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So go to buy 17 00:00:51,520 --> 00:00:54,960 Speaker 1: Recon dot com slash I heart to get off your order. 18 00:00:55,120 --> 00:00:59,680 Speaker 1: That's by Recon dot com Slash I Heart for off Recon. 19 00:00:59,800 --> 00:01:02,000 Speaker 1: Why are less earbuds if you've been eyeing a parent, 20 00:01:02,080 --> 00:01:04,360 Speaker 1: now is the time to get an amazing deal one 21 00:01:04,400 --> 00:01:08,119 Speaker 1: more time by raycon dot com slash my heart now 22 00:01:08,160 --> 00:01:11,400 Speaker 1: my next guest. Starting his acting career in eighteen seventy 23 00:01:11,440 --> 00:01:15,400 Speaker 1: four in the New York Shakespeare Festival production of king Lear. 24 00:01:15,840 --> 00:01:19,280 Speaker 1: Right there. I cannot do king Lear. You hear my accent. 25 00:01:19,680 --> 00:01:22,840 Speaker 1: I can't even come close to doing a character in 26 00:01:23,000 --> 00:01:26,840 Speaker 1: king Lear. He did it with another eloquently speaking gentleman 27 00:01:26,959 --> 00:01:30,240 Speaker 1: called James Earl Jones in the title role. Then he 28 00:01:30,319 --> 00:01:33,759 Speaker 1: got busy. He appeared alongside Adam Murphy and Coming to America. 29 00:01:33,760 --> 00:01:35,560 Speaker 1: They're supposed to do a remake. I don't know why 30 00:01:35,600 --> 00:01:38,440 Speaker 1: they're gonna mess that up. There's an all time great 31 00:01:38,480 --> 00:01:41,759 Speaker 1: movie coming to America, and earned a role in nine 32 00:01:41,760 --> 00:01:44,800 Speaker 1: Spike Lee film Do the Right Thing. That movie should 33 00:01:44,800 --> 00:01:47,280 Speaker 1: have wont On Oscar. He is noted for being the 34 00:01:47,319 --> 00:01:50,400 Speaker 1: most frequent actor to appear in adaptations of Thomas Harris 35 00:01:50,400 --> 00:01:53,760 Speaker 1: Hannibal books. Along with Man Hunter. That was a good movie, 36 00:01:53,880 --> 00:01:56,680 Speaker 1: right there. He also appeared in Lectures, Jailer Barney and 37 00:01:56,760 --> 00:01:59,480 Speaker 1: the Silence of a lamb Oh. That was a scary movie, 38 00:01:59,600 --> 00:02:03,240 Speaker 1: right there. Jodie Foster, the sequel Hannibal, and the prequel 39 00:02:03,480 --> 00:02:06,680 Speaker 1: Red Dragon. He is well known to many. Baltimore City 40 00:02:06,680 --> 00:02:12,120 Speaker 1: Police Commissioner Irvan Burrell on HBO's critically applauded claimed drama 41 00:02:12,400 --> 00:02:15,640 Speaker 1: The Wire. That show was too real for me, as 42 00:02:15,680 --> 00:02:18,880 Speaker 1: many other critics include Blue bloods Lie to Me, Lauren 43 00:02:19,000 --> 00:02:24,880 Speaker 1: artur SVU, The Good Wife, Elementary Band, c We're Gonna 44 00:02:24,919 --> 00:02:27,840 Speaker 1: talk about that. That is my all time favorite show, 45 00:02:28,120 --> 00:02:30,359 Speaker 1: and Luke Cage. He is now starring on a new 46 00:02:30,440 --> 00:02:34,799 Speaker 1: show called The Village. Please Welcome to Money Megan Conversations 47 00:02:35,280 --> 00:02:47,000 Speaker 1: Frankie Face on, Well, alright, alright, if he gonna get 48 00:02:47,040 --> 00:02:49,359 Speaker 1: tired of talking about me? Is he gonna get tired 49 00:02:49,440 --> 00:02:55,239 Speaker 1: of talking about me? No, sir, No, no, sir. Ree brother, 50 00:02:55,360 --> 00:03:01,000 Speaker 1: you all you are a consummate professional. You are you articulate? 51 00:03:01,760 --> 00:03:03,440 Speaker 1: I had to tell people, man, when they come on 52 00:03:03,440 --> 00:03:07,800 Speaker 1: my show, you know you you're a grinder. You're you're grinding. 53 00:03:08,360 --> 00:03:10,440 Speaker 1: You know you've got good friends of my like Vonda, 54 00:03:10,480 --> 00:03:14,120 Speaker 1: Curtis Hall, my boy, Clifton Pile. These are some some people. 55 00:03:14,400 --> 00:03:16,400 Speaker 1: They play all these different roles and I'm not saying 56 00:03:16,400 --> 00:03:19,560 Speaker 1: you did like them, but y'all, you forget your body 57 00:03:19,560 --> 00:03:23,880 Speaker 1: of work sometimes and how important I said, coming to America. 58 00:03:23,919 --> 00:03:27,040 Speaker 1: If that ain't big in the black community, come on, now, 59 00:03:27,680 --> 00:03:30,040 Speaker 1: do the right thing. If that ain't big and the 60 00:03:30,080 --> 00:03:32,040 Speaker 1: black men did he jump over there? Do man? Hudder 61 00:03:32,480 --> 00:03:37,320 Speaker 1: and sounds of the lamp. You don't do that. He 62 00:03:37,840 --> 00:03:41,840 Speaker 1: just can't do that. But man, okay, before we get 63 00:03:41,880 --> 00:03:46,360 Speaker 1: to the village, Um, all right, okay, Now the wire 64 00:03:47,360 --> 00:03:51,320 Speaker 1: that that changed television? Would you say that would just 65 00:03:51,360 --> 00:03:54,240 Speaker 1: because I would said, I've heard that on many occasion. 66 00:03:54,400 --> 00:03:58,080 Speaker 1: They said, yes, it has the revolutionized television and the 67 00:03:58,080 --> 00:04:00,680 Speaker 1: way people watch television and the things that they see 68 00:04:00,680 --> 00:04:04,720 Speaker 1: on television. It was a huge, huge, huge success and 69 00:04:04,760 --> 00:04:08,120 Speaker 1: a very important part of I think of history in general, 70 00:04:08,360 --> 00:04:11,880 Speaker 1: not just Black history, but just history in general in 71 00:04:11,920 --> 00:04:14,800 Speaker 1: the way in which you report and watch and see things. 72 00:04:15,640 --> 00:04:18,400 Speaker 1: So I'm so proud of that. I couldn't even begin 73 00:04:18,480 --> 00:04:21,200 Speaker 1: to tell you when when you when you read the script, 74 00:04:21,240 --> 00:04:24,000 Speaker 1: because we all get scripts, you know you you writers 75 00:04:24,000 --> 00:04:26,280 Speaker 1: come to you and and they say I want you 76 00:04:26,520 --> 00:04:29,640 Speaker 1: you audition for these roles. Did you feel anything when 77 00:04:29,640 --> 00:04:32,479 Speaker 1: you were reading your character as the series was developing, 78 00:04:32,560 --> 00:04:35,760 Speaker 1: you felt like this is something different, this is really gritty, 79 00:04:36,040 --> 00:04:39,960 Speaker 1: it's too too real. It's absolutely When I read it, 80 00:04:40,000 --> 00:04:43,839 Speaker 1: I just felt that it was just phenomenal writing, and 81 00:04:44,000 --> 00:04:45,960 Speaker 1: I felt like was something I really wanted to be 82 00:04:46,000 --> 00:04:49,640 Speaker 1: a part of. Initially I had read I read audition 83 00:04:49,760 --> 00:04:52,960 Speaker 1: for the role of for the role of the young 84 00:04:53,040 --> 00:04:56,960 Speaker 1: lieutenant Camp and when I can't believe my mind, my 85 00:04:57,040 --> 00:05:00,520 Speaker 1: mind is doing a mental block on me. But they 86 00:05:00,560 --> 00:05:03,320 Speaker 1: saw something in me that said that no, he should 87 00:05:03,320 --> 00:05:06,560 Speaker 1: be the Commissioner Barrel. And so when I got that role, 88 00:05:06,920 --> 00:05:09,320 Speaker 1: that came back. And I hadn't remembered reading that role, 89 00:05:09,760 --> 00:05:12,800 Speaker 1: because you're just getting a certain part of the script 90 00:05:12,800 --> 00:05:15,640 Speaker 1: when you read an audition for things. But it's turned 91 00:05:15,680 --> 00:05:19,440 Speaker 1: out to be a wonderful choice for me, and it's 92 00:05:19,440 --> 00:05:21,880 Speaker 1: been a wonderful choice for the production as well. I 93 00:05:21,880 --> 00:05:24,240 Speaker 1: think we both served each other very well. And you 94 00:05:24,279 --> 00:05:27,400 Speaker 1: don't know something's gonna be amazing and fantastic. You just 95 00:05:27,440 --> 00:05:29,920 Speaker 1: do the best you can while you're in it. And 96 00:05:29,960 --> 00:05:33,359 Speaker 1: then and then things they happened, and they happened for 97 00:05:33,400 --> 00:05:35,599 Speaker 1: the good and for this show it was it was 98 00:05:35,680 --> 00:05:38,760 Speaker 1: well deserved. Okay, now my wife gonna get excited when 99 00:05:38,760 --> 00:05:42,080 Speaker 1: I broke up this show, because man, from day one 100 00:05:43,120 --> 00:05:52,000 Speaker 1: we couldn't believe we didn't uh band sheet now that 101 00:05:52,680 --> 00:05:54,480 Speaker 1: is that was a no brain of man and that 102 00:05:54,560 --> 00:05:58,560 Speaker 1: and then that was the show that just from reading 103 00:05:58,560 --> 00:06:01,479 Speaker 1: the origin, just talking to the producer because I had 104 00:06:01,520 --> 00:06:04,839 Speaker 1: to have a phone call, interview conversation with him, and 105 00:06:04,880 --> 00:06:07,320 Speaker 1: he told me about the character and I said, God, 106 00:06:07,800 --> 00:06:10,560 Speaker 1: I know that man. That man is so he is, 107 00:06:10,600 --> 00:06:14,520 Speaker 1: so he's so in my body of work to come out, 108 00:06:14,960 --> 00:06:17,240 Speaker 1: and it was easy, and then the show came out 109 00:06:17,279 --> 00:06:20,599 Speaker 1: there the writing advance, he is phenomenal. People don't understand. 110 00:06:20,839 --> 00:06:23,440 Speaker 1: They think it's just one of those you know, action 111 00:06:24,040 --> 00:06:26,760 Speaker 1: shows with lots of sex and violence and all that. 112 00:06:27,000 --> 00:06:29,359 Speaker 1: But if you look at the curve and then the 113 00:06:29,480 --> 00:06:32,080 Speaker 1: journey of the writing, the writing path in this show, 114 00:06:32,400 --> 00:06:34,839 Speaker 1: you will say it is phenomenal. So you get you 115 00:06:34,920 --> 00:06:37,400 Speaker 1: get sex, you get violence, you get killing, and you 116 00:06:37,480 --> 00:06:41,800 Speaker 1: get amazing writing and amazing actors. Fancy really is stands out. 117 00:06:41,880 --> 00:06:45,159 Speaker 1: Is is one of my all time favorite shows to 118 00:06:45,200 --> 00:06:47,360 Speaker 1: be a part of. And I'm glad that people get 119 00:06:47,360 --> 00:06:49,520 Speaker 1: excited about it and people for me, you know a 120 00:06:49,560 --> 00:06:52,159 Speaker 1: little old ladies I never thought would be interested in 121 00:06:52,200 --> 00:06:54,080 Speaker 1: that dome where they say, oh, I can't wait to 122 00:06:54,080 --> 00:06:56,800 Speaker 1: see the next episode of Fancy and I'm like, wow, 123 00:06:57,200 --> 00:07:01,720 Speaker 1: you Tube, go ahead, it's great. So the most diversity 124 00:07:01,760 --> 00:07:05,120 Speaker 1: show to have a hit television as far as I'm concerned, not, 125 00:07:05,440 --> 00:07:07,840 Speaker 1: I've never seen the show so diverse. You know the 126 00:07:07,839 --> 00:07:10,680 Speaker 1: air and it treats women with such respect. I mean, 127 00:07:10,680 --> 00:07:14,000 Speaker 1: here's a powerhouse women and every ethnicity that you can 128 00:07:14,080 --> 00:07:18,520 Speaker 1: name is well represented in Fantasie. So Fantasy stands out. 129 00:07:18,720 --> 00:07:20,760 Speaker 1: It stands out because of the fact that what because 130 00:07:20,800 --> 00:07:22,640 Speaker 1: the reason, the reason, that reason I bring it up 131 00:07:22,640 --> 00:07:25,120 Speaker 1: first one of my favorite shows, but also the fact 132 00:07:25,160 --> 00:07:29,440 Speaker 1: that your character could have been white. What I'm saying, yeah, 133 00:07:30,160 --> 00:07:33,880 Speaker 1: because it's a it'sn't a rural community outside in Pennsylvania, 134 00:07:34,320 --> 00:07:37,200 Speaker 1: not and you and you a bar owner. Now how 135 00:07:37,200 --> 00:07:39,160 Speaker 1: many black people you know on the bar in that 136 00:07:39,200 --> 00:07:44,000 Speaker 1: type of community? But you understand what I'm saying. That's 137 00:07:44,000 --> 00:07:45,720 Speaker 1: what I'm saying that when we talk talking about talent 138 00:07:46,000 --> 00:07:49,320 Speaker 1: and and and believability, and you gave us that even 139 00:07:49,320 --> 00:07:51,960 Speaker 1: though the elements will say is that true? Yes, it 140 00:07:52,080 --> 00:07:54,840 Speaker 1: is because your character allowed us to believe it, and 141 00:07:54,880 --> 00:07:57,520 Speaker 1: then you gave us a reason the root for you 142 00:07:57,760 --> 00:08:00,760 Speaker 1: and support your your your point of that's that's a 143 00:08:00,840 --> 00:08:04,280 Speaker 1: that's a gift ye have. It's so universal and to me, 144 00:08:04,640 --> 00:08:06,640 Speaker 1: you know, as an actor and as a person and 145 00:08:06,680 --> 00:08:10,080 Speaker 1: a human being, that's very important to be universality. I mean, 146 00:08:10,120 --> 00:08:13,040 Speaker 1: I want something that that the whole universe can relate 147 00:08:13,080 --> 00:08:15,240 Speaker 1: and respond to. And I don't want to be backed 148 00:08:15,240 --> 00:08:19,040 Speaker 1: into some corner of ethnicity, a stereotype, or any of 149 00:08:19,040 --> 00:08:21,040 Speaker 1: that kind of stuff. I don't want, you know, that 150 00:08:21,280 --> 00:08:24,000 Speaker 1: is not interesting to me something And I appreciate your 151 00:08:24,000 --> 00:08:27,640 Speaker 1: words about about that too, because if it's not, if 152 00:08:27,680 --> 00:08:30,480 Speaker 1: it doesn't have that element of universality and it I'm 153 00:08:30,520 --> 00:08:33,439 Speaker 1: just like, uh, I'm not that interested in doing it. 154 00:08:33,559 --> 00:08:35,760 Speaker 1: I mean, I will do certain things like that, but 155 00:08:35,960 --> 00:08:38,280 Speaker 1: for the most part, I wanted to be broad strokes. 156 00:08:38,320 --> 00:08:42,080 Speaker 1: I wanted to say it's undefinable. You know, anyone, you know, 157 00:08:42,400 --> 00:08:44,720 Speaker 1: I can I can relate, I can respond to it. 158 00:08:44,840 --> 00:08:48,240 Speaker 1: So that really moves my heart. I appreciate those words much. 159 00:08:48,559 --> 00:08:51,120 Speaker 1: They're honest words, sir. The honest words I say, sir, 160 00:08:51,240 --> 00:08:53,560 Speaker 1: just out of respect because of your body of work. 161 00:08:54,040 --> 00:08:57,360 Speaker 1: Is it screams that you're you're versatile and even in 162 00:08:57,400 --> 00:08:59,200 Speaker 1: your tone. But I want to make sure that everybody 163 00:08:59,240 --> 00:09:01,840 Speaker 1: know who I'm talking to. Uh, Frankie face on. Here's 164 00:09:01,840 --> 00:09:04,480 Speaker 1: a new show called The Village that we're gonna talk 165 00:09:04,520 --> 00:09:06,760 Speaker 1: about more in the next break. But also wanted to 166 00:09:06,880 --> 00:09:09,480 Speaker 1: remind people of his body work from coming to America 167 00:09:09,760 --> 00:09:13,160 Speaker 1: through the Right Thing, size of the Lamb, to recent 168 00:09:13,280 --> 00:09:17,240 Speaker 1: smash hits like the Wire, like Bandsheet and we come back, 169 00:09:17,280 --> 00:09:20,480 Speaker 1: I gotta talk a little bit about Luke Cage. Luke Cage, 170 00:09:20,559 --> 00:09:25,280 Speaker 1: there another versable platform where he sells his personality more 171 00:09:25,360 --> 00:09:33,000 Speaker 1: with Frankie face on. You know this is Roshan. Hello, 172 00:09:33,080 --> 00:09:35,439 Speaker 1: this was Sean McDonald. You're listening to money making conversation 173 00:09:35,520 --> 00:09:37,520 Speaker 1: my next guest. You know when I say the word 174 00:09:37,640 --> 00:09:42,000 Speaker 1: uh king lair, you know Shakespeare, you could hear it 175 00:09:42,080 --> 00:09:44,640 Speaker 1: in his voice. You know, the more and more I 176 00:09:44,679 --> 00:09:48,720 Speaker 1: can hear he can do Shakespeare because he does so 177 00:09:48,760 --> 00:09:53,079 Speaker 1: many different characters. You realize that this is his natural voice. 178 00:09:53,120 --> 00:09:58,280 Speaker 1: He's a gifted actor, a gifted a gifted stage presence. 179 00:09:58,640 --> 00:10:00,080 Speaker 1: I want to bring him back on the show. And 180 00:10:00,160 --> 00:10:03,000 Speaker 1: talking about the previous break, we're talked about Banjee. When 181 00:10:03,240 --> 00:10:07,080 Speaker 1: when a phenomenal diverse show that uh, it's just you 182 00:10:07,120 --> 00:10:09,240 Speaker 1: know the thing about it when you all these actors 183 00:10:09,240 --> 00:10:11,520 Speaker 1: that that he knows, he's been around a lot of 184 00:10:11,559 --> 00:10:13,920 Speaker 1: talent of the people, and he's always seems to be 185 00:10:13,960 --> 00:10:15,760 Speaker 1: around a lot of talent of the people, but his 186 00:10:15,960 --> 00:10:19,400 Speaker 1: presence stands out. He always comes across as a big 187 00:10:19,440 --> 00:10:22,320 Speaker 1: man on the screen. And that I think that's really 188 00:10:22,360 --> 00:10:24,800 Speaker 1: important when you say that when you're around talented people 189 00:10:25,280 --> 00:10:29,240 Speaker 1: who are went on and become even bigger stars and films, 190 00:10:29,280 --> 00:10:31,480 Speaker 1: and not saying he's not a big star, but you 191 00:10:31,559 --> 00:10:35,040 Speaker 1: know that he holds his own and also has the 192 00:10:35,080 --> 00:10:37,800 Speaker 1: presence of his own. Here's a new show called The 193 00:10:37,880 --> 00:10:41,959 Speaker 1: Village that's uh on TV right now. Please, sir uh 194 00:10:42,000 --> 00:10:44,400 Speaker 1: tell us, please welcome back to the show. Frankie face 195 00:10:44,440 --> 00:10:48,560 Speaker 1: on a Hey, frek, tell us about the new show. 196 00:10:49,440 --> 00:10:51,320 Speaker 1: Let's talk about the Village. Tell us about that. I 197 00:10:51,360 --> 00:10:53,719 Speaker 1: know it's I know it's selling another apartment building. Is 198 00:10:53,760 --> 00:10:56,880 Speaker 1: another diverse cast, a lot of different characters that you're 199 00:10:56,880 --> 00:10:59,920 Speaker 1: playing off on, which is not something unusual for you, 200 00:11:01,600 --> 00:11:04,880 Speaker 1: right right, No, it is. It is a very diverse 201 00:11:04,960 --> 00:11:08,199 Speaker 1: cast and in an age, ethnicity, and every in every 202 00:11:08,240 --> 00:11:10,880 Speaker 1: aspect that you can mention. I mean, the youngest cast 203 00:11:10,960 --> 00:11:14,080 Speaker 1: member is like eight years old and it goes the 204 00:11:14,120 --> 00:11:18,520 Speaker 1: oldest one is eight and uh, it's about this. It 205 00:11:18,559 --> 00:11:21,199 Speaker 1: takes a village to raise the family, raise the child. 206 00:11:21,559 --> 00:11:24,080 Speaker 1: And this is about this apartment building in Brooklyn, and 207 00:11:24,160 --> 00:11:26,680 Speaker 1: we call it the village because all of the all 208 00:11:26,720 --> 00:11:29,720 Speaker 1: of the all of the residents of this apartment building, 209 00:11:30,000 --> 00:11:32,840 Speaker 1: they interact with each other and they help each other out. 210 00:11:33,080 --> 00:11:35,640 Speaker 1: And when they say good day, how you're doing, or 211 00:11:35,800 --> 00:11:37,480 Speaker 1: is anything I can do to help you, they mean 212 00:11:37,520 --> 00:11:39,760 Speaker 1: that they are not just giving lip service. And this 213 00:11:39,920 --> 00:11:43,600 Speaker 1: script is just so well developed and so well written 214 00:11:43,640 --> 00:11:46,240 Speaker 1: that it just it touched my heart from the very 215 00:11:46,280 --> 00:11:49,880 Speaker 1: moment that I first read it, and I identified immediately 216 00:11:49,880 --> 00:11:53,200 Speaker 1: with the character that I portrayed, because it takes into 217 00:11:54,320 --> 00:11:56,959 Speaker 1: it takes in the fact that two of the greatest 218 00:11:57,040 --> 00:11:59,720 Speaker 1: characters that I played in my career, one being the 219 00:11:59,800 --> 00:12:01,920 Speaker 1: land and Lord and coming to America and the other 220 00:12:01,960 --> 00:12:04,200 Speaker 1: one being the Box in the Advance. So I'm the 221 00:12:04,240 --> 00:12:06,640 Speaker 1: super of a building and I have a bar that 222 00:12:06,760 --> 00:12:10,360 Speaker 1: a little jazz bar club that I run, and I'm like, hey, this, 223 00:12:10,600 --> 00:12:13,160 Speaker 1: If I can't play this, nobody can. So I was 224 00:12:13,200 --> 00:12:15,600 Speaker 1: just so excited to get that part. And it's just 225 00:12:15,720 --> 00:12:18,040 Speaker 1: like it's been a dream and this show, you guys 226 00:12:18,120 --> 00:12:20,280 Speaker 1: have really got to check it out and give it 227 00:12:20,320 --> 00:12:23,720 Speaker 1: a chance, because it's um it's it's doing something that 228 00:12:23,800 --> 00:12:27,400 Speaker 1: this country is not really doing now, and that's coming together. 229 00:12:27,679 --> 00:12:30,600 Speaker 1: This show brings people together. We I think that in 230 00:12:30,640 --> 00:12:33,720 Speaker 1: our present in our present climate, we're sort of like 231 00:12:34,040 --> 00:12:37,000 Speaker 1: being torn apart. We're being taught not to not to 232 00:12:37,080 --> 00:12:39,880 Speaker 1: respect your neighbor, not to not to listen to your neighbor, 233 00:12:40,000 --> 00:12:43,440 Speaker 1: you know, to separate everything, putting everything in boxes. You know, 234 00:12:43,520 --> 00:12:45,520 Speaker 1: he over here, you over there, you over there. But 235 00:12:45,600 --> 00:12:49,440 Speaker 1: in the village, it's about bringing everybody together so that 236 00:12:49,520 --> 00:12:52,160 Speaker 1: we can love one another and take care of one another. 237 00:12:52,200 --> 00:12:55,000 Speaker 1: And I think that everybody would respond to that in 238 00:12:55,080 --> 00:12:59,800 Speaker 1: this show. I'm excited about it. This show was on NBC. 239 00:13:00,640 --> 00:13:03,240 Speaker 1: Uh and and and and the great part about it, 240 00:13:03,280 --> 00:13:05,280 Speaker 1: but you don't want to hear the enthusiasm. Here's a 241 00:13:05,320 --> 00:13:09,200 Speaker 1: funny part about you as a talent is that each 242 00:13:09,320 --> 00:13:12,439 Speaker 1: role you've had it in your resume. So when you're 243 00:13:12,440 --> 00:13:15,520 Speaker 1: coming in now, it's like, Okay, I know that I 244 00:13:15,559 --> 00:13:18,640 Speaker 1: know they bartender, I know that policeman, I know that husband, 245 00:13:18,640 --> 00:13:21,360 Speaker 1: I know that that that that that angry guy, I 246 00:13:21,400 --> 00:13:24,520 Speaker 1: know the prison ward, and I know all all these characters, 247 00:13:24,720 --> 00:13:27,080 Speaker 1: So is it do do you do you reach back 248 00:13:27,080 --> 00:13:30,040 Speaker 1: to some of your previous experiences to prepare for a 249 00:13:30,120 --> 00:13:33,839 Speaker 1: current experience. How do you do that? Well, let's see 250 00:13:33,920 --> 00:13:37,640 Speaker 1: on a little secret. It's like every character that I've 251 00:13:37,640 --> 00:13:40,120 Speaker 1: ever played, there's a connection. You know heard of six 252 00:13:40,160 --> 00:13:45,800 Speaker 1: degrees in separations, Well, there's a connection somewhere now. Longevity 253 00:13:45,840 --> 00:13:48,920 Speaker 1: and age are things that really helped me to be 254 00:13:48,960 --> 00:13:52,240 Speaker 1: able and define how I can move forward in in 255 00:13:52,360 --> 00:13:55,520 Speaker 1: portraying another character as it comes to me. And it's 256 00:13:55,600 --> 00:13:58,720 Speaker 1: experience is the best teacher. All of those cliches, they 257 00:13:58,800 --> 00:14:01,679 Speaker 1: really are very orton. I think if you would listen 258 00:14:01,760 --> 00:14:04,600 Speaker 1: to those, listen to what those things are saying to you. 259 00:14:04,760 --> 00:14:09,280 Speaker 1: And I think that my life long um experiences have 260 00:14:09,280 --> 00:14:12,040 Speaker 1: have informed me so that I can slide, me, I 261 00:14:12,080 --> 00:14:14,600 Speaker 1: can display. I mean, all these characters are in me 262 00:14:14,679 --> 00:14:16,880 Speaker 1: some place, and I've just got to go deep down 263 00:14:16,920 --> 00:14:19,520 Speaker 1: inside me to find them and to release them and 264 00:14:19,560 --> 00:14:21,760 Speaker 1: bring them out and then to share them with my 265 00:14:21,880 --> 00:14:25,200 Speaker 1: fans and with the public. So that is my that's 266 00:14:25,240 --> 00:14:29,040 Speaker 1: my my, my, my, my secret to acting and and 267 00:14:29,120 --> 00:14:31,840 Speaker 1: as well as to living. So there you have it. Well, 268 00:14:32,240 --> 00:14:34,600 Speaker 1: even ain't in me. I can't bring it to you. Well, 269 00:14:34,640 --> 00:14:36,760 Speaker 1: it's in you that because the resume tells. But you 270 00:14:36,760 --> 00:14:38,800 Speaker 1: can bring anything you know because of the fact that 271 00:14:39,160 --> 00:14:41,440 Speaker 1: at the core of what you know to be able 272 00:14:41,480 --> 00:14:44,280 Speaker 1: to do Shakespeare is the core of acting. That's that's 273 00:14:44,320 --> 00:14:46,920 Speaker 1: that's the core of being able to deliver, you know, 274 00:14:47,800 --> 00:14:51,320 Speaker 1: a language styling that very few people can even attempt 275 00:14:51,360 --> 00:14:54,880 Speaker 1: to do. So, so you master that. Okay. So now 276 00:14:54,920 --> 00:14:58,440 Speaker 1: you're just articulating from a from a personal life story, correct, 277 00:15:00,840 --> 00:15:03,080 Speaker 1: And that's what makes you special from a standpoint of 278 00:15:03,360 --> 00:15:05,120 Speaker 1: that's all I'm just saying. It's like when you was 279 00:15:05,160 --> 00:15:08,760 Speaker 1: in Banshee, I felt that you were the Barton, the owner. 280 00:15:08,800 --> 00:15:11,720 Speaker 1: When you was in Luke Cage, Okay, I felt that 281 00:15:11,800 --> 00:15:18,479 Speaker 1: you own that barbershop. It wasn't Halem. That's pretty extreme, sir. Okay, Banshee, Tennsylvania, 282 00:15:18,800 --> 00:15:22,200 Speaker 1: hanging out with white folks who crazy. Okay. Now you're 283 00:15:22,200 --> 00:15:26,400 Speaker 1: in Harlem, hanging out with a superhero around crazy black 284 00:15:26,400 --> 00:15:28,640 Speaker 1: folks trying to kill everybody, and you was in that 285 00:15:28,680 --> 00:15:33,000 Speaker 1: bodyshop holding your own I don't thanks, I appreciate it. 286 00:15:33,040 --> 00:15:35,560 Speaker 1: I mean that was like I mean that Luke Cage 287 00:15:35,600 --> 00:15:39,880 Speaker 1: experience came right after Banshee. Now, I mean here is 288 00:15:39,920 --> 00:15:42,520 Speaker 1: a smaller alert. I mean, I get I get killed 289 00:15:42,560 --> 00:15:45,640 Speaker 1: in the second episode in Luke Cage, and it was 290 00:15:45,680 --> 00:15:49,280 Speaker 1: like after doing four seasons of Banshee and you know 291 00:15:49,440 --> 00:15:54,960 Speaker 1: the kind of physical um uh, physical physicality that's involved 292 00:15:55,000 --> 00:15:57,320 Speaker 1: with that show, and then it comes to Luke Cage. 293 00:15:57,360 --> 00:16:00,560 Speaker 1: I was really tired. Came right after Luke Cag. I 294 00:16:00,560 --> 00:16:02,880 Speaker 1: didn't ever chance to cap my breath. People say, you 295 00:16:02,920 --> 00:16:06,720 Speaker 1: got killed, Yeah I did, but I needed to die 296 00:16:07,840 --> 00:16:11,000 Speaker 1: get some peace. And it was such an endearing role. 297 00:16:11,080 --> 00:16:13,600 Speaker 1: I mean, those two episodes and in the way that 298 00:16:13,640 --> 00:16:15,520 Speaker 1: I in the way that they carried me on in 299 00:16:15,520 --> 00:16:18,520 Speaker 1: the whole season. They talked about, you know, my care pops, 300 00:16:18,640 --> 00:16:20,920 Speaker 1: you know from the barbershop. I just felt like I 301 00:16:20,960 --> 00:16:24,360 Speaker 1: was alive throughout the whole season of that show, even 302 00:16:24,360 --> 00:16:28,040 Speaker 1: though I only did two episodes. I'm your character was 303 00:16:28,720 --> 00:16:31,320 Speaker 1: when it came back and stayed in that barbershop. It 304 00:16:31,440 --> 00:16:33,800 Speaker 1: was not the same because I thought it was like 305 00:16:34,160 --> 00:16:36,400 Speaker 1: it was. It was. I didn't know why, because of 306 00:16:36,440 --> 00:16:38,560 Speaker 1: the fact that they were trying to hold on to 307 00:16:39,280 --> 00:16:42,240 Speaker 1: a brand that you established, but your memory hadn't wasn't 308 00:16:42,280 --> 00:16:45,000 Speaker 1: carried on. And so that's why I know that that 309 00:16:45,080 --> 00:16:47,440 Speaker 1: what you did and established that that that that whole 310 00:16:47,440 --> 00:16:50,400 Speaker 1: relationship and your death, you know, all that was important 311 00:16:50,440 --> 00:16:52,160 Speaker 1: and that's important to you. The characters that you try 312 00:16:52,200 --> 00:16:54,000 Speaker 1: to that that you not only try that you do 313 00:16:54,120 --> 00:16:57,200 Speaker 1: develop now in the in the village. Tell us about 314 00:16:57,240 --> 00:16:59,720 Speaker 1: your character, more about how they relate you. Did you 315 00:16:59,760 --> 00:17:01,680 Speaker 1: broke down the entire show, But tell us more about 316 00:17:01,720 --> 00:17:04,960 Speaker 1: your character. Well, my character, he's sort of the he 317 00:17:05,040 --> 00:17:07,760 Speaker 1: is not sort of. He is the patriarch of this building. 318 00:17:08,320 --> 00:17:12,720 Speaker 1: And he along with his wife, the beautiful talented Lorraine 319 00:17:12,760 --> 00:17:15,720 Speaker 1: to a song, who is the matriarch. We are the glue. 320 00:17:15,760 --> 00:17:19,359 Speaker 1: We have the fabric that holds everything together. People they bring, 321 00:17:19,520 --> 00:17:22,720 Speaker 1: they filter all their problems through us. Everything is going on. 322 00:17:23,000 --> 00:17:26,960 Speaker 1: He comes through either myself, my character which is Ron Davis, 323 00:17:27,080 --> 00:17:30,159 Speaker 1: or my my wife, who is Patricia Davis. And he 324 00:17:30,280 --> 00:17:33,000 Speaker 1: is a very He has a secret which you won't 325 00:17:33,080 --> 00:17:36,240 Speaker 1: learn about until you know about the fifth or sixth episode, 326 00:17:36,280 --> 00:17:38,719 Speaker 1: you know, because we all got skeletons in the classes. 327 00:17:38,800 --> 00:17:41,840 Speaker 1: I saw it. But he's a very affable, bubbly kind 328 00:17:41,840 --> 00:17:44,960 Speaker 1: of guy, and he listens and he takes it, takes 329 00:17:44,960 --> 00:17:48,280 Speaker 1: the time to to to assure people that he is 330 00:17:48,359 --> 00:17:50,639 Speaker 1: listening and to help them out. So he is like 331 00:17:51,440 --> 00:17:53,880 Speaker 1: he's like he's he's like the glue. He's like one 332 00:17:53,880 --> 00:17:56,800 Speaker 1: of the half half formula of the glue of the 333 00:17:57,040 --> 00:18:00,280 Speaker 1: of this building. And everyone knows ron and he gives 334 00:18:00,320 --> 00:18:04,200 Speaker 1: these parties on the roof. He reports, he recites poetry 335 00:18:04,280 --> 00:18:07,560 Speaker 1: and which is which is really amazing, this classical poems 336 00:18:08,200 --> 00:18:11,440 Speaker 1: you know that comes from different places. And and he's 337 00:18:11,480 --> 00:18:14,800 Speaker 1: just like he's he's there for everybody. He's very proud 338 00:18:14,800 --> 00:18:17,800 Speaker 1: of the building and he's very proud of his little village. 339 00:18:17,800 --> 00:18:21,040 Speaker 1: It means a lot to him. We're talking to, but 340 00:18:21,080 --> 00:18:24,040 Speaker 1: look forward to some secrets about him. They're gonna come out, 341 00:18:24,160 --> 00:18:29,199 Speaker 1: you know, you know, and that's the thing that the 342 00:18:29,240 --> 00:18:31,959 Speaker 1: formula makes a good writing. You gotta you gotta have 343 00:18:32,000 --> 00:18:34,560 Speaker 1: some skeleton in your classes. And somewhere. Absolutely we're talking 344 00:18:34,600 --> 00:18:36,240 Speaker 1: to Frank and face On. He's a star of the 345 00:18:36,359 --> 00:18:39,400 Speaker 1: show on NBC called The Village. It comes on every 346 00:18:39,400 --> 00:18:43,400 Speaker 1: Tuesday night at nine p m. East and West a PM. Central. 347 00:18:43,840 --> 00:18:46,080 Speaker 1: Um is a very diverse New York apartment. That's the 348 00:18:46,119 --> 00:18:49,280 Speaker 1: setting is New York. His resume is amazing I was 349 00:18:49,320 --> 00:18:54,240 Speaker 1: looking through it, you know, soap operas all my children. Wow, 350 00:18:54,560 --> 00:18:58,040 Speaker 1: you know, stop you just stop, you know you know 351 00:18:58,400 --> 00:19:02,120 Speaker 1: I'm looking Son of a Key the Vampire Diaries. Shades 352 00:19:02,160 --> 00:19:09,000 Speaker 1: are blue, two colors, really, sir, you know, believe me, 353 00:19:09,080 --> 00:19:13,399 Speaker 1: my friend when I say this, as as as a 354 00:19:13,400 --> 00:19:18,040 Speaker 1: younger person, you are a inspiration. You're the people that 355 00:19:18,080 --> 00:19:20,639 Speaker 1: we need. That your your your black history. You're walking 356 00:19:20,680 --> 00:19:24,880 Speaker 1: black history. Understand that everything you do makes my life 357 00:19:24,880 --> 00:19:28,720 Speaker 1: better and the people around you better. And uh, well 358 00:19:28,760 --> 00:19:30,960 Speaker 1: that means that means the world to me because it's 359 00:19:31,000 --> 00:19:34,000 Speaker 1: certainly with my mother got dressed the soul, I mean, 360 00:19:34,040 --> 00:19:36,399 Speaker 1: you know, and my father. That's that's the kind of 361 00:19:36,440 --> 00:19:39,399 Speaker 1: individual they always wanted to to raise. And you know, 362 00:19:39,440 --> 00:19:42,600 Speaker 1: to hear those words sounding out of your mouth, I 363 00:19:42,840 --> 00:19:46,400 Speaker 1: give you a great deal of appreciation and respect and 364 00:19:46,520 --> 00:19:49,720 Speaker 1: I congratulate you too for the fine work that you're doing. 365 00:19:49,760 --> 00:19:52,000 Speaker 1: And you're ghetting it out there and it's just with 366 00:19:52,200 --> 00:19:56,879 Speaker 1: energy and love and enthusiasm. Oh it's it's overwhelming. Well, 367 00:19:56,920 --> 00:19:59,280 Speaker 1: he plays Ron Davis on the Village. This is my man, 368 00:19:59,359 --> 00:20:02,280 Speaker 1: Franky face on check it Out on NBC every Tuesday. 369 00:20:02,400 --> 00:20:05,720 Speaker 1: You keep winning, my brother, and keep keep keep the 370 00:20:06,000 --> 00:20:09,440 Speaker 1: acting a lot. You need to check out the wireless 371 00:20:09,440 --> 00:20:12,720 Speaker 1: earbuds from Recon. 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