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Speaker 1: First of all, you don't know me. We all about

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Speaker 1: that high school drama Girl Drama, Girl, all about.

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Speaker 2: Them high school queens.

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Speaker 1: We'll take you for a ride and our comic girl

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Speaker 1: sharing for the right teams.

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Speaker 3: Drama Queens, Girl Girl Fashion, but your tough girl, you

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Speaker 3: could sit with us.

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Speaker 1: Girl Drama, Queens, Drama, Queens Drama, Queens Drama, Drahna Queens

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Speaker 1: Drama Queens.

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Speaker 4: Hey, everybody, welcome back for another episode of Drama Queens.

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Speaker 4: I am here with soup and a very special guest.

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Speaker 2: We need a trumpet. What's up there?

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Speaker 4: She is?

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Speaker 3: I was like, don't you say Jam? Don't do it?

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Speaker 2: Are?

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Speaker 4: Do people call you Jan?

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Speaker 2: No?

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Speaker 3: What? But my one girlfriend in high school, she always

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Speaker 3: wanted to abbreviate names like Lisa was Lise ash rach like,

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Speaker 3: and she'd be like Jan. I'm like, no, no, Like

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Speaker 3: it's it's Janna. Like I'm not a Jam. No offense

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Speaker 3: to any Jans out there, but.

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Speaker 4: No shots fired, Jan Brady.

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Speaker 2: That's what I was going to say. I feel like

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Speaker 2: Jan is a particularly tricky one because of the lore

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Speaker 2: of the Brady bunch.

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Speaker 3: There's that and it just is not. I just don't

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Speaker 3: is this some names are not abbreviated. Yeah, like Alex,

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Speaker 3: I don't want to be an owl. She's not an owl? No, yeah,

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Speaker 3: you know what I mean.

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Speaker 4: Also, is Janet one of those names that just sort

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Speaker 4: of stopped forty years ago? Because literally it's jan Brady

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Speaker 4: and then Janet Reno, Like I don't know Jackson, oh

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Speaker 4: Jane jack well again though, hasn't happened. I mean she's

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Speaker 4: a long time she's older. Anyways, fun names, all right,

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Speaker 4: So Jane is also what a lazy friend?

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Speaker 2: It's one more letter, it's one silly lady. Yeah.

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Speaker 4: How busy is your day that you can't just muster

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Speaker 4: up the strength to hit that last vowel? Yeah?

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Speaker 2: Ah, it makes me wonder what your friend would have

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Speaker 2: called Ian, because we've got Ian Kellerman.

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Speaker 3: I'm like, is he just i ii? Yeah?

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Speaker 2: Terrible?

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Speaker 3: Anyways, Hi guys, Hi, are you doing so good? So forties? Though?

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Speaker 3: I just got back from a surgery center and he

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Speaker 3: just shot up a put a needle in my back

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Speaker 3: and put light a cane to see if I'm a

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Speaker 3: candidate for a candidate for an ablasion for my back.

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Speaker 4: Yeah, Oh my god's fun.

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Speaker 3: You know, It's like once you hit forty it's just

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Speaker 3: you just everything just really goes.

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Speaker 4: Yeah, you sneeze, you throw at your back, you laugh,

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Speaker 4: your knee starts hurting.

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Speaker 3: And having a baby in forties like that was I

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Speaker 3: put the baby down wrong and I pulled my back

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Speaker 3: out and that's where it started.

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Speaker 4: But to be fair, also though it's not you can't

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Speaker 4: compare moms to anyone else because when you grow another

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Speaker 4: human being inside of you, it's like your organs get

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Speaker 4: pushed around, your bones shift, Like what you go through

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Speaker 4: is insane. So like the rest of us, it's just

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Speaker 4: normal wear and tear. But like what you've done three times, yeah, yeah,

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Speaker 4: I mean that's your body's incredible. I think, like that's

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Speaker 4: it's amazing to.

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Speaker 3: Me that all bodies are crazy. But I think it

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Speaker 3: is sweet for husbands, you know, like yourself, Rob, you're

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Speaker 3: saying this because I just got back from a movie

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Speaker 3: a week ago and my husband goes, I now have

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Speaker 3: so much appreciation for what you do, and I realize

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Speaker 3: I need to do more, and I'm like, that's awesome.

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Speaker 3: Thanks for the you know, because I think you know, moms,

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Speaker 3: moms need to feel that, yeah, to know that we're

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Speaker 3: doing so much.

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Speaker 2: You know, I think It's interesting too, because women do

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Speaker 2: so much labor that somehow seems invisible. Yes, because we're

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Speaker 2: good at juggling so many things.

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Speaker 3: And not saying all the things too, you know, just

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Speaker 3: doing it.

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Speaker 2: And I think it's really interesting when someone steps into

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Speaker 2: whatever your labor is with your family and that and

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Speaker 2: the house and organizing and the scheduling and and they're like, oh,

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Speaker 2: this is this is like three full time jobs.

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Speaker 3: Yeah, and you make it look easy. Wow, it was fun.

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Speaker 2: Hats off? Where did you shoot your movie?

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Speaker 3: I was in Lexington, Kentucky and it was so great.

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Speaker 3: I love I loved it so much fun. It was

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Speaker 3: with a Haley Duff directed and she's awesome, so fun,

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Speaker 3: she's free time. I love her, Love you love heuys. Yeah,

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Speaker 3: so it's fun, a little like a romance horse movie,

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Speaker 3: you know. Oh what a dream?

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Speaker 4: Sign me up?

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Speaker 2: So cuty, Well, girlfriend, do you want to read our

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Speaker 2: synopsis and tell the fans what episode we're watching today?

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Speaker 3: Absolutely?

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Speaker 4: So?

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Speaker 3: Y'all around. Season eight, episode nineteen, where Not to Look

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Speaker 3: for Freedom? Air date was back in April twenty six,

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Speaker 3: twenty eleven. Whoa Oh, While Hailey stays at home to

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Speaker 3: take care of the new baby, Quinn organizes a concert

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Speaker 3: at Trick. Meanwhile, Brooke gets an offer to return to

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Speaker 3: close Over Bros. And Nathan sets his sights on exposing

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Speaker 3: Professor Kellerman.

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Speaker 4: Dun Don don Does he ever?

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Speaker 3: Does he ever?

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Speaker 4: Thoughts? What are we thinking?

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Speaker 2: Guys?

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Speaker 4: What did you think of this episode?

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Speaker 3: I liked it. I mean I loved it just because

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Speaker 3: it was something I got to put two worlds together.

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Speaker 2: Yeah, you got to debut your music.

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Speaker 3: That was fun.

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Speaker 2: How did that whole thing come about? Like did you record?

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Speaker 2: Because I can't remember, which is insane considering we were

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Speaker 2: living together at the time, but like you were, you

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Speaker 2: were recording songs for the album, I believe. And then

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Speaker 2: did they get to pick what song they wanted you

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Speaker 2: to perform or did your record label pick the song? Like?

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Speaker 2: How did how did it shake out?

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Speaker 3: I had just sent them songs that would that we

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Speaker 3: you know, what would be good for the show, and

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Speaker 3: there was Whiskey I Won't give Up. And so those

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Speaker 3: were the ones that they, you know, they wanted for

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Speaker 3: the show, that thought that would go with the synopsis

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Speaker 3: of the show. There was another up tempo one that

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Speaker 3: the director loved, but it didn't go with at all.

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Speaker 3: The mood of the show. Yeah, like it was his

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Speaker 3: favorite one. It was really fun. Oh, but never it

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Speaker 3: didn't work for the show.

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Speaker 2: Yeah, because it's so interesting on our show how the

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Speaker 2: song it's your performance, but then the song also becomes

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Speaker 2: the montage for everyone else's storyline, So it has to

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Speaker 2: do both. It's like the song almost has to be a.

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Speaker 3: Character, right, Yeah, it has to flow through it makes sense,

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Speaker 3: which I think they did always a really good job on.

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Speaker 2: Yeah. I also liked that they brought back your how

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Speaker 2: do I say this? I like that they brought back

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Speaker 2: Alex's thing about making someone else take the shot and

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Speaker 2: taking the line, because playing that with you and Chase

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Speaker 2: and you having them a boy with a booze chaser, like,

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Speaker 2: it brought back this adorable thing that you to do

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Speaker 2: that also talks about how your character's growing. And then

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Speaker 2: we go right into I should have just called him whiskey,

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Speaker 2: and it's like it was just perfect for the relationship

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Speaker 2: between you and Steven as well.

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Speaker 4: Yeah, for sure, Jenna, remind me or tell me, because

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Speaker 4: the show did this odd thing where typically when someone

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Speaker 4: who has musical ability comes on, it's like an immediate

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Speaker 4: thing that you like. At most I think like Grubs,

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Speaker 4: we waited three episodes or something. Meanwhile, You're you've been

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Speaker 4: on for an entire season. So when they cast you.

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Speaker 4: When they cast the role, were they looking for someone

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Speaker 4: with musical ability or did they just hire you and

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Speaker 4: then realize they got totally lucky.

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Speaker 3: No, it was one of those things where I mean

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Speaker 3: not at all, there was zero anything about music for Alex.

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Speaker 3: But when I was since we were so close to Nashville,

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Speaker 3: I had when I was working on Friday Night Lights

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Speaker 3: and the writers strike happened, I flew to Nashville and

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Speaker 3: started writing with people and trying to get into that world.

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Speaker 3: So being so close to Nashville to Wilmington, I started

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Speaker 3: to do some more rights on some of the you know,

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Speaker 3: the weekends off for days off. And then knowing that

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Speaker 3: our how do I say, I mean, knowing that our

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Speaker 3: the person that created the show was so musical, I

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Speaker 3: wanted to have his ear on, Hey, this is kind

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Speaker 3: of what I've been doing. Let me know, you know

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Speaker 3: your thoughts on it. And that is when I read

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Speaker 3: in the script that it was going to turn musical.

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Speaker 3: So that was all news to me. It was great

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Speaker 3: though I was happy about it.

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Speaker 4: This is one of the few instances where emotional vamporism

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Speaker 4: on our show actually was beneficial. Yes, where stuff was

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Speaker 4: lifted from the personal life without asking, But in this

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Speaker 4: case it was great because it show it got to

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Speaker 4: showcase your musical ability.

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Speaker 3: Well, I mean, so the only way I was able

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Speaker 3: ever to even get a record deal, Like I know that,

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Speaker 3: you know, like there's no doubt if that didn't happen,

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Speaker 3: I would have never gotten a record deal. So wow,

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Speaker 3: it's so cool.

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Speaker 4: It is so cool, man, And you know what, it's nice.

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Speaker 2: I mean, it's exactly what you're saying. Rob. There were

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Speaker 2: instances behind the scenes of that stuff that weren't great

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Speaker 2: for people, and it's I don't know, not to discount

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Speaker 2: any of that, but just to say it's really refreshing

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Speaker 2: to get a silver lining. It's like really nice to go,

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Speaker 2: oh yeah, it was done not well. And then in

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Speaker 2: this case, because you know, you very smartly knew like, oh,

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Speaker 2: these people, regardless of you know whatever, have great working

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Speaker 2: taste in good music, and then it turned into a

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Speaker 2: whole thing on the show. It's like, I love that

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Speaker 2: for you, and it was fun to watch because I

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Speaker 2: remember how excited you were at the time, like to

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Speaker 2: see the joy on your face. That's so obvious, Like

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Speaker 2: you are such a talented musician and for you to

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Speaker 2: get to do this thing that you love is like,

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Speaker 2: what a cool thing. It's like that's that's why when

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Speaker 2: fans are always like are we still allowed to love

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Speaker 2: the show, I'm like, there's so much about the show

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Speaker 2: you should love and like this is exactly it.

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Speaker 3: Well, in singing Whiskey at Trick was actually the first

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Speaker 3: time I ever I know it wasn't performed live, but

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Speaker 3: that was the first time I've ever really performed on

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Speaker 3: a stage in front of people, So like that was

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Speaker 3: like minus when I was like six set of freaking

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Speaker 3: pageant for the Romeo Peach Blossom and I Sink Twinkle

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Speaker 3: Twinkle Little Star in a rock version, like that is

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Speaker 3: the like that truly is the only.

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Speaker 2: Right, thank you, big deal.

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Speaker 3: We're all good. But I mean when I watch it back,

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Speaker 3: I'm so uncomfortable watching it because I'm like, I know,

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Speaker 3: that was my first time ever doing that and trying

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Speaker 3: to like sing with the band behind me, like it's

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Speaker 3: so awkward, but also like that was the first time.

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Speaker 3: So the fact that it happened like that on the show.

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Speaker 3: It was. It was cool.

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Speaker 4: Also, it's a testament to your a your business acumen

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Speaker 4: that you were smart enough to realize, like I have

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Speaker 4: this thing I'm trying to cultivate would probably be a

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Speaker 4: smart move to just plant a seed and the and

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Speaker 4: the you know, the top boss. And also to I

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Speaker 4: think the like the courage it takes to like put

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Speaker 4: yourself to go out of your comfort zone to try

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Speaker 4: something new and be prepared potentially to fail, you know,

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Speaker 4: because it's like you can't grow and you won't know

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Speaker 4: unless you give it a shot. And in this case,

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Speaker 4: like dude, most people's first show is at like an

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Speaker 4: open mic and a cafe in front of three friends

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Speaker 4: and two strangers. Yours was on national television for the

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Speaker 4: world to see. That's brave.

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Speaker 3: It's cool.

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Speaker 2: How much rehearsal time did you get because to your point,

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Speaker 2: you know, you'd been in the studio. Obviously they take

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Speaker 2: your perfect recording of the song that's gonna air on

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Speaker 2: the radio.

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Speaker 3: But that wasn't even that recording of whiskey was a

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Speaker 3: demo recording that was yeah, so nothing was even what

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Speaker 3: they put out there. That was an all demo, Like

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Speaker 3: we had to kind of record that for the album.

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Speaker 2: Oh my gosh, I didn't realize that because in my

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Speaker 2: brain I'm like, well, yeah, nobody performs live on the show.

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Speaker 2: You can't. You have to shoot it over and over again.

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Speaker 2: Everything has to match perfectly. But like, because you hadn't

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Speaker 2: performed in front of people and you were used to

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Speaker 2: just being in the studio, did you get a bunch

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Speaker 2: of rehearsal time to choreograph it or were they just like,

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Speaker 2: get up there, let's shoot the scene.

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Speaker 3: Yeah, we didn't have any That's why again I'm like,

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Speaker 3: I've never done this, this is new, but you know,

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Speaker 3: you act right, And I think that's the part. Even

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Speaker 3: when I go or what. I don't tour anymore, but

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Speaker 3: when I did, it was it was the entertainer was

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Speaker 3: always like the actor's part of me is that you

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Speaker 3: had to step outside of because I'm not this like

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Speaker 3: lah like bro, Like I could never do theater because

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Speaker 3: it's not I have a hard time being big in

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Speaker 3: those areas, especially now, Like as I get older, I

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Speaker 3: get more introverted and less free. I guess I don't

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Speaker 3: not free, but I'm a little more guarded the older

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Speaker 3: I get. So yeah, being on stage, it's like you

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Speaker 3: have to act and be the entertainer. But still was

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Speaker 3: uncomfortable because I was like this is me. It's like, yes,

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Speaker 3: this is Alex, but I'm like, this is me, and

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Speaker 3: that piece of vulnerability was was go goodness.

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Speaker 4: Well, And also, I mean, you had never done it,

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Speaker 4: so it's like, you know, when you've never done something,

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Speaker 4: you don't know what to ask for and what's normal.

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Speaker 4: So you're just like, I'm going to take your word

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Speaker 4: for it that this is how it's supposed.

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Speaker 3: To go, right, And it's like you've got people that

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Speaker 3: are actually good at what you know, Joy and Kate

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Speaker 3: Vogel and Grubs like all those guys those are they've

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Speaker 3: done that for years, and so a piece of me

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Speaker 3: didn't feel I mean, I wasn't confident in at all.

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Speaker 3: So it was nice to see when you guys were

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Speaker 3: out there and like you know, seeing Chantelle and going

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Speaker 3: like like okay, Like at least I have people that

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Speaker 3: I know, Like I remember writing in the apartment, you know,

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Speaker 3: you and Austin. It's like I had my writing partner

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Speaker 3: guy over and we're sitting there, you know, creating songs.

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Speaker 3: So it's like you kind of saw the behind the stage.

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Speaker 3: So then to have the the support felt nice in

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Speaker 3: that moment.

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Speaker 2: Yeah. Well, and to be so far in like you know,

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Speaker 2: you had actors that are you're scene partners there blass,

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Speaker 2: and our crew like yeah, I remember coming into work

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Speaker 2: the next day and people being you know, Peter Kowalski

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Speaker 2: being like, ye shut a saner.

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Speaker 5: He was great, you know, like stuff like that, which

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Speaker 5: is just you know, like like you had all those

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Speaker 5: guys you don't see them on camera, but like all

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Speaker 5: the camera crew and everybody there for you, and it's

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Speaker 5: like that, that's so sweet.

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Speaker 2: I'm glad you had people you'd known who supported you

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Speaker 2: for so long, like in the moment, because can you

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Speaker 2: imagine like if that had been your first episode, I

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Speaker 2: would have like crawled in a hole for you.

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Speaker 3: Yeah, one thousand percent.

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Speaker 2: Okay, Can I ask you like a technical question about

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Speaker 2: the singing and like touring side. I know now like

301
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Speaker 2: I see people talk about their choreographers or their movement

302
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Speaker 2: coaches or whatever, like before you went on your first tour,

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Speaker 2: is that a kind of support a record label gives you.

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Speaker 2: Did you work with someone to learn how to feel

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Speaker 2: comfortable on a stage or do you just get more

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Speaker 2: comfortable with every show.

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Speaker 3: So we had a choreographer for the very beginning because

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Speaker 3: I did not know what to do, and they just

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Speaker 3: kind of teach you how to go. Okay at this

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Speaker 3: part of the song, the band guy come with you.

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Speaker 3: Then you guys all walk down and so then so

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Speaker 3: you at least have a structure of what it looks

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Speaker 3: like and then you know, now it's like now I'm

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Speaker 3: like or whenever I did, you know, go on stage

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Speaker 3: like I'm crazy, I'm all over the place, and it's

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Speaker 3: fun because I'm just I'm more comfortable with it now.

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Speaker 3: But yeah, to have that choreography is is so nice

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Speaker 3: because there's a piece of you that goes, okay, I

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Speaker 3: know that I'm doing this and he's meeting me here

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Speaker 3: and we're going to like, you know, jam out and

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Speaker 3: have a little step here. So is that that piece

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Speaker 3: was fun?

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Speaker 2: It's like blocking a scene.

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Speaker 3: Yeah, that's really cool. It was fun and I missed touring,

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Speaker 3: but you know it was a it was an era

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Speaker 3: when the.

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Speaker 2: Babies are bigger. Will you do it again?

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Speaker 3: No? Enjoy This is the thing. I My favorite time

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Speaker 3: performing now is at Trick when we do those conventions,

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Speaker 3: Like I had so much fun at the last convention

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Speaker 3: that I sang at because any show I ever played anyways,

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Speaker 3: the One Tree Hill fans were always the loudest. So

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Speaker 3: to always to come back to the place that it started,

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Speaker 3: I have so much fun, and there's so much joy,

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Speaker 3: and there's so much love in that room that that's

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Speaker 3: I'm good with just doing those.

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Speaker 4: I remember all of us shooting a scene and we

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Speaker 4: were it was between setups, and like, I don't remember

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Speaker 4: what episode, I remember the location, but I just have

340
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Speaker 4: this very vivid memory of you were laying on like

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Speaker 4: a picnic table, Jana on your cell phone and you

342
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Speaker 4: were you had just got the news that like your

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Speaker 4: single was number one or something, and you were squealing

344
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Speaker 4: with the light and we were all so happy for you.

345
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Speaker 4: But it's crazy because I didn't realize though, that like

346
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Speaker 4: this show was the launching pat. I just assumed that

347
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Speaker 4: this was like something like everyone else on the show

348
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Speaker 4: that like you'd been doing for ages. But how cool

349
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Speaker 4: to know that like it was all happening in real time.

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Speaker 3: Yeah, I was doing I had I had showcases around

351
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Speaker 3: town and I got passed by every label, every single one.

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Speaker 3: And it was when I was on the show, and

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Speaker 3: so that was hard right, so got past and then

354
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Speaker 3: when I won't give up streamed on iTunes and went

355
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Speaker 3: to number one is when I got my record deal.

356
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Speaker 3: Warner's like, actually, wait.

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Speaker 4: Isn't that just entertainment in a nutshell? The entertainment industry

358
00:18:18,240 --> 00:18:21,200
Speaker 4: like it's the least creative bunch, Like they don't believe

359
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Speaker 4: in something until you've shown them otherwise there's like zero vision.

360
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Speaker 3: Yeah, So I mean that's why I'm like, I literally

361
00:18:28,840 --> 00:18:31,919
Speaker 3: owe One Tree Hill for the fans, for all of

362
00:18:31,960 --> 00:18:34,679
Speaker 3: it if they did not stream, if the show. If

363
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Speaker 3: I wasn't on the show, I know I wouldn't got

364
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Speaker 3: a record deal, and I didn't have it in me

365
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Speaker 3: enough to have it be the thing, because I obviously

366
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Speaker 3: I love acting and the music is also fun, but

367
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Speaker 3: it's not the thing that I would live and breathe

368
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Speaker 3: and die for, you know, like people that are just

369
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Speaker 3: like fighting, fighting, fighting tooth and nail every day. I'm like, ah,

370
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Speaker 3: I would have it just wasn't my full passion. So

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Speaker 3: that's why I'm always so grateful speaking of.

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Speaker 4: Your love of acting. I got to tell you, so

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Speaker 4: I never went back and watched the show, like I

374
00:19:01,400 --> 00:19:03,760
Speaker 4: was very happy to leave it in the past. Until

375
00:19:03,800 --> 00:19:07,840
Speaker 4: starting this podcast, and so there's just a lot, so

376
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Speaker 4: much of it is new to me, Like I remember

377
00:19:09,200 --> 00:19:11,159
Speaker 4: broad Stroke stuff, but the rest of it, I'm just

378
00:19:11,200 --> 00:19:12,960
Speaker 4: like a first time viewer. But I got to say,

379
00:19:13,280 --> 00:19:19,000
Speaker 4: watching you in this role, you are so damn good,

380
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Speaker 4: and maybe just because we had so little, like you

381
00:19:21,960 --> 00:19:24,080
Speaker 4: licked my face in season seven and like that was

382
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Speaker 4: it for the show, you know, because like I just

383
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Speaker 4: didn't realize how hard you were crushing this role and

384
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Speaker 4: also what an extremely tricky role they gave you, because

385
00:19:35,680 --> 00:19:38,919
Speaker 4: like Alex on paper is the most manic character ever

386
00:19:39,080 --> 00:19:40,879
Speaker 4: where it's like I love you, I want to kill myself.

387
00:19:40,960 --> 00:19:43,639
Speaker 4: We're best friends. What's happening? You know, like it's nothing

388
00:19:43,680 --> 00:19:48,240
Speaker 4: but peaks and valleys and you you were like teflon

389
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Speaker 4: that like you somehow just say I say this about

390
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Speaker 4: you and Austin. You both got handed stuff that I

391
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Speaker 4: think in the hands of for almost any other actor

392
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Speaker 4: would have been real, unlikable and hard to watch, and

393
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Speaker 4: you guys, somehow managed to get through it and still

394
00:20:04,359 --> 00:20:09,879
Speaker 4: be charming. So kudos you really, you really crushed the

395
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Speaker 4: role and you did a tremendous service to the show.

396
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Speaker 3: Thank you. I really appreciate that. That was so sweet

397
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Speaker 3: of you to say. I mean, obviously, you guys are incredible,

398
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Speaker 3: and you guys did amazing in you know, your parts

399
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Speaker 3: and everything. That's really sweet.

400
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Speaker 2: That's true.

401
00:20:23,840 --> 00:20:24,679
Speaker 4: Did you enjoy it?

402
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Speaker 3: The show?

403
00:20:25,720 --> 00:20:26,160
Speaker 4: The role?

404
00:20:26,920 --> 00:20:30,920
Speaker 3: I love her, and I was so scared of her

405
00:20:30,960 --> 00:20:33,479
Speaker 3: in the beginning because and I told because I did

406
00:20:33,520 --> 00:20:36,640
Speaker 3: an audition for her. I auditioned for Chantelle's part.

407
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Speaker 4: Oh that's right.

408
00:20:40,240 --> 00:20:42,760
Speaker 3: So when I went to producers, they were all in

409
00:20:42,840 --> 00:20:47,520
Speaker 3: the room and he was the creator, was like, you,

410
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Speaker 3: I want you to read for Alex. And I read

411
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Speaker 3: the breakdown. I was like, oh, no, new, new, new,

412
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Speaker 3: Like that's not me, like I it's she's the knocohol,

413
00:20:58,480 --> 00:21:01,560
Speaker 3: is all these things drug. I've I don't know how

414
00:21:01,600 --> 00:21:03,920
Speaker 3: to relate to that. I've never been drunk before, I've

415
00:21:03,960 --> 00:21:05,639
Speaker 3: not like, I don't know how to relate to this

416
00:21:05,680 --> 00:21:10,560
Speaker 3: at all. And so then but then I just read

417
00:21:10,560 --> 00:21:12,520
Speaker 3: for it, and yeah, I ended up getting it. So

418
00:21:12,680 --> 00:21:17,040
Speaker 3: it was, but it was so I was scared of it,

419
00:21:17,240 --> 00:21:20,159
Speaker 3: scared of her at first, and then again reading her,

420
00:21:20,160 --> 00:21:23,639
Speaker 3: I'm like, she's so unlikable and she's but that was

421
00:21:23,640 --> 00:21:26,080
Speaker 3: the piece where I'm like, I have to find I

422
00:21:26,119 --> 00:21:29,080
Speaker 3: have to find her in me and then bring a

423
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Speaker 3: little me in her. So the moment that you know,

424
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Speaker 3: when we do the yeah, I always talk about the scene,

425
00:21:34,640 --> 00:21:37,320
Speaker 3: but when I said, I'm you know, I'm so quite,

426
00:21:37,480 --> 00:21:39,320
Speaker 3: so quiet in here, and it's like there were so

427
00:21:39,320 --> 00:21:42,320
Speaker 3: many pieces of me that I brought my own stuff

428
00:21:42,320 --> 00:21:45,239
Speaker 3: into her, and then she brought and the fun and

429
00:21:45,600 --> 00:21:47,720
Speaker 3: so I just I miss I'm miss playing her. I

430
00:21:47,800 --> 00:21:50,080
Speaker 3: wish I wish I could play her again because she

431
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Speaker 3: was fun.

432
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Speaker 2: She's the most fun and it's really interesting. I mean,

433
00:21:54,040 --> 00:21:56,040
Speaker 2: we talked a little bit about this, but you know,

434
00:21:56,560 --> 00:21:59,119
Speaker 2: you were saying before we started recording Rob that you

435
00:21:59,160 --> 00:22:02,320
Speaker 2: were out when Jana last came on. But it's like

436
00:22:03,520 --> 00:22:06,119
Speaker 2: it's not lost on me the parallel journey that we

437
00:22:06,200 --> 00:22:09,439
Speaker 2: got to take with our characters, because that's exactly how

438
00:22:09,480 --> 00:22:11,359
Speaker 2: I felt in season one with Brooke. I was like,

439
00:22:11,720 --> 00:22:15,000
Speaker 2: who is this person? And why does she behave this way?

440
00:22:15,040 --> 00:22:18,080
Speaker 2: And this is so kuckoo bananas, and like I don't

441
00:22:18,080 --> 00:22:22,119
Speaker 2: know anything about boys or high school. I went to

442
00:22:22,160 --> 00:22:24,359
Speaker 2: an all girls' school with fifty five girls in my

443
00:22:24,400 --> 00:22:28,080
Speaker 2: graduating class. Like I don't know anything about this world,

444
00:22:28,800 --> 00:22:31,399
Speaker 2: and I think there's something when I look at it

445
00:22:31,400 --> 00:22:37,520
Speaker 2: in hindsight, that's so special about figuring out how to

446
00:22:39,160 --> 00:22:42,800
Speaker 2: essentially emotionally care for someone that you do not relate

447
00:22:42,880 --> 00:22:46,240
Speaker 2: to and who when you first read their stuff maybe

448
00:22:46,240 --> 00:22:50,520
Speaker 2: you don't even like. And I think there's actually, like

449
00:22:50,520 --> 00:22:52,800
Speaker 2: it's dawning on me in this moment as you're saying it.

450
00:22:52,840 --> 00:22:55,320
Speaker 2: I think there's a magic in that, because I think

451
00:22:55,359 --> 00:22:57,800
Speaker 2: it makes you bring more of yourself to a character

452
00:22:57,920 --> 00:23:00,719
Speaker 2: in a way in the moments that are una expected.

453
00:23:01,440 --> 00:23:05,280
Speaker 2: And then I know we both had fun that we'd

454
00:23:05,320 --> 00:23:07,640
Speaker 2: never had in our real lives playing these women because

455
00:23:07,680 --> 00:23:09,240
Speaker 2: they were like the nuts.

456
00:23:09,080 --> 00:23:11,080
Speaker 3: Right, that's why we want to play. I'm like, man,

457
00:23:11,160 --> 00:23:14,479
Speaker 3: I got to loosen up and like have fun and silly.

458
00:23:14,800 --> 00:23:17,160
Speaker 4: Well, and it requires you to flex your empathy, right,

459
00:23:17,400 --> 00:23:19,800
Speaker 4: because the easy thing to do when you read Alex

460
00:23:19,920 --> 00:23:20,679
Speaker 4: is you judge.

461
00:23:20,400 --> 00:23:22,359
Speaker 3: The shi that character, yeah, yeah, it's.

462
00:23:22,280 --> 00:23:24,280
Speaker 4: Like all right, and then you make lazy choices that

463
00:23:24,320 --> 00:23:25,879
Speaker 4: are going to make her very unlikable.

464
00:23:25,920 --> 00:23:29,320
Speaker 3: The challenge is just trying to steal someone's love and yeah.

465
00:23:29,320 --> 00:23:31,280
Speaker 4: Okay, that's easy. You can do that in your sleep,

466
00:23:31,320 --> 00:23:34,040
Speaker 4: you know. But the challenge is, like I said, to

467
00:23:34,080 --> 00:23:36,399
Speaker 4: be empathetic and to find likable things in her and

468
00:23:36,400 --> 00:23:40,040
Speaker 4: then make it challenging for the audience to to just

469
00:23:40,119 --> 00:23:41,680
Speaker 4: decide if they like her or hate her, you know,

470
00:23:41,720 --> 00:23:43,720
Speaker 4: because it's like the best characters, right, that's what it is.

471
00:23:43,760 --> 00:23:46,280
Speaker 4: It's like they muddy the waters. So that's not all

472
00:23:46,440 --> 00:23:48,080
Speaker 4: one thing. They're not all great. It's like, yeah, the

473
00:23:48,080 --> 00:23:52,119
Speaker 4: flawed hero, but the like redeeming villain, you know, yeah,

474
00:23:52,280 --> 00:23:54,199
Speaker 4: which she had lots of. I mean, that's all. Like

475
00:23:54,240 --> 00:23:56,760
Speaker 4: I said, dude, every it was whiplash watching you and

476
00:23:56,840 --> 00:24:00,480
Speaker 4: season seven because it's like, dude, what is happening? I

477
00:24:00,520 --> 00:24:02,600
Speaker 4: was like, they had two separate writers writing the character,

478
00:24:02,680 --> 00:24:05,040
Speaker 4: but they weren't allowed to communicate about what they're writing

479
00:24:05,040 --> 00:24:05,840
Speaker 4: in each episode.

480
00:24:06,080 --> 00:24:06,280
Speaker 2: What.

481
00:24:07,280 --> 00:24:10,280
Speaker 3: Oh no, I'm like that.

482
00:24:11,800 --> 00:24:14,440
Speaker 4: Because it's like, oh, this scene she's totally grounded and

483
00:24:14,480 --> 00:24:16,880
Speaker 4: likable and she's awesome. It's like and then the next

484
00:24:16,960 --> 00:24:21,520
Speaker 4: scene she's a psychopath. Yes, I still can't believe that

485
00:24:21,760 --> 00:24:24,360
Speaker 4: you were almost Quinn. I didn't even realize this.

486
00:24:24,560 --> 00:24:27,679
Speaker 3: Yeah, it's so crazy. I know, Oh I could have

487
00:24:27,680 --> 00:24:32,720
Speaker 3: been you and I dude, oh like crushed that part.

488
00:24:33,000 --> 00:24:36,359
Speaker 3: It makes sense now, like looking back, it all makes sense.

489
00:24:36,720 --> 00:24:40,239
Speaker 2: Yeah. Yeah, Well that's the thing. Everybody wound up in

490
00:24:40,359 --> 00:24:44,199
Speaker 2: exactly the place they were supposed to. It's definitely that

491
00:24:44,240 --> 00:24:47,400
Speaker 2: thing where you go, oh yeah, the casting process works

492
00:24:47,800 --> 00:24:51,960
Speaker 2: really well, and I think especially back then, because to

493
00:24:52,000 --> 00:24:54,400
Speaker 2: your point, we were all doing all this stuff in person.

494
00:24:54,920 --> 00:24:57,600
Speaker 2: People could get a sense of your energy and pivot,

495
00:24:58,280 --> 00:25:02,480
Speaker 2: like tapes are so stupid and horrible to be in

496
00:25:02,560 --> 00:25:04,600
Speaker 2: the room is where the magic happens.

497
00:25:04,680 --> 00:25:07,879
Speaker 3: Yeah, I'm not great at its self. Tapes. I'm terrible

498
00:25:07,920 --> 00:25:11,000
Speaker 3: at them, and it's I'll take direction, that's the thing,

499
00:25:11,040 --> 00:25:13,240
Speaker 3: and you'll get to know my personality and the vibe.

500
00:25:13,280 --> 00:25:16,320
Speaker 3: And that's where I've always said I win in a room,

501
00:25:16,359 --> 00:25:19,520
Speaker 3: but I do not win on tape. It's really hard

502
00:25:19,560 --> 00:25:19,760
Speaker 3: for me.

503
00:25:20,200 --> 00:25:24,600
Speaker 4: Same dude, I loved a room like especially if you're

504
00:25:24,640 --> 00:25:29,360
Speaker 4: doing anything like comedy. Oh gosh, dude, tried doing comedy

505
00:25:29,359 --> 00:25:31,840
Speaker 4: to a zoom full of black squares with their mics

506
00:25:31,840 --> 00:25:35,800
Speaker 4: turned off. It's like, am I crushing? It's crickets? What's happening?

507
00:25:35,880 --> 00:25:39,320
Speaker 4: You know what I mean? Like, uh, I'm with you.

508
00:25:39,520 --> 00:25:40,560
Speaker 3: Yeah.

509
00:25:40,680 --> 00:25:42,600
Speaker 2: I also find it so weird that they want us

510
00:25:42,600 --> 00:25:46,879
Speaker 2: to do that stuff now, because the whole point is

511
00:25:46,920 --> 00:25:49,840
Speaker 2: the thing that happens in the room, like someone does

512
00:25:49,840 --> 00:25:52,760
Speaker 2: something unexpected, you have a moment of chemistry. There's an

513
00:25:52,840 --> 00:25:56,800
Speaker 2: unscripted laugh, there's like there's a thing where you go

514
00:25:56,920 --> 00:26:02,320
Speaker 2: like oh that, yeah, that's that's getting a little sparkly.

515
00:26:02,359 --> 00:26:06,000
Speaker 2: And when you're home alone, you know, tape in on

516
00:26:06,080 --> 00:26:09,640
Speaker 2: your computer, it's like nothing's happening.

517
00:26:10,119 --> 00:26:13,159
Speaker 3: I've actually had Austin read if you for me, because

518
00:26:13,160 --> 00:26:16,080
Speaker 3: it's like I need to have some sort of like

519
00:26:16,080 --> 00:26:19,000
Speaker 3: like my husband is amazing at off camera reading, but

520
00:26:19,280 --> 00:26:22,600
Speaker 3: to have that already built in connection with someone that

521
00:26:22,720 --> 00:26:25,600
Speaker 3: like you've worked with before and you kind of get

522
00:26:25,600 --> 00:26:29,440
Speaker 3: each other, it's that helps me a little bit more. Yeah,

523
00:26:29,440 --> 00:26:31,960
Speaker 3: but I always hate to like bother people too, for

524
00:26:32,160 --> 00:26:33,040
Speaker 3: like a self tape.

525
00:26:33,520 --> 00:26:37,440
Speaker 4: Totally this thing I'm currently working on in the casting process,

526
00:26:37,480 --> 00:26:39,880
Speaker 4: and I it's it's I love being on the other

527
00:26:39,920 --> 00:26:41,239
Speaker 4: side of it, right, Like my one of my very

528
00:26:41,240 --> 00:26:42,960
Speaker 4: first action teachers said, if you really want to get

529
00:26:42,960 --> 00:26:45,879
Speaker 4: good as an actor, volunteer for a casting session. And

530
00:26:45,920 --> 00:26:48,199
Speaker 4: she was right right. And but I will say, like,

531
00:26:48,240 --> 00:26:50,840
Speaker 4: having watched these staves, it's very clear that people who

532
00:26:50,920 --> 00:26:53,480
Speaker 4: like had a friend call in over the phone who

533
00:26:53,600 --> 00:26:56,480
Speaker 4: pre taped the other lines and I got the worst though.

534
00:26:56,680 --> 00:27:00,440
Speaker 4: The worst is when it's a very bad reader. It

535
00:27:00,520 --> 00:27:04,560
Speaker 4: is so distracting. Yeah, like either they're trying to act

536
00:27:04,640 --> 00:27:06,320
Speaker 4: or they're just leaving in these pauses and I'm like,

537
00:27:06,400 --> 00:27:10,639
Speaker 4: you are, you are killing this person's tape. But again,

538
00:27:10,680 --> 00:27:12,560
Speaker 4: like if we were just in a room, that would

539
00:27:12,680 --> 00:27:13,639
Speaker 4: never happen.

540
00:27:14,240 --> 00:27:18,439
Speaker 3: Yeah, yeah, that's the only thing about twenty twenty that

541
00:27:18,480 --> 00:27:23,600
Speaker 3: I just don't didn't didn't love that was all one

542
00:27:23,960 --> 00:27:24,480
Speaker 3: of the things.

543
00:27:24,680 --> 00:27:26,560
Speaker 4: Yeah, let's let's clip that. Let's make that the sound

544
00:27:26,600 --> 00:27:28,040
Speaker 4: by if this episode guest perfect.

545
00:27:28,560 --> 00:27:30,480
Speaker 2: But I totally agree with you, Rob, It's like the

546
00:27:30,960 --> 00:27:35,159
Speaker 2: thing I enjoyed doing the most now is going in

547
00:27:35,200 --> 00:27:37,800
Speaker 2: and reading with everyone who's going to come onto a

548
00:27:37,880 --> 00:27:41,840
Speaker 2: project that I'm on. Yes, like my favorite part. You know,

549
00:27:41,840 --> 00:27:43,640
Speaker 2: we only did the show for a season because turns

550
00:27:43,680 --> 00:27:45,280
Speaker 2: out one of the other things you shouldn't do in

551
00:27:45,320 --> 00:27:49,720
Speaker 2: a medical pandemic is launch a new medical show. Old

552
00:27:49,720 --> 00:27:53,040
Speaker 2: ones are comfort shows. New ones are fresh hell for

553
00:27:53,119 --> 00:27:57,439
Speaker 2: people who are stuck in hospitals. But like, the best

554
00:27:57,480 --> 00:28:02,639
Speaker 2: part of that journey was I I read everyone, every

555
00:28:02,640 --> 00:28:04,720
Speaker 2: single person the producers wanted to see. I spent like

556
00:28:04,760 --> 00:28:07,840
Speaker 2: a week on the CBS lot, just in the room

557
00:28:07,880 --> 00:28:10,760
Speaker 2: with people and like I will never forget when Sky

558
00:28:10,920 --> 00:28:14,399
Speaker 2: came in. Everyone when she left the room was like

559
00:28:14,680 --> 00:28:17,560
Speaker 2: I can't explain what happened, Like you two sparkled together,

560
00:28:18,119 --> 00:28:23,240
Speaker 2: Like we just had such great chemistry and the history

561
00:28:23,320 --> 00:28:25,840
Speaker 2: and the friendship and the thing like it it just

562
00:28:25,960 --> 00:28:28,280
Speaker 2: clicked for us. And she's literally been one of my

563
00:28:28,280 --> 00:28:31,880
Speaker 2: best friends ever since. And it's so I never would

564
00:28:31,880 --> 00:28:34,800
Speaker 2: have had that experience if I'd been watching her like

565
00:28:34,920 --> 00:28:37,720
Speaker 2: on my laptop, being like she seems nice. Who's next?

566
00:28:37,840 --> 00:28:40,240
Speaker 2: Like I don't know, and it's I don't know. The

567
00:28:40,560 --> 00:28:43,880
Speaker 2: whole thing of it is just so special. I hope

568
00:28:43,920 --> 00:28:47,000
Speaker 2: we get back to it, yes.

569
00:28:46,840 --> 00:28:49,080
Speaker 3: But then again, everyone's moved so much, so that's the

570
00:28:49,120 --> 00:28:51,000
Speaker 3: only piece too. I'm as much as I don't want

571
00:28:51,040 --> 00:28:52,840
Speaker 3: to move back to La But anyways.

572
00:28:52,640 --> 00:28:54,720
Speaker 2: I know that's the hard thing too, right, It's like

573
00:28:55,000 --> 00:28:56,040
Speaker 2: it's just shifted.

574
00:28:56,560 --> 00:29:00,160
Speaker 4: Yeah, I did a chemistry read over zoom and I

575
00:29:00,200 --> 00:29:02,760
Speaker 4: don't know what kind of chemistry you're supposed to have

576
00:29:02,960 --> 00:29:07,440
Speaker 4: a staring at yourself in a computer screen, but weird times,

577
00:29:07,440 --> 00:29:09,240
Speaker 4: my friends, Hey, should we talk about an episode of

578
00:29:09,240 --> 00:29:09,600
Speaker 4: this show?

579
00:29:10,200 --> 00:29:12,880
Speaker 3: Yeah? So I actually have a question that I have

580
00:29:12,960 --> 00:29:16,040
Speaker 3: never because I know you like fashion, Sophia, but did

581
00:29:16,080 --> 00:29:18,360
Speaker 3: you want to have your own store? Was that a

582
00:29:18,360 --> 00:29:21,280
Speaker 3: piece of something that you got to control? Or No?

583
00:29:21,280 --> 00:29:24,480
Speaker 2: No, not at all. Okay, I think if our show

584
00:29:24,480 --> 00:29:27,160
Speaker 2: had been on five to ten years later, I think

585
00:29:27,200 --> 00:29:29,400
Speaker 2: some really smart person would have been like, oh, let's

586
00:29:29,440 --> 00:29:34,000
Speaker 2: actually launch you a line while whatever, Like I love it.

587
00:29:34,080 --> 00:29:36,880
Speaker 2: The irony I think for me is I'm really drawn

588
00:29:37,800 --> 00:29:40,480
Speaker 2: to the art of it and what you can communicate

589
00:29:40,520 --> 00:29:43,120
Speaker 2: with it. But I wore a uniform for my whole life.

590
00:29:43,200 --> 00:29:45,560
Speaker 2: So actually having to get dressed when I don't have

591
00:29:46,160 --> 00:29:48,640
Speaker 2: a fitting or I'm not playing a character and putting

592
00:29:48,640 --> 00:29:51,440
Speaker 2: on a costume is very stressful for me. I do

593
00:29:51,600 --> 00:29:54,560
Speaker 2: not enjoy it, and so it's weird. It's like I

594
00:29:54,600 --> 00:29:57,840
Speaker 2: can put things together. I'm really good at dressing my friends,

595
00:29:58,920 --> 00:30:01,480
Speaker 2: but when it comes to me, it's like everything goes blank.

596
00:30:02,320 --> 00:30:04,320
Speaker 2: So it was it was fun to play Brooke because

597
00:30:04,360 --> 00:30:07,800
Speaker 2: I got to figure out what she looked like for

598
00:30:07,840 --> 00:30:08,200
Speaker 2: the listener.

599
00:30:08,240 --> 00:30:11,280
Speaker 4: At home, Sophia is just draped in a bed sheet

600
00:30:11,600 --> 00:30:13,959
Speaker 4: wrapped around her. That is what she's wearing right now,

601
00:30:13,800 --> 00:30:17,800
Speaker 4: So you imagine, Yeah, it's just you and a beach towel.

602
00:30:17,800 --> 00:30:19,720
Speaker 4: Every day is a different just like I can't do it.

603
00:30:19,760 --> 00:30:21,640
Speaker 2: I don't like it. I wear a robe.

604
00:30:35,040 --> 00:30:40,440
Speaker 4: All right, let's let's talk about this app Yeah, I okay, listen.

605
00:30:40,840 --> 00:30:44,360
Speaker 4: Can I just get way ahead and ask if either

606
00:30:44,360 --> 00:30:46,800
Speaker 4: of you guys were confused by this? There's a very

607
00:30:46,880 --> 00:30:52,280
Speaker 4: questionable line, go for it. Ian Kellerman, Nathan, and Clay

608
00:30:52,280 --> 00:30:58,280
Speaker 4: are sitting at the bar and Ian toasts and he says,

609
00:30:58,440 --> 00:31:02,120
Speaker 4: first off, congrats on the baby, very strong, tell her

610
00:31:02,160 --> 00:31:06,720
Speaker 4: to come see me in about seventeen years. And Clay

611
00:31:06,800 --> 00:31:10,320
Speaker 4: and Nathan are just kind of like quiet, like, uh,

612
00:31:10,920 --> 00:31:12,960
Speaker 4: that's so Ian. What the fuck?

613
00:31:13,640 --> 00:31:16,840
Speaker 3: What the fuck? I don't know how? And there's I've

614
00:31:16,880 --> 00:31:19,479
Speaker 3: because I've listened back to you know, some of y'all's

615
00:31:19,480 --> 00:31:21,600
Speaker 3: episodes and some of the lines, and I've seen the

616
00:31:21,600 --> 00:31:25,840
Speaker 3: clips online. I am just so shocked that because in

617
00:31:25,840 --> 00:31:28,800
Speaker 3: that moment, I don't think I would have. I don't know, Like,

618
00:31:28,960 --> 00:31:30,920
Speaker 3: it's just like, how is that even being said?

619
00:31:32,360 --> 00:31:35,760
Speaker 4: Also, is there is there a layer joke that that

620
00:31:35,800 --> 00:31:38,160
Speaker 4: Ian's an idiot and terrible at math? Why wouldn't you

621
00:31:38,280 --> 00:31:42,840
Speaker 4: just say eighteen? Like what? But it's still horrible? But

622
00:31:42,960 --> 00:31:44,440
Speaker 4: like to go out of your way and make it

623
00:31:44,520 --> 00:31:47,840
Speaker 4: seventeen is like, hey, let's just throw an extra dash

624
00:31:47,880 --> 00:31:51,600
Speaker 4: of creepy Peto and the horrible line what.

625
00:31:51,880 --> 00:31:57,400
Speaker 2: It's it's because our creepy boss. Really, and it started

626
00:31:57,440 --> 00:32:03,480
Speaker 2: in season three, really wanted to reinforce that the age

627
00:32:03,520 --> 00:32:09,240
Speaker 2: of consent, despite it being wildly inappropriate and clearly set

628
00:32:09,560 --> 00:32:13,479
Speaker 2: into law by older men, the age of consent in

629
00:32:13,520 --> 00:32:15,120
Speaker 2: North Carolina is seventeen.

630
00:32:15,520 --> 00:32:20,440
Speaker 3: Stop. Oh this is no, that's even worse.

631
00:32:20,760 --> 00:32:25,520
Speaker 2: It's even worse. Oh no, yeah, it's like a very

632
00:32:25,560 --> 00:32:30,920
Speaker 2: on purpose gross just gross.

633
00:32:30,480 --> 00:32:33,280
Speaker 3: Thing in that moment though while you were in the scene,

634
00:32:33,400 --> 00:32:34,480
Speaker 3: did you no.

635
00:32:34,800 --> 00:32:38,239
Speaker 4: Here's the first of all, I have zero recollection of

636
00:32:38,320 --> 00:32:42,760
Speaker 4: this scene. But watching this as an adult, I was like,

637
00:32:43,320 --> 00:32:46,160
Speaker 4: where where were you, Bud? I mean, to be fair,

638
00:32:46,160 --> 00:32:48,160
Speaker 4: I was in my late twenties, so I probably, you know,

639
00:32:48,160 --> 00:32:51,800
Speaker 4: like I'm a parent now, it's very very different. But yeah,

640
00:32:51,840 --> 00:32:56,160
Speaker 4: I guess it was just maybe we were rushing or what.

641
00:32:56,200 --> 00:32:58,880
Speaker 4: But the fact that like, no one I wish, I

642
00:32:58,920 --> 00:33:02,120
Speaker 4: wish one of the adults on set would have gone like, hey,

643
00:33:02,200 --> 00:33:04,360
Speaker 4: like even just told Nathan, because Nathan's a dad at

644
00:33:04,360 --> 00:33:06,479
Speaker 4: this point, like yeah, hey, maybe you should just like

645
00:33:06,760 --> 00:33:10,400
Speaker 4: check that even with just a look, because if someone

646
00:33:10,440 --> 00:33:13,160
Speaker 4: said that to me in real life, yeah, you know,

647
00:33:13,240 --> 00:33:15,520
Speaker 4: it's like there's no way you don't go, like the

648
00:33:15,520 --> 00:33:16,440
Speaker 4: fuck is wrong with you?

649
00:33:17,080 --> 00:33:17,960
Speaker 3: Yeah, totally.

650
00:33:18,200 --> 00:33:21,440
Speaker 4: It's not funny, it's creepy, it's inappropriate, it's disrespectful.

651
00:33:21,480 --> 00:33:24,959
Speaker 2: It's like, yeah, everything about it is really really gross.

652
00:33:25,320 --> 00:33:28,680
Speaker 2: I will say, watching you guys do it, I thought

653
00:33:28,760 --> 00:33:32,320
Speaker 2: you you it looked to me as a viewer, like

654
00:33:32,400 --> 00:33:36,080
Speaker 2: you both made the choice to just go blank, kind

655
00:33:36,120 --> 00:33:39,479
Speaker 2: of ignore it and not acknowledge it. Yeah, and not

656
00:33:39,560 --> 00:33:42,680
Speaker 2: that that's the right choice, but I it read as

657
00:33:42,760 --> 00:33:46,120
Speaker 2: a choice to like, huh huh, we're not we're not

658
00:33:46,160 --> 00:33:50,520
Speaker 2: contributing to this conversation to me, because you already have

659
00:33:50,600 --> 00:33:54,640
Speaker 2: complaints about his behavior in this episode and in prior episodes.

660
00:33:55,320 --> 00:33:56,880
Speaker 2: But yeah, you're right, it would have been nice if

661
00:33:56,920 --> 00:33:58,160
Speaker 2: you two had had something.

662
00:33:58,720 --> 00:34:01,360
Speaker 4: Well, it worked because of the fact that he's a

663
00:34:01,480 --> 00:34:06,280
Speaker 4: new potential cash cow and we're growing business and upstart. However,

664
00:34:07,320 --> 00:34:11,360
Speaker 4: we're an agency supposedly built on integrity. Yeah, so it

665
00:34:11,440 --> 00:34:13,120
Speaker 4: just would have been nice to have some like even

666
00:34:13,160 --> 00:34:16,560
Speaker 4: if Clay was just like dial it down, dialot down. Yeah,

667
00:34:16,640 --> 00:34:18,920
Speaker 4: you know, like just just some sort of acknowledgment of

668
00:34:18,960 --> 00:34:21,200
Speaker 4: like that was creepy and weird, coolier.

669
00:34:20,960 --> 00:34:23,319
Speaker 3: Jets, that's not, that's not, that's not.

670
00:34:23,600 --> 00:34:24,959
Speaker 4: That's one of the loans to keep up top.

671
00:34:25,520 --> 00:34:29,239
Speaker 2: Yeah, the reality is whether it's someone Clay in Nathan's age,

672
00:34:29,280 --> 00:34:30,919
Speaker 2: I don't know, you know what, are we twenty five

673
00:34:30,960 --> 00:34:34,960
Speaker 2: by now on the show, or a senior in college.

674
00:34:35,000 --> 00:34:37,399
Speaker 2: If a senior in college is trying to hook up

675
00:34:38,200 --> 00:34:42,000
Speaker 2: with a with a girls who's still in high school, like,

676
00:34:42,040 --> 00:34:43,120
Speaker 2: we have a problem.

677
00:34:43,680 --> 00:34:45,280
Speaker 3: Yeah, we just have a problem.

678
00:34:45,760 --> 00:34:48,320
Speaker 2: But I also think there was the reality to your point,

679
00:34:48,440 --> 00:34:52,719
Speaker 2: like we've been at this with the writer of our

680
00:34:52,760 --> 00:34:55,640
Speaker 2: show for so long that I think everyone was starting

681
00:34:55,680 --> 00:34:58,200
Speaker 2: to just tune it out because there was kind of

682
00:34:58,239 --> 00:35:00,200
Speaker 2: the only way to get through work, right, Like you

683
00:35:00,520 --> 00:35:03,960
Speaker 2: had to just kind of go like, Okay, you're gross,

684
00:35:03,960 --> 00:35:06,120
Speaker 2: You've been gross for so many years. Okay, well we're

685
00:35:06,160 --> 00:35:08,120
Speaker 2: having a nice time at work. The rest of us like,

686
00:35:08,680 --> 00:35:11,919
Speaker 2: what are you gonna do? Yeah?

687
00:35:12,480 --> 00:35:12,680
Speaker 3: True.

688
00:35:12,760 --> 00:35:16,800
Speaker 4: I had one other moment that was almost as cringey,

689
00:35:16,920 --> 00:35:19,719
Speaker 4: but actually not at all. It wasn't this is a

690
00:35:19,719 --> 00:35:24,520
Speaker 4: playful cringe. So Julian comes back to the spot with

691
00:35:24,560 --> 00:35:27,759
Speaker 4: a bag of ice cream, for Brooke, sweet move and

692
00:35:27,800 --> 00:35:29,400
Speaker 4: what do you do? He got one of every flavor.

693
00:35:29,440 --> 00:35:32,319
Speaker 4: He's my kind of guy. Right, Yeah, here's where he

694
00:35:32,400 --> 00:35:36,440
Speaker 4: loses me. He opens one up, he dips his finger

695
00:35:36,560 --> 00:35:40,080
Speaker 4: in and then eats off of it, and then dips

696
00:35:40,080 --> 00:35:44,960
Speaker 4: his finger back in again and feeds you. Listen, I know,

697
00:35:45,080 --> 00:35:48,680
Speaker 4: like your partner, you kiss, you know, you share fluids. Whatever. God,

698
00:35:48,719 --> 00:35:51,600
Speaker 4: that sounded so gross, but like, there is just something

699
00:35:51,760 --> 00:35:56,960
Speaker 4: so barbaric about get a spoon. Why are you dipping

700
00:35:57,000 --> 00:35:58,640
Speaker 4: your finger into ice cream?

701
00:35:58,800 --> 00:36:00,640
Speaker 3: I don't think there's anything sect see about it?

702
00:36:01,200 --> 00:36:03,360
Speaker 4: Thank you. Yeah I didn't either. I thought maybe I

703
00:36:03,400 --> 00:36:04,000
Speaker 4: was out of touch.

704
00:36:04,280 --> 00:36:06,799
Speaker 3: No, no, no no. But I'm also like a germophob so

705
00:36:06,840 --> 00:36:07,520
Speaker 3: it's the same.

706
00:36:08,000 --> 00:36:08,280
Speaker 4: Same.

707
00:36:08,880 --> 00:36:11,279
Speaker 2: By the way, you get home with things from outside,

708
00:36:11,680 --> 00:36:14,120
Speaker 2: the first thing you have to do is wash your hands.

709
00:36:14,440 --> 00:36:16,799
Speaker 3: Yeah, but like my husband is not like he'll be

710
00:36:16,840 --> 00:36:18,400
Speaker 3: like at a gas station and then come back and

711
00:36:18,400 --> 00:36:20,480
Speaker 3: then it'll be like and I'm like, you wash your hands,

712
00:36:20,600 --> 00:36:23,520
Speaker 3: you know what I mean, because it's like, yeah, you

713
00:36:23,640 --> 00:36:26,600
Speaker 3: touch on anything, and he's like everywhere.

714
00:36:26,840 --> 00:36:29,759
Speaker 2: Yeah, I will say, and here's here's a little bit

715
00:36:29,800 --> 00:36:33,520
Speaker 2: of the tea. If my memory stores me correctly and

716
00:36:33,560 --> 00:36:39,279
Speaker 2: I believe it does. It was scripted for him to

717
00:36:39,360 --> 00:36:43,560
Speaker 2: do it to me, and Austin was like, let me

718
00:36:43,600 --> 00:36:46,280
Speaker 2: go ahead and go first, so this is less gross

719
00:36:47,440 --> 00:36:51,839
Speaker 2: because you know, it's a if he had just come

720
00:36:51,880 --> 00:36:53,560
Speaker 2: in and done that and stuck his finger in my

721
00:36:53,640 --> 00:36:58,360
Speaker 2: mouth like it's a very phallic gesture. I did obviously

722
00:36:58,400 --> 00:37:01,960
Speaker 2: not get to consent to. And I really treasure him

723
00:37:02,000 --> 00:37:04,239
Speaker 2: for being like, let's make this cute and funny, and

724
00:37:04,320 --> 00:37:07,680
Speaker 2: like he did it first, and then he did it

725
00:37:07,719 --> 00:37:10,680
Speaker 2: to me, and we made it really like goofy and awkward,

726
00:37:10,760 --> 00:37:14,920
Speaker 2: and I didn't like do the sexy mouth thing. I

727
00:37:14,960 --> 00:37:17,799
Speaker 2: was like, ah, like it's melting. Like we made it

728
00:37:17,880 --> 00:37:21,880
Speaker 2: as as opposite of what was on the page as possible.

729
00:37:22,520 --> 00:37:26,560
Speaker 2: And I do per the references to the you know,

730
00:37:27,160 --> 00:37:29,320
Speaker 2: creepy things written for many of us, whether we like

731
00:37:29,400 --> 00:37:32,200
Speaker 2: them or not to say or do. I love that

732
00:37:32,239 --> 00:37:35,879
Speaker 2: we all by this point had figured out like, write

733
00:37:35,920 --> 00:37:38,200
Speaker 2: whatever the fuck you want, we're gonna we're going to

734
00:37:38,280 --> 00:37:41,160
Speaker 2: do it a little differently. And I thought that as

735
00:37:41,239 --> 00:37:43,399
Speaker 2: much as yes, I would have loved in real time

736
00:37:43,440 --> 00:37:45,000
Speaker 2: to have seen him come into the house and wash

737
00:37:45,040 --> 00:37:47,719
Speaker 2: his hands and then open the food, I think we

738
00:37:47,800 --> 00:37:51,160
Speaker 2: made the best of an uncomfortable situation.

739
00:37:51,480 --> 00:37:56,479
Speaker 3: Right, Yeah, that makes sense, and grab a spoon. Just yeah,

740
00:37:56,719 --> 00:37:59,120
Speaker 3: just wash your hands or grab a spoon.

741
00:37:59,280 --> 00:38:01,400
Speaker 4: You might as well just open the container and just

742
00:38:01,520 --> 00:38:03,880
Speaker 4: lick the ice cream. That's what you're.

743
00:38:03,760 --> 00:38:04,760
Speaker 3: Doing in your face.

744
00:38:05,719 --> 00:38:06,080
Speaker 4: Yeah.

745
00:38:06,120 --> 00:38:08,839
Speaker 2: By the way, opening the container and licking the ice

746
00:38:08,840 --> 00:38:12,760
Speaker 2: cream is less gross than sticking your finger in it, agreed,

747
00:38:13,120 --> 00:38:15,359
Speaker 2: because you're sort of using the container as an ice

748
00:38:15,360 --> 00:38:16,080
Speaker 2: cream cone.

749
00:38:16,560 --> 00:38:18,759
Speaker 3: Again, just grab a spoon. You can just save all

750
00:38:18,880 --> 00:38:20,200
Speaker 3: the other stuff.

751
00:38:20,520 --> 00:38:23,360
Speaker 2: That's actually the title of this episode, Grab a spoon,

752
00:38:23,440 --> 00:38:24,120
Speaker 2: Grab a spoon.

753
00:38:24,760 --> 00:38:27,680
Speaker 4: There it is. What did you guys think? I was

754
00:38:27,800 --> 00:38:30,920
Speaker 4: very confused this episode. When I had heard the name

755
00:38:31,000 --> 00:38:34,040
Speaker 4: Fidians for like the thirty second time, I was like, yeah,

756
00:38:34,040 --> 00:38:36,760
Speaker 4: did we have like a product endorsement? What is happening?

757
00:38:37,520 --> 00:38:40,839
Speaker 4: And then obviously we find out why later. But talk

758
00:38:40,840 --> 00:38:44,320
Speaker 4: about Chekhov's gun. I mean we said that name about

759
00:38:44,400 --> 00:38:46,000
Speaker 4: thirteen times this episode.

760
00:38:46,120 --> 00:38:49,800
Speaker 2: We sure did. And I will say when I started

761
00:38:49,800 --> 00:38:53,359
Speaker 2: to watch it, I'd put it on and then I

762
00:38:53,440 --> 00:38:55,360
Speaker 2: ran to grab something and came back in and was like,

763
00:38:55,400 --> 00:38:57,880
Speaker 2: wait a second, hold on, because I could tell that

764
00:38:57,960 --> 00:39:01,840
Speaker 2: the recap was important, and they they did that long

765
00:39:01,960 --> 00:39:05,080
Speaker 2: pause on the insert of that bourbon bottle. I went

766
00:39:05,080 --> 00:39:08,080
Speaker 2: and rewound it and started over, and I was like, Ah,

767
00:39:08,120 --> 00:39:11,879
Speaker 2: they really want to hammer home who's into it, who

768
00:39:11,960 --> 00:39:14,960
Speaker 2: drinks it? That the bourbon is the clue.

769
00:39:15,239 --> 00:39:19,440
Speaker 4: Yeah, it would have been great in hindsight if his

770
00:39:19,920 --> 00:39:21,600
Speaker 4: drink that we were going to make a meal out

771
00:39:21,640 --> 00:39:26,879
Speaker 4: of was like peach schnaps, like this total dude broke.

772
00:39:27,480 --> 00:39:29,600
Speaker 4: It would have been amazing if it was just like

773
00:39:29,760 --> 00:39:34,880
Speaker 4: white blueberry, white claws or something like really nice. Yes, yeah, yeah, yeah,

774
00:39:35,000 --> 00:39:36,680
Speaker 4: but gave him whiskey.

775
00:39:36,320 --> 00:39:41,480
Speaker 3: But yeah, whiskey. A What was your favorite part of

776
00:39:41,480 --> 00:39:42,160
Speaker 3: the episode.

777
00:39:42,440 --> 00:39:44,920
Speaker 4: Well, listen, there's a lot of good. There's a lot

778
00:39:44,920 --> 00:39:46,960
Speaker 4: of great in it too. I just had to get

779
00:39:47,000 --> 00:39:49,279
Speaker 4: ahead because those ones. I was like, wait, what what? Yeah,

780
00:39:49,320 --> 00:39:53,440
Speaker 4: I mean this was another classic example of you and

781
00:39:53,520 --> 00:39:57,120
Speaker 4: Sean Tell being total team players with the whole eye

782
00:39:57,200 --> 00:40:01,680
Speaker 4: of the tiger. You know, she's had to like, she's

783
00:40:01,719 --> 00:40:05,440
Speaker 4: had to do so many it was like they realized

784
00:40:05,440 --> 00:40:07,600
Speaker 4: she would be game and she was a team player

785
00:40:07,640 --> 00:40:10,080
Speaker 4: and would commit, and she's also very funny. And then

786
00:40:10,120 --> 00:40:13,200
Speaker 4: I feel like they just went back to the well

787
00:40:13,880 --> 00:40:17,880
Speaker 4: a lot, a lot, a lot and yeah, yeah, and

788
00:40:17,880 --> 00:40:20,040
Speaker 4: so it's like it happens in this episode, it happens

789
00:40:20,040 --> 00:40:22,640
Speaker 4: in the next episode, and the like, you guys made

790
00:40:22,640 --> 00:40:25,359
Speaker 4: it great. I just watched it going like, oh, I know,

791
00:40:25,640 --> 00:40:27,480
Speaker 4: I know this feeling of when you get a script

792
00:40:27,480 --> 00:40:29,479
Speaker 4: for the next episode and you read it and you're just.

793
00:40:29,400 --> 00:40:34,040
Speaker 3: Like, oh, yeah, for sure, okay.

794
00:40:33,600 --> 00:40:36,640
Speaker 4: But your guys' stuff was great. I love I love

795
00:40:36,680 --> 00:40:39,200
Speaker 4: the friendship forming between Alex and Quinn.

796
00:40:39,800 --> 00:40:42,759
Speaker 2: Yeah, it's sweet. It's like you get to see more

797
00:40:42,800 --> 00:40:45,640
Speaker 2: of what we saw at Brooke and Julian's wedding with

798
00:40:45,680 --> 00:40:50,160
Speaker 2: you too, and it's nice. And it's like I think they,

799
00:40:51,560 --> 00:40:53,879
Speaker 2: you know, they hit a point where they were like, oh, yeah,

800
00:40:53,880 --> 00:40:58,200
Speaker 2: we can't just constantly put her in these terribly awkward

801
00:40:58,239 --> 00:41:03,960
Speaker 2: positions like utah, you know, stomping around in town essentially

802
00:41:03,960 --> 00:41:08,160
Speaker 2: in her underwear, Like come on, she's a great performer,

803
00:41:08,600 --> 00:41:12,319
Speaker 2: and like, yes, she's a supermodel, but let her be

804
00:41:12,400 --> 00:41:15,920
Speaker 2: an actor too. And it's nice that they that I

805
00:41:15,920 --> 00:41:19,440
Speaker 2: think they sort of course corrected and went, oh, we

806
00:41:19,960 --> 00:41:22,759
Speaker 2: can actually give her the space to be a comedian

807
00:41:22,880 --> 00:41:26,560
Speaker 2: and undercut some of what we've like made her go

808
00:41:26,680 --> 00:41:30,640
Speaker 2: through in the past. And it's fun to watch somebody

809
00:41:30,760 --> 00:41:35,080
Speaker 2: as tall and beautiful as her lean into like being

810
00:41:35,200 --> 00:41:39,440
Speaker 2: lanky and awkward, you know, lean into singing off pitch

811
00:41:39,920 --> 00:41:41,799
Speaker 2: so that in the next scene when you sing the

812
00:41:41,840 --> 00:41:46,840
Speaker 2: song perfectly to her, she's like, yep, cool, different skill sets,

813
00:41:46,920 --> 00:41:50,080
Speaker 2: Like she played it up so that it all could

814
00:41:50,239 --> 00:41:54,920
Speaker 2: really sing. And it's fun to see two beautiful women

815
00:41:55,360 --> 00:41:59,400
Speaker 2: who have been so you know, frankly sexualized on a

816
00:41:59,400 --> 00:42:02,760
Speaker 2: show like ours get to be goofy and sweet together.

817
00:42:02,960 --> 00:42:04,839
Speaker 2: It's like a king breath of fresh air.

818
00:42:06,239 --> 00:42:08,680
Speaker 3: Yeah, no, I agree, And it's fun to see because

819
00:42:09,480 --> 00:42:12,040
Speaker 3: even so a lot of things that you know, Chantal's

820
00:42:12,080 --> 00:42:15,360
Speaker 3: on is like really deep and heavy, and she's so talented,

821
00:42:15,400 --> 00:42:17,799
Speaker 3: so it's nice to she has like such a light

822
00:42:18,040 --> 00:42:21,080
Speaker 3: art of her too with acting, and she's so good

823
00:42:21,120 --> 00:42:21,440
Speaker 3: at it.

824
00:42:21,600 --> 00:42:23,640
Speaker 4: I felt like there was a lot of that with Alex,

825
00:42:23,719 --> 00:42:26,040
Speaker 4: where it, like I said, it just became the like

826
00:42:26,160 --> 00:42:28,359
Speaker 4: high high and low low show and then we got

827
00:42:28,480 --> 00:42:29,920
Speaker 4: we got I remember the first time we got a

828
00:42:29,920 --> 00:42:31,600
Speaker 4: scene where it was like you just got to like

829
00:42:32,160 --> 00:42:35,960
Speaker 4: you just got to be a vulnerable human and you

830
00:42:36,040 --> 00:42:38,480
Speaker 4: were so great in it, and I felt myself going

831
00:42:38,520 --> 00:42:42,560
Speaker 4: like this, this should be the norm. And the other

832
00:42:42,600 --> 00:42:46,040
Speaker 4: thing should be the outlier like this, this should be

833
00:42:46,080 --> 00:42:47,880
Speaker 4: the like the meat and the other stuff should be

834
00:42:47,960 --> 00:42:50,960
Speaker 4: the like, Okay, on occasion, we're going to dip into this,

835
00:42:51,080 --> 00:42:54,520
Speaker 4: you know, because it's just to me, it was like

836
00:42:54,719 --> 00:42:58,000
Speaker 4: this the other person, this person's great at this other thing,

837
00:42:58,000 --> 00:43:01,600
Speaker 4: but like they're really shining and this moment. Why are

838
00:43:01,640 --> 00:43:04,839
Speaker 4: we not letting this happen more often? And I feel

839
00:43:04,880 --> 00:43:06,520
Speaker 4: like so much of Alex is kind of just there

840
00:43:06,560 --> 00:43:08,840
Speaker 4: to be like, I'm a tease, I'm out of control,

841
00:43:08,840 --> 00:43:11,640
Speaker 4: I'm a wild card. Bitches. It's like, okay, cool.

842
00:43:11,640 --> 00:43:13,560
Speaker 3: I can tie a cherry tongue in my mouth.

843
00:43:13,719 --> 00:43:13,959
Speaker 2: Cool.

844
00:43:14,320 --> 00:43:16,279
Speaker 4: Yeah, But then you get this moment where you get

845
00:43:16,280 --> 00:43:18,800
Speaker 4: to see her as a human. You're like, oh, she's

846
00:43:19,040 --> 00:43:22,279
Speaker 4: totally likable and relatable and I'd like more of this

847
00:43:22,480 --> 00:43:23,480
Speaker 4: version of the character.

848
00:43:24,040 --> 00:43:26,520
Speaker 2: Yeah, And it feels like we're hitting a nice stride

849
00:43:27,080 --> 00:43:30,160
Speaker 2: with that, with what you were saying earlier, you getting

850
00:43:30,160 --> 00:43:33,200
Speaker 2: to bring more of yourself into her. It feels like

851
00:43:33,360 --> 00:43:37,759
Speaker 2: that's in really nice balance in this chunk of season eight.

852
00:43:38,320 --> 00:43:44,680
Speaker 3: Yeah I wish, you know, obviously when the seasons go

853
00:43:44,760 --> 00:43:47,000
Speaker 3: on and stuff, but yeah, I wish I wish I

854
00:43:47,040 --> 00:43:50,000
Speaker 3: had more time with her, so you kind of finding

855
00:43:50,040 --> 00:43:52,560
Speaker 3: that path with her, but it was a fun ride.

856
00:43:52,719 --> 00:43:55,280
Speaker 4: You also have a great chemistry with Stephen.

857
00:43:55,520 --> 00:43:56,320
Speaker 3: Steven's great.

858
00:43:56,680 --> 00:43:58,280
Speaker 2: You guys are so sweet together.

859
00:43:58,760 --> 00:44:00,840
Speaker 4: I'm, like I said, I'm watching this basically as a

860
00:44:00,840 --> 00:44:04,120
Speaker 4: first time viewer, so I have to say, I'm I

861
00:44:04,600 --> 00:44:06,799
Speaker 4: think I remember how Actually I don't really know how

862
00:44:06,840 --> 00:44:09,400
Speaker 4: that ends for you guys, but I just I know

863
00:44:09,440 --> 00:44:12,120
Speaker 4: that I am hardcore rooting for Chase and Alex over

864
00:44:12,320 --> 00:44:16,040
Speaker 4: Chase and Mia. And I've only seen up to eight twenty,

865
00:44:16,080 --> 00:44:17,759
Speaker 4: and obviously I know things are very good for you

866
00:44:17,800 --> 00:44:20,200
Speaker 4: guys in eight twenty, So I don't know where it

867
00:44:20,239 --> 00:44:24,200
Speaker 4: goes from there, but yeah, your guys' chemistry is so fun.

868
00:44:24,280 --> 00:44:28,399
Speaker 3: Man, He's great, and he was he was awesome back

869
00:44:28,440 --> 00:44:32,160
Speaker 3: then too. Always felt so comfortable with him. He wasn't

870
00:44:32,480 --> 00:44:34,760
Speaker 3: you know, he's he's just like he's a good, solid

871
00:44:34,840 --> 00:44:37,040
Speaker 3: dude and even to this day, and he's just he's

872
00:44:37,080 --> 00:44:43,000
Speaker 3: always such a nice, respectable guy. Yeah, No, I always

873
00:44:43,000 --> 00:44:44,040
Speaker 3: I loved working with him.

874
00:44:44,760 --> 00:44:46,200
Speaker 2: He's a really good egg.

875
00:44:46,280 --> 00:44:48,840
Speaker 3: Oh jinks, whoa.

876
00:44:48,880 --> 00:44:52,239
Speaker 2: Whoa what he is? Stephen is a good egg and

877
00:44:52,360 --> 00:44:57,200
Speaker 2: like even to see he brought such a kind of

878
00:44:57,320 --> 00:45:00,600
Speaker 2: fresh vulnerability when he first came on the show and

879
00:45:00,680 --> 00:45:03,640
Speaker 2: hadn't you know, been acting before and was a little

880
00:45:03,680 --> 00:45:06,920
Speaker 2: nervous about it, but was just so damn charming. And

881
00:45:07,000 --> 00:45:11,360
Speaker 2: to even see the actor he's grown into across these

882
00:45:11,960 --> 00:45:17,520
Speaker 2: four seasons, it's like, God, he's so enjoyable to watch.

883
00:45:17,760 --> 00:45:19,440
Speaker 2: And I feel the same way like watching him and

884
00:45:19,520 --> 00:45:22,200
Speaker 2: James's show, they're just so great.

885
00:45:22,760 --> 00:45:26,719
Speaker 3: There's a natural charm to him when especially with their

886
00:45:27,000 --> 00:45:29,960
Speaker 3: new show too, it's yeah, yeah, it's like he's just

887
00:45:30,080 --> 00:45:31,959
Speaker 3: he's a he's a natural. He's got a natural vibe

888
00:45:31,960 --> 00:45:34,040
Speaker 3: to him. I like, yeah, he's a good egg.

889
00:45:34,640 --> 00:45:37,880
Speaker 4: He grew up a lot on our show, and I

890
00:45:37,920 --> 00:45:39,640
Speaker 4: think you see it in his acting. I'm saying he

891
00:45:39,640 --> 00:45:42,000
Speaker 4: grew up like personally, like knowing him as a friend,

892
00:45:42,280 --> 00:45:44,120
Speaker 4: he grew up totally on our show. And I think

893
00:45:44,160 --> 00:45:45,840
Speaker 4: when you watch the show, at least for me, like

894
00:45:45,920 --> 00:45:48,759
Speaker 4: knowing how he was growing behind the scenes, that like,

895
00:45:48,800 --> 00:45:50,719
Speaker 4: I think I see it in his performance and that

896
00:45:51,560 --> 00:45:55,439
Speaker 4: it is more grounded. And yeah, he's just he's fun

897
00:45:55,480 --> 00:45:57,880
Speaker 4: to watch and I'm glad that we're getting more of

898
00:45:57,960 --> 00:46:01,239
Speaker 4: him this season. But yeah, you're guys of stuff. I

899
00:46:01,280 --> 00:46:04,080
Speaker 4: thought you were just like a temptation and then it

900
00:46:04,160 --> 00:46:06,120
Speaker 4: was back to the chasing me a show. So I am.

901
00:46:07,480 --> 00:46:11,240
Speaker 4: I'm pleasantly surprised with the directions. I have no idea, buddy,

902
00:46:11,280 --> 00:46:14,320
Speaker 4: I don't. I have no idea how your story wraps up. Honestly,

903
00:46:14,360 --> 00:46:16,320
Speaker 4: I didn't even realize. So if I didn't realize that

904
00:46:16,400 --> 00:46:20,280
Speaker 4: Brooke got pregnant, so sorry for those who haven't watched.

905
00:46:20,280 --> 00:46:22,000
Speaker 3: To be honest, I really don't. I mean, it was

906
00:46:22,080 --> 00:46:23,439
Speaker 3: kind of it was all kind of a blur.

907
00:46:24,040 --> 00:46:27,399
Speaker 4: Yeah, so I'm I'm going to be totally uh first

908
00:46:27,440 --> 00:46:30,279
Speaker 4: time or with however your thing wraps up. But I

909
00:46:30,280 --> 00:46:33,880
Speaker 4: think I have my heart broken. But I'm liking it

910
00:46:33,920 --> 00:46:34,279
Speaker 4: so far.

911
00:46:34,560 --> 00:46:38,360
Speaker 2: Okay, wait, you asked for things that we liked about

912
00:46:38,360 --> 00:46:42,840
Speaker 2: the episode. Yes, I love seeing the River Court challenge

913
00:46:42,880 --> 00:46:47,800
Speaker 2: come in because it reminded me I kind of honestly

914
00:46:47,800 --> 00:46:51,160
Speaker 2: forgot that that was a storyline. And when these you know,

915
00:46:51,320 --> 00:46:56,400
Speaker 2: condominiums coming soon, when that sign goes up, I was like,

916
00:46:56,480 --> 00:46:59,560
Speaker 2: oh my god, Yes, there's this thing to rally around.

917
00:46:59,800 --> 00:47:02,719
Speaker 2: And you do get that sense, you know, everyone thought

918
00:47:02,760 --> 00:47:04,319
Speaker 2: the show was going to be over at the end

919
00:47:04,360 --> 00:47:07,799
Speaker 2: of season eight, and so it feels like there's all

920
00:47:07,840 --> 00:47:11,040
Speaker 2: this conversation about you know, things changing, what's going to happen.

921
00:47:11,440 --> 00:47:13,439
Speaker 2: Are Brooke and Julian going to go to New York?

922
00:47:13,560 --> 00:47:13,640
Speaker 4: Like?

923
00:47:13,719 --> 00:47:17,319
Speaker 2: Are you and Chase going to be together? You know? What? Is?

924
00:47:18,520 --> 00:47:21,000
Speaker 2: What is Haley reflecting on as she's at home with

925
00:47:21,080 --> 00:47:25,240
Speaker 2: the baby and watching everyone process things, deal with things,

926
00:47:25,280 --> 00:47:30,040
Speaker 2: Like it feels like a wrap up is coming in

927
00:47:30,080 --> 00:47:34,000
Speaker 2: this really beautiful way, Like even though some of what's

928
00:47:34,040 --> 00:47:37,480
Speaker 2: happening in the episode is heavy, Rivercourt might get destroyed,

929
00:47:38,880 --> 00:47:41,440
Speaker 2: you know, Brooke has to pack up all this baby stuff,

930
00:47:41,480 --> 00:47:44,560
Speaker 2: Like can't even look at Julian. That was such you know,

931
00:47:44,600 --> 00:47:47,680
Speaker 2: a great call on our director's part to have him

932
00:47:47,719 --> 00:47:50,080
Speaker 2: hug me from behind, and we're both processing because we

933
00:47:50,120 --> 00:47:52,239
Speaker 2: can't see. We don't want to see what the other

934
00:47:52,280 --> 00:47:55,200
Speaker 2: person's dealing with in the moment, right we're trying to

935
00:47:55,239 --> 00:47:57,880
Speaker 2: hide how sad we are. Like some of it feels

936
00:47:57,920 --> 00:48:01,919
Speaker 2: really heavy, but in weird way that My overarching note

937
00:48:01,920 --> 00:48:06,600
Speaker 2: about the episode is how nostalgic it feels. And I

938
00:48:06,640 --> 00:48:10,040
Speaker 2: love it, even the sad stuff. I really really liked.

939
00:48:09,920 --> 00:48:13,160
Speaker 3: Watching it was it reminded me or actually it made

940
00:48:13,200 --> 00:48:17,040
Speaker 3: me sad for TV shows now because it's like what

941
00:48:17,080 --> 00:48:19,640
Speaker 3: you were saying. I was watching a show premiered last

942
00:48:19,719 --> 00:48:22,840
Speaker 3: night and I was like, rough, you know, so this

943
00:48:23,040 --> 00:48:26,960
Speaker 3: was a not a good new episode or season you know,

944
00:48:27,160 --> 00:48:30,919
Speaker 3: start or whatever. And then you watch that and it's

945
00:48:31,000 --> 00:48:34,160
Speaker 3: like it just there's that nostalgia that you're talking about,

946
00:48:34,200 --> 00:48:37,920
Speaker 3: and it's like, I missed that in shows, the writing,

947
00:48:38,520 --> 00:48:40,160
Speaker 3: the you know, it's just I don't know, minus a

948
00:48:40,200 --> 00:48:42,040
Speaker 3: few of the parts obviously, but no.

949
00:48:42,160 --> 00:48:44,080
Speaker 2: But there was something about the time, and I know

950
00:48:44,120 --> 00:48:47,800
Speaker 2: what you mean. We were allowed to be people and

951
00:48:47,880 --> 00:48:50,480
Speaker 2: our feelings. Not everything was like a disaster or a

952
00:48:50,560 --> 00:48:54,400
Speaker 2: zombie or a crisis or a like our show I

953
00:48:54,440 --> 00:48:58,680
Speaker 2: think was special reflecting back on it, because it was

954
00:48:59,000 --> 00:48:59,920
Speaker 2: just about people.

955
00:49:00,560 --> 00:49:02,600
Speaker 3: Yeah, and it wasn't trying too hard to be this

956
00:49:02,760 --> 00:49:04,920
Speaker 3: or adding this into be that, or just trying to

957
00:49:04,920 --> 00:49:07,400
Speaker 3: please everything. It was just you were just pleasing your audience.

958
00:49:07,719 --> 00:49:10,919
Speaker 4: I thought a highlight was your song. Yeah, it's it's

959
00:49:11,000 --> 00:49:13,799
Speaker 4: cool to watch, you know, watch a buddy shine and

960
00:49:14,800 --> 00:49:17,239
Speaker 4: you crushed it. That's crazy. This was like your first

961
00:49:17,280 --> 00:49:18,040
Speaker 4: time performing.

962
00:49:18,120 --> 00:49:20,960
Speaker 3: But I was uncomfortable watching it again because I know

963
00:49:21,000 --> 00:49:25,279
Speaker 3: how uncomfortable I felt doing it. But and it's like,

964
00:49:25,360 --> 00:49:27,920
Speaker 3: oh god, you could just tell it because now I'm like,

965
00:49:27,960 --> 00:49:30,000
Speaker 3: I am all over the place, you know, and it's

966
00:49:30,120 --> 00:49:32,040
Speaker 3: just But again, I think that was perfect for what

967
00:49:32,120 --> 00:49:33,560
Speaker 3: she needed to do in that moment because that was

968
00:49:33,600 --> 00:49:34,239
Speaker 3: new for her too.

969
00:49:34,719 --> 00:49:35,359
Speaker 4: Yeah.

970
00:49:35,440 --> 00:49:37,920
Speaker 2: Yes, well, and even the fact that we got that

971
00:49:38,000 --> 00:49:40,719
Speaker 2: great scene with you and Steven in the back like

972
00:49:40,760 --> 00:49:42,960
Speaker 2: the green room of Trick when you're like, I'm panicking,

973
00:49:43,520 --> 00:49:45,719
Speaker 2: like I need a boy and a drink anyone, like

974
00:49:45,760 --> 00:49:49,160
Speaker 2: whatever you're saying, It's like, it's so great because the

975
00:49:49,200 --> 00:49:52,960
Speaker 2: whole thing fuels it. And of course you as a

976
00:49:53,000 --> 00:49:56,200
Speaker 2: performer know how nervous you were, but for us as

977
00:49:56,239 --> 00:49:58,120
Speaker 2: the viewers, it didn't look like that. It looked like

978
00:49:58,160 --> 00:50:01,480
Speaker 2: you were stepping into this thing that you are supposed

979
00:50:01,520 --> 00:50:05,000
Speaker 2: to do. But I get it. Like when we first

980
00:50:05,040 --> 00:50:08,480
Speaker 2: started watching this show and I had to watch early

981
00:50:08,560 --> 00:50:11,640
Speaker 2: Brooke Davis being like the sexy girl in the backseat

982
00:50:11,680 --> 00:50:14,520
Speaker 2: of a car, I was like, who is that person?

983
00:50:14,920 --> 00:50:17,080
Speaker 2: She is so cringe. I like didn't know how to

984
00:50:17,120 --> 00:50:20,640
Speaker 2: move my body. It was just it was not correct.

985
00:50:20,840 --> 00:50:22,480
Speaker 3: Well, I think it's hard to look back. I mean,

986
00:50:22,480 --> 00:50:23,960
Speaker 3: there's so many things I look back on now and

987
00:50:24,000 --> 00:50:27,640
Speaker 3: I'm like, oh god, I sucked because I've but I've

988
00:50:27,880 --> 00:50:30,480
Speaker 3: grown as not only an actor but as a person.

989
00:50:30,560 --> 00:50:32,640
Speaker 3: I think growing in those areas helps you be a

990
00:50:32,640 --> 00:50:34,440
Speaker 3: better actor. So it's like because of the stuff that

991
00:50:34,440 --> 00:50:36,399
Speaker 3: I've gone through and work through, and it's like where

992
00:50:36,400 --> 00:50:39,680
Speaker 3: I can tap into things a little better. And so

993
00:50:39,800 --> 00:50:42,480
Speaker 3: it's just it's more grounded, and I look back on

994
00:50:42,560 --> 00:50:45,319
Speaker 3: old things and I'm like so not grounded and on

995
00:50:45,360 --> 00:50:47,320
Speaker 3: my feet with it. So it doesn't feel real. It

996
00:50:47,400 --> 00:50:50,919
Speaker 3: might look good or be believable, but it doesn't feel

997
00:50:50,960 --> 00:50:52,799
Speaker 3: real to me because I know that I wasn't like

998
00:50:52,880 --> 00:50:56,360
Speaker 3: planted in my scenes the way that I would have

999
00:50:56,440 --> 00:50:58,680
Speaker 3: wanted to where I am today. Like I can walk

1000
00:50:58,719 --> 00:51:00,200
Speaker 3: away and go like I did good because I was

1001
00:51:00,239 --> 00:51:01,799
Speaker 3: planned in that scene. I knew what I was doing.

1002
00:51:01,840 --> 00:51:04,080
Speaker 3: I like tapped in and I felt good about it.

1003
00:51:04,200 --> 00:51:06,560
Speaker 3: But like I didn't feel that back in my twenties

1004
00:51:07,239 --> 00:51:08,880
Speaker 3: because I was still learning. I still really didn't know

1005
00:51:08,880 --> 00:51:09,439
Speaker 3: what I was doing.

1006
00:51:09,719 --> 00:51:11,920
Speaker 2: I mean, I feel like that's true for all of us.

1007
00:51:11,800 --> 00:51:14,200
Speaker 3: Though, Okay, good, so it's not just me because I'm like, look,

1008
00:51:14,320 --> 00:51:16,279
Speaker 3: I'm like, you're amazing you, but guys, I've always been

1009
00:51:16,280 --> 00:51:18,920
Speaker 3: amazing and you were so good and you felt so confident,

1010
00:51:19,040 --> 00:51:20,560
Speaker 3: and I'm telling.

1011
00:51:20,280 --> 00:51:22,960
Speaker 2: You and I will offer this up. You want a

1012
00:51:23,000 --> 00:51:25,360
Speaker 2: confidence boost, you need to watch like the third episode

1013
00:51:25,400 --> 00:51:29,400
Speaker 2: of season one and you will cackl like that. You

1014
00:51:29,440 --> 00:51:31,320
Speaker 2: will be like, I know her, and she does not

1015
00:51:31,760 --> 00:51:34,440
Speaker 2: push like that. I was so like I have to

1016
00:51:34,440 --> 00:51:36,600
Speaker 2: do it, and they keep telling me to be bigger,

1017
00:51:36,640 --> 00:51:39,440
Speaker 2: and I like, I want to die. I want to die.

1018
00:51:39,719 --> 00:51:42,440
Speaker 2: And I remember I can like hear our directors being like,

1019
00:51:42,480 --> 00:51:44,800
Speaker 2: you got to be bigger, you got to like really

1020
00:51:44,840 --> 00:51:47,360
Speaker 2: go for it and be like okay, and it was

1021
00:51:47,560 --> 00:51:51,880
Speaker 2: not correct. Yeah, but I think to your point, like

1022
00:51:52,480 --> 00:51:54,279
Speaker 2: that's part of the gift of hindsight. It is like

1023
00:51:54,320 --> 00:51:57,480
Speaker 2: we can see, we can see how much more comfortable

1024
00:51:57,480 --> 00:52:00,560
Speaker 2: we are in ourselves. We can see how much how

1025
00:52:00,640 --> 00:52:06,120
Speaker 2: much more we key into the people, not necessarily like

1026
00:52:06,200 --> 00:52:07,880
Speaker 2: wanting to go to work and be a good soldier

1027
00:52:07,960 --> 00:52:12,320
Speaker 2: and give a good performance. Like it's just a different energy. Yeah,

1028
00:52:12,400 --> 00:52:14,319
Speaker 2: And I think we see things differently. I mean, you know,

1029
00:52:14,440 --> 00:52:17,680
Speaker 2: even you saying rob like that line hitting you the

1030
00:52:17,680 --> 00:52:20,160
Speaker 2: way it did because of the man you are at forty,

1031
00:52:20,239 --> 00:52:24,640
Speaker 2: it's like, you know, we we couldn't we couldn't have

1032
00:52:24,640 --> 00:52:25,680
Speaker 2: been here in our twenties.

1033
00:52:26,080 --> 00:52:31,839
Speaker 4: Yeah, and Jenna, I had the exact same experience because also, I, yeah,

1034
00:52:31,840 --> 00:52:33,920
Speaker 4: I'm because you know, like I'm a goofy guy, and

1035
00:52:33,960 --> 00:52:35,320
Speaker 4: all of a sudden, I came into this show and

1036
00:52:35,360 --> 00:52:39,280
Speaker 4: they were like your wife's dead as hell and trauma, trauma, trauma,

1037
00:52:39,360 --> 00:52:41,080
Speaker 4: and I was just I felt like so out of

1038
00:52:41,120 --> 00:52:41,920
Speaker 4: my depth.

1039
00:52:42,040 --> 00:52:45,439
Speaker 3: Right, because was Lipstick Jungle before? Yeah, okay, yeah, because

1040
00:52:45,440 --> 00:52:47,720
Speaker 3: like you were just like the hot you know, the

1041
00:52:47,800 --> 00:52:50,040
Speaker 3: you know, the the whatever the hot dude on that,

1042
00:52:50,120 --> 00:52:54,600
Speaker 3: and like you were like that's the same guys, yes and.

1043
00:52:55,239 --> 00:52:58,239
Speaker 4: Yeahah, which even by the way, like that's also uncomfortable

1044
00:52:58,239 --> 00:53:00,080
Speaker 4: because again, like I'm a goofy guy. I'm not like

1045
00:53:00,400 --> 00:53:01,440
Speaker 4: do you like this show?

1046
00:53:01,640 --> 00:53:03,399
Speaker 3: Like no, that's not me, you.

1047
00:53:03,320 --> 00:53:05,680
Speaker 4: Know, but I had so I felt like way out

1048
00:53:05,719 --> 00:53:07,359
Speaker 4: of my depth on this one. And then when they

1049
00:53:07,480 --> 00:53:09,880
Speaker 4: like four episodes in, they're like, oh, his wife's dead

1050
00:53:10,040 --> 00:53:11,640
Speaker 4: and we're going to shoot you like we're going to

1051
00:53:11,680 --> 00:53:14,080
Speaker 4: shoot her death scene and we're going to shoot the funeral.

1052
00:53:14,719 --> 00:53:18,880
Speaker 4: And I cringed so hard watched that episode because I

1053
00:53:18,880 --> 00:53:21,840
Speaker 4: felt like I was watching a little kid put on

1054
00:53:21,920 --> 00:53:25,960
Speaker 4: his dad's suit and pretend to be a grown up. Meanwhile, joy,

1055
00:53:25,960 --> 00:53:28,600
Speaker 4: and so we like that that was not our experience,

1056
00:53:28,920 --> 00:53:31,960
Speaker 4: you know, because, like you said, I remember how I

1057
00:53:31,960 --> 00:53:34,320
Speaker 4: felt at the time, like I felt like absolute fraud.

1058
00:53:34,960 --> 00:53:37,759
Speaker 4: I was pushing so hard because at that time, in

1059
00:53:37,800 --> 00:53:39,799
Speaker 4: my head, the only way to show sadness was to

1060
00:53:39,880 --> 00:53:43,480
Speaker 4: show tears, right, you know, And so I think it's

1061
00:53:43,520 --> 00:53:44,879
Speaker 4: an incredibly common thing.

1062
00:53:45,360 --> 00:53:47,400
Speaker 3: Okay, good, Well then I feel a little better now

1063
00:53:47,520 --> 00:53:49,319
Speaker 3: because I just like cringe every time someone's like, oh,

1064
00:53:49,360 --> 00:53:50,839
Speaker 3: I just saw your last episode of Grazes, and out

1065
00:53:50,880 --> 00:53:53,400
Speaker 3: of man, I'm like, I am so sorry. That was terrible.

1066
00:53:53,719 --> 00:53:57,920
Speaker 4: No, there was a hilarious scene in this episode. I

1067
00:53:58,239 --> 00:54:00,600
Speaker 4: don't know if I hope you guys caught it, but

1068
00:54:01,200 --> 00:54:06,279
Speaker 4: it's Haley and Quinn are in the nursery and they're

1069
00:54:06,320 --> 00:54:09,920
Speaker 4: like chatting up baby Lydia, and then Haley goes, okay,

1070
00:54:10,320 --> 00:54:13,200
Speaker 4: let's let her sleep, and she leaves her there and

1071
00:54:13,239 --> 00:54:16,680
Speaker 4: they walk out of the bedroom. She doesn't close the blinds,

1072
00:54:17,080 --> 00:54:19,520
Speaker 4: she doesn't turn the lights off. It is literally the

1073
00:54:19,719 --> 00:54:23,520
Speaker 4: brightest room in the history of rooms. And she's like,

1074
00:54:23,800 --> 00:54:24,560
Speaker 4: this seems good.

1075
00:54:25,960 --> 00:54:27,120
Speaker 2: Yeah, no sound machine.

1076
00:54:27,440 --> 00:54:30,239
Speaker 4: No sound machine. Also, it's like, dude, we had to

1077
00:54:30,280 --> 00:54:32,600
Speaker 4: like block if there was a speck of light coming in,

1078
00:54:32,719 --> 00:54:35,239
Speaker 4: our son would not sleep. It's like that's like every

1079
00:54:35,280 --> 00:54:37,600
Speaker 4: parent's nightmare is like how do I black this room out?

1080
00:54:37,680 --> 00:54:37,839
Speaker 1: Oh?

1081
00:54:37,920 --> 00:54:40,960
Speaker 3: I have blackout curtains and it's like a black on blackout.

1082
00:54:41,080 --> 00:54:43,279
Speaker 3: Like I tape the like there's no light in that.

1083
00:54:43,400 --> 00:54:45,040
Speaker 3: I was like, if you can't you can see your hand.

1084
00:54:45,200 --> 00:54:47,560
Speaker 3: It ain't dark enough, Like that's my but they end

1085
00:54:47,560 --> 00:54:48,520
Speaker 3: out no.

1086
00:54:48,880 --> 00:54:52,279
Speaker 2: Yeah, pitch dark. Gaffer's tape over every.

1087
00:54:52,000 --> 00:54:57,839
Speaker 3: Little hotels are great for the crib, yeah, oh all

1088
00:54:57,880 --> 00:54:58,920
Speaker 3: the time. Or a closet.

1089
00:54:59,200 --> 00:55:03,520
Speaker 4: Nica clip that one as well. East and that wall.

1090
00:55:03,560 --> 00:55:05,040
Speaker 4: To me, the second SoundBite for this.

1091
00:55:05,040 --> 00:55:09,040
Speaker 3: Episode listen, I mean mama would know that trick.

1092
00:55:09,280 --> 00:55:09,760
Speaker 2: Yeah.

1093
00:55:09,800 --> 00:55:12,480
Speaker 4: I can't wait for the Yahoo news headline or the

1094
00:55:12,480 --> 00:55:16,279
Speaker 4: buzz Feed headline. It's like Janna Kramer says, put your

1095
00:55:16,360 --> 00:55:17,520
Speaker 4: baby in a closet.

1096
00:55:18,320 --> 00:55:18,760
Speaker 3: Listen.

1097
00:55:21,120 --> 00:55:23,319
Speaker 4: You know that scene made me laugh because I'm like,

1098
00:55:23,360 --> 00:55:26,520
Speaker 4: she's she's also a parent already, so it's like she

1099
00:55:26,640 --> 00:55:28,120
Speaker 4: knows the ropes come on guys.

1100
00:55:28,560 --> 00:55:32,160
Speaker 2: Yeah, it's like one of those things where they just

1101
00:55:32,280 --> 00:55:34,840
Speaker 2: don't care because they're like, yeah, if it was actually

1102
00:55:34,880 --> 00:55:36,920
Speaker 2: a dark enough room for a baby to sleep, you

1103
00:55:36,960 --> 00:55:39,759
Speaker 2: wouldn't be able to see the baby. And this is

1104
00:55:39,800 --> 00:55:42,880
Speaker 2: a television show, so we're gonna light it up like

1105
00:55:42,920 --> 00:55:44,480
Speaker 2: the fourth of July in here.

1106
00:55:46,000 --> 00:55:48,799
Speaker 4: Also, have you ever put an infant down to sleep

1107
00:55:48,840 --> 00:55:52,719
Speaker 4: when it's not already asleep? No, like, you hold them

1108
00:55:52,800 --> 00:55:55,839
Speaker 4: until they're asleep, and then you like mission impossible, try

1109
00:55:55,880 --> 00:55:56,440
Speaker 4: to transfer.

1110
00:55:56,560 --> 00:55:59,440
Speaker 3: See. I don't do that. I put I put them

1111
00:55:59,440 --> 00:56:00,239
Speaker 3: in the cribo.

1112
00:56:00,120 --> 00:56:04,520
Speaker 2: Wake and let them soothe and learn h because.

1113
00:56:04,280 --> 00:56:05,879
Speaker 3: Then they're always gonna have to rock them to sleep

1114
00:56:05,920 --> 00:56:08,080
Speaker 3: to put them down. But again, everyone does it differently.

1115
00:56:08,440 --> 00:56:11,319
Speaker 3: But yeah, we're not a We're not a rock soothe down.

1116
00:56:11,600 --> 00:56:13,319
Speaker 3: It's just a boop in your bed.

1117
00:56:13,520 --> 00:56:16,560
Speaker 4: Okay, good for good for you, because I gotta say

1118
00:56:16,800 --> 00:56:19,399
Speaker 4: I've spent a lot of time on the rocking train,

1119
00:56:19,480 --> 00:56:19,920
Speaker 4: my friend.

1120
00:56:20,280 --> 00:56:20,759
Speaker 2: I get it.

1121
00:56:20,800 --> 00:56:33,839
Speaker 3: I get it. I did with the first too.

1122
00:56:35,160 --> 00:56:38,560
Speaker 4: All right, shall we should we hop into a listener question?

1123
00:56:39,040 --> 00:56:39,800
Speaker 2: I think we should?

1124
00:56:39,880 --> 00:56:41,759
Speaker 4: What do we got, Jannet? Do you want to read it?

1125
00:56:41,800 --> 00:56:42,360
Speaker 4: Wor wan't me to take you?

1126
00:56:42,360 --> 00:56:44,160
Speaker 3: Sure? This is from Lisa. If the characters of One

1127
00:56:44,200 --> 00:56:46,160
Speaker 3: Tree Hill had a group chat today, who would send

1128
00:56:46,200 --> 00:56:48,480
Speaker 3: the most memes, who would leave the chat, and who

1129
00:56:48,480 --> 00:56:51,920
Speaker 3: would constantly change the group name. That's great, this is

1130
00:56:51,960 --> 00:56:56,520
Speaker 3: such a wow question. Then then then are you guys

1131
00:56:56,520 --> 00:56:57,759
Speaker 3: allow to say who would leave the chat?

1132
00:56:58,239 --> 00:56:58,560
Speaker 2: Yeah?

1133
00:56:59,160 --> 00:57:00,000
Speaker 3: Who would leave the chat?

1134
00:57:00,200 --> 00:57:00,319
Speaker 2: Oh?

1135
00:57:00,320 --> 00:57:01,120
Speaker 4: I thought you were asking?

1136
00:57:01,360 --> 00:57:03,520
Speaker 2: Oh oh yeah, yeah the characters?

1137
00:57:03,960 --> 00:57:04,760
Speaker 3: Oh the character?

1138
00:57:04,960 --> 00:57:05,160
Speaker 2: Yeah?

1139
00:57:05,520 --> 00:57:09,040
Speaker 4: Character easy? Easy.

1140
00:57:10,560 --> 00:57:11,879
Speaker 3: I was like, well, I would say the most memes

1141
00:57:11,920 --> 00:57:14,640
Speaker 3: I do always Kardashian memes of like Chloe or something.

1142
00:57:14,800 --> 00:57:17,240
Speaker 2: Oh my god, amazing. I know I was going to say.

1143
00:57:17,280 --> 00:57:19,120
Speaker 2: When we first started to read the question, I was like,

1144
00:57:19,520 --> 00:57:23,400
Speaker 2: Rob also is a meme guy, but characters, okay. I

1145
00:57:25,200 --> 00:57:28,400
Speaker 2: feel like Nathan would have no time for the group chat.

1146
00:57:28,400 --> 00:57:31,120
Speaker 2: He'd be like, I don't guys, I can't like. I

1147
00:57:31,200 --> 00:57:33,200
Speaker 2: just think I think he would be the person who

1148
00:57:33,200 --> 00:57:35,200
Speaker 2: would stay in it, but would put it on mute

1149
00:57:35,560 --> 00:57:37,240
Speaker 2: and just check it when he wants to.

1150
00:57:37,480 --> 00:57:39,439
Speaker 3: I feel like Hayley would leave. She's a mom, She's

1151
00:57:39,480 --> 00:57:41,920
Speaker 3: got a lot going on. She's like, I don't want

1152
00:57:41,960 --> 00:57:45,360
Speaker 3: to deal with anybody's drama or don't care.

1153
00:57:45,600 --> 00:57:47,920
Speaker 4: I could see Julian sending a lot of memes.

1154
00:57:48,120 --> 00:57:49,480
Speaker 3: I like Julian memes.

1155
00:57:49,960 --> 00:57:51,400
Speaker 4: Yes, Clay as well.

1156
00:57:51,520 --> 00:57:53,840
Speaker 3: I would probably change the name a lot, just like

1157
00:57:53,920 --> 00:57:56,400
Speaker 3: to be dumb and silly. And I don't know.

1158
00:57:56,480 --> 00:58:00,160
Speaker 2: I would actually love to see Alex's title for the group.

1159
00:58:00,120 --> 00:58:02,800
Speaker 3: Chat hot Bitches as.

1160
00:58:06,280 --> 00:58:07,000
Speaker 2: Oh my god, I.

1161
00:58:06,960 --> 00:58:10,680
Speaker 4: Love yeah, honorable mention. I'm just gonna jump in mine.

1162
00:58:11,160 --> 00:58:14,439
Speaker 4: It's you, Janna and premiering your song. Yes, especially knowing

1163
00:58:14,440 --> 00:58:17,080
Speaker 4: that this was like the kickoff of everything that was

1164
00:58:17,120 --> 00:58:18,800
Speaker 4: to come. Man, that's so freaking cool.

1165
00:58:19,520 --> 00:58:21,280
Speaker 3: Thank you so much, thanks so cool.

1166
00:58:22,160 --> 00:58:25,720
Speaker 2: I fully agree. And also a little like behind the scenes,

1167
00:58:25,880 --> 00:58:30,960
Speaker 2: honorable mention to piggyback on this for you. I remember

1168
00:58:31,880 --> 00:58:34,560
Speaker 2: when this stuff started to shift, and to your point,

1169
00:58:35,040 --> 00:58:40,520
Speaker 2: like the whole record deal, everything started going. People don't

1170
00:58:40,560 --> 00:58:44,480
Speaker 2: know how hard you were working because you would be

1171
00:58:44,560 --> 00:58:48,200
Speaker 2: in Wilmington with us on set. They would shuffle the schedule.

1172
00:58:49,120 --> 00:58:52,080
Speaker 2: I mean, we'd like get you from work to the

1173
00:58:52,080 --> 00:58:54,960
Speaker 2: airport and then you'd go and work in Nashville, and

1174
00:58:54,960 --> 00:58:57,680
Speaker 2: then you'd fly back to come to work, and like

1175
00:58:58,360 --> 00:59:01,880
Speaker 2: you were on that rotation in seven days a week,

1176
00:59:02,120 --> 00:59:05,320
Speaker 2: doing the thing, chasing the dream, and like that's the

1177
00:59:05,360 --> 00:59:09,080
Speaker 2: stuff most people don't see, but we got to see it,

1178
00:59:09,200 --> 00:59:11,680
Speaker 2: especially like you'd get home and I'd hear your keys

1179
00:59:11,680 --> 00:59:14,000
Speaker 2: in the apartment door and it'd be like it's Thursday, night,

1180
00:59:14,040 --> 00:59:17,280
Speaker 2: she's back. Like you know, you just never know when

1181
00:59:17,360 --> 00:59:20,760
Speaker 2: someone's on that kind of rotation, and it was really

1182
00:59:20,920 --> 00:59:25,720
Speaker 2: cool to watch you just like lean all the way in.

1183
00:59:26,480 --> 00:59:29,040
Speaker 3: Thanks girl, I appreciate it. Thanks for the love. You

1184
00:59:29,080 --> 00:59:31,600
Speaker 3: guys are so sweet. It was an honor to work

1185
00:59:31,600 --> 00:59:33,520
Speaker 3: with all of you, guys, so the best. Thank you?

1186
00:59:33,960 --> 00:59:35,480
Speaker 4: Shall we spin a wheel?

1187
00:59:35,920 --> 00:59:38,720
Speaker 2: Oh a love fest into a wheel? Spin give it

1188
00:59:38,720 --> 00:59:38,920
Speaker 2: to me?

1189
00:59:39,240 --> 00:59:48,320
Speaker 4: Yeah, buddy, hey, most likely to run for office and.

1190
00:59:48,280 --> 00:59:55,680
Speaker 3: Win, Clay really Yeah, you're like the agent and.

1191
00:59:54,760 --> 00:59:56,760
Speaker 2: The business guy the busside.

1192
00:59:57,120 --> 00:59:58,880
Speaker 4: Yeah, I accept your nomination.

1193
00:59:59,160 --> 01:00:00,960
Speaker 2: Trust I like that.

1194
01:00:01,400 --> 01:00:02,800
Speaker 4: And if it's real life, I'm gonna.

1195
01:00:02,600 --> 01:00:08,520
Speaker 3: Say so you sweet soul well obviously, Yeah he's that

1196
01:00:08,720 --> 01:00:10,960
Speaker 3: and there we go, girl, let's do it.

1197
01:00:12,680 --> 01:00:15,880
Speaker 4: Oh, Jenna, thank you for coming man.

1198
01:00:15,840 --> 01:00:17,640
Speaker 3: Thanks for having me, guys. I appreciate it.

1199
01:00:17,680 --> 01:00:18,400
Speaker 2: Thanks friend.

1200
01:00:18,560 --> 01:00:20,400
Speaker 3: All y'all listeners.

1201
01:00:20,680 --> 01:00:24,080
Speaker 2: Next week we've got season eight, episode twenty, The Man

1202
01:00:24,120 --> 01:00:25,720
Speaker 2: Who's Sailed Around his Soul.

1203
01:00:26,280 --> 01:00:30,200
Speaker 3: Bye see you then, bye, guys, Hey, thanks for listening.

1204
01:00:30,320 --> 01:00:32,560
Speaker 2: Don't forget to leave us a review. You can also

1205
01:00:32,600 --> 01:00:35,640
Speaker 2: follow us on Instagram at drama Queen's ot.

1206
01:00:35,720 --> 01:00:40,400
Speaker 3: H or email us at Drama Queens at iHeartRadio dot com.

1207
01:00:40,680 --> 01:00:41,680
Speaker 3: See you next time.

1208
01:00:42,920 --> 01:00:45,280
Speaker 1: We all about that high school drama.

1209
01:00:45,320 --> 01:00:46,680
Speaker 2: Girl, Drama Girl, all.

1210
01:00:46,560 --> 01:00:48,800
Speaker 1: About them high school queens.

1211
01:00:48,840 --> 01:00:51,080
Speaker 2: We'll take you for a ride at our comic Girl

1212
01:00:51,800 --> 01:00:56,200
Speaker 2: Shared for the Right Teams, Drama Queens, My Girl Fashion

1213
01:00:56,240 --> 01:00:58,160
Speaker 2: with your tough girl, you could sit with us

1214
01:00:58,240 --> 01:01:02,640
Speaker 1: Girl Drama Queens Drama Quise dah Mcqueens Drama, John McQueen's Drama,

1215
01:01:02,720 --> 01:01:03,760
Speaker 1: Queens's