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Speaker 1: Welcome back to another episode of Bombing with Eric Andre,

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Speaker 1: where I talk with friends, comedians, musicians, and other creative

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Speaker 1: people about their worst moments on stage and being destroyed

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Speaker 1: by a live audience. This time I was blessed by

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Speaker 1: Sierra Leones. Funny man David Bori. He's written on my

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Speaker 1: projects and he's just the coolest.

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Speaker 2: Guy in the world. Where Pod Brothers.

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Speaker 1: He co hosts the podcast My Mama Told Me, also

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Speaker 1: on the Big Money Players Network, where each week he

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Speaker 1: and Langston Kerman dive into a new black conspiracy theory.

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Speaker 1: You can listen to my episode called it Could Be

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Speaker 1: a Crackhead about the infamous Crichton Leprechan viral video. But

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Speaker 1: on this episode of Bombing, we talked about stories from

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Speaker 1: the Motherland and how insane it is to be in

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Speaker 1: the road on Christmas, especially in Las Vegas.

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Speaker 3: Let's get out to it.

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Speaker 4: Bombing with Eric.

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Speaker 2: Andre David Bori in the house.

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Speaker 3: Man, I miss you. How are you doing all right?

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Speaker 2: So I got a podcast. You have a podcast, It's

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Speaker 2: called Bombing. Bombing we are year with one of my

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Speaker 2: favorite comedians. We toured together. He's written for the Eric

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Speaker 2: Andre Show, the voice of Comedy Central, the sex symbol.

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Speaker 2: He's the body of an Adonis and the ass of

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Speaker 2: mccullay cocaine. Yeah, yeah, David Borie, everybody. He first of all,

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Speaker 2: your name is spelled g b oh r, I E.

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Speaker 2: Did I get it right? But the G is silent?

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Speaker 3: Is silent?

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Speaker 2: How bad have people fucked up and mispronounced your name?

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Speaker 2: Give me like a little what do you? What do

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Speaker 2: you get?

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Speaker 3: My high school football coach, he said orgy, which is

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Speaker 3: like you can't read. Yeah, he was like orange. It

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Speaker 3: was the first day of weightlifting and he was like

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Speaker 3: the Borgy orgy, and it's like you can't read, Like

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Speaker 3: that's the problem, not my orgy.

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Speaker 2: It is crazy, especially when.

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Speaker 3: You're a virgin. You can't live up to that. Thank god.

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Speaker 3: I went to a different school next year. I remember

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Speaker 3: even I think I'd seen a boob and then you

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Speaker 3: call me orgy. I can't live like that.

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Speaker 2: All right, what is the worst you've ever bombed on stage?

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Speaker 3: This is so funny that you because I was telling Olivia,

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Speaker 3: your producer, also the producer from my Mama told me, Oh,

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Speaker 3: I was telling her. I just got off of my

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Speaker 3: worst bombing weekend of my entire career. Christmas weekend in

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Speaker 3: Las Vegas. It was it was what happened, Dog, It's

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Speaker 3: just like it just got so much worse, Like it

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Speaker 3: started Christmas eve eve.

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Speaker 2: So what was the venue?

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Speaker 4: What was it? What was it?

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Speaker 2: Give us some context was this I don't want to

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Speaker 2: say the venue, Okay, give us like the type of venue.

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Speaker 2: Were you playing a casino? Are you playing a theater?

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Speaker 2: Was it a room?

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Speaker 3: Was it it was like off of a strip mall

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Speaker 3: next to the casino.

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Speaker 2: It was a theater?

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Speaker 4: Or what was it?

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Speaker 2: A comedy club?

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Speaker 3: It was a it was a comedy club, high high ceilings.

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Speaker 2: Comedy club, crowd far.

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Speaker 3: Far away, and it was the type of people who

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Speaker 3: were in Las Vegas on Christmas.

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Speaker 2: Yeah, that's a tough crowd.

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Speaker 3: And I bomb, Like so I start on Thursday night

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Speaker 3: and I bomb consecutively worse.

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Speaker 2: Oh, every show, every single fucking show.

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Speaker 3: And I tried to go.

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Speaker 2: So like two at night, three at night, a night. Everyone,

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Speaker 2: Oh my god, that's a night. That's purgatory. That's a

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Speaker 2: black marror episode, dog.

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Speaker 3: And then I had to go to sleep, wake up,

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Speaker 3: go to Gordon Ramsey's restaurant and face that shit again

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Speaker 3: and again.

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Speaker 2: God, what was the talent. What was like the producer

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Speaker 2: or whatever the booker saying to you.

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Speaker 3: They don't even give a ship because it's Vegas. They

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Speaker 3: just these people are gonna be here anyways. It's not

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Speaker 3: about putting on a good show. It's just having them

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Speaker 3: go somewhere for an hour and a half so they

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Speaker 3: don't gamble.

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Speaker 2: Were you with any other comedian that you could commiserate

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Speaker 2: with and be like, oh, this is horrible.

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Speaker 4: Yeah.

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Speaker 3: I was with Steve Aj, Stephen AJ, my fellow brother.

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Speaker 2: This is Steve ag No, no, no, this is this

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Speaker 2: is Stephen Aj.

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Speaker 3: Yeah, and he also was bombed.

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Speaker 2: So were you guys just like halfway through it like

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Speaker 2: this is hell on Earth?

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Speaker 4: Yeah?

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Speaker 3: It was, because it was like every night you bomb

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Speaker 3: and then they let you loose on Las Vegas to

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Speaker 3: like think about it. Yeah, but it's also Christmas Eve. Yeah,

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Speaker 3: so now it's like Christmas Eve in Vegas. You're in

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Speaker 3: a piano bar and Harah's just like thinking about everything

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Speaker 3: you've ever done wrong.

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Speaker 2: It's like the saddest Christmas all the time. Christmas it's

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Speaker 2: so much work. As piano's bombed. In February, you want

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Speaker 2: to give a ship?

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Speaker 3: Yeah, no, but Christmas Eve. I'm just like trying to

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Speaker 3: do the math of like what time can I call

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Speaker 3: my mom and have her not worry that I'm doing

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Speaker 3: as bad as I am right now?

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Speaker 2: It was so, did you have to do an hour?

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Speaker 3: I had to do forty five? Yeah, forty five forty five?

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Speaker 2: Sorry? Described the crowd to us? What's the crowd like,

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Speaker 2: give us a paint us a picture?

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Speaker 3: Couples where one of them had kids in one didn't,

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Speaker 3: and those kids were out of state.

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Speaker 2: I don't even know how to respond to that.

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Speaker 4: What does that mean?

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Speaker 3: It's people who would go to Las Vegas for Christmas talk?

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Speaker 2: So is that like like Jimmy Buffett parent head white people,

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Speaker 2: or is it like.

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Speaker 3: No, It's like it's like it's like people who are

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Speaker 3: they troubled? They were happier than I was to be there,

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Speaker 3: which is odd. But I haven't even told you the

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Speaker 3: worst of two parts of it.

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Speaker 2: Okay, God go ahead, Okay.

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Speaker 3: The worst part was like one night I ran into

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Speaker 3: the arms of a sex worker. That was the only

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Speaker 3: way I thought it could get better. It did not

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Speaker 3: get better. So then I wake up on Christmas.

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Speaker 2: You ran into the arms of the sex breaker. It's

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Speaker 2: such a beautiful poetic way of saying I bought a

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Speaker 2: hooker for that.

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Speaker 3: No, because dude, it gets so much deeper because we

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Speaker 3: didn't actually have sex. It was very complicated.

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Speaker 2: Well that's conceptual, is it.

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Speaker 3: It sounds sad. So then I wake up on Christmas.

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Speaker 3: Christmas is our last show. We only have to do

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Speaker 3: one show on Christmas, and I'm like, all right, just

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Speaker 3: one show and then I'm free. Lord, I was going

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Speaker 3: to Hawaii the next day. I was like, I'm free.

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Speaker 3: We're gonna be okay, I'll be okay, right, I wake up,

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Speaker 3: I'm doing my thing. The club owner calls me on

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Speaker 3: Christmas Day. He's like, hey, Lunell missed her flight. And

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Speaker 3: I was like, I don't know what that has to

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Speaker 3: do with me. Oh no, he wanted you to do more.

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Speaker 3: Lunell does the late show every Sunday night at this show,

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Speaker 3: and it's on Christmas and she missed her flight and

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Speaker 3: he's like, you want to just do it? I was like,

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Speaker 3: And then he talks about the pay, and.

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Speaker 2: I'm like, okay, the pay was good.

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Speaker 3: The whole reason I was even there was because the

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Speaker 3: pay was incredible.

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Speaker 2: Yeah, yeah, right. Money changes the conversation.

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Speaker 3: Which is no, but this is what it locked into me,

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Speaker 3: is like now I'm like, I'm never doing this ever again.

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Speaker 3: I'm never doing comedy just for money. This is the worst.

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Speaker 3: So it's Lunell's crowd on Christmas. They don't tell anybody

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Speaker 3: that she's not gonna make it until people start showing

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Speaker 3: up for the show. No, in between shows, the club

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Speaker 3: owner comes up and he's like, people are fucking freaking

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Speaker 3: out downstairs. Have to figure out they want their money back.

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Speaker 3: So people who stayed are people who are so pissed,

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Speaker 3: but they refuse to get a refund. And they wanted

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Speaker 3: Lunell and it's me. They wanted Lunell on Christmas and

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Speaker 3: it's me. It's me, you hear me, It's me. I

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Speaker 3: got no Hunell. And then the club owner starts getting crazy,

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Speaker 3: like kind of racist, like he takes me and Steve aside.

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Speaker 3: He's like, listen, just so you guys know, it's an

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Speaker 3: urban show.

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Speaker 4: So just you know.

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Speaker 2: My brother.

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Speaker 3: Yeah, she never holds back, just just just letting go.

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Speaker 2: Baby, somebody who has never done comedy once and.

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Speaker 3: Then so and then yeah, her opener made it so

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Speaker 3: her opener was there, and then I had to headline

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Speaker 3: Munell's show on Christmas for a bunch of old black

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Speaker 3: aunties who were pissed.

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Speaker 2: Oh my god. I wasn't how'd you do well?

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Speaker 3: Thank god a guy was wearing a wife beater, cause

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Speaker 3: I got to be like, are you wearing a wife beater?

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Speaker 3: And his wife was like yeah, oh, and then I

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Speaker 3: got twenty five minutes out of that.

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Speaker 2: That was just saving grace.

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Speaker 3: Yeah. I made him stand up and spin around.

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Speaker 2: And you're just grabbing at straws the whole weekend. It

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Speaker 2: was never We're just doing crowd work at one point

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Speaker 2: where you're like my jokes, they don't want my jokes.

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Speaker 3: Yeah. I never got any traction ever. They never liked me,

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Speaker 3: they were never into it. I never understood what they

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Speaker 3: were doing there. They never understood what I was doing there.

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Speaker 2: Did you just feel like you wanted to quit doing

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Speaker 2: stand up comedy at the end of it, Yeah, where

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Speaker 2: you're like, I'm going to paint houses the rest of

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Speaker 2: my life.

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Speaker 3: Yeah. I went to Hawaii like the day afterwards, and

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Speaker 3: I was like I might just not come back. I

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Speaker 3: was like trying to figure it out in my head.

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Speaker 3: I was like, you know, you got other things you do,

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Speaker 3: you can you can make money other way, like you

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Speaker 3: don't have to.

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Speaker 2: The thing is, we have no we have no comics

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Speaker 2: of no other life skill.

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Speaker 3: No, bro, I can't build anything.

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Speaker 2: I'm useless. I'm fucking like a useless skill set. If

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Speaker 2: this ends, there's nothing, What am I gonna do? There's nothing.

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Speaker 3: I haven't had a real job in fifteen years.

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Speaker 2: There's nothing entry level. I would have to I would

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Speaker 2: have to deliver pizzas.

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Speaker 3: I would have to do y.

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Speaker 2: Yeah, yeah, I'd be temping living pizzas, going up to

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Speaker 2: a construction site with a hammer, Like, hey, I could

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Speaker 2: fucking hammer some nails in be fucking that. I would

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Speaker 2: get fired from that.

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Speaker 3: I couldn't even do that. I'd have to like go

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Speaker 3: get their lunches.

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Speaker 2: I would just like break both my legs and collect

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Speaker 2: disability or something. I would just have somebody's steamroll over

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Speaker 2: my foot.

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Speaker 3: Yeah, what are you gonna do tomorrow? This ends tomorrow?

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Speaker 2: Chop off a couple of toes, be like, yeah, I

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Speaker 2: got diabetes, just collect disability.

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Speaker 3: Did you ever have a job you were good at

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Speaker 3: besides this?

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Speaker 4: Never?

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Speaker 2: I was the worst employee. I was so fucking incompetent, lazy,

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Speaker 2: had no I I was useless. I was useless every

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Speaker 2: job I ever had. Yeah, like I fired all the time, lectured, Yeah,

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Speaker 2: I got fired alive. I waited table. I lied when

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Speaker 2: I first moved to New York. And I told the

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Speaker 2: guy I was twenty one years old and I told

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Speaker 2: the guy that I waited table since I was fourteen.

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Speaker 2: Total lie. And he's like, all right, well start waiting tables.

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Speaker 2: And I was like, oh, how do you do that?

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Speaker 2: I was dropping plates, I was burning myself. I was

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Speaker 2: eating food off the customer's thing when like they would

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Speaker 2: like beat in the bathroom and the other waiters like

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Speaker 2: you can't do that, man. I was like, I'm so hungry, bro,

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Speaker 2: I'm fucking starving. I was horrible. And then the guy

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Speaker 2: that the boss came in a few days later, he goes, all,

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Speaker 2: my waiter said, you look pretty nervous out there, and

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Speaker 2: you wanted to just start as a busboy, and I

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Speaker 2: had some weird ego about it. I was like, fuck, no, man,

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Speaker 2: I'm a waiter till I d I e and then

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Speaker 2: I quit and I was like so broken, hungry, and

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Speaker 2: I was like why did I just say that? And

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Speaker 2: I'm like, I'm not a waiter. I'm a liar. Yeah, no,

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Speaker 2: I should have just bus tables, like I'm a fucking idiot.

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Speaker 3: The only job I ever had, I was good at

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Speaker 3: working at the gas station.

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Speaker 2: You worked at a gas station.

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Speaker 3: But I also let all my friends steal.

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Speaker 2: Really I worked at like four.

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Speaker 3: Different gas stations in like two different states.

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Speaker 2: Yeah, you see any crazy shit? You see any brawls

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Speaker 2: at a gas station or anything? Or was a mellow, not.

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Speaker 3: Really brawls, But like, I did work overnight, so I

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Speaker 3: just see a lot of weird people getting out. There

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Speaker 3: was a bar next door called Finoogis, and you would

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Speaker 3: just see weird people getting out of the bar late

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Speaker 3: at night, clearly driving like drunk. This is rural Colorado. Correct,

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Speaker 3: this is like Aurora. It's not that rural like the suburbs.

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Speaker 2: I interviewed the Beastie Boys one time and I asked them,

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Speaker 2: I think it was an ad rock deep respond I go,

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Speaker 2: what's the craziest thing you guys grew up in New

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Speaker 2: York City. What's the craziest thing you ever saw on

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Speaker 2: the subway? And he said he saw two hasidic dudes

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Speaker 2: French kissing deep French kissing on the on the subway.

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Speaker 2: Middle of the day. I was like, that's a mind

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Speaker 2: blowing just two rabbis going out at it.

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Speaker 3: It's like a poster in your art school girlfriend's apartment.

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Speaker 2: It was like, it's kind of like an Eric Andre

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Speaker 2: show bit. Can I borrow that from this.

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Speaker 3: In some type of blasphemy? Like if you do that,

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Speaker 3: they won't let you get buried somewhere? I'm sure?

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Speaker 2: Yeah, worth it? So any other bombing stories, any other

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Speaker 2: things that you like.

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Speaker 3: So there was this one. There was this one open

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Speaker 3: mic that I was at in San Francisco at this

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Speaker 3: place called the Brainwash that isn't there anymore. It was

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Speaker 3: like a laundry mat slash open mic.

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Speaker 2: Oh, it sounds like a great venue.

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Speaker 3: Oh that's where I started.

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Speaker 4: Maybe.

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Speaker 3: It was like there was this guy and he was

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Speaker 3: like bugging the host to get up, bugging the host

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Speaker 3: to get up, and the host was like, fuck you man,

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Speaker 3: I'm not putting you up, and the guy just kept

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Speaker 3: bugging him, kept bugging him, and finally the host puts

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Speaker 3: him up, and the guy just starts eating ship And

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Speaker 3: it's only five minutes, right, yeah, but he's just eating

287
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Speaker 3: a bag of Dixie's so terrible he decides to turn

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Speaker 3: on the host and start making fun of the host.

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Speaker 3: The host grabs a knife and try us to stab it.

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Speaker 4: What.

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Speaker 3: Yeah, that was pretty great. And then everybody like grabbed

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Speaker 3: the host and like carry him outside.

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Speaker 2: The host had a knife and was ready to commit

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Speaker 2: on the side.

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Speaker 3: No, he didn't have a knife. He like grabbed it.

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Speaker 3: It was like we're those silk They were walked because

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Speaker 3: it was like laundry mat slash bar slash. They served

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Speaker 3: food to.

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Speaker 2: A laundry mat that served food and beer and like booze.

300
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Speaker 3: Yeah, and they had pitball.

301
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Speaker 2: What kind of magical laundry mat is this?

302
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Speaker 3: Ah? So if anybody here.

303
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Speaker 2: You could wash your clothes and do and and.

304
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Speaker 3: Drink and watch my comedy. It was really great.

305
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Speaker 2: So he grabbed a knife from the kitchen, well.

306
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Speaker 3: Like from the counter like they had the uh you

307
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Speaker 3: know they have the thing where they keep all the

308
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Speaker 3: silver were in like I think they had just got done.

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Speaker 2: He grabbed like a butter knife. He grabbed a.

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Speaker 3: He grabbed a butter knife, and it was like trying to

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Speaker 3: go and then everybody like carried him outside.

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Speaker 2: That's like a Michelle Gondry music video.

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Speaker 3: Yeah, it was great.

314
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Speaker 2: I was in a laundry mat doing my clothes, but

315
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Speaker 2: I was also doing stand up, but I was also

316
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Speaker 2: There was also a restaurant and a bar, and then

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Speaker 2: people were fighting with butter knives.

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Speaker 3: It was really great. I missed those old days of

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Speaker 3: stand up when it was scary.

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Speaker 2: Yeah, they're fucking rap. They were hell, but they were

321
00:14:13,200 --> 00:14:14,560
Speaker 2: like they made us men.

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00:14:14,800 --> 00:14:15,839
Speaker 3: Yeah that's just sad.

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Speaker 2: Yeah, that's kind of like, Yeah, it's not as you

324
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Speaker 2: can always go back to those shows. Those shows still exist, Yeah,

325
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Speaker 2: but you it's.

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Speaker 3: Like, I don't even move the way that I used to.

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Speaker 3: I was like back then, I was supposed to be

328
00:14:27,000 --> 00:14:29,600
Speaker 3: in that room. Now it's like a weird.

329
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Speaker 2: It's a weird feeling going back to those it's a

330
00:14:31,280 --> 00:14:33,520
Speaker 2: weird sadness going back to those room. You feel like

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Speaker 2: something is terribly wrong.

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Speaker 4: Yeah.

333
00:14:35,120 --> 00:14:38,160
Speaker 3: I don't sleep on a couch anymore. I'm not excited

334
00:14:38,200 --> 00:14:41,200
Speaker 3: about the potential of what's gonna happen anymore and scared.

335
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Speaker 2: I went to Columbus, Ohio one time to do a gig.

336
00:14:45,840 --> 00:14:49,040
Speaker 2: It was it was at a small venue. It felt

337
00:14:49,080 --> 00:14:52,560
Speaker 2: like almost like a sports bar, but they had a stage.

338
00:14:52,560 --> 00:14:55,240
Speaker 2: It had a proper stage and a mic, and they

339
00:14:55,280 --> 00:14:57,560
Speaker 2: did book me like they flew me out. They paid

340
00:14:57,600 --> 00:15:01,400
Speaker 2: me like a decent check, and I don't know. I

341
00:15:01,440 --> 00:15:03,680
Speaker 2: think this is like right before the air Gunders show started.

342
00:15:04,040 --> 00:15:08,040
Speaker 2: But I'm on stage and I'm doing well. I wasn't bombing.

343
00:15:08,200 --> 00:15:10,600
Speaker 2: I was on stage just all college kids. The place

344
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Speaker 2: is packed. Maybe it was like season one of the

345
00:15:13,280 --> 00:15:15,960
Speaker 2: air Gun Show. Not sure place is packed. I'm doing well.

346
00:15:16,200 --> 00:15:19,520
Speaker 2: There's this super drunk white girl in the front of

347
00:15:19,680 --> 00:15:24,840
Speaker 2: and like front row, texting the whole time, talking oblivious

348
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Speaker 2: to me on stage, oblivious of the gesus part of

349
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Speaker 2: a show. And I'm like trying to like roast her plightly,

350
00:15:29,760 --> 00:15:32,560
Speaker 2: to be like, hey, I'm in the middle of work

351
00:15:32,640 --> 00:15:35,960
Speaker 2: right now, sweetie, can you shut the fuck up? Like

352
00:15:36,040 --> 00:15:38,640
Speaker 2: doing like little things like that, like playfully, like trying

353
00:15:38,640 --> 00:15:40,320
Speaker 2: to get her to shut the fuck up. But she won't,

354
00:15:40,560 --> 00:15:43,320
Speaker 2: and she's being belligerent and texting, and I go, give

355
00:15:43,360 --> 00:15:45,640
Speaker 2: me your phone, and she's like okay, okay, And then

356
00:15:45,840 --> 00:15:48,800
Speaker 2: I grabbed her phone. I looked up mom in her

357
00:15:48,840 --> 00:15:52,560
Speaker 2: contacts and I texted. I texted her mom mom dot

358
00:15:52,600 --> 00:15:55,160
Speaker 2: I've always had a thing for dad. And the crowd

359
00:15:55,320 --> 00:15:57,480
Speaker 2: erupts like oh shit, and I'm like, and I was like,

360
00:15:57,480 --> 00:16:00,960
Speaker 2: I'm gonna hold your phone up here until you're starts responding.

361
00:16:01,200 --> 00:16:03,520
Speaker 2: Her mom starts responding crazy, shit, I'm running back shit.

362
00:16:03,520 --> 00:16:05,920
Speaker 2: And then I give her phone back, thinking like that

363
00:16:05,960 --> 00:16:08,360
Speaker 2: you've been reprimanded. Now you can you can do damage

364
00:16:08,400 --> 00:16:10,000
Speaker 2: control with your mom. You can say that, you know,

365
00:16:10,480 --> 00:16:12,240
Speaker 2: that's her opportunity to be like, oh comedian and grab

366
00:16:12,240 --> 00:16:14,280
Speaker 2: my phone and he's fucking with you. And then she

367
00:16:14,440 --> 00:16:17,000
Speaker 2: was so drunk, I don't think she processed anything that happened.

368
00:16:17,000 --> 00:16:21,040
Speaker 2: And she just kept blabbing away and kept being fucking annoying.

369
00:16:21,360 --> 00:16:22,880
Speaker 2: So it's like, goddamn it, sorry, I can give me

370
00:16:22,920 --> 00:16:24,920
Speaker 2: your phone, and I go, hey, everybody, I'm gonna pass

371
00:16:24,960 --> 00:16:28,840
Speaker 2: this phone around. Let's pass it around the whole audience

372
00:16:28,880 --> 00:16:31,440
Speaker 2: and just text any text her mom, text her dad,

373
00:16:31,520 --> 00:16:34,440
Speaker 2: texts anybody in her phone, anything you want, and like

374
00:16:34,640 --> 00:16:37,400
Speaker 2: hundreds of kids got access to her phone and text that.

375
00:16:37,480 --> 00:16:39,800
Speaker 2: God knows what. I have no idea what the kids did.

376
00:16:40,160 --> 00:16:40,640
Speaker 3: Amazing.

377
00:16:40,800 --> 00:16:43,680
Speaker 2: Then the phone, the phone got back to her and

378
00:16:43,680 --> 00:16:45,720
Speaker 2: she's kind of like in and out and then she's

379
00:16:45,760 --> 00:16:48,200
Speaker 2: like grabs her phone. She starts looking at it, and

380
00:16:48,280 --> 00:16:53,400
Speaker 2: I see her turn like bugs bunny thermometer red with anger,

381
00:16:53,560 --> 00:16:57,640
Speaker 2: with like drunken anger, and like just like inhaling all

382
00:16:57,720 --> 00:17:00,600
Speaker 2: the fucking foul texts these college kids are sending to

383
00:17:00,680 --> 00:17:03,680
Speaker 2: like every one of her friends and family and anyone

384
00:17:03,720 --> 00:17:07,120
Speaker 2: in her phone ex boyfriends, old bosses, people she currently

385
00:17:07,160 --> 00:17:11,440
Speaker 2: works with, who knows, who knows what? Jima, yeah, gimon

386
00:17:11,680 --> 00:17:15,800
Speaker 2: pop pop, Like yeah, I'll just like just the fucking

387
00:17:16,240 --> 00:17:20,760
Speaker 2: heinous debris that these people, these vitriol that whatever. I

388
00:17:20,800 --> 00:17:23,480
Speaker 2: have no idea, I'm not responsible entirely for what they said,

389
00:17:23,520 --> 00:17:28,120
Speaker 2: but like just heinous cribes against humanity. So I see

390
00:17:28,160 --> 00:17:31,480
Speaker 2: her just reacting to all these incoming ship on her phone,

391
00:17:31,760 --> 00:17:33,680
Speaker 2: and then she just and then I just go back

392
00:17:33,720 --> 00:17:35,359
Speaker 2: and I'm like kind of clocking it out of the

393
00:17:35,359 --> 00:17:37,080
Speaker 2: corner of my eye, and I just go back to

394
00:17:37,119 --> 00:17:39,280
Speaker 2: my set, like hey, what's up with the due Blibbity

395
00:17:39,320 --> 00:17:43,040
Speaker 2: blue or whatever. Then she just jumps on stage and

396
00:17:43,359 --> 00:17:47,600
Speaker 2: swings like a big haymaker at me, and I like whoa,

397
00:17:47,720 --> 00:17:50,840
Speaker 2: and like matrix tight sheet out of the way. She

398
00:17:50,880 --> 00:17:53,360
Speaker 2: almost punched me right in the face. And then I'm

399
00:17:53,400 --> 00:17:56,280
Speaker 2: like looking at security like help help me. And then

400
00:17:56,320 --> 00:17:58,600
Speaker 2: like some college kids just kind of like dragged her

401
00:17:58,640 --> 00:17:59,960
Speaker 2: as real security.

402
00:18:00,640 --> 00:18:01,400
Speaker 4: Yeah, it was. Yeah.

403
00:18:01,400 --> 00:18:03,199
Speaker 2: I was like the security didn't mean to help. They

404
00:18:03,240 --> 00:18:05,040
Speaker 2: were like cracking up in the background. They're like this

405
00:18:05,119 --> 00:18:06,000
Speaker 2: guy's crazy.

406
00:18:06,119 --> 00:18:06,359
Speaker 4: Man.

407
00:18:06,520 --> 00:18:08,959
Speaker 2: I was like, no, help me out right now, and

408
00:18:09,000 --> 00:18:11,320
Speaker 2: I had some like eighteen year old kids like help

409
00:18:11,400 --> 00:18:13,720
Speaker 2: me out. So like the kids like kind of like

410
00:18:13,840 --> 00:18:16,639
Speaker 2: dragged her out. And then finally security came in dragged

411
00:18:16,680 --> 00:18:18,959
Speaker 2: her out, and I was like, what the fuck? And

412
00:18:19,040 --> 00:18:20,879
Speaker 2: but like the crowd is eruptive at this point. It

413
00:18:20,880 --> 00:18:23,480
Speaker 2: was actually a really good set and the crowd's erupted

414
00:18:23,560 --> 00:18:25,600
Speaker 2: and I kind of ended early after that. I was like,

415
00:18:25,640 --> 00:18:28,119
Speaker 2: there's not really any jokes I can do after this.

416
00:18:28,200 --> 00:18:29,879
Speaker 2: I can't go back to like be like did you

417
00:18:29,920 --> 00:18:31,600
Speaker 2: see Game of Thrones or whatever the fuck?

418
00:18:31,640 --> 00:18:32,160
Speaker 4: You know what I mean.

419
00:18:32,240 --> 00:18:34,879
Speaker 2: Yeah, I was like, the set's gonna be short, but whatever,

420
00:18:34,880 --> 00:18:37,640
Speaker 2: I'm going out on a high. And then as I'm

421
00:18:37,720 --> 00:18:42,359
Speaker 2: leaving the venue, she's outside in the hallway and I'm like,

422
00:18:42,400 --> 00:18:46,000
Speaker 2: oh fuck, and she looks at me like none of

423
00:18:46,040 --> 00:18:48,560
Speaker 2: that ever even happened, and she was like, what, so,

424
00:18:48,840 --> 00:18:51,399
Speaker 2: can I get a sound failing you? And I was

425
00:18:51,440 --> 00:18:57,240
Speaker 2: like really, it's like her brain just control all deleted everything.

426
00:18:56,840 --> 00:18:57,880
Speaker 3: And she was like, what's up.

427
00:18:57,960 --> 00:19:00,280
Speaker 2: She's like, I had a great time to do and

428
00:19:00,359 --> 00:19:03,359
Speaker 2: like no anger. She was just like, whoa, that was fun,

429
00:19:03,440 --> 00:19:06,520
Speaker 2: Like comedy, That's what a comedy show is. Like, I

430
00:19:06,600 --> 00:19:11,320
Speaker 2: was like, didn't I just like destroy your life fifteen ways?

431
00:19:11,680 --> 00:19:13,840
Speaker 3: Everybody said that you were trying to blow your brother

432
00:19:13,880 --> 00:19:17,040
Speaker 3: And now she's just like, hey, yeah, she's just.

433
00:19:16,960 --> 00:19:25,639
Speaker 2: Like that was fun. Comedy shows are crazy.

434
00:19:22,680 --> 00:19:33,080
Speaker 4: With Aeric Codre, with Aeric Condrey.

435
00:19:32,920 --> 00:19:34,200
Speaker 2: Well, what's the worst you've ever seen?

436
00:19:34,240 --> 00:19:34,520
Speaker 4: Somebody?

437
00:19:34,520 --> 00:19:36,680
Speaker 3: Mom, oh I have that. I wrote this one down too.

438
00:19:36,760 --> 00:19:39,480
Speaker 3: This was this was in Denver years ago. We were

439
00:19:39,480 --> 00:19:42,320
Speaker 3: at this bar called the Lions. Theyre yeah, and this guy.

440
00:19:42,440 --> 00:19:44,720
Speaker 3: You know how when you first start comedy, there's these

441
00:19:44,760 --> 00:19:48,199
Speaker 3: guys who were like, you were technically a comic, but

442
00:19:48,280 --> 00:19:50,480
Speaker 3: mostly you're just like trying to stay out of jail,

443
00:19:50,600 --> 00:19:53,359
Speaker 3: you know what I mean. Yeah, don't like these guys

444
00:19:53,359 --> 00:19:55,200
Speaker 3: on that. I mean, everybody you start.

445
00:19:54,960 --> 00:19:57,359
Speaker 2: With is a total psychopath.

446
00:19:57,520 --> 00:20:00,199
Speaker 3: Yeah, one hundred percent. Like in the beginning, it's like

447
00:20:00,400 --> 00:20:01,959
Speaker 3: all crazy people.

448
00:20:02,000 --> 00:20:05,960
Speaker 2: In the beginning, you're surrounded by loonatics.

449
00:20:06,400 --> 00:20:09,000
Speaker 3: Yeah. So this was one of those guys and we

450
00:20:09,000 --> 00:20:10,080
Speaker 3: were at the Lions.

451
00:20:09,800 --> 00:20:10,960
Speaker 2: Like where's the Lions Layer.

452
00:20:11,080 --> 00:20:14,240
Speaker 3: It's off a Colfax in Denver, like the old Colfax

453
00:20:14,240 --> 00:20:16,440
Speaker 3: if you remember, it was pretty pretty wild.

454
00:20:16,680 --> 00:20:17,760
Speaker 2: Is it like a comedy club?

455
00:20:17,800 --> 00:20:18,199
Speaker 4: What is it?

456
00:20:18,280 --> 00:20:20,560
Speaker 3: No, it's just a bar. It's just a a shitty bar,

457
00:20:20,840 --> 00:20:23,879
Speaker 3: a dive. But it's classic. But we were the Lions.

458
00:20:23,960 --> 00:20:26,560
Speaker 3: Like this guy comes in with this girl and he's

459
00:20:26,600 --> 00:20:28,240
Speaker 3: like one of those guys he's just known for being

460
00:20:28,320 --> 00:20:31,159
Speaker 3: nuts or whatever. And he goes on stage and he

461
00:20:31,240 --> 00:20:34,639
Speaker 3: does this whole bombing, does this whole bit about how

462
00:20:34,720 --> 00:20:37,480
Speaker 3: much he loves this girl named Allison, who was the

463
00:20:37,480 --> 00:20:41,320
Speaker 3: girl he brought, and he's saying crazy. He's like, oh

464
00:20:41,400 --> 00:20:44,639
Speaker 3: my god, he's like declaring his love for He says it.

465
00:20:45,000 --> 00:20:46,000
Speaker 2: How is she reacting?

466
00:20:46,160 --> 00:20:46,320
Speaker 4: Bro?

467
00:20:46,600 --> 00:20:48,959
Speaker 3: He says. At one point he's like, he's like, I

468
00:20:49,040 --> 00:20:52,600
Speaker 3: love you Allison. She is like if some guy came

469
00:20:52,640 --> 00:20:55,280
Speaker 3: in here and he had AIDS and he pulled out

470
00:20:55,280 --> 00:20:58,320
Speaker 3: his dirty AIDS ridden dick and he said I would

471
00:20:58,320 --> 00:21:01,240
Speaker 3: have to suck that dick to save your life, I

472
00:21:01,280 --> 00:21:04,640
Speaker 3: would do it to say you Allison. Right, So he's

473
00:21:04,680 --> 00:21:07,680
Speaker 3: saying all this crazy shit bombing. The girl puts her

474
00:21:07,720 --> 00:21:12,040
Speaker 3: head in her hands like she's crying right the bar

475
00:21:12,160 --> 00:21:15,240
Speaker 3: center of this guy Tony. He thinks that she's laughing

476
00:21:15,359 --> 00:21:18,439
Speaker 3: because he thinks it's funny because he's a degenerate. So

477
00:21:18,480 --> 00:21:21,000
Speaker 3: she's crying with the head in their hands. Tony comes

478
00:21:21,040 --> 00:21:27,359
Speaker 3: up and slaps her on the back. It's like like

479
00:21:27,440 --> 00:21:30,200
Speaker 3: I know, right, And she's crying and Tony's like ha,

480
00:21:31,320 --> 00:21:33,760
Speaker 3: And then the comic asks her to marry him. He's like,

481
00:21:34,240 --> 00:21:36,639
Speaker 3: and Alison, just in front of here, in front of

482
00:21:36,680 --> 00:21:39,760
Speaker 3: all these people, I just want to ask, will you

483
00:21:39,920 --> 00:21:43,359
Speaker 3: marry me? And she goes, you already know the answer,

484
00:21:43,520 --> 00:21:48,240
Speaker 3: and she runs out and he ran out. Oh my lord,

485
00:21:48,280 --> 00:21:52,520
Speaker 3: it was really amazing. Why did that guy do this?

486
00:21:52,560 --> 00:21:56,440
Speaker 3: Because he's crazy, man, because he's crazy.

487
00:21:56,200 --> 00:21:58,320
Speaker 2: In like a shitty dive bar, dude, like not a

488
00:21:58,440 --> 00:21:59,480
Speaker 2: romantic setting.

489
00:22:00,359 --> 00:22:03,119
Speaker 3: And she's crying into her hands and the bartenders just

490
00:22:03,160 --> 00:22:05,720
Speaker 3: got his hand on her back like three times. This

491
00:22:05,840 --> 00:22:09,000
Speaker 3: is great. Yeah, it was.

492
00:22:08,640 --> 00:22:11,960
Speaker 2: It was sucking aide, dick to save you. It's like,

493
00:22:12,200 --> 00:22:15,840
Speaker 2: no one asked you to say that's a crazy scenario.

494
00:22:16,800 --> 00:22:18,359
Speaker 3: It was a crazy scenario.

495
00:22:19,040 --> 00:22:21,119
Speaker 2: And it's not stand up. So it's just he's just

496
00:22:21,200 --> 00:22:23,119
Speaker 2: bombing and he's like stinking.

497
00:22:22,800 --> 00:22:23,280
Speaker 4: Up the room.

498
00:22:23,840 --> 00:22:25,840
Speaker 3: Everybody, and you know we're all up there just waiting

499
00:22:25,920 --> 00:22:26,600
Speaker 3: to go, like.

500
00:22:27,600 --> 00:22:30,639
Speaker 2: Just waiting to tell Joe j alright, Yeah.

501
00:22:30,520 --> 00:22:32,560
Speaker 3: I'm just joking about the bus. I was gonna tell

502
00:22:32,560 --> 00:22:35,480
Speaker 3: And now you're gonna fucking talk about sucking aids. Dick.

503
00:22:35,600 --> 00:22:38,480
Speaker 3: Everybody eld me in the room is into this dude.

504
00:22:39,520 --> 00:22:41,280
Speaker 3: And then she ran out and he followed her. It

505
00:22:41,760 --> 00:22:42,200
Speaker 3: is great.

506
00:22:43,000 --> 00:22:46,000
Speaker 2: Oh shit, that's fucking crazy.

507
00:22:46,080 --> 00:22:50,960
Speaker 3: Yeah, it was really good, really really good.

508
00:22:53,960 --> 00:23:04,360
Speaker 4: With a andre with a recdre.

509
00:23:05,000 --> 00:23:07,359
Speaker 2: What's the craziest ship you've ever seen in your life

510
00:23:07,480 --> 00:23:09,639
Speaker 2: before your very very eyes. And it doesn't have to

511
00:23:09,680 --> 00:23:14,480
Speaker 2: be anything dark, oh like, but just like fucking Tony

512
00:23:14,560 --> 00:23:17,680
Speaker 2: taking a big dump on the subway kind of wild.

513
00:23:18,280 --> 00:23:20,639
Speaker 3: I don't know the craziest thing I've ever seen in

514
00:23:20,680 --> 00:23:22,920
Speaker 3: my wife. That's a hard one.

515
00:23:23,400 --> 00:23:27,399
Speaker 2: It's a hard one I've seen. Yeah, it's hard.

516
00:23:28,560 --> 00:23:29,080
Speaker 4: It's hard.

517
00:23:29,160 --> 00:23:32,119
Speaker 3: I saw three dudes banging it a hot and al

518
00:23:32,240 --> 00:23:33,600
Speaker 3: kinta hot tub one.

519
00:23:33,400 --> 00:23:37,280
Speaker 2: Time, just three boys having a good old time.

520
00:23:37,400 --> 00:23:39,840
Speaker 3: Yeah, well I think I think it was two old

521
00:23:39,920 --> 00:23:42,320
Speaker 3: dudes and then the younger one was a sex worker

522
00:23:42,320 --> 00:23:44,240
Speaker 3: because he was like way too hot for them.

523
00:23:44,240 --> 00:23:45,560
Speaker 2: Oh, it was like a lemon party.

524
00:23:45,720 --> 00:23:49,119
Speaker 3: I was opening for Stevo with the Bray Improv and

525
00:23:49,160 --> 00:23:51,399
Speaker 3: I don't have a car. You know, I don't drive,

526
00:23:51,520 --> 00:23:53,720
Speaker 3: so I had to get a spot at the Lakinta

527
00:23:53,760 --> 00:23:56,159
Speaker 3: because I couldn't go back and forth to LA the

528
00:23:56,200 --> 00:23:56,760
Speaker 3: whole weekend.

529
00:23:57,280 --> 00:24:00,560
Speaker 2: Ah, dude, I fucking tub I'll give you a radulqude.

530
00:24:00,600 --> 00:24:02,080
Speaker 2: I'm fucking these two guys.

531
00:24:02,160 --> 00:24:05,560
Speaker 3: Later he didn't. He didn't, which sucks. So then I

532
00:24:05,600 --> 00:24:07,920
Speaker 3: was just like I had like a couple of tall kids,

533
00:24:07,920 --> 00:24:11,639
Speaker 3: and I was like, but from what I saw around

534
00:24:11,680 --> 00:24:15,520
Speaker 3: the corner, it looked like it was like a train, Like.

535
00:24:15,520 --> 00:24:17,560
Speaker 2: It was a dude the human centipede.

536
00:24:17,720 --> 00:24:20,400
Speaker 3: Yeah, that's what it looked like. But like I got there,

537
00:24:20,440 --> 00:24:21,080
Speaker 3: they split up.

538
00:24:21,119 --> 00:24:23,520
Speaker 2: You were you were a bit of a party Boober. Yeah,

539
00:24:23,640 --> 00:24:27,399
Speaker 2: you're a cock blocker. Which it was weird because I

540
00:24:27,440 --> 00:24:29,280
Speaker 2: wanted to be like, hey, they do it like I don't.

541
00:24:29,600 --> 00:24:37,520
Speaker 3: He got school, dude, whatever. It like, it's cool, it's

542
00:24:37,560 --> 00:24:43,840
Speaker 3: reddit else I'm gonna go to be sad, like you're

543
00:24:43,840 --> 00:24:47,320
Speaker 3: having a better night. I bomb in front of Steven

544
00:24:47,840 --> 00:24:50,520
Speaker 3: did you bomb? I didn't do great. They just watched

545
00:24:50,520 --> 00:24:52,320
Speaker 3: Steve bo you know what I mean. So it's like

546
00:24:52,440 --> 00:24:53,399
Speaker 3: anything else.

547
00:24:53,240 --> 00:24:56,480
Speaker 2: Is not opening up for a celebrity is a tough

548
00:24:56,600 --> 00:24:57,960
Speaker 2: fucking nugget.

549
00:24:58,280 --> 00:24:59,960
Speaker 3: It's I haven't really done it a lot.

550
00:25:01,960 --> 00:25:04,120
Speaker 2: That's the hardest I ever bomb opening up for Chris Rock.

551
00:25:04,160 --> 00:25:08,040
Speaker 2: I really, that's the hardest I bombed in like recent life.

552
00:25:08,400 --> 00:25:10,840
Speaker 2: CLOSEI recent life. I mean like the first like ten

553
00:25:10,920 --> 00:25:13,480
Speaker 2: years of doing stand up is bombing. But like in

554
00:25:13,560 --> 00:25:16,440
Speaker 2: recent life, that was a fucking harsh.

555
00:25:16,359 --> 00:25:20,360
Speaker 3: Was it like a bill? Was it like a big venue, huge.

556
00:25:20,320 --> 00:25:24,560
Speaker 2: Theater in New Orleans, huge beautiful theater, And I like

557
00:25:24,800 --> 00:25:27,879
Speaker 2: I never did great opening up for his audience. I

558
00:25:27,880 --> 00:25:31,240
Speaker 2: would just like hold my ground, you know. I would

559
00:25:31,280 --> 00:25:35,400
Speaker 2: just do like short enough and well enough where they

560
00:25:35,560 --> 00:25:38,560
Speaker 2: like would to completely turn on me. But I was

561
00:25:38,760 --> 00:25:41,399
Speaker 2: never lighting up the night sky right, but they let

562
00:25:41,520 --> 00:25:46,240
Speaker 2: you do it. But this night I was struggling so hard.

563
00:25:46,280 --> 00:25:48,600
Speaker 2: My girlfriend came to the show the first three nights,

564
00:25:48,640 --> 00:25:51,000
Speaker 2: so I was like really trying to fucking bring my

565
00:25:51,040 --> 00:25:54,240
Speaker 2: egg and then she left a day early. And then

566
00:25:54,359 --> 00:25:56,520
Speaker 2: the day she left and I didn't have the pressure

567
00:25:56,640 --> 00:25:59,879
Speaker 2: of impressing her. I like kind of was phoning it

568
00:25:59,920 --> 00:26:02,160
Speaker 2: in and not realizing it. And I was like halfway

569
00:26:02,200 --> 00:26:05,439
Speaker 2: through my set and then the crickets are getting louder,

570
00:26:05,480 --> 00:26:07,200
Speaker 2: and I wasn't really paying attention. Then I just hear

571
00:26:07,240 --> 00:26:11,000
Speaker 2: this guy in the back go next, and I was like,

572
00:26:11,280 --> 00:26:14,080
Speaker 2: well and instead of instead of like just getting the

573
00:26:14,080 --> 00:26:16,960
Speaker 2: fuck out of there or trying to like roll into comedy,

574
00:26:16,960 --> 00:26:20,240
Speaker 2: I was like, I was like, I turned into fucking

575
00:26:21,440 --> 00:26:23,679
Speaker 2: what's that Patrick Swazy movie Roadhouse? I turned into a

576
00:26:23,680 --> 00:26:26,200
Speaker 2: guy from Roadhouse. I get up here, motherfucker and say

577
00:26:26,200 --> 00:26:28,440
Speaker 2: that to my face. WHOA Because I was like gonna

578
00:26:28,440 --> 00:26:30,880
Speaker 2: try to like, yeah, I don't know. I turned into

579
00:26:30,960 --> 00:26:34,520
Speaker 2: like the bad guy from fucking Karate Kids. And I

580
00:26:34,560 --> 00:26:35,840
Speaker 2: was like because I was like, I was like, in

581
00:26:35,880 --> 00:26:37,480
Speaker 2: my mind, I'll get him up here and I'll roast

582
00:26:37,520 --> 00:26:40,040
Speaker 2: him and then like and like he's like, I'm not moving,

583
00:26:40,040 --> 00:26:42,359
Speaker 2: I'm not going up to you kidding me. I'm like

584
00:26:42,359 --> 00:26:44,040
Speaker 2: getting like an expensive seat. I'm just chilling in the

585
00:26:44,080 --> 00:26:46,040
Speaker 2: back and making fun of you. And then I tried

586
00:26:46,080 --> 00:26:47,960
Speaker 2: to like and then after that, I tried to like

587
00:26:48,040 --> 00:26:50,680
Speaker 2: roll into another joke. I was like, Oh, anyway, Side

588
00:26:50,720 --> 00:26:53,080
Speaker 2: Belts a crazy show or whatever the fun and then

589
00:26:53,640 --> 00:26:59,440
Speaker 2: uh boy did I bomb? And then I just remember this,

590
00:27:00,359 --> 00:27:02,480
Speaker 2: It's like Puerto Rican, dude, in the front row looked

591
00:27:02,520 --> 00:27:04,720
Speaker 2: up and he goes, come on, Eric, you can do

592
00:27:04,800 --> 00:27:05,480
Speaker 2: better than this.

593
00:27:05,600 --> 00:27:09,320
Speaker 3: Oh no, because he loves like he.

594
00:27:11,080 --> 00:27:13,520
Speaker 2: Kind of liked me, and I was like, shit, man,

595
00:27:13,600 --> 00:27:17,800
Speaker 2: I can't. I can't, dude, I can't. I'm like, I

596
00:27:18,000 --> 00:27:19,720
Speaker 2: just try to do I like try to end on

597
00:27:19,760 --> 00:27:22,679
Speaker 2: my most universal joke with that Cuban sign and like

598
00:27:23,119 --> 00:27:26,080
Speaker 2: kind of got like a that, but I already like

599
00:27:26,640 --> 00:27:32,760
Speaker 2: fucking Cobra Kai dojo the fucking comper motherfuffer, Like like

600
00:27:33,400 --> 00:27:35,080
Speaker 2: I got off stage in Hannibal was there. He's like,

601
00:27:35,119 --> 00:27:36,960
Speaker 2: this isn't a bar show. You can't be like come

602
00:27:37,000 --> 00:27:39,119
Speaker 2: on up here, like just I'm like drunk at like

603
00:27:39,160 --> 00:27:41,439
Speaker 2: a bar. This is like thousands of people man like

604
00:27:41,480 --> 00:27:44,080
Speaker 2: they're not gonna go leave their seat to like what

605
00:27:44,400 --> 00:27:47,359
Speaker 2: fistfight you on stage? Like that's crazy? What do you

606
00:27:47,359 --> 00:27:50,920
Speaker 2: think's going on here? And uh, I just remember being

607
00:27:51,200 --> 00:27:55,479
Speaker 2: dead devastated. But Chris and his tour managers were so

608
00:27:55,480 --> 00:27:57,840
Speaker 2: sweet about it. They were like, oh yeah. Chris was like, oh,

609
00:27:57,920 --> 00:27:59,320
Speaker 2: give me a big hug, and he was like, ask

610
00:27:59,359 --> 00:28:01,840
Speaker 2: me what happened when Prince opened up for the Rolling Stones.

611
00:28:01,880 --> 00:28:04,320
Speaker 2: I go, what happened? And he goes people were like boo,

612
00:28:04,440 --> 00:28:07,440
Speaker 2: like throwing bottles at prints, like get off the fucking stage.

613
00:28:07,560 --> 00:28:08,800
Speaker 2: Would rolling stones?

614
00:28:09,000 --> 00:28:09,920
Speaker 4: That makes me feel better.

615
00:28:10,560 --> 00:28:13,320
Speaker 2: That made me feel a little bit better. And then

616
00:28:13,359 --> 00:28:15,760
Speaker 2: his tour managers like old school dude who like tour

617
00:28:15,800 --> 00:28:18,720
Speaker 2: managed James Brown and Ship and he was like, ask

618
00:28:18,800 --> 00:28:21,840
Speaker 2: me what happened when Chris played London? I go, what happened?

619
00:28:21,880 --> 00:28:24,639
Speaker 2: He goes, he bomb so fucking bad and it was

620
00:28:24,680 --> 00:28:26,960
Speaker 2: our first show of the tour and I was like,

621
00:28:27,040 --> 00:28:29,639
Speaker 2: oh yeah, and he goes and then he was so frustrated.

622
00:28:29,720 --> 00:28:31,719
Speaker 2: He like went back to the club like as they

623
00:28:31,720 --> 00:28:34,200
Speaker 2: were closing at eleven pm, and he's like, just get

624
00:28:34,240 --> 00:28:36,399
Speaker 2: me back on stage, and he like proceeded to have

625
00:28:36,440 --> 00:28:38,360
Speaker 2: like the best set of his life. He's like, bombing

626
00:28:38,720 --> 00:28:41,960
Speaker 2: makes you stronger, man, it doesn't make you weaker. He

627
00:28:42,080 --> 00:28:44,560
Speaker 2: was like an old like beat neck. Yeah he's really nice.

628
00:28:44,600 --> 00:28:46,120
Speaker 2: So that made me feel better.

629
00:28:46,160 --> 00:28:48,360
Speaker 3: But I mean, do you like bombing? Are you one

630
00:28:48,360 --> 00:28:49,600
Speaker 3: of those guys who like some.

631
00:28:49,600 --> 00:28:52,600
Speaker 2: Common that's like nor McDonald said he had like bombing,

632
00:28:52,640 --> 00:28:56,120
Speaker 2: And Kevin Barnett used to tell me yeah, Kevin, yeah, yeah,

633
00:28:56,200 --> 00:28:58,080
Speaker 2: He's like I like that. The audience like paid all

634
00:28:58,120 --> 00:29:00,600
Speaker 2: his money they they thought me, and they're like pissed

635
00:29:00,600 --> 00:29:03,640
Speaker 2: about it, But I don't know. To me, I'm too sensitive. Man,

636
00:29:03,680 --> 00:29:06,880
Speaker 2: I don't mind if if there's like a bunch of

637
00:29:06,880 --> 00:29:10,240
Speaker 2: comics on the show and they're all bombing, then I'm okay.

638
00:29:10,360 --> 00:29:12,640
Speaker 2: But it was just me bombing. It was like this

639
00:29:12,680 --> 00:29:14,160
Speaker 2: was the lineup for the show. By the way, it

640
00:29:14,200 --> 00:29:18,200
Speaker 2: was like Jeff Ross who crushed, then me who bombed,

641
00:29:18,560 --> 00:29:21,880
Speaker 2: then like Hannibal, then Dave Chappelle, then Chris Rock and

642
00:29:21,880 --> 00:29:26,560
Speaker 2: they all like destroyed one. I was the one week link.

643
00:29:26,960 --> 00:29:30,480
Speaker 2: It was a nightmare scenario. And I'm like up against

644
00:29:30,520 --> 00:29:34,320
Speaker 2: like like the Mount Rushmore stand up comedy, you.

645
00:29:34,360 --> 00:29:37,880
Speaker 3: Know what I mean, that's the worst. I remember one

646
00:29:37,920 --> 00:29:40,840
Speaker 3: time I opened for the Waynes Brothers and they wouldn't

647
00:29:40,880 --> 00:29:43,040
Speaker 3: even let me meet them, and then I ate a

648
00:29:43,080 --> 00:29:47,800
Speaker 3: bag of dicks and then they for real like I

649
00:29:47,840 --> 00:29:50,760
Speaker 3: didn't just like go home like on the Bart, like,

650
00:29:50,960 --> 00:29:55,800
Speaker 3: oh dude.

651
00:29:54,160 --> 00:29:56,240
Speaker 2: It's a long Bart ride.

652
00:29:56,560 --> 00:29:58,640
Speaker 3: It's like Tommy T's. It was like pleasant and it

653
00:29:58,720 --> 00:30:03,160
Speaker 3: was like the last stop from the scene was like, man, yeah,

654
00:30:03,200 --> 00:30:06,440
Speaker 3: I don't like bombing either. I mean, it happens sometimes

655
00:30:06,440 --> 00:30:08,320
Speaker 3: I do get the only time I kind of like

656
00:30:08,360 --> 00:30:10,400
Speaker 3: bombing is. Sometimes I'll get in my head where I'll

657
00:30:10,440 --> 00:30:13,360
Speaker 3: be like, for whatever reason, I'll decide that I don't

658
00:30:13,480 --> 00:30:16,200
Speaker 3: like them, yeah, and then and then I'll go up

659
00:30:16,280 --> 00:30:17,680
Speaker 3: and I have it in my head that I don't

660
00:30:17,760 --> 00:30:19,760
Speaker 3: like them. So if I don't, if I don't do well,

661
00:30:19,800 --> 00:30:20,640
Speaker 3: I kind of feel.

662
00:30:20,440 --> 00:30:22,719
Speaker 2: Okay about it, all right, David. They said it couldn't

663
00:30:22,720 --> 00:30:23,600
Speaker 2: be done, and we done this.

664
00:30:23,720 --> 00:30:24,840
Speaker 3: I said it couldn't be stopped.

665
00:30:26,920 --> 00:30:34,360
Speaker 2: I said it couldn't be started. We did it, all right, buddy,

666
00:30:34,480 --> 00:30:36,160
Speaker 2: It was great talking to you. If you come to

667
00:30:36,200 --> 00:30:38,480
Speaker 2: New York, hit me ask I will, I will Denver,

668
00:30:38,560 --> 00:30:41,120
Speaker 2: I'll hit you up. Hell yeah, man, always a pleasure

669
00:30:45,120 --> 00:30:48,960
Speaker 2: with Are all right? Listen up? We got something special

670
00:30:49,040 --> 00:30:49,520
Speaker 2: for you.

671
00:30:49,520 --> 00:30:51,840
Speaker 1: Got a burning story that you're itching to tell about

672
00:30:51,840 --> 00:30:54,000
Speaker 1: when you bombed or absolutely failed in life.

673
00:30:54,200 --> 00:30:56,840
Speaker 2: Now's your chance to tell me all about it way.

674
00:30:57,200 --> 00:31:00,320
Speaker 1: I want to hear your worst, most cringe worthy What

675
00:31:00,400 --> 00:31:02,160
Speaker 1: the fuck was I thinking?

676
00:31:02,280 --> 00:31:03,240
Speaker 2: What just happened?

677
00:31:03,280 --> 00:31:03,600
Speaker 4: Moment?

678
00:31:03,720 --> 00:31:07,120
Speaker 1: So pick up your phone and dial seven one six bombing.

679
00:31:07,320 --> 00:31:10,880
Speaker 1: That's seven one six two six six twenty four sixty

680
00:31:10,880 --> 00:31:13,240
Speaker 1: four and leave me a voicemail and we might just

681
00:31:13,320 --> 00:31:15,800
Speaker 1: play it on a future episode Bombing with Eric Andre

682
00:31:15,920 --> 00:31:17,800
Speaker 1: is brought to you by Will Ferrell's Big Money Players

683
00:31:17,800 --> 00:31:21,560
Speaker 1: Network and iHeart Podcasts. Our executive producer is Olivia Aguilar.

684
00:31:21,800 --> 00:31:25,560
Speaker 1: Our producer is Bei Wang, Our research assistant is David Carliner,

685
00:31:25,640 --> 00:31:28,120
Speaker 1: Our editor in sound designers Andy Harris, and our art

686
00:31:28,160 --> 00:31:30,600
Speaker 1: is by Dylan Vanderberg. Go rate us five stars and

687
00:31:30,680 --> 00:31:33,760
Speaker 1: drop a review on your podcast app a choice