1
00:00:01,440 --> 00:00:05,200
Speaker 1: It's the Best Bits of the Week with Morgan. Number two.

2
00:00:06,440 --> 00:00:10,520
Speaker 1: Let's up, y'all, welcome to the Best Bits Podcast. It's Morgan.

3
00:00:10,640 --> 00:00:12,680
Speaker 1: Thanks for hanging out with me this weekend. I hope

4
00:00:12,680 --> 00:00:16,160
Speaker 1: you've been already having a fun time and even more

5
00:00:16,239 --> 00:00:20,320
Speaker 1: fun as the weekend continues, We're gonna get started. Coming

6
00:00:20,400 --> 00:00:23,440
Speaker 1: in at number seven, we have got fun Fact Friday.

7
00:00:23,520 --> 00:00:25,400
Speaker 1: Now we've changed this up a little bit. Used to

8
00:00:25,480 --> 00:00:28,520
Speaker 1: be just Amy sharing facts. Now all of us share

9
00:00:28,520 --> 00:00:31,120
Speaker 1: a fun fact and kind of gets a little competitive,

10
00:00:31,440 --> 00:00:33,760
Speaker 1: and we see who has some really good ones who

11
00:00:33,840 --> 00:00:36,280
Speaker 1: we can learn things from. I'm not gonna lie though.

12
00:00:36,320 --> 00:00:39,960
Speaker 1: They're all so good that I learn different things every

13
00:00:39,960 --> 00:00:42,680
Speaker 1: fun Fact Friday. So here you go check them out.

14
00:00:42,880 --> 00:00:45,400
Speaker 1: Let us know what you think. Number seven, it's time

15
00:00:45,440 --> 00:00:48,040
Speaker 1: for fun Fact Friday and leading us off is McKenzie

16
00:00:48,040 --> 00:00:52,040
Speaker 1: from Arizona. Fun Fact for Friday. Did you guys know

17
00:00:52,360 --> 00:00:56,560
Speaker 1: that being lactose intolerant means that you have actually a

18
00:00:56,640 --> 00:01:00,120
Speaker 1: normal gene where if you are able to drink milk,

19
00:01:00,400 --> 00:01:03,279
Speaker 1: that actually means you have a mutated gene, meaning your

20
00:01:03,320 --> 00:01:06,480
Speaker 1: gene was altered. I thought it was pretty cool. Happy Friday.

21
00:01:06,840 --> 00:01:08,800
Speaker 1: So us as humans, we shouldn't be able to drink

22
00:01:08,840 --> 00:01:10,840
Speaker 1: milk because we had to at some point to survive.

23
00:01:11,240 --> 00:01:14,600
Speaker 1: Those folks were able to not There we go. So

24
00:01:14,760 --> 00:01:18,160
Speaker 1: that's fun ishay, I like fun. All right, let's go

25
00:01:21,240 --> 00:01:24,240
Speaker 1: around the room. It's fun fact time. We're gonna start

26
00:01:24,280 --> 00:01:30,200
Speaker 1: off with lunchbox. Oh, guys, clownfish. Anybody fans a clownfish? Nemo? Yeah, okay,

27
00:01:30,240 --> 00:01:33,040
Speaker 1: I don't know if that was ahead. Here's something crazy.

28
00:01:33,200 --> 00:01:37,280
Speaker 1: All clownfish are born male, and then later in life

29
00:01:37,280 --> 00:01:41,400
Speaker 1: they decide I'm gonna be a chick. They change. They're

30
00:01:41,440 --> 00:01:45,440
Speaker 1: all born male. That's crazy interesting. Ooh, I wonder how

31
00:01:45,440 --> 00:01:48,960
Speaker 1: they decide when they decide when the same at all

32
00:01:49,040 --> 00:01:53,000
Speaker 1: times or is it different? I don't think he has

33
00:01:54,800 --> 00:01:56,760
Speaker 1: it literally just says. And later in life they can

34
00:01:56,760 --> 00:02:00,520
Speaker 1: decide they want to be a female, and oh do

35
00:02:00,600 --> 00:02:03,320
Speaker 1: they have to become the female? There a lot of questions.

36
00:02:03,400 --> 00:02:05,720
Speaker 1: They don't have to, Okay, So they don't all go

37
00:02:05,760 --> 00:02:07,400
Speaker 1: to female. No, they don't all too Some I just decide,

38
00:02:07,440 --> 00:02:11,320
Speaker 1: you know what, I'm not liking this female. Yeah, well,

39
00:02:11,360 --> 00:02:13,360
Speaker 1: I just searched it. Every quick and the dominant fish

40
00:02:13,440 --> 00:02:16,480
Speaker 1: becomes the female in the relationships classes, so they get together,

41
00:02:16,600 --> 00:02:21,119
Speaker 1: they determine who's dominant olallah, and they're parmaphidites, so they

42
00:02:21,120 --> 00:02:24,480
Speaker 1: can change. Wow. Yeah, thanks for following up Amy on fact.

43
00:02:24,680 --> 00:02:29,480
Speaker 1: All right, here we go, let's go to Okay, So

44
00:02:29,520 --> 00:02:33,120
Speaker 1: we are only born with two natural fears the fear

45
00:02:33,120 --> 00:02:35,840
Speaker 1: of falling in the fear of loud sounds. How do

46
00:02:35,880 --> 00:02:37,760
Speaker 1: they know? Like, how do they talk to a baby?

47
00:02:37,600 --> 00:02:41,280
Speaker 1: Heyd let me interview you, like, okay, go ahead. All

48
00:02:41,360 --> 00:02:44,480
Speaker 1: other fears and phobias are learned or acquired later in life.

49
00:02:44,480 --> 00:02:46,600
Speaker 1: Those are the only two ones that we're actually supposed

50
00:02:46,639 --> 00:02:49,480
Speaker 1: to have. All right, fill in the blank. I'm scared

51
00:02:49,520 --> 00:02:58,359
Speaker 1: of blank Morgan, spiders, Amy rights, lunchbox snakes, Eddie, intruders.

52
00:02:59,080 --> 00:03:02,440
Speaker 1: Oh yeah, I forgot that's your that's your thing. Yeah yeah,

53
00:03:02,520 --> 00:03:05,480
Speaker 1: mine's heights as well. Hey highs. All right, thank you Morgan.

54
00:03:05,720 --> 00:03:10,880
Speaker 1: Let's go to Eddy. Did you know that koalas have

55
00:03:11,080 --> 00:03:15,280
Speaker 1: fingerprints just like us? They are so human like that.

56
00:03:15,400 --> 00:03:19,280
Speaker 1: In Australia, detectives have gotten fingerprints at crime scenes and

57
00:03:19,400 --> 00:03:21,640
Speaker 1: thought they were looking for a criminal. Turns out it

58
00:03:21,680 --> 00:03:25,200
Speaker 1: was just a koala. That's not that's not way. Yes,

59
00:03:25,280 --> 00:03:32,840
Speaker 1: it is no way, Amy, look it up. That's her job. Yeah, dude,

60
00:03:32,960 --> 00:03:35,160
Speaker 1: I mean I believe you that their fingerprints are probably

61
00:03:35,160 --> 00:03:38,560
Speaker 1: pretty distinct and colds are like, all right, Chuck, what

62
00:03:38,640 --> 00:03:39,800
Speaker 1: do you think? What do you? What do you? Guy? Well,

63
00:03:39,960 --> 00:03:43,920
Speaker 1: it's either Michael Wilson on Third Avenue or Calvin the Kowala. Wa.

64
00:03:44,480 --> 00:03:46,800
Speaker 1: It's more like, guys, we can't find the criminal. Oh

65
00:03:46,840 --> 00:03:52,200
Speaker 1: you know why? Because it's wow, wow? What do yeah? Yeah, yeah,

66
00:03:51,720 --> 00:03:55,600
Speaker 1: they have been confused for humans and cases. Thank you, Amy.

67
00:03:55,880 --> 00:03:59,160
Speaker 1: That's crazy. That's fun. That's pretty fun. That's pretty fun,

68
00:03:59,440 --> 00:04:02,760
Speaker 1: all right, Amy, fun fact go. One of the headlines

69
00:04:02,920 --> 00:04:04,840
Speaker 1: was you might just be able to frame a kowala

70
00:04:04,880 --> 00:04:08,760
Speaker 1: for your crime. Okay. So I just thought that this

71
00:04:08,840 --> 00:04:12,080
Speaker 1: was really cool and very smart. But Nas you know

72
00:04:12,480 --> 00:04:16,480
Speaker 1: he's a rapper, Yeah you know, Yes, by some consider

73
00:04:16,560 --> 00:04:20,440
Speaker 1: the greatest rapper of all not a little. He named

74
00:04:20,480 --> 00:04:23,520
Speaker 1: himself after Nas jay Z's nemesis for much of his

75
00:04:23,760 --> 00:04:27,479
Speaker 1: Yes Go Ahead, so he listed his seven year old

76
00:04:27,560 --> 00:04:31,520
Speaker 1: daughter as an executive producer on his fifth studio album

77
00:04:31,839 --> 00:04:36,040
Speaker 1: to ensure that she would receive royalty payments at all.

78
00:04:36,160 --> 00:04:38,800
Speaker 1: Pretty good? That hare are some songs you may know

79
00:04:38,839 --> 00:04:42,560
Speaker 1: by not do you know any song about that's right. Yeah, good.

80
00:04:44,920 --> 00:04:49,240
Speaker 1: You guys know that one. Yeah? Uh, Wally, you know

81
00:04:49,279 --> 00:04:53,000
Speaker 1: that one? No, okay, Edie, all right? And final, your

82
00:04:53,000 --> 00:04:57,360
Speaker 1: final fun your final fun fact. Disney World is twice

83
00:04:57,440 --> 00:04:59,760
Speaker 1: the size of Manhattan, which is New York City with

84
00:04:59,800 --> 00:05:01,120
Speaker 1: all the building like that's the part of New York

85
00:05:01,120 --> 00:05:03,080
Speaker 1: City that you see on TV, all the big tall things.

86
00:05:04,120 --> 00:05:09,480
Speaker 1: Disney World, located in Orlando, covers forty three square miles. Wow,

87
00:05:09,640 --> 00:05:12,919
Speaker 1: it's twice the size of Manhattan or the size of

88
00:05:12,920 --> 00:05:16,040
Speaker 1: San Francisco. Disney World is the side of San Francisco.

89
00:05:16,120 --> 00:05:18,640
Speaker 1: Did think that people walk of those every day? Like, yeah,

90
00:05:18,680 --> 00:05:19,880
Speaker 1: but not all of it. You don't walk all You

91
00:05:19,880 --> 00:05:23,640
Speaker 1: don't walk all forty three miles, right, you don't. And

92
00:05:23,760 --> 00:05:25,520
Speaker 1: he's like, I paid for it, I better walk out.

93
00:05:26,040 --> 00:05:28,560
Speaker 1: But forty three miles that's what it is. And it's

94
00:05:28,640 --> 00:05:34,480
Speaker 1: San Francisco twice Manhattan. Yeah. Wow. He's just blown away

95
00:05:34,480 --> 00:05:37,240
Speaker 1: by that one. You look at Manhattan and all those buildings,

96
00:05:37,279 --> 00:05:39,320
Speaker 1: you're like, man, that's huge. But it's not even as

97
00:05:39,360 --> 00:05:42,480
Speaker 1: big as disney World. It's half as big. You need

98
00:05:42,480 --> 00:05:45,920
Speaker 1: two of those, all right. That's fun fact Friday. Fun

99
00:05:46,240 --> 00:05:52,360
Speaker 1: Fact Friday. It's the best Bits of the Week with

100
00:05:52,440 --> 00:05:57,560
Speaker 1: Morgan Number two. Bobby always shares some awesome recommendations, and

101
00:05:57,640 --> 00:06:01,520
Speaker 1: this week he shared several of his favorite new songs

102
00:06:01,560 --> 00:06:03,640
Speaker 1: that you may not have heard before. They're not ones

103
00:06:04,040 --> 00:06:05,960
Speaker 1: that are on the radio all the time, or maybe

104
00:06:06,160 --> 00:06:08,000
Speaker 1: they're on a radio of a station that you don't

105
00:06:08,000 --> 00:06:11,120
Speaker 1: typically listen to, different genre, you never know, or it

106
00:06:11,240 --> 00:06:13,280
Speaker 1: could just be on TikTok and maybe you don't get

107
00:06:13,320 --> 00:06:16,479
Speaker 1: on TikTok. But he shared some new songs that you

108
00:06:16,480 --> 00:06:19,680
Speaker 1: should definitely add to your playlist. Number six. I've been

109
00:06:19,720 --> 00:06:21,480
Speaker 1: doing a lot of interviews where people are asking me, hey,

110
00:06:21,480 --> 00:06:26,200
Speaker 1: what songs are good now? Tough question unless you expect it,

111
00:06:26,400 --> 00:06:28,440
Speaker 1: and so they're like, hey, what's so I just start

112
00:06:28,520 --> 00:06:30,680
Speaker 1: throwing off stuff that I listened to and I'm gonna

113
00:06:30,680 --> 00:06:32,400
Speaker 1: play a few of these. If you go to my playlist,

114
00:06:32,440 --> 00:06:35,240
Speaker 1: these are up here now. The first one is going

115
00:06:35,279 --> 00:06:38,400
Speaker 1: to be this song from David Morris and it blew

116
00:06:38,480 --> 00:06:41,200
Speaker 1: up on TikTok and it's the George Straight song Karen

117
00:06:41,200 --> 00:06:43,880
Speaker 1: Your Love with Me, but it's sang by a woman

118
00:06:44,440 --> 00:06:46,400
Speaker 1: and it's used as a sample and then he kind

119
00:06:46,440 --> 00:06:49,280
Speaker 1: of country wraps over it, and some people hate it,

120
00:06:49,360 --> 00:06:51,839
Speaker 1: and some people love it. I actually think it's pretty

121
00:06:51,839 --> 00:06:54,440
Speaker 1: good if you get past the whole sampling a George

122
00:06:54,440 --> 00:06:57,480
Speaker 1: Straight song. But here you go. His name is David Morris,

123
00:06:57,480 --> 00:07:00,920
Speaker 1: and here is carrying your love. Yeah, well, we got

124
00:07:01,000 --> 00:07:03,880
Speaker 1: so all I need. And every day's a dream when

125
00:07:03,920 --> 00:07:19,360
Speaker 1: I'm carrying your love with me. Mary. I'm gonna play

126
00:07:19,400 --> 00:07:20,880
Speaker 1: this a little bit. But if you think that's George

127
00:07:20,880 --> 00:07:23,160
Speaker 1: Straight sped up, it can't be right. Oh, I think

128
00:07:23,200 --> 00:07:24,840
Speaker 1: that's a woman. I do too. I thought so too,

129
00:07:24,880 --> 00:07:26,280
Speaker 1: But don't I heard it? All right? Here's some more

130
00:07:26,280 --> 00:07:28,960
Speaker 1: of it. Have you ever been grant? Can you? Chasing

131
00:07:29,040 --> 00:07:32,840
Speaker 1: Rules sixty six? Riding Desert Town, Gray Lake and Mount

132
00:07:32,960 --> 00:07:36,800
Speaker 1: rush Mo chilling time to ten destinations? Girl, we can

133
00:07:36,840 --> 00:07:39,840
Speaker 1: go to places you ain't never drinking bath from up

134
00:07:39,920 --> 00:07:43,760
Speaker 1: North and down South, Ocean, satelline half, when the tide

135
00:07:43,840 --> 00:07:48,040
Speaker 1: dives down, getting married on a beach, white standing, white gown,

136
00:07:48,120 --> 00:07:51,920
Speaker 1: blue skies and white clouds. Tomorrow ain't promised. Start with

137
00:07:52,080 --> 00:07:58,480
Speaker 1: goddess right now? Yeah you know I'm down a ride, girl, Yeah,

138
00:07:58,560 --> 00:08:02,760
Speaker 1: for the rest of my life. Yeah, well, we got

139
00:08:02,880 --> 00:08:07,640
Speaker 1: some I neeting. Every day's a dream when I'm carry women.

140
00:08:13,720 --> 00:08:15,360
Speaker 1: I was watching some people and they were like, ah,

141
00:08:15,400 --> 00:08:17,160
Speaker 1: this is a new song, new what is this carry

142
00:08:17,200 --> 00:08:18,720
Speaker 1: in your Love? And I'm like, well, let me explain

143
00:08:18,800 --> 00:08:21,600
Speaker 1: it to you. So but yeah, he's a cowboy, David

144
00:08:21,640 --> 00:08:23,200
Speaker 1: Morris is. So you can check it out. That's just

145
00:08:23,240 --> 00:08:26,360
Speaker 1: called carrying your Love. Because if you're listening, you either

146
00:08:26,520 --> 00:08:28,560
Speaker 1: love that or you hate that. There's really no middle

147
00:08:28,600 --> 00:08:30,920
Speaker 1: ground for that. I started not liking it, and then

148
00:08:31,000 --> 00:08:33,120
Speaker 1: after I heard more, I'm like, this is pretty good.

149
00:08:33,280 --> 00:08:35,760
Speaker 1: I thought it was weird at first, because again, most

150
00:08:35,800 --> 00:08:38,520
Speaker 1: of my new music now comes from my wife, who

151
00:08:39,320 --> 00:08:41,400
Speaker 1: gets her music from TikTok for the most part. And

152
00:08:41,480 --> 00:08:42,720
Speaker 1: she was like, have you heard the song? And I

153
00:08:42,760 --> 00:08:44,520
Speaker 1: brought it up and I was like, oh hey, I

154
00:08:44,679 --> 00:08:49,240
Speaker 1: like yeah, yeah, same thing, David Morris carrying your Love.

155
00:08:50,000 --> 00:08:51,600
Speaker 1: Here's a guy that we had on our show and

156
00:08:51,640 --> 00:08:53,240
Speaker 1: this song is so good. I just wish radio would

157
00:08:53,240 --> 00:08:55,800
Speaker 1: gi him a shot. Here. This is from George Burge.

158
00:08:56,240 --> 00:09:02,040
Speaker 1: It's called Mind on You. I got my mind, got

159
00:09:02,080 --> 00:09:05,040
Speaker 1: these boys on the lane and we good through the night.

160
00:09:05,480 --> 00:09:11,200
Speaker 1: Got you in my head, I'm looking on the back.

161
00:09:11,280 --> 00:09:17,760
Speaker 1: Then jeans on me on hand every time, I got

162
00:09:17,800 --> 00:09:21,160
Speaker 1: my hands in my eyes, in my mind on I

163
00:09:21,200 --> 00:09:24,240
Speaker 1: got my mind do you? I got my mind on you?

164
00:09:25,640 --> 00:09:27,280
Speaker 1: So he told us a story where he wrote that,

165
00:09:27,320 --> 00:09:28,839
Speaker 1: and Jason Aldan said, I'd like to cut that, like

166
00:09:28,920 --> 00:09:31,439
Speaker 1: to make that a song. And so when George was

167
00:09:31,480 --> 00:09:34,080
Speaker 1: convinced to be an artist again by Clay Walker, he

168
00:09:34,160 --> 00:09:35,720
Speaker 1: called Jason. I was like, can I have the song back?

169
00:09:36,200 --> 00:09:37,720
Speaker 1: And Jason was nice enough to give it back to him.

170
00:09:37,720 --> 00:09:39,160
Speaker 1: But Aldan thought it was a good enough song that

171
00:09:39,160 --> 00:09:41,439
Speaker 1: he would also record it. But that is called mind

172
00:09:41,480 --> 00:09:44,760
Speaker 1: on You from George Burge and I give you number one.

173
00:09:44,800 --> 00:09:47,200
Speaker 1: And this song started off as this guy Noah Can

174
00:09:48,240 --> 00:09:50,719
Speaker 1: just playing the chorus on TikTok and didn't have the

175
00:09:50,720 --> 00:09:53,400
Speaker 1: whole song written. He just played the hook what they

176
00:09:53,400 --> 00:09:55,720
Speaker 1: called the hook the chorus, and everybody kept going like,

177
00:09:55,880 --> 00:09:58,120
Speaker 1: finish the song, finish the song, and he didn't forever.

178
00:09:58,280 --> 00:10:00,800
Speaker 1: He did during the pandemic, and then finally he finished

179
00:10:00,800 --> 00:10:03,240
Speaker 1: a song. And it's so massive that other artists are

180
00:10:03,320 --> 00:10:06,640
Speaker 1: now one due edding him, like big artists are going, wow,

181
00:10:06,720 --> 00:10:08,640
Speaker 1: this is such a great song. And if you've been

182
00:10:08,640 --> 00:10:10,400
Speaker 1: in the car with my wife and I, which Eddie has,

183
00:10:10,720 --> 00:10:12,480
Speaker 1: we sing the song at the top of our lungs.

184
00:10:13,080 --> 00:10:16,800
Speaker 1: It's called stick season and here is the chorus, verma,

185
00:10:17,040 --> 00:10:20,280
Speaker 1: but it's deceive an of the sticks, and now sock

186
00:10:20,400 --> 00:10:24,360
Speaker 1: your mom. She forgot that I exist. Didn't. It's half

187
00:10:24,520 --> 00:10:26,920
Speaker 1: my fault, but I just start to play the victim.

188
00:10:26,920 --> 00:10:31,320
Speaker 1: I drink alcohol, so my friends come home for Christmas,

189
00:10:31,360 --> 00:10:38,720
Speaker 1: sit out, dreamy schneido, So d not have but didn't

190
00:10:38,720 --> 00:10:43,959
Speaker 1: not lose. Now you're tired attraction one hair, shoot him

191
00:10:44,960 --> 00:10:52,679
Speaker 1: him happen. That'll have to do? So I thought, did

192
00:10:52,720 --> 00:10:54,439
Speaker 1: it fa? So that's no? Okay? Hand It kind of

193
00:10:54,520 --> 00:10:59,760
Speaker 1: sounds like Mumford and Sons. Yeah, meet meets the grand

194
00:10:59,760 --> 00:11:03,080
Speaker 1: old Yeah, I hear that meats you know what you said,

195
00:11:03,440 --> 00:11:05,760
Speaker 1: but it's noah, kay hand stick season. If you want

196
00:11:05,800 --> 00:11:07,400
Speaker 1: to check that out, let me tell you something. Lunch

197
00:11:07,480 --> 00:11:09,680
Speaker 1: Box was bobbing his head to that song. It was interesting,

198
00:11:09,760 --> 00:11:13,240
Speaker 1: and he does not bob his head. You never bought you, bob?

199
00:11:13,360 --> 00:11:16,000
Speaker 1: Did you bust me bobbing? We busted you, bob, and

200
00:11:16,200 --> 00:11:19,720
Speaker 1: you never bought He doesn't bob. But that was pretty good. Wow,

201
00:11:20,200 --> 00:11:23,319
Speaker 1: hit that course again, right, very much. But it's to

202
00:11:23,400 --> 00:11:27,079
Speaker 1: see if another sticks and I shock your mom. She

203
00:11:27,360 --> 00:11:31,079
Speaker 1: forgot that I exist? D it's half my fault. But

204
00:11:31,240 --> 00:11:34,840
Speaker 1: I just start to play the victim a train alcohol

205
00:11:35,160 --> 00:11:38,560
Speaker 1: till my friends come home for Christmas, sit out, dreamy,

206
00:11:38,720 --> 00:11:45,559
Speaker 1: schnighto shod may not have but didn't not lose. Now

207
00:11:45,679 --> 00:11:51,880
Speaker 1: you're tired, track and shoes and sping hack that don't

208
00:11:52,280 --> 00:11:56,800
Speaker 1: have to do? We get a second Bob over there,

209
00:11:56,880 --> 00:11:59,400
Speaker 1: I got a second Bot just played the song. Then

210
00:11:59,440 --> 00:12:02,760
Speaker 1: we got two. I've done them. This never happens. Okay,

211
00:12:03,480 --> 00:12:07,360
Speaker 1: Noah Kahana is his name. It's the best bits of

212
00:12:07,440 --> 00:12:12,079
Speaker 1: the week with Morgan number two. It's been quite the

213
00:12:12,200 --> 00:12:15,120
Speaker 1: crazy week with two truths and a lie game. They

214
00:12:15,200 --> 00:12:19,680
Speaker 1: are helping us give our listeners so much money, well

215
00:12:19,800 --> 00:12:23,000
Speaker 1: the chance to win money, at least thanks to Bobby's

216
00:12:23,040 --> 00:12:26,360
Speaker 1: new TV show. He's hosting Snake in the Grass. It's

217
00:12:26,440 --> 00:12:29,240
Speaker 1: on USA Network, and they basically gave us a bunch

218
00:12:29,280 --> 00:12:32,719
Speaker 1: of cash to give away listeners and let them win

219
00:12:32,920 --> 00:12:35,120
Speaker 1: some big money. Like I think the pot is at

220
00:12:35,160 --> 00:12:37,560
Speaker 1: forty thousand dollars at this point, may even be higher.

221
00:12:38,040 --> 00:12:40,160
Speaker 1: I don't know. I get lost and seeing who wins

222
00:12:40,200 --> 00:12:43,079
Speaker 1: who doesn't. But I will say I have been good

223
00:12:43,120 --> 00:12:45,959
Speaker 1: at detecting the lie this week and even Abby and

224
00:12:46,000 --> 00:12:47,880
Speaker 1: I played a little two truths and a lie on

225
00:12:48,120 --> 00:12:51,120
Speaker 1: Best Bits Part one and we both suck at lying.

226
00:12:51,160 --> 00:12:53,680
Speaker 1: But that's okay. It's give you an idea of what's

227
00:12:53,720 --> 00:12:56,720
Speaker 1: been happening on the show this week. But definitely make sure,

228
00:12:56,760 --> 00:12:59,240
Speaker 1: if you have not already, get yourself in turn Bobby

229
00:12:59,320 --> 00:13:02,120
Speaker 1: Bones dot com because you can win a whole bunch

230
00:13:02,160 --> 00:13:05,000
Speaker 1: of cash. At least gives you a chance. We randomly

231
00:13:05,040 --> 00:13:08,160
Speaker 1: select people from online and you could be playing on

232
00:13:08,280 --> 00:13:10,240
Speaker 1: the show, not only talking, hanging out with the show,

233
00:13:10,280 --> 00:13:12,080
Speaker 1: but wins some money and we all need some money

234
00:13:12,160 --> 00:13:14,840
Speaker 1: right now. Number six, we're all with Grace right now.

235
00:13:15,040 --> 00:13:17,640
Speaker 1: Who has a chance to win five thousand dollars? Grace,

236
00:13:17,679 --> 00:13:19,440
Speaker 1: I'll be honest with you, I'll be so nervous right now,

237
00:13:19,720 --> 00:13:21,559
Speaker 1: not just to call the show, but to have a

238
00:13:21,640 --> 00:13:24,559
Speaker 1: chance to win five thousand dollars. Grace, how are you feeling?

239
00:13:24,880 --> 00:13:29,240
Speaker 1: I feel good? Oh? So good. I like where we are.

240
00:13:29,640 --> 00:13:32,480
Speaker 1: I like where we are. Okay, that's a good sign.

241
00:13:32,840 --> 00:13:37,880
Speaker 1: That's a good sign. Okay, Grace. Where do you live? Fresno, California? Okay,

242
00:13:38,000 --> 00:13:40,880
Speaker 1: Grace and Fresno a town I've been too many times.

243
00:13:40,920 --> 00:13:43,840
Speaker 1: I love it so much. We're gonna do this game

244
00:13:43,920 --> 00:13:47,160
Speaker 1: where I will give you a little story, Amy'll give

245
00:13:47,160 --> 00:13:49,079
Speaker 1: you a little story, and Lunchbox will give you a

246
00:13:49,120 --> 00:13:52,400
Speaker 1: little story. You just need to tell us which story

247
00:13:52,559 --> 00:13:55,760
Speaker 1: is a lie. There's all thanks to my show Sneak

248
00:13:55,840 --> 00:13:58,920
Speaker 1: in the Grass, which will premiere August first, that's Monday

249
00:13:59,280 --> 00:14:02,959
Speaker 1: at eleven ten Central on USA. Okay, Grace, are you

250
00:14:03,080 --> 00:14:06,559
Speaker 1: ready to hear the stories? Let's go. I will go first.

251
00:14:08,679 --> 00:14:11,679
Speaker 1: So Grace, I once tried to solve a conspiracy. We

252
00:14:11,800 --> 00:14:13,920
Speaker 1: talked about it on the show before. It was whether

253
00:14:14,000 --> 00:14:18,079
Speaker 1: Avril Levine was really her or a fake Avril Levine,

254
00:14:18,080 --> 00:14:20,320
Speaker 1: because the rumor was that aber Levine was she was

255
00:14:20,400 --> 00:14:22,560
Speaker 1: killed or she died way earlier in life and there

256
00:14:22,640 --> 00:14:25,160
Speaker 1: was a new Avril Levine that replaced her because the

257
00:14:25,280 --> 00:14:26,880
Speaker 1: label was like, we're still making money off of her.

258
00:14:26,920 --> 00:14:28,960
Speaker 1: So we got to get someone out there. And so

259
00:14:29,400 --> 00:14:32,520
Speaker 1: Avril and I were at Dancing with the Stars at

260
00:14:32,560 --> 00:14:35,720
Speaker 1: the same time she was performing, and I was there

261
00:14:36,040 --> 00:14:40,600
Speaker 1: doing the show, either doing it or there as a guest.

262
00:14:40,720 --> 00:14:43,160
Speaker 1: But I was there at Dancing with the Stars, and

263
00:14:43,400 --> 00:14:46,120
Speaker 1: so I remembered her name as the clone that they say,

264
00:14:46,200 --> 00:14:48,320
Speaker 1: you know, the girl's real name that was now playing Avril.

265
00:14:48,640 --> 00:14:51,720
Speaker 1: So I went over by her and I yelled the

266
00:14:51,760 --> 00:14:54,480
Speaker 1: girl's real name to see if she would turn, and

267
00:14:54,720 --> 00:14:57,600
Speaker 1: she didn't, And so I think Avril was real. I

268
00:14:57,640 --> 00:14:59,400
Speaker 1: think that was really the real Avril. And so I

269
00:14:59,480 --> 00:15:02,040
Speaker 1: tried to save a conspiracy about Avril Levine by yelling

270
00:15:02,160 --> 00:15:06,560
Speaker 1: that name. So that is my story, Grace, All right,

271
00:15:07,480 --> 00:15:09,560
Speaker 1: we're gonna go over to Amy. Now, Amy, give me

272
00:15:09,640 --> 00:15:11,840
Speaker 1: your story. Well, So when I was five years old,

273
00:15:12,000 --> 00:15:14,400
Speaker 1: my parents were on a date, so we had a

274
00:15:14,480 --> 00:15:17,720
Speaker 1: babysitter and I was playing outside and on my back

275
00:15:17,800 --> 00:15:20,120
Speaker 1: deck there was a nail that was sticking up and

276
00:15:20,640 --> 00:15:22,880
Speaker 1: I scraped my leg on it. But I mean it

277
00:15:23,000 --> 00:15:25,600
Speaker 1: was way more than a scrape, like it hit deep

278
00:15:25,680 --> 00:15:28,760
Speaker 1: and I could not stop bleeding. So the babysitter had

279
00:15:28,800 --> 00:15:30,880
Speaker 1: to call my parents, they had to come home from

280
00:15:30,920 --> 00:15:32,680
Speaker 1: their date. I had to go to the er like

281
00:15:32,800 --> 00:15:35,360
Speaker 1: it was a whole thing. And needless to say, we

282
00:15:35,480 --> 00:15:39,160
Speaker 1: never had that sitter again. The sitter didn't come back,

283
00:15:39,240 --> 00:15:41,560
Speaker 1: or wasn't hunh because she wasn't hired back because she

284
00:15:41,640 --> 00:15:44,520
Speaker 1: wasn't watching me. I was out playing on the deck

285
00:15:44,640 --> 00:15:48,160
Speaker 1: by myself at five years old, lunchbox. Your story. Oh,

286
00:15:48,320 --> 00:15:50,880
Speaker 1: way back when, when I was in seventh grade, after school,

287
00:15:50,960 --> 00:15:53,000
Speaker 1: me and my buddy Dustin walked a block to the

288
00:15:53,040 --> 00:15:54,920
Speaker 1: grocery store and we're like, oh, we got money in

289
00:15:54,960 --> 00:15:57,480
Speaker 1: our pocket, but you know what, we're seventh graders. Let's

290
00:15:57,480 --> 00:16:01,239
Speaker 1: steal a few things. So we stole some gatorade, matteries, headphones,

291
00:16:01,320 --> 00:16:03,800
Speaker 1: and two Snickers bars. And as we're walking out of

292
00:16:03,800 --> 00:16:06,800
Speaker 1: the store, manager graded us and we got busted. I

293
00:16:06,840 --> 00:16:08,720
Speaker 1: had to call mom and dad and confess, you got

294
00:16:08,800 --> 00:16:12,160
Speaker 1: caught shoplifting. Got caught shoplifting when I was in seventh grade. Hey, Grace,

295
00:16:12,160 --> 00:16:14,200
Speaker 1: how do you feel about those? By the way, do

296
00:16:14,280 --> 00:16:17,640
Speaker 1: you feel like you know? Do you feel like one

297
00:16:17,720 --> 00:16:20,080
Speaker 1: of them for sure is true? Like where's your head

298
00:16:20,160 --> 00:16:23,320
Speaker 1: right now? I feel like I remember one of them

299
00:16:23,440 --> 00:16:25,720
Speaker 1: from the show. Which one do you think you remember?

300
00:16:26,320 --> 00:16:28,960
Speaker 1: I think I remember yours with Avril and Dancing with

301
00:16:29,080 --> 00:16:31,560
Speaker 1: the Stars. And it does seem like something you would

302
00:16:31,560 --> 00:16:34,200
Speaker 1: do to try to sell the conspiracy theory. Okay, so

303
00:16:35,040 --> 00:16:39,560
Speaker 1: that one she's feeling pretty good is a truth? Okay, Grace,

304
00:16:39,680 --> 00:16:42,400
Speaker 1: you've heard them. Are you gonna go ahead unlocked? Mine

305
00:16:42,440 --> 00:16:44,640
Speaker 1: in is true? Or would you like to kind of reevaluate.

306
00:16:45,800 --> 00:16:48,600
Speaker 1: I will lock yours and it's true. Okay, lock her

307
00:16:48,680 --> 00:16:52,080
Speaker 1: right there, So she's trying to find the lie. She

308
00:16:52,240 --> 00:16:55,840
Speaker 1: locks me in as true. Well, I'll go first, and

309
00:16:55,840 --> 00:16:59,560
Speaker 1: I will say that my story is. Do you know, Eddie,

310
00:17:00,120 --> 00:17:01,280
Speaker 1: you don't have any of this. No, I don't you

311
00:17:01,360 --> 00:17:03,720
Speaker 1: wanna take a shot at it as far as who

312
00:17:03,800 --> 00:17:07,920
Speaker 1: the liar is or yours because I don't remember hearing

313
00:17:08,040 --> 00:17:12,280
Speaker 1: your story ever. I do maybe remember Avril was there,

314
00:17:12,359 --> 00:17:14,159
Speaker 1: but I don't know if you called her by the

315
00:17:14,640 --> 00:17:17,320
Speaker 1: fake name, so you wouldn't lock mine in it, I

316
00:17:17,359 --> 00:17:21,040
Speaker 1: would not, absolutely not. Huh. Okay, Well then I want

317
00:17:21,040 --> 00:17:23,000
Speaker 1: to hold you write your answer down as to who

318
00:17:23,040 --> 00:17:26,239
Speaker 1: you think the liar? All right, okay, so Grace has

319
00:17:26,320 --> 00:17:28,240
Speaker 1: locked me in. Its true. I'm always ready to write

320
00:17:28,280 --> 00:17:35,800
Speaker 1: his down. You in. I'm in Grace. Once behind the

321
00:17:36,359 --> 00:17:38,320
Speaker 1: wall of Dancing with Stars, I walked by and there

322
00:17:38,359 --> 00:17:39,960
Speaker 1: was Avril of Being. She was sitting there with the people,

323
00:17:40,680 --> 00:17:42,200
Speaker 1: and I kept walking out. I turned around and I

324
00:17:42,280 --> 00:17:44,040
Speaker 1: yelled a girl's name, and she didn't turn around. And

325
00:17:44,160 --> 00:17:46,160
Speaker 1: that's when I knew that Avril of Being was really alive.

326
00:17:46,240 --> 00:17:51,840
Speaker 1: You're right, Grace, Light, good job, good job. Now you

327
00:17:51,960 --> 00:17:54,880
Speaker 1: got a fifty fifty shot of five thousand dollars right here,

328
00:17:55,720 --> 00:17:57,399
Speaker 1: And the whole game is two truths and a lie?

329
00:17:57,480 --> 00:18:01,040
Speaker 1: Can you spot a liar? USA's new comp Titian reality show,

330
00:18:01,080 --> 00:18:03,200
Speaker 1: Snake in the Grass. My show gives four contestants a

331
00:18:03,280 --> 00:18:06,960
Speaker 1: chance at one hundred thousand dollars. The only catch they

332
00:18:07,040 --> 00:18:09,040
Speaker 1: have to find out which one of them is ump

333
00:18:09,119 --> 00:18:12,399
Speaker 1: sabotaging every turn lying if they failed to snake lead

334
00:18:12,440 --> 00:18:15,240
Speaker 1: with all the money, spot the lies, catch the snake

335
00:18:15,320 --> 00:18:17,040
Speaker 1: when the cash. Snake in the Grass from here is

336
00:18:17,040 --> 00:18:20,080
Speaker 1: August first, that's Monday at eleven ten pm Central on USA.

337
00:18:20,840 --> 00:18:23,000
Speaker 1: All right, guys, talk me through this. You have Amy

338
00:18:23,160 --> 00:18:29,520
Speaker 1: with a nail, Lunchbox caught shoplifting. How you feeling? I mean,

339
00:18:29,560 --> 00:18:33,639
Speaker 1: the nail definitely seems like it could be Amy might

340
00:18:33,680 --> 00:18:36,600
Speaker 1: trip on some things and nail. You know, I know

341
00:18:36,680 --> 00:18:38,919
Speaker 1: your equal librium feel a little bit off, so it's okay.

342
00:18:40,359 --> 00:18:43,520
Speaker 1: But Lunchbox, you know, he used to do the posterboard

343
00:18:43,560 --> 00:18:45,960
Speaker 1: trick with the baseball cards. Cover it with the posterboards.

344
00:18:46,080 --> 00:18:48,960
Speaker 1: You scan the posterboard, don't see the cards underneath? Then

345
00:18:48,960 --> 00:18:51,159
Speaker 1: you got some baseball cards, so did he? I know

346
00:18:51,280 --> 00:18:54,720
Speaker 1: he might have shot shoplifted, but did he get caught? Right,

347
00:18:54,840 --> 00:18:58,560
Speaker 1: So she's remembering stories of lunchbox shoplifting, yeah, and getting

348
00:18:58,600 --> 00:19:01,920
Speaker 1: away with it. It's real good. Okay, I like it.

349
00:19:02,040 --> 00:19:05,920
Speaker 1: I like it. I forgot it that he was doing that. Okay, Grace,

350
00:19:07,080 --> 00:19:10,920
Speaker 1: five thousand dollars on the line. Who do you think

351
00:19:11,240 --> 00:19:20,000
Speaker 1: the liar is? Lunchbox? All right, Grace has selected Lunchbox. Lunchbox,

352
00:19:20,040 --> 00:19:22,720
Speaker 1: you are now locked in as the liar. Okay, And Greg,

353
00:19:22,880 --> 00:19:24,440
Speaker 1: why do you think that is a lie when it

354
00:19:24,480 --> 00:19:26,280
Speaker 1: comes to Lunchbox Because we know as a kid he

355
00:19:26,359 --> 00:19:29,880
Speaker 1: was a hoolum and he did shoplift. I just don't

356
00:19:29,880 --> 00:19:31,760
Speaker 1: know if he got caught and had to call his parents.

357
00:19:31,800 --> 00:19:33,520
Speaker 1: I feel like he either could have gotten away with

358
00:19:33,640 --> 00:19:37,680
Speaker 1: it or light his way out of it. Lunchbox, she

359
00:19:37,720 --> 00:19:40,560
Speaker 1: has locked you in. You are to her the liar,

360
00:19:40,600 --> 00:19:44,080
Speaker 1: and if you lied, she wins five thousand dollars in cash. Lunchbox.

361
00:19:47,240 --> 00:19:50,320
Speaker 1: Did you ever shoplift as a kid? Yeah, okay, it's guilty.

362
00:19:50,440 --> 00:19:52,600
Speaker 1: Was charged. So he did shoplift that we thought about. Yeah,

363
00:19:53,119 --> 00:19:55,159
Speaker 1: and she did remember me going to the store and

364
00:19:55,200 --> 00:19:58,600
Speaker 1: putting posterboards in the cart and putting boxes of baseball

365
00:19:58,640 --> 00:20:00,880
Speaker 1: cards on the bottom, paying for the board and walking

366
00:20:00,920 --> 00:20:05,680
Speaker 1: out lunchbox. Did you ever, I don't know. In seventh grade,

367
00:20:05,840 --> 00:20:08,800
Speaker 1: get caught shoplifting and the manager busted you and you

368
00:20:08,840 --> 00:20:18,159
Speaker 1: had to call your parents. Yes I did. Oh what

369
00:20:19,000 --> 00:20:22,639
Speaker 1: that was the truth? Yeah, it was. There's more of

370
00:20:22,680 --> 00:20:25,000
Speaker 1: the track meet. Dustin was like, hey, let's run over

371
00:20:25,040 --> 00:20:26,560
Speaker 1: the grocery store. And he's like, dude, we don't have

372
00:20:26,640 --> 00:20:28,280
Speaker 1: to pay for anything. I'll show you how to do it.

373
00:20:28,840 --> 00:20:30,960
Speaker 1: And so he was like he had a walkman, so

374
00:20:31,040 --> 00:20:33,320
Speaker 1: we needed batteries and a headphone for the walkman and

375
00:20:34,640 --> 00:20:41,720
Speaker 1: got busted. Well, Amy was the snake. She lied. Well, Grace,

376
00:20:41,800 --> 00:20:43,919
Speaker 1: here's the bad news. You did not win five thousand

377
00:20:43,960 --> 00:20:48,080
Speaker 1: dollars this morning. That's bad. Here's the good news. You

378
00:20:48,160 --> 00:20:51,160
Speaker 1: will come back on Monday show. And now the pot

379
00:20:51,200 --> 00:20:53,720
Speaker 1: it's up to forty thousand dollars. Oh my goodness, you'll

380
00:20:53,760 --> 00:20:56,040
Speaker 1: have a chance to win forty thousand dollars. You'll have

381
00:20:56,119 --> 00:20:57,840
Speaker 1: a one in four chance. You'll be playing against the

382
00:20:57,920 --> 00:21:02,639
Speaker 1: three other people playing. Okay, okay, So as much as

383
00:21:02,680 --> 00:21:05,280
Speaker 1: that stinks that you did not win, she did so good.

384
00:21:05,359 --> 00:21:07,040
Speaker 1: You do have a shot at forty thousand dollars. We

385
00:21:07,119 --> 00:21:08,920
Speaker 1: hate that you didn't win, Grace, but thank you for playing,

386
00:21:08,920 --> 00:21:11,680
Speaker 1: and we'll talk to you soon. Okay, all right, thank

387
00:21:11,680 --> 00:21:14,160
Speaker 1: you guys. I'll talk to him. There she is, Grace. Everybody,

388
00:21:15,760 --> 00:21:18,600
Speaker 1: don't forget. Snake in the Grass premieres August first at

389
00:21:18,640 --> 00:21:21,439
Speaker 1: eleven tenth Central on USA DBRT. Please if you if

390
00:21:21,480 --> 00:21:23,560
Speaker 1: you don't mind, DVRT right now and get ready to

391
00:21:23,600 --> 00:21:26,680
Speaker 1: watch it. And you know we're over for three young winners. Yeah,

392
00:21:26,720 --> 00:21:28,920
Speaker 1: who did Edie? Eddie? How? I was like Grace, I

393
00:21:29,000 --> 00:21:32,639
Speaker 1: had lunchbox. I didn't know. I didn't know if I

394
00:21:32,800 --> 00:21:34,800
Speaker 1: know he had a lot of shoplifting stories, but I

395
00:21:34,840 --> 00:21:36,920
Speaker 1: didn't know if this one was actually true. Well, what

396
00:21:37,040 --> 00:21:39,399
Speaker 1: we're trying to do is make sure we're not like

397
00:21:39,480 --> 00:21:41,600
Speaker 1: eighty percent of a story and then a little lie. Yeah,

398
00:21:42,280 --> 00:21:44,480
Speaker 1: it's all a lie. It's a lie. Yeah, Well we don't.

399
00:21:44,520 --> 00:21:47,000
Speaker 1: I don't want to be like, well my middle name

400
00:21:47,080 --> 00:21:50,280
Speaker 1: is dill Yam and they're like, well that and I'm like,

401
00:21:50,320 --> 00:21:51,920
Speaker 1: well it was it's really will you you know it's

402
00:21:51,920 --> 00:21:54,640
Speaker 1: I don't want it to be super close. Um, so yes,

403
00:21:54,800 --> 00:21:57,200
Speaker 1: no winner, We'll play a liars man. We'll play again.

404
00:21:57,240 --> 00:22:01,399
Speaker 1: We're full and over. We'll play again tomorrow. Five thousand

405
00:22:01,400 --> 00:22:04,399
Speaker 1: dollars on the line. We got money, money, money right

406
00:22:04,440 --> 00:22:07,640
Speaker 1: now to give away whole Patina is on Petina. Where

407
00:22:07,640 --> 00:22:11,280
Speaker 1: do you live? I live in Wilcox's, Arizona Patina. We've

408
00:22:11,280 --> 00:22:13,199
Speaker 1: had nobody win. We have with five thousand bucks up

409
00:22:13,200 --> 00:22:15,240
Speaker 1: for grabs and nobody's one. Have you heard the other players?

410
00:22:15,840 --> 00:22:18,680
Speaker 1: I have? How many did you get? Right? Anny? I

411
00:22:18,800 --> 00:22:22,080
Speaker 1: got two? Right now? I've listened to okay, okay. So

412
00:22:22,160 --> 00:22:24,200
Speaker 1: what's gonna happen is you're gonna have a chance to

413
00:22:24,280 --> 00:22:27,720
Speaker 1: win five thousand dollars. Just see if you can spot

414
00:22:27,840 --> 00:22:31,080
Speaker 1: the lie. So what's gonna happen is me Amy and

415
00:22:31,240 --> 00:22:33,080
Speaker 1: Eddie will I'll tell you a little story. One of

416
00:22:33,200 --> 00:22:34,640
Speaker 1: us is lying. If you can pick out the lie,

417
00:22:34,680 --> 00:22:36,880
Speaker 1: you win all the cash and you're finding the liar.

418
00:22:37,040 --> 00:22:41,000
Speaker 1: Because USA's new competition reality show, Snake in the Grass

419
00:22:41,080 --> 00:22:43,680
Speaker 1: gives four contestants a chance at one hundred thousand dollars.

420
00:22:43,840 --> 00:22:45,919
Speaker 1: The only catches have to find out the liar. If

421
00:22:45,960 --> 00:22:49,200
Speaker 1: they fail that liar, the snake leaves with all the money.

422
00:22:49,400 --> 00:22:51,960
Speaker 1: Spot the lies, catch the snake, win the cash. Snake

423
00:22:52,000 --> 00:22:57,200
Speaker 1: in the Grass premiere is Monday, eleven, tenth Central on USA. Okay, Avery,

424
00:22:57,240 --> 00:23:00,200
Speaker 1: I ready, ready, all right, spot the lie Patina. Yeah,

425
00:23:00,200 --> 00:23:02,359
Speaker 1: now you ten is watching us too, so she can

426
00:23:02,440 --> 00:23:05,280
Speaker 1: also see us. We can see her, so part of

427
00:23:05,359 --> 00:23:08,840
Speaker 1: it maybe it's visual. I don't know at first. Amy,

428
00:23:11,240 --> 00:23:14,800
Speaker 1: when I was twenty four years old, I sneezed and

429
00:23:15,000 --> 00:23:18,600
Speaker 1: my back completely went out on me. I could not move,

430
00:23:18,760 --> 00:23:21,080
Speaker 1: walk to anything, and I was at work, so my

431
00:23:21,280 --> 00:23:23,879
Speaker 1: mom had to come to my job, pick me up,

432
00:23:24,320 --> 00:23:26,240
Speaker 1: load me into the back seat of her car so

433
00:23:26,280 --> 00:23:28,600
Speaker 1: I could like lay down flat because I couldn't even

434
00:23:28,720 --> 00:23:31,480
Speaker 1: sit up straight to buckle. And she took me to

435
00:23:31,560 --> 00:23:34,800
Speaker 1: the doctor immediately, and from then on out was a

436
00:23:34,880 --> 00:23:37,399
Speaker 1: multiple doctor's appointments and it took me weeks to recover.

437
00:23:37,800 --> 00:23:41,520
Speaker 1: So you sneezed and you were out weeks? Yes, okay,

438
00:23:42,200 --> 00:23:47,359
Speaker 1: that is Amy's story. Up next me. I met Hugh

439
00:23:47,520 --> 00:23:51,400
Speaker 1: Hefner in twenty fourteen. Do you guys know who? Yeah?

440
00:23:52,000 --> 00:23:55,199
Speaker 1: The Playboy old Yeah they Yeah. I was in California

441
00:23:55,200 --> 00:23:58,240
Speaker 1: at dinner, and I was with some TV executives and

442
00:23:58,280 --> 00:24:01,359
Speaker 1: I was pitching a TV show idea. They cleared out

443
00:24:01,400 --> 00:24:03,720
Speaker 1: a table next to us while we were eating dinner,

444
00:24:04,760 --> 00:24:06,680
Speaker 1: and I thought they were just like making sure no

445
00:24:06,760 --> 00:24:09,280
Speaker 1: one could use the table. But they cleared everything off

446
00:24:09,320 --> 00:24:11,320
Speaker 1: of it and put a couple settings, and in came

447
00:24:11,640 --> 00:24:14,040
Speaker 1: Hugh Hefner, and I thought, like a bunny would be

448
00:24:14,080 --> 00:24:16,359
Speaker 1: with him. It was some other dude. So Hugh Heffner

449
00:24:16,560 --> 00:24:19,159
Speaker 1: and some other dude sat at the table and I

450
00:24:19,280 --> 00:24:21,960
Speaker 1: tried not to stare, but I went to the bathroom.

451
00:24:22,880 --> 00:24:25,320
Speaker 1: Later on, I'm in the bathroom. He comes into the

452
00:24:25,359 --> 00:24:29,120
Speaker 1: bathroom and it's just us two in there, and he adds,

453
00:24:29,160 --> 00:24:32,119
Speaker 1: bandy gum. I didn't know it. That was at the

454
00:24:32,200 --> 00:24:33,920
Speaker 1: end of the story. There's no cool thing there. But

455
00:24:34,119 --> 00:24:35,720
Speaker 1: I'm in the bathroom and Hugh Hefner say, do you

456
00:24:35,760 --> 00:24:38,520
Speaker 1: haven't have any gum? I said I don't, and then

457
00:24:39,040 --> 00:24:41,159
Speaker 1: that was it. We never talked again. So that was

458
00:24:41,320 --> 00:24:48,159
Speaker 1: my story meeting Hugh Hefner, All right, Eddie. I once

459
00:24:48,560 --> 00:24:51,920
Speaker 1: almost died in a hospital in North Carolina. I went

460
00:24:52,040 --> 00:24:54,640
Speaker 1: over there for a wedding. I had a staff infection

461
00:24:54,680 --> 00:24:56,359
Speaker 1: in my leg and during the wedding and had just

462
00:24:56,480 --> 00:24:59,040
Speaker 1: gotten huge, almost softball size. I'm like, I have to

463
00:24:59,080 --> 00:25:00,960
Speaker 1: go to the ar So I go to the er

464
00:25:01,359 --> 00:25:03,200
Speaker 1: and the doctor said this is really bad. We're gonna

465
00:25:03,200 --> 00:25:05,040
Speaker 1: have to admit you into the hospital and ended up

466
00:25:05,080 --> 00:25:09,040
Speaker 1: being a week long visit. They said that there was

467
00:25:09,200 --> 00:25:11,480
Speaker 1: no antibiotics were sticking, so they had to come up

468
00:25:11,520 --> 00:25:14,600
Speaker 1: with a weird concoction of antibiotics to actually kill the

469
00:25:14,680 --> 00:25:17,600
Speaker 1: staff infection. They said it was almost lethal, but they

470
00:25:17,680 --> 00:25:20,040
Speaker 1: saved me. He almost died, almost died. Was it hurting

471
00:25:20,119 --> 00:25:21,840
Speaker 1: so bad? Is that you went in? Gosh, it was

472
00:25:21,880 --> 00:25:23,399
Speaker 1: the worst pain ever, because I would think if you're

473
00:25:23,400 --> 00:25:24,720
Speaker 1: in a different state to go to the ear, it

474
00:25:24,800 --> 00:25:26,520
Speaker 1: had to be really bad. It hurt really bad. It

475
00:25:26,600 --> 00:25:28,399
Speaker 1: was during the wedding. I had to leave the wedding

476
00:25:28,440 --> 00:25:29,840
Speaker 1: and say I got to go to the hospital. Guys,

477
00:25:29,840 --> 00:25:31,760
Speaker 1: they were getting married and you left. Yep, it was

478
00:25:32,040 --> 00:25:34,119
Speaker 1: a reception. They had already gotten married. So right in

479
00:25:34,160 --> 00:25:35,919
Speaker 1: the middle of Twist and Shower or the Twist year

480
00:25:36,240 --> 00:25:39,440
Speaker 1: a man, it was the conga train. Okay, so Patina,

481
00:25:39,520 --> 00:25:42,040
Speaker 1: you've heard our stories. Amy, she sneezed and was out

482
00:25:42,119 --> 00:25:44,399
Speaker 1: for weeks, basically because she blew her back out at

483
00:25:44,440 --> 00:25:46,639
Speaker 1: twenty four years old. I met who have heard a bathroom.

484
00:25:46,720 --> 00:25:49,479
Speaker 1: But this part of the story is not that really exciting.

485
00:25:49,520 --> 00:25:51,760
Speaker 1: He just asked me if he's gone. And then Eddie

486
00:25:51,800 --> 00:25:54,919
Speaker 1: almost died in a North Carolina hospital when he went

487
00:25:54,960 --> 00:25:58,639
Speaker 1: to Carolina for a wedding. All right, Pettina, you're there

488
00:25:58,640 --> 00:26:02,520
Speaker 1: in Arizona. Thousand dollars is up for grabs. How are

489
00:26:02,560 --> 00:26:06,439
Speaker 1: you feeling right now? Okay, so all three you are

490
00:26:06,560 --> 00:26:14,840
Speaker 1: quite convincing. Um, I am debating between Bobby and Eddie

491
00:26:15,560 --> 00:26:18,719
Speaker 1: as the lie as the lie. Yeah, you're gonna lock

492
00:26:18,800 --> 00:26:20,880
Speaker 1: in Amy as the truth. You're you're one percent saying

493
00:26:20,960 --> 00:26:23,640
Speaker 1: that story from Amy is the truth. I do. I've

494
00:26:23,720 --> 00:26:25,920
Speaker 1: heard that even the slightest movement you could throw your

495
00:26:25,920 --> 00:26:28,159
Speaker 1: back out. It it's awful. So I believe her. I

496
00:26:28,240 --> 00:26:29,359
Speaker 1: thought you said you heard that story. I was like,

497
00:26:29,359 --> 00:26:31,800
Speaker 1: I've never heard that story. Wow. Okay, all right, So

498
00:26:31,960 --> 00:26:34,280
Speaker 1: you're locking Amy in as the truth, so I need

499
00:26:34,320 --> 00:26:37,960
Speaker 1: you to say that too. Yes, yes, you are what

500
00:26:38,880 --> 00:26:41,600
Speaker 1: locking Amy in as the truth? Time Okay, Amy, she

501
00:26:41,720 --> 00:26:43,879
Speaker 1: says that's the truth. So we'll go to your first

502
00:26:44,760 --> 00:26:46,479
Speaker 1: You're twenty four years old. Did you blow your back

503
00:26:46,520 --> 00:26:52,000
Speaker 1: out sneezing? Yes? I did, okay, in weeks. It took

504
00:26:52,080 --> 00:26:55,119
Speaker 1: weeks to get back. Oh yeah, my spine was very crooked.

505
00:26:55,240 --> 00:26:56,840
Speaker 1: It was almost like this weird. It was like a

506
00:26:56,920 --> 00:26:59,720
Speaker 1: twisty if my spine looked very weird. And that's when

507
00:26:59,760 --> 00:27:02,720
Speaker 1: I you probably know this part of the story is

508
00:27:02,960 --> 00:27:05,040
Speaker 1: when I that's when I started seeing a chiropractor that

509
00:27:05,080 --> 00:27:07,120
Speaker 1: would make me put bowling shoes on. When I would

510
00:27:07,119 --> 00:27:09,040
Speaker 1: go there and you would you make fun of me

511
00:27:09,119 --> 00:27:10,640
Speaker 1: that I was going to a witch doctor. How hard

512
00:27:10,680 --> 00:27:13,320
Speaker 1: of a sneeze was this? Well, the thing is, it

513
00:27:13,440 --> 00:27:15,720
Speaker 1: was when I was selling granite before I came to

514
00:27:15,760 --> 00:27:18,640
Speaker 1: work with y'all, and I would walk around the grant

515
00:27:18,760 --> 00:27:21,080
Speaker 1: yard and high heels because I was also in sales.

516
00:27:21,119 --> 00:27:24,040
Speaker 1: I would have to do sales. I was dressed up

517
00:27:24,040 --> 00:27:26,040
Speaker 1: but doing a lot of walking, and so I think

518
00:27:26,119 --> 00:27:30,560
Speaker 1: from the high heels, I just sneezed, and I was

519
00:27:30,680 --> 00:27:32,480
Speaker 1: very painful. And I mean I honestly, I've had back

520
00:27:32,520 --> 00:27:38,680
Speaker 1: pain ever since. But as I as bad. So right now, Patina,

521
00:27:38,720 --> 00:27:41,280
Speaker 1: you got Eddie who's at a wedding in North Carolina

522
00:27:41,560 --> 00:27:43,800
Speaker 1: goes to the emergency room almost dies. You have me.

523
00:27:44,320 --> 00:27:47,320
Speaker 1: I'm going to a bathroom in California, Hugh Heffner asked

524
00:27:47,359 --> 00:27:50,280
Speaker 1: me for gum, I didn't have any? Are you nervous? Right? Now,

525
00:27:50,359 --> 00:27:52,480
Speaker 1: or do you feel pretty good about it? I am

526
00:27:52,680 --> 00:27:56,520
Speaker 1: I'm very nervous. I can't decide. But Eddie's my favorite,

527
00:27:56,560 --> 00:28:01,119
Speaker 1: and he wouldn't lie to me, would I? Well, Eddie? Actually,

528
00:28:01,760 --> 00:28:03,920
Speaker 1: I mean we kind of all decided this before, so

529
00:28:04,000 --> 00:28:05,640
Speaker 1: we don't need to choose. If we're lying, why don't

530
00:28:05,640 --> 00:28:09,040
Speaker 1: we come on? So? But okay, So Eddie almost died

531
00:28:09,119 --> 00:28:12,560
Speaker 1: North Carolina. I met Hugh Hefner in a bathroom. Which

532
00:28:12,560 --> 00:28:15,399
Speaker 1: one do you feel like is the lie? I feel

533
00:28:15,480 --> 00:28:19,960
Speaker 1: like your story might be a lie, Bobby Mike, Yes,

534
00:28:20,400 --> 00:28:23,200
Speaker 1: are you committed to me being the liar for five

535
00:28:23,320 --> 00:28:26,600
Speaker 1: thousand dollars? Oh? My goodness, I sure hope? So I

536
00:28:26,640 --> 00:28:29,200
Speaker 1: hope you're lying to me? No, no, no, hope, Patina.

537
00:28:29,320 --> 00:28:32,840
Speaker 1: We have to like say definitive terms, like I pick

538
00:28:32,920 --> 00:28:36,240
Speaker 1: you as the liar, Bobby. I am sure you are lying, Bobby.

539
00:28:36,400 --> 00:28:42,440
Speaker 1: I like it. Five thousand dollars up for grabs. So

540
00:28:42,600 --> 00:28:46,000
Speaker 1: the story is I met Hugh Hefner in a bathroom

541
00:28:46,360 --> 00:28:54,920
Speaker 1: in my dreams. That did not happen. A dollar That

542
00:28:55,160 --> 00:29:01,200
Speaker 1: is a lie, Patina. It's won five thousand. You're the

543
00:29:01,200 --> 00:29:04,560
Speaker 1: first one to win. How do you feel right now? Great?

544
00:29:05,320 --> 00:29:07,560
Speaker 1: She feels so great. She's so loud, she's overmodulating her

545
00:29:07,600 --> 00:29:09,920
Speaker 1: computer and we can't hear her. All right, Patina, so

546
00:29:10,120 --> 00:29:13,000
Speaker 1: you've won five thousand dollars. You are correct. I did

547
00:29:13,080 --> 00:29:15,040
Speaker 1: lie to you. The whole story was made up. And

548
00:29:15,200 --> 00:29:19,240
Speaker 1: not only that, you're gonna come back, Scooba, She's gonna

549
00:29:19,280 --> 00:29:25,360
Speaker 1: come back and play four or forty. Yes, Oh my gosh.

550
00:29:25,440 --> 00:29:27,280
Speaker 1: So you just won five thousand, and you're gonna come

551
00:29:27,320 --> 00:29:29,840
Speaker 1: back and compete for forty thousand dollars. And you have

552
00:29:29,920 --> 00:29:32,160
Speaker 1: two different you have two deer heads mounting it above you.

553
00:29:32,400 --> 00:29:35,120
Speaker 1: I see who killed those deer Oh my goodness, I

554
00:29:35,200 --> 00:29:39,719
Speaker 1: can't hear him. Oh we lose her forever. I can

555
00:29:39,760 --> 00:29:41,520
Speaker 1: never get back in touch, Patina. Can you hear me?

556
00:29:42,520 --> 00:29:44,520
Speaker 1: I can barely hear it. It's okay, Well, we'll get

557
00:29:44,520 --> 00:29:47,040
Speaker 1: it all set up. She won five thousand dollars, two

558
00:29:47,120 --> 00:29:49,280
Speaker 1: truths in a lie. Go ahead and turn her down,

559
00:29:49,480 --> 00:29:51,560
Speaker 1: And let me say this on Mondday Night. It is

560
00:29:51,640 --> 00:29:54,560
Speaker 1: the premiere of Snake in the Grass on USA Network.

561
00:29:54,800 --> 00:29:56,800
Speaker 1: Please watch it, and the show really wants you to

562
00:29:56,840 --> 00:29:58,440
Speaker 1: watch it where everybody wants you to watch it. Snake

563
00:29:58,480 --> 00:30:01,080
Speaker 1: in the Grass premiere is August first, eleven tenth Central

564
00:30:01,160 --> 00:30:03,760
Speaker 1: on USA, and if you don't mind, go ahead and

565
00:30:03,880 --> 00:30:05,320
Speaker 1: dB art right now, so if you do miss it,

566
00:30:05,400 --> 00:30:07,120
Speaker 1: you can watch it after that. All right, Tina won

567
00:30:07,200 --> 00:30:11,880
Speaker 1: five thousand bucks. That's awesome news. It's the best bits

568
00:30:11,920 --> 00:30:16,880
Speaker 1: of the week with Morgan. Number two. It was a

569
00:30:16,920 --> 00:30:19,960
Speaker 1: good time when Randy Houser stopped by the show this week.

570
00:30:20,080 --> 00:30:23,080
Speaker 1: He performed a brand new song and he talked about

571
00:30:23,120 --> 00:30:25,480
Speaker 1: his new album that's coming out later this year. Plus

572
00:30:25,920 --> 00:30:28,840
Speaker 1: he also shared the jobs that he had before he

573
00:30:28,960 --> 00:30:30,960
Speaker 1: ever moved to Nashville. When he was in his like

574
00:30:31,080 --> 00:30:35,400
Speaker 1: middle twenties. He did so many crazy things that I

575
00:30:35,520 --> 00:30:38,920
Speaker 1: never knew about Randy Houser. He's incredibly talented as an

576
00:30:39,000 --> 00:30:41,520
Speaker 1: artist and has really cool style. He also showed the

577
00:30:41,560 --> 00:30:45,120
Speaker 1: inspiration behind the style. But he also just has so

578
00:30:45,280 --> 00:30:47,520
Speaker 1: many skills from all the jobs he did. So here

579
00:30:47,560 --> 00:30:49,760
Speaker 1: it is the Randy Houser Interview. Make sure you watch

580
00:30:50,360 --> 00:30:54,640
Speaker 1: his performance at Bobby Bones dot Com number four on

581
00:30:54,800 --> 00:30:58,240
Speaker 1: The Bobby Bones Show Now Randy Houser. Andy us talking

582
00:30:58,320 --> 00:31:01,600
Speaker 1: to somebody about you were like Randy's coming in and said, yeah,

583
00:31:01,640 --> 00:31:03,640
Speaker 1: I said, one of maybe the first time you came in,

584
00:31:03,680 --> 00:31:06,000
Speaker 1: you brought a goat and Pete everywhere. Yeah, and until

585
00:31:06,040 --> 00:31:09,560
Speaker 1: we changed our studio, that Pe just remained in the

586
00:31:09,600 --> 00:31:12,400
Speaker 1: studio for like seven years. Yeah, you know that was

587
00:31:12,720 --> 00:31:14,440
Speaker 1: you know that, that whole thing was a surprise to

588
00:31:14,520 --> 00:31:16,560
Speaker 1: me as well. Oh well, we didn't know that. Oh yeah,

589
00:31:16,560 --> 00:31:18,040
Speaker 1: because we didn't know you at the time. We were

590
00:31:18,120 --> 00:31:19,720
Speaker 1: new to town. I didn't know y'all either, and you

591
00:31:19,760 --> 00:31:21,000
Speaker 1: were the guy that showed up with the goat, and

592
00:31:21,160 --> 00:31:25,240
Speaker 1: so first of us, that was not me. It was interesting.

593
00:31:25,360 --> 00:31:27,600
Speaker 1: It was like, oh, I got here and they're like, hey,

594
00:31:27,760 --> 00:31:29,280
Speaker 1: we brought you a goat to take you and I

595
00:31:29,400 --> 00:31:31,360
Speaker 1: was like, oh cool. We were like that too, this

596
00:31:31,440 --> 00:31:34,200
Speaker 1: is how I'm gonna meet all these people. But now

597
00:31:34,320 --> 00:31:36,160
Speaker 1: that that's you know, it was so funny. I think

598
00:31:36,200 --> 00:31:39,200
Speaker 1: they were I don't know what they're trond doing, you know.

599
00:31:39,280 --> 00:31:41,880
Speaker 1: I normally don't just take goats to people. We didn't

600
00:31:41,920 --> 00:31:43,080
Speaker 1: know that. We thought you were the goat guy for

601
00:31:43,120 --> 00:31:45,840
Speaker 1: a long time. Yeah, how you been. I've been great, man.

602
00:31:45,960 --> 00:31:47,440
Speaker 1: I would say that haven't seen you in a while,

603
00:31:47,480 --> 00:31:50,080
Speaker 1: but we briefly, and I'll keep your business private. We

604
00:31:50,160 --> 00:31:53,040
Speaker 1: saw each other for like seven seconds. I was getting

605
00:31:53,120 --> 00:31:54,840
Speaker 1: my car driving out and you were like hey, and

606
00:31:54,880 --> 00:31:56,200
Speaker 1: I was like, oh, somebody's going to beat me up.

607
00:31:56,280 --> 00:31:58,160
Speaker 1: That's what I thought it was. It was like an

608
00:31:58,200 --> 00:32:01,040
Speaker 1: aggressive not like I couldn't figure out if you were

609
00:32:01,080 --> 00:32:02,480
Speaker 1: get somebodys gonna beat me up or somebody was like

610
00:32:02,480 --> 00:32:05,080
Speaker 1: trying to catch me before I drove off. And you're like, hey,

611
00:32:05,160 --> 00:32:06,600
Speaker 1: that's what I was doing. Yeah, yeah, you know, but

612
00:32:06,720 --> 00:32:08,880
Speaker 1: I think I probably say it like that to everybody anyway.

613
00:32:09,760 --> 00:32:11,600
Speaker 1: I don't know, let me say it gets scary, Yeah,

614
00:32:11,640 --> 00:32:14,320
Speaker 1: it's scary. Yeah. And so it was good to see you.

615
00:32:14,320 --> 00:32:15,920
Speaker 1: I know we were we only had a few seconds

616
00:32:15,960 --> 00:32:17,920
Speaker 1: to say hello, but you know, we haven't had you

617
00:32:17,960 --> 00:32:19,640
Speaker 1: in here in a while. I do see you tagged

618
00:32:19,640 --> 00:32:21,360
Speaker 1: a lot of Instagram stories from people that are like

619
00:32:21,400 --> 00:32:24,160
Speaker 1: at your shows yeah, because they're like, it's a religious

620
00:32:24,200 --> 00:32:26,880
Speaker 1: experience at a Randy Houser's show. Oh we have a

621
00:32:26,960 --> 00:32:31,000
Speaker 1: good time. I mean, I'm very passionate about what I

622
00:32:31,160 --> 00:32:33,160
Speaker 1: do and making music, and you know, I mean, I

623
00:32:33,640 --> 00:32:35,880
Speaker 1: don't know what, I know how it makes me feel.

624
00:32:36,120 --> 00:32:38,840
Speaker 1: You know, I love what I'll do for a few

625
00:32:38,960 --> 00:32:41,080
Speaker 1: years now. Anytime I've seen you even a picture online,

626
00:32:41,520 --> 00:32:44,680
Speaker 1: so and you're I would say, my buddy John Party

627
00:32:44,760 --> 00:32:46,480
Speaker 1: is too. But you guys are real life cowboys, so

628
00:32:46,600 --> 00:32:49,160
Speaker 1: you wear grew up that way. Yeah, but it's kind

629
00:32:49,200 --> 00:32:52,560
Speaker 1: of hard to be a cowboy in West Meat anymore. True.

630
00:32:52,640 --> 00:32:54,960
Speaker 1: But I would say it's like riding a bike. Haven't

631
00:32:54,960 --> 00:32:56,720
Speaker 1: wrote a bicycle in a long time. I'm still a

632
00:32:56,760 --> 00:33:00,600
Speaker 1: bicycle rider. Yeah, but the hat, it's kind of cowboy yeah,

633
00:33:00,880 --> 00:33:04,520
Speaker 1: but also like kind of cool. Yeah, you know, I

634
00:33:04,680 --> 00:33:06,840
Speaker 1: have steps and makes me his hats, but they're kind

635
00:33:06,840 --> 00:33:12,120
Speaker 1: of made like, um my granddaddy would take like fedor

636
00:33:12,280 --> 00:33:15,120
Speaker 1: style hats like that, and then he was a cattleman,

637
00:33:15,240 --> 00:33:16,920
Speaker 1: you know, he was a cattle buyer, so he would

638
00:33:17,360 --> 00:33:19,760
Speaker 1: he would still shape his for doors like a cowboy hat.

639
00:33:20,000 --> 00:33:22,080
Speaker 1: So I just kind of like got that from him.

640
00:33:22,480 --> 00:33:25,960
Speaker 1: That's cool that Yeah, it's because something different. I like

641
00:33:26,080 --> 00:33:28,240
Speaker 1: to love something you get from tradition to your family,

642
00:33:28,320 --> 00:33:31,320
Speaker 1: you know, do you switch it up? Because I was

643
00:33:31,400 --> 00:33:33,360
Speaker 1: going to dinner with Party. He was like my only

644
00:33:33,400 --> 00:33:35,160
Speaker 1: close friend, whars the cowboy had all the time. Yea,

645
00:33:35,240 --> 00:33:36,640
Speaker 1: we were going to dinner and I was gonna be funny.

646
00:33:36,680 --> 00:33:38,240
Speaker 1: I'm wear a cowboy hat too, because he wears it

647
00:33:38,320 --> 00:33:40,640
Speaker 1: everywhere and it doesn't matter what's it? And it's he's

648
00:33:40,840 --> 00:33:43,200
Speaker 1: a big guy in a cowboy hat who talks loud.

649
00:33:43,480 --> 00:33:45,040
Speaker 1: And I was like, screwed. I want a cowboy hat too,

650
00:33:45,040 --> 00:33:46,800
Speaker 1: So I put one on. It was winter. I put

651
00:33:46,880 --> 00:33:50,040
Speaker 1: one on and it's a just you know, straw cowboy. However, yeah,

652
00:33:50,040 --> 00:33:52,040
Speaker 1: when we show up and he's he's like, you can't

653
00:33:52,040 --> 00:33:53,960
Speaker 1: wear that we that, I'm like, what are you talking about?

654
00:33:53,960 --> 00:33:55,680
Speaker 1: He goes, you got to wear a felt in the winter.

655
00:33:56,680 --> 00:33:58,000
Speaker 1: I'm like, bro, I don't. I was just doing this

656
00:33:58,040 --> 00:34:00,120
Speaker 1: to be funny. So then he got me a felt one,

657
00:34:00,200 --> 00:34:02,560
Speaker 1: which I've never wore. Really do you switch it up

658
00:34:02,600 --> 00:34:04,960
Speaker 1: at all? You wonderful? It just depends. Well, if I'm

659
00:34:05,000 --> 00:34:08,799
Speaker 1: like outside, you know, like just at the house or whatever,

660
00:34:08,920 --> 00:34:11,200
Speaker 1: most of the time I wear a straw hat, but

661
00:34:11,480 --> 00:34:13,560
Speaker 1: like if it comes to doing a show, I'm always

662
00:34:13,560 --> 00:34:15,440
Speaker 1: in a felt had I like it. I like it.

663
00:34:15,760 --> 00:34:18,399
Speaker 1: Randy Howser is here. So we got some new music here,

664
00:34:18,800 --> 00:34:20,800
Speaker 1: I mean I got the album doesn't come out to

665
00:34:20,960 --> 00:34:25,840
Speaker 1: new uh November? Is that right? So, but you're putting

666
00:34:25,840 --> 00:34:27,680
Speaker 1: out music at a few songs out let me play

667
00:34:27,800 --> 00:34:39,440
Speaker 1: some of still that Cowboy speed Cowboy that? So was

668
00:34:39,520 --> 00:34:42,400
Speaker 1: that written? And I know you you co wrote every

669
00:34:42,440 --> 00:34:45,000
Speaker 1: song that's coming out on this record. Yeah. Was this

670
00:34:45,239 --> 00:34:49,719
Speaker 1: song at all toward your wife? Absolutely? Yeah? This the

671
00:34:50,200 --> 00:34:52,920
Speaker 1: idea sort of came from. It was like, you know,

672
00:34:53,160 --> 00:34:55,920
Speaker 1: I mean I think i'd just gotten home and I

673
00:34:56,120 --> 00:34:58,319
Speaker 1: and you know, we were in bed, and I looked

674
00:34:58,320 --> 00:35:01,200
Speaker 1: over and I was watching her sleep, and you know,

675
00:35:02,000 --> 00:35:05,080
Speaker 1: just the interesting thought of I wonder what she's thinking

676
00:35:05,120 --> 00:35:07,000
Speaker 1: about or what she's dreaming about right now, and I

677
00:35:07,080 --> 00:35:10,000
Speaker 1: hope it's me. You know, this kind of that kind

678
00:35:10,040 --> 00:35:11,719
Speaker 1: of thought hit me, you know, and I was just like,

679
00:35:12,320 --> 00:35:14,520
Speaker 1: that's kind of where that idea for the song came from.

680
00:35:14,840 --> 00:35:20,600
Speaker 1: And like two days later, my buddy Josh Hogan Matt

681
00:35:20,719 --> 00:35:23,680
Speaker 1: Rogers came over and we wrote it. See hold onto that.

682
00:35:23,680 --> 00:35:25,399
Speaker 1: Do you write it on your phone? Do you just say? Yeah?

683
00:35:25,440 --> 00:35:28,080
Speaker 1: I keep like notes of ideas in my phone all

684
00:35:28,120 --> 00:35:30,920
Speaker 1: either home stuff in there, and like in voice recorder.

685
00:35:31,200 --> 00:35:34,440
Speaker 1: I'll get in notepad and just write out like you know,

686
00:35:34,560 --> 00:35:37,279
Speaker 1: type out some like ideas or something like that. And

687
00:35:37,400 --> 00:35:40,520
Speaker 1: then mostly and I write, like you know, I don't

688
00:35:40,560 --> 00:35:43,439
Speaker 1: write all the time. I like one of those guys

689
00:35:43,480 --> 00:35:46,880
Speaker 1: it writes like when it I go in writing like seasons,

690
00:35:46,920 --> 00:35:49,799
Speaker 1: I'll write like, um, when it's time to start making

691
00:35:49,840 --> 00:35:52,719
Speaker 1: a record, I'll just store up all my thoughts and

692
00:35:52,840 --> 00:35:55,040
Speaker 1: then just sort of go for it because I can't.

693
00:35:55,719 --> 00:35:57,040
Speaker 1: I don't know. I'm not one of those people that

694
00:35:57,160 --> 00:36:00,160
Speaker 1: do well writing on the road. I just don't. It's

695
00:36:00,200 --> 00:36:02,640
Speaker 1: like a separate thing for me. Somehow. Those are your nuts,

696
00:36:02,800 --> 00:36:06,680
Speaker 1: squirrel nuts, squirrel nuts nuts. And it goes and yeah,

697
00:36:08,080 --> 00:36:10,360
Speaker 1: there's a song that it's out now, it's current single,

698
00:36:10,400 --> 00:36:12,000
Speaker 1: and I know we could play a clip of it,

699
00:36:12,080 --> 00:36:14,239
Speaker 1: but instead of that, I know you have your guitar here.

700
00:36:14,440 --> 00:36:16,879
Speaker 1: Would you mind performing a little bit of a note

701
00:36:16,920 --> 00:36:18,960
Speaker 1: to sell for us? I'd love to now before you

702
00:36:19,040 --> 00:36:22,360
Speaker 1: play it here, So walk me through, um, what this

703
00:36:22,480 --> 00:36:25,200
Speaker 1: song means to you and why you wrote it. Yeah. Um,

704
00:36:25,880 --> 00:36:28,480
Speaker 1: so you know, with like a lot of people that

705
00:36:29,080 --> 00:36:34,759
Speaker 1: do what I do, the um, the pandemic gave me

706
00:36:35,360 --> 00:36:39,359
Speaker 1: not only an excuse but forced me to be at

707
00:36:39,400 --> 00:36:41,719
Speaker 1: home a lot more than I can remember being home.

708
00:36:42,040 --> 00:36:45,840
Speaker 1: I mean it's a you know, I don't before the pandemic,

709
00:36:45,920 --> 00:36:47,920
Speaker 1: I can't remember being at home more than like two

710
00:36:47,960 --> 00:36:52,359
Speaker 1: weeks at a time. And so it also it did

711
00:36:52,360 --> 00:36:56,359
Speaker 1: a lot of things it, Um, you know, it gave

712
00:36:56,400 --> 00:36:58,040
Speaker 1: me a chance to experience a lot of things that

713
00:36:58,160 --> 00:37:01,640
Speaker 1: like I wouldn't have experienced, like my little boy Huckleberry

714
00:37:01,680 --> 00:37:03,960
Speaker 1: starting to walk, things like that and seeing that, and

715
00:37:04,400 --> 00:37:06,200
Speaker 1: and most likely I would have been on the road

716
00:37:06,560 --> 00:37:10,160
Speaker 1: had you know, had that nothing happened. And so it

717
00:37:10,280 --> 00:37:12,399
Speaker 1: just gave me a chance to be home and sort

718
00:37:12,440 --> 00:37:16,359
Speaker 1: of evaluate and reevaluate decisions that I've made years ago

719
00:37:17,200 --> 00:37:19,440
Speaker 1: and h and also taught me what it means to

720
00:37:19,560 --> 00:37:21,680
Speaker 1: be like a home dad and a home husband and

721
00:37:21,719 --> 00:37:23,800
Speaker 1: all those things which were which to me was like

722
00:37:24,520 --> 00:37:26,799
Speaker 1: very foreign. You know. It was like, you know, most

723
00:37:26,800 --> 00:37:28,320
Speaker 1: people want to admit that to do what we do,

724
00:37:28,520 --> 00:37:32,239
Speaker 1: but we're gone all the time, you know. Um, So

725
00:37:32,400 --> 00:37:34,919
Speaker 1: it was a really cool experience in a lot of ways.

726
00:37:34,960 --> 00:37:37,240
Speaker 1: It was also very unwelcome in a lot of ways,

727
00:37:37,920 --> 00:37:41,680
Speaker 1: but um, totally fitting for the time. And we just

728
00:37:41,800 --> 00:37:45,960
Speaker 1: finished finished writing at that day and I recorded it

729
00:37:46,000 --> 00:37:48,160
Speaker 1: at my house and we just went for it. Here

730
00:37:48,320 --> 00:37:50,759
Speaker 1: is Randy Howser playing note to self here on the

731
00:37:50,800 --> 00:38:06,640
Speaker 1: Bobby won't show a note to seven. The truck only

732
00:38:06,719 --> 00:38:12,640
Speaker 1: goes so far on half a time. That credit card

733
00:38:12,719 --> 00:38:17,680
Speaker 1: ain't money in the bank. If it don't sound like

734
00:38:17,880 --> 00:38:23,160
Speaker 1: a good idea. It probably ain't a note to seven.

735
00:38:25,280 --> 00:38:29,000
Speaker 1: You can't change a where she's gonna change her mind.

736
00:38:30,680 --> 00:38:34,560
Speaker 1: She might love you, she won't like you all the time.

737
00:38:36,520 --> 00:38:41,880
Speaker 1: Instead of taking her for granted, take her somewhere nice.

738
00:38:42,120 --> 00:38:49,279
Speaker 1: Note to sell a love ain't diamond rings figured on't

739
00:38:49,360 --> 00:38:54,800
Speaker 1: always mean better. The grass ain't always green. Money don't

740
00:38:54,880 --> 00:38:59,320
Speaker 1: wrong trees ever can make somebody be made for you.

741
00:39:00,000 --> 00:39:02,920
Speaker 1: It ain't gonna do the praying for you, which just

742
00:39:03,120 --> 00:39:08,480
Speaker 1: must left to their wrong shoe. You're gonna have to

743
00:39:08,600 --> 00:39:22,360
Speaker 1: find the answer somewhere. Note to sing, not to sund

744
00:39:24,719 --> 00:39:34,479
Speaker 1: A truck only goes so far on half a time. Ah, Randy, Randy,

745
00:39:34,520 --> 00:39:36,600
Speaker 1: I want to play some a working Man, which you

746
00:39:36,640 --> 00:39:40,680
Speaker 1: wrote with Randy Montana to Randy's in room. No sounds

747
00:39:40,719 --> 00:39:43,239
Speaker 1: confusing with double team, Yeah it sounds. So here's some

748
00:39:43,360 --> 00:39:46,359
Speaker 1: a working man. Here you go, always looking foreshine oft

749
00:39:46,400 --> 00:39:52,080
Speaker 1: the totle of the working man, y'all that stuff. When

750
00:39:52,160 --> 00:39:55,440
Speaker 1: it hits a fan to roll down to you and

751
00:39:55,640 --> 00:40:00,480
Speaker 1: lands on the working man, Randy, can you list and

752
00:40:00,560 --> 00:40:02,799
Speaker 1: we'll talk about jobs from when they started to take

753
00:40:02,840 --> 00:40:04,799
Speaker 1: taxes out because you know, I molded a lot of yards,

754
00:40:04,840 --> 00:40:06,399
Speaker 1: a lot of stuff young. But when they started taking

755
00:40:06,440 --> 00:40:09,320
Speaker 1: taxes out the government did. Can you list your normal

756
00:40:09,480 --> 00:40:13,359
Speaker 1: jobs before you became Randy House with a famous musician? Yeah,

757
00:40:13,520 --> 00:40:18,160
Speaker 1: go ahead, Okay. My first job was obviously, you know,

758
00:40:18,239 --> 00:40:20,600
Speaker 1: grew up in Mississippi. We grew up raising chickens. We

759
00:40:20,680 --> 00:40:23,920
Speaker 1: grew up in chicken houses. So working in the poultry

760
00:40:23,960 --> 00:40:25,799
Speaker 1: industry to put did you always think because we grew

761
00:40:25,880 --> 00:40:27,719
Speaker 1: up on chicken houses, I mean you're an Arkansas. I

762
00:40:27,920 --> 00:40:30,520
Speaker 1: definitely had a chicken out. It smells selling. That's what

763
00:40:30,560 --> 00:40:34,200
Speaker 1: we always okay, okay, all right, chicken houses? What else? Um?

764
00:40:34,680 --> 00:40:37,839
Speaker 1: After that, I was a bus boy at a at

765
00:40:37,880 --> 00:40:41,480
Speaker 1: a place called the Back Forty after that, I went

766
00:40:41,560 --> 00:40:45,800
Speaker 1: to work at Lazy Boy doing what um, driving on forklift.

767
00:40:46,760 --> 00:40:49,359
Speaker 1: And then let's see, I went to were you good

768
00:40:49,400 --> 00:40:52,120
Speaker 1: at that? Yeah? And I asked because I drove forkliff

769
00:40:52,120 --> 00:40:54,719
Speaker 1: a little bit at hobby Lobby and I just was

770
00:40:54,760 --> 00:40:57,520
Speaker 1: bad at backing up because you got to the opposite. Yeah,

771
00:40:57,640 --> 00:41:00,279
Speaker 1: it's that whole, not the back wheels, turn the whole,

772
00:41:00,280 --> 00:41:01,520
Speaker 1: it's that whole thing. But you were good, Okay. I

773
00:41:01,600 --> 00:41:03,399
Speaker 1: wasn't good. I didn't get to do much was I mean,

774
00:41:03,640 --> 00:41:06,799
Speaker 1: you know, But here's the thing. I hated every job

775
00:41:06,880 --> 00:41:11,359
Speaker 1: I ever had until I was was able to play

776
00:41:11,440 --> 00:41:13,480
Speaker 1: music for a living, because this all I ever wanted

777
00:41:13,480 --> 00:41:17,120
Speaker 1: to do. What job did you get to quit to go?

778
00:41:17,320 --> 00:41:19,719
Speaker 1: I finally get to go do music now full time?

779
00:41:19,880 --> 00:41:23,160
Speaker 1: I quit all of them, No, no, but no. And

780
00:41:23,239 --> 00:41:24,799
Speaker 1: then I worked at a steel mill. I worked at

781
00:41:24,880 --> 00:41:28,520
Speaker 1: Magnoli Steel and then I worked at a music store.

782
00:41:28,640 --> 00:41:31,560
Speaker 1: That's the one I quit when I moved to Nashville.

783
00:41:31,600 --> 00:41:34,160
Speaker 1: I was twenty six before I moved to Nashville, which

784
00:41:34,239 --> 00:41:36,480
Speaker 1: is pretty pretty late. Yeah, pretty late. So what were

785
00:41:36,480 --> 00:41:39,759
Speaker 1: you doing at the music store just whatever, hanging out

786
00:41:40,239 --> 00:41:45,759
Speaker 1: tuning guitars or whatever? In Meridian, Mississippi? And Meridian? Were

787
00:41:45,880 --> 00:41:47,680
Speaker 1: you the guy that was really good at music? The

788
00:41:47,719 --> 00:41:49,239
Speaker 1: local guy that was really good at music? I was

789
00:41:49,320 --> 00:41:50,960
Speaker 1: one of them there. When I was there, there was

790
00:41:50,960 --> 00:41:54,000
Speaker 1: a lot of Still I always grew up playing with

791
00:41:54,080 --> 00:41:56,000
Speaker 1: guys that were like twenty years older than me, because

792
00:41:56,160 --> 00:41:58,759
Speaker 1: you know, it's kind of like the band scene kind

793
00:41:58,800 --> 00:42:03,000
Speaker 1: of disappeared a lot of ways. But um yeah, I

794
00:42:03,160 --> 00:42:06,080
Speaker 1: was one of those guys. But um yeah, I'll quit

795
00:42:06,160 --> 00:42:09,279
Speaker 1: that one. To move here. It's a risk, right, I mean,

796
00:42:09,400 --> 00:42:12,880
Speaker 1: especially if you've been having to pay the bills and

797
00:42:13,000 --> 00:42:16,239
Speaker 1: now you're gonna go and do something creative where there

798
00:42:16,400 --> 00:42:19,600
Speaker 1: is no stability whatsoever, Like what what kind of kicks

799
00:42:19,640 --> 00:42:22,320
Speaker 1: in the butt to make that move? I don't know.

800
00:42:22,480 --> 00:42:25,680
Speaker 1: I think it was just like I literally was, um, okay,

801
00:42:25,960 --> 00:42:28,359
Speaker 1: I'll tell you what it was. There was a um

802
00:42:28,640 --> 00:42:31,680
Speaker 1: what was that song Tammy Cochran song that was about

803
00:42:32,520 --> 00:42:35,960
Speaker 1: um they go whoa, no, no, no, no, not like this.

804
00:42:39,280 --> 00:42:40,719
Speaker 1: We'll have to look it up, but I'm just drawing

805
00:42:40,760 --> 00:42:42,520
Speaker 1: a blank on it. But I heard this song and

806
00:42:42,640 --> 00:42:45,719
Speaker 1: it was all about life happening. That was the name

807
00:42:45,719 --> 00:42:47,920
Speaker 1: of the song. If you go back and listen to it, Um,

808
00:42:48,040 --> 00:42:50,600
Speaker 1: the song is all about these three characters in the

809
00:42:50,640 --> 00:42:53,879
Speaker 1: song that they're their their dreams were passing them by

810
00:42:54,239 --> 00:42:56,759
Speaker 1: by just getting the bills paid and doing it. And

811
00:42:57,040 --> 00:42:59,759
Speaker 1: I heard that song and it literally that I can say,

812
00:42:59,800 --> 00:43:02,239
Speaker 1: the song literally changed my life. I went, well, not

813
00:43:02,360 --> 00:43:05,279
Speaker 1: happening to me, and so I just packed up and

814
00:43:06,719 --> 00:43:09,480
Speaker 1: I had like this little like a ninety two Mercury

815
00:43:09,560 --> 00:43:14,400
Speaker 1: c Cougar, Mercury Krueger and uh and I just um,

816
00:43:14,600 --> 00:43:16,480
Speaker 1: I rolled out and it broke down on me. The

817
00:43:16,520 --> 00:43:19,120
Speaker 1: first week ill was in Nashville. How long did it take?

818
00:43:20,040 --> 00:43:22,480
Speaker 1: Was it a year multiple years before you could actually

819
00:43:22,560 --> 00:43:26,080
Speaker 1: make enough money to pay all your bills making music? Um,

820
00:43:26,840 --> 00:43:31,080
Speaker 1: I got I'd say I got lucky, but um, you know,

821
00:43:32,680 --> 00:43:35,640
Speaker 1: luck is built on hard work, I think. But when

822
00:43:35,680 --> 00:43:38,279
Speaker 1: I got here, I brought a you know, like a

823
00:43:39,200 --> 00:43:42,960
Speaker 1: pocket full of song and I um, I went to

824
00:43:44,000 --> 00:43:46,880
Speaker 1: I knew a couple of people because Derek George, who

825
00:43:46,960 --> 00:43:50,120
Speaker 1: produced like How Country Feels and Moonlight and all that stuff,

826
00:43:50,400 --> 00:43:53,640
Speaker 1: was from Philadelphia, Mississippi, and I knew him. And he

827
00:43:53,760 --> 00:43:57,960
Speaker 1: took me to this publishers m. Steve Marklin who had

828
00:43:58,320 --> 00:44:00,719
Speaker 1: he was running this place called wind Sweat, And they

829
00:44:00,840 --> 00:44:02,960
Speaker 1: end up signing me like a month after I've been

830
00:44:02,960 --> 00:44:05,960
Speaker 1: in town as a rider. Rare, Yeah, it was. It

831
00:44:06,160 --> 00:44:08,440
Speaker 1: was very rare. I couldn't hold back the talent. They

832
00:44:08,920 --> 00:44:10,880
Speaker 1: smelled the Chickenhouse coming to town. They were like, this

833
00:44:11,000 --> 00:44:13,120
Speaker 1: guy's got something. Well, I don't know. I mean, it

834
00:44:13,239 --> 00:44:15,719
Speaker 1: was just one of those but though, and also that

835
00:44:15,840 --> 00:44:18,239
Speaker 1: was a different time people. As a songwriter, you could

836
00:44:18,239 --> 00:44:21,319
Speaker 1: get signed a lot quicker than those days. I feel

837
00:44:21,360 --> 00:44:23,800
Speaker 1: like than now. Let you didn't have to be a

838
00:44:23,880 --> 00:44:27,880
Speaker 1: TikTok star then you say that, and I feel a

839
00:44:27,920 --> 00:44:30,880
Speaker 1: little uh and I feel like you'd like TikTok that

840
00:44:31,040 --> 00:44:32,920
Speaker 1: much when you say you'd have to be a TikTok star.

841
00:44:33,200 --> 00:44:35,920
Speaker 1: I love TikTok. I love watching people's TikTok. You don't

842
00:44:35,920 --> 00:44:37,919
Speaker 1: want to make them, I don't want to make them. Well,

843
00:44:38,000 --> 00:44:41,960
Speaker 1: let's do a dance right now. So all right, listen,

844
00:44:42,239 --> 00:44:45,160
Speaker 1: Randy House has got an album coming out in November eleventh,

845
00:44:45,280 --> 00:44:46,759
Speaker 1: and that is a while away, and I'm sure when

846
00:44:46,760 --> 00:44:48,160
Speaker 1: the album comes out, I'll talk to you again. I'd

847
00:44:48,160 --> 00:44:49,640
Speaker 1: love to have you back when the album comes out.

848
00:44:50,760 --> 00:44:52,839
Speaker 1: So there are a lot of songs that are coming

849
00:44:52,880 --> 00:44:54,239
Speaker 1: out on the record, But what I don't want to

850
00:44:54,239 --> 00:44:56,440
Speaker 1: talk about now the three that people can get right

851
00:44:56,440 --> 00:44:58,399
Speaker 1: now because that's why they're listening. Right So, you got

852
00:44:58,520 --> 00:45:00,480
Speaker 1: still that Cowboy, you got wor come in, and you

853
00:45:00,560 --> 00:45:02,880
Speaker 1: got note to self all the rout right now? You

854
00:45:03,040 --> 00:45:05,319
Speaker 1: are going on the row of Cody Johnson. I am

855
00:45:05,680 --> 00:45:10,000
Speaker 1: that is quite the vocal show crap. Yeah, that's gonna

856
00:45:10,000 --> 00:45:12,279
Speaker 1: be awesome. I'm a big fan of Yeah um so

857
00:45:12,360 --> 00:45:14,279
Speaker 1: a Scooba Steve. He like cries every time in the

858
00:45:14,360 --> 00:45:17,920
Speaker 1: song plays. Really Yeah Scooba State It's like, here's any

859
00:45:19,719 --> 00:45:21,960
Speaker 1: at Randy Howser on Instagram and Twitter. Do you have

860
00:45:22,080 --> 00:45:25,120
Speaker 1: a TikTok I do? Yeah? Is your label? They're not

861
00:45:25,200 --> 00:45:27,279
Speaker 1: making you do TikTok yet. I'm not. I can't be

862
00:45:27,400 --> 00:45:31,239
Speaker 1: made to do much. But I think the most fun

863
00:45:31,320 --> 00:45:34,120
Speaker 1: I have with TikTok TikTok is them trying to get

864
00:45:34,160 --> 00:45:36,520
Speaker 1: me to do stuff and just go on noope, Yeah.

865
00:45:36,560 --> 00:45:38,239
Speaker 1: What you do is you get in your car and

866
00:45:38,320 --> 00:45:40,320
Speaker 1: you turn a song on the lips. But but and

867
00:45:40,440 --> 00:45:42,560
Speaker 1: you start a song and then you know they point

868
00:45:42,600 --> 00:45:44,200
Speaker 1: at the words. But instead of doing that, when the

869
00:45:44,239 --> 00:45:45,960
Speaker 1: first world pops up, be like, ain't doing this crap

870
00:45:46,000 --> 00:45:48,200
Speaker 1: and then turn the TikTok off. That's a great one.

871
00:45:48,360 --> 00:45:52,280
Speaker 1: You can have that free charge done, all right, Randy Houser,

872
00:45:52,280 --> 00:45:54,439
Speaker 1: You guys check out the new music. The record comes

873
00:45:54,480 --> 00:45:56,480
Speaker 1: out in November, and when it comes out, we'd love

874
00:45:56,520 --> 00:45:59,480
Speaker 1: to see again Jessica. Great to talk to you, great

875
00:45:59,520 --> 00:46:01,880
Speaker 1: to see you in Thank you. He sounds great. I

876
00:46:01,960 --> 00:46:03,839
Speaker 1: mean anything you guys want to say that Randy while

877
00:46:03,960 --> 00:46:05,160
Speaker 1: is here. I mean, I wish I could wear a

878
00:46:05,200 --> 00:46:07,320
Speaker 1: handkerchief like he does. I can't even post sports at already.

879
00:46:07,320 --> 00:46:09,200
Speaker 1: I already understand how it looks so cool and one

880
00:46:09,239 --> 00:46:12,239
Speaker 1: and like normal normal. He looks normal in one, And

881
00:46:12,320 --> 00:46:15,239
Speaker 1: if I put one on, I think people think I

882
00:46:15,320 --> 00:46:16,640
Speaker 1: have a cold or something. I don't know what the

883
00:46:16,719 --> 00:46:18,960
Speaker 1: situation is. Do you ever wear a red one? No?

884
00:46:20,120 --> 00:46:22,799
Speaker 1: These little blooms? I probably I did him. I did

885
00:46:22,920 --> 00:46:25,560
Speaker 1: quite him for wire for a while after whenever the

886
00:46:25,600 --> 00:46:28,600
Speaker 1: pandemic kicked in, and then Coachell will happen and everybody

887
00:46:28,800 --> 00:46:30,680
Speaker 1: in the world started wearing I was like, I'm out,

888
00:46:31,000 --> 00:46:33,560
Speaker 1: you know, when it got cool like hip, Yeah, I

889
00:46:33,640 --> 00:46:35,400
Speaker 1: had to had to get rid of. Same thing with

890
00:46:35,440 --> 00:46:37,320
Speaker 1: TikTok He was on TikTok go before anybody knew it.

891
00:46:37,400 --> 00:46:39,759
Speaker 1: That's the thing. So all right, Randy Howser at Randy

892
00:46:39,800 --> 00:46:42,759
Speaker 1: Howser on Instagram and Twitter and the records out in November. Randy,

893
00:46:42,800 --> 00:46:44,160
Speaker 1: good to talk to you, buddy, you too, Thank you

894
00:46:44,239 --> 00:46:48,440
Speaker 1: for having It's the best Bits of the week with

895
00:46:48,719 --> 00:46:53,960
Speaker 1: Morgan number two quite the controversial topic. Eddie has shared

896
00:46:54,040 --> 00:46:56,840
Speaker 1: that he wants to get his boys a basketball hoop,

897
00:46:57,239 --> 00:46:59,520
Speaker 1: but not one in their driveway. No no, no, that'd

898
00:46:59,520 --> 00:47:01,560
Speaker 1: be too easy. They want to do it in the

899
00:47:01,680 --> 00:47:04,440
Speaker 1: cul de sac, which means getting all of the neighbor's approval,

900
00:47:04,640 --> 00:47:06,960
Speaker 1: so you can hear what the show hat thoughts on

901
00:47:07,120 --> 00:47:08,759
Speaker 1: if it was a good idea. You can also check

902
00:47:08,800 --> 00:47:11,000
Speaker 1: out all the Bobby Bones show socials. There were so

903
00:47:11,080 --> 00:47:13,560
Speaker 1: many listeners that had lots of opinions on this topic.

904
00:47:13,640 --> 00:47:16,280
Speaker 1: And I'm gonna tell you it's about fifty fifty fifty

905
00:47:16,320 --> 00:47:19,440
Speaker 1: believe Eddie should do it. In fifty believe not a chance.

906
00:47:19,560 --> 00:47:23,640
Speaker 1: So listen. Now see where you fall. Number three, Eddie,

907
00:47:23,680 --> 00:47:25,920
Speaker 1: what's happening in your neighborhood? Man, I'm in a pickle

908
00:47:26,000 --> 00:47:29,280
Speaker 1: because we live on a street that's kind of slanted,

909
00:47:29,400 --> 00:47:31,640
Speaker 1: like the driveway is it a slam? But the boys

910
00:47:31,680 --> 00:47:33,399
Speaker 1: want a basketball hoop. I'm like, guys, you can't play

911
00:47:33,440 --> 00:47:36,440
Speaker 1: basketball in our driveway. It's not possible. So they're like, oh,

912
00:47:36,480 --> 00:47:38,719
Speaker 1: we can't play basketball. I said, why don't we do this?

913
00:47:39,120 --> 00:47:41,560
Speaker 1: Just down the street, there's a coul de sac. There

914
00:47:41,600 --> 00:47:44,400
Speaker 1: are five houses. We don't know who lives there, but

915
00:47:44,800 --> 00:47:47,280
Speaker 1: go knock on the door, ask them if that's okay

916
00:47:47,440 --> 00:47:49,600
Speaker 1: if we put a basketball hoop on the col de

917
00:47:49,680 --> 00:47:51,920
Speaker 1: sac and we'll let the whole neighborhood play. We just

918
00:47:51,960 --> 00:47:54,160
Speaker 1: got to get an okay from the people that live

919
00:47:54,200 --> 00:47:55,560
Speaker 1: in the coul de Sac and they're like, no, Noah,

920
00:47:55,600 --> 00:47:58,160
Speaker 1: that's so embarrassing. I'm like, guys, this is a genius idea.

921
00:47:58,480 --> 00:48:01,359
Speaker 1: I'll pay for the hoop. I wouldn't these people want

922
00:48:01,480 --> 00:48:03,680
Speaker 1: a basketball hoop in front of their house. So does

923
00:48:03,760 --> 00:48:05,400
Speaker 1: it stay up all the time or does it just

924
00:48:05,440 --> 00:48:07,320
Speaker 1: stay up whenever you guys are playing. No, it'll be

925
00:48:07,480 --> 00:48:10,120
Speaker 1: like a professional basketball hoop that it's a permanent hoop,

926
00:48:10,480 --> 00:48:13,759
Speaker 1: permanent hoop that the whole neighborhood could create in No.

927
00:48:14,200 --> 00:48:15,960
Speaker 1: But it's gonna be in the cul de Sac, right, Yeah,

928
00:48:16,000 --> 00:48:19,359
Speaker 1: So it's gonna be with a base, a weighted base. Absolutely, Yes,

929
00:48:19,440 --> 00:48:22,239
Speaker 1: you put like sand on it, cement whatever sement. You

930
00:48:22,360 --> 00:48:24,400
Speaker 1: think they're gonna go for that. I don't know, but

931
00:48:24,480 --> 00:48:26,600
Speaker 1: I'm saying, guys, you think that's a decent idea. I

932
00:48:26,640 --> 00:48:29,680
Speaker 1: think it's a fantastic basketball goal in front of their house.

933
00:48:29,760 --> 00:48:32,120
Speaker 1: Because I've seen like two kids living in some of

934
00:48:32,160 --> 00:48:33,759
Speaker 1: those house. I don't know who lives in the houses,

935
00:48:33,800 --> 00:48:36,200
Speaker 1: but I've seen kids ride their bikes around that cul

936
00:48:36,239 --> 00:48:38,879
Speaker 1: de Sac. So I'm assuming if kids live there, they're

937
00:48:38,880 --> 00:48:41,399
Speaker 1: gonna say, yeah, that'd be awesome. You wouldn't need all

938
00:48:41,520 --> 00:48:44,520
Speaker 1: five of those families correct to say yes and that

939
00:48:44,640 --> 00:48:46,840
Speaker 1: they're okay with the basketball where kids are gonna be

940
00:48:46,960 --> 00:48:49,759
Speaker 1: gathered in that col to sack. Now we can set hours, Hey,

941
00:48:49,880 --> 00:48:52,400
Speaker 1: no dribble, no no b ball after ten pm or

942
00:48:52,640 --> 00:48:54,719
Speaker 1: nine pm whatever, forest you're not gonna be down there

943
00:48:54,719 --> 00:48:56,080
Speaker 1: to do. And maybe I'll go down and be like,

944
00:48:56,080 --> 00:48:58,040
Speaker 1: all right, guys, parks closed, this is my hoop. No

945
00:48:58,239 --> 00:49:01,960
Speaker 1: maybes you wouldn't. I just don't think you can do that. Really,

946
00:49:02,320 --> 00:49:04,880
Speaker 1: I don't even it's not your part of the street.

947
00:49:05,440 --> 00:49:07,640
Speaker 1: It'd be like you parking your car down there and

948
00:49:07,760 --> 00:49:10,200
Speaker 1: just now you could you could park car on that

949
00:49:11,040 --> 00:49:13,239
Speaker 1: curb and just leaving your car down there though, because

950
00:49:13,239 --> 00:49:16,760
Speaker 1: it's legal. But is it acceptable as a good neighbor.

951
00:49:17,120 --> 00:49:19,560
Speaker 1: I don't think it is. So you say five, you

952
00:49:19,640 --> 00:49:21,480
Speaker 1: gotta get five o'kays from the people that live in

953
00:49:21,520 --> 00:49:23,439
Speaker 1: the cold to second. Now, what if four say okay

954
00:49:23,480 --> 00:49:26,320
Speaker 1: and one done? No, that's it. I wouldn't even ask you.

955
00:49:26,400 --> 00:49:28,239
Speaker 1: I wouldn't say you wouldn't send your kids to go

956
00:49:28,320 --> 00:49:30,920
Speaker 1: ask I think it's showing them responsibility to be like

957
00:49:31,400 --> 00:49:33,480
Speaker 1: door to door. Hi, I'm a kid that wants to

958
00:49:33,480 --> 00:49:36,359
Speaker 1: play basketball, if your idea is to show them responsibility,

959
00:49:36,360 --> 00:49:38,080
Speaker 1: and you know they're gonna get a no. I don't know.

960
00:49:38,200 --> 00:49:40,160
Speaker 1: I think they're gonna get a yes. Though. Is there

961
00:49:40,200 --> 00:49:42,200
Speaker 1: any chance all five never say please put a basketball

962
00:49:42,320 --> 00:49:44,480
Speaker 1: hoop in front of our front yard where kids will

963
00:49:44,480 --> 00:49:46,880
Speaker 1: be gathered the whole time? I say yes, Okay, I

964
00:49:46,960 --> 00:49:49,040
Speaker 1: think there's no chance they're gonna they're gonna say yes,

965
00:49:49,160 --> 00:49:52,600
Speaker 1: But I go okay. The question is, do you think

966
00:49:52,600 --> 00:49:56,479
Speaker 1: they'll allow it? I go no. I mean I hope

967
00:49:56,520 --> 00:49:58,479
Speaker 1: so for the sake of the kids. But there's probably

968
00:49:58,520 --> 00:50:00,600
Speaker 1: gonna be one person that's not down with it. So

969
00:50:00,719 --> 00:50:03,719
Speaker 1: you're gonna say no, Oh, one grinch. I'm gonna say yes.

970
00:50:03,800 --> 00:50:05,759
Speaker 1: You gotta send the kids. You send dad. They're gonna

971
00:50:05,760 --> 00:50:07,920
Speaker 1: say no because some old man is at my door

972
00:50:08,160 --> 00:50:09,960
Speaker 1: the kids. It's hard to say no to the kids.

973
00:50:10,280 --> 00:50:13,080
Speaker 1: But if you it's a permanent hoop. It's a permanent hoop, dude.

974
00:50:13,160 --> 00:50:15,399
Speaker 1: But it's open to the neighborhood. And I told him, guys,

975
00:50:15,440 --> 00:50:16,920
Speaker 1: if you're gonna pay, I don't want something in front

976
00:50:16,920 --> 00:50:18,680
Speaker 1: of my yard that's open in the neighborhood for everybody

977
00:50:18,719 --> 00:50:20,600
Speaker 1: to just be like this is a gathering place. Really,

978
00:50:20,680 --> 00:50:22,520
Speaker 1: I would not want that. Even if it's kids. How

979
00:50:22,719 --> 00:50:28,040
Speaker 1: enjoyable are kids playing outside it's nine or younger. I

980
00:50:28,080 --> 00:50:29,719
Speaker 1: don't want a fourteen year old that's also looking at it,

981
00:50:30,160 --> 00:50:31,960
Speaker 1: and then they're gonna play some two on two the

982
00:50:32,000 --> 00:50:34,839
Speaker 1: older kids the young kids can't play. I just think

983
00:50:34,880 --> 00:50:38,200
Speaker 1: it's a bad situation. Who get what if two groups

984
00:50:38,239 --> 00:50:39,719
Speaker 1: show up at the same time and want to play,

985
00:50:39,760 --> 00:50:42,440
Speaker 1: like who gets the court? Oh that's tough. Then they

986
00:50:42,480 --> 00:50:44,920
Speaker 1: come to me. I'll go settle the dispute. Maybe I'm

987
00:50:44,960 --> 00:50:47,600
Speaker 1: the marshal dude. Maybe I'll put my address there. Come

988
00:50:47,680 --> 00:50:49,359
Speaker 1: to me and I'll tell you you can play or not. Okay,

989
00:50:49,400 --> 00:50:51,759
Speaker 1: it's like a lock on. Are you gonna send them down?

990
00:50:52,239 --> 00:50:54,680
Speaker 1: I've tried to, I've already. This has been two weeks

991
00:50:54,719 --> 00:50:56,160
Speaker 1: in the making of Like, guys go and then I

992
00:50:56,200 --> 00:50:57,839
Speaker 1: don't even think they should do it. If I were

993
00:50:57,960 --> 00:51:00,759
Speaker 1: the person and add kids, I wouldn't allow it. I

994
00:51:00,880 --> 00:51:02,359
Speaker 1: tell you. I was walking the dog and I saw

995
00:51:02,480 --> 00:51:04,440
Speaker 1: one parent outside water in their plants, and I was like, ooh,

996
00:51:04,480 --> 00:51:05,719
Speaker 1: should I ask for him? But like, no, no, no,

997
00:51:05,960 --> 00:51:07,759
Speaker 1: I'm not gonna do my kids work for him. You

998
00:51:07,840 --> 00:51:09,879
Speaker 1: guys go to Facebook. Here's a situation and he wants

999
00:51:09,880 --> 00:51:11,439
Speaker 1: to put a hoop and somebody else is called a sack.

1000
00:51:11,640 --> 00:51:13,880
Speaker 1: That's it, but he's gonna pay for the hoop. Hey,

1001
00:51:13,920 --> 00:51:16,920
Speaker 1: I'd put it on. I put it on my kids,

1002
00:51:17,040 --> 00:51:19,279
Speaker 1: but I can't. It's a slant. I can't do it. Well,

1003
00:51:19,280 --> 00:51:24,000
Speaker 1: thank you, thank you. On flat point. It's the best

1004
00:51:24,160 --> 00:51:29,960
Speaker 1: bits of the week with Morgan. Number two, Lunchbox is

1005
00:51:30,000 --> 00:51:32,719
Speaker 1: finally having some good karma on his side. He got

1006
00:51:32,760 --> 00:51:36,319
Speaker 1: some exciting news about a potential acting opportunity last week,

1007
00:51:36,360 --> 00:51:39,839
Speaker 1: and this week Amy shared some big news for him

1008
00:51:40,000 --> 00:51:43,360
Speaker 1: about her sister's TV show. You know, he DMed her

1009
00:51:43,440 --> 00:51:46,480
Speaker 1: trying to get on her show. Have a crazy idea

1010
00:51:46,880 --> 00:51:48,919
Speaker 1: that they could fix the roof in his house while

1011
00:51:48,920 --> 00:51:51,080
Speaker 1: also doing some other things, and he'd be a celebrity

1012
00:51:51,120 --> 00:51:53,960
Speaker 1: episode that they could do well. Something may have just

1013
00:51:54,160 --> 00:51:56,279
Speaker 1: panned out, I don't know. Amy got an email and

1014
00:51:56,360 --> 00:51:58,640
Speaker 1: she shared it with Lunchbox on the show and he

1015
00:51:58,800 --> 00:52:01,840
Speaker 1: kind of freaked out. He was joked, Number two, today

1016
00:52:01,960 --> 00:52:05,000
Speaker 1: is your day, Lunchbox, my day, Today is your day?

1017
00:52:05,280 --> 00:52:09,120
Speaker 1: What did I do? Breaking news hit that clout. Lunchbox

1018
00:52:09,160 --> 00:52:10,880
Speaker 1: has his hands in the areas ready for Amy. It's

1019
00:52:10,920 --> 00:52:14,759
Speaker 1: your story to tell. Okay, Well, first, I guess I'll

1020
00:52:14,800 --> 00:52:17,359
Speaker 1: just start off by saying, Lunchbox mentioned the other day

1021
00:52:17,480 --> 00:52:20,040
Speaker 1: had this whole pitch called my sister about being on

1022
00:52:20,920 --> 00:52:25,960
Speaker 1: her HGTV show called Building Roots. Yeah tell me more so, Well,

1023
00:52:25,960 --> 00:52:29,960
Speaker 1: whiter sided that first, because Lunchbox told your sister that

1024
00:52:30,080 --> 00:52:32,680
Speaker 1: he had some news about you. He DMed her and said, Hey,

1025
00:52:32,719 --> 00:52:35,120
Speaker 1: I have a surprise for Amy. Can we talk? Send

1026
00:52:35,200 --> 00:52:37,560
Speaker 1: me your number? Hey tricked her and then called her

1027
00:52:37,600 --> 00:52:40,000
Speaker 1: and said, Hey, my house has problems. Can you fix it? Yeah?

1028
00:52:40,000 --> 00:52:41,759
Speaker 1: I got holes in my roof. And then while you're here,

1029
00:52:41,800 --> 00:52:43,960
Speaker 1: I can read into a new kitchen. You know. Redo

1030
00:52:44,040 --> 00:52:46,560
Speaker 1: the Master lied to her, and then you I lied

1031
00:52:46,600 --> 00:52:48,319
Speaker 1: to her when I slid into the DMS to get

1032
00:52:48,360 --> 00:52:52,040
Speaker 1: her number. But it was all in a good positive way. Yeah,

1033
00:52:52,160 --> 00:52:56,920
Speaker 1: and so wasn't. Anyway, my sister revealed to him, like, hey, Lunchbox,

1034
00:52:57,040 --> 00:52:58,879
Speaker 1: we don't even know if we're getting a season two,

1035
00:52:59,080 --> 00:53:01,640
Speaker 1: and honestly I don't know either. But what I do

1036
00:53:01,840 --> 00:53:03,960
Speaker 1: know is I got an email from a producer that

1037
00:53:04,080 --> 00:53:10,400
Speaker 1: heard the segment. You got to make your own breaks

1038
00:53:10,440 --> 00:53:12,960
Speaker 1: in Hollywood, people, This is what we do. This is

1039
00:53:13,000 --> 00:53:15,840
Speaker 1: not Hollywood, but I get it. Yes, Colorado and Nashville,

1040
00:53:15,840 --> 00:53:22,040
Speaker 1: but yes, yes, you guy, it is to look go ahead, flucks.

1041
00:53:22,040 --> 00:53:24,840
Speaker 1: Don't get ahead of yourself here because I don't know nobody.

1042
00:53:26,280 --> 00:53:30,040
Speaker 1: So I just opened up my email and an executive

1043
00:53:30,080 --> 00:53:35,280
Speaker 1: producer named Michelle emailed me. And executive producer. That's huge

1044
00:53:35,400 --> 00:53:37,880
Speaker 1: and a little back not just not just measley producer,

1045
00:53:38,080 --> 00:53:41,240
Speaker 1: executive producer measly producers all the time that money executive

1046
00:53:41,280 --> 00:53:44,120
Speaker 1: hits in. Oh it is real. Some backstory is you know,

1047
00:53:44,320 --> 00:53:45,880
Speaker 1: similar to lunch Box. Like when I found out my

1048
00:53:45,920 --> 00:53:48,000
Speaker 1: sister and her husband has shown HGTV, I'm like, well,

1049
00:53:48,040 --> 00:53:49,839
Speaker 1: I got stuff at my house i'd like to have done.

1050
00:53:49,920 --> 00:53:52,840
Speaker 1: So months ago, we my sister was visiting and we

1051
00:53:52,880 --> 00:53:54,719
Speaker 1: were talking about different things, like how cool would it

1052
00:53:54,800 --> 00:53:56,920
Speaker 1: be if, like, you know, you'll do a project at

1053
00:53:56,960 --> 00:53:59,720
Speaker 1: my house in Nashville. But I hadn't heard a pete nothing.

1054
00:54:00,040 --> 00:54:03,279
Speaker 1: Well then Lunchbox talks about it, and I guess the

1055
00:54:03,320 --> 00:54:04,920
Speaker 1: produce to heard it and this is the email that

1056
00:54:05,040 --> 00:54:09,080
Speaker 1: she sent. Oh yeah, oh yeah, hi Amy. I was

1057
00:54:09,200 --> 00:54:12,759
Speaker 1: cracking up laughing over Lunchboxes comments on the show Needing

1058
00:54:12,800 --> 00:54:16,040
Speaker 1: Ben and Christie's help on his own home. I would

1059
00:54:16,120 --> 00:54:19,320
Speaker 1: like to pitch a traveling Nashville episode of Building Roots.

1060
00:54:21,719 --> 00:54:26,680
Speaker 1: Come on, yeah, I got the trailers and out featuring

1061
00:54:26,840 --> 00:54:30,800
Speaker 1: your home renovation and possibly lunchboxes home repair. If you

1062
00:54:31,000 --> 00:54:34,319
Speaker 1: think he might truly be interested, I wasn't sure if

1063
00:54:34,360 --> 00:54:37,920
Speaker 1: it was just quote radio talk. Are you truly interested?

1064
00:54:39,080 --> 00:54:43,640
Speaker 1: Let's go, let's start knocking downs and walls, move that out.

1065
00:54:45,239 --> 00:54:46,880
Speaker 1: And so I guess with the I mean, I have

1066
00:54:47,000 --> 00:54:48,759
Speaker 1: no idea because I haven't replied, and I don't know

1067
00:54:48,760 --> 00:54:51,359
Speaker 1: if with this pitch it would mean yeah, I would

1068
00:54:51,560 --> 00:54:53,880
Speaker 1: just be like some weird you know, one off episode

1069
00:54:53,920 --> 00:54:56,440
Speaker 1: if they don't get season two or is this only

1070
00:54:56,640 --> 00:54:58,960
Speaker 1: if they get season two? So we I don't know,

1071
00:54:59,080 --> 00:55:00,560
Speaker 1: and I don't even know it to fly at my

1072
00:55:00,640 --> 00:55:03,319
Speaker 1: sister's out of the country. What do you wanted to reply? Lunch,

1073
00:55:03,920 --> 00:55:07,040
Speaker 1: let's go, we're all in. Let's go, we're all in. Yeah,

1074
00:55:07,320 --> 00:55:10,560
Speaker 1: let's get some Remoelan said that I could connect you

1075
00:55:10,640 --> 00:55:13,040
Speaker 1: with her directly so she could gage you want to

1076
00:55:13,040 --> 00:55:16,600
Speaker 1: be connected up connected to tell let's go, Yeah, I gotta.

1077
00:55:16,640 --> 00:55:18,759
Speaker 1: I got to her surprise for Amy, and you guys

1078
00:55:18,800 --> 00:55:21,520
Speaker 1: thought I was crazy when I said a special episode.

1079
00:55:21,520 --> 00:55:23,920
Speaker 1: You're like, oh my gosh, that's so stupid. Lunchbox guys.

1080
00:55:24,160 --> 00:55:27,239
Speaker 1: I know how producers think. Listen this. They think this

1081
00:55:27,400 --> 00:55:30,359
Speaker 1: is great TV. What would you do your house? Oh,

1082
00:55:30,920 --> 00:55:34,120
Speaker 1: I mean, fix the holes in the roof, redo the kitchen,

1083
00:55:34,360 --> 00:55:38,600
Speaker 1: put a nice screamed in back porch, redo the master bath. Um,

1084
00:55:39,200 --> 00:55:41,400
Speaker 1: maybe add like a man cave. I mean we got

1085
00:55:41,480 --> 00:55:44,600
Speaker 1: all sort of man cave. I don't know. I add

1086
00:55:44,640 --> 00:55:45,880
Speaker 1: onto the back of the house, I don't know. On

1087
00:55:46,000 --> 00:55:48,600
Speaker 1: top of it where it build a tree house for

1088
00:55:48,680 --> 00:55:51,440
Speaker 1: the kids. I go, we're like eight shows in one here.

1089
00:55:51,680 --> 00:55:53,960
Speaker 1: Holme on, because I saw one of their episodes they

1090
00:55:54,040 --> 00:55:57,360
Speaker 1: put a slide from the back deck to the ground

1091
00:55:57,440 --> 00:55:59,920
Speaker 1: for some kids. So build my kids something. Let's go.

1092
00:56:00,440 --> 00:56:03,640
Speaker 1: How excited are you? One to ten? Ten? I mean

1093
00:56:03,880 --> 00:56:06,759
Speaker 1: this is great. This is how you make things happen.

1094
00:56:07,120 --> 00:56:10,200
Speaker 1: I've been dreaming about this, about being on TV, being

1095
00:56:10,239 --> 00:56:12,640
Speaker 1: in Hollywood, and it is starting to come true slowly.

1096
00:56:12,719 --> 00:56:15,520
Speaker 1: And surely didn't they do a remodeling show right next

1097
00:56:15,520 --> 00:56:17,400
Speaker 1: to your house? One? Yeah, they did Property Brothers right

1098
00:56:17,480 --> 00:56:19,800
Speaker 1: next door. And what do you think about that? Awesome?

1099
00:56:20,320 --> 00:56:22,520
Speaker 1: So jealous? Like I was so mad at my neighbors.

1100
00:56:22,880 --> 00:56:24,400
Speaker 1: But they were new neighbors. I didn't know them. Then

1101
00:56:24,440 --> 00:56:26,680
Speaker 1: they they bought the house, they got on the property, brothers,

1102
00:56:26,840 --> 00:56:29,200
Speaker 1: they get on it. They applied and then that's it.

1103
00:56:29,280 --> 00:56:30,759
Speaker 1: They just come and they do all their house. Yeah,

1104
00:56:31,160 --> 00:56:33,040
Speaker 1: and then that's his it, that's it. And then they

1105
00:56:33,080 --> 00:56:34,759
Speaker 1: have a new house and they didn't get they weren't

1106
00:56:34,760 --> 00:56:36,719
Speaker 1: able to live there. Why they did it. But I

1107
00:56:36,800 --> 00:56:40,080
Speaker 1: can move somewhere while they dow my house. Day. This

1108
00:56:40,400 --> 00:56:42,520
Speaker 1: is great. You know on these are you are? You?

1109
00:56:42,680 --> 00:56:45,719
Speaker 1: Are you? Now? Will you say hey, good job on

1110
00:56:45,800 --> 00:56:48,680
Speaker 1: the lie? Like I'll never say a good job on

1111
00:56:48,760 --> 00:56:53,360
Speaker 1: the lie. But here something you may not know. You know,

1112
00:56:53,440 --> 00:56:55,759
Speaker 1: you have to pay for it, right, pay for what

1113
00:56:56,400 --> 00:56:58,520
Speaker 1: they don't pay for everything. You have to pay for

1114
00:56:58,640 --> 00:57:00,960
Speaker 1: your own They just do it on TV and give

1115
00:57:00,960 --> 00:57:02,400
Speaker 1: you like the labor for free. You have to pay

1116
00:57:02,440 --> 00:57:05,920
Speaker 1: for everything. Huh, Well, we can work something out. No,

1117
00:57:06,000 --> 00:57:09,680
Speaker 1: there's no working it out if a right is like

1118
00:57:09,800 --> 00:57:13,319
Speaker 1: trying to get endorsements, like I mean, you could try

1119
00:57:13,360 --> 00:57:16,120
Speaker 1: to work something out, but I don't know how. I

1120
00:57:16,320 --> 00:57:19,400
Speaker 1: know exactly how, Like hey, look, oh, you know they

1121
00:57:19,480 --> 00:57:21,520
Speaker 1: did his kitchen and they got their supplies at R

1122
00:57:21,560 --> 00:57:23,040
Speaker 1: and B pot. No, that's not how it works on

1123
00:57:23,120 --> 00:57:27,320
Speaker 1: the show. You can't I can't show and you can't

1124
00:57:27,360 --> 00:57:30,160
Speaker 1: make deals for this show because we have our sponsors, right,

1125
00:57:30,960 --> 00:57:32,760
Speaker 1: I mean, and you have to pay on the show.

1126
00:57:32,760 --> 00:57:34,680
Speaker 1: You have to pay for it yourself. The propulos a

1127
00:57:34,680 --> 00:57:38,000
Speaker 1: recommend to pay for it, all right, that's fun. Yeah,

1128
00:57:38,360 --> 00:57:39,840
Speaker 1: Oh so you're gonna pay for the slide? The man

1129
00:57:39,920 --> 00:57:43,320
Speaker 1: came to the roof to be done. Yeah, I think

1130
00:57:43,320 --> 00:57:45,040
Speaker 1: you probably scale back on what you have to tell.

1131
00:57:45,120 --> 00:57:50,400
Speaker 1: He's like, I'll take some shingles, yeah, yeah, a little paint.

1132
00:57:50,520 --> 00:57:53,360
Speaker 1: Do you still want them to come? Absolutely? Okay, go

1133
00:57:53,640 --> 00:57:56,880
Speaker 1: on your desperation to be on TV? Will you past

1134
00:57:56,880 --> 00:57:58,680
Speaker 1: you a lot of money? Yeah? You know, I'll make

1135
00:57:58,680 --> 00:58:02,360
Speaker 1: it up on the back end of what tours tours

1136
00:58:02,560 --> 00:58:04,200
Speaker 1: or people will see me and be like, oh man,

1137
00:58:04,240 --> 00:58:06,720
Speaker 1: we need him for our show, you know what I'm saying. Like,

1138
00:58:07,160 --> 00:58:09,160
Speaker 1: so it's an investment. It's an investment. You get on

1139
00:58:09,640 --> 00:58:13,040
Speaker 1: like three hundred thousand dollars. Oh, the investment. But but

1140
00:58:13,160 --> 00:58:15,320
Speaker 1: does some of his insurance cover it? Because it's three

1141
00:58:15,560 --> 00:58:17,960
Speaker 1: damage to self. I'll hit the bank. You go take

1142
00:58:17,960 --> 00:58:20,080
Speaker 1: out a loan to be on the show. Absolutely, how

1143
00:58:20,120 --> 00:58:21,520
Speaker 1: you're saying, now, you're gonna take out a loan to

1144
00:58:21,560 --> 00:58:24,840
Speaker 1: be on the show. Okay, okay. Another thought that I

1145
00:58:24,960 --> 00:58:29,400
Speaker 1: had is that Lunchbox hasn't been incredibly kind towards the show.

1146
00:58:30,680 --> 00:58:32,680
Speaker 1: It's not good and they're not good at what they do,

1147
00:58:32,840 --> 00:58:35,640
Speaker 1: so why would he want them to do his renovation? No,

1148
00:58:35,760 --> 00:58:38,200
Speaker 1: I said, they're not gonna Their renovations are cool, like

1149
00:58:38,480 --> 00:58:41,640
Speaker 1: they have great minds, but they're not very fun on TV.

1150
00:58:41,720 --> 00:58:43,360
Speaker 1: They come off it's kind of boring and you t

1151
00:58:43,680 --> 00:58:45,520
Speaker 1: be fine. Yeah, and that's what I'm saying. Get me

1152
00:58:45,640 --> 00:58:47,720
Speaker 1: on there and I will liven it up. Let's go,

1153
00:58:48,040 --> 00:58:51,280
Speaker 1: so reply to them, let's go. Yeah, I'm all in.

1154
00:58:51,600 --> 00:58:54,200
Speaker 1: I'll hack up the trailers and head Outie Eddie still okay, Yeah,

1155
00:58:54,240 --> 00:58:55,600
Speaker 1: he's in. He's gonna take a loan out to do

1156
00:58:55,640 --> 00:58:56,840
Speaker 1: it if they want to do it. But I guess

1157
00:58:56,920 --> 00:58:58,880
Speaker 1: let him know one percent take out a loan. That's

1158
00:58:58,880 --> 00:59:03,080
Speaker 1: smart business. Is it to be on You know what?

1159
00:59:03,360 --> 00:59:05,880
Speaker 1: I agree? Good for you, buddy. There is Lunchbox to

1160
00:59:05,920 --> 00:59:08,040
Speaker 1: be getting on. One way or another. Is getting on TV.

1161
00:59:08,280 --> 00:59:11,800
Speaker 1: We like it. It's the best bits of the week

1162
00:59:12,600 --> 00:59:17,080
Speaker 1: with Morgan number two and definitely I've been number one spot.

1163
00:59:17,160 --> 00:59:20,959
Speaker 1: This week, the iconic Ronnie Done stopped by the show.

1164
00:59:21,080 --> 00:59:24,440
Speaker 1: He has a brand new solo album out. He talked

1165
00:59:24,480 --> 00:59:28,240
Speaker 1: about the songs on it and the collaborations. Annie also

1166
00:59:28,400 --> 00:59:30,400
Speaker 1: discussed some of the Brooks and Dune days, you know,

1167
00:59:30,840 --> 00:59:33,600
Speaker 1: like what happened when they decided to split, how the

1168
00:59:33,760 --> 00:59:37,360
Speaker 1: reboot album happened so many years later. Just really cool

1169
00:59:37,480 --> 00:59:40,280
Speaker 1: stories that I've never heard before. And it was cool

1170
00:59:40,480 --> 00:59:43,840
Speaker 1: just listening to him talk and share his life experience. So,

1171
00:59:44,280 --> 00:59:48,560
Speaker 1: without further Ado, Ronnie Done number one the Friday Morning

1172
00:59:48,640 --> 00:59:51,400
Speaker 1: Conversation with Ronnie Done. All right, the lead singer of

1173
00:59:51,440 --> 00:59:53,240
Speaker 1: Brooks and Done, Ronnie Done is walking into the studio

1174
00:59:53,360 --> 00:59:55,040
Speaker 1: now right, let me get some of that intro music

1175
00:59:55,680 --> 00:59:58,800
Speaker 1: Brooks and Dune Bootscooten Buggy from nineteen ninety one. Here

1176
00:59:59,040 --> 01:00:13,040
Speaker 1: is there. He comes there, he is welcome, Welcome, Welcome, welcome.

1177
01:00:15,280 --> 01:00:24,880
Speaker 1: I've seen in the so there's a boat scoot those

1178
01:00:24,880 --> 01:00:26,880
Speaker 1: are buddy. We're pretty good? How you doing? IM good?

1179
01:00:27,000 --> 01:00:29,680
Speaker 1: It's good to see you know, I was listen. I

1180
01:00:29,720 --> 01:00:32,200
Speaker 1: feel like I'm very lucky that you come to to

1181
01:00:32,240 --> 01:00:34,040
Speaker 1: the studio a couple of times and you grace us

1182
01:00:34,080 --> 01:00:36,200
Speaker 1: with your presence, and I feel fortunate about that. So

1183
01:00:36,320 --> 01:00:38,120
Speaker 1: I was looking up some stuff, like I was going,

1184
01:00:38,200 --> 01:00:39,960
Speaker 1: I was digging deep about you, trying to find some

1185
01:00:40,000 --> 01:00:41,800
Speaker 1: stuff I didn't even know so I can talk to

1186
01:00:41,840 --> 01:00:43,520
Speaker 1: you about it. So I'm gonna ask you in a second.

1187
01:00:43,520 --> 01:00:46,320
Speaker 1: I had no idea you like redesigned air trailers or

1188
01:00:46,480 --> 01:00:49,520
Speaker 1: there's there's trailers. You have every hobby I've ever heard of.

1189
01:00:50,000 --> 01:00:52,280
Speaker 1: You get bored, you know, you know, you're like a

1190
01:00:52,360 --> 01:00:56,000
Speaker 1: creative time. I just had, I mean, interior design free book.

1191
01:00:56,080 --> 01:00:58,560
Speaker 1: Came up with the airstream idea when we were out

1192
01:00:58,600 --> 01:01:00,800
Speaker 1: in Vegas, you know, because everybody's trailers out there and

1193
01:01:00,840 --> 01:01:02,280
Speaker 1: they go out in the desert and do the stuff.

1194
01:01:02,320 --> 01:01:03,960
Speaker 1: And she goes, she came up one day and she goes,

1195
01:01:04,360 --> 01:01:06,280
Speaker 1: would you do would you do the trailer for me?

1196
01:01:06,280 --> 01:01:08,560
Speaker 1: Because you're already doing this though it's talked about all

1197
01:01:08,600 --> 01:01:10,240
Speaker 1: the time. I got some guys that work for me.

1198
01:01:10,440 --> 01:01:13,240
Speaker 1: They can do anything. So we just kind of treated

1199
01:01:13,280 --> 01:01:15,240
Speaker 1: it like a house when we went to it and

1200
01:01:15,280 --> 01:01:16,960
Speaker 1: did all the color palettes and said out all the

1201
01:01:18,080 --> 01:01:21,600
Speaker 1: fabrics and hides and that kind of stuff. She had

1202
01:01:21,600 --> 01:01:23,800
Speaker 1: to have a little bit cowgirl, you know, were you

1203
01:01:23,840 --> 01:01:26,640
Speaker 1: an artsy kid. I don't know, not just I remember

1204
01:01:26,640 --> 01:01:29,360
Speaker 1: about being a kid was being real just accessively skimmy.

1205
01:01:29,920 --> 01:01:36,200
Speaker 1: That's no memory except being Yeah, that's my trauma. When

1206
01:01:36,240 --> 01:01:38,680
Speaker 1: you were twelve though, Like did you play ball? Were

1207
01:01:38,720 --> 01:01:40,840
Speaker 1: you already doing music? No? I wanted to play ball

1208
01:01:40,960 --> 01:01:43,520
Speaker 1: so bad. I wanted to be an athlete. It's really bad.

1209
01:01:43,560 --> 01:01:45,720
Speaker 1: And I can remember the coach coming to our fifth

1210
01:01:45,800 --> 01:01:49,520
Speaker 1: grade room like study hall, and he said, anybody that

1211
01:01:50,080 --> 01:01:52,760
Speaker 1: wants to go out for football going out to the library,

1212
01:01:53,440 --> 01:01:56,280
Speaker 1: and uh so she I'm the first out at the door.

1213
01:01:56,600 --> 01:01:59,320
Speaker 1: But I'm like, I'm like as big around as a pencil.

1214
01:01:59,440 --> 01:02:01,920
Speaker 1: Maybe I was the smallest guy in the in the

1215
01:02:02,120 --> 01:02:05,720
Speaker 1: in the school until I was probably in my senior

1216
01:02:05,840 --> 01:02:08,080
Speaker 1: year in high school. Anyway, he looks at in the

1217
01:02:08,200 --> 01:02:10,560
Speaker 1: room and he goes you you you. He looks at

1218
01:02:10,600 --> 01:02:13,400
Speaker 1: me and goes, you go to the band room, back

1219
01:02:13,480 --> 01:02:15,720
Speaker 1: to study. Also, I went to the band room trying

1220
01:02:15,720 --> 01:02:18,400
Speaker 1: to let me play it clarinet. I see it though, Yeah,

1221
01:02:18,440 --> 01:02:20,440
Speaker 1: it's just I like that I could see Blake clarinet.

1222
01:02:20,480 --> 01:02:24,120
Speaker 1: I think that's your natural your natural instrument. I'm thinking chicks, man,

1223
01:02:24,160 --> 01:02:25,920
Speaker 1: I went, h we're not gonna do that. I'm on

1224
01:02:26,000 --> 01:02:28,080
Speaker 1: a saxophone. Stop played sax for a while, you know,

1225
01:02:28,440 --> 01:02:30,919
Speaker 1: And if I gave you a saxophone right now, could

1226
01:02:30,960 --> 01:02:33,960
Speaker 1: you make it do anything that it's supposed to do. No. No,

1227
01:02:34,280 --> 01:02:37,760
Speaker 1: And it's like quitting golf or something, you know, for probably,

1228
01:02:37,840 --> 01:02:39,800
Speaker 1: you know, twenty five years. You kind of have to

1229
01:02:39,840 --> 01:02:41,640
Speaker 1: work up to it. Wait, well, we have one here,

1230
01:02:41,720 --> 01:02:43,720
Speaker 1: bring it in gat. I know, I'm just having funny.

1231
01:02:44,440 --> 01:02:46,080
Speaker 1: Ronnie's here because he's got a new album. We're gonna

1232
01:02:46,120 --> 01:02:48,320
Speaker 1: talk about this. It's out today, and I want to start.

1233
01:02:48,400 --> 01:02:50,240
Speaker 1: We're gonna get to the Parker McCallum song in a second,

1234
01:02:50,240 --> 01:02:51,920
Speaker 1: because I'm gonna play it. But I do want to

1235
01:02:51,960 --> 01:02:54,640
Speaker 1: talk about Jake Worthington how because Jake's on a song

1236
01:02:54,760 --> 01:02:56,880
Speaker 1: with you called Honckey tonk Town. It may have been

1237
01:02:56,920 --> 01:02:59,400
Speaker 1: the first song that you teased or one of the

1238
01:02:59,440 --> 01:03:02,080
Speaker 1: first songs. Ts When you're talking about the project, how

1239
01:03:02,160 --> 01:03:05,080
Speaker 1: did you link up with Jake Worthington. We were all

1240
01:03:05,160 --> 01:03:10,919
Speaker 1: doing the Hearty project and the mixtape or the Hicks tape. Yeah,

1241
01:03:10,920 --> 01:03:15,200
Speaker 1: the Hicks tape yeah, and uh this this, I mean

1242
01:03:15,240 --> 01:03:18,000
Speaker 1: I just dropped in and did my verse and Uh.

1243
01:03:18,760 --> 01:03:22,480
Speaker 1: At the end the third verse, when I got got

1244
01:03:22,520 --> 01:03:27,040
Speaker 1: the Master from Joey a big gloud Uh, this voice

1245
01:03:27,080 --> 01:03:28,720
Speaker 1: comes out and I'm gonna, holy cow, where did that

1246
01:03:28,800 --> 01:03:31,640
Speaker 1: guy come from? Because it was real like down in

1247
01:03:31,720 --> 01:03:34,760
Speaker 1: the dirt country. He sounded to me like light lefty

1248
01:03:34,800 --> 01:03:36,360
Speaker 1: for Zelle. I mean, and if you don't know he

1249
01:03:36,480 --> 01:03:38,919
Speaker 1: that is googling, you'll go get it. But he really does.

1250
01:03:39,400 --> 01:03:44,320
Speaker 1: And he's this just down home like I think he's

1251
01:03:44,360 --> 01:03:47,920
Speaker 1: like a welder or something by trade. Then uh, Houston,

1252
01:03:48,520 --> 01:03:52,080
Speaker 1: But it's cool. You're if you haven't already done it,

1253
01:03:52,320 --> 01:03:55,600
Speaker 1: you're gonna love interview at him. I have an interview.

1254
01:03:55,800 --> 01:03:58,160
Speaker 1: I mean, he is as humbled as I don't know

1255
01:03:58,600 --> 01:04:00,840
Speaker 1: it's but he's funny too. The same time, I want

1256
01:04:00,840 --> 01:04:02,600
Speaker 1: to play a clip of this. This is Hockey Talk Town.

1257
01:04:02,720 --> 01:04:05,400
Speaker 1: It is with Jake Worthington. Here. You gotta find me

1258
01:04:05,640 --> 01:04:10,960
Speaker 1: a Hockey Town one. That's a good one. You like

1259
01:04:11,040 --> 01:04:13,680
Speaker 1: that one? Yeah? Yeah, you can't hear it, but you

1260
01:04:13,840 --> 01:04:15,840
Speaker 1: like it? Yeah? What if I said you like it?

1261
01:04:15,920 --> 01:04:17,040
Speaker 1: He goes, no, I don't like that one at all.

1262
01:04:17,480 --> 01:04:19,680
Speaker 1: That'd be a funny answer to Ronnie would say that

1263
01:04:19,720 --> 01:04:21,360
Speaker 1: if it hasn't really felt that I wouldn't put it

1264
01:04:21,400 --> 01:04:23,520
Speaker 1: on the record, but there it is. The album is

1265
01:04:23,600 --> 01:04:27,520
Speaker 1: one hundred proof Neon, It's Ronnie Done. So whenever you're

1266
01:04:27,560 --> 01:04:30,640
Speaker 1: putting out individual projects and you and you know, Brooks

1267
01:04:30,640 --> 01:04:33,320
Speaker 1: and Done are still touring, is that a thing? Is

1268
01:04:34,200 --> 01:04:36,560
Speaker 1: what's that you get to play any of them? Or

1269
01:04:37,400 --> 01:04:40,560
Speaker 1: is it weird? So far we just haven't worked that

1270
01:04:40,640 --> 01:04:43,480
Speaker 1: out because Kicks has done some stuff too, But no,

1271
01:04:43,640 --> 01:04:46,720
Speaker 1: it's just a hodgepodge right now. But I think to me,

1272
01:04:46,840 --> 01:04:48,880
Speaker 1: it's just we're at that stage to where, hey, you

1273
01:04:48,960 --> 01:04:51,720
Speaker 1: know what we can We can show our individual personalities

1274
01:04:51,760 --> 01:04:53,480
Speaker 1: or what we do and still come back and not

1275
01:04:53,680 --> 01:04:56,440
Speaker 1: water down Brooks and Done. You know, back back in

1276
01:04:56,520 --> 01:04:58,240
Speaker 1: the day, I think that was a big label for

1277
01:04:58,320 --> 01:05:00,160
Speaker 1: your I mean just like, no, you can't I go

1278
01:05:00,200 --> 01:05:01,840
Speaker 1: sing with someone so, or you can't go do this

1279
01:05:01,960 --> 01:05:04,959
Speaker 1: project with somebody else. So it just seemed like every

1280
01:05:05,000 --> 01:05:07,760
Speaker 1: time I turned around getting cut off at the pass,

1281
01:05:07,880 --> 01:05:10,960
Speaker 1: and Kicks too. So as soon as as soon as

1282
01:05:10,960 --> 01:05:13,480
Speaker 1: we decided to give it up for a while, I

1283
01:05:13,560 --> 01:05:16,280
Speaker 1: mean we both ran out not not to run out

1284
01:05:16,280 --> 01:05:19,200
Speaker 1: there and be successful solo artists, but to do music

1285
01:05:19,600 --> 01:05:22,640
Speaker 1: that an individual guy could do. There's there's certain songs

1286
01:05:22,720 --> 01:05:24,960
Speaker 1: that its Brooks and done as you know, you like

1287
01:05:25,160 --> 01:05:28,280
Speaker 1: kind of love songs or whatever. You can't do it's

1288
01:05:28,320 --> 01:05:31,160
Speaker 1: two guys, you know, oh, because people would think you're

1289
01:05:31,160 --> 01:05:33,640
Speaker 1: singing at each other. Yeah. Yeah, Like I'm not gonna

1290
01:05:33,640 --> 01:05:35,880
Speaker 1: hold hands with him. He holds, but yeah, I would

1291
01:05:35,920 --> 01:05:38,120
Speaker 1: like that. He's a redneck. I'd like to see that it. Yeah,

1292
01:05:38,400 --> 01:05:40,360
Speaker 1: one hundred proof of Neon's the record Ronnie is here.

1293
01:05:40,360 --> 01:05:42,640
Speaker 1: I'm gonna play the single now this is Road to Abilene,

1294
01:05:42,800 --> 01:05:45,480
Speaker 1: which you wrote, by the way. Yeah. Yeah. When he

1295
01:05:45,720 --> 01:05:47,480
Speaker 1: called Parker McCallum, he said, hey, do the song with

1296
01:05:47,560 --> 01:05:49,880
Speaker 1: me or what Yeah. Yeah, he just came down in

1297
01:05:49,960 --> 01:05:54,880
Speaker 1: his big white hot rod core bet Jevin's gold Jan

1298
01:05:55,080 --> 01:05:57,760
Speaker 1: you have that guy walks in and I like Parker

1299
01:05:57,840 --> 01:05:59,640
Speaker 1: a lot, but he walks in and I'm like, I'm

1300
01:05:59,640 --> 01:06:01,240
Speaker 1: not gonna like this guy. And then you spend time

1301
01:06:01,280 --> 01:06:02,400
Speaker 1: with him, You're like, oh, I love this guy. Oh.

1302
01:06:02,520 --> 01:06:04,920
Speaker 1: I felt somebody's kind of kind of got the Texas,

1303
01:06:05,200 --> 01:06:07,960
Speaker 1: you know, subtle standoff thing. And then at the end

1304
01:06:08,000 --> 01:06:09,520
Speaker 1: of it, he goes, man, thank you so much for

1305
01:06:09,640 --> 01:06:11,040
Speaker 1: let me do this, this more fun thing I've done

1306
01:06:11,120 --> 01:06:12,840
Speaker 1: or whatever. He's awesome. Dude, I like you. I have

1307
01:06:12,920 --> 01:06:14,760
Speaker 1: an idea for you. Would you like to hear an idea? Yeah?

1308
01:06:14,800 --> 01:06:18,000
Speaker 1: Probably help your career a lite um. So on this

1309
01:06:18,120 --> 01:06:20,720
Speaker 1: record that you have out, you got a couple features

1310
01:06:20,800 --> 01:06:23,040
Speaker 1: Jake Worthington, which we talked about a minute ago, and

1311
01:06:23,160 --> 01:06:25,840
Speaker 1: the song with Parker McCollum which we played. If you

1312
01:06:25,960 --> 01:06:28,800
Speaker 1: did a song not on this record, one hundred proof

1313
01:06:28,800 --> 01:06:30,840
Speaker 1: of Neon, maybe the deluxe edition, I think about it

1314
01:06:30,880 --> 01:06:36,760
Speaker 1: here Ronnie Done featuring Kicks Brooks. Well, then I'd have

1315
01:06:36,840 --> 01:06:39,680
Speaker 1: to turn around into a Kicks Brooks. That would just

1316
01:06:39,720 --> 01:06:41,240
Speaker 1: be Brooks and Done, all right? Would here we go

1317
01:06:41,920 --> 01:06:44,560
Speaker 1: back to it, back to the money. That would be funny,

1318
01:06:44,600 --> 01:06:47,840
Speaker 1: though it would be like I'm confused. It'd be so confused.

1319
01:06:47,880 --> 01:06:49,520
Speaker 1: I'd be like, I need to see what this is about.

1320
01:06:49,560 --> 01:06:52,160
Speaker 1: But it was just that. So when you have to

1321
01:06:52,240 --> 01:06:53,960
Speaker 1: search for people, or you want to search for people

1322
01:06:54,040 --> 01:06:55,800
Speaker 1: that are on a song, what do you look for?

1323
01:06:55,880 --> 01:06:57,440
Speaker 1: Because I'm sure you get asked to do stuff all

1324
01:06:57,440 --> 01:07:02,160
Speaker 1: the time. Yeah, No, I just people alive, that's it.

1325
01:07:02,440 --> 01:07:05,640
Speaker 1: I have been called do a song? You want you up? Yeah,

1326
01:07:05,800 --> 01:07:08,560
Speaker 1: let's do one. I got a call the other day

1327
01:07:08,600 --> 01:07:11,040
Speaker 1: to Tuesday. I was on the way back from Alabama

1328
01:07:11,040 --> 01:07:14,640
Speaker 1: and we've been having fun at Lake Martin got shacks.

1329
01:07:14,760 --> 01:07:16,800
Speaker 1: You say, Lake Martin. I'm like, I'm gonna ask you

1330
01:07:16,800 --> 01:07:19,560
Speaker 1: about that in a second, but go ahead anyway. Uh,

1331
01:07:20,560 --> 01:07:22,600
Speaker 1: I can't say who it is, but wanting to do

1332
01:07:22,680 --> 01:07:26,360
Speaker 1: a duet and do a duet's project, and uh, I'll

1333
01:07:26,400 --> 01:07:29,200
Speaker 1: let him do all the whop about it. So you

1334
01:07:29,280 --> 01:07:36,600
Speaker 1: said yes, yeah, Have you said no recently? No? No, no, no, no.

1335
01:07:36,720 --> 01:07:39,160
Speaker 1: I mean, I'm kind of careful about what I do.

1336
01:07:39,360 --> 01:07:41,720
Speaker 1: But I think in today's age, it's like, hey, if

1337
01:07:41,720 --> 01:07:44,080
Speaker 1: it's if it's the song, the song dictates it to me,

1338
01:07:44,880 --> 01:07:46,320
Speaker 1: you know, not not who it is. You ever been

1339
01:07:46,320 --> 01:07:49,000
Speaker 1: on a comedy song before, a comedy song? Ever been

1340
01:07:49,000 --> 01:07:52,200
Speaker 1: on one of those? No, you're writing it. Well, that's

1341
01:07:52,240 --> 01:07:54,120
Speaker 1: what we do, and we tore, we tore, We tore

1342
01:07:54,200 --> 01:07:57,280
Speaker 1: like Brooks and Dunn. I'll know you do what you

1343
01:07:57,360 --> 01:07:59,000
Speaker 1: were doing your your show when we were doing a

1344
01:07:59,040 --> 01:08:01,480
Speaker 1: bridgetone the other. That's true. That and you can't come

1345
01:08:01,520 --> 01:08:03,120
Speaker 1: to the next shows even to watch because you're on

1346
01:08:03,160 --> 01:08:05,000
Speaker 1: the road again. You work too much. You can't even

1347
01:08:05,080 --> 01:08:07,320
Speaker 1: enjoy life now, you know, when it running it pours. Yeah,

1348
01:08:07,840 --> 01:08:09,920
Speaker 1: Ronnie Dune is here. One hundred proof Neeon. When you

1349
01:08:10,000 --> 01:08:13,240
Speaker 1: do the album title, do you put neeon in purposefully

1350
01:08:13,680 --> 01:08:16,080
Speaker 1: to reflect one of Brooks and Dunn's most famous songs,

1351
01:08:16,560 --> 01:08:18,439
Speaker 1: or do you put it in because it just feels

1352
01:08:18,479 --> 01:08:20,240
Speaker 1: like to me, neon feels like a nineties thing just

1353
01:08:20,320 --> 01:08:23,479
Speaker 1: in general? Is it that does that word? What does

1354
01:08:23,479 --> 01:08:26,479
Speaker 1: that mean to you? Uh? It means that I must

1355
01:08:26,479 --> 01:08:29,599
Speaker 1: gravitate to it subconsciously because I took the project home

1356
01:08:29,680 --> 01:08:32,160
Speaker 1: as I was doing it all almost through finished with it,

1357
01:08:32,280 --> 01:08:36,040
Speaker 1: and my wife goes every every frecking song on there

1358
01:08:36,800 --> 01:08:40,599
Speaker 1: says Neon. She goes, can't you come up with something

1359
01:08:40,640 --> 01:08:43,919
Speaker 1: other than Neon? Like I said, what would? Everybody's doing pickups?

1360
01:08:44,720 --> 01:08:48,680
Speaker 1: And so finally I just thought about it. I went, Okay, no,

1361
01:08:48,720 --> 01:08:50,360
Speaker 1: I'm not going to change anything. Well, I'll just called

1362
01:08:50,360 --> 01:08:53,479
Speaker 1: it a hundred proof of neon. What's one hundred? I

1363
01:08:53,520 --> 01:08:55,800
Speaker 1: don't prove a hundred proof whiskey? But I don't drink,

1364
01:08:55,840 --> 01:08:57,719
Speaker 1: so I don't know the stuff that that cool guys

1365
01:08:57,720 --> 01:09:00,759
Speaker 1: like you that drink. Yeah, well after last weekend, heady,

1366
01:09:02,400 --> 01:09:04,400
Speaker 1: So one hundred proof? What's what's a whiskey? What's a

1367
01:09:04,439 --> 01:09:07,160
Speaker 1: proof of a good whiskey proof. Yeah, well, it's just

1368
01:09:07,360 --> 01:09:11,680
Speaker 1: I mean that that number dictates the amount of alcohol

1369
01:09:11,760 --> 01:09:14,559
Speaker 1: in it. So one hundred percent that's pretty pretty strong.

1370
01:09:14,600 --> 01:09:17,920
Speaker 1: Would that be one hundred percent? Yeah, so no, no,

1371
01:09:18,120 --> 01:09:20,040
Speaker 1: it's to be I have no idea, Like I'm asked,

1372
01:09:20,040 --> 01:09:22,320
Speaker 1: I don't know, y'all tell me what you're gonna get.

1373
01:09:22,520 --> 01:09:25,080
Speaker 1: Like there's certain like types of alcohol that aren't going

1374
01:09:25,160 --> 01:09:27,960
Speaker 1: to get you as feeling, but it's one hundred one

1375
01:09:28,160 --> 01:09:30,920
Speaker 1: d percent give you that feeling. Like what's a beer

1376
01:09:31,080 --> 01:09:35,960
Speaker 1: Like I've seen one fifty one? Yeah, moonshine, that's right

1377
01:09:37,720 --> 01:09:44,080
Speaker 1: blinding one that's on this record. I feel like I

1378
01:09:44,280 --> 01:09:48,160
Speaker 1: hear like multiple fiddles at the same time, like steel guitars,

1379
01:09:48,640 --> 01:09:53,200
Speaker 1: Like whenever you're kind of having the idea for this sonically,

1380
01:09:53,360 --> 01:09:54,640
Speaker 1: is that important to you to keep a lot of

1381
01:09:54,680 --> 01:09:57,200
Speaker 1: the traditional what we feel like a traditional nineties sound

1382
01:09:57,400 --> 01:10:00,400
Speaker 1: in it? What I mean, it's traditionals like like fifties,

1383
01:10:00,439 --> 01:10:03,960
Speaker 1: sixty seventies, eighties, and nineties. You know that's twin fiddles.

1384
01:10:04,479 --> 01:10:06,639
Speaker 1: That was all a big part of what I was doing.

1385
01:10:07,000 --> 01:10:09,599
Speaker 1: Is that something you seek out purposefully, Like I definitely

1386
01:10:09,640 --> 01:10:11,120
Speaker 1: want to have this in because this is what I'm feeling, like,

1387
01:10:11,120 --> 01:10:14,000
Speaker 1: this whole project's gonna be yes. So we're riding. There

1388
01:10:14,080 --> 01:10:15,760
Speaker 1: are certain of summing he goes. It lends itself to

1389
01:10:15,840 --> 01:10:20,240
Speaker 1: twin fiddles, and hardly anyone does twin fiddles anymore. But

1390
01:10:20,360 --> 01:10:26,120
Speaker 1: that's kind of a regional thing. Texas, Oklahoma. Uh, well

1391
01:10:26,160 --> 01:10:29,040
Speaker 1: that's you mean Montana. Where do you consider yourself to

1392
01:10:29,120 --> 01:10:32,680
Speaker 1: be from? Oh that's a horrible Bobby here, redy it is.

1393
01:10:32,960 --> 01:10:35,840
Speaker 1: I went to twelve schools in thirteen years. We were

1394
01:10:35,920 --> 01:10:39,439
Speaker 1: moving all the time. Davis in like a pipeline business.

1395
01:10:40,080 --> 01:10:43,160
Speaker 1: It's like a gauger, like a real like down in

1396
01:10:43,200 --> 01:10:48,640
Speaker 1: the dirt work blue collar worker. But our grandparents are

1397
01:10:48,640 --> 01:10:52,320
Speaker 1: all from Eldred, Arkansas, So there was that. But if

1398
01:10:52,439 --> 01:10:54,840
Speaker 1: if you're on prices right and they were like, hey, Ronald,

1399
01:10:55,120 --> 01:10:57,920
Speaker 1: who are you from? Where would it say? Where would

1400
01:10:57,920 --> 01:11:00,800
Speaker 1: you say you're from? I don't know, Tosson, I would

1401
01:11:00,840 --> 01:11:02,720
Speaker 1: say I was born in Texas and I spent more

1402
01:11:02,800 --> 01:11:06,679
Speaker 1: time there than any other place. So you would say Texas, Yeah, yeah,

1403
01:11:06,760 --> 01:11:10,200
Speaker 1: and what part of Texas? West? Texas? Way west in

1404
01:11:10,280 --> 01:11:13,400
Speaker 1: a little town called coleman Or south of Abilene. So

1405
01:11:13,600 --> 01:11:15,559
Speaker 1: I asked him a lot of oil over there. Yeah,

1406
01:11:15,760 --> 01:11:19,240
Speaker 1: and that was that pretty much the economy. Yeah, that

1407
01:11:19,360 --> 01:11:21,479
Speaker 1: you guys lived in, like where the oil was that

1408
01:11:21,640 --> 01:11:24,080
Speaker 1: that's where your dad went pretty much. Yet, what do

1409
01:11:24,160 --> 01:11:26,920
Speaker 1: you remember about that as a kid, just moving a lot,

1410
01:11:27,280 --> 01:11:30,479
Speaker 1: I mean like being a living and actually living in

1411
01:11:30,600 --> 01:11:33,719
Speaker 1: some cool places like New Mexico lived there for a while,

1412
01:11:34,760 --> 01:11:38,560
Speaker 1: but we lived on an oil least because he was

1413
01:11:38,600 --> 01:11:40,760
Speaker 1: in charge of a certain regions. So we were out

1414
01:11:40,800 --> 01:11:42,960
Speaker 1: in the middle of all these canyons and stuff and

1415
01:11:43,240 --> 01:11:45,600
Speaker 1: no one was around. We just had the you know

1416
01:11:45,680 --> 01:11:49,160
Speaker 1: we were as kids. We just random muck, you know,

1417
01:11:49,479 --> 01:11:52,160
Speaker 1: in the desert there was no one around. What does

1418
01:11:52,160 --> 01:11:54,680
Speaker 1: it mean run amuck and the desert sing? It's a

1419
01:11:54,720 --> 01:11:56,920
Speaker 1: lot to do, you know, run I don't. I've never

1420
01:11:57,040 --> 01:11:59,320
Speaker 1: run them uck. Actually, to this day, I'm never run.

1421
01:11:59,400 --> 01:12:03,160
Speaker 1: The mind, I've never run amuck at all. Your parents,

1422
01:12:03,240 --> 01:12:05,120
Speaker 1: I get out of the house, go play outside. So

1423
01:12:05,600 --> 01:12:09,439
Speaker 1: we run a muck. It's kind of it's undefined, you know,

1424
01:12:09,560 --> 01:12:11,720
Speaker 1: you just whatever you wherever you end up. You know

1425
01:12:11,840 --> 01:12:14,519
Speaker 1: you're in the pack. Do you muck now? Oh yeah?

1426
01:12:14,560 --> 01:12:16,719
Speaker 1: I run them up now, way more than I random

1427
01:12:16,800 --> 01:12:18,800
Speaker 1: muck when I was smaller. When you're at the lake

1428
01:12:18,960 --> 01:12:23,000
Speaker 1: in Alabama. What does a lake weekend consistent for you? Well,

1429
01:12:23,640 --> 01:12:25,800
Speaker 1: I mean I was getting the boat and cruising and

1430
01:12:25,960 --> 01:12:28,160
Speaker 1: how big boat. Let's let's talk real here. No, it

1431
01:12:28,320 --> 01:12:31,040
Speaker 1: was like a forty two foot something. You've been on

1432
01:12:31,080 --> 01:12:33,880
Speaker 1: a yacht? Oh yeah, I've never been on the yaist. Really,

1433
01:12:34,160 --> 01:12:36,000
Speaker 1: I just see people on you work all the time,

1434
01:12:36,000 --> 01:12:37,360
Speaker 1: but I see people on to get out. But I

1435
01:12:37,400 --> 01:12:39,040
Speaker 1: see people on TMZ on yachts, and I'm like, I've

1436
01:12:39,040 --> 01:12:41,639
Speaker 1: never been. I've never even been on a yacht. Y'all

1437
01:12:41,680 --> 01:12:43,720
Speaker 1: both accused each other of working too much, and how

1438
01:12:43,800 --> 01:12:45,920
Speaker 1: y'all both need to get out? Really Okay? So I

1439
01:12:46,040 --> 01:12:49,160
Speaker 1: see you on a bicycle online the other day. Yeah, bicycle, Yes,

1440
01:12:49,240 --> 01:12:51,800
Speaker 1: by side out in the desert. A bicycle, pretty fancy.

1441
01:12:52,000 --> 01:12:54,040
Speaker 1: It's out a yacht. No, it's a it's a mountain.

1442
01:12:54,080 --> 01:12:55,880
Speaker 1: It's well, you're talking no, but you make it sound

1443
01:12:55,920 --> 01:12:58,160
Speaker 1: like you. You come on, you've not been on a yacht?

1444
01:12:58,840 --> 01:13:00,880
Speaker 1: Who how would I be? I don't even know somebody?

1445
01:13:01,080 --> 01:13:03,880
Speaker 1: Very normal, you're Bobby. I don't even know you know.

1446
01:13:04,000 --> 01:13:06,839
Speaker 1: I don't know a person. That person. It's a houseboat,

1447
01:13:08,320 --> 01:13:09,720
Speaker 1: a lake yacht. I don't even know one of those,

1448
01:13:09,720 --> 01:13:12,439
Speaker 1: I'm there with you. You have a houseboat? No, no,

1449
01:13:12,600 --> 01:13:15,000
Speaker 1: I did have on a center hill for a while.

1450
01:13:16,280 --> 01:13:20,960
Speaker 1: Not a houseboat, but uh, Daytona like like the race,

1451
01:13:21,000 --> 01:13:23,439
Speaker 1: a bunch of music and NASCAR kind of run parallel

1452
01:13:23,520 --> 01:13:29,080
Speaker 1: in some ways. So every year Roger Pinski they all

1453
01:13:29,120 --> 01:13:34,559
Speaker 1: earned hard and Felix Sobatas who invented Donkey Kong. They

1454
01:13:34,640 --> 01:13:37,680
Speaker 1: would all show up in their yachts, and the one

1455
01:13:37,960 --> 01:13:43,360
Speaker 1: that had the longest uh yaht got the preferred parking place,

1456
01:13:43,720 --> 01:13:46,559
Speaker 1: and they'd all three line up. So when people weren't

1457
01:13:46,600 --> 01:13:48,519
Speaker 1: at the race, after the race, pre race and all that,

1458
01:13:49,040 --> 01:13:51,240
Speaker 1: they would all walk out and gawk at that. You know,

1459
01:13:51,360 --> 01:13:53,439
Speaker 1: the two hundred and fifty foot two hundred and fifty

1460
01:13:53,479 --> 01:13:57,120
Speaker 1: one foot there's a yacht measuring contest. Yeah, between those

1461
01:13:57,160 --> 01:13:59,360
Speaker 1: three guys, we know what y'acht stood for for them too.

1462
01:13:59,560 --> 01:14:01,240
Speaker 1: And you go on, you have to take your shoes off.

1463
01:14:01,360 --> 01:14:03,479
Speaker 1: There's that. You go into all their yachts. Uh huh.

1464
01:14:04,400 --> 01:14:07,320
Speaker 1: But the yacht that's the I mean, that's the golf ocean.

1465
01:14:07,400 --> 01:14:09,559
Speaker 1: Where is that? Let's let's see what was up would

1466
01:14:09,560 --> 01:14:11,600
Speaker 1: be the golf right, Yeah, I don't, I don't know what,

1467
01:14:11,640 --> 01:14:14,120
Speaker 1: I don't have a ton of side of Florida. And

1468
01:14:14,280 --> 01:14:16,679
Speaker 1: what's the difference in a yacht and another another big boat?

1469
01:14:16,720 --> 01:14:18,920
Speaker 1: You can go down in it? No, there's actually actually

1470
01:14:19,040 --> 01:14:22,000
Speaker 1: rid of thing the other yesterday on it now they'll

1471
01:14:22,000 --> 01:14:24,519
Speaker 1: show you how my short term memory works. But there's

1472
01:14:24,520 --> 01:14:28,800
Speaker 1: a term for an eighty eight foot boat, and then

1473
01:14:28,880 --> 01:14:31,800
Speaker 1: there's another term for when it turns into a yacht

1474
01:14:31,920 --> 01:14:36,200
Speaker 1: at like a certain amount of footage. But what's the

1475
01:14:36,439 --> 01:14:38,519
Speaker 1: But like they're hot right now, everybody's buying them. I

1476
01:14:38,560 --> 01:14:41,280
Speaker 1: guess because they're kind of cheap. But I don't know. Um,

1477
01:14:41,360 --> 01:14:43,360
Speaker 1: so you're out, you're finishing the toward Brooks and Done.

1478
01:14:43,720 --> 01:14:47,800
Speaker 1: So then what do you do as far as performing wise? No, no,

1479
01:14:48,080 --> 01:14:50,599
Speaker 1: I'm panicking. Are you getting a little nervous though? Really?

1480
01:14:50,760 --> 01:14:52,479
Speaker 1: Uh huh? I'm trying to come up with something to

1481
01:14:52,560 --> 01:14:55,920
Speaker 1: do maybe and and line some some dates up to

1482
01:14:56,160 --> 01:14:59,240
Speaker 1: just for fun to promote this. So if you go

1483
01:14:59,360 --> 01:15:02,519
Speaker 1: on play these, if you're by yourself, can you play

1484
01:15:02,520 --> 01:15:04,479
Speaker 1: a few Brooks and Done songs too? Or is that

1485
01:15:04,560 --> 01:15:07,320
Speaker 1: in the rules? That's yeah, yes, no, there's there are

1486
01:15:07,360 --> 01:15:09,240
Speaker 1: no rules about that. We can do whatever we want to,

1487
01:15:09,560 --> 01:15:12,439
Speaker 1: you know, because we we wrote the majority of that stuff,

1488
01:15:12,560 --> 01:15:14,560
Speaker 1: Like we didn't write My Maria. So I don't know.

1489
01:15:14,800 --> 01:15:16,759
Speaker 1: I don't think you know, kicks goes out and does stuff.

1490
01:15:17,400 --> 01:15:19,600
Speaker 1: So I don't think anybody cares what's interesting. And you

1491
01:15:19,600 --> 01:15:22,080
Speaker 1: can tell me I'm wrong here, But from my Brooks

1492
01:15:22,120 --> 01:15:26,599
Speaker 1: and done knowledge, it seems like one of either one

1493
01:15:26,680 --> 01:15:29,120
Speaker 1: of you wrote most of it. Rarely did you too

1494
01:15:29,200 --> 01:15:33,000
Speaker 1: write a song together that was massive? Initially we did.

1495
01:15:33,320 --> 01:15:35,080
Speaker 1: We wrote a lot, and then then we hit the

1496
01:15:35,160 --> 01:15:37,880
Speaker 1: road ahead like four number ones in a row and

1497
01:15:38,560 --> 01:15:42,680
Speaker 1: just hit the road immediately and took off. So we

1498
01:15:42,840 --> 01:15:44,720
Speaker 1: got to see a whole lot of one another. And

1499
01:15:44,880 --> 01:15:48,519
Speaker 1: our time at home, our free time, was kind of

1500
01:15:48,840 --> 01:15:51,000
Speaker 1: kind of precious, you know, you get to spend time

1501
01:15:51,040 --> 01:15:55,040
Speaker 1: with your wife and kids, and that was kind of

1502
01:15:55,080 --> 01:15:56,960
Speaker 1: put a damper on a lot of it. Every now

1503
01:15:57,000 --> 01:15:58,439
Speaker 1: and then we'd be on the bus or something, or

1504
01:15:58,439 --> 01:16:01,080
Speaker 1: a long trip California or whatever. We'd we'd stopped for

1505
01:16:01,080 --> 01:16:03,880
Speaker 1: a couple of days and and and write. We wrote

1506
01:16:04,160 --> 01:16:08,360
Speaker 1: Uh Red Dirt Road. Uh. He jumped up on the

1507
01:16:08,400 --> 01:16:12,200
Speaker 1: bus one day. Uh after a show one night and said,

1508
01:16:12,600 --> 01:16:15,240
Speaker 1: I said we need to we need a song that

1509
01:16:15,520 --> 01:16:18,320
Speaker 1: that kind of depicts the field of the of the album,

1510
01:16:18,800 --> 01:16:22,840
Speaker 1: and uh we spattered off that chorus and uh traded

1511
01:16:22,920 --> 01:16:24,560
Speaker 1: off on the of the verses and the way we

1512
01:16:24,680 --> 01:16:27,240
Speaker 1: where we went. Whenever you look back at Brooks and Donne,

1513
01:16:27,400 --> 01:16:29,720
Speaker 1: the massive hits that you guys had, which one that

1514
01:16:29,880 --> 01:16:32,000
Speaker 1: you were part of writing was just the easiest, and

1515
01:16:32,200 --> 01:16:35,080
Speaker 1: it was almost wrote in an hour, like a quick

1516
01:16:35,320 --> 01:16:40,400
Speaker 1: quick rite, and you're like, wow, no, no, I'm slow slow,

1517
01:16:40,479 --> 01:16:41,599
Speaker 1: you know, I don't know how. I don't know how

1518
01:16:41,680 --> 01:16:44,400
Speaker 1: how staff guys do it? You know music row riders.

1519
01:16:44,800 --> 01:16:48,160
Speaker 1: If someone said to me one time, uh, it's a

1520
01:16:48,280 --> 01:16:51,679
Speaker 1: rider here here on the row, and asked the same question,

1521
01:16:52,400 --> 01:16:55,599
Speaker 1: and I said, uh, I don't know. Sometimes it'll take

1522
01:16:55,680 --> 01:16:58,760
Speaker 1: me like three or four months maybe so maybe a

1523
01:16:58,880 --> 01:17:01,320
Speaker 1: year if I'm like really stuck on it or something

1524
01:17:01,439 --> 01:17:04,840
Speaker 1: like that. And he laughed. He says, man, in my opinion,

1525
01:17:04,920 --> 01:17:07,639
Speaker 1: if it's if it takes more than three hours, it's

1526
01:17:07,760 --> 01:17:11,680
Speaker 1: just not worth the time. I'm thinking, wow, wow, but

1527
01:17:11,960 --> 01:17:14,040
Speaker 1: that's his deal. No, wow, that you it would take

1528
01:17:14,040 --> 01:17:16,840
Speaker 1: a year. Yeah. Yeah, So you write it down and

1529
01:17:16,880 --> 01:17:18,360
Speaker 1: go it's night it and you come back to it later.

1530
01:17:18,520 --> 01:17:19,960
Speaker 1: I'll just leave it. I'll leave it at in a

1531
01:17:20,040 --> 01:17:22,439
Speaker 1: folder whole and just kind of come back to it. Well,

1532
01:17:22,479 --> 01:17:23,920
Speaker 1: the flip side of that question, then, which one do

1533
01:17:23,960 --> 01:17:25,640
Speaker 1: you think took the longest where you started? And it

1534
01:17:25,720 --> 01:17:27,200
Speaker 1: was years later when you're like, oh, okay, I feel

1535
01:17:27,200 --> 01:17:29,479
Speaker 1: like we got it now. Neon Moon was was was

1536
01:17:29,600 --> 01:17:32,599
Speaker 1: one that that stretched out for a while? What about

1537
01:17:32,680 --> 01:17:34,840
Speaker 1: it wasn't right for a while? Yeah? Yeah, like what

1538
01:17:34,960 --> 01:17:36,840
Speaker 1: about it? Which direction did it go or what was

1539
01:17:36,840 --> 01:17:38,800
Speaker 1: different about it? At first? At first it was it

1540
01:17:38,920 --> 01:17:41,160
Speaker 1: was it was more like two for a country, you know,

1541
01:17:41,760 --> 01:17:45,000
Speaker 1: but not the same same lyrics, same hook and that stuff,

1542
01:17:45,000 --> 01:17:47,599
Speaker 1: And I like, I don't like that. And then uh,

1543
01:17:48,080 --> 01:17:51,800
Speaker 1: then this this version that here every now and then

1544
01:17:53,120 --> 01:17:55,080
Speaker 1: is the one I went with. I thought that was

1545
01:17:55,120 --> 01:17:57,280
Speaker 1: the case, the one that made it the one. Yeah,

1546
01:17:57,439 --> 01:17:58,600
Speaker 1: when I was thinking about it, I was like, I

1547
01:17:58,680 --> 01:18:01,840
Speaker 1: bet the one that way here now is the one. Okay,

1548
01:18:01,920 --> 01:18:03,800
Speaker 1: So I'm gonna ask a couple more questions a second,

1549
01:18:03,840 --> 01:18:05,240
Speaker 1: but I want to play a little more of this

1550
01:18:05,640 --> 01:18:08,720
Speaker 1: from one hundred proof Neon. Uh, let's play a little

1551
01:18:08,760 --> 01:18:11,599
Speaker 1: bit of where the Neon lies. This is Ronnie Dunn

1552
01:18:11,680 --> 01:18:27,639
Speaker 1: right here where the weird sky Man good Like I'm

1553
01:18:27,880 --> 01:18:31,080
Speaker 1: forty two and I can already film my voice like

1554
01:18:32,120 --> 01:18:35,600
Speaker 1: the youthfulness of my voice is not No, I'm just

1555
01:18:35,680 --> 01:18:39,200
Speaker 1: saying you what your voice is still as pure now,

1556
01:18:39,840 --> 01:18:42,040
Speaker 1: it feels like to me, and I've been lucky enough

1557
01:18:42,080 --> 01:18:45,680
Speaker 1: to either sing right beside you were watching what are

1558
01:18:45,720 --> 01:18:48,360
Speaker 1: you doing? Or are you just genetically lucky? Like? What's

1559
01:18:48,439 --> 01:18:51,080
Speaker 1: how does it stay the same? I think it's probably genetics,

1560
01:18:51,280 --> 01:18:53,120
Speaker 1: you know. I mean when I first say, I think

1561
01:18:53,160 --> 01:18:54,960
Speaker 1: there's a difference. Like I used to call myself like

1562
01:18:55,000 --> 01:18:59,599
Speaker 1: a bean nose oaky, you know, somebody puts a bean

1563
01:18:59,680 --> 01:19:02,840
Speaker 1: up there nose and tries to sing without high But

1564
01:19:02,960 --> 01:19:05,519
Speaker 1: as I get older, it's it's deep into hair and

1565
01:19:05,520 --> 01:19:06,840
Speaker 1: it kind of just got just a little bit of

1566
01:19:06,880 --> 01:19:09,439
Speaker 1: a character, more character to it. And I think you'd

1567
01:19:09,439 --> 01:19:13,599
Speaker 1: get more comfortable. Have you changed the keys of any songs? Nope, nope, nope.

1568
01:19:13,720 --> 01:19:16,160
Speaker 1: Tempted at first, you know of some of these runs

1569
01:19:16,200 --> 01:19:18,160
Speaker 1: when you're before you get in shape, but it's a muscle,

1570
01:19:18,280 --> 01:19:21,000
Speaker 1: you know, and once you once you get it in shape,

1571
01:19:21,120 --> 01:19:23,559
Speaker 1: and you're you're out and running and I stay all

1572
01:19:23,600 --> 01:19:25,960
Speaker 1: right a rest and I don't I don't, you know,

1573
01:19:26,080 --> 01:19:28,360
Speaker 1: get involved with a one hundred percent proof whiskey when

1574
01:19:28,400 --> 01:19:31,120
Speaker 1: I'm out on the road. But with the lake, when

1575
01:19:31,120 --> 01:19:33,200
Speaker 1: you're at the lake, back to that, what are you

1576
01:19:33,280 --> 01:19:34,600
Speaker 1: doing at the lake? Are you just sitting in a

1577
01:19:34,680 --> 01:19:38,479
Speaker 1: cove with twenty two year olds listening to Pitbull or what? Oh? Yeah,

1578
01:19:38,880 --> 01:19:42,600
Speaker 1: that's it. This week was they were having a like

1579
01:19:43,000 --> 01:19:45,240
Speaker 1: a lake poker run. You had to go from one

1580
01:19:45,360 --> 01:19:48,640
Speaker 1: end to the other and get at these stations and

1581
01:19:48,680 --> 01:19:51,920
Speaker 1: you pull up to a dock or whatever, and uh,

1582
01:19:52,520 --> 01:19:55,360
Speaker 1: they give you a card and then they write it

1583
01:19:55,479 --> 01:19:57,840
Speaker 1: down and then you go to five different places and

1584
01:19:58,360 --> 01:20:02,160
Speaker 1: whoever has the best and when you know, a couple

1585
01:20:02,160 --> 01:20:05,040
Speaker 1: of grand that's what rich people do. Wow, the craziest

1586
01:20:05,080 --> 01:20:06,920
Speaker 1: game I ever heard of. No, it's nuts, they have

1587
01:20:07,080 --> 01:20:09,960
Speaker 1: no they were they were They were like party barges

1588
01:20:09,960 --> 01:20:14,240
Speaker 1: I call them. Were pontoon boats with giant pink flamingos

1589
01:20:14,320 --> 01:20:19,840
Speaker 1: on them and you know what, the floppy dice that

1590
01:20:19,880 --> 01:20:22,840
Speaker 1: they came from the mirrors but massive, and they dressed up.

1591
01:20:22,840 --> 01:20:24,680
Speaker 1: It was like Mardi Gras on the water. What's the

1592
01:20:24,680 --> 01:20:26,400
Speaker 1: Facebook group? You'ren They gets to do all this stuff?

1593
01:20:26,400 --> 01:20:28,640
Speaker 1: Like how does this communicated amongst It's just it's a

1594
01:20:28,680 --> 01:20:30,479
Speaker 1: cultural things. But they've been doing it for years, A

1595
01:20:30,560 --> 01:20:34,240
Speaker 1: traditional thing down there. Well, I never heard of such thing.

1596
01:20:34,280 --> 01:20:37,280
Speaker 1: I don't know I had an eater. I got trollomotor

1597
01:20:37,640 --> 01:20:40,519
Speaker 1: about it. I don't got a flat bottom. I don't

1598
01:20:40,600 --> 01:20:43,120
Speaker 1: have that. Ronnie Done is here. I got two questions

1599
01:20:43,160 --> 01:20:44,680
Speaker 1: for you, and I'm going to ask this. It's a

1600
01:20:44,880 --> 01:20:49,759
Speaker 1: dumb question, but I'm serious asking it. When it's people

1601
01:20:50,520 --> 01:20:53,479
Speaker 1: see you and once they understand or recognize you, they

1602
01:20:53,560 --> 01:20:56,640
Speaker 1: treat you differently because you are famous, You've had a

1603
01:20:56,680 --> 01:21:00,680
Speaker 1: great career in country music. People know you. What is

1604
01:21:00,720 --> 01:21:04,400
Speaker 1: it like for people to just love you wherever you go?

1605
01:21:05,120 --> 01:21:07,080
Speaker 1: Do you ever just go? Man, I'm trying to go

1606
01:21:07,120 --> 01:21:09,439
Speaker 1: somewhere people don't know who I am, so I don't

1607
01:21:09,720 --> 01:21:13,200
Speaker 1: get that. That's real, But it may not be authentic

1608
01:21:13,280 --> 01:21:16,479
Speaker 1: in like human relationships because what they're loving maybe isn't

1609
01:21:16,520 --> 01:21:21,519
Speaker 1: the real you. Yeah, no, that's that's You're nail on it.

1610
01:21:22,680 --> 01:21:27,840
Speaker 1: I don't know that. That's It's tough because you know,

1611
01:21:27,920 --> 01:21:31,920
Speaker 1: you're in this business to be, you know, because you

1612
01:21:32,000 --> 01:21:35,960
Speaker 1: love music, and then the byproduct of that is recognition.

1613
01:21:36,200 --> 01:21:38,920
Speaker 1: And I'm not gonna use the word fame, but recognition

1614
01:21:40,240 --> 01:21:44,000
Speaker 1: and sometimes it's a you know, after after that break

1615
01:21:44,160 --> 01:21:46,559
Speaker 1: for ten years. You know, at times I've walked through

1616
01:21:46,600 --> 01:21:49,840
Speaker 1: the airport and like, you know, one person come up

1617
01:21:49,880 --> 01:21:51,680
Speaker 1: to you and like, hey, man, dig your music by

1618
01:21:52,439 --> 01:21:55,000
Speaker 1: or better yet, hey my mom my mom loves you.

1619
01:21:55,280 --> 01:21:58,599
Speaker 1: You know, my grandmother lives you. Man. At this point,

1620
01:21:58,800 --> 01:22:01,720
Speaker 1: it's like group uster right off the bat. But it's cool. Hey,

1621
01:22:02,000 --> 01:22:04,880
Speaker 1: you know i'd be great grandmother loves me. But uh,

1622
01:22:05,040 --> 01:22:07,679
Speaker 1: you know, things heat up, you know, like the morns

1623
01:22:07,760 --> 01:22:11,240
Speaker 1: you get get exposure hearing it was like Alabama was

1624
01:22:11,320 --> 01:22:13,639
Speaker 1: like that last week. It's just just funny how it changes.

1625
01:22:14,120 --> 01:22:15,960
Speaker 1: Do you feel now it's back at it's like a

1626
01:22:16,040 --> 01:22:18,360
Speaker 1: real peak time again because I feel like if anyone

1627
01:22:18,439 --> 01:22:20,960
Speaker 1: mentions Brooks and dun Or Ronnie dun Or kicks book,

1628
01:22:21,080 --> 01:22:25,559
Speaker 1: it's just like there's just a passion for you guys. Again,

1629
01:22:25,720 --> 01:22:27,880
Speaker 1: I wasn't here when there wasn't a passion whatever time

1630
01:22:27,920 --> 01:22:29,960
Speaker 1: you're talking about there. Do you feel though that it's

1631
01:22:30,040 --> 01:22:33,640
Speaker 1: really strong again? Yeah? Yes, And I won't say you

1632
01:22:33,720 --> 01:22:36,760
Speaker 1: gets you know it's that peak yet. But it's different now.

1633
01:22:37,200 --> 01:22:40,160
Speaker 1: Crowds are bigger, and they were they were big, you

1634
01:22:40,240 --> 01:22:42,519
Speaker 1: know in the day. But just like the enthusiasm is

1635
01:22:42,560 --> 01:22:45,120
Speaker 1: there and I can hold up you know, ego mic

1636
01:22:45,200 --> 01:22:47,519
Speaker 1: out to the audience and they'll sing neon Moon and

1637
01:22:47,640 --> 01:22:50,640
Speaker 1: you know, louder than we do it. Uh So I

1638
01:22:50,880 --> 01:22:52,560
Speaker 1: don't know how to figure that out other than just

1639
01:22:52,600 --> 01:22:54,920
Speaker 1: to ride the wave and have fun. Are you having fun?

1640
01:22:55,000 --> 01:22:58,519
Speaker 1: You're having a blast. Do you appreciate it because you

1641
01:22:58,600 --> 01:23:01,280
Speaker 1: were away for a while, like you appreciate it more? Yeah?

1642
01:23:02,160 --> 01:23:05,200
Speaker 1: I think so, Yes, Yeah, I would think that I

1643
01:23:05,280 --> 01:23:07,880
Speaker 1: would too. I would think for me anyway, it takes

1644
01:23:08,160 --> 01:23:10,639
Speaker 1: oftentimes for me, it takes something to kind of come

1645
01:23:10,680 --> 01:23:12,640
Speaker 1: in that I didn't expect to remind me of how

1646
01:23:12,720 --> 01:23:14,840
Speaker 1: good I have it, because sometimes I forget because you're

1647
01:23:14,880 --> 01:23:16,479
Speaker 1: just in it. Well, too much, too much of a

1648
01:23:16,560 --> 01:23:19,200
Speaker 1: good thing is just too much of anything, you know,

1649
01:23:19,360 --> 01:23:21,080
Speaker 1: and you'll you'll you'll get a little get a little

1650
01:23:21,120 --> 01:23:24,280
Speaker 1: burned out. Yeah, I want to ask you one more question,

1651
01:23:24,320 --> 01:23:25,519
Speaker 1: and I want to get back to the record one

1652
01:23:25,520 --> 01:23:28,000
Speaker 1: more time. But you talk about when you guys took

1653
01:23:28,040 --> 01:23:31,479
Speaker 1: a break. What's that situation? Like whenever it's time or

1654
01:23:31,520 --> 01:23:33,240
Speaker 1: somebody makes a call to go, hey, we should do

1655
01:23:33,320 --> 01:23:36,560
Speaker 1: this again, Like what happened? Who made the call? What

1656
01:23:36,720 --> 01:23:41,639
Speaker 1: was that conversation? Like a manager Clarence Small made the call,

1657
01:23:41,920 --> 01:23:45,519
Speaker 1: and that was to do the reboot record. And he said, guys,

1658
01:23:45,560 --> 01:23:47,880
Speaker 1: I've got an idea. He said, just just let me

1659
01:23:47,960 --> 01:23:49,559
Speaker 1: take it run. He says, you don't have to do anything.

1660
01:23:49,600 --> 01:23:51,360
Speaker 1: You don't have to call anybody. He says, I'm gonna

1661
01:23:51,400 --> 01:23:54,760
Speaker 1: call each artist that you guys said. He gave us

1662
01:23:54,760 --> 01:23:57,840
Speaker 1: a list. He says, just a loose list and check

1663
01:23:57,880 --> 01:23:59,880
Speaker 1: it out. But he said, I'm gonna call one time.

1664
01:24:00,000 --> 01:24:01,920
Speaker 1: He said. If I don't hear about within two days,

1665
01:24:02,000 --> 01:24:04,360
Speaker 1: he says, we'll move on. It's not gonna be any

1666
01:24:05,000 --> 01:24:07,839
Speaker 1: you know, we're dragged the process out and torture anybody.

1667
01:24:08,360 --> 01:24:11,360
Speaker 1: Sure enough, just about I think everybody that he called,

1668
01:24:11,400 --> 01:24:13,519
Speaker 1: he says, Bam, we're on. We've got her. You know,

1669
01:24:13,640 --> 01:24:16,719
Speaker 1: we got him, we got someone solf so Cody Johnson,

1670
01:24:17,000 --> 01:24:20,320
Speaker 1: you know, Luke, Luke con Casey. Yeah, yeah, see you know.

1671
01:24:20,600 --> 01:24:22,599
Speaker 1: So then you guys were like, hey, we should okay,

1672
01:24:22,680 --> 01:24:25,080
Speaker 1: let's do this. Well yeah, and it just kind of reignited,

1673
01:24:25,200 --> 01:24:31,120
Speaker 1: you know the thing of us and people younger artists

1674
01:24:31,280 --> 01:24:33,519
Speaker 1: walking and go, holy cow, you know we're in here

1675
01:24:33,560 --> 01:24:35,200
Speaker 1: and we're looking around on who are you talking about?

1676
01:24:37,400 --> 01:24:39,559
Speaker 1: But yeah, enough money or I ain't gonna be fine, right, Yeah,

1677
01:24:39,600 --> 01:24:41,120
Speaker 1: it's not for money now, I never you know. I

1678
01:24:41,160 --> 01:24:43,320
Speaker 1: mean I like to say it never was but money

1679
01:24:43,360 --> 01:24:45,400
Speaker 1: what money wasn't motive back in the day? Not now?

1680
01:24:45,560 --> 01:24:49,920
Speaker 1: I mean, can you have enough? I don't know. I

1681
01:24:49,960 --> 01:24:51,720
Speaker 1: don't have any I don't have a ya. How much

1682
01:24:51,720 --> 01:24:53,280
Speaker 1: you got in your wall right now? How many? Okay?

1683
01:24:53,280 --> 01:24:54,640
Speaker 1: How much cash you got in your wall right now?

1684
01:24:55,000 --> 01:24:57,800
Speaker 1: Right now? Yeh? Cash? None? You don't keep cash. No,

1685
01:24:57,880 --> 01:25:02,120
Speaker 1: it's all credit cards. I probably have. Like, what do

1686
01:25:02,160 --> 01:25:05,760
Speaker 1: you tip of valet? Oh, I'm bad about it. I'm no.

1687
01:25:05,880 --> 01:25:08,479
Speaker 1: I'm like like, I'm way over tip, you over tip,

1688
01:25:08,760 --> 01:25:11,000
Speaker 1: way over tip. Yeah, And I think that's fair. I

1689
01:25:11,080 --> 01:25:13,439
Speaker 1: think that's I do. And if you forget you have

1690
01:25:13,560 --> 01:25:15,360
Speaker 1: you don't have any cash, you go courtesie. It kicks

1691
01:25:15,360 --> 01:25:17,040
Speaker 1: Brooks and you walk off, right, That's what I would do.

1692
01:25:17,240 --> 01:25:18,960
Speaker 1: You're like, you know, here's my credit card, here's my

1693
01:25:19,080 --> 01:25:22,639
Speaker 1: dress sending back to me. All right, one, let's play

1694
01:25:22,680 --> 01:25:24,120
Speaker 1: one more club. I want to play the last track

1695
01:25:24,200 --> 01:25:28,080
Speaker 1: on the record. This is better bartender with Ronnie done

1696
01:25:28,160 --> 01:25:47,400
Speaker 1: right now? Man here, Well you did it again. I

1697
01:25:47,479 --> 01:25:49,280
Speaker 1: think you made the project. You're one to make because

1698
01:25:49,320 --> 01:25:52,120
Speaker 1: it sounds very Ronnie Done, and I love it, you know, yeah,

1699
01:25:52,160 --> 01:25:54,080
Speaker 1: I think that's the goal, right, Just do something you're

1700
01:25:54,080 --> 01:25:56,000
Speaker 1: proud of. It sounds great and didn't see what happens

1701
01:25:56,120 --> 01:25:59,080
Speaker 1: so Mama would like yep, And every chance I get,

1702
01:25:59,160 --> 01:26:01,519
Speaker 1: we're featuring it. You know, I love you and you know, uh,

1703
01:26:02,000 --> 01:26:04,240
Speaker 1: you know, I love your music. But like outside of that,

1704
01:26:04,320 --> 01:26:06,200
Speaker 1: you're a guy anyway. It's really cool for me to

1705
01:26:06,240 --> 01:26:07,680
Speaker 1: get to be your friend. I don't get a vide

1706
01:26:07,680 --> 01:26:10,400
Speaker 1: it on the boat or or some like swinger thing

1707
01:26:10,439 --> 01:26:11,720
Speaker 1: on the lake. I don't know what's happening in there,

1708
01:26:11,800 --> 01:26:15,599
Speaker 1: but I don't know. I didn't get that. I don't

1709
01:26:15,880 --> 01:26:17,360
Speaker 1: I don't know some poker thing. I don't don't know what.

1710
01:26:17,400 --> 01:26:20,920
Speaker 1: That's the code word for Ronnie Done. You guys check

1711
01:26:20,960 --> 01:26:23,120
Speaker 1: out the album. It is one hundred proof knee On.

1712
01:26:23,439 --> 01:26:26,280
Speaker 1: You can follow Ronnie at Ronnie Dunne obviously Brooks and

1713
01:26:26,360 --> 01:26:29,599
Speaker 1: Done back out on the road finishing up the tour.

1714
01:26:29,680 --> 01:26:31,560
Speaker 1: But this is one hundred proof knee On. If you

1715
01:26:31,640 --> 01:26:32,920
Speaker 1: decide that you want to go on the road and

1716
01:26:33,000 --> 01:26:35,800
Speaker 1: do this, just let me know, we'll promote it. Let

1717
01:26:35,840 --> 01:26:38,000
Speaker 1: me know what you're gonna do. All right, I'll do it.

1718
01:26:38,040 --> 01:26:41,320
Speaker 1: I'm text recall you camp outside. You're great, you do

1719
01:26:41,400 --> 01:26:43,360
Speaker 1: all that anyway, Yeah, so that nothing would be different

1720
01:26:43,720 --> 01:26:47,200
Speaker 1: there he is, Ronnie done. Everybody all right? Thanks Shelf.

1721
01:26:48,479 --> 01:26:52,200
Speaker 1: It's the best Bits of the Week with Morgan number two.

1722
01:26:53,320 --> 01:26:55,240
Speaker 1: I'm Morgan, y'all, thanks for hanging out with me this

1723
01:26:55,320 --> 01:26:57,880
Speaker 1: weekend getting caught up on the show. Make sure you

1724
01:26:58,040 --> 01:27:00,519
Speaker 1: check out Bobby Bones dot com for some more content

1725
01:27:00,640 --> 01:27:02,800
Speaker 1: of more than just these bits that I talk to

1726
01:27:02,840 --> 01:27:04,760
Speaker 1: you all about, because there's so much and of course

1727
01:27:04,840 --> 01:27:07,760
Speaker 1: on our Instagram, we got games, we have the full

1728
01:27:07,840 --> 01:27:10,360
Speaker 1: games on YouTube. There's just a lot of content all

1729
01:27:10,400 --> 01:27:13,280
Speaker 1: over our socials and on the website. So check all

1730
01:27:13,320 --> 01:27:15,120
Speaker 1: of that out and thank you guys again for hanging

1731
01:27:15,160 --> 01:27:16,880
Speaker 1: out with me. I hope the rest of your weekend

1732
01:27:17,120 --> 01:27:21,920
Speaker 1: is fabulous. I love you. Bye, hanging out with the show.