WEBVTT - Stanley Tucci does — and eats — it all

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<v Speaker 1>Hi everyone, I'm Katie Kuric, and welcome to next question today.

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<v Speaker 1>I have such a treat for you, a man you

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<v Speaker 1>are certainly familiar with. He can make you laugh, he

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<v Speaker 1>can make you swoon, Julia, you are the butter to

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<v Speaker 1>my bread and the breath to my life. I love you,

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<v Speaker 1>Darling Grew. And he can also make a mean NECRONI

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<v Speaker 1>you can do it on the rocks. It's kind of

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<v Speaker 1>nice to have it up. It's Stanley Tucci, Everyone's favorite

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<v Speaker 1>pandemic sauceman. Enjoy. Are we doing the thing right now?

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<v Speaker 1>Or are we? Yeah? Yeah, we're doing it right now.

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<v Speaker 1>This isn't yeah, yeah, yeah, yeah. I'm so happy to

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<v Speaker 1>see you, and I know that you too. I really

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<v Speaker 1>appreciate that you've, Stanley, been able to cram me into

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<v Speaker 1>your very very busy but because what can I say,

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<v Speaker 1>there's been a Tucci sons. Yeah, Am I right? Yes?

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<v Speaker 1>I think so? Yes, which yeah is wonderful and embarrassing. Yes, well,

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<v Speaker 1>I think it's just plain wonderful and I'm not embarrassed

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<v Speaker 1>at all. But I want to ask you about all

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<v Speaker 1>the different things you've been doing, Stanley, because you have

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<v Speaker 1>been so busy, you have your CNN series about Italy,

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<v Speaker 1>you have an upcoming book, you have a movie you

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<v Speaker 1>just did with my my, my sauceman, Colin Firth. I mean,

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<v Speaker 1>you're you're also my sauceman's family. But I have had

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<v Speaker 1>I have had a thing for Colin Firth, uh for

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<v Speaker 1>for decades now. Well it's it's hard not to. We're

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<v Speaker 1>going to talk about Colin and your wonderful movie with him,

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<v Speaker 1>and also about how you're delighting all your Instagram followers

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<v Speaker 1>with your cocktails, and we'll talk about that and you

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<v Speaker 1>and Felicity and how that all got started. But I

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<v Speaker 1>thought we should start by talking about your extraordinary series

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<v Speaker 1>on CNN, which I have to be honest, makes me

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<v Speaker 1>very very hungry. And since I've sworn off carbs, damn you,

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<v Speaker 1>Stanley Tucci. Is it like a brioche? Yeah, and it's

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<v Speaker 1>even healthy as compared to this, This is b spride.

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<v Speaker 1>It's a sort of doughnuts with a cream. I can't

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<v Speaker 1>imagine a better assignment for you, Stanley, because your Italian

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<v Speaker 1>on both sides, you're a foodie, uh from way back,

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<v Speaker 1>and you'd love to travel. So how much fun was

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<v Speaker 1>this just exploring these regions and and what did you

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<v Speaker 1>learn from the experience, Well, I learned a great deal

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<v Speaker 1>because we wanted to incorporate always um, not just that

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<v Speaker 1>the idea of it. Like, first of all, I wanted

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<v Speaker 1>to sort of dispel the myth that Italy is the

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<v Speaker 1>food of Italy is bustin pizza in panamajana, which is

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<v Speaker 1>not an actual Italian. Yes, I saw, I saw some

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<v Speaker 1>of the innerds that you were consuming, and I have

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<v Speaker 1>to say, I think I would say check please, I'm

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<v Speaker 1>not an adventurous eater Stanley. Oh no, but Katie, then

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<v Speaker 1>we'll go out to dinner and you will be fine.

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<v Speaker 1>I promise, I promise you needn't be afraid. But the

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<v Speaker 1>the I wanted to dispel that myth that you know,

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<v Speaker 1>pasta is with every meal and the tomatoes and everything

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<v Speaker 1>and so on and so forth. Yes, that's that can

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<v Speaker 1>that's true in certain parts of Italy, but not all

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<v Speaker 1>parts of Italy. Pasta gives way to polenta, which gives

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<v Speaker 1>way to rice, and everything is cyclical and everything is seasonal.

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<v Speaker 1>And the Italian still promote this and believe it and

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<v Speaker 1>live by it. And I think that's one of the

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<v Speaker 1>things it makes them so, that makes that their cuisine

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<v Speaker 1>so attractive. But but the but the idea that you

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<v Speaker 1>can have um cavalonero, which is a a black kil

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<v Speaker 1>that you have that in the North, but you don't

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<v Speaker 1>necessarily have that in the South, that you have egg

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<v Speaker 1>plant down in the south, but you don't have that.

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<v Speaker 1>You never see an egg plant, You'll never see a tomato,

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<v Speaker 1>you very seldom have pasta. But the other aspect was

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<v Speaker 1>that I wanted to show Italy not in a rope

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<v Speaker 1>and a completely romantic light, but to show it truthfully

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<v Speaker 1>through its food. And as you delve into that food,

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<v Speaker 1>specifically in each region, what you're going to end up

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<v Speaker 1>delving into is the society. And every society has issues,

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<v Speaker 1>and there is a huge amount of poverty in Italy

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<v Speaker 1>to this day, not just in the South but in

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<v Speaker 1>the North as well. And there's a lot of prejudice,

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<v Speaker 1>there's a lot of um uh, sort of let's say,

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<v Speaker 1>governmental confusion as to what a safety net should be

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<v Speaker 1>and what a safety net shouldn't be. Um And you

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<v Speaker 1>want to in each episode sort of shine a little

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<v Speaker 1>bit of a light on that. I think you do

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<v Speaker 1>you know, I was I was going to say, Stanley,

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<v Speaker 1>I was taken with how you showed sort of these

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<v Speaker 1>forces that were budding up against each other in an

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<v Speaker 1>episode when you talked about kind of gentrification or trying

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<v Speaker 1>to have new restaurants in this certain area and how

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<v Speaker 1>they were being bombed, and that to me was a

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<v Speaker 1>microcosm of some of the social issues that are happening everywhere,

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<v Speaker 1>this reaction to multiculturalism, to disruption, etcetera. Yeah, it's it's

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<v Speaker 1>really interesting and it's very sad because to me as

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<v Speaker 1>as a as a as an Italian American um. You know, yes,

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<v Speaker 1>when Italians came over, they came over because they were

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<v Speaker 1>they were suffering terribly in Italy and the between the

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<v Speaker 1>wars or prior to World War One. But to think

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<v Speaker 1>that Italy would reject people in need when a lot

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<v Speaker 1>of countries, American particular, accepted so many Italians when they

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<v Speaker 1>were in need, is heartbreaking to me. And it's not

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<v Speaker 1>that when the Italians came to America that they weren't vilified,

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<v Speaker 1>that they weren't ostracized, that they weren't demonized, but ultimately

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<v Speaker 1>what they ended up doing was making our society so

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<v Speaker 1>much better. And in Italy there are those who really

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<v Speaker 1>see the benefit fits of of immigration and there are those,

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<v Speaker 1>particularly in the North who don't uh. And one episode,

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<v Speaker 1>the episode of Milan, I interview and spend time with

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<v Speaker 1>the guy who is the sort of gamekeeper of of

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<v Speaker 1>Lake Como and he looks after the health of the lake.

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<v Speaker 1>He's a fisherman and he's an ardent environmentalist and yet

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<v Speaker 1>at the same time, and these things don't often go together.

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<v Speaker 1>He's he's anti immigration and he's part of the of

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<v Speaker 1>the League, which is the right wing um you know,

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<v Speaker 1>a political group headed by Salvini Um. So there's a

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<v Speaker 1>real dichotomy there and we had a good conversation about it.

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<v Speaker 1>But you know, he's a lovely I have a great

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<v Speaker 1>family and everything. But you just think if you, if you,

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<v Speaker 1>if you could only see that the more diversity there is,

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<v Speaker 1>the healthier country is. How did COVID affect the production

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<v Speaker 1>schedule and what was it like kind of taking this

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<v Speaker 1>on in the middle of a global pandemic. Well, it

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<v Speaker 1>was We did the first four episodes prior to the pandemic.

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<v Speaker 1>The second you know, the second leg of it was

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<v Speaker 1>done just two episodes. It just makes it more complicated,

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<v Speaker 1>it makes it harder. It's not it's not as much

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<v Speaker 1>fun Um, you want to be you want to follow

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<v Speaker 1>all the protocols and be really careful and and every

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<v Speaker 1>day you're learning something new at that point about COVID

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<v Speaker 1>and um, well still, but it was it was hard.

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<v Speaker 1>It was hard. I mean, I have a friend of

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<v Speaker 1>my on who's directing a series here now excuse me,

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<v Speaker 1>for Netflix, I think for Netflix something and he and he, uh,

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<v Speaker 1>one of those, one of those. He told me that

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<v Speaker 1>they've added seventeen million dollars to their budget simply for

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<v Speaker 1>testing and COVID protocols. I'm doing something here and I'm tested. Uh.

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<v Speaker 1>Once I start the job on Thursday, I think I'm

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<v Speaker 1>tested five days a week. So if you think about

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<v Speaker 1>hundreds of people, how much that costs. Um, it's going

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<v Speaker 1>to actually change the face of the film industry significantly.

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<v Speaker 1>Because the movie that I made with Colin will will

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<v Speaker 1>be called Supernova, that we made for three million, three

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<v Speaker 1>million pounds. You won't see a movie like that for

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<v Speaker 1>quite a while. Why is that because of the protocols? Okay,

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<v Speaker 1>I can't afford it. We'll talk about Supernova, but you

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<v Speaker 1>don't really you don't really talk much about the pandemic

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<v Speaker 1>in the series, which I thought was interesting. There would

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<v Speaker 1>be maybe a mask here, an elbow bump there, and

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<v Speaker 1>um was that a conscious decision because Italy was so

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<v Speaker 1>devastated and of course we watched in horror as so

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<v Speaker 1>many people were dying from from this disease. Did you

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<v Speaker 1>feel like it would date it or you know, how

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<v Speaker 1>did you decide to handle that? You know, I don't know.

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<v Speaker 1>I don't know, Katie, I don't know why we didn't

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<v Speaker 1>do that. I think I think we were I think

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<v Speaker 1>we were all a bit shocked by it, and I

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<v Speaker 1>think we just wanted to try to move forward because

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<v Speaker 1>it was at a point where we thought that things

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<v Speaker 1>were getting better. And you know, you don't want to

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<v Speaker 1>skirt the issue, but you also don't. It's not an investigator,

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<v Speaker 1>you know what I mean. It's not it's not that

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<v Speaker 1>you want to acknowledge it. But but I going forward,

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<v Speaker 1>I would I would like to talk more about that.

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<v Speaker 1>I would like to talk more about um, the loss

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<v Speaker 1>and also the success of the way the Italians UH

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<v Speaker 1>handled it from the get go. You may get a

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<v Speaker 1>chance to do that because I know you're doing another season.

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<v Speaker 1>Is it going to be searching for Italy or is

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<v Speaker 1>it going to be searching for the UK. What are

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<v Speaker 1>you going to be searching next, Stanley, Well, we're going

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<v Speaker 1>to search different regions. We're gonna do um, we're gonna

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<v Speaker 1>do six different regions, six different regions of the world. Italy.

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<v Speaker 1>Oh you're doing more Italy though, Yeah, No, not at all.

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<v Speaker 1>I'm excited about it. In fact, I think for a

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<v Speaker 1>lot of people, we just got so much vicarious pleasure,

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<v Speaker 1>not only watching you eat. And I have to ask

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<v Speaker 1>how you stay so thin, Stanley, because it's freaking annoying

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<v Speaker 1>to watch you eating all that stuff and then to

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<v Speaker 1>watch you and you're like, look like you don't even

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<v Speaker 1>have body fat anyway. But I think people just love

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<v Speaker 1>watching watching it, especially because we are all desperate to travel,

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<v Speaker 1>and I think for us to see you enjoying, you know,

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<v Speaker 1>these beautiful, fascinating places full of incredible people. I think

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<v Speaker 1>I loved, you know, meeting the people behind the food.

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<v Speaker 1>I think I think it's sort of spirited us away

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<v Speaker 1>from our our pandemic blues, if you will. So I

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<v Speaker 1>love it, Lee, and I'm happy you're doing more. Um.

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<v Speaker 1>I I'm excited just to to watch whatever you do, Stanley.

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<v Speaker 1>So thank you. No, no, because you're you're so fun

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<v Speaker 1>to watch and you're kind of easy to be with

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<v Speaker 1>on television. I can't explain it, but do you know

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<v Speaker 1>what I mean, you're just uh, you just feel like

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<v Speaker 1>a travel companion. So it's been really nice. But but um,

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<v Speaker 1>do you what's the response been or a lot of

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<v Speaker 1>people saying that to you, Like, it's just it's just

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<v Speaker 1>so much fun to to see the world, at least

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<v Speaker 1>a part of the world. It is, No, it is you,

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<v Speaker 1>don't you know? I was. You have to be careful

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<v Speaker 1>not to make it trite, as I said, not to

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<v Speaker 1>make it. Um. Isn't Italy the most romantic place in

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<v Speaker 1>the world. Yes, there's romance and its romance everywhere, but

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<v Speaker 1>you know there are darker aspects of every country. Uh,

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<v Speaker 1>and we touch on them. But I for me, oh,

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<v Speaker 1>for me, it's really just about telling the truth of

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<v Speaker 1>that of that country through its cuisine. And the cuisine

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<v Speaker 1>is arguably, um, the I think it's the most beloved

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<v Speaker 1>food in the world. Um. If anyone, if you said

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<v Speaker 1>to anyone, do like Italian food? Have you ever met

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<v Speaker 1>a person who says no, no, no? When we come back.

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<v Speaker 1>How did Stanley become such a foodie and how does

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<v Speaker 1>he stay so damn fit. That's right after this. How

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<v Speaker 1>do you stay so skinny? Stanley? I exercise obsessively, um,

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<v Speaker 1>and I'm blessed with a very fast metabolism. Really, I

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<v Speaker 1>mean really, I toasta like every day. I hate people

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<v Speaker 1>like work, I work out. How did you become a

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<v Speaker 1>foodie in the first place, because this is not your

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<v Speaker 1>first rodeo when it comes to kind of exploring cuisines,

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<v Speaker 1>can you take me back to your like food origin

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<v Speaker 1>story where you thought, I just I really love food

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<v Speaker 1>and who influenced you? Because I sort of know the answer,

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<v Speaker 1>but some of our listeners may not. My family, my mother,

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<v Speaker 1>my grandmother on both sides. Um, food, food was everything.

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<v Speaker 1>Sitting around the table at night was what you just did.

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<v Speaker 1>You were not late for dinner? Um. If you were,

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<v Speaker 1>you were sort of roundly chastised. Um. And my mother

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<v Speaker 1>and I write about this in the book. And my

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<v Speaker 1>mother was is an incredible cook. I mean, she's the

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<v Speaker 1>she's the kind of person that I mean, had she

0:16:22.120 --> 0:16:25.400
<v Speaker 1>chosen to be a professional chef, she would have been extraordinary,

0:16:25.720 --> 0:16:30.160
<v Speaker 1>beyond beyond. And I'm not saying this because oh every

0:16:30.160 --> 0:16:33.440
<v Speaker 1>Italian boy loves his mother's coaching. You know, it's not

0:16:33.560 --> 0:16:38.120
<v Speaker 1>it's not like I've been around you know, uh, not

0:16:38.240 --> 0:16:42.440
<v Speaker 1>in that sense, Katie. But but you know, but you know,

0:16:42.920 --> 0:16:46.600
<v Speaker 1>you're just like whoa. No matter where I travel, no

0:16:46.600 --> 0:16:52.600
<v Speaker 1>matter where I go, I always go back to those

0:16:53.200 --> 0:17:01.800
<v Speaker 1>flavors and that process and and when I find something new,

0:17:03.040 --> 0:17:08.520
<v Speaker 1>it's great. But ultimately that's the stuff that that really works,

0:17:09.240 --> 0:17:14.240
<v Speaker 1>I mean really works. Describe describe the Tucci family dinner

0:17:14.320 --> 0:17:17.600
<v Speaker 1>table growing up, because I just want to have people

0:17:17.840 --> 0:17:20.840
<v Speaker 1>get an image of it and what it was like,

0:17:21.040 --> 0:17:24.640
<v Speaker 1>where it was and kind of the commotion that would

0:17:24.680 --> 0:17:27.639
<v Speaker 1>take place there. I mean, we're just in Westchester and

0:17:28.200 --> 0:17:32.800
<v Speaker 1>in our house and excuse me, in Katona, and we

0:17:32.840 --> 0:17:37.399
<v Speaker 1>had this ranch house that that my parents had built,

0:17:37.520 --> 0:17:41.560
<v Speaker 1>which now would be I mean, you couldn't buy you

0:17:41.560 --> 0:17:44.000
<v Speaker 1>couldn't buy a car for the price of the house

0:17:44.040 --> 0:17:48.199
<v Speaker 1>and the whole thing, beautiful house on a cul de

0:17:48.240 --> 0:17:53.399
<v Speaker 1>sac in the in the you know, in suburbia. My

0:17:53.480 --> 0:17:57.040
<v Speaker 1>dad came out. He was at our teacher retired. It's

0:17:57.080 --> 0:18:01.720
<v Speaker 1>still alive. He's about to be. Wow, that's so nice

0:18:01.880 --> 0:18:06.680
<v Speaker 1>for you. That's great. It's great, probably better for him

0:18:06.840 --> 0:18:12.080
<v Speaker 1>because he still alive. But but I but yeah, it

0:18:12.200 --> 0:18:14.399
<v Speaker 1>was you know that my my mom worked in the

0:18:14.440 --> 0:18:21.800
<v Speaker 1>office at the high school where he taught uh in chatta,

0:18:22.880 --> 0:18:27.680
<v Speaker 1>and they went to work together a day, came home

0:18:27.720 --> 0:18:31.680
<v Speaker 1>every day, so my dad was home when we were

0:18:31.720 --> 0:18:36.720
<v Speaker 1>home after school, which was great. Uh. And then you know,

0:18:36.800 --> 0:18:42.240
<v Speaker 1>you do your homework or not do your homework. And then, um,

0:18:42.400 --> 0:18:45.960
<v Speaker 1>they were always cooking dinner. How many little how many

0:18:46.040 --> 0:18:48.959
<v Speaker 1>little two cheese were running around Stanley? There were there

0:18:49.000 --> 0:18:53.520
<v Speaker 1>were me and my two sisters, younger sisters. Um, And

0:18:54.280 --> 0:18:56.720
<v Speaker 1>it was wonderful, you know. I mean it wasn't the

0:18:56.800 --> 0:18:59.160
<v Speaker 1>time of you know, there was one black and white

0:18:59.160 --> 0:19:03.440
<v Speaker 1>television and my father used to watch the Huntley Brinkley Report,

0:19:06.000 --> 0:19:12.920
<v Speaker 1>right yeah, every night, and my mother cooked. My father

0:19:13.040 --> 0:19:15.920
<v Speaker 1>was a sush chef. There was no sort of like

0:19:16.920 --> 0:19:19.639
<v Speaker 1>the man does this, the woman does this. It wasn't

0:19:19.760 --> 0:19:23.600
<v Speaker 1>it wasn't like that, although she did do more of

0:19:23.600 --> 0:19:27.920
<v Speaker 1>the cookie uh because she was really good at it. Um.

0:19:28.119 --> 0:19:31.720
<v Speaker 1>And then everready pitched in and cleaned up, and you

0:19:31.760 --> 0:19:34.600
<v Speaker 1>sat around the table and you had wonderful conversations or

0:19:34.640 --> 0:19:39.000
<v Speaker 1>you had arguments or you had whatever. And it was

0:19:39.200 --> 0:19:41.840
<v Speaker 1>but every night was I mean, I remember my mother

0:19:42.440 --> 0:19:48.320
<v Speaker 1>just sort of making Paea. That was extraordinary. Were suddenly

0:19:48.359 --> 0:19:53.240
<v Speaker 1>you know, making you know creps, you know, with a

0:19:53.400 --> 0:19:58.840
<v Speaker 1>shamil and chicken and you know, just and you thought,

0:19:59.520 --> 0:20:03.800
<v Speaker 1>she's go onto work. She's worked all day. Then she

0:20:03.960 --> 0:20:07.240
<v Speaker 1>comes home and she does all this stuff. My dad

0:20:07.320 --> 0:20:11.399
<v Speaker 1>helps her, and then you know it was it was

0:20:11.400 --> 0:20:19.760
<v Speaker 1>an amazing, amazing, uh culinary experience every week every week.

0:20:20.800 --> 0:20:23.639
<v Speaker 1>So she really infused in you and your dad, I

0:20:23.640 --> 0:20:27.080
<v Speaker 1>think a love of food. And so that's kind of

0:20:27.160 --> 0:20:30.920
<v Speaker 1>from an early age, how you became kind of uh

0:20:31.200 --> 0:20:35.119
<v Speaker 1>enamored with cuisine? And did they speak Italian? How did

0:20:35.200 --> 0:20:39.480
<v Speaker 1>you become so proficient in Italian? No, they didn't really speak.

0:20:39.560 --> 0:20:43.760
<v Speaker 1>My father spoke some Italian, my mother spoke Italian, but

0:20:43.840 --> 0:20:51.439
<v Speaker 1>more dialect. Um. I learned in Florence when I was twelve.

0:20:51.440 --> 0:20:53.359
<v Speaker 1>We lived there for a year when I was twelve,

0:20:53.800 --> 0:21:00.320
<v Speaker 1>and then um uh of course you know your you

0:21:00.359 --> 0:21:05.920
<v Speaker 1>speak fluently because you don't have much else up there. Yeah,

0:21:06.560 --> 0:21:09.879
<v Speaker 1>so you know you've become the sort of you know,

0:21:10.160 --> 0:21:18.680
<v Speaker 1>lingual sponge. But then I when I was doing Big Night,

0:21:18.840 --> 0:21:24.320
<v Speaker 1>I studied Italian again for about a year, and now

0:21:24.359 --> 0:21:26.960
<v Speaker 1>before the series, I studied again. So every time I

0:21:27.040 --> 0:21:30.480
<v Speaker 1>go you know, it comes back suddenly, it starts to

0:21:30.480 --> 0:21:34.360
<v Speaker 1>come back. But I have to make a conservative effort

0:21:34.600 --> 0:21:41.199
<v Speaker 1>to to learn it properly because it disappeared. Well it

0:21:41.359 --> 0:21:44.240
<v Speaker 1>sounds like you know what you're talking about. All I

0:21:44.280 --> 0:21:49.960
<v Speaker 1>know is like Karazi and Grego and shall No, that's

0:21:49.960 --> 0:21:54.760
<v Speaker 1>good enough. I'd like to I'd like to learn Italian. Uh,

0:21:54.960 --> 0:21:57.040
<v Speaker 1>maybe I'll do that. I think it would be good

0:21:57.080 --> 0:22:00.840
<v Speaker 1>for my brain to actually a new language. To do

0:22:01.000 --> 0:22:06.000
<v Speaker 1>it is I do with a guy online. Um, he's Italian.

0:22:06.080 --> 0:22:09.840
<v Speaker 1>He was teaching here in England. We had like two things,

0:22:10.320 --> 0:22:14.080
<v Speaker 1>excuse me, two sessions in person, and then it was

0:22:14.119 --> 0:22:17.120
<v Speaker 1>like I was like, don't drive all the way here,

0:22:17.119 --> 0:22:19.760
<v Speaker 1>and he was in you know, North London or so

0:22:19.840 --> 0:22:22.439
<v Speaker 1>I was like, we'll just do it on that. You know,

0:22:22.760 --> 0:22:27.240
<v Speaker 1>this is pre pandemic. Uh. And now he's moved to

0:22:27.280 --> 0:22:32.000
<v Speaker 1>Spain where his wife is and um, we just do

0:22:32.080 --> 0:22:35.440
<v Speaker 1>it you know on zoom like this, and it's great

0:22:35.480 --> 0:22:38.480
<v Speaker 1>and it's really really great. It's really great and we

0:22:38.640 --> 0:22:43.960
<v Speaker 1>just like he does not allow me to speak in English,

0:22:44.080 --> 0:22:48.720
<v Speaker 1>which is really painful for both of us. Yeah. Um,

0:22:48.760 --> 0:22:51.399
<v Speaker 1>I want to talk about your the new book that's

0:22:51.480 --> 0:22:53.399
<v Speaker 1>that's coming out but first I want to talk to

0:22:53.400 --> 0:22:57.639
<v Speaker 1>you about super Nova. And this this this this small

0:22:57.760 --> 0:23:02.080
<v Speaker 1>but very moving movie that you did with my bff

0:23:02.240 --> 0:23:07.119
<v Speaker 1>Colin for for the uninitiated, and it is the story

0:23:07.400 --> 0:23:12.480
<v Speaker 1>of two men who have been a couple for twenty years. Uh,

0:23:12.520 --> 0:23:16.000
<v Speaker 1>and it's it's it's a very quiet story that unfolds

0:23:16.200 --> 0:23:23.240
<v Speaker 1>and and obviously your character is in early stages of dementia. Yeah,

0:23:23.800 --> 0:23:36.720
<v Speaker 1>teach me what that now? Why? God want? All right,

0:23:36.760 --> 0:23:44.320
<v Speaker 1>I want to be able to find it? H try Okay, So, um,

0:23:44.320 --> 0:23:51.359
<v Speaker 1>first you have to find the the what do you

0:23:51.440 --> 0:23:55.160
<v Speaker 1>call it? It's a shape, the shape, the shape triangle

0:23:58.000 --> 0:24:03.600
<v Speaker 1>and you have to find the three bright lights there

0:24:04.080 --> 0:24:09.240
<v Speaker 1>that make the triangle. At this one contraw a line horizontally,

0:24:09.560 --> 0:24:16.679
<v Speaker 1>that's right, And that's where the milky way is. What

0:24:16.800 --> 0:24:19.080
<v Speaker 1>drew you to the role. And why did you say

0:24:19.320 --> 0:24:21.919
<v Speaker 1>you must get a million script? Stanley? Let's be honest.

0:24:22.280 --> 0:24:26.840
<v Speaker 1>And and you know no, you come on, you do listen.

0:24:26.920 --> 0:24:29.679
<v Speaker 1>It's the Tucci Sons. It's the Tucci sons. Come on

0:24:31.359 --> 0:24:35.120
<v Speaker 1>maybe now, yeah, but but but but I'm curious, what

0:24:35.119 --> 0:24:38.960
<v Speaker 1>what what has to happen to really to really suck

0:24:39.040 --> 0:24:41.000
<v Speaker 1>you in and to say I'm going to devote a

0:24:41.000 --> 0:24:43.240
<v Speaker 1>lot of time making this movie. And what was it

0:24:43.320 --> 0:24:47.520
<v Speaker 1>in this case? It was the purity of the script

0:24:47.840 --> 0:24:52.800
<v Speaker 1>and the poetry of it and the absence of drama

0:24:53.200 --> 0:24:57.680
<v Speaker 1>and melodrama. Uh, it was gorgeous. It was the script

0:24:57.680 --> 0:25:00.320
<v Speaker 1>that I that you read and you go wish I

0:25:00.359 --> 0:25:04.280
<v Speaker 1>had written that. It's beautiful. But I was not going

0:25:04.359 --> 0:25:08.359
<v Speaker 1>to play that role. I was going to play Colin's role.

0:25:09.280 --> 0:25:13.280
<v Speaker 1>And then when I read it, I loved it so much.

0:25:13.920 --> 0:25:17.639
<v Speaker 1>And I watched Harry's movie, Harry McQueen, who wrote and

0:25:17.680 --> 0:25:20.360
<v Speaker 1>directed it. I watched his first film, which he had

0:25:20.400 --> 0:25:25.840
<v Speaker 1>made for ten thousand pounds. Wow. So if any filmmaker

0:25:26.359 --> 0:25:30.000
<v Speaker 1>thinks that they need a lot of money to make

0:25:30.040 --> 0:25:33.199
<v Speaker 1>a movie, well only when they have expensive actors like

0:25:33.280 --> 0:25:36.840
<v Speaker 1>you Stanley. Yeah yeah, yeah yeah. But he made this

0:25:36.960 --> 0:25:40.159
<v Speaker 1>really beautiful movie for ten thousand pounds. And then I

0:25:40.240 --> 0:25:42.320
<v Speaker 1>watched him that I met Harry, and he was as

0:25:42.359 --> 0:25:46.880
<v Speaker 1>wonderful as his as his writing and his filmmaking. Uh.

0:25:46.920 --> 0:25:49.240
<v Speaker 1>And then I said, I think Collins should play the

0:25:49.280 --> 0:25:53.159
<v Speaker 1>other guy. Now, unbeknownst to Harry, I slipped it to Colin,

0:25:53.880 --> 0:25:57.520
<v Speaker 1>and um, Colin read it and he called me up.

0:25:57.520 --> 0:25:59.600
<v Speaker 1>He goes, oh my god, it's so beautiful. I said,

0:25:59.760 --> 0:26:04.760
<v Speaker 1>I know, I know. So then Colin signed on, and

0:26:05.720 --> 0:26:08.920
<v Speaker 1>very soon afterward, of course the money came through. With

0:26:09.000 --> 0:26:11.840
<v Speaker 1>me signed on, I'm not so sure what would have happened,

0:26:12.359 --> 0:26:17.280
<v Speaker 1>but once that happened, we started talking with Harry and

0:26:17.520 --> 0:26:20.080
<v Speaker 1>you know, talking through and everything. And then Colin called

0:26:20.119 --> 0:26:22.600
<v Speaker 1>me and he goes, I think we have to switch roles.

0:26:23.920 --> 0:26:28.280
<v Speaker 1>And I said, I'm just thinking the same thing, but

0:26:28.359 --> 0:26:31.480
<v Speaker 1>I don't know why. I was gonna say why. I

0:26:31.560 --> 0:26:35.639
<v Speaker 1>mean that I don't know, Katie, I don't know. It

0:26:35.800 --> 0:26:39.560
<v Speaker 1>just didn't feel right. So then and you can this

0:26:39.640 --> 0:26:44.119
<v Speaker 1>doesn't this doesn't happen. I mean, you can only do

0:26:44.200 --> 0:26:48.760
<v Speaker 1>that with your like best friend, and you know, if

0:26:48.840 --> 0:26:52.920
<v Speaker 1>you can't go hey, by the way, you know, when

0:26:52.960 --> 0:26:54.359
<v Speaker 1>you were signed up for a bro I think we

0:26:54.359 --> 0:26:57.760
<v Speaker 1>should switched role, you know, and the studio goes, what

0:26:58.080 --> 0:27:02.000
<v Speaker 1>you know, no, um, So we go to Harry, and

0:27:02.080 --> 0:27:07.720
<v Speaker 1>poor Harry, you know, blanched and and he's and he said,

0:27:07.760 --> 0:27:10.960
<v Speaker 1>all right, well, let's you know, on typical sort of

0:27:10.960 --> 0:27:16.080
<v Speaker 1>British fashion, let's read it. So we read five scenes

0:27:16.119 --> 0:27:20.360
<v Speaker 1>and then we switched roles because it was more right.

0:27:20.680 --> 0:27:25.800
<v Speaker 1>I don't know why. There was something rhythmically more right

0:27:25.960 --> 0:27:30.040
<v Speaker 1>about it being this play and the first scene is

0:27:30.320 --> 0:27:33.399
<v Speaker 1>is Colin and the two of you. I think I

0:27:33.440 --> 0:27:38.520
<v Speaker 1>would say in a semi spoon in bed your semi spooney. Yeah, yeah,

0:27:38.760 --> 0:27:46.280
<v Speaker 1>not a full spoon, but yeah, And uh, I don't

0:27:46.280 --> 0:27:48.840
<v Speaker 1>know what was it? Was it fun doing this this

0:27:48.920 --> 0:27:51.600
<v Speaker 1>movie with someone who you're very close to and you

0:27:51.680 --> 0:27:53.879
<v Speaker 1>really like, and you play a gay couple, so you know,

0:27:54.400 --> 0:27:56.199
<v Speaker 1>I think it must be an added extra if you

0:27:56.480 --> 0:28:01.560
<v Speaker 1>actually like your screen partner helps, if you trust and

0:28:01.680 --> 0:28:06.000
<v Speaker 1>love the person that you're working with. Um, it's always

0:28:06.000 --> 0:28:11.520
<v Speaker 1>difficult to play the same sex person if you're you know,

0:28:12.080 --> 0:28:17.640
<v Speaker 1>that's always more complicated. But in the end, you just

0:28:17.720 --> 0:28:24.119
<v Speaker 1>want to tell that story truthfully. UM, And you know

0:28:24.400 --> 0:28:29.639
<v Speaker 1>it's it's complex, but ultimately it's the story that makes

0:28:30.000 --> 0:28:34.280
<v Speaker 1>makes the difference. And I feel like this is illustrative.

0:28:35.040 --> 0:28:36.760
<v Speaker 1>I don't know, I mean, you would know much more

0:28:36.800 --> 0:28:41.080
<v Speaker 1>about this than I. But of this opening up of

0:28:41.080 --> 0:28:46.320
<v Speaker 1>of art and film too. You know, I hate to

0:28:46.320 --> 0:28:50.000
<v Speaker 1>to use sort of uh you know, modern vernacular that

0:28:50.280 --> 0:28:54.920
<v Speaker 1>is sometimes overused, but to make it more representative, more inclusive,

0:28:55.200 --> 0:29:00.280
<v Speaker 1>more UM, you know, such a variety of experience, says,

0:29:01.160 --> 0:29:03.560
<v Speaker 1>I don't know. Do you do you feel that is

0:29:03.680 --> 0:29:09.520
<v Speaker 1>really happening? Um, in in in a in a significant

0:29:09.520 --> 0:29:13.360
<v Speaker 1>way now, because just as a casual observer, I do,

0:29:14.080 --> 0:29:17.080
<v Speaker 1>and I think it's so exciting and wonderful and it

0:29:17.160 --> 0:29:22.280
<v Speaker 1>makes you realize how how myopically one sided or one

0:29:22.320 --> 0:29:27.280
<v Speaker 1>dimensional a lot of our culture was. And um, and

0:29:27.320 --> 0:29:30.120
<v Speaker 1>I'm just curious that if looking at the big picture,

0:29:30.200 --> 0:29:35.360
<v Speaker 1>you notice that too. Do you mean regarding every every

0:29:35.360 --> 0:29:40.200
<v Speaker 1>different I mean gay stories, black stories, um, you know,

0:29:40.400 --> 0:29:44.360
<v Speaker 1>all kinds of stories that I think here before we're

0:29:44.440 --> 0:29:48.960
<v Speaker 1>marginalized or are really not told at all. Yes, without

0:29:49.000 --> 0:29:53.720
<v Speaker 1>a question, I think what's happening now is a great thing.

0:29:54.760 --> 0:29:58.480
<v Speaker 1>There were questions raised, of course, because neither column I

0:29:58.520 --> 0:30:04.040
<v Speaker 1>are gay, um, which seems you'd be happy about. But

0:30:04.320 --> 0:30:11.080
<v Speaker 1>I think but I think that I think that, Um,

0:30:11.160 --> 0:30:15.800
<v Speaker 1>the wonderful thing is that we for for us selfishly,

0:30:16.280 --> 0:30:21.280
<v Speaker 1>we have been embraced by the gay community before, having

0:30:21.520 --> 0:30:26.520
<v Speaker 1>played gay characters before, and in this film, the same

0:30:26.560 --> 0:30:32.400
<v Speaker 1>thing has happened. I think that eventually what is going

0:30:32.600 --> 0:30:36.840
<v Speaker 1>to happen And we've talked about this in interviews. UM,

0:30:37.200 --> 0:30:43.280
<v Speaker 1>that for me it's a it's a societal issue why uh,

0:30:46.200 --> 0:30:52.760
<v Speaker 1>gay actors have not been able to just be whomever

0:30:52.840 --> 0:31:01.960
<v Speaker 1>they are. Um. The the more society is open, the

0:31:02.040 --> 0:31:13.040
<v Speaker 1>more expansive, UM, the arts can be. Arn't is often

0:31:13.240 --> 0:31:20.120
<v Speaker 1>a reaction to repression. UM. But I think that I'm

0:31:20.200 --> 0:31:26.680
<v Speaker 1>hoping that in America and here and throughout the world,

0:31:26.760 --> 0:31:31.360
<v Speaker 1>that that will begin to change and an art can

0:31:31.440 --> 0:31:37.680
<v Speaker 1>be then an uh an expression or an extension of

0:31:37.800 --> 0:31:45.120
<v Speaker 1>freedom and a new reality. And that reality is love

0:31:45.400 --> 0:31:48.880
<v Speaker 1>is love and it doesn't matter who it is that

0:31:48.960 --> 0:31:52.280
<v Speaker 1>you love. And I think that's the beauty of that

0:31:52.640 --> 0:31:57.000
<v Speaker 1>story of this film, is that love is love and

0:31:57.120 --> 0:32:02.200
<v Speaker 1>loss is loss. We're going through that, I think the

0:32:02.240 --> 0:32:06.280
<v Speaker 1>growing pains of a shifting society. And you know, we

0:32:06.320 --> 0:32:09.160
<v Speaker 1>could talk about this a lot, but maybe over one

0:32:09.200 --> 0:32:11.880
<v Speaker 1>of your negronis one day. But you know, this whole

0:32:11.960 --> 0:32:17.000
<v Speaker 1>idea of you know, opening the doors to people who

0:32:17.040 --> 0:32:22.400
<v Speaker 1>were not represented before and yet I I totally understand this,

0:32:22.520 --> 0:32:25.600
<v Speaker 1>But the idea of having to have an actor who's

0:32:25.640 --> 0:32:30.440
<v Speaker 1>portraying a certain role come from that role. UM, I

0:32:30.480 --> 0:32:33.680
<v Speaker 1>think that's a slippery slope too, because are we all

0:32:33.720 --> 0:32:37.000
<v Speaker 1>aren't we all occupying me like I'm an actor, but

0:32:37.360 --> 0:32:43.000
<v Speaker 1>aren't all actors occupying a a an you know, an

0:32:43.000 --> 0:32:47.440
<v Speaker 1>alternate personage, and you know the idea that you have

0:32:47.640 --> 0:32:52.560
<v Speaker 1>to be that person to occupy that space. Um, I

0:32:52.600 --> 0:32:56.360
<v Speaker 1>don't know. I I find that I find that challenge,

0:32:56.400 --> 0:32:59.240
<v Speaker 1>you know, challenging to wrap my head around. And I

0:32:59.360 --> 0:33:02.760
<v Speaker 1>don't I don't believe in that. I just read this

0:33:02.800 --> 0:33:06.480
<v Speaker 1>interview with Rupert Everett, uh and he said, no, I

0:33:06.520 --> 0:33:10.280
<v Speaker 1>don't believe the gay actors should only play that that.

0:33:10.320 --> 0:33:13.000
<v Speaker 1>No one who isn't gay should not be able to

0:33:13.000 --> 0:33:16.040
<v Speaker 1>play a gay role, and no one who is gay

0:33:16.080 --> 0:33:18.920
<v Speaker 1>shouldn't be able to play a straight role, exactly. And

0:33:19.040 --> 0:33:24.920
<v Speaker 1>that's the problem. That's the genesis of it. The genesis is,

0:33:25.640 --> 0:33:31.200
<v Speaker 1>as I said, before gay actors, gay people were not

0:33:31.360 --> 0:33:36.960
<v Speaker 1>allowed to simply be who they were in society. So

0:33:37.520 --> 0:33:42.400
<v Speaker 1>if you can't be that, then you're hiding all the time.

0:33:43.000 --> 0:33:46.400
<v Speaker 1>And then gay men are playing straight men and only

0:33:46.480 --> 0:33:52.280
<v Speaker 1>straight men, and then so everyone so everyone is straight

0:33:53.040 --> 0:33:57.720
<v Speaker 1>right in society. But you know, but by the old

0:33:57.800 --> 0:34:01.360
<v Speaker 1>sort of standards, and you're like, no, it doesn't make

0:34:01.400 --> 0:34:07.600
<v Speaker 1>any sense. It makes no sense. So well, once once

0:34:07.680 --> 0:34:14.960
<v Speaker 1>there's an opening, than anybody it sounds so silly, But

0:34:15.120 --> 0:34:21.879
<v Speaker 1>anyone then will be accepted playing anyone. You don't mean yes,

0:34:22.760 --> 0:34:25.480
<v Speaker 1>making sense or yes you are you are I think.

0:34:25.640 --> 0:34:29.279
<v Speaker 1>I think what you're saying is no, no, I no,

0:34:29.360 --> 0:34:31.600
<v Speaker 1>I'm thinking about it. It's it's how we view people

0:34:31.640 --> 0:34:37.840
<v Speaker 1>as a society that that prevents or gives permission to

0:34:38.239 --> 0:34:42.480
<v Speaker 1>people to play a whole host of roles. Because I

0:34:42.480 --> 0:34:46.319
<v Speaker 1>think that's what happened to uh Rupert Everett, right. I mean,

0:34:46.360 --> 0:34:51.319
<v Speaker 1>he was typecast and right, and I think that the roles,

0:34:51.640 --> 0:34:54.239
<v Speaker 1>the roles right up for him because he was only

0:34:54.320 --> 0:34:58.040
<v Speaker 1>viewed as a certain way, which was justly unfair. I

0:34:58.080 --> 0:35:01.440
<v Speaker 1>don't know, but to me, Ruferts have wonderful actor. That's

0:35:01.440 --> 0:35:04.600
<v Speaker 1>that's all I know. I don't I don't know anything

0:35:04.920 --> 0:35:09.120
<v Speaker 1>different than that. I don't care if if a person whatever,

0:35:09.160 --> 0:35:12.319
<v Speaker 1>they're sexual, I don't really care. Well, I think the

0:35:12.360 --> 0:35:15.200
<v Speaker 1>more race are just changing so much, and that people,

0:35:16.360 --> 0:35:19.799
<v Speaker 1>you know, I think, I think things have changed so dramatically,

0:35:19.840 --> 0:35:22.000
<v Speaker 1>and I'm writing a memoir and right now, and I

0:35:22.080 --> 0:35:24.319
<v Speaker 1>just even look back on the nineties when I was

0:35:24.400 --> 0:35:28.200
<v Speaker 1>covering stories or you know, some of the questions I asked,

0:35:28.200 --> 0:35:31.120
<v Speaker 1>whether it was about sexual harassment with Anita Hill, or

0:35:31.160 --> 0:35:34.560
<v Speaker 1>how I interviewed Matthew Shepard's parents, or how we covered

0:35:34.680 --> 0:35:38.160
<v Speaker 1>Rodney King. You know, it was just in so many ways,

0:35:38.200 --> 0:35:42.160
<v Speaker 1>Stanley clueless. And I think that we have evolved so much.

0:35:42.560 --> 0:35:45.360
<v Speaker 1>I mean sometimes to the point where you know, it

0:35:45.440 --> 0:35:48.279
<v Speaker 1>comes crashing down on top of you if you if

0:35:48.360 --> 0:35:52.040
<v Speaker 1>you haven't evolved enough. But it's just it's really fascinating

0:35:52.080 --> 0:35:54.799
<v Speaker 1>to me just how much in the last gosh two

0:35:54.840 --> 0:35:58.840
<v Speaker 1>decades or so our attitudes have shifted for the better.

0:35:59.320 --> 0:36:02.239
<v Speaker 1>And and I think that's that's what you're saying. No,

0:36:02.400 --> 0:36:04.720
<v Speaker 1>I think you're right, and I think particularly in the

0:36:04.800 --> 0:36:09.720
<v Speaker 1>particularly in the last like almost like three years. Yeah,

0:36:10.120 --> 0:36:16.239
<v Speaker 1>it's frail, but that's also because of the technology. It's technology,

0:36:16.280 --> 0:36:21.240
<v Speaker 1>but also, you know too pretty dramatic social movements social

0:36:21.560 --> 0:36:23.760
<v Speaker 1>you know, whether you're talking about Black Black Lives Matter,

0:36:24.200 --> 0:36:27.000
<v Speaker 1>Me Too, and Time's Up. Um, you know, I think

0:36:27.080 --> 0:36:31.200
<v Speaker 1>that the confluence of those two movements have really put

0:36:31.480 --> 0:36:34.400
<v Speaker 1>the issues front and center as they've never been before

0:36:34.840 --> 0:36:38.320
<v Speaker 1>for the better. I think. You know, obviously the pencil

0:36:38.320 --> 0:36:41.400
<v Speaker 1>incolns in certain cases wing too far. And you know,

0:36:41.480 --> 0:36:45.440
<v Speaker 1>I think, no, no social justice movement is perfect, but

0:36:45.560 --> 0:36:48.919
<v Speaker 1>I think it's uh, you know, I think that that

0:36:49.000 --> 0:36:52.920
<v Speaker 1>has has really moved the ball forward in such a

0:36:52.960 --> 0:36:58.360
<v Speaker 1>palpable significant way. And so I guess that's what. Yeah. No,

0:36:58.400 --> 0:37:01.560
<v Speaker 1>I was gonna say that you have as you said,

0:37:01.960 --> 0:37:04.000
<v Speaker 1>but I'm gonna ask you a question if I may.

0:37:04.239 --> 0:37:07.239
<v Speaker 1>That you have seen it, you know, as a as

0:37:07.320 --> 0:37:13.160
<v Speaker 1>a reporter for so many years, and it has distinctly

0:37:13.280 --> 0:37:18.920
<v Speaker 1>changed for you. Do you how do you feel now

0:37:19.320 --> 0:37:22.520
<v Speaker 1>about when you're when you're talking to people? How do

0:37:22.560 --> 0:37:26.799
<v Speaker 1>you is it Is it easier for you now or

0:37:26.880 --> 0:37:29.880
<v Speaker 1>is it harder for you now? Because there are so

0:37:29.960 --> 0:37:35.800
<v Speaker 1>many caveats in a way, right, I think the umbre

0:37:36.440 --> 0:37:39.759
<v Speaker 1>this is your thing, so you can just no, no, no, yeah,

0:37:39.840 --> 0:37:43.960
<v Speaker 1>I mean I think they're listen. I think that, you know,

0:37:45.440 --> 0:37:52.680
<v Speaker 1>cultural conditioning, deep seated attitudes that are formed and um,

0:37:52.760 --> 0:37:58.759
<v Speaker 1>you know, compounded over years and years of visual stimuli,

0:37:59.400 --> 0:38:05.400
<v Speaker 1>you know, com sations, mass media, um, you know, familial

0:38:06.719 --> 0:38:11.319
<v Speaker 1>uh kind of I think outlooks, uh you know, they

0:38:11.400 --> 0:38:15.680
<v Speaker 1>form us as a person. And I think what what's

0:38:15.680 --> 0:38:21.200
<v Speaker 1>really hard is to you know, be vulnerable enough two

0:38:21.840 --> 0:38:26.239
<v Speaker 1>to kind of challenge your own your own biases which

0:38:26.640 --> 0:38:30.440
<v Speaker 1>have developed over the years. I think that you know,

0:38:30.640 --> 0:38:36.319
<v Speaker 1>it can be tricky because I think the current landscape,

0:38:36.600 --> 0:38:39.320
<v Speaker 1>you know, people want to jump on people right away,

0:38:39.600 --> 0:38:45.080
<v Speaker 1>right this instantaneous judgment, and there's very little forgiveness in

0:38:45.080 --> 0:38:49.759
<v Speaker 1>the culture. There's very little forgiveness for mistakes. And I've

0:38:49.840 --> 0:38:53.480
<v Speaker 1>made I've made my fair share of mistakes, certainly, and

0:38:53.960 --> 0:38:57.319
<v Speaker 1>when you're when you're a public figure, it's it can be.

0:38:57.480 --> 0:39:00.680
<v Speaker 1>It can be very tough and very pain well honestly

0:39:01.160 --> 0:39:04.560
<v Speaker 1>when when you but but I you know, I would

0:39:04.560 --> 0:39:10.719
<v Speaker 1>hope that people can recognize fair minded individuals who want

0:39:10.760 --> 0:39:13.280
<v Speaker 1>to learn and want to be better. But it doesn't

0:39:13.280 --> 0:39:19.120
<v Speaker 1>happen overnight, necessarily after you know, sixty years of of conditioning.

0:39:19.520 --> 0:39:23.600
<v Speaker 1>So I try to be mindful. Um, I try not

0:39:23.680 --> 0:39:27.560
<v Speaker 1>to say stupid things. But I also you know, I

0:39:27.560 --> 0:39:31.320
<v Speaker 1>I like I like compassionate teachers, you know. I think

0:39:31.400 --> 0:39:35.760
<v Speaker 1>that that um you know, and and by the way,

0:39:35.840 --> 0:39:38.080
<v Speaker 1>you know, this is me coming from me as a

0:39:38.200 --> 0:39:41.319
<v Speaker 1>sixty four year old who has had certain life experiences

0:39:41.320 --> 0:39:46.480
<v Speaker 1>and privileges, and I get that, um, But but you know,

0:39:46.560 --> 0:39:50.000
<v Speaker 1>it can it can be tricky. And I pride myself

0:39:50.040 --> 0:39:53.720
<v Speaker 1>on being a lifelong learner and being open to understanding

0:39:54.080 --> 0:39:57.319
<v Speaker 1>and I think, Um, you know, I really appreciate the

0:39:57.320 --> 0:40:00.920
<v Speaker 1>opportunity and more than that, I appre shape that changes

0:40:01.000 --> 0:40:06.399
<v Speaker 1>I'm witnessing and um, but but I think for for

0:40:06.480 --> 0:40:10.719
<v Speaker 1>some people it does take adjusting and and once in

0:40:10.760 --> 0:40:14.520
<v Speaker 1>a while, UM, I think a little bit of slack

0:40:15.880 --> 0:40:19.040
<v Speaker 1>can be a good thing. You know, I agree, But

0:40:19.080 --> 0:40:22.160
<v Speaker 1>I have my twenty five year old, extremely woke daughter

0:40:22.640 --> 0:40:26.280
<v Speaker 1>there to keep me in line every step of the way.

0:40:26.360 --> 0:40:29.480
<v Speaker 1>How about you do your do your kids your older kids,

0:40:29.560 --> 0:40:33.000
<v Speaker 1>not your little ones. Um, do you feel like they're

0:40:33.040 --> 0:40:38.280
<v Speaker 1>they're educating you on some of these things? Yes, always, always,

0:40:39.200 --> 0:40:45.319
<v Speaker 1>they educate you on who who you are. It's it's

0:40:45.400 --> 0:40:52.000
<v Speaker 1>always changing. It's always different, um. I think, particularly in

0:40:52.040 --> 0:40:58.600
<v Speaker 1>the pandemic, because there's no consistency. Who knows, you know,

0:40:58.680 --> 0:41:01.640
<v Speaker 1>when somebody's living or there, when they're going to go

0:41:01.680 --> 0:41:05.040
<v Speaker 1>back to school, when they can come back home and say,

0:41:05.040 --> 0:41:08.120
<v Speaker 1>and you know, one of my daughters went and stayed

0:41:08.120 --> 0:41:13.319
<v Speaker 1>with her boyfriend for like almost six weeks, and rightly so,

0:41:13.520 --> 0:41:16.880
<v Speaker 1>I mean she's twenty one years old, and you know,

0:41:16.960 --> 0:41:19.200
<v Speaker 1>and then but he was staying with us for a

0:41:19.239 --> 0:41:28.439
<v Speaker 1>while before that, and so I don't know that it's

0:41:29.840 --> 0:41:33.280
<v Speaker 1>It's the whole thing is everything is heightened and exacerbated.

0:41:33.800 --> 0:41:39.640
<v Speaker 1>Any issues, good or bad, are exacerbated by this pandemic.

0:41:40.760 --> 0:41:44.080
<v Speaker 1>But do they teach you about kind of you know,

0:41:44.320 --> 0:41:48.719
<v Speaker 1>I feel like young people are are so aware and

0:41:48.840 --> 0:41:53.520
<v Speaker 1>so so much better than we we are in some ways,

0:41:54.320 --> 0:41:56.880
<v Speaker 1>and and and when it comes to kind of societal

0:41:56.920 --> 0:42:00.440
<v Speaker 1>issues and change and and you know, these thorny matters

0:42:00.600 --> 0:42:04.520
<v Speaker 1>of race and gender and class, do you feel like

0:42:05.120 --> 0:42:08.080
<v Speaker 1>you know, I I first heard the word intersectionality from

0:42:08.120 --> 0:42:13.280
<v Speaker 1>my daughter, and uh, what's the word intersectionality. It's about

0:42:13.280 --> 0:42:16.839
<v Speaker 1>the intersection of race and gender. And you know, um,

0:42:17.080 --> 0:42:20.359
<v Speaker 1>she's so she's so smart. But that's what I meant.

0:42:20.480 --> 0:42:23.719
<v Speaker 1>Do they kind of open your eyes and challenge perhaps

0:42:23.800 --> 0:42:28.480
<v Speaker 1>some of the way ways you've thought about things. To say, Dad,

0:42:28.520 --> 0:42:34.800
<v Speaker 1>have you ever considered this without without question, without question?

0:42:35.640 --> 0:42:39.839
<v Speaker 1>I think the only thing that I fear, and this

0:42:39.920 --> 0:42:46.080
<v Speaker 1>is inevitable when things sort of start to till in

0:42:46.160 --> 0:42:52.839
<v Speaker 1>another direction in extreme too far. Yeah, Uh, is a

0:42:52.840 --> 0:42:56.759
<v Speaker 1>a lack of irony. And I think that irony is

0:42:56.920 --> 0:43:04.960
<v Speaker 1>absolutely crucial to our existence. It it is the the

0:43:05.080 --> 0:43:09.480
<v Speaker 1>sort of genesis or the basis of all humor of

0:43:09.520 --> 0:43:18.400
<v Speaker 1>good humor, right right, Um, So I fear the loss

0:43:18.440 --> 0:43:26.200
<v Speaker 1>of irony. Um when somebody can't make somebody makes a

0:43:26.280 --> 0:43:29.520
<v Speaker 1>joke and you're like, oh you're a racist, or oh

0:43:29.640 --> 0:43:31.960
<v Speaker 1>you're a sexist, or oh you're a blah blah blah,

0:43:32.000 --> 0:43:35.200
<v Speaker 1>and you're like no, actually, no, no, no, it was

0:43:35.280 --> 0:43:38.000
<v Speaker 1>just you know, there was something sort of not even

0:43:38.040 --> 0:43:41.759
<v Speaker 1>a joke, just you know something. So I I fear

0:43:41.840 --> 0:43:46.239
<v Speaker 1>the loss of irony. But I do think that eventually

0:43:46.320 --> 0:43:51.520
<v Speaker 1>things come around, and this is a natural progression. I

0:43:51.560 --> 0:43:56.040
<v Speaker 1>think earnestness and irony are probably they're They're not the

0:43:56.080 --> 0:43:59.239
<v Speaker 1>best cocktail, right, No, they're not the best cocktail, but

0:43:59.320 --> 0:44:02.200
<v Speaker 1>they can. It's like a poost cafe. You don't in

0:44:02.280 --> 0:44:05.600
<v Speaker 1>poosh cafe, I don't, okay, so a poosh cafe. If

0:44:05.640 --> 0:44:09.360
<v Speaker 1>I look at that, that actually that print behind you

0:44:09.480 --> 0:44:13.560
<v Speaker 1>or painting behind you. So it's layers. So what you

0:44:13.600 --> 0:44:16.680
<v Speaker 1>do with the posh cafe is you take the heaviest

0:44:16.800 --> 0:44:22.239
<v Speaker 1>liquor and you put you know, a drop in, you know,

0:44:22.880 --> 0:44:26.239
<v Speaker 1>a shot. Then you take another liquor and you put

0:44:26.239 --> 0:44:28.000
<v Speaker 1>it in and they lay on top of one and

0:44:28.080 --> 0:44:31.040
<v Speaker 1>that it's a very complicated drink. You can be made

0:44:31.160 --> 0:44:35.200
<v Speaker 1>with like seven, fourteen or twenty one likes something insane.

0:44:35.760 --> 0:44:40.280
<v Speaker 1>No one would ever. I mean it's disgusting, but visually

0:44:40.400 --> 0:44:44.640
<v Speaker 1>it's quite beautiful. Uh, And so you layer it and

0:44:44.719 --> 0:44:48.000
<v Speaker 1>that's the way those two things sort of have to

0:44:48.040 --> 0:44:52.520
<v Speaker 1>sit like that. But at the same time, you have

0:44:52.719 --> 0:44:56.160
<v Speaker 1>we have to let them come together. We have to

0:44:56.239 --> 0:45:02.680
<v Speaker 1>let earnestness and irony come together. And we go through

0:45:02.800 --> 0:45:07.720
<v Speaker 1>periods of time where that happens, and then it changes again.

0:45:08.480 --> 0:45:12.839
<v Speaker 1>I think it, you know, yeah, it changes. Well that's

0:45:12.880 --> 0:45:16.480
<v Speaker 1>a good site there again. Yeah, we just need a

0:45:16.520 --> 0:45:20.960
<v Speaker 1>good a good shaker like the ones you use, like

0:45:21.080 --> 0:45:24.040
<v Speaker 1>the ones you use for your cocktails on Instagram. Wasn't

0:45:24.040 --> 0:45:28.279
<v Speaker 1>that as seamless transition? Come on, who are you talking to,

0:45:29.800 --> 0:45:33.680
<v Speaker 1>Stanley Tucci? Of course the hot mixologists. We'll get behind

0:45:33.719 --> 0:45:49.000
<v Speaker 1>those cocktails right after this. I've gotten such a kick

0:45:49.120 --> 0:45:52.880
<v Speaker 1>out of you. First of all, hilariously you're the sauceman,

0:45:53.040 --> 0:45:56.680
<v Speaker 1>as you know, Stanley and uh, but also as the

0:45:56.800 --> 0:46:01.040
<v Speaker 1>as the the hot mixologist on Instagram. So how did

0:46:01.080 --> 0:46:05.719
<v Speaker 1>that all start? Obviously your wife Felicity, who I'm so

0:46:05.840 --> 0:46:09.239
<v Speaker 1>happy that you met Felicity, and and you know, you

0:46:09.360 --> 0:46:12.239
<v Speaker 1>talked about love is love and lost his lost You

0:46:12.360 --> 0:46:14.960
<v Speaker 1>lost your wife. I lost my husband. So that's why

0:46:15.000 --> 0:46:18.200
<v Speaker 1>I feel like we actually can talk about that because

0:46:18.239 --> 0:46:23.239
<v Speaker 1>we have that in common. But um, I guess, uh,

0:46:23.560 --> 0:46:26.359
<v Speaker 1>you and Felicity, first of all, can I ask you

0:46:26.480 --> 0:46:30.360
<v Speaker 1>real quickly about your meeting because you were at Emily,

0:46:30.960 --> 0:46:33.680
<v Speaker 1>Emily Blunt and John Chris. I always say his name

0:46:33.760 --> 0:46:38.920
<v Speaker 1>r Krasinski, right, Prosinsk Krasinski's wedding. I love him, by

0:46:38.960 --> 0:46:41.840
<v Speaker 1>the way, I just don't say his name very often. Um.

0:46:41.880 --> 0:46:46.560
<v Speaker 1>And that's when you met Felicity, emily sister, and she

0:46:46.760 --> 0:46:52.719
<v Speaker 1>had you at hello, right, No, not really, um, she no,

0:46:53.239 --> 0:47:00.000
<v Speaker 1>she We actually had met at the devil Wares product premier. Uh.

0:47:00.000 --> 0:47:01.960
<v Speaker 1>And I talked to her for a while, but she

0:47:02.160 --> 0:47:06.719
<v Speaker 1>ended up really talking to Kate, my late wife, a

0:47:06.800 --> 0:47:14.680
<v Speaker 1>lot about books because you know, they're voracious readers. And um,

0:47:14.719 --> 0:47:19.440
<v Speaker 1>I actually have a photograph of them together. That's so

0:47:19.760 --> 0:47:27.560
<v Speaker 1>that's so moving actually that Felicity's mom took um. But yes,

0:47:27.680 --> 0:47:32.319
<v Speaker 1>then I went to EM's wedding and this was uh,

0:47:32.719 --> 0:47:38.760
<v Speaker 1>oh gosh, maybe a year yeah, a year after Kate

0:47:39.000 --> 0:47:44.120
<v Speaker 1>had passed away, and yeah, you know, we met and

0:47:45.000 --> 0:47:49.319
<v Speaker 1>re met and we hit it off and then we

0:47:49.719 --> 0:47:54.959
<v Speaker 1>I was coming to England to do uh Captain America

0:47:55.400 --> 0:48:03.520
<v Speaker 1>and and yeah and sorry that just made me laugh. No,

0:48:03.719 --> 0:48:07.240
<v Speaker 1>I know, it's weird. I know. I played the the

0:48:07.239 --> 0:48:13.880
<v Speaker 1>the elderly Jewish scientists who created Captain America, which was actually,

0:48:14.040 --> 0:48:16.239
<v Speaker 1>have to say, one of the best jobs I've ever

0:48:16.280 --> 0:48:22.000
<v Speaker 1>had in my life. Uh um. And and then we started,

0:48:22.280 --> 0:48:26.000
<v Speaker 1>you know, going out to dinner and we started dating

0:48:26.680 --> 0:48:32.080
<v Speaker 1>and then yeah that was that. One thing led to

0:48:32.120 --> 0:48:39.160
<v Speaker 1>another and you all had two children and uh and

0:48:39.160 --> 0:48:41.600
<v Speaker 1>and and this wonderful new life together. So I'm just

0:48:41.800 --> 0:48:44.760
<v Speaker 1>I'm just very happy for you both. And I feel

0:48:44.760 --> 0:48:47.880
<v Speaker 1>like I feel like Felicity was sort of behind the

0:48:48.000 --> 0:48:52.279
<v Speaker 1>Instagram cocktail making that you totally I mean, you know,

0:48:52.600 --> 0:48:57.000
<v Speaker 1>I have no savvy when it comes to this stuff.

0:48:57.080 --> 0:49:02.400
<v Speaker 1>So she said, um, why don't you do a cocktail

0:49:02.440 --> 0:49:04.759
<v Speaker 1>the beginning of Lockdown? First Lockdown, she said, to a

0:49:04.760 --> 0:49:09.560
<v Speaker 1>cocktail for Curtis Brown, our agency where she works and

0:49:09.719 --> 0:49:13.719
<v Speaker 1>I'm represented by. And I said, yeah, it would just

0:49:13.760 --> 0:49:15.880
<v Speaker 1>be an in house thing, and you know you're doing

0:49:16.920 --> 0:49:20.959
<v Speaker 1>I said, yeah, great, and then we did it and

0:49:21.200 --> 0:49:23.960
<v Speaker 1>sent it to everyone and they were so happy, and

0:49:24.000 --> 0:49:27.480
<v Speaker 1>she said, put it on your Instagram. So we did

0:49:27.520 --> 0:49:31.160
<v Speaker 1>that and meaning I don't actually know how to do it,

0:49:31.239 --> 0:49:34.719
<v Speaker 1>but you know, yeah, you know what I mean. And

0:49:34.760 --> 0:49:42.759
<v Speaker 1>then um, uh it that happened. It blew up, as

0:49:42.800 --> 0:49:51.520
<v Speaker 1>the kids say, Stanley, it blew up. Yeah, we crashed it. Yeah,

0:49:51.600 --> 0:49:54.359
<v Speaker 1>I think you don't say you say we crushed it

0:49:54.520 --> 0:50:02.000
<v Speaker 1>or we crashed it. That's the word. Sorry Jesus. Um.

0:50:02.320 --> 0:50:04.280
<v Speaker 1>Before we go, I want to give a quick shout

0:50:04.280 --> 0:50:08.799
<v Speaker 1>out to your upcoming upcoming book. So what is this

0:50:08.840 --> 0:50:11.560
<v Speaker 1>one about and when does it come out? Well, it's

0:50:11.600 --> 0:50:14.720
<v Speaker 1>a it's a it's a memoir of sorts. It's called

0:50:15.040 --> 0:50:23.279
<v Speaker 1>Taste My Life Through Food And it's exactly that up

0:50:23.320 --> 0:50:27.560
<v Speaker 1>to now because I don't know, give me a better

0:50:27.600 --> 0:50:33.000
<v Speaker 1>elevator pitch than that. And it's just about like, you know,

0:50:33.120 --> 0:50:36.160
<v Speaker 1>growing up and eating great things and then you know,

0:50:37.120 --> 0:50:40.759
<v Speaker 1>you know a little bit about Julia and Julia some

0:50:40.840 --> 0:50:44.960
<v Speaker 1>of some little anecdotes there and things like that, and

0:50:46.640 --> 0:50:50.440
<v Speaker 1>you know, sometimes it delves into the particulars of of

0:50:51.080 --> 0:51:00.160
<v Speaker 1>pasta and bologna, uh and experiences with that. Um. Sometimes

0:51:00.320 --> 0:51:03.480
<v Speaker 1>you know, it's just I don't know, I don't know,

0:51:03.719 --> 0:51:06.040
<v Speaker 1>I don't know what it is. I've never done anything

0:51:06.080 --> 0:51:09.080
<v Speaker 1>like it. I'm going through the you know, copy of

0:51:09.280 --> 0:51:13.239
<v Speaker 1>its now, which I'm doing that right now. Yeah, I

0:51:13.360 --> 0:51:17.640
<v Speaker 1>have I have a memoir that is actually due yesterday, Stanley,

0:51:17.760 --> 0:51:21.480
<v Speaker 1>and I've been going through, yeah, and I've been working

0:51:21.480 --> 0:51:23.279
<v Speaker 1>on it for about two and a half years, and

0:51:23.320 --> 0:51:27.080
<v Speaker 1>I'm going through everything now, and I don't know, I'm

0:51:27.160 --> 0:51:31.920
<v Speaker 1>I'm sort of panicked right now that that Gosh, it

0:51:32.000 --> 0:51:34.719
<v Speaker 1>makes you feel very vulnerable. You're putting something out in

0:51:34.760 --> 0:51:42.000
<v Speaker 1>the world. It's extremely personal, it's ridiculously honest. It's um,

0:51:42.040 --> 0:51:45.200
<v Speaker 1>you know about Honestly, it's it's the only memory I'll

0:51:45.200 --> 0:51:48.359
<v Speaker 1>ever write. It's about my life and how I got

0:51:48.400 --> 0:51:52.400
<v Speaker 1>into this crazy business and sort of the tragedies and

0:51:52.440 --> 0:51:59.240
<v Speaker 1>the triumphs of course, and you went through a real loss,

0:52:00.520 --> 0:52:04.280
<v Speaker 1>but you know, and also I've had some professional disappointments.

0:52:04.360 --> 0:52:07.560
<v Speaker 1>I've dealt with some you know, real dicks in the business,

0:52:07.840 --> 0:52:12.839
<v Speaker 1>and um, and so I am like putting this out

0:52:12.880 --> 0:52:15.640
<v Speaker 1>there and and all of a sudden, I'm seized by

0:52:15.920 --> 0:52:19.400
<v Speaker 1>terror that that I'm doing this, and I kind of

0:52:19.719 --> 0:52:21.760
<v Speaker 1>just want to put the whole thing in a fire.

0:52:21.920 --> 0:52:24.480
<v Speaker 1>Do you feel that, ever, or is this just me

0:52:24.840 --> 0:52:27.600
<v Speaker 1>as I'm going through it today. I thought, what am

0:52:27.600 --> 0:52:33.120
<v Speaker 1>I doing? Who cares? You know? And also it's like,

0:52:33.280 --> 0:52:37.040
<v Speaker 1>why would you want to? But I want to tell

0:52:37.040 --> 0:52:39.759
<v Speaker 1>the story, you know what I mean. I want to

0:52:39.800 --> 0:52:47.000
<v Speaker 1>sell the story of food and I'm fascinated by it.

0:52:47.080 --> 0:52:50.279
<v Speaker 1>But to tell the story of food, I have to

0:52:50.320 --> 0:52:54.440
<v Speaker 1>tell the story about myself, right, And that's hard and scary,

0:52:54.880 --> 0:52:59.279
<v Speaker 1>really scary. Really. Yeah, Well, I'm glad you're feeling the

0:52:59.360 --> 0:53:01.800
<v Speaker 1>same way. That makes me feel a little bit better.

0:53:01.880 --> 0:53:09.000
<v Speaker 1>Going totally, I was totally like not sleeping, worried and

0:53:09.520 --> 0:53:13.840
<v Speaker 1>self full, just just full of self down down, and

0:53:14.200 --> 0:53:19.120
<v Speaker 1>you know, bordering on loathing. Yes, of course, yes, yes, yeah. Anyway,

0:53:19.280 --> 0:53:21.160
<v Speaker 1>Well listen, I feel like this has been a really

0:53:21.200 --> 0:53:24.359
<v Speaker 1>helpful therapy session for me. I'll do anything I can

0:53:24.400 --> 0:53:28.040
<v Speaker 1>to help you. Thank you, thank you, and uh I

0:53:28.080 --> 0:53:30.239
<v Speaker 1>want you to I want you to be able to

0:53:30.280 --> 0:53:32.719
<v Speaker 1>be with your children. But I really love talking to you.

0:53:32.840 --> 0:53:36.120
<v Speaker 1>Thank you for doing our little podcast daily. Well, thank you,

0:53:36.160 --> 0:53:38.719
<v Speaker 1>and I really appreciate it. I'm glad I worked out.

0:53:39.000 --> 0:53:45.040
<v Speaker 1>I just think you're wonderful. Thanks Stanley. I love Stanley Tucci.

0:53:45.200 --> 0:53:48.000
<v Speaker 1>If you're also on the Tucci train, you've got to

0:53:48.080 --> 0:53:51.719
<v Speaker 1>check out this SNL short Tucci Gang with Pete Davidson

0:53:51.760 --> 0:53:59.759
<v Speaker 1>singing and Sam Rockwell giving us some good Tucci energy.

0:53:59.760 --> 0:54:03.000
<v Speaker 1>It is a riot. Some of you don't know the

0:54:03.120 --> 0:54:06.000
<v Speaker 1>name who, but that's that guy from the Home Games.

0:54:07.560 --> 0:54:09.799
<v Speaker 1>Next Question with Katie Kurik is a production of I

0:54:09.920 --> 0:54:13.839
<v Speaker 1>Heart Media and Katie Curic Media. The executive producers Army,

0:54:14.040 --> 0:54:18.560
<v Speaker 1>Katie Curic, and Courtney Litz. The supervising producer is Lauren Hansen.

0:54:18.880 --> 0:54:24.239
<v Speaker 1>Associate producers Derek Clements, Adrianna Fasio, and Emily Pinto. The

0:54:24.280 --> 0:54:27.839
<v Speaker 1>show is edited and mixed by Derrick Clements. For more

0:54:27.880 --> 0:54:30.719
<v Speaker 1>information about today's episode, or to sign up for my

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