32:46.640 --> 0:32:50.080
<v Speaker 1>a bit cracked, another unpaid contractor with an ax to

0:32:50.160 --> 0:32:53.920
<v Speaker 1>grind and a conspiracy to pedal but other events at

0:32:53.960 --> 0:32:56.920
<v Speaker 1>the time, they keep making him a question again and again,

0:32:57.600 --> 0:33:02.200
<v Speaker 1>just what was Marcelek up to. A few months after

0:33:02.280 --> 0:33:04.920
<v Speaker 1>Killian broke off his connection with mars Leg, he moved

0:33:04.960 --> 0:33:09.000
<v Speaker 1>to northern Greece. The borders were closed. Huge numbers of

0:33:09.040 --> 0:33:11.320
<v Speaker 1>migrants were trying to come into Europe from the Levante

0:33:11.680 --> 0:33:14.960
<v Speaker 1>due to the war raging in Syria. Even though Killian's

0:33:14.960 --> 0:33:19.120
<v Speaker 1>officially retired from the UN he'd remained plugged in. Thanks

0:33:19.160 --> 0:33:22.640
<v Speaker 1>to Killian's years of frontline work. His network of sources

0:33:22.800 --> 0:33:27.680
<v Speaker 1>bring him disturbing nuggets of information about the situation. They

0:33:27.720 --> 0:33:30.600
<v Speaker 1>tell him, even though the borders are closed, it seems

0:33:30.600 --> 0:33:34.480
<v Speaker 1>that over and over again, desperate groups of migrants believe otherwise.

0:33:35.560 --> 0:33:36.840
<v Speaker 1>They're being fed lies.

0:33:37.640 --> 0:33:42.280
<v Speaker 4>Through my network, we found out that somehow there were

0:33:42.480 --> 0:33:46.719
<v Speaker 4>rumors spread that Merkel would open the borders again.

0:33:47.160 --> 0:33:52.000
<v Speaker 1>Angela Merkel, Germany's chancellor. At the time, she had already

0:33:52.040 --> 0:33:55.360
<v Speaker 1>accepted hundreds of thousands of migrants into Germany.

0:33:55.240 --> 0:34:00.280
<v Speaker 4>We've found very strong indications in photos of people who

0:34:00.320 --> 0:34:05.360
<v Speaker 4>were in different locations telling that story. And this story

0:34:05.360 --> 0:34:08.920
<v Speaker 4>of it went from northern Iraq, and it was in Turkey,

0:34:09.120 --> 0:34:15.160
<v Speaker 4>it was in the entire region, the sort of go Europe.

0:34:15.040 --> 0:34:17.760
<v Speaker 1>Telling that story to refugees and camps.

0:34:17.800 --> 0:34:20.480
<v Speaker 4>And camps and out of camps already on the move,

0:34:20.560 --> 0:34:24.960
<v Speaker 4>already in Greece and so on. So people have started

0:34:25.000 --> 0:34:25.920
<v Speaker 4>moving in this direction.

0:34:27.360 --> 0:34:30.279
<v Speaker 1>Hospitals are being bombed in Syria at the time by

0:34:30.280 --> 0:34:34.040
<v Speaker 1>the Russians who are fighting alongside their client Basha Asad,

0:34:34.440 --> 0:34:38.600
<v Speaker 1>the country's ruler. They seem to be deliberately worsening the

0:34:38.680 --> 0:34:44.080
<v Speaker 1>humanitarian crisis, and something for Killian falls into place. What

0:34:44.239 --> 0:34:47.240
<v Speaker 1>if the Russians are spreading these lies about open borders

0:34:47.239 --> 0:34:50.920
<v Speaker 1>in Europe too? He makes the leap back to Marsilek.

0:34:51.320 --> 0:34:54.800
<v Speaker 1>What if Marsilek wanted to do something similar in southern Libya,

0:34:55.440 --> 0:34:59.720
<v Speaker 1>to use a force controlling the border to influence migrant flows.

0:35:01.040 --> 0:35:04.799
<v Speaker 1>At first, it all feels too outlandish to him, but

0:35:04.880 --> 0:35:08.680
<v Speaker 1>with time he starts to believe it. For the most part, though,

0:35:09.000 --> 0:35:12.240
<v Speaker 1>he keeps all these suspicions to himself now to fear,

0:35:12.960 --> 0:35:20.160
<v Speaker 1>until the day he spoke to me. When Gillian told

0:35:20.200 --> 0:35:23.960
<v Speaker 1>it to me, it rang Bells. I thought straight away

0:35:24.080 --> 0:35:27.319
<v Speaker 1>of the late US Senator John McCain. He'd said the

0:35:27.400 --> 0:35:30.800
<v Speaker 1>very same thing in twenty sixteen at the Munich Security

0:35:30.840 --> 0:35:33.359
<v Speaker 1>Conference with reference to Syria.

0:35:33.719 --> 0:35:37.400
<v Speaker 7>Mister Putin is not interested in being our partner. He

0:35:37.480 --> 0:35:39.960
<v Speaker 7>wants to shore up the Asad regime. He wants to

0:35:39.960 --> 0:35:42.880
<v Speaker 7>re establish Russia as a major power in the Middle East.

0:35:43.600 --> 0:35:46.839
<v Speaker 7>He wants to use Syria as a live fire exercise

0:35:46.960 --> 0:35:51.640
<v Speaker 7>for Russia's modernizing military, and he wants to exacerbate the

0:35:51.719 --> 0:35:56.640
<v Speaker 7>refugee crisis and use it as a weapon to divide

0:35:56.680 --> 0:36:01.400
<v Speaker 7>the Transit Plantic Alliance and undermine the European Project.

0:36:04.280 --> 0:36:08.719
<v Speaker 1>Russia's interest in weaponizing migration was being taken seriously as

0:36:08.719 --> 0:36:11.800
<v Speaker 1>a threat to NATO by the world's biggest military power,

0:36:12.200 --> 0:36:17.680
<v Speaker 1>the USA. So this idea of Killians that marsilect could

0:36:17.719 --> 0:36:20.960
<v Speaker 1>be working for Russia in Libya to control migration for

0:36:21.000 --> 0:36:26.520
<v Speaker 1>political influence, it's actually not as far fetched as it seems. Then,

0:36:26.840 --> 0:36:31.840
<v Speaker 1>six months after I first met Killian in June twenty twenty, something.

0:36:31.520 --> 0:36:38.200
<v Speaker 8>Happened extraordinary story admission, of course, from payments for wirecard

0:36:38.239 --> 0:36:41.319
<v Speaker 8>this week that the missing two billion dollars may never

0:36:41.360 --> 0:36:42.520
<v Speaker 8>have existed at all.

0:36:43.239 --> 0:36:46.200
<v Speaker 1>After months of tireless reporting by my colleague at the FT,

0:36:46.600 --> 0:36:51.480
<v Speaker 1>Dan McCrumb Wirecard, the fintech giant Marcelect had helped build

0:36:51.520 --> 0:36:55.120
<v Speaker 1>as chief operating officer, the corporate edifice around which he

0:36:55.200 --> 0:37:00.960
<v Speaker 1>had constructed his entire public persona collapsed. Meanwhile, Wire Cards

0:37:01.080 --> 0:37:02.839
<v Speaker 1>auditors are in hot water too.

0:37:03.440 --> 0:37:05.839
<v Speaker 3>E Y says a two point one billion dollar hole

0:37:05.880 --> 0:37:09.280
<v Speaker 3>in the firm's accounts is the result of sophisticated fraud.

0:37:09.520 --> 0:37:12.480
<v Speaker 1>Now Marcus Brown, of course has resigned or has we done?

0:37:12.520 --> 0:37:14.960
<v Speaker 1>On Friday as the CEO of that company.

0:37:14.960 --> 0:37:17.560
<v Speaker 8>The chief operating officer was also sacked over the weekend.

0:37:18.160 --> 0:37:21.600
<v Speaker 1>Once our card exploded, some of the other people involved

0:37:21.640 --> 0:37:26.640
<v Speaker 1>in marcelex Libya scheme they became more talkative, and within

0:37:26.920 --> 0:37:31.719
<v Speaker 1>well just four weeks or so, Killian's crazy tale went

0:37:31.760 --> 0:37:35.920
<v Speaker 1>from being an unprintable conspiracy to an established set of

0:37:35.960 --> 0:37:41.080
<v Speaker 1>facts we could attribute to multiple sources. But I wanted

0:37:41.080 --> 0:37:43.920
<v Speaker 1>to be certain we weren't overinterpreting marcle X's links to

0:37:43.960 --> 0:37:47.440
<v Speaker 1>Russian intelligence, so I went with what we knew to

0:37:47.520 --> 0:37:51.040
<v Speaker 1>one of my most important contacts, I can't really tell

0:37:51.080 --> 0:37:53.440
<v Speaker 1>you about them. That's a condition of me being in

0:37:53.480 --> 0:37:56.480
<v Speaker 1>touch with them. But they work for a European government.

0:37:56.680 --> 0:38:01.920
<v Speaker 1>Let's leave it there. They confirmed what I thought, Marceleck

0:38:02.000 --> 0:38:05.720
<v Speaker 1>really did have ties to Russian spies. Specifically, it seemed

0:38:06.080 --> 0:38:11.480
<v Speaker 1>to the GRU, Russia's fearsome military intelligence agency, the organization

0:38:11.840 --> 0:38:16.279
<v Speaker 1>responsible for the Salisbury poisonings. Killian decided he wanted to

0:38:16.280 --> 0:38:20.040
<v Speaker 1>go public. He outed himself and gave testimony to a

0:38:20.080 --> 0:38:25.040
<v Speaker 1>special committee of the German Parliament investigating Wakaart. Killian doesn't

0:38:25.080 --> 0:38:28.600
<v Speaker 1>regret doing that, but he's also over time become more

0:38:28.640 --> 0:38:31.400
<v Speaker 1>and more convinced that he was right to be afraid.

0:38:32.360 --> 0:38:35.520
<v Speaker 1>His life has never quite been the same. Twice now

0:38:35.719 --> 0:38:38.440
<v Speaker 1>he's been on the edge of financial ruin thanks to

0:38:38.520 --> 0:38:42.120
<v Speaker 1>projects he's gotten involved in which have exploded in his face.

0:38:42.840 --> 0:38:44.719
<v Speaker 1>And he doesn't think it's a coincidence.

0:38:45.360 --> 0:38:48.040
<v Speaker 4>It may not be sort of the extreme sort of

0:38:48.120 --> 0:38:51.239
<v Speaker 4>movie style revenge, but it may be a sort of

0:38:51.280 --> 0:38:58.680
<v Speaker 4>destroy option of guiding me and leading me into traps,

0:39:00.440 --> 0:39:04.280
<v Speaker 4>which is very intelligent if you want to make somebody suffer.

0:39:04.800 --> 0:39:08.480
<v Speaker 4>I was promised things which never happened, and so almost

0:39:08.560 --> 0:39:11.520
<v Speaker 4>by design, and it led to one of the most

0:39:11.520 --> 0:39:16.520
<v Speaker 4>horrible years in my life and being completely destitute.

0:39:16.560 --> 0:39:21.600
<v Speaker 1>In fact, even now he struggles. He keeps being approached

0:39:21.640 --> 0:39:25.759
<v Speaker 1>by odd characters, people connected to Russia, who seemed to

0:39:25.800 --> 0:39:30.200
<v Speaker 1>be trying to lure him into misadventures. For all his experience,

0:39:30.600 --> 0:39:34.759
<v Speaker 1>his bravery, and his force of personality, Killian still ended

0:39:34.840 --> 0:39:41.440
<v Speaker 1>up vulnerable. What Killian revealed about Marcelek was it still

0:39:41.560 --> 0:39:44.800
<v Speaker 1>is wild. But it wasn't the end of the story

0:39:44.840 --> 0:39:48.120
<v Speaker 1>at all. It was really just the beginning. It was

0:39:48.160 --> 0:39:51.280
<v Speaker 1>a revelation that triggered as many questions as it answered.

0:39:52.239 --> 0:39:55.400
<v Speaker 1>Was marcelect working exclusively for the Russians? Was he a

0:39:55.480 --> 0:39:59.319
<v Speaker 1>kind of freelancer? Did the wire card fraud involve Russia too?

0:40:00.080 --> 0:40:04.480
<v Speaker 1>What did Russia want from Marcelek? The obvious person to ask,

0:40:04.560 --> 0:40:13.680
<v Speaker 1>of course, was Marcelec himself, except we couldn't. On June seventeenth,

0:40:13.800 --> 0:40:18.960
<v Speaker 1>twenty twenty, with Warkard's management, employees and shareholders still reeling

0:40:18.960 --> 0:40:22.600
<v Speaker 1>from the fact that billions were missing, Jan Marcelek told

0:40:22.680 --> 0:40:26.520
<v Speaker 1>colleagues he was urgently flying to Manila, where the money

0:40:26.560 --> 0:40:30.560
<v Speaker 1>was supposed to have disappeared. He said he was going

0:40:30.600 --> 0:40:33.760
<v Speaker 1>to sort out the mystery and prove Warkard had nothing

0:40:33.760 --> 0:40:38.240
<v Speaker 1>to hide except in reality. He was in a car

0:40:38.920 --> 0:40:43.920
<v Speaker 1>heading across the Alps. It was a beautiful day, hot,

0:40:44.440 --> 0:40:49.440
<v Speaker 1>a clear blue sky, perfect weather to fly. Pad Verslau

0:40:49.560 --> 0:40:53.440
<v Speaker 1>Airport is a small regional airstrip in Austria used mostly

0:40:53.480 --> 0:40:56.960
<v Speaker 1>by amateur aviators. A car pulled up on the tarmac

0:40:57.000 --> 0:41:02.200
<v Speaker 1>that day and outstepped Jan Marcelek. The border checks were

0:41:02.200 --> 0:41:06.440
<v Speaker 1>a formality. No one was really watching down there. Marceleck

0:41:06.480 --> 0:41:09.840
<v Speaker 1>had a suitcase with him. It was full of cash.

0:41:10.200 --> 0:41:18.120
<v Speaker 1>Here's you're fair, he must have told the pilot, next stop, Minsk, Belarus,

0:41:20.080 --> 0:41:22.879
<v Speaker 1>coming up on hot money. The people who were left

0:41:22.880 --> 0:41:25.479
<v Speaker 1>behind trying to make sense of it.

0:41:25.400 --> 0:41:33.800
<v Speaker 5>All, and we walked around and unbelievable. You walk around

0:41:33.840 --> 0:41:37.600
<v Speaker 5>and you see a parallel world and all the explanation

0:41:37.680 --> 0:41:40.120
<v Speaker 5>he had. This room is sound proof. This room is

0:41:41.040 --> 0:41:46.320
<v Speaker 5>got searched every other week by a specialist for microphones

0:41:46.520 --> 0:41:48.200
<v Speaker 5>and surveillance stuff.

0:41:49.040 --> 0:41:53.040
<v Speaker 1>We were flabberg acid, We were speechless.

0:41:53.400 --> 0:41:55.120
<v Speaker 3>It had never happened like that.

0:41:55.400 --> 0:41:58.920
<v Speaker 6>I mean, we were all important people in the company

0:41:59.000 --> 0:41:59.680
<v Speaker 6>that it.

0:41:59.560 --> 0:42:03.880
<v Speaker 3>Was like a persona face. The top ten white collar

0:42:03.960 --> 0:42:05.960
<v Speaker 3>crime of Theory.

0:42:09.160 --> 0:42:12.920
<v Speaker 2>Minas and Financier from Lubishop Vad and Me.

0:42:16.560 --> 0:42:19.279
<v Speaker 1>Hot Money is a production of The Financial Times and

0:42:19.360 --> 0:42:24.520
<v Speaker 1>Pushkin Industries. It was written and reported by me Sam Jones.

0:42:25.120 --> 0:42:28.719
<v Speaker 1>The senior producer and co writer is Peggy Sutton. Our

0:42:28.760 --> 0:42:33.719
<v Speaker 1>producer is Izzy Carter. Our researcher is Marine Saint. Our

0:42:33.719 --> 0:42:37.960
<v Speaker 1>show is edited by Karen Shakerji, fact checking by Kira Levigne.

0:42:38.760 --> 0:42:43.120
<v Speaker 1>Sound design and mastering by Jake Gorsky and Marcelo de Olivia,

0:42:43.560 --> 0:42:47.920
<v Speaker 1>with additional sound design by Izy Carter. Original music from

0:42:48.000 --> 0:42:52.359
<v Speaker 1>Matthias Bossi and John Evans of Stellwagen Symphonet. Our show

0:42:52.480 --> 0:42:57.280
<v Speaker 1>art is by Sean Carney. Our executive producers are Cheryl Brumley,

0:42:57.680 --> 0:43:03.240
<v Speaker 1>Amy Gains McQuaid and Matthew Garreher. Additional editing by Paul Murphy.

0:43:04.000 --> 0:43:09.120
<v Speaker 1>Special thanks to Ruler Claugh, Dan McCrumb, Laura Clark, Alistair Mackie,

0:43:09.440 --> 0:43:15.640
<v Speaker 1>Manuela Saragosa, Nigel Hanson, Vicki Merrick, Eric Sandler, Morgan Ratner,

0:43:16.120 --> 0:43:21.560
<v Speaker 1>Jake Flanagan, Jacob Goldstein, Sarah Nix and Greta Cohne. I'm

0:43:21.560 --> 0:43:22.240
<v Speaker 1>Sam Jones.