1 00:00:05,200 --> 00:00:11,560 Speaker 1: This is Frosted Tips with Lance Bass and iHeartRadio Podcast. Hello, 2 00:00:11,760 --> 00:00:15,400 Speaker 1: my Little Peanuts, It's MirOS Lance Bass. This is Frosted 3 00:00:15,560 --> 00:00:18,479 Speaker 1: Tips with a nice little fun special coming to you 4 00:00:18,640 --> 00:00:22,599 Speaker 1: from Las Vegas. And speaking of peanuts, We're gonna have 5 00:00:22,680 --> 00:00:25,320 Speaker 1: fun today because I'm bringing back your favorite peanuts from 6 00:00:25,320 --> 00:00:28,040 Speaker 1: our past shows for you new listeners out there. I'm 7 00:00:28,040 --> 00:00:30,040 Speaker 1: gonna introduce them to you. So we have Giggles del 8 00:00:30,080 --> 00:00:33,519 Speaker 1: Campo with us. Hi Giggles. Now, Giggles has been with 9 00:00:33,560 --> 00:00:36,839 Speaker 1: me for how many years now? Eighteen eighteen years? We 10 00:00:36,880 --> 00:00:40,920 Speaker 1: met in Vegas. Actually we met not here but there. Yeah. 11 00:00:40,920 --> 00:00:44,560 Speaker 1: You were working for a PR firm and which worked 12 00:00:44,560 --> 00:00:48,919 Speaker 1: with Insinct's Challenge for the Children. Yes, yeah, yeah, so 13 00:00:49,840 --> 00:00:52,239 Speaker 1: I met you through that firm and it was kind 14 00:00:52,240 --> 00:00:54,680 Speaker 1: of that perfect transition of I was looking for an 15 00:00:54,680 --> 00:00:56,960 Speaker 1: assistant at the time and you're like, I'd moved to 16 00:00:57,080 --> 00:00:59,840 Speaker 1: La and boom, eighteen years later, she's still here and 17 00:01:00,160 --> 00:01:04,480 Speaker 1: not my assistant anymore. No, she has graduated something more important. 18 00:01:04,880 --> 00:01:08,760 Speaker 1: She's the nanny, which I love, which at first you 19 00:01:09,000 --> 00:01:12,680 Speaker 1: did not think you were, no, because I like kids 20 00:01:12,720 --> 00:01:14,800 Speaker 1: that I know, but I'm not like my worst time 21 00:01:14,840 --> 00:01:16,240 Speaker 1: ever would be to work at a daycare. 22 00:01:16,440 --> 00:01:20,160 Speaker 2: Yeah, but I love your kids like they are my. 23 00:01:19,520 --> 00:01:20,680 Speaker 1: My heart the best. 24 00:01:20,840 --> 00:01:23,200 Speaker 2: I love you, so I love and they love my 25 00:01:23,319 --> 00:01:25,000 Speaker 2: dog I think more than anything on the morn. 26 00:01:25,240 --> 00:01:27,480 Speaker 1: Yeah no, no, no, not every dog I say is 27 00:01:27,480 --> 00:01:30,760 Speaker 1: no not no. No. They're so freaking cute, guys. I mean, 28 00:01:30,800 --> 00:01:32,760 Speaker 1: it's been a long time since we've done this podcast, 29 00:01:32,800 --> 00:01:36,080 Speaker 1: and I mean you have kids now, they're they're grown 30 00:01:36,240 --> 00:01:39,800 Speaker 1: children now. It's nuts. Yeah. But yeah, did you know 31 00:01:39,840 --> 00:01:42,800 Speaker 1: I worked at a daycare when I was young? No? Oh, yeah, 32 00:01:42,840 --> 00:01:45,080 Speaker 1: one of my first jobs, which is daycare. Uh huh, 33 00:01:45,600 --> 00:01:50,040 Speaker 1: I like it. I did. Yeah, it was fun. I think, 34 00:01:50,480 --> 00:01:53,040 Speaker 1: I don't know. I don't think fifteen year old should 35 00:01:53,040 --> 00:01:56,960 Speaker 1: really be responsible for it was anything. I was driving 36 00:01:56,960 --> 00:01:59,160 Speaker 1: a bus with all these children at fifteen years old. 37 00:01:59,280 --> 00:02:00,360 Speaker 2: Do you have a life since? 38 00:02:00,480 --> 00:02:03,560 Speaker 1: Yeah, Oh I got it at fifteen, So that was 39 00:02:03,640 --> 00:02:04,760 Speaker 1: I to think a little weird. 40 00:02:05,120 --> 00:02:08,399 Speaker 2: But I was babysitting at ten, so I think that's 41 00:02:08,400 --> 00:02:09,480 Speaker 2: just strange. Eighties. 42 00:02:10,160 --> 00:02:12,960 Speaker 1: Oh it was the nineties, but whatever, don't age me, 43 00:02:13,080 --> 00:02:14,880 Speaker 1: giggles age. 44 00:02:14,960 --> 00:02:16,959 Speaker 2: I was born in seventy eight, so what I don't 45 00:02:16,960 --> 00:02:18,400 Speaker 2: know how what year that was? 46 00:02:19,320 --> 00:02:20,919 Speaker 3: Oh, eighty eight, I was eighties. 47 00:02:20,919 --> 00:02:24,240 Speaker 1: F there we go. Also, Jay Dizzel is back with us. 48 00:02:24,400 --> 00:02:26,760 Speaker 1: Oh hello, you you actually did one of these shows 49 00:02:26,800 --> 00:02:28,800 Speaker 1: not too long ago. Yeah, one of the last shows. 50 00:02:28,800 --> 00:02:31,560 Speaker 1: Oh yeah, Robbie Williams. So yeah, there you go. Yeah, 51 00:02:31,560 --> 00:02:32,639 Speaker 1: so welcome back, Jay Dizznel. 52 00:02:32,680 --> 00:02:33,000 Speaker 3: Thanks. 53 00:02:33,600 --> 00:02:36,000 Speaker 1: I do want to you know, a lot of fans 54 00:02:36,040 --> 00:02:39,519 Speaker 1: out there of the show. They love your Reality round Up, Giggles, 55 00:02:40,120 --> 00:02:42,400 Speaker 1: and I think we need to give them a little 56 00:02:42,400 --> 00:02:44,400 Speaker 1: taste of your Reality round Up because I know so 57 00:02:44,480 --> 00:02:47,960 Speaker 1: much has happened for people that don't know. Giggles is 58 00:02:48,000 --> 00:02:50,160 Speaker 1: a huge reality fan, just like all of us too. 59 00:02:50,200 --> 00:02:53,600 Speaker 1: But Bravo, bravo. Yeah, so what are we into. I 60 00:02:53,639 --> 00:02:58,240 Speaker 1: haven't seen The Valley yet, which everyone's loving so good. 61 00:02:58,280 --> 00:03:01,400 Speaker 1: I can't believe. You know, the people Jackson Brittany are back. 62 00:03:02,360 --> 00:03:05,480 Speaker 2: Oh yeah, I mean, well Jackson's Jack's but he moves 63 00:03:05,520 --> 00:03:08,600 Speaker 2: the show while he's great TV terrible. 64 00:03:08,800 --> 00:03:11,440 Speaker 1: Yeah, great sound bites, great sound bites. Crazy you need 65 00:03:11,440 --> 00:03:13,120 Speaker 1: that kind of like La La, you know, La La 66 00:03:13,240 --> 00:03:15,960 Speaker 1: is just like okay, yeah, you'd be hard to be 67 00:03:16,000 --> 00:03:17,920 Speaker 1: friends with, but you're good television. 68 00:03:18,040 --> 00:03:22,120 Speaker 2: Well, you know, we went to uh Sheena's daughter's birthday 69 00:03:22,120 --> 00:03:23,600 Speaker 2: party with your children. 70 00:03:23,280 --> 00:03:26,240 Speaker 1: Because oh did we ever? Yeah, and it was like 71 00:03:26,280 --> 00:03:29,160 Speaker 1: a bravo, Okay, you have not explained the birthday party, 72 00:03:29,520 --> 00:03:31,360 Speaker 1: So what went down? Because I was out of town. 73 00:03:31,680 --> 00:03:36,760 Speaker 2: I mean, nothing really went down, but you I love Brock. 74 00:03:37,520 --> 00:03:41,840 Speaker 1: We bonded fantastic rock as Sheena's husband. Yes, New Zealand. 75 00:03:42,120 --> 00:03:46,520 Speaker 2: Yes, Yes, Sheena's really sweet. Brittany was Brittany was nice. 76 00:03:46,680 --> 00:03:47,480 Speaker 2: Michelle from the. 77 00:03:47,480 --> 00:03:50,520 Speaker 4: Valley and her daughter, Michelle's daughter. 78 00:03:51,040 --> 00:03:52,320 Speaker 2: Kind of a bully to your son? 79 00:03:52,560 --> 00:03:56,360 Speaker 1: What? Yes, her daughter bullied. He was trying to give 80 00:03:56,400 --> 00:03:56,760 Speaker 1: her a. 81 00:03:56,640 --> 00:03:59,400 Speaker 2: Cookie to put on her cookie pan and she was like. 82 00:03:59,640 --> 00:04:03,120 Speaker 4: No, he was definitely, he was definitely fascinated with her, 83 00:04:03,320 --> 00:04:06,160 Speaker 4: following her around. She was not having It's the type. 84 00:04:05,960 --> 00:04:08,400 Speaker 1: That would be an instigator too. You know, if someone's gonna, 85 00:04:08,960 --> 00:04:11,120 Speaker 1: you know, not play with him or something, he's gonna 86 00:04:11,160 --> 00:04:13,200 Speaker 1: stick next to her side and force them to play 87 00:04:13,200 --> 00:04:13,520 Speaker 1: with him. 88 00:04:13,560 --> 00:04:15,640 Speaker 2: Yes, but he was actually being really sweet and she 89 00:04:15,800 --> 00:04:16,720 Speaker 2: was not to him. 90 00:04:16,760 --> 00:04:20,440 Speaker 1: Oh sad. Yeah, we finally got the okay for for 91 00:04:20,640 --> 00:04:23,320 Speaker 1: people out there that have kids, you understand what it's 92 00:04:23,360 --> 00:04:25,520 Speaker 1: like when you have kids in preschool or any school 93 00:04:26,000 --> 00:04:29,320 Speaker 1: where they're just sick all the time and then they 94 00:04:29,360 --> 00:04:32,680 Speaker 1: pass you things and all right, so Panucci went through, 95 00:04:32,720 --> 00:04:35,719 Speaker 1: Oh sorry, I call my son Panucci. Uh did the 96 00:04:35,800 --> 00:04:37,000 Speaker 1: foot and mouth disease? 97 00:04:37,440 --> 00:04:37,640 Speaker 3: Yaw? 98 00:04:38,600 --> 00:04:40,960 Speaker 1: And I know every every teacher was like, look, you're 99 00:04:40,960 --> 00:04:43,560 Speaker 1: you're gonna get it, like it's gonna happen. Well it happened, 100 00:04:43,600 --> 00:04:45,320 Speaker 1: and the doctor said it was a ten out of ten. 101 00:04:45,640 --> 00:04:46,160 Speaker 1: It was. 102 00:04:48,279 --> 00:04:48,479 Speaker 4: Oh. 103 00:04:48,520 --> 00:04:50,760 Speaker 1: It looked like chicken pox all over his face, his 104 00:04:50,760 --> 00:04:53,320 Speaker 1: little fingers. He just lost a nail because it just 105 00:04:53,360 --> 00:04:54,680 Speaker 1: you know, had fallen off. 106 00:04:54,839 --> 00:04:57,839 Speaker 2: It's indoor playgrounds. It's not it's preschool too, but those 107 00:04:58,120 --> 00:04:59,280 Speaker 2: indoor playgrounds. 108 00:04:59,520 --> 00:05:02,719 Speaker 1: I think he at it from the zoo near Palm 109 00:05:02,720 --> 00:05:05,440 Speaker 1: Springs because the timing, because he was he was on 110 00:05:05,480 --> 00:05:08,599 Speaker 1: spring break, so what in school? But I think because 111 00:05:08,640 --> 00:05:12,120 Speaker 1: I saw him at the zoo licking every single cage 112 00:05:12,240 --> 00:05:16,599 Speaker 1: and window and I'm like, this is disgusting, This is disgusting. 113 00:05:16,800 --> 00:05:19,960 Speaker 1: He just loves to spit on his hand. He is 114 00:05:20,560 --> 00:05:23,960 Speaker 1: just a typical boy, gross boy. 115 00:05:24,160 --> 00:05:24,520 Speaker 4: I know him. 116 00:05:24,480 --> 00:05:26,040 Speaker 2: When I say something, he's like sorry. 117 00:05:26,360 --> 00:05:26,560 Speaker 1: Yeah. 118 00:05:27,080 --> 00:05:29,599 Speaker 4: Speaking speaking of Jack's Jackson's kid, did you see the 119 00:05:30,360 --> 00:05:32,719 Speaker 4: episode this last week with Jack's kid was licking the 120 00:05:32,880 --> 00:05:33,640 Speaker 4: licking the window. 121 00:05:35,839 --> 00:05:36,279 Speaker 3: Yeah? 122 00:05:36,320 --> 00:05:39,080 Speaker 2: And and La LA's daughter. I think had hand foot 123 00:05:39,160 --> 00:05:41,839 Speaker 2: mouthed like right before him. We heard at the party. 124 00:05:41,839 --> 00:05:44,000 Speaker 2: But yeah, that place is a peach. 125 00:05:44,160 --> 00:05:51,240 Speaker 1: Just speaking of Jack's and birthdays, the cake falling, the 126 00:05:51,400 --> 00:05:53,880 Speaker 1: poor little kid out his beautiful cake, and then all 127 00:05:53,880 --> 00:05:56,320 Speaker 1: of a sudden, the table just falls down, the cake 128 00:05:56,600 --> 00:05:57,120 Speaker 1: just hits it. 129 00:05:57,200 --> 00:05:59,240 Speaker 4: I think we should be careful considering you're probably going 130 00:05:59,320 --> 00:06:00,560 Speaker 4: to have at some point. 131 00:06:00,600 --> 00:06:03,280 Speaker 1: That's okay, Now, I'm good. Oh yeah, it's my birthday week. 132 00:06:03,320 --> 00:06:06,240 Speaker 1: It's my birthday month basically, yes, because it was a 133 00:06:06,240 --> 00:06:08,400 Speaker 1: week ago, but we came up here to really have 134 00:06:08,480 --> 00:06:12,240 Speaker 1: a fun time. Got Jac they with us today, we're 135 00:06:12,240 --> 00:06:14,800 Speaker 1: gonna catch up with him, and yeah, it's just a 136 00:06:14,839 --> 00:06:19,520 Speaker 1: prolonged birthday weekend. We have about forty to fifty gays 137 00:06:19,640 --> 00:06:23,560 Speaker 1: here and they're about to tear the town up. It's 138 00:06:23,560 --> 00:06:25,760 Speaker 1: gonna be crazy, all right, give us a couple more 139 00:06:25,760 --> 00:06:27,440 Speaker 1: shows before we take a little break and bring jac 140 00:06:27,600 --> 00:06:31,200 Speaker 1: on for reality round Up? What else? Because I am 141 00:06:31,640 --> 00:06:33,960 Speaker 1: I'm finally caught up to the circle. And for people 142 00:06:33,960 --> 00:06:36,240 Speaker 1: that don't know, Giggles was on the Circle. She played 143 00:06:36,279 --> 00:06:38,440 Speaker 1: me on the Circle because you can catfish people. It's 144 00:06:38,440 --> 00:06:43,240 Speaker 1: a social media reality show. It is mindless television. But 145 00:06:43,520 --> 00:06:45,599 Speaker 1: so good to go to sleep too, because now that 146 00:06:45,640 --> 00:06:48,560 Speaker 1: I don't have much time to watch TV, I like 147 00:06:48,640 --> 00:06:50,560 Speaker 1: to go to sleep with it on. And it's a 148 00:06:50,600 --> 00:06:52,320 Speaker 1: show that you can close your eyes and just listen to. 149 00:06:52,440 --> 00:06:54,679 Speaker 1: It's like radio because you don't have to see the people, 150 00:06:54,680 --> 00:06:57,039 Speaker 1: you just hear their voices. So I'm caught up with 151 00:06:57,080 --> 00:07:00,800 Speaker 1: now season six. What are you thinking of like the 152 00:07:00,839 --> 00:07:03,039 Speaker 1: latest seasons, because now they're back, they're in Atlanta, now 153 00:07:03,080 --> 00:07:04,400 Speaker 1: they're not shooting in England, and I. 154 00:07:04,400 --> 00:07:06,800 Speaker 2: Know it was so great in Mantester. I have not 155 00:07:07,080 --> 00:07:09,720 Speaker 2: seen this latest season, which I need to watch tonight, 156 00:07:10,880 --> 00:07:14,679 Speaker 2: but I love it. Like I hear there's Ai and Ai. 157 00:07:15,120 --> 00:07:18,880 Speaker 1: That was interesting. Yeah, this was. It's kind of eerie 158 00:07:19,040 --> 00:07:21,520 Speaker 1: how this works. So on the show, you can come 159 00:07:21,520 --> 00:07:23,920 Speaker 1: in as yourself. You come in as a catfish. You know. 160 00:07:24,000 --> 00:07:26,320 Speaker 1: The Spice girls were on it two seasons ago playing 161 00:07:26,440 --> 00:07:30,240 Speaker 1: some dude. Yeah you were playing me, which no one 162 00:07:30,280 --> 00:07:35,760 Speaker 1: believed at all. And yeah, so there's this season. It 163 00:07:35,880 --> 00:07:39,400 Speaker 1: was so interesting because they put an AI, a computer 164 00:07:39,600 --> 00:07:40,600 Speaker 1: into the circle. 165 00:07:40,760 --> 00:07:41,640 Speaker 3: Was it a boy or a girl? 166 00:07:41,680 --> 00:07:44,400 Speaker 1: It was a boy and it was just this machine. 167 00:07:44,480 --> 00:07:46,040 Speaker 1: And so when they go to the confessionals. It's just 168 00:07:46,040 --> 00:07:48,680 Speaker 1: showing this machine and he's talking, and the only thing 169 00:07:48,720 --> 00:07:51,560 Speaker 1: that it could work off was the text messages that 170 00:07:51,560 --> 00:07:56,400 Speaker 1: people were sending within the circle eerie how this works. 171 00:07:57,080 --> 00:08:00,480 Speaker 1: He fooled every single person, every single person, like, there's 172 00:08:00,520 --> 00:08:03,080 Speaker 1: no way that that person's the AI because they found 173 00:08:03,080 --> 00:08:05,600 Speaker 1: out that there's someone AI. Oh yeah, they finally told 174 00:08:05,640 --> 00:08:08,560 Speaker 1: him there's a one there's an AI screen in it, 175 00:08:09,200 --> 00:08:13,080 Speaker 1: and not one person figured it out because they said 176 00:08:13,080 --> 00:08:15,480 Speaker 1: that was the least likely that it would be AI. 177 00:08:16,040 --> 00:08:16,400 Speaker 3: Wow. 178 00:08:16,560 --> 00:08:19,360 Speaker 1: And just the way that he was presenting, like Okay, 179 00:08:19,440 --> 00:08:21,480 Speaker 1: I'm going to do this because you know, da da 180 00:08:21,560 --> 00:08:23,960 Speaker 1: da da da. Like psychologically he's going to think that 181 00:08:23,960 --> 00:08:28,880 Speaker 1: it's nuts. We are about to go through some crazy AI. 182 00:08:29,440 --> 00:08:30,600 Speaker 1: My worry is. 183 00:08:31,440 --> 00:08:33,280 Speaker 2: If they're we're not going to be needed and they're 184 00:08:33,280 --> 00:08:34,040 Speaker 2: going to kill us. 185 00:08:34,160 --> 00:08:36,440 Speaker 1: No, well I don't know if they're going to kill us, 186 00:08:36,480 --> 00:08:36,920 Speaker 1: but uh. 187 00:08:37,240 --> 00:08:39,160 Speaker 4: She might not be the person to talk about AI 188 00:08:39,280 --> 00:08:40,960 Speaker 4: hand to expert. 189 00:08:41,000 --> 00:08:45,400 Speaker 1: Well this is interesting as such an interesting uh subject, 190 00:08:45,400 --> 00:08:47,599 Speaker 1: you know now, especially for entertainers. So I'm glad j 191 00:08:47,720 --> 00:08:50,920 Speaker 1: C's here because as a songwriter, you know, AI is 192 00:08:50,960 --> 00:08:53,800 Speaker 1: like writing songs now and it's you know, like our 193 00:08:53,840 --> 00:08:57,080 Speaker 1: songwriters are I mean scared for but they don't. 194 00:08:56,880 --> 00:08:59,719 Speaker 2: Have emotion like you know, like it can write you 195 00:08:59,760 --> 00:09:02,320 Speaker 2: a but there's no emotion in it. You have to 196 00:09:02,400 --> 00:09:03,199 Speaker 2: like fill it in. 197 00:09:03,280 --> 00:09:05,680 Speaker 1: And the same thing with film industry, you know, now 198 00:09:05,760 --> 00:09:08,200 Speaker 1: the sad contract has it where that you know, a 199 00:09:08,320 --> 00:09:10,920 Speaker 1: I cannot replace them for now. I mean, who knows 200 00:09:10,920 --> 00:09:13,400 Speaker 1: when that's gonna change. But yeah, we're we're going to 201 00:09:13,480 --> 00:09:17,240 Speaker 1: a completely weird territory comm right now. Yeah, it is 202 00:09:17,320 --> 00:09:20,079 Speaker 1: black mirror. We're living black mirror right now. Ye. Well, 203 00:09:20,240 --> 00:09:23,080 Speaker 1: on that fun note, let's take a little break and uh, 204 00:09:23,480 --> 00:09:26,000 Speaker 1: let's scare you later. All right, we're gonna have Jac 205 00:09:26,160 --> 00:09:40,880 Speaker 1: here in just a few minutes. Don't go anywhere. Welcome 206 00:09:40,880 --> 00:09:43,960 Speaker 1: back to Frosted Tips. All right, it's Lance here. Obviously 207 00:09:44,000 --> 00:09:47,880 Speaker 1: we got Giggles Dell Campo with us. Oh hi, and 208 00:09:48,000 --> 00:09:51,000 Speaker 1: right now we got the man of the hour, J C. Chase. 209 00:09:51,480 --> 00:09:52,080 Speaker 1: Welcome to you. 210 00:09:52,120 --> 00:09:54,040 Speaker 3: No one wants to share a microphone with me? 211 00:09:54,240 --> 00:09:56,800 Speaker 1: Well, well it's you know, it's a COVID world these days, 212 00:09:56,800 --> 00:09:57,920 Speaker 1: and you're just dirty, but. 213 00:09:57,840 --> 00:09:59,240 Speaker 3: You're sharing what's up? 214 00:09:59,600 --> 00:10:02,120 Speaker 1: Well, Well, we are in Las Vegas doing a fun 215 00:10:02,200 --> 00:10:04,960 Speaker 1: for US's Tips special because it has been my birthday 216 00:10:05,040 --> 00:10:08,000 Speaker 1: for about five years now and we continued it here 217 00:10:08,040 --> 00:10:10,600 Speaker 1: in Vegas with some friends. We want to invite Sea 218 00:10:10,679 --> 00:10:13,200 Speaker 1: up to catch up with him. When was the last 219 00:10:13,200 --> 00:10:14,080 Speaker 1: time you were in Vegas? 220 00:10:14,880 --> 00:10:19,160 Speaker 3: It's literally been years, like no years, years, right, Yeah, 221 00:10:19,240 --> 00:10:19,840 Speaker 3: you haven't. 222 00:10:19,600 --> 00:10:21,960 Speaker 1: Been here in years years? Why do you hate Vegas? 223 00:10:22,000 --> 00:10:24,520 Speaker 3: I don't hate Vegas. It just sounds like unless there's 224 00:10:24,559 --> 00:10:28,000 Speaker 3: like a reason, like a real reason, It's like I don't. 225 00:10:28,000 --> 00:10:29,280 Speaker 3: I'm not a party boy anymore. 226 00:10:29,400 --> 00:10:33,679 Speaker 1: You know, neither neither am I look my Yeah. 227 00:10:33,559 --> 00:10:36,679 Speaker 3: Your birthday last a month. I'm not a party boy. 228 00:10:36,880 --> 00:10:40,880 Speaker 1: But it's more, you know, dinners and shows these days. 229 00:10:41,200 --> 00:10:43,640 Speaker 1: I lived in Vegas in my twenties and it was 230 00:10:43,760 --> 00:10:47,480 Speaker 1: crazy at geggles did too, But now in my forties, 231 00:10:47,679 --> 00:10:50,320 Speaker 1: I love it. It is the best restaurants in the world. 232 00:10:50,400 --> 00:10:54,400 Speaker 1: This is the flagship of every major chef. The entertainment 233 00:10:54,559 --> 00:10:58,559 Speaker 1: is top notch right now. Everyone has these incredible residencies. 234 00:10:58,640 --> 00:11:01,880 Speaker 1: Got God Ultiman, you know it. Everyone is Herej's in 235 00:11:01,880 --> 00:11:06,000 Speaker 1: the world. Kaigo is spinning tonight or tomorrow at the 236 00:11:06,000 --> 00:11:11,000 Speaker 1: birthday party. But yeah, I mean I Vegas these days 237 00:11:11,120 --> 00:11:12,960 Speaker 1: I just love so much more than I did in 238 00:11:13,000 --> 00:11:15,680 Speaker 1: my younger years, because I don't I don't do the 239 00:11:16,200 --> 00:11:19,280 Speaker 1: yeah wee hours of the morning getting wasted. 240 00:11:19,559 --> 00:11:20,040 Speaker 3: We'll see. 241 00:11:20,160 --> 00:11:22,840 Speaker 1: Yeah, well okay, well it is not that's my weekend. 242 00:11:23,160 --> 00:11:27,440 Speaker 3: Everybody's saying, it's Lance's birthday party. If you dip out 243 00:11:27,440 --> 00:11:30,199 Speaker 3: at like ten o'clock, it's a bad look. 244 00:11:30,480 --> 00:11:32,680 Speaker 1: Do you have any fond memories of Vegas because we've 245 00:11:32,720 --> 00:11:34,040 Speaker 1: we've performed here a good bit. 246 00:11:34,360 --> 00:11:38,240 Speaker 3: Yeah. I mean, look but by the way, my brother's 247 00:11:38,240 --> 00:11:40,760 Speaker 3: twenty first birthday we did here. So like little stuff 248 00:11:40,760 --> 00:11:43,880 Speaker 3: like that. You know. Again, that's what's great about this city, 249 00:11:43,960 --> 00:11:47,640 Speaker 3: you know it. It has a way of kind of 250 00:11:47,679 --> 00:11:52,240 Speaker 3: creeping into everyone's life at one time or another and 251 00:11:52,800 --> 00:11:53,800 Speaker 3: creating a memory. 252 00:11:54,120 --> 00:11:57,079 Speaker 1: So, yeah, I remember one show we did. I think 253 00:11:57,080 --> 00:11:59,000 Speaker 1: it was the Pop Odyssey Tour because it was outdoors, 254 00:11:59,040 --> 00:12:00,360 Speaker 1: so it must have been our stadium. 255 00:12:00,120 --> 00:12:03,719 Speaker 3: To trillion degrees outside, yeah, trillion degrees out. 256 00:12:03,880 --> 00:12:05,880 Speaker 1: I literally think it was one hundred and ten that day. 257 00:12:06,000 --> 00:12:08,600 Speaker 3: Yeah, and I was off the tarmac. It was even 258 00:12:08,600 --> 00:12:11,000 Speaker 3: hotter than that, right, Like they kept saying like, don't 259 00:12:11,040 --> 00:12:14,040 Speaker 3: go near the asphalt because it's making it even hotter. 260 00:12:14,160 --> 00:12:17,600 Speaker 2: And you're like, do you like when you tour. You guys, 261 00:12:17,640 --> 00:12:20,120 Speaker 2: are you as a band, We're probably too busy. But 262 00:12:20,240 --> 00:12:23,720 Speaker 2: like if I was like a router or to tour manager, 263 00:12:23,720 --> 00:12:26,079 Speaker 2: I don't know, I would be like, let's do Vegas 264 00:12:26,080 --> 00:12:26,559 Speaker 2: in March. 265 00:12:27,400 --> 00:12:29,800 Speaker 1: Like I guess it wasn't a I mean it was 266 00:12:29,840 --> 00:12:30,520 Speaker 1: a summer tour. 267 00:12:30,679 --> 00:12:33,480 Speaker 3: Yeah, it's a summer tour. And it's also about like again, 268 00:12:33,760 --> 00:12:36,240 Speaker 3: just getting from A to B, Like, how do you 269 00:12:36,240 --> 00:12:38,680 Speaker 3: want your drives to be? Yeah, you know, how many 270 00:12:38,720 --> 00:12:40,959 Speaker 3: long drives do you want to have? You trying to 271 00:12:41,040 --> 00:12:44,120 Speaker 3: keep those, you know, kind of to a minimum. Otherwise, 272 00:12:45,000 --> 00:12:47,880 Speaker 3: travel wears your body down as much as anything else. 273 00:12:47,960 --> 00:12:50,880 Speaker 1: So yeah, all right, since we are in Vegas and 274 00:12:50,920 --> 00:12:53,880 Speaker 1: it is I guess entertainment capital of the world. I 275 00:12:53,880 --> 00:12:55,439 Speaker 1: mean La used to be, but I feel like, I 276 00:12:55,480 --> 00:12:57,680 Speaker 1: don't know, people don't perform there as much like you 277 00:12:57,679 --> 00:13:01,000 Speaker 1: come to Vegas and New York like see entertainers. I'm 278 00:13:01,040 --> 00:13:03,080 Speaker 1: gonna give you three options. Who are you gonna go see? 279 00:13:03,160 --> 00:13:06,880 Speaker 1: If you had tickets tonight would have been Lady Gaga, 280 00:13:07,400 --> 00:13:12,280 Speaker 1: Shania Twain or Elton John Elton, Elton, I go, You're 281 00:13:12,320 --> 00:13:15,080 Speaker 1: friends with Elton, So okay, let me replace bias. Yeah, 282 00:13:15,080 --> 00:13:18,320 Speaker 1: you're biased, Donnie and Marie. Oh no, he went and 283 00:13:18,360 --> 00:13:22,719 Speaker 1: to Garth, Donnie and Marie Gaga. Okay, yeah, y'all saw 284 00:13:22,760 --> 00:13:24,800 Speaker 1: because Gaga has two shows. She has the pop show 285 00:13:24,840 --> 00:13:27,240 Speaker 1: and she has a jazz show. I went to the 286 00:13:27,320 --> 00:13:29,040 Speaker 1: Jazz show, and I would say it's my one of 287 00:13:29,040 --> 00:13:31,240 Speaker 1: my top three shows I've ever seen in my entire life. 288 00:13:31,280 --> 00:13:35,280 Speaker 3: She's a superstar man, She's a crazy talent. 289 00:13:35,200 --> 00:13:38,880 Speaker 1: So yeah, incredible, and she plays this character like she's 290 00:13:38,960 --> 00:13:41,000 Speaker 1: funny and I don't know, it's just it was so 291 00:13:41,200 --> 00:13:45,200 Speaker 1: entertaining and I just wasn't expecting it because I if I, 292 00:13:45,200 --> 00:13:46,640 Speaker 1: if I had my choice, I'm like, I want to 293 00:13:46,640 --> 00:13:48,360 Speaker 1: see the pop one, but you know, she just happened 294 00:13:48,400 --> 00:13:50,080 Speaker 1: to be doing the jazz one when I was here. Yeah, 295 00:13:50,440 --> 00:13:52,320 Speaker 1: and I may just floored me. 296 00:13:52,679 --> 00:13:54,800 Speaker 3: I haven't seen it, but everybody that I've talked to 297 00:13:54,920 --> 00:13:58,120 Speaker 3: that's seen it said they're like, there's a different kind 298 00:13:58,160 --> 00:13:58,800 Speaker 3: of connection. 299 00:13:59,559 --> 00:14:02,079 Speaker 1: And I think that's what you're talking as a connection. Yeah, 300 00:14:02,120 --> 00:14:04,439 Speaker 1: one hundred percent. And you know, a lot of older 301 00:14:04,440 --> 00:14:07,560 Speaker 1: people in the audience, but just yeah, it was just 302 00:14:07,600 --> 00:14:11,560 Speaker 1: a beautiful. She had so many beautiful moments, just deep. 303 00:14:11,800 --> 00:14:13,920 Speaker 1: It was, Yeah, I need to go back and see that. 304 00:14:13,960 --> 00:14:15,040 Speaker 1: I think she's coming back soon. 305 00:14:15,440 --> 00:14:17,760 Speaker 3: She might be busy being a movie star now. 306 00:14:18,000 --> 00:14:21,360 Speaker 1: Yeah, but she always likes to come back and you know, 307 00:14:21,440 --> 00:14:25,480 Speaker 1: do these things. Yeah, well, people don't know that I 308 00:14:25,520 --> 00:14:28,640 Speaker 1: actually have plaxoriasis. This I did not know. Yeah, yeah, 309 00:14:28,680 --> 00:14:31,360 Speaker 1: I don't. I mean obviously it's not a conversation that 310 00:14:31,400 --> 00:14:33,120 Speaker 1: I usually you don't have with people. So have you 311 00:14:33,120 --> 00:14:35,000 Speaker 1: gotten like spots or anything like? Yeah, I mean I 312 00:14:35,080 --> 00:14:36,520 Speaker 1: used to do. Good thing is like a lot of 313 00:14:36,560 --> 00:14:38,680 Speaker 1: it's in remission, but I'd always get it on my legs, 314 00:14:38,760 --> 00:14:42,040 Speaker 1: especially my knees, and so like when you're trying to 315 00:14:42,040 --> 00:14:44,120 Speaker 1: wear shorts and stuff. That's why I would never wear shorts. 316 00:14:44,400 --> 00:14:46,760 Speaker 5: Yeah, well, you know what, I used to have some 317 00:14:46,760 --> 00:14:48,680 Speaker 5: some things that I wanted to cover up as well. 318 00:14:48,720 --> 00:14:50,040 Speaker 1: It wasn't plackoriasis. 319 00:14:50,080 --> 00:14:52,640 Speaker 5: But yeah, I mean I think anytime you're trying to 320 00:14:52,640 --> 00:14:56,160 Speaker 5: put together a look, you're always working around certain things. 321 00:14:56,200 --> 00:15:00,280 Speaker 5: But so wait, but now you do wear shorts now, No. 322 00:15:00,400 --> 00:15:02,280 Speaker 1: I still it's you know, it's I don't know, it's 323 00:15:02,280 --> 00:15:04,520 Speaker 1: it's built into my DNA and not to even wear shorts. 324 00:15:04,520 --> 00:15:06,360 Speaker 1: And even though like you can barely. 325 00:15:06,040 --> 00:15:07,920 Speaker 5: Sometimes when you're having like a little pool day. 326 00:15:07,960 --> 00:15:09,640 Speaker 1: But okay, I get what you're so, yeah, you know, 327 00:15:09,880 --> 00:15:12,280 Speaker 1: but yeah, I would use all these different creams to help, 328 00:15:12,360 --> 00:15:13,880 Speaker 1: you know, and it would help for a while, but 329 00:15:13,960 --> 00:15:15,840 Speaker 1: then it would get on my clothes and then you know, 330 00:15:15,880 --> 00:15:18,600 Speaker 1: I'm not gonna mess up my gucci, my gucci. Uh uh. 331 00:15:19,200 --> 00:15:21,000 Speaker 1: And I know a lot of people out there, you know, 332 00:15:21,040 --> 00:15:23,640 Speaker 1: suffer from this, and uh, just know you're not alone. 333 00:15:23,920 --> 00:15:26,600 Speaker 1: You're not alone. I'm there with you, guys, there with you, 334 00:15:27,200 --> 00:15:29,640 Speaker 1: so you know, I I'm so glad that has let 335 00:15:29,720 --> 00:15:32,120 Speaker 1: us do this whole special with JC and uh, you know, 336 00:15:32,160 --> 00:15:34,480 Speaker 1: it's it's it's always fun to work with those guys. Okay, 337 00:15:34,520 --> 00:15:36,640 Speaker 1: So now that I have you and we can talk 338 00:15:36,720 --> 00:15:41,800 Speaker 1: about it, let's talk about better Place, okay, because we're 339 00:15:41,800 --> 00:15:44,600 Speaker 1: for so long could not mentioned the song. The strike 340 00:15:44,760 --> 00:15:46,680 Speaker 1: really kind of killed a lot of things we were 341 00:15:46,720 --> 00:15:50,440 Speaker 1: gonna do with it, but better Place patrols. What did 342 00:15:50,480 --> 00:15:53,240 Speaker 1: you think about getting back together when you first got 343 00:15:53,240 --> 00:15:55,600 Speaker 1: that call, like, hey, maybe we should do a song for. 344 00:15:55,560 --> 00:16:01,280 Speaker 3: The HOOI It was interesting because uh, Justin and I 345 00:16:01,320 --> 00:16:03,560 Speaker 3: had already actually been in the studio messing around with 346 00:16:03,640 --> 00:16:04,320 Speaker 3: other ideas. 347 00:16:04,480 --> 00:16:05,680 Speaker 1: Really, you didn't know this. 348 00:16:06,080 --> 00:16:11,080 Speaker 6: Yeah, and uh spoiler alert, I mean, do I get 349 00:16:11,080 --> 00:16:16,320 Speaker 6: to hear these these songs? 350 00:16:16,360 --> 00:16:19,360 Speaker 3: And so we had been just kind of chatting loosely 351 00:16:20,160 --> 00:16:24,360 Speaker 3: about different things, and then you know, we had you know, 352 00:16:24,520 --> 00:16:26,520 Speaker 3: popped in, did a did a little bit of this, 353 00:16:26,560 --> 00:16:28,080 Speaker 3: a little bit of that, and then kind of dipped 354 00:16:28,120 --> 00:16:29,680 Speaker 3: out and then popped in, did a little bit of this, 355 00:16:29,720 --> 00:16:31,200 Speaker 3: a little bit of that, and then dipped out. And 356 00:16:31,240 --> 00:16:33,280 Speaker 3: then he hit me up and he's like, I want 357 00:16:33,280 --> 00:16:34,600 Speaker 3: you to come by the studio because I want to 358 00:16:34,600 --> 00:16:35,080 Speaker 3: talk to you. 359 00:16:35,120 --> 00:16:37,640 Speaker 1: And I was like, okay, And it sounds like like 360 00:16:37,720 --> 00:16:39,400 Speaker 1: a parent, like. 361 00:16:39,560 --> 00:16:40,960 Speaker 3: Any kind of way he's just but you know, he 362 00:16:41,080 --> 00:16:42,840 Speaker 3: just wanted to kind of we need to talk to 363 00:16:43,200 --> 00:16:45,240 Speaker 3: Rap a little bit. And then he's just like, I 364 00:16:45,280 --> 00:16:49,720 Speaker 3: think there's a great way to kind of, you know, 365 00:16:51,200 --> 00:16:53,640 Speaker 3: have us all hop on something and not have the 366 00:16:53,680 --> 00:16:59,000 Speaker 3: pressure of having to launch something because you know, look, 367 00:16:59,560 --> 00:17:02,560 Speaker 3: he been working for on his record for years, so 368 00:17:02,600 --> 00:17:05,440 Speaker 3: it's not like you can you can't like fake anybody 369 00:17:05,480 --> 00:17:07,920 Speaker 3: out and you can't you know, set anybody up. So 370 00:17:08,000 --> 00:17:11,520 Speaker 3: it's just like, you know, you can't really create a 371 00:17:11,640 --> 00:17:14,160 Speaker 3: first single if you're not going to back it up, right. 372 00:17:14,640 --> 00:17:17,040 Speaker 3: So the thinking was like, hey man, we can do 373 00:17:17,080 --> 00:17:19,720 Speaker 3: something together and we don't, and we can you know, 374 00:17:19,800 --> 00:17:22,639 Speaker 3: give our fans something that's a lot of fun, but 375 00:17:22,720 --> 00:17:26,520 Speaker 3: we don't have to, you know, uh, mislead anybody with it. 376 00:17:27,520 --> 00:17:30,160 Speaker 3: And so look, I thought it was a great idea. Look, 377 00:17:30,200 --> 00:17:32,199 Speaker 3: all you guys are parents now, right, Like I'm the 378 00:17:32,200 --> 00:17:33,600 Speaker 3: only one that doesn't have kids, so. 379 00:17:33,960 --> 00:17:39,239 Speaker 6: Lucky, right, Well, Joey's kids are grown, right, Like, well 380 00:17:39,240 --> 00:17:41,000 Speaker 6: I have two, so I mean, if you won't to 381 00:17:41,040 --> 00:17:42,240 Speaker 6: borrow one at a time. 382 00:17:43,400 --> 00:17:45,720 Speaker 3: But I thought it was like the total one of 383 00:17:45,760 --> 00:17:48,880 Speaker 3: the most appropriate things we could do, right, So he's 384 00:17:48,960 --> 00:17:51,720 Speaker 3: just like, uh from that point that, I mean, the 385 00:17:51,760 --> 00:17:54,159 Speaker 3: conversation was like I've been thinking this is kind of 386 00:17:54,160 --> 00:17:56,399 Speaker 3: a great way to introduce it. And I was like, well, 387 00:17:56,480 --> 00:17:58,080 Speaker 3: let's hear it. And he played the song and he's like, 388 00:17:58,320 --> 00:18:00,159 Speaker 3: let's just go in and get on it. And so 389 00:18:00,560 --> 00:18:02,600 Speaker 3: it was like all right, you know, because we didn't 390 00:18:02,600 --> 00:18:05,879 Speaker 3: want to, you know, make any call anybody else and 391 00:18:06,200 --> 00:18:10,359 Speaker 3: make any guarantees until we felt like it could be 392 00:18:10,480 --> 00:18:14,119 Speaker 3: the right thing. And uh, and so I went in 393 00:18:14,160 --> 00:18:16,800 Speaker 3: and popped in and laid the vocal down and then 394 00:18:16,840 --> 00:18:19,480 Speaker 3: it was just kind of like, Okay, you know it, 395 00:18:19,480 --> 00:18:22,560 Speaker 3: it sounds like it could work. And then it was like, well, 396 00:18:22,600 --> 00:18:24,960 Speaker 3: let's let's just try it and see. And then it 397 00:18:25,040 --> 00:18:27,800 Speaker 3: was like a matter of you know, when everybody kind 398 00:18:27,800 --> 00:18:29,680 Speaker 3: of got the call, it was kind of like we 399 00:18:29,760 --> 00:18:32,800 Speaker 3: still I mean, we felt like we could do it, 400 00:18:32,840 --> 00:18:35,280 Speaker 3: but you just never know until you hear it done right, 401 00:18:35,359 --> 00:18:38,080 Speaker 3: Like you have to make sure you know, you don't. 402 00:18:38,720 --> 00:18:42,439 Speaker 3: It's like everything that we've ever done, it's my whole 403 00:18:42,480 --> 00:18:47,840 Speaker 3: philosophy has been protect the brand, Protect the brand. It's 404 00:18:47,840 --> 00:18:51,600 Speaker 3: got to be a quality, you know, that that we 405 00:18:51,720 --> 00:18:54,760 Speaker 3: bring to the table. And because that's what we cared 406 00:18:54,800 --> 00:18:59,360 Speaker 3: about all those years, it was so important the quality. Yeah, 407 00:18:59,400 --> 00:19:04,639 Speaker 3: and and and so you know, having the movie step 408 00:19:04,680 --> 00:19:07,760 Speaker 3: in and really have our backs, so we weren't just 409 00:19:08,119 --> 00:19:11,639 Speaker 3: out there by ourselves. We had, you know, Justin's whole team, 410 00:19:12,160 --> 00:19:16,280 Speaker 3: We had the whole movie company really there for us. 411 00:19:16,400 --> 00:19:18,239 Speaker 3: I thought it was a great way to kind of 412 00:19:18,520 --> 00:19:21,200 Speaker 3: get back in in a comfortable way. 413 00:19:21,400 --> 00:19:23,240 Speaker 1: You know. It was great for my cases. They are 414 00:19:23,280 --> 00:19:25,359 Speaker 1: the perfect age patrols. I didn't even think that they 415 00:19:25,359 --> 00:19:28,040 Speaker 1: would be old enough really, but then we started, you know, 416 00:19:28,119 --> 00:19:29,879 Speaker 1: since we've recorded the song, like well you gotta you 417 00:19:29,880 --> 00:19:31,800 Speaker 1: gotta watch the first one and the second one. You know, 418 00:19:31,800 --> 00:19:32,520 Speaker 1: I gotta get. 419 00:19:32,440 --> 00:19:36,040 Speaker 3: All my friends that have kids and my brothers kids. 420 00:19:36,280 --> 00:19:36,439 Speaker 1: You know. 421 00:19:36,480 --> 00:19:38,960 Speaker 3: It was just like they were on it right away. 422 00:19:39,240 --> 00:19:43,240 Speaker 2: So did so when you went in to talk to 423 00:19:43,280 --> 00:19:45,600 Speaker 2: them about the song? Did you record that day? 424 00:19:45,840 --> 00:19:47,400 Speaker 3: Yeah? Wow, I see. 425 00:19:47,440 --> 00:19:49,399 Speaker 2: But I like that. I like it's like it's like, 426 00:19:49,600 --> 00:19:50,159 Speaker 2: let's just do it. 427 00:19:50,320 --> 00:19:52,720 Speaker 3: Well, let's just try it right like that, that's the 428 00:19:52,760 --> 00:19:53,680 Speaker 3: whole thing. Just try it. 429 00:19:53,800 --> 00:19:55,640 Speaker 1: You always go back and re record things, but yeah, 430 00:19:55,640 --> 00:19:56,399 Speaker 1: it's just kind of fun of it. 431 00:19:56,440 --> 00:19:58,680 Speaker 3: We'll just go, you know what, this isn't the one. 432 00:19:58,760 --> 00:20:02,439 Speaker 3: Let's you know what, maybe maybe the next opportunity, you know, 433 00:20:02,720 --> 00:20:05,080 Speaker 3: maybe there's another song out there or you know, so 434 00:20:05,160 --> 00:20:07,800 Speaker 3: it's just a matter of the right thing at the 435 00:20:07,880 --> 00:20:08,399 Speaker 3: right time. 436 00:20:08,800 --> 00:20:11,440 Speaker 1: Have you ever as a songwriter? Have you ever gone 437 00:20:11,480 --> 00:20:13,680 Speaker 1: in to record a song and then halfway through you're like, 438 00:20:13,680 --> 00:20:15,639 Speaker 1: you know what, this isn't right. Then you're just gonna stop. 439 00:20:15,680 --> 00:20:18,040 Speaker 3: Oh yeah, I mean that's part of the writing process, 440 00:20:18,119 --> 00:20:20,440 Speaker 3: you know. I'm one of those I don't wait until 441 00:20:20,480 --> 00:20:23,040 Speaker 3: the song is totally written to lay it down. I'm 442 00:20:23,040 --> 00:20:26,480 Speaker 3: always laying down scratch vocals throughout the process. While I'm 443 00:20:26,480 --> 00:20:29,040 Speaker 3: working on a section. Sometimes it's best to go in 444 00:20:29,119 --> 00:20:31,919 Speaker 3: and hear it. That way, you can hear it sooner 445 00:20:31,960 --> 00:20:34,320 Speaker 3: than later. If it's working, you know, it's like you 446 00:20:34,359 --> 00:20:37,440 Speaker 3: can lay down a verse and go, that's not feeling right. 447 00:20:37,720 --> 00:20:40,159 Speaker 3: We need to rework something here, you know, instead of 448 00:20:40,160 --> 00:20:41,600 Speaker 3: waiting to get the verse and then the pre and 449 00:20:41,640 --> 00:20:44,000 Speaker 3: then the chorus and then da da, work work on 450 00:20:44,040 --> 00:20:46,240 Speaker 3: it a piece at a time. And you know, at 451 00:20:46,359 --> 00:20:49,679 Speaker 3: least that's been my process for I would say most songs, 452 00:20:49,720 --> 00:20:50,560 Speaker 3: not all songs. 453 00:20:50,280 --> 00:20:53,520 Speaker 2: But most songs are you because I know Lance gets 454 00:20:53,560 --> 00:20:58,080 Speaker 2: surprised about this. Are you surprised the love of your 455 00:20:58,119 --> 00:21:01,440 Speaker 2: fans is still like the demand for you guys to 456 00:21:01,480 --> 00:21:04,359 Speaker 2: get back together is still so high? Is that surprising 457 00:21:04,400 --> 00:21:05,480 Speaker 2: to you? 458 00:21:05,480 --> 00:21:10,200 Speaker 3: You know? I don't. I almost don't understand it myself, 459 00:21:10,240 --> 00:21:12,119 Speaker 3: Like I can't get my head around it, you know, 460 00:21:13,800 --> 00:21:16,639 Speaker 3: I just look, I just like making things, and the 461 00:21:16,680 --> 00:21:19,280 Speaker 3: fact that anybody ever showed up in the first place 462 00:21:19,359 --> 00:21:23,200 Speaker 3: blows my mind. So it's like, I don't take any 463 00:21:23,200 --> 00:21:26,320 Speaker 3: of it for granted. I am beyond thankful when somebody 464 00:21:26,480 --> 00:21:29,840 Speaker 3: go takes the time and the energy to check out 465 00:21:29,840 --> 00:21:32,800 Speaker 3: what you're doing. I mean, that's huge. That's their time. 466 00:21:33,280 --> 00:21:33,480 Speaker 4: You know. 467 00:21:33,560 --> 00:21:36,639 Speaker 3: It's like if there's one thing we don't have, you know, 468 00:21:37,480 --> 00:21:40,520 Speaker 3: an an infinite amount of it's time, you know. So 469 00:21:40,600 --> 00:21:43,199 Speaker 3: it's like for somebody to give us their time and 470 00:21:43,240 --> 00:21:46,560 Speaker 3: their energy. It's humbling, it's flattering, it's all those things. 471 00:21:47,080 --> 00:21:48,760 Speaker 1: It's a beautiful thing. I think a lot of the 472 00:21:49,160 --> 00:21:52,000 Speaker 1: fan base now, just like me, we like to look 473 00:21:52,119 --> 00:21:54,800 Speaker 1: back and feel good about like our youth, and I 474 00:21:54,800 --> 00:21:58,280 Speaker 1: think people are just craving that, I don't know, peacefulness, 475 00:21:58,920 --> 00:22:02,560 Speaker 1: the times when it felt a little just calmer and yeah, 476 00:22:02,720 --> 00:22:05,760 Speaker 1: more innocent, you didn't have so much responsibility, you know. 477 00:22:05,880 --> 00:22:06,720 Speaker 3: I think I told you, I. 478 00:22:07,960 --> 00:22:10,440 Speaker 2: Know I've told you this, but I read something how 479 00:22:11,160 --> 00:22:14,560 Speaker 2: when you're in middle school in high school, the songs 480 00:22:14,640 --> 00:22:18,560 Speaker 2: that you you know love then yeah, they're it's going 481 00:22:18,600 --> 00:22:20,200 Speaker 2: to be like the songs that you remember the most 482 00:22:20,200 --> 00:22:22,400 Speaker 2: in your whole life, and it's you have an emotional 483 00:22:22,440 --> 00:22:25,880 Speaker 2: connection with. So now we're all older in sing fans 484 00:22:25,880 --> 00:22:28,360 Speaker 2: are older, so it's like it's so happy to hear 485 00:22:28,400 --> 00:22:28,960 Speaker 2: those songs. 486 00:22:30,440 --> 00:22:32,960 Speaker 1: We were talking about this earlier, but as a songwriter, know, 487 00:22:33,040 --> 00:22:35,239 Speaker 1: AI is like taking off and they're doing all these 488 00:22:35,280 --> 00:22:39,520 Speaker 1: AI songs how do you see its influence going forward 489 00:22:39,720 --> 00:22:42,160 Speaker 1: in the music industry on radio. 490 00:22:42,040 --> 00:22:45,439 Speaker 3: It's already influencing. Yeah, for sure, it's already influencing it. 491 00:22:45,480 --> 00:22:49,840 Speaker 3: I mean it's it's not what people want to it's 492 00:22:49,880 --> 00:22:52,200 Speaker 3: not what songwriters want to hear, it's not what producers 493 00:22:52,240 --> 00:22:54,840 Speaker 3: want to hear who want to do it. But here 494 00:22:55,400 --> 00:22:59,119 Speaker 3: my thing is, if you love making music and if 495 00:22:59,160 --> 00:23:02,800 Speaker 3: you love songwriter, do it because you love it. You know, 496 00:23:04,080 --> 00:23:07,920 Speaker 3: if you're doing it to compete with someone, I don't 497 00:23:07,920 --> 00:23:10,000 Speaker 3: know if that's even the right reason to do it. 498 00:23:10,119 --> 00:23:12,280 Speaker 3: You know, you you write a song because you love 499 00:23:12,359 --> 00:23:18,880 Speaker 3: writing music. And the reality is, you know, jingles are 500 00:23:18,920 --> 00:23:22,040 Speaker 3: now being you know, for television, commercials are being written 501 00:23:22,160 --> 00:23:26,040 Speaker 3: by computers. Now that's just it's happening. It's like, it's 502 00:23:26,080 --> 00:23:29,760 Speaker 3: not like a what if it's happening. So the reality 503 00:23:29,840 --> 00:23:31,560 Speaker 3: is you have to do it because you love it. 504 00:23:31,640 --> 00:23:34,600 Speaker 3: Now the tough part is I do understand, like people say, 505 00:23:34,640 --> 00:23:37,600 Speaker 3: hey man, this is we got to work out, you know, 506 00:23:38,280 --> 00:23:42,840 Speaker 3: where this algorithm is learning all this information because you know, 507 00:23:43,040 --> 00:23:48,920 Speaker 3: these people that wrote songs that this algorithm is learning from, 508 00:23:49,480 --> 00:23:53,560 Speaker 3: you know, they're almost like a credited writer in a way. 509 00:23:53,680 --> 00:23:56,200 Speaker 3: So there, there's a lot to figure out. 510 00:23:56,600 --> 00:23:58,840 Speaker 1: But the real even figure that out though, because I 511 00:23:58,880 --> 00:24:01,200 Speaker 1: would think the computer's so that it would change. 512 00:24:00,960 --> 00:24:06,360 Speaker 3: It because because you're talking about it's not Look, we're 513 00:24:06,440 --> 00:24:09,680 Speaker 3: human computers, right, Like, everything we've ever heard is influencing 514 00:24:09,760 --> 00:24:13,560 Speaker 3: what we write, everything that we've read, everything that we've seen, 515 00:24:13,960 --> 00:24:18,840 Speaker 3: everything that we've heard. We're processing that information and interpreting 516 00:24:18,880 --> 00:24:24,360 Speaker 3: it our way, and that's our voice. And these algorithms 517 00:24:24,400 --> 00:24:28,679 Speaker 3: are essentially instead of pulling from maybe the five to 518 00:24:28,880 --> 00:24:34,560 Speaker 3: twenty thousand songs I've heard, is pulling from five million songs. 519 00:24:35,160 --> 00:24:38,960 Speaker 2: Who gets paid? Who gets paid? Like when AI is writ. 520 00:24:38,840 --> 00:24:41,439 Speaker 3: And stuff, who's that stuff? It's so new. I'm like, 521 00:24:41,560 --> 00:24:45,600 Speaker 3: it's way above my my brain. Like again, I don't 522 00:24:45,600 --> 00:24:49,600 Speaker 3: have five million brains, so like, but there's gonna have 523 00:24:49,680 --> 00:24:52,119 Speaker 3: to there's gonna have to be an instance, like you 524 00:24:52,160 --> 00:24:55,639 Speaker 3: said with the writers strike, where we try and at least, 525 00:24:55,800 --> 00:25:02,080 Speaker 3: you know, protect our fellow human creators. You know, there 526 00:25:02,119 --> 00:25:03,520 Speaker 3: has to be a space for them. 527 00:25:03,680 --> 00:25:07,560 Speaker 1: So yeah, it's gonna be very interesting. And yeah, I 528 00:25:07,920 --> 00:25:11,080 Speaker 1: listened to writers like Olivia Rodrigo and Taylor Swift and 529 00:25:11,119 --> 00:25:13,360 Speaker 1: you know, I mean, females are killing it. Right now. 530 00:25:13,440 --> 00:25:15,359 Speaker 1: I mean, yeah, you turn on the radio and it's 531 00:25:15,359 --> 00:25:18,960 Speaker 1: Sabrina Carver. It's all these like young girls. Uh and 532 00:25:19,000 --> 00:25:21,120 Speaker 1: but there's a lot of especially with Olivia and Taylor. 533 00:25:21,359 --> 00:25:22,960 Speaker 1: I'll be listening to a song like wait a minute, 534 00:25:23,000 --> 00:25:25,600 Speaker 1: that reminds me so much of that song, and that's 535 00:25:25,640 --> 00:25:27,200 Speaker 1: the influence that yeah. 536 00:25:27,359 --> 00:25:30,160 Speaker 3: Yeah, but I mean that's always been around, Like again, 537 00:25:30,840 --> 00:25:35,480 Speaker 3: in our in every era, every artist is influenced by someone, right, 538 00:25:35,560 --> 00:25:38,479 Speaker 3: like the biggest rock stars in the world. Like you know, 539 00:25:38,560 --> 00:25:41,919 Speaker 3: you go back as far as you want. Somebody loved 540 00:25:42,119 --> 00:25:45,399 Speaker 3: someone's music and that's what made them want to make music. 541 00:25:45,640 --> 00:25:47,199 Speaker 1: Do you ever get a melody in your head and 542 00:25:47,240 --> 00:25:49,199 Speaker 1: you're like, oh my god, this is so genius and 543 00:25:49,240 --> 00:25:51,240 Speaker 1: you're like work on it for a bit, maybe even 544 00:25:51,240 --> 00:25:53,760 Speaker 1: record it, and then you realize, oh wait, that was 545 00:25:53,760 --> 00:25:54,880 Speaker 1: done by David Bowie. 546 00:25:57,280 --> 00:25:59,359 Speaker 3: Catching it early. I got I've got enough of a 547 00:25:59,440 --> 00:26:03,479 Speaker 3: catalog that I'm pretty good at catching it early. And 548 00:26:03,520 --> 00:26:05,199 Speaker 3: I go, oh, can't do that, you know what I mean, 549 00:26:05,200 --> 00:26:08,200 Speaker 3: if I'm singing something or it's like yeah, I definitely 550 00:26:08,240 --> 00:26:08,760 Speaker 3: can't do that. 551 00:26:08,960 --> 00:26:12,520 Speaker 2: Is there like a like a software that say that 552 00:26:12,640 --> 00:26:15,119 Speaker 2: you you did this, but you didn't know, you're like, 553 00:26:15,160 --> 00:26:16,840 Speaker 2: I don't know. Maybe I heard that song, but I 554 00:26:16,880 --> 00:26:19,040 Speaker 2: don't know, is there like maybe that's. 555 00:26:18,880 --> 00:26:19,919 Speaker 1: Where AI comes in. 556 00:26:21,640 --> 00:26:25,200 Speaker 3: I mean, look, they have a million ways to look 557 00:26:25,280 --> 00:26:27,760 Speaker 3: into that stuff. I know that that's a big part 558 00:26:27,800 --> 00:26:29,960 Speaker 3: of what the A and R teams do. Now when 559 00:26:29,960 --> 00:26:32,400 Speaker 3: you're signed to a label, it's like they're making sure 560 00:26:32,440 --> 00:26:35,320 Speaker 3: that you know, there aren't any samples in there or 561 00:26:35,359 --> 00:26:38,160 Speaker 3: anything like that, and so they're looking through that stuff. 562 00:26:39,320 --> 00:26:45,159 Speaker 3: But again, I try to be as original as possible. 563 00:26:45,640 --> 00:26:48,480 Speaker 3: But you know, again, we are all influenced by the 564 00:26:48,520 --> 00:26:51,800 Speaker 3: world around us, so you never know. But you look, 565 00:26:51,920 --> 00:26:54,560 Speaker 3: you're trying to have your own voice in the process. 566 00:26:55,640 --> 00:26:57,719 Speaker 1: It's almost been a year. But how's your stomach from 567 00:26:57,760 --> 00:26:58,240 Speaker 1: Hot Ones? 568 00:27:00,480 --> 00:27:03,600 Speaker 3: I was alright, man, you killed it. I was like, 569 00:27:03,720 --> 00:27:05,440 Speaker 3: everybody's like, this is ho It was like, it's hot, 570 00:27:05,480 --> 00:27:09,080 Speaker 3: but it's it didn't. It didn't. It didn't hurt as 571 00:27:09,119 --> 00:27:12,400 Speaker 3: bad as everyone told me it was gonna hurt. It was. Look, 572 00:27:12,520 --> 00:27:16,000 Speaker 3: it was hot, but not until with the last. 573 00:27:15,680 --> 00:27:18,040 Speaker 1: Two or three I think it was number seven. That 574 00:27:18,440 --> 00:27:20,560 Speaker 1: just what because it all kind of it was the 575 00:27:20,560 --> 00:27:22,600 Speaker 1: same level to me. I'm like, well, after you eat one, 576 00:27:22,720 --> 00:27:24,560 Speaker 1: it all tastes the same. It's not about that. 577 00:27:24,680 --> 00:27:27,960 Speaker 3: But I wasn't also housing them like Joey was. 578 00:27:28,040 --> 00:27:29,359 Speaker 1: Joey is trying to be so cool. 579 00:27:29,920 --> 00:27:33,160 Speaker 3: He was housing them, and he was like, going, he's 580 00:27:33,240 --> 00:27:33,920 Speaker 3: out there. 581 00:27:34,640 --> 00:27:36,520 Speaker 1: You would eat the whole wing just to like prove 582 00:27:36,560 --> 00:27:37,680 Speaker 1: that he's a man or something. 583 00:27:37,760 --> 00:27:42,399 Speaker 3: And then he was hungry, nodding and crying like he 584 00:27:42,520 --> 00:27:43,359 Speaker 3: jumped into a pool. 585 00:27:43,440 --> 00:27:48,080 Speaker 1: Yeah are you, like, are you catching you, coach? But 586 00:27:48,359 --> 00:27:52,920 Speaker 1: it's just profusely sweaty. 587 00:27:51,280 --> 00:27:54,440 Speaker 3: And the and the text thread two hours after that 588 00:27:54,480 --> 00:27:56,480 Speaker 3: show was intense. 589 00:27:56,240 --> 00:27:59,720 Speaker 1: For forty eight hours. The text thread was, uh, was definitely. 590 00:27:59,720 --> 00:28:02,200 Speaker 6: In a yeah, I would never want to see that, 591 00:28:02,359 --> 00:28:03,920 Speaker 6: and I think every single one of them want to 592 00:28:03,960 --> 00:28:05,440 Speaker 6: see that. 593 00:28:04,320 --> 00:28:08,399 Speaker 1: I think every single one of us. Took a picture 594 00:28:08,400 --> 00:28:10,199 Speaker 1: of us sitting on the pot with our like just 595 00:28:10,240 --> 00:28:14,399 Speaker 1: our feet, just like yeah, like, is anyone in the 596 00:28:14,440 --> 00:28:15,440 Speaker 1: same position right now? 597 00:28:15,520 --> 00:28:17,280 Speaker 2: And all of you sent back the same photo. 598 00:28:17,600 --> 00:28:21,640 Speaker 1: No, well, JC is no, I would not either. 599 00:28:22,640 --> 00:28:25,520 Speaker 3: No have sense. 600 00:28:26,880 --> 00:28:30,399 Speaker 1: That probably Oh I'm sure, I'm sure. And you know 601 00:28:30,440 --> 00:28:33,080 Speaker 1: they say milk helps, No, it doesn't. Like never, it 602 00:28:33,119 --> 00:28:34,480 Speaker 1: didn't take the sting out of my mouth. 603 00:28:35,080 --> 00:28:36,920 Speaker 3: To be fair, I did pregame, Oh. 604 00:28:36,880 --> 00:28:38,720 Speaker 1: Yeah, oh, you drank the milk beforehand. 605 00:28:38,760 --> 00:28:41,280 Speaker 3: But no, I didn't drink milk, but I did. Uh, 606 00:28:41,440 --> 00:28:46,520 Speaker 3: I did like a toms before we started, and i'd 607 00:28:46,840 --> 00:28:49,640 Speaker 3: no because you still feel the heat. But you don't 608 00:28:49,720 --> 00:28:52,520 Speaker 3: want to like eat holes in your stomach, you know 609 00:28:52,560 --> 00:28:52,920 Speaker 3: what I mean. 610 00:28:53,240 --> 00:28:55,080 Speaker 1: I think if this was an Olympic sport, you would 611 00:28:55,120 --> 00:28:57,200 Speaker 1: have been disqualified, That's all I'm saying. 612 00:28:57,400 --> 00:29:01,240 Speaker 3: But I'm not trying to eat the hot Olympics. 613 00:29:00,840 --> 00:29:04,000 Speaker 1: Like maybe there should be. You know, Olympics is coming 614 00:29:04,080 --> 00:29:06,320 Speaker 1: up well in France, you know, we have you know, 615 00:29:06,360 --> 00:29:08,520 Speaker 1: Paris coming up this summer. But then it's here the 616 00:29:08,520 --> 00:29:12,240 Speaker 1: twenty eight in La Yeah, yeah, twenty twenty eight, which 617 00:29:12,320 --> 00:29:15,240 Speaker 1: is you know, it's gonna be hell with traffic. I'm 618 00:29:15,280 --> 00:29:17,280 Speaker 1: not looking forward to this, and of course I don't 619 00:29:17,280 --> 00:29:18,160 Speaker 1: know how there's anything. 620 00:29:18,560 --> 00:29:22,200 Speaker 3: Maybe maybe all of La is just going to lead, yeah, 621 00:29:22,440 --> 00:29:24,600 Speaker 3: and let all the tourists run it for a little while. 622 00:29:24,720 --> 00:29:26,920 Speaker 1: Yeah, because there's no room. And where they're having the 623 00:29:26,920 --> 00:29:31,440 Speaker 1: Olympics is already where Sofi is and there's nowhere to move. 624 00:29:32,000 --> 00:29:33,560 Speaker 1: So I don't know how the city. 625 00:29:33,320 --> 00:29:36,720 Speaker 3: Feels that way. I mean, think about how crowded Paris is, you. 626 00:29:36,680 --> 00:29:38,400 Speaker 1: Know, what I mean. I love how Paris is doing 627 00:29:38,440 --> 00:29:40,440 Speaker 1: it though. Did you see that they're spreading out all 628 00:29:40,480 --> 00:29:44,160 Speaker 1: throughout the city. Yeah, so they're not doing they're not 629 00:29:44,280 --> 00:29:47,160 Speaker 1: building new buildings for everything, right, or at least most 630 00:29:47,160 --> 00:29:49,920 Speaker 1: of them. They're doing volleyball in front of the Eiffel Tower. 631 00:29:50,120 --> 00:29:53,480 Speaker 1: They're doing all these amazing monumental things where they're just 632 00:29:53,480 --> 00:29:57,320 Speaker 1: putting things outdoors in like beautiful places, which I think 633 00:29:57,440 --> 00:29:59,440 Speaker 1: is Yeah, that's fun. That's a way to use your 634 00:29:59,440 --> 00:30:02,200 Speaker 1: city and not have to spend a billion dollars on 635 00:30:02,280 --> 00:30:05,920 Speaker 1: building different Olympic villages and all that where. Yeah, what 636 00:30:05,920 --> 00:30:07,880 Speaker 1: are you gonna do after that? All right, guys, that 637 00:30:08,000 --> 00:30:10,000 Speaker 1: is all the show I have to you for this 638 00:30:10,360 --> 00:30:13,520 Speaker 1: half of the show. We're gonna continue this conversation later, 639 00:30:13,600 --> 00:30:15,640 Speaker 1: all right. JC is still going to stick around. I 640 00:30:15,720 --> 00:30:18,640 Speaker 1: got a couple more peanuts coming in, So you're gonna 641 00:30:18,640 --> 00:30:20,960 Speaker 1: want to listen to part two of this podcast. So 642 00:30:21,680 --> 00:30:23,960 Speaker 1: you take care of each other, take care of those animals, 643 00:30:24,000 --> 00:30:26,360 Speaker 1: don't drink a drive, and I will see you on 644 00:30:26,440 --> 00:30:31,920 Speaker 1: the next episode of Frosted Tips. Hey, thanks for listening. 645 00:30:32,040 --> 00:30:35,400 Speaker 1: Follow us on Instagram at Frosted Tips with Lance and 646 00:30:35,480 --> 00:30:38,440 Speaker 1: Michael turchinar and at lance bast for all your pop 647 00:30:38,480 --> 00:30:39,240 Speaker 1: culture needs 648 00:30:39,520 --> 00:30:41,440 Speaker 4: And make sure to write a review and leave us 649 00:30:41,440 --> 00:30:43,920 Speaker 4: five stars six if you can see you next time.