WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan. Number two.

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<v Speaker 1>Let's up, y'all, welcome to the Best Bits Podcast. It's Morgan.

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<v Speaker 1>Thanks for hanging out with me this weekend. I hope

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<v Speaker 1>you've been already having a fun time and even more

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<v Speaker 1>fun as the weekend continues, We're gonna get started. Coming

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<v Speaker 1>in at number seven, we have got fun Fact Friday.

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<v Speaker 1>Now we've changed this up a little bit. Used to

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<v Speaker 1>be just Amy sharing facts. Now all of us share

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<v Speaker 1>a fun fact and kind of gets a little competitive,

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<v Speaker 1>and we see who has some really good ones who

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<v Speaker 1>we can learn things from. I'm not gonna lie though.

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<v Speaker 1>They're all so good that I learn different things every

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<v Speaker 1>fun Fact Friday. So here you go check them out.

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<v Speaker 1>Let us know what you think. Number seven, it's time

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<v Speaker 1>for fun Fact Friday and leading us off is McKenzie

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<v Speaker 1>from Arizona. Fun Fact for Friday. Did you guys know

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<v Speaker 1>that being lactose intolerant means that you have actually a

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<v Speaker 1>normal gene where if you are able to drink milk,

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<v Speaker 1>that actually means you have a mutated gene, meaning your

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<v Speaker 1>gene was altered. I thought it was pretty cool. Happy Friday.

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<v Speaker 1>So us as humans, we shouldn't be able to drink

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<v Speaker 1>milk because we had to at some point to survive.

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<v Speaker 1>Those folks were able to not There we go. So

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<v Speaker 1>that's fun ishay, I like fun. All right, let's go

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<v Speaker 1>around the room. It's fun fact time. We're gonna start

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<v Speaker 1>off with lunchbox. Oh, guys, clownfish. Anybody fans a clownfish? Nemo? Yeah, okay,

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<v Speaker 1>I don't know if that was ahead. Here's something crazy.

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<v Speaker 1>All clownfish are born male, and then later in life

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<v Speaker 1>they decide I'm gonna be a chick. They change. They're

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<v Speaker 1>all born male. That's crazy interesting. Ooh, I wonder how

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<v Speaker 1>they decide when they decide when the same at all

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<v Speaker 1>times or is it different? I don't think he has

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<v Speaker 1>it literally just says. And later in life they can

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<v Speaker 1>decide they want to be a female, and oh do

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<v Speaker 1>they have to become the female? There a lot of questions.

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<v Speaker 1>They don't have to, Okay, So they don't all go

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<v Speaker 1>to female. No, they don't all too Some I just decide,

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<v Speaker 1>you know what, I'm not liking this female. Yeah, well,

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<v Speaker 1>I just searched it. Every quick and the dominant fish

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<v Speaker 1>becomes the female in the relationships classes, so they get together,

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<v Speaker 1>they determine who's dominant olallah, and they're parmaphidites, so they

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<v Speaker 1>can change. Wow. Yeah, thanks for following up Amy on fact.

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<v Speaker 1>All right, here we go, let's go to Okay, So

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<v Speaker 1>we are only born with two natural fears the fear

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<v Speaker 1>of falling in the fear of loud sounds. How do

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<v Speaker 1>they know? Like, how do they talk to a baby?

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<v Speaker 1>Heyd let me interview you, like, okay, go ahead. All

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<v Speaker 1>other fears and phobias are learned or acquired later in life.

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<v Speaker 1>Those are the only two ones that we're actually supposed

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<v Speaker 1>to have. All right, fill in the blank. I'm scared

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<v Speaker 1>of blank Morgan, spiders, Amy rights, lunchbox snakes, Eddie, intruders.

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<v Speaker 1>Oh yeah, I forgot that's your that's your thing. Yeah yeah,

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<v Speaker 1>mine's heights as well. Hey highs. All right, thank you Morgan.

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<v Speaker 1>Let's go to Eddy. Did you know that koalas have

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<v Speaker 1>fingerprints just like us? They are so human like that.

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<v Speaker 1>In Australia, detectives have gotten fingerprints at crime scenes and

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<v Speaker 1>thought they were looking for a criminal. Turns out it

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<v Speaker 1>was just a koala. That's not that's not way. Yes,

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<v Speaker 1>it is no way, Amy, look it up. That's her job. Yeah, dude,

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<v Speaker 1>I mean I believe you that their fingerprints are probably

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<v Speaker 1>pretty distinct and colds are like, all right, Chuck, what

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<v Speaker 1>do you think? What do you? What do you? Guy? Well,

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<v Speaker 1>it's either Michael Wilson on Third Avenue or Calvin the Kowala. Wa.

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<v Speaker 1>It's more like, guys, we can't find the criminal. Oh

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<v Speaker 1>you know why? Because it's wow, wow? What do yeah? Yeah, yeah,

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<v Speaker 1>they have been confused for humans and cases. Thank you, Amy.

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<v Speaker 1>That's crazy. That's fun. That's pretty fun. That's pretty fun,

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<v Speaker 1>all right, Amy, fun fact go. One of the headlines

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<v Speaker 1>was you might just be able to frame a kowala

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<v Speaker 1>for your crime. Okay. So I just thought that this

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<v Speaker 1>was really cool and very smart. But Nas you know

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<v Speaker 1>he's a rapper, Yeah you know, Yes, by some consider

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<v Speaker 1>the greatest rapper of all not a little. He named

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<v Speaker 1>himself after Nas jay Z's nemesis for much of his

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<v Speaker 1>Yes Go Ahead, so he listed his seven year old

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<v Speaker 1>daughter as an executive producer on his fifth studio album

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<v Speaker 1>to ensure that she would receive royalty payments at all.

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<v Speaker 1>Pretty good? That hare are some songs you may know

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<v Speaker 1>by not do you know any song about that's right. Yeah, good.

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<v Speaker 1>You guys know that one. Yeah? Uh, Wally, you know

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<v Speaker 1>that one? No, okay, Edie, all right? And final, your

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<v Speaker 1>final fun your final fun fact. Disney World is twice

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<v Speaker 1>the size of Manhattan, which is New York City with

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<v Speaker 1>all the building like that's the part of New York

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<v Speaker 1>City that you see on TV, all the big tall things.

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<v Speaker 1>Disney World, located in Orlando, covers forty three square miles. Wow,

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<v Speaker 1>it's twice the size of Manhattan or the size of

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<v Speaker 1>San Francisco. Disney World is the side of San Francisco.

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<v Speaker 1>Did think that people walk of those every day? Like, yeah,

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<v Speaker 1>but not all of it. You don't walk all You

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<v Speaker 1>don't walk all forty three miles, right, you don't. And

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<v Speaker 1>he's like, I paid for it, I better walk out.

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<v Speaker 1>But forty three miles that's what it is. And it's

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<v Speaker 1>San Francisco twice Manhattan. Yeah. Wow. He's just blown away

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<v Speaker 1>by that one. You look at Manhattan and all those buildings,

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<v Speaker 1>you're like, man, that's huge. But it's not even as

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<v Speaker 1>big as disney World. It's half as big. You need

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<v Speaker 1>two of those, all right. That's fun fact Friday. Fun

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<v Speaker 1>Fact Friday. It's the best Bits of the Week with

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<v Speaker 1>Morgan Number two. Bobby always shares some awesome recommendations, and

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<v Speaker 1>this week he shared several of his favorite new songs

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<v Speaker 1>that you may not have heard before. They're not ones

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<v Speaker 1>that are on the radio all the time, or maybe

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<v Speaker 1>they're on a radio of a station that you don't

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<v Speaker 1>typically listen to, different genre, you never know, or it

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<v Speaker 1>could just be on TikTok and maybe you don't get

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<v Speaker 1>on TikTok. But he shared some new songs that you

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<v Speaker 1>should definitely add to your playlist. Number six. I've been

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<v Speaker 1>doing a lot of interviews where people are asking me, hey,

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<v Speaker 1>what songs are good now? Tough question unless you expect it,

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<v Speaker 1>and so they're like, hey, what's so I just start

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<v Speaker 1>throwing off stuff that I listened to and I'm gonna

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<v Speaker 1>play a few of these. If you go to my playlist,

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<v Speaker 1>these are up here now. The first one is going

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<v Speaker 1>to be this song from David Morris and it blew

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<v Speaker 1>up on TikTok and it's the George Straight song Karen

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<v Speaker 1>Your Love with Me, but it's sang by a woman

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<v Speaker 1>and it's used as a sample and then he kind

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<v Speaker 1>of country wraps over it, and some people hate it,

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<v Speaker 1>and some people love it. I actually think it's pretty

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<v Speaker 1>good if you get past the whole sampling a George

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<v Speaker 1>Straight song. But here you go. His name is David Morris,

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<v Speaker 1>and here is carrying your love. Yeah, well, we got

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<v Speaker 1>so all I need. And every day's a dream when

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<v Speaker 1>I'm carrying your love with me. Mary. I'm gonna play

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<v Speaker 1>this a little bit. But if you think that's George

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<v Speaker 1>Straight sped up, it can't be right. Oh, I think

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<v Speaker 1>that's a woman. I do too. I thought so too,

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<v Speaker 1>But don't I heard it? All right? Here's some more

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<v Speaker 1>of it. Have you ever been grant? Can you? Chasing

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<v Speaker 1>Rules sixty six? Riding Desert Town, Gray Lake and Mount

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<v Speaker 1>rush Mo chilling time to ten destinations? Girl, we can

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<v Speaker 1>go to places you ain't never drinking bath from up

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<v Speaker 1>North and down South, Ocean, satelline half, when the tide

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<v Speaker 1>dives down, getting married on a beach, white standing, white gown,

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<v Speaker 1>blue skies and white clouds. Tomorrow ain't promised. Start with

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<v Speaker 1>goddess right now? Yeah you know I'm down a ride, girl, Yeah,

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<v Speaker 1>for the rest of my life. Yeah, well, we got

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<v Speaker 1>some I neeting. Every day's a dream when I'm carry women.

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<v Speaker 1>I was watching some people and they were like, ah,

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<v Speaker 1>this is a new song, new what is this carry

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<v Speaker 1>in your Love? And I'm like, well, let me explain

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<v Speaker 1>it to you. So but yeah, he's a cowboy, David

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<v Speaker 1>Morris is. So you can check it out. That's just

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<v Speaker 1>called carrying your Love. Because if you're listening, you either

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<v Speaker 1>love that or you hate that. There's really no middle

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<v Speaker 1>ground for that. I started not liking it, and then

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<v Speaker 1>after I heard more, I'm like, this is pretty good.

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<v Speaker 1>I thought it was weird at first, because again, most

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<v Speaker 1>of my new music now comes from my wife, who

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<v Speaker 1>gets her music from TikTok for the most part. And

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<v Speaker 1>she was like, have you heard the song? And I

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<v Speaker 1>brought it up and I was like, oh hey, I

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<v Speaker 1>like yeah, yeah, same thing, David Morris carrying your Love.

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<v Speaker 1>Here's a guy that we had on our show and

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<v Speaker 1>this song is so good. I just wish radio would

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<v Speaker 1>gi him a shot. Here. This is from George Burge.

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<v Speaker 1>It's called Mind on You. I got my mind, got

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<v Speaker 1>these boys on the lane and we good through the night.

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<v Speaker 1>Got you in my head, I'm looking on the back.

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<v Speaker 1>Then jeans on me on hand every time, I got

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<v Speaker 1>my hands in my eyes, in my mind on I

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<v Speaker 1>got my mind do you? I got my mind on you?

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<v Speaker 1>So he told us a story where he wrote that,

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<v Speaker 1>and Jason Aldan said, I'd like to cut that, like

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<v Speaker 1>to make that a song. And so when George was

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<v Speaker 1>convinced to be an artist again by Clay Walker, he

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<v Speaker 1>called Jason. I was like, can I have the song back?

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<v Speaker 1>And Jason was nice enough to give it back to him.

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<v Speaker 1>But Aldan thought it was a good enough song that

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<v Speaker 1>he would also record it. But that is called mind

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<v Speaker 1>on You from George Burge and I give you number one.

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<v Speaker 1>And this song started off as this guy Noah Can

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<v Speaker 1>just playing the chorus on TikTok and didn't have the

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<v Speaker 1>whole song written. He just played the hook what they

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<v Speaker 1>called the hook the chorus, and everybody kept going like,

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<v Speaker 1>finish the song, finish the song, and he didn't forever.

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<v Speaker 1>He did during the pandemic, and then finally he finished

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<v Speaker 1>a song. And it's so massive that other artists are

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<v Speaker 1>now one due edding him, like big artists are going, wow,

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<v Speaker 1>this is such a great song. And if you've been

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<v Speaker 1>in the car with my wife and I, which Eddie has,

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<v Speaker 1>we sing the song at the top of our lungs.

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<v Speaker 1>It's called stick season and here is the chorus, verma,

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<v Speaker 1>but it's deceive an of the sticks, and now sock

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<v Speaker 1>your mom. She forgot that I exist. Didn't. It's half

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<v Speaker 1>my fault, but I just start to play the victim.

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<v Speaker 1>I drink alcohol, so my friends come home for Christmas,

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<v Speaker 1>sit out, dreamy schneido, So d not have but didn't

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<v Speaker 1>not lose. Now you're tired attraction one hair, shoot him

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<v Speaker 1>him happen. That'll have to do? So I thought, did

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<v Speaker 1>it fa? So that's no? Okay? Hand It kind of

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<v Speaker 1>sounds like Mumford and Sons. Yeah, meet meets the grand

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<v Speaker 1>old Yeah, I hear that meats you know what you said,

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<v Speaker 1>but it's noah, kay hand stick season. If you want

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<v Speaker 1>to check that out, let me tell you something. Lunch

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<v Speaker 1>Box was bobbing his head to that song. It was interesting,

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<v Speaker 1>and he does not bob his head. You never bought you, bob?

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<v Speaker 1>Did you bust me bobbing? We busted you, bob, and

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<v Speaker 1>you never bought He doesn't bob. But that was pretty good. Wow,

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<v Speaker 1>hit that course again, right, very much. But it's to

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<v Speaker 1>see if another sticks and I shock your mom. She

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<v Speaker 1>forgot that I exist? D it's half my fault. But

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<v Speaker 1>I just start to play the victim a train alcohol

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<v Speaker 1>till my friends come home for Christmas, sit out, dreamy,

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<v Speaker 1>schnighto shod may not have but didn't not lose. Now

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<v Speaker 1>you're tired, track and shoes and sping hack that don't

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<v Speaker 1>have to do? We get a second Bob over there,

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<v Speaker 1>I got a second Bot just played the song. Then

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<v Speaker 1>we got two. I've done them. This never happens. Okay,

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<v Speaker 1>Noah Kahana is his name. It's the best bits of

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<v Speaker 1>the week with Morgan number two. It's been quite the

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<v Speaker 1>crazy week with two truths and a lie game. They

0:12:15.200 --> 0:12:19.680
<v Speaker 1>are helping us give our listeners so much money, well

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<v Speaker 1>the chance to win money, at least thanks to Bobby's

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<v Speaker 1>new TV show. He's hosting Snake in the Grass. It's

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<v Speaker 1>on USA Network, and they basically gave us a bunch

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<v Speaker 1>of cash to give away listeners and let them win

0:12:32.920 --> 0:12:35.120
<v Speaker 1>some big money. Like I think the pot is at

0:12:35.160 --> 0:12:37.560
<v Speaker 1>forty thousand dollars at this point, may even be higher.

0:12:38.040 --> 0:12:40.160
<v Speaker 1>I don't know. I get lost and seeing who wins

0:12:40.200 --> 0:12:43.079
<v Speaker 1>who doesn't. But I will say I have been good

0:12:43.120 --> 0:12:45.959
<v Speaker 1>at detecting the lie this week and even Abby and

0:12:46.000 --> 0:12:47.880
<v Speaker 1>I played a little two truths and a lie on

0:12:48.120 --> 0:12:51.120
<v Speaker 1>Best Bits Part one and we both suck at lying.

0:12:51.160 --> 0:12:53.680
<v Speaker 1>But that's okay. It's give you an idea of what's

0:12:53.720 --> 0:12:56.720
<v Speaker 1>been happening on the show this week. But definitely make sure,

0:12:56.760 --> 0:12:59.240
<v Speaker 1>if you have not already, get yourself in turn Bobby

0:12:59.320 --> 0:13:02.120
<v Speaker 1>Bones dot com because you can win a whole bunch

0:13:02.160 --> 0:13:05.000
<v Speaker 1>of cash. At least gives you a chance. We randomly

0:13:05.040 --> 0:13:08.160
<v Speaker 1>select people from online and you could be playing on

0:13:08.280 --> 0:13:10.240
<v Speaker 1>the show, not only talking, hanging out with the show,

0:13:10.280 --> 0:13:12.080
<v Speaker 1>but wins some money and we all need some money

0:13:12.160 --> 0:13:14.840
<v Speaker 1>right now. Number six, we're all with Grace right now.

0:13:15.040 --> 0:13:17.640
<v Speaker 1>Who has a chance to win five thousand dollars? Grace,

0:13:17.679 --> 0:13:19.440
<v Speaker 1>I'll be honest with you, I'll be so nervous right now,

0:13:19.720 --> 0:13:21.559
<v Speaker 1>not just to call the show, but to have a

0:13:21.640 --> 0:13:24.559
<v Speaker 1>chance to win five thousand dollars. Grace, how are you feeling?

0:13:24.880 --> 0:13:29.240
<v Speaker 1>I feel good? Oh? So good. I like where we are.

0:13:29.640 --> 0:13:32.480
<v Speaker 1>I like where we are. Okay, that's a good sign.

0:13:32.840 --> 0:13:37.880
<v Speaker 1>That's a good sign. Okay, Grace. Where do you live? Fresno, California? Okay,

0:13:38.000 --> 0:13:40.880
<v Speaker 1>Grace and Fresno a town I've been too many times.

0:13:40.920 --> 0:13:43.840
<v Speaker 1>I love it so much. We're gonna do this game

0:13:43.920 --> 0:13:47.160
<v Speaker 1>where I will give you a little story, Amy'll give

0:13:47.160 --> 0:13:49.079
<v Speaker 1>you a little story, and Lunchbox will give you a

0:13:49.120 --> 0:13:52.400
<v Speaker 1>little story. You just need to tell us which story

0:13:52.559 --> 0:13:55.760
<v Speaker 1>is a lie. There's all thanks to my show Sneak

0:13:55.840 --> 0:13:58.920
<v Speaker 1>in the Grass, which will premiere August first, that's Monday

0:13:59.280 --> 0:14:02.959
<v Speaker 1>at eleven ten Central on USA. Okay, Grace, are you

0:14:03.080 --> 0:14:06.559
<v Speaker 1>ready to hear the stories? Let's go. I will go first.

0:14:08.679 --> 0:14:11.679
<v Speaker 1>So Grace, I once tried to solve a conspiracy. We

0:14:11.800 --> 0:14:13.920
<v Speaker 1>talked about it on the show before. It was whether

0:14:14.000 --> 0:14:18.079
<v Speaker 1>Avril Levine was really her or a fake Avril Levine,

0:14:18.080 --> 0:14:20.320
<v Speaker 1>because the rumor was that aber Levine was she was

0:14:20.400 --> 0:14:22.560
<v Speaker 1>killed or she died way earlier in life and there

0:14:22.640 --> 0:14:25.160
<v Speaker 1>was a new Avril Levine that replaced her because the

0:14:25.280 --> 0:14:26.880
<v Speaker 1>label was like, we're still making money off of her.

0:14:26.920 --> 0:14:28.960
<v Speaker 1>So we got to get someone out there. And so

0:14:29.400 --> 0:14:32.520
<v Speaker 1>Avril and I were at Dancing with the Stars at

0:14:32.560 --> 0:14:35.720
<v Speaker 1>the same time she was performing, and I was there

0:14:36.040 --> 0:14:40.600
<v Speaker 1>doing the show, either doing it or there as a guest.

0:14:40.720 --> 0:14:43.160
<v Speaker 1>But I was there at Dancing with the Stars, and

0:14:43.400 --> 0:14:46.120
<v Speaker 1>so I remembered her name as the clone that they say,

0:14:46.200 --> 0:14:48.320
<v Speaker 1>you know, the girl's real name that was now playing Avril.

0:14:48.640 --> 0:14:51.720
<v Speaker 1>So I went over by her and I yelled the

0:14:51.760 --> 0:14:54.480
<v Speaker 1>girl's real name to see if she would turn, and

0:14:54.720 --> 0:14:57.600
<v Speaker 1>she didn't, And so I think Avril was real. I

0:14:57.640 --> 0:14:59.400
<v Speaker 1>think that was really the real Avril. And so I

0:14:59.480 --> 0:15:02.040
<v Speaker 1>tried to save a conspiracy about Avril Levine by yelling

0:15:02.160 --> 0:15:06.560
<v Speaker 1>that name. So that is my story, Grace, All right,

0:15:07.480 --> 0:15:09.560
<v Speaker 1>we're gonna go over to Amy. Now, Amy, give me

0:15:09.640 --> 0:15:11.840
<v Speaker 1>your story. Well, So when I was five years old,

0:15:12.000 --> 0:15:14.400
<v Speaker 1>my parents were on a date, so we had a

0:15:14.480 --> 0:15:17.720
<v Speaker 1>babysitter and I was playing outside and on my back

0:15:17.800 --> 0:15:20.120
<v Speaker 1>deck there was a nail that was sticking up and

0:15:20.640 --> 0:15:22.880
<v Speaker 1>I scraped my leg on it. But I mean it

0:15:23.000 --> 0:15:25.600
<v Speaker 1>was way more than a scrape, like it hit deep

0:15:25.680 --> 0:15:28.760
<v Speaker 1>and I could not stop bleeding. So the babysitter had

0:15:28.800 --> 0:15:30.880
<v Speaker 1>to call my parents, they had to come home from

0:15:30.920 --> 0:15:32.680
<v Speaker 1>their date. I had to go to the er like

0:15:32.800 --> 0:15:35.360
<v Speaker 1>it was a whole thing. And needless to say, we

0:15:35.480 --> 0:15:39.160
<v Speaker 1>never had that sitter again. The sitter didn't come back,

0:15:39.240 --> 0:15:41.560
<v Speaker 1>or wasn't hunh because she wasn't hired back because she

0:15:41.640 --> 0:15:44.520
<v Speaker 1>wasn't watching me. I was out playing on the deck

0:15:44.640 --> 0:15:48.160
<v Speaker 1>by myself at five years old, lunchbox. Your story. Oh,

0:15:48.320 --> 0:15:50.880
<v Speaker 1>way back when, when I was in seventh grade, after school,

0:15:50.960 --> 0:15:53.000
<v Speaker 1>me and my buddy Dustin walked a block to the

0:15:53.040 --> 0:15:54.920
<v Speaker 1>grocery store and we're like, oh, we got money in

0:15:54.960 --> 0:15:57.480
<v Speaker 1>our pocket, but you know what, we're seventh graders. Let's

0:15:57.480 --> 0:16:01.239
<v Speaker 1>steal a few things. So we stole some gatorade, matteries, headphones,

0:16:01.320 --> 0:16:03.800
<v Speaker 1>and two Snickers bars. And as we're walking out of

0:16:03.800 --> 0:16:06.800
<v Speaker 1>the store, manager graded us and we got busted. I

0:16:06.840 --> 0:16:08.720
<v Speaker 1>had to call mom and dad and confess, you got

0:16:08.800 --> 0:16:12.160
<v Speaker 1>caught shoplifting. Got caught shoplifting when I was in seventh grade. Hey, Grace,

0:16:12.160 --> 0:16:14.200
<v Speaker 1>how do you feel about those? By the way, do

0:16:14.280 --> 0:16:17.640
<v Speaker 1>you feel like you know? Do you feel like one

0:16:17.720 --> 0:16:20.080
<v Speaker 1>of them for sure is true? Like where's your head

0:16:20.160 --> 0:16:23.320
<v Speaker 1>right now? I feel like I remember one of them

0:16:23.440 --> 0:16:25.720
<v Speaker 1>from the show. Which one do you think you remember?

0:16:26.320 --> 0:16:28.960
<v Speaker 1>I think I remember yours with Avril and Dancing with

0:16:29.080 --> 0:16:31.560
<v Speaker 1>the Stars. And it does seem like something you would

0:16:31.560 --> 0:16:34.200
<v Speaker 1>do to try to sell the conspiracy theory. Okay, so

0:16:35.040 --> 0:16:39.560
<v Speaker 1>that one she's feeling pretty good is a truth? Okay, Grace,

0:16:39.680 --> 0:16:42.400
<v Speaker 1>you've heard them. Are you gonna go ahead unlocked? Mine

0:16:42.440 --> 0:16:44.640
<v Speaker 1>in is true? Or would you like to kind of reevaluate.

0:16:45.800 --> 0:16:48.600
<v Speaker 1>I will lock yours and it's true. Okay, lock her

0:16:48.680 --> 0:16:52.080
<v Speaker 1>right there, So she's trying to find the lie. She

0:16:52.240 --> 0:16:55.840
<v Speaker 1>locks me in as true. Well, I'll go first, and

0:16:55.840 --> 0:16:59.560
<v Speaker 1>I will say that my story is. Do you know, Eddie,

0:17:00.120 --> 0:17:01.280
<v Speaker 1>you don't have any of this. No, I don't you

0:17:01.360 --> 0:17:03.720
<v Speaker 1>wanna take a shot at it as far as who

0:17:03.800 --> 0:17:07.920
<v Speaker 1>the liar is or yours because I don't remember hearing

0:17:08.040 --> 0:17:12.280
<v Speaker 1>your story ever. I do maybe remember Avril was there,

0:17:12.359 --> 0:17:14.159
<v Speaker 1>but I don't know if you called her by the

0:17:14.640 --> 0:17:17.320
<v Speaker 1>fake name, so you wouldn't lock mine in it, I

0:17:17.359 --> 0:17:21.040
<v Speaker 1>would not, absolutely not. Huh. Okay, Well then I want

0:17:21.040 --> 0:17:23.000
<v Speaker 1>to hold you write your answer down as to who

0:17:23.040 --> 0:17:26.239
<v Speaker 1>you think the liar? All right, okay, so Grace has

0:17:26.320 --> 0:17:28.240
<v Speaker 1>locked me in. Its true. I'm always ready to write

0:17:28.280 --> 0:17:35.800
<v Speaker 1>his down. You in. I'm in Grace. Once behind the

0:17:36.359 --> 0:17:38.320
<v Speaker 1>wall of Dancing with Stars, I walked by and there

0:17:38.359 --> 0:17:39.960
<v Speaker 1>was Avril of Being. She was sitting there with the people,

0:17:40.680 --> 0:17:42.200
<v Speaker 1>and I kept walking out. I turned around and I

0:17:42.280 --> 0:17:44.040
<v Speaker 1>yelled a girl's name, and she didn't turn around. And

0:17:44.160 --> 0:17:46.160
<v Speaker 1>that's when I knew that Avril of Being was really alive.

0:17:46.240 --> 0:17:51.840
<v Speaker 1>You're right, Grace, Light, good job, good job. Now you

0:17:51.960 --> 0:17:54.880
<v Speaker 1>got a fifty fifty shot of five thousand dollars right here,

0:17:55.720 --> 0:17:57.399
<v Speaker 1>And the whole game is two truths and a lie?

0:17:57.480 --> 0:18:01.040
<v Speaker 1>Can you spot a liar? USA's new comp Titian reality show,

0:18:01.080 --> 0:18:03.200
<v Speaker 1>Snake in the Grass. My show gives four contestants a

0:18:03.280 --> 0:18:06.960
<v Speaker 1>chance at one hundred thousand dollars. The only catch they

0:18:07.040 --> 0:18:09.040
<v Speaker 1>have to find out which one of them is ump

0:18:09.119 --> 0:18:12.399
<v Speaker 1>sabotaging every turn lying if they failed to snake lead

0:18:12.440 --> 0:18:15.240
<v Speaker 1>with all the money, spot the lies, catch the snake

0:18:15.320 --> 0:18:17.040
<v Speaker 1>when the cash. Snake in the Grass from here is

0:18:17.040 --> 0:18:20.080
<v Speaker 1>August first, that's Monday at eleven ten pm Central on USA.

0:18:20.840 --> 0:18:23.000
<v Speaker 1>All right, guys, talk me through this. You have Amy

0:18:23.160 --> 0:18:29.520
<v Speaker 1>with a nail, Lunchbox caught shoplifting. How you feeling? I mean,

0:18:29.560 --> 0:18:33.639
<v Speaker 1>the nail definitely seems like it could be Amy might

0:18:33.680 --> 0:18:36.600
<v Speaker 1>trip on some things and nail. You know, I know

0:18:36.680 --> 0:18:38.919
<v Speaker 1>your equal librium feel a little bit off, so it's okay.

0:18:40.359 --> 0:18:43.520
<v Speaker 1>But Lunchbox, you know, he used to do the posterboard

0:18:43.560 --> 0:18:45.960
<v Speaker 1>trick with the baseball cards. Cover it with the posterboards.

0:18:46.080 --> 0:18:48.960
<v Speaker 1>You scan the posterboard, don't see the cards underneath? Then

0:18:48.960 --> 0:18:51.159
<v Speaker 1>you got some baseball cards, so did he? I know

0:18:51.280 --> 0:18:54.720
<v Speaker 1>he might have shot shoplifted, but did he get caught? Right,

0:18:54.840 --> 0:18:58.560
<v Speaker 1>So she's remembering stories of lunchbox shoplifting, yeah, and getting

0:18:58.600 --> 0:19:01.920
<v Speaker 1>away with it. It's real good. Okay, I like it.

0:19:02.040 --> 0:19:05.920
<v Speaker 1>I like it. I forgot it that he was doing that. Okay, Grace,

0:19:07.080 --> 0:19:10.920
<v Speaker 1>five thousand dollars on the line. Who do you think

0:19:11.240 --> 0:19:20.000
<v Speaker 1>the liar is? Lunchbox? All right, Grace has selected Lunchbox. Lunchbox,

0:19:20.040 --> 0:19:22.720
<v Speaker 1>you are now locked in as the liar. Okay, And Greg,

0:19:22.880 --> 0:19:24.440
<v Speaker 1>why do you think that is a lie when it

0:19:24.480 --> 0:19:26.280
<v Speaker 1>comes to Lunchbox Because we know as a kid he

0:19:26.359 --> 0:19:29.880
<v Speaker 1>was a hoolum and he did shoplift. I just don't

0:19:29.880 --> 0:19:31.760
<v Speaker 1>know if he got caught and had to call his parents.

0:19:31.800 --> 0:19:33.520
<v Speaker 1>I feel like he either could have gotten away with

0:19:33.640 --> 0:19:37.680
<v Speaker 1>it or light his way out of it. Lunchbox, she

0:19:37.720 --> 0:19:40.560
<v Speaker 1>has locked you in. You are to her the liar,

0:19:40.600 --> 0:19:44.080
<v Speaker 1>and if you lied, she wins five thousand dollars in cash. Lunchbox.

0:19:47.240 --> 0:19:50.320
<v Speaker 1>Did you ever shoplift as a kid? Yeah, okay, it's guilty.

0:19:50.440 --> 0:19:52.600
<v Speaker 1>Was charged. So he did shoplift that we thought about. Yeah,

0:19:53.119 --> 0:19:55.159
<v Speaker 1>and she did remember me going to the store and

0:19:55.200 --> 0:19:58.600
<v Speaker 1>putting posterboards in the cart and putting boxes of baseball

0:19:58.640 --> 0:20:00.880
<v Speaker 1>cards on the bottom, paying for the board and walking

0:20:00.920 --> 0:20:05.680
<v Speaker 1>out lunchbox. Did you ever, I don't know. In seventh grade,

0:20:05.840 --> 0:20:08.800
<v Speaker 1>get caught shoplifting and the manager busted you and you

0:20:08.840 --> 0:20:18.159
<v Speaker 1>had to call your parents. Yes I did. Oh what

0:20:19.000 --> 0:20:22.639
<v Speaker 1>that was the truth? Yeah, it was. There's more of

0:20:22.680 --> 0:20:25.000
<v Speaker 1>the track meet. Dustin was like, hey, let's run over

0:20:25.040 --> 0:20:26.560
<v Speaker 1>the grocery store. And he's like, dude, we don't have

0:20:26.640 --> 0:20:28.280
<v Speaker 1>to pay for anything. I'll show you how to do it.

0:20:28.840 --> 0:20:30.960
<v Speaker 1>And so he was like he had a walkman, so

0:20:31.040 --> 0:20:33.320
<v Speaker 1>we needed batteries and a headphone for the walkman and

0:20:34.640 --> 0:20:41.720
<v Speaker 1>got busted. Well, Amy was the snake. She lied. Well, Grace,

0:20:41.800 --> 0:20:43.919
<v Speaker 1>here's the bad news. You did not win five thousand

0:20:43.960 --> 0:20:48.080
<v Speaker 1>dollars this morning. That's bad. Here's the good news. You

0:20:48.160 --> 0:20:51.160
<v Speaker 1>will come back on Monday show. And now the pot

0:20:51.200 --> 0:20:53.720
<v Speaker 1>it's up to forty thousand dollars. Oh my goodness, you'll

0:20:53.760 --> 0:20:56.040
<v Speaker 1>have a chance to win forty thousand dollars. You'll have

0:20:56.119 --> 0:20:57.840
<v Speaker 1>a one in four chance. You'll be playing against the

0:20:57.920 --> 0:21:02.639
<v Speaker 1>three other people playing. Okay, okay, So as much as

0:21:02.680 --> 0:21:05.280
<v Speaker 1>that stinks that you did not win, she did so good.

0:21:05.359 --> 0:21:07.040
<v Speaker 1>You do have a shot at forty thousand dollars. We

0:21:07.119 --> 0:21:08.920
<v Speaker 1>hate that you didn't win, Grace, but thank you for playing,

0:21:08.920 --> 0:21:11.680
<v Speaker 1>and we'll talk to you soon. Okay, all right, thank

0:21:11.680 --> 0:21:14.160
<v Speaker 1>you guys. I'll talk to him. There she is, Grace. Everybody,

0:21:15.760 --> 0:21:18.600
<v Speaker 1>don't forget. Snake in the Grass premieres August first at

0:21:18.640 --> 0:21:21.439
<v Speaker 1>eleven tenth Central on USA DBRT. Please if you if

0:21:21.480 --> 0:21:23.560
<v Speaker 1>you don't mind, DVRT right now and get ready to

0:21:23.600 --> 0:21:26.680
<v Speaker 1>watch it. And you know we're over for three young winners. Yeah,

0:21:26.720 --> 0:21:28.920
<v Speaker 1>who did Edie? Eddie? How? I was like Grace, I

0:21:29.000 --> 0:21:32.639
<v Speaker 1>had lunchbox. I didn't know. I didn't know if I

0:21:32.800 --> 0:21:34.800
<v Speaker 1>know he had a lot of shoplifting stories, but I

0:21:34.840 --> 0:21:36.920
<v Speaker 1>didn't know if this one was actually true. Well, what

0:21:37.040 --> 0:21:39.399
<v Speaker 1>we're trying to do is make sure we're not like

0:21:39.480 --> 0:21:41.600
<v Speaker 1>eighty percent of a story and then a little lie. Yeah,

0:21:42.280 --> 0:21:44.480
<v Speaker 1>it's all a lie. It's a lie. Yeah, Well we don't.

0:21:44.520 --> 0:21:47.000
<v Speaker 1>I don't want to be like, well my middle name

0:21:47.080 --> 0:21:50.280
<v Speaker 1>is dill Yam and they're like, well that and I'm like,

0:21:50.320 --> 0:21:51.920
<v Speaker 1>well it was it's really will you you know it's

0:21:51.920 --> 0:21:54.640
<v Speaker 1>I don't want it to be super close. Um, so yes,

0:21:54.800 --> 0:21:57.200
<v Speaker 1>no winner, We'll play a liars man. We'll play again.

0:21:57.240 --> 0:22:01.399
<v Speaker 1>We're full and over. We'll play again tomorrow. Five thousand

0:22:01.400 --> 0:22:04.399
<v Speaker 1>dollars on the line. We got money, money, money right

0:22:04.440 --> 0:22:07.640
<v Speaker 1>now to give away whole Patina is on Petina. Where

0:22:07.640 --> 0:22:11.280
<v Speaker 1>do you live? I live in Wilcox's, Arizona Patina. We've

0:22:11.280 --> 0:22:13.199
<v Speaker 1>had nobody win. We have with five thousand bucks up

0:22:13.200 --> 0:22:15.240
<v Speaker 1>for grabs and nobody's one. Have you heard the other players?

0:22:15.840 --> 0:22:18.680
<v Speaker 1>I have? How many did you get? Right? Anny? I

0:22:18.800 --> 0:22:22.080
<v Speaker 1>got two? Right now? I've listened to okay, okay. So

0:22:22.160 --> 0:22:24.200
<v Speaker 1>what's gonna happen is you're gonna have a chance to

0:22:24.280 --> 0:22:27.720
<v Speaker 1>win five thousand dollars. Just see if you can spot

0:22:27.840 --> 0:22:31.080
<v Speaker 1>the lie. So what's gonna happen is me Amy and

0:22:31.240 --> 0:22:33.080
<v Speaker 1>Eddie will I'll tell you a little story. One of

0:22:33.200 --> 0:22:34.640
<v Speaker 1>us is lying. If you can pick out the lie,

0:22:34.680 --> 0:22:36.880
<v Speaker 1>you win all the cash and you're finding the liar.

0:22:37.040 --> 0:22:41.000
<v Speaker 1>Because USA's new competition reality show, Snake in the Grass

0:22:41.080 --> 0:22:43.680
<v Speaker 1>gives four contestants a chance at one hundred thousand dollars.

0:22:43.840 --> 0:22:45.919
<v Speaker 1>The only catches have to find out the liar. If

0:22:45.960 --> 0:22:49.200
<v Speaker 1>they fail that liar, the snake leaves with all the money.

0:22:49.400 --> 0:22:51.960
<v Speaker 1>Spot the lies, catch the snake, win the cash. Snake

0:22:52.000 --> 0:22:57.200
<v Speaker 1>in the Grass premiere is Monday, eleven, tenth Central on USA. Okay, Avery,

0:22:57.240 --> 0:23:00.200
<v Speaker 1>I ready, ready, all right, spot the lie Patina. Yeah,

0:23:00.200 --> 0:23:02.359
<v Speaker 1>now you ten is watching us too, so she can

0:23:02.440 --> 0:23:05.280
<v Speaker 1>also see us. We can see her, so part of

0:23:05.359 --> 0:23:08.840
<v Speaker 1>it maybe it's visual. I don't know at first. Amy,

0:23:11.240 --> 0:23:14.800
<v Speaker 1>when I was twenty four years old, I sneezed and

0:23:15.000 --> 0:23:18.600
<v Speaker 1>my back completely went out on me. I could not move,

0:23:18.760 --> 0:23:21.080
<v Speaker 1>walk to anything, and I was at work, so my

0:23:21.280 --> 0:23:23.879
<v Speaker 1>mom had to come to my job, pick me up,

0:23:24.320 --> 0:23:26.240
<v Speaker 1>load me into the back seat of her car so

0:23:26.280 --> 0:23:28.600
<v Speaker 1>I could like lay down flat because I couldn't even

0:23:28.720 --> 0:23:31.480
<v Speaker 1>sit up straight to buckle. And she took me to

0:23:31.560 --> 0:23:34.800
<v Speaker 1>the doctor immediately, and from then on out was a

0:23:34.880 --> 0:23:37.399
<v Speaker 1>multiple doctor's appointments and it took me weeks to recover.

0:23:37.800 --> 0:23:41.520
<v Speaker 1>So you sneezed and you were out weeks? Yes, okay,

0:23:42.200 --> 0:23:47.359
<v Speaker 1>that is Amy's story. Up next me. I met Hugh

0:23:47.520 --> 0:23:51.400
<v Speaker 1>Hefner in twenty fourteen. Do you guys know who? Yeah?

0:23:52.000 --> 0:23:55.199
<v Speaker 1>The Playboy old Yeah they Yeah. I was in California

0:23:55.200 --> 0:23:58.240
<v Speaker 1>at dinner, and I was with some TV executives and

0:23:58.280 --> 0:24:01.359
<v Speaker 1>I was pitching a TV show idea. They cleared out

0:24:01.400 --> 0:24:03.720
<v Speaker 1>a table next to us while we were eating dinner,

0:24:04.760 --> 0:24:06.680
<v Speaker 1>and I thought they were just like making sure no

0:24:06.760 --> 0:24:09.280
<v Speaker 1>one could use the table. But they cleared everything off

0:24:09.320 --> 0:24:11.320
<v Speaker 1>of it and put a couple settings, and in came

0:24:11.640 --> 0:24:14.040
<v Speaker 1>Hugh Hefner, and I thought, like a bunny would be

0:24:14.080 --> 0:24:16.359
<v Speaker 1>with him. It was some other dude. So Hugh Heffner

0:24:16.560 --> 0:24:19.159
<v Speaker 1>and some other dude sat at the table and I

0:24:19.280 --> 0:24:21.960
<v Speaker 1>tried not to stare, but I went to the bathroom.

0:24:22.880 --> 0:24:25.320
<v Speaker 1>Later on, I'm in the bathroom. He comes into the

0:24:25.359 --> 0:24:29.120
<v Speaker 1>bathroom and it's just us two in there, and he adds,

0:24:29.160 --> 0:24:32.119
<v Speaker 1>bandy gum. I didn't know it. That was at the

0:24:32.200 --> 0:24:33.920
<v Speaker 1>end of the story. There's no cool thing there. But

0:24:34.119 --> 0:24:35.720
<v Speaker 1>I'm in the bathroom and Hugh Hefner say, do you

0:24:35.760 --> 0:24:38.520
<v Speaker 1>haven't have any gum? I said I don't, and then

0:24:39.040 --> 0:24:41.159
<v Speaker 1>that was it. We never talked again. So that was

0:24:41.320 --> 0:24:48.159
<v Speaker 1>my story meeting Hugh Hefner, All right, Eddie. I once

0:24:48.560 --> 0:24:51.920
<v Speaker 1>almost died in a hospital in North Carolina. I went

0:24:52.040 --> 0:24:54.640
<v Speaker 1>over there for a wedding. I had a staff infection

0:24:54.680 --> 0:24:56.359
<v Speaker 1>in my leg and during the wedding and had just

0:24:56.480 --> 0:24:59.040
<v Speaker 1>gotten huge, almost softball size. I'm like, I have to

0:24:59.080 --> 0:25:00.960
<v Speaker 1>go to the ar So I go to the er

0:25:01.359 --> 0:25:03.200
<v Speaker 1>and the doctor said this is really bad. We're gonna

0:25:03.200 --> 0:25:05.040
<v Speaker 1>have to admit you into the hospital and ended up

0:25:05.080 --> 0:25:09.040
<v Speaker 1>being a week long visit. They said that there was

0:25:09.200 --> 0:25:11.480
<v Speaker 1>no antibiotics were sticking, so they had to come up

0:25:11.520 --> 0:25:14.600
<v Speaker 1>with a weird concoction of antibiotics to actually kill the

0:25:14.680 --> 0:25:17.600
<v Speaker 1>staff infection. They said it was almost lethal, but they

0:25:17.680 --> 0:25:20.040
<v Speaker 1>saved me. He almost died, almost died. Was it hurting

0:25:20.119 --> 0:25:21.840
<v Speaker 1>so bad? Is that you went in? Gosh, it was

0:25:21.880 --> 0:25:23.399
<v Speaker 1>the worst pain ever, because I would think if you're

0:25:23.400 --> 0:25:24.720
<v Speaker 1>in a different state to go to the ear, it

0:25:24.800 --> 0:25:26.520
<v Speaker 1>had to be really bad. It hurt really bad. It

0:25:26.600 --> 0:25:28.399
<v Speaker 1>was during the wedding. I had to leave the wedding

0:25:28.440 --> 0:25:29.840
<v Speaker 1>and say I got to go to the hospital. Guys,

0:25:29.840 --> 0:25:31.760
<v Speaker 1>they were getting married and you left. Yep, it was

0:25:32.040 --> 0:25:34.119
<v Speaker 1>a reception. They had already gotten married. So right in

0:25:34.160 --> 0:25:35.919
<v Speaker 1>the middle of Twist and Shower or the Twist year

0:25:36.240 --> 0:25:39.440
<v Speaker 1>a man, it was the conga train. Okay, so Patina,

0:25:39.520 --> 0:25:42.040
<v Speaker 1>you've heard our stories. Amy, she sneezed and was out

0:25:42.119 --> 0:25:44.399
<v Speaker 1>for weeks, basically because she blew her back out at

0:25:44.440 --> 0:25:46.639
<v Speaker 1>twenty four years old. I met who have heard a bathroom.

0:25:46.720 --> 0:25:49.479
<v Speaker 1>But this part of the story is not that really exciting.

0:25:49.520 --> 0:25:51.760
<v Speaker 1>He just asked me if he's gone. And then Eddie

0:25:51.800 --> 0:25:54.919
<v Speaker 1>almost died in a North Carolina hospital when he went

0:25:54.960 --> 0:25:58.639
<v Speaker 1>to Carolina for a wedding. All right, Pettina, you're there

0:25:58.640 --> 0:26:02.520
<v Speaker 1>in Arizona. Thousand dollars is up for grabs. How are

0:26:02.560 --> 0:26:06.439
<v Speaker 1>you feeling right now? Okay, so all three you are

0:26:06.560 --> 0:26:14.840
<v Speaker 1>quite convincing. Um, I am debating between Bobby and Eddie

0:26:15.560 --> 0:26:18.719
<v Speaker 1>as the lie as the lie. Yeah, you're gonna lock

0:26:18.800 --> 0:26:20.880
<v Speaker 1>in Amy as the truth. You're you're one percent saying

0:26:20.960 --> 0:26:23.640
<v Speaker 1>that story from Amy is the truth. I do. I've

0:26:23.720 --> 0:26:25.920
<v Speaker 1>heard that even the slightest movement you could throw your

0:26:25.920 --> 0:26:28.159
<v Speaker 1>back out. It it's awful. So I believe her. I

0:26:28.240 --> 0:26:29.359
<v Speaker 1>thought you said you heard that story. I was like,

0:26:29.359 --> 0:26:31.800
<v Speaker 1>I've never heard that story. Wow. Okay, all right, So

0:26:31.960 --> 0:26:34.280
<v Speaker 1>you're locking Amy in as the truth, so I need

0:26:34.320 --> 0:26:37.960
<v Speaker 1>you to say that too. Yes, yes, you are what

0:26:38.880 --> 0:26:41.600
<v Speaker 1>locking Amy in as the truth? Time Okay, Amy, she

0:26:41.720 --> 0:26:43.879
<v Speaker 1>says that's the truth. So we'll go to your first

0:26:44.760 --> 0:26:46.479
<v Speaker 1>You're twenty four years old. Did you blow your back

0:26:46.520 --> 0:26:52.000
<v Speaker 1>out sneezing? Yes? I did, okay, in weeks. It took

0:26:52.080 --> 0:26:55.119
<v Speaker 1>weeks to get back. Oh yeah, my spine was very crooked.

0:26:55.240 --> 0:26:56.840
<v Speaker 1>It was almost like this weird. It was like a

0:26:56.920 --> 0:26:59.720
<v Speaker 1>twisty if my spine looked very weird. And that's when

0:26:59.760 --> 0:27:02.720
<v Speaker 1>I you probably know this part of the story is

0:27:02.960 --> 0:27:05.040
<v Speaker 1>when I that's when I started seeing a chiropractor that

0:27:05.080 --> 0:27:07.120
<v Speaker 1>would make me put bowling shoes on. When I would

0:27:07.119 --> 0:27:09.040
<v Speaker 1>go there and you would you make fun of me

0:27:09.119 --> 0:27:10.640
<v Speaker 1>that I was going to a witch doctor. How hard

0:27:10.680 --> 0:27:13.320
<v Speaker 1>of a sneeze was this? Well, the thing is, it

0:27:13.440 --> 0:27:15.720
<v Speaker 1>was when I was selling granite before I came to

0:27:15.760 --> 0:27:18.640
<v Speaker 1>work with y'all, and I would walk around the grant

0:27:18.760 --> 0:27:21.080
<v Speaker 1>yard and high heels because I was also in sales.

0:27:21.119 --> 0:27:24.040
<v Speaker 1>I would have to do sales. I was dressed up

0:27:24.040 --> 0:27:26.040
<v Speaker 1>but doing a lot of walking, and so I think

0:27:26.119 --> 0:27:30.560
<v Speaker 1>from the high heels, I just sneezed, and I was

0:27:30.680 --> 0:27:32.480
<v Speaker 1>very painful. And I mean I honestly, I've had back

0:27:32.520 --> 0:27:38.680
<v Speaker 1>pain ever since. But as I as bad. So right now, Patina,

0:27:38.720 --> 0:27:41.280
<v Speaker 1>you got Eddie who's at a wedding in North Carolina

0:27:41.560 --> 0:27:43.800
<v Speaker 1>goes to the emergency room almost dies. You have me.

0:27:44.320 --> 0:27:47.320
<v Speaker 1>I'm going to a bathroom in California, Hugh Heffner asked

0:27:47.359 --> 0:27:50.280
<v Speaker 1>me for gum, I didn't have any? Are you nervous? Right? Now,

0:27:50.359 --> 0:27:52.480
<v Speaker 1>or do you feel pretty good about it? I am

0:27:52.680 --> 0:27:56.520
<v Speaker 1>I'm very nervous. I can't decide. But Eddie's my favorite,

0:27:56.560 --> 0:28:01.119
<v Speaker 1>and he wouldn't lie to me, would I? Well, Eddie? Actually,

0:28:01.760 --> 0:28:03.920
<v Speaker 1>I mean we kind of all decided this before, so

0:28:04.000 --> 0:28:05.640
<v Speaker 1>we don't need to choose. If we're lying, why don't

0:28:05.640 --> 0:28:09.040
<v Speaker 1>we come on? So? But okay, So Eddie almost died

0:28:09.119 --> 0:28:12.560
<v Speaker 1>North Carolina. I met Hugh Hefner in a bathroom. Which

0:28:12.560 --> 0:28:15.399
<v Speaker 1>one do you feel like is the lie? I feel

0:28:15.480 --> 0:28:19.960
<v Speaker 1>like your story might be a lie, Bobby Mike, Yes,

0:28:20.400 --> 0:28:23.200
<v Speaker 1>are you committed to me being the liar for five

0:28:23.320 --> 0:28:26.600
<v Speaker 1>thousand dollars? Oh? My goodness, I sure hope? So I

0:28:26.640 --> 0:28:29.200
<v Speaker 1>hope you're lying to me? No, no, no, hope, Patina.

0:28:29.320 --> 0:28:32.840
<v Speaker 1>We have to like say definitive terms, like I pick

0:28:32.920 --> 0:28:36.240
<v Speaker 1>you as the liar, Bobby. I am sure you are lying, Bobby.

0:28:36.400 --> 0:28:42.440
<v Speaker 1>I like it. Five thousand dollars up for grabs. So

0:28:42.600 --> 0:28:46.000
<v Speaker 1>the story is I met Hugh Hefner in a bathroom

0:28:46.360 --> 0:28:54.920
<v Speaker 1>in my dreams. That did not happen. A dollar That

0:28:55.160 --> 0:29:01.200
<v Speaker 1>is a lie, Patina. It's won five thousand. You're the

0:29:01.200 --> 0:29:04.560
<v Speaker 1>first one to win. How do you feel right now? Great?

0:29:05.320 --> 0:29:07.560
<v Speaker 1>She feels so great. She's so loud, she's overmodulating her

0:29:07.600 --> 0:29:09.920
<v Speaker 1>computer and we can't hear her. All right, Patina, so

0:29:10.120 --> 0:29:13.000
<v Speaker 1>you've won five thousand dollars. You are correct. I did

0:29:13.080 --> 0:29:15.040
<v Speaker 1>lie to you. The whole story was made up. And

0:29:15.200 --> 0:29:19.240
<v Speaker 1>not only that, you're gonna come back, Scooba, She's gonna

0:29:19.280 --> 0:29:25.360
<v Speaker 1>come back and play four or forty. Yes, Oh my gosh.

0:29:25.440 --> 0:29:27.280
<v Speaker 1>So you just won five thousand, and you're gonna come

0:29:27.320 --> 0:29:29.840
<v Speaker 1>back and compete for forty thousand dollars. And you have

0:29:29.920 --> 0:29:32.160
<v Speaker 1>two different you have two deer heads mounting it above you.

0:29:32.400 --> 0:29:35.120
<v Speaker 1>I see who killed those deer Oh my goodness, I

0:29:35.200 --> 0:29:39.719
<v Speaker 1>can't hear him. Oh we lose her forever. I can

0:29:39.760 --> 0:29:41.520
<v Speaker 1>never get back in touch, Patina. Can you hear me?

0:29:42.520 --> 0:29:44.520
<v Speaker 1>I can barely hear it. It's okay, Well, we'll get

0:29:44.520 --> 0:29:47.040
<v Speaker 1>it all set up. She won five thousand dollars, two

0:29:47.120 --> 0:29:49.280
<v Speaker 1>truths in a lie. Go ahead and turn her down,

0:29:49.480 --> 0:29:51.560
<v Speaker 1>And let me say this on Mondday Night. It is

0:29:51.640 --> 0:29:54.560
<v Speaker 1>the premiere of Snake in the Grass on USA Network.

0:29:54.800 --> 0:29:56.800
<v Speaker 1>Please watch it, and the show really wants you to

0:29:56.840 --> 0:29:58.440
<v Speaker 1>watch it where everybody wants you to watch it. Snake

0:29:58.480 --> 0:30:01.080
<v Speaker 1>in the Grass premiere is August first, eleven tenth Central

0:30:01.160 --> 0:30:03.760
<v Speaker 1>on USA, and if you don't mind, go ahead and

0:30:03.880 --> 0:30:05.320
<v Speaker 1>dB art right now, so if you do miss it,

0:30:05.400 --> 0:30:07.120
<v Speaker 1>you can watch it after that. All right, Tina won

0:30:07.200 --> 0:30:11.880
<v Speaker 1>five thousand bucks. That's awesome news. It's the best bits

0:30:11.920 --> 0:30:16.880
<v Speaker 1>of the week with Morgan. Number two. It was a

0:30:16.920 --> 0:30:19.960
<v Speaker 1>good time when Randy Houser stopped by the show this week.

0:30:20.080 --> 0:30:23.080
<v Speaker 1>He performed a brand new song and he talked about

0:30:23.120 --> 0:30:25.480
<v Speaker 1>his new album that's coming out later this year. Plus

0:30:25.920 --> 0:30:28.840
<v Speaker 1>he also shared the jobs that he had before he

0:30:28.960 --> 0:30:30.960
<v Speaker 1>ever moved to Nashville. When he was in his like

0:30:31.080 --> 0:30:35.400
<v Speaker 1>middle twenties. He did so many crazy things that I

0:30:35.520 --> 0:30:38.920
<v Speaker 1>never knew about Randy Houser. He's incredibly talented as an

0:30:39.000 --> 0:30:41.520
<v Speaker 1>artist and has really cool style. He also showed the

0:30:41.560 --> 0:30:45.120
<v Speaker 1>inspiration behind the style. But he also just has so

0:30:45.280 --> 0:30:47.520
<v Speaker 1>many skills from all the jobs he did. So here

0:30:47.560 --> 0:30:49.760
<v Speaker 1>it is the Randy Houser Interview. Make sure you watch

0:30:50.360 --> 0:30:54.640
<v Speaker 1>his performance at Bobby Bones dot Com number four on

0:30:54.800 --> 0:30:58.240
<v Speaker 1>The Bobby Bones Show Now Randy Houser. Andy us talking

0:30:58.320 --> 0:31:01.600
<v Speaker 1>to somebody about you were like Randy's coming in and said, yeah,

0:31:01.640 --> 0:31:03.640
<v Speaker 1>I said, one of maybe the first time you came in,

0:31:03.680 --> 0:31:06.000
<v Speaker 1>you brought a goat and Pete everywhere. Yeah, and until

0:31:06.040 --> 0:31:09.560
<v Speaker 1>we changed our studio, that Pe just remained in the

0:31:09.600 --> 0:31:12.400
<v Speaker 1>studio for like seven years. Yeah, you know that was

0:31:12.720 --> 0:31:14.440
<v Speaker 1>you know that, that whole thing was a surprise to

0:31:14.520 --> 0:31:16.560
<v Speaker 1>me as well. Oh well, we didn't know that. Oh yeah,

0:31:16.560 --> 0:31:18.040
<v Speaker 1>because we didn't know you at the time. We were

0:31:18.120 --> 0:31:19.720
<v Speaker 1>new to town. I didn't know y'all either, and you

0:31:19.760 --> 0:31:21.000
<v Speaker 1>were the guy that showed up with the goat, and

0:31:21.160 --> 0:31:25.240
<v Speaker 1>so first of us, that was not me. It was interesting.

0:31:25.360 --> 0:31:27.600
<v Speaker 1>It was like, oh, I got here and they're like, hey,

0:31:27.760 --> 0:31:29.280
<v Speaker 1>we brought you a goat to take you and I

0:31:29.400 --> 0:31:31.360
<v Speaker 1>was like, oh cool. We were like that too, this

0:31:31.440 --> 0:31:34.200
<v Speaker 1>is how I'm gonna meet all these people. But now

0:31:34.320 --> 0:31:36.160
<v Speaker 1>that that's you know, it was so funny. I think

0:31:36.200 --> 0:31:39.200
<v Speaker 1>they were I don't know what they're trond doing, you know.

0:31:39.280 --> 0:31:41.880
<v Speaker 1>I normally don't just take goats to people. We didn't

0:31:41.920 --> 0:31:43.080
<v Speaker 1>know that. We thought you were the goat guy for

0:31:43.120 --> 0:31:45.840
<v Speaker 1>a long time. Yeah, how you been. I've been great, man.

0:31:45.960 --> 0:31:47.440
<v Speaker 1>I would say that haven't seen you in a while,

0:31:47.480 --> 0:31:50.080
<v Speaker 1>but we briefly, and I'll keep your business private. We

0:31:50.160 --> 0:31:53.040
<v Speaker 1>saw each other for like seven seconds. I was getting

0:31:53.120 --> 0:31:54.840
<v Speaker 1>my car driving out and you were like hey, and

0:31:54.880 --> 0:31:56.200
<v Speaker 1>I was like, oh, somebody's going to beat me up.

0:31:56.280 --> 0:31:58.160
<v Speaker 1>That's what I thought it was. It was like an

0:31:58.200 --> 0:32:01.040
<v Speaker 1>aggressive not like I couldn't figure out if you were

0:32:01.080 --> 0:32:02.480
<v Speaker 1>get somebodys gonna beat me up or somebody was like

0:32:02.480 --> 0:32:05.080
<v Speaker 1>trying to catch me before I drove off. And you're like, hey,

0:32:05.160 --> 0:32:06.600
<v Speaker 1>that's what I was doing. Yeah, yeah, you know, but

0:32:06.720 --> 0:32:08.880
<v Speaker 1>I think I probably say it like that to everybody anyway.

0:32:09.760 --> 0:32:11.600
<v Speaker 1>I don't know, let me say it gets scary, Yeah,

0:32:11.640 --> 0:32:14.320
<v Speaker 1>it's scary. Yeah. And so it was good to see you.

0:32:14.320 --> 0:32:15.920
<v Speaker 1>I know we were we only had a few seconds

0:32:15.960 --> 0:32:17.920
<v Speaker 1>to say hello, but you know, we haven't had you

0:32:17.960 --> 0:32:19.640
<v Speaker 1>in here in a while. I do see you tagged

0:32:19.640 --> 0:32:21.360
<v Speaker 1>a lot of Instagram stories from people that are like

0:32:21.400 --> 0:32:24.160
<v Speaker 1>at your shows yeah, because they're like, it's a religious

0:32:24.200 --> 0:32:26.880
<v Speaker 1>experience at a Randy Houser's show. Oh we have a

0:32:26.960 --> 0:32:31.000
<v Speaker 1>good time. I mean, I'm very passionate about what I

0:32:31.160 --> 0:32:33.160
<v Speaker 1>do and making music, and you know, I mean, I

0:32:33.640 --> 0:32:35.880
<v Speaker 1>don't know what, I know how it makes me feel.

0:32:36.120 --> 0:32:38.840
<v Speaker 1>You know, I love what I'll do for a few

0:32:38.960 --> 0:32:41.080
<v Speaker 1>years now. Anytime I've seen you even a picture online,

0:32:41.520 --> 0:32:44.680
<v Speaker 1>so and you're I would say, my buddy John Party

0:32:44.760 --> 0:32:46.480
<v Speaker 1>is too. But you guys are real life cowboys, so

0:32:46.600 --> 0:32:49.160
<v Speaker 1>you wear grew up that way. Yeah, but it's kind

0:32:49.200 --> 0:32:52.560
<v Speaker 1>of hard to be a cowboy in West Meat anymore. True.

0:32:52.640 --> 0:32:54.960
<v Speaker 1>But I would say it's like riding a bike. Haven't

0:32:54.960 --> 0:32:56.720
<v Speaker 1>wrote a bicycle in a long time. I'm still a

0:32:56.760 --> 0:33:00.600
<v Speaker 1>bicycle rider. Yeah, but the hat, it's kind of cowboy yeah,

0:33:00.880 --> 0:33:04.520
<v Speaker 1>but also like kind of cool. Yeah, you know, I

0:33:04.680 --> 0:33:06.840
<v Speaker 1>have steps and makes me his hats, but they're kind

0:33:06.840 --> 0:33:12.120
<v Speaker 1>of made like, um my granddaddy would take like fedor

0:33:12.280 --> 0:33:15.120
<v Speaker 1>style hats like that, and then he was a cattleman,

0:33:15.240 --> 0:33:16.920
<v Speaker 1>you know, he was a cattle buyer, so he would

0:33:17.360 --> 0:33:19.760
<v Speaker 1>he would still shape his for doors like a cowboy hat.

0:33:20.000 --> 0:33:22.080
<v Speaker 1>So I just kind of like got that from him.

0:33:22.480 --> 0:33:25.960
<v Speaker 1>That's cool that Yeah, it's because something different. I like

0:33:26.080 --> 0:33:28.240
<v Speaker 1>to love something you get from tradition to your family,

0:33:28.320 --> 0:33:31.320
<v Speaker 1>you know, do you switch it up? Because I was

0:33:31.400 --> 0:33:33.360
<v Speaker 1>going to dinner with Party. He was like my only

0:33:33.400 --> 0:33:35.160
<v Speaker 1>close friend, whars the cowboy had all the time. Yea,

0:33:35.240 --> 0:33:36.640
<v Speaker 1>we were going to dinner and I was gonna be funny.

0:33:36.680 --> 0:33:38.240
<v Speaker 1>I'm wear a cowboy hat too, because he wears it

0:33:38.320 --> 0:33:40.640
<v Speaker 1>everywhere and it doesn't matter what's it? And it's he's

0:33:40.840 --> 0:33:43.200
<v Speaker 1>a big guy in a cowboy hat who talks loud.

0:33:43.480 --> 0:33:45.040
<v Speaker 1>And I was like, screwed. I want a cowboy hat too,

0:33:45.040 --> 0:33:46.800
<v Speaker 1>So I put one on. It was winter. I put

0:33:46.880 --> 0:33:50.040
<v Speaker 1>one on and it's a just you know, straw cowboy. However, yeah,

0:33:50.040 --> 0:33:52.040
<v Speaker 1>when we show up and he's he's like, you can't

0:33:52.040 --> 0:33:53.960
<v Speaker 1>wear that we that, I'm like, what are you talking about?

0:33:53.960 --> 0:33:55.680
<v Speaker 1>He goes, you got to wear a felt in the winter.

0:33:56.680 --> 0:33:58.000
<v Speaker 1>I'm like, bro, I don't. I was just doing this

0:33:58.040 --> 0:34:00.120
<v Speaker 1>to be funny. So then he got me a felt one,

0:34:00.200 --> 0:34:02.560
<v Speaker 1>which I've never wore. Really do you switch it up

0:34:02.600 --> 0:34:04.960
<v Speaker 1>at all? You wonderful? It just depends. Well, if I'm

0:34:05.000 --> 0:34:08.799
<v Speaker 1>like outside, you know, like just at the house or whatever,

0:34:08.920 --> 0:34:11.200
<v Speaker 1>most of the time I wear a straw hat, but

0:34:11.480 --> 0:34:13.560
<v Speaker 1>like if it comes to doing a show, I'm always

0:34:13.560 --> 0:34:15.440
<v Speaker 1>in a felt had I like it. I like it.

0:34:15.760 --> 0:34:18.399
<v Speaker 1>Randy Howser is here. So we got some new music here,

0:34:18.800 --> 0:34:20.800
<v Speaker 1>I mean I got the album doesn't come out to

0:34:20.960 --> 0:34:25.840
<v Speaker 1>new uh November? Is that right? So, but you're putting

0:34:25.840 --> 0:34:27.680
<v Speaker 1>out music at a few songs out let me play

0:34:27.800 --> 0:34:39.440
<v Speaker 1>some of still that Cowboy speed Cowboy that? So was

0:34:39.520 --> 0:34:42.400
<v Speaker 1>that written? And I know you you co wrote every

0:34:42.440 --> 0:34:45.000
<v Speaker 1>song that's coming out on this record. Yeah. Was this

0:34:45.239 --> 0:34:49.719
<v Speaker 1>song at all toward your wife? Absolutely? Yeah? This the

0:34:50.200 --> 0:34:52.920
<v Speaker 1>idea sort of came from. It was like, you know,

0:34:53.160 --> 0:34:55.920
<v Speaker 1>I mean I think i'd just gotten home and I

0:34:56.120 --> 0:34:58.319
<v Speaker 1>and you know, we were in bed, and I looked

0:34:58.320 --> 0:35:01.200
<v Speaker 1>over and I was watching her sleep, and you know,

0:35:02.000 --> 0:35:05.080
<v Speaker 1>just the interesting thought of I wonder what she's thinking

0:35:05.120 --> 0:35:07.000
<v Speaker 1>about or what she's dreaming about right now, and I

0:35:07.080 --> 0:35:10.000
<v Speaker 1>hope it's me. You know, this kind of that kind

0:35:10.040 --> 0:35:11.719
<v Speaker 1>of thought hit me, you know, and I was just like,

0:35:12.320 --> 0:35:14.520
<v Speaker 1>that's kind of where that idea for the song came from.

0:35:14.840 --> 0:35:20.600
<v Speaker 1>And like two days later, my buddy Josh Hogan Matt

0:35:20.719 --> 0:35:23.680
<v Speaker 1>Rogers came over and we wrote it. See hold onto that.

0:35:23.680 --> 0:35:25.399
<v Speaker 1>Do you write it on your phone? Do you just say? Yeah?

0:35:25.440 --> 0:35:28.080
<v Speaker 1>I keep like notes of ideas in my phone all

0:35:28.120 --> 0:35:30.920
<v Speaker 1>either home stuff in there, and like in voice recorder.

0:35:31.200 --> 0:35:34.440
<v Speaker 1>I'll get in notepad and just write out like you know,

0:35:34.560 --> 0:35:37.279
<v Speaker 1>type out some like ideas or something like that. And

0:35:37.400 --> 0:35:40.520
<v Speaker 1>then mostly and I write, like you know, I don't

0:35:40.560 --> 0:35:43.439
<v Speaker 1>write all the time. I like one of those guys

0:35:43.480 --> 0:35:46.880
<v Speaker 1>it writes like when it I go in writing like seasons,

0:35:46.920 --> 0:35:49.799
<v Speaker 1>I'll write like, um, when it's time to start making

0:35:49.840 --> 0:35:52.719
<v Speaker 1>a record, I'll just store up all my thoughts and

0:35:52.840 --> 0:35:55.040
<v Speaker 1>then just sort of go for it because I can't.

0:35:55.719 --> 0:35:57.040
<v Speaker 1>I don't know. I'm not one of those people that

0:35:57.160 --> 0:36:00.160
<v Speaker 1>do well writing on the road. I just don't. It's

0:36:00.200 --> 0:36:02.640
<v Speaker 1>like a separate thing for me. Somehow. Those are your nuts,

0:36:02.800 --> 0:36:06.680
<v Speaker 1>squirrel nuts, squirrel nuts nuts. And it goes and yeah,

0:36:08.080 --> 0:36:10.360
<v Speaker 1>there's a song that it's out now, it's current single,

0:36:10.400 --> 0:36:12.000
<v Speaker 1>and I know we could play a clip of it,

0:36:12.080 --> 0:36:14.239
<v Speaker 1>but instead of that, I know you have your guitar here.

0:36:14.440 --> 0:36:16.879
<v Speaker 1>Would you mind performing a little bit of a note

0:36:16.920 --> 0:36:18.960
<v Speaker 1>to sell for us? I'd love to now before you

0:36:19.040 --> 0:36:22.360
<v Speaker 1>play it here, So walk me through, um, what this

0:36:22.480 --> 0:36:25.200
<v Speaker 1>song means to you and why you wrote it. Yeah. Um,

0:36:25.880 --> 0:36:28.480
<v Speaker 1>so you know, with like a lot of people that

0:36:29.080 --> 0:36:34.759
<v Speaker 1>do what I do, the um, the pandemic gave me

0:36:35.360 --> 0:36:39.359
<v Speaker 1>not only an excuse but forced me to be at

0:36:39.400 --> 0:36:41.719
<v Speaker 1>home a lot more than I can remember being home.

0:36:42.040 --> 0:36:45.840
<v Speaker 1>I mean it's a you know, I don't before the pandemic,

0:36:45.920 --> 0:36:47.920
<v Speaker 1>I can't remember being at home more than like two

0:36:47.960 --> 0:36:52.359
<v Speaker 1>weeks at a time. And so it also it did

0:36:52.360 --> 0:36:56.359
<v Speaker 1>a lot of things it, Um, you know, it gave

0:36:56.400 --> 0:36:58.040
<v Speaker 1>me a chance to experience a lot of things that

0:36:58.160 --> 0:37:01.640
<v Speaker 1>like I wouldn't have experienced, like my little boy Huckleberry

0:37:01.680 --> 0:37:03.960
<v Speaker 1>starting to walk, things like that and seeing that, and

0:37:04.400 --> 0:37:06.200
<v Speaker 1>and most likely I would have been on the road

0:37:06.560 --> 0:37:10.160
<v Speaker 1>had you know, had that nothing happened. And so it

0:37:10.280 --> 0:37:12.399
<v Speaker 1>just gave me a chance to be home and sort

0:37:12.440 --> 0:37:16.359
<v Speaker 1>of evaluate and reevaluate decisions that I've made years ago

0:37:17.200 --> 0:37:19.440
<v Speaker 1>and h and also taught me what it means to

0:37:19.560 --> 0:37:21.680
<v Speaker 1>be like a home dad and a home husband and

0:37:21.719 --> 0:37:23.800
<v Speaker 1>all those things which were which to me was like

0:37:24.520 --> 0:37:26.799
<v Speaker 1>very foreign. You know. It was like, you know, most

0:37:26.800 --> 0:37:28.320
<v Speaker 1>people want to admit that to do what we do,

0:37:28.520 --> 0:37:32.239
<v Speaker 1>but we're gone all the time, you know. Um, So

0:37:32.400 --> 0:37:34.919
<v Speaker 1>it was a really cool experience in a lot of ways.

0:37:34.960 --> 0:37:37.240
<v Speaker 1>It was also very unwelcome in a lot of ways,

0:37:37.920 --> 0:37:41.680
<v Speaker 1>but um, totally fitting for the time. And we just

0:37:41.800 --> 0:37:45.960
<v Speaker 1>finished finished writing at that day and I recorded it

0:37:46.000 --> 0:37:48.160
<v Speaker 1>at my house and we just went for it. Here

0:37:48.320 --> 0:37:50.759
<v Speaker 1>is Randy Howser playing note to self here on the

0:37:50.800 --> 0:38:06.640
<v Speaker 1>Bobby won't show a note to seven. The truck only

0:38:06.719 --> 0:38:12.640
<v Speaker 1>goes so far on half a time. That credit card

0:38:12.719 --> 0:38:17.680
<v Speaker 1>ain't money in the bank. If it don't sound like

0:38:17.880 --> 0:38:23.160
<v Speaker 1>a good idea. It probably ain't a note to seven.

0:38:25.280 --> 0:38:29.000
<v Speaker 1>You can't change a where she's gonna change her mind.

0:38:30.680 --> 0:38:34.560
<v Speaker 1>She might love you, she won't like you all the time.

0:38:36.520 --> 0:38:41.880
<v Speaker 1>Instead of taking her for granted, take her somewhere nice.

0:38:42.120 --> 0:38:49.279
<v Speaker 1>Note to sell a love ain't diamond rings figured on't

0:38:49.360 --> 0:38:54.800
<v Speaker 1>always mean better. The grass ain't always green. Money don't

0:38:54.880 --> 0:38:59.320
<v Speaker 1>wrong trees ever can make somebody be made for you.

0:39:00.000 --> 0:39:02.920
<v Speaker 1>It ain't gonna do the praying for you, which just

0:39:03.120 --> 0:39:08.480
<v Speaker 1>must left to their wrong shoe. You're gonna have to

0:39:08.600 --> 0:39:22.360
<v Speaker 1>find the answer somewhere. Note to sing, not to sund

0:39:24.719 --> 0:39:34.479
<v Speaker 1>A truck only goes so far on half a time. Ah, Randy, Randy,

0:39:34.520 --> 0:39:36.600
<v Speaker 1>I want to play some a working Man, which you

0:39:36.640 --> 0:39:40.680
<v Speaker 1>wrote with Randy Montana to Randy's in room. No sounds

0:39:40.719 --> 0:39:43.239
<v Speaker 1>confusing with double team, Yeah it sounds. So here's some

0:39:43.360 --> 0:39:46.359
<v Speaker 1>a working man. Here you go, always looking foreshine oft

0:39:46.400 --> 0:39:52.080
<v Speaker 1>the totle of the working man, y'all that stuff. When

0:39:52.160 --> 0:39:55.440
<v Speaker 1>it hits a fan to roll down to you and

0:39:55.640 --> 0:40:00.480
<v Speaker 1>lands on the working man, Randy, can you list and

0:40:00.560 --> 0:40:02.799
<v Speaker 1>we'll talk about jobs from when they started to take

0:40:02.840 --> 0:40:04.799
<v Speaker 1>taxes out because you know, I molded a lot of yards,

0:40:04.840 --> 0:40:06.399
<v Speaker 1>a lot of stuff young. But when they started taking

0:40:06.440 --> 0:40:09.320
<v Speaker 1>taxes out the government did. Can you list your normal

0:40:09.480 --> 0:40:13.359
<v Speaker 1>jobs before you became Randy House with a famous musician? Yeah,

0:40:13.520 --> 0:40:18.160
<v Speaker 1>go ahead, Okay. My first job was obviously, you know,

0:40:18.239 --> 0:40:20.600
<v Speaker 1>grew up in Mississippi. We grew up raising chickens. We

0:40:20.680 --> 0:40:23.920
<v Speaker 1>grew up in chicken houses. So working in the poultry

0:40:23.960 --> 0:40:25.799
<v Speaker 1>industry to put did you always think because we grew

0:40:25.880 --> 0:40:27.719
<v Speaker 1>up on chicken houses, I mean you're an Arkansas. I

0:40:27.920 --> 0:40:30.520
<v Speaker 1>definitely had a chicken out. It smells selling. That's what

0:40:30.560 --> 0:40:34.200
<v Speaker 1>we always okay, okay, all right, chicken houses? What else? Um?

0:40:34.680 --> 0:40:37.839
<v Speaker 1>After that, I was a bus boy at a at

0:40:37.880 --> 0:40:41.480
<v Speaker 1>a place called the Back Forty after that, I went

0:40:41.560 --> 0:40:45.800
<v Speaker 1>to work at Lazy Boy doing what um, driving on forklift.

0:40:46.760 --> 0:40:49.359
<v Speaker 1>And then let's see, I went to were you good

0:40:49.400 --> 0:40:52.120
<v Speaker 1>at that? Yeah? And I asked because I drove forkliff

0:40:52.120 --> 0:40:54.719
<v Speaker 1>a little bit at hobby Lobby and I just was

0:40:54.760 --> 0:40:57.520
<v Speaker 1>bad at backing up because you got to the opposite. Yeah,

0:40:57.640 --> 0:41:00.279
<v Speaker 1>it's that whole, not the back wheels, turn the whole,

0:41:00.280 --> 0:41:01.520
<v Speaker 1>it's that whole thing. But you were good, Okay. I

0:41:01.600 --> 0:41:03.399
<v Speaker 1>wasn't good. I didn't get to do much was I mean,

0:41:03.640 --> 0:41:06.799
<v Speaker 1>you know, But here's the thing. I hated every job

0:41:06.880 --> 0:41:11.359
<v Speaker 1>I ever had until I was was able to play

0:41:11.440 --> 0:41:13.480
<v Speaker 1>music for a living, because this all I ever wanted

0:41:13.480 --> 0:41:17.120
<v Speaker 1>to do. What job did you get to quit to go?

0:41:17.320 --> 0:41:19.719
<v Speaker 1>I finally get to go do music now full time?

0:41:19.880 --> 0:41:23.160
<v Speaker 1>I quit all of them, No, no, but no. And

0:41:23.239 --> 0:41:24.799
<v Speaker 1>then I worked at a steel mill. I worked at

0:41:24.880 --> 0:41:28.520
<v Speaker 1>Magnoli Steel and then I worked at a music store.

0:41:28.640 --> 0:41:31.560
<v Speaker 1>That's the one I quit when I moved to Nashville.

0:41:31.600 --> 0:41:34.160
<v Speaker 1>I was twenty six before I moved to Nashville, which

0:41:34.239 --> 0:41:36.480
<v Speaker 1>is pretty pretty late. Yeah, pretty late. So what were

0:41:36.480 --> 0:41:39.759
<v Speaker 1>you doing at the music store just whatever, hanging out

0:41:40.239 --> 0:41:45.759
<v Speaker 1>tuning guitars or whatever? In Meridian, Mississippi? And Meridian? Were

0:41:45.880 --> 0:41:47.680
<v Speaker 1>you the guy that was really good at music? The

0:41:47.719 --> 0:41:49.239
<v Speaker 1>local guy that was really good at music? I was

0:41:49.320 --> 0:41:50.960
<v Speaker 1>one of them there. When I was there, there was

0:41:50.960 --> 0:41:54.000
<v Speaker 1>a lot of Still I always grew up playing with

0:41:54.080 --> 0:41:56.000
<v Speaker 1>guys that were like twenty years older than me, because

0:41:56.160 --> 0:41:58.759
<v Speaker 1>you know, it's kind of like the band scene kind

0:41:58.800 --> 0:42:03.000
<v Speaker 1>of disappeared a lot of ways. But um yeah, I

0:42:03.160 --> 0:42:06.080
<v Speaker 1>was one of those guys. But um yeah, I'll quit

0:42:06.160 --> 0:42:09.279
<v Speaker 1>that one. To move here. It's a risk, right, I mean,

0:42:09.400 --> 0:42:12.880
<v Speaker 1>especially if you've been having to pay the bills and

0:42:13.000 --> 0:42:16.239
<v Speaker 1>now you're gonna go and do something creative where there

0:42:16.400 --> 0:42:19.600
<v Speaker 1>is no stability whatsoever, Like what what kind of kicks

0:42:19.640 --> 0:42:22.320
<v Speaker 1>in the butt to make that move? I don't know.

0:42:22.480 --> 0:42:25.680
<v Speaker 1>I think it was just like I literally was, um, okay,

0:42:25.960 --> 0:42:28.359
<v Speaker 1>I'll tell you what it was. There was a um

0:42:28.640 --> 0:42:31.680
<v Speaker 1>what was that song Tammy Cochran song that was about

0:42:32.520 --> 0:42:35.960
<v Speaker 1>um they go whoa, no, no, no, no, not like this.

0:42:39.280 --> 0:42:40.719
<v Speaker 1>We'll have to look it up, but I'm just drawing

0:42:40.760 --> 0:42:42.520
<v Speaker 1>a blank on it. But I heard this song and

0:42:42.640 --> 0:42:45.719
<v Speaker 1>it was all about life happening. That was the name

0:42:45.719 --> 0:42:47.920
<v Speaker 1>of the song. If you go back and listen to it, Um,

0:42:48.040 --> 0:42:50.600
<v Speaker 1>the song is all about these three characters in the

0:42:50.640 --> 0:42:53.879
<v Speaker 1>song that they're their their dreams were passing them by

0:42:54.239 --> 0:42:56.759
<v Speaker 1>by just getting the bills paid and doing it. And

0:42:57.040 --> 0:42:59.759
<v Speaker 1>I heard that song and it literally that I can say,

0:42:59.800 --> 0:43:02.239
<v Speaker 1>the song literally changed my life. I went, well, not

0:43:02.360 --> 0:43:05.279
<v Speaker 1>happening to me, and so I just packed up and

0:43:06.719 --> 0:43:09.480
<v Speaker 1>I had like this little like a ninety two Mercury

0:43:09.560 --> 0:43:14.400
<v Speaker 1>c Cougar, Mercury Krueger and uh and I just um,

0:43:14.600 --> 0:43:16.480
<v Speaker 1>I rolled out and it broke down on me. The

0:43:16.520 --> 0:43:19.120
<v Speaker 1>first week ill was in Nashville. How long did it take?

0:43:20.040 --> 0:43:22.480
<v Speaker 1>Was it a year multiple years before you could actually

0:43:22.560 --> 0:43:26.080
<v Speaker 1>make enough money to pay all your bills making music? Um,

0:43:26.840 --> 0:43:31.080
<v Speaker 1>I got I'd say I got lucky, but um, you know,

0:43:32.680 --> 0:43:35.640
<v Speaker 1>luck is built on hard work, I think. But when

0:43:35.680 --> 0:43:38.279
<v Speaker 1>I got here, I brought a you know, like a

0:43:39.200 --> 0:43:42.960
<v Speaker 1>pocket full of song and I um, I went to

0:43:44.000 --> 0:43:46.880
<v Speaker 1>I knew a couple of people because Derek George, who

0:43:46.960 --> 0:43:50.120
<v Speaker 1>produced like How Country Feels and Moonlight and all that stuff,

0:43:50.400 --> 0:43:53.640
<v Speaker 1>was from Philadelphia, Mississippi, and I knew him. And he

0:43:53.760 --> 0:43:57.960
<v Speaker 1>took me to this publishers m. Steve Marklin who had

0:43:58.320 --> 0:44:00.719
<v Speaker 1>he was running this place called wind Sweat, And they

0:44:00.840 --> 0:44:02.960
<v Speaker 1>end up signing me like a month after I've been

0:44:02.960 --> 0:44:05.960
<v Speaker 1>in town as a rider. Rare, Yeah, it was. It

0:44:06.160 --> 0:44:08.440
<v Speaker 1>was very rare. I couldn't hold back the talent. They

0:44:08.920 --> 0:44:10.880
<v Speaker 1>smelled the Chickenhouse coming to town. They were like, this

0:44:11.000 --> 0:44:13.120
<v Speaker 1>guy's got something. Well, I don't know. I mean, it

0:44:13.239 --> 0:44:15.719
<v Speaker 1>was just one of those but though, and also that

0:44:15.840 --> 0:44:18.239
<v Speaker 1>was a different time people. As a songwriter, you could

0:44:18.239 --> 0:44:21.319
<v Speaker 1>get signed a lot quicker than those days. I feel

0:44:21.360 --> 0:44:23.800
<v Speaker 1>like than now. Let you didn't have to be a

0:44:23.880 --> 0:44:27.880
<v Speaker 1>TikTok star then you say that, and I feel a

0:44:27.920 --> 0:44:30.880
<v Speaker 1>little uh and I feel like you'd like TikTok that

0:44:31.040 --> 0:44:32.920
<v Speaker 1>much when you say you'd have to be a TikTok star.

0:44:33.200 --> 0:44:35.920
<v Speaker 1>I love TikTok. I love watching people's TikTok. You don't

0:44:35.920 --> 0:44:37.919
<v Speaker 1>want to make them, I don't want to make them. Well,

0:44:38.000 --> 0:44:41.960
<v Speaker 1>let's do a dance right now. So all right, listen,

0:44:42.239 --> 0:44:45.160
<v Speaker 1>Randy House has got an album coming out in November eleventh,

0:44:45.280 --> 0:44:46.759
<v Speaker 1>and that is a while away, and I'm sure when

0:44:46.760 --> 0:44:48.160
<v Speaker 1>the album comes out, I'll talk to you again. I'd

0:44:48.160 --> 0:44:49.640
<v Speaker 1>love to have you back when the album comes out.

0:44:50.760 --> 0:44:52.839
<v Speaker 1>So there are a lot of songs that are coming

0:44:52.880 --> 0:44:54.239
<v Speaker 1>out on the record, But what I don't want to

0:44:54.239 --> 0:44:56.440
<v Speaker 1>talk about now the three that people can get right

0:44:56.440 --> 0:44:58.399
<v Speaker 1>now because that's why they're listening. Right So, you got

0:44:58.520 --> 0:45:00.480
<v Speaker 1>still that Cowboy, you got wor come in, and you

0:45:00.560 --> 0:45:02.880
<v Speaker 1>got note to self all the rout right now? You

0:45:03.040 --> 0:45:05.319
<v Speaker 1>are going on the row of Cody Johnson. I am

0:45:05.680 --> 0:45:10.000
<v Speaker 1>that is quite the vocal show crap. Yeah, that's gonna

0:45:10.000 --> 0:45:12.279
<v Speaker 1>be awesome. I'm a big fan of Yeah um so

0:45:12.360 --> 0:45:14.279
<v Speaker 1>a Scooba Steve. He like cries every time in the

0:45:14.360 --> 0:45:17.920
<v Speaker 1>song plays. Really Yeah Scooba State It's like, here's any

0:45:19.719 --> 0:45:21.960
<v Speaker 1>at Randy Howser on Instagram and Twitter. Do you have

0:45:22.080 --> 0:45:25.120
<v Speaker 1>a TikTok I do? Yeah? Is your label? They're not

0:45:25.200 --> 0:45:27.279
<v Speaker 1>making you do TikTok yet. I'm not. I can't be

0:45:27.400 --> 0:45:31.239
<v Speaker 1>made to do much. But I think the most fun

0:45:31.320 --> 0:45:34.120
<v Speaker 1>I have with TikTok TikTok is them trying to get

0:45:34.160 --> 0:45:36.520
<v Speaker 1>me to do stuff and just go on noope, Yeah.

0:45:36.560 --> 0:45:38.239
<v Speaker 1>What you do is you get in your car and

0:45:38.320 --> 0:45:40.320
<v Speaker 1>you turn a song on the lips. But but and

0:45:40.440 --> 0:45:42.560
<v Speaker 1>you start a song and then you know they point

0:45:42.600 --> 0:45:44.200
<v Speaker 1>at the words. But instead of doing that, when the

0:45:44.239 --> 0:45:45.960
<v Speaker 1>first world pops up, be like, ain't doing this crap

0:45:46.000 --> 0:45:48.200
<v Speaker 1>and then turn the TikTok off. That's a great one.

0:45:48.360 --> 0:45:52.280
<v Speaker 1>You can have that free charge done, all right, Randy Houser,

0:45:52.280 --> 0:45:54.439
<v Speaker 1>You guys check out the new music. The record comes

0:45:54.480 --> 0:45:56.480
<v Speaker 1>out in November, and when it comes out, we'd love

0:45:56.520 --> 0:45:59.480
<v Speaker 1>to see again Jessica. Great to talk to you, great

0:45:59.520 --> 0:46:01.880
<v Speaker 1>to see you in Thank you. He sounds great. I

0:46:01.960 --> 0:46:03.839
<v Speaker 1>mean anything you guys want to say that Randy while

0:46:03.960 --> 0:46:05.160
<v Speaker 1>is here. I mean, I wish I could wear a

0:46:05.200 --> 0:46:07.320
<v Speaker 1>handkerchief like he does. I can't even post sports at already.

0:46:07.320 --> 0:46:09.200
<v Speaker 1>I already understand how it looks so cool and one

0:46:09.239 --> 0:46:12.239
<v Speaker 1>and like normal normal. He looks normal in one, And

0:46:12.320 --> 0:46:15.239
<v Speaker 1>if I put one on, I think people think I

0:46:15.320 --> 0:46:16.640
<v Speaker 1>have a cold or something. I don't know what the

0:46:16.719 --> 0:46:18.960
<v Speaker 1>situation is. Do you ever wear a red one? No?

0:46:20.120 --> 0:46:22.799
<v Speaker 1>These little blooms? I probably I did him. I did

0:46:22.920 --> 0:46:25.560
<v Speaker 1>quite him for wire for a while after whenever the

0:46:25.600 --> 0:46:28.600
<v Speaker 1>pandemic kicked in, and then Coachell will happen and everybody

0:46:28.800 --> 0:46:30.680
<v Speaker 1>in the world started wearing I was like, I'm out,

0:46:31.000 --> 0:46:33.560
<v Speaker 1>you know, when it got cool like hip, Yeah, I

0:46:33.640 --> 0:46:35.400
<v Speaker 1>had to had to get rid of. Same thing with

0:46:35.440 --> 0:46:37.320
<v Speaker 1>TikTok He was on TikTok go before anybody knew it.

0:46:37.400 --> 0:46:39.759
<v Speaker 1>That's the thing. So all right, Randy Howser at Randy

0:46:39.800 --> 0:46:42.759
<v Speaker 1>Howser on Instagram and Twitter and the records out in November. Randy,

0:46:42.800 --> 0:46:44.160
<v Speaker 1>good to talk to you, buddy, you too, Thank you

0:46:44.239 --> 0:46:48.440
<v Speaker 1>for having It's the best Bits of the week with

0:46:48.719 --> 0:46:53.960
<v Speaker 1>Morgan number two quite the controversial topic. Eddie has shared

0:46:54.040 --> 0:46:56.840
<v Speaker 1>that he wants to get his boys a basketball hoop,

0:46:57.239 --> 0:46:59.520
<v Speaker 1>but not one in their driveway. No no, no, that'd

0:46:59.520 --> 0:47:01.560
<v Speaker 1>be too easy. They want to do it in the

0:47:01.680 --> 0:47:04.440
<v Speaker 1>cul de sac, which means getting all of the neighbor's approval,

0:47:04.640 --> 0:47:06.960
<v Speaker 1>so you can hear what the show hat thoughts on

0:47:07.120 --> 0:47:08.759
<v Speaker 1>if it was a good idea. You can also check

0:47:08.800 --> 0:47:11.000
<v Speaker 1>out all the Bobby Bones show socials. There were so

0:47:11.080 --> 0:47:13.560
<v Speaker 1>many listeners that had lots of opinions on this topic.

0:47:13.640 --> 0:47:16.280
<v Speaker 1>And I'm gonna tell you it's about fifty fifty fifty

0:47:16.320 --> 0:47:19.440
<v Speaker 1>believe Eddie should do it. In fifty believe not a chance.

0:47:19.560 --> 0:47:23.640
<v Speaker 1>So listen. Now see where you fall. Number three, Eddie,

0:47:23.680 --> 0:47:25.920
<v Speaker 1>what's happening in your neighborhood? Man, I'm in a pickle

0:47:26.000 --> 0:47:29.280
<v Speaker 1>because we live on a street that's kind of slanted,

0:47:29.400 --> 0:47:31.640
<v Speaker 1>like the driveway is it a slam? But the boys

0:47:31.680 --> 0:47:33.399
<v Speaker 1>want a basketball hoop. I'm like, guys, you can't play

0:47:33.440 --> 0:47:36.440
<v Speaker 1>basketball in our driveway. It's not possible. So they're like, oh,

0:47:36.480 --> 0:47:38.719
<v Speaker 1>we can't play basketball. I said, why don't we do this?

0:47:39.120 --> 0:47:41.560
<v Speaker 1>Just down the street, there's a coul de sac. There

0:47:41.600 --> 0:47:44.400
<v Speaker 1>are five houses. We don't know who lives there, but

0:47:44.800 --> 0:47:47.280
<v Speaker 1>go knock on the door, ask them if that's okay

0:47:47.440 --> 0:47:49.600
<v Speaker 1>if we put a basketball hoop on the col de

0:47:49.680 --> 0:47:51.920
<v Speaker 1>sac and we'll let the whole neighborhood play. We just

0:47:51.960 --> 0:47:54.160
<v Speaker 1>got to get an okay from the people that live

0:47:54.200 --> 0:47:55.560
<v Speaker 1>in the coul de Sac and they're like, no, Noah,

0:47:55.600 --> 0:47:58.160
<v Speaker 1>that's so embarrassing. I'm like, guys, this is a genius idea.

0:47:58.480 --> 0:48:01.359
<v Speaker 1>I'll pay for the hoop. I wouldn't these people want

0:48:01.480 --> 0:48:03.680
<v Speaker 1>a basketball hoop in front of their house. So does

0:48:03.760 --> 0:48:05.400
<v Speaker 1>it stay up all the time or does it just

0:48:05.440 --> 0:48:07.320
<v Speaker 1>stay up whenever you guys are playing. No, it'll be

0:48:07.480 --> 0:48:10.120
<v Speaker 1>like a professional basketball hoop that it's a permanent hoop,

0:48:10.480 --> 0:48:13.759
<v Speaker 1>permanent hoop that the whole neighborhood could create in No.

0:48:14.200 --> 0:48:15.960
<v Speaker 1>But it's gonna be in the cul de Sac, right, Yeah,

0:48:16.000 --> 0:48:19.359
<v Speaker 1>So it's gonna be with a base, a weighted base. Absolutely, Yes,

0:48:19.440 --> 0:48:22.239
<v Speaker 1>you put like sand on it, cement whatever sement. You

0:48:22.360 --> 0:48:24.400
<v Speaker 1>think they're gonna go for that. I don't know, but

0:48:24.480 --> 0:48:26.600
<v Speaker 1>I'm saying, guys, you think that's a decent idea. I

0:48:26.640 --> 0:48:29.680
<v Speaker 1>think it's a fantastic basketball goal in front of their house.

0:48:29.760 --> 0:48:32.120
<v Speaker 1>Because I've seen like two kids living in some of

0:48:32.160 --> 0:48:33.759
<v Speaker 1>those house. I don't know who lives in the houses,

0:48:33.800 --> 0:48:36.200
<v Speaker 1>but I've seen kids ride their bikes around that cul

0:48:36.239 --> 0:48:38.879
<v Speaker 1>de Sac. So I'm assuming if kids live there, they're

0:48:38.880 --> 0:48:41.399
<v Speaker 1>gonna say, yeah, that'd be awesome. You wouldn't need all

0:48:41.520 --> 0:48:44.520
<v Speaker 1>five of those families correct to say yes and that

0:48:44.640 --> 0:48:46.840
<v Speaker 1>they're okay with the basketball where kids are gonna be

0:48:46.960 --> 0:48:49.759
<v Speaker 1>gathered in that col to sack. Now we can set hours, Hey,

0:48:49.880 --> 0:48:52.400
<v Speaker 1>no dribble, no no b ball after ten pm or

0:48:52.640 --> 0:48:54.719
<v Speaker 1>nine pm whatever, forest you're not gonna be down there

0:48:54.719 --> 0:48:56.080
<v Speaker 1>to do. And maybe I'll go down and be like,

0:48:56.080 --> 0:48:58.040
<v Speaker 1>all right, guys, parks closed, this is my hoop. No

0:48:58.239 --> 0:49:01.960
<v Speaker 1>maybes you wouldn't. I just don't think you can do that. Really,

0:49:02.320 --> 0:49:04.880
<v Speaker 1>I don't even it's not your part of the street.

0:49:05.440 --> 0:49:07.640
<v Speaker 1>It'd be like you parking your car down there and

0:49:07.760 --> 0:49:10.200
<v Speaker 1>just now you could you could park car on that

0:49:11.040 --> 0:49:13.239
<v Speaker 1>curb and just leaving your car down there though, because

0:49:13.239 --> 0:49:16.760
<v Speaker 1>it's legal. But is it acceptable as a good neighbor.

0:49:17.120 --> 0:49:19.560
<v Speaker 1>I don't think it is. So you say five, you

0:49:19.640 --> 0:49:21.480
<v Speaker 1>gotta get five o'kays from the people that live in

0:49:21.520 --> 0:49:23.439
<v Speaker 1>the cold to second. Now, what if four say okay

0:49:23.480 --> 0:49:26.320
<v Speaker 1>and one done? No, that's it. I wouldn't even ask you.

0:49:26.400 --> 0:49:28.239
<v Speaker 1>I wouldn't say you wouldn't send your kids to go

0:49:28.320 --> 0:49:30.920
<v Speaker 1>ask I think it's showing them responsibility to be like

0:49:31.400 --> 0:49:33.480
<v Speaker 1>door to door. Hi, I'm a kid that wants to

0:49:33.480 --> 0:49:36.359
<v Speaker 1>play basketball, if your idea is to show them responsibility,

0:49:36.360 --> 0:49:38.080
<v Speaker 1>and you know they're gonna get a no. I don't know.

0:49:38.200 --> 0:49:40.160
<v Speaker 1>I think they're gonna get a yes. Though. Is there

0:49:40.200 --> 0:49:42.200
<v Speaker 1>any chance all five never say please put a basketball

0:49:42.320 --> 0:49:44.480
<v Speaker 1>hoop in front of our front yard where kids will

0:49:44.480 --> 0:49:46.880
<v Speaker 1>be gathered the whole time? I say yes, Okay, I

0:49:46.960 --> 0:49:49.040
<v Speaker 1>think there's no chance they're gonna they're gonna say yes,

0:49:49.160 --> 0:49:52.600
<v Speaker 1>But I go okay. The question is, do you think

0:49:52.600 --> 0:49:56.479
<v Speaker 1>they'll allow it? I go no. I mean I hope

0:49:56.520 --> 0:49:58.479
<v Speaker 1>so for the sake of the kids. But there's probably

0:49:58.520 --> 0:50:00.600
<v Speaker 1>gonna be one person that's not down with it. So

0:50:00.719 --> 0:50:03.719
<v Speaker 1>you're gonna say no, Oh, one grinch. I'm gonna say yes.

0:50:03.800 --> 0:50:05.759
<v Speaker 1>You gotta send the kids. You send dad. They're gonna

0:50:05.760 --> 0:50:07.920
<v Speaker 1>say no because some old man is at my door

0:50:08.160 --> 0:50:09.960
<v Speaker 1>the kids. It's hard to say no to the kids.

0:50:10.280 --> 0:50:13.080
<v Speaker 1>But if you it's a permanent hoop. It's a permanent hoop, dude.

0:50:13.160 --> 0:50:15.399
<v Speaker 1>But it's open to the neighborhood. And I told him, guys,

0:50:15.440 --> 0:50:16.920
<v Speaker 1>if you're gonna pay, I don't want something in front

0:50:16.920 --> 0:50:18.680
<v Speaker 1>of my yard that's open in the neighborhood for everybody

0:50:18.719 --> 0:50:20.600
<v Speaker 1>to just be like this is a gathering place. Really,

0:50:20.680 --> 0:50:22.520
<v Speaker 1>I would not want that. Even if it's kids. How

0:50:22.719 --> 0:50:28.040
<v Speaker 1>enjoyable are kids playing outside it's nine or younger. I

0:50:28.080 --> 0:50:29.719
<v Speaker 1>don't want a fourteen year old that's also looking at it,

0:50:30.160 --> 0:50:31.960
<v Speaker 1>and then they're gonna play some two on two the

0:50:32.000 --> 0:50:34.839
<v Speaker 1>older kids the young kids can't play. I just think

0:50:34.880 --> 0:50:38.200
<v Speaker 1>it's a bad situation. Who get what if two groups

0:50:38.239 --> 0:50:39.719
<v Speaker 1>show up at the same time and want to play,

0:50:39.760 --> 0:50:42.440
<v Speaker 1>like who gets the court? Oh that's tough. Then they

0:50:42.480 --> 0:50:44.920
<v Speaker 1>come to me. I'll go settle the dispute. Maybe I'm

0:50:44.960 --> 0:50:47.600
<v Speaker 1>the marshal dude. Maybe I'll put my address there. Come

0:50:47.680 --> 0:50:49.359
<v Speaker 1>to me and I'll tell you you can play or not. Okay,

0:50:49.400 --> 0:50:51.759
<v Speaker 1>it's like a lock on. Are you gonna send them down?

0:50:52.239 --> 0:50:54.680
<v Speaker 1>I've tried to, I've already. This has been two weeks

0:50:54.719 --> 0:50:56.160
<v Speaker 1>in the making of Like, guys go and then I

0:50:56.200 --> 0:50:57.839
<v Speaker 1>don't even think they should do it. If I were

0:50:57.960 --> 0:51:00.759
<v Speaker 1>the person and add kids, I wouldn't allow it. I

0:51:00.880 --> 0:51:02.359
<v Speaker 1>tell you. I was walking the dog and I saw

0:51:02.480 --> 0:51:04.440
<v Speaker 1>one parent outside water in their plants, and I was like, ooh,

0:51:04.480 --> 0:51:05.719
<v Speaker 1>should I ask for him? But like, no, no, no,

0:51:05.960 --> 0:51:07.759
<v Speaker 1>I'm not gonna do my kids work for him. You

0:51:07.840 --> 0:51:09.879
<v Speaker 1>guys go to Facebook. Here's a situation and he wants

0:51:09.880 --> 0:51:11.439
<v Speaker 1>to put a hoop and somebody else is called a sack.

0:51:11.640 --> 0:51:13.880
<v Speaker 1>That's it, but he's gonna pay for the hoop. Hey,

0:51:13.920 --> 0:51:16.920
<v Speaker 1>I'd put it on. I put it on my kids,

0:51:17.040 --> 0:51:19.279
<v Speaker 1>but I can't. It's a slant. I can't do it. Well,

0:51:19.280 --> 0:51:24.000
<v Speaker 1>thank you, thank you. On flat point. It's the best

0:51:24.160 --> 0:51:29.960
<v Speaker 1>bits of the week with Morgan. Number two, Lunchbox is

0:51:30.000 --> 0:51:32.719
<v Speaker 1>finally having some good karma on his side. He got

0:51:32.760 --> 0:51:36.319
<v Speaker 1>some exciting news about a potential acting opportunity last week,

0:51:36.360 --> 0:51:39.839
<v Speaker 1>and this week Amy shared some big news for him

0:51:40.000 --> 0:51:43.360
<v Speaker 1>about her sister's TV show. You know, he DMed her

0:51:43.440 --> 0:51:46.480
<v Speaker 1>trying to get on her show. Have a crazy idea

0:51:46.880 --> 0:51:48.919
<v Speaker 1>that they could fix the roof in his house while

0:51:48.920 --> 0:51:51.080
<v Speaker 1>also doing some other things, and he'd be a celebrity

0:51:51.120 --> 0:51:53.960
<v Speaker 1>episode that they could do well. Something may have just

0:51:54.160 --> 0:51:56.279
<v Speaker 1>panned out, I don't know. Amy got an email and

0:51:56.360 --> 0:51:58.640
<v Speaker 1>she shared it with Lunchbox on the show and he

0:51:58.800 --> 0:52:01.840
<v Speaker 1>kind of freaked out. He was joked, Number two, today

0:52:01.960 --> 0:52:05.000
<v Speaker 1>is your day, Lunchbox, my day, Today is your day?

0:52:05.280 --> 0:52:09.120
<v Speaker 1>What did I do? Breaking news hit that clout. Lunchbox

0:52:09.160 --> 0:52:10.880
<v Speaker 1>has his hands in the areas ready for Amy. It's

0:52:10.920 --> 0:52:14.759
<v Speaker 1>your story to tell. Okay, Well, first, I guess I'll

0:52:14.800 --> 0:52:17.359
<v Speaker 1>just start off by saying, Lunchbox mentioned the other day

0:52:17.480 --> 0:52:20.040
<v Speaker 1>had this whole pitch called my sister about being on

0:52:20.920 --> 0:52:25.960
<v Speaker 1>her HGTV show called Building Roots. Yeah tell me more so, Well,

0:52:25.960 --> 0:52:29.960
<v Speaker 1>whiter sided that first, because Lunchbox told your sister that

0:52:30.080 --> 0:52:32.680
<v Speaker 1>he had some news about you. He DMed her and said, Hey,

0:52:32.719 --> 0:52:35.120
<v Speaker 1>I have a surprise for Amy. Can we talk? Send

0:52:35.200 --> 0:52:37.560
<v Speaker 1>me your number? Hey tricked her and then called her

0:52:37.600 --> 0:52:40.000
<v Speaker 1>and said, Hey, my house has problems. Can you fix it? Yeah?

0:52:40.000 --> 0:52:41.759
<v Speaker 1>I got holes in my roof. And then while you're here,

0:52:41.800 --> 0:52:43.960
<v Speaker 1>I can read into a new kitchen. You know. Redo

0:52:44.040 --> 0:52:46.560
<v Speaker 1>the Master lied to her, and then you I lied

0:52:46.600 --> 0:52:48.319
<v Speaker 1>to her when I slid into the DMS to get

0:52:48.360 --> 0:52:52.040
<v Speaker 1>her number. But it was all in a good positive way. Yeah,

0:52:52.160 --> 0:52:56.920
<v Speaker 1>and so wasn't. Anyway, my sister revealed to him, like, hey, Lunchbox,

0:52:57.040 --> 0:52:58.879
<v Speaker 1>we don't even know if we're getting a season two,

0:52:59.080 --> 0:53:01.640
<v Speaker 1>and honestly I don't know either. But what I do

0:53:01.840 --> 0:53:03.960
<v Speaker 1>know is I got an email from a producer that

0:53:04.080 --> 0:53:10.400
<v Speaker 1>heard the segment. You got to make your own breaks

0:53:10.440 --> 0:53:12.960
<v Speaker 1>in Hollywood, people, This is what we do. This is

0:53:13.000 --> 0:53:15.840
<v Speaker 1>not Hollywood, but I get it. Yes, Colorado and Nashville,

0:53:15.840 --> 0:53:22.040
<v Speaker 1>but yes, yes, you guy, it is to look go ahead, flucks.

0:53:22.040 --> 0:53:24.840
<v Speaker 1>Don't get ahead of yourself here because I don't know nobody.

0:53:26.280 --> 0:53:30.040
<v Speaker 1>So I just opened up my email and an executive

0:53:30.080 --> 0:53:35.280
<v Speaker 1>producer named Michelle emailed me. And executive producer. That's huge

0:53:35.400 --> 0:53:37.880
<v Speaker 1>and a little back not just not just measley producer,

0:53:38.080 --> 0:53:41.240
<v Speaker 1>executive producer measly producers all the time that money executive

0:53:41.280 --> 0:53:44.120
<v Speaker 1>hits in. Oh it is real. Some backstory is you know,

0:53:44.320 --> 0:53:45.880
<v Speaker 1>similar to lunch Box. Like when I found out my

0:53:45.920 --> 0:53:48.000
<v Speaker 1>sister and her husband has shown HGTV, I'm like, well,

0:53:48.040 --> 0:53:49.839
<v Speaker 1>I got stuff at my house i'd like to have done.

0:53:49.920 --> 0:53:52.840
<v Speaker 1>So months ago, we my sister was visiting and we

0:53:52.880 --> 0:53:54.719
<v Speaker 1>were talking about different things, like how cool would it

0:53:54.800 --> 0:53:56.920
<v Speaker 1>be if, like, you know, you'll do a project at

0:53:56.960 --> 0:53:59.720
<v Speaker 1>my house in Nashville. But I hadn't heard a pete nothing.

0:54:00.040 --> 0:54:03.279
<v Speaker 1>Well then Lunchbox talks about it, and I guess the

0:54:03.320 --> 0:54:04.920
<v Speaker 1>produce to heard it and this is the email that

0:54:05.040 --> 0:54:09.080
<v Speaker 1>she sent. Oh yeah, oh yeah, hi Amy. I was

0:54:09.200 --> 0:54:12.759
<v Speaker 1>cracking up laughing over Lunchboxes comments on the show Needing

0:54:12.800 --> 0:54:16.040
<v Speaker 1>Ben and Christie's help on his own home. I would

0:54:16.120 --> 0:54:19.320
<v Speaker 1>like to pitch a traveling Nashville episode of Building Roots.

0:54:21.719 --> 0:54:26.680
<v Speaker 1>Come on, yeah, I got the trailers and out featuring

0:54:26.840 --> 0:54:30.800
<v Speaker 1>your home renovation and possibly lunchboxes home repair. If you

0:54:31.000 --> 0:54:34.319
<v Speaker 1>think he might truly be interested, I wasn't sure if

0:54:34.360 --> 0:54:37.920
<v Speaker 1>it was just quote radio talk. Are you truly interested?

0:54:39.080 --> 0:54:43.640
<v Speaker 1>Let's go, let's start knocking downs and walls, move that out.

0:54:45.239 --> 0:54:46.880
<v Speaker 1>And so I guess with the I mean, I have

0:54:47.000 --> 0:54:48.759
<v Speaker 1>no idea because I haven't replied, and I don't know

0:54:48.760 --> 0:54:51.359
<v Speaker 1>if with this pitch it would mean yeah, I would

0:54:51.560 --> 0:54:53.880
<v Speaker 1>just be like some weird you know, one off episode

0:54:53.920 --> 0:54:56.440
<v Speaker 1>if they don't get season two or is this only

0:54:56.640 --> 0:54:58.960
<v Speaker 1>if they get season two? So we I don't know,

0:54:59.080 --> 0:55:00.560
<v Speaker 1>and I don't even know it to fly at my

0:55:00.640 --> 0:55:03.319
<v Speaker 1>sister's out of the country. What do you wanted to reply? Lunch,

0:55:03.920 --> 0:55:07.040
<v Speaker 1>let's go, we're all in. Let's go, we're all in. Yeah,

0:55:07.320 --> 0:55:10.560
<v Speaker 1>let's get some Remoelan said that I could connect you

0:55:10.640 --> 0:55:13.040
<v Speaker 1>with her directly so she could gage you want to

0:55:13.040 --> 0:55:16.600
<v Speaker 1>be connected up connected to tell let's go, Yeah, I gotta.

0:55:16.640 --> 0:55:18.759
<v Speaker 1>I got to her surprise for Amy, and you guys

0:55:18.800 --> 0:55:21.520
<v Speaker 1>thought I was crazy when I said a special episode.

0:55:21.520 --> 0:55:23.920
<v Speaker 1>You're like, oh my gosh, that's so stupid. Lunchbox guys.

0:55:24.160 --> 0:55:27.239
<v Speaker 1>I know how producers think. Listen this. They think this

0:55:27.400 --> 0:55:30.359
<v Speaker 1>is great TV. What would you do your house? Oh,

0:55:30.920 --> 0:55:34.120
<v Speaker 1>I mean, fix the holes in the roof, redo the kitchen,

0:55:34.360 --> 0:55:38.600
<v Speaker 1>put a nice screamed in back porch, redo the master bath. Um,

0:55:39.200 --> 0:55:41.400
<v Speaker 1>maybe add like a man cave. I mean we got

0:55:41.480 --> 0:55:44.600
<v Speaker 1>all sort of man cave. I don't know. I add

0:55:44.640 --> 0:55:45.880
<v Speaker 1>onto the back of the house, I don't know. On

0:55:46.000 --> 0:55:48.600
<v Speaker 1>top of it where it build a tree house for

0:55:48.680 --> 0:55:51.440
<v Speaker 1>the kids. I go, we're like eight shows in one here.

0:55:51.680 --> 0:55:53.960
<v Speaker 1>Holme on, because I saw one of their episodes they

0:55:54.040 --> 0:55:57.360
<v Speaker 1>put a slide from the back deck to the ground

0:55:57.440 --> 0:55:59.920
<v Speaker 1>for some kids. So build my kids something. Let's go.

0:56:00.440 --> 0:56:03.640
<v Speaker 1>How excited are you? One to ten? Ten? I mean

0:56:03.880 --> 0:56:06.759
<v Speaker 1>this is great. This is how you make things happen.

0:56:07.120 --> 0:56:10.200
<v Speaker 1>I've been dreaming about this, about being on TV, being

0:56:10.239 --> 0:56:12.640
<v Speaker 1>in Hollywood, and it is starting to come true slowly.

0:56:12.719 --> 0:56:15.520
<v Speaker 1>And surely didn't they do a remodeling show right next

0:56:15.520 --> 0:56:17.400
<v Speaker 1>to your house? One? Yeah, they did Property Brothers right

0:56:17.480 --> 0:56:19.800
<v Speaker 1>next door. And what do you think about that? Awesome?

0:56:20.320 --> 0:56:22.520
<v Speaker 1>So jealous? Like I was so mad at my neighbors.

0:56:22.880 --> 0:56:24.400
<v Speaker 1>But they were new neighbors. I didn't know them. Then

0:56:24.440 --> 0:56:26.680
<v Speaker 1>they they bought the house, they got on the property, brothers,

0:56:26.840 --> 0:56:29.200
<v Speaker 1>they get on it. They applied and then that's it.

0:56:29.280 --> 0:56:30.759
<v Speaker 1>They just come and they do all their house. Yeah,

0:56:31.160 --> 0:56:33.040
<v Speaker 1>and then that's his it, that's it. And then they

0:56:33.080 --> 0:56:34.759
<v Speaker 1>have a new house and they didn't get they weren't

0:56:34.760 --> 0:56:36.719
<v Speaker 1>able to live there. Why they did it. But I

0:56:36.800 --> 0:56:40.080
<v Speaker 1>can move somewhere while they dow my house. Day. This

0:56:40.400 --> 0:56:42.520
<v Speaker 1>is great. You know on these are you are? You?

0:56:42.680 --> 0:56:45.719
<v Speaker 1>Are you? Now? Will you say hey, good job on

0:56:45.800 --> 0:56:48.680
<v Speaker 1>the lie? Like I'll never say a good job on

0:56:48.760 --> 0:56:53.360
<v Speaker 1>the lie. But here something you may not know. You know,

0:56:53.440 --> 0:56:55.759
<v Speaker 1>you have to pay for it, right, pay for what

0:56:56.400 --> 0:56:58.520
<v Speaker 1>they don't pay for everything. You have to pay for

0:56:58.640 --> 0:57:00.960
<v Speaker 1>your own They just do it on TV and give

0:57:00.960 --> 0:57:02.400
<v Speaker 1>you like the labor for free. You have to pay

0:57:02.440 --> 0:57:05.920
<v Speaker 1>for everything. Huh, Well, we can work something out. No,

0:57:06.000 --> 0:57:09.680
<v Speaker 1>there's no working it out if a right is like

0:57:09.800 --> 0:57:13.319
<v Speaker 1>trying to get endorsements, like I mean, you could try

0:57:13.360 --> 0:57:16.120
<v Speaker 1>to work something out, but I don't know how. I

0:57:16.320 --> 0:57:19.400
<v Speaker 1>know exactly how, Like hey, look, oh, you know they

0:57:19.480 --> 0:57:21.520
<v Speaker 1>did his kitchen and they got their supplies at R

0:57:21.560 --> 0:57:23.040
<v Speaker 1>and B pot. No, that's not how it works on

0:57:23.120 --> 0:57:27.320
<v Speaker 1>the show. You can't I can't show and you can't

0:57:27.360 --> 0:57:30.160
<v Speaker 1>make deals for this show because we have our sponsors, right,

0:57:30.960 --> 0:57:32.760
<v Speaker 1>I mean, and you have to pay on the show.

0:57:32.760 --> 0:57:34.680
<v Speaker 1>You have to pay for it yourself. The propulos a

0:57:34.680 --> 0:57:38.000
<v Speaker 1>recommend to pay for it, all right, that's fun. Yeah,

0:57:38.360 --> 0:57:39.840
<v Speaker 1>Oh so you're gonna pay for the slide? The man

0:57:39.920 --> 0:57:43.320
<v Speaker 1>came to the roof to be done. Yeah, I think

0:57:43.320 --> 0:57:45.040
<v Speaker 1>you probably scale back on what you have to tell.

0:57:45.120 --> 0:57:50.400
<v Speaker 1>He's like, I'll take some shingles, yeah, yeah, a little paint.

0:57:50.520 --> 0:57:53.360
<v Speaker 1>Do you still want them to come? Absolutely? Okay, go

0:57:53.640 --> 0:57:56.880
<v Speaker 1>on your desperation to be on TV? Will you past

0:57:56.880 --> 0:57:58.680
<v Speaker 1>you a lot of money? Yeah? You know, I'll make

0:57:58.680 --> 0:58:02.360
<v Speaker 1>it up on the back end of what tours tours

0:58:02.560 --> 0:58:04.200
<v Speaker 1>or people will see me and be like, oh man,

0:58:04.240 --> 0:58:06.720
<v Speaker 1>we need him for our show, you know what I'm saying. Like,

0:58:07.160 --> 0:58:09.160
<v Speaker 1>so it's an investment. It's an investment. You get on

0:58:09.640 --> 0:58:13.040
<v Speaker 1>like three hundred thousand dollars. Oh, the investment. But but

0:58:13.160 --> 0:58:15.320
<v Speaker 1>does some of his insurance cover it? Because it's three

0:58:15.560 --> 0:58:17.960
<v Speaker 1>damage to self. I'll hit the bank. You go take

0:58:17.960 --> 0:58:20.080
<v Speaker 1>out a loan to be on the show. Absolutely, how

0:58:20.120 --> 0:58:21.520
<v Speaker 1>you're saying, now, you're gonna take out a loan to

0:58:21.560 --> 0:58:24.840
<v Speaker 1>be on the show. Okay, okay. Another thought that I

0:58:24.960 --> 0:58:29.400
<v Speaker 1>had is that Lunchbox hasn't been incredibly kind towards the show.

0:58:30.680 --> 0:58:32.680
<v Speaker 1>It's not good and they're not good at what they do,

0:58:32.840 --> 0:58:35.640
<v Speaker 1>so why would he want them to do his renovation? No,

0:58:35.760 --> 0:58:38.200
<v Speaker 1>I said, they're not gonna Their renovations are cool, like

0:58:38.480 --> 0:58:41.640
<v Speaker 1>they have great minds, but they're not very fun on TV.

0:58:41.720 --> 0:58:43.360
<v Speaker 1>They come off it's kind of boring and you t

0:58:43.680 --> 0:58:45.520
<v Speaker 1>be fine. Yeah, and that's what I'm saying. Get me

0:58:45.640 --> 0:58:47.720
<v Speaker 1>on there and I will liven it up. Let's go,

0:58:48.040 --> 0:58:51.280
<v Speaker 1>so reply to them, let's go. Yeah, I'm all in.

0:58:51.600 --> 0:58:54.200
<v Speaker 1>I'll hack up the trailers and head Outie Eddie still okay, Yeah,

0:58:54.240 --> 0:58:55.600
<v Speaker 1>he's in. He's gonna take a loan out to do

0:58:55.640 --> 0:58:56.840
<v Speaker 1>it if they want to do it. But I guess

0:58:56.920 --> 0:58:58.880
<v Speaker 1>let him know one percent take out a loan. That's

0:58:58.880 --> 0:59:03.080
<v Speaker 1>smart business. Is it to be on You know what?

0:59:03.360 --> 0:59:05.880
<v Speaker 1>I agree? Good for you, buddy. There is Lunchbox to

0:59:05.920 --> 0:59:08.040
<v Speaker 1>be getting on. One way or another. Is getting on TV.

0:59:08.280 --> 0:59:11.800
<v Speaker 1>We like it. It's the best bits of the week

0:59:12.600 --> 0:59:17.080
<v Speaker 1>with Morgan number two and definitely I've been number one spot.

0:59:17.160 --> 0:59:20.959
<v Speaker 1>This week, the iconic Ronnie Done stopped by the show.

0:59:21.080 --> 0:59:24.440
<v Speaker 1>He has a brand new solo album out. He talked

0:59:24.480 --> 0:59:28.240
<v Speaker 1>about the songs on it and the collaborations. Annie also

0:59:28.400 --> 0:59:30.400
<v Speaker 1>discussed some of the Brooks and Dune days, you know,

0:59:30.840 --> 0:59:33.600
<v Speaker 1>like what happened when they decided to split, how the

0:59:33.760 --> 0:59:37.360
<v Speaker 1>reboot album happened so many years later. Just really cool

0:59:37.480 --> 0:59:40.280
<v Speaker 1>stories that I've never heard before. And it was cool

0:59:40.480 --> 0:59:43.840
<v Speaker 1>just listening to him talk and share his life experience. So,

0:59:44.280 --> 0:59:48.560
<v Speaker 1>without further Ado, Ronnie Done number one the Friday Morning

0:59:48.640 --> 0:59:51.400
<v Speaker 1>Conversation with Ronnie Done. All right, the lead singer of

0:59:51.440 --> 0:59:53.240
<v Speaker 1>Brooks and Done, Ronnie Done is walking into the studio

0:59:53.360 --> 0:59:55.040
<v Speaker 1>now right, let me get some of that intro music

0:59:55.680 --> 0:59:58.800
<v Speaker 1>Brooks and Dune Bootscooten Buggy from nineteen ninety one. Here

0:59:59.040 --> 1:00:13.040
<v Speaker 1>is there. He comes there, he is welcome, Welcome, Welcome, welcome.

1:00:15.280 --> 1:00:24.880
<v Speaker 1>I've seen in the so there's a boat scoot those

1:00:24.880 --> 1:00:26.880
<v Speaker 1>are buddy. We're pretty good? How you doing? IM good?

1:00:27.000 --> 1:00:29.680
<v Speaker 1>It's good to see you know, I was listen. I

1:00:29.720 --> 1:00:32.200
<v Speaker 1>feel like I'm very lucky that you come to to

1:00:32.240 --> 1:00:34.040
<v Speaker 1>the studio a couple of times and you grace us

1:00:34.080 --> 1:00:36.200
<v Speaker 1>with your presence, and I feel fortunate about that. So

1:00:36.320 --> 1:00:38.120
<v Speaker 1>I was looking up some stuff, like I was going,

1:00:38.200 --> 1:00:39.960
<v Speaker 1>I was digging deep about you, trying to find some

1:00:40.000 --> 1:00:41.800
<v Speaker 1>stuff I didn't even know so I can talk to

1:00:41.840 --> 1:00:43.520
<v Speaker 1>you about it. So I'm gonna ask you in a second.

1:00:43.520 --> 1:00:46.320
<v Speaker 1>I had no idea you like redesigned air trailers or

1:00:46.480 --> 1:00:49.520
<v Speaker 1>there's there's trailers. You have every hobby I've ever heard of.

1:00:50.000 --> 1:00:52.280
<v Speaker 1>You get bored, you know, you know, you're like a

1:00:52.360 --> 1:00:56.000
<v Speaker 1>creative time. I just had, I mean, interior design free book.

1:00:56.080 --> 1:00:58.560
<v Speaker 1>Came up with the airstream idea when we were out

1:00:58.600 --> 1:01:00.800
<v Speaker 1>in Vegas, you know, because everybody's trailers out there and

1:01:00.840 --> 1:01:02.280
<v Speaker 1>they go out in the desert and do the stuff.

1:01:02.320 --> 1:01:03.960
<v Speaker 1>And she goes, she came up one day and she goes,

1:01:04.360 --> 1:01:06.280
<v Speaker 1>would you do would you do the trailer for me?

1:01:06.280 --> 1:01:08.560
<v Speaker 1>Because you're already doing this though it's talked about all

1:01:08.600 --> 1:01:10.240
<v Speaker 1>the time. I got some guys that work for me.

1:01:10.440 --> 1:01:13.240
<v Speaker 1>They can do anything. So we just kind of treated

1:01:13.280 --> 1:01:15.240
<v Speaker 1>it like a house when we went to it and

1:01:15.280 --> 1:01:16.960
<v Speaker 1>did all the color palettes and said out all the

1:01:18.080 --> 1:01:21.600
<v Speaker 1>fabrics and hides and that kind of stuff. She had

1:01:21.600 --> 1:01:23.800
<v Speaker 1>to have a little bit cowgirl, you know, were you

1:01:23.840 --> 1:01:26.640
<v Speaker 1>an artsy kid. I don't know, not just I remember

1:01:26.640 --> 1:01:29.360
<v Speaker 1>about being a kid was being real just accessively skimmy.

1:01:29.920 --> 1:01:36.200
<v Speaker 1>That's no memory except being Yeah, that's my trauma. When

1:01:36.240 --> 1:01:38.680
<v Speaker 1>you were twelve though, Like did you play ball? Were

1:01:38.720 --> 1:01:40.840
<v Speaker 1>you already doing music? No? I wanted to play ball

1:01:40.960 --> 1:01:43.520
<v Speaker 1>so bad. I wanted to be an athlete. It's really bad.

1:01:43.560 --> 1:01:45.720
<v Speaker 1>And I can remember the coach coming to our fifth

1:01:45.800 --> 1:01:49.520
<v Speaker 1>grade room like study hall, and he said, anybody that

1:01:50.080 --> 1:01:52.760
<v Speaker 1>wants to go out for football going out to the library,

1:01:53.440 --> 1:01:56.280
<v Speaker 1>and uh so she I'm the first out at the door.

1:01:56.600 --> 1:01:59.320
<v Speaker 1>But I'm like, I'm like as big around as a pencil.

1:01:59.440 --> 1:02:01.920
<v Speaker 1>Maybe I was the smallest guy in the in the

1:02:02.120 --> 1:02:05.720
<v Speaker 1>in the school until I was probably in my senior

1:02:05.840 --> 1:02:08.080
<v Speaker 1>year in high school. Anyway, he looks at in the

1:02:08.200 --> 1:02:10.560
<v Speaker 1>room and he goes you you you. He looks at

1:02:10.600 --> 1:02:13.400
<v Speaker 1>me and goes, you go to the band room, back

1:02:13.480 --> 1:02:15.720
<v Speaker 1>to study. Also, I went to the band room trying

1:02:15.720 --> 1:02:18.400
<v Speaker 1>to let me play it clarinet. I see it though, Yeah,

1:02:18.440 --> 1:02:20.440
<v Speaker 1>it's just I like that I could see Blake clarinet.

1:02:20.480 --> 1:02:24.120
<v Speaker 1>I think that's your natural your natural instrument. I'm thinking chicks, man,

1:02:24.160 --> 1:02:25.920
<v Speaker 1>I went, h we're not gonna do that. I'm on

1:02:26.000 --> 1:02:28.080
<v Speaker 1>a saxophone. Stop played sax for a while, you know,

1:02:28.440 --> 1:02:30.919
<v Speaker 1>And if I gave you a saxophone right now, could

1:02:30.960 --> 1:02:33.960
<v Speaker 1>you make it do anything that it's supposed to do. No. No,

1:02:34.280 --> 1:02:37.760
<v Speaker 1>And it's like quitting golf or something, you know, for probably,

1:02:37.840 --> 1:02:39.800
<v Speaker 1>you know, twenty five years. You kind of have to

1:02:39.840 --> 1:02:41.640
<v Speaker 1>work up to it. Wait, well, we have one here,

1:02:41.720 --> 1:02:43.720
<v Speaker 1>bring it in gat. I know, I'm just having funny.

1:02:44.440 --> 1:02:46.080
<v Speaker 1>Ronnie's here because he's got a new album. We're gonna

1:02:46.120 --> 1:02:48.320
<v Speaker 1>talk about this. It's out today, and I want to start.

1:02:48.400 --> 1:02:50.240
<v Speaker 1>We're gonna get to the Parker McCallum song in a second,

1:02:50.240 --> 1:02:51.920
<v Speaker 1>because I'm gonna play it. But I do want to

1:02:51.960 --> 1:02:54.640
<v Speaker 1>talk about Jake Worthington how because Jake's on a song

1:02:54.760 --> 1:02:56.880
<v Speaker 1>with you called Honckey tonk Town. It may have been

1:02:56.920 --> 1:02:59.400
<v Speaker 1>the first song that you teased or one of the

1:02:59.440 --> 1:03:02.080
<v Speaker 1>first songs. Ts When you're talking about the project, how

1:03:02.160 --> 1:03:05.080
<v Speaker 1>did you link up with Jake Worthington. We were all

1:03:05.160 --> 1:03:10.919
<v Speaker 1>doing the Hearty project and the mixtape or the Hicks tape. Yeah,

1:03:10.920 --> 1:03:15.200
<v Speaker 1>the Hicks tape yeah, and uh this this, I mean

1:03:15.240 --> 1:03:18.000
<v Speaker 1>I just dropped in and did my verse and Uh.

1:03:18.760 --> 1:03:22.480
<v Speaker 1>At the end the third verse, when I got got

1:03:22.520 --> 1:03:27.040
<v Speaker 1>the Master from Joey a big gloud Uh, this voice

1:03:27.080 --> 1:03:28.720
<v Speaker 1>comes out and I'm gonna, holy cow, where did that

1:03:28.800 --> 1:03:31.640
<v Speaker 1>guy come from? Because it was real like down in

1:03:31.720 --> 1:03:34.760
<v Speaker 1>the dirt country. He sounded to me like light lefty

1:03:34.800 --> 1:03:36.360
<v Speaker 1>for Zelle. I mean, and if you don't know he

1:03:36.480 --> 1:03:38.919
<v Speaker 1>that is googling, you'll go get it. But he really does.

1:03:39.400 --> 1:03:44.320
<v Speaker 1>And he's this just down home like I think he's

1:03:44.360 --> 1:03:47.920
<v Speaker 1>like a welder or something by trade. Then uh, Houston,

1:03:48.520 --> 1:03:52.080
<v Speaker 1>But it's cool. You're if you haven't already done it,

1:03:52.320 --> 1:03:55.600
<v Speaker 1>you're gonna love interview at him. I have an interview.

1:03:55.800 --> 1:03:58.160
<v Speaker 1>I mean, he is as humbled as I don't know

1:03:58.600 --> 1:04:00.840
<v Speaker 1>it's but he's funny too. The same time, I want

1:04:00.840 --> 1:04:02.600
<v Speaker 1>to play a clip of this. This is Hockey Talk Town.

1:04:02.720 --> 1:04:05.400
<v Speaker 1>It is with Jake Worthington. Here. You gotta find me

1:04:05.640 --> 1:04:10.960
<v Speaker 1>a Hockey Town one. That's a good one. You like

1:04:11.040 --> 1:04:13.680
<v Speaker 1>that one? Yeah? Yeah, you can't hear it, but you

1:04:13.840 --> 1:04:15.840
<v Speaker 1>like it? Yeah? What if I said you like it?

1:04:15.920 --> 1:04:17.040
<v Speaker 1>He goes, no, I don't like that one at all.

1:04:17.480 --> 1:04:19.680
<v Speaker 1>That'd be a funny answer to Ronnie would say that

1:04:19.720 --> 1:04:21.360
<v Speaker 1>if it hasn't really felt that I wouldn't put it

1:04:21.400 --> 1:04:23.520
<v Speaker 1>on the record, but there it is. The album is

1:04:23.600 --> 1:04:27.520
<v Speaker 1>one hundred proof Neon, It's Ronnie Done. So whenever you're

1:04:27.560 --> 1:04:30.640
<v Speaker 1>putting out individual projects and you and you know, Brooks

1:04:30.640 --> 1:04:33.320
<v Speaker 1>and Done are still touring, is that a thing? Is

1:04:34.200 --> 1:04:36.560
<v Speaker 1>what's that you get to play any of them? Or

1:04:37.400 --> 1:04:40.560
<v Speaker 1>is it weird? So far we just haven't worked that

1:04:40.640 --> 1:04:43.480
<v Speaker 1>out because Kicks has done some stuff too, But no,

1:04:43.640 --> 1:04:46.720
<v Speaker 1>it's just a hodgepodge right now. But I think to me,

1:04:46.840 --> 1:04:48.880
<v Speaker 1>it's just we're at that stage to where, hey, you

1:04:48.960 --> 1:04:51.720
<v Speaker 1>know what we can We can show our individual personalities

1:04:51.760 --> 1:04:53.480
<v Speaker 1>or what we do and still come back and not

1:04:53.680 --> 1:04:56.440
<v Speaker 1>water down Brooks and Done. You know, back back in

1:04:56.520 --> 1:04:58.240
<v Speaker 1>the day, I think that was a big label for

1:04:58.320 --> 1:05:00.160
<v Speaker 1>your I mean just like, no, you can't I go

1:05:00.200 --> 1:05:01.840
<v Speaker 1>sing with someone so, or you can't go do this

1:05:01.960 --> 1:05:04.959
<v Speaker 1>project with somebody else. So it just seemed like every

1:05:05.000 --> 1:05:07.760
<v Speaker 1>time I turned around getting cut off at the pass,

1:05:07.880 --> 1:05:10.960
<v Speaker 1>and Kicks too. So as soon as as soon as

1:05:10.960 --> 1:05:13.480
<v Speaker 1>we decided to give it up for a while, I

1:05:13.560 --> 1:05:16.280
<v Speaker 1>mean we both ran out not not to run out

1:05:16.280 --> 1:05:19.200
<v Speaker 1>there and be successful solo artists, but to do music

1:05:19.600 --> 1:05:22.640
<v Speaker 1>that an individual guy could do. There's there's certain songs

1:05:22.720 --> 1:05:24.960
<v Speaker 1>that its Brooks and done as you know, you like

1:05:25.160 --> 1:05:28.280
<v Speaker 1>kind of love songs or whatever. You can't do it's

1:05:28.320 --> 1:05:31.160
<v Speaker 1>two guys, you know, oh, because people would think you're

1:05:31.160 --> 1:05:33.640
<v Speaker 1>singing at each other. Yeah. Yeah, Like I'm not gonna

1:05:33.640 --> 1:05:35.880
<v Speaker 1>hold hands with him. He holds, but yeah, I would

1:05:35.920 --> 1:05:38.120
<v Speaker 1>like that. He's a redneck. I'd like to see that it. Yeah,

1:05:38.400 --> 1:05:40.360
<v Speaker 1>one hundred proof of Neon's the record Ronnie is here.

1:05:40.360 --> 1:05:42.640
<v Speaker 1>I'm gonna play the single now this is Road to Abilene,

1:05:42.800 --> 1:05:45.480
<v Speaker 1>which you wrote, by the way. Yeah. Yeah. When he

1:05:45.720 --> 1:05:47.480
<v Speaker 1>called Parker McCallum, he said, hey, do the song with

1:05:47.560 --> 1:05:49.880
<v Speaker 1>me or what Yeah. Yeah, he just came down in

1:05:49.960 --> 1:05:54.880
<v Speaker 1>his big white hot rod core bet Jevin's gold Jan

1:05:55.080 --> 1:05:57.760
<v Speaker 1>you have that guy walks in and I like Parker

1:05:57.840 --> 1:05:59.640
<v Speaker 1>a lot, but he walks in and I'm like, I'm

1:05:59.640 --> 1:06:01.240
<v Speaker 1>not gonna like this guy. And then you spend time

1:06:01.280 --> 1:06:02.400
<v Speaker 1>with him, You're like, oh, I love this guy. Oh.

1:06:02.520 --> 1:06:04.920
<v Speaker 1>I felt somebody's kind of kind of got the Texas,

1:06:05.200 --> 1:06:07.960
<v Speaker 1>you know, subtle standoff thing. And then at the end

1:06:08.000 --> 1:06:09.520
<v Speaker 1>of it, he goes, man, thank you so much for

1:06:09.640 --> 1:06:11.040
<v Speaker 1>let me do this, this more fun thing I've done

1:06:11.120 --> 1:06:12.840
<v Speaker 1>or whatever. He's awesome. Dude, I like you. I have

1:06:12.920 --> 1:06:14.760
<v Speaker 1>an idea for you. Would you like to hear an idea? Yeah?

1:06:14.800 --> 1:06:18.000
<v Speaker 1>Probably help your career a lite um. So on this

1:06:18.120 --> 1:06:20.720
<v Speaker 1>record that you have out, you got a couple features

1:06:20.800 --> 1:06:23.040
<v Speaker 1>Jake Worthington, which we talked about a minute ago, and

1:06:23.160 --> 1:06:25.840
<v Speaker 1>the song with Parker McCollum which we played. If you

1:06:25.960 --> 1:06:28.800
<v Speaker 1>did a song not on this record, one hundred proof

1:06:28.800 --> 1:06:30.840
<v Speaker 1>of Neon, maybe the deluxe edition, I think about it

1:06:30.880 --> 1:06:36.760
<v Speaker 1>here Ronnie Done featuring Kicks Brooks. Well, then I'd have

1:06:36.840 --> 1:06:39.680
<v Speaker 1>to turn around into a Kicks Brooks. That would just

1:06:39.720 --> 1:06:41.240
<v Speaker 1>be Brooks and Done, all right? Would here we go

1:06:41.920 --> 1:06:44.560
<v Speaker 1>back to it, back to the money. That would be funny,

1:06:44.600 --> 1:06:47.840
<v Speaker 1>though it would be like I'm confused. It'd be so confused.

1:06:47.880 --> 1:06:49.520
<v Speaker 1>I'd be like, I need to see what this is about.

1:06:49.560 --> 1:06:52.160
<v Speaker 1>But it was just that. So when you have to

1:06:52.240 --> 1:06:53.960
<v Speaker 1>search for people, or you want to search for people

1:06:54.040 --> 1:06:55.800
<v Speaker 1>that are on a song, what do you look for?

1:06:55.880 --> 1:06:57.440
<v Speaker 1>Because I'm sure you get asked to do stuff all

1:06:57.440 --> 1:07:02.160
<v Speaker 1>the time. Yeah, No, I just people alive, that's it.

1:07:02.440 --> 1:07:05.640
<v Speaker 1>I have been called do a song? You want you up? Yeah,

1:07:05.800 --> 1:07:08.560
<v Speaker 1>let's do one. I got a call the other day

1:07:08.600 --> 1:07:11.040
<v Speaker 1>to Tuesday. I was on the way back from Alabama

1:07:11.040 --> 1:07:14.640
<v Speaker 1>and we've been having fun at Lake Martin got shacks.

1:07:14.760 --> 1:07:16.800
<v Speaker 1>You say, Lake Martin. I'm like, I'm gonna ask you

1:07:16.800 --> 1:07:19.560
<v Speaker 1>about that in a second, but go ahead anyway. Uh,

1:07:20.560 --> 1:07:22.600
<v Speaker 1>I can't say who it is, but wanting to do

1:07:22.680 --> 1:07:26.360
<v Speaker 1>a duet and do a duet's project, and uh, I'll

1:07:26.400 --> 1:07:29.200
<v Speaker 1>let him do all the whop about it. So you

1:07:29.280 --> 1:07:36.600
<v Speaker 1>said yes, yeah, Have you said no recently? No? No, no, no, no.

1:07:36.720 --> 1:07:39.160
<v Speaker 1>I mean, I'm kind of careful about what I do.

1:07:39.360 --> 1:07:41.720
<v Speaker 1>But I think in today's age, it's like, hey, if

1:07:41.720 --> 1:07:44.080
<v Speaker 1>it's if it's the song, the song dictates it to me,

1:07:44.880 --> 1:07:46.320
<v Speaker 1>you know, not not who it is. You ever been

1:07:46.320 --> 1:07:49.000
<v Speaker 1>on a comedy song before, a comedy song? Ever been

1:07:49.000 --> 1:07:52.200
<v Speaker 1>on one of those? No, you're writing it. Well, that's

1:07:52.240 --> 1:07:54.120
<v Speaker 1>what we do, and we tore, we tore, We tore

1:07:54.200 --> 1:07:57.280
<v Speaker 1>like Brooks and Dunn. I'll know you do what you

1:07:57.360 --> 1:07:59.000
<v Speaker 1>were doing your your show when we were doing a

1:07:59.040 --> 1:08:01.480
<v Speaker 1>bridgetone the other. That's true. That and you can't come

1:08:01.520 --> 1:08:03.120
<v Speaker 1>to the next shows even to watch because you're on

1:08:03.160 --> 1:08:05.000
<v Speaker 1>the road again. You work too much. You can't even

1:08:05.080 --> 1:08:07.320
<v Speaker 1>enjoy life now, you know, when it running it pours. Yeah,

1:08:07.840 --> 1:08:09.920
<v Speaker 1>Ronnie Dune is here. One hundred proof Neeon. When you

1:08:10.000 --> 1:08:13.240
<v Speaker 1>do the album title, do you put neeon in purposefully

1:08:13.680 --> 1:08:16.080
<v Speaker 1>to reflect one of Brooks and Dunn's most famous songs,

1:08:16.560 --> 1:08:18.439
<v Speaker 1>or do you put it in because it just feels

1:08:18.479 --> 1:08:20.240
<v Speaker 1>like to me, neon feels like a nineties thing just

1:08:20.320 --> 1:08:23.479
<v Speaker 1>in general? Is it that does that word? What does

1:08:23.479 --> 1:08:26.479
<v Speaker 1>that mean to you? Uh? It means that I must

1:08:26.479 --> 1:08:29.599
<v Speaker 1>gravitate to it subconsciously because I took the project home

1:08:29.680 --> 1:08:32.160
<v Speaker 1>as I was doing it all almost through finished with it,

1:08:32.280 --> 1:08:36.040
<v Speaker 1>and my wife goes every every frecking song on there

1:08:36.800 --> 1:08:40.599
<v Speaker 1>says Neon. She goes, can't you come up with something

1:08:40.640 --> 1:08:43.919
<v Speaker 1>other than Neon? Like I said, what would? Everybody's doing pickups?

1:08:44.720 --> 1:08:48.680
<v Speaker 1>And so finally I just thought about it. I went, Okay, no,

1:08:48.720 --> 1:08:50.360
<v Speaker 1>I'm not going to change anything. Well, I'll just called

1:08:50.360 --> 1:08:53.479
<v Speaker 1>it a hundred proof of neon. What's one hundred? I

1:08:53.520 --> 1:08:55.800
<v Speaker 1>don't prove a hundred proof whiskey? But I don't drink,

1:08:55.840 --> 1:08:57.719
<v Speaker 1>so I don't know the stuff that that cool guys

1:08:57.720 --> 1:09:00.759
<v Speaker 1>like you that drink. Yeah, well after last weekend, heady,

1:09:02.400 --> 1:09:04.400
<v Speaker 1>So one hundred proof? What's what's a whiskey? What's a

1:09:04.439 --> 1:09:07.160
<v Speaker 1>proof of a good whiskey proof. Yeah, well, it's just

1:09:07.360 --> 1:09:11.680
<v Speaker 1>I mean that that number dictates the amount of alcohol

1:09:11.760 --> 1:09:14.559
<v Speaker 1>in it. So one hundred percent that's pretty pretty strong.

1:09:14.600 --> 1:09:17.920
<v Speaker 1>Would that be one hundred percent? Yeah, so no, no,

1:09:18.120 --> 1:09:20.040
<v Speaker 1>it's to be I have no idea, Like I'm asked,

1:09:20.040 --> 1:09:22.320
<v Speaker 1>I don't know, y'all tell me what you're gonna get.

1:09:22.520 --> 1:09:25.080
<v Speaker 1>Like there's certain like types of alcohol that aren't going

1:09:25.160 --> 1:09:27.960
<v Speaker 1>to get you as feeling, but it's one hundred one

1:09:28.160 --> 1:09:30.920
<v Speaker 1>d percent give you that feeling. Like what's a beer

1:09:31.080 --> 1:09:35.960
<v Speaker 1>Like I've seen one fifty one? Yeah, moonshine, that's right

1:09:37.720 --> 1:09:44.080
<v Speaker 1>blinding one that's on this record. I feel like I

1:09:44.280 --> 1:09:48.160
<v Speaker 1>hear like multiple fiddles at the same time, like steel guitars,

1:09:48.640 --> 1:09:53.200
<v Speaker 1>Like whenever you're kind of having the idea for this sonically,

1:09:53.360 --> 1:09:54.640
<v Speaker 1>is that important to you to keep a lot of

1:09:54.680 --> 1:09:57.200
<v Speaker 1>the traditional what we feel like a traditional nineties sound

1:09:57.400 --> 1:10:00.400
<v Speaker 1>in it? What I mean, it's traditionals like like fifties,

1:10:00.439 --> 1:10:03.960
<v Speaker 1>sixty seventies, eighties, and nineties. You know that's twin fiddles.

1:10:04.479 --> 1:10:06.639
<v Speaker 1>That was all a big part of what I was doing.

1:10:07.000 --> 1:10:09.599
<v Speaker 1>Is that something you seek out purposefully, Like I definitely

1:10:09.640 --> 1:10:11.120
<v Speaker 1>want to have this in because this is what I'm feeling, like,

1:10:11.120 --> 1:10:14.000
<v Speaker 1>this whole project's gonna be yes. So we're riding. There

1:10:14.080 --> 1:10:15.760
<v Speaker 1>are certain of summing he goes. It lends itself to

1:10:15.840 --> 1:10:20.240
<v Speaker 1>twin fiddles, and hardly anyone does twin fiddles anymore. But

1:10:20.360 --> 1:10:26.120
<v Speaker 1>that's kind of a regional thing. Texas, Oklahoma. Uh, well

1:10:26.160 --> 1:10:29.040
<v Speaker 1>that's you mean Montana. Where do you consider yourself to

1:10:29.120 --> 1:10:32.680
<v Speaker 1>be from? Oh that's a horrible Bobby here, redy it is.

1:10:32.960 --> 1:10:35.840
<v Speaker 1>I went to twelve schools in thirteen years. We were

1:10:35.920 --> 1:10:39.439
<v Speaker 1>moving all the time. Davis in like a pipeline business.

1:10:40.080 --> 1:10:43.160
<v Speaker 1>It's like a gauger, like a real like down in

1:10:43.200 --> 1:10:48.640
<v Speaker 1>the dirt work blue collar worker. But our grandparents are

1:10:48.640 --> 1:10:52.320
<v Speaker 1>all from Eldred, Arkansas, So there was that. But if

1:10:52.439 --> 1:10:54.840
<v Speaker 1>if you're on prices right and they were like, hey, Ronald,

1:10:55.120 --> 1:10:57.920
<v Speaker 1>who are you from? Where would it say? Where would

1:10:57.920 --> 1:11:00.800
<v Speaker 1>you say you're from? I don't know, Tosson, I would

1:11:00.840 --> 1:11:02.720
<v Speaker 1>say I was born in Texas and I spent more

1:11:02.800 --> 1:11:06.679
<v Speaker 1>time there than any other place. So you would say Texas, Yeah, yeah,

1:11:06.760 --> 1:11:10.200
<v Speaker 1>and what part of Texas? West? Texas? Way west in

1:11:10.280 --> 1:11:13.400
<v Speaker 1>a little town called coleman Or south of Abilene. So

1:11:13.600 --> 1:11:15.559
<v Speaker 1>I asked him a lot of oil over there. Yeah,

1:11:15.760 --> 1:11:19.240
<v Speaker 1>and that was that pretty much the economy. Yeah, that

1:11:19.360 --> 1:11:21.479
<v Speaker 1>you guys lived in, like where the oil was that

1:11:21.640 --> 1:11:24.080
<v Speaker 1>that's where your dad went pretty much. Yet, what do

1:11:24.160 --> 1:11:26.920
<v Speaker 1>you remember about that as a kid, just moving a lot,

1:11:27.280 --> 1:11:30.479
<v Speaker 1>I mean like being a living and actually living in

1:11:30.600 --> 1:11:33.719
<v Speaker 1>some cool places like New Mexico lived there for a while,

1:11:34.760 --> 1:11:38.560
<v Speaker 1>but we lived on an oil least because he was

1:11:38.600 --> 1:11:40.760
<v Speaker 1>in charge of a certain regions. So we were out

1:11:40.800 --> 1:11:42.960
<v Speaker 1>in the middle of all these canyons and stuff and

1:11:43.240 --> 1:11:45.600
<v Speaker 1>no one was around. We just had the you know

1:11:45.680 --> 1:11:49.160
<v Speaker 1>we were as kids. We just random muck, you know,

1:11:49.479 --> 1:11:52.160
<v Speaker 1>in the desert there was no one around. What does

1:11:52.160 --> 1:11:54.680
<v Speaker 1>it mean run amuck and the desert sing? It's a

1:11:54.720 --> 1:11:56.920
<v Speaker 1>lot to do, you know, run I don't. I've never

1:11:57.040 --> 1:11:59.320
<v Speaker 1>run them uck. Actually, to this day, I'm never run.

1:11:59.400 --> 1:12:03.160
<v Speaker 1>The mind, I've never run amuck at all. Your parents,

1:12:03.240 --> 1:12:05.120
<v Speaker 1>I get out of the house, go play outside. So

1:12:05.600 --> 1:12:09.439
<v Speaker 1>we run a muck. It's kind of it's undefined, you know,

1:12:09.560 --> 1:12:11.720
<v Speaker 1>you just whatever you wherever you end up. You know

1:12:11.840 --> 1:12:14.519
<v Speaker 1>you're in the pack. Do you muck now? Oh yeah?

1:12:14.560 --> 1:12:16.719
<v Speaker 1>I run them up now, way more than I random

1:12:16.800 --> 1:12:18.800
<v Speaker 1>muck when I was smaller. When you're at the lake

1:12:18.960 --> 1:12:23.000
<v Speaker 1>in Alabama. What does a lake weekend consistent for you? Well,

1:12:23.640 --> 1:12:25.800
<v Speaker 1>I mean I was getting the boat and cruising and

1:12:25.960 --> 1:12:28.160
<v Speaker 1>how big boat. Let's let's talk real here. No, it

1:12:28.320 --> 1:12:31.040
<v Speaker 1>was like a forty two foot something. You've been on

1:12:31.080 --> 1:12:33.880
<v Speaker 1>a yacht? Oh yeah, I've never been on the yaist. Really,

1:12:34.160 --> 1:12:36.000
<v Speaker 1>I just see people on you work all the time,

1:12:36.000 --> 1:12:37.360
<v Speaker 1>but I see people on to get out. But I

1:12:37.400 --> 1:12:39.040
<v Speaker 1>see people on TMZ on yachts, and I'm like, I've

1:12:39.040 --> 1:12:41.639
<v Speaker 1>never been. I've never even been on a yacht. Y'all

1:12:41.680 --> 1:12:43.720
<v Speaker 1>both accused each other of working too much, and how

1:12:43.800 --> 1:12:45.920
<v Speaker 1>y'all both need to get out? Really Okay? So I

1:12:46.040 --> 1:12:49.160
<v Speaker 1>see you on a bicycle online the other day. Yeah, bicycle, Yes,

1:12:49.240 --> 1:12:51.800
<v Speaker 1>by side out in the desert. A bicycle, pretty fancy.

1:12:52.000 --> 1:12:54.040
<v Speaker 1>It's out a yacht. No, it's a it's a mountain.

1:12:54.080 --> 1:12:55.880
<v Speaker 1>It's well, you're talking no, but you make it sound

1:12:55.920 --> 1:12:58.160
<v Speaker 1>like you. You come on, you've not been on a yacht?

1:12:58.840 --> 1:13:00.880
<v Speaker 1>Who how would I be? I don't even know somebody?

1:13:01.080 --> 1:13:03.880
<v Speaker 1>Very normal, you're Bobby. I don't even know you know.

1:13:04.000 --> 1:13:06.839
<v Speaker 1>I don't know a person. That person. It's a houseboat,

1:13:08.320 --> 1:13:09.720
<v Speaker 1>a lake yacht. I don't even know one of those,

1:13:09.720 --> 1:13:12.439
<v Speaker 1>I'm there with you. You have a houseboat? No, no,

1:13:12.600 --> 1:13:15.000
<v Speaker 1>I did have on a center hill for a while.

1:13:16.280 --> 1:13:20.960
<v Speaker 1>Not a houseboat, but uh, Daytona like like the race,

1:13:21.000 --> 1:13:23.439
<v Speaker 1>a bunch of music and NASCAR kind of run parallel

1:13:23.520 --> 1:13:29.080
<v Speaker 1>in some ways. So every year Roger Pinski they all

1:13:29.120 --> 1:13:34.559
<v Speaker 1>earned hard and Felix Sobatas who invented Donkey Kong. They

1:13:34.640 --> 1:13:37.680
<v Speaker 1>would all show up in their yachts, and the one

1:13:37.960 --> 1:13:43.360
<v Speaker 1>that had the longest uh yaht got the preferred parking place,

1:13:43.720 --> 1:13:46.559
<v Speaker 1>and they'd all three line up. So when people weren't

1:13:46.600 --> 1:13:48.519
<v Speaker 1>at the race, after the race, pre race and all that,

1:13:49.040 --> 1:13:51.240
<v Speaker 1>they would all walk out and gawk at that. You know,

1:13:51.360 --> 1:13:53.439
<v Speaker 1>the two hundred and fifty foot two hundred and fifty

1:13:53.479 --> 1:13:57.120
<v Speaker 1>one foot there's a yacht measuring contest. Yeah, between those

1:13:57.160 --> 1:13:59.360
<v Speaker 1>three guys, we know what y'acht stood for for them too.

1:13:59.560 --> 1:14:01.240
<v Speaker 1>And you go on, you have to take your shoes off.

1:14:01.360 --> 1:14:03.479
<v Speaker 1>There's that. You go into all their yachts. Uh huh.

1:14:04.400 --> 1:14:07.320
<v Speaker 1>But the yacht that's the I mean, that's the golf ocean.

1:14:07.400 --> 1:14:09.559
<v Speaker 1>Where is that? Let's let's see what was up would

1:14:09.560 --> 1:14:11.600
<v Speaker 1>be the golf right, Yeah, I don't, I don't know what,

1:14:11.640 --> 1:14:14.120
<v Speaker 1>I don't have a ton of side of Florida. And

1:14:14.280 --> 1:14:16.679
<v Speaker 1>what's the difference in a yacht and another another big boat?

1:14:16.720 --> 1:14:18.920
<v Speaker 1>You can go down in it? No, there's actually actually

1:14:19.040 --> 1:14:22.000
<v Speaker 1>rid of thing the other yesterday on it now they'll

1:14:22.000 --> 1:14:24.519
<v Speaker 1>show you how my short term memory works. But there's

1:14:24.520 --> 1:14:28.800
<v Speaker 1>a term for an eighty eight foot boat, and then

1:14:28.880 --> 1:14:31.800
<v Speaker 1>there's another term for when it turns into a yacht

1:14:31.920 --> 1:14:36.200
<v Speaker 1>at like a certain amount of footage. But what's the

1:14:36.439 --> 1:14:38.519
<v Speaker 1>But like they're hot right now, everybody's buying them. I

1:14:38.560 --> 1:14:41.280
<v Speaker 1>guess because they're kind of cheap. But I don't know. Um,

1:14:41.360 --> 1:14:43.360
<v Speaker 1>so you're out, you're finishing the toward Brooks and Done.

1:14:43.720 --> 1:14:47.800
<v Speaker 1>So then what do you do as far as performing wise? No, no,

1:14:48.080 --> 1:14:50.599
<v Speaker 1>I'm panicking. Are you getting a little nervous though? Really?

1:14:50.760 --> 1:14:52.479
<v Speaker 1>Uh huh? I'm trying to come up with something to

1:14:52.560 --> 1:14:55.920
<v Speaker 1>do maybe and and line some some dates up to

1:14:56.160 --> 1:14:59.240
<v Speaker 1>just for fun to promote this. So if you go

1:14:59.360 --> 1:15:02.519
<v Speaker 1>on play these, if you're by yourself, can you play

1:15:02.520 --> 1:15:04.479
<v Speaker 1>a few Brooks and Done songs too? Or is that

1:15:04.560 --> 1:15:07.320
<v Speaker 1>in the rules? That's yeah, yes, no, there's there are

1:15:07.360 --> 1:15:09.240
<v Speaker 1>no rules about that. We can do whatever we want to,

1:15:09.560 --> 1:15:12.439
<v Speaker 1>you know, because we we wrote the majority of that stuff,

1:15:12.560 --> 1:15:14.560
<v Speaker 1>Like we didn't write My Maria. So I don't know.

1:15:14.800 --> 1:15:16.759
<v Speaker 1>I don't think you know, kicks goes out and does stuff.

1:15:17.400 --> 1:15:19.600
<v Speaker 1>So I don't think anybody cares what's interesting. And you

1:15:19.600 --> 1:15:22.080
<v Speaker 1>can tell me I'm wrong here, But from my Brooks

1:15:22.120 --> 1:15:26.599
<v Speaker 1>and done knowledge, it seems like one of either one

1:15:26.680 --> 1:15:29.120
<v Speaker 1>of you wrote most of it. Rarely did you too

1:15:29.200 --> 1:15:33.000
<v Speaker 1>write a song together that was massive? Initially we did.

1:15:33.320 --> 1:15:35.080
<v Speaker 1>We wrote a lot, and then then we hit the

1:15:35.160 --> 1:15:37.880
<v Speaker 1>road ahead like four number ones in a row and

1:15:38.560 --> 1:15:42.680
<v Speaker 1>just hit the road immediately and took off. So we

1:15:42.840 --> 1:15:44.720
<v Speaker 1>got to see a whole lot of one another. And

1:15:44.880 --> 1:15:48.519
<v Speaker 1>our time at home, our free time, was kind of

1:15:48.840 --> 1:15:51.000
<v Speaker 1>kind of precious, you know, you get to spend time

1:15:51.040 --> 1:15:55.040
<v Speaker 1>with your wife and kids, and that was kind of

1:15:55.080 --> 1:15:56.960
<v Speaker 1>put a damper on a lot of it. Every now

1:15:57.000 --> 1:15:58.439
<v Speaker 1>and then we'd be on the bus or something, or

1:15:58.439 --> 1:16:01.080
<v Speaker 1>a long trip California or whatever. We'd we'd stopped for

1:16:01.080 --> 1:16:03.880
<v Speaker 1>a couple of days and and and write. We wrote

1:16:04.160 --> 1:16:08.360
<v Speaker 1>Uh Red Dirt Road. Uh. He jumped up on the

1:16:08.400 --> 1:16:12.200
<v Speaker 1>bus one day. Uh after a show one night and said,

1:16:12.600 --> 1:16:15.240
<v Speaker 1>I said we need to we need a song that

1:16:15.520 --> 1:16:18.320
<v Speaker 1>that kind of depicts the field of the of the album,

1:16:18.800 --> 1:16:22.840
<v Speaker 1>and uh we spattered off that chorus and uh traded

1:16:22.920 --> 1:16:24.560
<v Speaker 1>off on the of the verses and the way we

1:16:24.680 --> 1:16:27.240
<v Speaker 1>where we went. Whenever you look back at Brooks and Donne,

1:16:27.400 --> 1:16:29.720
<v Speaker 1>the massive hits that you guys had, which one that

1:16:29.880 --> 1:16:32.000
<v Speaker 1>you were part of writing was just the easiest, and

1:16:32.200 --> 1:16:35.080
<v Speaker 1>it was almost wrote in an hour, like a quick

1:16:35.320 --> 1:16:40.400
<v Speaker 1>quick rite, and you're like, wow, no, no, I'm slow slow,

1:16:40.479 --> 1:16:41.599
<v Speaker 1>you know, I don't know how. I don't know how

1:16:41.680 --> 1:16:44.400
<v Speaker 1>how staff guys do it? You know music row riders.

1:16:44.800 --> 1:16:48.160
<v Speaker 1>If someone said to me one time, uh, it's a

1:16:48.280 --> 1:16:51.679
<v Speaker 1>rider here here on the row, and asked the same question,

1:16:52.400 --> 1:16:55.599
<v Speaker 1>and I said, uh, I don't know. Sometimes it'll take

1:16:55.680 --> 1:16:58.760
<v Speaker 1>me like three or four months maybe so maybe a

1:16:58.880 --> 1:17:01.320
<v Speaker 1>year if I'm like really stuck on it or something

1:17:01.439 --> 1:17:04.840
<v Speaker 1>like that. And he laughed. He says, man, in my opinion,

1:17:04.920 --> 1:17:07.639
<v Speaker 1>if it's if it takes more than three hours, it's

1:17:07.760 --> 1:17:11.680
<v Speaker 1>just not worth the time. I'm thinking, wow, wow, but

1:17:11.960 --> 1:17:14.040
<v Speaker 1>that's his deal. No, wow, that you it would take

1:17:14.040 --> 1:17:16.840
<v Speaker 1>a year. Yeah. Yeah, So you write it down and

1:17:16.880 --> 1:17:18.360
<v Speaker 1>go it's night it and you come back to it later.

1:17:18.520 --> 1:17:19.960
<v Speaker 1>I'll just leave it. I'll leave it at in a

1:17:20.040 --> 1:17:22.439
<v Speaker 1>folder whole and just kind of come back to it. Well,

1:17:22.479 --> 1:17:23.920
<v Speaker 1>the flip side of that question, then, which one do

1:17:23.960 --> 1:17:25.640
<v Speaker 1>you think took the longest where you started? And it

1:17:25.720 --> 1:17:27.200
<v Speaker 1>was years later when you're like, oh, okay, I feel

1:17:27.200 --> 1:17:29.479
<v Speaker 1>like we got it now. Neon Moon was was was

1:17:29.600 --> 1:17:32.599
<v Speaker 1>one that that stretched out for a while? What about

1:17:32.680 --> 1:17:34.840
<v Speaker 1>it wasn't right for a while? Yeah? Yeah, like what

1:17:34.960 --> 1:17:36.840
<v Speaker 1>about it? Which direction did it go or what was

1:17:36.840 --> 1:17:38.800
<v Speaker 1>different about it? At first? At first it was it

1:17:38.920 --> 1:17:41.160
<v Speaker 1>was it was more like two for a country, you know,

1:17:41.760 --> 1:17:45.000
<v Speaker 1>but not the same same lyrics, same hook and that stuff,

1:17:45.000 --> 1:17:47.599
<v Speaker 1>And I like, I don't like that. And then uh,

1:17:48.080 --> 1:17:51.800
<v Speaker 1>then this this version that here every now and then

1:17:53.120 --> 1:17:55.080
<v Speaker 1>is the one I went with. I thought that was

1:17:55.120 --> 1:17:57.280
<v Speaker 1>the case, the one that made it the one. Yeah,

1:17:57.439 --> 1:17:58.600
<v Speaker 1>when I was thinking about it, I was like, I

1:17:58.680 --> 1:18:01.840
<v Speaker 1>bet the one that way here now is the one. Okay,

1:18:01.920 --> 1:18:03.800
<v Speaker 1>So I'm gonna ask a couple more questions a second,

1:18:03.840 --> 1:18:05.240
<v Speaker 1>but I want to play a little more of this

1:18:05.640 --> 1:18:08.720
<v Speaker 1>from one hundred proof Neon. Uh, let's play a little

1:18:08.760 --> 1:18:11.599
<v Speaker 1>bit of where the Neon lies. This is Ronnie Dunn

1:18:11.680 --> 1:18:27.639
<v Speaker 1>right here where the weird sky Man good Like I'm

1:18:27.880 --> 1:18:31.080
<v Speaker 1>forty two and I can already film my voice like

1:18:32.120 --> 1:18:35.600
<v Speaker 1>the youthfulness of my voice is not No, I'm just

1:18:35.680 --> 1:18:39.200
<v Speaker 1>saying you what your voice is still as pure now,

1:18:39.840 --> 1:18:42.040
<v Speaker 1>it feels like to me, and I've been lucky enough

1:18:42.080 --> 1:18:45.680
<v Speaker 1>to either sing right beside you were watching what are

1:18:45.720 --> 1:18:48.360
<v Speaker 1>you doing? Or are you just genetically lucky? Like? What's

1:18:48.439 --> 1:18:51.080
<v Speaker 1>how does it stay the same? I think it's probably genetics,

1:18:51.280 --> 1:18:53.120
<v Speaker 1>you know. I mean when I first say, I think

1:18:53.160 --> 1:18:54.960
<v Speaker 1>there's a difference. Like I used to call myself like

1:18:55.000 --> 1:18:59.599
<v Speaker 1>a bean nose oaky, you know, somebody puts a bean

1:18:59.680 --> 1:19:02.840
<v Speaker 1>up there nose and tries to sing without high But

1:19:02.960 --> 1:19:05.519
<v Speaker 1>as I get older, it's it's deep into hair and

1:19:05.520 --> 1:19:06.840
<v Speaker 1>it kind of just got just a little bit of

1:19:06.880 --> 1:19:09.439
<v Speaker 1>a character, more character to it. And I think you'd

1:19:09.439 --> 1:19:13.599
<v Speaker 1>get more comfortable. Have you changed the keys of any songs? Nope, nope, nope.

1:19:13.720 --> 1:19:16.160
<v Speaker 1>Tempted at first, you know of some of these runs

1:19:16.200 --> 1:19:18.160
<v Speaker 1>when you're before you get in shape, but it's a muscle,

1:19:18.280 --> 1:19:21.000
<v Speaker 1>you know, and once you once you get it in shape,

1:19:21.120 --> 1:19:23.559
<v Speaker 1>and you're you're out and running and I stay all

1:19:23.600 --> 1:19:25.960
<v Speaker 1>right a rest and I don't I don't, you know,

1:19:26.080 --> 1:19:28.360
<v Speaker 1>get involved with a one hundred percent proof whiskey when

1:19:28.400 --> 1:19:31.120
<v Speaker 1>I'm out on the road. But with the lake, when

1:19:31.120 --> 1:19:33.200
<v Speaker 1>you're at the lake, back to that, what are you

1:19:33.280 --> 1:19:34.600
<v Speaker 1>doing at the lake? Are you just sitting in a

1:19:34.680 --> 1:19:38.479
<v Speaker 1>cove with twenty two year olds listening to Pitbull or what? Oh? Yeah,

1:19:38.880 --> 1:19:42.600
<v Speaker 1>that's it. This week was they were having a like

1:19:43.000 --> 1:19:45.240
<v Speaker 1>a lake poker run. You had to go from one

1:19:45.360 --> 1:19:48.640
<v Speaker 1>end to the other and get at these stations and

1:19:48.680 --> 1:19:51.920
<v Speaker 1>you pull up to a dock or whatever, and uh,

1:19:52.520 --> 1:19:55.360
<v Speaker 1>they give you a card and then they write it

1:19:55.479 --> 1:19:57.840
<v Speaker 1>down and then you go to five different places and

1:19:58.360 --> 1:20:02.160
<v Speaker 1>whoever has the best and when you know, a couple

1:20:02.160 --> 1:20:05.040
<v Speaker 1>of grand that's what rich people do. Wow, the craziest

1:20:05.080 --> 1:20:06.920
<v Speaker 1>game I ever heard of. No, it's nuts, they have

1:20:07.080 --> 1:20:09.960
<v Speaker 1>no they were they were They were like party barges

1:20:09.960 --> 1:20:14.240
<v Speaker 1>I call them. Were pontoon boats with giant pink flamingos

1:20:14.320 --> 1:20:19.840
<v Speaker 1>on them and you know what, the floppy dice that

1:20:19.880 --> 1:20:22.840
<v Speaker 1>they came from the mirrors but massive, and they dressed up.

1:20:22.840 --> 1:20:24.680
<v Speaker 1>It was like Mardi Gras on the water. What's the

1:20:24.680 --> 1:20:26.400
<v Speaker 1>Facebook group? You'ren They gets to do all this stuff?

1:20:26.400 --> 1:20:28.640
<v Speaker 1>Like how does this communicated amongst It's just it's a

1:20:28.680 --> 1:20:30.479
<v Speaker 1>cultural things. But they've been doing it for years, A

1:20:30.560 --> 1:20:34.240
<v Speaker 1>traditional thing down there. Well, I never heard of such thing.

1:20:34.280 --> 1:20:37.280
<v Speaker 1>I don't know I had an eater. I got trollomotor

1:20:37.640 --> 1:20:40.519
<v Speaker 1>about it. I don't got a flat bottom. I don't

1:20:40.600 --> 1:20:43.120
<v Speaker 1>have that. Ronnie Done is here. I got two questions

1:20:43.160 --> 1:20:44.680
<v Speaker 1>for you, and I'm going to ask this. It's a

1:20:44.880 --> 1:20:49.759
<v Speaker 1>dumb question, but I'm serious asking it. When it's people

1:20:50.520 --> 1:20:53.479
<v Speaker 1>see you and once they understand or recognize you, they

1:20:53.560 --> 1:20:56.640
<v Speaker 1>treat you differently because you are famous, You've had a

1:20:56.680 --> 1:21:00.680
<v Speaker 1>great career in country music. People know you. What is

1:21:00.720 --> 1:21:04.400
<v Speaker 1>it like for people to just love you wherever you go?

1:21:05.120 --> 1:21:07.080
<v Speaker 1>Do you ever just go? Man, I'm trying to go

1:21:07.120 --> 1:21:09.439
<v Speaker 1>somewhere people don't know who I am, so I don't

1:21:09.720 --> 1:21:13.200
<v Speaker 1>get that. That's real, But it may not be authentic

1:21:13.280 --> 1:21:16.479
<v Speaker 1>in like human relationships because what they're loving maybe isn't

1:21:16.520 --> 1:21:21.519
<v Speaker 1>the real you. Yeah, no, that's that's You're nail on it.

1:21:22.680 --> 1:21:27.840
<v Speaker 1>I don't know that. That's It's tough because you know,

1:21:27.920 --> 1:21:31.920
<v Speaker 1>you're in this business to be, you know, because you

1:21:32.000 --> 1:21:35.960
<v Speaker 1>love music, and then the byproduct of that is recognition.

1:21:36.200 --> 1:21:38.920
<v Speaker 1>And I'm not gonna use the word fame, but recognition

1:21:40.240 --> 1:21:44.000
<v Speaker 1>and sometimes it's a you know, after after that break

1:21:44.160 --> 1:21:46.559
<v Speaker 1>for ten years. You know, at times I've walked through

1:21:46.600 --> 1:21:49.840
<v Speaker 1>the airport and like, you know, one person come up

1:21:49.880 --> 1:21:51.680
<v Speaker 1>to you and like, hey, man, dig your music by

1:21:52.439 --> 1:21:55.000
<v Speaker 1>or better yet, hey my mom my mom loves you.

1:21:55.280 --> 1:21:58.599
<v Speaker 1>You know, my grandmother lives you. Man. At this point,

1:21:58.800 --> 1:22:01.720
<v Speaker 1>it's like group uster right off the bat. But it's cool. Hey,

1:22:02.000 --> 1:22:04.880
<v Speaker 1>you know i'd be great grandmother loves me. But uh,

1:22:05.040 --> 1:22:07.679
<v Speaker 1>you know, things heat up, you know, like the morns

1:22:07.760 --> 1:22:11.240
<v Speaker 1>you get get exposure hearing it was like Alabama was

1:22:11.320 --> 1:22:13.639
<v Speaker 1>like that last week. It's just just funny how it changes.

1:22:14.120 --> 1:22:15.960
<v Speaker 1>Do you feel now it's back at it's like a

1:22:16.040 --> 1:22:18.360
<v Speaker 1>real peak time again because I feel like if anyone

1:22:18.439 --> 1:22:20.960
<v Speaker 1>mentions Brooks and dun Or Ronnie dun Or kicks book,

1:22:21.080 --> 1:22:25.559
<v Speaker 1>it's just like there's just a passion for you guys. Again,

1:22:25.720 --> 1:22:27.880
<v Speaker 1>I wasn't here when there wasn't a passion whatever time

1:22:27.920 --> 1:22:29.960
<v Speaker 1>you're talking about there. Do you feel though that it's

1:22:30.040 --> 1:22:33.640
<v Speaker 1>really strong again? Yeah? Yes, And I won't say you

1:22:33.720 --> 1:22:36.760
<v Speaker 1>gets you know it's that peak yet. But it's different now.

1:22:37.200 --> 1:22:40.160
<v Speaker 1>Crowds are bigger, and they were they were big, you

1:22:40.240 --> 1:22:42.519
<v Speaker 1>know in the day. But just like the enthusiasm is

1:22:42.560 --> 1:22:45.120
<v Speaker 1>there and I can hold up you know, ego mic

1:22:45.200 --> 1:22:47.519
<v Speaker 1>out to the audience and they'll sing neon Moon and

1:22:47.640 --> 1:22:50.640
<v Speaker 1>you know, louder than we do it. Uh So I

1:22:50.880 --> 1:22:52.560
<v Speaker 1>don't know how to figure that out other than just

1:22:52.600 --> 1:22:54.920
<v Speaker 1>to ride the wave and have fun. Are you having fun?

1:22:55.000 --> 1:22:58.519
<v Speaker 1>You're having a blast. Do you appreciate it because you

1:22:58.600 --> 1:23:01.280
<v Speaker 1>were away for a while, like you appreciate it more? Yeah?

1:23:02.160 --> 1:23:05.200
<v Speaker 1>I think so, Yes, Yeah, I would think that I

1:23:05.280 --> 1:23:07.880
<v Speaker 1>would too. I would think for me anyway, it takes

1:23:08.160 --> 1:23:10.639
<v Speaker 1>oftentimes for me, it takes something to kind of come

1:23:10.680 --> 1:23:12.640
<v Speaker 1>in that I didn't expect to remind me of how

1:23:12.720 --> 1:23:14.840
<v Speaker 1>good I have it, because sometimes I forget because you're

1:23:14.880 --> 1:23:16.479
<v Speaker 1>just in it. Well, too much, too much of a

1:23:16.560 --> 1:23:19.200
<v Speaker 1>good thing is just too much of anything, you know,

1:23:19.360 --> 1:23:21.080
<v Speaker 1>and you'll you'll you'll get a little get a little

1:23:21.120 --> 1:23:24.280
<v Speaker 1>burned out. Yeah, I want to ask you one more question,

1:23:24.320 --> 1:23:25.519
<v Speaker 1>and I want to get back to the record one

1:23:25.520 --> 1:23:28.000
<v Speaker 1>more time. But you talk about when you guys took

1:23:28.040 --> 1:23:31.479
<v Speaker 1>a break. What's that situation? Like whenever it's time or

1:23:31.520 --> 1:23:33.240
<v Speaker 1>somebody makes a call to go, hey, we should do

1:23:33.320 --> 1:23:36.560
<v Speaker 1>this again, Like what happened? Who made the call? What

1:23:36.720 --> 1:23:41.639
<v Speaker 1>was that conversation? Like a manager Clarence Small made the call,

1:23:41.920 --> 1:23:45.519
<v Speaker 1>and that was to do the reboot record. And he said, guys,

1:23:45.560 --> 1:23:47.880
<v Speaker 1>I've got an idea. He said, just just let me

1:23:47.960 --> 1:23:49.559
<v Speaker 1>take it run. He says, you don't have to do anything.

1:23:49.600 --> 1:23:51.360
<v Speaker 1>You don't have to call anybody. He says, I'm gonna

1:23:51.400 --> 1:23:54.760
<v Speaker 1>call each artist that you guys said. He gave us

1:23:54.760 --> 1:23:57.840
<v Speaker 1>a list. He says, just a loose list and check

1:23:57.880 --> 1:23:59.880
<v Speaker 1>it out. But he said, I'm gonna call one time.

1:24:00.000 --> 1:24:01.920
<v Speaker 1>He said. If I don't hear about within two days,

1:24:02.000 --> 1:24:04.360
<v Speaker 1>he says, we'll move on. It's not gonna be any

1:24:05.000 --> 1:24:07.839
<v Speaker 1>you know, we're dragged the process out and torture anybody.

1:24:08.360 --> 1:24:11.360
<v Speaker 1>Sure enough, just about I think everybody that he called,

1:24:11.400 --> 1:24:13.519
<v Speaker 1>he says, Bam, we're on. We've got her. You know,

1:24:13.640 --> 1:24:16.719
<v Speaker 1>we got him, we got someone solf so Cody Johnson,

1:24:17.000 --> 1:24:20.320
<v Speaker 1>you know, Luke, Luke con Casey. Yeah, yeah, see you know.

1:24:20.600 --> 1:24:22.599
<v Speaker 1>So then you guys were like, hey, we should okay,

1:24:22.680 --> 1:24:25.080
<v Speaker 1>let's do this. Well yeah, and it just kind of reignited,

1:24:25.200 --> 1:24:31.120
<v Speaker 1>you know the thing of us and people younger artists

1:24:31.280 --> 1:24:33.519
<v Speaker 1>walking and go, holy cow, you know we're in here

1:24:33.560 --> 1:24:35.200
<v Speaker 1>and we're looking around on who are you talking about?

1:24:37.400 --> 1:24:39.559
<v Speaker 1>But yeah, enough money or I ain't gonna be fine, right, Yeah,

1:24:39.600 --> 1:24:41.120
<v Speaker 1>it's not for money now, I never you know. I

1:24:41.160 --> 1:24:43.320
<v Speaker 1>mean I like to say it never was but money

1:24:43.360 --> 1:24:45.400
<v Speaker 1>what money wasn't motive back in the day? Not now?

1:24:45.560 --> 1:24:49.920
<v Speaker 1>I mean, can you have enough? I don't know. I

1:24:49.960 --> 1:24:51.720
<v Speaker 1>don't have any I don't have a ya. How much

1:24:51.720 --> 1:24:53.280
<v Speaker 1>you got in your wall right now? How many? Okay?

1:24:53.280 --> 1:24:54.640
<v Speaker 1>How much cash you got in your wall right now?

1:24:55.000 --> 1:24:57.800
<v Speaker 1>Right now? Yeh? Cash? None? You don't keep cash. No,

1:24:57.880 --> 1:25:02.120
<v Speaker 1>it's all credit cards. I probably have. Like, what do

1:25:02.160 --> 1:25:05.760
<v Speaker 1>you tip of valet? Oh, I'm bad about it. I'm no.

1:25:05.880 --> 1:25:08.479
<v Speaker 1>I'm like like, I'm way over tip, you over tip,

1:25:08.760 --> 1:25:11.000
<v Speaker 1>way over tip. Yeah, And I think that's fair. I

1:25:11.080 --> 1:25:13.439
<v Speaker 1>think that's I do. And if you forget you have

1:25:13.560 --> 1:25:15.360
<v Speaker 1>you don't have any cash, you go courtesie. It kicks

1:25:15.360 --> 1:25:17.040
<v Speaker 1>Brooks and you walk off, right, That's what I would do.

1:25:17.240 --> 1:25:18.960
<v Speaker 1>You're like, you know, here's my credit card, here's my

1:25:19.080 --> 1:25:22.639
<v Speaker 1>dress sending back to me. All right, one, let's play

1:25:22.680 --> 1:25:24.120
<v Speaker 1>one more club. I want to play the last track

1:25:24.200 --> 1:25:28.080
<v Speaker 1>on the record. This is better bartender with Ronnie done

1:25:28.160 --> 1:25:47.400
<v Speaker 1>right now? Man here, Well you did it again. I

1:25:47.479 --> 1:25:49.280
<v Speaker 1>think you made the project. You're one to make because

1:25:49.320 --> 1:25:52.120
<v Speaker 1>it sounds very Ronnie Done, and I love it, you know, yeah,

1:25:52.160 --> 1:25:54.080
<v Speaker 1>I think that's the goal, right, Just do something you're

1:25:54.080 --> 1:25:56.000
<v Speaker 1>proud of. It sounds great and didn't see what happens

1:25:56.120 --> 1:25:59.080
<v Speaker 1>so Mama would like yep, And every chance I get,

1:25:59.160 --> 1:26:01.519
<v Speaker 1>we're featuring it. You know, I love you and you know, uh,

1:26:02.000 --> 1:26:04.240
<v Speaker 1>you know, I love your music. But like outside of that,

1:26:04.320 --> 1:26:06.200
<v Speaker 1>you're a guy anyway. It's really cool for me to

1:26:06.240 --> 1:26:07.680
<v Speaker 1>get to be your friend. I don't get a vide

1:26:07.680 --> 1:26:10.400
<v Speaker 1>it on the boat or or some like swinger thing

1:26:10.439 --> 1:26:11.720
<v Speaker 1>on the lake. I don't know what's happening in there,

1:26:11.800 --> 1:26:15.599
<v Speaker 1>but I don't know. I didn't get that. I don't

1:26:15.880 --> 1:26:17.360
<v Speaker 1>I don't know some poker thing. I don't don't know what.

1:26:17.400 --> 1:26:20.920
<v Speaker 1>That's the code word for Ronnie Done. You guys check

1:26:20.960 --> 1:26:23.120
<v Speaker 1>out the album. It is one hundred proof knee On.

1:26:23.439 --> 1:26:26.280
<v Speaker 1>You can follow Ronnie at Ronnie Dunne obviously Brooks and

1:26:26.360 --> 1:26:29.599
<v Speaker 1>Done back out on the road finishing up the tour.

1:26:29.680 --> 1:26:31.560
<v Speaker 1>But this is one hundred proof knee On. If you

1:26:31.640 --> 1:26:32.920
<v Speaker 1>decide that you want to go on the road and

1:26:33.000 --> 1:26:35.800
<v Speaker 1>do this, just let me know, we'll promote it. Let

1:26:35.840 --> 1:26:38.000
<v Speaker 1>me know what you're gonna do. All right, I'll do it.

1:26:38.040 --> 1:26:41.320
<v Speaker 1>I'm text recall you camp outside. You're great, you do

1:26:41.400 --> 1:26:43.360
<v Speaker 1>all that anyway, Yeah, so that nothing would be different

1:26:43.720 --> 1:26:47.200
<v Speaker 1>there he is, Ronnie done. Everybody all right? Thanks Shelf.

1:26:48.479 --> 1:26:52.200
<v Speaker 1>It's the best Bits of the Week with Morgan number two.

1:26:53.320 --> 1:26:55.240
<v Speaker 1>I'm Morgan, y'all, thanks for hanging out with me this

1:26:55.320 --> 1:26:57.880
<v Speaker 1>weekend getting caught up on the show. Make sure you

1:26:58.040 --> 1:27:00.519
<v Speaker 1>check out Bobby Bones dot com for some more content

1:27:00.640 --> 1:27:02.800
<v Speaker 1>of more than just these bits that I talk to

1:27:02.840 --> 1:27:04.760
<v Speaker 1>you all about, because there's so much and of course

1:27:04.840 --> 1:27:07.760
<v Speaker 1>on our Instagram, we got games, we have the full

1:27:07.840 --> 1:27:10.360
<v Speaker 1>games on YouTube. There's just a lot of content all

1:27:10.400 --> 1:27:13.280
<v Speaker 1>over our socials and on the website. So check all

1:27:13.320 --> 1:27:15.120
<v Speaker 1>of that out and thank you guys again for hanging

1:27:15.160 --> 1:27:16.880
<v Speaker 1>out with me. I hope the rest of your weekend

1:27:17.120 --> 1:27:21.920
<v Speaker 1>is fabulous. I love you. Bye, hanging out with the show.