WEBVTT - Chapter 5 | Old Snapshots

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<v Speaker 1>This series includes sensitive and potentially distressing topics, including sexual

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<v Speaker 1>assault and abuse involving children. Listener discretion is advised. And

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<v Speaker 1>now the true impact story. It's the fourth week of

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<v Speaker 1>March 1948, and a manhunt is underway.

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<v Speaker 2>It takes a crime like this a long time to hatch.

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<v Speaker 2>There were three generations.

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<v Speaker 3>Back of this crime.

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<v Speaker 1>John Corey, a dangerous felon, is on the run. There's

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<v Speaker 1>a price on his head of $ 400. $ 300 from a

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<v Speaker 1>true crime radio show and $ 100 from a state prison warden.

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<v Speaker 1>The tabloids of Connecticut are ablaze with the story. Corey

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<v Speaker 1>had just been released from a long-bidden prison for robbing

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<v Speaker 1>a jeweler as a gunpoint. He no sooner got out

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<v Speaker 1>than he paid a call on his wife, Louise, from

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<v Speaker 1>whom he'd been estranged for years. Now, Louise was no

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<v Speaker 1>one's angel. She'd been charged with crimes herself, including kidnap

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<v Speaker 1>and sex trafficking. But she seemed to have turned things

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<v Speaker 1>around while Corey was gone. She'd settled down with a

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<v Speaker 1>man in Danbury and was raising a daughter, a bouncy

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<v Speaker 1>two-year-old named Sharon. Corey knocked on her door and asked

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<v Speaker 1>her out for a drive. Louise and her little girl

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<v Speaker 1>got in his car. An hour later, he pulled over

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<v Speaker 1>on a quiet lane in Canaan and shot Louise twice

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<v Speaker 1>in the head. Twelve hours passed before someone found her

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<v Speaker 1>on the ground, where Corey had left her to die.

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<v Speaker 1>Corey's loaded. 38 was discovered at the scene, but Louise's

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<v Speaker 1>two-year-old was missing. Cops found her a day later, abandoned

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<v Speaker 1>in a car some 20 miles east of the crime scene.

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<v Speaker 1>She'd witnessed the murder from the back seat. That little girl, Sharon,

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<v Speaker 1>would grow up to have her own kids. Her firstborn

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<v Speaker 1>boy was born in 1963. Sharon named him after his father,

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<v Speaker 1>Howard Gomber Jr. Do you hear my madness? Laughter hides

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<v Speaker 1>my fears. Sorrows depths are endless. I'm Paul Solitarov, and

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<v Speaker 1>this is Season 2 of The Devil's Quarry. After years

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<v Speaker 1>of conjuring with the mayhem he's caused, I find myself

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<v Speaker 1>grappling with a baseline question. Who is Howard Gombert? And

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<v Speaker 1>who or what contrived to make him what he is?

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<v Speaker 1>A menace to the girls and women who've crossed his path.

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<v Speaker 1>my team and I went many miles to find out

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<v Speaker 1>what we could. We began with Gombert's boyhood in search

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<v Speaker 1>of clues. We talked to the folks who knew him

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<v Speaker 1>as a child in Florida and to those who met

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<v Speaker 1>him as a teen in Connecticut. Each of them gave

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<v Speaker 1>us a piece of this story, if not a unified

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<v Speaker 1>theory on his nature. Howard spent much of his preteen

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<v Speaker 1>youth in Florida. We're told he adored his mother, Sharon,

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<v Speaker 1>who scratched out a living as a bartender. By all accounts,

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<v Speaker 1>Sharon was a firecracker. Pretty and feisty, resourceful as all get-out.

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<v Speaker 1>She raised Howard and his three siblings mostly on her own.

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<v Speaker 1>When she split with Howard's father in Connecticut in the mid-60s,

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<v Speaker 1>she headed south with Howard and his younger sister. There

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<v Speaker 1>she met and married roughly half a dozen men. The

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<v Speaker 1>exact number proved hard to pin down. We don't know

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<v Speaker 1>much about those men or what they had in common,

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<v Speaker 1>but several of them at least had a violent streak.

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<v Speaker 1>Their target when it wasn't Sharon was her oldest, Howard.

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<v Speaker 1>We heard from several sources, including Gombert's lawyer, that he

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<v Speaker 1>was severely abused. Not just spanked or slapped, but grown

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<v Speaker 1>man beatdowns of young Howard. Indeed, at a sentencing for

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<v Speaker 1>sexual assault in 2002, Gombert's court-appointed counsel said that as

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<v Speaker 1>a boy, he was, quote, forced to eat dead ants, unquote,

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<v Speaker 1>by one of his mother's partners. Things got so bad

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<v Speaker 1>for Gombert that in his middle teens, he left Florida

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<v Speaker 1>to join his dad in Connecticut. At age 15 or 16,

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<v Speaker 1>accounts vary, he moved into Gombert Sr. 's tiny cottage

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<v Speaker 1>in New Fairfield. When he arrived, Gombert was painfully thin.

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<v Speaker 1>and carried a juvie criminal record, or so we're told.

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<v Speaker 1>But if he thought he'd find refuge in his father's house,

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<v Speaker 1>teenage Howard was sorely mistaken. Soon after he landed, Gombert

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<v Speaker 1>met a girl named Colleen Caruso. She was an 11-year-old

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<v Speaker 1>who lived not far from Gombert's dad. Her house, in fact,

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<v Speaker 1>straddled the line between New York and Connecticut. One day

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<v Speaker 1>Colleen was hanging with her grade school friends when Gomber

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<v Speaker 1>came traipsing down the road. Gomber was dressed in black

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<v Speaker 1>with his jacket collar popped and a Marlboro dangling from

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<v Speaker 1>his mouth. Colleen was flattered by the older boy's attention.

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<v Speaker 4>He was cute. I found him to be attractive.

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<v Speaker 1>He quickly attached himself to her circle of friends, which

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<v Speaker 1>the other girls found disturbing.

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<v Speaker 4>They were kind of like standoffish, if you will. They

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<v Speaker 4>really didn't want him around and whatever. And I think, actually,

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<v Speaker 4>from me being around him is how I lost my friends,

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<v Speaker 4>I think.

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<v Speaker 1>But Colleen was in the throes of her first ever crush.

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<v Speaker 1>Gombert seemed so much cooler than the boys on her block,

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<v Speaker 1>with his Peter Frampton shag and his cowboy boots and

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<v Speaker 1>his ready access to weed. Sometimes he'd sneak her into

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<v Speaker 1>his house at night, which was how she met his father.

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<v Speaker 1>Howard Sr. was a burly ex-Marine with a bad temper.

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<v Speaker 1>He was a machinist who liked to work on old

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<v Speaker 1>cars and spend his time tinkering in the garage. But

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<v Speaker 1>he wasn't the only adult in that house. There was

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<v Speaker 1>also Howard's grandmother, Alice.

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<v Speaker 4>His grandmother was the boss, not his father.

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<v Speaker 5>She could put the fear in you, like, you know,

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<v Speaker 5>his grandmother was a very tough person.

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<v Speaker 4>She used to hit him a lot, so....

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<v Speaker 1>Alice had competition when it came to slugging Howard. His

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<v Speaker 1>dad was a heavy drinker with a mean right hook.

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<v Speaker 5>I witnessed him slapping him a lot of times, yeah.

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<v Speaker 5>When he'd knock him down, he'd knock him down. Like

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<v Speaker 5>he'd knock him to the ground.

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<v Speaker 1>Many times Alice would lock him out of the house.

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<v Speaker 1>Gombert spent countless cold nights sleeping rough in the woods

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<v Speaker 1>and backed up onto their yard. In the dead of winter,

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<v Speaker 1>Colleen worried about him freezing to death in his flimsy tent.

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<v Speaker 5>He knew, like, he could survive in the woods like

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<v Speaker 5>a survivalist. So what life he came from obviously couldn't

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<v Speaker 5>have been good.

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<v Speaker 1>Soon enough, she became his lifeline. She'd steal food from

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<v Speaker 1>her house and bring it to him. Things like canned

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<v Speaker 1>soup and beans that he'd heat up on a camp stove.

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<v Speaker 1>a warm blanket that she filled from her attic. He'd

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<v Speaker 1>repay her first with cigarettes and beer, and then as

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<v Speaker 1>things progressed, with weed and pills. Weeks after they met,

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<v Speaker 1>he started forcing sex on her, which, given her age,

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<v Speaker 1>constituted statutory rape every time it happened. And then when

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<v Speaker 1>Gombert had earned her trust, he asked her for a

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<v Speaker 1>little help with a project.

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<v Speaker 4>This was broad daylight. Raw daylight.

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<v Speaker 5>I was supposed to wait outside and monitor if anybody

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<v Speaker 5>was coming home.

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<v Speaker 1>Gombert, she says, broke into people's houses while she stood

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<v Speaker 1>watch outside. And what would come out of these houses?

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<v Speaker 4>A lot of times he had food, believe it or not.

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<v Speaker 1>He would go into people's fridges.

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<v Speaker 6>Yes.

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<v Speaker 4>Food, jewelry.

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<v Speaker 1>Food and jewelry. Things he could stuff into a bag.

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<v Speaker 1>Those we'll hear later on. He stole other things as well,

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<v Speaker 1>items of a far more intimate nature. Colleen felt bullied

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<v Speaker 1>by Gombert, but powerless to break away. He had already

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<v Speaker 1>estranged her from her friends and forced her to have

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<v Speaker 1>sex with another boy while Gombert stood and watched. To

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<v Speaker 1>say nothing of the times Gombert bound her hands before

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<v Speaker 1>he raped her in his tent. Eventually, she says her

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<v Speaker 1>mom saw bruises on her wrists and called the New

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<v Speaker 1>Fairfield cops to They arrested Gombert, but charged him with burglary,

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<v Speaker 1>not rape, for reasons Colleen doesn't understand. Gombert's criminal record

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<v Speaker 1>shows that he was in and out for several years.

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<v Speaker 1>During which span, he made a friend in jail named Jeff.

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<v Speaker 3>I was in for a burglary. I was living on

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<v Speaker 3>the street. I couldn't get a job. I didn't have

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<v Speaker 3>a home. Nobody would hire me. So I had to eat,

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<v Speaker 3>you know, plain and simple. That's why I committed some crimes.

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<v Speaker 1>Recently, our reporter Kathleen Horan met up with Joe near Putnam.

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<v Speaker 1>They sat at a crowded park and ride on Route 52.

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<v Speaker 1>For muscle, Kathleen had brought her chihuahua, Rufus, who may

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<v Speaker 1>be tiny, but has the underbite of death. The years, meanwhile,

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<v Speaker 1>have left their mark on Joe. In his fifties, he

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<v Speaker 1>looks like the Marlboro Man, if the Marlboro Man smoked

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<v Speaker 1>something stronger than cigarettes. Joe still counts himself a supporter

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<v Speaker 1>of Gombert's, though they haven't seen each other in three decades.

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<v Speaker 3>We had no choice because it was a two-man block.

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<v Speaker 3>It was just me and him. So either you just

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<v Speaker 3>sit there and stare at the wall all day or

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<v Speaker 3>you talk to the guy you're put with. We would ask,

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<v Speaker 3>what are you in for? And he'd say, I don't know,

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<v Speaker 3>just that.

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<v Speaker 1>And what are you in for? With little else to do,

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<v Speaker 1>they chatted about their lives. and relived the rush they

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<v Speaker 1>both got from breaking and entering the homes of neighbors

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<v Speaker 1>and strangers.

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<v Speaker 3>It is an adrenaline rush, especially when the people are home.

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<v Speaker 3>Kind of, you know, like having ice cream on top

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<v Speaker 3>of your cake. A little more exciting, a little more fun.

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<v Speaker 2>Have you done that when people are home?

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<v Speaker 1>Yes, I did. At some point, Gombert moved to a

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<v Speaker 1>different jail, but the two friends kept in touch.

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<v Speaker 3>He got away with a lot. So did I. But

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<v Speaker 3>once I was finally able to get some work in

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<v Speaker 3>the housing, I stopped that stuff. But even though, I'll

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<v Speaker 3>admit it was fun.

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<v Speaker 1>After they got out of jail, the two found legal work.

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<v Speaker 1>Joe says he hooked Gombert up with a construction gig,

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<v Speaker 1>then taught him how to read a tape measure. Soon

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<v Speaker 1>the two were roommates at a party house down the

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<v Speaker 1>street from Howard's dad. There, Joe bought the groceries and

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<v Speaker 1>Gomber cooked. Sometimes they went fishing in the lakes around Putnam.

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<v Speaker 3>They used to have the little seven-ounce beers, they called

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<v Speaker 3>them ponies. You would get an eight-pack of ponies, put

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<v Speaker 3>it in a bucket and let it sink down in

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<v Speaker 3>the water so it would stay cold, and just basically

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<v Speaker 3>sit on the shore, you know, and cast out.

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<v Speaker 1>Joe stayed at that house for about a year, but

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<v Speaker 1>says the only neighbor he ever met was Gombert's dad.

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<v Speaker 1>As tight as he was with Joe, Howard never discussed

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<v Speaker 1>his family. But Joe had eyes, and they told him plenty.

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<v Speaker 3>His dad was pretty tough on him. That I do remember.

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<v Speaker 3>Like I said, his father liked to pick on him.

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<v Speaker 1>How would he do that?

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<v Speaker 2>Like, what do you remember seeing?

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<v Speaker 1>Just comments.

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<v Speaker 3>Like a derogatory comment about what he had done. Or,

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<v Speaker 3>you know, why didn't you do it better? Or like,

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<v Speaker 3>what's the matter with you?

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<v Speaker 1>You stupid?

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<v Speaker 3>So like along those lines, it was in a sarcastic

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<v Speaker 3>manner too, because unfortunately, you know, I laughed at the,

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<v Speaker 3>you know, a lot of the comments that his dad made,

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<v Speaker 3>because it was funny. He'd have a smile on his

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<v Speaker 3>face and laugh about it. And, you know, sometimes like,

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<v Speaker 3>you know, throw me a wink. So I don't think

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<v Speaker 3>he was really too mean spirited, but Even if it's not,

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<v Speaker 3>that could have an effect on a child growing up.

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<v Speaker 1>It was Fitzgerald who famously said that intelligence is, quote,

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<v Speaker 1>the ability to hold two opposed ideas at the same

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<v Speaker 1>time and still function, end quote. If he's right, then

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<v Speaker 1>the same is true of emotional intelligence, meaning it's possible

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<v Speaker 1>to mourn Howard Gombert's boyhood while deploring who he became

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<v Speaker 1>in manhood. To do anything else is to ignore the facts.

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<v Speaker 1>Howard Gombert had no shot as a child. Just look

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<v Speaker 1>at the men in his life. The abusers his mother

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<v Speaker 1>kept marrying, then fleeing. The father he ran to for

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<v Speaker 1>nurture and safety, but who beat and mocked him instead.

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<v Speaker 1>Does that excuse what Gombert's done? No, it surely doesn't.

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<v Speaker 1>But it does help explain his contempt for women, if

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<v Speaker 1>not his depravity. And it goes a long way to

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<v Speaker 1>explaining his need for control, as someone who'd been bullied

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<v Speaker 1>since birth. It also sheds light on Gombert's weapon of choice. No,

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<v Speaker 1>not his knife, his charm. Because when you grow to

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<v Speaker 1>be about 5'7, 150 pounds, you don't get what you

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<v Speaker 1>want or need by force. You get it by deceit.

0:14:59.860 --> 0:15:03.040
<v Speaker 1>by convincing the fellas that you're a good hang and

0:15:03.100 --> 0:15:08.300
<v Speaker 1>convincing women that you're playful and sexy. We know, for instance,

0:15:08.340 --> 0:15:12.100
<v Speaker 1>that Gombert is able to land jobs despite his criminal record.

0:15:12.950 --> 0:15:15.330
<v Speaker 1>And we know he had no trouble finding new women.

0:15:16.370 --> 0:15:19.790
<v Speaker 1>And so it was in 1987 when Gombert found a

0:15:19.810 --> 0:15:23.610
<v Speaker 1>job at a laundromat in Brewster and a young woman

0:15:23.650 --> 0:15:26.950
<v Speaker 1>with a pretty daughter. The name of that daughter will

0:15:26.970 --> 0:15:31.940
<v Speaker 1>be familiar to last season's listeners. It was Rachel R.,

0:15:32.670 --> 0:15:35.820
<v Speaker 1>who was eight, she says, when Gombert began raping her.

0:15:35.840 --> 0:15:38.160
<v Speaker 6>The End.

0:16:00.650 --> 0:16:03.010
<v Speaker 1>Eddie C. was a teenager in Brewster, New York, in

0:16:03.030 --> 0:16:06.790
<v Speaker 1>the late 1980s. He was a tall blonde boy with

0:16:06.830 --> 0:16:12.430
<v Speaker 1>a first-class mullet and a cocksure swagger to match. One day,

0:16:12.460 --> 0:16:14.560
<v Speaker 1>a friend told him about a new kid in town,

0:16:15.120 --> 0:16:18.140
<v Speaker 1>a girl by the name of Denise Lanza, who always

0:16:18.180 --> 0:16:21.400
<v Speaker 1>had a camera draped around her neck. The first time

0:16:21.480 --> 0:16:24.780
<v Speaker 1>Eddie saw her, she was tearing around on her BMX bike.

0:16:26.080 --> 0:16:29.740
<v Speaker 2>She came down the hill and I saw fireworks there.

0:16:29.790 --> 0:16:32.360
<v Speaker 2>I fell in love. I was a little kid and

0:16:32.640 --> 0:16:33.340
<v Speaker 2>I fell in love.

0:16:34.580 --> 0:16:37.720
<v Speaker 1>Very soon, the two were an item. Though Eddie C.

0:16:37.760 --> 0:16:41.420
<v Speaker 1>wasn't the kind you could just tie down. Over the summer,

0:16:41.440 --> 0:16:45.580
<v Speaker 1>they invited Kathleen to their house to talk. Denise, who's

0:16:45.680 --> 0:16:48.980
<v Speaker 1>still an avid photographer, spread a deck of her old

0:16:49.100 --> 0:16:53.660
<v Speaker 1>snapshots on her table. Laughing, Eddie pointed to one in particular,

0:16:54.260 --> 0:16:56.260
<v Speaker 1>a group of pretty girls with big hair.

0:16:57.640 --> 0:16:59.000
<v Speaker 2>If I wasn't going out with that one, I was

0:16:59.020 --> 0:17:00.620
<v Speaker 2>going out with that one. If I wasn't going out

0:17:00.640 --> 0:17:02.210
<v Speaker 2>with that one, I was going out with that one.

0:17:02.760 --> 0:17:06.090
<v Speaker 2>But I always loved that one.

0:17:10.010 --> 0:17:11.970
<v Speaker 1>Over the years, the two of them dated a string

0:17:12.010 --> 0:17:15.550
<v Speaker 1>of other people. But something always brought them back together.

0:17:15.570 --> 0:17:18.399
<v Speaker 1>Decades later, they're a couple again.

0:17:19.460 --> 0:17:21.440
<v Speaker 4>I've had the same phone number for over 20 years.

0:17:21.619 --> 0:17:24.540
<v Speaker 6>And the reason why I kept the same phone number

0:17:24.560 --> 0:17:26.340
<v Speaker 6>was so that he could always get a.

0:17:26.320 --> 0:17:26.699
<v Speaker 2>Hold of me.

0:17:27.790 --> 0:17:30.710
<v Speaker 1>The two of them passed photos to Kathleen while marveling

0:17:30.750 --> 0:17:33.990
<v Speaker 1>at the passage of years. But those pictures weren't the

0:17:34.050 --> 0:17:37.490
<v Speaker 1>reason for Kathleen's visit. It takes a certain kind of

0:17:37.609 --> 0:17:41.570
<v Speaker 1>courage to confront the past, to admit mistakes and reckon

0:17:41.609 --> 0:17:45.909
<v Speaker 1>with remorse. Eddie and Denise had been wrestling with memories,

0:17:46.470 --> 0:17:50.540
<v Speaker 1>memories stirred by season one of our series. They'd listened

0:17:50.560 --> 0:17:54.899
<v Speaker 1>to it intently, and something shifted in them. Suddenly, the

0:17:54.960 --> 0:17:58.970
<v Speaker 1>things they'd seen back then looked very different in hindsight.

0:18:01.850 --> 0:18:05.650
<v Speaker 2>Where we originally all started was the Bruce Laundromat.

0:18:05.930 --> 0:18:07.360
<v Speaker 4>What do you mean it all started there?

0:18:08.140 --> 0:18:10.960
<v Speaker 2>That's like where I met Howard and all that.

0:18:11.960 --> 0:18:14.800
<v Speaker 1>By laundromat, Eddie means the one in Brewster, not the

0:18:14.840 --> 0:18:18.750
<v Speaker 1>laundromat next to shop right seven years later. And he

0:18:18.790 --> 0:18:21.649
<v Speaker 1>got to know Gombert while hanging around there, though he

0:18:21.690 --> 0:18:26.310
<v Speaker 1>was barely a teen when Gombert was 25. Soon they

0:18:26.350 --> 0:18:30.490
<v Speaker 1>were drinking buddies, despite the gap in ages. They did

0:18:30.580 --> 0:18:33.720
<v Speaker 1>odd jobs together and fished the lakes that dotted Putnam.

0:18:35.260 --> 0:18:38.219
<v Speaker 2>Me and Howard used to paint the apartments. You know,

0:18:38.260 --> 0:18:41.879
<v Speaker 2>I was friends with him. Drinking, getting high, fishing. We

0:18:41.900 --> 0:18:43.780
<v Speaker 2>had boats all over the fucking place. If we didn't

0:18:43.800 --> 0:18:45.659
<v Speaker 2>have a boat in our reservoir, we had a fucking

0:18:45.680 --> 0:18:47.899
<v Speaker 2>pair of fucking locks and we stole it.

0:18:49.040 --> 0:18:50.040
<v Speaker 1>Denise knew him, too.

0:18:51.080 --> 0:18:54.120
<v Speaker 4>He was as cool as a cucumber. He was laid back,

0:18:54.619 --> 0:18:55.320
<v Speaker 4>you know?

0:18:57.609 --> 0:18:59.710
<v Speaker 2>I was around a lot of other things than she

0:18:59.750 --> 0:19:02.530
<v Speaker 2>was that she never took part in.

0:19:02.970 --> 0:19:04.270
<v Speaker 4>What's the other side that you saw?

0:19:04.290 --> 0:19:10.570
<v Speaker 2>I saw him violent. I saw him smack Rachel's mother

0:19:10.650 --> 0:19:16.820
<v Speaker 2>in the face, backhanded her right in the laundromat. Backhanded her, pow! Like,

0:19:16.880 --> 0:19:18.030
<v Speaker 2>almost knocked her fucking head off.

0:19:19.540 --> 0:19:22.180
<v Speaker 1>At the time, Gombert was living with Rachel and her mom.

0:19:23.440 --> 0:19:25.700
<v Speaker 2>It didn't matter to me, you know? I was like, oh,

0:19:25.740 --> 0:19:30.800
<v Speaker 2>oh well. Now I was young. I didn't, you know? Now,

0:19:30.820 --> 0:19:31.629
<v Speaker 2>forget about it.

0:19:32.940 --> 0:19:36.480
<v Speaker 1>Rachel R. is mentioned with Gombert's preteen victim, beginning when

0:19:36.520 --> 0:19:39.860
<v Speaker 1>she was eight. It took years for Rachel to even

0:19:40.020 --> 0:19:42.680
<v Speaker 1>hint at Denise and Eddie what Gombert was doing to her.

0:19:43.660 --> 0:19:47.380
<v Speaker 1>But despite having seen Gombert slug Rachel's mom, Eddie thought

0:19:47.500 --> 0:19:48.800
<v Speaker 1>Rachel was making it up.

0:19:50.040 --> 0:19:53.100
<v Speaker 2>Rachel's trying to, you know, start some shit or, you know, whatever,

0:19:53.140 --> 0:19:57.080
<v Speaker 2>just get Howard out of there. We didn't understand really

0:19:57.140 --> 0:19:58.100
<v Speaker 2>what was going on.

0:19:58.119 --> 0:20:02.359
<v Speaker 1>Eddie was just a kid himself back then, and it's

0:20:02.400 --> 0:20:05.080
<v Speaker 1>hard to know now whether he couldn't picture such things

0:20:05.680 --> 0:20:08.629
<v Speaker 1>or if he simply trusted his good-time buddy, Gombert.

0:20:09.820 --> 0:20:12.160
<v Speaker 2>I was friends with Howard and I liked Howard. So

0:20:12.240 --> 0:20:16.060
<v Speaker 2>Howard couldn't do something like that. Howard's not touching her.

0:20:16.080 --> 0:20:20.490
<v Speaker 2>I thought Rachel was making it up. I thought, okay,

0:20:20.550 --> 0:20:22.730
<v Speaker 2>so you did something wrong. He smacked you around a

0:20:22.730 --> 0:20:25.850
<v Speaker 2>little bit. Shut up and behave, you know, like that

0:20:25.910 --> 0:20:29.389
<v Speaker 2>kind of thinking. You know, I didn't understand that he

0:20:29.430 --> 0:20:31.129
<v Speaker 2>was doing this to that poor girl.

0:20:31.150 --> 0:20:35.590
<v Speaker 1>Denise didn't see what Eddie saw, but is grappling with

0:20:35.630 --> 0:20:39.250
<v Speaker 1>her own regrets. She lived around the corner from Rachel

0:20:39.310 --> 0:20:42.020
<v Speaker 1>and her mom. And though Rachel was years younger than

0:20:42.060 --> 0:20:45.200
<v Speaker 1>Denise and her friends, she'd let her tag along with them.

0:20:46.260 --> 0:20:50.000
<v Speaker 6>You could see her bedroom from my kitchen window. So

0:20:50.359 --> 0:20:53.920
<v Speaker 6>you could hear everything, like if they were yelling or whatever,

0:20:54.080 --> 0:20:57.740
<v Speaker 6>you could hear that. And you could tell the difference

0:20:58.320 --> 0:21:00.400
<v Speaker 6>whether he was mad when he came in that door

0:21:00.420 --> 0:21:02.180
<v Speaker 6>or if he was chill.

0:21:03.619 --> 0:21:05.940
<v Speaker 1>One day, Denise came home and found Rachel sitting in

0:21:05.980 --> 0:21:11.609
<v Speaker 1>her house. terrified and seeking protection from Gombert.

0:21:11.630 --> 0:21:16.290
<v Speaker 6>And Rachel was in my living room crying, and my

0:21:16.350 --> 0:21:17.670
<v Speaker 6>mother was holding her.

0:21:17.690 --> 0:21:21.730
<v Speaker 1>Denise pauses for a moment to gather herself.

0:21:23.050 --> 0:21:24.990
<v Speaker 6>I didn't know what was going on, so I had said,

0:21:25.050 --> 0:21:26.710
<v Speaker 6>what's going on?

0:21:26.750 --> 0:21:27.270
<v Speaker 4>What happened?

0:21:27.290 --> 0:21:27.810
<v Speaker 2>What happened?

0:21:29.150 --> 0:21:31.810
<v Speaker 1>Denise thinks that Rachel came looking for her after a

0:21:31.890 --> 0:21:36.990
<v Speaker 1>violent encounter with Gombert, but found her mom instead. The

0:21:37.050 --> 0:21:39.350
<v Speaker 1>next thing she knew, someone else was at their door.

0:21:40.410 --> 0:21:45.510
<v Speaker 6>Well, her mother came down to my mother's house and said, OK,

0:21:47.090 --> 0:21:49.950
<v Speaker 6>you know, you have to come home now. And she

0:21:49.990 --> 0:21:53.320
<v Speaker 6>was begging my mom, please don't let me go back there.

0:21:53.430 --> 0:21:54.060
<v Speaker 4>Please don't.

0:21:54.150 --> 0:21:55.060
<v Speaker 6>Can I stay here?

0:21:55.119 --> 0:21:57.660
<v Speaker 4>Can I stay here? My mother was like, of course,

0:21:58.359 --> 0:21:58.720
<v Speaker 4>you know.

0:21:59.780 --> 0:22:03.090
<v Speaker 1>Denise says Rachel's mom wanted her to come home. She

0:22:03.150 --> 0:22:05.990
<v Speaker 1>said if she returned without her daughter, it would, quote,

0:22:06.340 --> 0:22:09.060
<v Speaker 1>piss Gombert off even more, unquote.

0:22:10.220 --> 0:22:16.530
<v Speaker 6>And my mom put her behind her and said, no.

0:22:17.250 --> 0:22:18.190
<v Speaker 4>She's not going.

0:22:19.390 --> 0:22:22.150
<v Speaker 1>Rachel's mom went home without her daughter that afternoon.

0:22:23.660 --> 0:22:23.800
<v Speaker 2>And.

0:22:24.880 --> 0:22:28.080
<v Speaker 6>I just remember her and my mom, just my mom

0:22:28.160 --> 0:22:28.860
<v Speaker 6>hugging her.

0:22:29.680 --> 0:22:32.500
<v Speaker 2>Every time I think about the stuff that he.

0:22:32.280 --> 0:22:35.800
<v Speaker 6>Did to her and the stuff that she told me.

0:22:37.040 --> 0:22:38.960
<v Speaker 4>That I failed her as my friend.

0:22:39.859 --> 0:22:43.780
<v Speaker 6>And I wonder why nobody called the cops.

0:22:47.880 --> 0:22:50.960
<v Speaker 1>Rachel only stayed with Denise for a little while, then

0:22:51.020 --> 0:22:56.490
<v Speaker 1>bit her lip and went home. In the meantime, Eddie

0:22:56.530 --> 0:22:59.930
<v Speaker 1>saw a lot of Gombert. Too much for his own good,

0:22:59.990 --> 0:23:00.530
<v Speaker 1>in fact.

0:23:01.530 --> 0:23:07.520
<v Speaker 2>The partying, the drinking, you know, numerous girls in the shed. Numerous,

0:23:07.600 --> 0:23:11.220
<v Speaker 2>numerous girls in the shed. All hours of the night.

0:23:12.359 --> 0:23:14.820
<v Speaker 1>That shed he's referring to comes up a lot when

0:23:14.840 --> 0:23:18.600
<v Speaker 1>you read about Gombert's past. He'd rented it with a friend,

0:23:18.960 --> 0:23:22.239
<v Speaker 1>ostensibly as a place to work on motorcycles. But that

0:23:22.280 --> 0:23:23.520
<v Speaker 1>wasn't all they did there.

0:23:24.710 --> 0:23:27.379
<v Speaker 2>There was a non-stop party in there. Non-stop.

0:23:28.600 --> 0:23:31.560
<v Speaker 1>The Shed had two rooms, Eddie told us. The front

0:23:31.619 --> 0:23:34.800
<v Speaker 1>room was for fixing and housing bikes. The back room,

0:23:35.140 --> 0:23:38.440
<v Speaker 1>not so much. There was a sofa and a dartboard

0:23:38.580 --> 0:23:40.200
<v Speaker 1>and a boombox for music.

0:23:41.340 --> 0:23:43.780
<v Speaker 2>I didn't put two and two together until years and

0:23:43.840 --> 0:23:45.399
<v Speaker 2>years and years and years later.

0:23:46.500 --> 0:23:50.110
<v Speaker 1>Years later, after Rachel reported Gombert to the cops, Eddie

0:23:50.160 --> 0:23:53.050
<v Speaker 1>stopped by the Shed, he says. There he saw a

0:23:53.190 --> 0:23:54.949
<v Speaker 1>new girl hanging with Gombert.

0:23:56.030 --> 0:23:56.830
<v Speaker 4>Tell me what you saw.

0:23:57.450 --> 0:24:00.370
<v Speaker 2>I just went in there to, I most likely went

0:24:00.410 --> 0:24:04.109
<v Speaker 2>in there to get drugs. And I knocked on the shed,

0:24:05.410 --> 0:24:07.770
<v Speaker 2>and no one answered the front door, so I opened

0:24:07.790 --> 0:24:09.590
<v Speaker 2>the front door, walked in the back because I heard

0:24:09.609 --> 0:24:12.810
<v Speaker 2>the radio on, and she was sitting right on the couch.

0:24:14.800 --> 0:24:18.409
<v Speaker 1>Eddie didn't recognize her at the time. That would come later,

0:24:19.200 --> 0:24:21.649
<v Speaker 1>when he saw her picture in the paper. and her

0:24:21.690 --> 0:24:24.270
<v Speaker 1>face on missing posters around Carmel.

0:24:27.490 --> 0:24:30.169
<v Speaker 2>She was just sitting there partying, listening to music. I

0:24:30.210 --> 0:24:32.290
<v Speaker 2>think she was drinking a beer, if I'm not mistaken.

0:24:32.310 --> 0:24:36.250
<v Speaker 2>I can see her face right now, plain as day,

0:24:36.310 --> 0:24:39.449
<v Speaker 2>right now, just talking about it. But I know she

0:24:39.490 --> 0:24:41.149
<v Speaker 2>was in there. For a fact, I know she was

0:24:41.210 --> 0:24:41.470
<v Speaker 2>in there.

0:24:42.710 --> 0:24:45.580
<v Speaker 1>That girl he says he saw with Gombert, it was

0:24:45.600 --> 0:24:50.300
<v Speaker 1>none other than Robin Murphy. And so went that evening

0:24:50.359 --> 0:24:54.750
<v Speaker 1>at Denise and Eddie's house. Hour upon hour of reflection

0:24:54.830 --> 0:24:58.670
<v Speaker 1>and regret and an undertow of guilt about the past.

0:24:59.790 --> 0:25:01.990
<v Speaker 6>I'm scared for the next girl. Yeah.

0:25:02.210 --> 0:25:03.250
<v Speaker 4>That's what I'm scared of.

0:25:04.290 --> 0:25:07.430
<v Speaker 1>The couple now view Gombert as a predator and a threat,

0:25:08.020 --> 0:25:11.980
<v Speaker 1>given his pending release from prison in three months. What

0:25:12.040 --> 0:25:14.200
<v Speaker 1>haunts them now is the thing that still haunts me.

0:25:15.730 --> 0:25:18.239
<v Speaker 1>Why did so many people who knew what Gombert was

0:25:18.340 --> 0:25:21.899
<v Speaker 1>up to say and do nothing at the time? His

0:25:21.940 --> 0:25:26.820
<v Speaker 1>so-called friends. The Putnam cops who kept arresting Gombert. The

0:25:26.880 --> 0:25:30.520
<v Speaker 1>assistant DAs who kept charging him. Why on earth did

0:25:30.560 --> 0:25:32.439
<v Speaker 1>they let him out of their clutches to go and

0:25:32.540 --> 0:25:38.220
<v Speaker 1>hunt again? Though a lot of people who knew Gombert

0:25:38.280 --> 0:25:41.760
<v Speaker 1>back then profess shock and regret now about him, his

0:25:41.820 --> 0:25:44.040
<v Speaker 1>old friend Joe still texts him at his word when

0:25:44.080 --> 0:25:47.550
<v Speaker 1>he claims he's innocent. Of course, Joe still asked that

0:25:47.590 --> 0:25:51.470
<v Speaker 1>we not use his last name because, you know, vouching

0:25:51.530 --> 0:25:54.510
<v Speaker 1>for a convicted pedophile isn't great for business.

0:25:55.710 --> 0:26:00.260
<v Speaker 3>I've never known him to say anything about a young girl,

0:26:01.060 --> 0:26:04.500
<v Speaker 3>to leer at him, make any kind of comment whatsoever.

0:26:04.520 --> 0:26:09.600
<v Speaker 3>I would find it hard to still be friends with

0:26:09.660 --> 0:26:13.970
<v Speaker 3>him if he is actually guilty of those young girls.

0:26:15.930 --> 0:26:18.790
<v Speaker 2>So specifically the young girls, like it's, it's like a

0:26:18.810 --> 0:26:19.590
<v Speaker 2>bridge too far.

0:26:20.690 --> 0:26:25.070
<v Speaker 3>Yeah. As far as like, you know, the Robin thing,

0:26:25.630 --> 0:26:29.990
<v Speaker 3>would I still be friends with him? It's hard to say,

0:26:30.820 --> 0:26:38.619
<v Speaker 3>but I'm going to say probably because sometimes people kill,

0:26:41.080 --> 0:26:46.000
<v Speaker 3>but sometimes there's, extenuating circumstances, I guess you could say.

0:26:48.530 --> 0:26:51.439
<v Speaker 3>Was he high on drugs? Was there something else going on?

0:26:51.670 --> 0:26:55.810
<v Speaker 3>Did it just snap in the moment? And if it

0:26:55.850 --> 0:27:02.740
<v Speaker 3>was just a one-time thing? I can't say that I

0:27:02.800 --> 0:27:08.679
<v Speaker 3>wouldn't be friends with him, but I try and be

0:27:08.720 --> 0:27:12.280
<v Speaker 3>a forgiving person, so to speak. But if he was like, oh,

0:27:12.300 --> 0:27:14.340
<v Speaker 3>she wouldn't give me anything, so I snapped her neck,

0:27:14.420 --> 0:27:16.460
<v Speaker 3>I'm like, all right, dude, we're done.

0:27:37.390 --> 0:27:41.080
<v Speaker 1>Six months after Robin Murphy vanished, The bones of Josette

0:27:41.180 --> 0:27:45.110
<v Speaker 1>Wright were found in the Carmel Woods. By then, Gombert

0:27:45.150 --> 0:27:49.250
<v Speaker 1>had decamped to his dad's address in Connecticut, where once again,

0:27:49.270 --> 0:27:51.350
<v Speaker 1>he was forced to live outdoors.

0:27:52.990 --> 0:27:55.770
<v Speaker 7>He was sleeping in a hut that he made in

0:27:55.830 --> 0:27:58.630
<v Speaker 7>the driveway of his father's house because he was not

0:27:58.750 --> 0:28:01.360
<v Speaker 7>allowed in his father's house when he was not home.

0:28:02.640 --> 0:28:07.680
<v Speaker 1>Jane Gunderman met Gombert in 1997. As last season's listeners

0:28:07.720 --> 0:28:10.939
<v Speaker 1>will recall... By the fall of that year, she was

0:28:11.000 --> 0:28:14.800
<v Speaker 1>sleeping in the hut beside him. Why does father lock

0:28:14.840 --> 0:28:17.899
<v Speaker 1>him out of the house this time? Because, says Jane,

0:28:18.000 --> 0:28:21.650
<v Speaker 1>Gombert stole from his dad. Just like he stole from

0:28:21.690 --> 0:28:22.470
<v Speaker 1>his neighbors.

0:28:23.550 --> 0:28:25.389
<v Speaker 7>You know, like on your trucks, you have a cab.

0:28:25.430 --> 0:28:28.390
<v Speaker 7>You can put it on and make it enclosed. Okay,

0:28:28.430 --> 0:28:30.469
<v Speaker 7>take one of those. You know, you do your slats

0:28:30.510 --> 0:28:32.250
<v Speaker 7>and you make your floor. And then you make a

0:28:32.270 --> 0:28:35.379
<v Speaker 7>little wall and you attach the cap to it. And

0:28:35.390 --> 0:28:36.980
<v Speaker 7>that's what I was living in with a little door

0:28:37.020 --> 0:28:39.000
<v Speaker 7>and you had to crawl in. on my hands and

0:28:39.020 --> 0:28:39.959
<v Speaker 7>knees to get in there.

0:28:42.100 --> 0:28:44.720
<v Speaker 1>It's where she fell pregnant with Gombert's youngest daughter.

0:28:45.940 --> 0:28:48.060
<v Speaker 4>I didn't know if I was excited, scared.

0:28:48.120 --> 0:28:50.570
<v Speaker 7>I think I was a little of everything. Scared, excited,

0:28:51.110 --> 0:28:54.730
<v Speaker 7>and like, oh my God, you know, like flabbergasted that

0:28:54.770 --> 0:28:56.790
<v Speaker 7>I was pregnant because I'm living in a hut and

0:28:56.830 --> 0:28:57.710
<v Speaker 7>peeing in a bucket.

0:28:57.890 --> 0:28:59.510
<v Speaker 4>You know, like, oh my God.

0:29:00.600 --> 0:29:06.280
<v Speaker 1>Jane's relationship with Gombert was hair-trigger tense and chock-a-block with secrets.

0:29:07.020 --> 0:29:10.480
<v Speaker 1>He flatly refused to talk about his past. She only

0:29:10.540 --> 0:29:13.800
<v Speaker 1>picked up fragments here and there. She knew, for instance,

0:29:13.840 --> 0:29:16.760
<v Speaker 1>that he still adored his mom, though she'd sent him

0:29:16.820 --> 0:29:20.400
<v Speaker 1>north to live with his brutal father. Still, Jane knew

0:29:20.460 --> 0:29:23.719
<v Speaker 1>enough to be of use to the Carmel cops. We

0:29:23.760 --> 0:29:27.320
<v Speaker 1>found a copy of the questionnaire they gave her in 2001,

0:29:27.320 --> 0:29:31.440
<v Speaker 1>seeking intel on Gombert's makeup. Jane said that Gombert had

0:29:31.480 --> 0:29:36.190
<v Speaker 1>dropped out of school young, like seventh or eighth grade young. Why?

0:29:37.130 --> 0:29:41.680
<v Speaker 1>because he was, quote, always in trouble there. unquote, she wrote.

0:29:42.700 --> 0:29:49.000
<v Speaker 1>About his religious affiliation, Jane wrote one word, satanic. How

0:29:49.100 --> 0:29:53.120
<v Speaker 1>often did he consume alcohol, weed, or other drugs? Daily,

0:29:53.200 --> 0:29:57.550
<v Speaker 1>Jane responded. What kind of partner was he? She wrote

0:29:57.570 --> 0:30:01.750
<v Speaker 1>that he loved to, quote, be the boss, unquote. His

0:30:01.830 --> 0:30:04.170
<v Speaker 1>way was, quote, the only way.

0:30:05.430 --> 0:30:07.760
<v Speaker 7>He made a comment to me, things start at home, Jane.

0:30:07.800 --> 0:30:12.640
<v Speaker 4>You know that, right? I said, what did that mean?

0:30:13.080 --> 0:30:16.160
<v Speaker 4>And he goes, abuse. That stuff starts at home.

0:30:17.020 --> 0:30:19.960
<v Speaker 1>Did he see himself as someone who had been abused?

0:30:21.840 --> 0:30:23.220
<v Speaker 4>He never answered that question.

0:30:23.640 --> 0:30:25.420
<v Speaker 7>He did say that there was a lot of men

0:30:25.560 --> 0:30:27.100
<v Speaker 7>in and out of his mother's life.

0:30:28.840 --> 0:30:31.320
<v Speaker 1>One night, she says Gomber was talking in his sleep,

0:30:32.280 --> 0:30:34.540
<v Speaker 1>actually not talking so much as screaming.

0:30:35.760 --> 0:30:37.740
<v Speaker 7>Get off of me, get off of me, leave me alone,

0:30:37.800 --> 0:30:40.330
<v Speaker 7>leave me alone. And it was scary, like it was

0:30:40.380 --> 0:30:43.090
<v Speaker 7>a little person's voice. And I remember thinking to myself,

0:30:43.120 --> 0:30:43.890
<v Speaker 7>this is weird.

0:30:44.930 --> 0:30:46.470
<v Speaker 1>Were you with him when he had that nightmare?

0:30:46.730 --> 0:30:48.930
<v Speaker 4>Yeah, I was sleeping next to him. It woke me up.

0:30:52.230 --> 0:30:55.810
<v Speaker 1>Naturally, she knew more about his recent past. For instance,

0:30:55.850 --> 0:30:58.570
<v Speaker 1>his abuse of the girls and women who came before

0:30:58.590 --> 0:31:02.410
<v Speaker 1>her And how did Jane know that? Because Gombert never

0:31:02.470 --> 0:31:06.160
<v Speaker 1>really let them go. He often drove to Carmel to

0:31:06.200 --> 0:31:10.260
<v Speaker 1>surprise them with poppin' visits, or simply to spy on them.

0:31:11.340 --> 0:31:14.780
<v Speaker 1>And yes, she knew about his past with Robin Murphy.

0:31:16.100 --> 0:31:19.180
<v Speaker 7>They were just friends when he was working at that laundromat.

0:31:19.900 --> 0:31:22.980
<v Speaker 7>And that he was helping her with her boyfriend, which

0:31:23.420 --> 0:31:27.610
<v Speaker 7>probably was interfering, but not helping her. if I know Howard,

0:31:27.630 --> 0:31:31.750
<v Speaker 7>he was setting up the next target. He said he

0:31:31.790 --> 0:31:34.390
<v Speaker 7>was the last person to see her alive. He goes,

0:31:34.430 --> 0:31:36.270
<v Speaker 7>I should have known better than to say I was

0:31:36.310 --> 0:31:38.880
<v Speaker 7>the last person, but I was being honest for once,

0:31:38.950 --> 0:31:42.260
<v Speaker 7>he said. Something like that, real sheisty afterwards, you know?

0:31:42.860 --> 0:31:45.580
<v Speaker 7>But I knew what he meant. He meant was, I'm

0:31:45.620 --> 0:31:47.840
<v Speaker 7>being honest because I didn't want it pinned on me.

0:31:49.040 --> 0:31:51.880
<v Speaker 1>Still, Jane was stunned when she saw Robin's photo in

0:31:51.900 --> 0:31:52.440
<v Speaker 1>the papers.

0:31:53.670 --> 0:31:56.370
<v Speaker 7>It took my breath away when I looked at the

0:31:56.410 --> 0:31:59.450
<v Speaker 7>picture because I had no idea what she looked like.

0:31:59.910 --> 0:32:02.570
<v Speaker 7>And that day when I opened up that article, I

0:32:02.750 --> 0:32:06.060
<v Speaker 7>almost threw up because I couldn't believe how much we

0:32:06.080 --> 0:32:06.580
<v Speaker 7>looked alike.

0:32:08.200 --> 0:32:10.160
<v Speaker 4>It was just really a big.

0:32:11.680 --> 0:32:13.400
<v Speaker 7>Realization when I saw that picture.

0:32:17.360 --> 0:32:19.940
<v Speaker 1>Jane finally broke free of Gombert in the spring of

0:32:19.940 --> 0:32:24.740
<v Speaker 1>2000 by sending him off to prison. He was convicted

0:32:24.780 --> 0:32:28.660
<v Speaker 1>of multiple felonies against her after a three-day siege of

0:32:28.800 --> 0:32:32.740
<v Speaker 1>rapes and beatings. But that spring is significant for a

0:32:32.920 --> 0:32:36.570
<v Speaker 1>second reason, because it brought the first big development in

0:32:36.650 --> 0:32:41.150
<v Speaker 1>Robin's case, the appointment of a new lead cop. His

0:32:41.210 --> 0:32:44.750
<v Speaker 1>name was Detective Brian Karst, and he had nothing in

0:32:44.830 --> 0:32:48.100
<v Speaker 1>common with the stumblebums who'd worked the case before him.

0:32:49.210 --> 0:32:52.580
<v Speaker 7>The best detective there was Detective Karst from New York.

0:32:52.600 --> 0:32:57.930
<v Speaker 1>He was awesome. Awesome, awesome, awesome man. Kars' decency and

0:32:58.110 --> 0:33:00.110
<v Speaker 1>thoroughness endeared him to Jane.

0:33:01.170 --> 0:33:03.260
<v Speaker 7>I mean, he just has a way about him that

0:33:03.600 --> 0:33:06.560
<v Speaker 7>makes you feel comfortable and able to talk about something

0:33:06.580 --> 0:33:10.320
<v Speaker 7>that's very traumatic. And makes you feel comfortable and not

0:33:10.360 --> 0:33:12.460
<v Speaker 7>your fault and not judgmental.

0:33:13.460 --> 0:33:16.240
<v Speaker 1>Jane told Kars what Howard had told her about Robin.

0:33:17.030 --> 0:33:18.990
<v Speaker 1>That he and Robin had gotten so close that at

0:33:19.130 --> 0:33:22.580
<v Speaker 1>one point she talked him out of killing himself. Alas,

0:33:22.620 --> 0:33:25.340
<v Speaker 1>Jane didn't have the smoking gun proof that Karst was

0:33:25.400 --> 0:33:31.590
<v Speaker 1>looking for. Or at least she thought she didn't. Several

0:33:31.630 --> 0:33:35.130
<v Speaker 1>weeks later, the Connecticut cops did a search of Gombert's car.

0:33:36.030 --> 0:33:40.790
<v Speaker 1>They found astonishing amounts of stolen jewelry there. Women's pendants

0:33:40.870 --> 0:33:45.360
<v Speaker 1>and earrings and rings and such. They found stolen cameras

0:33:45.440 --> 0:33:47.760
<v Speaker 1>and camcorders and VHS tapes.

0:33:48.780 --> 0:33:48.920
<v Speaker 2>And.

0:33:50.030 --> 0:33:54.600
<v Speaker 1>They found boxes and boxes of girls' underwear in many

0:33:54.690 --> 0:34:00.100
<v Speaker 1>sizes and styles. After the search, Jane decided a clean house,

0:34:00.680 --> 0:34:05.420
<v Speaker 1>meaning purgent of every last trace of Howard Gomber. It

0:34:05.460 --> 0:34:08.520
<v Speaker 1>was during that deep clean that she stumbled upon something.

0:34:09.760 --> 0:34:11.339
<v Speaker 7>I didn't even know it was in my house until

0:34:11.380 --> 0:34:12.069
<v Speaker 7>after he left.

0:34:13.239 --> 0:34:16.250
<v Speaker 4>This was all afterwards. I had no clue.

0:34:17.739 --> 0:34:21.060
<v Speaker 1>That something in question had been stashed there by Gombert.

0:34:22.500 --> 0:34:23.910
<v Speaker 4>I was told I was never to look in it,

0:34:24.020 --> 0:34:24.720
<v Speaker 4>so I didn't.

0:34:25.880 --> 0:34:28.050
<v Speaker 7>But it was after he left, I opened it up,

0:34:28.180 --> 0:34:30.379
<v Speaker 7>and that's what I saw, and that's how I was like,

0:34:31.860 --> 0:34:35.420
<v Speaker 7>I just opened up the bag, and I thought, no way.

0:34:36.739 --> 0:34:39.180
<v Speaker 1>Jane called the cops back to her place and took

0:34:39.219 --> 0:34:42.930
<v Speaker 1>them down to the basement. My colleague Chris Neary reads

0:34:42.969 --> 0:34:44.510
<v Speaker 1>Carr's memo of that visit.

0:34:45.440 --> 0:34:47.960
<v Speaker 3>While searching the basement, a reporting officer came across a

0:34:48.000 --> 0:34:52.310
<v Speaker 3>tan suitcase containing a large quantity of women's undergarments, individually

0:34:52.350 --> 0:34:54.210
<v Speaker 3>kept in plastic Ziploc baggies.

0:34:55.989 --> 0:35:01.330
<v Speaker 1>Yes, inside that tan suitcase, 12 pairs of women's underwear,

0:35:02.050 --> 0:35:05.089
<v Speaker 1>each one of them lovingly sealed and stored in its

0:35:05.150 --> 0:35:13.120
<v Speaker 1>own Ziploc bag. Carr sent those garments out for DNA testing.

0:35:13.840 --> 0:35:17.340
<v Speaker 1>then went about getting something of Robin's that contained her DNA.

0:35:18.210 --> 0:35:21.090
<v Speaker 1>But by that point, Robin had been missing for five years.

0:35:21.810 --> 0:35:24.330
<v Speaker 1>And the cops who'd worked her case had changed so often,

0:35:24.690 --> 0:35:27.989
<v Speaker 1>her file should have come on a lazy Susan. So

0:35:28.010 --> 0:35:30.259
<v Speaker 1>when Karst came by with his hat in his hand,

0:35:30.600 --> 0:35:34.000
<v Speaker 1>the Murphy family blew him off. It took Karst a

0:35:34.120 --> 0:35:39.040
<v Speaker 1>month of pleading to gain the family's consent. Eventually, Brian,

0:35:39.060 --> 0:35:42.790
<v Speaker 1>the father, came down to the station. He'd brought Robin's

0:35:42.890 --> 0:35:46.940
<v Speaker 1>compound and her cosmetics brush, and a pair of her

0:35:47.000 --> 0:35:52.380
<v Speaker 1>cut-off denims. Karst sent those items for DNA testing to

0:35:52.400 --> 0:35:55.670
<v Speaker 1>the New York State Police Lab, and then he waited,

0:35:56.350 --> 0:36:00.770
<v Speaker 1>and the Murphy family waited. Finally, almost a year after

0:36:00.870 --> 0:36:03.969
<v Speaker 1>Karst entered the frame, he got a report back from

0:36:04.010 --> 0:36:08.549
<v Speaker 1>the Forensics Investigation Center. It found that the DNA from

0:36:08.630 --> 0:36:12.070
<v Speaker 1>Robin's denim shorts was consistent with one of the pairs

0:36:12.130 --> 0:36:16.930
<v Speaker 1>of underwear in Gombert's collection. Karst noted that the probability

0:36:16.950 --> 0:36:19.569
<v Speaker 1>of the underwear belonging to some other white girl was

0:36:19.570 --> 0:36:26.919
<v Speaker 1>1 in 2.4 billion. He concluded that it was a match. Bingo.

0:36:28.760 --> 0:36:32.520
<v Speaker 1>Robin's case was officially on the boil now, and Howard

0:36:32.640 --> 0:36:46.430
<v Speaker 1>Gombert was about to be on the grills. The Devil's

0:36:46.510 --> 0:36:49.870
<v Speaker 1>Quarry is a production of Lava for Good in association

0:36:49.910 --> 0:36:53.890
<v Speaker 1>with Signal Company No. 1. I'm your creator and host,

0:36:54.210 --> 0:37:00.950
<v Speaker 1>Paul Solitarov. Executive producers are Jason Flom, Jeff Kempler, Kevin Wardus,

0:37:01.239 --> 0:37:06.239
<v Speaker 1>and Gilbert King. Our senior producer is Hannah Beal. Our

0:37:06.340 --> 0:37:12.219
<v Speaker 1>producers are Jackie Pauley, Austin Smith, and Kathleen Horn. Our

0:37:12.400 --> 0:37:18.010
<v Speaker 1>field reporter is is Kathleen Horne. Our editor is Matthew Nelson.

0:37:18.969 --> 0:37:25.710
<v Speaker 1>Production support from Cara Kornhaber. Fact-checking by Peter Bresnan. Our

0:37:25.830 --> 0:37:31.180
<v Speaker 1>sound designer is Britt Spangler, and our engineer is Austin Smith.

0:37:32.239 --> 0:37:36.980
<v Speaker 1>Original music arranged and produced by Alexis Quadrato at the

0:37:37.040 --> 0:37:42.650
<v Speaker 1>Plaza Rojas Studio. Head of production, Matthew Nelson. Head of

0:37:42.810 --> 0:37:49.989
<v Speaker 1>Marketing and Operations, Jeff Clyburn. Publicist, Nathaniel Baruch. Art Director,

0:37:50.570 --> 0:37:56.510
<v Speaker 1>Andrew Nelson. Social Media Manager, Sarah Gibbons. Legal Review provided

0:37:56.570 --> 0:38:00.800
<v Speaker 1>by Gibson Dunn. And our theme song, The One Who's

0:38:00.840 --> 0:38:04.779
<v Speaker 1>Holding the Stars, is performed by Alexis Quadrato at the

0:38:04.860 --> 0:38:10.810
<v Speaker 1>Plaza Rojas Studio. Vocals by Rob Reddy of Californicorns. written

0:38:10.870 --> 0:38:14.820
<v Speaker 1>by Leah Schofield and Kevin Herrick at the Florida Department

0:38:14.840 --> 0:38:20.200
<v Speaker 1>of Corrections Hardy Correctional Facility. If you have any information

0:38:20.219 --> 0:38:23.500
<v Speaker 1>to share about the events covered in this series, please

0:38:23.620 --> 0:38:24.010
<v Speaker 1>call 1-888-257-7694.

0:38:41.930 --> 0:38:42.120
<v Speaker 6>Thank you.