1 00:00:00,080 --> 00:00:02,880 Speaker 1: Hello, and welcome back to Movie Mix Movie Podcast, or 2 00:00:02,920 --> 00:00:05,480 Speaker 1: welcome to Movie Mix Movie Podcast if you are a 3 00:00:05,519 --> 00:00:08,400 Speaker 1: new listener. I am your host movie Mike, and today 4 00:00:08,440 --> 00:00:10,520 Speaker 1: I want to talk about one of my favorite movie 5 00:00:10,520 --> 00:00:13,880 Speaker 1: tropes of all time when movies say the title of 6 00:00:13,920 --> 00:00:16,639 Speaker 1: the movie in the movie. We'll get into that topic 7 00:00:16,760 --> 00:00:19,200 Speaker 1: in the movie review. My wife Kelsey will join me 8 00:00:19,400 --> 00:00:22,079 Speaker 1: to talk about Don't Worry Darling and all the drama 9 00:00:22,079 --> 00:00:25,439 Speaker 1: surrounding that movie. Did it live up to expectations? And 10 00:00:25,440 --> 00:00:28,240 Speaker 1: then in the trailer park, a new m Night Shamalan 11 00:00:28,280 --> 00:00:31,000 Speaker 1: movie is coming out called Knock at the Cabin. I 12 00:00:31,120 --> 00:00:34,640 Speaker 1: have some aspirations for this next movie after watching this trailer, 13 00:00:34,720 --> 00:00:37,239 Speaker 1: so all that coming up for you on this week's episode. 14 00:00:37,320 --> 00:00:40,320 Speaker 1: Thanks for being subscribed, Thanks for rating this podcast five 15 00:00:40,360 --> 00:00:43,479 Speaker 1: stars and writing a review on Apple Podcast. Shout out 16 00:00:43,560 --> 00:00:47,000 Speaker 1: to the Monday Morning Movie crew. And now let's talk movies. 17 00:00:47,320 --> 00:00:50,440 Speaker 1: In a world where everyone and their mother has a podcast, 18 00:00:51,000 --> 00:00:54,880 Speaker 1: one man stands to infiltrate the ears of listeners like 19 00:00:55,000 --> 00:00:58,920 Speaker 1: never before in a movie podcast. A man with so 20 00:00:59,080 --> 00:01:03,000 Speaker 1: much movie knowledge, he's basically like a walking at m D. 21 00:01:03,400 --> 00:01:10,640 Speaker 1: Who's class From the Nashville Podcast Network. Movie Podcast if 22 00:01:10,680 --> 00:01:12,520 Speaker 1: you ever go and watch a movie with me, here 23 00:01:12,560 --> 00:01:14,399 Speaker 1: are a few things you can expect. If we go 24 00:01:14,440 --> 00:01:16,800 Speaker 1: to the theater. I have a very specific seat I 25 00:01:16,959 --> 00:01:19,840 Speaker 1: like to sit in. Has to be dead center. I 26 00:01:19,959 --> 00:01:23,039 Speaker 1: like to go that first row in that upper section. 27 00:01:23,440 --> 00:01:26,080 Speaker 1: If that seat is not available, I'll go one row back. 28 00:01:26,200 --> 00:01:28,120 Speaker 1: But that is what I considered to be the prime 29 00:01:28,200 --> 00:01:31,319 Speaker 1: seat for movie watching in the theater. If we watch 30 00:01:31,360 --> 00:01:34,440 Speaker 1: a movie at home, I will definitely at some point 31 00:01:34,520 --> 00:01:37,280 Speaker 1: pull out IMDb when there is an actor and I'm 32 00:01:37,280 --> 00:01:39,840 Speaker 1: trying to figure out what other movies or TV shows 33 00:01:39,840 --> 00:01:42,240 Speaker 1: they've been in. And the third thing is if a 34 00:01:42,360 --> 00:01:45,720 Speaker 1: character ever says the title of the movie in the movie, 35 00:01:45,959 --> 00:01:48,320 Speaker 1: you better believe I'm gonna be so annoying about it 36 00:01:48,360 --> 00:01:51,120 Speaker 1: and pointed out every single time. It has been my 37 00:01:51,160 --> 00:01:54,520 Speaker 1: favorite thing for years now. And the origin of this 38 00:01:54,800 --> 00:01:57,880 Speaker 1: is I remember watching an episode of Family Guy where 39 00:01:58,200 --> 00:02:00,640 Speaker 1: Peter Griffin points out that this is one of his 40 00:02:00,680 --> 00:02:03,200 Speaker 1: favorite feelings in the world. This is from an episode 41 00:02:03,240 --> 00:02:05,840 Speaker 1: back in two thousand and nine. Boy, I usually only 42 00:02:05,840 --> 00:02:07,960 Speaker 1: get this excited when they say the title of a movie. 43 00:02:08,040 --> 00:02:11,000 Speaker 1: In the movie. I'm telling you, these drug gaylords represent 44 00:02:11,120 --> 00:02:15,200 Speaker 1: uck clear and present things are got sights. He said it. 45 00:02:15,320 --> 00:02:17,560 Speaker 1: He said it, and I think ever since I saw 46 00:02:17,639 --> 00:02:21,360 Speaker 1: that episode, it's stuck with me and I try to 47 00:02:21,440 --> 00:02:23,680 Speaker 1: find it in every single movie I watched. Some movies 48 00:02:23,720 --> 00:02:27,080 Speaker 1: are harder than others, especially really hard in any movie 49 00:02:27,240 --> 00:02:29,760 Speaker 1: with a the in the title. But I think one 50 00:02:29,800 --> 00:02:31,959 Speaker 1: of those did make this list that I came up with, 51 00:02:32,120 --> 00:02:35,720 Speaker 1: and it's nearly impossible to do in a sequel. What 52 00:02:35,800 --> 00:02:37,920 Speaker 1: I have put together is I pulled a lot of 53 00:02:38,000 --> 00:02:40,720 Speaker 1: clips from movies where they say the title, and we're 54 00:02:40,720 --> 00:02:43,440 Speaker 1: going to rank them based on how good a job 55 00:02:43,600 --> 00:02:46,640 Speaker 1: they did to incorporate the title in the movie, how 56 00:02:46,840 --> 00:02:50,160 Speaker 1: hype that moment got me, And we'll also consider just 57 00:02:50,480 --> 00:02:52,560 Speaker 1: the movie in general and if it's a good movie 58 00:02:52,639 --> 00:02:55,120 Speaker 1: or not. So. Kicking off the list, let's start with 59 00:02:55,200 --> 00:02:58,359 Speaker 1: a couple Robin Williams movies. Let's start it off strong 60 00:02:58,400 --> 00:03:01,560 Speaker 1: with good Morning Vietnam, one of his best lines in 61 00:03:01,560 --> 00:03:07,480 Speaker 1: a movie ever. Here's Robin Williams from seven Good Money. 62 00:03:09,000 --> 00:03:11,320 Speaker 1: I think a great use of this in this case 63 00:03:11,639 --> 00:03:14,400 Speaker 1: is that is something that everybody remembers from that movie, 64 00:03:14,600 --> 00:03:16,480 Speaker 1: of course, because it's the title of the movie. As 65 00:03:16,480 --> 00:03:18,160 Speaker 1: we see with all of these in the list, but 66 00:03:18,280 --> 00:03:21,400 Speaker 1: also because it's something you want to try and do yourself. 67 00:03:21,600 --> 00:03:25,440 Speaker 1: So that's a very memorable line, a very great delivery 68 00:03:25,520 --> 00:03:28,240 Speaker 1: from a very talented actor. So if I had to 69 00:03:28,280 --> 00:03:30,480 Speaker 1: write that one, I'm giving it a five out of five. 70 00:03:30,680 --> 00:03:35,360 Speaker 1: Moving on now to another Robin Williams movie from nineteen, Jumanji, 71 00:03:35,560 --> 00:03:44,640 Speaker 1: and he lost with oh it's Jumanji, and this is 72 00:03:44,680 --> 00:03:47,960 Speaker 1: what this entire movie is leading up to, because how 73 00:03:48,000 --> 00:03:50,760 Speaker 1: do you win the game Jumanji. You have to finish 74 00:03:50,840 --> 00:03:53,320 Speaker 1: and you have to say the words Jumanji for the 75 00:03:53,400 --> 00:03:56,000 Speaker 1: game to end. And finally, in this scene of the 76 00:03:56,040 --> 00:04:01,280 Speaker 1: movie from nine, Robin Williams character only completes the game 77 00:04:01,600 --> 00:04:04,560 Speaker 1: and is able to send everything back to the way 78 00:04:04,600 --> 00:04:08,240 Speaker 1: it was before. Jumanji was one of my favorite movies 79 00:04:08,280 --> 00:04:11,440 Speaker 1: as a kid, as it brought to life all of 80 00:04:11,480 --> 00:04:14,480 Speaker 1: my wildest dreams I've ever playing a board game, and 81 00:04:14,760 --> 00:04:17,559 Speaker 1: I remember watching this movie so much, and even hearing 82 00:04:17,600 --> 00:04:20,160 Speaker 1: that clip back now as an adult gives me that 83 00:04:20,240 --> 00:04:24,640 Speaker 1: feeling again. So Dreumanji, I give that one another five 84 00:04:24,680 --> 00:04:27,200 Speaker 1: out of five. Let's stay in the nineties, but go 85 00:04:27,320 --> 00:04:30,479 Speaker 1: way back to the beginning of the decade from here's 86 00:04:30,480 --> 00:04:32,680 Speaker 1: the one from Home Alone with the kids there the 87 00:04:32,720 --> 00:04:39,719 Speaker 1: parents gotta be I said it in there, Home Alone 88 00:04:39,880 --> 00:04:44,240 Speaker 1: a Christmas classic. But is that use of the title 89 00:04:44,320 --> 00:04:47,520 Speaker 1: of the movie really that great? I would say not really. 90 00:04:47,760 --> 00:04:51,000 Speaker 1: It feels a little bit forced in there, and almost 91 00:04:51,040 --> 00:04:53,440 Speaker 1: feels like they included this scene just so they could 92 00:04:53,520 --> 00:04:56,159 Speaker 1: put it in the trailer to set up what Home 93 00:04:56,200 --> 00:04:58,880 Speaker 1: Alone is all about. I don't think you need to here. 94 00:04:59,000 --> 00:05:02,560 Speaker 1: I think it doesn't provide much to the excitement. It's 95 00:05:02,600 --> 00:05:05,360 Speaker 1: not very memorable, So this one doesn't have a lot 96 00:05:05,440 --> 00:05:07,640 Speaker 1: of lasting power. So I'm going to have to give 97 00:05:07,760 --> 00:05:11,080 Speaker 1: Home Alone a one out of five. How about dude, 98 00:05:11,080 --> 00:05:14,080 Speaker 1: where's my Car? From two thousands? Where's my car? Where's 99 00:05:14,080 --> 00:05:19,279 Speaker 1: your car? Dude? See where's my car? Where's your car? Dude? Dude, 100 00:05:19,279 --> 00:05:23,440 Speaker 1: where's my car? Where's your car? Dude? As stupid as 101 00:05:23,480 --> 00:05:27,800 Speaker 1: this movie is, as pointless as it is, this establishes 102 00:05:27,920 --> 00:05:30,920 Speaker 1: the theme for the entire movie, says the title at 103 00:05:30,920 --> 00:05:33,840 Speaker 1: the very beginning, and the entire movie is literally just 104 00:05:33,920 --> 00:05:36,679 Speaker 1: them trying to find his car. And it's a great 105 00:05:36,800 --> 00:05:40,600 Speaker 1: bit that you think would get annoying and probably to 106 00:05:40,680 --> 00:05:43,080 Speaker 1: sell him the whole movie is kind of annoying, But 107 00:05:43,120 --> 00:05:47,559 Speaker 1: they use these kind of comedic elements throughout the entire film. Again, 108 00:05:47,640 --> 00:05:50,280 Speaker 1: calling do Where's My car of film feels a little 109 00:05:50,320 --> 00:05:52,440 Speaker 1: bit weird, but I feel like this one has some 110 00:05:52,480 --> 00:05:56,080 Speaker 1: pretty good sustainability. I have found myself time after time 111 00:05:56,360 --> 00:05:58,599 Speaker 1: if I'm in a situation where I'm at like a 112 00:05:58,640 --> 00:06:02,000 Speaker 1: parking garage and I can't find my car, I say, dude, 113 00:06:02,000 --> 00:06:04,640 Speaker 1: where's my car? Where's your car? Dude? So the comedic 114 00:06:04,760 --> 00:06:09,240 Speaker 1: level is there. It's very memorable. The movie itself. I 115 00:06:09,279 --> 00:06:11,400 Speaker 1: don't think I would put it on my mount Rushmore 116 00:06:11,440 --> 00:06:14,359 Speaker 1: of comedies. So I would give this use a four 117 00:06:14,440 --> 00:06:17,000 Speaker 1: out of five. How about now we move into some 118 00:06:17,120 --> 00:06:22,240 Speaker 1: superhero movies. Let's look at teens suicide Squad. So that's it, 119 00:06:23,040 --> 00:06:27,000 Speaker 1: what with some kind of suicide squad. This is a 120 00:06:27,080 --> 00:06:31,359 Speaker 1: bad movie, although it gets a little bit more hate 121 00:06:31,400 --> 00:06:33,919 Speaker 1: than it deserves. I remember watching it in theaters and 122 00:06:34,040 --> 00:06:36,240 Speaker 1: enjoying some parts of it. But when you really break 123 00:06:36,279 --> 00:06:39,760 Speaker 1: down what this movie was supposed to be versus what 124 00:06:40,120 --> 00:06:43,279 Speaker 1: we actually got, it's a pretty big let down. And 125 00:06:43,320 --> 00:06:45,360 Speaker 1: in the same way I fell in Home Alone, they 126 00:06:45,360 --> 00:06:47,360 Speaker 1: were just trying to get that line for the movie trailer. 127 00:06:47,440 --> 00:06:50,640 Speaker 1: This is exactly what that is, this moment feels cheesy 128 00:06:50,800 --> 00:06:53,960 Speaker 1: beyond belief, and I'm glad they date away from this. 129 00:06:54,000 --> 00:06:56,800 Speaker 1: In the version at that time, it would have been 130 00:06:56,839 --> 00:07:00,640 Speaker 1: even more cheesy because a character would have had to say, 131 00:07:00,720 --> 00:07:03,440 Speaker 1: what are we the Suicide Squad to show the difference 132 00:07:03,440 --> 00:07:06,440 Speaker 1: in the two movies. So overall, this one has a 133 00:07:06,440 --> 00:07:09,760 Speaker 1: lot of things going against it. If he was very forced, 134 00:07:10,040 --> 00:07:13,680 Speaker 1: it's coming from wool Smith's character, who was also pretty 135 00:07:13,680 --> 00:07:17,000 Speaker 1: forgettable in this movie. And there's not much else I 136 00:07:17,080 --> 00:07:20,040 Speaker 1: like about this use here. So for Suicide Squad from 137 00:07:20,920 --> 00:07:23,040 Speaker 1: I'm giving this one a zero out of five. Let's 138 00:07:23,080 --> 00:07:26,400 Speaker 1: move on now to Marvel and from two thousand and eight. 139 00:07:26,520 --> 00:07:36,000 Speaker 1: Let's talk about iron Man. I am iron Man. So 140 00:07:36,040 --> 00:07:39,320 Speaker 1: this is the moment that this entire movie was leading 141 00:07:39,440 --> 00:07:41,720 Speaker 1: up to. And I know I throw this word around 142 00:07:41,720 --> 00:07:45,560 Speaker 1: a lot, but this scene is an iconic superhero scene. 143 00:07:45,600 --> 00:07:47,920 Speaker 1: You have Tony Stark up there, who's supposed to just 144 00:07:47,960 --> 00:07:50,520 Speaker 1: deliver this message say that he was an iron Man, 145 00:07:50,640 --> 00:07:53,440 Speaker 1: but in his soul, he felt like that would be 146 00:07:53,480 --> 00:07:56,000 Speaker 1: a disservice and he had to let the world know 147 00:07:56,400 --> 00:07:58,920 Speaker 1: that I am iron Man. And why this is so 148 00:07:59,040 --> 00:08:02,840 Speaker 1: significant is because this was the first movie in the 149 00:08:02,960 --> 00:08:05,360 Speaker 1: m c U back in two thousand and eight, and 150 00:08:05,440 --> 00:08:08,800 Speaker 1: that iconic line would be heard again in Avengers Endgame, 151 00:08:09,080 --> 00:08:13,160 Speaker 1: closing out this entire saga. So him saying it in 152 00:08:13,200 --> 00:08:16,119 Speaker 1: this movie at the end and then saying it again 153 00:08:16,160 --> 00:08:18,920 Speaker 1: at the end of Endgame adds so much more weight 154 00:08:18,960 --> 00:08:21,360 Speaker 1: to it. But I just think the delivery is so awesome, 155 00:08:21,400 --> 00:08:22,920 Speaker 1: the fact that it comes at the very end of 156 00:08:22,920 --> 00:08:25,160 Speaker 1: the movie. You hit the song and then you're roll 157 00:08:25,240 --> 00:08:27,600 Speaker 1: to credit. That's a very powerful thing to do. In 158 00:08:27,680 --> 00:08:30,600 Speaker 1: most movies, you would probably say that and then continue 159 00:08:30,600 --> 00:08:32,800 Speaker 1: on with some of the aftermass, but Nope, that leads 160 00:08:32,800 --> 00:08:35,720 Speaker 1: you straight into Iron Man too. So nothing I don't 161 00:08:35,760 --> 00:08:37,839 Speaker 1: like about the use here. So I'm giving Iron Man 162 00:08:37,920 --> 00:08:40,440 Speaker 1: from two thousand and eight five out of five. All right, 163 00:08:40,520 --> 00:08:43,480 Speaker 1: let's go back to d C here, also from two 164 00:08:43,480 --> 00:08:51,160 Speaker 1: thousand and eight, The Dark Night, Dark Mind. Again, this 165 00:08:51,200 --> 00:08:54,440 Speaker 1: one comes at the very end of the movie, and 166 00:08:54,440 --> 00:08:58,200 Speaker 1: it's when Commissioner Gordon is explaining why they have to 167 00:08:58,360 --> 00:09:02,520 Speaker 1: chase Batman and the noble decision that Christian Bales Batman 168 00:09:02,640 --> 00:09:05,840 Speaker 1: has done to be what the city needs right now. 169 00:09:06,120 --> 00:09:08,000 Speaker 1: And it's weird that the use of this one is 170 00:09:08,040 --> 00:09:11,199 Speaker 1: so strikingly similar to Iron Man, which also came out 171 00:09:11,200 --> 00:09:14,920 Speaker 1: in two thousand and eight. They're both superhero movies, both 172 00:09:15,000 --> 00:09:18,199 Speaker 1: being the last line spoken in each movie, and then 173 00:09:18,200 --> 00:09:20,640 Speaker 1: you're all the credits. Which one of these makes me 174 00:09:20,720 --> 00:09:23,640 Speaker 1: feel a little bit more hype, probably the Iron Man 175 00:09:23,760 --> 00:09:26,720 Speaker 1: because it comes from Tony Stark, But I love the 176 00:09:26,760 --> 00:09:29,400 Speaker 1: open ending to the Dark Knight, and this is often 177 00:09:29,440 --> 00:09:32,360 Speaker 1: what Christopher Nolan does in his movies. He leaves some 178 00:09:32,440 --> 00:09:36,000 Speaker 1: of the ending up to interpretation and you kind of 179 00:09:36,000 --> 00:09:39,440 Speaker 1: put together later through your imagination what happens after this, 180 00:09:39,840 --> 00:09:43,040 Speaker 1: and this is a great lead into the Dark Knight rises. 181 00:09:43,120 --> 00:09:46,760 Speaker 1: So I think this is a great use here from arguably, 182 00:09:47,120 --> 00:09:49,480 Speaker 1: depending on the day you asked me, my favorite movie 183 00:09:49,480 --> 00:09:52,000 Speaker 1: of all time. But it still doesn't get me as 184 00:09:52,080 --> 00:09:54,000 Speaker 1: hype as some of the other ones. So I'm going 185 00:09:54,040 --> 00:09:56,720 Speaker 1: to give this one a four point five out of five. 186 00:09:56,920 --> 00:10:00,800 Speaker 1: It's almost perfect. Though. Let's go back to the Night nineties. Now, 187 00:10:01,080 --> 00:10:05,120 Speaker 1: one of my favorite action comedies from nineteen nine seven. 188 00:10:05,240 --> 00:10:08,640 Speaker 1: Let's talk about conn Air. Ladies and gentlemen. This is 189 00:10:08,679 --> 00:10:12,720 Speaker 1: your captains making I have the only gun on board, 190 00:10:13,760 --> 00:10:17,800 Speaker 1: Welcome to con Air. I love how ridiculous this movie 191 00:10:18,040 --> 00:10:23,360 Speaker 1: is the action, the characters, the acting. Everything about this 192 00:10:23,440 --> 00:10:26,440 Speaker 1: movie would lead you to believe that it is a bad, 193 00:10:26,600 --> 00:10:29,240 Speaker 1: cheesy movie, and that's kind of what conn Air is. 194 00:10:29,440 --> 00:10:31,880 Speaker 1: It's one of the most memorable movies of the nineties. 195 00:10:31,920 --> 00:10:35,640 Speaker 1: But on paper, it has all the action movie tropes 196 00:10:35,920 --> 00:10:38,719 Speaker 1: and all the cheesy lines in acting. But I think 197 00:10:38,760 --> 00:10:40,760 Speaker 1: what makes it a great movie is it has a 198 00:10:40,760 --> 00:10:44,319 Speaker 1: lot of a list actors and it seems very self aware, 199 00:10:44,520 --> 00:10:47,400 Speaker 1: and I think this line is a great example of that. 200 00:10:47,559 --> 00:10:51,480 Speaker 1: I think one of the cheesiest uses of someone saying 201 00:10:51,520 --> 00:10:53,920 Speaker 1: the title of the movie in the movie. But I 202 00:10:53,960 --> 00:10:56,280 Speaker 1: love it. I'm all about it. So I give Connie's 203 00:10:56,400 --> 00:10:58,920 Speaker 1: use a four out of five. I'm gonna stay in 204 00:10:58,920 --> 00:11:02,719 Speaker 1: the year nine seven. Speaking about cheesy action movies, one 205 00:11:02,720 --> 00:11:04,839 Speaker 1: of my favorites has to be Face Off. You have 206 00:11:05,160 --> 00:11:08,080 Speaker 1: Nick Cage, you have John Travolta in one of the 207 00:11:08,120 --> 00:11:10,840 Speaker 1: most ridiculous plots. We got a lot of this in 208 00:11:10,880 --> 00:11:14,480 Speaker 1: the nineties, very ridiculous plots to action movies. But man, 209 00:11:14,559 --> 00:11:17,040 Speaker 1: do we eat those up, and it's something very hard 210 00:11:17,120 --> 00:11:20,960 Speaker 1: to replicate and redo. Now I've seen kind of a 211 00:11:21,000 --> 00:11:24,000 Speaker 1: resurgence in these type of movies, but very few have 212 00:11:24,080 --> 00:11:26,800 Speaker 1: found that same charm from the nineties. But let's take 213 00:11:26,800 --> 00:11:29,680 Speaker 1: a liston in to face Off. I'd like to take 214 00:11:29,800 --> 00:11:35,880 Speaker 1: his his face kind of along those same lines of 215 00:11:35,960 --> 00:11:38,880 Speaker 1: con Air. The acting in this movie, that's the level 216 00:11:38,960 --> 00:11:42,280 Speaker 1: of it, and Nicolas Cage is kind of the king 217 00:11:42,400 --> 00:11:46,160 Speaker 1: of cringe acting. He probably recently has gotten into some 218 00:11:46,200 --> 00:11:48,720 Speaker 1: better roles where he's actually showing off like I'm a 219 00:11:48,800 --> 00:11:51,520 Speaker 1: legit actor. But in the nineties there were some movies 220 00:11:51,559 --> 00:11:53,240 Speaker 1: he was in that it was just like, man, are 221 00:11:53,280 --> 00:11:55,680 Speaker 1: you just doing these to be able to buy a 222 00:11:55,760 --> 00:11:58,439 Speaker 1: t Rex goal? Later? Probably where did all the money 223 00:11:58,440 --> 00:12:00,559 Speaker 1: you made in the nineties go? But is the movie 224 00:12:00,679 --> 00:12:03,200 Speaker 1: I often quote in my normal day to day life 225 00:12:03,240 --> 00:12:05,320 Speaker 1: when it comes up. It doesn't come up very often, 226 00:12:05,360 --> 00:12:07,200 Speaker 1: but I love just saying I'd like to take his 227 00:12:07,320 --> 00:12:11,440 Speaker 1: face off. Face Off. I'm gonna give it a three 228 00:12:11,440 --> 00:12:15,760 Speaker 1: point five out of five. Staying in the nineties, closing 229 00:12:15,800 --> 00:12:19,480 Speaker 1: out the decade in nine, let's take a look at 230 00:12:19,480 --> 00:12:22,160 Speaker 1: the use in the Matrix. Do you know what I'm 231 00:12:22,160 --> 00:12:27,280 Speaker 1: talking about? The Matrix? I don't love that use. I 232 00:12:27,400 --> 00:12:30,680 Speaker 1: am not even the biggest fan of The Matrix. I 233 00:12:30,720 --> 00:12:32,839 Speaker 1: remember when it came out, I thought it was all right, 234 00:12:33,080 --> 00:12:36,160 Speaker 1: And recently when the fourth movie came back, I went 235 00:12:36,400 --> 00:12:40,560 Speaker 1: and rewatched or was going to rewatch the trilogy. But 236 00:12:40,679 --> 00:12:43,720 Speaker 1: after the first one I kind of found that that 237 00:12:43,760 --> 00:12:46,640 Speaker 1: movie was a lot more boring than I remembered. It's 238 00:12:46,679 --> 00:12:51,199 Speaker 1: a lot more slow paced and less action than I remembered, 239 00:12:51,520 --> 00:12:54,240 Speaker 1: And nothing about hearing the use here makes me want 240 00:12:54,280 --> 00:12:56,280 Speaker 1: to go back and give it another shot. So for 241 00:12:56,320 --> 00:12:59,400 Speaker 1: the matrix, I'm gonna give this one a two out 242 00:12:59,400 --> 00:13:02,720 Speaker 1: of five, and with that we go back to and 243 00:13:02,840 --> 00:13:06,680 Speaker 1: back to the future next Saturday nights. We're sending you 244 00:13:06,760 --> 00:13:10,319 Speaker 1: back to the future. What else can you say about 245 00:13:10,360 --> 00:13:12,760 Speaker 1: Back to the Future. It's a perfect movie. It has 246 00:13:12,840 --> 00:13:15,640 Speaker 1: sci fi, it has a love story, it has comedy, 247 00:13:15,679 --> 00:13:19,360 Speaker 1: it has action, but most importantly, it has doc saying 248 00:13:19,400 --> 00:13:22,600 Speaker 1: the title of the movie in the movie very memorable scene. 249 00:13:22,800 --> 00:13:25,200 Speaker 1: An A plus movie will give that use a five 250 00:13:25,240 --> 00:13:27,640 Speaker 1: out of five. Let's do a random one here. How 251 00:13:27,640 --> 00:13:29,920 Speaker 1: about from two thousand and six one of the most 252 00:13:30,080 --> 00:13:33,400 Speaker 1: ridiculous movies of that decade, Snakes on a Plane starring 253 00:13:33,440 --> 00:13:36,800 Speaker 1: Samuel L. Jackson. I have had it with this monkey 254 00:13:36,920 --> 00:13:41,720 Speaker 1: fighting snakes on this London Friday Pride. Everybody's strapping in 255 00:13:42,920 --> 00:13:45,960 Speaker 1: about the only freaking windows. So what you heard there 256 00:13:46,200 --> 00:13:49,640 Speaker 1: is his character giving that famous scene saying the title 257 00:13:49,720 --> 00:13:52,920 Speaker 1: of the movie. But that is actually the edited version 258 00:13:52,960 --> 00:13:56,160 Speaker 1: that they run on TV. And I laughed so hard 259 00:13:56,200 --> 00:13:58,440 Speaker 1: whenever I first discovered this, that this is how they 260 00:13:58,520 --> 00:14:01,240 Speaker 1: run this movie on TV. It's just funny to hear 261 00:14:01,320 --> 00:14:04,600 Speaker 1: Samuel L. Jackson sensored because he is known for saying 262 00:14:04,640 --> 00:14:06,680 Speaker 1: the F word. I get joy when he says the 263 00:14:06,800 --> 00:14:09,400 Speaker 1: F word, and it's just so funny to me when 264 00:14:09,440 --> 00:14:12,200 Speaker 1: they sense your him out, especially saying Monday through Friday plane. 265 00:14:12,320 --> 00:14:15,640 Speaker 1: One of the best uses of censorship ever. I would 266 00:14:15,720 --> 00:14:18,480 Speaker 1: like to give an award to whoever was in charge 267 00:14:18,480 --> 00:14:22,120 Speaker 1: of writing that alternative dialogue for that scene at so 268 00:14:22,200 --> 00:14:25,840 Speaker 1: much more comedic value in my opinion. So for that reason, 269 00:14:25,920 --> 00:14:28,800 Speaker 1: a three point five out of five. If you like snakes, 270 00:14:28,880 --> 00:14:32,320 Speaker 1: maybe you like dinosaurs. How about the movie from nineteen three, 271 00:14:32,520 --> 00:14:42,680 Speaker 1: Jurassic Park far So here is where something can feel 272 00:14:42,840 --> 00:14:46,400 Speaker 1: a little bit forced but also feel magical. And I 273 00:14:46,440 --> 00:14:49,800 Speaker 1: remember this line from the movie trailer. But unlike the 274 00:14:49,920 --> 00:14:53,600 Speaker 1: use and Home Alone, unlike the use in Suicide Squad, 275 00:14:54,000 --> 00:14:57,680 Speaker 1: this moment feels very magical. It's the first time we 276 00:14:57,720 --> 00:15:01,040 Speaker 1: really see all the dinosaurs on screen, and you see 277 00:15:01,080 --> 00:15:05,480 Speaker 1: all the characters reacting to that. Great delivery, great scene, 278 00:15:05,920 --> 00:15:09,400 Speaker 1: great movie, will give Jurassic Park. Let's go to It's 279 00:15:09,440 --> 00:15:11,680 Speaker 1: a five out of five, and we'll move to two 280 00:15:11,720 --> 00:15:15,360 Speaker 1: thousand and five. Walk the Line, which is kind of 281 00:15:15,400 --> 00:15:19,520 Speaker 1: a hard line to fit into a movie unless you're 282 00:15:19,520 --> 00:15:21,680 Speaker 1: just saying, hey, I'm running a song called Walk the Line. 283 00:15:22,240 --> 00:15:25,040 Speaker 1: This is the scene where Johnny Cash in his band 284 00:15:25,600 --> 00:15:29,000 Speaker 1: are all getting drunk sitting on this stage, and then 285 00:15:29,240 --> 00:15:32,240 Speaker 1: June comes up and confronts him, saying that he's going 286 00:15:32,280 --> 00:15:35,520 Speaker 1: to throw his entire career down the drain. And in 287 00:15:35,560 --> 00:15:38,880 Speaker 1: the movie, she says the line like this, what was 288 00:15:38,920 --> 00:15:41,040 Speaker 1: I thinking? I must have been crazy. They're all gonna 289 00:15:41,040 --> 00:15:43,720 Speaker 1: blow this tour. You can't walk in the line, And 290 00:15:43,760 --> 00:15:47,280 Speaker 1: then it leads to Johnny Cash yelling at her. There's 291 00:15:47,320 --> 00:15:50,280 Speaker 1: some beer bottles thrown. But then the scene that follows 292 00:15:50,360 --> 00:15:54,360 Speaker 1: this is him performing Walk the Line, So it kind 293 00:15:54,400 --> 00:15:58,000 Speaker 1: of feels maybe like the Hollywood version of how that 294 00:15:58,080 --> 00:16:00,760 Speaker 1: song came together. I don't think that's exactly how it happened. 295 00:16:01,080 --> 00:16:02,840 Speaker 1: She says the line, He's like, oh, that'd be a 296 00:16:02,880 --> 00:16:06,720 Speaker 1: good song title, and then next day he's singing on stage. 297 00:16:06,960 --> 00:16:09,480 Speaker 1: That's how it happens in the movie. I'd like to 298 00:16:09,480 --> 00:16:11,360 Speaker 1: think that's how it happened in real life, but I 299 00:16:11,400 --> 00:16:14,400 Speaker 1: always just loved how it created this fairy tale of 300 00:16:14,520 --> 00:16:16,960 Speaker 1: that's how it went down. So for that reason, I 301 00:16:17,040 --> 00:16:19,480 Speaker 1: give this use a four out of five. Let's go 302 00:16:19,520 --> 00:16:22,320 Speaker 1: back to and take a look at one of the 303 00:16:22,360 --> 00:16:26,080 Speaker 1: most iconic lines in film ever, fight Club. The first 304 00:16:26,160 --> 00:16:28,800 Speaker 1: rule of fight Club is you do not talk about 305 00:16:28,880 --> 00:16:32,000 Speaker 1: fight Club. And while fight Club is a great movie, 306 00:16:32,440 --> 00:16:34,680 Speaker 1: I feel like maybe that movie quote is a little 307 00:16:34,680 --> 00:16:38,520 Speaker 1: bit over used for that reason. But it's a great line, 308 00:16:38,800 --> 00:16:41,360 Speaker 1: so it's coming from a deficit that I feel it's 309 00:16:41,360 --> 00:16:43,840 Speaker 1: a little bit cliche to say now, and maybe it's 310 00:16:43,840 --> 00:16:45,760 Speaker 1: because I've heard it so much now that it doesn't 311 00:16:45,800 --> 00:16:49,040 Speaker 1: really bring any kind of feelings back. It doesn't really 312 00:16:49,040 --> 00:16:51,320 Speaker 1: have a nostalgia quality even though it came out of 313 00:16:51,400 --> 00:16:54,800 Speaker 1: the nineties. So a great line, but I don't think 314 00:16:54,800 --> 00:16:56,680 Speaker 1: it's one of the best. So I give fight Club 315 00:16:56,840 --> 00:16:59,120 Speaker 1: a three out of five with that use. How about 316 00:16:59,120 --> 00:17:02,080 Speaker 1: another brutal act and movie. This one actually comes to 317 00:17:02,160 --> 00:17:06,119 Speaker 1: us from Kill Bill Volume two from Quentin Tarantino starring 318 00:17:06,240 --> 00:17:08,680 Speaker 1: Uma Thurman, and it came out back in two thousand 319 00:17:09,000 --> 00:17:13,720 Speaker 1: and four, and when I arrive at my destination, I 320 00:17:13,760 --> 00:17:19,840 Speaker 1: am gonna kill Bill. It's weird for how big of 321 00:17:19,880 --> 00:17:23,480 Speaker 1: a Quentin Tarantino fan I am that this is probably 322 00:17:23,520 --> 00:17:26,119 Speaker 1: the movies I go back to and watch the least, 323 00:17:26,160 --> 00:17:28,600 Speaker 1: even though I remember loving these movies when they first 324 00:17:28,600 --> 00:17:32,800 Speaker 1: came out. And Quentin Tarantino doesn't make sequels to his movies, 325 00:17:33,119 --> 00:17:36,760 Speaker 1: and this is volume two, but he counts Kill Bill 326 00:17:37,000 --> 00:17:40,400 Speaker 1: as one movie because part two is just a continuation 327 00:17:40,440 --> 00:17:43,040 Speaker 1: of that. I love Uma Thurmon in this movie. My 328 00:17:43,119 --> 00:17:45,399 Speaker 1: problem with this quote is they didn't say it in 329 00:17:45,400 --> 00:17:48,720 Speaker 1: the first one chooses to say in volume two, So 330 00:17:48,760 --> 00:17:51,000 Speaker 1: what she really should have said is I'm going to 331 00:17:51,160 --> 00:17:53,760 Speaker 1: kill Bill volume two. So I feel like the quote 332 00:17:53,840 --> 00:17:57,160 Speaker 1: is a little bit inaccurate. So for that reason, I'm 333 00:17:57,200 --> 00:17:59,840 Speaker 1: giving it a three out of five. How about the 334 00:17:59,840 --> 00:18:03,040 Speaker 1: movie be good Fellas from nineteen We always called each 335 00:18:03,040 --> 00:18:06,440 Speaker 1: other good fellas. Like you say to us, somebody, you're 336 00:18:06,440 --> 00:18:09,200 Speaker 1: gonna like this guy. He's all right, he's a good fella. 337 00:18:09,280 --> 00:18:14,040 Speaker 1: He's one of us. I understand we were good fellas. 338 00:18:14,280 --> 00:18:20,119 Speaker 1: Wise guys, this is actually the best scene, the saddest scene, 339 00:18:20,680 --> 00:18:24,280 Speaker 1: the most intense and brutal scene out of the entire movie. 340 00:18:24,560 --> 00:18:27,120 Speaker 1: And good Fellas is, without a doubt, my favorite Martin 341 00:18:27,160 --> 00:18:29,639 Speaker 1: Scorsese movie. It's a movie I can watch over and 342 00:18:29,720 --> 00:18:32,840 Speaker 1: over again without getting sick of. And ray Leota saying 343 00:18:32,840 --> 00:18:35,120 Speaker 1: the title here is also one of my favorite things 344 00:18:35,200 --> 00:18:38,760 Speaker 1: because his narration is really what brings this entire movie together. 345 00:18:39,359 --> 00:18:42,240 Speaker 1: It gives it this cohesive feel. It's something that has 346 00:18:42,280 --> 00:18:46,399 Speaker 1: been emulated in other movies but never replicated the same 347 00:18:46,440 --> 00:18:49,080 Speaker 1: way as it wasn't good Fellas. And man, this scene 348 00:18:49,160 --> 00:18:52,119 Speaker 1: is just so shocking the first time you watch it, 349 00:18:52,320 --> 00:18:54,680 Speaker 1: and it also is the first time they really explained 350 00:18:54,760 --> 00:18:57,000 Speaker 1: the use of good Fellas. Like the entire kind of 351 00:18:57,040 --> 00:18:59,720 Speaker 1: theme of the movie is right there in that line. 352 00:19:00,040 --> 00:19:02,240 Speaker 1: If I could give it any rating higher than a 353 00:19:02,280 --> 00:19:04,840 Speaker 1: five out of five, I would, But this is easily 354 00:19:04,880 --> 00:19:07,040 Speaker 1: one of the best five out of five. How about 355 00:19:07,119 --> 00:19:17,600 Speaker 1: from the Breakfast Club The Breakfast Club? Yeah, yeah, again. 356 00:19:17,680 --> 00:19:20,199 Speaker 1: This one comes at the end of the movie. It 357 00:19:20,200 --> 00:19:22,520 Speaker 1: has a couple of things going for it. Here you 358 00:19:23,119 --> 00:19:26,040 Speaker 1: get the name of the movie. Of course, you get 359 00:19:26,119 --> 00:19:28,800 Speaker 1: the theme song to the entire movie. One of the 360 00:19:28,840 --> 00:19:33,600 Speaker 1: most memorable images of any movie from the eighties. So 361 00:19:33,680 --> 00:19:37,200 Speaker 1: the visual elevates it, the song elevates it even higher, 362 00:19:37,680 --> 00:19:39,960 Speaker 1: and then you have the title of the freaking movie. 363 00:19:40,160 --> 00:19:43,200 Speaker 1: Give it a five out of five. And finally, let's 364 00:19:43,359 --> 00:19:46,040 Speaker 1: end it on a movie from two thousand and three, 365 00:19:46,520 --> 00:19:50,199 Speaker 1: School of Rock, where it's Jack Black's character posing as 366 00:19:50,200 --> 00:19:53,520 Speaker 1: a substitute teacher in a prep school and he gets 367 00:19:53,560 --> 00:19:56,000 Speaker 1: all of them to form a band with him so 368 00:19:56,040 --> 00:19:58,560 Speaker 1: they can enter into a Battle of the Bands, and 369 00:19:59,000 --> 00:20:01,919 Speaker 1: leading up to this they been trying to name their band, 370 00:20:02,480 --> 00:20:08,480 Speaker 1: and then they finally do the School of Rock and 371 00:20:08,640 --> 00:20:12,600 Speaker 1: we Shall teach Rock and Roll to the world. A 372 00:20:12,760 --> 00:20:18,080 Speaker 1: movie that was very instrumental in my preteen years. So 373 00:20:18,119 --> 00:20:21,760 Speaker 1: many funny lines, so many funny songs in a movie 374 00:20:21,800 --> 00:20:25,560 Speaker 1: that Jack Black should have won an Oscar for. Rarely, 375 00:20:25,760 --> 00:20:29,320 Speaker 1: if ever, do I see people winning Oscars for comedies, 376 00:20:29,320 --> 00:20:31,440 Speaker 1: but this is as good as it gets. I think 377 00:20:31,480 --> 00:20:35,919 Speaker 1: his comedic timing and overall just charisma on screen is 378 00:20:36,000 --> 00:20:38,120 Speaker 1: one of the best. He is one of the greatest 379 00:20:38,200 --> 00:20:42,199 Speaker 1: physical comedic actors I would say since Chris Varley. And 380 00:20:42,240 --> 00:20:45,160 Speaker 1: even though I love the use here, there are even 381 00:20:45,200 --> 00:20:47,440 Speaker 1: more memorable lines that aren't the title of the movie 382 00:20:47,680 --> 00:20:49,600 Speaker 1: that I still say in my day to day life. 383 00:20:49,760 --> 00:20:53,639 Speaker 1: So I say we go back retroactively give Jack Black 384 00:20:53,680 --> 00:20:56,600 Speaker 1: an oscar for this performance, and we give the School 385 00:20:56,600 --> 00:20:59,679 Speaker 1: of Rock a five out of five. He said. He 386 00:21:00,320 --> 00:21:03,679 Speaker 1: So there we go. That is ranking films when they 387 00:21:03,720 --> 00:21:06,520 Speaker 1: say the title of the movie in the movie. Will 388 00:21:06,520 --> 00:21:08,960 Speaker 1: come back and my wife Kelsey will join me to 389 00:21:09,040 --> 00:21:12,399 Speaker 1: give our review spoiler free of course, of Don't Worry Darling, 390 00:21:12,400 --> 00:21:14,640 Speaker 1: which is in theaters now, and then in the trailer park, 391 00:21:14,680 --> 00:21:17,800 Speaker 1: we'll talk about that new m Night Shamalan movie after this. 392 00:21:21,880 --> 00:21:24,399 Speaker 1: All right, about to get into a movie review, and 393 00:21:24,440 --> 00:21:26,520 Speaker 1: I'm joined now by my wife Kelsey. How are you 394 00:21:27,320 --> 00:21:29,760 Speaker 1: ready to talk about Don't Worry Darling? I am ready. 395 00:21:29,840 --> 00:21:32,280 Speaker 1: It'll be a little tough to do this one spoiler free, 396 00:21:32,320 --> 00:21:35,080 Speaker 1: but we're gonna stick to how the movie made us feel, 397 00:21:35,160 --> 00:21:38,320 Speaker 1: what we thought about the character's performances, and overall didn't 398 00:21:38,320 --> 00:21:40,880 Speaker 1: meet up to our expectations. So before we get into 399 00:21:40,880 --> 00:21:43,120 Speaker 1: our review of Don't Worry Darling, here's just a little 400 00:21:43,119 --> 00:21:47,199 Speaker 1: bit of the trailer. Most of my patients of a nightmare, Violet, 401 00:21:47,320 --> 00:21:49,720 Speaker 1: Where did you meet Bill? We went on a train 402 00:21:49,920 --> 00:21:52,640 Speaker 1: to boss who he dropped your ticket and he bent 403 00:21:52,720 --> 00:21:57,359 Speaker 1: down and picked it out. David Tom cry, thank you 404 00:21:57,400 --> 00:22:01,360 Speaker 1: for your moveing. What do we do change in the world? 405 00:22:02,160 --> 00:22:08,719 Speaker 1: They're lying about everything. Keep calm and carry on. So 406 00:22:08,840 --> 00:22:12,879 Speaker 1: I feel like this trailer didn't really give anything away 407 00:22:12,920 --> 00:22:16,040 Speaker 1: for the entire movie. Did you feel that the movie 408 00:22:16,080 --> 00:22:18,439 Speaker 1: is set in the nineteen fifties. You have Alice and 409 00:22:18,520 --> 00:22:22,040 Speaker 1: Jack who are played by Florence Pugh and Harry Styles, 410 00:22:22,160 --> 00:22:25,919 Speaker 1: and they live in this really weird community called Victory. 411 00:22:26,080 --> 00:22:29,760 Speaker 1: The town is owned by that company, Victory, and it's 412 00:22:29,920 --> 00:22:32,920 Speaker 1: very mysterious as to what the men in the town 413 00:22:33,000 --> 00:22:35,640 Speaker 1: do for work. They all leave at the exact same 414 00:22:35,720 --> 00:22:40,840 Speaker 1: time their picturesque wives waved them off their lunch. Yeah, 415 00:22:40,880 --> 00:22:45,320 Speaker 1: it's a very weird dystopian scenario here. And then Florence 416 00:22:45,400 --> 00:22:48,199 Speaker 1: Pugh's character in the movie starts to question it. She 417 00:22:48,320 --> 00:22:51,080 Speaker 1: starts seeing and noticing some weird things going on in 418 00:22:51,160 --> 00:22:54,800 Speaker 1: the town and is asking for answers and isn't getting them. 419 00:22:54,960 --> 00:22:57,600 Speaker 1: So that's kind of where the movie takes place. What 420 00:22:57,800 --> 00:23:00,359 Speaker 1: is going on. It's a little bit more of a 421 00:23:00,480 --> 00:23:02,840 Speaker 1: mystery that I was expecting. I thought it was gonna 422 00:23:02,880 --> 00:23:05,159 Speaker 1: be like a full on thriller, but I enjoyed the 423 00:23:05,200 --> 00:23:08,399 Speaker 1: aspect of you're trying to figure out with her character 424 00:23:08,560 --> 00:23:12,639 Speaker 1: throughout the entire movie. I think the movie visually looked 425 00:23:12,640 --> 00:23:15,320 Speaker 1: really cool. Visually it was awesome, and I thought the 426 00:23:15,359 --> 00:23:20,480 Speaker 1: movie was very ambitious, and for being an Olivia Wild movie, 427 00:23:20,520 --> 00:23:23,280 Speaker 1: it's very different than Book Smart. So I really like 428 00:23:23,520 --> 00:23:27,120 Speaker 1: that kind of dystopian type situation. And if I had 429 00:23:27,160 --> 00:23:29,600 Speaker 1: to compare it to two other movies, it reminded me 430 00:23:29,840 --> 00:23:33,320 Speaker 1: of The Truman Show meets Get Out. You have this 431 00:23:33,680 --> 00:23:37,520 Speaker 1: person who is questioning where they are not getting any answers. 432 00:23:37,520 --> 00:23:40,040 Speaker 1: There are things that are very weird in the movie. 433 00:23:40,480 --> 00:23:43,320 Speaker 1: Whenever something goes wrong, kind of like in the Truman Show, 434 00:23:43,359 --> 00:23:44,959 Speaker 1: there are some people that are trying to clean up 435 00:23:44,960 --> 00:23:47,440 Speaker 1: the situation. And then it reminds me of Get Out 436 00:23:47,520 --> 00:23:50,119 Speaker 1: of kind of the tension that it brings. The element 437 00:23:50,359 --> 00:23:53,480 Speaker 1: of horror, which it's not really a horror movie. No, 438 00:23:53,640 --> 00:23:55,720 Speaker 1: I wasn't scared, and I'm scared of everything. You don't 439 00:23:55,760 --> 00:23:58,080 Speaker 1: like horror movies at all, but it kind of has 440 00:23:58,160 --> 00:24:01,520 Speaker 1: like that element of what's kind next, Yeah, what's coming next? 441 00:24:01,880 --> 00:24:06,040 Speaker 1: And I thought Florence Pugh owned this movie. She was fabulous. 442 00:24:06,119 --> 00:24:08,600 Speaker 1: I think she's the best part in this movie, and 443 00:24:08,640 --> 00:24:11,200 Speaker 1: she plays her character very well. I think this is 444 00:24:11,240 --> 00:24:14,359 Speaker 1: a role in a movie as a whole that was 445 00:24:14,400 --> 00:24:18,280 Speaker 1: perfectly cast. I think it's my favorite performance of her 446 00:24:18,480 --> 00:24:21,680 Speaker 1: since Mid Simar or Midsummer, depending on how you say 447 00:24:21,720 --> 00:24:24,119 Speaker 1: that movie. Also, you keep saying things and I'm like, wow, 448 00:24:24,160 --> 00:24:25,719 Speaker 1: somebody else said that. No, it was you on your 449 00:24:25,720 --> 00:24:28,240 Speaker 1: Instagram story, like when you were just like it's a 450 00:24:28,240 --> 00:24:30,200 Speaker 1: combination of Truman Show and Get Out. I'm like, wow, 451 00:24:30,320 --> 00:24:32,719 Speaker 1: someone else made that direct comparison. No, it was literally 452 00:24:33,359 --> 00:24:36,359 Speaker 1: make notes. I was like, whoa, two people at the 453 00:24:36,520 --> 00:24:40,080 Speaker 1: same thing. But she has like a really good expressive face. 454 00:24:41,040 --> 00:24:43,800 Speaker 1: Whenever something like crazy is happening to her, she shows 455 00:24:43,840 --> 00:24:45,800 Speaker 1: it on her face so well that it makes me 456 00:24:45,840 --> 00:24:48,359 Speaker 1: feel too. And I got that same kind of feeling 457 00:24:48,359 --> 00:24:51,480 Speaker 1: that I did in Mid Simar, which I thought anybody 458 00:24:51,520 --> 00:24:53,720 Speaker 1: would like that movie if you like horror movies. But 459 00:24:54,200 --> 00:24:56,320 Speaker 1: to the people I have recommended that to, they're like, 460 00:24:56,320 --> 00:24:57,800 Speaker 1: why did you tell me to watch that movie? I 461 00:24:57,840 --> 00:25:00,560 Speaker 1: had a friend amateur movie critically. It has been on 462 00:25:00,600 --> 00:25:03,919 Speaker 1: the podcast Just give me the entire synopsis because we 463 00:25:04,000 --> 00:25:05,679 Speaker 1: Ali and I used to work together, and so one 464 00:25:05,720 --> 00:25:07,680 Speaker 1: day on our lunch break, I was just like, tell 465 00:25:07,760 --> 00:25:09,399 Speaker 1: me the whole thing. So she described to me, and 466 00:25:09,400 --> 00:25:11,000 Speaker 1: I was like, great, cool, feel like I've seen it, 467 00:25:11,000 --> 00:25:13,560 Speaker 1: don't ever have to see it. Lovely, but I feel 468 00:25:13,600 --> 00:25:15,600 Speaker 1: like if you are a fan of Florence Pew and 469 00:25:15,640 --> 00:25:19,080 Speaker 1: you liked midsom Are, you will like this movie kind 470 00:25:19,080 --> 00:25:21,920 Speaker 1: of in the same vein a little bit as far 471 00:25:21,960 --> 00:25:23,919 Speaker 1: as what the type of movie that she would do, 472 00:25:24,000 --> 00:25:26,160 Speaker 1: but I think she crushed this role. Let's talk about 473 00:25:26,200 --> 00:25:29,480 Speaker 1: Harry Styles. Let's talk about him you started off. I 474 00:25:29,600 --> 00:25:33,040 Speaker 1: feel like of that audience, which was a pretty full 475 00:25:33,080 --> 00:25:36,199 Speaker 1: crowd we went on a Thursday, that audience came to 476 00:25:36,200 --> 00:25:37,879 Speaker 1: see Harry had no clue there was a plot to 477 00:25:37,920 --> 00:25:39,920 Speaker 1: the movie. Let's just call it like, let's call it that. 478 00:25:40,160 --> 00:25:43,440 Speaker 1: And one thing I noticed is, yes, the movie theater 479 00:25:43,560 --> 00:25:46,959 Speaker 1: was very full for a Thursday night, mostly female. There 480 00:25:47,000 --> 00:25:50,119 Speaker 1: were maybe what besides me, four or five other dudes. 481 00:25:50,240 --> 00:25:52,359 Speaker 1: I would say there was probably there's probably some behind us. 482 00:25:52,400 --> 00:25:55,239 Speaker 1: There was no more than ten. I wasn't expecting that 483 00:25:55,280 --> 00:25:56,919 Speaker 1: this is a movie I've been excited about for a 484 00:25:56,920 --> 00:25:58,919 Speaker 1: couple of years now, since it was announced. I was 485 00:25:58,960 --> 00:26:02,040 Speaker 1: expecting it. The hairy buzzes is buzzing right now. He's 486 00:26:02,040 --> 00:26:04,760 Speaker 1: coming off a fifteen shows a Medisine, Square Garden. He's 487 00:26:04,760 --> 00:26:06,879 Speaker 1: about to do some shows in Austin. I wish I 488 00:26:06,880 --> 00:26:09,880 Speaker 1: could be there, Chicago, l A. He's doing, like I looked, 489 00:26:10,000 --> 00:26:12,119 Speaker 1: seventeen nights in l A. I think that's a lot. 490 00:26:12,240 --> 00:26:14,119 Speaker 1: But as soon as we walked in that theater, I 491 00:26:14,200 --> 00:26:16,320 Speaker 1: was like, oh, this is actually walked into the movie, 492 00:26:16,720 --> 00:26:19,600 Speaker 1: like not even just the theater like the establishment to 493 00:26:19,720 --> 00:26:23,240 Speaker 1: get like snacks. It was just like females everywhere. But 494 00:26:23,280 --> 00:26:25,119 Speaker 1: I feel like if it takes a pop star to 495 00:26:25,160 --> 00:26:27,639 Speaker 1: get people back into the theater, I'm all for it. 496 00:26:27,840 --> 00:26:29,960 Speaker 1: So how did you feel about him in this movie? 497 00:26:30,000 --> 00:26:32,719 Speaker 1: It's really his He's been in other movies, but as 498 00:26:32,760 --> 00:26:35,080 Speaker 1: far as like a major role, this is his first one. 499 00:26:35,440 --> 00:26:37,960 Speaker 1: Most screen time he's had. First time we probably saw 500 00:26:38,000 --> 00:26:40,199 Speaker 1: him in the screen was Dunkirk. He also had a 501 00:26:40,280 --> 00:26:43,399 Speaker 1: role in The Eternals, which will be in more Marvel 502 00:26:43,480 --> 00:26:47,199 Speaker 1: movies to come, was Jimmy Channelso in Eternals, yes she was, 503 00:26:47,920 --> 00:26:50,840 Speaker 1: and she's also in She's in this movie as well. 504 00:26:51,040 --> 00:26:52,720 Speaker 1: And then he's going to be in another movie later 505 00:26:52,720 --> 00:26:55,520 Speaker 1: this year called my policeman, but this is the first 506 00:26:55,560 --> 00:26:58,960 Speaker 1: time we've really seen his acting abilities. What do you 507 00:26:58,960 --> 00:27:01,439 Speaker 1: think about his performance? I thought Harry was great. I 508 00:27:01,480 --> 00:27:03,920 Speaker 1: loved that he got to keep his printer saccons I'm 509 00:27:03,920 --> 00:27:06,120 Speaker 1: a Harry stand. I thought he was great as an actor. 510 00:27:06,440 --> 00:27:08,440 Speaker 1: I thought he was pretty good too. I thought he 511 00:27:08,480 --> 00:27:11,080 Speaker 1: played the part really well. There are some scenes that 512 00:27:11,160 --> 00:27:15,400 Speaker 1: get intense where he has to level up his emotions. 513 00:27:15,880 --> 00:27:19,280 Speaker 1: There's some rage scenes, and I feel like he did 514 00:27:19,280 --> 00:27:22,240 Speaker 1: those pretty well. I felt like it was pretty believable 515 00:27:22,320 --> 00:27:24,800 Speaker 1: for him, and I also didn't feel like I was 516 00:27:24,880 --> 00:27:28,359 Speaker 1: just watching Harry Styles the pop star. I was able 517 00:27:28,440 --> 00:27:31,920 Speaker 1: to kind of separate those two people and see him 518 00:27:32,040 --> 00:27:34,040 Speaker 1: as just being an actor, which I thought was gonna 519 00:27:34,080 --> 00:27:35,920 Speaker 1: be a little harder for me in this role. Of 520 00:27:36,000 --> 00:27:38,320 Speaker 1: getting that much screen time from him a great. There's 521 00:27:38,400 --> 00:27:42,720 Speaker 1: some pop stars like Nick Jonas has done some movies well, 522 00:27:43,240 --> 00:27:45,200 Speaker 1: Joe Jonas is going to be in a movie coming 523 00:27:45,280 --> 00:27:47,800 Speaker 1: up that you were not excited about them. As soon 524 00:27:47,840 --> 00:27:49,199 Speaker 1: as you said that he was going to be in it, 525 00:27:49,240 --> 00:27:53,639 Speaker 1: I was like, it's already down top gun. Anyways, sometimes 526 00:27:53,680 --> 00:27:58,760 Speaker 1: the pop star to actor translation doesn't go well, but 527 00:27:58,880 --> 00:28:02,560 Speaker 1: I thought Erry did it effortlessly, which I think speaks 528 00:28:02,600 --> 00:28:05,880 Speaker 1: to his ability as a performer, whether on a stage 529 00:28:06,280 --> 00:28:08,679 Speaker 1: on screen. I can think he just he has that 530 00:28:08,760 --> 00:28:12,000 Speaker 1: like it factor. But because they were on the X factor, 531 00:28:12,000 --> 00:28:15,040 Speaker 1: I really did. I think he just has that kind 532 00:28:15,040 --> 00:28:19,520 Speaker 1: of aura to him that demands your attention. I enjoyed it. 533 00:28:19,760 --> 00:28:21,639 Speaker 1: I won't give anything away, but there's one part in 534 00:28:21,640 --> 00:28:24,480 Speaker 1: the movie where like his appearance changes a little, and 535 00:28:24,520 --> 00:28:28,280 Speaker 1: I will say every girl in that movie theater cackled 536 00:28:28,280 --> 00:28:30,040 Speaker 1: because it just was like not what we're used to 537 00:28:30,080 --> 00:28:32,320 Speaker 1: seeing him as. So it's not a spoiler. It's an 538 00:28:32,320 --> 00:28:34,360 Speaker 1: interesting thing though that I felt there were a lot 539 00:28:34,400 --> 00:28:37,800 Speaker 1: of shared experiences in this movie that I haven't seen 540 00:28:37,840 --> 00:28:40,360 Speaker 1: people react that way. But I think we'll get into 541 00:28:40,440 --> 00:28:43,520 Speaker 1: that when we probably do a spoiler version of our 542 00:28:43,520 --> 00:28:46,479 Speaker 1: review because there's so much. There's so much to talk 543 00:28:46,520 --> 00:28:49,120 Speaker 1: about because it is a mystery, you're trying to figure 544 00:28:49,120 --> 00:28:50,960 Speaker 1: things out, So I think we do a spoiler version 545 00:28:50,960 --> 00:28:54,400 Speaker 1: where we get into all of those discussions. Also want 546 00:28:54,400 --> 00:28:58,000 Speaker 1: to say Nick Kroll was great. Yeah, for somebody who 547 00:28:58,080 --> 00:29:00,760 Speaker 1: just does comedies who's known as being a funny person, 548 00:29:01,160 --> 00:29:03,120 Speaker 1: I took him seriously. I thought he was a good 549 00:29:03,160 --> 00:29:06,840 Speaker 1: addition to this cast and a very unusual casting, and 550 00:29:06,880 --> 00:29:09,920 Speaker 1: I think if you look at all these people on paper, 551 00:29:10,240 --> 00:29:12,720 Speaker 1: you wouldn't think that they worked together. But I think 552 00:29:12,720 --> 00:29:16,160 Speaker 1: it's a great ensemble. There was a lot of drama 553 00:29:16,280 --> 00:29:19,760 Speaker 1: surrounding the release of this movie, from Florence Pugh not 554 00:29:19,880 --> 00:29:23,040 Speaker 1: being a part of the press tour, the alleged spitting 555 00:29:23,080 --> 00:29:28,200 Speaker 1: on Chris Pine, the Olivia wild Child abuff drama. Yeah, 556 00:29:28,240 --> 00:29:31,680 Speaker 1: he was supposed to be in this movie. So when 557 00:29:31,720 --> 00:29:34,520 Speaker 1: all is said and done, all the drama surrounding it, 558 00:29:34,600 --> 00:29:37,040 Speaker 1: all the hype we had going into watching this movie, 559 00:29:37,720 --> 00:29:39,440 Speaker 1: do you think it lived up to it or not? 560 00:29:39,960 --> 00:29:41,560 Speaker 1: I do. I also want to say I saw a 561 00:29:41,560 --> 00:29:45,080 Speaker 1: TikTok of somebody remember what city was in. But at 562 00:29:45,080 --> 00:29:48,240 Speaker 1: their theater, they got permission and they got on stage 563 00:29:48,280 --> 00:29:51,120 Speaker 1: and gave a power point presentation of all the drama 564 00:29:51,160 --> 00:29:53,920 Speaker 1: surrounding this film again, and I really wish someone had 565 00:29:53,920 --> 00:29:56,360 Speaker 1: done that here because I could have used a little refresher. Yeah, 566 00:29:56,600 --> 00:29:59,520 Speaker 1: but I was like, the intensity of it was fabulous. 567 00:29:59,560 --> 00:30:01,040 Speaker 1: They got up there with like a pointer and they 568 00:30:01,040 --> 00:30:02,960 Speaker 1: were like pointing at the screen, like a whole power 569 00:30:03,000 --> 00:30:06,240 Speaker 1: point on like the cinema screen. It was great. I 570 00:30:06,280 --> 00:30:08,600 Speaker 1: loved all the drama leading up to this. I think 571 00:30:08,640 --> 00:30:10,800 Speaker 1: that's important for a movie now, for any movie to 572 00:30:11,320 --> 00:30:14,160 Speaker 1: build up any kind of buzz just from the things 573 00:30:14,160 --> 00:30:17,040 Speaker 1: surrounding it that doesn't happen. Yeah, a lot of promotion 574 00:30:17,080 --> 00:30:19,640 Speaker 1: went into this that was just word of mouth. I 575 00:30:19,720 --> 00:30:22,680 Speaker 1: think in this case, all press was good pressed exactly. 576 00:30:22,960 --> 00:30:25,840 Speaker 1: I think more people have probably heard about the drama 577 00:30:25,880 --> 00:30:29,360 Speaker 1: going into this movie, then we'll probably watch it, So 578 00:30:29,680 --> 00:30:32,200 Speaker 1: I if I had to say, I don't think it 579 00:30:32,280 --> 00:30:34,479 Speaker 1: quite lived up to the hype. Though. As much as 580 00:30:34,520 --> 00:30:37,360 Speaker 1: I did enjoy this movie and as much as I 581 00:30:37,400 --> 00:30:40,280 Speaker 1: was looking forward to the next Olivia Wild movie, I 582 00:30:40,280 --> 00:30:42,440 Speaker 1: thought it was going to instantly be one of my 583 00:30:42,520 --> 00:30:45,000 Speaker 1: favorites of the year. I didn't gasp as much as 584 00:30:45,040 --> 00:30:48,560 Speaker 1: I thought, exactly. And the reason I think that is 585 00:30:48,560 --> 00:30:50,520 Speaker 1: is I felt like I needed just a little bit 586 00:30:50,560 --> 00:30:54,040 Speaker 1: more plot. I needed a little bit more of Florence 587 00:30:54,200 --> 00:30:57,000 Speaker 1: Pew and her character's journey in this movie that I 588 00:30:57,040 --> 00:30:59,960 Speaker 1: don't think I got. I needed a little more needed 589 00:31:00,120 --> 00:31:03,120 Speaker 1: more answers, Yes, more answers. I think I just needed 590 00:31:03,120 --> 00:31:06,160 Speaker 1: a little bit more action in it too. Without getting 591 00:31:06,200 --> 00:31:08,520 Speaker 1: into all the plot points, but there was just a 592 00:31:08,520 --> 00:31:12,400 Speaker 1: lot of mystery, a lot of weirdness, and a lot 593 00:31:12,440 --> 00:31:16,120 Speaker 1: of ambitious things, which again I enjoyed the attempt of 594 00:31:16,200 --> 00:31:19,520 Speaker 1: making something novel here, but I just think that there 595 00:31:19,560 --> 00:31:21,880 Speaker 1: was another level of it that it just didn't quite 596 00:31:21,880 --> 00:31:24,000 Speaker 1: get to to meet up to my hype going into it. 597 00:31:24,160 --> 00:31:27,280 Speaker 1: So we had to give a rating to don't worry, darling, 598 00:31:27,640 --> 00:31:31,120 Speaker 1: what would you give it? Four point to five out 599 00:31:31,120 --> 00:31:34,960 Speaker 1: of five sizzling pieces of bacon? Oh, that's pretty good. 600 00:31:35,000 --> 00:31:37,200 Speaker 1: That was some good imagery in the movie. A lot 601 00:31:37,240 --> 00:31:40,280 Speaker 1: of it had to do with the repetition of certain tasks, 602 00:31:40,720 --> 00:31:43,520 Speaker 1: and cooking was one of those, and I thought that 603 00:31:43,600 --> 00:31:45,760 Speaker 1: was one of my favorite visuals out of the entire movie. 604 00:31:45,920 --> 00:31:49,440 Speaker 1: I'd give it three point five out of five bourbons. 605 00:31:49,480 --> 00:31:54,760 Speaker 1: I think it's a movie that unless like of the theater, 606 00:31:55,560 --> 00:31:58,600 Speaker 1: unless you're a huge Hairy Styles fan, you probably don't 607 00:31:58,600 --> 00:32:00,840 Speaker 1: have to rush to the theater to watch. Now. I 608 00:32:00,880 --> 00:32:03,920 Speaker 1: don't think seeing it on the big screen elevated it 609 00:32:03,960 --> 00:32:07,840 Speaker 1: in anyway really, so you don't. Okay, Again, we're on 610 00:32:07,920 --> 00:32:10,400 Speaker 1: very different sides of TikTok okay, so my TikTok is 611 00:32:10,440 --> 00:32:14,040 Speaker 1: full of people were criticizing. Maybe again with the drama 612 00:32:14,080 --> 00:32:16,600 Speaker 1: that Harry didn't like the movie because he said it's 613 00:32:16,640 --> 00:32:18,960 Speaker 1: a film that comes across like a film, and everyone's like, 614 00:32:19,000 --> 00:32:21,240 Speaker 1: what does that even mean? But then people were like, 615 00:32:21,680 --> 00:32:24,200 Speaker 1: I agree, Like I think the big screen at the 616 00:32:24,240 --> 00:32:27,840 Speaker 1: surround sound, so I do think it's worth seeing in theaters. 617 00:32:27,920 --> 00:32:30,520 Speaker 1: I wouldn't say rush, like get in your car the 618 00:32:30,560 --> 00:32:32,160 Speaker 1: money you hear this, but like, but you're not your 619 00:32:32,240 --> 00:32:34,120 Speaker 1: to do list this weekend. The movie did have a 620 00:32:34,280 --> 00:32:37,240 Speaker 1: very good sound design, Like the sounds were even more 621 00:32:37,280 --> 00:32:39,080 Speaker 1: than the visual as I like the sounds. There's like 622 00:32:39,120 --> 00:32:41,640 Speaker 1: a lot of like background sounds too that they came louder, 623 00:32:41,760 --> 00:32:43,560 Speaker 1: and I don't feel like you get that, you forget 624 00:32:43,600 --> 00:32:46,840 Speaker 1: not everyone has their beloved sounds, right, You're right, You're right, 625 00:32:47,080 --> 00:32:50,240 Speaker 1: I would say more so than the visuals, the sound 626 00:32:50,280 --> 00:32:52,160 Speaker 1: really brought some life to this movie. There was a 627 00:32:52,200 --> 00:32:54,680 Speaker 1: lot of rumbling in the theater during certain parts, and 628 00:32:54,720 --> 00:32:56,400 Speaker 1: that does kind of hit you in the chest a 629 00:32:56,440 --> 00:32:59,280 Speaker 1: little bit when you hear those sounds in that environment, 630 00:32:59,400 --> 00:33:01,120 Speaker 1: So you can all was convinced me that it does 631 00:33:01,240 --> 00:33:04,360 Speaker 1: require the big screen for the sound alone. I think 632 00:33:04,360 --> 00:33:05,800 Speaker 1: you may have convinced me. I think you do have 633 00:33:05,840 --> 00:33:07,800 Speaker 1: to see this one in theaters to get the full effect. 634 00:33:07,960 --> 00:33:10,320 Speaker 1: There you go, I say, go see it in theaters. 635 00:33:10,400 --> 00:33:14,280 Speaker 1: It's great. Harry's cute as ever. I would agree anything 636 00:33:14,320 --> 00:33:16,520 Speaker 1: else you want to say before we go. All right, 637 00:33:16,720 --> 00:33:23,160 Speaker 1: we'll be back with the trailer park. It's time to 638 00:33:23,280 --> 00:33:27,720 Speaker 1: head down to movie Mike Paul, Let's talk about one 639 00:33:27,760 --> 00:33:30,520 Speaker 1: of the most well put together movie trailers I've seen 640 00:33:30,680 --> 00:33:34,120 Speaker 1: at the entire year. Rarely do I just watch a 641 00:33:34,160 --> 00:33:37,440 Speaker 1: movie trailer that I had no interest in watching before 642 00:33:38,640 --> 00:33:41,000 Speaker 1: and after it, I'm like, I have to see this movie. 643 00:33:41,040 --> 00:33:43,120 Speaker 1: And the movie is called Knock at the Cabin. It's 644 00:33:43,160 --> 00:33:47,080 Speaker 1: from director m Night Shamalan, who has been pretty hit 645 00:33:47,200 --> 00:33:50,400 Speaker 1: or miss on movies as of late, probably more misses 646 00:33:50,480 --> 00:33:53,440 Speaker 1: than he has hits. We'll get into some of his 647 00:33:53,520 --> 00:33:56,240 Speaker 1: biggest movies of his career. What this movie is about. 648 00:33:56,480 --> 00:34:00,360 Speaker 1: It's this family who is vacationing in a remote cabin. 649 00:34:01,000 --> 00:34:03,320 Speaker 1: It's a young girl and her parents and they get 650 00:34:03,360 --> 00:34:06,880 Speaker 1: taken hostage by these four arms strangers who demanded the 651 00:34:06,920 --> 00:34:10,360 Speaker 1: family make an unthinkable choice to stop the apocalypse. So 652 00:34:10,400 --> 00:34:12,520 Speaker 1: here he's just a little bit of the Knock at 653 00:34:12,560 --> 00:34:15,520 Speaker 1: the Cabin trailer. Is a woman to carry something that 654 00:34:15,560 --> 00:34:20,439 Speaker 1: looks like a pick with a chain in a mallet head. See, 655 00:34:20,440 --> 00:34:22,120 Speaker 1: the four of us have a very important job to do. 656 00:34:24,160 --> 00:34:27,480 Speaker 1: In fact, it might be the most important job the 657 00:34:27,680 --> 00:34:30,279 Speaker 1: history of the world. The four of us are here 658 00:34:30,800 --> 00:34:36,279 Speaker 1: to prevent the apocalypse your family, as Jose gonna make 659 00:34:36,280 --> 00:34:41,960 Speaker 1: a horrible decision. After watching this trailer, I was instantly hooked, 660 00:34:42,160 --> 00:34:44,600 Speaker 1: and I have him in the biggest fan of m 661 00:34:44,719 --> 00:34:49,240 Speaker 1: Night shamalan movies since probably the last one I actually 662 00:34:49,280 --> 00:34:52,400 Speaker 1: thought was a good movie was Split back In. But 663 00:34:52,440 --> 00:34:54,839 Speaker 1: if you're not super familiar with m Night Shamalan's work, 664 00:34:55,200 --> 00:34:58,800 Speaker 1: he got his first hit back in with The sixth Cents. 665 00:34:59,280 --> 00:35:02,360 Speaker 1: Went on a street ing of really good, memorable movies, 666 00:35:02,640 --> 00:35:06,399 Speaker 1: And what is movies usually often contain. What he's known 667 00:35:06,440 --> 00:35:09,759 Speaker 1: for is the twist, probably more so than putting in 668 00:35:09,800 --> 00:35:12,839 Speaker 1: thought to the plot. Sometimes he's always looking for that 669 00:35:12,920 --> 00:35:15,520 Speaker 1: twist where the movie makes you go, oh, man, I 670 00:35:15,520 --> 00:35:17,680 Speaker 1: didn't see that coming. That's what he's kind of known for. 671 00:35:17,840 --> 00:35:20,640 Speaker 1: So in two thousand he had Unbreakable, two thousand in 672 00:35:20,680 --> 00:35:23,000 Speaker 1: two he had Signs, two thousand and four he had 673 00:35:23,040 --> 00:35:25,520 Speaker 1: The Village, and I think his last good movie of 674 00:35:25,520 --> 00:35:27,839 Speaker 1: the two thousand's was Lady in the Water from two 675 00:35:27,840 --> 00:35:30,279 Speaker 1: thousand and six, and then he started to tank. In 676 00:35:30,320 --> 00:35:32,880 Speaker 1: two thousand and eight, he had The Happening, which was 677 00:35:33,200 --> 00:35:35,880 Speaker 1: arguably one of his worst movies, But then he followed 678 00:35:35,920 --> 00:35:38,719 Speaker 1: that one up with another bomb, The Last Airbender in 679 00:35:39,680 --> 00:35:44,800 Speaker 1: After Earth, another big bomb in disappointment at the box office. 680 00:35:45,200 --> 00:35:49,040 Speaker 1: But it looks now like he is making a change 681 00:35:49,120 --> 00:35:53,880 Speaker 1: in his filmmaking and adapting to modern horror filmmaking techniques. 682 00:35:53,920 --> 00:35:55,759 Speaker 1: And that's kind of the vibe that I get from 683 00:35:55,760 --> 00:35:59,440 Speaker 1: this trailer. The movie starts Dave Batista, who I'm really 684 00:35:59,520 --> 00:36:02,799 Speaker 1: liking his rise in the Hollywood now. He was never 685 00:36:02,840 --> 00:36:05,560 Speaker 1: one of my favorite wrestlers. Whenever he became popular, I 686 00:36:05,600 --> 00:36:07,960 Speaker 1: was kind of done with wrestling, but have really enjoyed 687 00:36:08,040 --> 00:36:12,080 Speaker 1: him in movies from Guardians of the Galaxy Dune, He's 688 00:36:12,080 --> 00:36:14,200 Speaker 1: going to be in the New Knives Out movie. I 689 00:36:14,239 --> 00:36:18,279 Speaker 1: also enjoyed his part in Blade Runner, and I like 690 00:36:18,440 --> 00:36:21,960 Speaker 1: that he hasn't stuck to the easy thing of just 691 00:36:22,040 --> 00:36:24,759 Speaker 1: being an action star. I feel like he has a 692 00:36:24,760 --> 00:36:27,120 Speaker 1: lot of substance to him, which you don't really expect 693 00:36:27,160 --> 00:36:29,200 Speaker 1: when you look at a guy like Dave Batista, who 694 00:36:29,200 --> 00:36:32,520 Speaker 1: could rip your face off. But I think he is 695 00:36:32,760 --> 00:36:35,759 Speaker 1: a pretty good actor, and unlike some of the other 696 00:36:36,360 --> 00:36:40,239 Speaker 1: wrestler's turn actors, he's really differentiated himself from them. He's 697 00:36:40,280 --> 00:36:43,200 Speaker 1: not really taking roles that The Rock With take or 698 00:36:43,320 --> 00:36:46,080 Speaker 1: John Cena. He's really been able to make a name 699 00:36:46,160 --> 00:36:49,680 Speaker 1: for himself after his wrestling career. So I think just 700 00:36:49,719 --> 00:36:51,640 Speaker 1: the fact that he is attached to it has me 701 00:36:51,760 --> 00:36:54,759 Speaker 1: even a little bit more excited. And maybe it's also 702 00:36:54,800 --> 00:36:58,239 Speaker 1: because this movie is based on a book which was 703 00:36:58,400 --> 00:37:02,040 Speaker 1: a best seller that I feel I have a little 704 00:37:02,040 --> 00:37:05,360 Speaker 1: bit more belief in the plot if it follows along 705 00:37:05,440 --> 00:37:08,920 Speaker 1: to the book pretty closely. I feel like it's kind 706 00:37:08,920 --> 00:37:10,920 Speaker 1: of hard to mess up a best seller. The movie 707 00:37:11,000 --> 00:37:15,040 Speaker 1: also stars Rupert Grint, who you may remember as Ron 708 00:37:15,080 --> 00:37:18,239 Speaker 1: Weasley from Harry Potter and this movie is coming out 709 00:37:18,320 --> 00:37:23,440 Speaker 1: on February three, three. But again, after watching this trailer, 710 00:37:23,560 --> 00:37:26,520 Speaker 1: it convinced me that I would give him another chance. 711 00:37:26,760 --> 00:37:30,200 Speaker 1: And I don't think this trailer gives away a whole lot. 712 00:37:30,719 --> 00:37:33,400 Speaker 1: Maybe it has to do with kind of a cult 713 00:37:33,440 --> 00:37:37,960 Speaker 1: type situation. Maybe it's a little bit reminiscent of the 714 00:37:38,080 --> 00:37:40,960 Speaker 1: village that's kind of the style I got, But it 715 00:37:41,040 --> 00:37:43,839 Speaker 1: really reminds me of The Strangers from Back in two 716 00:37:43,880 --> 00:37:46,640 Speaker 1: thousand and eight, which is a pretty scary horror movie, 717 00:37:46,719 --> 00:37:49,920 Speaker 1: because that is something that can actually happen. And after 718 00:37:49,960 --> 00:37:52,880 Speaker 1: watching a movie like that, you don't want to stay 719 00:37:52,880 --> 00:37:55,560 Speaker 1: alone in any type of house and you will question 720 00:37:55,680 --> 00:37:59,600 Speaker 1: every single sound, every creek, every movement, and that movie 721 00:37:59,600 --> 00:38:02,920 Speaker 1: will make you very paranoid because you think it doesn't 722 00:38:02,960 --> 00:38:05,040 Speaker 1: have to do with monsters. It doesn't have to do 723 00:38:05,200 --> 00:38:08,000 Speaker 1: with any paranormal things. It just has to do with 724 00:38:08,080 --> 00:38:10,879 Speaker 1: people who are creepy. I am looking forward to this one, 725 00:38:11,160 --> 00:38:15,040 Speaker 1: and if he screws up this movie, I'm out for good. 726 00:38:19,719 --> 00:38:23,040 Speaker 1: And that'll do it for another episode here on the podcast. 727 00:38:23,160 --> 00:38:25,239 Speaker 1: Now it's time for the listeners shout out, which I 728 00:38:25,239 --> 00:38:28,239 Speaker 1: do every single week every episode just to give you 729 00:38:28,280 --> 00:38:30,440 Speaker 1: guys a shout out for listening and sending in a 730 00:38:30,480 --> 00:38:33,799 Speaker 1: comment d M on Twitter or emailing me movie Mike 731 00:38:33,920 --> 00:38:36,640 Speaker 1: d at gmail dot com. And this week I put 732 00:38:36,719 --> 00:38:39,279 Speaker 1: up on my insto the story I was gonna pull 733 00:38:39,360 --> 00:38:42,160 Speaker 1: the listeners shout out from reviews and you can leave 734 00:38:42,200 --> 00:38:44,759 Speaker 1: a review if you listen on Apple Podcasts. You go 735 00:38:44,800 --> 00:38:47,600 Speaker 1: over to my podcast to scrow down towards the bottom, 736 00:38:47,640 --> 00:38:50,520 Speaker 1: and you have the little write a review section. Give 737 00:38:50,560 --> 00:38:53,439 Speaker 1: it five stars because that helps me out in the algorithm, 738 00:38:53,600 --> 00:38:56,440 Speaker 1: it helps other people discover the podcast. Or if you 739 00:38:56,520 --> 00:38:59,440 Speaker 1: listen on Spotify or I Heart Radio, they also have 740 00:38:59,600 --> 00:39:01,800 Speaker 1: the star system over there, so give it the maximum 741 00:39:01,840 --> 00:39:04,680 Speaker 1: stars wherever you're listening to this right now. So I 742 00:39:04,719 --> 00:39:08,160 Speaker 1: went over into that section, and this week's listeners shout 743 00:39:08,160 --> 00:39:10,440 Speaker 1: out comes to us from Hemmy, who gave it a 744 00:39:10,440 --> 00:39:13,240 Speaker 1: five star review with the title love It, and she writes, 745 00:39:13,360 --> 00:39:16,600 Speaker 1: I love the unique knowledge Mike shares in this podcast 746 00:39:16,640 --> 00:39:19,880 Speaker 1: and appreciate his ability to review a movie without giving 747 00:39:19,880 --> 00:39:22,760 Speaker 1: away too much. So my shout out is to you, Hemmy. 748 00:39:22,920 --> 00:39:25,120 Speaker 1: I think that is the battle I face every time 749 00:39:25,160 --> 00:39:27,480 Speaker 1: I review a movie on this podcast, because I don't 750 00:39:27,480 --> 00:39:29,000 Speaker 1: want to give too much away. I don't want to 751 00:39:29,040 --> 00:39:31,640 Speaker 1: spoil anything for anybody, so that's why I do spoiler 752 00:39:31,680 --> 00:39:34,120 Speaker 1: free reviews. I just want to give you an idea 753 00:39:34,400 --> 00:39:37,320 Speaker 1: of how good a movie is and what to expect, 754 00:39:37,360 --> 00:39:39,760 Speaker 1: to give you all the tools you need to decide 755 00:39:39,840 --> 00:39:42,120 Speaker 1: whether or not the movie is for you or not. 756 00:39:42,239 --> 00:39:45,239 Speaker 1: In some cases, I watch movies so you don't have to. 757 00:39:45,680 --> 00:39:49,640 Speaker 1: You just get the easily digestible short segment version. So 758 00:39:49,840 --> 00:39:51,400 Speaker 1: it means a lot to me that that does come 759 00:39:51,440 --> 00:39:54,360 Speaker 1: across well when you listen to this podcast. So that 760 00:39:54,480 --> 00:39:57,000 Speaker 1: is the shout out for this week. That is the episode. 761 00:39:57,120 --> 00:39:59,239 Speaker 1: Hope you enjoyed that. And if you are a fan 762 00:39:59,280 --> 00:40:02,040 Speaker 1: of this podcast US and you're on Instagram, I could 763 00:40:02,120 --> 00:40:05,680 Speaker 1: use some organic interaction this week. Just tag me in 764 00:40:05,760 --> 00:40:09,080 Speaker 1: your Instagram story, take a screenshot or whatever app you 765 00:40:09,200 --> 00:40:12,440 Speaker 1: listen on, or take a picture of your car dashboard 766 00:40:12,440 --> 00:40:14,680 Speaker 1: with the episode pulled up, and just tag me and 767 00:40:14,719 --> 00:40:18,200 Speaker 1: I'll repost them over on my Instagram at Mike Destro. 768 00:40:18,560 --> 00:40:20,840 Speaker 1: And since I did the shout out from the reviews 769 00:40:20,920 --> 00:40:23,839 Speaker 1: this week, next week I'll do it on people who 770 00:40:23,880 --> 00:40:26,400 Speaker 1: do that. So tag me on your Instagram story and 771 00:40:26,480 --> 00:40:29,160 Speaker 1: until next week, go out and watch good movies and 772 00:40:29,200 --> 00:40:30,640 Speaker 1: I will talk to you later