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Speaker 1: But all right, job.

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Speaker 2: All across the USC Compton watch Bay to La, come

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Speaker 2: on to California day from Rowley the Valley. We represent

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Speaker 2: that Keller County. So if you're keeping it real on

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Speaker 2: your side of your town, you tune into Gainst the

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Speaker 2: Chronicles Chronic Goals.

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Speaker 1: We gonna tell you how.

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Speaker 3: Are we goals?

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Speaker 1: If I lie my nose will girl like Pinocchio. We're

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Speaker 1: gonna tell you the truth and nothing but the truth.

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Speaker 1: Gangs the Chronic Goals. This is not your average shows.

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Speaker 2: You're now tuned into the rail mc ain't, Big Change

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Speaker 2: and Big Spells the streets.

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Speaker 1: Hello, we welcome to the Gainst the Chronicles podcast, the

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Speaker 1: production of iHeart Radio and Black Effect Podcast Network. Make

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Speaker 1: sure you download the iHeart app and subscribe to Against

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Speaker 1: the Chronicles for my Apple users, hit the Purple Michael

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Speaker 1: your front screen. Subscribed Against the Chronicles, leave a start

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Speaker 1: rating the comment what's happening? What's up? We'd like to

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Speaker 1: welcome you to another episode of Gangst the Chronicles podcast

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Speaker 1: with Gangst the Rap, lizs and It's your Boy Big

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Speaker 1: Steal along with yeh hey man, you knew we were

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Speaker 1: supposed to have a guest tonight. Right, Oh, should I

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Speaker 1: know it's all good? I didn't. I didn't.

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Speaker 3: I ain't know, you know me, I just they show up,

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Speaker 3: they show up, they don't, they don't.

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Speaker 1: Yeah, man, you know what I should I shouldn't say

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Speaker 1: his name, but I am. You know Rodney, Yo, what

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Speaker 1: was supposed to come through? Yeah?

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Speaker 3: Well, you know, maybe we had better obligations or something.

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Speaker 3: You know, we we uh, I guess you know, we

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Speaker 3: gonna say hopefully nothing serious. But you know, sometimes motherfuckers

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Speaker 3: just be like, hey, it can't help it.

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Speaker 1: Man.

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Speaker 3: Sometimes people don't feel you know, I guess certain certain

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Speaker 3: things aren't as important or or as a vow you're getting.

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Speaker 1: Well, you know what. I don't never take this stuff

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Speaker 1: personal because it ain't like we was paying them a check,

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Speaker 1: busting them a check or nothing. You know, it had

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Speaker 1: been a cool favorite for us. But I think it

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Speaker 1: would be cool just to call somebody and say, hey, man,

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Speaker 1: I ain't gonna come or whatever. You know what I'm saying.

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Speaker 1: But I ain't mad though, shout to Rodney. You'll hopefully

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Speaker 1: everything all right? Right? You know that it is what

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Speaker 1: it is.

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Speaker 3: And some people get funny with their appearances and like

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Speaker 3: I said, what they feel is important, So it is

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Speaker 3: what it is. You know, sometimes people have other obligations

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Speaker 3: or maybe just forgot you know.

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Speaker 1: Yeah, it's all good man. You know what. It's been

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Speaker 1: a lot of talk, you know, and I know we've

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Speaker 1: spoke them a little bit last week. This whole beef

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Speaker 1: thing is going down, and I don't like to call

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Speaker 1: it a beef, this rap battle, because I don't think

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Speaker 1: nobody gonna get hurt, hopefully not. You know, now, Rick

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Speaker 1: Ross in it. Kendrick has yet to respond to. Drake

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Speaker 1: is out there. And one thing I noticed is that

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Speaker 1: Drake's sung hasn't went to the streaming service ship yet. Still,

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Speaker 1: you got me.

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Speaker 3: I don't pay attention to a lot of shit, uh

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Speaker 3: that goes on today. What you know, A lot of

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Speaker 3: this stuff is a lot of stuff be set ups

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Speaker 3: and gimmicks and gimmicks and.

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Speaker 1: Ways to help you know, almost marketing employee. It could

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Speaker 1: be a market employe because one of the things, you know,

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Speaker 1: shout out to the homie Glass is one of the

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Speaker 1: things that me and him have been talking about lately.

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Speaker 1: In the event of AI. You know, a lot of

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Speaker 1: people is using AI to demo out records now, you know,

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Speaker 1: but people don't get though, you still have to go

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Speaker 1: write those records. You just pretty much dim on you know,

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Speaker 1: demo on the record out of somebody else's voice, right,

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Speaker 1: Those raps still gotta be wrote. And one of the

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Speaker 1: things that they suspect is that Drake's song was actually

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Speaker 1: written by somebody else. Need to get into AI and

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Speaker 1: earlier version leaked or whatever, and the business never got handled,

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Speaker 1: so they're for they never put it out or whatever

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Speaker 1: you know, on the streaming services or whatever. But you

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Speaker 1: never know, though, doog.

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Speaker 3: Yeah, that's that's that's too much above my my that's

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Speaker 3: above my pay grade. Artificial intelligence and and and fake songs.

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Speaker 1: And you know the originally you feel about other people

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Speaker 1: writing reps though, like how do you feel about rappers

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Speaker 1: having ghost writers?

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Speaker 3: I mean shit, I myself have never used a ghostwriter,

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Speaker 3: you know. I've always been able to come up with

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Speaker 3: with songs or whatever, hooks, fray, whatever you know, or

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Speaker 3: if you're true at what you do, I always tell people, uh,

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Speaker 3: come natural, you get me, like waking up, putting a

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Speaker 3: pair of pants on, or you know, brushing your teeth whatever.

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Speaker 3: If you're true at what you do in your craft,

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Speaker 3: then it should be easy to pen, you know, lyrics

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Speaker 3: or whatever. But a lot of people blow they watts.

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Speaker 3: You know, you put out a good album, they might

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Speaker 3: have a brain freeze or writer's block because they can't

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Speaker 3: think of anything else to come up with. You know,

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Speaker 3: once you tell that first tell or story of originality,

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Speaker 3: and especially if you become successful, hard to focus.

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Speaker 1: I guess on.

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Speaker 3: The hard times you know that you expressed or trying

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Speaker 3: to make it, or trying to get in or you know,

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Speaker 3: late nights in the studios and just being serious. I mean,

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Speaker 3: come on, let's face it. You turn around and get

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Speaker 3: a double triple platinum album off your first go around,

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Speaker 3: start seeing a gang of money off of shows, and

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Speaker 3: you know, people wanting to fuck with you, and you know,

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Speaker 3: the successes of touring and all of that.

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Speaker 1: Tend to forget about where you came from. You get me.

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Speaker 3: Yeah, then you want to push that image like I've

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Speaker 3: always had it.

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Speaker 1: You get me. But you brought up an interest in

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Speaker 1: plaint though, Bro, when you on the road and you

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Speaker 1: got all these obligations because the bigger you are, the

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Speaker 1: more opportunities come, and you don't want to turn these

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Speaker 1: opportunities down because it could be real lucrative. You know

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Speaker 1: what I'm saying, do you really have time to sit

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Speaker 1: up and write raps at a certain time, because it

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Speaker 1: ain't like it was when you first got on and me,

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Speaker 1: I hold hip hop to a different regard, like right,

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Speaker 1: I don't know. I don't think it's nothing wrong. If

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Speaker 1: somebody come in helping you with hooks and helping you

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Speaker 1: put songs together, that's a whole different thing. Like you

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Speaker 1: may get a beat that already got a hook in

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Speaker 1: a bridge on it, you just come a rap on.

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Speaker 1: I don't look at that as really nobody writing your

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Speaker 1: stuff versus y'all putting together a record. You feel what

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Speaker 1: I'm saying, ain't nothing wrong with that, But you being

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Speaker 1: an MC stuff coming out to your mind, you telling

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Speaker 1: the story of somebody else writing that, writing that for

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Speaker 1: you kind of take away from authenticity. And I ain't

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Speaker 1: mad at it either way. I'm because you know, we

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Speaker 1: all know some of the biggest artists in the game,

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Speaker 1: US writers Like.

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Speaker 3: I mean, yeah, it's I don't think it's a secret

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Speaker 3: to unless motherfuckers want to make it a secret. But

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Speaker 3: there's a lot of artists who you know, shit you

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Speaker 3: can tell that oh they didn't write that you get

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Speaker 3: some don't feel there's any shame, oh no, getting somebody

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Speaker 3: else to pin a song or whatever.

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Speaker 1: I think it depends on wherever you at, Like singers

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Speaker 1: do it all day. Oh yeah, for sure.

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Speaker 3: So I guess that's the aspect when you But then

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Speaker 3: on like on your to answer your question about being

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Speaker 3: too busy, I've been in putting positions to where, you know,

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Speaker 3: touring and movie sets, and I always managed to keep

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Speaker 3: a notebook in my bag.

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Speaker 1: But that's what I'm saying for some people like and

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Speaker 1: like and this ain't no knock now, but I think

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Speaker 1: everybody know about now that Snoop. Other people write some

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Speaker 1: of Snoop's records. Some of his biggest records don't been

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Speaker 1: written by the homies. You know, uh, you know, I

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Speaker 1: want a rock record. I think the Homely Bad Look

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Speaker 1: wrote that you feel what I mean? I know problem

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Speaker 1: been over there putting P in the pad, But I

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Speaker 1: don't think that necessarily makes Snoop a we can see

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Speaker 1: versus him just giving people opportunities sometimes, you know.

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Speaker 3: I mean shit, some people are just bread for that

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Speaker 3: to be in writers. Some people, uh want to not

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Speaker 3: be in that position, you know. I don't want to

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Speaker 3: be the celebrity and whatever. But I can come up

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Speaker 3: with good concepts and storylines and so, you know, we

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Speaker 3: got a lot of people.

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Speaker 1: So you think, man, you coming from the era of

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Speaker 1: hip hop that you come from, Man, do you think

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Speaker 1: it's okay for people to be writing other people's reps? I? Now,

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Speaker 1: I don't count Snooping that because Snoop has been like

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Speaker 1: like Snoop is a whole nother level. Now, I don't

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Speaker 1: think you would count him cause he definitely wrote his

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Speaker 1: own stuff when he was first coming up and DC.

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Speaker 1: I guess DC helped him a little bit, but that

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Speaker 1: was them putting together a hit record. So I don't

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Speaker 1: really count that, you know. But if you found out,

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Speaker 1: like a dude like Drake, somebody else is writing Drake's

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Speaker 1: raps the whole time he been doing this, don't you

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Speaker 1: think that kind of take away from misauthenticity? Uh? I don't.

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Speaker 3: I had no judgment on it, because if it's not

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Speaker 3: really if it's not really my style of music, then

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Speaker 3: who am I to say?

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Speaker 1: Uh? You know.

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Speaker 3: What you do to get over M that show? You

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Speaker 3: you know, that's your position. And when you're an international

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Speaker 3: artist like that, I'm probably sure, you present it with

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Speaker 3: a lot of songs from different motherfucker get it camp.

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Speaker 1: And I'm a Drake fan, like I think Drake make

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Speaker 1: incredible music, But is he a hip hop artist?

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Speaker 3: I'm I'm I'm a I'm like I said, I'm a

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Speaker 3: different artist.

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Speaker 1: You know, I'm a.

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Speaker 3: I'm a reality artist. I tend to not do what

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Speaker 3: it's trendy and what gonna get to that status of

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Speaker 3: being that type of crossover artist or whatever it is.

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Speaker 3: So I don't I don't consider artists outside of my

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Speaker 3: realm to do what you know, they do what they do.

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Speaker 3: I don't know what category you want to put it in.

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Speaker 3: You want to put it in the rap or you're

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Speaker 3: a rapper, that's fine, But you know, I come from

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Speaker 3: a different era, and we just thought differently about certain

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Speaker 3: type of music.

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Speaker 1: Uh.

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Speaker 3: Just like in our era, we had the pm dons

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Speaker 3: you get me, uh, which is kind of like the

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Speaker 3: precursor with They would tell you in a minute, we

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Speaker 3: hip hop artists, right, they went to hip hop shows. Remember,

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Speaker 3: they get confronted by MO because we didn't feel and

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Speaker 3: true hip hop artists didn't feel they were in the

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Speaker 3: line of hip hop you get me.

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Speaker 1: Shoot that was a monster ricord they had. Yeah, that's

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Speaker 1: what I said.

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Speaker 3: That was like, like you said, the precursor to that

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Speaker 3: era of the one minute we rapping on the record,

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Speaker 3: the next thing, you know, we're vocalizing on the record,

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Speaker 3: we're singing.

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Speaker 1: That was you know around that. So, when.

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Speaker 3: You are true hip hop artist and you come from

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Speaker 3: the motherfucking trenches of hip hop, and you know the

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Speaker 3: basically the slave mentality of you're not welcome here, you

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Speaker 3: get me, That's what hip hop went through in the beginning.

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Speaker 3: You're not welcome here. You know, y'all gotta go through

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Speaker 3: the back door. You get me, y'all gotta hold y'all

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Speaker 3: parties in abandoned buildings and basements. How dare you think

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Speaker 3: you can come to a club and perform you get me?

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Speaker 3: We were so to have someone claim your craft, But

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Speaker 3: then motherfuckers is wearing weird outfits and you know, bones

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Speaker 3: and sticks through their hair and noses, and then you

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Speaker 3: singing love songs on records, it kind.

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Speaker 1: Of it defiles what you worked hard to. You get me.

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Speaker 3: That ain't motherfucking hip hop, That ain't motherfuckers. You know

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Speaker 3: what I'm saying. Getting run down by the police or

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Speaker 3: trying to throw parties in empty basements just to get

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Speaker 3: our sound out there and people to believe in our shit.

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Speaker 3: And then you can get a motherfucker to come along

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Speaker 3: and put a dress on and make a mockery of

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Speaker 3: what niggas really you get me try to represent as

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Speaker 3: far as bringing hip hop to the forefront, Now y'all

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Speaker 3: want to make a mockery out of it. Now you

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Speaker 3: want to be singing on motherfucking records and calling it

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Speaker 3: hip hop?

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Speaker 1: Well, that's what I'm saying. It's like, I don't even

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Speaker 1: know if Drake can be considered a rapper because he

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Speaker 1: do more sing than anything else. But you know, his

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Speaker 1: records sound good when you know he's a good rapper,

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Speaker 1: you know, regardless who're writing and stuff, he still got

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Speaker 1: to execute it. You feel what I'm saying. But I

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Speaker 1: don't really look at him like no hip hop artists

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Speaker 1: like that and nothing where we at in hip hop.

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Speaker 1: Like I was kind of listening to them go back

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Speaker 1: and forth to him and Rose go back and forth,

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Speaker 1: and I think that sometimes these cats just get so

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Speaker 1: out of range of what normal people is at in life.

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Speaker 1: Like they talked talking about like, oh, your house only

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Speaker 1: worth fifty million. You got a content creator house. The

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Speaker 1: average person ain't living in a fifty million dollar house.

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Speaker 1: The average person is not living in a million dollar home.

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Speaker 1: You feel what I'm saying. Yeah, And it get kind

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Speaker 1: of to where it's kind of like hip hop is

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Speaker 1: in this funny place now to where I think people

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Speaker 1: base a lot of what they got going on by

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Speaker 1: much bread they got.

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Speaker 3: Well, we used to have Braggadocia's rappers. You know, I'm this,

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Speaker 3: I'm mad, I'm bad, I'm the greatest. You know, I'm

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Speaker 3: we this, I got the I got the I got

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Speaker 3: the Polo this on. You know, we got the we

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Speaker 3: got the fat dookie links. We've always had Braggadocia's rappers.

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Speaker 3: But I think in this day and age, as far

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Speaker 3: as with economy and finances and uh flossing is at

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Speaker 3: in all time?

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Speaker 1: Hi, you get me.

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Speaker 3: Motherfuckers want you to know, I got some dollars.

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Speaker 1: You get me.

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Speaker 3: The era of being low key and incognito. That's not

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Speaker 3: our g that's that's not this generation. This generation wants

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Speaker 3: you to know, Nigga, I got money, I got this,

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Speaker 3: And I used to tell motherfuckers all the time, it's crazy.

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Speaker 3: You you know you put you. You listen to motherfuckers,

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Speaker 3: you know, these artists, these new artists, and like you said,

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Speaker 3: they bragging, my house is worth fifty yours is only

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Speaker 3: worth this. I'm flying around in G four, You flying

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Speaker 3: around in the G two. That type of shit.

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Speaker 1: Begging on the dude's jet, like, man, your jets from

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Speaker 1: nineteen seventy eight. It ain't safe. It used to be

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Speaker 1: a cargo jet, you know, And it's like, come on,

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Speaker 1: bro y'all talked about righting.

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Speaker 3: But I'm saying, but I always say that you, as

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Speaker 3: the fan, are the one that put them in that position.

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Speaker 3: But then they brag about what I got that you'll

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Speaker 3: never have, but still stream my record.

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Speaker 1: You get me.

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Speaker 3: I didn't like dudes who bragged about how much they had.

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Speaker 3: But then it's the average motherfucker who's spending their money

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Speaker 3: on your album. Now you're making them feel like, how

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00:16:31,960 --> 00:16:35,880
Speaker 3: do you feel to support that motherfucker so much when

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Speaker 3: he basically telling you, nigga, you'll never be me? You

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Speaker 3: get me and thank you for your twenty dollars contribution.

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Speaker 3: And now I'm this, I'm that you'll never have what

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Speaker 3: I got. I got this. You ain't worth that you

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Speaker 3: are average motherfucker. And I just could never get into

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Speaker 3: that type of a hip hop.

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Speaker 1: You know.

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Speaker 3: I listen to new dudes, and I listened to they

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Speaker 3: songs if it's good songs, but I've never been I

301
00:17:07,160 --> 00:17:10,720
Speaker 3: never been a fan of the braggadocious rapper you get me.

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Speaker 1: You know what. Man, When cash Money first came in,

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Speaker 1: they did a lot of floss and I thought that

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Speaker 1: was kind of cool because it was almost comical the

305
00:17:18,080 --> 00:17:19,920
Speaker 1: way they did it, like, you know, like many fresh

306
00:17:19,960 --> 00:17:22,520
Speaker 1: to talk about I got an aquarium and a dash

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Speaker 1: my car. You know, it was just so over the top.

308
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Speaker 1: It was funny, almost right, you know what I'm saying.

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Speaker 3: But then niggas would go out and do it. That's

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Speaker 3: the type of crass.

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Speaker 1: And that's what I'm saying. It was like that was

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Speaker 1: like almost a part of their gimmick. You feel what

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Speaker 1: I'm saying, Like I'm the number one stunt, I'm the

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Speaker 1: stunning man, you know what I'm saying. I'm a stunt

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Speaker 1: on niggas, and that was kind of like his thing. Dog.

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Speaker 1: But then, you know, hip hop come from the ghetto, man,

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Speaker 1: and it's always gonna be represented, you know, that's what pop.

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Speaker 3: Come from the struggle from it came from, It came

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Speaker 3: from like you know, it was our voice. It was

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Speaker 3: our voice when we didn't have, you know, as a

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Speaker 3: youth in those times, the seventies and the early eighties,

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Speaker 3: you know, we wasn't we wasn't on know, you know

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Speaker 3: who's my role model? And I want to be like

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00:18:16,800 --> 00:18:20,800
Speaker 3: Mike and you know and Martin Luther had a dream

325
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Speaker 3: and all that. Nigga, we was figuring out how to

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00:18:25,800 --> 00:18:30,359
Speaker 3: make bread and stays and survive and run down neighborhoods

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Speaker 3: and buildings and poverty. So hip hop was the voice,

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Speaker 3: you get me, it was. It was the struggle music

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Speaker 3: for us. We didn't have to listen to, you know,

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Speaker 3: our parents' music, the blues and.

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Speaker 1: Shit like that.

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Speaker 3: We had our own lane. Niggas started rapping about what

333
00:18:48,640 --> 00:18:54,959
Speaker 3: we was feeling. You know, drug dealers everywhere. Niggas don't care. Nigga.

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Speaker 3: I'm Meley Mayo with the message and you know what

335
00:18:57,880 --> 00:19:02,199
Speaker 3: I'm saying. We had songs that represented nigga. We in

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00:19:02,240 --> 00:19:03,359
Speaker 3: the struggle right now.

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Speaker 1: Yeah, And I don't want to sound like one of

338
00:19:05,000 --> 00:19:07,280
Speaker 1: them old men is like, oh woe is me? The

339
00:19:07,280 --> 00:19:09,600
Speaker 1: little kids making this type of music. Now. It's just

340
00:19:09,680 --> 00:19:12,920
Speaker 1: that I think if people not careful, they can almost

341
00:19:12,960 --> 00:19:16,480
Speaker 1: take theyself out the loop of reality because the stuff

342
00:19:16,520 --> 00:19:19,160
Speaker 1: they talking about really ain't reality for the average person

343
00:19:19,160 --> 00:19:23,200
Speaker 1: living in this country. It's maybe only maybe one percent

344
00:19:23,320 --> 00:19:25,040
Speaker 1: of the people in this country, or maybe point five

345
00:19:25,040 --> 00:19:27,480
Speaker 1: percent of the country that's actually living like that. You

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00:19:27,520 --> 00:19:31,600
Speaker 1: feel what I'm saying, And you think, don't think rappers.

347
00:19:31,240 --> 00:19:33,840
Speaker 2: Are being reeled about how the economy is affecting them

348
00:19:33,880 --> 00:19:34,240
Speaker 2: right now?

349
00:19:34,920 --> 00:19:40,720
Speaker 1: You? Oh, no, definitely not. I think it's a rapper's job,

350
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Speaker 1: so to speak, to always kind of put two on

351
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Speaker 1: the ten because they have an image to portray. You

352
00:19:47,680 --> 00:19:49,760
Speaker 1: feel what I'm saying. Do you really think Ross is

353
00:19:49,800 --> 00:19:52,399
Speaker 1: walking around all day every day with big jewels on

354
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Speaker 1: and glasses on, with a perfectly lined up beard and

355
00:19:55,800 --> 00:19:59,919
Speaker 1: all those are photo opportunities? Definitely? You feel what I'm

356
00:20:00,000 --> 00:20:03,639
Speaker 1: I'm saying. It's like, and everybody, if they not watching

357
00:20:03,640 --> 00:20:06,080
Speaker 1: they coin, they better watch they coin right now because

358
00:20:06,119 --> 00:20:09,440
Speaker 1: the American dollar is taking the Noseedie. And I think

359
00:20:09,480 --> 00:20:12,960
Speaker 1: you know when they talk about everybody can't be living

360
00:20:13,000 --> 00:20:15,399
Speaker 1: in no fifty million dollar crib. I just know that

361
00:20:15,440 --> 00:20:17,840
Speaker 1: the economics of music don't allow for that. The way

362
00:20:17,960 --> 00:20:20,800
Speaker 1: streaming ISS you have to stream for you have to

363
00:20:20,800 --> 00:20:23,360
Speaker 1: stream a lot of units. And I know Rass, for example,

364
00:20:23,440 --> 00:20:26,600
Speaker 1: got a lot of outside businesses outside a rap But

365
00:20:26,760 --> 00:20:30,040
Speaker 1: even then, how many of those are just sponsorship opportunities

366
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Speaker 1: versus him actually owning something? And that's not me getting

367
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Speaker 1: this business because Rose got way more paper than I do.

368
00:20:35,200 --> 00:20:38,359
Speaker 1: But I think everybody cap and everybody not big in

369
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Speaker 1: theirs though I've never been wanting to count pockets. Yeah,

370
00:20:43,600 --> 00:20:45,760
Speaker 1: I'm not into that either, but I just think I

371
00:20:45,880 --> 00:20:48,520
Speaker 1: know his question. Yeah, I know.

372
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Speaker 3: Firsthand being an artists, dealing with companies and contracts. Everything

373
00:20:57,200 --> 00:21:04,600
Speaker 3: ain't what it seems. But again, you know, imagery is everything.

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Speaker 1: Yeah, a lot.

375
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Speaker 3: Of shit is rented, at least a lot of shit is,

376
00:21:12,480 --> 00:21:18,920
Speaker 3: like you said, favors and loans. But you know, when

377
00:21:18,920 --> 00:21:23,120
Speaker 3: you put yourself in that position forgetting that.

378
00:21:25,080 --> 00:21:26,200
Speaker 1: You can be normal.

379
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Speaker 3: Now you have to keep up with the Joneses.

380
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Speaker 1: They you know, that's what they say. So, yeah, the

381
00:21:34,280 --> 00:21:36,080
Speaker 1: fans want to law you to be normal. You gotta

382
00:21:36,119 --> 00:21:38,359
Speaker 1: think about this eight Like we talked about this before,

383
00:21:38,760 --> 00:21:40,960
Speaker 1: You could be normal. I want to see you normal though.

384
00:21:41,200 --> 00:21:43,880
Speaker 3: Yeah, you could be normal if you present your They

385
00:21:44,080 --> 00:21:48,520
Speaker 3: they accept j Cole normal. You don't ride around with

386
00:21:48,760 --> 00:21:53,360
Speaker 3: you know, you don't see motherfucker jumping out of Bentley

387
00:21:53,480 --> 00:21:57,320
Speaker 3: trucks and rolls Royces and the entourages and the thirty

388
00:21:57,480 --> 00:21:59,280
Speaker 3: chains on, and you can be.

389
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Speaker 1: Ain't living on top of the liquors through on Second

390
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Speaker 1: Street either. Fans don't want to. If they see him

391
00:22:04,840 --> 00:22:08,520
Speaker 1: in that light, they go clown them. You feel what

392
00:22:08,560 --> 00:22:11,800
Speaker 1: I'm saying. Yeah, but you don't have to. You don't

393
00:22:11,840 --> 00:22:16,120
Speaker 1: have to become a successful artist off the struggle. Once

394
00:22:16,160 --> 00:22:20,240
Speaker 1: you become successful, you should remember where you came from.

395
00:22:20,560 --> 00:22:21,760
Speaker 1: You shouldn't turn.

396
00:22:21,560 --> 00:22:25,800
Speaker 3: Around and Okay, today I'm talking about how I'm struggling

397
00:22:25,840 --> 00:22:29,119
Speaker 3: and hustling to survive. And then I go out and

398
00:22:29,160 --> 00:22:33,280
Speaker 3: because a lot of fans identify with what I'm coming from,

399
00:22:33,640 --> 00:22:37,399
Speaker 3: so I sell two three four million records. Now I

400
00:22:37,400 --> 00:22:40,240
Speaker 3: want to walk around in Fasachi shirts and big chains

401
00:22:40,320 --> 00:22:43,600
Speaker 3: on and then alienate the motherfuckers who put me in

402
00:22:43,600 --> 00:22:48,280
Speaker 3: this position. I'm just I'm just not cool with that shit.

403
00:22:48,720 --> 00:22:52,000
Speaker 3: You can be normal if you want to. Kendrick, Ain't

404
00:22:52,080 --> 00:22:55,000
Speaker 3: riding around with big chains on and jumping out of

405
00:22:55,080 --> 00:22:58,439
Speaker 3: motherfucking thirty rows rooces. He got a gang of money,

406
00:22:58,640 --> 00:23:00,840
Speaker 3: He's done a gang of shows. But I could be No,

407
00:23:01,080 --> 00:23:04,040
Speaker 3: you can be normal, But if you choose to put

408
00:23:04,080 --> 00:23:07,639
Speaker 3: yourself in the nigga, I'm finna jump off private planes

409
00:23:07,720 --> 00:23:10,600
Speaker 3: and nigga, I'm finna pull up with nigga. I got

410
00:23:10,640 --> 00:23:13,520
Speaker 3: all my every nigga that hang around. I got ten

411
00:23:13,560 --> 00:23:16,199
Speaker 3: cars in my driveway. So now I'm gonna call up

412
00:23:16,200 --> 00:23:18,240
Speaker 3: ten of my homies and I'm gonna get in each

413
00:23:18,400 --> 00:23:21,919
Speaker 3: keys and We're gonna drive all through downtown and floss

414
00:23:22,000 --> 00:23:24,680
Speaker 3: to go jump out at the Sneakers store. You know

415
00:23:24,720 --> 00:23:28,479
Speaker 3: what I'm saying, Like it's you. You put yourself in

416
00:23:28,480 --> 00:23:29,080
Speaker 3: that position.

417
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Speaker 1: I would imagine the duck riding right here, Dut. You

418
00:23:31,880 --> 00:23:34,240
Speaker 1: know you my homeboy dog me and they need you

419
00:23:34,280 --> 00:23:36,040
Speaker 1: to come up here and sit with his dog because

420
00:23:36,040 --> 00:23:37,480
Speaker 1: I got a lot of a lot of shit to talk.

421
00:23:37,600 --> 00:23:40,240
Speaker 1: I want to talk to you about Kendrick. Gag fucking

422
00:23:40,320 --> 00:23:43,360
Speaker 1: Kendred like boy, leave me alone. No, I'm bless my home.

423
00:23:44,200 --> 00:23:46,600
Speaker 1: He Kendrick is my homie too. That's why I got

424
00:23:46,720 --> 00:23:49,480
Speaker 1: redid some work. He might fuck around, the comano dog,

425
00:23:49,760 --> 00:23:51,200
Speaker 1: he might fuck around to come Dut.

426
00:23:51,240 --> 00:23:55,280
Speaker 3: That type of dude, you you better off action Michael

427
00:23:55,359 --> 00:23:56,400
Speaker 3: Jackson to pull up.

428
00:23:57,760 --> 00:24:02,320
Speaker 1: I don't know, Michael, no mother there.

429
00:24:02,400 --> 00:24:05,920
Speaker 3: Yeah, but niggas get it. Certain niggas get certain statuses.

430
00:24:05,960 --> 00:24:06,280
Speaker 1: Aday.

431
00:24:06,400 --> 00:24:09,280
Speaker 3: Like I said, sometimes, you know what, sometimes you can

432
00:24:09,320 --> 00:24:13,639
Speaker 3: put yourself. You can become something to where it don't

433
00:24:13,640 --> 00:24:15,640
Speaker 3: even allow me to do that anymore.

434
00:24:15,640 --> 00:24:17,240
Speaker 1: Well, no, I will tell you this. That's what I

435
00:24:17,320 --> 00:24:20,760
Speaker 1: was gonna say. Dut if he had the opportune time,

436
00:24:20,840 --> 00:24:22,520
Speaker 1: he would do it. But I don't think he could

437
00:24:22,560 --> 00:24:25,520
Speaker 1: come over here and do it. No, so much security.

438
00:24:25,840 --> 00:24:28,159
Speaker 1: You probably have to have so much different stuff in places.

439
00:24:28,160 --> 00:24:32,040
Speaker 1: He's a mega superstar. Now, Yeah, you gotta pull up

440
00:24:32,080 --> 00:24:34,800
Speaker 1: like the president. You gotta have an entourage, and you

441
00:24:34,840 --> 00:24:37,760
Speaker 1: gotta have security, and niggas gotta check the street out

442
00:24:37,800 --> 00:24:40,280
Speaker 1: on top of the buildings and all that shit. So

443
00:24:40,760 --> 00:24:45,520
Speaker 1: sometimes when you become so big, uh, it doesn't allow

444
00:24:45,600 --> 00:24:50,560
Speaker 1: you to do the normal ship. But still you can

445
00:24:50,640 --> 00:24:54,760
Speaker 1: still be I'm my nigga is still normal. A lot

446
00:24:54,760 --> 00:24:59,399
Speaker 1: of people might think he's you know, different, but to me,

447
00:24:59,520 --> 00:25:02,960
Speaker 1: he's annoy normal nigga. He's not the one who feels

448
00:25:03,160 --> 00:25:07,920
Speaker 1: like I got to impress the public.

449
00:25:08,080 --> 00:25:13,560
Speaker 3: Now you get me, now, I have to go out

450
00:25:13,720 --> 00:25:18,280
Speaker 3: and pull up in the two million dollar car because

451
00:25:18,720 --> 00:25:20,200
Speaker 3: I put myself in that position.

452
00:25:20,400 --> 00:25:22,920
Speaker 1: Why because I started rapping about the shit.

453
00:25:23,440 --> 00:25:26,399
Speaker 3: Because I started telling niggas, Nigga, I'm bringing in twenty

454
00:25:26,520 --> 00:25:30,440
Speaker 3: kilos and nigga, I'm the man, and nigga, I'm having

455
00:25:30,560 --> 00:25:34,800
Speaker 3: lunch in Paris, and then WOOTI wom now I expect it.

456
00:25:35,080 --> 00:25:37,560
Speaker 3: I better not see your motherfucking ass pulling up in

457
00:25:37,640 --> 00:25:40,640
Speaker 3: the Honda Civic and shit like that, because you put

458
00:25:40,680 --> 00:25:43,760
Speaker 3: yourself in that position. If you want to be normal,

459
00:25:44,000 --> 00:25:45,120
Speaker 3: you can be normal.

460
00:25:45,040 --> 00:25:48,200
Speaker 1: Who always did a good job of keeping stuff normal. Dog.

461
00:25:48,920 --> 00:25:51,960
Speaker 1: I would see you different places at your height. I

462
00:25:51,960 --> 00:25:54,159
Speaker 1: wouldn't ever since necessarily just run up to you and

463
00:25:54,160 --> 00:25:55,560
Speaker 1: talk to you all the time, but I would see

464
00:25:55,560 --> 00:25:59,080
Speaker 1: you places right. I would also see Warrens in regular

465
00:25:59,119 --> 00:26:01,720
Speaker 1: places a long you know, around like at the grocery

466
00:26:01,720 --> 00:26:03,439
Speaker 1: store out right. I used to bump in him. I

467
00:26:03,440 --> 00:26:05,720
Speaker 1: think he might have been living in that little community

468
00:26:05,720 --> 00:26:08,280
Speaker 1: in Lakewood at that time. I would always see him

469
00:26:08,280 --> 00:26:10,119
Speaker 1: in the grocery store because I was I lived right

470
00:26:10,160 --> 00:26:12,800
Speaker 1: around the corner from there, so I would always bump

471
00:26:12,800 --> 00:26:15,439
Speaker 1: into him, and I think that's why he got the

472
00:26:15,520 --> 00:26:18,080
Speaker 1: love in the community that he did get because he

473
00:26:18,160 --> 00:26:21,680
Speaker 1: was accessible. Yes, when he was a mega superstar, that's

474
00:26:21,680 --> 00:26:22,640
Speaker 1: when Regulator was out.

475
00:26:22,640 --> 00:26:25,080
Speaker 3: You know what I mean, Like people be surprised, Like

476
00:26:26,359 --> 00:26:28,959
Speaker 3: they'll see me in the in the in the grocery store,

477
00:26:29,400 --> 00:26:32,920
Speaker 3: or they'll see me at the cleaners or some regular

478
00:26:33,000 --> 00:26:39,159
Speaker 3: shit like you really in the like okay, Like I

479
00:26:39,160 --> 00:26:43,760
Speaker 3: had to tell him, motherfucker the other day, how I'm

480
00:26:43,800 --> 00:26:46,960
Speaker 3: a get ship. Then I don't have no motherfucker going

481
00:26:46,960 --> 00:26:50,000
Speaker 3: to the store shopping for me. Most people buying and

482
00:26:50,119 --> 00:26:53,840
Speaker 3: buying my cases of water and juices, and most people

483
00:26:53,880 --> 00:26:58,959
Speaker 3: don't bro like and mother fucker like you be cooking,

484
00:26:59,359 --> 00:27:01,760
Speaker 3: I'm like, fuck, is my kid gonna eat if I

485
00:27:01,840 --> 00:27:06,359
Speaker 3: don't cook? Like I'm a normal person outside of what

486
00:27:06,480 --> 00:27:08,960
Speaker 3: you might go on. Man, this nigga been in movies

487
00:27:09,040 --> 00:27:11,960
Speaker 3: and he got records, He been on a video game

488
00:27:12,040 --> 00:27:15,720
Speaker 3: and on. Outside of that, I tried to stay grounded

489
00:27:15,800 --> 00:27:20,680
Speaker 3: and normal. It can fuck with you if you've come

490
00:27:20,760 --> 00:27:23,560
Speaker 3: from nothing and all of a sudden, you know, a

491
00:27:23,640 --> 00:27:26,280
Speaker 3: nigga handing you a check for a million dollars and

492
00:27:26,760 --> 00:27:29,880
Speaker 3: you know, and you're able to do you the all shit.

493
00:27:30,000 --> 00:27:31,440
Speaker 3: Now I can go to the mall right now and

494
00:27:31,560 --> 00:27:34,480
Speaker 3: buy twenty pair of shoes, or I can go buy

495
00:27:34,520 --> 00:27:37,560
Speaker 3: my mama a car, or Nigga, we could go. We'd

496
00:27:37,600 --> 00:27:40,119
Speaker 3: go sit down at the fancy restaurant and spend a

497
00:27:40,200 --> 00:27:40,920
Speaker 3: thousand two.

498
00:27:40,960 --> 00:27:44,760
Speaker 1: The conception is something else, Like I remember when Kendrick's

499
00:27:44,760 --> 00:27:47,960
Speaker 1: little sister had a birthday and I guess he brought

500
00:27:47,960 --> 00:27:50,680
Speaker 1: her a Nissan or something. Everybody in the comment section

501
00:27:50,880 --> 00:27:53,560
Speaker 1: was like, Oh, you such a bad brother. You didn't

502
00:27:53,560 --> 00:27:56,200
Speaker 1: go out and buy her a Bentley. You didn't go out.

503
00:27:56,400 --> 00:27:58,600
Speaker 1: It's like, that's a nice present. You know, a girl

504
00:27:58,640 --> 00:27:59,960
Speaker 1: grades wait in high school, get a Nize.

505
00:28:01,640 --> 00:28:04,440
Speaker 3: Yes, hell, your sister problems as a normal, as a normal,

506
00:28:04,520 --> 00:28:07,800
Speaker 3: as a normal motherfucker. A person's come up and like here,

507
00:28:08,160 --> 00:28:11,159
Speaker 3: here's a motherfucking Honda, or here's a knee sign, or

508
00:28:11,200 --> 00:28:12,920
Speaker 3: here's a hell.

509
00:28:12,840 --> 00:28:15,240
Speaker 1: Yeah, least I looked those pretty decent calls.

510
00:28:15,040 --> 00:28:17,359
Speaker 3: Ran new and nigg I can get from A to

511
00:28:17,400 --> 00:28:20,000
Speaker 3: B and and still don't have to worry about you

512
00:28:20,040 --> 00:28:23,440
Speaker 3: know what I'm saying, asking motherfuckers for rides or catching

513
00:28:23,480 --> 00:28:29,000
Speaker 3: public transportation. That that's but see, I can see that

514
00:28:29,200 --> 00:28:30,840
Speaker 3: as a motherfucker wanting to.

515
00:28:32,359 --> 00:28:34,840
Speaker 1: Let me I gotta keep you grounded.

516
00:28:34,520 --> 00:28:37,080
Speaker 3: You get me, because if I start stepping out of

517
00:28:37,119 --> 00:28:40,800
Speaker 3: the element, then everything gonna be fucked. Next thing, you know,

518
00:28:40,880 --> 00:28:43,480
Speaker 3: I'm a bending ran through one hundred million dollars on

519
00:28:43,640 --> 00:28:44,400
Speaker 3: crazy shit.

520
00:28:44,720 --> 00:28:48,880
Speaker 1: You have to be really because you have to understand

521
00:28:48,880 --> 00:28:53,200
Speaker 1: from the fans standpoint, they think everybody got making money,

522
00:28:53,280 --> 00:28:55,880
Speaker 1: especially and you know what's funny, the podcast stuff started

523
00:28:55,880 --> 00:28:59,400
Speaker 1: getting that same category. I pretty much know what everybody

524
00:28:59,520 --> 00:29:02,640
Speaker 1: getting right, and some of these numbers just be just

525
00:29:02,720 --> 00:29:05,560
Speaker 1: way out there, just because there's no way for them

526
00:29:05,600 --> 00:29:08,120
Speaker 1: companies to recoup that money. How they gonna have to

527
00:29:08,120 --> 00:29:10,080
Speaker 1: sell a gang. It would have to be ads running

528
00:29:10,080 --> 00:29:11,960
Speaker 1: there dropping every two minutes. You feel what I mean,

529
00:29:12,520 --> 00:29:14,760
Speaker 1: you would have reads dropping every two minutes. It just

530
00:29:14,800 --> 00:29:17,680
Speaker 1: don't work like that. But to the fans, they believe

531
00:29:17,800 --> 00:29:21,240
Speaker 1: everything that they hear. So I get people, I get

532
00:29:21,240 --> 00:29:23,920
Speaker 1: certain family members tell me, why don't you buy you

533
00:29:23,960 --> 00:29:26,400
Speaker 1: a new car? When you gonna buy you a new car?

534
00:29:26,800 --> 00:29:30,080
Speaker 1: It don't matter now, it don't matter a that my

535
00:29:30,920 --> 00:29:34,200
Speaker 1: kid is driving whatever they driving, and my wife's driving

536
00:29:34,240 --> 00:29:37,320
Speaker 1: whatever she's driving. They see me in my truck and

537
00:29:37,440 --> 00:29:39,400
Speaker 1: be like, oh, he need to go buy him?

538
00:29:39,440 --> 00:29:45,480
Speaker 3: But why should I because they feel like.

539
00:29:43,640 --> 00:29:45,560
Speaker 1: Like, why do I have to buy a new cardinal piece?

540
00:29:45,720 --> 00:29:49,440
Speaker 3: Because you're putting yourself in a celebrity category, and now

541
00:29:49,480 --> 00:29:53,720
Speaker 3: that you're a celebrity, you can't be normal. You can't

542
00:29:53,760 --> 00:29:56,680
Speaker 3: be normal, you can't be just you know, you're the

543
00:29:56,840 --> 00:30:00,440
Speaker 3: Gangster Chronicles dude, So why would you you want to

544
00:30:00,480 --> 00:30:02,720
Speaker 3: be riding around in the old truck when you can

545
00:30:02,760 --> 00:30:05,720
Speaker 3: go rent you a Benz or a BMW or lease

546
00:30:05,840 --> 00:30:10,080
Speaker 3: you a fancy you know car, because that's the image

547
00:30:10,200 --> 00:30:13,680
Speaker 3: that people feel you're supposed to represent.

548
00:30:13,840 --> 00:30:16,560
Speaker 1: Don't you think it's just more safer to be a homeowner,

549
00:30:16,960 --> 00:30:19,120
Speaker 1: to be a guy that owns property, to be a

550
00:30:19,160 --> 00:30:22,200
Speaker 1: guy to own other little ancillary businesses and stuff. That's

551
00:30:22,200 --> 00:30:24,520
Speaker 1: not what you can think that's more mature, because the

552
00:30:24,600 --> 00:30:25,200
Speaker 1: thing is.

553
00:30:25,720 --> 00:30:28,800
Speaker 3: But it's most likely our people though you get me.

554
00:30:29,080 --> 00:30:32,240
Speaker 3: You can say that about you know, not to say

555
00:30:32,280 --> 00:30:36,320
Speaker 3: all black people don't have that train of thought, but

556
00:30:37,200 --> 00:30:42,000
Speaker 3: at some particular age brackets, it's like, no, nigga, what

557
00:30:42,000 --> 00:30:42,600
Speaker 3: do you mean.

558
00:30:42,560 --> 00:30:46,600
Speaker 1: Buy a home and stocks and all that shit. You know.

559
00:30:46,720 --> 00:30:49,280
Speaker 3: Now, some people are trying to you know, yeah, that's

560
00:30:49,280 --> 00:30:51,480
Speaker 3: the smart thing to do, whatever, but come on, the

561
00:30:51,520 --> 00:30:56,040
Speaker 3: typical motherfucker, eighteen to thirty. You get it, motherfucker, you're

562
00:30:56,040 --> 00:31:00,600
Speaker 3: supposed to live, nigga. Where's the where's the Louis Vatanes

563
00:31:00,680 --> 00:31:01,400
Speaker 3: and the bags?

564
00:31:01,440 --> 00:31:04,360
Speaker 1: You better think about it though, Like this, I'm pretty

565
00:31:04,360 --> 00:31:06,600
Speaker 1: sure me and you was talking earlier. You don't have

566
00:31:06,800 --> 00:31:11,440
Speaker 1: every car possible. I done drove five fifties. Dog, I've

567
00:31:11,480 --> 00:31:15,480
Speaker 1: had the five fifties. I've had to escalate with the

568
00:31:15,800 --> 00:31:18,800
Speaker 1: thirty thousand dollars kits on them. Dog. Of course you can't.

569
00:31:19,000 --> 00:31:21,600
Speaker 1: You can't resist sometimes. I've had all that stuff, you

570
00:31:21,640 --> 00:31:25,360
Speaker 1: know where all that stuff is now dog gone because

571
00:31:25,360 --> 00:31:27,760
Speaker 1: it wasn't worth It wasn't worth it. Like once you

572
00:31:27,840 --> 00:31:30,600
Speaker 1: get to the economics of this stuff. You ever notice

573
00:31:30,600 --> 00:31:32,720
Speaker 1: when you trade a car in man, you'd be like, man,

574
00:31:32,760 --> 00:31:34,840
Speaker 1: I think, damn one hundred thousand for that, man, I

575
00:31:34,880 --> 00:31:39,240
Speaker 1: only got twenty thousand dollars back for It's just the economically,

576
00:31:39,280 --> 00:31:40,080
Speaker 1: it don't make sense.

577
00:31:43,280 --> 00:31:50,560
Speaker 3: And I think that just comes with maturity. Like they say,

578
00:31:50,600 --> 00:31:55,360
Speaker 3: if it's nothing, if you got it. But I think

579
00:31:55,480 --> 00:32:01,480
Speaker 3: once you get a certain age, you start filling uh

580
00:32:01,920 --> 00:32:06,040
Speaker 3: to be conservative and to be smart. It's probably a

581
00:32:06,080 --> 00:32:07,160
Speaker 3: better way of thinking.

582
00:32:07,240 --> 00:32:09,960
Speaker 1: Yeah, we gotta be conservative because the thing is one

583
00:32:10,000 --> 00:32:12,440
Speaker 1: thing is about a dog father time is undefeated.

584
00:32:13,640 --> 00:32:17,320
Speaker 3: And like I said, I don't I don't like to

585
00:32:17,440 --> 00:32:20,840
Speaker 3: judge motherfuckers for their choices because I was in the

586
00:32:20,880 --> 00:32:23,840
Speaker 3: same position. You get me, Like I said, when you

587
00:32:23,880 --> 00:32:27,640
Speaker 3: come out of struggling in poverty and you get your

588
00:32:27,720 --> 00:32:31,000
Speaker 3: first opportunity to make some money, yeah you got. And

589
00:32:31,040 --> 00:32:35,440
Speaker 3: you and you a young man or young female, and

590
00:32:35,800 --> 00:32:39,200
Speaker 3: you know, you nineteen twenty twenty one years old, and

591
00:32:39,200 --> 00:32:41,920
Speaker 3: the motherfucker come hand you a couple one hundred thousand.

592
00:32:42,960 --> 00:32:44,440
Speaker 1: Of course, you know.

593
00:32:44,600 --> 00:32:48,360
Speaker 3: If you haven't already had the teachings and the trainings

594
00:32:48,000 --> 00:32:53,440
Speaker 3: of economics and how to manage money and the long run.

595
00:32:53,720 --> 00:32:54,240
Speaker 1: You get me.

596
00:32:55,840 --> 00:32:59,800
Speaker 3: Let's think twenty years down the road of what's gonna be,

597
00:33:00,320 --> 00:33:03,760
Speaker 3: and so you think different You would think differently probably,

598
00:33:04,160 --> 00:33:07,880
Speaker 3: But I tell you there's not too many of us

599
00:33:07,920 --> 00:33:10,720
Speaker 3: at nineteen twenty years old, coming up out of the

600
00:33:10,800 --> 00:33:14,560
Speaker 3: hood who had economic training other than selling dope.

601
00:33:14,720 --> 00:33:17,600
Speaker 1: You feel me tell you something, I'm pretty sure over

602
00:33:17,640 --> 00:33:21,120
Speaker 1: your career, over the course of your career, you don't

603
00:33:21,120 --> 00:33:24,200
Speaker 1: make ms. I'm pretty sure, right, I don't made a

604
00:33:24,280 --> 00:33:26,320
Speaker 1: nice chunk of money too. Man. But I really just

605
00:33:26,360 --> 00:33:29,480
Speaker 1: set up and thought one day, we're half the stuff

606
00:33:29,520 --> 00:33:31,480
Speaker 1: I don't bought is at right now? Like I thought

607
00:33:31,520 --> 00:33:34,280
Speaker 1: about it right because I'm like, man, I had a car,

608
00:33:34,480 --> 00:33:36,400
Speaker 1: I had a little rider. I was working on where's

609
00:33:36,440 --> 00:33:38,880
Speaker 1: that because you just think about it, like, man, a

610
00:33:38,880 --> 00:33:41,240
Speaker 1: lot of shit? You know, where's my car? Had dirt,

611
00:33:41,640 --> 00:33:44,959
Speaker 1: dirt bikes and jet skis. You don't know where none

612
00:33:44,960 --> 00:33:48,120
Speaker 1: of this stuff is at. No jewelry and boats and jurry.

613
00:33:48,240 --> 00:33:50,720
Speaker 1: And I was thinking about some watches I had, right,

614
00:33:51,360 --> 00:33:54,320
Speaker 1: I had these watches, man, And I don't know. I

615
00:33:54,480 --> 00:33:56,520
Speaker 1: just came off of tour. We just came back from

616
00:33:56,520 --> 00:34:00,160
Speaker 1: England and I went downtown and I bought four watch is.

617
00:34:00,200 --> 00:34:03,400
Speaker 1: I actually bought one for my DJ and I got

618
00:34:03,440 --> 00:34:04,640
Speaker 1: one for free. You know, I used to go be

619
00:34:04,720 --> 00:34:07,760
Speaker 1: able to go places get stuff for free. And these

620
00:34:07,800 --> 00:34:10,440
Speaker 1: watches was like they was buzz downs though they was

621
00:34:10,520 --> 00:34:14,360
Speaker 1: at minimum fifteen bands to twenty bands, right. I remember.

622
00:34:14,400 --> 00:34:16,640
Speaker 1: I wound up keeping one of them because I got

623
00:34:16,640 --> 00:34:18,839
Speaker 1: at the while to where I didn't like that gaudy shit.

624
00:34:18,960 --> 00:34:21,000
Speaker 1: You know that shit is just too big and too bright.

625
00:34:21,560 --> 00:34:23,319
Speaker 1: You know, you after a while you reach a place

626
00:34:23,360 --> 00:34:25,360
Speaker 1: I think when you hit your thirties, you start thinking

627
00:34:25,400 --> 00:34:27,040
Speaker 1: like that, like, man, do I really want to wear

628
00:34:27,040 --> 00:34:29,160
Speaker 1: all this bullshit? You know what I mean? So do

629
00:34:29,239 --> 00:34:30,600
Speaker 1: you think if you had.

630
00:34:32,640 --> 00:34:35,720
Speaker 3: A couple of million dollars in the bank at this time,

631
00:34:36,480 --> 00:34:41,040
Speaker 3: at what you still be on? You know, I need

632
00:34:41,080 --> 00:34:44,400
Speaker 3: to go get me a Cuban diamond and crusted. I

633
00:34:44,480 --> 00:34:46,920
Speaker 3: need to go get me some kind of fancy watch.

634
00:34:47,520 --> 00:34:51,680
Speaker 3: Do you feel like you have to keep up with

635
00:34:51,800 --> 00:34:56,160
Speaker 3: the image of what hip hop is right now?

636
00:34:56,520 --> 00:34:59,160
Speaker 1: Probably not, man, because I'm into different stuff right now,

637
00:34:59,200 --> 00:35:01,360
Speaker 1: and I think people we'll do that sometimes just to

638
00:35:01,400 --> 00:35:03,560
Speaker 1: feel good about yourself, because you do come from a

639
00:35:03,600 --> 00:35:06,080
Speaker 1: place to where at one time you might have got

640
00:35:06,120 --> 00:35:08,239
Speaker 1: laughed at for not having the coolest shoes, you know

641
00:35:08,239 --> 00:35:10,919
Speaker 1: what I'm saying. Definitely halfing this. So I think that's

642
00:35:10,960 --> 00:35:14,440
Speaker 1: why Evaness has grown black man. I noticed your shoe

643
00:35:14,440 --> 00:35:16,919
Speaker 1: game is always nice. My shoe game, I feel is pretty.

644
00:35:16,920 --> 00:35:19,440
Speaker 1: I gotta shoes, you know what I mean. And I

645
00:35:19,480 --> 00:35:21,319
Speaker 1: think that's one of the things that not being able

646
00:35:21,320 --> 00:35:22,840
Speaker 1: to get that stuff when I was little, because we

647
00:35:22,880 --> 00:35:24,120
Speaker 1: all want them Jordans when we.

648
00:35:24,160 --> 00:35:28,680
Speaker 3: Was kids, you feel me, and that the crazy shit

649
00:35:28,760 --> 00:35:31,000
Speaker 3: is when the last time you bought some Jordans.

650
00:35:31,520 --> 00:35:34,000
Speaker 1: That's crazy, though, You get me, how.

651
00:35:33,840 --> 00:35:37,759
Speaker 3: We fiend for shit as youngins got to have it.

652
00:35:38,040 --> 00:35:43,040
Speaker 3: You get me, and at your age right now, could

653
00:35:43,080 --> 00:35:45,719
Speaker 3: you even tell yourself you get me. I could buy

654
00:35:45,760 --> 00:35:46,880
Speaker 3: me some regular shoes.

655
00:35:47,080 --> 00:35:48,360
Speaker 1: Oh yeah, I'm cool with regular.

656
00:35:48,440 --> 00:35:52,000
Speaker 3: Buy me some regular comfortable Nikes or some regular like.

657
00:35:53,040 --> 00:35:55,840
Speaker 3: I couldn't tell you the last time I went in

658
00:35:55,920 --> 00:35:58,160
Speaker 3: the store and spent two hundred dollars on a pair

659
00:35:58,200 --> 00:35:58,760
Speaker 3: of Jordans.

660
00:35:58,760 --> 00:36:01,759
Speaker 1: Man, I'm gonna tell you, though. We get so much

661
00:36:01,840 --> 00:36:05,560
Speaker 1: stuff like now, especially like clothes and stuff for free. Yeah.

662
00:36:05,560 --> 00:36:08,200
Speaker 3: I get niggasent all the time. I get so much

663
00:36:08,200 --> 00:36:10,799
Speaker 3: stuff for free every time. Every time you see me

664
00:36:10,880 --> 00:36:13,480
Speaker 3: wearing something, it's probably something somebody thene gave me.

665
00:36:13,840 --> 00:36:15,520
Speaker 1: Yeah. You know. One of the things is I always

666
00:36:15,520 --> 00:36:17,960
Speaker 1: tell people I didn't start smoking weed till I got fifty.

667
00:36:18,000 --> 00:36:21,279
Speaker 1: I turned fifty right because I found there was a

668
00:36:21,280 --> 00:36:23,840
Speaker 1: better alternative for certain stuff that your body us, you know,

669
00:36:23,920 --> 00:36:26,839
Speaker 1: especially when we start getting them old war injuries, old

670
00:36:26,840 --> 00:36:29,400
Speaker 1: football injuries and stuff, and he's going bad and stuff.

671
00:36:29,719 --> 00:36:31,560
Speaker 1: I just found a weed help a little bit more.

672
00:36:31,560 --> 00:36:33,360
Speaker 1: I don't I'm not into taking pills, you know what

673
00:36:33,360 --> 00:36:36,920
Speaker 1: I mean. So one of the things I thought about

674
00:36:36,920 --> 00:36:39,680
Speaker 1: one day, I was looking for this watch, right and

675
00:36:39,760 --> 00:36:41,799
Speaker 1: I was like, man, where's my watch at? You know,

676
00:36:41,840 --> 00:36:44,040
Speaker 1: because I haven't had in a long time. And I

677
00:36:44,120 --> 00:36:46,359
Speaker 1: thought about it. I said, Man, I don't lost like fight,

678
00:36:46,480 --> 00:36:48,680
Speaker 1: like eighty thousand dollars in watches. Dog just don't know

679
00:36:48,680 --> 00:36:51,960
Speaker 1: where they at. Might have left them somewhere, might have

680
00:36:52,000 --> 00:36:54,240
Speaker 1: been left in the hotel, somewhere, might have got snow.

681
00:36:54,800 --> 00:36:56,880
Speaker 1: You just don't know because you don't care if that

682
00:36:56,920 --> 00:36:59,560
Speaker 1: stuff is not important. I tell you right now, if

683
00:36:59,600 --> 00:37:03,760
Speaker 1: I had a up a million dollars, bro, I would

684
00:37:03,760 --> 00:37:07,000
Speaker 1: really just make sure that my future was straight that

685
00:37:07,120 --> 00:37:09,000
Speaker 1: I would, you know, I would have, you know, the money,

686
00:37:09,000 --> 00:37:12,000
Speaker 1: definitely in the interest being an account. Probably wouldn't invest

687
00:37:12,040 --> 00:37:15,520
Speaker 1: in nothing that was too risky. I believe in low

688
00:37:15,640 --> 00:37:18,440
Speaker 1: risk stuff right now. You know, I'm not into just

689
00:37:18,480 --> 00:37:21,440
Speaker 1: going out blowing money, but I do believe in investing money.

690
00:37:21,440 --> 00:37:23,359
Speaker 1: I do think that in order to be a good

691
00:37:23,400 --> 00:37:26,800
Speaker 1: stewart with money, you have to let it grow somehow, right,

692
00:37:27,040 --> 00:37:29,200
Speaker 1: you know. But that don't mean investing in risky stuff.

693
00:37:29,200 --> 00:37:32,080
Speaker 1: You know, I would for sure be shooting more movies.

694
00:37:32,080 --> 00:37:36,120
Speaker 1: Now we would have your TV series going. You feel

695
00:37:36,120 --> 00:37:38,600
Speaker 1: what I'm saying, It would be just different stuff I

696
00:37:38,640 --> 00:37:41,200
Speaker 1: would be thinking about doing. Man, that's my biggest fear

697
00:37:41,680 --> 00:37:45,040
Speaker 1: because I went broke before Dog. I remember, I wouldn't

698
00:37:45,040 --> 00:37:48,480
Speaker 1: broke before it. Shout out to the homie Gun, I

699
00:37:48,480 --> 00:37:50,760
Speaker 1: ain't you know, I ain't never told nobody this Dog

700
00:37:51,200 --> 00:37:54,600
Speaker 1: the last the one time I went broke, Dog was

701
00:37:54,680 --> 00:37:57,800
Speaker 1: messing with that football league. Dog messing with the football league.

702
00:37:58,400 --> 00:37:59,920
Speaker 1: And I put a lot of money in there. When

703
00:37:59,920 --> 00:38:01,760
Speaker 1: you got parents that don't pay, you know who bailed

704
00:38:01,800 --> 00:38:05,759
Speaker 1: us out, Dog the homie top Dog from Top Dog Entertainment.

705
00:38:05,800 --> 00:38:08,680
Speaker 1: Man Top gave me the money man finish the season,

706
00:38:08,760 --> 00:38:09,640
Speaker 1: up the year and everything.

707
00:38:10,239 --> 00:38:16,560
Speaker 3: Because football shit is costly, especially when you running a

708
00:38:16,640 --> 00:38:20,719
Speaker 3: youth organization. You can get up into the tens and

709
00:38:20,840 --> 00:38:24,759
Speaker 3: twenty thousands with insurances and.

710
00:38:24,680 --> 00:38:27,160
Speaker 1: Then the fifties while you're playing. If you got teams

711
00:38:27,160 --> 00:38:29,320
Speaker 1: of people who's ain't paying, Dog.

712
00:38:29,680 --> 00:38:32,120
Speaker 3: You know you're gonna have a couple of kids that

713
00:38:32,239 --> 00:38:37,239
Speaker 3: can't pay. You know, wherever you gotta wherever you want

714
00:38:37,239 --> 00:38:39,560
Speaker 3: to play your games at on the weekends, you gotta

715
00:38:39,600 --> 00:38:41,960
Speaker 3: pay for the high school. You gotta pay for the reps.

716
00:38:42,120 --> 00:38:45,640
Speaker 3: You gotta pay for insurance, so it can get costly.

717
00:38:46,600 --> 00:38:49,359
Speaker 1: Shoot, I went, yeah, yeah, top dog dude, so from

718
00:38:49,440 --> 00:38:50,759
Speaker 1: top TD bailed.

719
00:38:50,440 --> 00:38:54,640
Speaker 3: Me out though, and to be passionate about so, yeah,

720
00:38:54,840 --> 00:38:57,000
Speaker 3: you gonna uh, you're gonna put your foot in that

721
00:38:57,120 --> 00:39:02,680
Speaker 3: ship and yeah, sometimes your investment can go haywire.

722
00:39:02,920 --> 00:39:04,719
Speaker 1: And that's where you know where your friends is at.

723
00:39:04,719 --> 00:39:07,279
Speaker 1: Dog definitely, because I'm gonna tell you, I remember it

724
00:39:07,320 --> 00:39:10,479
Speaker 1: was a time dog to where I just got fired

725
00:39:10,520 --> 00:39:12,239
Speaker 1: from the publish all this stuff. It hit me all

726
00:39:12,320 --> 00:39:14,880
Speaker 1: the same time I had the football league. Usually it

727
00:39:14,960 --> 00:39:17,960
Speaker 1: usually happens I lost my job at the publishing company. Man,

728
00:39:18,280 --> 00:39:20,399
Speaker 1: me and Glasses was sitting in my living room, Dog

729
00:39:20,440 --> 00:39:22,040
Speaker 1: and I didn't know I was down on my last

730
00:39:22,160 --> 00:39:24,600
Speaker 1: like fifteen hundred dollars. Dog, I said, Dog, I don't

731
00:39:24,600 --> 00:39:28,120
Speaker 1: know what I'm gonna do. He said, Man, he said,

732
00:39:28,120 --> 00:39:31,400
Speaker 1: because it's gonna be all right. And I remember the

733
00:39:31,440 --> 00:39:34,160
Speaker 1: next day because he was, you know, talking about his stuff.

734
00:39:34,440 --> 00:39:36,480
Speaker 1: The next day, Dog, I think the homie had like

735
00:39:36,560 --> 00:39:40,200
Speaker 1: send me like fifteen thousand dollars. And that's between top

736
00:39:40,280 --> 00:39:42,160
Speaker 1: and Glasses. That's how I kind of got through the

737
00:39:42,160 --> 00:39:45,680
Speaker 1: little stuff. And that just made me in glasses mind

738
00:39:45,840 --> 00:39:47,239
Speaker 1: just like this because he didn't have to do that.

739
00:39:47,320 --> 00:39:50,040
Speaker 1: He pretty he didn't have like that. He was a

740
00:39:50,120 --> 00:39:52,160
Speaker 1: dude that just got it. You know, he had a deal. Now.

741
00:39:52,160 --> 00:39:54,240
Speaker 1: I'm pretty sure he took that money out of his little.

742
00:39:54,040 --> 00:39:59,759
Speaker 3: Budget, except I'm sure the struggle is. That's why I

743
00:39:59,760 --> 00:40:03,840
Speaker 3: said the struggle is really you know, it can present

744
00:40:03,880 --> 00:40:10,080
Speaker 3: itself in unfortunate times, man, and it always comes like that.

745
00:40:10,920 --> 00:40:13,400
Speaker 3: I always say that when something fuck up, then something

746
00:40:13,400 --> 00:40:16,279
Speaker 3: else is finna fuck up before it get better. You know,

747
00:40:16,760 --> 00:40:21,960
Speaker 3: for sure, you just have to be able to withstand

748
00:40:22,800 --> 00:40:24,520
Speaker 3: uh them tough times.

749
00:40:25,000 --> 00:40:26,600
Speaker 1: And I think that's where.

750
00:40:29,160 --> 00:40:32,560
Speaker 3: Knowing how to deal with poverty, you know, coming from

751
00:40:32,600 --> 00:40:37,919
Speaker 3: them type of situations, uh fucking food stamps and low

752
00:40:38,000 --> 00:40:45,319
Speaker 3: income and you know, projects in rough neighborhoods, you kind

753
00:40:45,320 --> 00:40:47,560
Speaker 3: of learn how to get that tough skin.

754
00:40:48,000 --> 00:40:49,879
Speaker 1: Ain't you scared to go back to that door dog?

755
00:40:51,600 --> 00:40:53,480
Speaker 1: And I'm not scared to go back to I just

756
00:40:53,520 --> 00:40:55,719
Speaker 1: think I've done too much stuff to escape there.

757
00:40:55,719 --> 00:40:58,200
Speaker 3: You know, when you go from you know, when you

758
00:40:58,239 --> 00:41:02,600
Speaker 3: go from being at the height, you know, and you know,

759
00:41:02,760 --> 00:41:06,839
Speaker 3: you you're living good and you're driving nice cars and

760
00:41:06,880 --> 00:41:09,400
Speaker 3: you're able to go out and have a nice meal

761
00:41:09,640 --> 00:41:15,719
Speaker 3: and you know, provide for your kids. And then it's

762
00:41:15,800 --> 00:41:22,640
Speaker 3: just like with business would work sometime. Uh you might

763
00:41:22,680 --> 00:41:29,759
Speaker 3: get let go your job, you might get fired. You

764
00:41:29,840 --> 00:41:34,000
Speaker 3: have to be able to know how to uh get

765
00:41:34,040 --> 00:41:35,120
Speaker 3: through tough times.

766
00:41:36,080 --> 00:41:37,560
Speaker 1: Uh.

767
00:41:37,640 --> 00:41:39,960
Speaker 3: You gotta learn how to start cutting back. And and

768
00:41:40,040 --> 00:41:44,000
Speaker 3: I think if you've been a person in struggle before,

769
00:41:46,000 --> 00:41:51,800
Speaker 3: you appreciate when you're able to uh get back into

770
00:41:51,840 --> 00:41:55,640
Speaker 3: a sustainable situation. Uh, you learn how to not do

771
00:41:55,840 --> 00:41:58,800
Speaker 3: shit or no, I ain't doing that, or I ain't

772
00:41:58,800 --> 00:42:01,480
Speaker 3: buying that ship, or I ain't I don't need that,

773
00:42:02,120 --> 00:42:07,160
Speaker 3: or you know, you start really uh considering you know,

774
00:42:07,840 --> 00:42:09,440
Speaker 3: the loan haul.

775
00:42:09,800 --> 00:42:13,080
Speaker 1: That's where I'm at today. You get me. And that's

776
00:42:13,120 --> 00:42:14,880
Speaker 1: why if you notice with me and you talk my

777
00:42:15,040 --> 00:42:17,680
Speaker 1: conversations as always toward the future.

778
00:42:17,600 --> 00:42:21,279
Speaker 3: Yeah gotta do you know, you know, coming like I said,

779
00:42:21,320 --> 00:42:25,719
Speaker 3: coming from you know, six bedroom houses and boats and

780
00:42:26,320 --> 00:42:31,960
Speaker 3: fancy cars and you know, driving hundred thousand dollars cars

781
00:42:32,080 --> 00:42:35,520
Speaker 3: around and you like you said, they got low riders

782
00:42:35,560 --> 00:42:39,920
Speaker 3: and dirt bikes and everything that a motherfucker felt that

783
00:42:40,000 --> 00:42:47,480
Speaker 3: he needed to be sustainable coming from poverty, you get me, Uh.

784
00:42:47,520 --> 00:42:49,839
Speaker 1: Don't get me wrong. I ain't broke now, nothing like that.

785
00:42:49,920 --> 00:42:52,040
Speaker 1: But I just know what real money is. Oh no,

786
00:42:52,120 --> 00:42:53,080
Speaker 1: you know you you.

787
00:42:54,800 --> 00:42:57,719
Speaker 3: Right about now, you broke if you ain't got a

788
00:42:57,800 --> 00:42:58,880
Speaker 3: million dollars exactly.

789
00:42:58,920 --> 00:43:01,800
Speaker 1: So that's what I'm saying. Like I'm real, regular people.

790
00:43:02,040 --> 00:43:06,879
Speaker 3: Uh people feel to judge you on uh, on your

791
00:43:06,920 --> 00:43:09,880
Speaker 3: income status. You know, as far as being in that

792
00:43:09,920 --> 00:43:13,920
Speaker 3: type of position. We are in the position of limelight

793
00:43:14,040 --> 00:43:19,759
Speaker 3: and celebrity, so we supposed to uh, you know, we're

794
00:43:19,760 --> 00:43:23,000
Speaker 3: supposed to be billionaires. You give me nigga. You niggas

795
00:43:23,000 --> 00:43:26,360
Speaker 3: got a podcast, nigga. H you did movies and records.

796
00:43:28,000 --> 00:43:30,319
Speaker 3: Everything ain't what it's cracked up to be. Like you said,

797
00:43:30,400 --> 00:43:33,359
Speaker 3: I know, I know contracts, and I know numbers, and

798
00:43:33,400 --> 00:43:37,040
Speaker 3: I know real shit and reality is everything ain't what

799
00:43:37,120 --> 00:43:37,720
Speaker 3: it seems.

800
00:43:37,840 --> 00:43:40,880
Speaker 1: Everything special and stuff ain't what it seems. And you

801
00:43:40,960 --> 00:43:43,239
Speaker 1: know what, man, I'm gonna tell you. The cash that

802
00:43:43,320 --> 00:43:47,560
Speaker 1: got money. Anybody in hip hop that's really getting to

803
00:43:47,640 --> 00:43:51,000
Speaker 1: a bag, it's the external stuff that's outside of music

804
00:43:51,120 --> 00:43:53,520
Speaker 1: is getting them that. It may be that trucking company

805
00:43:53,520 --> 00:43:57,880
Speaker 1: that they own on the side, the shoe endorsement that

806
00:43:57,920 --> 00:43:59,960
Speaker 1: they have. It may be the touring they may have

807
00:44:00,160 --> 00:44:02,520
Speaker 1: going the road five times a month, six times a month,

808
00:44:02,600 --> 00:44:03,840
Speaker 1: just to maintain their lifestyle.

809
00:44:04,040 --> 00:44:06,160
Speaker 3: Yeah, because it's record sale shit, and this record shit

810
00:44:06,200 --> 00:44:06,719
Speaker 3: ain't it?

811
00:44:06,760 --> 00:44:07,160
Speaker 1: Ain't it?

812
00:44:09,920 --> 00:44:12,480
Speaker 3: You know you got a thousand, you got a billion

813
00:44:12,560 --> 00:44:17,560
Speaker 3: rappers today because it's looked at as the quick come up.

814
00:44:17,800 --> 00:44:22,080
Speaker 3: You get me, but you count another niggas money and

815
00:44:22,920 --> 00:44:26,520
Speaker 3: you're end up finding out that this road ain't as

816
00:44:26,600 --> 00:44:28,759
Speaker 3: lucrative as you think it it is.

817
00:44:29,000 --> 00:44:33,359
Speaker 1: You get me. So you think Kendrick on the clock

818
00:44:33,480 --> 00:44:40,040
Speaker 1: right now, whether it.

819
00:44:39,920 --> 00:44:44,640
Speaker 3: Was a or not, I haven't really I haven't really

820
00:44:44,680 --> 00:44:47,960
Speaker 3: listened to what's the song push Ups?

821
00:44:48,719 --> 00:44:49,160
Speaker 1: I heard.

822
00:44:49,280 --> 00:44:55,320
Speaker 3: All I heard was him referencing Top and that that's

823
00:44:55,440 --> 00:44:59,480
Speaker 3: really what. That's all it really got to me on

824
00:45:00,120 --> 00:45:02,239
Speaker 3: you know what man and I think and I don't.

825
00:45:02,320 --> 00:45:03,680
Speaker 3: I don't like ship like that.

826
00:45:03,760 --> 00:45:06,840
Speaker 1: I don't like it. I don't like it.

827
00:45:06,760 --> 00:45:11,280
Speaker 3: It's it could turn from from a from a friendly

828
00:45:11,400 --> 00:45:17,200
Speaker 3: banter disc into some serious uh to some serious uh

829
00:45:17,280 --> 00:45:21,759
Speaker 3: situations because we you know, we know Kendrick and we

830
00:45:21,920 --> 00:45:25,600
Speaker 3: know Top and the situations and you know, with with

831
00:45:25,680 --> 00:45:28,600
Speaker 3: the label or whatever, and so I don't like to

832
00:45:28,600 --> 00:45:31,360
Speaker 3: throw like if we're gonna battle nigga, then me and

833
00:45:31,360 --> 00:45:32,080
Speaker 3: you gonna battle.

834
00:45:32,200 --> 00:45:34,239
Speaker 1: But you remember what I said last week. I said

835
00:45:34,320 --> 00:45:36,480
Speaker 1: Drake was what I said, he was a devil, right,

836
00:45:36,520 --> 00:45:39,440
Speaker 1: And I said, he does stuff like that. Drake is

837
00:45:39,440 --> 00:45:41,080
Speaker 1: the type of dude that if he got a problem

838
00:45:41,120 --> 00:45:43,640
Speaker 1: with you, he's going search. He's gonna compliment your mama

839
00:45:43,680 --> 00:45:46,160
Speaker 1: while you're doing it, just to just to cause a

840
00:45:46,160 --> 00:45:48,239
Speaker 1: little dissension in your household. You feel what I mean

841
00:45:48,280 --> 00:45:50,200
Speaker 1: to where you gonna be lack mama, what you're doing

842
00:45:50,239 --> 00:45:53,680
Speaker 1: taking sides with that nigga. You feel what I'm saying.

843
00:45:53,680 --> 00:45:56,319
Speaker 1: He's that type of dude. He's he's that type of cat.

844
00:45:57,680 --> 00:46:00,080
Speaker 1: And I don't but you have to again, and.

845
00:46:02,600 --> 00:46:06,319
Speaker 3: I particularly myself, wouldn't you know, if I'm gonna get

846
00:46:06,360 --> 00:46:08,880
Speaker 3: at you, I'm gonna get at you. I don't feel

847
00:46:08,920 --> 00:46:13,880
Speaker 3: like I'm gonna have to go uh digging in that

848
00:46:14,080 --> 00:46:17,200
Speaker 3: ditch to justify my get back.

849
00:46:17,960 --> 00:46:20,719
Speaker 1: But that's just me. You figure Drake could do the

850
00:46:20,760 --> 00:46:22,799
Speaker 1: same thing when he was going at it would meet Meal,

851
00:46:23,719 --> 00:46:26,319
Speaker 1: he said. I rode down the street bumping the ad

852
00:46:26,560 --> 00:46:28,520
Speaker 1: and a our Ad was cool with meet Meal at

853
00:46:28,520 --> 00:46:32,360
Speaker 1: the time, but that gave um aar Abs some juice

854
00:46:32,360 --> 00:46:35,000
Speaker 1: in the city. So he started automatically siding up with Drake.

855
00:46:35,080 --> 00:46:37,560
Speaker 1: Over I mentioned my name, I'm gonna slide up under him.

856
00:46:37,640 --> 00:46:38,680
Speaker 1: Now you feel what I'm saying.

857
00:46:39,480 --> 00:46:43,719
Speaker 3: I mean, but you know, all is fair when in

858
00:46:44,280 --> 00:46:46,440
Speaker 3: war you get me like.

859
00:46:46,400 --> 00:46:49,239
Speaker 1: The fact that he brought Top's name up into it,

860
00:46:49,239 --> 00:46:51,040
Speaker 1: because you know, the one thing I want to say

861
00:46:51,120 --> 00:46:54,640
Speaker 1: is man. Like I said earlier, I had the pleasure

862
00:46:54,680 --> 00:46:57,879
Speaker 1: of being around him though, real early when they were

863
00:46:57,880 --> 00:47:00,799
Speaker 1: developing that stuff. I remember when par six would even

864
00:47:00,800 --> 00:47:02,560
Speaker 1: playing them their songs. Jay Rocker had to deal with

865
00:47:02,640 --> 00:47:05,520
Speaker 1: with Warner brothers. They wouldn't even messing with them like that, right,

866
00:47:06,280 --> 00:47:10,840
Speaker 1: And I remember Top grinding Dog like his grind was relentless. Dog.

867
00:47:11,200 --> 00:47:13,440
Speaker 1: It was a lot of times dog to wear them

868
00:47:13,640 --> 00:47:15,840
Speaker 1: dudes just pretty much jumped on his back, Dog, and

869
00:47:15,880 --> 00:47:17,480
Speaker 1: he thugged his way through that stuff. You know what

870
00:47:17,520 --> 00:47:21,080
Speaker 1: I mean. Everything they definitely got they deserved. They worked

871
00:47:21,120 --> 00:47:23,279
Speaker 1: hard for that dog. It wasn't easy dog, and I'm

872
00:47:23,320 --> 00:47:26,840
Speaker 1: talking about it was a good damn near a decade

873
00:47:26,840 --> 00:47:29,560
Speaker 1: of struggle. Dog. Before all that stuff even saw the surface,

874
00:47:29,600 --> 00:47:31,600
Speaker 1: you know what I mean. I saw them little dudes

875
00:47:31,640 --> 00:47:33,759
Speaker 1: go from like little kids, Dog back there eating them

876
00:47:33,840 --> 00:47:38,040
Speaker 1: chicken two men. You feel what I'm saying. So it's

877
00:47:38,120 --> 00:47:41,680
Speaker 1: like what they've achieved together was phenomenal. You can't do nothing.

878
00:47:42,040 --> 00:47:44,360
Speaker 1: You almost a hater if you don't like that story.

879
00:47:44,880 --> 00:47:46,760
Speaker 1: You feel what I'm saying. The homies from the hood

880
00:47:47,239 --> 00:47:48,920
Speaker 1: actually make it big, you know what I mean. Niggas

881
00:47:48,920 --> 00:47:53,080
Speaker 1: try to do this music stuff and then don't succeed, mayeh.

882
00:47:55,200 --> 00:48:01,000
Speaker 1: Like I said, there is no there's no.

883
00:48:03,520 --> 00:48:10,400
Speaker 3: Fairness. Uh, there's no cordial you know when it comes

884
00:48:10,440 --> 00:48:16,920
Speaker 3: to dissing or disc records. Uh, it's always been accepted

885
00:48:16,960 --> 00:48:23,160
Speaker 3: in hip hop, whether it go from a a funny

886
00:48:23,560 --> 00:48:27,879
Speaker 3: comedic uh disc record, we're just going back at each other,

887
00:48:28,040 --> 00:48:32,040
Speaker 3: you know, or it gets to the point where niggas

888
00:48:32,040 --> 00:48:36,520
Speaker 3: are shooting at each other. It's always been here and

889
00:48:36,640 --> 00:48:44,600
Speaker 3: hip hop, it's always been here as far as different

890
00:48:44,719 --> 00:48:50,160
Speaker 3: sides and different neighborhoods and you know East Side against

891
00:48:50,200 --> 00:48:55,239
Speaker 3: the West Side or or Queens against Brooklyn.

892
00:48:55,000 --> 00:48:55,840
Speaker 1: Or all that.

893
00:48:56,040 --> 00:48:58,399
Speaker 3: You know what I'm saying, it's it's always been there.

894
00:48:58,400 --> 00:49:02,160
Speaker 3: And that's like I said before before a rap uh nigga.

895
00:49:02,440 --> 00:49:06,319
Speaker 3: We associated with high schools, our football team from this

896
00:49:06,480 --> 00:49:10,359
Speaker 3: side of the block, don't like your football team. We

897
00:49:10,440 --> 00:49:14,120
Speaker 3: might get into some fights after the game, or it's

898
00:49:14,200 --> 00:49:20,840
Speaker 3: just it's it's not liking the motherfucker has always been here. Uh,

899
00:49:21,040 --> 00:49:25,080
Speaker 3: the way you deal with it. Some people, you know,

900
00:49:25,280 --> 00:49:28,760
Speaker 3: say they shit and go away peacefully. Like I said,

901
00:49:28,920 --> 00:49:31,440
Speaker 3: some niggas end up shooting at each other and somebody

902
00:49:31,520 --> 00:49:32,240
Speaker 3: get hurt.

903
00:49:33,400 --> 00:49:35,520
Speaker 1: I guess it's it's just the way you deal with it.

904
00:49:35,560 --> 00:49:37,759
Speaker 1: I guess you know what. I was talking with D

905
00:49:37,840 --> 00:49:41,800
Speaker 1: one online earlier and he was talking about how beef

906
00:49:41,920 --> 00:49:44,080
Speaker 1: is not good for hip hop. Somebody could wind up

907
00:49:44,080 --> 00:49:45,960
Speaker 1: get hurt. I had to ask him. I said, Bro,

908
00:49:46,920 --> 00:49:49,279
Speaker 1: when have you ever seen two artists actually go at it?

909
00:49:49,560 --> 00:49:53,360
Speaker 1: I'm talking about now. You may see Entourage's clash if anything,

910
00:49:53,840 --> 00:49:58,320
Speaker 1: but you go very rarely see the two main artists,

911
00:49:58,360 --> 00:50:01,400
Speaker 1: two main artists go at it like even when And

912
00:50:01,440 --> 00:50:03,839
Speaker 1: he said, still, come on, you know too much about

913
00:50:03,960 --> 00:50:06,759
Speaker 1: hip hop to say. I said, bro, honestly answer that.

914
00:50:06,800 --> 00:50:09,920
Speaker 1: Outside of you know the Wu Tang clean text up

915
00:50:10,000 --> 00:50:13,120
Speaker 1: Joe Budens at one time, you might have little TIFFs

916
00:50:13,160 --> 00:50:15,560
Speaker 1: he in there. You know, you had the fifty and

917
00:50:15,680 --> 00:50:17,520
Speaker 1: John Rudge stuff. But I don't think it was John

918
00:50:17,600 --> 00:50:20,000
Speaker 1: Rudis stab fifty. You feel what I'm saying, right, It

919
00:50:20,080 --> 00:50:23,400
Speaker 1: was an entourage. It is always gonna be the entourage's class.

920
00:50:23,640 --> 00:50:26,120
Speaker 1: It ain't gonna never be the Raptors. Dog, Kendrick and

921
00:50:26,200 --> 00:50:28,200
Speaker 1: Drake got way too much paper. You think they will

922
00:50:28,239 --> 00:50:30,719
Speaker 1: ever be around each other's a comference. There's too many

923
00:50:30,760 --> 00:50:31,919
Speaker 1: buffers in between them.

924
00:50:32,239 --> 00:50:34,839
Speaker 3: Yeah, But like like you said, the beef ha come

925
00:50:34,960 --> 00:50:38,840
Speaker 3: between the entourages the disc records to just go to

926
00:50:38,920 --> 00:50:40,440
Speaker 3: the artists, you feel.

927
00:50:40,320 --> 00:50:42,640
Speaker 1: That's what I'm saying, Dog, It's like, ain't nobody sitting

928
00:50:42,680 --> 00:50:45,560
Speaker 1: up here two rich people? You think you out there

929
00:50:45,600 --> 00:50:46,360
Speaker 1: boxing somebody.

930
00:50:46,520 --> 00:50:49,239
Speaker 3: I mean, but that's like what I said, If it

931
00:50:49,320 --> 00:50:52,799
Speaker 3: comes down to just beef, then let's just say fuck

932
00:50:52,880 --> 00:50:55,200
Speaker 3: the records and we might as well schedule a fight

933
00:50:55,400 --> 00:50:57,920
Speaker 3: or a hookup and let's get it on. Because we

934
00:50:58,040 --> 00:51:02,080
Speaker 3: hate each other that much. It's deep than just It's

935
00:51:02,080 --> 00:51:06,880
Speaker 3: deeper than just the motherfucking words on paper. We literally

936
00:51:07,000 --> 00:51:12,920
Speaker 3: got a genuine like, fuck your neighborhood, Fuck my neighborhood, nigga,

937
00:51:12,960 --> 00:51:15,120
Speaker 3: we got a beef. Fuck this rap ship.

938
00:51:15,800 --> 00:51:19,200
Speaker 1: Like, let me ask you this, bro. You know, Kendrick

939
00:51:19,239 --> 00:51:21,560
Speaker 1: ain't the biggest cat in the world and Drake got

940
00:51:21,719 --> 00:51:24,600
Speaker 1: just got a little size on him. If they was

941
00:51:24,680 --> 00:51:26,440
Speaker 1: getting scrap, who do you think of win that scratch?

942
00:51:26,480 --> 00:51:27,160
Speaker 1: It wouldn't happen.

943
00:51:27,520 --> 00:51:29,680
Speaker 3: You might as well say Trump and Biden gonna get

944
00:51:29,680 --> 00:51:32,080
Speaker 3: in the ring and fight it out. It don't happen

945
00:51:32,120 --> 00:51:35,640
Speaker 3: with people like that said. It don't happen like that.

946
00:51:36,200 --> 00:51:38,600
Speaker 3: You just you just you're just stirring up the pot

947
00:51:38,680 --> 00:51:41,320
Speaker 3: right now. You like to stir up pots for a minute.

948
00:51:41,560 --> 00:51:45,879
Speaker 3: You like to do that, you know, damn well, that's

949
00:51:45,920 --> 00:51:48,400
Speaker 3: the biggest hypothetical question you could ever.

950
00:51:50,000 --> 00:51:53,720
Speaker 1: Don't matter. So you.

951
00:51:53,120 --> 00:51:55,959
Speaker 3: As a billion dollar nigga, you find to go fight

952
00:51:56,040 --> 00:51:59,560
Speaker 3: the owner of xon or you feel you get me

953
00:52:00,040 --> 00:52:03,000
Speaker 3: when you you you know what I'm saying, because you

954
00:52:03,080 --> 00:52:06,480
Speaker 3: putting him in that same category. He's a millionaire, rich

955
00:52:06,600 --> 00:52:10,719
Speaker 3: motherfucker who's got statuses and Nobel peace prizes.

956
00:52:11,040 --> 00:52:13,400
Speaker 1: You ain't got gonna know he got a politit pride,

957
00:52:13,680 --> 00:52:16,080
Speaker 1: he don't hilde he.

958
00:52:16,160 --> 00:52:19,200
Speaker 3: Got no bail, peace prizes and ship And you go

959
00:52:19,360 --> 00:52:21,919
Speaker 3: get a nigga fitted Like I said, your bodies will

960
00:52:22,000 --> 00:52:24,680
Speaker 3: call up Trump and bided, like, nigga, what your niggas

961
00:52:24,680 --> 00:52:28,839
Speaker 3: want to fucking debate for old Chattel seven for won't

962
00:52:28,880 --> 00:52:31,000
Speaker 3: you niggas just go to Vegacy, get the rig and

963
00:52:31,080 --> 00:52:33,040
Speaker 3: see which one of you old niggas can knock each

964
00:52:33,040 --> 00:52:36,319
Speaker 3: other out and whoever it becomes the president fucking.

965
00:52:36,160 --> 00:52:42,680
Speaker 1: You know, Trump will beat Biden's Trump. I see Trump.

966
00:52:42,440 --> 00:52:45,600
Speaker 3: Talking washed this nigga still man, This nigga still to

967
00:52:45,760 --> 00:52:48,600
Speaker 3: get your ass and a hot pot of fucking gub

968
00:52:48,640 --> 00:52:50,200
Speaker 3: ball with his ship.

969
00:52:51,360 --> 00:52:53,759
Speaker 1: Gotta beat Drake. Drake seemed like the type of dude

970
00:52:53,760 --> 00:52:55,600
Speaker 1: that like the seword fight or something. What's that ship

971
00:52:55,640 --> 00:52:56,160
Speaker 1: would have had a.

972
00:52:56,160 --> 00:52:58,440
Speaker 3: Sewerd nigga said he wants to he want to be,

973
00:52:58,640 --> 00:53:02,400
Speaker 3: he wanted to want the funnies and ship on the fence.

974
00:53:06,520 --> 00:53:08,680
Speaker 1: Dude takes six places.

975
00:53:09,640 --> 00:53:13,160
Speaker 3: Like I said, is it's it's good hypothetical banter for

976
00:53:13,320 --> 00:53:21,240
Speaker 3: like I said, hip hop people. People are enjoying it because,

977
00:53:21,440 --> 00:53:24,200
Speaker 3: like I said, it's too it's too big artists. It

978
00:53:24,280 --> 00:53:26,920
Speaker 3: ain't like it's the two niggas from around the corner

979
00:53:27,000 --> 00:53:30,880
Speaker 3: and ship who you know, uh dissing each other or whatever.

980
00:53:31,360 --> 00:53:35,120
Speaker 3: It's two major artists, and I think people just are

981
00:53:35,239 --> 00:53:43,359
Speaker 3: intrigued with, uh, these niggas taking that route. People say

982
00:53:43,400 --> 00:53:47,080
Speaker 3: it's it's it's it's it's needed in hip hop. It

983
00:53:47,239 --> 00:53:52,120
Speaker 3: keeps it keeps the friendly competition up. You know, if

984
00:53:52,239 --> 00:53:55,160
Speaker 3: niggas feel like I'm the greatest, then hey, ain't nothing

985
00:53:55,200 --> 00:53:55,799
Speaker 3: wrong with it.

986
00:53:58,360 --> 00:54:02,360
Speaker 1: Man, You but you know what the dog the thing is.

987
00:54:03,000 --> 00:54:05,520
Speaker 1: I said, I think Ross got the best record so far.

988
00:54:05,840 --> 00:54:07,440
Speaker 1: I don't know if you've been paying attention like that.

989
00:54:07,719 --> 00:54:11,000
Speaker 1: I haven't listened. He got a record out to Yeah, yeah,

990
00:54:11,080 --> 00:54:15,239
Speaker 1: Ross record hard Buddy too. Yeah. So I don't, like

991
00:54:15,360 --> 00:54:17,080
Speaker 1: I said, I don't know what it's for.

992
00:54:17,640 --> 00:54:19,960
Speaker 3: Drakes record ain't bad. Oh man, you see the I

993
00:54:20,000 --> 00:54:23,279
Speaker 3: mean too too. I mean a year ago they was

994
00:54:23,400 --> 00:54:25,320
Speaker 3: making records and videos together.

995
00:54:26,200 --> 00:54:30,640
Speaker 1: I don't, I don't. I don't understand the I don't.

996
00:54:30,760 --> 00:54:31,080
Speaker 1: I don't.

997
00:54:31,280 --> 00:54:35,960
Speaker 3: I don't understand what happened. Really, I don't it abstuitely

998
00:54:36,040 --> 00:54:38,440
Speaker 3: be You know what, man, this whole thing could definitely

999
00:54:38,560 --> 00:54:42,080
Speaker 3: be the biggest pup listening because them, them is two

1000
00:54:42,160 --> 00:54:45,239
Speaker 3: niggas that got a thousand records together. And then all

1001
00:54:45,280 --> 00:54:48,400
Speaker 3: of a sudden, you calling him white boy, and he

1002
00:54:48,640 --> 00:54:52,319
Speaker 3: calling you your mansion is fake, and you leash your

1003
00:54:52,440 --> 00:54:56,600
Speaker 3: plane and and when other people gotta needed, they got

1004
00:54:56,719 --> 00:54:59,520
Speaker 3: to peel the fucking rapper off and all that. I

1005
00:54:59,600 --> 00:55:02,200
Speaker 3: don't want staying what the banter is. Like I said

1006
00:55:02,320 --> 00:55:05,160
Speaker 3: last that's what he said about Roster. He said, you

1007
00:55:05,200 --> 00:55:08,040
Speaker 3: gotta peel that sticker off when when other people need

1008
00:55:08,160 --> 00:55:09,280
Speaker 3: to rid the plane.

1009
00:55:09,320 --> 00:55:10,600
Speaker 1: Well, these niggas a motherfucker.

1010
00:55:10,680 --> 00:55:14,000
Speaker 3: But I'm just saying it's it's you don't hear anything

1011
00:55:14,160 --> 00:55:17,040
Speaker 3: to the level of I'm getting on the plane and

1012
00:55:17,120 --> 00:55:19,319
Speaker 3: headed to Miami, nigga, and we can get them up

1013
00:55:19,360 --> 00:55:19,759
Speaker 3: when I see.

1014
00:55:19,800 --> 00:55:22,120
Speaker 1: If you're a rapper today, you can't never develop. You

1015
00:55:22,200 --> 00:55:24,040
Speaker 1: know how, When we was in the industry, we were young,

1016
00:55:24,120 --> 00:55:28,280
Speaker 1: we developed close relationships that will never be broken. Nowadays,

1017
00:55:28,320 --> 00:55:30,279
Speaker 1: these niggas can't trust each other because they find out

1018
00:55:30,480 --> 00:55:33,400
Speaker 1: because I don't understand. I've been friends with Premiere and

1019
00:55:33,520 --> 00:55:36,560
Speaker 1: Scarface and Spice and a gang of niggas for thirty

1020
00:55:36,680 --> 00:55:39,719
Speaker 1: years and never had an issue. I'm gonna put a

1021
00:55:39,800 --> 00:55:42,839
Speaker 1: nigga on a record today and then three months from

1022
00:55:42,920 --> 00:55:46,160
Speaker 1: now diss him on the record because what what happened?

1023
00:55:47,040 --> 00:55:47,720
Speaker 1: What happened?

1024
00:55:48,200 --> 00:55:50,440
Speaker 3: Like what y'all can't have a phone call and talk

1025
00:55:50,520 --> 00:55:53,239
Speaker 3: about what happened. That's what I'm saying. You niggas was

1026
00:55:53,400 --> 00:55:57,040
Speaker 3: just on songs and videos together, a gang of them.

1027
00:55:57,360 --> 00:55:59,600
Speaker 3: You niggas got a gang of songs together.

1028
00:56:00,520 --> 00:56:05,080
Speaker 1: Ross said that you know what's the what's the boy's

1029
00:56:05,200 --> 00:56:07,960
Speaker 1: name on the other rapper. They said that Drake put

1030
00:56:08,000 --> 00:56:10,279
Speaker 1: a ceasing desistant on French Montana's record. He had a

1031
00:56:10,360 --> 00:56:13,200
Speaker 1: record with French Montana. M I guess Drake put a

1032
00:56:13,239 --> 00:56:14,080
Speaker 1: cease and desist on.

1033
00:56:14,120 --> 00:56:16,239
Speaker 3: It or whatever because you didn't do what pay me

1034
00:56:16,800 --> 00:56:20,880
Speaker 3: or you didn't clear it. Yeah, okay, that's business. Nigga

1035
00:56:20,920 --> 00:56:24,799
Speaker 3: ain't no personal vendetta. But Rose took it personal. He says, Ah,

1036
00:56:25,120 --> 00:56:28,560
Speaker 3: why you take it personal? When are you French Montana?

1037
00:56:29,040 --> 00:56:32,120
Speaker 3: Is it your record? Why did you? Why did you

1038
00:56:32,440 --> 00:56:35,640
Speaker 3: this Ross's artist? I guess okay, I didn't. Y'all didn't,

1039
00:56:35,960 --> 00:56:39,000
Speaker 3: so what you expect me to be friendly on everybody's

1040
00:56:39,040 --> 00:56:42,759
Speaker 3: fucking shit? And I'm a businessman, y'all using my ship.

1041
00:56:42,920 --> 00:56:45,759
Speaker 3: I need to get paid, especially if it's a nigga.

1042
00:56:45,800 --> 00:56:48,719
Speaker 3: I don't fuck with Really, I fuck with you. That

1043
00:56:48,840 --> 00:56:50,280
Speaker 3: don't mean I fuck with that nigga.

1044
00:56:51,880 --> 00:56:53,000
Speaker 1: Yeah, you got a point.

1045
00:56:53,080 --> 00:56:55,120
Speaker 3: It don't mean I fuck with me and you cool.

1046
00:56:56,160 --> 00:56:57,280
Speaker 1: I don't like this nigga.

1047
00:56:57,520 --> 00:57:00,279
Speaker 3: I don't like this nigga who looked like me. His

1048
00:57:00,440 --> 00:57:03,360
Speaker 3: nigga trying to beat me. He light skinned, did like me.

1049
00:57:03,960 --> 00:57:07,560
Speaker 3: He trying to have little SINGI songs like me. I

1050
00:57:07,600 --> 00:57:09,960
Speaker 3: don't like this nigga, So now I don't want to

1051
00:57:10,040 --> 00:57:13,560
Speaker 3: clear it. I need my business handle. You can't get

1052
00:57:13,640 --> 00:57:15,520
Speaker 3: mad at the nigga and turn around and go okay,

1053
00:57:15,640 --> 00:57:17,480
Speaker 3: fuck you. You didn't clear the shit. So now I'm

1054
00:57:17,520 --> 00:57:22,680
Speaker 3: gonna join the disc bandwagon. That ain't that ain't business.

1055
00:57:22,960 --> 00:57:26,479
Speaker 3: That's like, that's like some hurt. That's like some butt

1056
00:57:26,560 --> 00:57:29,280
Speaker 3: hurt shit like I'm hurt. You didn't want to get

1057
00:57:29,360 --> 00:57:31,240
Speaker 3: on the record, man, I don't you know what.

1058
00:57:31,400 --> 00:57:33,200
Speaker 1: I don't know. Man, it might have been more than that,

1059
00:57:33,320 --> 00:57:35,640
Speaker 1: but ros's going on. That's why I said, we don't know.

1060
00:57:36,880 --> 00:57:39,160
Speaker 1: Even talked about bird Man. He said, you let bird

1061
00:57:39,240 --> 00:57:43,080
Speaker 1: Man get four max and get full clothed ross. Motherfucker

1062
00:57:43,160 --> 00:57:46,200
Speaker 1: don't shit funny as hell though, And like I said,

1063
00:57:46,280 --> 00:57:49,280
Speaker 1: you who knows what? I don't know? You know?

1064
00:57:49,640 --> 00:57:52,080
Speaker 3: But is it to the Is it to the point,

1065
00:57:52,280 --> 00:57:55,840
Speaker 3: like I said, because I know how niggas get down

1066
00:57:55,960 --> 00:57:59,480
Speaker 3: over here, and when niggas got beef, nigga, you liable

1067
00:57:59,520 --> 00:58:01,680
Speaker 3: to catch it. Bullet shit, you was about to catch

1068
00:58:01,720 --> 00:58:04,360
Speaker 3: a bullet hole through your window or some ship like that.

1069
00:58:04,920 --> 00:58:05,600
Speaker 1: We got beef.

1070
00:58:05,920 --> 00:58:09,480
Speaker 3: We beef over here because we have the cripping blood

1071
00:58:09,600 --> 00:58:11,200
Speaker 3: aspect when we beef.

1072
00:58:11,560 --> 00:58:14,320
Speaker 1: Okay, all that.

1073
00:58:14,400 --> 00:58:17,840
Speaker 3: Shit, you talking foreclosures and you're this fake and you're

1074
00:58:17,840 --> 00:58:20,960
Speaker 3: a white boy and all that shit. Are you ready

1075
00:58:21,040 --> 00:58:23,160
Speaker 3: to jump on the plane and get them up? Is

1076
00:58:23,200 --> 00:58:26,760
Speaker 3: it that serious? If it ain't, man, get this motherfucking

1077
00:58:26,920 --> 00:58:27,800
Speaker 3: ship up out of here.

1078
00:58:28,160 --> 00:58:30,320
Speaker 1: Well, Roth said, when you see me, if you if

1079
00:58:30,320 --> 00:58:31,960
Speaker 1: you got a problem with it, when you see.

1080
00:58:31,880 --> 00:58:35,720
Speaker 3: Me, chicken, how you're gonna have ten niggas with you

1081
00:58:35,800 --> 00:58:39,720
Speaker 3: and I'm gonna have twenty. Like I said, let's be

1082
00:58:39,920 --> 00:58:42,640
Speaker 3: let's be some real men. You gotta issue nigga. Let's

1083
00:58:42,680 --> 00:58:45,320
Speaker 3: get them up. If you want to be, if you

1084
00:58:45,400 --> 00:58:47,520
Speaker 3: want to be, if you want to be rapping and

1085
00:58:47,640 --> 00:58:51,600
Speaker 3: dissing for streams, then okay, just keep it, just keep

1086
00:58:51,640 --> 00:58:54,800
Speaker 3: it real. We're gonna make a couple of records. We're

1087
00:58:54,840 --> 00:58:56,960
Speaker 3: gonna make a couple of records. We're gonna talk shit

1088
00:58:57,040 --> 00:58:59,360
Speaker 3: about each other, and then we all gonna sit back

1089
00:58:59,440 --> 00:59:02,520
Speaker 3: and pop bottles. Are aces of spades while the whole

1090
00:59:02,640 --> 00:59:05,880
Speaker 3: fucking country streams, all this shit and all the money

1091
00:59:06,000 --> 00:59:07,120
Speaker 3: is going in our pockets.

1092
00:59:07,520 --> 00:59:11,520
Speaker 1: You get We gotta find angles to this shit. We

1093
00:59:11,640 --> 00:59:12,360
Speaker 1: gotta find.

1094
00:59:12,160 --> 00:59:14,600
Speaker 3: Angles to this ship. So if I start dissing you

1095
00:59:14,680 --> 00:59:16,600
Speaker 3: and you start dissing me, what's gonna happen.

1096
00:59:17,560 --> 00:59:19,800
Speaker 1: Everybody's gonna want to hear this shit.

1097
00:59:20,120 --> 00:59:24,600
Speaker 3: Right, They're gonna be anticipating the records or I can't

1098
00:59:24,640 --> 00:59:27,280
Speaker 3: wait till that new disc record come out. I can't

1099
00:59:27,320 --> 00:59:30,440
Speaker 3: wait till Ross's response come out. I can't wait till

1100
00:59:30,520 --> 00:59:33,480
Speaker 3: Drake's response come out. And all the while they waiting,

1101
00:59:33,800 --> 00:59:39,400
Speaker 3: everybody chinging up, chining up, chining up. So I don't know,

1102
00:59:39,600 --> 00:59:43,560
Speaker 3: Like I said, we come from we come from beefing.

1103
00:59:43,840 --> 00:59:44,280
Speaker 1: You get me.

1104
00:59:44,720 --> 00:59:47,720
Speaker 3: We come from beefing with me and quick Hat. That

1105
00:59:47,920 --> 00:59:48,520
Speaker 3: was beefing.

1106
00:59:49,000 --> 00:59:53,000
Speaker 1: You get me. What what Cube and Easy in them

1107
00:59:53,080 --> 00:59:55,640
Speaker 1: had that was beefing? You get me.

1108
00:59:56,560 --> 00:59:59,800
Speaker 3: It's like, nigga, fuck this rap shit. If I catch

1109
00:59:59,840 --> 01:00:01,919
Speaker 3: you in the streets, nigga, were finna get down?

1110
01:00:02,120 --> 01:00:04,320
Speaker 1: Yeah, hope, you know what, that's the last thing. But

1111
01:00:04,400 --> 01:00:06,600
Speaker 1: they're not finna. They're not finna do that. Yeah, I

1112
01:00:06,600 --> 01:00:08,720
Speaker 1: don't think they're not finna do that. That's why I

1113
01:00:08,800 --> 01:00:11,800
Speaker 1: said this is friendly banter. Nigga, I'm gonna say something

1114
01:00:11,840 --> 01:00:14,520
Speaker 1: about you, You're gonna say something about me, and then

1115
01:00:14,640 --> 01:00:17,480
Speaker 1: three four months from now, we're gonna come together and

1116
01:00:17,600 --> 01:00:20,600
Speaker 1: sit down and have a glass of champagne and go

1117
01:00:21,080 --> 01:00:24,320
Speaker 1: we're cool. Now. Yeah, that's pretty much. But it was

1118
01:00:24,440 --> 01:00:26,640
Speaker 1: sop upper. Did you see this stuff that don't happen

1119
01:00:26,680 --> 01:00:28,880
Speaker 1: to the NBA? Young boy dog. He's in some serious

1120
01:00:28,920 --> 01:00:32,640
Speaker 1: trouble man, No, man, I haven't been keeping up with Yeah,

1121
01:00:32,640 --> 01:00:35,080
Speaker 1: they got him man in Utah of all places for

1122
01:00:35,280 --> 01:00:39,080
Speaker 1: larger skill prescription fraud. Well he he.

1123
01:00:40,680 --> 01:00:44,440
Speaker 3: He uh. When he got released, one of his conditions

1124
01:00:44,560 --> 01:00:47,520
Speaker 3: was that he go to Utah because his manager was like,

1125
01:00:47,640 --> 01:00:49,640
Speaker 3: you know, we need to keep him out of trouble

1126
01:00:49,720 --> 01:00:52,480
Speaker 3: and all this kind of crazy shit. So the condition

1127
01:00:52,600 --> 01:00:56,560
Speaker 3: that they let him out, what if not to be mistaken,

1128
01:00:57,440 --> 01:00:58,800
Speaker 3: is why they went to Utah.

1129
01:00:59,120 --> 01:00:59,840
Speaker 1: Well, let me read this.

1130
01:01:00,040 --> 01:01:02,560
Speaker 3: There ain't got no hood, you know, if he doesn't

1131
01:01:02,680 --> 01:01:07,280
Speaker 3: have any type of involvement in it's Utah.

1132
01:01:07,560 --> 01:01:11,080
Speaker 1: Yeah, let me you talk out some hood. Motherfucker's right, but.

1133
01:01:12,720 --> 01:01:16,720
Speaker 3: He's not affiliated what like he was in Baton Rouge

1134
01:01:16,800 --> 01:01:17,640
Speaker 3: in his spots.

1135
01:01:17,800 --> 01:01:20,080
Speaker 1: Well, he's steal into something note because check this out.

1136
01:01:20,240 --> 01:01:24,040
Speaker 1: This is what happened. A rapper who is serving house

1137
01:01:24,120 --> 01:01:27,240
Speaker 1: arrests in Utah was arrested for his alleged involvement in

1138
01:01:27,320 --> 01:01:32,040
Speaker 1: a large scale prescriptions fraud ring in Cash County, NBA.

1139
01:01:32,200 --> 01:01:35,360
Speaker 1: Young boy who's real name is Contrail Deshaun Gordon, was

1140
01:01:35,440 --> 01:01:39,440
Speaker 1: booked Tuesday and faces sixty three charges. The alleged defenses

1141
01:01:39,480 --> 01:01:42,320
Speaker 1: are a possession of a dangerous weapon by a restricted person,

1142
01:01:42,440 --> 01:01:46,960
Speaker 1: second degree failing, the one count, pattering enough unlawful activity,

1143
01:01:47,040 --> 01:01:50,360
Speaker 1: second degree failing me one count identity fraud, third degree

1144
01:01:50,400 --> 01:01:54,120
Speaker 1: failing the twenty counts forgery, third degree failing the twenty

1145
01:01:54,240 --> 01:01:59,000
Speaker 1: counts procuring attempting to procure a drug prescription Class A misdemeanor,

1146
01:01:59,040 --> 01:02:03,680
Speaker 1: twenty counts, Possession of controlled substance Class eight misdemeanor one count.

1147
01:02:04,400 --> 01:02:06,760
Speaker 1: According to the arrest report, the twenty four year old

1148
01:02:06,800 --> 01:02:10,120
Speaker 1: Golden was part of a scheme to fraugarly obtained prometheesene

1149
01:02:10,160 --> 01:02:13,920
Speaker 1: with codeine, which, according to the National Library of Medicine,

1150
01:02:14,000 --> 01:02:18,880
Speaker 1: is mixed with sprite and or alcohol to make It's

1151
01:02:18,960 --> 01:02:19,480
Speaker 1: nothing new.

1152
01:02:20,840 --> 01:02:23,880
Speaker 3: He's in Utah and they then probably ran out of

1153
01:02:23,920 --> 01:02:27,680
Speaker 3: the lean and they need they need to procure some

1154
01:02:27,840 --> 01:02:28,720
Speaker 3: more well, so they.

1155
01:02:28,640 --> 01:02:31,439
Speaker 1: Say they got him. The police say Gardon and many

1156
01:02:31,560 --> 01:02:34,360
Speaker 1: other individuals who were not named in the documents tried

1157
01:02:34,440 --> 01:02:38,120
Speaker 1: to obtain the prescribed cost suppressant for multiple pharmacies in

1158
01:02:38,200 --> 01:02:41,800
Speaker 1: Cash County. According to police, Gaudon called in a prescription

1159
01:02:41,920 --> 01:02:44,640
Speaker 1: supposedly for a seventy four year old woman to a

1160
01:02:44,720 --> 01:02:48,440
Speaker 1: pharmacy in him in September. They said he claimed to

1161
01:02:48,520 --> 01:02:51,160
Speaker 1: be a physician in the Provo area using an actual

1162
01:02:51,320 --> 01:02:55,800
Speaker 1: valid DEA number NPI number, another identification for the real position.

1163
01:02:56,320 --> 01:02:58,880
Speaker 1: The pharmacists noticed that the phone number did not match

1164
01:02:58,920 --> 01:03:01,360
Speaker 1: the number of said doctor this clinic, so they called

1165
01:03:01,400 --> 01:03:03,640
Speaker 1: the doctor directly. The doctor said he did not write

1166
01:03:03,640 --> 01:03:06,040
Speaker 1: a prescription for a woman by her name, and added

1167
01:03:06,080 --> 01:03:08,240
Speaker 1: that this sort of thing happened several times a day.

1168
01:03:09,360 --> 01:03:13,600
Speaker 3: Yeah, somebody working in the doctor's office then slid the

1169
01:03:13,760 --> 01:03:18,680
Speaker 3: negative numbers so he can call in and and and order,

1170
01:03:18,840 --> 01:03:21,120
Speaker 3: you know how. The doctor or called into the pharmacy

1171
01:03:21,200 --> 01:03:23,880
Speaker 3: and be like, yeah, I'm calling in the calling a

1172
01:03:24,000 --> 01:03:26,520
Speaker 3: prescription for They do it all the time.

1173
01:03:26,880 --> 01:03:29,120
Speaker 1: And they said, so that's what he did, Yeah, and

1174
01:03:29,280 --> 01:03:35,960
Speaker 1: he's he was arrested by It doesn't say all. They

1175
01:03:36,000 --> 01:03:40,840
Speaker 1: don't say if he was a secret service. So he's

1176
01:03:40,880 --> 01:03:42,920
Speaker 1: gonna do some time on this man, you know.

1177
01:03:43,040 --> 01:03:48,080
Speaker 3: Because well he's he's had, he's been having long, extensive

1178
01:03:49,000 --> 01:03:50,360
Speaker 3: cases and situations.

1179
01:03:50,400 --> 01:03:56,600
Speaker 1: He already fighting the federal guns. Jar. My dude is

1180
01:03:56,680 --> 01:03:57,280
Speaker 1: one of those.

1181
01:04:00,160 --> 01:04:02,320
Speaker 3: You know, you always have one of those dudes who

1182
01:04:02,400 --> 01:04:08,040
Speaker 3: come out the neighborhood who's just he just can't get right.

1183
01:04:08,360 --> 01:04:14,560
Speaker 3: You feel me, always in trouble, always the police. I

1184
01:04:14,720 --> 01:04:17,360
Speaker 3: really don't care about it. And when you take a

1185
01:04:17,520 --> 01:04:20,600
Speaker 3: dude like that and you put a gang of money

1186
01:04:20,720 --> 01:04:24,160
Speaker 3: in his hand and a gang of motherfuckers, they really

1187
01:04:24,280 --> 01:04:29,200
Speaker 3: become uncontrollable. It's gonna take a while probably for him

1188
01:04:29,400 --> 01:04:34,320
Speaker 3: to mature out of the out of the state that he's.

1189
01:04:34,480 --> 01:04:36,240
Speaker 3: Like I said, man, when you come from that walk

1190
01:04:36,320 --> 01:04:40,720
Speaker 3: of life, man, it's hard. And when you put shit

1191
01:04:40,840 --> 01:04:45,200
Speaker 3: come on. My nigga's young. My nigga got money, he

1192
01:04:45,360 --> 01:04:48,880
Speaker 3: got fans up the ass that support his music, and

1193
01:04:49,200 --> 01:04:52,280
Speaker 3: he's just reckless. And then when you're able to get

1194
01:04:52,320 --> 01:04:55,360
Speaker 3: away with shit doing reckless shit, it don't make you

1195
01:04:55,480 --> 01:04:56,320
Speaker 3: get any better.

1196
01:04:56,560 --> 01:04:58,000
Speaker 1: It just makes you it worse.

1197
01:04:58,560 --> 01:05:04,480
Speaker 3: Until he's able to until he's able to understand you

1198
01:05:04,680 --> 01:05:08,760
Speaker 3: get me until he's able to understand the position he's

1199
01:05:08,880 --> 01:05:12,760
Speaker 3: in and that you got to grow up, dude.

1200
01:05:12,600 --> 01:05:14,760
Speaker 1: This is crazy, and these girls go telling them because

1201
01:05:14,800 --> 01:05:18,440
Speaker 1: check this out. They said that similar incidents occurred to

1202
01:05:18,560 --> 01:05:21,360
Speaker 1: other pharmacies in Cash County, and police said two women

1203
01:05:21,440 --> 01:05:24,800
Speaker 1: picked up the prescribed drugs during one instance they were

1204
01:05:24,840 --> 01:05:27,439
Speaker 1: taking and detained as part of the investigation and later

1205
01:05:27,560 --> 01:05:30,600
Speaker 1: arrested for their alleged involvement in the prescription fraud ring.

1206
01:05:31,200 --> 01:05:34,479
Speaker 1: The Cash County Sheriff's Office said the vehicle the woman

1207
01:05:34,600 --> 01:05:37,040
Speaker 1: arrived then to pick up the drugs was registered to Golden.

1208
01:05:38,120 --> 01:05:40,920
Speaker 1: That's the NB A young boy then later his business

1209
01:05:41,000 --> 01:05:43,880
Speaker 1: manager contacted the Sheriff's office about getting the vehicle out

1210
01:05:43,920 --> 01:05:46,720
Speaker 1: of Empound. The officer asked us to speak the regular

1211
01:05:46,760 --> 01:05:49,480
Speaker 1: to Golden. While speaking to gold And the arresting officer

1212
01:05:49,520 --> 01:05:52,880
Speaker 1: said he heard someone possibly golf and suggests asking about

1213
01:05:52,920 --> 01:05:55,520
Speaker 1: the prescriptions that they picked up. So he wasn't tripping

1214
01:05:55,560 --> 01:05:57,080
Speaker 1: on the bras he was worried about that.

1215
01:05:57,480 --> 01:06:00,760
Speaker 3: I need that lane flying the girls him to Utah.

1216
01:06:00,960 --> 01:06:04,520
Speaker 3: They coming to kick it his girlfriends or whatever they are,

1217
01:06:04,960 --> 01:06:07,280
Speaker 3: and they probably like, yeah, let's get these let's get

1218
01:06:07,320 --> 01:06:12,800
Speaker 3: these prescriptions. Let's get these prescriptions somebody. Like I said,

1219
01:06:13,600 --> 01:06:17,200
Speaker 3: I mean, that's you know what he's getting put on

1220
01:06:17,360 --> 01:06:20,880
Speaker 3: blast because he's NBA young boy. But niggas do that

1221
01:06:20,960 --> 01:06:24,080
Speaker 3: ship all day. And even if they they getting fake scripts,

1222
01:06:24,400 --> 01:06:27,200
Speaker 3: they get man niggas is. Niggas is doing lean like

1223
01:06:27,320 --> 01:06:27,959
Speaker 3: it ain't ship.

1224
01:06:28,080 --> 01:06:31,360
Speaker 1: Man. I'm gonna tell you, bro, it's a drug epidemic

1225
01:06:31,480 --> 01:06:34,919
Speaker 1: right now. Hip hop with that lean, with that lean dog,

1226
01:06:35,120 --> 01:06:37,560
Speaker 1: with all that stuff. Man, it's pretty much heroin, bro.

1227
01:06:38,920 --> 01:06:41,520
Speaker 1: All of these kids are on heroind I don't care

1228
01:06:41,600 --> 01:06:43,400
Speaker 1: what they call. I don't care if they're taking an

1229
01:06:43,440 --> 01:06:46,760
Speaker 1: appeal formed dog. I don't care if they However, they're

1230
01:06:46,800 --> 01:06:50,240
Speaker 1: doing this all heroin dog. So it's it's.

1231
01:06:52,440 --> 01:06:58,400
Speaker 3: Like I said, we it's kind of you know, fucked

1232
01:06:58,440 --> 01:07:02,640
Speaker 3: up when you have the vices of influence. I mean,

1233
01:07:02,640 --> 01:07:04,800
Speaker 3: because we used to do it. You're telling nigga, hey,

1234
01:07:04,880 --> 01:07:07,560
Speaker 3: get you some gin and juice. We're telling nigga pick

1235
01:07:07,640 --> 01:07:08,240
Speaker 3: up a foldy.

1236
01:07:08,360 --> 01:07:08,560
Speaker 1: You know.

1237
01:07:10,200 --> 01:07:12,000
Speaker 3: When I get it with that. Like I said, it's

1238
01:07:12,160 --> 01:07:16,280
Speaker 3: it's our generation. Though this is not our generation. They're

1239
01:07:16,440 --> 01:07:21,840
Speaker 3: different than us. Forty ounces and fucking you know, weed,

1240
01:07:21,960 --> 01:07:26,400
Speaker 3: smoke nor your Your favorite rapper is telling you the

1241
01:07:26,480 --> 01:07:29,920
Speaker 3: pop a percocet. Your favorite rapper is telling you that

1242
01:07:30,520 --> 01:07:34,000
Speaker 3: we sip and lean. Your favorite rapper is telling you,

1243
01:07:34,720 --> 01:07:36,200
Speaker 3: all my bitches do coke.

1244
01:07:37,520 --> 01:07:38,040
Speaker 1: You get me.

1245
01:07:39,080 --> 01:07:41,720
Speaker 3: My nigga right now is telling you on the popular

1246
01:07:41,840 --> 01:07:45,320
Speaker 3: song right now with with with k Dot, all my

1247
01:07:45,440 --> 01:07:51,600
Speaker 3: bitches do coke. You get me. I'm trying to let

1248
01:07:51,680 --> 01:07:55,080
Speaker 3: you know, nigga, is it's okay if you want to

1249
01:07:55,120 --> 01:07:57,600
Speaker 3: fuck with me, you want to be one of my

1250
01:07:57,800 --> 01:08:00,880
Speaker 3: holes or my bitches A nigga, this is all my

1251
01:08:01,040 --> 01:08:05,760
Speaker 3: bitches do dope, all of them. I might even pop

1252
01:08:05,800 --> 01:08:08,320
Speaker 3: a perkoset or whatever the shit they do.

1253
01:08:08,560 --> 01:08:11,400
Speaker 1: You get me. It's it's their generation.

1254
01:08:12,800 --> 01:08:15,360
Speaker 3: That's why we got so many youngsters dying, you know,

1255
01:08:15,560 --> 01:08:19,160
Speaker 3: popping pills. You know, we got the youngsters dying off

1256
01:08:19,240 --> 01:08:22,000
Speaker 3: of the lean, you know, all of it. Because again,

1257
01:08:22,680 --> 01:08:27,439
Speaker 3: your favorite rapper is telling you it's okay if you

1258
01:08:27,560 --> 01:08:30,320
Speaker 3: want to do some coke, all my bitches do it.

1259
01:08:30,960 --> 01:08:33,720
Speaker 3: It's crazy that shit that's supposed to tell you right now,

1260
01:08:33,840 --> 01:08:37,680
Speaker 3: that's the it's it's accepted, it's popular. Come on, man,

1261
01:08:38,760 --> 01:08:43,800
Speaker 3: I'm I'm your favorite. You damn sure. I ain't looking

1262
01:08:43,880 --> 01:08:47,840
Speaker 3: at me bad are you You ain't You ain't nowhere going, man,

1263
01:08:47,960 --> 01:08:51,320
Speaker 3: This motherfucker telling you to do some dope. He telling

1264
01:08:51,400 --> 01:08:53,800
Speaker 3: you if you want to belong to the anade, you

1265
01:08:53,920 --> 01:08:56,400
Speaker 3: gonna pop you a peal or snort you something.

1266
01:08:56,560 --> 01:08:59,000
Speaker 1: Because that's the way I like my bitches. I like

1267
01:08:59,080 --> 01:09:03,680
Speaker 1: them high and like man like what.

1268
01:09:04,000 --> 01:09:06,439
Speaker 3: I like them high and zonked out. That's the only

1269
01:09:06,520 --> 01:09:09,360
Speaker 3: way they gonna be able to stab my motherfucking ass

1270
01:09:09,960 --> 01:09:12,120
Speaker 3: if I get them, if I get them high up

1271
01:09:12,160 --> 01:09:13,080
Speaker 3: out of existence.

1272
01:09:13,240 --> 01:09:15,400
Speaker 1: On that note, we're about to get up out of here, man.

1273
01:09:15,479 --> 01:09:19,680
Speaker 1: But we in Atlanta next week like Effect Podcast.

1274
01:09:19,320 --> 01:09:23,200
Speaker 3: Conference, and you say, all my bitches due coke, all

1275
01:09:23,360 --> 01:09:24,640
Speaker 3: my bitches due to.

1276
01:09:27,080 --> 01:09:29,920
Speaker 1: We're gonna be out there and ladies out there and

1277
01:09:30,040 --> 01:09:33,920
Speaker 1: here they performed that song live like ladies.

1278
01:09:34,160 --> 01:09:35,960
Speaker 3: You ain't got to do no dope. You ain't got

1279
01:09:36,080 --> 01:09:39,080
Speaker 3: to do no coke. You fine, be natural, you know,

1280
01:09:39,320 --> 01:09:43,560
Speaker 3: be beautiful. You we call you a cluckhead if you

1281
01:09:43,760 --> 01:09:45,000
Speaker 3: do it dope.

1282
01:09:46,640 --> 01:09:49,880
Speaker 1: Again. We'll be at the Black Effect Podcast special next week.

1283
01:09:50,920 --> 01:09:53,920
Speaker 3: But what we call what we call the nigger back

1284
01:09:54,000 --> 01:09:56,680
Speaker 3: in the days that did dope, I don't get up.

1285
01:09:56,680 --> 01:09:59,519
Speaker 1: A cluck there's a cluck these dudes.

1286
01:10:00,080 --> 01:10:02,280
Speaker 3: Let these niggas fuck you up and tell you that

1287
01:10:02,439 --> 01:10:04,840
Speaker 3: that ship is cool. We look at your ass like

1288
01:10:04,960 --> 01:10:07,720
Speaker 3: you're a goddamn idiot. Clucker back you.

1289
01:10:09,160 --> 01:10:12,200
Speaker 1: That ship ain't here, that ship is not It wouldn't

1290
01:10:12,280 --> 01:10:15,160
Speaker 1: definitely wasn't cool doing that cocaine. You would get bagged.

1291
01:10:16,880 --> 01:10:19,840
Speaker 3: Trying to make being a cluckhead cool and ship to

1292
01:10:20,320 --> 01:10:22,200
Speaker 3: he's cool.

1293
01:10:22,240 --> 01:10:25,519
Speaker 1: He wanted this dope so bad, jail, he said, I

1294
01:10:25,600 --> 01:10:26,439
Speaker 1: need my lean.

1295
01:10:28,360 --> 01:10:31,000
Speaker 3: And I need my lead, and I need all my

1296
01:10:31,160 --> 01:10:33,960
Speaker 3: bitches zunked out. I just need him sitting in the

1297
01:10:34,080 --> 01:10:36,200
Speaker 3: corner like this when I come home.

1298
01:10:37,240 --> 01:10:43,680
Speaker 1: Yo, shake us out. Next week if you're in Atlanta.

1299
01:10:43,320 --> 01:10:46,240
Speaker 3: Area, Yeah, we're in at yl Man Holland.

1300
01:10:46,320 --> 01:10:48,720
Speaker 1: Yip. You know, shoot up to the festival and all that.

1301
01:10:48,960 --> 01:10:51,719
Speaker 1: We'll be out there, pull up bonus and were gone.

1302
01:10:54,840 --> 01:10:56,000
Speaker 1: That's sixty minutes, bron.

1303
01:10:56,000 --> 01:11:00,880
Speaker 3: That nig said, all my bitches, all my bitches doigga.

1304
01:11:01,320 --> 01:11:04,240
Speaker 1: Well. That concludes another episode of the Gainst the Chronicles podcast.

1305
01:11:04,360 --> 01:11:06,600
Speaker 1: Be sure to download the iHeart app and subscribe to

1306
01:11:06,680 --> 01:11:09,600
Speaker 1: the Gangst the Chronicles podcast For Apple users, find a

1307
01:11:09,640 --> 01:11:11,640
Speaker 1: purple mica on the front of your screen. Subscribe to

1308
01:11:11,680 --> 01:11:14,519
Speaker 1: the show, leave a comment and rating. Executive producers for

1309
01:11:14,560 --> 01:11:17,320
Speaker 1: The Gangster Chronicles podcasts of Norman Steel Aaron m. C

1310
01:11:17,439 --> 01:11:20,439
Speaker 1: a Tyler. Our visual media director is Brian Wyatt, and

1311
01:11:20,479 --> 01:11:23,320
Speaker 1: our audio editors tell It Hayes. The Gangster Chronicles is

1312
01:11:23,360 --> 01:11:26,879
Speaker 1: a production of iHeartMedia Network and The Black Effect Podcast Network.

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01:11:27,200 --> 01:11:30,439
Speaker 1: For more podcasts from iHeartRadio, visit the iHeart Radio app

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01:11:30,479 --> 01:11:32,920
Speaker 1: Apple Podcasts Wherever you're listening to your podcasts