WEBVTT - Unpregnant

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<v Speaker 1>On the bel Cast, the questions asked if movies have

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<v Speaker 1>women in um? Are all their discussions just boyfriends and husbands?

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<v Speaker 1>Do they have individualism? The patriarchy? Zef in best start

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<v Speaker 1>changing it with the Bedel Cast. Hello and welcome to

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<v Speaker 1>the Bechtel Cast. My name is Caitlin Dronte, my name

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<v Speaker 1>is Jamie Loftus, and the world is on fire yet again.

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<v Speaker 1>So we are recording and an emergency oops, no rights

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<v Speaker 1>episode of the bachel Cast. Oh we laugh, so we

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<v Speaker 1>don't cry. We laugh so we don't cry, but we

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<v Speaker 1>still cry. But we still also cry, you know, because

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<v Speaker 1>we're laughing so hard. Yeah. Sorry, Uh, difficult week. You know,

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<v Speaker 1>we're doing our best. Uh. I hope everyone is doing well.

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<v Speaker 1>We have been wanting to do this episode for a while,

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<v Speaker 1>but um, we'recovering the movie argument. You know, you clicked on,

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<v Speaker 1>you clicked the episode, you pressed play. That's on you.

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<v Speaker 1>But we we've been wanting to do this episode since

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<v Speaker 1>this movie came out, but we kind of fast tracked

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<v Speaker 1>it for this week for obvious reasons. If you're listening

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<v Speaker 1>to this at a later time, we are recording this

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<v Speaker 1>the week that UM the Supreme Court intention to potentially,

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<v Speaker 1>uh remove the right to abortion has been leaked just

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<v Speaker 1>to be totally clear about what exactly is going on.

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<v Speaker 1>It's very common knowledge, but we want to just be

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<v Speaker 1>sure the Supreme Court is poised to make this decision

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<v Speaker 1>about abortion on whether it's protected by the Constitution or not.

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<v Speaker 1>This was a draft of a February Supreme Court opinion.

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<v Speaker 1>It was leaked, and it's sort of would lead you

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<v Speaker 1>to believe that the Court is going to be overturning

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<v Speaker 1>Roe v. Wade Um, which made abortion legal nationwide back

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<v Speaker 1>in the seventies. Basically, they're trying to make abortion unconstitutional

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<v Speaker 1>and rolled back fifty years of progress. There have been

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<v Speaker 1>protests this week. There's been a huge call to action

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<v Speaker 1>to donate to local abortion funds UM, which we will

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<v Speaker 1>you know, right right at the top, we're going to

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<v Speaker 1>be linking to resources UM in the description of this episode.

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<v Speaker 1>We are also pledging a portion of our Patreon income

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<v Speaker 1>this month. UM. Also, something that I learned this week

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<v Speaker 1>is that Planned Parenthood, while a wonderful organization, is not

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<v Speaker 1>the fastest way to get money to local abortion clinics,

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<v Speaker 1>and it is more efficient to donate directly. So that

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<v Speaker 1>so we'll be linking to that um, especially in states

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<v Speaker 1>where abortion is more difficult to access. Uh, God fucking damnit.

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<v Speaker 1>We'll talk about it. But but this is this is

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<v Speaker 1>the Unpregnant episode, and this is the Bechtel Cast. But

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<v Speaker 1>what the heck is the Bectel Cast? Caitlin, I simply

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<v Speaker 1>I forget. It's our podcasts, in which we examine movies

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<v Speaker 1>through an intersectional feminist lens, using the Bechtel Tests simply

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<v Speaker 1>as a jumping off point. The Bechtel Test, of course,

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<v Speaker 1>being a media metric created by queer cartoonist Alison Bechtel,

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<v Speaker 1>sometimes called the Bechtel Wallace Test. There are many versions

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<v Speaker 1>of the test, but the one that we currently use

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<v Speaker 1>is as follows. There must be two characters of a

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<v Speaker 1>marginalized gender with names who speak to each other, and

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<v Speaker 1>their conversation has to be about something other than a

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<v Speaker 1>man for two or more lines of dialogue, and ideally

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<v Speaker 1>that exchange of dialogue is narratively impactful. Not going to

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<v Speaker 1>be a problem today because we are covering the movie Unpregnant.

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<v Speaker 1>It is a recent movie. It came in on HBO.

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<v Speaker 1>Max Um, So, Caitlin, do you have what was your

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<v Speaker 1>history with this movie? I did see it right when

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<v Speaker 1>it came out, because there was quite a bit of

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<v Speaker 1>buzz about it. It was released in I think September,

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<v Speaker 1>and a lot of listeners were like, hey, the Bechtel

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<v Speaker 1>Cast should cover this, and we're like, okay, we'll put

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<v Speaker 1>it on the list our list of eight million things

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<v Speaker 1>to cover. But so I did. I did see it. Um,

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<v Speaker 1>I'll be honest, I didn't like it that much. I

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<v Speaker 1>think that it's doing some really good things and other things,

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<v Speaker 1>the execution is weird. So from a storytelling standpoint, from

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<v Speaker 1>a like Bechtel Cast standpoint, you know, there's there's something

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<v Speaker 1>in your in your pro life, and of course I

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<v Speaker 1>am anti choice, so that I'm sure made it a

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<v Speaker 1>difficult watch for you, certainly certainly. Um No, Like I

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<v Speaker 1>think it's it's a really good premise with execution that

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<v Speaker 1>misses the mark in some regards. But I think maybe

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<v Speaker 1>the reason that we kind of didn't cover it right

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<v Speaker 1>away is that it wasn't necessarily the most our favorite

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<v Speaker 1>our favorite, um. But it is a good conduit by

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<v Speaker 1>which we can discuss current events, so that's why we

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<v Speaker 1>are covering it. Now. What is your relationship with it, Jamie? Uh?

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<v Speaker 1>Literally identical so it when I came out due to

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<v Speaker 1>the buzz due to the listener interest. Also that was

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<v Speaker 1>like a little all over the place it did, I

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<v Speaker 1>mean maybe fall in love with both of the lead

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<v Speaker 1>actors at this movie. Haley Richardson and Barbie fare are

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<v Speaker 1>so fun in this movie. I feel like they are

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<v Speaker 1>able to sell a lot of stuff that is not

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<v Speaker 1>Like just I don't know. The pacing of this movie.

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<v Speaker 1>We we both think is weird, but it's not really

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<v Speaker 1>why we're here to talk about it, even though we'll

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<v Speaker 1>probably keep pointing it out because we're bitches. Ah. But yeah, no,

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<v Speaker 1>I was excited to see this movie come up. I'm

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<v Speaker 1>very glad it exists because I mean, just in general,

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<v Speaker 1>there is a lot lacking when it comes to the

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<v Speaker 1>representation of abortion in media in general, which we've discussed

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<v Speaker 1>here and there on the show. Yeah extensively. We've we

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<v Speaker 1>covered an Obvious Child on The Matrian a couple of

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<v Speaker 1>years ago. At this point, I don't really fully remember

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<v Speaker 1>our discussion around it, but I do remember that movie

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<v Speaker 1>is not my favorite. Like, I don't know, but there

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<v Speaker 1>but there's so few options because abortion movies are so

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<v Speaker 1>often spun as tragedy porn, and like, I really appreciate that,

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<v Speaker 1>and you appreciate it when it came out two years ago,

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<v Speaker 1>that this movie it's an abortion romp while still hitting

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<v Speaker 1>all the appropriate you know points. I feel like it

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<v Speaker 1>treats the subject matter very respectfully. Right, it's a teen

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<v Speaker 1>road trip abortion romp. Look, I would be down for

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<v Speaker 1>another abortion romp. Same. Yeah, it's this movie is all

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<v Speaker 1>over the place, but yeah, as far as what it's

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<v Speaker 1>trying to do, I think it accomplishes the goal. The

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<v Speaker 1>performances are fun, uh, and then we got a lot

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<v Speaker 1>of other stuff to talk about. But that's why we

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<v Speaker 1>recovering this movie. It's I mean truly, I think for

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<v Speaker 1>our listeners, nothing that you're not familiar with already in

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<v Speaker 1>terms of like why this is so horrible and why

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<v Speaker 1>people with uterus as having less rights than two generations

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<v Speaker 1>prior than them is just absolutely fucked beyond belief. But

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<v Speaker 1>I mean, the one thing that this movie doesn't hit

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<v Speaker 1>on that, I mean, it's not anyone movies responsibility to

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<v Speaker 1>hit on everything, but I do think it's an important

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<v Speaker 1>point to make in this conversation of um because this

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<v Speaker 1>is a movie about a teenage girl an underage girl,

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<v Speaker 1>which is relevant to the law. Uh here is you know,

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<v Speaker 1>struggling to get access to an abortion without parental consent

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<v Speaker 1>with extremely religious parents who probably would not want to

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<v Speaker 1>do that. But I think it's important to remember and

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<v Speaker 1>point out that, um, the people who primarily suffer when

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<v Speaker 1>abortion is outlawed are low income people. Yeah, I guess

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<v Speaker 1>it becomes very much an issue that's divided among class

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<v Speaker 1>and race lines. And the further marginalized you are by

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<v Speaker 1>American society, the less likely it is you will have

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<v Speaker 1>access to uh safe abortion. So it affects everyone, but

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<v Speaker 1>it also disproportionately affects marginalized people, low income, people of color,

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<v Speaker 1>cross class and race lines, and it Yeah, there's well,

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<v Speaker 1>we'll also link to resources on that. That's I think

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<v Speaker 1>just one of the one of the few important points

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<v Speaker 1>about abortion that this movie didn't completely skip. Yes, yeah,

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<v Speaker 1>uh so I just want to put that right at

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<v Speaker 1>the top, and I think I'm just gonna I'm just

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<v Speaker 1>gonna read it because that it Unfortunately, this Linda West

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<v Speaker 1>quote goes viral every couple of months when they try

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<v Speaker 1>to repeal Roe v. Wade every couple of months, but

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<v Speaker 1>it is I mean Linda West is brilliant, and I

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<v Speaker 1>just want to read it here before we get into

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<v Speaker 1>uh duncan on the movie, which is what we're good at.

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<v Speaker 1>Uh So, this is Lyndy West on The Daily Show

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<v Speaker 1>a couple of years ago. I believe she says this quote.

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<v Speaker 1>Anti choice people are not trying to stop abortion. They're

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<v Speaker 1>trying to legislate who can and cannot have abortions because

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<v Speaker 1>conservative politicians, their wives and mistresses and daughters are always

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<v Speaker 1>going to be able to get an abortion somewhere. All

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<v Speaker 1>criminalizing abortion will do is keep people trapped in poverty

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<v Speaker 1>for generations. That's the goal. And if it wasn't the goal,

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<v Speaker 1>they would spend their time and money on comprehensive sex education,

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<v Speaker 1>free birth control, and free contraception. Unquote. Yeah, no, notes,

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<v Speaker 1>and I'm upset. It's a very upsetting time in the world.

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<v Speaker 1>Should I recap I'm pregnant? Yeah, all right. We open

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<v Speaker 1>on Veronica played by Hailey lou Richardson. She is taking

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<v Speaker 1>a pregnancy test in the bathroom at her high school.

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<v Speaker 1>A girl walks into the bathroom while this is happening.

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<v Speaker 1>This girl is Bailey played by Barbie Ferrara. We learn

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<v Speaker 1>that Veronica and Bailey used to be best friends but

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<v Speaker 1>had a falling out at some point. The test turns

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<v Speaker 1>out to be positive. Veronica is pregnant or she I

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<v Speaker 1>was gonna say, this movie is even though we're like

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<v Speaker 1>even in the depths of Hell. The movie is called

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<v Speaker 1>ant it is called on. That's just a fact. It

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<v Speaker 1>was embarrassing. I mean, and I didn't want it because

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<v Speaker 1>it is like, it's a movie that you want to

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<v Speaker 1>root for, but there it was embarrassing that literally all

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<v Speaker 1>the marketing materials were misspelled. It's not a good look.

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<v Speaker 1>It's not a good look. Everyone the movie is called

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<v Speaker 1>they're saying it wrong. The whole movie they messed up

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<v Speaker 1>spelled wrong on the poster. I bet it spelled wrong.

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<v Speaker 1>I like, hello, yeah, why didn't you call us to

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<v Speaker 1>consult because that would have been our only note. Exactly fine,

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<v Speaker 1>and replace prag with greg Thank you. That scene where

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<v Speaker 1>they're on the ride at the carnival and Veronica is

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<v Speaker 1>dreaming I'm pregnant, she kept messing that line read up.

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<v Speaker 1>She should have been screaming I'm gregnant. I was like,

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<v Speaker 1>don't we have another take of that where she's saying

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<v Speaker 1>the line correctly. It's it's gay and gregnant. We're gay

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<v Speaker 1>and we're gregnant. But yeah, I mean alliteration that scenes

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<v Speaker 1>should have been really hilarious and empowering, but I couldn't

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<v Speaker 1>get past the distraction of of the of the line

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<v Speaker 1>being said wrong over and of her Yeah. All right, Well,

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<v Speaker 1>so she is confirmed to be gregnant. Apparently the condoms

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<v Speaker 1>she used with her boyfriend, Kevin we're not effective. Veronica

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<v Speaker 1>is freaking out. She goes home and researches getting an

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<v Speaker 1>abortion and learns that because she's in Missouri and she's

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<v Speaker 1>under eighteen I believe she's seventeen, she would need her

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<v Speaker 1>parents permission to have an abortion, which she can't ask

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<v Speaker 1>for because her parents are conservative and religious. The closest

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<v Speaker 1>place where she would not need parental consent as a

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<v Speaker 1>minor to get an abortion is Albuquerque, New Mexico, which

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<v Speaker 1>is a roughly fifteen hour drive from where she lives.

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<v Speaker 1>I believe this is all um accurate. So far, so good? Yeah, sadly, Yeah. Unfortunately,

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<v Speaker 1>Veronica packs a bag and tells her mom that she's

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<v Speaker 1>going to spend the weekend with her friends studying. She

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<v Speaker 1>goes to her friend's place, but it turns out that

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<v Speaker 1>someone had found her pregnancy test at school in the dumpster,

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<v Speaker 1>and all of her friends are speculating on who it

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<v Speaker 1>belongs to. So Veronica, realizing her friends are going to

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<v Speaker 1>be very judge, decides not to tell them that it's

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<v Speaker 1>her who is pregnant. She sorry, gregnant, Yeah, I'm so sorry.

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<v Speaker 1>He's not like Hanley Richardson. It's embarrassing. She does tell

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<v Speaker 1>her boy friend Kevin, and he responds by asking her

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<v Speaker 1>to marry him, and then reveals that around a month ago,

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<v Speaker 1>after they were done having sex, he noticed that the

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<v Speaker 1>condom had broken, but didn't tell her. She's very upset

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<v Speaker 1>by this and storms out, Yeah parts parts of this

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<v Speaker 1>scene work for me. Others I'm like, what is going

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<v Speaker 1>on at this? Definitely not in Olive Garden. Uh okay.

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<v Speaker 1>So side note, Jamie and I and our friend Bryant

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<v Speaker 1>are in a group chat called all of Garden Friends,

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<v Speaker 1>and as we speak at this very moment, Bryant is

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<v Speaker 1>texting us from the Olive Gorden Friends group chat, probably

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<v Speaker 1>asking us to go to Alive Garden. I'm guessing he's

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<v Speaker 1>trying to get us. It's even more embarrassing he's trying

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<v Speaker 1>to get us to join his amc A List entourage,

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<v Speaker 1>which I will, which I'm I'm literally doing it right now.

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<v Speaker 1>Is God. Our lives are quite frankly embarrassing, but we're

0:15:05.960 --> 0:15:13.640
<v Speaker 1>really good at it. Okay. So then Veronica goes to

0:15:14.000 --> 0:15:18.640
<v Speaker 1>Bailey and asks if she will drive Veronica to Albuquerque.

0:15:19.080 --> 0:15:22.520
<v Speaker 1>Bailey agrees. They leave that night. That was one of

0:15:22.520 --> 0:15:26.160
<v Speaker 1>my favorite moments in the entire movie. Barbie Fera is

0:15:26.360 --> 0:15:30.160
<v Speaker 1>so funny and charming where she's that thing where she

0:15:30.200 --> 0:15:32.160
<v Speaker 1>slams the door in her face and then she opens

0:15:32.200 --> 0:15:34.360
<v Speaker 1>the door again and she's like, I was kidding, I

0:15:34.400 --> 0:15:38.120
<v Speaker 1>do not have anything going on right. It's so funny.

0:15:38.120 --> 0:15:41.560
<v Speaker 1>I love her very good. So they set off. They

0:15:41.600 --> 0:15:45.120
<v Speaker 1>stop at a pawn shop so that Veronica can pawn

0:15:45.200 --> 0:15:49.040
<v Speaker 1>the engagement ring that Kevin gave her, but he shows

0:15:49.120 --> 0:15:53.160
<v Speaker 1>up because he was following her. Yeah, because he's a stalker.

0:15:53.240 --> 0:15:56.280
<v Speaker 1>But it's a joke. But it's not that you're just like, hello,

0:15:56.520 --> 0:16:03.120
<v Speaker 1>what Kevin character is all over the place. Anyways, it's, uh,

0:16:03.240 --> 0:16:09.560
<v Speaker 1>we need to talk about Kevin and we will we Wow, Wow,

0:16:10.360 --> 0:16:12.680
<v Speaker 1>we do need to talk about Kevin. I'm gonna also

0:16:12.800 --> 0:16:15.000
<v Speaker 1>someday we're going to have to cover a Kevin Smith movie,

0:16:15.040 --> 0:16:16.480
<v Speaker 1>and then and then we're really going to need to

0:16:16.480 --> 0:16:19.200
<v Speaker 1>talk about Kevin. Oh my gosh, there's going to come

0:16:19.240 --> 0:16:22.240
<v Speaker 1>a day when we're gonna need to talk about Kevin who. Well,

0:16:22.360 --> 0:16:25.960
<v Speaker 1>we're the other Kevin's Kevin Costner movie to talk about

0:16:26.000 --> 0:16:28.360
<v Speaker 1>that Kevin passed. I hate him so much. He's like

0:16:28.400 --> 0:16:31.440
<v Speaker 1>my least favorite Hollywood figure. Who the Kevin. I like

0:16:31.960 --> 0:16:34.960
<v Speaker 1>Kevin Klein. I like Kevin Vinkin is good. A Fish

0:16:35.000 --> 0:16:37.240
<v Speaker 1>called Wanda is a fun movie. We don't need to

0:16:37.280 --> 0:16:39.680
<v Speaker 1>talk about that, Kevin, but but I would be happy

0:16:39.720 --> 0:16:49.000
<v Speaker 1>to sure. Anyways, Kevin's sorry an important aspect of the episode. Yeah, alright,

0:16:49.120 --> 0:16:53.600
<v Speaker 1>So Kevin was stalking Veronica, but they get rid of

0:16:53.720 --> 0:16:57.480
<v Speaker 1>him and continue on their way. Along the way, Veronica

0:16:57.480 --> 0:17:01.160
<v Speaker 1>and Bailey start to bond and rekindle their friendship a bit,

0:17:01.320 --> 0:17:05.439
<v Speaker 1>but Bailey also judges Veronica for the person she's become.

0:17:05.560 --> 0:17:09.960
<v Speaker 1>She's become this kind of like sheeple carbon copy of

0:17:10.000 --> 0:17:13.119
<v Speaker 1>all the popular girls that she's friends with. The classic

0:17:13.240 --> 0:17:15.560
<v Speaker 1>It's you know that thing that happens in every movie,

0:17:16.040 --> 0:17:21.240
<v Speaker 1>right where one change but one is a computer video game.

0:17:21.840 --> 0:17:24.960
<v Speaker 1>One's a video game, and one's a book and that's

0:17:25.119 --> 0:17:29.760
<v Speaker 1>not cool. And you changed because Star Trek and I

0:17:29.800 --> 0:17:31.879
<v Speaker 1>was like, all right, now we're talking. Now we're talking.

0:17:31.960 --> 0:17:34.439
<v Speaker 1>She's like, we used to speak cling on together, and

0:17:34.440 --> 0:17:37.360
<v Speaker 1>now we don't speak cling on together because you're too

0:17:37.359 --> 0:17:41.880
<v Speaker 1>busy to do your homework. Question Mark Rict? Anyways, who knows?

0:17:42.200 --> 0:17:46.119
<v Speaker 1>Who knows? The next morning, they set off again, a

0:17:46.119 --> 0:17:49.439
<v Speaker 1>bit behind schedule. They make a pit stop for some

0:17:49.520 --> 0:17:53.520
<v Speaker 1>food and Veronica reveals that she hasn't made an appointment

0:17:53.600 --> 0:17:58.080
<v Speaker 1>yet to get the abortion. Bailey reveals that the car

0:17:58.119 --> 0:18:02.960
<v Speaker 1>they're driving she's ole from her mom's boyfriend, and the

0:18:03.040 --> 0:18:06.520
<v Speaker 1>cops are following them because of this stolen vehicle, so

0:18:06.560 --> 0:18:11.159
<v Speaker 1>they have to bail and abandon the car. But some

0:18:11.560 --> 0:18:15.800
<v Speaker 1>friends that they met at the diner where they stopped, um, yeah,

0:18:15.840 --> 0:18:18.600
<v Speaker 1>they meet when he starts sexually harassing them, but then

0:18:18.640 --> 0:18:22.680
<v Speaker 1>he quickly becomes a hero and their friend. There's a

0:18:22.720 --> 0:18:26.160
<v Speaker 1>whole thing to talk about with this character. But this

0:18:26.280 --> 0:18:29.679
<v Speaker 1>guy named Rod and his friends kind of swoop in

0:18:30.040 --> 0:18:33.840
<v Speaker 1>and give them a ride to these fair grounds that

0:18:34.000 --> 0:18:38.760
<v Speaker 1>are near a bus stop. There at the fair slash

0:18:39.000 --> 0:18:45.399
<v Speaker 1>Derby Center, they meet Kiarra Matthews, who is this Derby

0:18:45.520 --> 0:18:51.560
<v Speaker 1>racer lady who Bailey develops an instant crush on. Bailey

0:18:51.600 --> 0:18:56.240
<v Speaker 1>comes out to Veronica. There's a discussion to be had

0:18:56.280 --> 0:19:01.000
<v Speaker 1>about this whole situation, but um, they to Carnival Ride

0:19:01.280 --> 0:19:04.679
<v Speaker 1>and scream about how they are gay and gregnant. But

0:19:04.720 --> 0:19:09.280
<v Speaker 1>then again Hayley Richardson gets the line wrong. Then this

0:19:09.400 --> 0:19:13.639
<v Speaker 1>married couple Kate and Mark played by Sugar Lynde Beard

0:19:13.760 --> 0:19:19.080
<v Speaker 1>and breck and Meyer. You're like, what this is. There's

0:19:20.200 --> 0:19:23.879
<v Speaker 1>this suspension of disbelief you have to do from this

0:19:23.960 --> 0:19:27.720
<v Speaker 1>point onward. It's a road trip movie. But it's just like, wow,

0:19:27.840 --> 0:19:31.280
<v Speaker 1>We're yeah, they really they really take it to I

0:19:31.280 --> 0:19:34.719
<v Speaker 1>think the second they're like ditch a car at a

0:19:34.760 --> 0:19:37.280
<v Speaker 1>diner in Texas, You're just like, all right, well, I

0:19:37.280 --> 0:19:39.680
<v Speaker 1>guess the movie. The part of the movie that made

0:19:39.680 --> 0:19:44.560
<v Speaker 1>sense to be has ended. It's ceased to exist. This Honestly,

0:19:44.560 --> 0:19:47.960
<v Speaker 1>this script felt like Also there's five credited writers, which

0:19:48.000 --> 0:19:52.120
<v Speaker 1>is usually indication that, like, you know, there's a lot

0:19:52.160 --> 0:19:56.879
<v Speaker 1>of ideas and inconsistencies and things all mashed together. This

0:19:57.000 --> 0:19:59.320
<v Speaker 1>felt like a second draft of a script, and it

0:19:59.400 --> 0:20:02.800
<v Speaker 1>needed like a fourth or fifth draft. So and it's

0:20:02.800 --> 0:20:05.680
<v Speaker 1>abover because it's a lot of a lot of good writers,

0:20:05.760 --> 0:20:11.040
<v Speaker 1>including Jennifer Cayton Robinson, who wrote Someone Great. She also

0:20:11.480 --> 0:20:15.320
<v Speaker 1>is a credited writer on upcoming thor Love and Thunder.

0:20:16.359 --> 0:20:18.840
<v Speaker 1>Maybe they weren't given enough time question mark. I read.

0:20:18.880 --> 0:20:21.520
<v Speaker 1>I read that the director Rachel Lie Goldenberg, who was

0:20:21.560 --> 0:20:24.640
<v Speaker 1>also a creditive writer, um that this movie was made

0:20:24.680 --> 0:20:30.320
<v Speaker 1>on a very very very tight turnaround. It shows you're

0:20:30.359 --> 0:20:35.240
<v Speaker 1>so mean. I am mean, but I'm so mean about this.

0:20:35.400 --> 0:20:38.840
<v Speaker 1>Let me defend myself here. I think a fun romp

0:20:39.240 --> 0:20:43.440
<v Speaker 1>like road trip romp about girls trying to access an

0:20:43.440 --> 0:20:48.560
<v Speaker 1>abortion is such a great premise and if executed well,

0:20:48.640 --> 0:20:50.560
<v Speaker 1>it could have it could be a movie that, like

0:20:51.359 --> 0:20:54.040
<v Speaker 1>people want to revisit over and over for years to

0:20:54.119 --> 0:20:56.880
<v Speaker 1>come because there's a lot of value in a very

0:20:56.920 --> 0:21:00.760
<v Speaker 1>good movie that also makes an important statement. But if

0:21:00.760 --> 0:21:03.399
<v Speaker 1>a movie is just sort of like executed not that

0:21:03.520 --> 0:21:06.840
<v Speaker 1>well and it's not gonna like, it doesn't really stand

0:21:06.840 --> 0:21:11.159
<v Speaker 1>a chance of being like a cultural touchstone, when a

0:21:11.200 --> 0:21:14.600
<v Speaker 1>movie like this should be a cultural touchstone, you know.

0:21:14.720 --> 0:21:16.480
<v Speaker 1>But that's a lot of pressure to put on one

0:21:16.560 --> 0:21:20.320
<v Speaker 1>movie just because it's about abortion. Fair I do believe

0:21:20.320 --> 0:21:23.879
<v Speaker 1>that there's better movies to come that can take a

0:21:23.960 --> 0:21:28.280
<v Speaker 1>concept like this and hopefully have the time and money

0:21:28.320 --> 0:21:30.679
<v Speaker 1>to make a meal of it. Yeah, because it does like,

0:21:30.720 --> 0:21:33.760
<v Speaker 1>at some point just take a turn for the bizarre

0:21:34.119 --> 0:21:37.800
<v Speaker 1>in a way that does feel like Pineapple Expressie, I

0:21:37.840 --> 0:21:40.639
<v Speaker 1>guess where you're just or like hangovery, where you're like, Okay,

0:21:40.680 --> 0:21:42.840
<v Speaker 1>they're just this is just like we're going from set

0:21:42.840 --> 0:21:45.000
<v Speaker 1>piece to set piece and where there's gonna be a

0:21:45.000 --> 0:21:48.560
<v Speaker 1>lot of character actors and there's gonna be a lot

0:21:48.600 --> 0:21:50.800
<v Speaker 1>of really dangerous crimes that are supposed to be funny,

0:21:50.960 --> 0:21:54.520
<v Speaker 1>and you know, I don't know. Yeah, once the once

0:21:54.560 --> 0:21:57.439
<v Speaker 1>the car thing happens, I'm just like, oh, this is

0:21:57.480 --> 0:22:00.560
<v Speaker 1>not the grounded indeed road trip be I thought I

0:22:00.600 --> 0:22:06.600
<v Speaker 1>was watching, right, I still haven't seen Never rarely sometimes always.

0:22:06.960 --> 0:22:11.040
<v Speaker 1>I think that might be a more grounded and probably

0:22:11.080 --> 0:22:14.960
<v Speaker 1>less like fun tonally, but just like a more grounded,

0:22:14.960 --> 0:22:18.879
<v Speaker 1>probably better executed version of this premise. But I again

0:22:19.000 --> 0:22:21.439
<v Speaker 1>cannot really speak to it because I have not seen it.

0:22:21.480 --> 0:22:24.200
<v Speaker 1>But we should consider covering that one at some point too.

0:22:24.560 --> 0:22:27.920
<v Speaker 1>We should. Hey, I mean they're they're you know, they'll

0:22:27.920 --> 0:22:30.280
<v Speaker 1>be they'll be back for our rights. So there's always

0:22:30.320 --> 0:22:34.840
<v Speaker 1>going to be there. Yeah, yeah, so yeah, don't you worry.

0:22:35.840 --> 0:22:43.040
<v Speaker 1>It's it's Oh sorry if we sound weird today. Uh sorry,

0:22:43.119 --> 0:22:46.800
<v Speaker 1>it's not great. It's not our fault. Also that I

0:22:46.840 --> 0:22:49.240
<v Speaker 1>will I will say one of my least favorite things

0:22:49.240 --> 0:22:52.200
<v Speaker 1>about this movie is the tagline, which is She's a

0:22:52.240 --> 0:22:56.640
<v Speaker 1>taype A without a Plan. B. I was like, I mean,

0:22:56.680 --> 0:22:59.800
<v Speaker 1>it's not the worst, but I don't hate it. I

0:23:00.840 --> 0:23:03.480
<v Speaker 1>She's a taipe without a plan V. It's like, but

0:23:03.600 --> 0:23:10.520
<v Speaker 1>they didn't spell ungregnant, right, Yeah? What um mistakes? Breckon

0:23:10.640 --> 0:23:14.760
<v Speaker 1>Meyer Commire and his wife. Breckon Meyer approaches you at

0:23:15.040 --> 0:23:20.600
<v Speaker 1>a county fair in Texas, w y d start in

0:23:20.720 --> 0:23:24.640
<v Speaker 1>his car. He's like, hey, I overheard that you need

0:23:24.680 --> 0:23:28.720
<v Speaker 1>a ride to New Mexico. We're headed there, and they

0:23:28.760 --> 0:23:32.960
<v Speaker 1>offer Bailey and Veronica a ride, which they accept, but

0:23:33.080 --> 0:23:36.760
<v Speaker 1>before they head off, Bailey and Kira meet up at

0:23:36.760 --> 0:23:41.720
<v Speaker 1>the fair. They kiss, yeah, and then Veronica and Bailey

0:23:41.880 --> 0:23:45.679
<v Speaker 1>leave with this married couple who have a baby. So

0:23:45.720 --> 0:23:48.560
<v Speaker 1>they seem harmless. That's why they, you know, accept the ride.

0:23:48.600 --> 0:23:51.800
<v Speaker 1>This ride from strangers. But this couple turns out to

0:23:51.840 --> 0:23:56.480
<v Speaker 1>be these anti choice crusaders who had actually overheard them

0:23:56.480 --> 0:24:01.080
<v Speaker 1>talking about Veronica getting an abortion and making the appointment,

0:24:01.520 --> 0:24:05.640
<v Speaker 1>which another suspension of disbelief, saying that I'm just like,

0:24:06.000 --> 0:24:11.800
<v Speaker 1>how did they hear? What? No? Anyway, so then they

0:24:11.880 --> 0:24:16.280
<v Speaker 1>kind of abduct Veronica and Bailey, but it's like funny abduction.

0:24:16.480 --> 0:24:20.280
<v Speaker 1>It's it's so wild and zany. They steal the couple's

0:24:20.359 --> 0:24:23.240
<v Speaker 1>SUV and escape, but Breck and Meyer chases them in

0:24:23.280 --> 0:24:28.960
<v Speaker 1>their scary anti abortion RV. They managed to get away

0:24:29.080 --> 0:24:31.880
<v Speaker 1>and they head to a nearby town and find this

0:24:31.920 --> 0:24:36.160
<v Speaker 1>guy Bob played by June Carlo Esposito. Yeah, so you're like, oh,

0:24:36.200 --> 0:24:38.760
<v Speaker 1>we're just we're just going there, like okay, Breck and

0:24:38.840 --> 0:24:43.880
<v Speaker 1>Meyer tapping him out. Let's tap jan Carlos Busito in like,

0:24:43.920 --> 0:24:46.960
<v Speaker 1>it's just like cars. It is like a character actor

0:24:47.080 --> 0:24:53.920
<v Speaker 1>relay race at some point, Yeah, truly. Yeah. Bob owns

0:24:54.160 --> 0:24:56.680
<v Speaker 1>a limousine service and he takes them the rest of

0:24:56.720 --> 0:24:59.679
<v Speaker 1>the way to Albuquerque, but on the way, Veronica and

0:24:59.680 --> 0:25:03.320
<v Speaker 1>Bailey get in a fight because Veronica said some shitty

0:25:03.359 --> 0:25:06.920
<v Speaker 1>things about Bailey to her friends on the phone that

0:25:06.960 --> 0:25:11.479
<v Speaker 1>Bailey overhears. So Bailey storms off, but Veronica tracks her

0:25:11.480 --> 0:25:14.720
<v Speaker 1>down again. Turns out Bailey had gone to her dad's

0:25:14.800 --> 0:25:19.000
<v Speaker 1>plant shop in Albuquerque because she wants to reconnect with him,

0:25:19.040 --> 0:25:23.960
<v Speaker 1>but he blows Bailey off. Allah Kim Cattrell blowing Britney

0:25:24.040 --> 0:25:30.080
<v Speaker 1>Spears off in Crossroads. Hello, I okay, I did not

0:25:30.560 --> 0:25:35.199
<v Speaker 1>thank you thank you for the Crossroads representation. I literally okay.

0:25:35.280 --> 0:25:38.960
<v Speaker 1>So fun fact about me. I do work with mostly

0:25:40.000 --> 0:25:42.200
<v Speaker 1>men at my day job, you know, and that's brave

0:25:42.280 --> 0:25:45.879
<v Speaker 1>of me. And I tried to contextualize something I was

0:25:45.920 --> 0:25:48.280
<v Speaker 1>pitching for an outline the other day in the context

0:25:48.280 --> 0:25:55.200
<v Speaker 1>of Crossroads, and how did that go? They They were like, wait,

0:25:55.200 --> 0:25:57.360
<v Speaker 1>it's our favorite movie. We love it so much. Why

0:25:57.440 --> 0:26:01.320
<v Speaker 1>isn't it easier to access? Uh? Shanda's early work is

0:26:01.359 --> 0:26:04.600
<v Speaker 1>so underrated? They all said that. In unit said they

0:26:04.640 --> 0:26:08.280
<v Speaker 1>were like, isn't that a store anyway? Isn't that a

0:26:08.400 --> 0:26:13.920
<v Speaker 1>thrift shop? Alright, dude rock Anyways. So Bailey is trying

0:26:13.920 --> 0:26:16.280
<v Speaker 1>to reconnect with her dad, but he's being an asshole.

0:26:16.400 --> 0:26:21.040
<v Speaker 1>So Veronica calls him out, tells him out how awesome

0:26:21.080 --> 0:26:26.560
<v Speaker 1>Bailey is, and then she tastes him. She sure. Then

0:26:26.600 --> 0:26:28.600
<v Speaker 1>they go the rest of the way to the clinic,

0:26:28.880 --> 0:26:31.320
<v Speaker 1>where I'm just glad they used the taser because it

0:26:31.359 --> 0:26:34.000
<v Speaker 1>was like a Chekhov's taser situation. It was a Chekhovs

0:26:34.000 --> 0:26:38.359
<v Speaker 1>tasers certainly, and that's how they decided to use it.

0:26:38.400 --> 0:26:41.560
<v Speaker 1>Good for them. Um. They go the rest of the

0:26:41.600 --> 0:26:45.760
<v Speaker 1>way to the clinic, where Kevin, Veronica's boyfriend, has shown

0:26:45.840 --> 0:26:51.280
<v Speaker 1>up again. She breaks up with him once and for all,

0:26:51.359 --> 0:26:55.560
<v Speaker 1>and then Veronica has her abortion. It all goes well,

0:26:56.040 --> 0:26:58.760
<v Speaker 1>but they need to get back home, so Veronica has

0:26:58.800 --> 0:27:02.040
<v Speaker 1>to call her mom, who arranges for them to fly

0:27:02.119 --> 0:27:05.679
<v Speaker 1>back to Missouri. When Veronica gets home, she and her

0:27:05.720 --> 0:27:09.480
<v Speaker 1>mom have a talk. Her mom is disappointed that Veronica

0:27:09.640 --> 0:27:12.879
<v Speaker 1>had an abortion, but she still loves and supports her.

0:27:13.520 --> 0:27:16.080
<v Speaker 1>And then the next day at school, Veronica tells her

0:27:16.080 --> 0:27:18.760
<v Speaker 1>friends that it was her pregnancy test and then she

0:27:18.880 --> 0:27:24.320
<v Speaker 1>ditches them to sit with Bailey at lunch. The end,

0:27:25.200 --> 0:27:31.280
<v Speaker 1>who ungregnant? And with that, We're gonna take a quick

0:27:31.440 --> 0:27:35.040
<v Speaker 1>break and we'll be back after these I feel like

0:27:35.119 --> 0:27:48.399
<v Speaker 1>Robert products and Services products and we're back. We are back,

0:27:48.800 --> 0:27:52.200
<v Speaker 1>all right. So I guess it probably makes the most

0:27:52.359 --> 0:27:55.359
<v Speaker 1>sense to start by talking about how this movie treats

0:27:55.400 --> 0:28:01.280
<v Speaker 1>the subject of abortion. Um, true, true, Yeah, Because I mean,

0:28:01.480 --> 0:28:04.760
<v Speaker 1>the plot of the movie hinges on the fact that

0:28:05.000 --> 0:28:10.239
<v Speaker 1>access to abortion is often limited because our society does

0:28:10.320 --> 0:28:14.560
<v Speaker 1>not like it when people with uterus is have bodily autonomy.

0:28:14.680 --> 0:28:19.480
<v Speaker 1>So the movie becomes commentary on how unjust and ridiculous

0:28:19.560 --> 0:28:24.800
<v Speaker 1>and harmful limited access. It's yes, um, one thing that

0:28:24.920 --> 0:28:29.920
<v Speaker 1>I liked about. So again, I think my my biggest

0:28:30.280 --> 0:28:33.120
<v Speaker 1>criticism of how this movie handles the topic of abortion

0:28:33.280 --> 0:28:37.440
<v Speaker 1>is it makes just no reference to what we're talking

0:28:37.480 --> 0:28:42.440
<v Speaker 1>about earlier, of how people with verses who are marginalized

0:28:42.880 --> 0:28:46.640
<v Speaker 1>by race and class tend to be disproportionately affected by

0:28:46.720 --> 0:28:51.960
<v Speaker 1>this issue. Something that even if Hayley Richardson is the

0:28:51.960 --> 0:28:55.280
<v Speaker 1>protagonist of this movie, even though you would argue she's

0:28:55.320 --> 0:28:58.600
<v Speaker 1>not like the best candidate for it, but even if

0:28:58.640 --> 0:29:01.720
<v Speaker 1>she is, like there was room in the story for that,

0:29:01.880 --> 0:29:06.600
<v Speaker 1>Like you could cut so many things in favor of

0:29:06.640 --> 0:29:11.080
<v Speaker 1>finding a way to make that very important point. There

0:29:11.120 --> 0:29:14.440
<v Speaker 1>are other areas that I thought the movie was more

0:29:14.520 --> 0:29:17.560
<v Speaker 1>effective on. UM. I always get. I mean, we've talked

0:29:17.560 --> 0:29:19.760
<v Speaker 1>about this. Anytime there's a movie about teen girls, they

0:29:19.800 --> 0:29:24.320
<v Speaker 1>have to be like middle to upper middle class or

0:29:25.040 --> 0:29:30.200
<v Speaker 1>we'll we'll simply die. This happens with very little exception.

0:29:31.040 --> 0:29:34.920
<v Speaker 1>We do see that Bailey's character is being raised by

0:29:34.960 --> 0:29:37.920
<v Speaker 1>a single mom, you know, uh, and that becomes important

0:29:37.920 --> 0:29:40.880
<v Speaker 1>to her story. But still, in general, this is like

0:29:40.920 --> 0:29:45.520
<v Speaker 1>a middle class story, and you know, when Bailey does

0:29:45.640 --> 0:29:48.280
<v Speaker 1>need to be built up by her parents financially, it's

0:29:48.320 --> 0:29:51.600
<v Speaker 1>not a problem. It's more of a beliefs issue, which

0:29:51.600 --> 0:29:54.360
<v Speaker 1>is something I thought was good. We're like in the

0:29:54.480 --> 0:30:00.280
<v Speaker 1>character of oh, sorry I met Veronica, not Bailey, It's sorry,

0:30:00.360 --> 0:30:06.440
<v Speaker 1>we understood losing my rights over here, give me a brain, um.

0:30:06.640 --> 0:30:11.080
<v Speaker 1>But I did like that in one character, the story

0:30:11.200 --> 0:30:15.840
<v Speaker 1>was able to incorporate how she is struggling to access

0:30:15.840 --> 0:30:19.360
<v Speaker 1>abortion because of where she lives and because of the

0:30:19.440 --> 0:30:22.720
<v Speaker 1>laws of where she lives, and what an absurd distance

0:30:23.200 --> 0:30:26.840
<v Speaker 1>and this is like all true that an underage person

0:30:26.880 --> 0:30:31.280
<v Speaker 1>would need to go to to get an abortion without

0:30:31.440 --> 0:30:34.920
<v Speaker 1>the consent of their parents. I thought at that point

0:30:35.040 --> 0:30:38.080
<v Speaker 1>was like they really hammer it home. And that scene

0:30:38.080 --> 0:30:41.880
<v Speaker 1>on the train tracks where she's basically giving like a

0:30:41.960 --> 0:30:47.520
<v Speaker 1>speech to the Senate, right, but it's effective, Like for

0:30:47.800 --> 0:30:50.880
<v Speaker 1>you know, I wish I had heard stuff like that

0:30:50.920 --> 0:30:53.200
<v Speaker 1>when I was a teenager. Like you can argue it's

0:30:53.200 --> 0:30:55.640
<v Speaker 1>a little overwrought, but for what it is, I'm like

0:30:56.040 --> 0:31:00.640
<v Speaker 1>it's all effective, um, and also it manages you, um,

0:31:00.960 --> 0:31:04.160
<v Speaker 1>kind of tie in the theme of parents that would

0:31:04.240 --> 0:31:10.520
<v Speaker 1>not consent and having to navigate that. And I thought,

0:31:10.800 --> 0:31:14.240
<v Speaker 1>you know, for all the weirdness that happens in the trip,

0:31:15.200 --> 0:31:20.040
<v Speaker 1>I thought that that worked of like Veronica, Um, even

0:31:20.040 --> 0:31:23.840
<v Speaker 1>though she needs help getting back home, she knows that

0:31:23.920 --> 0:31:27.719
<v Speaker 1>she needs to get there and get her abortion before

0:31:27.760 --> 0:31:30.360
<v Speaker 1>her parents can be involved, and it has to be

0:31:30.480 --> 0:31:36.320
<v Speaker 1>like the whole story is driven by her desire to

0:31:36.400 --> 0:31:40.360
<v Speaker 1>get an abortion and not design whatever she she wants

0:31:40.400 --> 0:31:42.440
<v Speaker 1>to get an abortion. She does. It's the right choice

0:31:42.440 --> 0:31:45.560
<v Speaker 1>for her, and her parents just can't be involved because

0:31:45.720 --> 0:31:50.440
<v Speaker 1>of their beliefs. So yeah, I thought it managed to

0:31:50.480 --> 0:31:53.880
<v Speaker 1>get a lot of common issues with abortion access in

0:31:54.040 --> 0:31:58.400
<v Speaker 1>but also missed some glaring, glaring ones. Yeah, exactly right,

0:31:58.400 --> 0:32:02.920
<v Speaker 1>because it's like, yes, Ronica has to travel close to

0:32:03.120 --> 0:32:07.560
<v Speaker 1>three hundred miles to be able to access an abortion,

0:32:08.360 --> 0:32:12.360
<v Speaker 1>but the movie does feel like it kind of reeks

0:32:12.440 --> 0:32:17.840
<v Speaker 1>with white privilege that the movie does not interrogate anyway. Uh,

0:32:18.000 --> 0:32:21.720
<v Speaker 1>money is not really an obstacle for her. She starts

0:32:21.720 --> 0:32:24.200
<v Speaker 1>out with I think a thousand dollars and then gets

0:32:24.240 --> 0:32:29.239
<v Speaker 1>an additional hundred after pawning the ring. The ring was

0:32:29.480 --> 0:32:32.680
<v Speaker 1>such a contrivance. I was so annoyed by the ring.

0:32:32.760 --> 0:32:36.080
<v Speaker 1>I was like, what's happening? But yeah, I mean, it's

0:32:36.080 --> 0:32:41.360
<v Speaker 1>like unequivocally true that black and Hispanic people are most

0:32:41.400 --> 0:32:46.520
<v Speaker 1>affected if Roe v. Wade is overturned, and that is

0:32:46.600 --> 0:32:51.560
<v Speaker 1>just not a space that is made in the movie.

0:32:52.200 --> 0:32:56.320
<v Speaker 1>Certainly not. However, I would say that the way the

0:32:56.440 --> 0:33:01.200
<v Speaker 1>movie handles other aspects of abortion I thought or generally

0:33:01.800 --> 0:33:07.520
<v Speaker 1>very positive and handled well in the sense that when

0:33:07.960 --> 0:33:12.160
<v Speaker 1>Veronica finally does get to the clinic to have the abortion,

0:33:13.120 --> 0:33:18.680
<v Speaker 1>the movie like walks you through via voiceover and visuals

0:33:19.600 --> 0:33:24.200
<v Speaker 1>what one can expect from the procedure. You know, It's

0:33:24.240 --> 0:33:27.600
<v Speaker 1>like you change into the gown, you get the vaginal ultrasound,

0:33:28.080 --> 0:33:30.080
<v Speaker 1>They'll draw some blood, They'll hook you up to an

0:33:30.080 --> 0:33:32.080
<v Speaker 1>i V. You'll sit in a waiting room with other

0:33:32.120 --> 0:33:34.840
<v Speaker 1>people who are waiting for the same procedure. You go

0:33:34.880 --> 0:33:38.720
<v Speaker 1>in for surgery. The athesiologists will put you under. The

0:33:38.840 --> 0:33:41.800
<v Speaker 1>doctor will insert a wand to remove the fetus. It

0:33:41.840 --> 0:33:43.840
<v Speaker 1>will be done in ten minutes. You wake up in

0:33:43.880 --> 0:33:47.600
<v Speaker 1>the recovery room. Like walking through someone step by step,

0:33:47.720 --> 0:33:51.640
<v Speaker 1>especially someone who's never had an abortion, or like a

0:33:51.640 --> 0:33:56.120
<v Speaker 1>teenager who is maybe terrified at the idea of it

0:33:56.200 --> 0:34:01.800
<v Speaker 1>because there's so much misinformation out there and so much

0:34:02.080 --> 0:34:06.440
<v Speaker 1>rhetoric about how evil and awful and scary and violent

0:34:06.560 --> 0:34:12.399
<v Speaker 1>and murderous abortion is that the right perpetuates. So like

0:34:12.760 --> 0:34:14.799
<v Speaker 1>if a teen is seeing this, or like just any

0:34:14.840 --> 0:34:17.880
<v Speaker 1>young person or a teen's parents too, I mean, I

0:34:17.920 --> 0:34:23.360
<v Speaker 1>really do think like there's been so much generational misinformation

0:34:23.360 --> 0:34:26.919
<v Speaker 1>about abortions where I know, like in conversations I've had

0:34:27.040 --> 0:34:31.120
<v Speaker 1>with older women and older people in general in my

0:34:31.320 --> 0:34:35.080
<v Speaker 1>life that even though they are pro choice, I think

0:34:35.080 --> 0:34:39.359
<v Speaker 1>that they have some anxiety around what abortion entails that

0:34:39.520 --> 0:34:43.560
<v Speaker 1>is based on like fearmongering from their generation, from when

0:34:43.640 --> 0:34:46.239
<v Speaker 1>Roe V. Wade was passed the first time, you know.

0:34:46.440 --> 0:34:50.440
<v Speaker 1>And so yeah, I think that like truly anyone could

0:34:50.680 --> 0:34:54.040
<v Speaker 1>benefit from watching that. And I have a quote from

0:34:54.080 --> 0:34:57.799
<v Speaker 1>the director here because I thought that, yeah, that part

0:34:57.960 --> 0:35:01.320
<v Speaker 1>was obviously it's like the most important part of the movie,

0:35:01.960 --> 0:35:05.319
<v Speaker 1>um and and it seems like they took a lot

0:35:05.360 --> 0:35:10.319
<v Speaker 1>of care with it. So the director, Rachel Lee Goldenberg,

0:35:11.200 --> 0:35:16.319
<v Speaker 1>had this to say in an interview with a Word

0:35:17.920 --> 0:35:24.680
<v Speaker 1>Daily dot Com scholarly Journal, Yeah, okay, Awards Daily dot Com.

0:35:24.840 --> 0:35:27.719
<v Speaker 1>She has a quote, I've had an abortion, but I

0:35:27.760 --> 0:35:30.719
<v Speaker 1>had a pill abortion. This was new information to me,

0:35:30.920 --> 0:35:34.000
<v Speaker 1>which is wild. I had this moment where I knew

0:35:34.000 --> 0:35:36.440
<v Speaker 1>I wanted to do something special when I came on board.

0:35:36.760 --> 0:35:39.319
<v Speaker 1>It wasn't fully fleshed out in the script yet. I

0:35:39.320 --> 0:35:41.480
<v Speaker 1>went with my writing partner on a tour of planned

0:35:41.520 --> 0:35:44.040
<v Speaker 1>parenthood in Los Angeles and asked the nurses to walk

0:35:44.120 --> 0:35:46.279
<v Speaker 1>us through it. It made me realize how much he

0:35:46.320 --> 0:35:48.960
<v Speaker 1>didn't know, and that fascinated me. It struck me that

0:35:49.000 --> 0:35:51.040
<v Speaker 1>in the moment, we couldn't spend that much time with

0:35:51.080 --> 0:35:53.640
<v Speaker 1>this young woman and sent her behind a wall. It

0:35:53.680 --> 0:35:55.880
<v Speaker 1>feels like she has come to this place where she

0:35:55.920 --> 0:35:58.720
<v Speaker 1>has said the word abortion and she's confident in her choice.

0:35:58.960 --> 0:36:00.839
<v Speaker 1>So what do we have to be a shamed about now?

0:36:01.200 --> 0:36:03.560
<v Speaker 1>As an audience, we should be on this journey with her.

0:36:03.840 --> 0:36:05.480
<v Speaker 1>As I was going through all the rooms, I had

0:36:05.480 --> 0:36:07.680
<v Speaker 1>no idea there were so many I should show people

0:36:07.719 --> 0:36:10.120
<v Speaker 1>that most importantly, it comes from a character place and

0:36:10.160 --> 0:36:15.160
<v Speaker 1>this is what Veronica is going through unquote. So I like, that's, uh,

0:36:15.200 --> 0:36:17.960
<v Speaker 1>that's lovely because that's like I think that you know,

0:36:18.040 --> 0:36:22.239
<v Speaker 1>even even people who support the right to abortion don't

0:36:22.239 --> 0:36:25.440
<v Speaker 1>necessarily know what it entails. And I would include myself

0:36:25.480 --> 0:36:29.440
<v Speaker 1>in that in certain respects. So good scene, Yeah, can

0:36:30.120 --> 0:36:35.040
<v Speaker 1>I found it informative and and helpful and esthetically pleasing.

0:36:35.560 --> 0:36:39.200
<v Speaker 1>It's it's pretty, it's calm, it's you know, the voiceover

0:36:39.280 --> 0:36:43.719
<v Speaker 1>is very calming. Yeah, just representation on screen of an

0:36:43.760 --> 0:36:49.200
<v Speaker 1>abortion taking place that isn't like scary, that isn't a

0:36:49.320 --> 0:36:54.920
<v Speaker 1>character panicking and freaking out. I'm reminded of that scene

0:36:55.000 --> 0:36:59.600
<v Speaker 1>from Blue Valentine that we discussed recently where the character

0:37:00.560 --> 0:37:03.560
<v Speaker 1>seems in pain and then freaks out and then stops

0:37:03.600 --> 0:37:07.600
<v Speaker 1>the abortion mid procedure. So I just I appreciate just

0:37:07.680 --> 0:37:11.960
<v Speaker 1>showing an abortion as a medical procedure that is quick

0:37:12.200 --> 0:37:17.239
<v Speaker 1>and not necessarily a horribly dramatic experience. And I feel

0:37:17.239 --> 0:37:19.920
<v Speaker 1>like it it kind of without even having to. But

0:37:20.040 --> 0:37:22.160
<v Speaker 1>that speaks to the point of, like how important it

0:37:22.239 --> 0:37:25.640
<v Speaker 1>is to have access to safe abortions too, because Veronica

0:37:25.960 --> 0:37:29.120
<v Speaker 1>has to travel, you know, a thousand miles to have

0:37:29.840 --> 0:37:32.480
<v Speaker 1>a safe abortion that her parents don't have to consent to,

0:37:32.760 --> 0:37:35.800
<v Speaker 1>which should not be the case. I mean, she states

0:37:35.840 --> 0:37:38.759
<v Speaker 1>it very on the nose and broadly and that scene

0:37:38.760 --> 0:37:41.080
<v Speaker 1>in the train tracks where it's like, why do I

0:37:41.120 --> 0:37:43.680
<v Speaker 1>need my parents permission to get an abortion? But I

0:37:43.680 --> 0:37:49.439
<v Speaker 1>don't need my parents permission to have a GREG, to

0:37:49.040 --> 0:37:57.759
<v Speaker 1>to shove a GREG through my bodily canals, et cetera. Um. Um,

0:37:57.800 --> 0:38:00.640
<v Speaker 1>But like seeing seeing um, seeing her get a safe

0:38:00.640 --> 0:38:03.759
<v Speaker 1>abortion that she's you know, very comfortable with, which is

0:38:03.800 --> 0:38:06.759
<v Speaker 1>I think yet another thing that Blue Valentine funked up.

0:38:07.320 --> 0:38:09.880
<v Speaker 1>And and we've been hearing that point a lot this week,

0:38:09.920 --> 0:38:12.080
<v Speaker 1>and it's something we've heard in the past, because it

0:38:12.200 --> 0:38:16.440
<v Speaker 1>is true that, you know, abortion being made illegal or

0:38:16.600 --> 0:38:20.640
<v Speaker 1>far more difficult to access is not going to end abortions.

0:38:20.680 --> 0:38:23.440
<v Speaker 1>It's just going to make them less safe for people

0:38:23.440 --> 0:38:27.200
<v Speaker 1>who need them. So um, yeah, I think seeing her

0:38:27.880 --> 0:38:31.560
<v Speaker 1>finally get access to a safe abortion that she is

0:38:32.000 --> 0:38:34.560
<v Speaker 1>you know, there's there's never and I think that that's

0:38:34.600 --> 0:38:38.480
<v Speaker 1>like smart writing as well, where she's never unwavering on

0:38:38.600 --> 0:38:43.680
<v Speaker 1>her on what she knows is the right decision for her. Yes,

0:38:44.000 --> 0:38:46.680
<v Speaker 1>it's just all the other stuff that is weird, Right,

0:38:47.120 --> 0:38:51.719
<v Speaker 1>It's like everything is surrounding this specific abortion for this

0:38:51.840 --> 0:38:55.080
<v Speaker 1>specific character I think is handled well. The lead up

0:38:55.120 --> 0:38:59.960
<v Speaker 1>to it. They managed to work in some important statistic

0:39:00.840 --> 0:39:03.080
<v Speaker 1>into the dialogue. I thought you're talking about the weird

0:39:03.080 --> 0:39:06.040
<v Speaker 1>stuff they do, like the you know they say like

0:39:06.080 --> 0:39:08.960
<v Speaker 1>at the fair, They're like, it's simply a medical procedure

0:39:09.080 --> 0:39:11.960
<v Speaker 1>one and four. You know, they say women, I would say,

0:39:11.960 --> 0:39:16.000
<v Speaker 1>people with you terses have an abortion. You know. Breck

0:39:16.080 --> 0:39:17.880
<v Speaker 1>and Meyer is like, did you know that having an

0:39:17.920 --> 0:39:21.560
<v Speaker 1>abortion will reduce your chances of getting pregnant later on?

0:39:22.080 --> 0:39:26.520
<v Speaker 1>And Veronika is like, no, that is completely false. So

0:39:26.680 --> 0:39:28.719
<v Speaker 1>and then Breck and Mera went, oh my god, I'm

0:39:28.840 --> 0:39:34.160
<v Speaker 1>so sorry. I'm so sorry. I'll leave now. Um. So,

0:39:34.200 --> 0:39:37.560
<v Speaker 1>there's like some good facts and stats about abortions that

0:39:38.280 --> 0:39:43.239
<v Speaker 1>they work into the dialogue in sometimes clunky ways, other

0:39:43.280 --> 0:39:46.240
<v Speaker 1>times more seamless ways. It feels a little edge detainment.

0:39:46.320 --> 0:39:48.919
<v Speaker 1>At times. The info is good, right, right, And then

0:39:49.239 --> 0:39:53.919
<v Speaker 1>the aftermath of the abortion, where you know, Verona comes

0:39:53.920 --> 0:39:57.280
<v Speaker 1>out with a spring in her step. She she seems

0:39:57.280 --> 0:40:00.640
<v Speaker 1>to be feeling well. She tells Bailey that she feels relieved.

0:40:00.920 --> 0:40:04.680
<v Speaker 1>She tells her mom later on, like, I know I'm

0:40:04.719 --> 0:40:07.319
<v Speaker 1>supposed to probably feel bad about this abortion, but I

0:40:07.360 --> 0:40:10.120
<v Speaker 1>don't feel bad at all. I know that I made

0:40:10.160 --> 0:40:13.760
<v Speaker 1>the right choice for me, and even though her mom says, well,

0:40:13.800 --> 0:40:19.200
<v Speaker 1>I'm disappointed, like, Veronica never apologizes or kind of wavers

0:40:19.239 --> 0:40:23.400
<v Speaker 1>in her feelings of this was definitely the right choice

0:40:23.440 --> 0:40:26.160
<v Speaker 1>for me. So to have all of that represented on

0:40:26.239 --> 0:40:33.320
<v Speaker 1>screen is great and I think the movies strongest element.

0:40:34.040 --> 0:40:37.200
<v Speaker 1>I agree, I agree, and I did um. I was

0:40:37.480 --> 0:40:42.480
<v Speaker 1>also interested to read in that same interview with the

0:40:42.680 --> 0:40:48.640
<v Speaker 1>director rachel Leie Goldenberg, that there were multiple options of

0:40:48.680 --> 0:40:54.480
<v Speaker 1>how to kind of land the plane on Veronica's relationship

0:40:54.520 --> 0:40:56.239
<v Speaker 1>with their mom at the end of the movie. I

0:40:56.280 --> 0:40:58.360
<v Speaker 1>do kind of I think, for what the movie is

0:40:58.400 --> 0:41:00.239
<v Speaker 1>and what the tone of the movie is, I like

0:41:00.520 --> 0:41:06.200
<v Speaker 1>where it landed because it felt a little soapy, but

0:41:06.320 --> 0:41:09.680
<v Speaker 1>without being like completely unrealistic. Because when she got home,

0:41:09.719 --> 0:41:11.960
<v Speaker 1>I was like, it would be weird to me if

0:41:12.000 --> 0:41:14.080
<v Speaker 1>the mom was just I mean, it would be great

0:41:14.680 --> 0:41:16.839
<v Speaker 1>in the life of this fictional character if her mom

0:41:16.920 --> 0:41:19.640
<v Speaker 1>was like, it's totally okay, I totally accept you, like

0:41:20.360 --> 0:41:23.600
<v Speaker 1>that is what you would want as a teenager. But

0:41:24.040 --> 0:41:28.359
<v Speaker 1>I like that it was it felt more grounded in

0:41:28.400 --> 0:41:30.799
<v Speaker 1>a way that the vast majority of the movie doesn't wear.

0:41:31.480 --> 0:41:34.520
<v Speaker 1>Her mom says, I think that the line is something

0:41:34.560 --> 0:41:37.000
<v Speaker 1>like I would not have made that choice. That is

0:41:37.080 --> 0:41:39.120
<v Speaker 1>not the choice that your sister made, because we learned

0:41:39.120 --> 0:41:42.920
<v Speaker 1>at the beginning that her sister also um had a

0:41:43.000 --> 0:41:48.759
<v Speaker 1>child relatively young, and it just sounds like the mom is,

0:41:49.840 --> 0:41:52.520
<v Speaker 1>you know, kind of starting a journey. I would hope

0:41:52.800 --> 0:41:59.120
<v Speaker 1>towards being able to respect a person's right to choose

0:41:59.200 --> 0:42:02.880
<v Speaker 1>what to do with they're fucking body, um, and I

0:42:03.200 --> 0:42:06.040
<v Speaker 1>would hope that that is something that like, I think

0:42:06.040 --> 0:42:09.440
<v Speaker 1>that that's a useful scene potentially for for older people

0:42:09.480 --> 0:42:13.200
<v Speaker 1>to see. Yeah, so I I kind of thought that

0:42:13.400 --> 0:42:17.400
<v Speaker 1>was cool choice. Yeah, I think it at tracked For me,

0:42:17.800 --> 0:42:25.640
<v Speaker 1>it played pretty realistic in a movie that often abandons realism.

0:42:25.920 --> 0:42:28.520
<v Speaker 1>The whole second act is like it takes place on

0:42:28.560 --> 0:42:32.920
<v Speaker 1>a different planet, but then it comes back to the planet.

0:42:33.200 --> 0:42:35.399
<v Speaker 1>I have complicated feelings about it because on one hand,

0:42:35.560 --> 0:42:39.920
<v Speaker 1>I like that this movie is totally very light and

0:42:40.239 --> 0:42:43.239
<v Speaker 1>a romp. Yes, not to say that like getting an

0:42:43.280 --> 0:42:46.640
<v Speaker 1>abortion is a fun romp, but I think that this

0:42:46.680 --> 0:42:52.040
<v Speaker 1>movie's lighthearted tone helps take away a lot of the

0:42:52.080 --> 0:42:55.760
<v Speaker 1>scariness and you know, apprehension that some people might feel

0:42:55.760 --> 0:43:01.440
<v Speaker 1>around getting an abortion. But there's a lot of instances

0:43:01.520 --> 0:43:07.319
<v Speaker 1>where the movie gets very cartoonish in a way that

0:43:07.360 --> 0:43:13.400
<v Speaker 1>I had difficulties suspending my disbelief for It's so the

0:43:13.480 --> 0:43:16.680
<v Speaker 1>second act of this movie is so weird and all

0:43:16.680 --> 0:43:19.480
<v Speaker 1>over the place. Yeah, did you have anything else to

0:43:19.480 --> 0:43:23.520
<v Speaker 1>sort of talk about about the fairly grounded third act

0:43:23.640 --> 0:43:27.040
<v Speaker 1>of the movie, Because I don't think we can get

0:43:27.080 --> 0:43:30.240
<v Speaker 1>into the we can get into the fun stuff. Now, sure,

0:43:30.400 --> 0:43:33.479
<v Speaker 1>let's let's take a quick break and then dive in

0:43:40.480 --> 0:43:44.240
<v Speaker 1>and we're back. Uh yeah, where would you like to start?

0:43:44.280 --> 0:43:47.160
<v Speaker 1>I said, the fun stuff? It's not also not there.

0:43:47.880 --> 0:43:49.759
<v Speaker 1>There is some stuff that I would say. I would

0:43:49.760 --> 0:43:54.279
<v Speaker 1>say the whole breck and Meyer portion of the movie, Like,

0:43:54.400 --> 0:43:57.120
<v Speaker 1>I can't even get mad about it. I'm just like that,

0:43:57.560 --> 0:44:01.640
<v Speaker 1>what a weird way to frame an abduction, Like it's

0:44:01.680 --> 0:44:04.759
<v Speaker 1>so goofy that I'm I don't, I can't in good

0:44:05.040 --> 0:44:09.680
<v Speaker 1>faith be like that's bad for the use of the world.

0:44:09.800 --> 0:44:11.839
<v Speaker 1>And it's like I just think it's just like kind

0:44:11.840 --> 0:44:17.680
<v Speaker 1>of weirdly written, and like why, Yeah, it's like all

0:44:17.719 --> 0:44:20.200
<v Speaker 1>all well and good. It makes sense that they're traveling,

0:44:20.200 --> 0:44:21.920
<v Speaker 1>you know, through the Deep South. It makes sense that

0:44:21.960 --> 0:44:25.880
<v Speaker 1>they would potentially meet people who are not in favor

0:44:25.960 --> 0:44:28.400
<v Speaker 1>of the right to an abortion. It makes sense as

0:44:28.440 --> 0:44:34.200
<v Speaker 1>an obstacle in this story, but the execution is what

0:44:34.640 --> 0:44:39.080
<v Speaker 1>I think, not really doing much or it's no, it's

0:44:39.160 --> 0:44:42.279
<v Speaker 1>I would I would say it's doing a lot well,

0:44:42.719 --> 0:44:48.000
<v Speaker 1>doing much as far as like effective commentary. Oh yeah, no, no, zero.

0:44:48.440 --> 0:44:52.239
<v Speaker 1>But but was I laughing kind of? But I was

0:44:52.320 --> 0:44:56.320
<v Speaker 1>just like confused. I you know, I like breckon a lot.

0:44:56.840 --> 0:45:00.759
<v Speaker 1>He's enjoying the post that sequence was so Yeah, I

0:45:00.760 --> 0:45:03.680
<v Speaker 1>worked with him on Robot Chicken. He's the best sweetheart,

0:45:04.320 --> 0:45:07.280
<v Speaker 1>But that that whole sequence is very, very strange. I

0:45:07.320 --> 0:45:11.880
<v Speaker 1>didn't understand. Uh there, what what are other stuff that is?

0:45:11.920 --> 0:45:16.160
<v Speaker 1>Like I don't have really, there's just so many sad

0:45:16.200 --> 0:45:19.400
<v Speaker 1>pieces of this movie that you're like, actually, we need

0:45:19.440 --> 0:45:21.480
<v Speaker 1>to talk about Kevin. Okay, let's talk about we need

0:45:21.480 --> 0:45:24.680
<v Speaker 1>to talk about Kevin. Where where to begin with? On

0:45:24.680 --> 0:45:30.680
<v Speaker 1>one hand, I guess the positive thing about Kevin's involvement

0:45:30.719 --> 0:45:36.719
<v Speaker 1>in the story is that he is a creepy, stalkery,

0:45:36.920 --> 0:45:41.880
<v Speaker 1>manipulative boyfriend who is actually framed as having those toxic

0:45:41.960 --> 0:45:45.160
<v Speaker 1>qualities since a lot of teen movies have historically presented

0:45:45.200 --> 0:45:49.839
<v Speaker 1>those behaviors and traits as being romantic, so at least, yes,

0:45:50.160 --> 0:45:52.040
<v Speaker 1>it doesn't do that. I do like that. I like

0:45:52.200 --> 0:45:55.879
<v Speaker 1>the line that that Barbie Ferrara says where she's like, yeah,

0:45:55.920 --> 0:45:58.640
<v Speaker 1>that's say anything stuff like I thought that that, you know,

0:45:58.760 --> 0:46:00.960
<v Speaker 1>that worked well when she was like, yeah, he kept

0:46:01.000 --> 0:46:02.640
<v Speaker 1>asking me to go out with him until I said yes,

0:46:02.680 --> 0:46:08.640
<v Speaker 1>and I prefer its like, uh, that sucks. Yeah. Veronica

0:46:08.680 --> 0:46:11.680
<v Speaker 1>was like he stood outside my window all night one

0:46:11.800 --> 0:46:15.760
<v Speaker 1>night and Barbie's like, yeah, say anything. Made that seem cute,

0:46:15.800 --> 0:46:18.799
<v Speaker 1>but it's called stalking. I just think that when it

0:46:18.800 --> 0:46:22.200
<v Speaker 1>comes to we need to talk about Kevin, I just

0:46:22.320 --> 0:46:27.360
<v Speaker 1>felt like, where Veronica and Bailey tend to be pretty

0:46:27.440 --> 0:46:31.719
<v Speaker 1>grounded characters, it did not find Kevin to be a

0:46:31.840 --> 0:46:33.920
<v Speaker 1>very grounded character. And I think it would have been

0:46:33.920 --> 0:46:37.200
<v Speaker 1>more effective commentary if he were, because he does come

0:46:37.239 --> 0:46:40.879
<v Speaker 1>off a little cartoony where it's not that he's not

0:46:40.960 --> 0:46:45.719
<v Speaker 1>doing things that young men often do in this situation,

0:46:46.280 --> 0:46:48.759
<v Speaker 1>which is be conditioned to be like, you know, we

0:46:48.840 --> 0:46:51.120
<v Speaker 1>have to settle down together and like, you know, acting

0:46:51.120 --> 0:46:54.200
<v Speaker 1>like they're living a hundred years ago. That like, for

0:46:54.239 --> 0:47:01.600
<v Speaker 1>sure happens. Stalking certainly happens. Predatory creepy behaviors in relationships

0:47:01.760 --> 0:47:05.040
<v Speaker 1>certainly happened, but the way it's written and framed and like,

0:47:05.560 --> 0:47:09.120
<v Speaker 1>it just felt goofy and cartoony, and I just didn't

0:47:09.160 --> 0:47:12.440
<v Speaker 1>think it didn't land for me. Yeah, he just seemed

0:47:13.200 --> 0:47:16.600
<v Speaker 1>like a character that was written to say a bunch

0:47:16.640 --> 0:47:22.040
<v Speaker 1>of stuff that men say in these situations. Yeah. Yeah,

0:47:22.080 --> 0:47:26.320
<v Speaker 1>Like he was like Patriarchy the Guy of this movie. Yeah,

0:47:26.560 --> 0:47:30.360
<v Speaker 1>in a very like one dimensional way, rather than being

0:47:31.120 --> 0:47:34.000
<v Speaker 1>a character that felt like a real person who also

0:47:34.320 --> 0:47:37.359
<v Speaker 1>may say those things. But just I don't know if

0:47:37.360 --> 0:47:40.560
<v Speaker 1>it was the performance or just like the lack of

0:47:40.840 --> 0:47:44.320
<v Speaker 1>development put into this character, but it did feel too

0:47:44.360 --> 0:47:47.600
<v Speaker 1>cartoonish to feel like it was making any kind of

0:47:47.640 --> 0:47:50.759
<v Speaker 1>effective commentary. I think it was like it was a

0:47:50.760 --> 0:47:53.320
<v Speaker 1>lot of stuff going on. But I will, okay, I

0:47:53.680 --> 0:47:55.440
<v Speaker 1>want to I want to put that on wax and

0:47:55.440 --> 0:47:58.480
<v Speaker 1>make that an official Betel Cask canon. Patriarchy the Guy

0:47:58.600 --> 0:48:03.560
<v Speaker 1>as a stock character because I always understand where it's

0:48:03.560 --> 0:48:07.680
<v Speaker 1>coming from, and I rarely find it to be effective.

0:48:08.719 --> 0:48:13.040
<v Speaker 1>It's never just one guy, never just one guy. And again,

0:48:13.080 --> 0:48:15.240
<v Speaker 1>even if they're even if you do have a character

0:48:15.719 --> 0:48:21.480
<v Speaker 1>that represents a lot of ideology perpetuated by the patriarchy,

0:48:21.680 --> 0:48:25.400
<v Speaker 1>sure it still needs to be like handled in a

0:48:25.440 --> 0:48:28.080
<v Speaker 1>way that makes sense. We live in a society for

0:48:28.200 --> 0:48:31.920
<v Speaker 1>crying out loud. If you got patriarchy, the guy, I

0:48:32.000 --> 0:48:34.799
<v Speaker 1>want to know how he became patriarchy the guy. He

0:48:34.920 --> 0:48:38.680
<v Speaker 1>wasn't born patriarchy the guy tell you that much. I

0:48:38.719 --> 0:48:43.399
<v Speaker 1>don't know why I'm upset. I think I'm just hungry. Um. Same,

0:48:43.560 --> 0:48:46.520
<v Speaker 1>we need to talk about Kevin. Yeah that I I

0:48:46.560 --> 0:48:50.640
<v Speaker 1>support the spirit of it. I didn't think it was

0:48:51.040 --> 0:48:55.400
<v Speaker 1>executed in a way that made sense. What about what

0:48:55.480 --> 0:48:58.320
<v Speaker 1>about Dad tazing? How do we feel about Dad tasting?

0:48:58.480 --> 0:49:02.680
<v Speaker 1>I didn't That didn't work for me either. Nope, Um,

0:49:03.120 --> 0:49:05.719
<v Speaker 1>that did not work for me. I would say it

0:49:05.800 --> 0:49:09.839
<v Speaker 1>plays into some tropes to like, I don't know there

0:49:09.920 --> 0:49:13.960
<v Speaker 1>was that there was also there's a scene where like

0:49:14.280 --> 0:49:17.880
<v Speaker 1>Bailey notices a cop following them and then they just

0:49:18.160 --> 0:49:20.799
<v Speaker 1>veer off the road in a way that makes them

0:49:20.800 --> 0:49:24.200
<v Speaker 1>seem extremely suspicious. But then the cop is like welp,

0:49:27.440 --> 0:49:32.560
<v Speaker 1>which they famously are obsessed with. I don't understand why

0:49:32.600 --> 0:49:36.120
<v Speaker 1>Veronica wasn't more panicked. Right when Barbie Ferre did that,

0:49:36.160 --> 0:49:39.400
<v Speaker 1>She's just like, oh, yeah, I guess let's get breakfast,

0:49:39.560 --> 0:49:41.799
<v Speaker 1>like right, and she's just like yeah, it sounds great.

0:49:41.840 --> 0:49:44.160
<v Speaker 1>There's a couple different times where like there is a

0:49:44.239 --> 0:49:47.160
<v Speaker 1>problem presented and then it immediately goes away, which I

0:49:47.320 --> 0:49:50.239
<v Speaker 1>just always I'm like, man like, when they wake up

0:49:50.320 --> 0:49:52.200
<v Speaker 1>late in the middle of the desert and they're like,

0:49:52.520 --> 0:49:54.160
<v Speaker 1>we're gonna be late, and then it's followed by a

0:49:54.160 --> 0:49:57.480
<v Speaker 1>montage of them like kind of hanging out, like feeding animals.

0:49:57.640 --> 0:49:59.399
<v Speaker 1>I was like, so they're not, like right, so they're

0:49:59.440 --> 0:50:02.280
<v Speaker 1>on time, jing at a diner, So why did that happen?

0:50:02.640 --> 0:50:05.040
<v Speaker 1>If that would happen, you would starve or go to

0:50:05.080 --> 0:50:09.319
<v Speaker 1>a McDonald's. Come on. Similarly, there's a scene where Veronica

0:50:09.640 --> 0:50:13.040
<v Speaker 1>comes back to the limo after she and Bailey have

0:50:13.120 --> 0:50:16.520
<v Speaker 1>had this big fight where Bailey storms off and Bob

0:50:16.960 --> 0:50:20.040
<v Speaker 1>is fixing the limo because it has broken down, and

0:50:20.120 --> 0:50:22.560
<v Speaker 1>she's like, well, what the heck? What how is long

0:50:22.680 --> 0:50:25.360
<v Speaker 1>is this gonna take? And then he's like, oh, just

0:50:25.400 --> 0:50:28.000
<v Speaker 1>twenty minutes, and then cut to them in the limo

0:50:28.160 --> 0:50:31.279
<v Speaker 1>driving off again. So it's like, Okay, this wasn't an

0:50:31.280 --> 0:50:34.759
<v Speaker 1>obstacle then, so cut it out of the script. Yeah,

0:50:34.800 --> 0:50:36.440
<v Speaker 1>there's a lot of stuff like that. The whole just

0:50:36.520 --> 0:50:40.320
<v Speaker 1>the timeline of the entire story didn't make any sense.

0:50:40.360 --> 0:50:42.920
<v Speaker 1>It seemed like sometimes it would be like midnight, but

0:50:42.960 --> 0:50:46.240
<v Speaker 1>then they were at a fair and then they were like, okay,

0:50:46.320 --> 0:50:49.840
<v Speaker 1>let's drive for four more hours to Albuquerque. Or it

0:50:49.880 --> 0:50:53.880
<v Speaker 1>would be like five o'clock in the morning and they're like, hurry,

0:50:53.960 --> 0:50:56.200
<v Speaker 1>we have to drive four hours to get to the

0:50:56.239 --> 0:50:58.560
<v Speaker 1>appointment at eight A. Yeah, you know, just like all

0:50:58.560 --> 0:51:02.799
<v Speaker 1>this stuff that made knows their money and the way

0:51:02.840 --> 0:51:06.719
<v Speaker 1>the money was spent was so bizarre to me. They

0:51:06.760 --> 0:51:10.680
<v Speaker 1>didn't use Google Maps on their phones the entire time.

0:51:11.760 --> 0:51:15.640
<v Speaker 1>What I don't that is like a major I mean,

0:51:16.000 --> 0:51:19.000
<v Speaker 1>I still believe that we as a society have not

0:51:19.080 --> 0:51:23.799
<v Speaker 1>figured out how to effectively put phones in media. And

0:51:23.880 --> 0:51:27.239
<v Speaker 1>anytime you hear like whoop, unlike something annoying is about

0:51:27.280 --> 0:51:31.040
<v Speaker 1>to happen, and it's always like they they do the

0:51:31.120 --> 0:51:33.880
<v Speaker 1>Jane the Virgin thing where it's like the text appears

0:51:33.920 --> 0:51:36.040
<v Speaker 1>alongside the head. You're like, I guess this is about

0:51:36.200 --> 0:51:38.720
<v Speaker 1>as well as we can do, but it always feels

0:51:38.800 --> 0:51:42.160
<v Speaker 1>cheesy and and and then to write around that by

0:51:42.160 --> 0:51:45.200
<v Speaker 1>being like she she's a book, so she printed a map,

0:51:45.560 --> 0:51:48.360
<v Speaker 1>Like why are we using a map? What are you doing?

0:51:49.000 --> 0:51:51.880
<v Speaker 1>You don't know what turns to make and what exits

0:51:51.920 --> 0:51:56.360
<v Speaker 1>to take when you print out a map that spans

0:51:56.520 --> 0:52:02.920
<v Speaker 1>three hundred miles, like there aren't enough detail whatever. More importantly,

0:52:03.440 --> 0:52:06.719
<v Speaker 1>I would like to talk about the way queerness is

0:52:06.760 --> 0:52:10.240
<v Speaker 1>handled in the movie. Sure. So they're at the fair,

0:52:10.560 --> 0:52:15.000
<v Speaker 1>Veronica senses that Bailey might like girls, which she kind

0:52:15.040 --> 0:52:18.799
<v Speaker 1>of like coaxes out of her, which I would say

0:52:18.880 --> 0:52:22.840
<v Speaker 1>maybe not the best approach, especially since they're not really

0:52:22.880 --> 0:52:27.880
<v Speaker 1>friends anymore, and maybe Bailey does not want to slash

0:52:28.000 --> 0:52:31.960
<v Speaker 1>is not ready to come out to Veronica. But eventually

0:52:32.040 --> 0:52:36.200
<v Speaker 1>Bailey nonchalantly says like, yeah, I like girls, No big deal.

0:52:36.680 --> 0:52:39.200
<v Speaker 1>And then Veronica assume assumes that she's the first person

0:52:39.280 --> 0:52:42.080
<v Speaker 1>that Bailey came out to, and Bailey's like, no, I've

0:52:42.120 --> 0:52:44.800
<v Speaker 1>been out to my mom for years, plus this list

0:52:44.800 --> 0:52:47.200
<v Speaker 1>of other people, which I didn't mind. It was nice

0:52:47.239 --> 0:52:50.759
<v Speaker 1>to like that we didn't have to have like a yes,

0:52:50.840 --> 0:52:54.120
<v Speaker 1>this is my secret and and I'm finally coming out

0:52:54.239 --> 0:52:57.440
<v Speaker 1>and like all the ways that that's often weirdly handled

0:52:57.480 --> 0:52:59.839
<v Speaker 1>in media. So I'm glad we avoided that. And if

0:52:59.840 --> 0:53:02.200
<v Speaker 1>I remembering correctly, I think that that is like something

0:53:02.280 --> 0:53:05.960
<v Speaker 1>Barbie Farra has also spoken about, like wanting to see

0:53:06.040 --> 0:53:11.759
<v Speaker 1>Mora because Barbie as a queer woman herself, and it

0:53:11.800 --> 0:53:14.240
<v Speaker 1>seems like that's like something that she appreciates in a character.

0:53:14.320 --> 0:53:16.200
<v Speaker 1>So I was all for that. It's like just the

0:53:16.200 --> 0:53:18.799
<v Speaker 1>one offline. You're like, Okay, that works, right. Um. What

0:53:19.000 --> 0:53:22.360
<v Speaker 1>I am more concerned about is the kind of brief

0:53:22.480 --> 0:53:26.040
<v Speaker 1>romance between Bailey and Kira. I am glad that the

0:53:26.080 --> 0:53:29.879
<v Speaker 1>script gave some real estate to a queer relationship, but

0:53:30.040 --> 0:53:34.000
<v Speaker 1>I felt weird about it because Bailey is still in

0:53:34.080 --> 0:53:39.560
<v Speaker 1>high school presumably the same age as Veronica seventeen, and

0:53:39.680 --> 0:53:44.399
<v Speaker 1>Kira seems to be pretty significantly older. She and all

0:53:44.400 --> 0:53:46.840
<v Speaker 1>her friends I think are at least twenty one, because

0:53:46.880 --> 0:53:50.160
<v Speaker 1>we see them like drinking alcohol in public that they

0:53:50.160 --> 0:53:54.279
<v Speaker 1>seem to have legally purchased. There's other indicators that I'm like,

0:53:54.560 --> 0:53:58.480
<v Speaker 1>Kira is like twenty five at least it just would

0:53:58.520 --> 0:54:01.440
<v Speaker 1>have been like again, it's and we see this that

0:54:01.520 --> 0:54:05.360
<v Speaker 1>feels like it's falling back on just a general teen

0:54:05.800 --> 0:54:10.319
<v Speaker 1>movie trope where that's how many times have you seen

0:54:10.360 --> 0:54:14.440
<v Speaker 1>that in like hetero context in a teen movie, Like

0:54:14.480 --> 0:54:18.279
<v Speaker 1>that's just a classically bad trope that you would think

0:54:18.360 --> 0:54:21.600
<v Speaker 1>this movie would have thought like, why couldn't they just

0:54:21.640 --> 0:54:25.200
<v Speaker 1>meet another high schooler at the fucking fair. It's actually

0:54:25.200 --> 0:54:28.359
<v Speaker 1>statistically more likely that you would so easy, such an

0:54:28.400 --> 0:54:32.719
<v Speaker 1>easy choice to make. Why you have doing the derby

0:54:32.840 --> 0:54:36.440
<v Speaker 1>whatever that's called. Yeah, but why not? You're in Texas,

0:54:36.520 --> 0:54:40.040
<v Speaker 1>That's probably That's what I pictured teenagers in Texas doing.

0:54:40.080 --> 0:54:43.480
<v Speaker 1>I'm like, they're driving soapblockers around I don't know my business.

0:54:44.560 --> 0:54:47.399
<v Speaker 1>They're driving mad Max Fury road vehicles around a track.

0:54:47.440 --> 0:54:49.879
<v Speaker 1>Of course. Yeah, I was like, it looks cool, like

0:54:50.360 --> 0:54:54.560
<v Speaker 1>no disrespect before all of our listeners from Texas are

0:54:54.640 --> 0:54:57.640
<v Speaker 1>like mad at me. But yeah, I mean, I just

0:54:57.680 --> 0:55:01.319
<v Speaker 1>think that that character. I I think that it may

0:55:01.360 --> 0:55:04.800
<v Speaker 1>have just been that the movie wanted to cast Betty Who,

0:55:04.840 --> 0:55:08.600
<v Speaker 1>who is like this iconic queer singer who plays the role,

0:55:09.320 --> 0:55:14.040
<v Speaker 1>which for sure like Betty Who's awesome. However, Yeah, I

0:55:14.080 --> 0:55:18.160
<v Speaker 1>think that, like, this movie seems very vested in steering

0:55:18.280 --> 0:55:21.600
<v Speaker 1>clear of teen movie tropes, and so having a teenager

0:55:21.640 --> 0:55:24.359
<v Speaker 1>hook up with someone who seemed to be well into

0:55:24.480 --> 0:55:30.320
<v Speaker 1>young adulthood felt like a very clear mistake, really icky,

0:55:30.480 --> 0:55:35.920
<v Speaker 1>and essentially, because queerness is so infrequently represented in this

0:55:36.080 --> 0:55:38.759
<v Speaker 1>genre in a meaningful way, it feels like an even

0:55:38.760 --> 0:55:43.360
<v Speaker 1>bigger fumble for sure, especially because what happens after they

0:55:43.400 --> 0:55:46.279
<v Speaker 1>meet and have flirted a little bit. They're in like

0:55:46.280 --> 0:55:50.000
<v Speaker 1>a ballpit or something, and Kira turns into a music video.

0:55:51.480 --> 0:55:54.600
<v Speaker 1>Kira does ask for consent to kiss Bailey, which great,

0:55:54.719 --> 0:55:58.120
<v Speaker 1>always get consent, but then Bailey is like, I've never

0:55:58.200 --> 0:56:03.160
<v Speaker 1>kissed anyone before, and like, twenty seven year old Kira

0:56:03.719 --> 0:56:06.759
<v Speaker 1>should have been like, oh, actually, maybe I shouldn't kiss

0:56:06.800 --> 0:56:09.920
<v Speaker 1>this stranger. She keeps getting older in your mind, she

0:56:11.320 --> 0:56:14.960
<v Speaker 1>do years her mid late twenties. She should have been like,

0:56:15.000 --> 0:56:18.080
<v Speaker 1>I don't know, maybe I shouldn't kiss this stranger after all,

0:56:18.360 --> 0:56:21.720
<v Speaker 1>who is clearly a teenager. So that makes it seem

0:56:21.719 --> 0:56:25.120
<v Speaker 1>like there's this kind of like predatory lesbian trope happening,

0:56:25.880 --> 0:56:28.839
<v Speaker 1>and it just felt really icky. It just it's like,

0:56:29.000 --> 0:56:32.160
<v Speaker 1>just cast someone else. I'll due respect to Betty who

0:56:32.160 --> 0:56:34.719
<v Speaker 1>because it's like you don't want you know, I want

0:56:34.760 --> 0:56:37.680
<v Speaker 1>Barbie to get her first kiss, but like from a

0:56:37.719 --> 0:56:40.680
<v Speaker 1>high school from another seventeen year old, Like, yeah, that

0:56:40.800 --> 0:56:43.920
<v Speaker 1>was not hard to do at the very least. It

0:56:44.080 --> 0:56:48.560
<v Speaker 1>is queer characters played by queer actors. Since both Barbie

0:56:48.560 --> 0:56:52.080
<v Speaker 1>Farra and Betty Who are queer. But and it's like,

0:56:52.480 --> 0:56:55.000
<v Speaker 1>you know, Barbie Ferrera is like twenty five like it

0:56:55.400 --> 0:56:57.640
<v Speaker 1>in terms of like production wise, it's all of a

0:56:57.719 --> 0:57:02.040
<v Speaker 1>board in the story it doesn't work. Yes, great, so again,

0:57:02.440 --> 0:57:07.560
<v Speaker 1>great idea of like a queer teen getting her first kiss,

0:57:08.239 --> 0:57:11.719
<v Speaker 1>but the execution. And that's not to say that, you know,

0:57:11.880 --> 0:57:15.120
<v Speaker 1>teenagers don't sometimes get their first kiss from someone who

0:57:15.280 --> 0:57:18.080
<v Speaker 1>is technically a legal adult. I don't always like feel

0:57:18.120 --> 0:57:21.960
<v Speaker 1>super comfortable gatekeeping like a seventeen year old can't kiss

0:57:22.640 --> 0:57:25.080
<v Speaker 1>eighteen and a half year old like stuff like that,

0:57:25.160 --> 0:57:29.160
<v Speaker 1>like obviously, like it's a lived experience thing. But because

0:57:29.160 --> 0:57:32.560
<v Speaker 1>it's like a movie and it seems to be a

0:57:32.560 --> 0:57:36.400
<v Speaker 1>significant age gap, that that is more where I have

0:57:37.120 --> 0:57:43.080
<v Speaker 1>the issue. Yeah, so uh yeah, I I also made

0:57:43.080 --> 0:57:46.040
<v Speaker 1>a note of that. But you know, Barbie Frere and

0:57:46.040 --> 0:57:50.440
<v Speaker 1>Betty Who relationship, I r L. I would take it fine,

0:57:50.520 --> 0:57:57.000
<v Speaker 1>fine by me? Why not? I also went to examine

0:57:57.280 --> 0:58:01.360
<v Speaker 1>So we've already discussed how the movie fails to acknowledge

0:58:01.400 --> 0:58:07.080
<v Speaker 1>in any meaningful way that women of color are disproportionately

0:58:07.120 --> 0:58:11.760
<v Speaker 1>affected by limited access to abortion. There's another way in

0:58:11.880 --> 0:58:17.520
<v Speaker 1>which race is very mishandled. So in general, the characters

0:58:17.560 --> 0:58:21.800
<v Speaker 1>of color, whether it's like Veronica's friends who we meet

0:58:21.840 --> 0:58:24.800
<v Speaker 1>at the beginning and end, whether it's the people who

0:58:25.080 --> 0:58:29.160
<v Speaker 1>Veronica and Bailey meet along the way of this road trip. Also,

0:58:29.240 --> 0:58:33.480
<v Speaker 1>a woman who owns a pawn shop is a black

0:58:33.520 --> 0:58:35.960
<v Speaker 1>woman who pulls a shotgun on we need to talk

0:58:35.960 --> 0:58:40.520
<v Speaker 1>about Kevin, Right. You have the Geane Carlo Esposito character,

0:58:41.720 --> 0:58:47.480
<v Speaker 1>who is also a gun loving eccentric, like a what's

0:58:47.520 --> 0:58:52.040
<v Speaker 1>the oh my god, what's the u anni kind of yeah, libertarian,

0:58:52.080 --> 0:58:55.640
<v Speaker 1>libertary type yeah. And then you have the was the

0:58:55.720 --> 0:58:59.560
<v Speaker 1>character's named Gerade Gerade, Yeah, who is presented as a

0:58:59.640 --> 0:59:04.960
<v Speaker 1>pred tory character who's harassing them and then becomes their friend.

0:59:05.040 --> 0:59:07.440
<v Speaker 1>And I don't know how much of that is a

0:59:07.520 --> 0:59:09.680
<v Speaker 1>failure of writing, how much of that is a failure

0:59:09.720 --> 0:59:14.240
<v Speaker 1>of casting, right, because I would argue that those characters

0:59:14.280 --> 0:59:17.640
<v Speaker 1>don't necessarily seem like they're written to be any particular

0:59:17.880 --> 0:59:21.480
<v Speaker 1>race exactly. Okay, So there's a lot to unpack about that.

0:59:21.840 --> 0:59:24.240
<v Speaker 1>So in general, the people of color just serve as

0:59:24.360 --> 0:59:28.720
<v Speaker 1>scenery in this white story, or like helpers of the

0:59:28.760 --> 0:59:33.400
<v Speaker 1>white characters, um white or white passing. Right. Gerrard is

0:59:33.640 --> 0:59:36.400
<v Speaker 1>one of the only black characters in the movie, and

0:59:36.640 --> 0:59:39.360
<v Speaker 1>he's also the character that draws a lot of attention

0:59:39.360 --> 0:59:44.560
<v Speaker 1>to himself and creates a diversion when cops in Texas

0:59:44.640 --> 0:59:48.160
<v Speaker 1>come looking for whoever stole this vehicle. That was like

0:59:48.760 --> 0:59:51.960
<v Speaker 1>so fucking bizarre. It feels like one of those things where,

0:59:52.280 --> 0:59:55.960
<v Speaker 1>like you said, the character probably wasn't specifically written as black,

0:59:56.160 --> 0:59:59.080
<v Speaker 1>but a black actor was cast in that role, but

0:59:59.120 --> 1:00:03.120
<v Speaker 1>the script wasn't change in any way to reflect the

1:00:03.200 --> 1:00:09.360
<v Speaker 1>actions or choices that a black person would most likely make. Um.

1:00:09.520 --> 1:00:15.120
<v Speaker 1>I want to cite this great article I've found written

1:00:15.520 --> 1:00:21.880
<v Speaker 1>by Kendall Cunningham entitled color Blind Justice. Unpregnant is too

1:00:21.880 --> 1:00:27.160
<v Speaker 1>White to be revolutionary from Bitch Media. I'll just read

1:00:27.240 --> 1:00:32.080
<v Speaker 1>a few quotes and do some some paraphrasing. Here, Kendall

1:00:32.160 --> 1:00:37.560
<v Speaker 1>says quote. While Unpregnant succeeds in illustrating a larger thesis

1:00:37.600 --> 1:00:41.480
<v Speaker 1>about the state sanctioned roadblocks to abortion, it fails at

1:00:41.480 --> 1:00:46.120
<v Speaker 1>developing its supporting characters, specifically black people who rescue Veronica

1:00:46.160 --> 1:00:48.800
<v Speaker 1>and Bailey from peril and help them reach their destination.

1:00:49.160 --> 1:00:51.840
<v Speaker 1>It's hard to tell whether these one dimensional characters of

1:00:51.880 --> 1:00:55.440
<v Speaker 1>black people as benevolent saviors are part of a broad

1:00:55.440 --> 1:00:58.720
<v Speaker 1>message about prejudice that the writers failed to develop, or

1:00:58.800 --> 1:01:01.640
<v Speaker 1>the result of color blind and casting with no consideration

1:01:01.720 --> 1:01:05.680
<v Speaker 1>of the stereotypes and problematic tropes being invoked. By the

1:01:05.800 --> 1:01:08.680
<v Speaker 1>end of the otherwise charming and well written film, I

1:01:08.720 --> 1:01:12.480
<v Speaker 1>felt annoyed and exhausted by displays of empathy and sacrifice

1:01:12.560 --> 1:01:15.440
<v Speaker 1>that so often go unthanked and unreturned by white people,

1:01:15.760 --> 1:01:19.160
<v Speaker 1>particularly when it comes to the larger political issue of

1:01:19.200 --> 1:01:23.880
<v Speaker 1>reproductive justice in the United States. Kendall goes on to

1:01:23.920 --> 1:01:28.160
<v Speaker 1>discuss how all of the black characters from Peg in

1:01:28.240 --> 1:01:31.920
<v Speaker 1>the pawn Shop, Grad in the Diner, Bob the limo

1:01:32.000 --> 1:01:36.120
<v Speaker 1>driver all exists in this narrative only to help this

1:01:36.320 --> 1:01:39.240
<v Speaker 1>white girl on her journey right and here like making

1:01:39.360 --> 1:01:44.160
<v Speaker 1>personal sacrifices too often help her when she does have

1:01:44.520 --> 1:01:50.160
<v Speaker 1>access to like other options. It's really because it's the

1:01:50.200 --> 1:01:55.560
<v Speaker 1>pawn shop owner overpays her for her ring. The gene

1:01:55.600 --> 1:01:59.560
<v Speaker 1>Carlo as Zito character also canonically this was bothering me.

1:01:59.600 --> 1:02:01.560
<v Speaker 1>They would have been getting to the limo place at

1:02:01.600 --> 1:02:03.720
<v Speaker 1>like six in the morning and he was like ump

1:02:04.040 --> 1:02:06.520
<v Speaker 1>and running a limo company. What are you talking about?

1:02:07.480 --> 1:02:12.800
<v Speaker 1>Drops everything He's like, my business is canceled because a

1:02:12.800 --> 1:02:17.440
<v Speaker 1>white teenage girl needs something like Yeah, it's egregious. And

1:02:17.480 --> 1:02:19.720
<v Speaker 1>then and I think that my my guess is that

1:02:19.800 --> 1:02:24.360
<v Speaker 1>it's there are five white writers on this movie, right, Yeah,

1:02:24.800 --> 1:02:29.640
<v Speaker 1>that didn't take things into consideration that they should have considered. Um.

1:02:29.680 --> 1:02:33.240
<v Speaker 1>The most egregious example for me was the Gerard scene,

1:02:33.440 --> 1:02:38.800
<v Speaker 1>in which Kendall has this to say. Quote at no

1:02:38.920 --> 1:02:41.320
<v Speaker 1>point in the scene. And this is again the scene

1:02:41.320 --> 1:02:45.520
<v Speaker 1>where Gerard creates a diversion so to distract the cops.

1:02:46.760 --> 1:02:49.280
<v Speaker 1>Quote at no point in the scene. Does it feel

1:02:49.320 --> 1:02:52.840
<v Speaker 1>as if director rachel Leie Goldenberg understands the racial tension

1:02:52.880 --> 1:02:57.040
<v Speaker 1>and potential dangerous situation she's representing on screen. It's hard

1:02:57.080 --> 1:02:59.640
<v Speaker 1>to believe that a black man in Texas, surrounded by

1:02:59.680 --> 1:03:03.200
<v Speaker 1>cops would risk his freedom and possibly his life to

1:03:03.360 --> 1:03:06.760
<v Speaker 1>help two white teenagers get away with a crime, even

1:03:06.840 --> 1:03:10.600
<v Speaker 1>in the seemingly harmless form of patriotic expression. In a

1:03:10.640 --> 1:03:13.760
<v Speaker 1>moment meant to be humorous and charming, Rod comes off

1:03:13.880 --> 1:03:19.680
<v Speaker 1>as an eager puppet for white people. Unquote. Um. And

1:03:19.720 --> 1:03:22.280
<v Speaker 1>then I'll just I'll share because I will will link

1:03:22.320 --> 1:03:26.640
<v Speaker 1>this this piece by Kendall Cunningham in all of the stuff,

1:03:26.720 --> 1:03:30.440
<v Speaker 1>but I just found it very insightful. The last thing

1:03:30.480 --> 1:03:34.400
<v Speaker 1>I'll quote is this quote. It seems as if Unpregnant

1:03:34.440 --> 1:03:37.080
<v Speaker 1>is trying to create a larger point about white folks

1:03:37.120 --> 1:03:41.240
<v Speaker 1>perception of other white folks as immediately trustworthy and well meaning.

1:03:42.080 --> 1:03:45.640
<v Speaker 1>Um parentheses. This is Caitlin talking like the way that

1:03:45.720 --> 1:03:51.800
<v Speaker 1>they immediately trust Breck and Meyer and family versus they

1:03:51.840 --> 1:03:55.280
<v Speaker 1>don't trust grad right away. Also, the movie frames him

1:03:55.320 --> 1:03:59.760
<v Speaker 1>as not trustworthy right away because he hits on them. Yeah,

1:03:59.800 --> 1:04:04.000
<v Speaker 1>and he makes them uncomfortable. Right. So back to the quote, um,

1:04:04.120 --> 1:04:08.120
<v Speaker 1>white people's perceptions of other white folks as immediately trustworthy

1:04:08.160 --> 1:04:11.120
<v Speaker 1>and well meaning versus their perceptions of black people as

1:04:11.160 --> 1:04:15.360
<v Speaker 1>threatening and unapproachable. If inserted on purpose, this idea rings true,

1:04:15.440 --> 1:04:19.200
<v Speaker 1>but is riddled with notions of respectability, particularly the idea

1:04:19.240 --> 1:04:21.880
<v Speaker 1>that black people should be respected because we might not

1:04:21.960 --> 1:04:24.520
<v Speaker 1>be as hostile as white people may assume us to be.

1:04:25.000 --> 1:04:27.560
<v Speaker 1>There's also the fact that black people hardly received the

1:04:27.640 --> 1:04:31.120
<v Speaker 1>unmitigated compassion and support when it comes to accessing healthcare

1:04:31.600 --> 1:04:35.560
<v Speaker 1>as white characters like Veronica do. Kendall goes on to say,

1:04:35.760 --> 1:04:38.640
<v Speaker 1>if only Unpregnant leaned into this irony a bit more.

1:04:38.960 --> 1:04:43.640
<v Speaker 1>It's black characters may not have seemed as detached from reality. Overall,

1:04:43.680 --> 1:04:47.120
<v Speaker 1>the off putting racial elements and Unpregnant mostly made me

1:04:47.160 --> 1:04:50.680
<v Speaker 1>long for more modern portrayals of black people getting abortions

1:04:50.680 --> 1:04:55.360
<v Speaker 1>in film whose geography and economic status often impede their

1:04:55.400 --> 1:05:01.600
<v Speaker 1>ability to terminate pregnancies as well. Unquote, So shout out

1:05:01.680 --> 1:05:06.400
<v Speaker 1>to that piece written by Kendall Cunningham, and shout out

1:05:06.400 --> 1:05:11.080
<v Speaker 1>to Kendall Cunningham, wonderful writer. Certainly, Yeah that the it

1:05:13.440 --> 1:05:15.840
<v Speaker 1>you can't want five white people write a movie you

1:05:16.000 --> 1:05:19.320
<v Speaker 1>just can't like, and and it's that was I mean

1:05:19.360 --> 1:05:24.760
<v Speaker 1>of the many frustrating, sloppy elements of this movie, particularly

1:05:24.800 --> 1:05:29.520
<v Speaker 1>as Kendall points out, particularly because this is about an

1:05:29.560 --> 1:05:36.040
<v Speaker 1>issue that disproportionately affects black and brown people. Yeah, it's egregious,

1:05:36.640 --> 1:05:42.880
<v Speaker 1>it's unkind to the actors, and it undercuts what it

1:05:42.920 --> 1:05:47.640
<v Speaker 1>appears the movie wants to do, which is be thoughtful,

1:05:48.080 --> 1:05:54.760
<v Speaker 1>thoughtful and progressive, progressive, which the treatment of I would say,

1:05:54.840 --> 1:05:59.200
<v Speaker 1>virtually all of the non white characters in this movie

1:05:59.480 --> 1:06:04.600
<v Speaker 1>are not treated thoughtfully or like like people, you know,

1:06:04.720 --> 1:06:07.640
<v Speaker 1>like it's just I mean, there's a lot of people

1:06:07.680 --> 1:06:10.320
<v Speaker 1>in this movie that aren't acting like people, but the

1:06:10.440 --> 1:06:15.840
<v Speaker 1>way the tropes applied and the clear like even if

1:06:15.880 --> 1:06:18.720
<v Speaker 1>if if a number of these characters were not written

1:06:18.760 --> 1:06:22.520
<v Speaker 1>as UM any particular race, like that's a cast like

1:06:22.560 --> 1:06:25.000
<v Speaker 1>you need to talk to your casting director about what

1:06:25.080 --> 1:06:29.600
<v Speaker 1>their problem is that and depending on who you cast,

1:06:29.880 --> 1:06:32.080
<v Speaker 1>you need to go back and make changes to the

1:06:32.120 --> 1:06:38.200
<v Speaker 1>script to reflect what those characters would actually do and

1:06:38.240 --> 1:06:42.960
<v Speaker 1>say in these situations that you've written. So there's a

1:06:43.000 --> 1:06:46.800
<v Speaker 1>big failure to do that in this movie. A couple

1:06:46.880 --> 1:06:50.320
<v Speaker 1>a couple of different fumbles required for for it to

1:06:50.360 --> 1:06:54.320
<v Speaker 1>turn out quite that bad. Yeah, a few things that

1:06:54.400 --> 1:07:00.200
<v Speaker 1>I thought were not handled the worst. While there is

1:07:00.240 --> 1:07:06.600
<v Speaker 1>not a whole lot of diversity in general, including diversity

1:07:06.680 --> 1:07:11.200
<v Speaker 1>in body size, you do have a character who is fat.

1:07:11.240 --> 1:07:14.560
<v Speaker 1>We have Bailey played by Barbie Ferrera. Especially if for

1:07:14.680 --> 1:07:20.720
<v Speaker 1>comparing this to other teen movies, especially from past decades,

1:07:21.320 --> 1:07:25.600
<v Speaker 1>there is usually a noticeable lack of body diversity um

1:07:25.640 --> 1:07:31.120
<v Speaker 1>where you see nothing but thin usually white Western beauty

1:07:31.200 --> 1:07:35.240
<v Speaker 1>standard bodies, so you usually get a field full of

1:07:35.440 --> 1:07:38.480
<v Speaker 1>Hayley Richardson's right, So it's nice to see some diversity

1:07:38.520 --> 1:07:43.600
<v Speaker 1>in size and have that be normalized. Barbie is like

1:07:43.720 --> 1:07:48.200
<v Speaker 1>truly the funniest. It was, like, again, I felt shutting

1:07:48.200 --> 1:07:49.760
<v Speaker 1>on the reading of this movie a lot. But do

1:07:49.800 --> 1:07:53.040
<v Speaker 1>hear how many like not well written lines Barbie Ferrero

1:07:53.200 --> 1:07:56.960
<v Speaker 1>was able to sell to me. Anyways, I was like, bless,

1:07:57.000 --> 1:08:00.680
<v Speaker 1>like she is just so talented and and yeah, and

1:08:00.720 --> 1:08:05.560
<v Speaker 1>I also appreciated how I feel like in your average

1:08:05.680 --> 1:08:11.400
<v Speaker 1>teen comedy, you don't get to know like Barbie Ferrara's

1:08:11.720 --> 1:08:14.080
<v Speaker 1>role in the story would normally be sidelined quite a

1:08:14.080 --> 1:08:15.800
<v Speaker 1>bit and you wouldn't get to learn a lot about her.

1:08:16.320 --> 1:08:18.320
<v Speaker 1>I appreciate that the movie went out of its way

1:08:18.360 --> 1:08:22.479
<v Speaker 1>to give her her own story, even though sometimes I

1:08:22.520 --> 1:08:26.360
<v Speaker 1>was like, dad, Taser, that's what we're doing. Uh, we're

1:08:26.560 --> 1:08:28.800
<v Speaker 1>leaning into the dead Pete dad trope, and then we're

1:08:28.800 --> 1:08:32.200
<v Speaker 1>doing like this two thousand and seven jet Apatau thing. Okay,

1:08:32.320 --> 1:08:37.400
<v Speaker 1>uh sure, But in any case, and and there were

1:08:37.479 --> 1:08:39.519
<v Speaker 1>I think generally as far as this, I mean, we've

1:08:39.520 --> 1:08:42.960
<v Speaker 1>seen this story of like that you changed and I'm

1:08:43.360 --> 1:08:48.280
<v Speaker 1>a hot topic girl, Uh you know, story a bazillion times.

1:08:48.320 --> 1:08:50.479
<v Speaker 1>But I thought that that was pretty well executed, and

1:08:50.560 --> 1:08:53.559
<v Speaker 1>like the two actors have such great chemistry that even

1:08:53.600 --> 1:08:56.240
<v Speaker 1>when it wasn't awesome, I was like, they clearly like

1:08:56.360 --> 1:09:01.479
<v Speaker 1>each other. I like to that. I think some kind

1:09:01.479 --> 1:09:07.040
<v Speaker 1>of like popular girl tropes are avoided or subverted in

1:09:07.080 --> 1:09:11.479
<v Speaker 1>this movie, where Veronica seems to run with like the

1:09:11.600 --> 1:09:16.000
<v Speaker 1>popular girls, but she she can read like she can read,

1:09:16.080 --> 1:09:18.360
<v Speaker 1>she cares about her studies, she's a trekky nerd. She

1:09:18.439 --> 1:09:20.640
<v Speaker 1>doesn't have street smarts, and she doesn't drink, but she

1:09:20.720 --> 1:09:25.200
<v Speaker 1>does have sex. Like just you know, that's various qualities

1:09:25.320 --> 1:09:30.000
<v Speaker 1>that are usually way more rigidly represented in like a

1:09:30.040 --> 1:09:33.519
<v Speaker 1>popular girl. But you know, she's seems to be more

1:09:34.280 --> 1:09:36.599
<v Speaker 1>well rounded. I don't know, not not a huge thing,

1:09:36.680 --> 1:09:40.320
<v Speaker 1>but yeah, it's it's just like a little a lot

1:09:40.400 --> 1:09:45.479
<v Speaker 1>of little attempts taking place in this movie. Um, did

1:09:45.520 --> 1:09:48.360
<v Speaker 1>you have anything else? I don't have anything else, how

1:09:48.360 --> 1:09:52.680
<v Speaker 1>about you? None of that's about all I had. This

1:09:52.800 --> 1:09:55.679
<v Speaker 1>movie does pass the BACKFLF test, Yes, quite a bit.

1:09:55.800 --> 1:10:00.400
<v Speaker 1>It's mostly Barbarie Ferrara and Haley Leu Richardson talking in

1:10:00.439 --> 1:10:03.320
<v Speaker 1>a car for quite a bit of the movie. Also,

1:10:03.920 --> 1:10:09.920
<v Speaker 1>you've got conversations between mothers and daughters. You've got conversations

1:10:09.960 --> 1:10:16.240
<v Speaker 1>between popular girls. You've got all sort You've got conversations

1:10:16.320 --> 1:10:22.519
<v Speaker 1>between anti abortion fundamentalists and Hayley y Richardson. You know,

1:10:22.560 --> 1:10:25.160
<v Speaker 1>you've got all sorts of conversations taking place that doesn't

1:10:25.200 --> 1:10:29.519
<v Speaker 1>have to do with with men. Uh So, yeah, no

1:10:29.640 --> 1:10:34.320
<v Speaker 1>problem there. However, we are now at our nipple scale

1:10:34.560 --> 1:10:37.759
<v Speaker 1>sero to five nipples based on how the movie fares

1:10:38.320 --> 1:10:42.719
<v Speaker 1>when looking at it through an intersectional feminist lens. I think,

1:10:43.439 --> 1:10:47.200
<v Speaker 1>setting aside that I think there's a lot of, like

1:10:47.880 --> 1:10:52.080
<v Speaker 1>just like screenwriting issues, I would give this, I think

1:10:52.120 --> 1:10:57.160
<v Speaker 1>a three in that it is. It does have an agenda,

1:10:57.560 --> 1:11:03.479
<v Speaker 1>and a progressive agenda that is seeking to humanize getting

1:11:03.479 --> 1:11:07.880
<v Speaker 1>an abortion, and part of the agenda is to make

1:11:08.640 --> 1:11:14.240
<v Speaker 1>having an abortion seem less daunting and scary and just

1:11:14.479 --> 1:11:19.200
<v Speaker 1>the normal medical procedure that it is. I appreciate that

1:11:19.200 --> 1:11:23.040
<v Speaker 1>that is the agenda of the movie. As we've discussed,

1:11:23.200 --> 1:11:25.600
<v Speaker 1>there's a lot of missteps and what it fails to

1:11:25.680 --> 1:11:31.799
<v Speaker 1>acknowledge around the abortion discussion in terms of people of color,

1:11:32.560 --> 1:11:36.439
<v Speaker 1>especially from a lower socioeconomic status. UM people of color

1:11:36.479 --> 1:11:41.040
<v Speaker 1>who live in states where abortion is already difficult to

1:11:41.960 --> 1:11:46.000
<v Speaker 1>access are more likely to have to have an abortion

1:11:46.080 --> 1:11:51.639
<v Speaker 1>because of other factors, not as easy access to health

1:11:51.680 --> 1:11:56.440
<v Speaker 1>care and birth control, not as easy access to education,

1:11:57.280 --> 1:11:59.760
<v Speaker 1>things like that. Yeah, and it's it's like they're they're

1:12:00.040 --> 1:12:06.559
<v Speaker 1>are you know, certainly Veronica's character has obstructions to access

1:12:06.560 --> 1:12:09.320
<v Speaker 1>of worship, but she I just think for this story,

1:12:09.560 --> 1:12:16.760
<v Speaker 1>it she's not the prime candidate for leading this story. Absolutely,

1:12:17.040 --> 1:12:20.760
<v Speaker 1>And and also it's it's like the movie has more

1:12:20.800 --> 1:12:26.280
<v Speaker 1>than enough room for additional characters and perspectives like they're

1:12:26.560 --> 1:12:29.479
<v Speaker 1>they're just they're you can't include the whole of breck

1:12:29.520 --> 1:12:32.000
<v Speaker 1>and Meyer sequence and then tell me there wasn't time

1:12:32.040 --> 1:12:36.799
<v Speaker 1>for it. There was time, and it was a massive

1:12:37.160 --> 1:12:39.519
<v Speaker 1>oversight in addition to all the ways of this movie

1:12:39.560 --> 1:12:42.679
<v Speaker 1>fumbles with race in general. Right, and if the writers

1:12:42.680 --> 1:12:44.880
<v Speaker 1>are like, oh, I don't know, I just felt out

1:12:44.880 --> 1:12:47.320
<v Speaker 1>of my depth talking about that in the movie, and

1:12:47.360 --> 1:12:50.519
<v Speaker 1>it's like, well, then bring in other people exactly who

1:12:51.120 --> 1:12:54.200
<v Speaker 1>can speak to that more effectively. If George Miller can

1:12:54.240 --> 1:12:58.320
<v Speaker 1>do it, you can do it, right. You haven't heard

1:12:58.360 --> 1:13:01.040
<v Speaker 1>our Mad Max episode comes out next week, because that

1:13:01.080 --> 1:13:02.720
<v Speaker 1>will makes so much sense next with that will make

1:13:02.760 --> 1:13:05.639
<v Speaker 1>so much sense in a week. So Yeah, the failure

1:13:05.680 --> 1:13:10.519
<v Speaker 1>to acknowledge that people of color are very disproportionately affected

1:13:10.520 --> 1:13:13.400
<v Speaker 1>by limited access to abortion. I think is A is

1:13:13.439 --> 1:13:18.759
<v Speaker 1>a major misstep for this movie. The way that characters

1:13:18.760 --> 1:13:24.719
<v Speaker 1>of color are treated, the way the queer relationship pans out,

1:13:25.240 --> 1:13:28.040
<v Speaker 1>a lot of it is just quite a few missteps.

1:13:28.200 --> 1:13:32.160
<v Speaker 1>I do appreciate that the kind of emotional relationship core

1:13:32.200 --> 1:13:35.479
<v Speaker 1>of the movie is A is a friendship between two

1:13:35.560 --> 1:13:41.520
<v Speaker 1>girls that shouldn't be a rare thing in film, but um,

1:13:41.560 --> 1:13:45.519
<v Speaker 1>it is. So I appreciate that. I appreciate the lack

1:13:45.560 --> 1:13:49.120
<v Speaker 1>of absolution for the Kevin character. I think that, you know,

1:13:49.479 --> 1:13:54.280
<v Speaker 1>if this movie was made, you know, and even fairly recently,

1:13:54.640 --> 1:13:58.519
<v Speaker 1>that would not be a guaranteed thing. There's definitely things

1:13:58.560 --> 1:14:00.960
<v Speaker 1>that this movie is doing right by it is also

1:14:01.040 --> 1:14:06.120
<v Speaker 1>doing quite a bit either wrong or just completely ignoring

1:14:06.200 --> 1:14:10.120
<v Speaker 1>the glaring reality of right. Yeah, so I think I'll

1:14:10.160 --> 1:14:12.880
<v Speaker 1>go with, like, I don't know, two and a half

1:14:12.920 --> 1:14:16.320
<v Speaker 1>fields a little too low for three. I think I'll

1:14:16.360 --> 1:14:19.880
<v Speaker 1>go three. I'll give one to Barbie Ferrera, I'll give

1:14:19.880 --> 1:14:25.879
<v Speaker 1>one to the actor who plays Peg Gerald Prescott, and

1:14:26.520 --> 1:14:31.280
<v Speaker 1>I will give my third nipple to PEG's reference to

1:14:31.800 --> 1:14:38.240
<v Speaker 1>the human centipede. I did appreciate that well, delivered and

1:14:38.640 --> 1:14:42.720
<v Speaker 1>a rare goodline in this movie. Yeah, I'm also going

1:14:42.760 --> 1:14:45.559
<v Speaker 1>to go with three here for all the reasons described

1:14:45.960 --> 1:14:50.160
<v Speaker 1>there are, particularly on the issue of class and race

1:14:50.520 --> 1:14:55.440
<v Speaker 1>as it pertains to access to abortion. It's like, how, how,

1:14:55.439 --> 1:14:58.920
<v Speaker 1>how how can that not come into the story in

1:14:58.960 --> 1:15:03.000
<v Speaker 1>addition to the people of color that are in the

1:15:03.040 --> 1:15:06.920
<v Speaker 1>movie and how their characters are sidelined. They're just servicing

1:15:07.040 --> 1:15:09.120
<v Speaker 1>the sins white teenager and and and so on and

1:15:09.160 --> 1:15:14.400
<v Speaker 1>so forth. It's just a huge, kind of inconceivably huge

1:15:14.560 --> 1:15:17.000
<v Speaker 1>miss in that regard. And it's the more we talk

1:15:17.000 --> 1:15:21.000
<v Speaker 1>about it, the more I'm like, what the fuck? Um, So, yeah,

1:15:21.000 --> 1:15:26.080
<v Speaker 1>I'm gonna give this three nipples. And I think I'm

1:15:26.240 --> 1:15:28.760
<v Speaker 1>gonna give him all the Barbie because I wanted to

1:15:28.760 --> 1:15:37.360
<v Speaker 1>have a spare. I just think she's a delight certainly. Well, folks,

1:15:37.800 --> 1:15:43.320
<v Speaker 1>that is our episode on on greg Nant. Yes, so

1:15:43.680 --> 1:15:47.839
<v Speaker 1>no more Greg's and uh and and and good riddance

1:15:48.120 --> 1:15:54.120
<v Speaker 1>uh again. We're gonna be linking to resources on more information,

1:15:54.680 --> 1:15:57.599
<v Speaker 1>will be linking to the Bitch media piece. Will also

1:15:57.640 --> 1:16:01.599
<v Speaker 1>be linking to a Google dog of state by state

1:16:01.800 --> 1:16:07.800
<v Speaker 1>places to donate to individual abortion clinics. We will be

1:16:07.960 --> 1:16:12.960
<v Speaker 1>doing the same, don't you worry. And we'll also post

1:16:13.000 --> 1:16:18.200
<v Speaker 1>these resources to our social media, speaking of which that's

1:16:18.200 --> 1:16:21.639
<v Speaker 1>on Instagram and Twitter at bucktele Cast incredible, and that's

1:16:21.680 --> 1:16:24.240
<v Speaker 1>just where you can find us there. Absolutely you can

1:16:24.280 --> 1:16:29.200
<v Speaker 1>also find us on Patreon aka Matreon, where we do

1:16:29.400 --> 1:16:34.280
<v Speaker 1>to bonus episodes every month. Yeah, you also have access

1:16:34.320 --> 1:16:37.639
<v Speaker 1>to the back catalog of all of those over one

1:16:37.720 --> 1:16:42.839
<v Speaker 1>hundred bonus episodes. I'll be goddamned, including uh two movies

1:16:42.880 --> 1:16:46.759
<v Speaker 1>that handle abortion in uh ways that I mean obviously

1:16:47.000 --> 1:16:49.639
<v Speaker 1>I don't know. I had to revisit Obvious Child, but

1:16:49.840 --> 1:16:52.960
<v Speaker 1>certainly a movie that it handles abortion terribly. We covered

1:16:52.960 --> 1:16:57.240
<v Speaker 1>on the Matreon, which is Juno. Uh so they're all

1:16:57.360 --> 1:17:00.800
<v Speaker 1>it's all there, Baby had on, Head on over, come

1:17:00.800 --> 1:17:03.920
<v Speaker 1>on down, and uh you can get our merch at

1:17:03.960 --> 1:17:07.800
<v Speaker 1>t public dot com slash the Bechdel Cast if you

1:17:07.800 --> 1:17:11.920
<v Speaker 1>are so inclined, and uh, we'll see you next week

1:17:12.160 --> 1:17:18.080
<v Speaker 1>for Caitlin's birthday episode. Bye bye Bye