WEBVTT - Deconstructing the Grinch

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey you welcome to stuff to goow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Julie Bass.

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<v Speaker 1>The holidays are upon us, so of course we're talking

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<v Speaker 1>about the science of a couple of our favorite holiday entities.

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<v Speaker 1>So we have an episode about Scrooge, and this episode

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<v Speaker 1>is about the Grinch. That's right, You're a mean one,

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<v Speaker 1>Mr Grinch. Is everybody familiar with that song? They should be.

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<v Speaker 1>This is another one that I feel like I watched

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<v Speaker 1>and read it so many times as a child, and

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<v Speaker 1>then you know, and then it's just all over pop culture.

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<v Speaker 1>And then they made that movie. The less that's said

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<v Speaker 1>about the better, But still people are not that movie

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<v Speaker 1>is old enough now that people are nostalgic about it.

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<v Speaker 1>That's noting like that films like over a decade old

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<v Speaker 1>now the gym Carey, But for me it was all

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<v Speaker 1>ways the old animated version. The head boars karlof yeah

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<v Speaker 1>in it and in the book itself by the good

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<v Speaker 1>uh Dr Seuss, Yeah, The Grinch She Stole Christmas is

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<v Speaker 1>a great literary classic. In the song You're Mean when

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<v Speaker 1>Mr Grinch performed by Thorle ravens Croft. Yeah, not Boris

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<v Speaker 1>Karlaf some people mistake did the voice of the and yeah,

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<v Speaker 1>and in fact Thorle ravens Croft also did the voice

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<v Speaker 1>for Tony the Tiger. But we bring it all up

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<v Speaker 1>because this is just great fodder. Great, yes, great fodder

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<v Speaker 1>to deconstruct the Grinch. That's our aim today, to find

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<v Speaker 1>out what makes him tick mentally and physically, and also

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<v Speaker 1>find out why he's so obsessed with stopping Christmas from

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<v Speaker 1>coming to Ville. Indeed, you know, the basic scenario is, uh,

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<v Speaker 1>it's it's very much like Scrooge in a sense, you know,

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<v Speaker 1>the commugon ly old critter who who learns the true

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<v Speaker 1>meaning of Christmas and has a big change of heart.

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<v Speaker 1>You know, it's a reduntion story and all that, um.

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<v Speaker 1>But in the meantime, can't be bothered with all those

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<v Speaker 1>do goods and merrymakers right, and just can't stand can't

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<v Speaker 1>stand the sound of them, can't stand the idea that

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<v Speaker 1>they are down there, and decides, well, I'm just gonna

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<v Speaker 1>steal their Christmas. I'll take it away. I'll go down there,

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<v Speaker 1>I'll dress the Santa Claus, I'll take everything out of

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<v Speaker 1>their houses. Their presence, their food, there, the decorations on

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<v Speaker 1>the walls, Like he just completely ravages their culture. That's his,

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<v Speaker 1>his thing, and then he's going to destroy it all.

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<v Speaker 1>But then something happens. He has an epiphany, and we'll

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<v Speaker 1>get to that. There is another character that we're like,

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<v Speaker 1>how did he get to that epiphany? Um? First though,

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<v Speaker 1>let's take a look at what the Grinch looks like,

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<v Speaker 1>I mean with his actual physical characteristics. As we're talking

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<v Speaker 1>about a green fur clad primate. Yeah, yeah, some sort

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<v Speaker 1>of bipedal critter. Now, I I do have questions about

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<v Speaker 1>his primate status because the the world that we encounter

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<v Speaker 1>in the Grinch, uh, the who despec is, is filled

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<v Speaker 1>with creatures that are just run straight out of our world.

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<v Speaker 1>There's a dog, you know, there are mice, but then

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<v Speaker 1>you have the primary resident seemed to be the Who's

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<v Speaker 1>who haven't who are bipeds as well, but they have antenna.

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<v Speaker 1>The Grinch doesn't have antenna, but I will know that

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<v Speaker 1>he has very animated eyebrows and these two kind of

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<v Speaker 1>horns of hair, which leads me to believe that they

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<v Speaker 1>might be antenna. They're simply covered in hair that's just

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<v Speaker 1>a loose theory. That's true, it's hard to tell. I

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<v Speaker 1>saw that little mop. I kept staring at that little

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<v Speaker 1>mom trying to figure out because what could it be.

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<v Speaker 1>In the animated version, there's that great scene where he

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<v Speaker 1>gets the idea, uh, and he smiles and it's the

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<v Speaker 1>most devious smile ever brought to the moving picture. Now,

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<v Speaker 1>from the Whoville Wikipedia, it states that the grinch is

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<v Speaker 1>known to be of a different species than the who's

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<v Speaker 1>being stated as a what. And moreover, in the story,

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<v Speaker 1>the grinch is described as being as strong as ten

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<v Speaker 1>grinches plus two, implying that perhaps a grinch is its

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<v Speaker 1>own species. To who's call him of what? How very how?

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<v Speaker 1>How very alienating of them to do that to to

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<v Speaker 1>who it's who? It's tied up with your identity, right

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<v Speaker 1>and what? That's very dehumanizing. Well, keep a handle on that,

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<v Speaker 1>because I feel like this will become important discussion fodder, uh,

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<v Speaker 1>for when we talk about epiphanies. Now, the grinch is constitution,

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<v Speaker 1>as we all know, super grumpy, antisocial, neurotic, aggressive, depressive,

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<v Speaker 1>you could even say, vindictive, and possibly even fulfilling a

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<v Speaker 1>neurotic need for power by exploiting his companion Max the dog. Yeah,

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<v Speaker 1>the relationship between the Grinch and max Is is perhaps

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<v Speaker 1>a little borderline abuse of at times. But but but

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<v Speaker 1>he's a you know, it's a service animal. That's that's

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<v Speaker 1>that's that's animal. Yeah. I don't see anything on there

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<v Speaker 1>that says do not pet. Well, it's implied, you know,

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<v Speaker 1>the horn on the head, positioning in the front of

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<v Speaker 1>the sway like clearly. Uh, you know, the Grinch sees

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<v Speaker 1>this as an animal that aids him in his endeavors.

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<v Speaker 1>He makes a great foil, does now The image of

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<v Speaker 1>the Grinch in that cave on a mantaintop really brings

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<v Speaker 1>to mind a jetty or better yet another creature and

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<v Speaker 1>I'm talking about from the epic tale bail Wolf. Yes, uh,

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<v Speaker 1>this is this is something I just keep thinking about

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<v Speaker 1>this Christmas season. I never thought of it before, but

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<v Speaker 1>it it's it comes up every now and then. We're

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<v Speaker 1>not the first people to to talk about Grindel and

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<v Speaker 1>Grinch as very similar entities, because you have one that's

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<v Speaker 1>a cave dwelling monster that haunts the Danish moors, and

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<v Speaker 1>the other lives within the microcosm of the hood despec

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<v Speaker 1>one taliens in bloodshed, the other in Christmas Cheer. But

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<v Speaker 1>both stories concern a loan outside or a to quote

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<v Speaker 1>the words of authored John Gardner, who who wrote the

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<v Speaker 1>book Grindel, which is the story of Baowulf and Grendel.

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<v Speaker 1>From Grendel's perspective, uh, the creature is quote a shadow

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<v Speaker 1>shooter and earth room roamer, a walker of the world's

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<v Speaker 1>weird wall, a perpetual outsider that is uh, that's barely

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<v Speaker 1>even a part of the the world of man, or

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<v Speaker 1>in this case, the world of the Who's Yeah, there's

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<v Speaker 1>a sense of suffering there. And according to Courtney che

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<v Speaker 1>writing for Humanities three sixty, she says the first and

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<v Speaker 1>most apparent similarity between Grendel and the Grench other names

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<v Speaker 1>both begin with a sound Grin the Online Etymology Dictionary

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<v Speaker 1>states that the Old English word grenian means to show

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<v Speaker 1>the teeth in pain or anger, and an old Norse

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<v Speaker 1>the word crena means to howl indeed, uh And and

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<v Speaker 1>you know, in both cases the creature is is just

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<v Speaker 1>really irritated by the noise and the grinch and the noise,

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<v Speaker 1>the noise, the noise, and in bow will fuh it

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<v Speaker 1>is written, then the mighty war spirit endured for a season,

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<v Speaker 1>bore it bitterly, he who bided in darkness. That lighthearted

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<v Speaker 1>laughter aloud in the building greeted him daily. There was

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<v Speaker 1>dulcet heart music, clear song of the singer. And uh.

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<v Speaker 1>And so Grendel sets out to attack uh the mead

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<v Speaker 1>hall of Herod and uh and it's important to know

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<v Speaker 1>that the mead hall here is the center of Danish culture. Like,

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<v Speaker 1>he's striking at the heart of the Dames. He's striking

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<v Speaker 1>at their merriam. And he's starting at the He's striking

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<v Speaker 1>at the glue that holds them together through the dark winter.

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<v Speaker 1>Right and uh and and the Grinch is doing much

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<v Speaker 1>the same thing. He is striking at their Christmas. He's

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<v Speaker 1>striking at their their central belief and their central um,

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<v Speaker 1>the very heart of their culture. Yes, there's a merriment, right,

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<v Speaker 1>there's the feasting. And when he attacks them, Grendel, they

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<v Speaker 1>are asleep from their feasting nuts, unlike the Who's who

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<v Speaker 1>lay a snooze exactly. Um. But it had had Cindy,

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<v Speaker 1>had Cindy lou Dane woken up and wandered into the

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<v Speaker 1>meat hall, she would have met with a very different fate.

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<v Speaker 1>She would just be gulped down. There will be no discussion.

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<v Speaker 1>Oh yes, torn apart. Now, the biggest difference, of course,

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<v Speaker 1>is that Grenville's vengeance and hatred makes them incapable of

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<v Speaker 1>connecting with anyone else. Right, He's got different motivations too, Yeah,

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<v Speaker 1>and some other issues I think too, don't we all Yeah,

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<v Speaker 1>And also I'm you know, theo Wolf is a bit

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<v Speaker 1>of a jerk. Well, yeah, so it's not like the

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<v Speaker 1>Danes are not doing a great job of reaching out

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<v Speaker 1>to Grenville, right, and so he's not going to have

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<v Speaker 1>that epiphany like the Grinch. R. Yeah. But nonetheless, there

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<v Speaker 1>are so many similarities between the two you can't help

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<v Speaker 1>but mention them. Indeed, Yes, and I would love to see, uh,

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<v Speaker 1>some sort of adaptation that combines these two in a

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<v Speaker 1>in a more festive manner. All Right, we're gonna take

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<v Speaker 1>a quick break on that note, and when we come back,

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<v Speaker 1>we're going to discuss the physiology of the because we

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<v Speaker 1>know at least one crucial thing about it. All right,

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<v Speaker 1>we're back. We're back. And one of the distinguishing physiological

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<v Speaker 1>features of the Grinch is of course that his heart

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<v Speaker 1>is two sizes too small. Yes, and this seems to

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<v Speaker 1>be both a physical and figurative situation. For the most part,

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<v Speaker 1>from what we can tell, we have a little X

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<v Speaker 1>ray that comes into frame and shows you that the

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<v Speaker 1>heart is is literally too small, and also his love

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<v Speaker 1>for his uh, his fellow creature seems to be somewhat

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<v Speaker 1>lacking as well. Indeed, so we look to the human

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<v Speaker 1>world to try to explain some of the reasons why

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<v Speaker 1>this may be so, at least on the physical level. Yeah, now,

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<v Speaker 1>I do want to say one quick thing about why

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<v Speaker 1>it is definitely a problem. Because the grinch is living

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<v Speaker 1>at a very high altitude, right and uh, and so

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<v Speaker 1>he's living in a glow oxygen environment. So if he

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<v Speaker 1>if his species, if you will truly evolve to throw

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<v Speaker 1>I have at high altitudes, then that species would boast

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<v Speaker 1>slower development, delayed maturity, greater lung volume, and a larger heart.

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<v Speaker 1>Has pointed out in the book Essentials of Physical Anthropology,

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<v Speaker 1>we find all four of these attributes in lifelong high

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<v Speaker 1>altitude human residents. So his heart is too small for

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<v Speaker 1>his environment. Well, especially if you consider that the grinch

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<v Speaker 1>and the Who's evolved convergently with one another, as possible

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<v Speaker 1>that the grinch has a heart that is really better

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<v Speaker 1>adapted to um higher levels of oxygen, which would find

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<v Speaker 1>on the ground right right, So it's it's hard to

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<v Speaker 1>tell where this is coming from. It could be maybe

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<v Speaker 1>the Grinch is actually at lower levels of altitude, but

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<v Speaker 1>now as an outsider has decided to live on this

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<v Speaker 1>mountaintop and therefore doubt by the Who's, Yes, he's been

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<v Speaker 1>excommunicated by the Who's and now here he is with

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<v Speaker 1>his heart. She size is too small to deal with

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<v Speaker 1>a lack of oxygen the high altitudes. It's okay, I

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<v Speaker 1>like this theory, and it plays into some other arguments

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<v Speaker 1>they're gonna make later in the podcast concerning the origins

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<v Speaker 1>of the Grinch. But another idea, maybe that's not a

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<v Speaker 1>Grench heart in his chest. Maybe it is a whole heart.

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<v Speaker 1>Because in in, indeed, when it comes to you a

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<v Speaker 1>human heart transplant, transplantation UM underside replatement, replacements are are

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<v Speaker 1>certainly an issue of concern because you you know, when

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<v Speaker 1>it when it comes to heart availability, you're not always

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<v Speaker 1>able to match up everything perfectly. You know, you're you're

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<v Speaker 1>matching across genders, um, you know, ultimately across different people.

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<v Speaker 1>So sometimes the heart is a is a bit smaller

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<v Speaker 1>than it would ideally be for that chest cavity. Yeah,

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<v Speaker 1>and what you're describing is actually called the Grinch syndrome.

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<v Speaker 1>In some cases it is a postural orthostatic tachycardia syndrome.

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<v Speaker 1>And it sounds like one of the things that Who

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<v Speaker 1>gets on Christmas Morning one of the instruments. It is

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<v Speaker 1>actually um and most patients have a heart that is

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<v Speaker 1>indeed two sizes too small. And this effects about five

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<v Speaker 1>hundred thousand Americans, primarily young women. So again, this is

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<v Speaker 1>something that is really taken into consideration when you are

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<v Speaker 1>looking at donors. So if this were the case, Uh,

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<v Speaker 1>you could imagine that in all that junk up there

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<v Speaker 1>in the mountain, on the top of Mount Crumpet. Uh,

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<v Speaker 1>perhaps the Grinch has some sort of automated surgical theater

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<v Speaker 1>that performed this procedure once upon a time. And why not,

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<v Speaker 1>I mean, he has a sewing machine. It's true. It's true.

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<v Speaker 1>Perhaps Max has has a skill set that we were

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<v Speaker 1>just not privy to in the book or in the film,

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<v Speaker 1>or or perhaps the Who's did it themselves before they

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<v Speaker 1>shunned him and pushed him up to the top of

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<v Speaker 1>a mountain. In any case, you put someone up there

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<v Speaker 1>with a heart that's much too small for that altitude.

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<v Speaker 1>You're gonna get some dizziness, You're gonna get some very

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<v Speaker 1>unclear thinking, You're gonna get a lot of crappiness. Yeah,

0:12:53.240 --> 0:12:57.240
<v Speaker 1>it's going to definitely, I think contribute to his his

0:12:57.400 --> 0:13:01.240
<v Speaker 1>ill demeanor. Indeed, now not laud is known about his

0:13:01.320 --> 0:13:06.000
<v Speaker 1>actual ears. Um. Perhaps they're situated underneath all of that

0:13:06.480 --> 0:13:10.360
<v Speaker 1>that for the cladding his body. But it could be

0:13:10.440 --> 0:13:13.480
<v Speaker 1>that he's just highly sensitive to noise. And we know

0:13:13.840 --> 0:13:18.199
<v Speaker 1>that the human ear canal actually amplifies noises in the

0:13:18.320 --> 0:13:21.400
<v Speaker 1>range of two thousand to five thousand hurts um. So

0:13:21.440 --> 0:13:25.760
<v Speaker 1>that's why I like things like knives, scraping plates, or

0:13:26.200 --> 0:13:29.920
<v Speaker 1>nails on a chalkboard are so terrible sounding, because they

0:13:29.960 --> 0:13:33.320
<v Speaker 1>inhabit that range and they kind of ricochet around in

0:13:33.400 --> 0:13:36.320
<v Speaker 1>the ear canal. So could it be that all that merriment,

0:13:36.520 --> 0:13:39.600
<v Speaker 1>all all of that singing is occupying that same space.

0:13:39.800 --> 0:13:42.120
<v Speaker 1>It could be it's hitting the sweet spot for him,

0:13:42.240 --> 0:13:46.280
<v Speaker 1>or the spot as it were. Well, the noise, noise, noise,

0:13:46.360 --> 0:13:49.199
<v Speaker 1>that's the one thing he hated. Yeah, yeah, and that's ultimately,

0:13:49.600 --> 0:13:51.320
<v Speaker 1>I mean, that's that's what makes him decide, Hey, I'm

0:13:51.360 --> 0:13:52.839
<v Speaker 1>gonna go down there and I'm going to cut this

0:13:53.000 --> 0:13:56.480
<v Speaker 1>noise out, all those fancy bells and whistles they get

0:13:56.520 --> 0:13:59.040
<v Speaker 1>Christmas morning, I'm going to take rid of to take

0:13:59.080 --> 0:14:01.000
<v Speaker 1>care of that. And that's ing may do. There's gonna

0:14:01.000 --> 0:14:03.960
<v Speaker 1>be no cause for that either, because I'm stealing everything

0:14:04.120 --> 0:14:07.640
<v Speaker 1>that's right. Because when I am perched atop my mountain,

0:14:07.840 --> 0:14:10.880
<v Speaker 1>particularly on the edge, and I'm really like leaning down

0:14:10.880 --> 0:14:14.120
<v Speaker 1>to here, I know that sound is reflecting off of

0:14:14.200 --> 0:14:17.920
<v Speaker 1>really hard surfaces like rock, water, or ice. And I'm

0:14:17.960 --> 0:14:20.680
<v Speaker 1>that grinch and I'm mad about this. And that's to

0:14:20.720 --> 0:14:23.680
<v Speaker 1>say nothing about what's going on inside that cave. Indeed,

0:14:23.720 --> 0:14:27.520
<v Speaker 1>if you think of the ear canal as as amplifying sound,

0:14:28.200 --> 0:14:31.200
<v Speaker 1>essentially the cave that the that the Grinch is in

0:14:31.280 --> 0:14:34.040
<v Speaker 1>is another ear canal. It is, I mean, because if

0:14:34.080 --> 0:14:36.400
<v Speaker 1>you you look at it, there's hard surfaces that are

0:14:36.400 --> 0:14:40.720
<v Speaker 1>surrounding the Grinch, perfect for amplifying sounds, since any noise

0:14:40.800 --> 0:14:43.760
<v Speaker 1>that would appear to enter the cave or that was

0:14:43.800 --> 0:14:46.000
<v Speaker 1>made inside of it would bounce off the cave walls

0:14:46.040 --> 0:14:47.480
<v Speaker 1>and it would be picked up by the ears. And

0:14:47.480 --> 0:14:50.360
<v Speaker 1>in this sense, there's a twin to each noise a

0:14:50.440 --> 0:14:52.840
<v Speaker 1>kind of shadow noise, and this gets into a really

0:14:52.880 --> 0:14:57.240
<v Speaker 1>interesting area of research called arco acoustics. UM. One of

0:14:57.440 --> 0:15:00.000
<v Speaker 1>the main guys behind all of this is a US researchers,

0:15:00.000 --> 0:15:04.400
<v Speaker 1>Steven Waller, Uh, and he's looked extensively at at Lascaux

0:15:04.480 --> 0:15:08.440
<v Speaker 1>caves in France, these ancient caves, cave art on the sides,

0:15:08.560 --> 0:15:11.280
<v Speaker 1>you know, animals, that that kind of thing, and he

0:15:11.360 --> 0:15:14.840
<v Speaker 1>believes that the echoes of ritual clapping outside of those

0:15:14.880 --> 0:15:18.560
<v Speaker 1>caves would have sounded like hundreds of hoofs drumming on

0:15:18.600 --> 0:15:21.560
<v Speaker 1>the ground. So he thinks that the the the design

0:15:21.600 --> 0:15:24.080
<v Speaker 1>of the caves, the positioning of the art, all of that,

0:15:24.480 --> 0:15:29.760
<v Speaker 1>um is orchestrated with the sound amplification in mind. Yeah,

0:15:29.760 --> 0:15:32.880
<v Speaker 1>these kind of sound illusions that come from it. And

0:15:32.920 --> 0:15:35.760
<v Speaker 1>we were talking earlier, You think that perhaps the hooves

0:15:35.840 --> 0:15:39.000
<v Speaker 1>might be behind this. Yes, yeah, it does make me

0:15:39.080 --> 0:15:41.960
<v Speaker 1>think that. Um. You know, Weller pointed out quote ancient

0:15:41.960 --> 0:15:44.960
<v Speaker 1>mythology explains echoes from the mouths of caves as replies

0:15:45.000 --> 0:15:47.600
<v Speaker 1>from spirits. Our ancestors may have made cave paintings in

0:15:47.640 --> 0:15:50.520
<v Speaker 1>response to these echoes and their belief that echo spirits

0:15:50.560 --> 0:15:54.240
<v Speaker 1>inhabited rocky places such as caves or canyons. Uh. So,

0:15:54.360 --> 0:15:57.120
<v Speaker 1>taking this thinking about the Grinch, thinking about the Grinch

0:15:57.160 --> 0:15:59.600
<v Speaker 1>is a creature that has been shunned and even placed

0:15:59.600 --> 0:16:04.440
<v Speaker 1>there by the Who's Perhaps they also created this cave

0:16:04.680 --> 0:16:08.400
<v Speaker 1>so that whoever's occupying that create that cave, whoever is

0:16:08.440 --> 0:16:11.840
<v Speaker 1>the Grinch, will steadily be driven mad by the amplified

0:16:11.880 --> 0:16:16.040
<v Speaker 1>sounds of merriment far below. Um and and i'll and i'll,

0:16:16.360 --> 0:16:19.480
<v Speaker 1>I'll talk more about this as we we progress, but

0:16:19.520 --> 0:16:22.600
<v Speaker 1>it's all part of my theory that the grinch um

0:16:22.680 --> 0:16:26.840
<v Speaker 1>has an important, crucial even role to play, uh annual

0:16:26.960 --> 0:16:30.440
<v Speaker 1>role to play in the culture of the Who's Well.

0:16:30.480 --> 0:16:33.120
<v Speaker 1>And in this sense, he's kind of like the cramp

0:16:33.200 --> 0:16:36.800
<v Speaker 1>Us that the anti clause, right, So we'll talk about

0:16:36.840 --> 0:16:40.520
<v Speaker 1>this a little bit more in the epiphanes Um discussion.

0:16:41.040 --> 0:16:42.920
<v Speaker 1>But what I think is interesting is here he is

0:16:42.960 --> 0:16:48.480
<v Speaker 1>sequestered away, completely isolated. Perhaps um he is experiencing these

0:16:48.480 --> 0:16:52.480
<v Speaker 1>sound illusions and going a little bit mad from it. Now,

0:16:52.640 --> 0:16:55.240
<v Speaker 1>the isolation aspect of this, I think is a really

0:16:55.240 --> 0:16:56.960
<v Speaker 1>big deal. Um, we should take a quick break, and

0:16:57.000 --> 0:16:59.240
<v Speaker 1>when we get back, we're going to talk about Grinch

0:16:59.400 --> 0:17:06.640
<v Speaker 1>on his only mountain top. All right, we're back. So

0:17:07.160 --> 0:17:10.040
<v Speaker 1>there's the Grinch up in his cave up the mount Crumpet,

0:17:10.160 --> 0:17:14.240
<v Speaker 1>far far, far from the who civilization down below. Um,

0:17:14.240 --> 0:17:16.200
<v Speaker 1>it would seem that he isn't you know, he would

0:17:16.240 --> 0:17:20.040
<v Speaker 1>be in a very splendid uh area of isolation, that

0:17:20.080 --> 0:17:22.760
<v Speaker 1>he would be far from from any of the sounds

0:17:22.800 --> 0:17:25.720
<v Speaker 1>that might bother him. No, not at all. We we

0:17:25.760 --> 0:17:27.400
<v Speaker 1>tend to think that we talked about this in our

0:17:27.760 --> 0:17:30.719
<v Speaker 1>episode Splendid Isolation, this idea that if you could just

0:17:30.800 --> 0:17:34.040
<v Speaker 1>get some quiet and isolation, and maybe you could even

0:17:34.080 --> 0:17:37.840
<v Speaker 1>live like one year completely isolated, that you could finally

0:17:38.000 --> 0:17:41.840
<v Speaker 1>sort of unwind and let you the flowers of your

0:17:42.119 --> 0:17:46.920
<v Speaker 1>brain bloom. But no, what happens is that those flowers

0:17:46.960 --> 0:17:49.520
<v Speaker 1>get all sort of choked together and die off because

0:17:49.560 --> 0:17:54.040
<v Speaker 1>you're not having those sort of connections with people and

0:17:54.080 --> 0:17:57.240
<v Speaker 1>associations that you need that your brain craves. Yeah, I mean,

0:17:57.240 --> 0:17:59.160
<v Speaker 1>you end up talking to a dog, dressing like Santa

0:17:59.200 --> 0:18:03.440
<v Speaker 1>Claus and and breaking into houses. Indeed, according to researcher

0:18:03.720 --> 0:18:07.520
<v Speaker 1>John Caciopo at the University of Chicago, of all people

0:18:07.560 --> 0:18:11.200
<v Speaker 1>are unhappy because of social isolation at any given moment.

0:18:11.960 --> 0:18:15.280
<v Speaker 1>So he wanted to know, Hey, what's going on in

0:18:15.359 --> 0:18:20.119
<v Speaker 1>the minds of these folks who are isolated and they're unhappy,

0:18:20.240 --> 0:18:23.560
<v Speaker 1>And he recruited volunteers to look at some photos while

0:18:23.680 --> 0:18:27.680
<v Speaker 1>undergoing f m R I. Now this is this has

0:18:27.840 --> 0:18:30.280
<v Speaker 1>such an interesting twist to it. Um Some of the

0:18:30.320 --> 0:18:33.479
<v Speaker 1>participants have been identified as having an acute sense of

0:18:33.640 --> 0:18:37.159
<v Speaker 1>social isolation and some were just you know, healthy volunteers

0:18:37.160 --> 0:18:40.560
<v Speaker 1>that they had screened. Now, both groups viewed a series

0:18:40.640 --> 0:18:44.280
<v Speaker 1>of images, some with positive connotations like happy couple doing

0:18:44.760 --> 0:18:49.119
<v Speaker 1>funhappy things, and others with negative associations, such as scenes

0:18:49.160 --> 0:18:54.320
<v Speaker 1>of human conflict. Now, when the two groups watched pleasant imagery,

0:18:54.520 --> 0:18:58.040
<v Speaker 1>the area of the brain that recognizes rewards showed a

0:18:58.119 --> 0:19:03.119
<v Speaker 1>significantly greater response non lonely people than in lonely people. Similarly,

0:19:03.680 --> 0:19:07.399
<v Speaker 1>the visual cortex of lonely subjects responded much more strongly

0:19:07.440 --> 0:19:13.119
<v Speaker 1>to unpleasant images of people than to unpleasant images of objects.

0:19:14.200 --> 0:19:19.960
<v Speaker 1>This suggests that the intention of lonely people maybe especially

0:19:20.040 --> 0:19:23.919
<v Speaker 1>drawn to human conflict, and that what's interesting about this

0:19:24.000 --> 0:19:27.480
<v Speaker 1>is that the nominally subject showed no difference here, So

0:19:27.600 --> 0:19:31.639
<v Speaker 1>it was the lonely subjects who were particularly taken with

0:19:31.720 --> 0:19:34.920
<v Speaker 1>these scenes of conflict, and this this instantly brings to

0:19:35.000 --> 0:19:39.080
<v Speaker 1>mind an image of someone who's isolated themselves inside of

0:19:39.080 --> 0:19:42.000
<v Speaker 1>their apartment and they're just watching nothing but but cable

0:19:42.040 --> 0:19:44.199
<v Speaker 1>news over and over again and yelling at it yea,

0:19:44.240 --> 0:19:47.119
<v Speaker 1>and yelling at it, just glutting themselves on conflict and

0:19:47.400 --> 0:19:51.240
<v Speaker 1>engaging with the conflict and really feeling a lot of stress. Um.

0:19:51.280 --> 0:19:53.840
<v Speaker 1>There's a two thousand seven study from the University of

0:19:53.880 --> 0:19:57.119
<v Speaker 1>Illinois at Chicago College of Medicine, and they reported that

0:19:57.200 --> 0:20:00.040
<v Speaker 1>the anxiety and aggression that results from social isol a

0:20:00.480 --> 0:20:04.240
<v Speaker 1>trace to altered levels of an enzyme that controls the

0:20:04.240 --> 0:20:07.720
<v Speaker 1>production of a brain hormone. The in the two enzymes

0:20:08.000 --> 0:20:12.120
<v Speaker 1>in this case are needed for the production of allo pregnantoline,

0:20:12.240 --> 0:20:15.840
<v Speaker 1>a brain hormone that acts to reduce stress through regulation

0:20:15.920 --> 0:20:19.760
<v Speaker 1>of gabba uh, an important neuro transmitter. So the suggestion

0:20:19.800 --> 0:20:23.000
<v Speaker 1>here is that increased levels of isolation, it's going to

0:20:23.119 --> 0:20:26.199
<v Speaker 1>impact your ability to roll with stress and regulate your

0:20:26.240 --> 0:20:29.439
<v Speaker 1>own stress on a on a on a on a

0:20:29.480 --> 0:20:32.960
<v Speaker 1>neurological scale. Right, and um, one of the ways that

0:20:33.000 --> 0:20:36.200
<v Speaker 1>you might deal with stress is to communicate with others. Right,

0:20:36.240 --> 0:20:39.240
<v Speaker 1>to unburden yourself. And again he does not have that luxury.

0:20:39.520 --> 0:20:43.399
<v Speaker 1>Yes Max, Yes, Max, But Max seems and and and

0:20:43.480 --> 0:20:47.639
<v Speaker 1>rightly so a bit reserved. Yes, Max does not speak

0:20:47.840 --> 0:20:53.359
<v Speaker 1>despite being a cartoon storybook dog. He merely just rolls

0:20:53.359 --> 0:20:55.560
<v Speaker 1>with the punches. Yeah. And you know, we talked about

0:20:55.560 --> 0:20:58.960
<v Speaker 1>the dysfunctional families. Just would be the lost child, right,

0:20:59.040 --> 0:21:01.359
<v Speaker 1>and one that receives to the shadows because he's like,

0:21:01.400 --> 0:21:04.520
<v Speaker 1>forget it. I don't want to raise the hackles of

0:21:04.560 --> 0:21:07.440
<v Speaker 1>the Grinch, but you know, I think the stage is

0:21:07.480 --> 0:21:10.320
<v Speaker 1>pretty well set here that you have this, this creature

0:21:10.400 --> 0:21:19.400
<v Speaker 1>who is tormented UM, auditorially fermented UM and psychologically tormented

0:21:19.440 --> 0:21:23.400
<v Speaker 1>and as a result, perhaps having a mental breakdown. Now,

0:21:23.400 --> 0:21:27.520
<v Speaker 1>in the BBC documentary alone The Brain Century, Deprivation and Isolation,

0:21:28.040 --> 0:21:31.760
<v Speaker 1>six people were deprived of sensory input. They were essentially

0:21:31.760 --> 0:21:34.840
<v Speaker 1>put in solitary confinement for about forty eight hours, and

0:21:34.880 --> 0:21:38.400
<v Speaker 1>one of the findings is that at around our thirty

0:21:38.400 --> 0:21:42.680
<v Speaker 1>people began to pace back and forth, and a lot

0:21:42.720 --> 0:21:44.480
<v Speaker 1>of people who were looking at the footage said, this

0:21:44.520 --> 0:21:48.720
<v Speaker 1>is a lot like animals in captivity. And perhaps one

0:21:48.720 --> 0:21:50.880
<v Speaker 1>of the reasons why they're doing this is that they're

0:21:50.920 --> 0:21:54.520
<v Speaker 1>trying to create some sort of sensory input for their brains.

0:21:54.560 --> 0:21:56.280
<v Speaker 1>Because we've talked about this before. This is one of

0:21:56.280 --> 0:21:58.360
<v Speaker 1>the reasons why you can't be isolated for a long time.

0:21:58.600 --> 0:22:01.320
<v Speaker 1>Your brain needs something to a non it needs a bone,

0:22:01.320 --> 0:22:04.520
<v Speaker 1>and a lot of time other people are those bones.

0:22:05.160 --> 0:22:08.960
<v Speaker 1>And again, if you if you have someone who has

0:22:09.000 --> 0:22:12.520
<v Speaker 1>sequestered themselves in your brain, isn't getting this sort of

0:22:12.640 --> 0:22:15.920
<v Speaker 1>input that it would normally get. The unconscious has very

0:22:15.960 --> 0:22:20.359
<v Speaker 1>little information to play with and to mold into a story.

0:22:20.440 --> 0:22:23.399
<v Speaker 1>And that story of I. You know, we've talked about this,

0:22:23.560 --> 0:22:26.800
<v Speaker 1>the me, the who I am, And that's when you

0:22:26.840 --> 0:22:30.520
<v Speaker 1>begin to see some some aspects of mental breakdown sometimes

0:22:30.560 --> 0:22:35.359
<v Speaker 1>because there isn't that cohesive, uh, sense of self that's

0:22:35.400 --> 0:22:39.000
<v Speaker 1>bolstered by others or even mirrored by other people around you.

0:22:39.480 --> 0:22:42.639
<v Speaker 1>All Right, So the Grinch, this uh, this miserable creature,

0:22:43.480 --> 0:22:47.560
<v Speaker 1>driven half mad by the merriment of the who's, finally breaks,

0:22:47.600 --> 0:22:50.720
<v Speaker 1>finally snaps stresses up like Santa Claus descends down on

0:22:50.800 --> 0:22:53.159
<v Speaker 1>Christmas night while the Who's are asleep in their beds,

0:22:53.840 --> 0:22:58.240
<v Speaker 1>steals just about everything, even raid the refrigerator packs it

0:22:58.240 --> 0:23:00.679
<v Speaker 1>all up on the sleigh, he takes it up and

0:23:00.680 --> 0:23:02.840
<v Speaker 1>he's about to dump it, right, He's about to just

0:23:02.960 --> 0:23:06.320
<v Speaker 1>throw it into the abyss and u and wish him

0:23:06.320 --> 0:23:09.520
<v Speaker 1>a merry Christ. But he's waiting, Remember, he's waiting on

0:23:09.520 --> 0:23:12.000
<v Speaker 1>that ledge. He's waiting for them to wake up and

0:23:12.080 --> 0:23:15.320
<v Speaker 1>realize that all of their little goodies have been stolen

0:23:15.359 --> 0:23:17.840
<v Speaker 1>from them. Right, that's the ultimate reward, more so than

0:23:17.880 --> 0:23:22.080
<v Speaker 1>just the material theft involved here. He wants to break them,

0:23:22.119 --> 0:23:26.600
<v Speaker 1>to break who culture itself, and just send them into despair.

0:23:27.640 --> 0:23:30.640
<v Speaker 1>The problem is, of course, is that when he's he's

0:23:30.640 --> 0:23:33.080
<v Speaker 1>got his hand up to his ear and he's listening

0:23:33.080 --> 0:23:37.240
<v Speaker 1>really hard, he doesn't hear sobbing. He doesn't hear this

0:23:37.720 --> 0:23:42.960
<v Speaker 1>is terrible wretching noises of broken Who's he hears his

0:23:43.080 --> 0:23:47.959
<v Speaker 1>unified chorus, this beautiful lilting song that that comes up

0:23:47.960 --> 0:23:51.320
<v Speaker 1>to him and makes him realize that all of his

0:23:51.520 --> 0:23:58.360
<v Speaker 1>expectations have been violated. And this is what allows him,

0:23:58.440 --> 0:24:01.000
<v Speaker 1>at this very moment to go in one of two ways.

0:24:02.240 --> 0:24:08.320
<v Speaker 1>Either he can have this sort of cognitive dissonance right

0:24:08.400 --> 0:24:12.640
<v Speaker 1>in which his violations or his expectations are violated, and

0:24:12.680 --> 0:24:14.280
<v Speaker 1>he doesn't know what to do with that, and so

0:24:14.440 --> 0:24:18.239
<v Speaker 1>he doubles down on a sort of cognitive bias and

0:24:18.280 --> 0:24:20.880
<v Speaker 1>tries to explain it away and say, oh no, they're

0:24:20.920 --> 0:24:26.760
<v Speaker 1>still materialists, they're still terrible. Or he can accept that

0:24:26.840 --> 0:24:31.600
<v Speaker 1>there's cognitive dissonance and he can accept that there's an

0:24:31.640 --> 0:24:35.639
<v Speaker 1>alternate take to the Who's and to Christmas that is

0:24:35.680 --> 0:24:42.040
<v Speaker 1>not just about materialism but perhaps something more m and

0:24:42.080 --> 0:24:44.560
<v Speaker 1>that makes all the difference. He has this change of heart.

0:24:45.119 --> 0:24:48.280
<v Speaker 1>He brings everything back to them, He celebrates with him, He's, He's,

0:24:48.359 --> 0:24:51.399
<v Speaker 1>He's brought into who culture. He's no longer an outsider,

0:24:51.480 --> 0:24:53.600
<v Speaker 1>or at least for this one night, he's not an outsider,

0:24:54.040 --> 0:24:56.280
<v Speaker 1>and he joins in the feast. He cuts the roast

0:24:56.280 --> 0:25:00.159
<v Speaker 1>beast for crying out loud. He does. And again, this, this,

0:25:00.320 --> 0:25:03.439
<v Speaker 1>this sort of see change is all predicated on his

0:25:03.880 --> 0:25:07.600
<v Speaker 1>epiphany moment that it's connections with people that matter, and

0:25:07.640 --> 0:25:11.720
<v Speaker 1>that's what the Who's, uh we're celebrating when it came

0:25:11.760 --> 0:25:16.080
<v Speaker 1>to Christmas. Not necessarily their stuff, but these guys Who's

0:25:16.119 --> 0:25:19.359
<v Speaker 1>do not get out of this unscathed. Right, It's easy

0:25:19.400 --> 0:25:21.159
<v Speaker 1>to look at the story and say, oh, well, the

0:25:21.200 --> 0:25:24.479
<v Speaker 1>Who's are such a noble people that even though all

0:25:24.520 --> 0:25:26.520
<v Speaker 1>their presence and their food was gone, they still went

0:25:26.520 --> 0:25:28.919
<v Speaker 1>out there, and we're happy because they're ultimately happy and

0:25:28.960 --> 0:25:34.000
<v Speaker 1>good at heart. But we would argue that they felt this,

0:25:34.080 --> 0:25:36.439
<v Speaker 1>they made this. This is a realization for the Who's

0:25:37.000 --> 0:25:39.639
<v Speaker 1>because the Grinch told all their stuff, because the Grinch

0:25:39.680 --> 0:25:42.440
<v Speaker 1>took away all the material possessions, of which they had

0:25:42.560 --> 0:25:47.800
<v Speaker 1>way too many to begin with. Yeah. According to Chad

0:25:47.960 --> 0:25:51.080
<v Speaker 1>or Zell in his article on Science Blogs, how strong

0:25:51.240 --> 0:25:54.760
<v Speaker 1>was the Grinch each of the thirty three who's in Whoville?

0:25:54.800 --> 0:26:00.199
<v Speaker 1>We're getting about three thousand or about six thousand pounds

0:26:00.240 --> 0:26:04.520
<v Speaker 1>of stuff on Christmas and Orizel basis calculations on pixels

0:26:04.560 --> 0:26:07.080
<v Speaker 1>and what they might represent in terms of real world

0:26:07.160 --> 0:26:11.679
<v Speaker 1>dimensions and mass, including that that slayh um. So that

0:26:11.680 --> 0:26:15.320
<v Speaker 1>would lead us to believe that maybe those who's we're

0:26:16.240 --> 0:26:20.080
<v Speaker 1>just empty husks trying to stuff themselves with things before

0:26:20.080 --> 0:26:24.280
<v Speaker 1>the Grinch came along and delivered uh an epiphany to them. Yeah,

0:26:24.440 --> 0:26:26.920
<v Speaker 1>I think so. I mean it, you know, clearly their

0:26:26.960 --> 0:26:30.919
<v Speaker 1>way over doing it. They're indulging in just rampant materialism,

0:26:31.000 --> 0:26:33.440
<v Speaker 1>and then the Grinch comes takes it away and gives

0:26:33.440 --> 0:26:38.160
<v Speaker 1>them the space to realize what's important. Most So in

0:26:38.200 --> 0:26:40.639
<v Speaker 1>this I would I would argue that the Grinch plays

0:26:40.680 --> 0:26:44.439
<v Speaker 1>a crucial role in the Who's if not for that

0:26:44.440 --> 0:26:48.960
<v Speaker 1>that Christmas, but perhaps every Christmas. Perhaps the Grinch comes

0:26:49.000 --> 0:26:51.400
<v Speaker 1>every Christmas to the Who's and it's part of their

0:26:51.960 --> 0:26:55.560
<v Speaker 1>their winter festival, you know, the great green god on

0:26:55.600 --> 0:26:58.240
<v Speaker 1>the mountain that it comes down and takes away your

0:26:58.320 --> 0:27:01.760
<v Speaker 1>your your material possessions so that you may see what's

0:27:01.760 --> 0:27:03.879
<v Speaker 1>most important. So this is like the passion play for

0:27:03.920 --> 0:27:06.640
<v Speaker 1>the Who's. Yeah, like maybe, yeah, And I think so

0:27:06.760 --> 0:27:08.679
<v Speaker 1>if the if the Grinch doesn't come, then you end

0:27:08.760 --> 0:27:11.560
<v Speaker 1>up just drowning in your own materialism and you're you know,

0:27:11.760 --> 0:27:15.000
<v Speaker 1>freezing through the winter. And the Grinch himself might say, yes,

0:27:15.080 --> 0:27:17.760
<v Speaker 1>I will participate in these festivities and pretend to be

0:27:17.840 --> 0:27:20.800
<v Speaker 1>terrible and awful and and and I can recreate that

0:27:20.960 --> 0:27:23.760
<v Speaker 1>epiphany that or or you take a creature and you

0:27:23.800 --> 0:27:25.920
<v Speaker 1>replace its heart and you stick it into a specially

0:27:25.960 --> 0:27:28.040
<v Speaker 1>designed cave on the top of the mountain so that

0:27:28.160 --> 0:27:32.800
<v Speaker 1>it will play a role in your your necessary festival

0:27:32.880 --> 0:27:36.560
<v Speaker 1>year after year after year. Wow, maybe the Grinch isn't

0:27:36.640 --> 0:27:39.520
<v Speaker 1>even real, Like maybe that's a Grinch costume that one

0:27:39.520 --> 0:27:41.560
<v Speaker 1>of the Who's has to wear as sort of like

0:27:41.600 --> 0:27:43.679
<v Speaker 1>the sacrificial Grinch for the year. Yeah, it's just kind

0:27:43.720 --> 0:27:46.439
<v Speaker 1>of the supernatural entity that everyone believes in and you

0:27:46.480 --> 0:27:49.000
<v Speaker 1>sort of you partake in the passion play of the

0:27:49.080 --> 0:27:54.200
<v Speaker 1>thing that is somehow more believable than um. Then positing

0:27:54.359 --> 0:27:58.320
<v Speaker 1>that the whose heart grew two sizes that day when

0:27:58.320 --> 0:28:00.560
<v Speaker 1>you have the epiphany simply be has some sort of

0:28:00.560 --> 0:28:04.240
<v Speaker 1>genetic switch went off between the who's and the what. Yeah.

0:28:04.240 --> 0:28:06.920
<v Speaker 1>I have no explanation for why his heart would literally

0:28:06.960 --> 0:28:10.440
<v Speaker 1>grow two sizes and allow you know, better sourcing of oxygen,

0:28:10.520 --> 0:28:14.360
<v Speaker 1>but that just reminded me too. Uh. Now, he's more

0:28:14.480 --> 0:28:16.560
<v Speaker 1>of a who and than a what, which is sort

0:28:16.600 --> 0:28:19.200
<v Speaker 1>of a whole underlying basis of what we were talking

0:28:19.200 --> 0:28:21.720
<v Speaker 1>about earlier, like how how terrible to be a what

0:28:21.920 --> 0:28:25.040
<v Speaker 1>instead of a who? And he made his way back

0:28:25.040 --> 0:28:29.680
<v Speaker 1>to his unness by connecting with his fellow species. Now

0:28:29.720 --> 0:28:32.240
<v Speaker 1>that's that's some rich stuff there. That's sus you really

0:28:32.240 --> 0:28:34.800
<v Speaker 1>knows who knew what he was doing? An intuitive psychologist?

0:28:35.200 --> 0:28:38.160
<v Speaker 1>I think so. Yeah. Alrighty guys, we hope that you

0:28:38.240 --> 0:28:42.080
<v Speaker 1>enjoyed our presentation of the Grinch as well as Scrooge.

0:28:42.720 --> 0:28:44.760
<v Speaker 1>And if you want to check out more of what

0:28:44.760 --> 0:28:47.479
<v Speaker 1>we're doing, you can do so stuff to blow your

0:28:47.480 --> 0:28:50.360
<v Speaker 1>mind dot com. That's right. You'll find all the podcast episodes,

0:28:50.400 --> 0:28:53.960
<v Speaker 1>including various holiday episodes we've done over the years. Right there,

0:28:54.000 --> 0:28:57.000
<v Speaker 1>you'll find blog post videos and some of those are holiday.

0:28:57.040 --> 0:28:59.960
<v Speaker 1>Orient will try and promote those on the front page

0:29:00.000 --> 0:29:02.280
<v Speaker 1>there for you to check out. And also you'll find

0:29:02.280 --> 0:29:04.320
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0:29:04.360 --> 0:29:06.760
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0:29:06.840 --> 0:29:09.760
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0:29:09.920 --> 0:29:14.440
<v Speaker 1>any sarakrat sandwiches with a side of Arsenic sauces thoughts

0:29:14.480 --> 0:29:16.200
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0:29:16.400 --> 0:29:19.800
<v Speaker 1>so by emailing us below the mind at how stuff

0:29:19.840 --> 0:29:27.080
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0:29:27.080 --> 0:29:33.160
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