WEBVTT - #29 Elyse

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<v Speaker 1>Hey, how is it that a seal keeps balls on

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<v Speaker 1>their nose? Now, no, no, I have something serious.

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<v Speaker 2>If I have to grocer in the house and I've

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<v Speaker 2>got to paint the door.

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<v Speaker 1>So you're painting the door to your house?

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<v Speaker 2>Yeah, paints the door red. It's gonna be very nice.

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<v Speaker 1>But you know what a red door symbolizes, right, noge

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<v Speaker 1>is a bordello. You're kidding, right, That's how sailors would know.

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<v Speaker 1>They would have them down by the view pole and

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<v Speaker 1>they would be able to know where they could kidding

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<v Speaker 1>me right, make whoopee for for money? Who's that neighbor?

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<v Speaker 1>Could you ask them about the red door?

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<v Speaker 3>Zach?

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<v Speaker 2>I need this.

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<v Speaker 1>From Gimblet Media. I'm Jonathan Goldstein and this is Heavyweight

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<v Speaker 1>Today's episode ilise. So now what happens? Ara's gonna call

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<v Speaker 1>We'll see, Oh boy, get ready. For a while back,

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<v Speaker 1>my producers and I decided to try a phone in episode.

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<v Speaker 1>Larry King, Rush Limbaugh and other Goldstein esque personalities had

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<v Speaker 1>found success with them. So why, I wondered from the

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<v Speaker 1>depths of my ignorance, couldn't die and so full of

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<v Speaker 1>hubris and hope, we open the phone lines and invite

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<v Speaker 1>the whole world to call in with a small moment

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<v Speaker 1>from their past, something to revisit and resolve, all during

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<v Speaker 1>the course of a five minute phone call. This is

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<v Speaker 1>why I got into this business, the you know, the

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<v Speaker 1>feeling of live radio. As I'm to learn the thing

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<v Speaker 1>about a phone in show is that you need people

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<v Speaker 1>to phone in and nobody.

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<v Speaker 4>Is cause everyone's day.

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<v Speaker 1>But just as I'm starting to wonder if Gimblet Media

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<v Speaker 1>has forgotten to pay its telephone bill.

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<v Speaker 4>Again, Oh, here we go, ready, we're answering.

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<v Speaker 1>All right, Hello, this is Jonathan speaking.

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<v Speaker 2>Hi Jonathan, how's it going.

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<v Speaker 1>It's going okay?

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<v Speaker 4>Is this uh?

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<v Speaker 1>What's your name?

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<v Speaker 2>Elie? This is You're very surprised I got through. This

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<v Speaker 2>is so exciting.

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<v Speaker 1>I guess you really lucked out. Is a longtime listener,

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<v Speaker 1>first time caller from Washington, d C. And as it

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<v Speaker 1>turns out, her call proves not only the first of

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<v Speaker 1>the day, but also the last. And this is not

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<v Speaker 1>just because we don't receive any other calls. It's because

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<v Speaker 1>I'm completely drawn in by the story. At least tells

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<v Speaker 1>me about herself and her dad. What's his name, Billy? Billy?

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<v Speaker 2>Yeah, So I guess I basically I am a strange

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<v Speaker 2>from my father.

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<v Speaker 1>When Aalise was a kid, Billy was the fun parent,

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<v Speaker 1>the one who always had hours to play with her,

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<v Speaker 1>the guy who, in spite of being something of a

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<v Speaker 1>macho man, gave himself over to playing beauty salon, even

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<v Speaker 1>allowing Elise to paint his toenails. Before the estrangement, Billy

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<v Speaker 1>and Elise were really close, which is why not having

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<v Speaker 1>any relationship now hurts the way it does.

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<v Speaker 2>She was my dad, like already of a family vacation

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<v Speaker 2>was like show up in a country with no plan

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<v Speaker 2>and like rent a car and just like drive around

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<v Speaker 2>and it was amazing. Like that's what That's what life

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<v Speaker 2>with dad was like. It was like every day it

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<v Speaker 2>was an Indvanshire.

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<v Speaker 1>Even the way Billy met Alisa's mom was like something

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<v Speaker 1>out of a movie, the first act of a film noir.

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<v Speaker 1>Billy was an Englishman driving through Chattanooga on a tourist

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<v Speaker 1>visa when he got into a terrible car accident, and

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<v Speaker 1>the physical therapist assigned to him was Elisa's mom. Billy

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<v Speaker 1>was still in a wheelchair when he talked her into

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<v Speaker 1>sneaking him out of the hospital for their first date.

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<v Speaker 1>Pretty soon after they got married and had Alise. Billy

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<v Speaker 1>never went back to England. Instead, he stayed with his

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<v Speaker 1>family in Chattanooga and became a successful used car salesman.

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<v Speaker 2>I have a lot of things in my upbringing in

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<v Speaker 2>life with him to be very grateful for. In addition

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<v Speaker 2>to all the craziness in.

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<v Speaker 1>Reference to her dad brings up craziness a lot, like

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<v Speaker 1>the crazy way Billy ruined her credit by opening a

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<v Speaker 1>business in her name, or the crazy time he drove

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<v Speaker 1>home a brand new car only to have cops come

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<v Speaker 1>looking for it with their guns drawn, or the crazy

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<v Speaker 1>way he destroyed his twenty four year marriage with a

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<v Speaker 1>series of affairs. There's one Christmas where he bailed on

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<v Speaker 1>the family, only to spend the holiday with another woman.

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<v Speaker 1>And for all of these things, no matter how jarring

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<v Speaker 1>or painful, Elise's found it in herself to forgive her father.

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<v Speaker 1>But there's one thing she hasn't been able to forgive.

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<v Speaker 2>About five years ago, he moved out of the country

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<v Speaker 2>without telling.

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<v Speaker 1>Us us is Elise and her mom. Elisa's parents had

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<v Speaker 1>been married her whole life, but had recently separated around

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<v Speaker 1>the time of his disappearance. Her last good memory of

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<v Speaker 1>her dad is watching him wave from the crowd as

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<v Speaker 1>she crossed the stage at our college graduation. Days later,

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<v Speaker 1>he disappeared, and disappeared as the word for it. Elise

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<v Speaker 1>says that when she went over to his house she

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<v Speaker 1>found food rotting in the refrigerator and all the furniture

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<v Speaker 1>still there. For a week, Alise had no idea what

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<v Speaker 1>had happened to her father, and then she received an email.

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<v Speaker 1>It simply said he'd be gone for a little while

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<v Speaker 1>and that email was the best way to stay in touch.

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<v Speaker 1>There was no further explanation. The next time she heard

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<v Speaker 1>from him was on her birthday six months later, a

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<v Speaker 1>Christmas note. And that's more or less been the pattern

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<v Speaker 1>for the last five years.

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<v Speaker 2>On holidays and my birthday and stuff like that. His

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<v Speaker 2>emails are very short, like three sentences or less, sort

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<v Speaker 2>of happy whatever holiday it is. I hope you're well,

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<v Speaker 2>love Dad.

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<v Speaker 1>At first, Alise tried responding. She'd express some of her

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<v Speaker 1>pain and anger in hopes of provoking a more substantial dialogue,

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<v Speaker 1>but Billy would refuse to engage. So after an email

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<v Speaker 1>pressing her father for answers, a few months would pass

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<v Speaker 1>with no response, and then an email would land in

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<v Speaker 1>Alisa's inbox, wishing her a happy whatever holiday it is,

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<v Speaker 1>and hoping she's well. Love Dad, as though nothing was

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<v Speaker 1>ever expressed and nothing was ever asked of him. Eventually,

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<v Speaker 1>Alie stopped responding to his emails entirely.

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<v Speaker 2>We don't have a mailing address for him. I don't

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<v Speaker 2>know if it's phone number. Like the only connection I

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<v Speaker 2>have to him is a concast email address.

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<v Speaker 1>Do you do you know where he's living.

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<v Speaker 2>He's in the Philippines, and that's all I know. My

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<v Speaker 2>mom has a pinpointed like a region. But like there

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<v Speaker 2>was ever, Like he never told me where he was

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<v Speaker 2>going or why he never he never explained why he left.

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<v Speaker 1>And this is what Elise wants, an explanation for his departure,

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<v Speaker 1>an emotional, honest conversation where she can ask him why

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<v Speaker 1>and what happened, because in the five years since she

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<v Speaker 1>last saw him, a lot has happened.

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<v Speaker 2>He started a new family. He also has like a

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<v Speaker 2>wife and a kid. Uh huh. And then he actually

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<v Speaker 2>named his new daughter my name Elise.

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<v Speaker 1>Oh my god, I.

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<v Speaker 2>Just find it so insulting. It's just such a transparent replacement,

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<v Speaker 2>Like I moved to a country and like made a

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<v Speaker 2>new youth.

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<v Speaker 1>So when people search for Elise on Facebook, the first

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<v Speaker 1>result that comes up is new Elise and the page

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<v Speaker 1>Billy made for her, which means old Elise is forced

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<v Speaker 1>to constantly explain that this is her dad's new daughter

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<v Speaker 1>from his new family, who also just so happens to have.

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<v Speaker 2>Her name, Like, he just wants me to like love

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<v Speaker 2>him and be happy with him again. But the elephant

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<v Speaker 2>in the room is that he's living mysteriously somewhere for

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<v Speaker 2>half a decade and we've never discussed it.

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<v Speaker 1>At least feels like she and Billy are living in

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<v Speaker 1>two different realities. She in the one where her father

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<v Speaker 1>abandoned her, and he in the one where he did

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<v Speaker 1>nothing wrong. She wants her dad to validate what she's

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<v Speaker 1>seen and felt to understand. Otherwise, how can they move forward?

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<v Speaker 1>Are you wanting to have a relationship with him?

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<v Speaker 2>Pardon me? Is because he's also he's like diabetic, and

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<v Speaker 2>like he's just kind of old and sick and might

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<v Speaker 2>die and I might never know. He's sixty five and

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<v Speaker 2>possibly working a very physically taxing job. He was working

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<v Speaker 2>on container ships when we first moved over, And I've

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<v Speaker 2>been passively choosing the root of not having a relationship,

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<v Speaker 2>but the fear and the guilt gets worse with time.

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<v Speaker 1>What would pursuing a relationship look like?

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<v Speaker 2>That's what I'm That's what I'm trying to figure out.

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<v Speaker 2>It's like, yeah, I mean, he's my dad and he's

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<v Speaker 2>I feel like he's trying to maintain a relationship with me,

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<v Speaker 2>and I just don't know how to work past it.

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<v Speaker 1>I know I can sometimes come across as something of

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<v Speaker 1>a meddler, but I only decide to get involved in

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<v Speaker 1>the business of upturning people's entire lives after hours, sometimes

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<v Speaker 1>even days, of careful consideration. But then, I've never hosted

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<v Speaker 1>a call in show before, and so adrenalized by the

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<v Speaker 1>single flashing light on my switchboard and the imperial perch

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<v Speaker 1>of my slightly elevated swivel chair, I dive in, would

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<v Speaker 1>you want me to call him up? And I say this,

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<v Speaker 1>by the way, like with the idea that it's could

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<v Speaker 1>be a terrible, terrible idea, I'm not championing this idea.

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<v Speaker 1>This could be a stupid idea.

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<v Speaker 2>It's better than any of the ideas that I've had

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<v Speaker 2>for the past five years. So yeah, I think I

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<v Speaker 2>think it would be helpful.

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<v Speaker 1>My idea is to serve as Elise's emotional advanced scout,

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<v Speaker 1>to call up her dad and see if he might

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<v Speaker 1>be ready, and after all this time, to talk to

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<v Speaker 1>Elise and offer some answers. Given what Elise has told

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<v Speaker 1>me about her dad, I can't say I'm optimistic about that.

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<v Speaker 1>But then again, I can't say I'm optimistic about anything.

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<v Speaker 2>Good luck for the rest of your calls.

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<v Speaker 1>No one's going to call anyway.

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<v Speaker 5>So no, this.

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<v Speaker 1>Was a good call in show. And so it comes

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<v Speaker 1>to pass that I email Billy. As I await his response,

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<v Speaker 1>I imagine various scenarios. Maybe Billy will treat me like

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<v Speaker 1>a student loan officer. Sorry, sir, you've got the wrong

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<v Speaker 1>he might say. Or perhaps he'll try to convince me

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<v Speaker 1>I have the story all wrong, that Elise and her

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<v Speaker 1>mom are the real villains. After a week and a half,

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<v Speaker 1>I finally hear back from Billy, and his actual response

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<v Speaker 1>is more surprising than any I might have imagined. It's

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<v Speaker 1>just a simple note apologizing for the delay. Billy explains

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<v Speaker 1>it's the rainy season in the Philippines and it's been

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<v Speaker 1>messing with his internet. But he says he really wants

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<v Speaker 1>to talk to me, to be honest with you, He writes,

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<v Speaker 1>you are the only hope I have of communicating with Elise. Hello,

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<v Speaker 1>oh hi, this is Jonathan Goldstein speaking.

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<v Speaker 5>Hey Jonathan. It's a terrible evening here again thunder and lightning,

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<v Speaker 5>as I told you season. But anyway, so Elise contacted you.

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<v Speaker 1>Although Elisa's last memory of her dad was at her

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<v Speaker 1>graduation ceremony, Billy has a different final memory, and as

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<v Speaker 1>he describes it, it was one of the most painful

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<v Speaker 1>moments of his life. It was in the midst of

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<v Speaker 1>the separation from Elisa's mom.

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<v Speaker 5>I was walking out of the garage carrying a box,

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<v Speaker 5>and you can see straight into the house from the driveway,

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<v Speaker 5>and Elise was in the dining room. Well when she

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<v Speaker 5>saw me, she darted back into the living room and

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<v Speaker 5>kind of hid herself so I couldn't see her. But

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<v Speaker 5>I know for a fact that she saw me because

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<v Speaker 5>we made eye contact.

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<v Speaker 1>I get that this had to have been painful for Billy,

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<v Speaker 1>But as Elisa's interlocutor, I tell him this isn't about

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<v Speaker 1>his pain. It's about his daughter's pain and her anger.

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<v Speaker 1>And if they're to speak, he should be prepared for that,

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<v Speaker 1>I can't imagine that something Billy wants to hear, and

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<v Speaker 1>I'm worried how he'll react.

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<v Speaker 5>As far as her feeling anger on her mother's behalf,

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<v Speaker 5>that I can assure you is completely understandable.

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<v Speaker 1>Once again, Billy has managed to surprise me.

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<v Speaker 5>I basically putn't it bluntly shit all over that woman

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<v Speaker 5>on many occasions. He was one particular Sunday morning that

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<v Speaker 5>she was a cooking breakfast and the phone rings and

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<v Speaker 5>there's a woman on the phone, and the woman says, Hey,

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<v Speaker 5>this is Angela. Can I speak to Billy? And my

0:15:03.600 --> 0:15:06.720
<v Speaker 5>wife said, well, who are you? And she just openly

0:15:07.320 --> 0:15:11.080
<v Speaker 5>older she said, well, I'm his girlfriend. Can you imagine

0:15:11.080 --> 0:15:14.880
<v Speaker 5>a wife getting a own concosation like that on a

0:15:14.960 --> 0:15:18.200
<v Speaker 5>Sunday morning in the middle of breakfast, saying I'm your

0:15:18.280 --> 0:15:26.200
<v Speaker 5>husband's girlfriend. If at least broke is that with you?

0:15:26.360 --> 0:15:29.600
<v Speaker 5>I can assure you that everything will word that she

0:15:29.760 --> 0:15:35.280
<v Speaker 5>says is accurate, And if it's not a really ugly picture,

0:15:36.000 --> 0:15:39.360
<v Speaker 5>she's left something like, because trust me, it's a really

0:15:40.040 --> 0:15:46.520
<v Speaker 5>ugly picture. But there's absolutely nothing that I won't be

0:15:47.320 --> 0:15:51.640
<v Speaker 5>completely honest and open about. The honesting that I have

0:15:51.840 --> 0:15:57.200
<v Speaker 5>absolutely no problem discussing anything with.

0:15:57.320 --> 0:16:02.400
<v Speaker 1>You, hearing everything at least had to say about Billy's

0:16:02.480 --> 0:16:06.280
<v Speaker 1>unwillingness to own up his refusal to engage. I was

0:16:06.320 --> 0:16:11.640
<v Speaker 1>expecting the worst, but Billy seems genuinely remorseful, apologetic, and

0:16:11.720 --> 0:16:14.840
<v Speaker 1>even eager to hear his daughter out. He tells me

0:16:14.960 --> 0:16:17.280
<v Speaker 1>he kept his distance out of fear that at Least

0:16:17.320 --> 0:16:19.800
<v Speaker 1>didn't want to hear from him at all, But he

0:16:19.840 --> 0:16:21.360
<v Speaker 1>thinks about her all the time.

0:16:23.080 --> 0:16:26.600
<v Speaker 5>I don't know if it's because I'm getting older either.

0:16:26.760 --> 0:16:30.640
<v Speaker 5>I don't know if it's because I feel like I've

0:16:30.680 --> 0:16:35.480
<v Speaker 5>lost my daughter. I don't know what it is, but

0:16:35.960 --> 0:16:41.640
<v Speaker 5>I was really excited when I found out that she

0:16:41.880 --> 0:16:47.560
<v Speaker 5>had reached help to you to make contact with me,

0:16:48.680 --> 0:16:53.840
<v Speaker 5>because to me, that means she wants to get our

0:16:53.880 --> 0:16:59.920
<v Speaker 5>relationship back, and that is desperately what I want.

0:17:21.880 --> 0:17:27.680
<v Speaker 1>Elise, Hi, how are you nice to meet you? I've

0:17:27.680 --> 0:17:30.320
<v Speaker 1>invited Elise to my office in Brooklyn so that we

0:17:30.359 --> 0:17:33.240
<v Speaker 1>can call her father together. It will be the first

0:17:33.240 --> 0:17:36.520
<v Speaker 1>time in five years that Alise hears Billy's voice.

0:17:37.080 --> 0:17:39.360
<v Speaker 4>How are you feeling very nervous?

0:17:39.600 --> 0:17:39.960
<v Speaker 6>You are?

0:17:40.560 --> 0:17:43.840
<v Speaker 1>Do you want some coffee? Nothing calms the Kishkas better

0:17:43.880 --> 0:17:47.399
<v Speaker 1>than a nice cup of coffee. Alise declines and we

0:17:47.480 --> 0:17:49.760
<v Speaker 1>settle in for some small talk while I set up

0:17:49.800 --> 0:17:54.560
<v Speaker 1>the call. As we chat, I'm struck by Elise's cultural sensitivity.

0:17:55.560 --> 0:17:59.120
<v Speaker 4>Wasn't it Canada Day? Recently? It was I'd be Canada Day?

0:17:59.280 --> 0:18:04.680
<v Speaker 1>Thank you? And I fumble around, incapable of an appropriately

0:18:04.800 --> 0:18:09.600
<v Speaker 1>reciprocal well wish. Hmmm. We're three days after Canada Day,

0:18:09.720 --> 0:18:14.160
<v Speaker 1>so that makes it the third, maybe the fourth of July. Naw,

0:18:14.440 --> 0:18:18.280
<v Speaker 1>I got nothing. I tell the Lease about my conversation

0:18:18.440 --> 0:18:21.840
<v Speaker 1>with Billy. How remorseful and open to talking he seemed.

0:18:22.520 --> 0:18:25.399
<v Speaker 1>She's still worried, but says she wasn't even expecting things

0:18:25.400 --> 0:18:26.440
<v Speaker 1>to progress this far.

0:18:27.160 --> 0:18:29.840
<v Speaker 7>I'm very surprised he spoke to you. I'm very surprised

0:18:29.840 --> 0:18:30.639
<v Speaker 7>he was candid with you.

0:18:32.240 --> 0:18:37.800
<v Speaker 1>So that's a positive, right, and that's a change. Yeah,

0:18:37.920 --> 0:18:41.080
<v Speaker 1>So do you want to Should we try this?

0:18:41.880 --> 0:18:42.080
<v Speaker 5>Sure?

0:18:42.320 --> 0:18:42.880
<v Speaker 1>Make the call?

0:18:43.640 --> 0:18:44.240
<v Speaker 4>Yeah.

0:18:44.480 --> 0:18:48.679
<v Speaker 1>So it's Monday, six in the evening, so it is

0:18:48.800 --> 0:18:54.520
<v Speaker 1>six a m. In the Philippines. It's really yeah, Well

0:18:54.640 --> 0:18:55.240
<v Speaker 1>let's try him.

0:19:00.800 --> 0:19:05.560
<v Speaker 8>H Yeah.

0:19:06.640 --> 0:19:07.560
<v Speaker 1>Hello is this Bill?

0:19:08.680 --> 0:19:08.880
<v Speaker 5>Yes?

0:19:09.640 --> 0:19:13.359
<v Speaker 1>Hi Bill, This is Jonathan Goldstein speaking Hi buddy.

0:19:13.440 --> 0:19:14.160
<v Speaker 5>What's going on?

0:19:16.600 --> 0:19:20.359
<v Speaker 1>Well, I'm here with Elise he did.

0:19:23.240 --> 0:19:25.280
<v Speaker 5>Hi, Hi, honey, how are you?

0:19:26.560 --> 0:19:31.560
<v Speaker 4>I I'm good, how are you? Everything is good to end,

0:19:32.240 --> 0:19:32.800
<v Speaker 4>that's good.

0:19:33.840 --> 0:19:41.640
<v Speaker 5>I'm glad that you were approached Johnson. Any communication that

0:19:41.720 --> 0:19:44.720
<v Speaker 5>we can get I think is really good.

0:19:47.200 --> 0:19:51.399
<v Speaker 4>Yeah, I'm sorry it took such a long time.

0:19:51.880 --> 0:19:56.960
<v Speaker 9>I just still pay what I understand. You want Gools

0:19:57.000 --> 0:20:01.600
<v Speaker 9>to work German problems. And yeah, things went wrong towards

0:20:01.600 --> 0:20:06.760
<v Speaker 9>the end, and yes they're one fault if she shanked.

0:20:06.359 --> 0:20:08.879
<v Speaker 5>Back when we shared a lot of great times.

0:20:10.960 --> 0:20:13.400
<v Speaker 1>But Elise isn't here to talk about the great times.

0:20:13.960 --> 0:20:16.840
<v Speaker 1>She's here to talk about the bad times. In fact,

0:20:17.240 --> 0:20:19.440
<v Speaker 1>she's written up some notes to make sure she doesn't

0:20:19.520 --> 0:20:23.240
<v Speaker 1>leave any of her feelings or questions unsaid. The notes

0:20:23.280 --> 0:20:26.760
<v Speaker 1>are in her hand, but she isn't looking at them. Instead,

0:20:27.320 --> 0:20:28.320
<v Speaker 1>she speaks from the heart.

0:20:30.600 --> 0:20:41.240
<v Speaker 7>Okay, I have thought about emailing you back. I've just

0:20:41.920 --> 0:20:46.439
<v Speaker 7>been so angry that I didn't think it would be productive.

0:20:47.920 --> 0:20:50.200
<v Speaker 5>Uh And like.

0:20:51.680 --> 0:20:55.320
<v Speaker 4>I have just wanted to like.

0:20:54.080 --> 0:20:57.960
<v Speaker 7>Like yell at you or or cry or cuss you

0:20:58.000 --> 0:21:04.639
<v Speaker 7>out for leaving not explaining anything. But I don't feel

0:21:04.640 --> 0:21:09.040
<v Speaker 7>that like intense anger anymore. And I am sad that

0:21:09.119 --> 0:21:14.159
<v Speaker 7>we don't have a relationship like we used to. But

0:21:15.080 --> 0:21:17.919
<v Speaker 7>I feel like every time I let you back in

0:21:18.320 --> 0:21:21.119
<v Speaker 7>and I forgive you for whatever has happened before, you

0:21:21.240 --> 0:21:23.080
<v Speaker 7>end up just breaking my heart again.

0:21:23.920 --> 0:21:24.199
<v Speaker 4>And I.

0:21:25.760 --> 0:21:29.960
<v Speaker 7>Do find it very insulting that you gave another child

0:21:30.000 --> 0:21:31.840
<v Speaker 7>my name, my verse and last name.

0:21:35.200 --> 0:21:36.000
<v Speaker 4>And I don't know.

0:21:36.119 --> 0:21:38.960
<v Speaker 7>I don't know what relationship we're going to have in

0:21:39.000 --> 0:21:42.440
<v Speaker 7>the future. I just I had to sort of get

0:21:43.280 --> 0:21:46.160
<v Speaker 7>some of this out for any of that to be possible.

0:21:53.960 --> 0:21:57.720
<v Speaker 1>Billy is silent for a while. When he finally does respond,

0:21:58.280 --> 0:22:00.960
<v Speaker 1>he skips right over the big question about his leaving

0:22:00.960 --> 0:22:05.040
<v Speaker 1>with that explanation and focuses on the second question instead,

0:22:05.800 --> 0:22:07.440
<v Speaker 1>the question of Elisa's name.

0:22:08.800 --> 0:22:17.520
<v Speaker 5>Well, I can tell you that it was her mother

0:22:18.280 --> 0:22:20.960
<v Speaker 5>who loves the name Alice.

0:22:22.119 --> 0:22:25.879
<v Speaker 10>I should have contested and said, no, you know, Leasure,

0:22:25.960 --> 0:22:28.240
<v Speaker 10>we think them. But I didn't, at least to be

0:22:28.280 --> 0:22:32.600
<v Speaker 10>honest with you, and I should have done. The Filipino

0:22:33.040 --> 0:22:38.959
<v Speaker 10>culture and the Filipino thinking is different. I'll give you

0:22:39.000 --> 0:22:46.800
<v Speaker 10>another example. One of your favorite dogs is Charlie. Okay,

0:22:48.320 --> 0:22:52.240
<v Speaker 10>I've never owned a German shepherd over here, but we

0:22:52.440 --> 0:22:56.240
<v Speaker 10>had a dog. But because of the stories that I've told,

0:22:56.520 --> 0:23:00.960
<v Speaker 10>what did they call the dog Charlie.

0:23:01.160 --> 0:23:03.400
<v Speaker 1>By the look on her face at least doesn't seem

0:23:03.480 --> 0:23:07.160
<v Speaker 1>reassured by the fact that like her, Charlie, the beloved

0:23:07.200 --> 0:23:12.119
<v Speaker 1>German shepherd from her childhood, had also been replaced. Although

0:23:12.160 --> 0:23:14.920
<v Speaker 1>I haven't been to the Philippines, it feels as though

0:23:14.960 --> 0:23:17.800
<v Speaker 1>Billy is throwing an entire country under the bus to

0:23:17.880 --> 0:23:21.680
<v Speaker 1>save his own hide. In the silence, I try to

0:23:21.720 --> 0:23:24.320
<v Speaker 1>bring things back to what I think is Billy's strongest suit,

0:23:24.960 --> 0:23:29.120
<v Speaker 1>his seemingly renewed capacity for repentance. I want at least

0:23:29.160 --> 0:23:32.159
<v Speaker 1>to hear what I heard in Billy during our first conversation,

0:23:33.119 --> 0:23:35.360
<v Speaker 1>so I try to steer things in that direction.

0:23:38.240 --> 0:23:38.520
<v Speaker 3>Bill.

0:23:41.640 --> 0:23:47.320
<v Speaker 1>You know you you mentioned feeling regret. What would you

0:23:47.440 --> 0:23:50.760
<v Speaker 1>do differently if you had a chance to do things over?

0:23:52.880 --> 0:23:57.639
<v Speaker 5>I don't think that the final outcome would change much.

0:23:57.760 --> 0:24:04.080
<v Speaker 5>To be honest with you, I should have called or

0:24:04.080 --> 0:24:08.240
<v Speaker 5>a family meeting, and I should have gone over it

0:24:08.320 --> 0:24:18.680
<v Speaker 5>in detail, with times and dates and plans.

0:24:18.720 --> 0:24:21.679
<v Speaker 1>A family meeting about leaving your family was not the

0:24:21.760 --> 0:24:25.320
<v Speaker 1>do over I was expecting. After having heard the level

0:24:25.320 --> 0:24:28.160
<v Speaker 1>of Old Testament shame head express in our first phone call,

0:24:28.640 --> 0:24:31.280
<v Speaker 1>I'm surprised that Billy's now talking in the language of

0:24:31.320 --> 0:24:35.600
<v Speaker 1>meetings and launch dates. Alice stares down at the floor.

0:24:36.359 --> 0:24:39.879
<v Speaker 1>She looks at me. Billy's not giving her what she needs,

0:24:40.440 --> 0:24:42.560
<v Speaker 1>so she puts it to him as directly as she.

0:24:42.560 --> 0:24:45.560
<v Speaker 7>Can, Like, you have to understand that you just disappeared

0:24:45.560 --> 0:24:49.800
<v Speaker 7>and I had no context. Like I want to know

0:24:49.920 --> 0:24:52.440
<v Speaker 7>what you were thinking when you left, and like why

0:24:52.520 --> 0:24:53.080
<v Speaker 7>you left?

0:24:55.119 --> 0:24:56.800
<v Speaker 4>So like what happened?

0:24:59.119 --> 0:25:03.879
<v Speaker 5>Well, there are lots of things that I would like

0:25:04.000 --> 0:25:08.479
<v Speaker 5>to explain to you. Is dogging my leaving?

0:25:14.880 --> 0:25:18.800
<v Speaker 7>Is that I'm here, I'm listening. If there's anything you

0:25:18.840 --> 0:25:19.200
<v Speaker 7>want to.

0:25:19.160 --> 0:25:30.960
<v Speaker 8>Say, Well, there were several several things that happened, Alice.

0:25:32.760 --> 0:25:38.879
<v Speaker 8>It's a long story that I would like to explain

0:25:39.000 --> 0:25:43.720
<v Speaker 8>to you step by step. Got kind of a really

0:25:43.720 --> 0:25:48.080
<v Speaker 8>busy schedule today.

0:25:50.600 --> 0:25:52.840
<v Speaker 4>Is there any like brief overview?

0:25:55.240 --> 0:25:58.680
<v Speaker 5>Well, yeah, honey, I can answer your questions.

0:25:58.760 --> 0:25:59.960
<v Speaker 9>I have an explanation.

0:26:01.640 --> 0:26:05.639
<v Speaker 5>You know what happened, and I would be more than

0:26:05.800 --> 0:26:09.639
<v Speaker 5>happy will explain it to you in detail.

0:26:11.880 --> 0:26:17.600
<v Speaker 1>But then nothing. The conversation goes round and round. Billy

0:26:17.640 --> 0:26:21.560
<v Speaker 1>reassures a Lease that he has explanations, explanations of every

0:26:21.680 --> 0:26:25.160
<v Speaker 1>length and level of detail. It's just that he never

0:26:25.200 --> 0:26:27.280
<v Speaker 1>actually shares any more than.

0:26:27.240 --> 0:26:31.040
<v Speaker 5>Happy to do that. Every question that you may.

0:26:31.000 --> 0:26:35.200
<v Speaker 4>Have, is there anything you've wanted to say to me?

0:26:36.600 --> 0:26:39.960
<v Speaker 5>There won't be a question that you will ask me

0:26:40.080 --> 0:26:41.680
<v Speaker 5>that I won't answer.

0:26:41.880 --> 0:26:43.760
<v Speaker 7>Like right now, you're just telling me that you're going

0:26:43.800 --> 0:26:46.000
<v Speaker 7>to tell me, like do you have anything to happen?

0:26:49.720 --> 0:26:52.960
<v Speaker 1>Billy likes to talk about talking about hard things but

0:26:53.040 --> 0:26:57.560
<v Speaker 1>not actually talking about them. Still at least keeps pushing.

0:26:58.400 --> 0:27:01.080
<v Speaker 4>I understand that it's very painful for you, but I.

0:27:02.680 --> 0:27:05.280
<v Speaker 7>There have been so many times when we've just glossed

0:27:05.359 --> 0:27:09.880
<v Speaker 7>over insane things that have happened, crazy things.

0:27:13.000 --> 0:27:18.119
<v Speaker 10>I understand that there's got to be explanations for things,

0:27:18.119 --> 0:27:22.520
<v Speaker 10>support said and actions, support cloton and things that got done.

0:27:24.160 --> 0:27:27.720
<v Speaker 5>And then when all of that is done, you a

0:27:27.840 --> 0:27:32.240
<v Speaker 5>lass act for last question. And I have told her

0:27:32.520 --> 0:27:33.520
<v Speaker 5>every single thing.

0:27:33.440 --> 0:27:34.520
<v Speaker 8>That I want to call her.

0:27:38.480 --> 0:27:41.760
<v Speaker 1>Billy's not making any headway talking about the past, so

0:27:41.800 --> 0:27:43.800
<v Speaker 1>he turns the conversation to the future.

0:27:44.640 --> 0:27:49.200
<v Speaker 5>I'm really hoping that before idea, she leave.

0:27:49.080 --> 0:27:52.680
<v Speaker 8>This place and I get to see you that which from.

0:27:52.560 --> 0:27:54.320
<v Speaker 2>More cos.

0:27:55.200 --> 0:27:57.480
<v Speaker 5>I don't want to die that I've seen you with them.

0:27:57.720 --> 0:27:58.600
<v Speaker 5>I really don't.

0:28:02.680 --> 0:28:08.040
<v Speaker 4>Yeah, I don't. I don't want that either, and.

0:28:08.040 --> 0:28:13.640
<v Speaker 1>With that, Alise's hands fall into her lap. As an interlocutor.

0:28:13.720 --> 0:28:16.320
<v Speaker 1>There isn't much for me to do. At least, here's

0:28:16.320 --> 0:28:19.320
<v Speaker 1>what Billy is saying and not saying, and she doesn't

0:28:19.359 --> 0:28:22.680
<v Speaker 1>need any help to understand. So I do the only

0:28:22.720 --> 0:28:26.320
<v Speaker 1>thing I can. I sit beside her, commiserating with raised

0:28:26.320 --> 0:28:30.679
<v Speaker 1>eyebrows and puzzled looks, saying without words, I see the

0:28:30.720 --> 0:28:41.320
<v Speaker 1>same things you do and it's not you. For the

0:28:41.360 --> 0:28:43.959
<v Speaker 1>rest of the call, at least stays quiet and allows

0:28:43.960 --> 0:28:46.840
<v Speaker 1>Billy to talk, though it feels as though he's mostly

0:28:46.880 --> 0:28:47.880
<v Speaker 1>talking to himself.

0:28:49.040 --> 0:28:54.080
<v Speaker 5>Wouldn't be ill place. Don't look backwards anymore. Just don't

0:28:54.120 --> 0:28:56.920
<v Speaker 5>go backwards. There's too much pain back there.

0:28:59.000 --> 0:28:59.760
<v Speaker 9>Don't go back.

0:29:01.040 --> 0:29:06.000
<v Speaker 5>It's just respond that happened back then. But let's move forward.

0:29:06.680 --> 0:29:10.200
<v Speaker 5>It's just so painful it hurts.

0:29:10.360 --> 0:29:11.520
<v Speaker 9>It hurts a lot.

0:29:14.800 --> 0:29:17.480
<v Speaker 1>As Billy tries to push away the past while cowering

0:29:17.520 --> 0:29:20.880
<v Speaker 1>from the future, the present takes hold the when Billy

0:29:20.960 --> 0:29:21.760
<v Speaker 1>can't deny.

0:29:22.400 --> 0:29:30.560
<v Speaker 5>I am totally okay. Just wait one minute than one

0:29:30.640 --> 0:29:46.240
<v Speaker 5>the I know I'm totally totally responsible for and so,

0:29:47.480 --> 0:29:51.360
<v Speaker 5>but if there are any other.

0:29:52.720 --> 0:29:57.000
<v Speaker 10>Explanations that I should give to you least you know,

0:29:57.440 --> 0:29:59.000
<v Speaker 10>I'll be more than happy to do that.

0:29:59.720 --> 0:30:03.200
<v Speaker 5>I will be more than happy to spend my evening

0:30:04.080 --> 0:30:05.960
<v Speaker 5>starting to explain that to me.

0:30:08.440 --> 0:30:11.960
<v Speaker 1>Billy promises that that evening he'll send a lease an email,

0:30:12.760 --> 0:30:17.240
<v Speaker 1>an email that will explain everything. But it never arrives,

0:30:17.960 --> 0:30:21.040
<v Speaker 1>not that night, or the next, or any night in

0:30:21.120 --> 0:30:22.000
<v Speaker 1>the months that follow.

0:30:23.280 --> 0:30:25.760
<v Speaker 9>I will email you later today, Okay.

0:30:25.600 --> 0:30:35.840
<v Speaker 11>Lush, Yeah, Okay, Well, LEI thank you.

0:30:37.240 --> 0:30:38.520
<v Speaker 5>I really appreciate it.

0:30:41.200 --> 0:30:43.760
<v Speaker 1>Okay, Bill, Well, have a good rest of the day.

0:30:44.600 --> 0:30:47.760
<v Speaker 7>Yeah, thanks for thanks for talking, Dun, I appreciate it.

0:30:49.120 --> 0:30:51.719
<v Speaker 5>Okay, I have a great day, honey.

0:30:51.440 --> 0:30:54.920
<v Speaker 4>You too, thank you.

0:30:55.800 --> 0:31:07.800
<v Speaker 12>Bye, Okay, how you doing.

0:31:12.080 --> 0:31:14.240
<v Speaker 1>Once we're off the phone, Elise and I go over

0:31:14.280 --> 0:31:17.640
<v Speaker 1>what just happened. She tells me she felt steamrolled, and

0:31:17.680 --> 0:31:18.920
<v Speaker 1>I tell her that I felt it too.

0:31:20.280 --> 0:31:24.320
<v Speaker 7>I wasn't really sure what I wanted to get out

0:31:24.320 --> 0:31:29.800
<v Speaker 7>of it. I don't think that everyone gets sort of

0:31:31.120 --> 0:31:36.600
<v Speaker 7>equally agreeable, compromised ending, But for a long time I

0:31:36.600 --> 0:31:38.840
<v Speaker 7>felt like the burden of us not having a relationship

0:31:38.960 --> 0:31:41.200
<v Speaker 7>was on me because he would email and I would

0:31:41.200 --> 0:31:43.200
<v Speaker 7>never respond, and that was kind of the end of it.

0:31:44.080 --> 0:31:47.480
<v Speaker 7>And I feel like now that I have tried to

0:31:47.560 --> 0:31:51.640
<v Speaker 7>contact him, Like the burden of us not having whatever

0:31:51.720 --> 0:31:54.280
<v Speaker 7>relationship I think we should have is not as much

0:31:54.320 --> 0:32:01.640
<v Speaker 7>on me. I feel a lot less guilt now. Will

0:32:01.680 --> 0:32:03.720
<v Speaker 7>never be as close as it sounds like he wanted

0:32:03.800 --> 0:32:06.760
<v Speaker 7>us to be. I don't think that's likely, and like

0:32:06.840 --> 0:32:10.880
<v Speaker 7>maybe it's okay that I don't push for that. I

0:32:10.920 --> 0:32:14.520
<v Speaker 7>think he creates his own universe like I lived. I

0:32:14.600 --> 0:32:17.600
<v Speaker 7>was a permanent resident of like Billy world for a

0:32:17.680 --> 0:32:19.600
<v Speaker 7>number of years, and I was glad to get off

0:32:19.600 --> 0:32:22.440
<v Speaker 7>the ride. Like you don't get to live in the university.

0:32:22.480 --> 0:32:25.120
<v Speaker 7>You create and expect it not to affect other.

0:32:24.960 --> 0:32:45.640
<v Speaker 1>People, and other people have been affected. In recent months,

0:32:45.720 --> 0:32:49.120
<v Speaker 1>Elise has been corresponding with a British man named Martin,

0:32:49.880 --> 0:32:52.400
<v Speaker 1>and Martin was able to help Elise answer the question

0:32:52.760 --> 0:32:55.320
<v Speaker 1>of why her father left in a way that Billy

0:32:55.440 --> 0:33:00.480
<v Speaker 1>himself couldn't. Martin believes he's Billy's son, born for Billy

0:33:00.560 --> 0:33:05.479
<v Speaker 1>left England for Chattanooga, so unlike Elise, Martin grew up

0:33:05.520 --> 0:33:09.880
<v Speaker 1>without a father because, like Alise, one day, without warning,

0:33:10.320 --> 0:33:15.000
<v Speaker 1>his father left, moved to another country and started another family.

0:33:16.160 --> 0:33:18.920
<v Speaker 1>And from what Martin is saying, he's not the only one.

0:33:19.640 --> 0:33:22.400
<v Speaker 1>There's another man living in England, he tells her, who

0:33:22.440 --> 0:33:25.560
<v Speaker 1>also believes that Billy is his father. The two of

0:33:25.600 --> 0:33:29.640
<v Speaker 1>them have been trying to reach Billy for years. In fact,

0:33:29.880 --> 0:33:32.840
<v Speaker 1>it turns out that Martin and Elise have brushed against

0:33:32.840 --> 0:33:36.440
<v Speaker 1>each other before, a long time ago, when Elise was

0:33:36.440 --> 0:33:39.840
<v Speaker 1>growing up. She remembers the home phone ringing, usually around

0:33:39.880 --> 0:33:43.000
<v Speaker 1>the holidays, and a young man with her father's accent

0:33:43.080 --> 0:33:46.760
<v Speaker 1>on the line asking to speak to Billy. Back then,

0:33:47.240 --> 0:33:50.640
<v Speaker 1>Billy said Martin was a distant cousin, and all these

0:33:50.720 --> 0:33:54.040
<v Speaker 1>years later, Martin still feels like he's being pushed away.

0:33:54.800 --> 0:33:59.840
<v Speaker 1>He just wants Billy to acknowledge him. In learning about

0:34:00.040 --> 0:34:03.080
<v Speaker 1>Martin and her other possible half brother, how her story

0:34:03.160 --> 0:34:06.400
<v Speaker 1>has repeated itself over and over, Alise has found the

0:34:06.480 --> 0:34:10.319
<v Speaker 1>answer she needed, the answer Billy himself was never able

0:34:10.360 --> 0:34:13.880
<v Speaker 1>to give her. It isn't about her or about Martin

0:34:14.480 --> 0:34:18.520
<v Speaker 1>or anyone else. The reason Billy did what Billy did

0:34:19.200 --> 0:34:31.160
<v Speaker 1>is because that's what Billy does. Martin and the other

0:34:31.200 --> 0:34:34.320
<v Speaker 1>possible half brother are planning to take a DNA test,

0:34:34.640 --> 0:34:37.319
<v Speaker 1>and they'd like a lease to take one too. If

0:34:37.360 --> 0:34:40.439
<v Speaker 1>their DNA matches hers Martin says, it's all the proof

0:34:40.440 --> 0:34:43.600
<v Speaker 1>they'll need. Billy will have to accept them as his own.

0:34:44.960 --> 0:34:46.600
<v Speaker 1>When I talked to her on the phone about it

0:34:46.680 --> 0:34:50.000
<v Speaker 1>later on, Elise says she isn't sure a DNA test

0:34:50.080 --> 0:34:53.040
<v Speaker 1>will give Martin the thing he's looking for, but she

0:34:53.120 --> 0:34:54.040
<v Speaker 1>does want to help.

0:34:55.040 --> 0:34:56.839
<v Speaker 6>Knowing how much I wanted to close here, it would

0:34:56.880 --> 0:34:59.480
<v Speaker 6>definitely be good to be able to provide him some.

0:35:01.000 --> 0:35:04.160
<v Speaker 1>So the next time she and Martin speak, she'll offer him.

0:35:04.040 --> 0:35:07.000
<v Speaker 6>This, whatever relationship you have in your head that you

0:35:07.080 --> 0:35:13.520
<v Speaker 6>want with him is probably not possible, and I can

0:35:13.560 --> 0:35:17.799
<v Speaker 6>confirm that you're genetically related, but that doesn't guarantee that

0:35:17.880 --> 0:35:19.960
<v Speaker 6>he will be a presence in your life in a

0:35:20.000 --> 0:35:24.759
<v Speaker 6>way that you want, because he's not able to do

0:35:24.800 --> 0:35:25.239
<v Speaker 6>that for me.

0:35:29.360 --> 0:35:32.400
<v Speaker 1>In other words, Elise will tell Martin, I see the

0:35:32.400 --> 0:35:42.399
<v Speaker 1>same things you do, and it's not you. A few

0:35:42.400 --> 0:35:45.000
<v Speaker 1>months after our call with her father, Alise and I

0:35:45.120 --> 0:35:48.120
<v Speaker 1>check back in. She tells me she still hasn't heard

0:35:48.120 --> 0:35:52.480
<v Speaker 1>from Billy, but she suspects that around the holidays, like always,

0:35:52.960 --> 0:35:56.359
<v Speaker 1>she'll get that three sentence email, and when she does,

0:35:56.880 --> 0:36:01.359
<v Speaker 1>this time she'll write him back. Whatever holiday it is,

0:36:02.040 --> 0:36:06.080
<v Speaker 1>she'll write, hope, You're well, Love Police.

0:36:39.800 --> 0:36:49.319
<v Speaker 3>Now that the Fernentures return into its goodwill home, now

0:36:49.360 --> 0:36:54.160
<v Speaker 3>that the last month's rant is skiming with the damage,

0:36:54.239 --> 0:37:04.880
<v Speaker 3>the pos take this moment to deserve flee. Traps felt

0:37:04.920 --> 0:37:06.520
<v Speaker 3>around for far too.

0:37:08.840 --> 0:37:17.400
<v Speaker 1>From things accident Lee. This episode of Heavyweight was produced

0:37:17.400 --> 0:37:20.759
<v Speaker 1>by me Jonathan Goldstein along with Ba Parker, Khalila Holt,

0:37:20.880 --> 0:37:23.800
<v Speaker 1>and Stevie Lane. The show is edited by Jorge Just

0:37:24.200 --> 0:37:28.440
<v Speaker 1>Special thanks to Emily Condon, Kaitlin Roberts, Alex Goldman, Caitlyn Kenney,

0:37:28.800 --> 0:37:32.880
<v Speaker 1>Alex Bloomberg, and Jackie Cohen. Bobby Lord mixed the episode

0:37:32.920 --> 0:37:36.760
<v Speaker 1>with original music by Christine Fellows, John K. Sampson, Michael Hurst,

0:37:37.040 --> 0:37:40.160
<v Speaker 1>and Bobby Lord. Additional music credits can be found on

0:37:40.200 --> 0:37:44.759
<v Speaker 1>our website, gimletmedia dot com slash Heavyweight. Our theme song

0:37:44.880 --> 0:37:47.360
<v Speaker 1>is by The Weaker Bands courtesy of Epitaph Records, and

0:37:47.440 --> 0:37:50.200
<v Speaker 1>our ad music is by Hailey Shaw. Follow us on

0:37:50.280 --> 0:37:54.160
<v Speaker 1>Twitter at Heavyweight or email us at Heavyweight at gimletmedia

0:37:54.200 --> 0:37:57.680
<v Speaker 1>dot com. You can listen for free on Spotify or

0:37:57.960 --> 0:38:01.280
<v Speaker 1>wherever you get your podcasts. Will be gone for the holidays,

0:38:01.320 --> 0:38:04.640
<v Speaker 1>but back with a new episode in December. In the meantime,

0:38:05.000 --> 0:38:06.960
<v Speaker 1>we'll leave you with something you didn't even know you

0:38:07.040 --> 0:38:11.280
<v Speaker 1>were waiting for. This year's Thanksgiving song by heavyweight audio

0:38:11.400 --> 0:38:14.800
<v Speaker 1>engineer Bobby Lord. It's a special treat to share with

0:38:14.920 --> 0:38:17.879
<v Speaker 1>the whole family once you're tired of talking to each other.

0:38:18.640 --> 0:38:26.359
<v Speaker 1>Take it away, Bob, Jonathan Jonathan Boldstein.

0:38:26.960 --> 0:38:36.880
<v Speaker 13>It is Buldsteine old Buldstein, Boldstein, Bullstein, Buldsteine, bold Stein,

0:38:37.080 --> 0:38:39.640
<v Speaker 13>bold Star, Bullstop, bullstops.

0:38:41.640 --> 0:38:47.760
<v Speaker 1>I don't listen to podcasts rapidly becoming Tony Shalou.

0:38:48.080 --> 0:38:51.920
<v Speaker 13>I think bullshineld Stop, bold Stop bold.

0:38:51.680 --> 0:38:53.680
<v Speaker 2>Stock, because.

0:38:56.160 --> 0:39:00.400
<v Speaker 13>Shine, we've wasted our lives become

0:39:04.480 --> 0:39:08.239
<v Speaker 1>We've wasted our lives becoming s