WEBVTT - #42 - Guapdad 4000

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<v Speaker 1>We own a motherfucker bootleg care podcast. We own a

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<v Speaker 1>motherfucker bootleg Kare podcast. Hey, that's right, bitch, we own

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<v Speaker 1>the boutleg care Podcast. I do not mean that in

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<v Speaker 1>a derogatory way. I appreciate all human beings. I just

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<v Speaker 1>like to say the word bitch sometimes. You know what

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<v Speaker 1>I'm talking about. Anyway, welcome, We got a cool episode today.

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<v Speaker 1>I want to give a big shout out to gwap

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<v Speaker 1>Dad four thousand. Gap Dad is one of the most eclectic, hilarious,

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<v Speaker 1>talented young dudes in hip hop, and he is on

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<v Speaker 1>the podcast today and we have a fucking doozy for you.

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<v Speaker 1>I mean, this was like an hour and a half banger.

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<v Speaker 1>How long was the episode? It was like a buck

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<v Speaker 1>twenty just talking some crazy shit. This is This is

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<v Speaker 1>probably one of my favorite ones we've done in a while,

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<v Speaker 1>all about you know, we talk about gwap Dad pimping,

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<v Speaker 1>we talk about all kinds of ill shit. Man. If

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<v Speaker 1>you might have heard of him, he was on the

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<v Speaker 1>Dreamville Revenge of the Dreamers Project Part three, Right, that

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<v Speaker 1>was part three. They got nominated for the Grammy. Yeah,

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<v Speaker 1>so Revenge the Dreamers three, which was nominated for a grammy.

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<v Speaker 1>He's been doing this thing for a while off the

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<v Speaker 1>Bay Area, so we're gonna be talking with him. If

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<v Speaker 1>you have no idea who the fuck wop that is,

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<v Speaker 1>please just keep listening and enjoy the conversation we have

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<v Speaker 1>and then you'll be a fan by the end of

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<v Speaker 1>the interview, or you'll think he's a piece of shit.

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<v Speaker 1>One of those two things might happen to be fair.

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<v Speaker 1>We got a shout out to our sponsors, though, man

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<v Speaker 1>got Hawk Hogan slippers, fam wwe license all kinds of movies.

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<v Speaker 1>off of all your vapin products. I'm talking, uh really, like,

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<v Speaker 1>percent off. Let's get into this swap Dad four thousand

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<v Speaker 1>episode right now, Blue Leg CAV Podcast with guap Dad

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<v Speaker 1>four thousand, not to be confused with gwap Daddy four thousand. Yes,

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<v Speaker 1>please don't give you don't ever call him that. We

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<v Speaker 1>just did. We We just did a prank on you

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<v Speaker 1>with the Nelk Boys, and it almost went left. Yeah,

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<v Speaker 1>I'm happy it didn't. Well, look it ended up working

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<v Speaker 1>out well, it was. It was very funny. Yeah, Now

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<v Speaker 1>to Jesse and those guys. When we were actually like

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<v Speaker 1>trying to record the interview, the fake interview we were

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<v Speaker 1>talking about show everybody your nails. You got to fucking

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<v Speaker 1>clear polish on them things. Yeah, shining. How often do

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<v Speaker 1>you get your nails done? Man? You gotta do the

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<v Speaker 1>maintenance on the kuchie grippers at least once a week,

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<v Speaker 1>every two weeks. The couchie grippers. I like that, mm correct,

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<v Speaker 1>the consensual couchie grippers every time, every time, gotta be

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<v Speaker 1>right every time. That's I think more dude should get

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<v Speaker 1>their nails done. Yeah, things be sleeping. I think it's

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<v Speaker 1>just laziness and it's just honestly, I was raised to

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<v Speaker 1>go to the nail shop. You were raised that way. Yeah,

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<v Speaker 1>My dad and my mama fuck with it tough, just going,

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<v Speaker 1>always have so they will always bring me up being going.

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<v Speaker 1>Which side of your family is the Filipino side? It's

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<v Speaker 1>always the mama's side, the mom's side. Yeah, yeah, it's

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<v Speaker 1>always the mama's side, right right, right, right right, Like like,

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<v Speaker 1>who's the Philippine dude baging? Like you know, a bad,

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<v Speaker 1>a bad lovely you know, sister from Oakland, maybe in

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<v Speaker 1>the Bay, like maybe like maybe Pilo right like maybe

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<v Speaker 1>Pilo out for sure. Maybe definitely not Nico, definitely not Miko.

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<v Speaker 1>He can't even get the third camera working. Yeah, he's

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<v Speaker 1>he I'm just playing Nico. I love you yo. So, uh,

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<v Speaker 1>you know you're embracing the Filipino side. You're doing an

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<v Speaker 1>album with the with eighty eight Rising, and you know

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<v Speaker 1>you were telling me you did like the Virtual Festival. Yeah, yeah,

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<v Speaker 1>it was super tight. We we wanted to bring this

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<v Speaker 1>album to ady A Rising because of the Filipino aspect

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<v Speaker 1>and uh, kind of like the next step aspect. I

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<v Speaker 1>feel like I love a lot of their narrative content

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<v Speaker 1>and a lot of their story based stuff, their documentary stuff,

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<v Speaker 1>and their videos are crazy. It's just amazing and I

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<v Speaker 1>already got crazy videos, so it's type for me to

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<v Speaker 1>connect with them with a team that already came up

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<v Speaker 1>with Chris Simmons and the people that we use on

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<v Speaker 1>our shoots and be competing and swinging at the same level. Yeah,

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<v Speaker 1>some of this stuff you were saying earlier that like

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<v Speaker 1>Pinch was like the common denominator to kind of you know,

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<v Speaker 1>maybe connect you guys a bit. It was a lot

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<v Speaker 1>of things, but that was like the first one because

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<v Speaker 1>he was performing at day Festival, the Head in the

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<v Speaker 1>Clouds thing, and I was in this trailer navigating, meeting people,

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<v Speaker 1>renting to Bryant. We met physically for the first time.

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<v Speaker 1>Then we had already had mutual people just because of

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<v Speaker 1>Duckworth and the homie drew Banga from the Bay. You

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<v Speaker 1>it's crazy because I told this to Brian, Like, what

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<v Speaker 1>was that album he put out, Nico a couple of

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<v Speaker 1>years ago, Sailor. Yeah, that shit was crazy. But I

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<v Speaker 1>feel like he like kind of like really improved as

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<v Speaker 1>a fucking rapper, like heavily. Like no, he's dope. Yeah,

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<v Speaker 1>And I feel like You've always been dope as a rapper,

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<v Speaker 1>but I feel like people haven't seen you in that light.

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<v Speaker 1>And I feel like, you know, obviously the dream Bill

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<v Speaker 1>thing helped, but I also feel like the quarantine bars,

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<v Speaker 1>like you wrap it on Instagram, the Rona wraps, whatever

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<v Speaker 1>you were doing was fucking It's dope because I think

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<v Speaker 1>it like, first of all, perfect bit to do for

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<v Speaker 1>you know, the pandemic expects because you were doing that

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<v Speaker 1>shit early, like right off the rip. But I also

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<v Speaker 1>think it kind of just showcased like your like your

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<v Speaker 1>capabilities as an MC. Did you get a lot of love, like,

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<v Speaker 1>Hella love I got, I got all the love I was.

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<v Speaker 1>I feel like I was supposed to get or that

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<v Speaker 1>I could merit at the time. From that, I do

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<v Speaker 1>still wish it. I could have did more episodes, but

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<v Speaker 1>it just was so hard to manage after a certain point,

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<v Speaker 1>just like hounding niggas down to wrap in their house

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<v Speaker 1>as soon as the world start opening up or we

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<v Speaker 1>thought it was Ronner Raps was done. Yeah, you were

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<v Speaker 1>like early like when we was really like hunger down

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<v Speaker 1>at the crib. Figured that shit out a week and

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<v Speaker 1>to me being home, it was Sam's idea. Nice. Sam

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<v Speaker 1>brought it up because I told her we was trying

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<v Speaker 1>to play content. I told him Abo wanted to do

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<v Speaker 1>freestyles and ship, so he was like, you might as

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<v Speaker 1>well freestyle with your prot hiss day at home too. Yep.

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<v Speaker 1>It was like Joey Badass was on there, Whiz Whiz,

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<v Speaker 1>Chris Brown, Buddy Currency Earth Gang Mergers was there someone

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<v Speaker 1>who's Brown sent you there rap and he were like,

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<v Speaker 1>fuck Mike, he bothered me this week. Currency Currency another

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<v Speaker 1>another like currency went so did so tight for one

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<v Speaker 1>that he cut time off the end of his verse.

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<v Speaker 1>Sent it again. It was like I rapped too long

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<v Speaker 1>the first time because this nigga just caught up body

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<v Speaker 1>while he was playing with his hot wheels in his

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<v Speaker 1>closet and started freestylingh Currency's original verse for runner Rest

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<v Speaker 1>that he sent me was like three minutes long. Oh shit, no,

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<v Speaker 1>he rapped forever, and I was like, I mean, it's

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<v Speaker 1>too long for us to post up. I know. I

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<v Speaker 1>was telling people there is no limit, but Currency really

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<v Speaker 1>likes So it's like some of the people who did

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<v Speaker 1>the Rona raps, like some of those people you don't

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<v Speaker 1>have music with. So I'm assuming you're fans and then

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<v Speaker 1>I'm like, yeah, I mean, to my knowledge, you and

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<v Speaker 1>Currency don't have music. No, we do you do? Okay? Yeah?

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<v Speaker 1>Currency did a project with DJ Fresh shot out DJ

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<v Speaker 1>Fresh from the Bay, and I was featured on there.

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<v Speaker 1>I got a song called easy Heart with Currency. It's

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<v Speaker 1>actually one of my best best, my best guest verst verses. Yeah.

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<v Speaker 1>If you know spit is on it, you gotta come

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<v Speaker 1>with your shit. Oh for I skated on that, bitch,

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<v Speaker 1>I skated floated. I love that verse and the fans

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<v Speaker 1>love it too, Like people really enjoyed us talk about

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<v Speaker 1>the title of the upcoming album and why it is, like,

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<v Speaker 1>give us the background of the title, it's called eleven

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<v Speaker 1>seventy six and that is the address of the house

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<v Speaker 1>that I grew up in in Oakland. I know a

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<v Speaker 1>lot of people have attachments, like if you if we

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<v Speaker 1>look at all the album covers, a lot of people

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<v Speaker 1>have attachments to like the childhood homes, yeah yeah, and

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<v Speaker 1>baby picked juice And so this is my version of that.

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<v Speaker 1>But in personal project, yeah a way more, you know,

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<v Speaker 1>all the way me way. It's like my full narrative.

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<v Speaker 1>And I feel like I really wanted to get this

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<v Speaker 1>off my chest so I could move past it creatively

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<v Speaker 1>just about talking about my origins, because that's what the

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<v Speaker 1>album is really. It's an origin story for me where

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<v Speaker 1>I'm able to talk about certain things that hurt me,

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<v Speaker 1>certain things that helped me, certain things that got me lit,

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<v Speaker 1>just my whole lifestyle before I moved to La. Do

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<v Speaker 1>you think because you're known for I would say, like

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<v Speaker 1>people know you as a personality, as a character, right,

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<v Speaker 1>they know you to be fucking hilarious, the scammer shit

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<v Speaker 1>all that. Does that ever hurt you as an artist?

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<v Speaker 1>Like having have you ever like ran into issues where

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<v Speaker 1>you feel like people didn't take you serious because they

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<v Speaker 1>look at you more as like the funny ass dude.

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<v Speaker 1>Has that ever been something you've noticed happening. Yeah, I

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<v Speaker 1>mean people have done that all my life. It's just

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<v Speaker 1>like it's like it that way when you I feel like,

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<v Speaker 1>when you look the way I do and you carry

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<v Speaker 1>yourself the way I do, I'm always in between worlds. Yeah,

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<v Speaker 1>Like I've always been the kind of creative, eclectic kid

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<v Speaker 1>at the same time, I'm from Oakland Senior. I's fenna

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<v Speaker 1>do blood like. It's it's really a duality that come

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<v Speaker 1>on my existence and that's part of the fault of

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<v Speaker 1>people not being fully tapped in with that. So I

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<v Speaker 1>don't I don't blame them. I'm not mad at it.

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<v Speaker 1>It was a time when that was frustrating, but uh,

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<v Speaker 1>that didn't last too long, right, And I feel like

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<v Speaker 1>I feel like too, just like the last couple of years,

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<v Speaker 1>some of the looks and like people who have co

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<v Speaker 1>signed you, and you know, I feel like that probably

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<v Speaker 1>alleviated some of that as well. Honestly, the Dreamville shit

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<v Speaker 1>to keep it, honey, that was like my last chip

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<v Speaker 1>on my shoulder, where like I went there trying to

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<v Speaker 1>trying to like prove that I belong and I am

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<v Speaker 1>one of the best niggas that it can make a

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<v Speaker 1>song that y'all can invite, right and after that and

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<v Speaker 1>then we went to the Grammys. In that whole ship,

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<v Speaker 1>I started moving different creative we still I'm learning how

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<v Speaker 1>to scale back certain aspects of just like being Hella

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<v Speaker 1>good to make to make the overall experience of the

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<v Speaker 1>song more enjoyable, because sometimes you got pull punches, you know,

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<v Speaker 1>but like that comes with time. So I'm not mad

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<v Speaker 1>at people for trying to It's human nature to look

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<v Speaker 1>at this as an ashtray and not as a cup holder,

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<v Speaker 1>you know what I'm saying. It could I could have

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<v Speaker 1>put my I actually want to move this cup because

0:11:36.360 --> 0:11:39.480
<v Speaker 1>it's it's empty and it looks ghetto. You know, we

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<v Speaker 1>just get rid of it. See if Nego can dispose

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<v Speaker 1>of a cup, he can't get the third camera working

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<v Speaker 1>camera this whole podcast. Yeah. No, like with the Dream

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<v Speaker 1>Build thing, who who from Dream? But was it? Eb?

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<v Speaker 1>Was it? Like? Who was it that originally like tapped

0:11:57.880 --> 0:11:59.240
<v Speaker 1>in with you to to become a part of the

0:11:59.600 --> 0:12:02.800
<v Speaker 1>Revenge of the Dreamer sessions? Sh Cole? It was, Yeah,

0:12:02.960 --> 0:12:06.400
<v Speaker 1>that was the original thing. I met Cole at the

0:12:06.480 --> 0:12:12.120
<v Speaker 1>nice guy leaving Drake's New Year's thing, and he was like, YO,

0:12:12.280 --> 0:12:15.080
<v Speaker 1>take my number down before you leave. And I texted

0:12:15.120 --> 0:12:19.000
<v Speaker 1>him immediately and he text me back. Right, everyone says

0:12:19.040 --> 0:12:21.280
<v Speaker 1>that it was so crazy to me. I was like,

0:12:22.400 --> 0:12:26.760
<v Speaker 1>I tell that story every time because nobody's ever done that, right, nobody,

0:12:26.920 --> 0:12:30.480
<v Speaker 1>especial even people who I'm closer friends with now like Bryson.

0:12:30.520 --> 0:12:33.920
<v Speaker 1>When I met Bryson, it took him a minute to

0:12:33.960 --> 0:12:36.720
<v Speaker 1>text me back, and I'm hell cool, I'm closer to Bryson,

0:12:36.800 --> 0:12:40.880
<v Speaker 1>I am Cole, but that just when he text me

0:12:40.920 --> 0:12:44.080
<v Speaker 1>back like that, I was like, damn, I fuck with that.

0:12:45.040 --> 0:12:48.160
<v Speaker 1>Hella fuck with that. And the homie Ryan at the time,

0:12:48.200 --> 0:12:51.240
<v Speaker 1>who I was fucking around with from a previous A

0:12:51.320 --> 0:12:54.840
<v Speaker 1>label situation, Shout Out Fly Rye was also in and

0:12:54.880 --> 0:12:57.720
<v Speaker 1>around the Dreamville camp, so we had Cole bringing me

0:12:57.800 --> 0:13:02.280
<v Speaker 1>up right like, oh no, I know that, and then

0:13:02.480 --> 0:13:05.840
<v Speaker 1>it just kind of fell into place. It worked out beautiful.

0:13:05.880 --> 0:13:11.280
<v Speaker 1>You got a Grammy nomination, right ship. That's forever, forever, forever,

0:13:11.440 --> 0:13:16.360
<v Speaker 1>forever ever. Yeah, that's beautiful. You know the other thing

0:13:16.360 --> 0:13:17.960
<v Speaker 1>too that I wanted to talk to you about because

0:13:18.000 --> 0:13:20.400
<v Speaker 1>with the pandemic, you know, you kind of came into

0:13:20.400 --> 0:13:25.120
<v Speaker 1>the game kind of uh being nosed as a scammer,

0:13:25.840 --> 0:13:29.000
<v Speaker 1>you know what I mean, what kind of it was

0:13:29.520 --> 0:13:32.800
<v Speaker 1>that was? Ah, sure, it's still it's still a part

0:13:32.840 --> 0:13:37.080
<v Speaker 1>of me. Like I'm I'm revealing uh, chapters of myself

0:13:37.120 --> 0:13:39.280
<v Speaker 1>as they come and as I figure out how to

0:13:39.400 --> 0:13:42.440
<v Speaker 1>express them creatively. You know. So at first I came

0:13:42.480 --> 0:13:44.839
<v Speaker 1>out it was the internet thing. That's what I was on.

0:13:45.000 --> 0:13:47.440
<v Speaker 1>I was fucking trying not to scam and I'm just

0:13:47.480 --> 0:13:50.040
<v Speaker 1>an Internet baby at heart, so that's what people see

0:13:50.040 --> 0:13:52.120
<v Speaker 1>me as. Then it was a rapper because I really

0:13:52.120 --> 0:13:55.200
<v Speaker 1>want to be one of the fucking tightiest niggas that

0:13:55.240 --> 0:13:57.480
<v Speaker 1>was barred up. So that's what niggas were seeing for me.

0:13:57.520 --> 0:14:00.600
<v Speaker 1>And now I'm kind of opening up the full envelope

0:14:00.640 --> 0:14:04.120
<v Speaker 1>to just you know, just making good, timeless shit. But

0:14:04.200 --> 0:14:06.280
<v Speaker 1>I'm wondering, what the you know, with the pandemic, the

0:14:06.320 --> 0:14:11.040
<v Speaker 1>fucking edd shit is booming booming, Like I got friends

0:14:11.080 --> 0:14:14.840
<v Speaker 1>of mine that like have made like six figures during

0:14:14.840 --> 0:14:16.800
<v Speaker 1>the pandemic off of the d D shit, and I'm

0:14:16.840 --> 0:14:19.680
<v Speaker 1>like afraid for them because I'm like, dude, you guys

0:14:19.680 --> 0:14:22.320
<v Speaker 1>are kind of turning up a little bit much like,

0:14:22.360 --> 0:14:23.880
<v Speaker 1>would there be any sort of advice you give to

0:14:23.920 --> 0:14:26.440
<v Speaker 1>anybody who's watching this that might be dabbling in that,

0:14:26.560 --> 0:14:30.320
<v Speaker 1>because you know, it's definitely it seems like it's very

0:14:30.320 --> 0:14:39.400
<v Speaker 1>easy to get. I mean, for what's available to the

0:14:39.520 --> 0:14:44.160
<v Speaker 1>urban community that is a part of the market share

0:14:44.280 --> 0:14:49.160
<v Speaker 1>of fraud, all those available or like ready available are

0:14:49.200 --> 0:14:51.960
<v Speaker 1>all relatively pretty easy. When it comes to the ed

0:14:52.640 --> 0:14:55.160
<v Speaker 1>and any type of current scams. I don't know anything

0:14:55.160 --> 0:14:57.960
<v Speaker 1>about none of that shit, but if I had to

0:14:57.960 --> 0:15:03.280
<v Speaker 1>give advice to somebody, it would be stay off Instagram. Yeah, man,

0:15:03.320 --> 0:15:06.280
<v Speaker 1>that's the thing. People. People be flossing their ship. Like

0:15:06.840 --> 0:15:09.560
<v Speaker 1>you saw the guy who shot the music video. Oh

0:15:09.640 --> 0:15:13.880
<v Speaker 1>he he. I don't like the slander niggas, but he

0:15:13.960 --> 0:15:17.560
<v Speaker 1>was an absolute idiot, the worst. He was probably the

0:15:17.640 --> 0:15:21.760
<v Speaker 1>one of the dumbest niggas that we've ever seen ever

0:15:22.920 --> 0:15:25.720
<v Speaker 1>who could do that. Like that's he he's out looking

0:15:25.720 --> 0:15:27.520
<v Speaker 1>at him the same way some nigga in the bay

0:15:28.320 --> 0:15:31.040
<v Speaker 1>just killed two girls and went live on Instagram. That's

0:15:31.040 --> 0:15:33.720
<v Speaker 1>all that you've seen that. He's the same. He's the

0:15:33.720 --> 0:15:35.840
<v Speaker 1>same type of nigga. It's just his song was catchy,

0:15:36.080 --> 0:15:39.440
<v Speaker 1>But that's the same thing. This is a crime dog. Yeah,

0:15:39.520 --> 0:15:43.920
<v Speaker 1>and you just in the act when the when the

0:15:44.080 --> 0:15:48.200
<v Speaker 1>when the lick is hot and told him where he

0:15:48.400 --> 0:15:51.920
<v Speaker 1>was at this nigga was on Rodeo and he was

0:15:51.920 --> 0:15:55.320
<v Speaker 1>still there showing the envelopes and ship. Yeah, like what

0:15:55.360 --> 0:15:57.920
<v Speaker 1>the Some people are just stupid, but I mean that's

0:15:58.000 --> 0:16:01.800
<v Speaker 1>Darwinism though, was that? You know? Obviously that guy did

0:16:01.800 --> 0:16:05.640
<v Speaker 1>that for clicks for clout And I feel like when

0:16:05.680 --> 0:16:07.240
<v Speaker 1>when when you first came out, I feel like that,

0:16:07.440 --> 0:16:10.160
<v Speaker 1>like when people first kind of became hip to you.

0:16:10.200 --> 0:16:13.640
<v Speaker 1>I feel like that was the peak of the internet

0:16:13.680 --> 0:16:18.880
<v Speaker 1>shit dictating who was getting signed, you know, that was

0:16:18.920 --> 0:16:22.880
<v Speaker 1>like it was almost like this battle between like does

0:16:22.920 --> 0:16:26.440
<v Speaker 1>the music even fucking matter anymore? Or is it the antics?

0:16:26.680 --> 0:16:30.680
<v Speaker 1>Because motherfucking like, you know, ig comedians were getting record

0:16:30.680 --> 0:16:34.440
<v Speaker 1>deals and shit and the music was not good. You

0:16:34.560 --> 0:16:36.960
<v Speaker 1>kind of I feel like we're like a pick perfect

0:16:36.960 --> 0:16:39.880
<v Speaker 1>mixture of like both worlds because you kind of figured

0:16:39.880 --> 0:16:41.520
<v Speaker 1>out how to be like funny on the internet, but

0:16:41.560 --> 0:16:44.240
<v Speaker 1>your shit was dope. But was that ever like something

0:16:44.320 --> 0:16:48.880
<v Speaker 1>like because I feel like to be a dope MC

0:16:49.480 --> 0:16:51.840
<v Speaker 1>and to try to make it in that world and

0:16:51.880 --> 0:16:54.000
<v Speaker 1>then not have personality, which you obviously have it had

0:16:54.040 --> 0:16:55.720
<v Speaker 1>to have been frustrating, but you know, obviously you had

0:16:55.720 --> 0:16:59.120
<v Speaker 1>both both sides covered. But but that era, I would say,

0:16:59.120 --> 0:17:02.840
<v Speaker 1>like twenty sixteen, twenty seventeen, early twenty eighteen, like it

0:17:02.920 --> 0:17:04.320
<v Speaker 1>just was. I feel like it was like a dark

0:17:04.359 --> 0:17:08.160
<v Speaker 1>era for music for like the industry. It definitely was.

0:17:08.320 --> 0:17:13.120
<v Speaker 1>It was this dark era for creativity as a whole.

0:17:13.960 --> 0:17:17.280
<v Speaker 1>We were coming out of the SoundCloud era and all

0:17:17.320 --> 0:17:21.399
<v Speaker 1>of the champions from this whole new fucking subgenre that

0:17:21.560 --> 0:17:23.639
<v Speaker 1>just went crazy and blew up and inspired all the

0:17:23.640 --> 0:17:30.080
<v Speaker 1>youth passed away. Yep. That's depressing as fuck for everybody

0:17:30.720 --> 0:17:35.840
<v Speaker 1>that is supposed to be like the Young Foundation moving

0:17:35.880 --> 0:17:39.440
<v Speaker 1>into the next generation. In terms of listeners, they were

0:17:39.480 --> 0:17:44.320
<v Speaker 1>all devastating and had nothing to be inspired on. Which

0:17:44.400 --> 0:17:47.840
<v Speaker 1>is why I feel like a lot of the females

0:17:48.520 --> 0:17:51.000
<v Speaker 1>in the game is getting the opportunity now because it

0:17:51.040 --> 0:17:53.800
<v Speaker 1>was such a wide open window, you know what I'm saying.

0:17:53.840 --> 0:17:57.359
<v Speaker 1>Somebody like Meghan came in, who understood the internet, who's

0:17:57.400 --> 0:18:00.960
<v Speaker 1>going viral, who did all the fucking anime Wiya bou shit,

0:18:01.359 --> 0:18:04.560
<v Speaker 1>but then also had the music of course, people last

0:18:04.640 --> 0:18:06.920
<v Speaker 1>on and that shit. It was just it was so good,

0:18:07.119 --> 0:18:09.440
<v Speaker 1>so I think that's tight because I honestly think women

0:18:10.040 --> 0:18:12.679
<v Speaker 1>and rap are like shitting on the niggas, right. I

0:18:12.680 --> 0:18:14.439
<v Speaker 1>think it's like, I think we're like in the middle

0:18:14.480 --> 0:18:17.320
<v Speaker 1>of like the female rapper renaissance. Like well, like this

0:18:17.520 --> 0:18:20.560
<v Speaker 1>is like the like we're gonna look back like the

0:18:20.600 --> 0:18:22.560
<v Speaker 1>last two or three years, like yo, that it was

0:18:22.600 --> 0:18:26.400
<v Speaker 1>so popping. Yeah, Cardy and Sweetie and you had Rap City.

0:18:26.520 --> 0:18:30.000
<v Speaker 1>Yeah you had all these We've never seen it, you know,

0:18:30.160 --> 0:18:33.160
<v Speaker 1>like forever it was just Nicki period and you see

0:18:33.160 --> 0:18:35.440
<v Speaker 1>the only one. Yeah. Before that, it was like Foxy

0:18:35.560 --> 0:18:36.919
<v Speaker 1>and you know, I mean there was a you know

0:18:36.960 --> 0:18:39.080
<v Speaker 1>the nineties. You know, it was the Brad Foxy Missy,

0:18:39.480 --> 0:18:42.359
<v Speaker 1>but like for like twelve years it was just Nicki

0:18:42.400 --> 0:18:46.080
<v Speaker 1>Minaj and then you know, I remember she I think

0:18:46.119 --> 0:18:47.880
<v Speaker 1>she won the BT Female Rapper of the Year, were

0:18:48.000 --> 0:18:49.919
<v Speaker 1>like nine years straight or some shit. You was the

0:18:49.960 --> 0:18:53.600
<v Speaker 1>only one, she was the only but she was awesome.

0:18:53.720 --> 0:18:55.439
<v Speaker 1>But my thing is, though, because I just had a

0:18:55.480 --> 0:19:02.439
<v Speaker 1>debate with somebody about this, Uh, just because she was

0:19:02.480 --> 0:19:05.040
<v Speaker 1>the only one. Though, don't take away from how much

0:19:05.040 --> 0:19:06.600
<v Speaker 1>of a legend she was, because that's what a lot

0:19:06.600 --> 0:19:08.200
<v Speaker 1>of people like to say. She's the grades of all

0:19:08.200 --> 0:19:10.800
<v Speaker 1>time female wise same, I just don't. I don't even

0:19:10.800 --> 0:19:12.280
<v Speaker 1>think there's a discussion. I think you could. You could

0:19:12.280 --> 0:19:15.760
<v Speaker 1>say Lauren Hill based off off of the Score and miseducation,

0:19:15.840 --> 0:19:17.920
<v Speaker 1>But as far as like, I think Laura Hill is

0:19:18.520 --> 0:19:23.000
<v Speaker 1>a more uh complete artist, like all around. You know

0:19:23.040 --> 0:19:25.679
<v Speaker 1>what I'm saying. Because sheets we're talking about MC like Nikki,

0:19:25.800 --> 0:19:30.000
<v Speaker 1>like Barred out Hole Monster, do we do people actually

0:19:30.080 --> 0:19:33.080
<v Speaker 1>imagine Laura Hill out rapping Nicki Minaj on something? Though,

0:19:33.160 --> 0:19:36.760
<v Speaker 1>Like I think she could make a better song, relatively

0:19:36.800 --> 0:19:39.880
<v Speaker 1>probably better album. Yeah, but like can she outrap Nikki?

0:19:40.000 --> 0:19:41.919
<v Speaker 1>I always say, like, yo, just listen to Monster, like

0:19:42.000 --> 0:19:46.800
<v Speaker 1>Nikki destroyed Peak, Ross Peak, Hove Peak, Kanye Bruh do

0:19:46.840 --> 0:19:49.159
<v Speaker 1>you do? I mean, I'm an Oakland nigga, so I

0:19:49.160 --> 0:19:51.919
<v Speaker 1>come from the I'm a function baby in the function.

0:19:52.000 --> 0:19:55.040
<v Speaker 1>If Nicki Minaj remixed a song, I don't give whose

0:19:55.040 --> 0:19:57.280
<v Speaker 1>song it was, Wayne j Z. When she did, when

0:19:57.320 --> 0:19:59.119
<v Speaker 1>she did, when she first came out, she did she

0:19:59.160 --> 0:20:01.800
<v Speaker 1>remember when she did the Dunk remix the Soldier Boys. Yeah,

0:20:01.840 --> 0:20:06.359
<v Speaker 1>I was on the plane with Dwayne. I know nis

0:20:06.400 --> 0:20:09.159
<v Speaker 1>to go. Yeah, she did go, she could go. I

0:20:09.200 --> 0:20:14.280
<v Speaker 1>think she just became a little bit unlikable, definitely, And

0:20:15.280 --> 0:20:17.280
<v Speaker 1>I just don't think that Cardi thing helped her because

0:20:17.359 --> 0:20:21.280
<v Speaker 1>Cardi was so likable. So it makes people think like

0:20:21.440 --> 0:20:25.720
<v Speaker 1>forget like history almost like hey, like, yeah, Carti's hot

0:20:25.840 --> 0:20:28.320
<v Speaker 1>and she's much more likable than Nikki, But like you

0:20:28.359 --> 0:20:32.000
<v Speaker 1>can't just erase a decade of dominance from like yeah,

0:20:32.080 --> 0:20:38.080
<v Speaker 1>I mean yeah, I think that's a problem that that

0:20:38.160 --> 0:20:43.080
<v Speaker 1>a lot of OG's face in the game is the

0:20:43.280 --> 0:20:46.960
<v Speaker 1>Jay Z quote, will you live long enough to see

0:20:47.000 --> 0:20:50.160
<v Speaker 1>yourself become a villain? You rather die here you live

0:20:50.200 --> 0:20:52.439
<v Speaker 1>long enough to see yourself become a villain. And I

0:20:52.480 --> 0:20:56.000
<v Speaker 1>think that's just an inevitable and wrap look at everybody

0:20:56.080 --> 0:20:58.919
<v Speaker 1>who we used to champion that Even I call myself

0:20:59.040 --> 0:21:02.080
<v Speaker 1>roasting sometimes but I don't actually mean but like Nigga

0:21:02.080 --> 0:21:03.920
<v Speaker 1>that talks shit amongst friends, you know what I'm saying,

0:21:04.600 --> 0:21:08.199
<v Speaker 1>Like Eminem, Ludacris, all these people who had all this

0:21:08.320 --> 0:21:12.280
<v Speaker 1>type of success, but like just when people get old, bro,

0:21:12.520 --> 0:21:14.840
<v Speaker 1>they just aren't cool as they used to be. You

0:21:14.880 --> 0:21:16.879
<v Speaker 1>know what I'm saying, That's just how I go. That's life.

0:21:16.960 --> 0:21:22.159
<v Speaker 1>I'm less cool Definitely. I definitely feel like that happened

0:21:22.160 --> 0:21:24.639
<v Speaker 1>with m I feel like the album Dropped last year

0:21:24.720 --> 0:21:27.159
<v Speaker 1>was his best album in like ten years. But I

0:21:27.160 --> 0:21:29.760
<v Speaker 1>feel like there was just a block of Eminem's career

0:21:29.800 --> 0:21:32.280
<v Speaker 1>in the last decade where we were just like nobody

0:21:32.320 --> 0:21:34.239
<v Speaker 1>want to hear this shit. But he's still rapping at

0:21:34.280 --> 0:21:36.760
<v Speaker 1>a superior level. Yeah No, I mean, he's a fucking

0:21:36.800 --> 0:21:40.439
<v Speaker 1>all time great. I just don't think the music just

0:21:40.800 --> 0:21:42.360
<v Speaker 1>I don't know some of the shit he was putting out,

0:21:42.359 --> 0:21:44.600
<v Speaker 1>Like you know, you could like look at some artists

0:21:44.640 --> 0:21:46.840
<v Speaker 1>like roys To five nine, who's as old as am,

0:21:46.880 --> 0:21:50.640
<v Speaker 1>who's but has been putting out dope music, and in

0:21:50.680 --> 0:21:54.280
<v Speaker 1>my opinion, as just a fan of everything that I've

0:21:54.320 --> 0:21:56.480
<v Speaker 1>heard from, chose to listen to because I'm not like

0:21:56.520 --> 0:22:01.160
<v Speaker 1>a super right roycehead or anything, but like I feel

0:22:01.240 --> 0:22:06.000
<v Speaker 1>like lyrically he he he, on the same dojo level

0:22:06.040 --> 0:22:10.280
<v Speaker 1>as Emine one hundred percent. You can't play be a

0:22:10.359 --> 0:22:12.600
<v Speaker 1>song that prove me wrong about it? Right about that,

0:22:13.359 --> 0:22:16.639
<v Speaker 1>goat bro, He's one of the most slept on dudes ever. Yeah,

0:22:17.560 --> 0:22:19.639
<v Speaker 1>shout out. He got a lot of love for the

0:22:19.680 --> 0:22:22.040
<v Speaker 1>town too. We show Oakland a lot of love, and

0:22:22.080 --> 0:22:24.680
<v Speaker 1>you know, because Detroit and Oakland got that that kind

0:22:24.720 --> 0:22:26.760
<v Speaker 1>of synergy. What is the synergy, Because there is a

0:22:26.800 --> 0:22:31.040
<v Speaker 1>synergy between Detroit and Oakland, what is it exactly? You know,

0:22:31.320 --> 0:22:35.719
<v Speaker 1>it's it's deeper rooted into the history of music, the

0:22:35.800 --> 0:22:41.440
<v Speaker 1>car business, and travel about why we got the Bay

0:22:41.520 --> 0:22:46.199
<v Speaker 1>area got this direct connection to Motor City, you know

0:22:46.200 --> 0:22:51.280
<v Speaker 1>what I'm saying. But aside from that and like just

0:22:51.520 --> 0:22:56.480
<v Speaker 1>the history of business and infrastructure, we just really align

0:22:56.920 --> 0:22:59.919
<v Speaker 1>our personal values the same way that niggas from Detroit do,

0:23:00.640 --> 0:23:03.080
<v Speaker 1>like the same way they talk to women, the same

0:23:03.119 --> 0:23:05.439
<v Speaker 1>way they like to go put on cardiers and have

0:23:05.640 --> 0:23:09.520
<v Speaker 1>side shows. Like we either started it and showed it

0:23:09.560 --> 0:23:11.280
<v Speaker 1>to them or and they started stuff and showed it

0:23:11.320 --> 0:23:18.000
<v Speaker 1>to us. It's always been this cultural exchange of just

0:23:18.119 --> 0:23:21.880
<v Speaker 1>really regionally specific habits that we share with Detroit. Yeah.

0:23:21.880 --> 0:23:24.520
<v Speaker 1>I had that conversation. Uh you know, uh, you know

0:23:24.600 --> 0:23:28.120
<v Speaker 1>Empire has a bunch of Detroit artists. Yeah, and it's

0:23:28.160 --> 0:23:31.240
<v Speaker 1>like Gazi was like, Yo, there's a connection, and I

0:23:32.040 --> 0:23:33.680
<v Speaker 1>was like, Yo, there is. Like when you really think

0:23:33.720 --> 0:23:36.800
<v Speaker 1>about it, yeah, no, the energy is very It's just

0:23:36.920 --> 0:23:41.560
<v Speaker 1>all the beats that the niggas's own. It sounded real similar.

0:23:41.760 --> 0:23:47.040
<v Speaker 1>And when they started, uh coming into like the internet,

0:23:47.160 --> 0:23:52.600
<v Speaker 1>underground area of like Listener and really start having their moments.

0:23:52.960 --> 0:23:55.520
<v Speaker 1>Then Oakland start taking from the beasts that they was on.

0:23:55.920 --> 0:23:58.560
<v Speaker 1>There's even like always a back and forth think about

0:23:58.600 --> 0:24:02.280
<v Speaker 1>Oakland too, like or the band. Historically, there's been like

0:24:02.320 --> 0:24:05.080
<v Speaker 1>two sides of the music game. Like in the nineties

0:24:05.119 --> 0:24:10.440
<v Speaker 1>there was like the RBO Posse forty two short mac

0:24:10.560 --> 0:24:12.320
<v Speaker 1>dre shit, but then on the other side it was

0:24:12.359 --> 0:24:16.160
<v Speaker 1>like hieroglyphics. Yeah, and like a lot of backpack ship

0:24:16.440 --> 0:24:19.640
<v Speaker 1>and Detroit the same ship. Detroit it's like the hardcore

0:24:19.680 --> 0:24:22.480
<v Speaker 1>street ship. Or there's jay Dilla and slum Village and

0:24:22.640 --> 0:24:26.080
<v Speaker 1>Royce and you know, it's two to two separate sides

0:24:26.080 --> 0:24:29.880
<v Speaker 1>of the coin sonically for both cities. We were talking

0:24:29.880 --> 0:24:32.280
<v Speaker 1>about female rappers earlier. Who's Who's like a female MC

0:24:32.440 --> 0:24:35.440
<v Speaker 1>who who who? Obviously Nikki aside, but like, who's somebody

0:24:35.440 --> 0:24:38.320
<v Speaker 1>who you want to tap in with? Uh, Tierra Whack

0:24:38.560 --> 0:24:42.760
<v Speaker 1>Tierro Whack's Fire Yeah from Philly, right, I think, so, yeah,

0:24:42.760 --> 0:24:46.159
<v Speaker 1>she's fire, I believe. So we've only met once and

0:24:46.200 --> 0:24:49.120
<v Speaker 1>it was it was all of I'll be fanning out.

0:24:49.840 --> 0:24:51.960
<v Speaker 1>I don't even hide it when I really be faning somebody.

0:24:51.960 --> 0:24:53.680
<v Speaker 1>I gotta let him know. So I've seen I met

0:24:53.680 --> 0:24:57.280
<v Speaker 1>her at h at the Homie Amber birthday Shout Out Amber,

0:24:59.720 --> 0:25:01.480
<v Speaker 1>and it it was just it was hella cool. I

0:25:01.760 --> 0:25:03.560
<v Speaker 1>really just wanted to be like, please get into the

0:25:03.600 --> 0:25:05.480
<v Speaker 1>studio with me, but I try to be cool, like,

0:25:05.520 --> 0:25:09.400
<v Speaker 1>oh yeah, I'm a big fan. Man. When's the last

0:25:09.400 --> 0:25:15.480
<v Speaker 1>time you found out with somebody? I feel like I'm

0:25:15.480 --> 0:25:17.480
<v Speaker 1>missing something. I feel like it was a time recently

0:25:18.720 --> 0:25:24.320
<v Speaker 1>where it happened. Who have I met recently? Or short?

0:25:24.560 --> 0:25:28.360
<v Speaker 1>It was? It was I was in Oakland, were too

0:25:28.400 --> 0:25:32.280
<v Speaker 1>Short and two bitches eating some fried fish at a

0:25:32.280 --> 0:25:34.760
<v Speaker 1>at a place in Alameda. It was a double date.

0:25:35.680 --> 0:25:39.400
<v Speaker 1>Uh no, I mean something. It was really like two

0:25:39.440 --> 0:25:43.800
<v Speaker 1>short and two holes and and you were there. Yeah,

0:25:43.920 --> 0:25:45.520
<v Speaker 1>so you were the third wheel in the in the

0:25:45.560 --> 0:25:50.800
<v Speaker 1>four Lake situation there. Oh trust me, I got that.

0:25:50.920 --> 0:25:53.320
<v Speaker 1>I got that third wheel rolling though real fast. That

0:25:53.480 --> 0:25:55.439
<v Speaker 1>is like that there's something to be said that, like

0:25:55.560 --> 0:25:57.520
<v Speaker 1>you're hanging out with too Short. Of course you'd have

0:25:57.520 --> 0:26:02.600
<v Speaker 1>two bitches like that that that doesn't disappoint br So

0:26:02.720 --> 0:26:07.639
<v Speaker 1>I'm we're like three slush Margerita's down. It's starting to

0:26:07.680 --> 0:26:10.240
<v Speaker 1>beat my ass. So I'm like trying to take it slow.

0:26:10.280 --> 0:26:12.480
<v Speaker 1>I'm eating hell of the fucking fish. I'll flip it over.

0:26:12.600 --> 0:26:16.119
<v Speaker 1>That's how much of the fish I'm eating. And he

0:26:16.200 --> 0:26:18.920
<v Speaker 1>looking but he said, oh yeah, I'm with this nigga

0:26:19.000 --> 0:26:21.400
<v Speaker 1>right now. I'm like what because he's been on FaceTime

0:26:21.480 --> 0:26:23.840
<v Speaker 1>this whole time. I just been entertaining the host. And

0:26:23.880 --> 0:26:26.399
<v Speaker 1>he turned the phone and he put me on FaceTime

0:26:27.119 --> 0:26:32.960
<v Speaker 1>is him? He Forty Ice Cube and Snoop Dogg And

0:26:33.000 --> 0:26:35.679
<v Speaker 1>then he just takes airpis out handed to me and

0:26:35.720 --> 0:26:38.880
<v Speaker 1>I don't know nothing about what. They were talking about nothing,

0:26:39.600 --> 0:26:42.719
<v Speaker 1>and then and Forty going hard talking about what's up.

0:26:42.800 --> 0:26:47.000
<v Speaker 1>He's showing me love. Snoop instantly was like, what's up? Netflix?

0:26:47.160 --> 0:26:49.240
<v Speaker 1>Ice Cube? Ice Cub was like who is this guy?

0:26:49.320 --> 0:26:54.000
<v Speaker 1>Ella fucking menacing? But he was showing me love at

0:26:54.000 --> 0:26:55.560
<v Speaker 1>the same time. But he was so sick. He was

0:26:55.600 --> 0:26:58.920
<v Speaker 1>literally like this. He was like, yeah, no, Short was

0:26:58.960 --> 0:27:02.159
<v Speaker 1>telling us, m hm, no, I see, I see. I

0:27:02.600 --> 0:27:04.480
<v Speaker 1>never heard of you, but I'm finna check you out

0:27:04.600 --> 0:27:09.520
<v Speaker 1>because Snoop said you creative and I was like, oh no,

0:27:09.920 --> 0:27:14.120
<v Speaker 1>you know, I'll be making content, shit, mister Cub. I'd

0:27:14.160 --> 0:27:16.920
<v Speaker 1>be in the next Friday. I heard Chris Tucker doesn't

0:27:16.920 --> 0:27:19.120
<v Speaker 1>want to be in it acted as ship and then

0:27:19.240 --> 0:27:22.320
<v Speaker 1>Snoop and Short was like, man, you should direct the

0:27:22.320 --> 0:27:24.080
<v Speaker 1>whole video. I was like, if y'all give me a

0:27:24.080 --> 0:27:26.399
<v Speaker 1>song to do it, I'll do it for shure you

0:27:26.440 --> 0:27:28.480
<v Speaker 1>do it for free. Yeah, I'll do it. Please let

0:27:28.520 --> 0:27:32.240
<v Speaker 1>me do it. But that was probably my my last

0:27:32.240 --> 0:27:35.399
<v Speaker 1>starstruck moment for sure. Oh yeah, that FaceTime is crazy.

0:27:35.400 --> 0:27:38.080
<v Speaker 1>It was tight too, because it was really christening me, Like, nah,

0:27:38.240 --> 0:27:41.600
<v Speaker 1>if Short, it's giving you the Okay, Snoop already did

0:27:41.640 --> 0:27:46.080
<v Speaker 1>it forty partially did it now? All right? QB was

0:27:46.119 --> 0:27:50.560
<v Speaker 1>on board. We fucking with you. How disappointed would you

0:27:50.600 --> 0:27:51.959
<v Speaker 1>be if when you went to hang out with Too

0:27:51.960 --> 0:27:53.879
<v Speaker 1>Short he introduced you to his wife that he's been

0:27:53.920 --> 0:27:57.119
<v Speaker 1>with for like twenty years and like two small children

0:27:57.160 --> 0:27:59.240
<v Speaker 1>of his and he was like, hey, hey, this is

0:27:59.280 --> 0:28:02.080
<v Speaker 1>my wife. Yeah, these are my kids. Just go to Applebee's. Like,

0:28:02.080 --> 0:28:04.359
<v Speaker 1>wouldn't that be a little disappointing? And it's like like

0:28:04.400 --> 0:28:07.720
<v Speaker 1>a white lady with a bob yeah, like hi, you

0:28:07.760 --> 0:28:13.520
<v Speaker 1>walk daddy, Yeah, what's this falcon about? Yeah? The type

0:28:13.520 --> 0:28:16.439
<v Speaker 1>of lady who were like, my son is my king? Shirts.

0:28:16.520 --> 0:28:19.600
<v Speaker 1>I saw sugar Free, I saw sugar Free in Vegas

0:28:19.960 --> 0:28:24.119
<v Speaker 1>with two bitches on leashes, of course, and I was like,

0:28:24.240 --> 0:28:27.240
<v Speaker 1>this is thank you, this is what I'm this is why,

0:28:27.440 --> 0:28:30.320
<v Speaker 1>this is. This is how I run into sugar Free

0:28:30.320 --> 0:28:33.720
<v Speaker 1>at the Planet Hollywood walking through the fucking mall with

0:28:33.800 --> 0:28:38.400
<v Speaker 1>fucking two females on leashes, and I'm just like, yeah,

0:28:38.640 --> 0:28:40.680
<v Speaker 1>I'm glad. I'm glad to know sugar Free is still

0:28:40.680 --> 0:28:43.480
<v Speaker 1>going strong. I'm glad to know that that pimping is eternal.

0:28:43.680 --> 0:28:46.880
<v Speaker 1>It is eternal, it would never die. Like he't like

0:28:46.880 --> 0:28:49.360
<v Speaker 1>like if I just saw sugar Free walking through Planet

0:28:49.440 --> 0:28:53.800
<v Speaker 1>Hollywood holding hands with a female, I'd been like, damn,

0:28:54.400 --> 0:28:59.720
<v Speaker 1>I'll leave it off. The bitch has broa on leashes.

0:29:00.120 --> 0:29:02.080
<v Speaker 1>Can you mag the white people walking by who had

0:29:02.120 --> 0:29:06.520
<v Speaker 1>no idea this this guy was. It was hilarious. Were

0:29:06.560 --> 0:29:09.120
<v Speaker 1>you a sugar Free fan? Sugar Free is like an

0:29:09.160 --> 0:29:13.760
<v Speaker 1>acquired taste. I fucked with all all of the flavor

0:29:13.840 --> 0:29:16.680
<v Speaker 1>rap like we we had one sugar Free song on

0:29:16.760 --> 0:29:19.440
<v Speaker 1>the CD, and that's how I knew who sugar Free was.

0:29:19.680 --> 0:29:21.440
<v Speaker 1>When you like would make the Napster mixed CDs and

0:29:21.440 --> 0:29:22.880
<v Speaker 1>ship back in the day, it was the one where

0:29:22.880 --> 0:29:26.400
<v Speaker 1>he's beating on the table boom boom boom boom boom

0:29:26.520 --> 0:29:30.240
<v Speaker 1>boom boom boom boom. Yeah, it was that song. So

0:29:30.440 --> 0:29:33.720
<v Speaker 1>we listed that ship over. We had that and Get Stupid.

0:29:34.160 --> 0:29:36.440
<v Speaker 1>This was how how I first heard the song Get

0:29:36.480 --> 0:29:39.280
<v Speaker 1>Stupid was on that CD. That was it. Who made

0:29:39.320 --> 0:29:42.320
<v Speaker 1>the who made the CD? My little cousin, it was

0:29:42.440 --> 0:29:44.240
<v Speaker 1>his CD. I think he took it from somebody, his

0:29:44.320 --> 0:29:47.040
<v Speaker 1>older brother. I missed the days where we like just

0:29:47.040 --> 0:29:49.360
<v Speaker 1>get random CDs in your car. You'd be like, what's this, Yeah,

0:29:49.880 --> 0:29:52.320
<v Speaker 1>twelve new songs you never heard of? You're like, oh ship, Yeah,

0:29:53.640 --> 0:29:57.000
<v Speaker 1>it was tight. That's how I learned about sugar Free.

0:29:57.040 --> 0:29:59.680
<v Speaker 1>Was a fan ever since. Soon as soon as I heard,

0:30:00.040 --> 0:30:05.720
<v Speaker 1>I'd rather my bit. I said, oh, man, that that's

0:30:05.880 --> 0:30:08.520
<v Speaker 1>dedication to the paper. If I ever seen it, you

0:30:08.520 --> 0:30:11.400
<v Speaker 1>could take bo bitch man. Just don't take my weed

0:30:11.480 --> 0:30:14.880
<v Speaker 1>or my money. Take the bitch, please have her. That's great.

0:30:15.160 --> 0:30:19.080
<v Speaker 1>I said, oh we yo. How much? Was a little

0:30:19.080 --> 0:30:22.960
<v Speaker 1>b and the bas ship Obviously even before that, you know,

0:30:22.960 --> 0:30:27.480
<v Speaker 1>I always say that the pack really influenced l A

0:30:27.640 --> 0:30:30.320
<v Speaker 1>sound for sure, because it was the I feel like

0:30:30.360 --> 0:30:32.280
<v Speaker 1>the package in the fashion, well, I feel like the

0:30:32.280 --> 0:30:34.400
<v Speaker 1>pack was doing a lot of like what ended up

0:30:34.400 --> 0:30:39.880
<v Speaker 1>being Mustard sound first, uh and shout out to Lega

0:30:39.920 --> 0:30:41.920
<v Speaker 1>Stars and those guys. But I always thought sonically the

0:30:41.960 --> 0:30:44.440
<v Speaker 1>pack was doing that ship first. But then you know,

0:30:44.440 --> 0:30:46.000
<v Speaker 1>a Little B had his run where he was putting

0:30:46.000 --> 0:30:48.680
<v Speaker 1>out a trillion mixtapes and just kind of became this

0:30:48.760 --> 0:30:52.560
<v Speaker 1>fucking cult figure. How big of how big of an

0:30:52.560 --> 0:30:55.960
<v Speaker 1>influence was, Like, you know, I'm sure that ship hit

0:30:55.960 --> 0:30:57.680
<v Speaker 1>different in the bay, Like I was living in Vegas

0:30:57.680 --> 0:30:59.160
<v Speaker 1>when the when the cooking and all that ship was

0:30:59.200 --> 0:31:01.640
<v Speaker 1>going on, and this shit was big there with the kids,

0:31:01.640 --> 0:31:04.200
<v Speaker 1>But I can only imagine in the bag where I

0:31:04.240 --> 0:31:07.320
<v Speaker 1>mean to me, it was so big it felt already

0:31:07.480 --> 0:31:13.360
<v Speaker 1>like legendary. It felt like it just felt like Little

0:31:13.360 --> 0:31:19.240
<v Speaker 1>B was this intangible, unreachable entity that did and said

0:31:19.240 --> 0:31:22.400
<v Speaker 1>whatever he wanted to say as an internet baby from

0:31:22.400 --> 0:31:25.360
<v Speaker 1>the BAB. I loved it. I praised it. I still do.

0:31:25.480 --> 0:31:28.080
<v Speaker 1>I think Little B is till this day one of

0:31:28.120 --> 0:31:32.120
<v Speaker 1>the most influential rappers and hip hop Ever, every top

0:31:32.160 --> 0:31:34.320
<v Speaker 1>one hundred list needs to have a Little B on it.

0:31:34.360 --> 0:31:37.080
<v Speaker 1>I don't give a fucking feet one hundred. But like

0:31:37.640 --> 0:31:44.000
<v Speaker 1>his impact had generational ripples, same thing as Chief Keith

0:31:44.120 --> 0:31:48.200
<v Speaker 1>the way people give Chief keif that praise Little B

0:31:48.360 --> 0:31:50.200
<v Speaker 1>right there. Yeah, I feel like Little B was like

0:31:50.240 --> 0:31:54.440
<v Speaker 1>the first you know, if you think about the era

0:31:54.520 --> 0:31:57.200
<v Speaker 1>we were just talking about like that twenty sixteen, I

0:31:57.200 --> 0:31:59.520
<v Speaker 1>feel like like little like all of them kids took

0:31:59.560 --> 0:32:02.360
<v Speaker 1>from like Low B riff Raft, Like there was like that, oh,

0:32:03.040 --> 0:32:05.640
<v Speaker 1>like those Internet figures that were just doing crazy ship.

0:32:05.680 --> 0:32:07.280
<v Speaker 1>It wasn't as much about the music as it was

0:32:07.320 --> 0:32:13.920
<v Speaker 1>about the person. They were antics. Yeah, it was. That

0:32:14.080 --> 0:32:18.600
<v Speaker 1>was before the antics became doing things to yourself true,

0:32:19.040 --> 0:32:20.880
<v Speaker 1>you know what I'm saying. That was just doing it

0:32:21.120 --> 0:32:22.360
<v Speaker 1>was just like, yo, look at this dude on all

0:32:22.400 --> 0:32:24.479
<v Speaker 1>these motherfuckers are telling him he could they could fu

0:32:24.880 --> 0:32:28.080
<v Speaker 1>like you could. God. That's when That's when it was real.

0:32:28.240 --> 0:32:31.200
<v Speaker 1>Like back when riff Raft, who I also take influence from,

0:32:31.280 --> 0:32:33.960
<v Speaker 1>and me and me and Riff have had conversations about

0:32:34.080 --> 0:32:36.920
<v Speaker 1>love riff Raft, he's hilarious. If he would have came

0:32:36.960 --> 0:32:40.120
<v Speaker 1>out five six years later, he'd be so much bigger, bro,

0:32:40.240 --> 0:32:43.040
<v Speaker 1>he'd be the number one niggas. It was like the

0:32:43.080 --> 0:32:46.320
<v Speaker 1>crossover into when people started doing ship to themself. And

0:32:46.360 --> 0:32:49.600
<v Speaker 1>by that I mean like that tattooed he had a

0:32:49.920 --> 0:32:53.880
<v Speaker 1>world star. He pioneered that for real, definitely for real,

0:32:54.200 --> 0:32:57.040
<v Speaker 1>and people don't bring that ship up now what I

0:32:57.080 --> 0:32:59.280
<v Speaker 1>say it was it went as far as like a

0:32:59.320 --> 0:33:02.320
<v Speaker 1>little bee or he even turns in, but he was

0:33:02.360 --> 0:33:05.040
<v Speaker 1>definitely on the forefront that he was doing it a

0:33:05.040 --> 0:33:07.480
<v Speaker 1>lot of I'm a fan of all of the niggas. Man,

0:33:07.520 --> 0:33:11.240
<v Speaker 1>I fucked. I fucked with all of it. The Riff Ship.

0:33:11.680 --> 0:33:13.600
<v Speaker 1>There was a record he did with Action Bronson called

0:33:13.600 --> 0:33:15.800
<v Speaker 1>burd on a Wire that Harry Fraud produced that was

0:33:15.840 --> 0:33:19.040
<v Speaker 1>like like, oh, this ship is fire. Yeah it came.

0:33:19.160 --> 0:33:23.560
<v Speaker 1>I also like the one he did with Mustard were slapping, Yeah,

0:33:23.840 --> 0:33:25.360
<v Speaker 1>how to be a boss or how to be something,

0:33:25.480 --> 0:33:27.200
<v Speaker 1>to be the man, how to be a man. I

0:33:27.280 --> 0:33:29.320
<v Speaker 1>just loved his videos where he would just go on

0:33:29.520 --> 0:33:32.520
<v Speaker 1>rants and talk about like middle of my like I

0:33:32.520 --> 0:33:34.680
<v Speaker 1>got this lamp from Brazil. It gain't no middle of

0:33:34.680 --> 0:33:37.000
<v Speaker 1>them all ship. And you want to know, I always

0:33:37.120 --> 0:33:40.120
<v Speaker 1>liked that. I've always been attracted to that because Mac

0:33:40.200 --> 0:33:43.960
<v Speaker 1>Dre does that too, short does that another influence of

0:33:43.960 --> 0:33:48.800
<v Speaker 1>mine Dom Kennedy does all them where niggas just start

0:33:48.840 --> 0:33:52.480
<v Speaker 1>talking about their life. Yep, black gold, black globe, sitting

0:33:52.520 --> 0:33:55.000
<v Speaker 1>on a Cherrywood desk. Yeah, I got this ship from

0:33:55.160 --> 0:33:57.760
<v Speaker 1>I got this ship from Bermuda. You know what I'm saying, Like,

0:33:58.240 --> 0:34:01.640
<v Speaker 1>that's hella clean to me. Yeah, that's some real ship.

0:34:01.800 --> 0:34:05.440
<v Speaker 1>Who was on your album? Man? It is just the homies.

0:34:05.600 --> 0:34:07.600
<v Speaker 1>It's just people who care about me and love me.

0:34:07.680 --> 0:34:09.200
<v Speaker 1>I do got a lot of homies, so I gotta

0:34:09.239 --> 0:34:12.680
<v Speaker 1>be more specific, uh, BJ the Chicago kids on there, Legend,

0:34:12.719 --> 0:34:17.879
<v Speaker 1>the homie Tish Hymen is on there, the fellow pedestrian

0:34:17.960 --> 0:34:21.600
<v Speaker 1>and Filipino Pilo is on there right, and Buddy is

0:34:21.640 --> 0:34:25.440
<v Speaker 1>on there. Buddy's fucking another just legend. And Buddy don't

0:34:25.440 --> 0:34:28.560
<v Speaker 1>get enough love. He don't. And that's why I'm making

0:34:28.600 --> 0:34:32.840
<v Speaker 1>sure that I like to keep him as one of

0:34:32.880 --> 0:34:36.960
<v Speaker 1>my honest to true godfriends who like goes out of

0:34:36.960 --> 0:34:39.640
<v Speaker 1>his way to check up on me and my mental health.

0:34:38.760 --> 0:34:42.520
<v Speaker 1>I believe one one night I was DJing in Hollywood

0:34:42.520 --> 0:34:45.600
<v Speaker 1>a playhouse and you, Buddy and a D rolled up randomly.

0:34:45.920 --> 0:34:48.680
<v Speaker 1>It was my birthday. Yeah, that was when I poured

0:34:48.680 --> 0:34:51.200
<v Speaker 1>the champagne on the poles in the front and I remember,

0:34:51.320 --> 0:34:53.440
<v Speaker 1>just like I forget what Buddy record had just dropped,

0:34:53.440 --> 0:34:55.800
<v Speaker 1>but it definitely wasn't the song to play at Playhouse.

0:34:56.200 --> 0:34:58.960
<v Speaker 1>But I ran that ship. Yeah, we went up. It

0:34:59.040 --> 0:35:01.600
<v Speaker 1>was tight. There was It's like it was that was

0:35:01.640 --> 0:35:05.520
<v Speaker 1>my first uh my first like live birthday out here,

0:35:05.560 --> 0:35:08.400
<v Speaker 1>because my first birthday that where I was living out here.

0:35:08.440 --> 0:35:10.560
<v Speaker 1>I went back to the Bay. It's kind of somber.

0:35:10.719 --> 0:35:13.239
<v Speaker 1>I was like making this transition. So I've been out

0:35:13.239 --> 0:35:15.439
<v Speaker 1>here a year and I was like, fuck it, man,

0:35:15.560 --> 0:35:17.399
<v Speaker 1>I know all these clubs that want to just give

0:35:17.440 --> 0:35:20.920
<v Speaker 1>me the fucking wrapper table on the side. I'm a

0:35:21.000 --> 0:35:23.400
<v Speaker 1>fan to do it. So I hit everybody. Playhouse was

0:35:23.400 --> 0:35:25.800
<v Speaker 1>the last stop. We had the whole our whole rounds

0:35:26.080 --> 0:35:29.200
<v Speaker 1>playoffs was the last stop. And I had that table

0:35:29.640 --> 0:35:32.200
<v Speaker 1>and I called everybody's like, it's my birthday. Everybody said that.

0:35:32.440 --> 0:35:36.120
<v Speaker 1>Nobody said no, everybody said pulling up, pulling. I don't

0:35:36.120 --> 0:35:38.120
<v Speaker 1>remember if that was when Ad got his horse teeth

0:35:38.200 --> 0:35:40.440
<v Speaker 1>or not. I know, no, it was prior, prior to

0:35:40.480 --> 0:35:43.680
<v Speaker 1>his teeth. I always clown adies teeth. I always say

0:35:43.719 --> 0:35:45.879
<v Speaker 1>he could eat corn on the car better than any

0:35:45.920 --> 0:35:49.799
<v Speaker 1>rapper ever. He could chew ice. Oh you chew. You

0:35:49.800 --> 0:35:52.359
<v Speaker 1>do a lot with those teeth. I think his teeth

0:35:52.440 --> 0:35:55.400
<v Speaker 1>needs needs their own podcasts. He just launched his podcast eighties.

0:35:55.480 --> 0:35:57.560
<v Speaker 1>Teeth need their own they need their own pocket. He

0:35:57.600 --> 0:35:59.400
<v Speaker 1>could have been saying in that table with the fucking

0:35:59.640 --> 0:36:05.560
<v Speaker 1>nilt Nigga's shout out to a d man. That's my brother.

0:36:05.600 --> 0:36:08.839
<v Speaker 1>I love that. I loved the other day. Yeah him,

0:36:08.920 --> 0:36:11.960
<v Speaker 1>Simba and Simba. I was just with Simba. Oh yeah,

0:36:12.000 --> 0:36:14.919
<v Speaker 1>you were with casting uh in Pasadena. Yeah, Simba left

0:36:15.000 --> 0:36:16.839
<v Speaker 1>my spot and then went over there. So yeah, shout

0:36:16.880 --> 0:36:19.680
<v Speaker 1>out to Simba. He's he's another Bay Area guy. Yeah,

0:36:19.880 --> 0:36:21.839
<v Speaker 1>finally getting some love. Man been out for a long.

0:36:21.880 --> 0:36:24.279
<v Speaker 1>I love to see it. He was out before me. Yeah,

0:36:24.320 --> 0:36:27.440
<v Speaker 1>he's in the deal before I even was in the industry.

0:36:27.480 --> 0:36:29.920
<v Speaker 1>So I'm super happy to see him get his light

0:36:30.000 --> 0:36:35.719
<v Speaker 1>and his love. You mentioned moving to l A. I

0:36:35.719 --> 0:36:40.120
<v Speaker 1>feel like there's there's there's people who moved to LA

0:36:40.200 --> 0:36:42.040
<v Speaker 1>and let this ship kind of like consume them because

0:36:42.440 --> 0:36:45.480
<v Speaker 1>there it is there is some truth to like the

0:36:45.520 --> 0:36:49.439
<v Speaker 1>stigma of like artists or YouTubers or TikTokers or whatever

0:36:49.440 --> 0:36:51.520
<v Speaker 1>that come to l A and just the world that

0:36:51.560 --> 0:36:53.680
<v Speaker 1>you could get wrapped up in and the things that

0:36:53.680 --> 0:36:56.520
<v Speaker 1>that you might you know, that might carry more weight

0:36:57.200 --> 0:37:00.359
<v Speaker 1>to you here because you're here that really don't matter. Yeah, like,

0:37:00.560 --> 0:37:04.120
<v Speaker 1>did you find, like moving to La, was there any

0:37:04.160 --> 0:37:06.680
<v Speaker 1>sort of period of time where you felt, you know,

0:37:06.760 --> 0:37:10.879
<v Speaker 1>like overwhelmed with this shit? Boy, Nigga, I feel kind

0:37:10.880 --> 0:37:14.040
<v Speaker 1>of overwhelmed right now. It's like a constant state of

0:37:14.080 --> 0:37:18.360
<v Speaker 1>being overwhelmed and adapting. It's how far you want to go?

0:37:18.480 --> 0:37:21.160
<v Speaker 1>What level are you trying to adapt to for yourself,

0:37:21.200 --> 0:37:25.120
<v Speaker 1>your own personal goals in your career and your mental happiness.

0:37:25.200 --> 0:37:28.200
<v Speaker 1>But it's never going to stop until you become like

0:37:28.239 --> 0:37:32.400
<v Speaker 1>a legacy act. But even then, these these people, these artists,

0:37:32.640 --> 0:37:35.759
<v Speaker 1>just built the infrastructure around them to deal with that

0:37:35.880 --> 0:37:40.319
<v Speaker 1>constant like mental attack because it's that forever. And the

0:37:40.360 --> 0:37:44.120
<v Speaker 1>Internet will solidify that shit because when you're not dealing

0:37:44.160 --> 0:37:46.239
<v Speaker 1>with the sauce to get lost in outside, you're dealing

0:37:46.320 --> 0:37:48.399
<v Speaker 1>with it on your phone, You're dealing with in your

0:37:48.440 --> 0:37:51.239
<v Speaker 1>email on zoom calls. You know what I'm saying, Like,

0:37:51.520 --> 0:37:54.239
<v Speaker 1>this shit is forever. That's the job. So it's about

0:37:54.280 --> 0:37:56.160
<v Speaker 1>how much you want to take. And like I said,

0:37:56.160 --> 0:37:57.840
<v Speaker 1>it's some shit that I got to deal with currently

0:37:58.360 --> 0:38:02.720
<v Speaker 1>and until I figured it's like absolutely too much, then

0:38:03.239 --> 0:38:06.879
<v Speaker 1>maybe I'll do that. But I have been thinking about

0:38:07.400 --> 0:38:11.520
<v Speaker 1>just getting another spot somewhere to like clear myself for

0:38:11.640 --> 0:38:14.719
<v Speaker 1>this La ship, especially because when you live in La

0:38:14.800 --> 0:38:18.359
<v Speaker 1>you still gotta deal with being a transplant. Because I'm

0:38:18.360 --> 0:38:21.279
<v Speaker 1>not from here. I know a lot of people from here,

0:38:21.320 --> 0:38:23.440
<v Speaker 1>and I respect their rules and regulations of their game,

0:38:23.520 --> 0:38:27.000
<v Speaker 1>how they gut, but like you still got to be

0:38:27.280 --> 0:38:32.040
<v Speaker 1>in this city and navigate such the thickness of the sauce.

0:38:33.000 --> 0:38:35.359
<v Speaker 1>And it's crazy because the world shut down, so you're

0:38:35.400 --> 0:38:37.839
<v Speaker 1>trying to navigate in the same way to try when

0:38:37.880 --> 0:38:41.200
<v Speaker 1>the world was open, and especially here really shut the

0:38:41.200 --> 0:38:43.480
<v Speaker 1>fuck down and shut the fuck down. So it's like, damn,

0:38:44.280 --> 0:38:46.400
<v Speaker 1>I'm dealing with all of this ship just to like

0:38:46.520 --> 0:38:49.120
<v Speaker 1>be here. I don't even need to be here right now. Yeah,

0:38:49.360 --> 0:38:51.960
<v Speaker 1>the homie I got a homieh who's a rapper, Mike

0:38:52.040 --> 0:38:55.480
<v Speaker 1>stud and he he he just said fuck it and

0:38:55.520 --> 0:38:57.520
<v Speaker 1>he went to Arizona for like two months and now

0:38:57.520 --> 0:39:00.600
<v Speaker 1>he's in Montana. He's just like, I got to get

0:39:00.600 --> 0:39:02.200
<v Speaker 1>the fuck out of La. Man. Like if there's a

0:39:02.239 --> 0:39:04.200
<v Speaker 1>time to just take a break and unplug, it's like

0:39:04.480 --> 0:39:07.480
<v Speaker 1>while everything shut down. Yeah, I go to the Bay

0:39:08.120 --> 0:39:12.240
<v Speaker 1>tomorrow to shoot a short film connected to this album.

0:39:13.239 --> 0:39:16.640
<v Speaker 1>It's gonna be four episodes about my origin story, me

0:39:16.719 --> 0:39:20.319
<v Speaker 1>growing up, like becoming when I first started scamming, Like

0:39:20.680 --> 0:39:22.719
<v Speaker 1>we got a little boy to play me as a kid.

0:39:23.080 --> 0:39:25.520
<v Speaker 1>It's gonna be like a whole crazy a movie. No,

0:39:25.560 --> 0:39:27.840
<v Speaker 1>it's it's a short. It's like an actual like a

0:39:27.880 --> 0:39:32.400
<v Speaker 1>short film, like a real Yeah, I just seen it email.

0:39:32.480 --> 0:39:34.600
<v Speaker 1>I think we premiering them up for Gonna bet and hello,

0:39:34.640 --> 0:39:38.040
<v Speaker 1>shit like a whole it's a thing. Is Idiot Rising

0:39:38.080 --> 0:39:40.600
<v Speaker 1>handling the production and all that don't know. I'm going

0:39:40.600 --> 0:39:44.120
<v Speaker 1>out there to seriously act. I got all my friends

0:39:44.200 --> 0:39:47.680
<v Speaker 1>ready and they've been doing Are they playing themselves? It's

0:39:47.680 --> 0:39:51.680
<v Speaker 1>the only way to do put put my niggas on. Yeah,

0:39:51.840 --> 0:39:54.160
<v Speaker 1>And it's something that we've always wanted to do, So

0:39:54.200 --> 0:39:56.360
<v Speaker 1>I'm happy that I can cross this off the bucket

0:39:56.360 --> 0:39:59.560
<v Speaker 1>list for everybody. You know what I'm saying, Like we always,

0:39:59.560 --> 0:40:02.560
<v Speaker 1>seriously we wanted to tell our story because I come

0:40:02.600 --> 0:40:06.960
<v Speaker 1>from a crazy place and I'm a crazy nigga, so

0:40:07.080 --> 0:40:09.400
<v Speaker 1>like I always wanted to tell that, and this is

0:40:09.440 --> 0:40:12.040
<v Speaker 1>a good time to at least tell like the general

0:40:12.200 --> 0:40:15.000
<v Speaker 1>or like a good portion of that. Right after that,

0:40:15.840 --> 0:40:18.399
<v Speaker 1>I fly instantly to Hawaii to should the last music

0:40:18.520 --> 0:40:21.920
<v Speaker 1>video for this album, and then after that, I'm just done.

0:40:21.960 --> 0:40:24.200
<v Speaker 1>I'm doing press. What island? Are you shooting in Hawaii?

0:40:24.360 --> 0:40:26.520
<v Speaker 1>I don't even know yet. That's the Hey, look, man,

0:40:26.560 --> 0:40:29.120
<v Speaker 1>shoot all your videos in Hawaii. I want to just

0:40:29.160 --> 0:40:31.879
<v Speaker 1>stay out there. Actually, I haven't been to Hawaii since

0:40:31.920 --> 0:40:34.360
<v Speaker 1>I was pimping. I went out there to pimp a

0:40:34.360 --> 0:40:36.640
<v Speaker 1>couple of years ago. Well listen, wait, wait, wait a minute,

0:40:36.800 --> 0:40:38.960
<v Speaker 1>not let's not gloss over the pimping. So you was

0:40:39.040 --> 0:40:42.080
<v Speaker 1>actually pimping. I'm from the Bay. Well, I mean I

0:40:42.120 --> 0:40:44.799
<v Speaker 1>know that it's natural to the Bay. So how are

0:40:44.840 --> 0:40:48.880
<v Speaker 1>you twenty eight? So you're twenty eight? So you're pimping

0:40:48.920 --> 0:40:50.880
<v Speaker 1>in the era. Because when I was a kid, we

0:40:50.960 --> 0:40:52.640
<v Speaker 1>used to drive up and down the Strip in Phoenix.

0:40:52.640 --> 0:40:55.120
<v Speaker 1>There's a street called Van Buren down the Blade, Yeah,

0:40:55.160 --> 0:40:57.600
<v Speaker 1>and we used to like bitches would be walking every

0:40:57.600 --> 0:41:01.480
<v Speaker 1>pimps on every corner, and we were just like praying hookers, like,

0:41:02.520 --> 0:41:04.480
<v Speaker 1>you know, just fuck with hookers. Almost got killed a

0:41:04.480 --> 0:41:08.200
<v Speaker 1>couple of times. Yeah, you know, chase down by pimps.

0:41:08.200 --> 0:41:10.279
<v Speaker 1>We're fucking throwing water balloons at hose and shit, we're

0:41:10.320 --> 0:41:12.719
<v Speaker 1>just doing dumb shit. We're like some fucking jackass shit.

0:41:14.320 --> 0:41:18.200
<v Speaker 1>But then that shit went away because Craigslist and the

0:41:18.239 --> 0:41:20.920
<v Speaker 1>Internet started popping. So was that that was like your

0:41:21.000 --> 0:41:22.600
<v Speaker 1>era of the pimp shit? Like how did you get

0:41:22.600 --> 0:41:26.960
<v Speaker 1>into pimping? I mean, first of all, pimping got into me.

0:41:27.080 --> 0:41:30.400
<v Speaker 1>I didn't get into pimping. The sauce really chose me.

0:41:30.560 --> 0:41:33.359
<v Speaker 1>And that's just how it go being back from the bay,

0:41:34.120 --> 0:41:38.080
<v Speaker 1>when you shining, you look good, you handsome, you're not white,

0:41:38.800 --> 0:41:42.799
<v Speaker 1>somebody gonna come pay you. Somebody it's a bitch out

0:41:42.800 --> 0:41:45.160
<v Speaker 1>there that won't to pay you. She can't wait. So

0:41:45.200 --> 0:41:47.839
<v Speaker 1>did you have like a bottom bitch? Yeah? I did.

0:41:48.400 --> 0:41:50.839
<v Speaker 1>That was like your man, you was solitude. Honestly, I

0:41:50.960 --> 0:41:56.600
<v Speaker 1>just don't have the I don't care. It's hard. I

0:41:56.680 --> 0:42:00.600
<v Speaker 1>really don't care, and it's it was hard to go

0:42:00.640 --> 0:42:02.960
<v Speaker 1>through the motions up pimping because you got to respect

0:42:02.960 --> 0:42:05.719
<v Speaker 1>the game, and that's something not to be played with

0:42:05.800 --> 0:42:08.440
<v Speaker 1>because it don't change. It's forever. Those those rules written

0:42:08.440 --> 0:42:10.600
<v Speaker 1>in stone, and you got to respect that. And I

0:42:10.680 --> 0:42:12.920
<v Speaker 1>knew that because I didn't want to come in disrespectful.

0:42:12.960 --> 0:42:15.440
<v Speaker 1>But at the same time I had to consider, like

0:42:15.560 --> 0:42:18.360
<v Speaker 1>do I care enough to respect it? If I'm in it,

0:42:18.400 --> 0:42:21.719
<v Speaker 1>and I don't because I'm a scammer. So like I

0:42:21.719 --> 0:42:23.359
<v Speaker 1>don't want to call you if I just knocked your

0:42:23.440 --> 0:42:25.680
<v Speaker 1>bitch and she paid me to fee and now she

0:42:25.760 --> 0:42:27.719
<v Speaker 1>want to come up under me, I don't care to

0:42:27.719 --> 0:42:31.160
<v Speaker 1>call you and respect the game. I'm looking at. How

0:42:31.160 --> 0:42:32.880
<v Speaker 1>long did that last? Like? How long was that era? Of?

0:42:32.920 --> 0:42:34.719
<v Speaker 1>A couple of years? It was? I was on and

0:42:34.760 --> 0:42:37.359
<v Speaker 1>off with it. I never was like all the way

0:42:37.440 --> 0:42:40.560
<v Speaker 1>down stumped down in the mud. So would you have, like,

0:42:41.680 --> 0:42:44.239
<v Speaker 1>you know, just bitches posted up at hotels with the

0:42:44.320 --> 0:42:48.000
<v Speaker 1>online ads booming like mm hmm, that's really what it was.

0:42:48.480 --> 0:42:52.319
<v Speaker 1>And then backpage got shut down. I pivoted after that

0:42:52.920 --> 0:42:56.880
<v Speaker 1>and I just started having the bitches running to the stores.

0:42:56.960 --> 0:43:00.359
<v Speaker 1>I was tired of this shit. Tricks is dirty, and

0:43:00.560 --> 0:43:04.040
<v Speaker 1>the way that hoos like to live in a bay

0:43:04.160 --> 0:43:09.880
<v Speaker 1>is just too It's just it exposed me to too

0:43:09.920 --> 0:43:12.200
<v Speaker 1>many people I don't like to be around. And I'm

0:43:12.200 --> 0:43:15.399
<v Speaker 1>a super social nigga. I love company. See my house now,

0:43:15.640 --> 0:43:17.360
<v Speaker 1>But it's just was like I saw a picture of

0:43:17.400 --> 0:43:20.919
<v Speaker 1>your bedroom on your ig looks stellar, stellar bedroom. Thank you,

0:43:20.960 --> 0:43:23.000
<v Speaker 1>thank you. I just got a new rug today. Look,

0:43:23.000 --> 0:43:26.080
<v Speaker 1>I'll show you pick I feel like anybody you pick

0:43:26.160 --> 0:43:27.640
<v Speaker 1>up at the is it is it called the above

0:43:27.640 --> 0:43:32.839
<v Speaker 1>the Clouds Festival and the Clouds, Like any of those

0:43:32.880 --> 0:43:35.160
<v Speaker 1>lovely young Asian women would walk into your room and

0:43:35.200 --> 0:43:37.840
<v Speaker 1>be like, oh my god, this is it. They do

0:43:37.880 --> 0:43:40.040
<v Speaker 1>it all the time. Oh that's fire, that's a rug.

0:43:40.880 --> 0:43:43.160
<v Speaker 1>That's fire. It's huge too, it's about it's about here

0:43:43.200 --> 0:43:49.200
<v Speaker 1>to hear that's dope, yeah, scamboy. Yeah that's in the bedroom. Huh.

0:43:49.280 --> 0:43:50.960
<v Speaker 1>I'm trying to figure out a place to put it

0:43:51.000 --> 0:43:52.879
<v Speaker 1>on the floor. So when you were when you when

0:43:52.880 --> 0:43:55.799
<v Speaker 1>you were pimping, what was like your stable, like the

0:43:55.800 --> 0:43:58.200
<v Speaker 1>most amount of women at one time that were three?

0:43:59.080 --> 0:44:01.839
<v Speaker 1>That's good. I was my I was footing foot out.

0:44:02.080 --> 0:44:04.120
<v Speaker 1>It wasn't how me understood. Helep me understand this, because

0:44:04.120 --> 0:44:06.640
<v Speaker 1>I don't think people truly understand like the business model

0:44:06.680 --> 0:44:09.279
<v Speaker 1>of pimping, right, Like, what is your purpose in the

0:44:09.320 --> 0:44:12.560
<v Speaker 1>girl besides taking her money? No, I mean it's more

0:44:12.600 --> 0:44:17.399
<v Speaker 1>than purpose. It's everything. I'm everything. I not only am

0:44:17.440 --> 0:44:22.160
<v Speaker 1>I the purpose, I'm also the consequence. I'm going to

0:44:22.280 --> 0:44:26.239
<v Speaker 1>cause any effect. I'm the Outpha and omega in this situation,

0:44:26.520 --> 0:44:31.919
<v Speaker 1>Like I'm your daddy, your boyfriend, your manager, your day

0:44:31.920 --> 0:44:37.080
<v Speaker 1>to day everything everything. So any services that they need

0:44:37.120 --> 0:44:38.720
<v Speaker 1>you could, they can hit you like, Yo, this trick's

0:44:38.800 --> 0:44:43.840
<v Speaker 1>not he's not he's not paying, or I fucking caught

0:44:43.840 --> 0:44:46.600
<v Speaker 1>gonorrhea and I need to go get the shot I

0:44:46.640 --> 0:44:48.200
<v Speaker 1>needed to take me to the clinic or pay for

0:44:48.239 --> 0:44:51.600
<v Speaker 1>this ship. But yo, but yeah ship in the in

0:44:51.640 --> 0:44:53.960
<v Speaker 1>the in the you know, I'm assuming that that there's

0:44:54.000 --> 0:44:55.759
<v Speaker 1>even if a girl is clean, there's a chance that

0:44:55.880 --> 0:44:58.439
<v Speaker 1>could happen in that field. I mean. But the thing

0:44:58.560 --> 0:45:00.399
<v Speaker 1>is what a lot of people don't really know is

0:45:01.000 --> 0:45:03.640
<v Speaker 1>a lot a lot of like the bitches that's really

0:45:03.680 --> 0:45:09.320
<v Speaker 1>in the game is some of the cleanest, safest women humans.

0:45:09.560 --> 0:45:13.359
<v Speaker 1>I've heard that zero experience. But you gotta think who

0:45:13.480 --> 0:45:18.480
<v Speaker 1>has chlamydia? Like rappers have chamydia. Niggas like me in

0:45:18.520 --> 0:45:21.960
<v Speaker 1>the club got namidia. That just been fucking thousands of

0:45:22.000 --> 0:45:25.319
<v Speaker 1>whole fact, not like the Indian nigga on Craigslist. Not

0:45:25.360 --> 0:45:28.960
<v Speaker 1>the fucking Mexican dude, not the dentist, you know what

0:45:29.000 --> 0:45:32.759
<v Speaker 1>I'm saying, Like they don't have a that's who's paying

0:45:32.800 --> 0:45:35.120
<v Speaker 1>for pussy, right right, right, right right. It's not like

0:45:35.239 --> 0:45:38.480
<v Speaker 1>it's not like these girls are fucking fucking like random

0:45:38.560 --> 0:45:41.960
<v Speaker 1>dudes at playhouse. And it's not like they're homeless like

0:45:42.280 --> 0:45:45.160
<v Speaker 1>fucking other homeless people, right, They're not in fucking you know,

0:45:45.239 --> 0:45:47.319
<v Speaker 1>they're not downtown l A taking ships on the side

0:45:47.320 --> 0:45:49.919
<v Speaker 1>of the street. Yeah, like that's what they're turning tricks

0:45:49.960 --> 0:45:53.080
<v Speaker 1>out of. That's what people think right right when they

0:45:53.120 --> 0:45:55.880
<v Speaker 1>think of that. But like they're not putting no respect

0:45:55.960 --> 0:45:58.960
<v Speaker 1>on the on the sex workers existence. They just they

0:45:59.080 --> 0:46:03.520
<v Speaker 1>because they look at the occupation as something that is

0:46:03.600 --> 0:46:07.880
<v Speaker 1>so beneath them personally their values, they choose to to

0:46:08.280 --> 0:46:15.120
<v Speaker 1>to demonize how their perception of that person and they

0:46:15.440 --> 0:46:19.120
<v Speaker 1>project that on other people to where it's become almost

0:46:19.200 --> 0:46:23.000
<v Speaker 1>like a standard of how we think about women. Even

0:46:23.239 --> 0:46:26.879
<v Speaker 1>even mistresses of even even strippers get bad raps. Like

0:46:27.120 --> 0:46:29.600
<v Speaker 1>there's like a negative stigma and it's like for what

0:46:29.719 --> 0:46:35.040
<v Speaker 1>the native riches ches out facts steal, don't gotta fuck steal, steal.

0:46:35.960 --> 0:46:39.799
<v Speaker 1>They're at house parties right now in the hills. It's

0:46:39.880 --> 0:46:43.120
<v Speaker 1>not stopping with them. I was gonna say, now only

0:46:43.200 --> 0:46:46.720
<v Speaker 1>fans seems to be like the Tiger, low key Tiger.

0:46:46.800 --> 0:46:49.080
<v Speaker 1>You could you might say Tiger's pimping right now on

0:46:49.080 --> 0:46:53.239
<v Speaker 1>only fans. Uh, because right way, because we both are

0:46:53.360 --> 0:46:57.359
<v Speaker 1>legitimate black males. I don't want to openly well, he's

0:46:57.400 --> 0:47:01.080
<v Speaker 1>managing the only fans girls. We'll call it managing, right right.

0:47:01.080 --> 0:47:05.920
<v Speaker 1>He's managing is in the business of working very closely

0:47:06.440 --> 0:47:11.239
<v Speaker 1>with sex work, true, and even even at times being

0:47:11.320 --> 0:47:13.600
<v Speaker 1>sex work himself. Because I've accidentally seen his dick on

0:47:13.640 --> 0:47:16.160
<v Speaker 1>Twitter before. Yeah, me too. I wasn't happy about it.

0:47:16.160 --> 0:47:19.040
<v Speaker 1>I wasn't happy either. I wasn't. It's always the worst

0:47:19.080 --> 0:47:21.400
<v Speaker 1>when you accidentally see a dick on your Twitter timeline.

0:47:21.480 --> 0:47:24.040
<v Speaker 1>It was Wednesday too, I remember it was Wednesday. I

0:47:24.080 --> 0:47:26.440
<v Speaker 1>was eating chippole. I still haven't went back to Chipotle

0:47:26.680 --> 0:47:29.279
<v Speaker 1>because you think it's Tiger's dick. It's terrible. I saw

0:47:29.320 --> 0:47:32.799
<v Speaker 1>Trey songs dick today on accident. I've purposely avoided it.

0:47:32.880 --> 0:47:36.080
<v Speaker 1>I muted the word Trey Songs because I didn't want

0:47:36.120 --> 0:47:38.600
<v Speaker 1>to go to show me how to do that. Yeah, yeah, yeah,

0:47:38.680 --> 0:47:41.759
<v Speaker 1>it's in the settings on Twitter. Oh man, are you

0:47:41.760 --> 0:47:43.360
<v Speaker 1>ever worried about some shit like that leaguing to you?

0:47:43.360 --> 0:47:45.760
<v Speaker 1>Do you have like all the time? Are you worried

0:47:45.760 --> 0:47:50.359
<v Speaker 1>about it? Yeah? I think any day now, some ship

0:47:50.480 --> 0:47:53.200
<v Speaker 1>might hit the internet, especially if they got Trey, he's

0:47:53.200 --> 0:47:57.800
<v Speaker 1>been at it for years, If they got him, I

0:47:57.840 --> 0:48:02.800
<v Speaker 1>don't stand in the fucking chance would you ever dabble

0:48:02.800 --> 0:48:05.080
<v Speaker 1>in the only fans shit. I made it only fans,

0:48:05.120 --> 0:48:07.760
<v Speaker 1>and I currently have a few subscribers. I just haven't

0:48:08.360 --> 0:48:11.560
<v Speaker 1>posted content yet because I'm trying to work on how

0:48:11.600 --> 0:48:14.000
<v Speaker 1>I want to approach it. Because you could, like you

0:48:14.040 --> 0:48:16.879
<v Speaker 1>could just post fan shit on there. Yeah, I mean

0:48:16.920 --> 0:48:18.760
<v Speaker 1>I think I want to do a plethora of everything,

0:48:18.880 --> 0:48:21.479
<v Speaker 1>like if I got if it's some genuine hose out there,

0:48:22.040 --> 0:48:24.480
<v Speaker 1>or shit, anybody it's only fans. I can't keep tracking

0:48:25.440 --> 0:48:28.080
<v Speaker 1>who's buying the shit, right, somebody want to get a

0:48:28.080 --> 0:48:30.160
<v Speaker 1>Dick pic for like two hundred dollars or something, I

0:48:30.280 --> 0:48:32.239
<v Speaker 1>might post it in the DMS or some shit later

0:48:32.280 --> 0:48:33.600
<v Speaker 1>on down the line. Hey, if someone wants to pay

0:48:33.600 --> 0:48:35.160
<v Speaker 1>you two hundred dollars for a dick pic, then I

0:48:35.200 --> 0:48:38.000
<v Speaker 1>would definitely. I've actually been paid more than that before.

0:48:38.080 --> 0:48:41.440
<v Speaker 1>You've been paid for a You ever been paid for

0:48:41.440 --> 0:48:48.480
<v Speaker 1>a Dick pic? Jesse, no feed pick same same. Well,

0:48:48.520 --> 0:48:50.359
<v Speaker 1>you know we were talking earlier. You probably have nice feet,

0:48:50.360 --> 0:48:53.719
<v Speaker 1>you got nice hands. Pause, super pause. It's gay to

0:48:53.719 --> 0:48:57.480
<v Speaker 1>say pauls is it. Yeah, it's gay to say, pauls

0:48:57.480 --> 0:49:00.640
<v Speaker 1>in the Homo it's super gay? Is it super gay? Yeah?

0:49:00.800 --> 0:49:04.080
<v Speaker 1>So don't say those No, okay, just let it rock.

0:49:04.239 --> 0:49:07.480
<v Speaker 1>Just let it rock because otherwise, like, why'd you bring

0:49:07.520 --> 0:49:12.080
<v Speaker 1>it up? That's fair if we start talking about narcotics

0:49:12.120 --> 0:49:15.840
<v Speaker 1>and doing illegal ship right and I kept saying, no

0:49:15.960 --> 0:49:18.520
<v Speaker 1>police ship, but when you were selling crack, Like where

0:49:18.520 --> 0:49:21.000
<v Speaker 1>did you you know what I'm saying, no police shit though? Yeah,

0:49:21.120 --> 0:49:24.839
<v Speaker 1>Like like no police, I'm the police. What the fuck?

0:49:26.000 --> 0:49:28.840
<v Speaker 1>So you keep saying no homo and Paul's like what

0:49:29.000 --> 0:49:30.680
<v Speaker 1>I had to stop. I had to stop saying no homo.

0:49:30.719 --> 0:49:32.439
<v Speaker 1>I feel like it's in the age as well. No,

0:49:32.719 --> 0:49:36.080
<v Speaker 1>I'm a big dipset guy. Yeah, love Cam, love love

0:49:36.160 --> 0:49:38.800
<v Speaker 1>that whole just era of hip hop, and no Homo

0:49:38.960 --> 0:49:41.359
<v Speaker 1>was kind of like, yeah, I feel like we got

0:49:41.360 --> 0:49:45.080
<v Speaker 1>attest to that because shout out to Cameron as Cameron

0:49:45.160 --> 0:49:49.640
<v Speaker 1>little Bruh, somebody who often likes to uh, I'm in

0:49:49.680 --> 0:49:54.000
<v Speaker 1>a similar vein fashion fashion. Yeah, you get what I'm saying. Yes,

0:49:54.120 --> 0:49:56.840
<v Speaker 1>he do a lot and he inspired a lot for me.

0:49:57.160 --> 0:49:59.040
<v Speaker 1>I don't even feel like he would say that ship

0:49:59.200 --> 0:50:01.839
<v Speaker 1>right now. I don't know if that's true. I think

0:50:01.880 --> 0:50:03.960
<v Speaker 1>I could see hear I'm saying Paul's but no, Homo,

0:50:04.320 --> 0:50:05.920
<v Speaker 1>I think I think I think he might let that

0:50:05.960 --> 0:50:08.719
<v Speaker 1>thing ride. Still you think so? I mean, I don't know.

0:50:09.400 --> 0:50:11.160
<v Speaker 1>He's one of my bucket list interviews. He's one of

0:50:11.160 --> 0:50:13.480
<v Speaker 1>the guys I've never interviewed. That's like, there's like four

0:50:13.560 --> 0:50:15.480
<v Speaker 1>or five, and Cams one of them. I'm calling it

0:50:15.520 --> 0:50:19.120
<v Speaker 1>now because my interviews. First, you have to bring me

0:50:19.239 --> 0:50:23.000
<v Speaker 1>up in your interview with Cameron. How would you like

0:50:23.040 --> 0:50:26.759
<v Speaker 1>me to bring you up? However, I'll just bring you

0:50:26.800 --> 0:50:30.840
<v Speaker 1>to the interview. Yep, you gotta. I'll do the prank

0:50:32.320 --> 0:50:35.359
<v Speaker 1>when you when you interview Cameron, I'll do the pan.

0:50:35.480 --> 0:50:38.640
<v Speaker 1>See I'm afraid of Cameron, though I'm not. I feel

0:50:38.640 --> 0:50:42.600
<v Speaker 1>like I feel like Cam is still that nigga. Yeah,

0:50:42.600 --> 0:50:44.759
<v Speaker 1>I feel like, yeah, but you can't. You can't go

0:50:44.800 --> 0:50:48.160
<v Speaker 1>in there with fear in your herd from Harlem. He

0:50:48.239 --> 0:50:50.359
<v Speaker 1>gonna smell. I don't know if I prank Cam though,

0:50:50.360 --> 0:50:52.360
<v Speaker 1>because I want to interview him. Like a bunch of times,

0:50:52.840 --> 0:50:54.920
<v Speaker 1>you and I are like boys. I don't know Cameron,

0:50:56.120 --> 0:50:57.520
<v Speaker 1>so I might only have one shot to make a

0:50:57.520 --> 0:51:00.279
<v Speaker 1>good impression. I don't want to ruin you kill a

0:51:00.320 --> 0:51:04.239
<v Speaker 1>camic experience. Now if it was like, you know, I'm

0:51:04.239 --> 0:51:07.000
<v Speaker 1>trying to think of somebody else, whoever the fuck Freddie Gibbs,

0:51:07.040 --> 0:51:08.520
<v Speaker 1>somebody was like my boy, like, yeah, we can prank

0:51:08.560 --> 0:51:10.040
<v Speaker 1>them all day, but Cameron, I'm like, I want to

0:51:10.040 --> 0:51:11.759
<v Speaker 1>make it. I was a childhood you know, he's one

0:51:11.760 --> 0:51:14.480
<v Speaker 1>of my guys. You know for sure? Hey what so

0:51:15.600 --> 0:51:18.600
<v Speaker 1>take take take me back to the you know obviously, uh,

0:51:18.760 --> 0:51:21.839
<v Speaker 1>you had the viral situation with Russ that that went down,

0:51:22.520 --> 0:51:24.080
<v Speaker 1>and I hated to see that because I'm cool with

0:51:24.160 --> 0:51:25.640
<v Speaker 1>Russ and I'm cool with you, and I feel like

0:51:25.719 --> 0:51:29.799
<v Speaker 1>you're one of the most brightest energies in hip hop.

0:51:30.600 --> 0:51:34.239
<v Speaker 1>I really don't. And I wasn't privy to whatever had

0:51:34.320 --> 0:51:38.120
<v Speaker 1>been said prior, but I was just like, yo, you're like,

0:51:38.160 --> 0:51:41.759
<v Speaker 1>who fucking hates you? No? I mean just him, right,

0:51:43.080 --> 0:51:45.439
<v Speaker 1>So I don't know what happened, Like, was there some

0:51:45.480 --> 0:51:48.400
<v Speaker 1>sort of like remarks made that like led up to that,

0:51:48.520 --> 0:51:50.799
<v Speaker 1>because yeah, I mentioned him in a song and he

0:51:50.840 --> 0:51:54.480
<v Speaker 1>didn't like it. And it took a while because I

0:51:54.560 --> 0:52:00.120
<v Speaker 1>was so I was so mad at the fact that

0:52:01.200 --> 0:52:04.719
<v Speaker 1>not only did I in my mind not this him

0:52:05.200 --> 0:52:09.439
<v Speaker 1>I never was trying to dis him, but I told

0:52:09.520 --> 0:52:14.480
<v Speaker 1>him about it. I DMed him beforehand song comes out.

0:52:14.560 --> 0:52:16.719
<v Speaker 1>I don't he leaves me on red and then the

0:52:16.760 --> 0:52:20.120
<v Speaker 1>first time I see him, I don't even really know

0:52:20.239 --> 0:52:23.600
<v Speaker 1>him or how it looks or nothing. I turned around.

0:52:24.040 --> 0:52:28.759
<v Speaker 1>He's twenty motherfucker niggas after he snaked me, and I

0:52:28.840 --> 0:52:31.200
<v Speaker 1>just thought that was wild, as like a nigga, as

0:52:31.280 --> 0:52:35.200
<v Speaker 1>rich as he is with his network and ability, he

0:52:35.200 --> 0:52:39.759
<v Speaker 1>could have came at me different, especially since he knew, like,

0:52:39.800 --> 0:52:41.920
<v Speaker 1>it's no way you planning that because he planned. He

0:52:41.960 --> 0:52:45.000
<v Speaker 1>was the headliner, headliner at that festival, and he planned

0:52:45.480 --> 0:52:47.960
<v Speaker 1>to see me and have me jump because he was

0:52:47.960 --> 0:52:50.799
<v Speaker 1>there early. I was one of the openers. Me and

0:52:50.840 --> 0:52:53.320
<v Speaker 1>Smino was just going. He's midday. I wann't open. It

0:52:53.480 --> 0:52:56.239
<v Speaker 1>was mid day, but still it wasn't the headliner. You

0:52:56.280 --> 0:52:58.680
<v Speaker 1>know what I'm saying. I feel like he could have

0:52:58.680 --> 0:53:01.840
<v Speaker 1>went about that way different, but he didn't, and he

0:53:01.960 --> 0:53:04.319
<v Speaker 1>chose that route. But at the same time, you know,

0:53:04.400 --> 0:53:08.319
<v Speaker 1>as a grown ass man, I did speak on him. Yeah,

0:53:08.400 --> 0:53:10.320
<v Speaker 1>you know, he did look at it as I spoke

0:53:10.360 --> 0:53:12.439
<v Speaker 1>on him and not. He always says like, you can't

0:53:12.480 --> 0:53:15.920
<v Speaker 1>tell me how to react to and I think at

0:53:15.920 --> 0:53:20.080
<v Speaker 1>that time everyone was just it was like he was

0:53:20.080 --> 0:53:23.320
<v Speaker 1>getting a lot of I wasn't trying to down him. Actually,

0:53:23.320 --> 0:53:27.160
<v Speaker 1>I followed him on Twitter and I thought that Russ's

0:53:27.880 --> 0:53:30.040
<v Speaker 1>and I still do. I think it's really interesting how

0:53:30.080 --> 0:53:32.759
<v Speaker 1>some people could have so much garner, so much success

0:53:33.120 --> 0:53:36.040
<v Speaker 1>in the industry, and how they navigate but still not

0:53:36.120 --> 0:53:39.920
<v Speaker 1>be accepted by the culture. But they are clearly eating

0:53:39.960 --> 0:53:43.879
<v Speaker 1>from it and feeding some things to it. So that's

0:53:43.880 --> 0:53:46.759
<v Speaker 1>what the bar was about. But he took it as

0:53:46.800 --> 0:53:51.759
<v Speaker 1>disrespect and responded accordingly. I can't be mad at how

0:53:51.760 --> 0:53:55.440
<v Speaker 1>he feel about it. I'm obviously not happy with the outcome.

0:53:56.239 --> 0:53:59.480
<v Speaker 1>I mean, but your intention was not malicious with the mention.

0:54:00.080 --> 0:54:04.279
<v Speaker 1>I don't even know nothing outright this nobody. Was there

0:54:04.640 --> 0:54:07.880
<v Speaker 1>ever any correspondence with you guys after that or is

0:54:07.920 --> 0:54:09.239
<v Speaker 1>it just kind of what it is? What it is,

0:54:09.360 --> 0:54:12.080
<v Speaker 1>keep it moving. Yeah, it's over. It was never no

0:54:12.200 --> 0:54:14.759
<v Speaker 1>correspondence about nothing. I just think I think that, you know,

0:54:14.800 --> 0:54:17.239
<v Speaker 1>like I said, you're there could have been, but you're

0:54:17.320 --> 0:54:20.319
<v Speaker 1>such a dope energy and figured. And I feel like

0:54:20.719 --> 0:54:23.399
<v Speaker 1>on on on his side too, like he's I feel

0:54:23.400 --> 0:54:24.880
<v Speaker 1>like he gives so much free game to artists, and

0:54:24.880 --> 0:54:26.759
<v Speaker 1>he puts out so much dope quality of music. I

0:54:26.800 --> 0:54:30.040
<v Speaker 1>just think you I think that window when everyone was

0:54:30.040 --> 0:54:33.160
<v Speaker 1>coming at Russ, I just think he probably just made

0:54:33.280 --> 0:54:36.840
<v Speaker 1>notes of like okay, if he probably he was on this,

0:54:37.000 --> 0:54:39.279
<v Speaker 1>he was trying to be on his hitman ship. It's

0:54:39.360 --> 0:54:42.839
<v Speaker 1>just really unfortunate because in the perfect world, you guys

0:54:42.840 --> 0:54:45.080
<v Speaker 1>could have made some fire music together because I know

0:54:45.120 --> 0:54:47.000
<v Speaker 1>he friends with you, but YD know he can't be

0:54:47.040 --> 0:54:51.600
<v Speaker 1>in a room with Russ around me, so like you

0:54:51.600 --> 0:54:54.080
<v Speaker 1>guys have mutual people. It's unfortunate. I mean, I think

0:54:54.120 --> 0:54:55.680
<v Speaker 1>I think hopefully one day you know, you guys. I

0:54:55.680 --> 0:54:57.799
<v Speaker 1>mean honestly, at this point, it's I don't even look

0:54:57.800 --> 0:55:00.759
<v Speaker 1>at it as unfortunately. It just happened. Yeah, It's like

0:55:00.800 --> 0:55:02.799
<v Speaker 1>it is what it is. And you know, if you

0:55:02.800 --> 0:55:06.000
<v Speaker 1>guys ever have some correspondence in the future, cool, If not,

0:55:06.080 --> 0:55:09.200
<v Speaker 1>it is what it is. From that, uh, I had

0:55:09.200 --> 0:55:13.279
<v Speaker 1>some correspondence with with Benny the Butcher that I'm that

0:55:13.360 --> 0:55:16.160
<v Speaker 1>I'm happy we was able to hash out because I've

0:55:16.200 --> 0:55:20.040
<v Speaker 1>become a fan of him and what Griselda is doing

0:55:20.120 --> 0:55:25.320
<v Speaker 1>as of recent and nice tight. So from what happened

0:55:25.360 --> 0:55:28.080
<v Speaker 1>with Russ, you got in contact with Benny what like,

0:55:28.480 --> 0:55:31.560
<v Speaker 1>because me and Bennie had like Twitter knows. We had

0:55:31.600 --> 0:55:35.799
<v Speaker 1>like a small altercation after the Dreamville ship and it

0:55:35.840 --> 0:55:38.359
<v Speaker 1>wasn't we was not cool. I didn't know that. Yeah,

0:55:38.440 --> 0:55:40.600
<v Speaker 1>we was not We was not cool. And then the

0:55:40.680 --> 0:55:43.160
<v Speaker 1>Russ shit happened and he was you know they he

0:55:43.239 --> 0:55:47.400
<v Speaker 1>was going on and he had said something, and uh,

0:55:47.760 --> 0:55:51.279
<v Speaker 1>I just reached out. I was able to get his

0:55:51.400 --> 0:55:54.880
<v Speaker 1>number from somebody else, you know, made it happen, connected

0:55:54.920 --> 0:55:57.160
<v Speaker 1>with him and we had a we had a talk.

0:55:57.200 --> 0:56:01.400
<v Speaker 1>Has grown ass men, that's good respect. Yeah, Benny and Griselda,

0:56:01.800 --> 0:56:04.600
<v Speaker 1>it's my fate. Like between what they're doing and what

0:56:04.640 --> 0:56:06.480
<v Speaker 1>Fred's been doing the last couple of years, it's like,

0:56:06.719 --> 0:56:08.359
<v Speaker 1>to me, like the best round. Oh I love it

0:56:08.560 --> 0:56:11.120
<v Speaker 1>in the world. Yeah, I love it. I feel like

0:56:11.239 --> 0:56:15.640
<v Speaker 1>the pandemic made people like in twenty twenty, people were

0:56:15.680 --> 0:56:18.680
<v Speaker 1>listening to music differently because they weren't at the fucking club.

0:56:18.680 --> 0:56:21.960
<v Speaker 1>They were standing on couches, they were like listening in

0:56:22.000 --> 0:56:25.000
<v Speaker 1>their headphones or at home or in the car. They

0:56:25.000 --> 0:56:27.319
<v Speaker 1>were just listening differently. So I feel like that's the

0:56:27.320 --> 0:56:30.080
<v Speaker 1>only reason why I still exist. It's the only reason

0:56:30.080 --> 0:56:33.759
<v Speaker 1>why I'm seeing success now, honestly, is because the pandemic

0:56:33.880 --> 0:56:37.800
<v Speaker 1>forced everybody to actually listen to me rat right, because

0:56:37.880 --> 0:56:40.880
<v Speaker 1>everybody was looking for what my gimmick record was going

0:56:40.960 --> 0:56:43.160
<v Speaker 1>to be when I was super viral, when the Drake

0:56:43.200 --> 0:56:47.440
<v Speaker 1>shit was happening. Now Cole like, what's his fucking He's

0:56:47.480 --> 0:56:49.480
<v Speaker 1>just gonna have one and be out of there, But

0:56:49.560 --> 0:56:51.600
<v Speaker 1>it was they was going to attest that to some

0:56:51.640 --> 0:56:54.120
<v Speaker 1>type of gimmick. That shit was not gonna work right, right,

0:56:54.239 --> 0:56:57.080
<v Speaker 1>they had to pull back, except that these people still

0:56:57.120 --> 0:56:59.760
<v Speaker 1>fuck with me, and I'm not like Boom Ganging myself,

0:56:59.800 --> 0:57:02.360
<v Speaker 1>who actually doing really well. I just watched his following

0:57:02.400 --> 0:57:05.080
<v Speaker 1>him on YouTube. He's like turning his shit around. Yeah,

0:57:05.120 --> 0:57:07.600
<v Speaker 1>good for him, good for him, right, But like I

0:57:07.680 --> 0:57:10.840
<v Speaker 1>wasn't I obviously wasn't that right, And people got to

0:57:10.880 --> 0:57:13.040
<v Speaker 1>sit down and listen to my shit and be like,

0:57:13.080 --> 0:57:16.360
<v Speaker 1>oh shit, this nigga is right because I'm black belt

0:57:16.360 --> 0:57:19.800
<v Speaker 1>at this point, just like trying to now compete against

0:57:19.840 --> 0:57:22.120
<v Speaker 1>other dojos and still get better. But it's no more

0:57:22.280 --> 0:57:26.880
<v Speaker 1>like drills with me right now. Well, the One's album

0:57:26.880 --> 0:57:30.160
<v Speaker 1>coming out March. It's coming out in March, March nineteenth,

0:57:30.320 --> 0:57:33.439
<v Speaker 1>assuming we're gonna get the movie after the album, Yeah,

0:57:33.520 --> 0:57:36.200
<v Speaker 1>right after, because that's gotta be I mean a lot

0:57:36.200 --> 0:57:39.000
<v Speaker 1>of editing, and yeah, we're talking about a fucking movie. Yeah,

0:57:39.040 --> 0:57:41.400
<v Speaker 1>even if it's like a ten minute movie, it's you know,

0:57:41.400 --> 0:57:44.960
<v Speaker 1>it's a lot. Single comes out next Friday, Yeah, on

0:57:45.000 --> 0:57:47.240
<v Speaker 1>the twelfth. That's the one with the Better Off a

0:57:47.240 --> 0:57:49.960
<v Speaker 1>loan sample. Yeah, that shit's fire. It's called how Many

0:57:50.240 --> 0:57:52.320
<v Speaker 1>Love that record? Yeah. Sam played me a few joints.

0:57:52.360 --> 0:57:54.040
<v Speaker 1>He played me one that Plow produced, that was cool.

0:57:54.600 --> 0:57:56.720
<v Speaker 1>He played me one that I hated. Uh, it was

0:57:56.720 --> 0:57:59.520
<v Speaker 1>like the Booty one or some fucking booty shit. I

0:57:59.560 --> 0:58:03.480
<v Speaker 1>don't know. Oh, he played your demos. Probably that's not

0:58:03.520 --> 0:58:06.120
<v Speaker 1>on the album. So he played me the Pilo record

0:58:06.160 --> 0:58:07.560
<v Speaker 1>and I was like, I was like I like this

0:58:07.600 --> 0:58:09.680
<v Speaker 1>record a lot. It's just it's some regional ship. And

0:58:09.760 --> 0:58:11.960
<v Speaker 1>he was like what about this one? And then he

0:58:12.000 --> 0:58:14.840
<v Speaker 1>played this like booty ship and I was like, I'll

0:58:14.840 --> 0:58:16.680
<v Speaker 1>tell you this. I was like, Yo, don't let him

0:58:16.680 --> 0:58:19.720
<v Speaker 1>put that song out. That ship is not it. Then

0:58:19.760 --> 0:58:22.400
<v Speaker 1>he played the single and I was like, this ship

0:58:22.560 --> 0:58:25.240
<v Speaker 1>is it? Yeah, he had to that. Nigga was going

0:58:25.240 --> 0:58:27.240
<v Speaker 1>through the drafts and then he found a miss. He

0:58:27.280 --> 0:58:28.840
<v Speaker 1>played a mins, so he had to hit you with

0:58:28.920 --> 0:58:32.760
<v Speaker 1>the cream of the crush that hard had. This should

0:58:32.760 --> 0:58:34.440
<v Speaker 1>be I was like, this should be your biggest record,

0:58:35.240 --> 0:58:37.160
<v Speaker 1>great record, man, No, I feel like it's going to

0:58:37.200 --> 0:58:39.520
<v Speaker 1>be the biggest record in my career. And I'll show

0:58:39.520 --> 0:58:41.720
<v Speaker 1>you the music video after this. We could watch it.

0:58:41.880 --> 0:58:46.720
<v Speaker 1>Crazy it it's ridiculous. Fire, are you working with any

0:58:46.800 --> 0:58:50.720
<v Speaker 1>of the eighty eight rising guys on the album at all? Like? No,

0:58:51.440 --> 0:58:55.320
<v Speaker 1>I have reached out to Brian to get him on something.

0:58:55.400 --> 0:58:57.720
<v Speaker 1>I see him everywhere in North Hollywood. Every time I'm

0:58:57.760 --> 0:59:01.080
<v Speaker 1>at the grocery store, like shopping Halloween costumes. He's just there,

0:59:01.400 --> 0:59:03.360
<v Speaker 1>like he's at Whole Foods every day. I think he

0:59:03.400 --> 0:59:05.440
<v Speaker 1>said he said that he was working on some stuff

0:59:05.680 --> 0:59:08.240
<v Speaker 1>and he wasn't really recording. I would have no idea

0:59:08.280 --> 0:59:10.000
<v Speaker 1>that he's popping either. If you ran into him in person,

0:59:10.000 --> 0:59:12.800
<v Speaker 1>he just looks like like a high school kid. Yeah, really,

0:59:12.840 --> 0:59:16.480
<v Speaker 1>for sure, he's a He's such a gene I love Brian.

0:59:16.560 --> 0:59:19.280
<v Speaker 1>He's such a genuine dude. He just liked what he liked. Yeah,

0:59:19.320 --> 0:59:22.240
<v Speaker 1>he's super passionate about it, and like that's it. What

0:59:22.320 --> 0:59:25.280
<v Speaker 1>about Joji? He seems like a very eclectic individual, very

0:59:25.280 --> 0:59:27.760
<v Speaker 1>interesting cat. I never met the nigga. I don't know.

0:59:27.600 --> 0:59:30.840
<v Speaker 1>You haven't met him. I only know people that know him,

0:59:31.040 --> 0:59:35.760
<v Speaker 1>like I'm Hella cool with August and he's on Ada Rising.

0:59:36.000 --> 0:59:38.200
<v Speaker 1>He's super talented, and I know he Hella fucks with

0:59:38.280 --> 0:59:42.000
<v Speaker 1>Joji and shit, same thing with Brian, But I never

0:59:42.440 --> 0:59:44.200
<v Speaker 1>I don't know him like that. I'm a fan of

0:59:44.240 --> 0:59:47.480
<v Speaker 1>his Ship's crazy. Yeah yeah, well shit, man, that was

0:59:47.520 --> 0:59:50.720
<v Speaker 1>a song that we both was on. But we never met.

0:59:50.840 --> 0:59:53.720
<v Speaker 1>But you haven't linked with him. Album's coming out in

0:59:53.760 --> 0:59:58.560
<v Speaker 1>March seventeen. What nineteen nineteen? Wait, what's the what's the

0:59:58.600 --> 1:00:00.480
<v Speaker 1>album name? What's the numb oh? I thought talking about

1:00:00.480 --> 1:00:02.360
<v Speaker 1>the date. No, well you just gave away to the

1:00:02.400 --> 1:00:05.439
<v Speaker 1>date March nineteenth the album's come out. No, they named

1:00:05.440 --> 1:00:10.800
<v Speaker 1>the album eleven seventy six. Boom go get that. And

1:00:11.200 --> 1:00:13.360
<v Speaker 1>thanks for the interview, man, Thank you for having me.

1:00:13.600 --> 1:00:16.160
<v Speaker 1>And it was a long drinking today. We started with

1:00:16.160 --> 1:00:18.560
<v Speaker 1>a brank and then we ended up having a crazy interview. Yeah,

1:00:18.840 --> 1:00:21.360
<v Speaker 1>I was super tired. Perfect. I wanted to give you

1:00:21.520 --> 1:00:23.720
<v Speaker 1>a good interview. Either way. You said I was complaining

1:00:23.760 --> 1:00:25.640
<v Speaker 1>the blood. You're like, bro, I'm trying to do some

1:00:25.720 --> 1:00:29.400
<v Speaker 1>shll here, Perfect God,