WEBVTT - Live from Las Vegas with JC Chasez (Part 1)

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<v Speaker 1>This is Frosted Tips with Lance Bass and iHeartRadio Podcast. Hello,

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<v Speaker 1>my Little Peanuts, It's MirOS Lance Bass. This is Frosted

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<v Speaker 1>Tips with a nice little fun special coming to you

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<v Speaker 1>from Las Vegas. And speaking of peanuts, We're gonna have

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<v Speaker 1>fun today because I'm bringing back your favorite peanuts from

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<v Speaker 1>our past shows for you new listeners out there. I'm

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<v Speaker 1>gonna introduce them to you. So we have Giggles del

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<v Speaker 1>Campo with us. Hi Giggles. Now, Giggles has been with

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<v Speaker 1>me for how many years now? Eighteen eighteen years? We

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<v Speaker 1>met in Vegas. Actually we met not here but there. Yeah.

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<v Speaker 1>You were working for a PR firm and which worked

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<v Speaker 1>with Insinct's Challenge for the Children. Yes, yeah, yeah, so

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<v Speaker 1>I met you through that firm and it was kind

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<v Speaker 1>of that perfect transition of I was looking for an

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<v Speaker 1>assistant at the time and you're like, I'd moved to

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<v Speaker 1>La and boom, eighteen years later, she's still here and

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<v Speaker 1>not my assistant anymore. No, she has graduated something more important.

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<v Speaker 1>She's the nanny, which I love, which at first you

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<v Speaker 1>did not think you were, no, because I like kids

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<v Speaker 1>that I know, but I'm not like my worst time

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<v Speaker 1>ever would be to work at a daycare.

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<v Speaker 2>Yeah, but I love your kids like they are my.

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<v Speaker 1>My heart the best.

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<v Speaker 2>I love you, so I love and they love my

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<v Speaker 2>dog I think more than anything on the morn.

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<v Speaker 1>Yeah no, no, no, not every dog I say is

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<v Speaker 1>no not no. No. They're so freaking cute, guys. I mean,

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<v Speaker 1>it's been a long time since we've done this podcast,

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<v Speaker 1>and I mean you have kids now, they're they're grown

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<v Speaker 1>children now. It's nuts. Yeah. But yeah, did you know

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<v Speaker 1>I worked at a daycare when I was young? No? Oh, yeah,

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<v Speaker 1>one of my first jobs, which is daycare. Uh huh,

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<v Speaker 1>I like it. I did. Yeah, it was fun. I think,

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<v Speaker 1>I don't know. I don't think fifteen year old should

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<v Speaker 1>really be responsible for it was anything. I was driving

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<v Speaker 1>a bus with all these children at fifteen years old.

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<v Speaker 2>Do you have a life since?

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<v Speaker 1>Yeah, Oh I got it at fifteen, So that was

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<v Speaker 1>I to think a little weird.

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<v Speaker 2>But I was babysitting at ten, so I think that's

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<v Speaker 2>just strange. Eighties.

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<v Speaker 1>Oh it was the nineties, but whatever, don't age me,

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<v Speaker 1>giggles age.

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<v Speaker 2>I was born in seventy eight, so what I don't

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<v Speaker 2>know how what year that was?

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<v Speaker 3>Oh, eighty eight, I was eighties.

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<v Speaker 1>F there we go. Also, Jay Dizzel is back with us.

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<v Speaker 1>Oh hello, you you actually did one of these shows

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<v Speaker 1>not too long ago. Yeah, one of the last shows.

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<v Speaker 1>Oh yeah, Robbie Williams. So yeah, there you go. Yeah,

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<v Speaker 1>so welcome back, Jay Dizznel.

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<v Speaker 3>Thanks.

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<v Speaker 1>I do want to you know, a lot of fans

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<v Speaker 1>out there of the show. They love your Reality round Up, Giggles,

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<v Speaker 1>and I think we need to give them a little

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<v Speaker 1>taste of your Reality round Up because I know so

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<v Speaker 1>much has happened for people that don't know. Giggles is

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<v Speaker 1>a huge reality fan, just like all of us too.

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<v Speaker 1>But Bravo, bravo. Yeah, so what are we into. I

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<v Speaker 1>haven't seen The Valley yet, which everyone's loving so good.

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<v Speaker 1>I can't believe. You know, the people Jackson Brittany are back.

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<v Speaker 2>Oh yeah, I mean, well Jackson's Jack's but he moves

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<v Speaker 2>the show while he's great TV terrible.

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<v Speaker 1>Yeah, great sound bites, great sound bites. Crazy you need

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<v Speaker 1>that kind of like La La, you know, La La

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<v Speaker 1>is just like okay, yeah, you'd be hard to be

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<v Speaker 1>friends with, but you're good television.

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<v Speaker 2>Well, you know, we went to uh Sheena's daughter's birthday

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<v Speaker 2>party with your children.

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<v Speaker 1>Because oh did we ever? Yeah, and it was like

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<v Speaker 1>a bravo, Okay, you have not explained the birthday party,

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<v Speaker 1>So what went down? Because I was out of town.

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<v Speaker 2>I mean, nothing really went down, but you I love Brock.

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<v Speaker 1>We bonded fantastic rock as Sheena's husband. Yes, New Zealand.

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<v Speaker 2>Yes, Yes, Sheena's really sweet. Brittany was Brittany was nice.

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<v Speaker 2>Michelle from the.

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<v Speaker 4>Valley and her daughter, Michelle's daughter.

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<v Speaker 2>Kind of a bully to your son?

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<v Speaker 1>What? Yes, her daughter bullied. He was trying to give

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<v Speaker 1>her a.

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<v Speaker 2>Cookie to put on her cookie pan and she was like.

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<v Speaker 4>No, he was definitely, he was definitely fascinated with her,

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<v Speaker 4>following her around. She was not having It's the type.

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<v Speaker 1>That would be an instigator too. You know, if someone's gonna,

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<v Speaker 1>you know, not play with him or something, he's gonna

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<v Speaker 1>stick next to her side and force them to play

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<v Speaker 1>with him.

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<v Speaker 2>Yes, but he was actually being really sweet and she

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<v Speaker 2>was not to him.

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<v Speaker 1>Oh sad. Yeah, we finally got the okay for for

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<v Speaker 1>people out there that have kids, you understand what it's

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<v Speaker 1>like when you have kids in preschool or any school

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<v Speaker 1>where they're just sick all the time and then they

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<v Speaker 1>pass you things and all right, so Panucci went through,

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<v Speaker 1>Oh sorry, I call my son Panucci. Uh did the

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<v Speaker 1>foot and mouth disease?

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<v Speaker 3>Yaw?

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<v Speaker 1>And I know every every teacher was like, look, you're

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<v Speaker 1>you're gonna get it, like it's gonna happen. Well it happened,

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<v Speaker 1>and the doctor said it was a ten out of ten.

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<v Speaker 1>It was.

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<v Speaker 4>Oh.

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<v Speaker 1>It looked like chicken pox all over his face, his

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<v Speaker 1>little fingers. He just lost a nail because it just

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<v Speaker 1>you know, had fallen off.

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<v Speaker 2>It's indoor playgrounds. It's not it's preschool too, but those

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<v Speaker 2>indoor playgrounds.

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<v Speaker 1>I think he at it from the zoo near Palm

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<v Speaker 1>Springs because the timing, because he was he was on

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<v Speaker 1>spring break, so what in school? But I think because

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<v Speaker 1>I saw him at the zoo licking every single cage

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<v Speaker 1>and window and I'm like, this is disgusting, This is disgusting.

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<v Speaker 1>He just loves to spit on his hand. He is

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<v Speaker 1>just a typical boy, gross boy.

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<v Speaker 4>I know him.

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<v Speaker 2>When I say something, he's like sorry.

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<v Speaker 1>Yeah.

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<v Speaker 4>Speaking speaking of Jack's Jackson's kid, did you see the

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<v Speaker 4>episode this last week with Jack's kid was licking the

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<v Speaker 4>licking the window.

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<v Speaker 3>Yeah?

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<v Speaker 2>And and La LA's daughter. I think had hand foot

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<v Speaker 2>mouthed like right before him. We heard at the party.

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<v Speaker 2>But yeah, that place is a peach.

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<v Speaker 1>Just speaking of Jack's and birthdays, the cake falling, the

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<v Speaker 1>poor little kid out his beautiful cake, and then all

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<v Speaker 1>of a sudden, the table just falls down, the cake

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<v Speaker 1>just hits it.

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<v Speaker 4>I think we should be careful considering you're probably going

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<v Speaker 4>to have at some point.

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<v Speaker 1>That's okay, Now, I'm good. Oh yeah, it's my birthday week.

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<v Speaker 1>It's my birthday month basically, yes, because it was a

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<v Speaker 1>week ago, but we came up here to really have

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<v Speaker 1>a fun time. Got Jac they with us today, we're

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<v Speaker 1>gonna catch up with him, and yeah, it's just a

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<v Speaker 1>prolonged birthday weekend. We have about forty to fifty gays

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<v Speaker 1>here and they're about to tear the town up. It's

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<v Speaker 1>gonna be crazy, all right, give us a couple more

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<v Speaker 1>shows before we take a little break and bring jac

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<v Speaker 1>on for reality round Up? What else? Because I am

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<v Speaker 1>I'm finally caught up to the circle. And for people

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<v Speaker 1>that don't know, Giggles was on the Circle. She played

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<v Speaker 1>me on the Circle because you can catfish people. It's

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<v Speaker 1>a social media reality show. It is mindless television. But

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<v Speaker 1>so good to go to sleep too, because now that

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<v Speaker 1>I don't have much time to watch TV, I like

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<v Speaker 1>to go to sleep with it on. And it's a

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<v Speaker 1>show that you can close your eyes and just listen to.

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<v Speaker 1>It's like radio because you don't have to see the people,

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<v Speaker 1>you just hear their voices. So I'm caught up with

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<v Speaker 1>now season six. What are you thinking of like the

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<v Speaker 1>latest seasons, because now they're back, they're in Atlanta, now

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<v Speaker 1>they're not shooting in England, and I.

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<v Speaker 2>Know it was so great in Mantester. I have not

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<v Speaker 2>seen this latest season, which I need to watch tonight,

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<v Speaker 2>but I love it. Like I hear there's Ai and Ai.

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<v Speaker 1>That was interesting. Yeah, this was. It's kind of eerie

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<v Speaker 1>how this works. So on the show, you can come

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<v Speaker 1>in as yourself. You come in as a catfish. You know.

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<v Speaker 1>The Spice girls were on it two seasons ago playing

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<v Speaker 1>some dude. Yeah you were playing me, which no one

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<v Speaker 1>believed at all. And yeah, so there's this season. It

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<v Speaker 1>was so interesting because they put an AI, a computer

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<v Speaker 1>into the circle.

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<v Speaker 3>Was it a boy or a girl?

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<v Speaker 1>It was a boy and it was just this machine.

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<v Speaker 1>And so when they go to the confessionals. It's just

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<v Speaker 1>showing this machine and he's talking, and the only thing

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<v Speaker 1>that it could work off was the text messages that

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<v Speaker 1>people were sending within the circle eerie how this works.

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<v Speaker 1>He fooled every single person, every single person, like, there's

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<v Speaker 1>no way that that person's the AI because they found

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<v Speaker 1>out that there's someone AI. Oh yeah, they finally told

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<v Speaker 1>him there's a one there's an AI screen in it,

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<v Speaker 1>and not one person figured it out because they said

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<v Speaker 1>that was the least likely that it would be AI.

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<v Speaker 3>Wow.

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<v Speaker 1>And just the way that he was presenting, like Okay,

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<v Speaker 1>I'm going to do this because you know, da da

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<v Speaker 1>da da da. Like psychologically he's going to think that

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<v Speaker 1>it's nuts. We are about to go through some crazy AI.

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<v Speaker 1>My worry is.

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<v Speaker 2>If they're we're not going to be needed and they're

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<v Speaker 2>going to kill us.

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<v Speaker 1>No, well I don't know if they're going to kill us,

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<v Speaker 1>but uh.

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<v Speaker 4>She might not be the person to talk about AI

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<v Speaker 4>hand to expert.

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<v Speaker 1>Well this is interesting as such an interesting uh subject,

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<v Speaker 1>you know now, especially for entertainers. So I'm glad j

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<v Speaker 1>C's here because as a songwriter, you know, AI is

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<v Speaker 1>like writing songs now and it's you know, like our

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<v Speaker 1>songwriters are I mean scared for but they don't.

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<v Speaker 2>Have emotion like you know, like it can write you

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<v Speaker 2>a but there's no emotion in it. You have to

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<v Speaker 2>like fill it in.

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<v Speaker 1>And the same thing with film industry, you know, now

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<v Speaker 1>the sad contract has it where that you know, a

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<v Speaker 1>I cannot replace them for now. I mean, who knows

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<v Speaker 1>when that's gonna change. But yeah, we're we're going to

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<v Speaker 1>a completely weird territory comm right now. Yeah, it is

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<v Speaker 1>black mirror. We're living black mirror right now. Ye. Well,

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<v Speaker 1>on that fun note, let's take a little break and uh,

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<v Speaker 1>let's scare you later. All right, we're gonna have Jac

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<v Speaker 1>here in just a few minutes. Don't go anywhere. Welcome

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<v Speaker 1>back to Frosted Tips. All right, it's Lance here. Obviously

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<v Speaker 1>we got Giggles Dell Campo with us. Oh hi, and

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<v Speaker 1>right now we got the man of the hour, J C. Chase.

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<v Speaker 1>Welcome to you.

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<v Speaker 3>No one wants to share a microphone with me?

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<v Speaker 1>Well, well it's you know, it's a COVID world these days,

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<v Speaker 1>and you're just dirty, but.

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<v Speaker 3>You're sharing what's up?

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<v Speaker 1>Well, Well, we are in Las Vegas doing a fun

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<v Speaker 1>for US's Tips special because it has been my birthday

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<v Speaker 1>for about five years now and we continued it here

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<v Speaker 1>in Vegas with some friends. We want to invite Sea

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<v Speaker 1>up to catch up with him. When was the last

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<v Speaker 1>time you were in Vegas?

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<v Speaker 3>It's literally been years, like no years, years, right, Yeah,

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<v Speaker 3>you haven't.

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<v Speaker 1>Been here in years years? Why do you hate Vegas?

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<v Speaker 3>I don't hate Vegas. It just sounds like unless there's

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<v Speaker 3>like a reason, like a real reason, It's like I don't.

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<v Speaker 3>I'm not a party boy anymore.

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<v Speaker 1>You know, neither neither am I look my Yeah.

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<v Speaker 3>Your birthday last a month. I'm not a party boy.

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<v Speaker 1>But it's more, you know, dinners and shows these days.

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<v Speaker 1>I lived in Vegas in my twenties and it was

0:10:43.760 --> 0:10:47.480
<v Speaker 1>crazy at geggles did too, But now in my forties,

0:10:47.679 --> 0:10:50.320
<v Speaker 1>I love it. It is the best restaurants in the world.

0:10:50.400 --> 0:10:54.400
<v Speaker 1>This is the flagship of every major chef. The entertainment

0:10:54.559 --> 0:10:58.559
<v Speaker 1>is top notch right now. Everyone has these incredible residencies.

0:10:58.640 --> 0:11:01.880
<v Speaker 1>Got God Ultiman, you know it. Everyone is Herej's in

0:11:01.880 --> 0:11:06.000
<v Speaker 1>the world. Kaigo is spinning tonight or tomorrow at the

0:11:06.000 --> 0:11:11.000
<v Speaker 1>birthday party. But yeah, I mean I Vegas these days

0:11:11.120 --> 0:11:12.960
<v Speaker 1>I just love so much more than I did in

0:11:13.000 --> 0:11:15.680
<v Speaker 1>my younger years, because I don't I don't do the

0:11:16.200 --> 0:11:19.280
<v Speaker 1>yeah wee hours of the morning getting wasted.

0:11:19.559 --> 0:11:20.040
<v Speaker 3>We'll see.

0:11:20.160 --> 0:11:22.840
<v Speaker 1>Yeah, well okay, well it is not that's my weekend.

0:11:23.160 --> 0:11:27.440
<v Speaker 3>Everybody's saying, it's Lance's birthday party. If you dip out

0:11:27.440 --> 0:11:30.199
<v Speaker 3>at like ten o'clock, it's a bad look.

0:11:30.480 --> 0:11:32.680
<v Speaker 1>Do you have any fond memories of Vegas because we've

0:11:32.720 --> 0:11:34.040
<v Speaker 1>we've performed here a good bit.

0:11:34.360 --> 0:11:38.240
<v Speaker 3>Yeah. I mean, look but by the way, my brother's

0:11:38.240 --> 0:11:40.760
<v Speaker 3>twenty first birthday we did here. So like little stuff

0:11:40.760 --> 0:11:43.880
<v Speaker 3>like that. You know. Again, that's what's great about this city,

0:11:43.960 --> 0:11:47.640
<v Speaker 3>you know it. It has a way of kind of

0:11:47.679 --> 0:11:52.240
<v Speaker 3>creeping into everyone's life at one time or another and

0:11:52.800 --> 0:11:53.800
<v Speaker 3>creating a memory.

0:11:54.120 --> 0:11:57.079
<v Speaker 1>So, yeah, I remember one show we did. I think

0:11:57.080 --> 0:11:59.000
<v Speaker 1>it was the Pop Odyssey Tour because it was outdoors,

0:11:59.040 --> 0:12:00.360
<v Speaker 1>so it must have been our stadium.

0:12:00.120 --> 0:12:03.719
<v Speaker 3>To trillion degrees outside, yeah, trillion degrees out.

0:12:03.880 --> 0:12:05.880
<v Speaker 1>I literally think it was one hundred and ten that day.

0:12:06.000 --> 0:12:08.600
<v Speaker 3>Yeah, and I was off the tarmac. It was even

0:12:08.600 --> 0:12:11.000
<v Speaker 3>hotter than that, right, Like they kept saying like, don't

0:12:11.040 --> 0:12:14.040
<v Speaker 3>go near the asphalt because it's making it even hotter.

0:12:14.160 --> 0:12:17.600
<v Speaker 2>And you're like, do you like when you tour. You guys,

0:12:17.640 --> 0:12:20.120
<v Speaker 2>are you as a band, We're probably too busy. But

0:12:20.240 --> 0:12:23.720
<v Speaker 2>like if I was like a router or to tour manager,

0:12:23.720 --> 0:12:26.079
<v Speaker 2>I don't know, I would be like, let's do Vegas

0:12:26.080 --> 0:12:26.559
<v Speaker 2>in March.

0:12:27.400 --> 0:12:29.800
<v Speaker 1>Like I guess it wasn't a I mean it was

0:12:29.840 --> 0:12:30.520
<v Speaker 1>a summer tour.

0:12:30.679 --> 0:12:33.480
<v Speaker 3>Yeah, it's a summer tour. And it's also about like again,

0:12:33.760 --> 0:12:36.240
<v Speaker 3>just getting from A to B, Like, how do you

0:12:36.240 --> 0:12:38.680
<v Speaker 3>want your drives to be? Yeah, you know, how many

0:12:38.720 --> 0:12:40.959
<v Speaker 3>long drives do you want to have? You trying to

0:12:41.040 --> 0:12:44.120
<v Speaker 3>keep those, you know, kind of to a minimum. Otherwise,

0:12:45.000 --> 0:12:47.880
<v Speaker 3>travel wears your body down as much as anything else.

0:12:47.960 --> 0:12:50.880
<v Speaker 1>So yeah, all right, since we are in Vegas and

0:12:50.920 --> 0:12:53.880
<v Speaker 1>it is I guess entertainment capital of the world. I

0:12:53.880 --> 0:12:55.439
<v Speaker 1>mean La used to be, but I feel like, I

0:12:55.480 --> 0:12:57.680
<v Speaker 1>don't know, people don't perform there as much like you

0:12:57.679 --> 0:13:01.000
<v Speaker 1>come to Vegas and New York like see entertainers. I'm

0:13:01.040 --> 0:13:03.080
<v Speaker 1>gonna give you three options. Who are you gonna go see?

0:13:03.160 --> 0:13:06.880
<v Speaker 1>If you had tickets tonight would have been Lady Gaga,

0:13:07.400 --> 0:13:12.280
<v Speaker 1>Shania Twain or Elton John Elton, Elton, I go, You're

0:13:12.320 --> 0:13:15.080
<v Speaker 1>friends with Elton, So okay, let me replace bias. Yeah,

0:13:15.080 --> 0:13:18.320
<v Speaker 1>you're biased, Donnie and Marie. Oh no, he went and

0:13:18.360 --> 0:13:22.719
<v Speaker 1>to Garth, Donnie and Marie Gaga. Okay, yeah, y'all saw

0:13:22.760 --> 0:13:24.800
<v Speaker 1>because Gaga has two shows. She has the pop show

0:13:24.840 --> 0:13:27.240
<v Speaker 1>and she has a jazz show. I went to the

0:13:27.320 --> 0:13:29.040
<v Speaker 1>Jazz show, and I would say it's my one of

0:13:29.040 --> 0:13:31.240
<v Speaker 1>my top three shows I've ever seen in my entire life.

0:13:31.280 --> 0:13:35.280
<v Speaker 3>She's a superstar man, She's a crazy talent.

0:13:35.200 --> 0:13:38.880
<v Speaker 1>So yeah, incredible, and she plays this character like she's

0:13:38.960 --> 0:13:41.000
<v Speaker 1>funny and I don't know, it's just it was so

0:13:41.200 --> 0:13:45.200
<v Speaker 1>entertaining and I just wasn't expecting it because I if I,

0:13:45.200 --> 0:13:46.640
<v Speaker 1>if I had my choice, I'm like, I want to

0:13:46.640 --> 0:13:48.360
<v Speaker 1>see the pop one, but you know, she just happened

0:13:48.400 --> 0:13:50.080
<v Speaker 1>to be doing the jazz one when I was here. Yeah,

0:13:50.440 --> 0:13:52.320
<v Speaker 1>and I may just floored me.

0:13:52.679 --> 0:13:54.800
<v Speaker 3>I haven't seen it, but everybody that I've talked to

0:13:54.920 --> 0:13:58.120
<v Speaker 3>that's seen it said they're like, there's a different kind

0:13:58.160 --> 0:13:58.800
<v Speaker 3>of connection.

0:13:59.559 --> 0:14:02.079
<v Speaker 1>And I think that's what you're talking as a connection. Yeah,

0:14:02.120 --> 0:14:04.439
<v Speaker 1>one hundred percent. And you know, a lot of older

0:14:04.440 --> 0:14:07.560
<v Speaker 1>people in the audience, but just yeah, it was just

0:14:07.600 --> 0:14:11.560
<v Speaker 1>a beautiful. She had so many beautiful moments, just deep.

0:14:11.800 --> 0:14:13.920
<v Speaker 1>It was, Yeah, I need to go back and see that.

0:14:13.960 --> 0:14:15.040
<v Speaker 1>I think she's coming back soon.

0:14:15.440 --> 0:14:17.760
<v Speaker 3>She might be busy being a movie star now.

0:14:18.000 --> 0:14:21.360
<v Speaker 1>Yeah, but she always likes to come back and you know,

0:14:21.440 --> 0:14:25.480
<v Speaker 1>do these things. Yeah, well, people don't know that I

0:14:25.520 --> 0:14:28.640
<v Speaker 1>actually have plaxoriasis. This I did not know. Yeah, yeah,

0:14:28.680 --> 0:14:31.360
<v Speaker 1>I don't. I mean obviously it's not a conversation that

0:14:31.400 --> 0:14:33.120
<v Speaker 1>I usually you don't have with people. So have you

0:14:33.120 --> 0:14:35.000
<v Speaker 1>gotten like spots or anything like? Yeah, I mean I

0:14:35.080 --> 0:14:36.520
<v Speaker 1>used to do. Good thing is like a lot of

0:14:36.560 --> 0:14:38.680
<v Speaker 1>it's in remission, but I'd always get it on my legs,

0:14:38.760 --> 0:14:42.040
<v Speaker 1>especially my knees, and so like when you're trying to

0:14:42.040 --> 0:14:44.120
<v Speaker 1>wear shorts and stuff. That's why I would never wear shorts.

0:14:44.400 --> 0:14:46.760
<v Speaker 5>Yeah, well, you know what, I used to have some

0:14:46.760 --> 0:14:48.680
<v Speaker 5>some things that I wanted to cover up as well.

0:14:48.720 --> 0:14:50.040
<v Speaker 1>It wasn't plackoriasis.

0:14:50.080 --> 0:14:52.640
<v Speaker 5>But yeah, I mean I think anytime you're trying to

0:14:52.640 --> 0:14:56.160
<v Speaker 5>put together a look, you're always working around certain things.

0:14:56.200 --> 0:15:00.280
<v Speaker 5>But so wait, but now you do wear shorts now, No.

0:15:00.400 --> 0:15:02.280
<v Speaker 1>I still it's you know, it's I don't know, it's

0:15:02.280 --> 0:15:04.520
<v Speaker 1>it's built into my DNA and not to even wear shorts.

0:15:04.520 --> 0:15:06.360
<v Speaker 1>And even though like you can barely.

0:15:06.040 --> 0:15:07.920
<v Speaker 5>Sometimes when you're having like a little pool day.

0:15:07.960 --> 0:15:09.640
<v Speaker 1>But okay, I get what you're so, yeah, you know,

0:15:09.880 --> 0:15:12.280
<v Speaker 1>but yeah, I would use all these different creams to help,

0:15:12.360 --> 0:15:13.880
<v Speaker 1>you know, and it would help for a while, but

0:15:13.960 --> 0:15:15.840
<v Speaker 1>then it would get on my clothes and then you know,

0:15:15.880 --> 0:15:18.600
<v Speaker 1>I'm not gonna mess up my gucci, my gucci. Uh uh.

0:15:19.200 --> 0:15:21.000
<v Speaker 1>And I know a lot of people out there, you know,

0:15:21.040 --> 0:15:23.640
<v Speaker 1>suffer from this, and uh, just know you're not alone.

0:15:23.920 --> 0:15:26.600
<v Speaker 1>You're not alone. I'm there with you, guys, there with you,

0:15:27.200 --> 0:15:29.640
<v Speaker 1>so you know, I I'm so glad that has let

0:15:29.720 --> 0:15:32.120
<v Speaker 1>us do this whole special with JC and uh, you know,

0:15:32.160 --> 0:15:34.480
<v Speaker 1>it's it's it's always fun to work with those guys. Okay,

0:15:34.520 --> 0:15:36.640
<v Speaker 1>So now that I have you and we can talk

0:15:36.720 --> 0:15:41.800
<v Speaker 1>about it, let's talk about better Place, okay, because we're

0:15:41.800 --> 0:15:44.600
<v Speaker 1>for so long could not mentioned the song. The strike

0:15:44.760 --> 0:15:46.680
<v Speaker 1>really kind of killed a lot of things we were

0:15:46.720 --> 0:15:50.440
<v Speaker 1>gonna do with it, but better Place patrols. What did

0:15:50.480 --> 0:15:53.240
<v Speaker 1>you think about getting back together when you first got

0:15:53.240 --> 0:15:55.600
<v Speaker 1>that call, like, hey, maybe we should do a song for.

0:15:55.560 --> 0:16:01.280
<v Speaker 3>The HOOI It was interesting because uh, Justin and I

0:16:01.320 --> 0:16:03.560
<v Speaker 3>had already actually been in the studio messing around with

0:16:03.640 --> 0:16:04.320
<v Speaker 3>other ideas.

0:16:04.480 --> 0:16:05.680
<v Speaker 1>Really, you didn't know this.

0:16:06.080 --> 0:16:11.080
<v Speaker 6>Yeah, and uh spoiler alert, I mean, do I get

0:16:11.080 --> 0:16:16.320
<v Speaker 6>to hear these these songs?

0:16:16.360 --> 0:16:19.360
<v Speaker 3>And so we had been just kind of chatting loosely

0:16:20.160 --> 0:16:24.360
<v Speaker 3>about different things, and then you know, we had you know,

0:16:24.520 --> 0:16:26.520
<v Speaker 3>popped in, did a did a little bit of this,

0:16:26.560 --> 0:16:28.080
<v Speaker 3>a little bit of that, and then kind of dipped

0:16:28.120 --> 0:16:29.680
<v Speaker 3>out and then popped in, did a little bit of this,

0:16:29.720 --> 0:16:31.200
<v Speaker 3>a little bit of that, and then dipped out. And

0:16:31.240 --> 0:16:33.280
<v Speaker 3>then he hit me up and he's like, I want

0:16:33.280 --> 0:16:34.600
<v Speaker 3>you to come by the studio because I want to

0:16:34.600 --> 0:16:35.080
<v Speaker 3>talk to you.

0:16:35.120 --> 0:16:37.640
<v Speaker 1>And I was like, okay, And it sounds like like

0:16:37.720 --> 0:16:39.400
<v Speaker 1>a parent, like.

0:16:39.560 --> 0:16:40.960
<v Speaker 3>Any kind of way he's just but you know, he

0:16:41.080 --> 0:16:42.840
<v Speaker 3>just wanted to kind of we need to talk to

0:16:43.200 --> 0:16:45.240
<v Speaker 3>Rap a little bit. And then he's just like, I

0:16:45.280 --> 0:16:49.720
<v Speaker 3>think there's a great way to kind of, you know,

0:16:51.200 --> 0:16:53.640
<v Speaker 3>have us all hop on something and not have the

0:16:53.680 --> 0:16:59.000
<v Speaker 3>pressure of having to launch something because you know, look,

0:16:59.560 --> 0:17:02.560
<v Speaker 3>he been working for on his record for years, so

0:17:02.600 --> 0:17:05.440
<v Speaker 3>it's not like you can you can't like fake anybody

0:17:05.480 --> 0:17:07.920
<v Speaker 3>out and you can't you know, set anybody up. So

0:17:08.000 --> 0:17:11.520
<v Speaker 3>it's just like, you know, you can't really create a

0:17:11.640 --> 0:17:14.160
<v Speaker 3>first single if you're not going to back it up, right.

0:17:14.640 --> 0:17:17.040
<v Speaker 3>So the thinking was like, hey man, we can do

0:17:17.080 --> 0:17:19.720
<v Speaker 3>something together and we don't, and we can you know,

0:17:19.800 --> 0:17:22.639
<v Speaker 3>give our fans something that's a lot of fun, but

0:17:22.720 --> 0:17:26.520
<v Speaker 3>we don't have to, you know, uh, mislead anybody with it.

0:17:27.520 --> 0:17:30.160
<v Speaker 3>And so look, I thought it was a great idea. Look,

0:17:30.200 --> 0:17:32.199
<v Speaker 3>all you guys are parents now, right, Like I'm the

0:17:32.200 --> 0:17:33.600
<v Speaker 3>only one that doesn't have kids, so.

0:17:33.960 --> 0:17:39.239
<v Speaker 6>Lucky, right, Well, Joey's kids are grown, right, Like, well

0:17:39.240 --> 0:17:41.000
<v Speaker 6>I have two, so I mean, if you won't to

0:17:41.040 --> 0:17:42.240
<v Speaker 6>borrow one at a time.

0:17:43.400 --> 0:17:45.720
<v Speaker 3>But I thought it was like the total one of

0:17:45.760 --> 0:17:48.880
<v Speaker 3>the most appropriate things we could do, right, So he's

0:17:48.960 --> 0:17:51.720
<v Speaker 3>just like, uh from that point that, I mean, the

0:17:51.760 --> 0:17:54.159
<v Speaker 3>conversation was like I've been thinking this is kind of

0:17:54.160 --> 0:17:56.399
<v Speaker 3>a great way to introduce it. And I was like, well,

0:17:56.480 --> 0:17:58.080
<v Speaker 3>let's hear it. And he played the song and he's like,

0:17:58.320 --> 0:18:00.159
<v Speaker 3>let's just go in and get on it. And so

0:18:00.560 --> 0:18:02.600
<v Speaker 3>it was like all right, you know, because we didn't

0:18:02.600 --> 0:18:05.879
<v Speaker 3>want to, you know, make any call anybody else and

0:18:06.200 --> 0:18:10.359
<v Speaker 3>make any guarantees until we felt like it could be

0:18:10.480 --> 0:18:14.119
<v Speaker 3>the right thing. And uh, and so I went in

0:18:14.160 --> 0:18:16.800
<v Speaker 3>and popped in and laid the vocal down and then

0:18:16.840 --> 0:18:19.480
<v Speaker 3>it was just kind of like, Okay, you know it,

0:18:19.480 --> 0:18:22.560
<v Speaker 3>it sounds like it could work. And then it was like, well,

0:18:22.600 --> 0:18:24.960
<v Speaker 3>let's let's just try it and see. And then it

0:18:25.040 --> 0:18:27.800
<v Speaker 3>was like a matter of you know, when everybody kind

0:18:27.800 --> 0:18:29.680
<v Speaker 3>of got the call, it was kind of like we

0:18:29.760 --> 0:18:32.800
<v Speaker 3>still I mean, we felt like we could do it,

0:18:32.840 --> 0:18:35.280
<v Speaker 3>but you just never know until you hear it done right,

0:18:35.359 --> 0:18:38.080
<v Speaker 3>Like you have to make sure you know, you don't.

0:18:38.720 --> 0:18:42.439
<v Speaker 3>It's like everything that we've ever done, it's my whole

0:18:42.480 --> 0:18:47.840
<v Speaker 3>philosophy has been protect the brand, Protect the brand. It's

0:18:47.840 --> 0:18:51.600
<v Speaker 3>got to be a quality, you know, that that we

0:18:51.720 --> 0:18:54.760
<v Speaker 3>bring to the table. And because that's what we cared

0:18:54.800 --> 0:18:59.360
<v Speaker 3>about all those years, it was so important the quality. Yeah,

0:18:59.400 --> 0:19:04.639
<v Speaker 3>and and and so you know, having the movie step

0:19:04.680 --> 0:19:07.760
<v Speaker 3>in and really have our backs, so we weren't just

0:19:08.119 --> 0:19:11.639
<v Speaker 3>out there by ourselves. We had, you know, Justin's whole team,

0:19:12.160 --> 0:19:16.280
<v Speaker 3>We had the whole movie company really there for us.

0:19:16.400 --> 0:19:18.239
<v Speaker 3>I thought it was a great way to kind of

0:19:18.520 --> 0:19:21.200
<v Speaker 3>get back in in a comfortable way.

0:19:21.400 --> 0:19:23.240
<v Speaker 1>You know. It was great for my cases. They are

0:19:23.280 --> 0:19:25.359
<v Speaker 1>the perfect age patrols. I didn't even think that they

0:19:25.359 --> 0:19:28.040
<v Speaker 1>would be old enough really, but then we started, you know,

0:19:28.119 --> 0:19:29.879
<v Speaker 1>since we've recorded the song, like well you gotta you

0:19:29.880 --> 0:19:31.800
<v Speaker 1>gotta watch the first one and the second one. You know,

0:19:31.800 --> 0:19:32.520
<v Speaker 1>I gotta get.

0:19:32.440 --> 0:19:36.040
<v Speaker 3>All my friends that have kids and my brothers kids.

0:19:36.280 --> 0:19:36.439
<v Speaker 1>You know.

0:19:36.480 --> 0:19:38.960
<v Speaker 3>It was just like they were on it right away.

0:19:39.240 --> 0:19:43.240
<v Speaker 2>So did so when you went in to talk to

0:19:43.280 --> 0:19:45.600
<v Speaker 2>them about the song? Did you record that day?

0:19:45.840 --> 0:19:47.400
<v Speaker 3>Yeah? Wow, I see.

0:19:47.440 --> 0:19:49.399
<v Speaker 2>But I like that. I like it's like it's like,

0:19:49.600 --> 0:19:50.159
<v Speaker 2>let's just do it.

0:19:50.320 --> 0:19:52.720
<v Speaker 3>Well, let's just try it right like that, that's the

0:19:52.760 --> 0:19:53.680
<v Speaker 3>whole thing. Just try it.

0:19:53.800 --> 0:19:55.640
<v Speaker 1>You always go back and re record things, but yeah,

0:19:55.640 --> 0:19:56.399
<v Speaker 1>it's just kind of fun of it.

0:19:56.440 --> 0:19:58.680
<v Speaker 3>We'll just go, you know what, this isn't the one.

0:19:58.760 --> 0:20:02.439
<v Speaker 3>Let's you know what, maybe maybe the next opportunity, you know,

0:20:02.720 --> 0:20:05.080
<v Speaker 3>maybe there's another song out there or you know, so

0:20:05.160 --> 0:20:07.800
<v Speaker 3>it's just a matter of the right thing at the

0:20:07.880 --> 0:20:08.399
<v Speaker 3>right time.

0:20:08.800 --> 0:20:11.440
<v Speaker 1>Have you ever as a songwriter? Have you ever gone

0:20:11.480 --> 0:20:13.680
<v Speaker 1>in to record a song and then halfway through you're like,

0:20:13.680 --> 0:20:15.639
<v Speaker 1>you know what, this isn't right. Then you're just gonna stop.

0:20:15.680 --> 0:20:18.040
<v Speaker 3>Oh yeah, I mean that's part of the writing process,

0:20:18.119 --> 0:20:20.440
<v Speaker 3>you know. I'm one of those I don't wait until

0:20:20.480 --> 0:20:23.040
<v Speaker 3>the song is totally written to lay it down. I'm

0:20:23.040 --> 0:20:26.480
<v Speaker 3>always laying down scratch vocals throughout the process. While I'm

0:20:26.480 --> 0:20:29.040
<v Speaker 3>working on a section. Sometimes it's best to go in

0:20:29.119 --> 0:20:31.919
<v Speaker 3>and hear it. That way, you can hear it sooner

0:20:31.960 --> 0:20:34.320
<v Speaker 3>than later. If it's working, you know, it's like you

0:20:34.359 --> 0:20:37.440
<v Speaker 3>can lay down a verse and go, that's not feeling right.

0:20:37.720 --> 0:20:40.159
<v Speaker 3>We need to rework something here, you know, instead of

0:20:40.160 --> 0:20:41.600
<v Speaker 3>waiting to get the verse and then the pre and

0:20:41.640 --> 0:20:44.000
<v Speaker 3>then the chorus and then da da, work work on

0:20:44.040 --> 0:20:46.240
<v Speaker 3>it a piece at a time. And you know, at

0:20:46.359 --> 0:20:49.679
<v Speaker 3>least that's been my process for I would say most songs,

0:20:49.720 --> 0:20:50.560
<v Speaker 3>not all songs.

0:20:50.280 --> 0:20:53.520
<v Speaker 2>But most songs are you because I know Lance gets

0:20:53.560 --> 0:20:58.080
<v Speaker 2>surprised about this. Are you surprised the love of your

0:20:58.119 --> 0:21:01.440
<v Speaker 2>fans is still like the demand for you guys to

0:21:01.480 --> 0:21:04.359
<v Speaker 2>get back together is still so high? Is that surprising

0:21:04.400 --> 0:21:05.480
<v Speaker 2>to you?

0:21:05.480 --> 0:21:10.200
<v Speaker 3>You know? I don't. I almost don't understand it myself,

0:21:10.240 --> 0:21:12.119
<v Speaker 3>Like I can't get my head around it, you know,

0:21:13.800 --> 0:21:16.639
<v Speaker 3>I just look, I just like making things, and the

0:21:16.680 --> 0:21:19.280
<v Speaker 3>fact that anybody ever showed up in the first place

0:21:19.359 --> 0:21:23.200
<v Speaker 3>blows my mind. So it's like, I don't take any

0:21:23.200 --> 0:21:26.320
<v Speaker 3>of it for granted. I am beyond thankful when somebody

0:21:26.480 --> 0:21:29.840
<v Speaker 3>go takes the time and the energy to check out

0:21:29.840 --> 0:21:32.800
<v Speaker 3>what you're doing. I mean, that's huge. That's their time.

0:21:33.280 --> 0:21:33.480
<v Speaker 4>You know.

0:21:33.560 --> 0:21:36.639
<v Speaker 3>It's like if there's one thing we don't have, you know,

0:21:37.480 --> 0:21:40.520
<v Speaker 3>an an infinite amount of it's time, you know. So

0:21:40.600 --> 0:21:43.199
<v Speaker 3>it's like for somebody to give us their time and

0:21:43.240 --> 0:21:46.560
<v Speaker 3>their energy. It's humbling, it's flattering, it's all those things.

0:21:47.080 --> 0:21:48.760
<v Speaker 1>It's a beautiful thing. I think a lot of the

0:21:49.160 --> 0:21:52.000
<v Speaker 1>fan base now, just like me, we like to look

0:21:52.119 --> 0:21:54.800
<v Speaker 1>back and feel good about like our youth, and I

0:21:54.800 --> 0:21:58.280
<v Speaker 1>think people are just craving that, I don't know, peacefulness,

0:21:58.920 --> 0:22:02.560
<v Speaker 1>the times when it felt a little just calmer and yeah,

0:22:02.720 --> 0:22:05.760
<v Speaker 1>more innocent, you didn't have so much responsibility, you know.

0:22:05.880 --> 0:22:06.720
<v Speaker 3>I think I told you, I.

0:22:07.960 --> 0:22:10.440
<v Speaker 2>Know I've told you this, but I read something how

0:22:11.160 --> 0:22:14.560
<v Speaker 2>when you're in middle school in high school, the songs

0:22:14.640 --> 0:22:18.560
<v Speaker 2>that you you know love then yeah, they're it's going

0:22:18.600 --> 0:22:20.200
<v Speaker 2>to be like the songs that you remember the most

0:22:20.200 --> 0:22:22.400
<v Speaker 2>in your whole life, and it's you have an emotional

0:22:22.440 --> 0:22:25.880
<v Speaker 2>connection with. So now we're all older in sing fans

0:22:25.880 --> 0:22:28.360
<v Speaker 2>are older, so it's like it's so happy to hear

0:22:28.400 --> 0:22:28.960
<v Speaker 2>those songs.

0:22:30.440 --> 0:22:32.960
<v Speaker 1>We were talking about this earlier, but as a songwriter, know,

0:22:33.040 --> 0:22:35.239
<v Speaker 1>AI is like taking off and they're doing all these

0:22:35.280 --> 0:22:39.520
<v Speaker 1>AI songs how do you see its influence going forward

0:22:39.720 --> 0:22:42.160
<v Speaker 1>in the music industry on radio.

0:22:42.040 --> 0:22:45.439
<v Speaker 3>It's already influencing. Yeah, for sure, it's already influencing it.

0:22:45.480 --> 0:22:49.840
<v Speaker 3>I mean it's it's not what people want to it's

0:22:49.880 --> 0:22:52.200
<v Speaker 3>not what songwriters want to hear, it's not what producers

0:22:52.240 --> 0:22:54.840
<v Speaker 3>want to hear who want to do it. But here

0:22:55.400 --> 0:22:59.119
<v Speaker 3>my thing is, if you love making music and if

0:22:59.160 --> 0:23:02.800
<v Speaker 3>you love songwriter, do it because you love it. You know,

0:23:04.080 --> 0:23:07.920
<v Speaker 3>if you're doing it to compete with someone, I don't

0:23:07.920 --> 0:23:10.000
<v Speaker 3>know if that's even the right reason to do it.

0:23:10.119 --> 0:23:12.280
<v Speaker 3>You know, you you write a song because you love

0:23:12.359 --> 0:23:18.880
<v Speaker 3>writing music. And the reality is, you know, jingles are

0:23:18.920 --> 0:23:22.040
<v Speaker 3>now being you know, for television, commercials are being written

0:23:22.160 --> 0:23:26.040
<v Speaker 3>by computers. Now that's just it's happening. It's like, it's

0:23:26.080 --> 0:23:29.760
<v Speaker 3>not like a what if it's happening. So the reality

0:23:29.840 --> 0:23:31.560
<v Speaker 3>is you have to do it because you love it.

0:23:31.640 --> 0:23:34.600
<v Speaker 3>Now the tough part is I do understand, like people say,

0:23:34.640 --> 0:23:37.600
<v Speaker 3>hey man, this is we got to work out, you know,

0:23:38.280 --> 0:23:42.840
<v Speaker 3>where this algorithm is learning all this information because you know,

0:23:43.040 --> 0:23:48.920
<v Speaker 3>these people that wrote songs that this algorithm is learning from,

0:23:49.480 --> 0:23:53.560
<v Speaker 3>you know, they're almost like a credited writer in a way.

0:23:53.680 --> 0:23:56.200
<v Speaker 3>So there, there's a lot to figure out.

0:23:56.600 --> 0:23:58.840
<v Speaker 1>But the real even figure that out though, because I

0:23:58.880 --> 0:24:01.200
<v Speaker 1>would think the computer's so that it would change.

0:24:00.960 --> 0:24:06.360
<v Speaker 3>It because because you're talking about it's not Look, we're

0:24:06.440 --> 0:24:09.680
<v Speaker 3>human computers, right, Like, everything we've ever heard is influencing

0:24:09.760 --> 0:24:13.560
<v Speaker 3>what we write, everything that we've read, everything that we've seen,

0:24:13.960 --> 0:24:18.840
<v Speaker 3>everything that we've heard. We're processing that information and interpreting

0:24:18.880 --> 0:24:24.360
<v Speaker 3>it our way, and that's our voice. And these algorithms

0:24:24.400 --> 0:24:28.679
<v Speaker 3>are essentially instead of pulling from maybe the five to

0:24:28.880 --> 0:24:34.560
<v Speaker 3>twenty thousand songs I've heard, is pulling from five million songs.

0:24:35.160 --> 0:24:38.960
<v Speaker 2>Who gets paid? Who gets paid? Like when AI is writ.

0:24:38.840 --> 0:24:41.439
<v Speaker 3>And stuff, who's that stuff? It's so new. I'm like,

0:24:41.560 --> 0:24:45.600
<v Speaker 3>it's way above my my brain. Like again, I don't

0:24:45.600 --> 0:24:49.600
<v Speaker 3>have five million brains, so like, but there's gonna have

0:24:49.680 --> 0:24:52.119
<v Speaker 3>to there's gonna have to be an instance, like you

0:24:52.160 --> 0:24:55.639
<v Speaker 3>said with the writers strike, where we try and at least,

0:24:55.800 --> 0:25:02.080
<v Speaker 3>you know, protect our fellow human creators. You know, there

0:25:02.119 --> 0:25:03.520
<v Speaker 3>has to be a space for them.

0:25:03.680 --> 0:25:07.560
<v Speaker 1>So yeah, it's gonna be very interesting. And yeah, I

0:25:07.920 --> 0:25:11.080
<v Speaker 1>listened to writers like Olivia Rodrigo and Taylor Swift and

0:25:11.119 --> 0:25:13.360
<v Speaker 1>you know, I mean, females are killing it. Right now.

0:25:13.440 --> 0:25:15.359
<v Speaker 1>I mean, yeah, you turn on the radio and it's

0:25:15.359 --> 0:25:18.960
<v Speaker 1>Sabrina Carver. It's all these like young girls. Uh and

0:25:19.000 --> 0:25:21.120
<v Speaker 1>but there's a lot of especially with Olivia and Taylor.

0:25:21.359 --> 0:25:22.960
<v Speaker 1>I'll be listening to a song like wait a minute,

0:25:23.000 --> 0:25:25.600
<v Speaker 1>that reminds me so much of that song, and that's

0:25:25.640 --> 0:25:27.200
<v Speaker 1>the influence that yeah.

0:25:27.359 --> 0:25:30.160
<v Speaker 3>Yeah, but I mean that's always been around, Like again,

0:25:30.840 --> 0:25:35.480
<v Speaker 3>in our in every era, every artist is influenced by someone, right,

0:25:35.560 --> 0:25:38.479
<v Speaker 3>like the biggest rock stars in the world. Like you know,

0:25:38.560 --> 0:25:41.919
<v Speaker 3>you go back as far as you want. Somebody loved

0:25:42.119 --> 0:25:45.399
<v Speaker 3>someone's music and that's what made them want to make music.

0:25:45.640 --> 0:25:47.199
<v Speaker 1>Do you ever get a melody in your head and

0:25:47.240 --> 0:25:49.199
<v Speaker 1>you're like, oh my god, this is so genius and

0:25:49.240 --> 0:25:51.240
<v Speaker 1>you're like work on it for a bit, maybe even

0:25:51.240 --> 0:25:53.760
<v Speaker 1>record it, and then you realize, oh wait, that was

0:25:53.760 --> 0:25:54.880
<v Speaker 1>done by David Bowie.

0:25:57.280 --> 0:25:59.359
<v Speaker 3>Catching it early. I got I've got enough of a

0:25:59.440 --> 0:26:03.479
<v Speaker 3>catalog that I'm pretty good at catching it early. And

0:26:03.520 --> 0:26:05.199
<v Speaker 3>I go, oh, can't do that, you know what I mean,

0:26:05.200 --> 0:26:08.200
<v Speaker 3>if I'm singing something or it's like yeah, I definitely

0:26:08.240 --> 0:26:08.760
<v Speaker 3>can't do that.

0:26:08.960 --> 0:26:12.520
<v Speaker 2>Is there like a like a software that say that

0:26:12.640 --> 0:26:15.119
<v Speaker 2>you you did this, but you didn't know, you're like,

0:26:15.160 --> 0:26:16.840
<v Speaker 2>I don't know. Maybe I heard that song, but I

0:26:16.880 --> 0:26:19.040
<v Speaker 2>don't know, is there like maybe that's.

0:26:18.880 --> 0:26:19.919
<v Speaker 1>Where AI comes in.

0:26:21.640 --> 0:26:25.200
<v Speaker 3>I mean, look, they have a million ways to look

0:26:25.280 --> 0:26:27.760
<v Speaker 3>into that stuff. I know that that's a big part

0:26:27.800 --> 0:26:29.960
<v Speaker 3>of what the A and R teams do. Now when

0:26:29.960 --> 0:26:32.400
<v Speaker 3>you're signed to a label, it's like they're making sure

0:26:32.440 --> 0:26:35.320
<v Speaker 3>that you know, there aren't any samples in there or

0:26:35.359 --> 0:26:38.160
<v Speaker 3>anything like that, and so they're looking through that stuff.

0:26:39.320 --> 0:26:45.159
<v Speaker 3>But again, I try to be as original as possible.

0:26:45.640 --> 0:26:48.480
<v Speaker 3>But you know, again, we are all influenced by the

0:26:48.520 --> 0:26:51.800
<v Speaker 3>world around us, so you never know. But you look,

0:26:51.920 --> 0:26:54.560
<v Speaker 3>you're trying to have your own voice in the process.

0:26:55.640 --> 0:26:57.719
<v Speaker 1>It's almost been a year. But how's your stomach from

0:26:57.760 --> 0:26:58.240
<v Speaker 1>Hot Ones?

0:27:00.480 --> 0:27:03.600
<v Speaker 3>I was alright, man, you killed it. I was like,

0:27:03.720 --> 0:27:05.440
<v Speaker 3>everybody's like, this is ho It was like, it's hot,

0:27:05.480 --> 0:27:09.080
<v Speaker 3>but it's it didn't. It didn't. It didn't hurt as

0:27:09.119 --> 0:27:12.400
<v Speaker 3>bad as everyone told me it was gonna hurt. It was. Look,

0:27:12.520 --> 0:27:16.000
<v Speaker 3>it was hot, but not until with the last.

0:27:15.680 --> 0:27:18.040
<v Speaker 1>Two or three I think it was number seven. That

0:27:18.440 --> 0:27:20.560
<v Speaker 1>just what because it all kind of it was the

0:27:20.560 --> 0:27:22.600
<v Speaker 1>same level to me. I'm like, well, after you eat one,

0:27:22.720 --> 0:27:24.560
<v Speaker 1>it all tastes the same. It's not about that.

0:27:24.680 --> 0:27:27.960
<v Speaker 3>But I wasn't also housing them like Joey was.

0:27:28.040 --> 0:27:29.359
<v Speaker 1>Joey is trying to be so cool.

0:27:29.920 --> 0:27:33.160
<v Speaker 3>He was housing them, and he was like, going, he's

0:27:33.240 --> 0:27:33.920
<v Speaker 3>out there.

0:27:34.640 --> 0:27:36.520
<v Speaker 1>You would eat the whole wing just to like prove

0:27:36.560 --> 0:27:37.680
<v Speaker 1>that he's a man or something.

0:27:37.760 --> 0:27:42.399
<v Speaker 3>And then he was hungry, nodding and crying like he

0:27:42.520 --> 0:27:43.359
<v Speaker 3>jumped into a pool.

0:27:43.440 --> 0:27:48.080
<v Speaker 1>Yeah are you, like, are you catching you, coach? But

0:27:48.359 --> 0:27:52.920
<v Speaker 1>it's just profusely sweaty.

0:27:51.280 --> 0:27:54.440
<v Speaker 3>And the and the text thread two hours after that

0:27:54.480 --> 0:27:56.480
<v Speaker 3>show was intense.

0:27:56.240 --> 0:27:59.720
<v Speaker 1>For forty eight hours. The text thread was, uh, was definitely.

0:27:59.720 --> 0:28:02.200
<v Speaker 6>In a yeah, I would never want to see that,

0:28:02.359 --> 0:28:03.920
<v Speaker 6>and I think every single one of them want to

0:28:03.960 --> 0:28:05.440
<v Speaker 6>see that.

0:28:04.320 --> 0:28:08.399
<v Speaker 1>I think every single one of us. Took a picture

0:28:08.400 --> 0:28:10.199
<v Speaker 1>of us sitting on the pot with our like just

0:28:10.240 --> 0:28:14.399
<v Speaker 1>our feet, just like yeah, like, is anyone in the

0:28:14.440 --> 0:28:15.440
<v Speaker 1>same position right now?

0:28:15.520 --> 0:28:17.280
<v Speaker 2>And all of you sent back the same photo.

0:28:17.600 --> 0:28:21.640
<v Speaker 1>No, well, JC is no, I would not either.

0:28:22.640 --> 0:28:25.520
<v Speaker 3>No have sense.

0:28:26.880 --> 0:28:30.399
<v Speaker 1>That probably Oh I'm sure, I'm sure. And you know

0:28:30.440 --> 0:28:33.080
<v Speaker 1>they say milk helps, No, it doesn't. Like never, it

0:28:33.119 --> 0:28:34.480
<v Speaker 1>didn't take the sting out of my mouth.

0:28:35.080 --> 0:28:36.920
<v Speaker 3>To be fair, I did pregame, Oh.

0:28:36.880 --> 0:28:38.720
<v Speaker 1>Yeah, oh, you drank the milk beforehand.

0:28:38.760 --> 0:28:41.280
<v Speaker 3>But no, I didn't drink milk, but I did. Uh,

0:28:41.440 --> 0:28:46.520
<v Speaker 3>I did like a toms before we started, and i'd

0:28:46.840 --> 0:28:49.640
<v Speaker 3>no because you still feel the heat. But you don't

0:28:49.720 --> 0:28:52.520
<v Speaker 3>want to like eat holes in your stomach, you know

0:28:52.560 --> 0:28:52.920
<v Speaker 3>what I mean.

0:28:53.240 --> 0:28:55.080
<v Speaker 1>I think if this was an Olympic sport, you would

0:28:55.120 --> 0:28:57.200
<v Speaker 1>have been disqualified, That's all I'm saying.

0:28:57.400 --> 0:29:01.240
<v Speaker 3>But I'm not trying to eat the hot Olympics.

0:29:00.840 --> 0:29:04.000
<v Speaker 1>Like maybe there should be. You know, Olympics is coming

0:29:04.080 --> 0:29:06.320
<v Speaker 1>up well in France, you know, we have you know,

0:29:06.360 --> 0:29:08.520
<v Speaker 1>Paris coming up this summer. But then it's here the

0:29:08.520 --> 0:29:12.240
<v Speaker 1>twenty eight in La Yeah, yeah, twenty twenty eight, which

0:29:12.320 --> 0:29:15.240
<v Speaker 1>is you know, it's gonna be hell with traffic. I'm

0:29:15.280 --> 0:29:17.280
<v Speaker 1>not looking forward to this, and of course I don't

0:29:17.280 --> 0:29:18.160
<v Speaker 1>know how there's anything.

0:29:18.560 --> 0:29:22.200
<v Speaker 3>Maybe maybe all of La is just going to lead, yeah,

0:29:22.440 --> 0:29:24.600
<v Speaker 3>and let all the tourists run it for a little while.

0:29:24.720 --> 0:29:26.920
<v Speaker 1>Yeah, because there's no room. And where they're having the

0:29:26.920 --> 0:29:31.440
<v Speaker 1>Olympics is already where Sofi is and there's nowhere to move.

0:29:32.000 --> 0:29:33.560
<v Speaker 1>So I don't know how the city.

0:29:33.320 --> 0:29:36.720
<v Speaker 3>Feels that way. I mean, think about how crowded Paris is, you.

0:29:36.680 --> 0:29:38.400
<v Speaker 1>Know, what I mean. I love how Paris is doing

0:29:38.440 --> 0:29:40.440
<v Speaker 1>it though. Did you see that they're spreading out all

0:29:40.480 --> 0:29:44.160
<v Speaker 1>throughout the city. Yeah, so they're not doing they're not

0:29:44.280 --> 0:29:47.160
<v Speaker 1>building new buildings for everything, right, or at least most

0:29:47.160 --> 0:29:49.920
<v Speaker 1>of them. They're doing volleyball in front of the Eiffel Tower.

0:29:50.120 --> 0:29:53.480
<v Speaker 1>They're doing all these amazing monumental things where they're just

0:29:53.480 --> 0:29:57.320
<v Speaker 1>putting things outdoors in like beautiful places, which I think

0:29:57.440 --> 0:29:59.440
<v Speaker 1>is Yeah, that's fun. That's a way to use your

0:29:59.440 --> 0:30:02.200
<v Speaker 1>city and not have to spend a billion dollars on

0:30:02.280 --> 0:30:05.920
<v Speaker 1>building different Olympic villages and all that where. Yeah, what

0:30:05.920 --> 0:30:07.880
<v Speaker 1>are you gonna do after that? All right, guys, that

0:30:08.000 --> 0:30:10.000
<v Speaker 1>is all the show I have to you for this

0:30:10.360 --> 0:30:13.520
<v Speaker 1>half of the show. We're gonna continue this conversation later,

0:30:13.600 --> 0:30:15.640
<v Speaker 1>all right. JC is still going to stick around. I

0:30:15.720 --> 0:30:18.640
<v Speaker 1>got a couple more peanuts coming in, So you're gonna

0:30:18.640 --> 0:30:20.960
<v Speaker 1>want to listen to part two of this podcast. So

0:30:21.680 --> 0:30:23.960
<v Speaker 1>you take care of each other, take care of those animals,

0:30:24.000 --> 0:30:26.360
<v Speaker 1>don't drink a drive, and I will see you on

0:30:26.440 --> 0:30:31.920
<v Speaker 1>the next episode of Frosted Tips. Hey, thanks for listening.

0:30:32.040 --> 0:30:35.400
<v Speaker 1>Follow us on Instagram at Frosted Tips with Lance and

0:30:35.480 --> 0:30:38.440
<v Speaker 1>Michael turchinar and at lance bast for all your pop

0:30:38.480 --> 0:30:39.240
<v Speaker 1>culture needs

0:30:39.520 --> 0:30:41.440
<v Speaker 4>And make sure to write a review and leave us

0:30:41.440 --> 0:30:43.920
<v Speaker 4>five stars six if you can see you next time.