WEBVTT - Gina Schock

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today is the drummer for the Gil Goes,

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<v Speaker 1>soon to be inducted into the Rock and Roll Hall

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<v Speaker 1>of Fame, the one and only Gina Shocked. Gina, good

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<v Speaker 1>to have you here. Hey Rob, thank you my friend,

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<v Speaker 1>but you'll be on your show. You have this new

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<v Speaker 1>book Meet in the Hollywood. It's a picture book in

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<v Speaker 1>the story book. What motivated you to do that at

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<v Speaker 1>this time? Well, um, it's something that I've been wanting

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<v Speaker 1>to do for decades and I the thought of trying

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<v Speaker 1>to get all of those photographs and ephemera that I

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<v Speaker 1>have collected over the years was like overwhelming. So I

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<v Speaker 1>was looking for a person to help me do it.

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<v Speaker 1>I finally found the right person to help me, this guy,

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<v Speaker 1>Steve in l A. He came up, I pulled out

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<v Speaker 1>all of my photographs, had him all in in my

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<v Speaker 1>living room floor. He walked and he said, Gina, this

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<v Speaker 1>is a credit. Sure, this is incredible. We got to

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<v Speaker 1>go right up. We're going to write up uh what

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<v Speaker 1>he called it, what he caught makeook. Yeah, Well we're

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<v Speaker 1>gonna do make a coffee table photo coffee table book anyway,

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<v Speaker 1>So we we wrote wrote up a what do you

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<v Speaker 1>call why can't I think of that? Proposal? Proposal Jane,

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<v Speaker 1>there's christ my senior moment lasted for ten minutes. Okay, yes,

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<v Speaker 1>a proposal for a photo book. So we wrote one up.

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<v Speaker 1>We set it to a couple of book publishers and

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<v Speaker 1>we right away we got back, you know, right away

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<v Speaker 1>that black Dog Hachette was interested and talked to them.

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<v Speaker 1>They wanted to do the photo book. But then they

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<v Speaker 1>started talking to me about, Hey, we used to feel

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<v Speaker 1>like writing a little and I was That was of

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<v Speaker 1>course overwhelming to me. Once again, I'm not a writer.

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<v Speaker 1>I don't write books. But when we started putting all

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<v Speaker 1>these photographs together, it's, um, it became very easy to

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<v Speaker 1>write about what was happening that time. It was very fluid,

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<v Speaker 1>very very easy because when I look at these photographs,

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<v Speaker 1>I remember everything that was going on, and you know

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<v Speaker 1>what I didn't remember, like maybe perhaps dates and where

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<v Speaker 1>I may have been. I keep a daily planner that

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<v Speaker 1>I've had. I've had daily planners since seventy nine, so

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<v Speaker 1>I referred back to them for dates and places, and

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<v Speaker 1>it was invaluable. I mean, I had everything written down

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<v Speaker 1>so I could refer to that, and I just and

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<v Speaker 1>then I have all the September I had, buttons and posters,

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<v Speaker 1>you know, you name it, I've got it. I just

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<v Speaker 1>all this stuff means something to me. I'm I'm a

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<v Speaker 1>very sentimental person. I like I keep cards and letters

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<v Speaker 1>and things from people that I love. And you know,

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<v Speaker 1>this is a part of my history and a part

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<v Speaker 1>of my life, and I wanted to keep it, you know. Um,

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<v Speaker 1>And so I have it all my possession. Finally found

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<v Speaker 1>the right person, help we put it together, and boom

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<v Speaker 1>it happened. Okay, can you make any money with a

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<v Speaker 1>coffee table? Book? Ers? Just a labor of love for

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<v Speaker 1>you and the fans. It is a labor of love.

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<v Speaker 1>I don't I'm gonna want up spending more money than

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<v Speaker 1>I make on this whole this whole endeavor. Um, But

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<v Speaker 1>you know what this, I know it's a pichete, but

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<v Speaker 1>it really has been a labor of love. Uh. Going

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<v Speaker 1>through all of these photos, it just made me so grateful,

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<v Speaker 1>so happy that that this has been my life and

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<v Speaker 1>I've captured it and the girls in the band with photographs,

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<v Speaker 1>and now I can share these photographs with our fans.

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<v Speaker 1>The general public. You get to see what I was

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<v Speaker 1>seeing a band member, someone in the band, you know. Um.

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<v Speaker 1>And then when I started writing about this, I feel

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<v Speaker 1>like anybody that picks this book up and starts to

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<v Speaker 1>look at the photos and reads a little bit, it's

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<v Speaker 1>gonna want to read the whole thing because it's honest

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<v Speaker 1>and it's true. It's ask anybody. I'm a pretty upfront person,

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<v Speaker 1>no bullshit with me, so and I write that way

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<v Speaker 1>and these are my words and these are my photos,

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<v Speaker 1>and um, I'm really proud of agree with you. I mean,

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<v Speaker 1>and first I'm looking through the pictures, but you get

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<v Speaker 1>intrigued in the story. It's anything but a burden. You

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<v Speaker 1>cover the major points you could even want to know more. Now,

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<v Speaker 1>let's talk about the ephemer and the photos. Bill Wyman

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<v Speaker 1>of the Stones famously kept one of everything. The irony

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<v Speaker 1>being all these years later he's not auctioning some of

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<v Speaker 1>that off. Was that your procedure? Did you tend to

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<v Speaker 1>keep one of everything? Um? It wasn't as though I

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<v Speaker 1>was grabbing one of everything. I was just grabbing whatever

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<v Speaker 1>was in reach within my reach. Um, I didn't necessarily

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<v Speaker 1>cover all everything that came out, but I do have buttons.

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<v Speaker 1>I just and if I could grab one thing, I

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<v Speaker 1>grab as many as I can. Whatever. I just these

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<v Speaker 1>are all memories. I like looking at it. This stuff.

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<v Speaker 1>It's it's it's my life, you know. And okay, the

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<v Speaker 1>Bill by the way, I had the Bill Wyman book,

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<v Speaker 1>which and it's really beautiful. Okay, if you could only

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<v Speaker 1>keep two pieces of memorabilia, they'd be what uh, they'd

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<v Speaker 1>be the poster that I have of when we play

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<v Speaker 1>with the Rolling Stones in Rockford, Illinois on October one one,

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<v Speaker 1>I believe. And it's a huge, big poster that I

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<v Speaker 1>had framed that I have it in my office. That

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<v Speaker 1>is worth a million bucks to me. You can put

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<v Speaker 1>that in the casket with me, you know. I love that.

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<v Speaker 1>Um And you know what, I guess the other thing

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<v Speaker 1>would have to be my book because it's it's taken

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<v Speaker 1>me forty years to get this together. So it's all

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<v Speaker 1>right there. You know. It's funny because uh, at one

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<v Speaker 1>point a couple of years ago, I threw out all

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<v Speaker 1>my lamin It's it just became. I didn't want to

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<v Speaker 1>be one of those guys. But I've only the couple.

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<v Speaker 1>One is all access to the Rolling Stones. That is

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<v Speaker 1>really cool. He got it. Yeah, of course it is.

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<v Speaker 1>And you know what, I keep all my lambin It's stupid.

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<v Speaker 1>I got a million of them, you know. And I

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<v Speaker 1>don't know if I can let go of all this stuff.

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<v Speaker 1>I mean, I don't know there's I mean, I'm not

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<v Speaker 1>a hoarder. My house is not like a crazy space,

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<v Speaker 1>you know, where you have to figure out how to walk. Uh.

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<v Speaker 1>In my home, I have everything in its place. I'm

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<v Speaker 1>a virgo. I'm very organized, and I don't know. These

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<v Speaker 1>things are just important to me and I and I

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<v Speaker 1>still have all the labments. I keep them from every

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<v Speaker 1>tour and from any other you know band that I've

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<v Speaker 1>ever going to see when they give you a v

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<v Speaker 1>I P P S. I have all that stuff. Okay,

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<v Speaker 1>you talked about going to l A. Where is all

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<v Speaker 1>this stuff? Is it in your house now? Is it

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<v Speaker 1>in storage? It's in my house. Where is your house?

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<v Speaker 1>I don't need the address, but the generally I live

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<v Speaker 1>in San Francisco, but I did live in l A

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<v Speaker 1>for twenty seven years, and uh, I moved to just

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<v Speaker 1>go in to us in five um and I bought

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<v Speaker 1>a nice little Victorian up here and I'm having a

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<v Speaker 1>nice life and I go to l A to work. Um,

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<v Speaker 1>I do as much work as I can up here,

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<v Speaker 1>but l A is sort of the home base for

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<v Speaker 1>the Go Goos, and when anything's going on, that's where

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<v Speaker 1>we all meet each other. We all meet up there,

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<v Speaker 1>uh Like, for instance, we're gonna be meeting their uh

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<v Speaker 1>the beginning of December to start rehearsing for the for

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<v Speaker 1>the seven shows that we have at the end of

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<v Speaker 1>the year. So that's home base for the band. So

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<v Speaker 1>how did you decide to move to San Francisco and

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<v Speaker 1>after all those years in l A? Give me a

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<v Speaker 1>direct comparison to those two. Well, the thing is is,

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<v Speaker 1>I I felt like I had lived there long enough

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<v Speaker 1>and I was starting to become like a recluse. It

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<v Speaker 1>was weird. I just I got tired of the whole

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<v Speaker 1>scene in the town. Um, and I wanted a place

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<v Speaker 1>where I could walk, where I could step out my

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<v Speaker 1>front door. You know. It was it was either gonna

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<v Speaker 1>be San Francisco to New York and San Francisco one out.

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<v Speaker 1>Because the weather. I love the weather here in Sandarich

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<v Speaker 1>is because my favorite weather in the country. I love it.

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<v Speaker 1>It's kind of like it feels like fall all the time,

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<v Speaker 1>and that fall rolls in every night. Man, I love

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<v Speaker 1>the weather here. So um, this was an easy thing

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<v Speaker 1>to do, moving from l A up to San Francisco.

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<v Speaker 1>And it's so close, you know. I mean I can

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<v Speaker 1>hop down the Standardist go you know, it's at our

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<v Speaker 1>flight or drive down, which I prefer to do. I

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<v Speaker 1>like driving. Okay, So now that you're in San Francisco,

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<v Speaker 1>are you a recluse or forgetting COVID? Leave that era

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<v Speaker 1>out and you've been in San Francisco for a while,

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<v Speaker 1>are you the type of person who goes out? Are

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<v Speaker 1>you still end up staying home anyway? I do go out,

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<v Speaker 1>but I am kind of more of a homebody, to

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<v Speaker 1>be honest with you. Um, I love getting my place

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<v Speaker 1>the way that I want it. I'm comfortable, it's it's

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<v Speaker 1>by safe paven. I don't know if that's because I

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<v Speaker 1>spent so many years in the public, you know, And

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<v Speaker 1>I just I value my time. I'm honestly kind of private, um,

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<v Speaker 1>and I appreciate the time that I can have to myself,

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<v Speaker 1>uh in a place that feels safe. So what do

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<v Speaker 1>you do in your house? What do I do? Oh?

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<v Speaker 1>I write to write a book, like you know, made

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<v Speaker 1>in Hollywood. That's what I worked on the last year

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<v Speaker 1>and a half. Um, I'm constantly doing something on you know,

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<v Speaker 1>I'm constantly on the phone and doing a ton of emails.

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<v Speaker 1>Every day. I get up, I walk my dog. I

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<v Speaker 1>do do that around the neighborhood. I have a lovely

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<v Speaker 1>The neighborhood I live in is fantastic and it's sort

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<v Speaker 1>of a neighborhood with all sort of a lot of

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<v Speaker 1>kids and dogs. And I'm up on a hill. Uh I.

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<v Speaker 1>And if i'm if I'm not in the house, I'm

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<v Speaker 1>out walking around. When I'm in the house, I'm I

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<v Speaker 1>stay busy. I don't know. I cook. You know what

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<v Speaker 1>do you do when your your home? Your cook You

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<v Speaker 1>clean it up, You do your emails every day? You

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<v Speaker 1>know your friends stop buying, make dinner or yeah, okay.

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<v Speaker 1>Do you have a significant other? Um? Well, yeah, I'd

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<v Speaker 1>say that I have a person in my life. He

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<v Speaker 1>is uh, He's become very important in my life. And

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<v Speaker 1>his name is Wendell. And he you know, I took

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<v Speaker 1>care of my parents when they were sick, and I

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<v Speaker 1>brought him here take care of him. I'm sorry a minute.

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<v Speaker 1>Wendell took care of my father for the last three

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<v Speaker 1>years of its life. And he's a very important person

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<v Speaker 1>in my life because I watched what a real man

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<v Speaker 1>can do. You know, he was a wonderful god. He

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<v Speaker 1>is a wonderful guy. And I'm sorry, but we became

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<v Speaker 1>very close and I can't imagine not ever being in

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<v Speaker 1>my life. You know, we have a very deep connection.

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<v Speaker 1>He's definitely my soul mate. I'm sorry. Now you talk

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<v Speaker 1>about your parents. I know it's a tough subject, but

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<v Speaker 1>your father's passed you you said when your parents, well,

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<v Speaker 1>was your mother ill and she's still with us? Or

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<v Speaker 1>she going? Mom? My mom thought about three years ago

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<v Speaker 1>and they were like my rocke. You know. I I

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<v Speaker 1>had a very type connection with my parents. I mean,

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<v Speaker 1>I feel like I owe everything to them because they

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<v Speaker 1>gave me. They instilled in me, uh to be in

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<v Speaker 1>the mind that that that I could achieve anything, that

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<v Speaker 1>anything was possible if I put my mind to it.

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<v Speaker 1>I was was willing to put the work into it

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<v Speaker 1>that it required. And so I feel like a lot

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<v Speaker 1>of just everything that I am and I've become. Um,

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<v Speaker 1>I wanted to uh that that this was my way

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<v Speaker 1>of paying them back by trying to do something that

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<v Speaker 1>they would be proud of and you know, and I

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<v Speaker 1>feel like I succeeded in that and it it brought

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<v Speaker 1>me great joy to have them involved and bring them

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<v Speaker 1>into my life when I became a rock star, you know. Um,

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<v Speaker 1>it was wonderful to have them around. And you know,

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<v Speaker 1>sitting on the side of the stage at Madison Square

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<v Speaker 1>Gardener at the Hollywood Bowl, all these things were very

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<v Speaker 1>important to me. And I know that they were super proud,

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<v Speaker 1>you know, and I felt like I had to take

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<v Speaker 1>care of them. And they started getting sick, you know,

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<v Speaker 1>I had to step up, and so I moved them

0:12:04.200 --> 0:12:07.520
<v Speaker 1>from Baltimore, which is where I grew up for the

0:12:07.559 --> 0:12:11.200
<v Speaker 1>last six years of their lives, and I, uh took

0:12:11.240 --> 0:12:12.920
<v Speaker 1>care of them. Did they live with you in the

0:12:13.000 --> 0:12:15.000
<v Speaker 1>Victorian or do they have a separate places? Yeah, because

0:12:15.120 --> 0:12:18.560
<v Speaker 1>it's it's it's two it's two stories. And uh so

0:12:18.600 --> 0:12:21.960
<v Speaker 1>I had the downstairs uh fixed up for them, made

0:12:22.320 --> 0:12:24.640
<v Speaker 1>to make it safe. You know. I had the bathroom

0:12:24.640 --> 0:12:27.160
<v Speaker 1>redone and the floors, get rid of the carpets, all

0:12:27.200 --> 0:12:29.520
<v Speaker 1>that kind of stuff. Um. Yeah, so I had it.

0:12:29.679 --> 0:12:33.640
<v Speaker 1>I had it fixed up for them, and and it

0:12:33.679 --> 0:12:35.319
<v Speaker 1>was great to be with them the last year of

0:12:35.360 --> 0:12:38.600
<v Speaker 1>their life and see them every single day. Um. And

0:12:38.720 --> 0:12:40.960
<v Speaker 1>I also, you know, had caregivers and where that's where

0:12:40.960 --> 0:12:44.280
<v Speaker 1>Wendell came into the picture because he was I don't

0:12:44.320 --> 0:12:45.680
<v Speaker 1>know what I would have done with that, this man.

0:12:46.320 --> 0:12:48.880
<v Speaker 1>And how did you meet Wendell to have him involved

0:12:48.880 --> 0:12:52.640
<v Speaker 1>with your parents and another caregiver? You know. I mean, look,

0:12:52.679 --> 0:12:54.520
<v Speaker 1>I don't want to get into this big deal back caregivers,

0:12:54.600 --> 0:12:56.400
<v Speaker 1>but it is the toughest thing. If anybody has to

0:12:56.440 --> 0:12:58.920
<v Speaker 1>take care of their parents or anything, you know, or

0:12:59.000 --> 0:13:01.600
<v Speaker 1>a loved one, it is very difficult to find a

0:13:01.600 --> 0:13:04.319
<v Speaker 1>good caregiver. You go through tons of them. Anybody will

0:13:04.360 --> 0:13:08.480
<v Speaker 1>tell you that. Um. And because I you know, it's

0:13:08.520 --> 0:13:10.960
<v Speaker 1>my parents, they gotta they gotta have the best, you know.

0:13:11.800 --> 0:13:14.160
<v Speaker 1>And I was just watching all the time. If I

0:13:14.200 --> 0:13:16.480
<v Speaker 1>saw something I didn't like, to get rid of them.

0:13:16.559 --> 0:13:23.280
<v Speaker 1>That's it they're at you know. Um. And Wendell, through

0:13:23.320 --> 0:13:25.600
<v Speaker 1>another caregiver, said oh I got somebody that can help,

0:13:25.720 --> 0:13:27.640
<v Speaker 1>you know, because I did. It's a twenty four hour shift,

0:13:27.760 --> 0:13:30.400
<v Speaker 1>so so you know, somebody for twelve hours and somebody

0:13:30.400 --> 0:13:34.160
<v Speaker 1>for another twelve hours. And Wendell came in that way,

0:13:34.400 --> 0:13:37.560
<v Speaker 1>and he was like a star man. He was just

0:13:38.559 --> 0:13:41.120
<v Speaker 1>he and my dad had this connection. My mom had passed,

0:13:41.240 --> 0:13:44.160
<v Speaker 1>but he had a connection with my father. They were

0:13:44.200 --> 0:13:49.079
<v Speaker 1>best friends. And uh, it's very important to me. Now

0:13:49.240 --> 0:13:51.520
<v Speaker 1>let's go back. You tell you san Francisco, your friends

0:13:51.600 --> 0:13:55.320
<v Speaker 1>might come over, you know, when somebody goes towards the

0:13:55.360 --> 0:13:58.400
<v Speaker 1>other end of the spectrum and age very hard to

0:13:58.480 --> 0:14:01.040
<v Speaker 1>make new friends. So who were these friends who you're

0:14:01.080 --> 0:14:04.080
<v Speaker 1>seeing in San Francisco? Did you know him previously or

0:14:04.120 --> 0:14:06.560
<v Speaker 1>you met him since you've been living there. I've had

0:14:06.600 --> 0:14:08.760
<v Speaker 1>a couple of friends up here, not not many, but

0:14:08.800 --> 0:14:11.840
<v Speaker 1>that I have made some friends. I you know, like

0:14:11.880 --> 0:14:13.600
<v Speaker 1>I said, I'm a little private, so I'm not like

0:14:13.760 --> 0:14:16.440
<v Speaker 1>out there trying to meet friends, trying to meet people

0:14:16.720 --> 0:14:19.520
<v Speaker 1>all the time. Um you know, you meet someone else

0:14:19.520 --> 0:14:22.240
<v Speaker 1>through a friend and and I have a small group

0:14:22.240 --> 0:14:24.600
<v Speaker 1>of friends up here that are that are really great

0:14:25.480 --> 0:14:28.720
<v Speaker 1>because honestly, Bob, all the majority of my friends are

0:14:28.760 --> 0:14:31.640
<v Speaker 1>all in l A. I lived there twenty seven years, Okay,

0:14:32.240 --> 0:14:36.960
<v Speaker 1>so you know that's sort of home base really besides

0:14:36.960 --> 0:14:42.160
<v Speaker 1>where I grew up my Baltimore. But um, yeah, I've

0:14:42.200 --> 0:14:45.920
<v Speaker 1>taken my time meeting people up here, and I feel

0:14:45.920 --> 0:14:50.920
<v Speaker 1>like it's some very quality friends here, not quantity quality, Bob.

0:14:51.000 --> 0:14:54.960
<v Speaker 1>You know. Yeah, let's go back to Wendell. Your closest

0:14:55.000 --> 0:14:58.560
<v Speaker 1>one thing, which was surprising in the book is you

0:14:58.720 --> 0:15:03.640
<v Speaker 1>go into your c shoes and relationships, which a lot

0:15:03.680 --> 0:15:08.200
<v Speaker 1>of people tend not to. So what was it like

0:15:08.360 --> 0:15:14.040
<v Speaker 1>being a rock star, having crushes, having fans? What was

0:15:14.080 --> 0:15:16.640
<v Speaker 1>it like being a woman? We don't hear that too much.

0:15:17.320 --> 0:15:20.400
<v Speaker 1>We hear the guys perspective. Yeah, well, it was just

0:15:20.480 --> 0:15:24.360
<v Speaker 1>like being a human being that has dropped into being

0:15:24.360 --> 0:15:26.720
<v Speaker 1>a rock star and you're and you're young, you're in

0:15:26.760 --> 0:15:30.440
<v Speaker 1>your early twenties, and you're having the time of your life,

0:15:30.960 --> 0:15:33.360
<v Speaker 1>and you're making good money and you're playing in front

0:15:33.360 --> 0:15:36.840
<v Speaker 1>of thousands of people every night. I mean, it's a

0:15:36.920 --> 0:15:40.440
<v Speaker 1>dream come true. So you know, you have to figure

0:15:40.480 --> 0:15:43.880
<v Speaker 1>out what you want to partake in. And you know,

0:15:44.120 --> 0:15:45.960
<v Speaker 1>thank god, I'm still here to tell the tale. But

0:15:46.000 --> 0:15:47.880
<v Speaker 1>of course I did a lot of stupid things that

0:15:47.920 --> 0:15:52.200
<v Speaker 1>I would never do in retrospect. But that's just par

0:15:52.360 --> 0:15:56.120
<v Speaker 1>for the course, I think. You know, Uh, it's it's

0:15:56.200 --> 0:15:58.640
<v Speaker 1>you're like on a wild ride and you're loving it,

0:15:58.840 --> 0:16:01.560
<v Speaker 1>and why not it does? It doesn't happen to everyone,

0:16:01.720 --> 0:16:05.280
<v Speaker 1>you know, it's okay. But you know, let's be a

0:16:05.320 --> 0:16:08.240
<v Speaker 1>little specific. You You you talk about famous musicians, you

0:16:08.320 --> 0:16:11.240
<v Speaker 1>have crushes on, the people you have relationships on, you know,

0:16:11.360 --> 0:16:16.080
<v Speaker 1>the men they famously interact with women in different cities

0:16:16.120 --> 0:16:18.920
<v Speaker 1>before the cell phone camera, and you're certainly a star

0:16:19.040 --> 0:16:22.320
<v Speaker 1>before that where they have relationship with fans that might

0:16:22.360 --> 0:16:25.360
<v Speaker 1>be sexual only. What's it like from a woman's perspective,

0:16:25.520 --> 0:16:29.720
<v Speaker 1>It's the same. It's exactly the same, exactly the same.

0:16:29.960 --> 0:16:32.240
<v Speaker 1>You might have casual sex with a fan in St.

0:16:32.280 --> 0:16:35.640
<v Speaker 1>Louis and that and then next night you're in Kansas City.

0:16:36.040 --> 0:16:38.400
<v Speaker 1>I have done that. I would admit to have have

0:16:38.560 --> 0:16:41.960
<v Speaker 1>done that. Not my proudest moment. Okay, let's go back

0:16:42.000 --> 0:16:44.640
<v Speaker 1>and taking here your parents. You know, the dollars can

0:16:44.680 --> 0:16:48.040
<v Speaker 1>add up. How are you doing financially? If you never

0:16:48.120 --> 0:16:51.000
<v Speaker 1>earned another dollar, could you make it to the end?

0:16:53.440 --> 0:16:57.840
<v Speaker 1>I think I could. Yeah. So the money or assets

0:16:57.880 --> 0:17:01.000
<v Speaker 1>you have, are you the person me manages that or

0:17:01.000 --> 0:17:05.000
<v Speaker 1>do you have somebody for How involved are you in that? Well?

0:17:05.240 --> 0:17:08.359
<v Speaker 1>To tell you the truth, I'm now starting to get

0:17:08.359 --> 0:17:11.199
<v Speaker 1>involved in everything. As I said I was, you know,

0:17:11.240 --> 0:17:14.600
<v Speaker 1>taking care of my parents would just consumed me. And

0:17:14.720 --> 0:17:19.000
<v Speaker 1>I'm starting to feel like now it's my time to

0:17:19.040 --> 0:17:22.440
<v Speaker 1>get myself back and you know, do what I'm doing

0:17:22.560 --> 0:17:28.680
<v Speaker 1>right now, um as they would want it. Um you know,

0:17:28.880 --> 0:17:30.840
<v Speaker 1>I don't know. I feel like this is just my

0:17:30.960 --> 0:17:34.520
<v Speaker 1>time to sort of regain things that I might have

0:17:35.640 --> 0:17:42.159
<v Speaker 1>moments of time where that I couldn't be uh, that

0:17:42.240 --> 0:17:44.520
<v Speaker 1>I couldn't fully be in. And as far as the

0:17:44.560 --> 0:17:47.240
<v Speaker 1>money thing goes, I have people that I've been with

0:17:47.320 --> 0:17:50.080
<v Speaker 1>for years and years and they've handled my money and

0:17:50.320 --> 0:17:53.160
<v Speaker 1>my parents and my brother. You know, I feel pretty

0:17:53.160 --> 0:17:56.840
<v Speaker 1>comfortable with that set up. Yeah, I mean money, you know, Bob,

0:17:56.880 --> 0:17:58.560
<v Speaker 1>I don't even like talking about it because money is

0:17:58.600 --> 0:18:01.040
<v Speaker 1>not important to me. I mean it is, but it's

0:18:01.080 --> 0:18:04.639
<v Speaker 1>like I've never done anything for money. I've done it

0:18:04.640 --> 0:18:06.560
<v Speaker 1>because I love to do it. I wrote this book

0:18:06.600 --> 0:18:09.879
<v Speaker 1>because I love doing this, because I love taking these photographs.

0:18:09.880 --> 0:18:14.280
<v Speaker 1>It wasn't I don't, it's not what motivates me. I agree,

0:18:14.320 --> 0:18:17.440
<v Speaker 1>But you know, we're reaching an age. You know, if

0:18:17.440 --> 0:18:20.960
<v Speaker 1>you're a performer, if you're physically able, you can work forever.

0:18:21.640 --> 0:18:24.560
<v Speaker 1>But there I've unfortunately known some of my parents friends

0:18:25.200 --> 0:18:27.800
<v Speaker 1>in their eighties and nineties, they were out of money,

0:18:28.400 --> 0:18:30.280
<v Speaker 1>you know, and you can't get a job when you're

0:18:30.280 --> 0:18:32.840
<v Speaker 1>in your eighties or nineties. So I know a lot

0:18:32.920 --> 0:18:34.879
<v Speaker 1>of people who I know a lot of people who

0:18:34.920 --> 0:18:37.960
<v Speaker 1>are unprepared. That's why I asked that question, not that

0:18:38.040 --> 0:18:40.480
<v Speaker 1>you will Christ you know, Bob, I don't know how

0:18:40.480 --> 0:18:42.040
<v Speaker 1>long I would have lived, but I think right now

0:18:42.119 --> 0:18:46.920
<v Speaker 1>I'm okay. Um I. You know, it is a great

0:18:46.960 --> 0:18:49.480
<v Speaker 1>thing that that that the Gogs are still able to

0:18:49.520 --> 0:18:53.600
<v Speaker 1>play as much as we all want to. I myself

0:18:53.640 --> 0:18:56.160
<v Speaker 1>like to play a lot. The rest of the girls

0:18:56.160 --> 0:18:58.240
<v Speaker 1>don't feel that way, or some of the girls don't,

0:18:58.480 --> 0:19:03.280
<v Speaker 1>but um, I mean this being in the go Gos

0:19:03.320 --> 0:19:05.800
<v Speaker 1>has allowed me a lifestyle that I only dreamed of.

0:19:05.960 --> 0:19:10.360
<v Speaker 1>And you know it's I feel like I look at

0:19:10.240 --> 0:19:11.960
<v Speaker 1>all this stuff, when I look at this book, I

0:19:11.960 --> 0:19:15.040
<v Speaker 1>feel like I've been on this incredible journey that has

0:19:16.680 --> 0:19:19.359
<v Speaker 1>where I've met people that like I grew up. I

0:19:19.480 --> 0:19:22.840
<v Speaker 1>grew up loving David Bowie, idolizing him or idolizing the

0:19:22.880 --> 0:19:25.800
<v Speaker 1>Stones and and Charlie Watts. I get to meet these people,

0:19:26.320 --> 0:19:29.680
<v Speaker 1>you know, hang out with them. Uh. It's a big

0:19:29.720 --> 0:19:32.440
<v Speaker 1>deal for me because I've always always been about music.

0:19:32.480 --> 0:19:35.400
<v Speaker 1>I love everything music, you know, every time I got

0:19:35.400 --> 0:19:38.080
<v Speaker 1>When I was a kid, I spent on buying instruments,

0:19:38.119 --> 0:19:43.439
<v Speaker 1>or buying tickets to concerts, or buying UM albums, you know,

0:19:43.560 --> 0:19:45.800
<v Speaker 1>and I loved I'd always spend extra money to get

0:19:45.840 --> 0:19:49.879
<v Speaker 1>the British imports because I really loved British music. Um.

0:19:49.920 --> 0:19:52.840
<v Speaker 1>You know, this has been like this magical journey and

0:19:52.880 --> 0:19:55.200
<v Speaker 1>I look at this and I can't believe that it's me,

0:19:55.359 --> 0:19:59.040
<v Speaker 1>Like because I'm the biggest fan I really am. Okay,

0:19:59.359 --> 0:20:02.879
<v Speaker 1>let's just go for one second. You talked about playing

0:20:03.240 --> 0:20:05.639
<v Speaker 1>in a perfect world, how often would you want to

0:20:05.680 --> 0:20:09.399
<v Speaker 1>play me? I could be on tour. I could be

0:20:09.440 --> 0:20:12.840
<v Speaker 1>on toward ten months of the year easily. And if

0:20:12.920 --> 0:20:14.840
<v Speaker 1>you're not on the road, do you play the drums?

0:20:15.720 --> 0:20:19.840
<v Speaker 1>Now that's that's not how long does it take you

0:20:19.880 --> 0:20:22.240
<v Speaker 1>get back in the groove? So what I'm gonna do

0:20:22.400 --> 0:20:25.480
<v Speaker 1>what I always do. However long we have set up

0:20:25.520 --> 0:20:28.639
<v Speaker 1>to the band rehearse to go on tour, I usually

0:20:28.680 --> 0:20:31.160
<v Speaker 1>go two weeks before that and just play on my own.

0:20:31.720 --> 0:20:38.879
<v Speaker 1>I you know, I have our shows are taped, so

0:20:38.920 --> 0:20:41.119
<v Speaker 1>I'll just I'll put that, put my headphones on to

0:20:41.119 --> 0:20:44.600
<v Speaker 1>play along with the show. UM, so that I get

0:20:44.680 --> 0:20:46.840
<v Speaker 1>like at least a good hour and fifteen minutes of

0:20:46.880 --> 0:20:50.080
<v Speaker 1>straight playing UM. And that's what I'll start doing before

0:20:50.119 --> 0:20:54.120
<v Speaker 1>we do this this December show shows UM. And then

0:20:54.160 --> 0:20:57.600
<v Speaker 1>of course before before we do UM the Rock and

0:20:57.680 --> 0:21:00.280
<v Speaker 1>Roll Hall of Fame, I'll just probably take a couple

0:21:00.280 --> 0:21:01.639
<v Speaker 1>of days where I'll just sit down and go over

0:21:01.680 --> 0:21:03.840
<v Speaker 1>the three songs, just to get loose and limber and

0:21:03.880 --> 0:21:07.080
<v Speaker 1>remember how it feels, get that muscle memory going, you know.

0:21:14.840 --> 0:21:16.720
<v Speaker 1>Talk about going back to the other point about meeting

0:21:16.720 --> 0:21:20.879
<v Speaker 1>your heroes. Have occasionally gone somewhere with my girlfriends. Just

0:21:20.920 --> 0:21:23.359
<v Speaker 1>why are you talking to that guy said he was

0:21:23.440 --> 0:21:25.639
<v Speaker 1>the drummer. He was a bass player in this band.

0:21:25.720 --> 0:21:28.760
<v Speaker 1>You don't understand. And when I get it in my inbox,

0:21:28.840 --> 0:21:34.199
<v Speaker 1>same way. But one thing I've known is some of

0:21:34.240 --> 0:21:36.760
<v Speaker 1>these people are good when you meet them. Some of

0:21:36.760 --> 0:21:40.320
<v Speaker 1>them are not so good. Okay, some of the household names,

0:21:40.440 --> 0:21:44.879
<v Speaker 1>very sensitive people. You hang with them, they are not fun.

0:21:45.640 --> 0:21:48.800
<v Speaker 1>So what hey, I don't know many musicians like that, Bob.

0:21:48.960 --> 0:21:51.720
<v Speaker 1>You might be talking about actors or something. I don't know.

0:21:51.800 --> 0:21:54.439
<v Speaker 1>But the musicians that I everybody have met, they've always

0:21:54.440 --> 0:22:00.840
<v Speaker 1>been wonderful. Let's not talk musicians, Let's talk Starrs. You

0:22:00.920 --> 0:22:04.080
<v Speaker 1>mentioned David Bowie, not the person in the band that

0:22:04.200 --> 0:22:07.119
<v Speaker 1>they may be just as responsible, but the front person

0:22:07.240 --> 0:22:11.600
<v Speaker 1>or the singer songwriter. Okay, Yes, there's a musician mentality.

0:22:11.680 --> 0:22:14.679
<v Speaker 1>All musicians get along. It's different from the everything. But

0:22:14.720 --> 0:22:18.280
<v Speaker 1>I'm talking about the household names. I mean I I

0:22:18.400 --> 0:22:22.040
<v Speaker 1>have been backstage with Cat Stevens couldn't be nicer. I've

0:22:22.080 --> 0:22:24.719
<v Speaker 1>been backstage with a couple of times with people who

0:22:24.760 --> 0:22:29.800
<v Speaker 1>are the most famous in the world, and they're jerks. Okay, No,

0:22:30.359 --> 0:22:33.840
<v Speaker 1>I don't. I don't want to mention me. Know you're

0:22:33.880 --> 0:22:39.639
<v Speaker 1>asking me, Hey, let me ask you, Okay, Okay, I

0:22:39.640 --> 0:22:43.160
<v Speaker 1>I think that I don't know if I'll spill the negative,

0:22:43.240 --> 0:22:48.359
<v Speaker 1>but I'll go with the I'll work my way up

0:22:48.400 --> 0:22:50.280
<v Speaker 1>to it, you know, just like I'll get you to.

0:22:51.000 --> 0:22:54.360
<v Speaker 1>In terms of someone who lives up to the legend,

0:22:55.080 --> 0:22:59.679
<v Speaker 1>my most positive experiences have been with Steven Tyler. He

0:23:00.119 --> 0:23:03.840
<v Speaker 1>is that guy. He's fantastic, that made his full life

0:23:04.000 --> 0:23:08.160
<v Speaker 1>and he doesn't mind throwing around compliments you know exactly,

0:23:08.320 --> 0:23:10.399
<v Speaker 1>and then you know, but you know, he'll leave a

0:23:10.440 --> 0:23:13.240
<v Speaker 1>message on the phone that is just wild, and then

0:23:13.280 --> 0:23:15.200
<v Speaker 1>you pick him up and he'll go straight into you know,

0:23:15.760 --> 0:23:18.919
<v Speaker 1>it's like that who he is. He's always nice, he

0:23:19.119 --> 0:23:23.440
<v Speaker 1>lives up to the legend. And we've crossed pans a

0:23:23.480 --> 0:23:26.520
<v Speaker 1>couple of times. And I think Jane met him at once.

0:23:26.560 --> 0:23:28.080
<v Speaker 1>I don't know where it was she met him, and

0:23:28.119 --> 0:23:31.680
<v Speaker 1>he said that he called us like rock goddesses or

0:23:31.840 --> 0:23:34.440
<v Speaker 1>rock icons or something, and Jane Coke came back and said,

0:23:34.560 --> 0:23:37.320
<v Speaker 1>you're not gonna believe with Stephen. Stephen Tyler said about us,

0:23:37.320 --> 0:23:40.840
<v Speaker 1>We're like U Steven Tyler. Yeah, Oh my god, are

0:23:40.840 --> 0:23:45.040
<v Speaker 1>you kidding? I love Aerosmith so much. I love that band.

0:23:45.880 --> 0:23:51.440
<v Speaker 1>Name the two best experiences of meeting famous musicians? Well,

0:23:51.560 --> 0:23:55.880
<v Speaker 1>David Bowie. So you met Bowie? What were the circumstances?

0:23:56.119 --> 0:23:58.439
<v Speaker 1>Did you have a conversation? All right? So I've met

0:23:58.480 --> 0:24:00.040
<v Speaker 1>him a couple of times, but the first time I

0:24:00.119 --> 0:24:04.480
<v Speaker 1>met him it was actually the most the best of

0:24:04.520 --> 0:24:06.360
<v Speaker 1>all the times was the first time because I got

0:24:06.400 --> 0:24:08.679
<v Speaker 1>to really hang out with him and spend time talking

0:24:08.720 --> 0:24:11.160
<v Speaker 1>with him, even though I was scared, shipless, I could

0:24:11.200 --> 0:24:14.440
<v Speaker 1>barely speak, but it was We had done a show

0:24:14.680 --> 0:24:18.960
<v Speaker 1>at where the hell in Sam in New York City.

0:24:19.119 --> 0:24:20.960
<v Speaker 1>I don't even know if we had a record deal yet,

0:24:21.240 --> 0:24:24.960
<v Speaker 1>but we did a show at when Dell what's the

0:24:25.000 --> 0:24:27.280
<v Speaker 1>name of that venue? He looked it up the other day.

0:24:27.280 --> 0:24:29.040
<v Speaker 1>I couldn't think of it in New York City, God,

0:24:29.119 --> 0:24:33.720
<v Speaker 1>damn it not whatever. I'll come back to that. But

0:24:35.160 --> 0:24:38.440
<v Speaker 1>at our show was John Lennon. Where was the Where

0:24:38.520 --> 0:24:40.120
<v Speaker 1>was the venue that we played at? When I said

0:24:40.160 --> 0:24:43.320
<v Speaker 1>John Lennon was at? Was there? And oh the Ritz

0:24:44.000 --> 0:24:47.240
<v Speaker 1>you remember the Rits Okay, so we were playing there.

0:24:47.440 --> 0:24:53.280
<v Speaker 1>So it was John Lennon, Yoko Ono um um um,

0:24:53.359 --> 0:24:56.040
<v Speaker 1>David Bowie, all the dudes from Manus, all the guys

0:24:56.040 --> 0:24:57.719
<v Speaker 1>from Manus because we had just finished playing with them

0:24:57.720 --> 0:25:05.000
<v Speaker 1>in England, and the who else, Pete Townsend. They were

0:25:05.040 --> 0:25:08.920
<v Speaker 1>at our show and after the show they came back.

0:25:08.920 --> 0:25:11.679
<v Speaker 1>In the night, they came back and we've met them

0:25:11.680 --> 0:25:14.560
<v Speaker 1>in the VI I P Room at the reds Now.

0:25:14.640 --> 0:25:18.040
<v Speaker 1>Unfortunately John and Yoko had left it during the encore

0:25:19.200 --> 0:25:21.600
<v Speaker 1>and it was but only a couple of months later

0:25:21.640 --> 0:25:26.200
<v Speaker 1>when he was murdered. Um, so you know that was horrible,

0:25:26.280 --> 0:25:28.960
<v Speaker 1>that whole thing. But I didn't get to meet him,

0:25:29.000 --> 0:25:31.919
<v Speaker 1>but did get to hang out with David and his

0:25:32.200 --> 0:25:34.240
<v Speaker 1>assistant Coco, who was seen to be with him. At

0:25:34.280 --> 0:25:37.440
<v Speaker 1>all times. Um, and there was a lot going on.

0:25:37.720 --> 0:25:43.200
<v Speaker 1>We were all for taking in various uh substances. Uh.

0:25:43.240 --> 0:25:45.240
<v Speaker 1>It was fun, it was great. It was perfect for

0:25:45.320 --> 0:25:49.639
<v Speaker 1>the time. He was such a gentleman, very conversational, and

0:25:49.680 --> 0:25:52.720
<v Speaker 1>he was super cool. He was He was everything I

0:25:52.720 --> 0:25:56.040
<v Speaker 1>had hoped he would be. This is really super cool guy,

0:25:57.000 --> 0:26:00.840
<v Speaker 1>very approachable. He wasn't a dick. It was a nice guy.

0:26:01.000 --> 0:26:04.680
<v Speaker 1>And Pete, God Blessing. Pete was was kind of out

0:26:04.720 --> 0:26:07.960
<v Speaker 1>of it. He was draped on two He had a

0:26:08.000 --> 0:26:11.679
<v Speaker 1>woman on under under each arm sort of holding him up,

0:26:11.720 --> 0:26:13.680
<v Speaker 1>walking him around. I think he hadn't had a little

0:26:13.720 --> 0:26:16.760
<v Speaker 1>too much that evening. And the guys from man is

0:26:16.880 --> 0:26:20.199
<v Speaker 1>raw about saying hi to everybody because we just finished

0:26:20.200 --> 0:26:24.800
<v Speaker 1>toward with them, and uh my, the bass player, Mark

0:26:24.840 --> 0:26:28.199
<v Speaker 1>Bedford was my boyfriend at the time, so it was

0:26:28.240 --> 0:26:33.399
<v Speaker 1>all great playing the drums and all of a sudden

0:26:33.440 --> 0:26:36.119
<v Speaker 1>seeing John lynnon I mean my body spikes. Would you

0:26:36.160 --> 0:26:40.560
<v Speaker 1>tell the story? Hey? Hey, I mean I couldn't see

0:26:40.640 --> 0:26:43.560
<v Speaker 1>him or anything when I was playing, But to know

0:26:43.960 --> 0:26:47.159
<v Speaker 1>that he actually came to a go go show and

0:26:47.240 --> 0:26:50.960
<v Speaker 1>saw us play, you know, that's a big one in

0:26:50.960 --> 0:26:54.440
<v Speaker 1>my book. That's a big one. Okay, so meeting David

0:26:54.480 --> 0:26:59.440
<v Speaker 1>Bowie was great. One other rock star great experience, oh well,

0:26:59.480 --> 0:27:03.040
<v Speaker 1>meeting the Rolling Stones meaning Stones when we opened for them,

0:27:03.119 --> 0:27:05.479
<v Speaker 1>and getting to spend a little time with Charlie Watts

0:27:05.600 --> 0:27:08.840
<v Speaker 1>and Bill Wyman. Although Charlie was my hero growing up,

0:27:09.200 --> 0:27:10.960
<v Speaker 1>you know what I mean. If it wasn't for Charlie

0:27:10.960 --> 0:27:13.040
<v Speaker 1>wattson John Bottom, I don't know if I would continue

0:27:13.040 --> 0:27:17.880
<v Speaker 1>playing drums um They were I mean, I idolized them.

0:27:18.000 --> 0:27:20.000
<v Speaker 1>And when I met him, it was another one of

0:27:20.000 --> 0:27:22.800
<v Speaker 1>those moments where I, you know, could hardly speak, but

0:27:22.920 --> 0:27:25.359
<v Speaker 1>I did because I had to, had to say something.

0:27:25.800 --> 0:27:28.399
<v Speaker 1>And once again I don't know if it's just being

0:27:28.440 --> 0:27:29.880
<v Speaker 1>English or what the deal is, but he was such

0:27:29.880 --> 0:27:35.800
<v Speaker 1>a gentleman, very very quiet and soft spoken, perfect gentleman.

0:27:36.000 --> 0:27:39.760
<v Speaker 1>Do you remember what you spoke about? Hell now, No

0:27:39.880 --> 0:27:43.760
<v Speaker 1>I don't, No, I don't, but it doesn't matter. Uh.

0:27:43.800 --> 0:27:46.320
<v Speaker 1>I was in his presence and I actually got to

0:27:46.359 --> 0:27:49.280
<v Speaker 1>sit on his drum kit and full around with his

0:27:49.359 --> 0:27:51.919
<v Speaker 1>drums at sound check, which was a big thrill for me.

0:27:52.400 --> 0:27:55.440
<v Speaker 1>And I've said this story many times, but that's when

0:27:55.520 --> 0:27:58.680
<v Speaker 1>his drum text said to me Gina that that that

0:27:58.960 --> 0:28:02.280
<v Speaker 1>rug that his drums any one. The drums are pittings

0:28:02.359 --> 0:28:05.080
<v Speaker 1>compared to what that rug cost. And in fact, that

0:28:05.160 --> 0:28:09.840
<v Speaker 1>was so that was so very Charlie Watts, wasn't it. Yeah, yeah,

0:28:09.880 --> 0:28:12.720
<v Speaker 1>of course it was. Okay, let's go back to Baltimore.

0:28:13.280 --> 0:28:18.440
<v Speaker 1>How many generations was your family in Baltimore? Oh, Christ,

0:28:20.280 --> 0:28:23.480
<v Speaker 1>I don't know really. I uh well, let's see my

0:28:23.520 --> 0:28:29.400
<v Speaker 1>mom's sided the family. My grandfather Mitchell Muskawsky, Mitch Mskowski,

0:28:30.119 --> 0:28:33.720
<v Speaker 1>he was. He came over when he was a boy

0:28:33.920 --> 0:28:37.040
<v Speaker 1>on a boat, cabin boy or where the leased to

0:28:37.080 --> 0:28:40.400
<v Speaker 1>call him, and he he came over to the support.

0:28:40.520 --> 0:28:44.680
<v Speaker 1>Baltimore is where he got off, and you know, grew, grew,

0:28:45.120 --> 0:28:50.840
<v Speaker 1>became a man and met my grandmother, Jane Hill. Her

0:28:50.920 --> 0:28:54.760
<v Speaker 1>family was from Ireland, um, and that's who I'm named after,

0:28:54.760 --> 0:28:58.480
<v Speaker 1>Regina Hill Um. And my father's side of the family,

0:28:59.800 --> 0:29:04.440
<v Speaker 1>uh uh, the Shocks were all German. And I actually

0:29:05.720 --> 0:29:09.440
<v Speaker 1>found out that my father's aunts and uncles were in

0:29:09.720 --> 0:29:14.840
<v Speaker 1>the vaudeville circuit um and so there was a little

0:29:14.880 --> 0:29:19.160
<v Speaker 1>bit of that show biz h in my blood. Maybe, Okay.

0:29:19.440 --> 0:29:22.520
<v Speaker 1>I always thought when you broke the shock was a

0:29:22.600 --> 0:29:26.080
<v Speaker 1>made up name. So that is the family German it's

0:29:26.160 --> 0:29:28.760
<v Speaker 1>german Man and it was it was shocked when it

0:29:28.800 --> 0:29:31.440
<v Speaker 1>was in Germany. It wasn't changed in America. You don't know,

0:29:32.800 --> 0:29:35.160
<v Speaker 1>do you know what? I'm not positive, but it's something

0:29:35.160 --> 0:29:36.720
<v Speaker 1>I want to look up. I think that our name

0:29:36.760 --> 0:29:42.000
<v Speaker 1>was shook sc h O O K and it got

0:29:42.080 --> 0:29:45.640
<v Speaker 1>changed the STO c K. I think it was shook.

0:29:47.280 --> 0:29:48.640
<v Speaker 1>But you know what, now that you remind me of that,

0:29:48.640 --> 0:29:49.800
<v Speaker 1>I want to look up. And I don't know why

0:29:49.800 --> 0:29:52.320
<v Speaker 1>I think that, but there must have been something that

0:29:52.520 --> 0:29:57.840
<v Speaker 1>I found, uh that leads me in that direction. Okay,

0:29:58.000 --> 0:30:04.480
<v Speaker 1>how did your parents meet? Oh? Well they were. My

0:30:04.640 --> 0:30:07.760
<v Speaker 1>mom went to Catholic school twelve years, as did I.

0:30:07.760 --> 0:30:12.840
<v Speaker 1>I did my brother. Um. My mom and dad met

0:30:12.960 --> 0:30:15.840
<v Speaker 1>when she was in high school and they were high

0:30:15.880 --> 0:30:22.840
<v Speaker 1>school sweethearts. When she graduated high school, Uh, she was

0:30:23.040 --> 0:30:26.440
<v Speaker 1>eighteen and married my father, who was twenty one. And

0:30:26.520 --> 0:30:30.000
<v Speaker 1>my father was the first sweetheart she ever had. She

0:30:30.040 --> 0:30:33.120
<v Speaker 1>had never had a boyfriend. She met my father and

0:30:33.160 --> 0:30:35.720
<v Speaker 1>that was that and they lived the next seventy two

0:30:35.760 --> 0:30:40.520
<v Speaker 1>years together in marital bliss. They were the most beautiful

0:30:40.560 --> 0:30:42.440
<v Speaker 1>couple you'd ever want to me because they were so

0:30:42.520 --> 0:30:46.000
<v Speaker 1>in love. I mean, that doesn't happen often. But I'm

0:30:46.000 --> 0:30:48.440
<v Speaker 1>going to tell you what minds. Like the storybook thing, Like,

0:30:48.560 --> 0:30:51.400
<v Speaker 1>my parents were crazy about each other, and they were

0:30:51.440 --> 0:30:53.480
<v Speaker 1>both really good looking, and they loved to dance, and

0:30:53.480 --> 0:30:55.440
<v Speaker 1>they loved to get dressed up and like to go

0:30:55.520 --> 0:30:57.680
<v Speaker 1>to New York and shake it up. You know, they

0:30:57.680 --> 0:31:04.400
<v Speaker 1>were really happening. So what did they do for a living? Um,

0:31:04.440 --> 0:31:06.800
<v Speaker 1>my father worked on the waterfront. It was a steved

0:31:06.960 --> 0:31:10.160
<v Speaker 1>or or alongshore or whatever, you know on the waterfront.

0:31:10.200 --> 0:31:12.640
<v Speaker 1>When you don't watch that film, that's my father, Marlon Brando,

0:31:12.720 --> 0:31:15.880
<v Speaker 1>that's my father. Because my dad was offered a lot

0:31:15.920 --> 0:31:17.640
<v Speaker 1>of money to go to New York and work take

0:31:17.680 --> 0:31:19.320
<v Speaker 1>care of you know, work on the docks up there,

0:31:19.720 --> 0:31:21.880
<v Speaker 1>and he wouldn't do it because we all know it's

0:31:22.200 --> 0:31:25.440
<v Speaker 1>run by the mafia. All that was and uh so

0:31:25.480 --> 0:31:29.320
<v Speaker 1>it's not run by the mafia in Baltimore. Uh, not

0:31:29.480 --> 0:31:32.360
<v Speaker 1>so much. It wasn't at the time, not so much.

0:31:32.520 --> 0:31:35.400
<v Speaker 1>New York was boom. That was it. You were in

0:31:35.560 --> 0:31:37.640
<v Speaker 1>when you went to New York and you can't get

0:31:37.640 --> 0:31:39.880
<v Speaker 1>out once you get in. We all know that. So,

0:31:40.080 --> 0:31:44.880
<v Speaker 1>um no, Dad said no to this huge opportunity, this

0:31:44.960 --> 0:31:47.800
<v Speaker 1>opportunity to make a hell of a lot more money.

0:31:48.000 --> 0:31:49.760
<v Speaker 1>And I remember that it was a big deal about

0:31:49.760 --> 0:31:51.640
<v Speaker 1>moving to New York and he finally said no, he

0:31:51.680 --> 0:31:53.720
<v Speaker 1>wasn't going to do it. Stayed in Baltimore. He was

0:31:53.800 --> 0:31:56.360
<v Speaker 1>the you know, he became the head of the pier

0:31:56.440 --> 0:32:00.959
<v Speaker 1>one um um and treated everybody the way they're supposed

0:32:00.960 --> 0:32:03.760
<v Speaker 1>to be treated. Because there were some folks that worked

0:32:04.160 --> 0:32:10.080
<v Speaker 1>doc workers that signed an X on their paycheck. Okay, um,

0:32:10.120 --> 0:32:17.800
<v Speaker 1>and my father treated everyone the same. Um. And my mom,

0:32:17.880 --> 0:32:25.000
<v Speaker 1>she was a model and then a beautician and then

0:32:25.160 --> 0:32:29.120
<v Speaker 1>a homemaker, and then she decided she wanted to uh

0:32:29.800 --> 0:32:31.680
<v Speaker 1>hang out with my dad a little bit more. So.

0:32:32.000 --> 0:32:35.760
<v Speaker 1>My father least some property right next to the pure

0:32:35.800 --> 0:32:39.880
<v Speaker 1>One where he worked on Clinton Street in Baltimore, which

0:32:39.920 --> 0:32:41.640
<v Speaker 1>I got a story about. I don't tell you about

0:32:41.640 --> 0:32:43.560
<v Speaker 1>the wire about the building that he built. He was

0:32:43.560 --> 0:32:46.720
<v Speaker 1>a builder. He could build anything anyway. Um. He least

0:32:46.800 --> 0:32:51.800
<v Speaker 1>this property and he built a little carryaut shop so

0:32:51.880 --> 0:32:54.880
<v Speaker 1>that my mother could work there. And he was right

0:32:54.920 --> 0:32:59.120
<v Speaker 1>next door. And you know, I worked there during the

0:32:59.160 --> 0:33:02.560
<v Speaker 1>summer and the hour from from six am to three pm.

0:33:02.600 --> 0:33:05.000
<v Speaker 1>And that's what I would do every summer. And my

0:33:05.040 --> 0:33:06.760
<v Speaker 1>mom did that for many years. And then she step

0:33:06.800 --> 0:33:09.200
<v Speaker 1>four with that, and so we sold that business, and

0:33:09.200 --> 0:33:12.320
<v Speaker 1>then Mom became just a homemaker. You know, she was

0:33:12.600 --> 0:33:16.240
<v Speaker 1>very good. Her cooking was really good. And Okay, So

0:33:16.760 --> 0:33:20.320
<v Speaker 1>what kind of neighborhood you grow up in? Very blue collar,

0:33:20.400 --> 0:33:25.320
<v Speaker 1>middle class neighborhood, Dundocum. Everyone knew each other. Uh, we

0:33:25.400 --> 0:33:28.200
<v Speaker 1>left our doors open at night. Uh. We'd sometimes sleep

0:33:28.240 --> 0:33:31.120
<v Speaker 1>on the front porch when it was too hot before

0:33:31.160 --> 0:33:35.720
<v Speaker 1>we could afford air conditioning. Um. And it was I

0:33:35.920 --> 0:33:38.760
<v Speaker 1>really had an idyllic childhood. I really, I really have

0:33:38.880 --> 0:33:42.080
<v Speaker 1>to say that. It was all kind of beautiful. And

0:33:42.240 --> 0:33:46.120
<v Speaker 1>what kind of kid were you? Shy? The group was

0:33:46.320 --> 0:33:49.080
<v Speaker 1>a rotten kid. My mother said she loved rotten kids.

0:33:49.120 --> 0:33:53.240
<v Speaker 1>I was bad, not really bad, but I was rambunctious,

0:33:53.280 --> 0:33:56.920
<v Speaker 1>you could say whatever. I I was always okay. I

0:33:56.960 --> 0:33:59.040
<v Speaker 1>grew up from a tomboy, grew up with I didn't

0:33:59.040 --> 0:34:01.280
<v Speaker 1>have any girls in the neighbor hood. It was all guys.

0:34:01.560 --> 0:34:03.880
<v Speaker 1>So I grew up riding bicycles with them, you know

0:34:03.920 --> 0:34:07.160
<v Speaker 1>what I mean, and running around and busting windows out,

0:34:07.240 --> 0:34:12.200
<v Speaker 1>and you know, I had a little dirt bike all

0:34:12.200 --> 0:34:14.279
<v Speaker 1>that kind of stuff. You know, I didn't think there

0:34:14.320 --> 0:34:17.279
<v Speaker 1>were no girls you know, until in high school that

0:34:17.360 --> 0:34:21.600
<v Speaker 1>I got to have other girlfriends, you know, but man,

0:34:21.640 --> 0:34:25.440
<v Speaker 1>it was a wonderful childhood. And uh you know, my my,

0:34:25.440 --> 0:34:28.200
<v Speaker 1>my dad's mom lived with us for many years and

0:34:29.920 --> 0:34:32.239
<v Speaker 1>it was all good. It was always and it was

0:34:32.320 --> 0:34:35.080
<v Speaker 1>our house was sort of the main base on the

0:34:35.120 --> 0:34:37.839
<v Speaker 1>street because my father used to love to take all

0:34:37.840 --> 0:34:40.000
<v Speaker 1>the kids on hay rides and you bring them down

0:34:40.000 --> 0:34:44.560
<v Speaker 1>our shore home and you know there were something else.

0:34:44.640 --> 0:34:48.360
<v Speaker 1>Let me tell you about they were really something else. Um, okay,

0:34:48.360 --> 0:34:51.040
<v Speaker 1>so you had a vacation home on the shore. Yeah,

0:34:51.080 --> 0:34:53.560
<v Speaker 1>that was chest be Baby. My mom and dad had

0:34:53.600 --> 0:34:58.760
<v Speaker 1>to borrow a thousand dollars from uh my my father's sister,

0:34:59.000 --> 0:35:02.879
<v Speaker 1>and they bought property on the chest Peak Bag and

0:35:02.960 --> 0:35:05.160
<v Speaker 1>my father built the home, the shore home down there

0:35:05.200 --> 0:35:06.680
<v Speaker 1>with a couple of buddies from work. He'd work on

0:35:06.719 --> 0:35:09.200
<v Speaker 1>the weekends and built this home that is still there,

0:35:09.640 --> 0:35:14.120
<v Speaker 1>that is gorgeous on a beautiful piece of property, um,

0:35:14.320 --> 0:35:17.520
<v Speaker 1>right on the water. And uh so we'd spend a

0:35:17.560 --> 0:35:21.680
<v Speaker 1>lot of time there every summer um fishing and crabbing,

0:35:21.800 --> 0:35:24.960
<v Speaker 1>and they would have their friends down. They'd be drinking

0:35:25.000 --> 0:35:26.960
<v Speaker 1>gin and tonic and the kids would be running around

0:35:26.960 --> 0:35:29.439
<v Speaker 1>you can have a little sip of that, and oh man,

0:35:29.480 --> 0:35:32.120
<v Speaker 1>it was just wonderful, you know. And he he had

0:35:32.160 --> 0:35:34.279
<v Speaker 1>a Super eight camera that he would take. He would

0:35:34.320 --> 0:35:36.640
<v Speaker 1>take pictures on them because he and Mom would go

0:35:36.680 --> 0:35:38.759
<v Speaker 1>to New York a lot and they were on the

0:35:38.800 --> 0:35:41.640
<v Speaker 1>prices right and Mom want to make a maxstol and

0:35:41.719 --> 0:35:44.719
<v Speaker 1>he won a super eight camera. So that's when he

0:35:44.719 --> 0:35:50.040
<v Speaker 1>started taking super rate videos. I had all that film, Uh,

0:35:50.120 --> 0:35:52.680
<v Speaker 1>put it on the DVD, so I had that. I

0:35:52.680 --> 0:35:56.000
<v Speaker 1>have all those super rates. Okay, so your brother is older.

0:35:56.120 --> 0:35:59.359
<v Speaker 1>What was he like growing up? Oh my god, Well,

0:35:59.400 --> 0:36:03.239
<v Speaker 1>my brother's seven years older than I am, so he

0:36:03.320 --> 0:36:05.759
<v Speaker 1>was protective of me. It was my brother and my

0:36:05.840 --> 0:36:08.080
<v Speaker 1>cousins that lived across the street, Henry Dennis, and I

0:36:08.160 --> 0:36:10.080
<v Speaker 1>ran with them. Well, they hadn't sort of take me.

0:36:10.120 --> 0:36:12.120
<v Speaker 1>My brother had to sort of watch out for me.

0:36:12.920 --> 0:36:17.359
<v Speaker 1>Um and I just ran around with them and he

0:36:17.480 --> 0:36:19.920
<v Speaker 1>was good. And then then came a time when you know,

0:36:20.040 --> 0:36:23.000
<v Speaker 1>he was like nineteen or twenty and he was out

0:36:23.040 --> 0:36:25.440
<v Speaker 1>the door all the time. So I was just sort

0:36:25.480 --> 0:36:27.480
<v Speaker 1>of left my own devices, which was sitting in my

0:36:27.560 --> 0:36:30.160
<v Speaker 1>bedroom putting headphones on and playing with every song that

0:36:30.200 --> 0:36:34.800
<v Speaker 1>I loved. Um, I was just immersed in music. Well,

0:36:34.800 --> 0:36:37.719
<v Speaker 1>what what would happened in the next fifty years for

0:36:37.760 --> 0:36:43.200
<v Speaker 1>your brother? What's he been up to? My brother, he

0:36:43.200 --> 0:36:45.360
<v Speaker 1>got he went to college. My parents were disappointed I

0:36:45.400 --> 0:36:47.200
<v Speaker 1>didn't go to college, but I made that all right,

0:36:47.320 --> 0:36:50.879
<v Speaker 1>so they were happy with the ending story here. But yeah,

0:36:50.920 --> 0:36:54.840
<v Speaker 1>my brother is a pretty bright guy. UM. He wanted

0:36:54.880 --> 0:37:00.440
<v Speaker 1>to be a professor. UM, and he did work out

0:37:00.480 --> 0:37:03.480
<v Speaker 1>that way. He spent a lot of time traveling, and

0:37:03.520 --> 0:37:06.960
<v Speaker 1>then he worked on the waterfront. Excuse me with my father,

0:37:07.960 --> 0:37:10.920
<v Speaker 1>and you make a lot of money working on the waterfront.

0:37:10.960 --> 0:37:12.759
<v Speaker 1>And my brother worked there for like ten years and

0:37:12.800 --> 0:37:15.000
<v Speaker 1>made it, made a ton of money, and bought a

0:37:15.000 --> 0:37:19.759
<v Speaker 1>bunch of apartment buildings. UM in a neighborhood uh in

0:37:19.840 --> 0:37:24.239
<v Speaker 1>Holland Town in Baltimore was right over Patterson Park, which

0:37:24.280 --> 0:37:27.920
<v Speaker 1>is this huge, big, beautiful park. I bought a bunch

0:37:27.960 --> 0:37:30.080
<v Speaker 1>of buildings that were facing the park. And at the

0:37:30.160 --> 0:37:34.239
<v Speaker 1>time it was kind of ghettot but it changed over

0:37:34.280 --> 0:37:36.840
<v Speaker 1>the years, UM, and it butted right up against the

0:37:36.840 --> 0:37:39.480
<v Speaker 1>neighborhood called Fell's Point, which is kind of famous. You

0:37:39.560 --> 0:37:42.879
<v Speaker 1>may have harder Fells Point in Baltimore. UM. So John

0:37:42.920 --> 0:37:45.399
<v Speaker 1>has his apartment buildings and that's they're all paid off

0:37:45.440 --> 0:37:47.440
<v Speaker 1>and he's living the life. You know, he travels and

0:37:47.480 --> 0:37:52.000
<v Speaker 1>does whatever he likes and he's good. My brother is good.

0:37:52.440 --> 0:37:54.719
<v Speaker 1>He I didn't get along that great, but it's okay.

0:37:55.000 --> 0:37:58.120
<v Speaker 1>Did he get married, did he have kids? No? No,

0:37:58.280 --> 0:38:00.600
<v Speaker 1>neither one of us are married. It's like, you know

0:38:00.640 --> 0:38:05.360
<v Speaker 1>what Bob, I think about I don't know why, because

0:38:05.400 --> 0:38:07.520
<v Speaker 1>I think the institution of marriage is kind of great,

0:38:07.719 --> 0:38:11.600
<v Speaker 1>but it wasn't. It never worked out for me that way.

0:38:11.880 --> 0:38:14.880
<v Speaker 1>And my brother, I guess he's the same. I don't know.

0:38:15.200 --> 0:38:17.040
<v Speaker 1>I kind of think maybe it had a lot to

0:38:17.080 --> 0:38:22.520
<v Speaker 1>do with growing up seeing the perfect marriage. There's nothing

0:38:22.520 --> 0:38:25.600
<v Speaker 1>that you could ever you could never compete with that.

0:38:25.680 --> 0:38:28.880
<v Speaker 1>I don't know. You know, you tend to, you know,

0:38:28.920 --> 0:38:30.640
<v Speaker 1>when you're in a relationship, you tend to say, oh,

0:38:30.800 --> 0:38:33.880
<v Speaker 1>is he liked my father and she liked my mother? Whatever?

0:38:34.840 --> 0:38:36.879
<v Speaker 1>You do those things. I don't know why. You just

0:38:36.920 --> 0:38:40.840
<v Speaker 1>do and UH be tugh to to live up to

0:38:40.960 --> 0:38:45.680
<v Speaker 1>the expectations that you have, of of of of some

0:38:45.920 --> 0:38:48.279
<v Speaker 1>of of what you would think you would want your other,

0:38:48.600 --> 0:38:51.080
<v Speaker 1>your significant other to be like. When you watch the

0:38:51.160 --> 0:38:55.839
<v Speaker 1>perfect love affair happened, your entire life. And did your

0:38:55.840 --> 0:38:59.839
<v Speaker 1>parents ever lament that they didn't have grandkids? Yeah, my mom,

0:39:00.000 --> 0:39:03.160
<v Speaker 1>And I said, Mom, listen, if I had grandkids, I'd

0:39:03.200 --> 0:39:04.680
<v Speaker 1>never be able to hang out with you as much

0:39:04.719 --> 0:39:06.560
<v Speaker 1>as I do. He wouldn't be able to do all

0:39:06.600 --> 0:39:08.480
<v Speaker 1>these It's true, we wouldn't be able to do all

0:39:08.480 --> 0:39:10.879
<v Speaker 1>these fantastic things that we do together. I bring my

0:39:10.880 --> 0:39:12.799
<v Speaker 1>mother on tour, on tour with us. She'd be on

0:39:12.800 --> 0:39:15.160
<v Speaker 1>the tour bus with the girls and and they all

0:39:15.239 --> 0:39:18.040
<v Speaker 1>loved her, you know. And my parents they were there

0:39:18.160 --> 0:39:20.560
<v Speaker 1>for everything. They were in a lot of shows. The

0:39:20.600 --> 0:39:24.600
<v Speaker 1>band knew my parents very very well and loved them. Okay,

0:39:25.080 --> 0:39:28.400
<v Speaker 1>being as Steven Doore, that's a as you mentioned, lucrative

0:39:28.480 --> 0:39:32.839
<v Speaker 1>because because it's so physical, h did did have an

0:39:32.880 --> 0:39:36.279
<v Speaker 1>attrition to it. You know, we're father and brother and

0:39:36.360 --> 0:39:39.160
<v Speaker 1>their body somewhat beat up because they did. My dad's

0:39:39.160 --> 0:39:43.840
<v Speaker 1>body was beat up. Um. Yeah, he had terrible authoritis. Um.

0:39:43.840 --> 0:39:45.880
<v Speaker 1>But my father was like a little bull man. He

0:39:45.960 --> 0:39:49.440
<v Speaker 1>was strong as a horse. He loved work. He loved

0:39:49.440 --> 0:39:52.520
<v Speaker 1>to work. Okay, I mean they had to pay him

0:39:52.840 --> 0:39:55.000
<v Speaker 1>to get him to quit the job, to quit being

0:39:55.000 --> 0:39:57.560
<v Speaker 1>a Steven Doore, you know, they had to offer him

0:39:57.600 --> 0:39:59.719
<v Speaker 1>a lot of money to stop working so they could

0:39:59.719 --> 0:40:02.120
<v Speaker 1>bring younger dude and to do what he does. My

0:40:02.200 --> 0:40:04.239
<v Speaker 1>dad loved to work. He didn't like to sitting still.

0:40:04.440 --> 0:40:07.040
<v Speaker 1>He was always building something. He was always doing something.

0:40:07.320 --> 0:40:09.359
<v Speaker 1>And I tend to be more like my father because

0:40:09.400 --> 0:40:11.680
<v Speaker 1>I like to stay busy. I like to Sitting around

0:40:11.680 --> 0:40:14.880
<v Speaker 1>for me is like death. It's like sucks, man. I

0:40:15.200 --> 0:40:17.799
<v Speaker 1>like to be busy all the time. Okay, so what

0:40:17.880 --> 0:40:23.560
<v Speaker 1>were your first exposures to music? Oh? Well, you know,

0:40:24.160 --> 0:40:27.239
<v Speaker 1>my parents were always playing music and they loved the dance,

0:40:27.239 --> 0:40:29.239
<v Speaker 1>which used to embarrass the hell out of my brother

0:40:29.239 --> 0:40:32.680
<v Speaker 1>and I they started dancing, we were so embarrassed. Um.

0:40:32.760 --> 0:40:35.960
<v Speaker 1>But they listened to a lot of big band music.

0:40:36.040 --> 0:40:38.960
<v Speaker 1>I grew up with big band stuff. They loved count Bastie,

0:40:39.120 --> 0:40:43.360
<v Speaker 1>Cat Callaway, all these who you know, everybody, Benny Goodman,

0:40:43.760 --> 0:40:46.120
<v Speaker 1>you know, anybody was playing big band stuff. They were

0:40:46.120 --> 0:40:49.759
<v Speaker 1>always playing and dancing too, which was hard to take,

0:40:49.880 --> 0:40:53.799
<v Speaker 1>but yeah, it was that house was full of music

0:40:53.840 --> 0:40:58.120
<v Speaker 1>all the time. And how did you get into popular

0:40:58.239 --> 0:41:01.760
<v Speaker 1>music as opposed to the big band Because I still

0:41:02.080 --> 0:41:04.520
<v Speaker 1>love big band stuff. That's kind of some of my

0:41:04.640 --> 0:41:10.360
<v Speaker 1>favorite genre of music. Uh that Uh, I just it

0:41:10.480 --> 0:41:12.719
<v Speaker 1>was I was drawn to it. I don't know, man,

0:41:12.760 --> 0:41:16.319
<v Speaker 1>I When I was a kid, Uh, you know, I

0:41:16.360 --> 0:41:20.440
<v Speaker 1>had that little transistor radio, you know, am stuck to

0:41:20.520 --> 0:41:23.680
<v Speaker 1>my ear waiting to hear my favorite songs of the day,

0:41:23.800 --> 0:41:27.280
<v Speaker 1>you know. Um. And then I called into the radio

0:41:27.280 --> 0:41:30.760
<v Speaker 1>station and request something that I wanted to hear and wait,

0:41:30.840 --> 0:41:33.279
<v Speaker 1>you know, seven hours to hear at two o'clock in

0:41:33.320 --> 0:41:36.439
<v Speaker 1>the morning. Um. You know. I had that transistor radio

0:41:36.600 --> 0:41:41.480
<v Speaker 1>under the covers, um. Um. You know. And as I

0:41:41.480 --> 0:41:43.440
<v Speaker 1>got a little bit older, I just I started to

0:41:43.480 --> 0:41:45.440
<v Speaker 1>want to go. After my brother took me to my

0:41:45.520 --> 0:41:48.680
<v Speaker 1>first concert, which was led Zeppelin opening for the Who,

0:41:49.840 --> 0:41:52.640
<v Speaker 1>and then it was NonStop. That was an addiction that

0:41:52.760 --> 0:42:05.000
<v Speaker 1>never ended. Many people have a transitional moment where they

0:42:05.040 --> 0:42:08.400
<v Speaker 1>really get the bug. Was it the Beatles? Was it

0:42:08.520 --> 0:42:11.160
<v Speaker 1>something you heard on the radio? What made you go

0:42:11.239 --> 0:42:16.279
<v Speaker 1>all in? You remember, yeah, seeing led Zeppelin opening for

0:42:16.280 --> 0:42:20.120
<v Speaker 1>the Who in nine nine Mary with the post pavilion. Yeah,

0:42:20.160 --> 0:42:22.160
<v Speaker 1>but you were listening to you were listening to the

0:42:22.280 --> 0:42:28.000
<v Speaker 1>radio before that. What got you started doing that? I

0:42:28.040 --> 0:42:31.640
<v Speaker 1>don't know, it just it spoke to me. It was

0:42:31.920 --> 0:42:35.360
<v Speaker 1>something that that I felt that was important. To me.

0:42:36.760 --> 0:42:38.319
<v Speaker 1>You know, I don't know why do you love doing

0:42:38.360 --> 0:42:40.640
<v Speaker 1>what you do? It just it speaks to you. It

0:42:40.719 --> 0:42:43.080
<v Speaker 1>touches you in a way that other things don't. I

0:42:43.239 --> 0:42:47.760
<v Speaker 1>knew as a kid that I wanted to be involved

0:42:47.760 --> 0:42:49.520
<v Speaker 1>in music. I didn't know what part I would play,

0:42:50.000 --> 0:42:52.960
<v Speaker 1>but I, like I said, it spoke to me, It

0:42:53.480 --> 0:42:57.160
<v Speaker 1>touched me, It was important in my life. Okay, so

0:42:57.239 --> 0:42:58.759
<v Speaker 1>tell me how you ended up going to that led

0:42:58.840 --> 0:43:02.160
<v Speaker 1>Zeppelin who gig. My brother had the babysit may and

0:43:02.200 --> 0:43:10.800
<v Speaker 1>so he took me and I just remember, you know what,

0:43:11.040 --> 0:43:14.280
<v Speaker 1>see led Zeppelin. That was our first tour of the States,

0:43:15.520 --> 0:43:17.920
<v Speaker 1>and that was mind blowing. But then to see the

0:43:17.960 --> 0:43:22.360
<v Speaker 1>who come out and play and then destroy their instruments

0:43:22.440 --> 0:43:25.359
<v Speaker 1>at the end of the show. I mean, I'm a kid,

0:43:25.400 --> 0:43:28.160
<v Speaker 1>I'm eleven years old or eleven or twelve, and I

0:43:28.719 --> 0:43:31.279
<v Speaker 1>that blew my mind. I was like, I want to

0:43:31.280 --> 0:43:33.200
<v Speaker 1>be on that stage. I don't care what I'm doing,

0:43:33.719 --> 0:43:36.479
<v Speaker 1>if I'm singing or playing the dramas or playing bass,

0:43:36.920 --> 0:43:39.040
<v Speaker 1>whatever it is, I want to be up on that stage.

0:43:39.239 --> 0:43:41.799
<v Speaker 1>This is what I want to do. I never thought

0:43:41.800 --> 0:43:44.719
<v Speaker 1>about gender. That didn't I didn't even think about that

0:43:44.760 --> 0:43:46.920
<v Speaker 1>for a second, Oh I'm a girl. That never occurred

0:43:46.920 --> 0:43:48.360
<v Speaker 1>to me. It was like, I want to do what

0:43:48.400 --> 0:43:50.759
<v Speaker 1>they do. I love this, this is what I want

0:43:50.760 --> 0:43:55.000
<v Speaker 1>to do. So you went home. What was your first step?

0:43:55.040 --> 0:43:58.239
<v Speaker 1>Did you buy the Zeppelin album? Do you get an instrument? No?

0:43:58.480 --> 0:44:02.000
<v Speaker 1>I uh. First think for me was I got a

0:44:02.080 --> 0:44:05.080
<v Speaker 1>base a bass guitar because I thought, oh, it's only

0:44:05.080 --> 0:44:09.160
<v Speaker 1>four strings, that will be easy. And it didn't. It wasn't.

0:44:10.160 --> 0:44:12.120
<v Speaker 1>I wasn't crazy about it. So I bought a guitar,

0:44:12.480 --> 0:44:15.280
<v Speaker 1>took a couple of lessons, and that was too slow.

0:44:15.400 --> 0:44:17.439
<v Speaker 1>I could like listen to the things bob and figure

0:44:17.440 --> 0:44:19.400
<v Speaker 1>out how to play it. You know. I think I

0:44:19.440 --> 0:44:21.919
<v Speaker 1>have an ear. That was a gift, I think. And

0:44:21.960 --> 0:44:25.000
<v Speaker 1>then I thought, well, I'll try drums. So I saved

0:44:25.080 --> 0:44:28.560
<v Speaker 1>up all my allowance money and I bought a drum

0:44:28.600 --> 0:44:31.719
<v Speaker 1>set and what kind of drum set, what brand? And

0:44:31.800 --> 0:44:35.080
<v Speaker 1>that they were leto supremes. And I bought him at

0:44:35.680 --> 0:44:38.080
<v Speaker 1>Old Man Petro and his his music store up on

0:44:38.160 --> 0:44:42.239
<v Speaker 1>Eastern Avenue. To ride my bicycle up there. And you

0:44:42.239 --> 0:44:46.120
<v Speaker 1>remember how much you paid? I don't, but I bet

0:44:46.200 --> 0:44:48.840
<v Speaker 1>you I have. I think I had those receipts around here, somewhere.

0:44:48.880 --> 0:44:51.640
<v Speaker 1>I didn't save it. I had that. I'm not kidding you,

0:44:52.320 --> 0:44:57.640
<v Speaker 1>I do have that bob um. I got those drums

0:44:57.800 --> 0:45:00.799
<v Speaker 1>and put my head phone and I had the drums

0:45:00.800 --> 0:45:06.560
<v Speaker 1>set up in my bedroom and I started playing. And

0:45:06.640 --> 0:45:08.880
<v Speaker 1>I knew right away that this was going to be

0:45:09.640 --> 0:45:13.080
<v Speaker 1>the instrument that I would choose to to spend my

0:45:13.160 --> 0:45:15.719
<v Speaker 1>time trying to get good at it, you know, be

0:45:15.880 --> 0:45:20.080
<v Speaker 1>better at And because it felt really easy, it felt

0:45:20.160 --> 0:45:25.080
<v Speaker 1>like I didn't have to think about it. Uh, it

0:45:26.160 --> 0:45:29.440
<v Speaker 1>felt it felt easy. And you know, when you're eleven

0:45:29.520 --> 0:45:32.160
<v Speaker 1>or twelve years thirteen years old, you don't want to

0:45:32.280 --> 0:45:34.279
<v Speaker 1>you don't have time to mess around with stuff. You

0:45:34.320 --> 0:45:36.440
<v Speaker 1>just want to go out and do it. And so

0:45:36.840 --> 0:45:38.919
<v Speaker 1>playing drugs, I didn't have to think. I just put

0:45:38.920 --> 0:45:41.799
<v Speaker 1>headphones one and it came very naturally to me. So

0:45:41.880 --> 0:45:45.560
<v Speaker 1>you never took a lesson, never took a lesson. Okay,

0:45:45.600 --> 0:45:48.359
<v Speaker 1>so you're playing at home. Then how do you get

0:45:48.360 --> 0:45:54.440
<v Speaker 1>in a band? Oh? Well, first of all, there weren't

0:45:54.440 --> 0:45:58.000
<v Speaker 1>a lot of girls playing drums during that early seventies,

0:45:58.719 --> 0:46:04.160
<v Speaker 1>late sixties, early seven, so that it was easy to

0:46:04.160 --> 0:46:05.680
<v Speaker 1>get in bands. And I'll tell you what I was.

0:46:05.800 --> 0:46:07.960
<v Speaker 1>I remember being in a couple of bands and these

0:46:08.080 --> 0:46:10.840
<v Speaker 1>and the guys it was always guys, um. You know,

0:46:10.880 --> 0:46:12.480
<v Speaker 1>they were in their twenties and they would have to

0:46:12.480 --> 0:46:16.000
<v Speaker 1>sneak me in the backtor because I was under age, um,

0:46:16.040 --> 0:46:20.160
<v Speaker 1>and they were all doing we're doing covers, you know, um.

0:46:20.239 --> 0:46:23.960
<v Speaker 1>And that went on for several years, and then I

0:46:24.000 --> 0:46:25.960
<v Speaker 1>got into a band and these were guys in my

0:46:25.960 --> 0:46:28.920
<v Speaker 1>neighborhood called we and our band was called Scratch and Sniff,

0:46:30.160 --> 0:46:37.920
<v Speaker 1>and we were Baltimore's first punk new wave band and

0:46:37.920 --> 0:46:41.800
<v Speaker 1>it was great. I learned a lot from George and Charles.

0:46:42.200 --> 0:46:45.080
<v Speaker 1>They were really based on guitar player, really good musicians,

0:46:45.760 --> 0:46:48.239
<v Speaker 1>and it opened up my world to like Brian Eno

0:46:49.080 --> 0:46:52.799
<v Speaker 1>and Roxy music, and you know, I started listening to

0:46:52.880 --> 0:46:55.640
<v Speaker 1>more than just Aero Smith or Leonard Skinner or the

0:46:55.640 --> 0:47:00.640
<v Speaker 1>Stems or the Beetles all of that. Um. And yeah,

0:47:00.840 --> 0:47:03.520
<v Speaker 1>it was pretty incredible. We would do we played four

0:47:03.600 --> 0:47:06.720
<v Speaker 1>sets a night. We do two sets of original songs

0:47:06.719 --> 0:47:09.560
<v Speaker 1>and two sets of covers. That was a big deal

0:47:10.040 --> 0:47:12.239
<v Speaker 1>and we got We did a couple of shows at

0:47:12.239 --> 0:47:14.719
<v Speaker 1>the Marble Bar, which was the premier punk club to

0:47:14.760 --> 0:47:17.799
<v Speaker 1>play in in Baltimore because like bands would come in

0:47:17.840 --> 0:47:21.320
<v Speaker 1>like the ramoons or talking heads. They play at the

0:47:21.360 --> 0:47:25.279
<v Speaker 1>Marble Bar. So that was a big deal. And were

0:47:25.280 --> 0:47:29.360
<v Speaker 1>you getting paid? Yeah, but who remembers what that was.

0:47:29.400 --> 0:47:31.279
<v Speaker 1>It didn't I didn't care what if we were making

0:47:31.320 --> 0:47:32.560
<v Speaker 1>any money. It was just to be able to do

0:47:33.440 --> 0:47:35.160
<v Speaker 1>My question is if you got paid, what did you

0:47:35.160 --> 0:47:38.480
<v Speaker 1>do with What did you do with the money. I

0:47:38.600 --> 0:47:42.319
<v Speaker 1>probably bought clothes. I don't really remember, but I would

0:47:42.400 --> 0:47:46.080
<v Speaker 1>imagine that. You know, I probably bought some really cool

0:47:46.080 --> 0:47:49.560
<v Speaker 1>bell bottoms or something. I don't know. Yeah, I probably

0:47:49.560 --> 0:47:52.960
<v Speaker 1>brought clothes. Okay. So and what was your experience with

0:47:53.560 --> 0:47:57.200
<v Speaker 1>Catholic school? Now you're in high school, you're in a

0:47:57.920 --> 0:48:03.920
<v Speaker 1>how's that going? Yeah? I got suspended, you know, um,

0:48:04.080 --> 0:48:06.600
<v Speaker 1>but it was you know, I was just used that

0:48:06.640 --> 0:48:08.560
<v Speaker 1>the nuns used to scare the ship out of me.

0:48:08.640 --> 0:48:12.200
<v Speaker 1>I mean they were they were tough, and I guarantee

0:48:12.239 --> 0:48:14.319
<v Speaker 1>a man, I did my homework every night. It was

0:48:14.400 --> 0:48:16.759
<v Speaker 1>kind of a drag because everybody in the neighborhood when

0:48:16.760 --> 0:48:19.000
<v Speaker 1>they get home from school, you know, they were out

0:48:19.040 --> 0:48:21.200
<v Speaker 1>playing and having fun. But I'd be in there doing

0:48:21.239 --> 0:48:23.399
<v Speaker 1>my homework because I was afraid of those nuns coming

0:48:23.400 --> 0:48:26.720
<v Speaker 1>into school the next day and getting smacked in the facer,

0:48:27.080 --> 0:48:30.640
<v Speaker 1>having my hands mashed with a pointer. You know, I

0:48:30.680 --> 0:48:32.680
<v Speaker 1>mean they were rough, they were tough. But I'll tell

0:48:32.680 --> 0:48:36.920
<v Speaker 1>you what, Um, they're part of the reason why I

0:48:36.920 --> 0:48:39.440
<v Speaker 1>had the work ethic that I do. Uh. You know,

0:48:39.560 --> 0:48:41.960
<v Speaker 1>it's like if I you know, if you're gonna, I

0:48:41.960 --> 0:48:44.439
<v Speaker 1>feel like you're gonna do something, do it right. Don't

0:48:44.440 --> 0:48:48.560
<v Speaker 1>mess around with the half fast situation here? Why bother? Um?

0:48:48.719 --> 0:48:52.480
<v Speaker 1>And you know, so it was it was part. It

0:48:52.560 --> 0:48:55.080
<v Speaker 1>all worked out well in the end. Although I must

0:48:55.080 --> 0:48:59.839
<v Speaker 1>say that I would like to send by psychiatrists bill

0:49:00.120 --> 0:49:03.120
<v Speaker 1>to the Catholic Church because they did screw me up

0:49:03.120 --> 0:49:06.040
<v Speaker 1>in many ways, Like they filled me with guilt. I

0:49:06.120 --> 0:49:09.960
<v Speaker 1>was always I'm still guilty about everything. I don't know,

0:49:10.360 --> 0:49:12.800
<v Speaker 1>I don't know. So that was gonna be my next question.

0:49:13.360 --> 0:49:19.040
<v Speaker 1>So you go to the therapist, Yeah as an adult,

0:49:20.000 --> 0:49:22.239
<v Speaker 1>I know. So how long have you gone? How frequently?

0:49:22.239 --> 0:49:25.239
<v Speaker 1>When did you start? Oh, I've been doing it for

0:49:25.280 --> 0:49:28.960
<v Speaker 1>many many years. I haven't. I haven't done it for

0:49:29.000 --> 0:49:32.640
<v Speaker 1>a while though. I go not that frequently. But I did,

0:49:32.719 --> 0:49:36.920
<v Speaker 1>like in the nineties, go a lot because you know,

0:49:37.000 --> 0:49:40.040
<v Speaker 1>I had to deal with like the guilt of making

0:49:40.080 --> 0:49:43.320
<v Speaker 1>it and you know, oh my god, what people think

0:49:43.440 --> 0:49:47.200
<v Speaker 1>and all you know, it's there's a there's a Catholic

0:49:47.200 --> 0:49:52.000
<v Speaker 1>guilt and it's a real thing. It's it's real, um

0:49:52.040 --> 0:49:57.240
<v Speaker 1>and it definitely definitely got me. How does it affect

0:49:57.280 --> 0:50:03.600
<v Speaker 1>you today? If it all, it still does affect me. Honestly,

0:50:04.680 --> 0:50:07.000
<v Speaker 1>I feel like I'm not worthy of things. You know,

0:50:07.920 --> 0:50:10.799
<v Speaker 1>It's weird. It's like I put the time and I

0:50:10.840 --> 0:50:14.360
<v Speaker 1>do all the right things, but then I feel like, oh,

0:50:14.400 --> 0:50:17.360
<v Speaker 1>you know, you're not really worthy. You know there's people

0:50:17.400 --> 0:50:20.600
<v Speaker 1>that deserve that more than you do. Then I then

0:50:20.640 --> 0:50:23.319
<v Speaker 1>I draw strength from what the way my parents raised me,

0:50:23.360 --> 0:50:25.400
<v Speaker 1>that we're sort of kick ass and yes you can

0:50:25.480 --> 0:50:28.279
<v Speaker 1>do anything. This crazy dichotomy, you know what I mean.

0:50:28.360 --> 0:50:31.239
<v Speaker 1>But and they set meid to Cathoit school. So, uh,

0:50:32.040 --> 0:50:34.840
<v Speaker 1>I don't know. Okay, are you still a believer? Do

0:50:34.880 --> 0:50:37.480
<v Speaker 1>you still go to church? No? I don't go to church.

0:50:37.560 --> 0:50:39.280
<v Speaker 1>I might go a couple of times a year or something.

0:50:39.320 --> 0:50:43.880
<v Speaker 1>But when I walk into a church, I feel, uh

0:50:43.920 --> 0:50:46.840
<v Speaker 1>it's a good place that's to meditate or something. I

0:50:47.760 --> 0:50:53.799
<v Speaker 1>you know, I choose to believe what I believe. I Uh,

0:50:54.080 --> 0:50:56.800
<v Speaker 1>I feel like I'm a spiritual person, but organized religion

0:50:56.880 --> 0:51:02.160
<v Speaker 1>is a little disturbing to me. Um, I don't know.

0:51:02.160 --> 0:51:03.920
<v Speaker 1>I'm sort of mixed up about it all, to be

0:51:03.960 --> 0:51:08.040
<v Speaker 1>honest with you. Uh okay, So why did you get

0:51:08.040 --> 0:51:14.200
<v Speaker 1>suspended in high school? Oh? Jesus because the disciplinarian nune doctor.

0:51:14.239 --> 0:51:16.239
<v Speaker 1>Her her name was John Helene. How do you like that?

0:51:16.280 --> 0:51:19.560
<v Speaker 1>I just I don't believe I remembered her name, John Helene.

0:51:19.600 --> 0:51:23.120
<v Speaker 1>She was such a bit um. She didn't like me

0:51:23.360 --> 0:51:26.480
<v Speaker 1>because I was. I spent half my time trying to

0:51:26.480 --> 0:51:29.160
<v Speaker 1>figure out how to get how to get into trouble

0:51:29.280 --> 0:51:35.400
<v Speaker 1>without getting caught, and she knew that, and she she's

0:51:35.600 --> 0:51:39.160
<v Speaker 1>I was. I was suspended for having a bad attitude.

0:51:40.080 --> 0:51:42.279
<v Speaker 1>There was nothing that I actually did that she caught

0:51:42.280 --> 0:51:45.279
<v Speaker 1>me at. And actually my mother and father went up

0:51:45.320 --> 0:51:47.280
<v Speaker 1>there and we're like, what do you mean a bad attitude?

0:51:47.320 --> 0:51:51.120
<v Speaker 1>What is what does that mean? You know? It's crazy.

0:51:51.239 --> 0:51:55.000
<v Speaker 1>Catholic school was sucking nuts. I gotta say, so did

0:51:55.080 --> 0:51:58.160
<v Speaker 1>you gra? Did you graduate? Yeah? I did, Yeah, of

0:51:58.200 --> 0:52:01.520
<v Speaker 1>course I did. And he fought of going to college

0:52:01.840 --> 0:52:04.319
<v Speaker 1>or like, I'm done? What was going through your head? No?

0:52:04.520 --> 0:52:06.480
<v Speaker 1>I mean I you know, I couldn't wait to finish

0:52:06.520 --> 0:52:10.720
<v Speaker 1>school so I could just starting playing in clubs and stinky,

0:52:10.760 --> 0:52:14.160
<v Speaker 1>dirty clubs. All I want to do was be, you know,

0:52:14.640 --> 0:52:18.080
<v Speaker 1>a musician, be a drummer, and and and and work

0:52:18.239 --> 0:52:20.919
<v Speaker 1>and make some money, and you know, try to find

0:52:20.960 --> 0:52:23.279
<v Speaker 1>a band that I fit in that really spoke to me.

0:52:23.920 --> 0:52:26.200
<v Speaker 1>And you know, Scratch and Sniff was a band that

0:52:26.200 --> 0:52:28.799
<v Speaker 1>that I love those guys and I loved where we

0:52:28.800 --> 0:52:33.040
<v Speaker 1>were going. Um, But after I'm gonna get ahead of

0:52:33.080 --> 0:52:37.399
<v Speaker 1>myself because after that, I got the opportunity to work

0:52:37.400 --> 0:52:40.799
<v Speaker 1>with Eat the egg Lady from John Waters film Let's

0:52:41.000 --> 0:52:43.439
<v Speaker 1>Let's wait. I want to get into that. Let's go back.

0:52:43.520 --> 0:52:46.320
<v Speaker 1>One thing you put in your book is you basically

0:52:46.360 --> 0:52:49.680
<v Speaker 1>went to see everybody. Tell me about your tell me

0:52:49.680 --> 0:52:52.480
<v Speaker 1>about your concert going experience, where you got the money

0:52:52.520 --> 0:52:55.400
<v Speaker 1>for tickets, Who was good, who was bad? Well, let

0:52:55.440 --> 0:52:59.879
<v Speaker 1>me tell you something. I had albums full of photographs

0:53:00.160 --> 0:53:03.759
<v Speaker 1>with my instematic camera from all the continents I went to.

0:53:04.120 --> 0:53:09.680
<v Speaker 1>And I learned that, okay, they played, if they played,

0:53:09.680 --> 0:53:12.200
<v Speaker 1>the bottom were Civic Center, the hotel they were going

0:53:12.239 --> 0:53:13.759
<v Speaker 1>to stay and was gonna be the holiday and which

0:53:13.760 --> 0:53:16.880
<v Speaker 1>was right next door. So I was like, okay, how

0:53:16.880 --> 0:53:18.200
<v Speaker 1>am I going to meet these people? I got to

0:53:18.239 --> 0:53:20.560
<v Speaker 1>meet him. You know, I need to learn from them, right.

0:53:20.600 --> 0:53:23.959
<v Speaker 1>I'd see him on stage, I was just knocked out.

0:53:24.080 --> 0:53:28.040
<v Speaker 1>So I would go across the street and try to

0:53:28.040 --> 0:53:31.000
<v Speaker 1>get their autographs and take a photo with them. And

0:53:31.040 --> 0:53:33.439
<v Speaker 1>I figured out that the way to get to meet

0:53:33.480 --> 0:53:36.600
<v Speaker 1>them was you go up the service elevator and you

0:53:36.640 --> 0:53:38.640
<v Speaker 1>go on the floor. You get on the phone, and

0:53:38.719 --> 0:53:42.320
<v Speaker 1>you asked to be You asked to be connected to

0:53:42.360 --> 0:53:44.680
<v Speaker 1>either the bass player of the drummer, because they were

0:53:44.760 --> 0:53:46.959
<v Speaker 1>usually the guys in the band that gave their real name.

0:53:47.560 --> 0:53:50.319
<v Speaker 1>They didn't have an alias, and so I would ask

0:53:50.320 --> 0:53:52.600
<v Speaker 1>for them and i'd get the room. I get like

0:53:52.640 --> 0:53:55.239
<v Speaker 1>a four digit number. The last three digit was the

0:53:55.320 --> 0:53:58.200
<v Speaker 1>room number. So I would go and I'd have somebody

0:53:58.239 --> 0:54:00.840
<v Speaker 1>with me, you know, a friend, and we'd rap on

0:54:00.880 --> 0:54:03.279
<v Speaker 1>the door. I'd say, can I take a photograph? Can

0:54:03.280 --> 0:54:06.239
<v Speaker 1>I take a picture with you? And they always said yes.

0:54:06.600 --> 0:54:10.520
<v Speaker 1>But I remember, like Paul Rodgers um for Bad Company,

0:54:10.560 --> 0:54:12.560
<v Speaker 1>I have a photograph of him where he's putting his

0:54:12.640 --> 0:54:14.360
<v Speaker 1>arm up because he didn't want his picture taken, but

0:54:14.360 --> 0:54:16.880
<v Speaker 1>I took it anyway. And like I had pictures of

0:54:16.960 --> 0:54:20.920
<v Speaker 1>Ted Nugent and Aery Smith and at Rod Stewart, and yes,

0:54:21.120 --> 0:54:24.360
<v Speaker 1>and you name it. I was taking I was taking pictures,

0:54:24.440 --> 0:54:26.640
<v Speaker 1>and I was meeting these people and saying, I want

0:54:26.640 --> 0:54:28.600
<v Speaker 1>to do that, the guys in Jay Giles band, I

0:54:28.600 --> 0:54:33.160
<v Speaker 1>mean I it was all I lived for, Bob. I'm

0:54:33.200 --> 0:54:35.480
<v Speaker 1>getting excited just talking about where did you get the

0:54:35.520 --> 0:54:41.360
<v Speaker 1>money for the tickets? Save up my allowance? Dishes, doing dishes,

0:54:41.360 --> 0:54:43.759
<v Speaker 1>cleaning the house every weekend, cut the grass, taking the

0:54:43.760 --> 0:54:46.120
<v Speaker 1>garbage out, doing anything I could to make the money

0:54:46.200 --> 0:54:50.279
<v Speaker 1>to buy those tickets. So tell me the eat story,

0:54:50.680 --> 0:54:52.920
<v Speaker 1>the eating stories. So when I moved out of my

0:54:52.960 --> 0:54:55.200
<v Speaker 1>house at the age of twenty, I moved into Fell's Point,

0:54:55.200 --> 0:54:58.680
<v Speaker 1>which was sort of the Hit area, and eat at

0:54:58.680 --> 0:55:03.120
<v Speaker 1>a store on we called Edith's Shopping Bag. And I

0:55:03.200 --> 0:55:05.560
<v Speaker 1>would go in and visit her all the time, you know,

0:55:05.600 --> 0:55:07.839
<v Speaker 1>And she'd be sitting at a cash register with her

0:55:09.360 --> 0:55:14.160
<v Speaker 1>like hand, her servant, lady Jeannie, who looked like a

0:55:14.160 --> 0:55:17.080
<v Speaker 1>crazy old witch, but she waited on eady hand and foot.

0:55:17.200 --> 0:55:21.239
<v Speaker 1>It was a strange thing, but kind of great. Only Baltimore,

0:55:21.400 --> 0:55:23.920
<v Speaker 1>it's such. It was all John Waters film, the whole thing. Man,

0:55:23.920 --> 0:55:26.279
<v Speaker 1>It's incredible. Anyway, I'd go in there and I talked

0:55:26.320 --> 0:55:28.640
<v Speaker 1>to her be facing Oh Ganea, hell are you what

0:55:28.680 --> 0:55:31.080
<v Speaker 1>are you doing? And I gotta punk band I want

0:55:31.080 --> 0:55:32.799
<v Speaker 1>to put together. Are you you know if you want

0:55:32.800 --> 0:55:35.239
<v Speaker 1>to get in they I was like, yes, I want

0:55:35.280 --> 0:55:37.680
<v Speaker 1>to get in this band. We're gonna get to New York,

0:55:37.880 --> 0:55:42.880
<v Speaker 1>LA and San Francisco, of course. So we put together

0:55:42.960 --> 0:55:48.240
<v Speaker 1>this band, myself and two other girls and with Evie.

0:55:48.680 --> 0:55:50.920
<v Speaker 1>We rehearsed a couple of times, put a couple of

0:55:50.960 --> 0:55:53.480
<v Speaker 1>songs together. I even remember they were. It was all

0:55:53.520 --> 0:55:56.520
<v Speaker 1>slapped together quickly. It was just the thought of getting

0:55:56.520 --> 0:56:00.440
<v Speaker 1>to play at cebe GEB's Max's Kansas City, and then

0:56:00.480 --> 0:56:03.440
<v Speaker 1>getting the first time I ever flew on a plane, okay,

0:56:03.800 --> 0:56:06.200
<v Speaker 1>find across the country to play in Los Angeles and

0:56:06.360 --> 0:56:10.680
<v Speaker 1>l a Hollywood whoo um, three nights, three shows, one

0:56:10.800 --> 0:56:12.879
<v Speaker 1>night at the Neward Theater, and then up to San

0:56:12.920 --> 0:56:15.799
<v Speaker 1>Francisco to play at the Newer at the Sorry the

0:56:15.800 --> 0:56:20.120
<v Speaker 1>Warfield Theater. This was like a dream come true, and

0:56:20.200 --> 0:56:22.879
<v Speaker 1>I could thank Eadie for that, which ultimately goes down

0:56:22.920 --> 0:56:27.280
<v Speaker 1>to thanking John Waters, you know, for for discovering Eadie,

0:56:27.360 --> 0:56:30.880
<v Speaker 1>who was just the sweet, old, kindly lady that loved

0:56:30.920 --> 0:56:35.160
<v Speaker 1>all the attention she was a doll, you know. Um,

0:56:35.200 --> 0:56:37.399
<v Speaker 1>So we did the Eating of the eighth shows. That

0:56:37.480 --> 0:56:41.000
<v Speaker 1>was fantastic. Uh. You know, I couldn't believe all that

0:56:41.040 --> 0:56:45.040
<v Speaker 1>I was experiencing. And the punk scene was thriving great.

0:56:45.080 --> 0:56:49.000
<v Speaker 1>And came back to Baltimore and I was I knew

0:56:49.040 --> 0:56:52.719
<v Speaker 1>that it was time to make a decision and I

0:56:52.760 --> 0:56:56.759
<v Speaker 1>had to leave. I had to go. Uh after experiencing that,

0:56:57.480 --> 0:57:02.120
<v Speaker 1>there was no turning back. Um Ok, I saved up

0:57:02.160 --> 0:57:05.839
<v Speaker 1>money for like a year, and then I asked my

0:57:05.880 --> 0:57:08.640
<v Speaker 1>friend Babs from high school, you want to go to

0:57:08.760 --> 0:57:13.120
<v Speaker 1>l A. And she was like yeah. So we got

0:57:13.160 --> 0:57:17.320
<v Speaker 1>my dad's pickup truck everything I own and and flew

0:57:17.360 --> 0:57:22.040
<v Speaker 1>across I mean, and drove across country. And at that

0:57:22.080 --> 0:57:24.840
<v Speaker 1>point I still had like an instematic camera that I

0:57:24.880 --> 0:57:30.520
<v Speaker 1>was taking photographs with. UM drove across country and in

0:57:30.560 --> 0:57:33.440
<v Speaker 1>search of a band. I didn't know who it would be,

0:57:33.480 --> 0:57:35.120
<v Speaker 1>where I knew it was going to be in l A.

0:57:35.840 --> 0:57:38.680
<v Speaker 1>Um that was the easiest place. The cost of living

0:57:38.760 --> 0:57:40.760
<v Speaker 1>was easier in l A than in San Francisco to

0:57:40.800 --> 0:57:45.720
<v Speaker 1>New York. And yeah, so that was it. We we

0:57:45.720 --> 0:57:48.320
<v Speaker 1>we started our journey across country and I was taking

0:57:48.400 --> 0:57:52.920
<v Speaker 1>taking pictures all the time. Okay, you land. What's the

0:57:53.040 --> 0:58:00.560
<v Speaker 1>journey from there to getting into Go Goes. Well, I

0:58:00.680 --> 0:58:03.680
<v Speaker 1>was staying with a guy named Steve Martin, not the

0:58:03.840 --> 0:58:09.400
<v Speaker 1>Steve Martin UM. He's a filmmaker. And Steve and his brother,

0:58:09.480 --> 0:58:16.000
<v Speaker 1>Doug Martin, they're identical redheaded twins. Um had done the show,

0:58:16.240 --> 0:58:19.520
<v Speaker 1>produced the shows at the newer So I stayed with

0:58:19.560 --> 0:58:22.560
<v Speaker 1>Steve and he was taking me around to all the

0:58:22.600 --> 0:58:25.240
<v Speaker 1>clubs and I got into bands right away. I put

0:58:25.240 --> 0:58:26.720
<v Speaker 1>my name up at all the stores, you know, the

0:58:26.800 --> 0:58:31.840
<v Speaker 1>music stores and um so and Steve started taking me

0:58:31.880 --> 0:58:34.520
<v Speaker 1>around to different different venues to see bands. And he said,

0:58:34.520 --> 0:58:36.400
<v Speaker 1>there's this band, the Go Ghost Genia. You need to

0:58:36.400 --> 0:58:38.560
<v Speaker 1>see them. You need to get the band kicked the

0:58:38.600 --> 0:58:40.120
<v Speaker 1>drum round, you need to be the drummer and then

0:58:40.240 --> 0:58:42.080
<v Speaker 1>and then you're gonna be You're gonna be big stars.

0:58:42.120 --> 0:58:45.000
<v Speaker 1>And I was like, okay, Steve. So he took me

0:58:45.080 --> 0:58:47.320
<v Speaker 1>to Club eighty eight to see the Go Those play

0:58:47.840 --> 0:58:53.040
<v Speaker 1>and it was fantastic. I they were having such a

0:58:53.040 --> 0:58:57.280
<v Speaker 1>great time on stage. It was like such a joyful experience.

0:58:57.320 --> 0:59:00.320
<v Speaker 1>It was like I, because I was so seri sarious

0:59:00.360 --> 0:59:03.000
<v Speaker 1>about music, everything had to be perfect. I was way

0:59:03.040 --> 0:59:08.120
<v Speaker 1>too serious and they injected this this whole fun thing

0:59:08.280 --> 0:59:10.160
<v Speaker 1>which I never thought about. Oh, this can be fun

0:59:10.200 --> 0:59:12.800
<v Speaker 1>as well. They were having the best time on stage.

0:59:12.840 --> 0:59:16.080
<v Speaker 1>They were making mistakes, it didn't matter um and people

0:59:16.120 --> 0:59:19.640
<v Speaker 1>were loving it. Mistakes and all, you know. And and

0:59:19.680 --> 0:59:23.040
<v Speaker 1>I also heard something in the songs that they were

0:59:23.080 --> 0:59:28.320
<v Speaker 1>playing that I felt I had value. And I just

0:59:28.440 --> 0:59:30.600
<v Speaker 1>was like, I told Steve verywait, yeah, I want to

0:59:30.600 --> 0:59:33.640
<v Speaker 1>get in this band. So his brother Doug was having

0:59:33.640 --> 0:59:36.360
<v Speaker 1>a party that weekend and his place down in Santa Monica,

0:59:36.880 --> 0:59:39.000
<v Speaker 1>and he invited the girls and whoever else was in

0:59:39.040 --> 0:59:42.200
<v Speaker 1>the scene at that time, the punk scene, and they

0:59:42.200 --> 0:59:44.880
<v Speaker 1>were there and I met I think I met Belinda,

0:59:45.040 --> 0:59:50.400
<v Speaker 1>Margot and Jane and they were said they were looking

0:59:50.440 --> 0:59:53.160
<v Speaker 1>for a drummer. Uh, and I said, well, I'm looking

0:59:53.200 --> 0:59:56.160
<v Speaker 1>to join the band. And I invited them over to

0:59:56.200 --> 1:00:00.200
<v Speaker 1>Steve's house that weekend. They were the following weekend, and uh,

1:00:00.600 --> 1:00:03.120
<v Speaker 1>Steve was so good to me. He allowed me when

1:00:03.200 --> 1:00:05.120
<v Speaker 1>I dream across the country. I had all my vinyl,

1:00:05.160 --> 1:00:07.480
<v Speaker 1>I had a p A system and that drop all

1:00:07.480 --> 1:00:09.760
<v Speaker 1>my clothes, everything I owned. I had a p A

1:00:09.800 --> 1:00:11.680
<v Speaker 1>set up in his living room in the house on

1:00:11.800 --> 1:00:15.120
<v Speaker 1>Beverly Glenn and I brought amps with me as well,

1:00:15.640 --> 1:00:19.960
<v Speaker 1>So the girls came in. We started playing, and a

1:00:19.960 --> 1:00:22.040
<v Speaker 1>couple of songs later, I knew that this was going

1:00:22.080 --> 1:00:24.720
<v Speaker 1>to be the right, the right fit for for all

1:00:24.720 --> 1:00:28.640
<v Speaker 1>of us. And and it was and everything changed. It

1:00:28.720 --> 1:00:30.920
<v Speaker 1>all changed after that. Who was the who was the

1:00:31.000 --> 1:00:33.640
<v Speaker 1>drummer before you? How did they get rid of that drummer? Um?

1:00:33.680 --> 1:00:35.640
<v Speaker 1>They got rid of a Lisa. I don't know. I

1:00:35.640 --> 1:00:38.120
<v Speaker 1>don't as I was told. I don't think she was

1:00:38.160 --> 1:00:42.040
<v Speaker 1>like really into playing drums. I think it was just

1:00:42.120 --> 1:00:44.120
<v Speaker 1>the fun thing she was doing. Not that they were

1:00:44.160 --> 1:00:46.680
<v Speaker 1>that serious side of um. They just want to hang

1:00:46.680 --> 1:00:48.800
<v Speaker 1>out with their friends and have fun. But I don't

1:00:48.800 --> 1:00:51.040
<v Speaker 1>know whatever the problems were. But I was more than

1:00:51.080 --> 1:00:53.720
<v Speaker 1>happy to step in because when I stepped in, they

1:00:53.760 --> 1:00:55.520
<v Speaker 1>thought I was like a big shop because I could

1:00:55.520 --> 1:00:57.240
<v Speaker 1>actually play, you know what I mean. I was like

1:00:57.360 --> 1:00:59.720
<v Speaker 1>really serious, and I was like, you know, guys, we

1:00:59.800 --> 1:01:03.040
<v Speaker 1>need to rehearse, you know, every night after work. They

1:01:03.040 --> 1:01:04.880
<v Speaker 1>were used to rehearsing a couple of times a month,

1:01:04.920 --> 1:01:07.920
<v Speaker 1>and I had come for this background where you know,

1:01:07.960 --> 1:01:10.280
<v Speaker 1>you rehearsed after work every day, like four or five

1:01:10.360 --> 1:01:13.240
<v Speaker 1>nights a week. You gotta you gotta play to get better.

1:01:13.400 --> 1:01:15.960
<v Speaker 1>It's not gonna happen unless you spend the time and

1:01:16.240 --> 1:01:18.160
<v Speaker 1>put in the work to make yourself better at your

1:01:18.160 --> 1:01:21.720
<v Speaker 1>instrument or at your songwriting, whatever it maybe, or you're singing,

1:01:21.760 --> 1:01:25.560
<v Speaker 1>whatever it is. You gotta put the time in. And

1:01:25.880 --> 1:01:28.280
<v Speaker 1>they went right along with it. They were happy. They

1:01:28.280 --> 1:01:31.120
<v Speaker 1>were happy to uh to change their ways about that.

1:01:31.160 --> 1:01:32.840
<v Speaker 1>They were they were willing to put the time in

1:01:33.200 --> 1:01:36.000
<v Speaker 1>because I think everybody kind of knew that we were

1:01:36.040 --> 1:01:38.960
<v Speaker 1>something different, something special, and if we if we put

1:01:38.960 --> 1:01:43.440
<v Speaker 1>the time in, it was gonna it was gonna happen

1:01:43.560 --> 1:01:46.600
<v Speaker 1>for us. Okay, this was at the tail end of

1:01:46.640 --> 1:01:50.080
<v Speaker 1>a huge scene in Los Angeles. All the you know,

1:01:50.120 --> 1:01:52.560
<v Speaker 1>the only ones who really broke through were the Knack,

1:01:52.680 --> 1:01:56.440
<v Speaker 1>but a million bands were sign right Motels. They made it,

1:01:56.440 --> 1:02:00.080
<v Speaker 1>they actually got a deal with they were But it

1:02:00.080 --> 1:02:02.720
<v Speaker 1>will happen even a little later though. But in any

1:02:02.760 --> 1:02:06.160
<v Speaker 1>of that, you know, got all those bands. I have

1:02:06.280 --> 1:02:10.240
<v Speaker 1>those records, like Danny Wilde had his band and God

1:02:10.600 --> 1:02:12.760
<v Speaker 1>and then there was the other band on Arastuty. You know,

1:02:13.160 --> 1:02:16.600
<v Speaker 1>you know all those things, such a scene. But you're

1:02:16.680 --> 1:02:20.840
<v Speaker 1>playing gigs. What's going through your mind in terms of

1:02:20.880 --> 1:02:24.200
<v Speaker 1>the next step forward. Obviously people knew who the Go

1:02:24.320 --> 1:02:29.960
<v Speaker 1>Goes were, but you weren't getting signed and it wasn't happening. Yeah,

1:02:30.000 --> 1:02:33.920
<v Speaker 1>it was um, you know, I guess some of the

1:02:34.000 --> 1:02:37.280
<v Speaker 1>labels wanted to take a take a chance on this

1:02:37.360 --> 1:02:40.480
<v Speaker 1>old girl band because there had never been an all

1:02:40.920 --> 1:02:45.440
<v Speaker 1>uh female band that had been hugely successful. And we

1:02:45.480 --> 1:02:47.720
<v Speaker 1>all know how record labels are. They want to they

1:02:47.800 --> 1:02:50.400
<v Speaker 1>find a formula that works and then they stick to it,

1:02:50.760 --> 1:02:54.200
<v Speaker 1>you know, um, because they figured, you know, they're gonna

1:02:54.240 --> 1:02:56.240
<v Speaker 1>make plenty of money. It's all about making that's the

1:02:56.320 --> 1:03:00.240
<v Speaker 1>bottom line. Are they going to make money. We came

1:03:00.280 --> 1:03:03.680
<v Speaker 1>into the picture and we were sort of like it

1:03:03.720 --> 1:03:06.040
<v Speaker 1>or not. We're here, We're not going anywhere. Look at

1:03:06.080 --> 1:03:08.800
<v Speaker 1>the crowds that are coming to our shows. You can't

1:03:08.800 --> 1:03:12.080
<v Speaker 1>deny that we're getting We're getting bigger and bigger. You know,

1:03:12.960 --> 1:03:15.960
<v Speaker 1>the line is now around the block. It's got to

1:03:16.000 --> 1:03:20.280
<v Speaker 1>start like registering that this something's going on here. And

1:03:20.560 --> 1:03:23.080
<v Speaker 1>you know, it did finally, but only with I R.

1:03:23.200 --> 1:03:25.880
<v Speaker 1>S Records, who was sort of as indie label that

1:03:26.000 --> 1:03:29.520
<v Speaker 1>was distributed through A and M, which was fantastic UM

1:03:29.600 --> 1:03:32.080
<v Speaker 1>and John Cornaria is a guy that worked at I R. S.

1:03:32.120 --> 1:03:33.840
<v Speaker 1>Who who came to see us play, and then he

1:03:33.920 --> 1:03:35.880
<v Speaker 1>told Mill Scope and You've got to see this band.

1:03:36.440 --> 1:03:39.760
<v Speaker 1>Of course, Miles came and we signed with Miles April

1:03:39.800 --> 1:03:45.840
<v Speaker 1>Fool's Day of nineteen, Okay, and that was it. Okay,

1:03:46.160 --> 1:03:48.080
<v Speaker 1>let's go back a little bit slower because I'm on

1:03:48.120 --> 1:03:50.040
<v Speaker 1>the other side of the fence. I'm reading the news

1:03:50.120 --> 1:03:52.560
<v Speaker 1>back when you read a physical paper. There wasn't even

1:03:52.640 --> 1:03:56.280
<v Speaker 1>article in the l A Times. Why have the Go

1:03:56.280 --> 1:04:00.760
<v Speaker 1>Goes not gotten a record deal? Really? Okay? Yeah, well

1:04:00.800 --> 1:04:02.680
<v Speaker 1>that makes sense because nobody would give us a deal

1:04:02.680 --> 1:04:04.760
<v Speaker 1>and we were goddamn selling out every club we played

1:04:04.800 --> 1:04:07.120
<v Speaker 1>in And we're going to San Francisco and we played

1:04:07.120 --> 1:04:09.000
<v Speaker 1>in New York. We're selling out all these places. What's

1:04:09.040 --> 1:04:13.160
<v Speaker 1>the problem. So did you sign the deal with I

1:04:13.360 --> 1:04:15.280
<v Speaker 1>R S before you went to England or did you

1:04:15.320 --> 1:04:18.400
<v Speaker 1>go to England first? Yeah, we went to England. That

1:04:18.520 --> 1:04:21.920
<v Speaker 1>really got the ball rolling because when we went to England,

1:04:22.320 --> 1:04:24.959
<v Speaker 1>we toured with Madness and the Specials. So we got

1:04:25.080 --> 1:04:28.640
<v Speaker 1>really tight during those tours because it was I mean,

1:04:28.680 --> 1:04:31.600
<v Speaker 1>it was rough. Those those the audience did not want

1:04:31.600 --> 1:04:34.600
<v Speaker 1>to see us. They hated our guts and let us

1:04:34.640 --> 1:04:39.040
<v Speaker 1>know by throwing bowels and spitting all over us all night. Um.

1:04:39.160 --> 1:04:41.600
<v Speaker 1>So we came back and we you know, we had

1:04:41.640 --> 1:04:43.840
<v Speaker 1>been we had we just finished the School of hard

1:04:43.880 --> 1:04:48.840
<v Speaker 1>Knocks when we played the UK. Um so uh, when

1:04:48.840 --> 1:04:51.680
<v Speaker 1>we came back here, it was crazy. We thought we

1:04:51.680 --> 1:04:53.920
<v Speaker 1>were going to really happen in the UK, and as

1:04:53.960 --> 1:04:57.240
<v Speaker 1>it turns out, we didn't. We kind of flopped over there.

1:04:57.280 --> 1:04:59.600
<v Speaker 1>But when we when we came back to the States,

1:04:59.680 --> 1:05:03.320
<v Speaker 1>we got the beat. The single on Stiff was happening

1:05:03.320 --> 1:05:05.800
<v Speaker 1>in the club scene. People were playing it and it

1:05:05.880 --> 1:05:11.160
<v Speaker 1>was really starting to, you know, become a club favorite.

1:05:11.800 --> 1:05:15.600
<v Speaker 1>People were knowing who the go goes were. And we

1:05:15.640 --> 1:05:18.680
<v Speaker 1>get back to l A and that's what it really

1:05:18.680 --> 1:05:21.240
<v Speaker 1>It really did change because then then it was like,

1:05:21.360 --> 1:05:23.880
<v Speaker 1>instead of playing one night at the star Wood, you

1:05:23.920 --> 1:05:27.360
<v Speaker 1>have to do two or three nights. Uh. It changed

1:05:27.400 --> 1:05:30.000
<v Speaker 1>a lot. And we were really tight by that time

1:05:30.280 --> 1:05:35.280
<v Speaker 1>because we've been playing every night. Um. And that was

1:05:35.320 --> 1:05:38.680
<v Speaker 1>a pretty cool time. We played playing the Rosy and

1:05:38.680 --> 1:05:41.240
<v Speaker 1>the Whiskey and the star Wood and then going up

1:05:41.240 --> 1:05:42.840
<v Speaker 1>to Sandwich is gonna play with buo Hey And then

1:05:42.960 --> 1:05:45.280
<v Speaker 1>then the venue stop bigger and bigger. It was. It was,

1:05:45.800 --> 1:05:50.200
<v Speaker 1>it was. It was all welcomed. Okay, the Stiff single,

1:05:50.440 --> 1:05:53.840
<v Speaker 1>we got to beat the original version that was done

1:05:53.920 --> 1:05:57.160
<v Speaker 1>before the I R S deal, right, Yes, yeah we

1:05:57.200 --> 1:05:59.920
<v Speaker 1>did that. Regarding Dave Rock, I think it was a game.

1:06:00.080 --> 1:06:05.160
<v Speaker 1>Robinson Sift Records, Yeah, um uh yeah, he saw the

1:06:05.200 --> 1:06:08.120
<v Speaker 1>band play and he had talked with Ginger several times

1:06:08.120 --> 1:06:11.080
<v Speaker 1>about doing a deal he wanted. Our publishing with Ginger

1:06:11.280 --> 1:06:14.000
<v Speaker 1>was like no way. Um, but we did do that

1:06:14.000 --> 1:06:16.840
<v Speaker 1>that single deal with him. And you know, as much

1:06:16.920 --> 1:06:19.280
<v Speaker 1>as we were like, oh, that's such crap, we don't

1:06:19.320 --> 1:06:22.680
<v Speaker 1>really care about that, it worked to our advantage when

1:06:22.680 --> 1:06:24.560
<v Speaker 1>we came back to the States because, like I say,

1:06:24.640 --> 1:06:26.720
<v Speaker 1>it was happening in the clubs, they were playing it,

1:06:27.280 --> 1:06:29.280
<v Speaker 1>so people all over the country were here in the

1:06:29.320 --> 1:06:34.200
<v Speaker 1>go those for the first time. Um. Being an English import, fine,

1:06:34.280 --> 1:06:37.920
<v Speaker 1>whatever takes um. So when we came back here, I

1:06:37.960 --> 1:06:42.560
<v Speaker 1>think that the crowds that were showing up at our

1:06:42.640 --> 1:06:46.320
<v Speaker 1>conscious were so big that people couldn't ignore it. And

1:06:46.360 --> 1:06:48.520
<v Speaker 1>you know what what's funny is that I'm thinking about this,

1:06:49.040 --> 1:06:52.520
<v Speaker 1>all the major labels offered up several major labels offered

1:06:52.600 --> 1:06:56.080
<v Speaker 1>us uh EP deals nobody will offer us an LP

1:06:56.240 --> 1:06:59.240
<v Speaker 1>deal except the I R. S Records, So we signed

1:06:59.240 --> 1:07:02.680
<v Speaker 1>with them. Okay, you signed, You went to the u K.

1:07:03.000 --> 1:07:05.960
<v Speaker 1>You came back. What was the process in the time

1:07:06.000 --> 1:07:11.320
<v Speaker 1>period of getting it together and recording the album? Okay,

1:07:11.320 --> 1:07:15.160
<v Speaker 1>so we get back to l A. We signed our deal. UH,

1:07:15.560 --> 1:07:18.560
<v Speaker 1>milescope and had an idea of bringing in Richard Gotterer,

1:07:19.800 --> 1:07:22.880
<v Speaker 1>a very famous songwriter, a great producer. He he had

1:07:22.880 --> 1:07:25.600
<v Speaker 1>produced a couple of Blondie records. I thought it were

1:07:25.680 --> 1:07:29.200
<v Speaker 1>a perfect fit and it was. Um. So we packed

1:07:29.280 --> 1:07:31.640
<v Speaker 1>up and we went to New York for several months

1:07:31.680 --> 1:07:34.400
<v Speaker 1>to work on our first album, Beauty and the Beat,

1:07:35.480 --> 1:07:43.560
<v Speaker 1>and Richard was was guiding us and helped us to

1:07:44.360 --> 1:07:48.280
<v Speaker 1>UH realized that what we needed to do was slow

1:07:48.560 --> 1:07:51.440
<v Speaker 1>everything down a little bit. You could actually hear the melody,

1:07:51.520 --> 1:07:54.520
<v Speaker 1>the vocal melody, which was sort of flying by so

1:07:54.600 --> 1:07:57.160
<v Speaker 1>finished you couldn't appreciate it. We slowed it all dawn.

1:07:57.840 --> 1:07:59.880
<v Speaker 1>We're still a punk band at heart, but we'd be

1:08:00.080 --> 1:08:02.640
<v Speaker 1>came what was happening. He had these great pop mullies

1:08:02.640 --> 1:08:06.280
<v Speaker 1>over top these punk punk chords, and you know, we're

1:08:06.320 --> 1:08:09.760
<v Speaker 1>playing really fast. Um. He helped us change that up

1:08:09.800 --> 1:08:12.840
<v Speaker 1>and make it more accessible to the general public. And

1:08:13.320 --> 1:08:15.840
<v Speaker 1>it was at first when we heard our record we

1:08:15.920 --> 1:08:18.080
<v Speaker 1>hated it. We thought, oh god, this isn't what we

1:08:18.120 --> 1:08:21.160
<v Speaker 1>really sound like. What has he done to us? And

1:08:21.200 --> 1:08:23.840
<v Speaker 1>then seven or eight months later, when the records number one,

1:08:23.880 --> 1:08:26.599
<v Speaker 1>we were like, Richard is genius. What a trade guy.

1:08:26.720 --> 1:08:30.680
<v Speaker 1>He knew exactly what to do, and we didn't, you know, whatever,

1:08:31.080 --> 1:08:34.160
<v Speaker 1>Richard is genius. He's a great song man, and he

1:08:34.240 --> 1:08:36.160
<v Speaker 1>did know what to do with those songs, and he

1:08:36.200 --> 1:08:38.919
<v Speaker 1>gave it a very classic sound. Okay, it wasn't exactly

1:08:38.920 --> 1:08:42.200
<v Speaker 1>what we wanted, but it's classic. Cool. Okay. When when

1:08:42.240 --> 1:08:47.960
<v Speaker 1>you showed up in New York, were the songs already written? Yeah,

1:08:48.000 --> 1:08:49.880
<v Speaker 1>they were. They were already written when we got there.

1:08:49.880 --> 1:08:51.800
<v Speaker 1>We had, you know, several songs, and he chose what

1:08:51.880 --> 1:08:54.040
<v Speaker 1>he thought would be best on the record, and we

1:08:54.120 --> 1:08:56.519
<v Speaker 1>worked on him. We worked on the arrangements, which were

1:08:56.520 --> 1:08:59.719
<v Speaker 1>pretty close. But he really he was Richard, such a song.

1:09:00.080 --> 1:09:01.920
<v Speaker 1>It's all about the song. You gotta start with that

1:09:02.200 --> 1:09:05.120
<v Speaker 1>or you got nothing. You gotta have a great song.

1:09:05.960 --> 1:09:09.080
<v Speaker 1>So did he hear the stuff before you came to

1:09:09.120 --> 1:09:12.639
<v Speaker 1>New York? Did you work with you? No? He had

1:09:12.640 --> 1:09:15.840
<v Speaker 1>been sent tapes. Okay, so now you're in New York

1:09:15.920 --> 1:09:18.719
<v Speaker 1>for months, Needles just say, I hear kachin, kachin, kachin

1:09:18.880 --> 1:09:22.280
<v Speaker 1>the bill, which is ultimately being paid by you. But

1:09:22.400 --> 1:09:27.720
<v Speaker 1>you were also portray a wild time in addition to recording,

1:09:28.200 --> 1:09:31.519
<v Speaker 1>You're hanging out with people, Jodie Foster, going all around.

1:09:31.600 --> 1:09:35.639
<v Speaker 1>What was what was going on? Then? We were we

1:09:35.640 --> 1:09:38.960
<v Speaker 1>were kids having a great time in our early twenties.

1:09:39.400 --> 1:09:42.679
<v Speaker 1>We got a little money. Finally we're on our way

1:09:42.720 --> 1:09:46.559
<v Speaker 1>to perhaps being rock stars. And it couldn't get much better,

1:09:47.080 --> 1:09:48.880
<v Speaker 1>you know, we were. I mean that was sort of

1:09:48.880 --> 1:09:51.920
<v Speaker 1>when the rat Pack was happening, all with Rob Lowe

1:09:52.000 --> 1:09:54.719
<v Speaker 1>and Andrew Carthy, that whole bunch that was all happening

1:09:54.720 --> 1:09:57.240
<v Speaker 1>at the same time. We were all part of it.

1:09:57.840 --> 1:10:01.880
<v Speaker 1>I am so lucky to have been involved in all that.

1:10:02.040 --> 1:10:05.640
<v Speaker 1>It was great, Bob, it was great. You know. It

1:10:05.960 --> 1:10:09.280
<v Speaker 1>felt like, oh my god, we have arrived. Here are peers.

1:10:09.280 --> 1:10:11.360
<v Speaker 1>Look at everyone. I mean, we're all like, we're all

1:10:11.400 --> 1:10:14.200
<v Speaker 1>on our way up. We're all working. Everybody stuff their

1:10:14.200 --> 1:10:17.880
<v Speaker 1>ship together. We are partying, but we're young, and so

1:10:18.520 --> 1:10:20.479
<v Speaker 1>that makes a difference. And it was the eighties where

1:10:20.479 --> 1:10:24.200
<v Speaker 1>you're sort of I don't know that mentality was so

1:10:24.400 --> 1:10:28.559
<v Speaker 1>different than um. Okay, so let's just assume it's the

1:10:28.600 --> 1:10:33.320
<v Speaker 1>eighties for eaving today and I dry and I say,

1:10:33.720 --> 1:10:36.160
<v Speaker 1>there's gonna be this great party. You have to go alone?

1:10:36.880 --> 1:10:41.400
<v Speaker 1>Is that cool with you? Now? I have to have

1:10:42.080 --> 1:10:46.320
<v Speaker 1>my my group with me. I've had my girl gang

1:10:46.400 --> 1:10:50.439
<v Speaker 1>with me. I notice, anyway, what none of us went

1:10:50.520 --> 1:10:53.240
<v Speaker 1>anywhere alone. We always had somebody, a couple of girls

1:10:53.240 --> 1:10:55.679
<v Speaker 1>from the from the band. We're always hanging out together.

1:10:56.520 --> 1:10:59.200
<v Speaker 1>You know, safety and numbers, bob. Okay, So you go,

1:10:59.280 --> 1:11:03.000
<v Speaker 1>and it helps to have your wing people. But are

1:11:03.040 --> 1:11:06.920
<v Speaker 1>you the person starting the conversation making friends or are

1:11:06.920 --> 1:11:09.240
<v Speaker 1>you the one talking after they've already brought these other

1:11:09.240 --> 1:11:12.760
<v Speaker 1>people into the circle. I've probably talked after they've brought

1:11:12.800 --> 1:11:15.120
<v Speaker 1>into a certain because I am believe you're not kind

1:11:15.120 --> 1:11:18.240
<v Speaker 1>of shy, so I wait for introductions and let other

1:11:18.280 --> 1:11:21.160
<v Speaker 1>people do that, and then I'd sort of weasel my

1:11:21.240 --> 1:11:25.639
<v Speaker 1>way in there. Okay. So when we first got on

1:11:25.880 --> 1:11:30.639
<v Speaker 1>camera here, you were a ball of energy, really upfront,

1:11:30.680 --> 1:11:35.240
<v Speaker 1>really energetic. Then we touched upon your parents, you got sad.

1:11:36.120 --> 1:11:41.080
<v Speaker 1>So in terms of your personality, do you get depressed?

1:11:41.320 --> 1:11:45.040
<v Speaker 1>Are you always upbeat? How do you cope? What do

1:11:45.120 --> 1:11:48.519
<v Speaker 1>you like? Bob? I'm human, that's all. Of course I

1:11:48.600 --> 1:11:53.000
<v Speaker 1>get depressed. UM, but I try to stay as positive

1:11:53.000 --> 1:11:56.400
<v Speaker 1>as possible because you only go around once, and I

1:11:56.439 --> 1:11:59.240
<v Speaker 1>want I want to look back on my life as

1:11:59.680 --> 1:12:04.240
<v Speaker 1>as a as as a gift and and and try

1:12:04.280 --> 1:12:06.760
<v Speaker 1>to keep it a joyful experience because you know what,

1:12:07.120 --> 1:12:11.479
<v Speaker 1>there's so much crap going on that can bring you

1:12:11.560 --> 1:12:14.920
<v Speaker 1>down on a daily basis. And I tried to, Um,

1:12:15.000 --> 1:12:17.400
<v Speaker 1>I absorbed only so much and then I have to

1:12:17.400 --> 1:12:21.880
<v Speaker 1>shut it out because everything it affects me deeply. And

1:12:21.960 --> 1:12:27.000
<v Speaker 1>I you know, I just want to be happy and healthy,

1:12:27.320 --> 1:12:28.720
<v Speaker 1>and I want the people that I love to be

1:12:28.760 --> 1:12:32.280
<v Speaker 1>happy and healthy. And you know, I want to be

1:12:32.320 --> 1:12:34.080
<v Speaker 1>in the Rock and Wall Hall of Fame. It's happening

1:12:34.120 --> 1:12:40.000
<v Speaker 1>in a couple of weeks. Duh. I'm I'm pretty. I'm okay, Bob,

1:12:40.040 --> 1:12:43.640
<v Speaker 1>I'm okay, Okay. So the record comes out. When's the

1:12:43.680 --> 1:12:46.840
<v Speaker 1>first time you hear a song on the radio? And

1:12:46.880 --> 1:12:50.439
<v Speaker 1>what's that like? I'm in my car and I heard

1:12:51.040 --> 1:12:55.840
<v Speaker 1>I think it was our Lips are Steeled, and um,

1:12:55.880 --> 1:12:58.120
<v Speaker 1>that's what I felt like, Oh my god, we really

1:12:58.160 --> 1:13:00.920
<v Speaker 1>are going to make it like this is it. We're

1:13:01.000 --> 1:13:04.400
<v Speaker 1>on the radio. My parents can hear this, my friends

1:13:04.400 --> 1:13:07.880
<v Speaker 1>can hear this. I started getting calls from back in Baltimore.

1:13:07.920 --> 1:13:12.320
<v Speaker 1>Oh my god, I heard you on the radio. You know, Wow,

1:13:12.400 --> 1:13:16.080
<v Speaker 1>it's great. How incredible is that. I'm a kid from Dune, doc.

1:13:16.240 --> 1:13:18.400
<v Speaker 1>You know, I go to l A with everything I

1:13:18.400 --> 1:13:20.360
<v Speaker 1>have in the back of my dad's pickup truck, and

1:13:20.400 --> 1:13:21.920
<v Speaker 1>here it is. A couple of years later, I got

1:13:21.920 --> 1:13:33.680
<v Speaker 1>a strong on the radio. Pretty magical. Okay, you have

1:13:33.840 --> 1:13:38.400
<v Speaker 1>your story, but let's just assume the Go Goes didn't exist.

1:13:38.800 --> 1:13:43.320
<v Speaker 1>Would you have made it anyway? I don't know. I

1:13:43.320 --> 1:13:47.639
<v Speaker 1>had no idea. I know that I was very driven

1:13:48.880 --> 1:13:53.519
<v Speaker 1>and I was looking for the right people to work with,

1:13:54.320 --> 1:13:57.800
<v Speaker 1>But I have no idea. I really don't. I would

1:13:57.840 --> 1:13:59.800
<v Speaker 1>have kept playing and played until I found the right fit.

1:13:59.840 --> 1:14:05.000
<v Speaker 1>I know that. Okay, So over time the record builds

1:14:05.000 --> 1:14:09.080
<v Speaker 1>ahead of steam and it's mega successful. You were on SNL.

1:14:09.920 --> 1:14:12.439
<v Speaker 1>You know, you have the famous video where you're jumping

1:14:12.479 --> 1:14:15.639
<v Speaker 1>in the fountain. Were you moving so fast you couldn't

1:14:15.640 --> 1:14:18.960
<v Speaker 1>think about it? What was the experience? That's exactly, Bob,

1:14:19.040 --> 1:14:21.840
<v Speaker 1>That's exactly what it was. Things were happening at such

1:14:21.880 --> 1:14:23.840
<v Speaker 1>a rapid pace that I don't think any of us

1:14:23.880 --> 1:14:27.680
<v Speaker 1>had time to really take it all in. Um. You know,

1:14:27.800 --> 1:14:32.280
<v Speaker 1>we were just like just doing whatever we were told

1:14:32.320 --> 1:14:35.400
<v Speaker 1>to do. Uh. And it was all supposed to be

1:14:35.479 --> 1:14:38.960
<v Speaker 1>part of what it takes to make your record sell

1:14:39.240 --> 1:14:41.680
<v Speaker 1>and you know, to be a part of whatever of

1:14:41.760 --> 1:14:45.040
<v Speaker 1>whatever that rock stardom stuff is. We were just trying

1:14:45.080 --> 1:14:47.880
<v Speaker 1>to do what we were supposed to do. Um. And

1:14:47.880 --> 1:14:50.200
<v Speaker 1>we didn't that really, we didn't. We never took time

1:14:50.200 --> 1:14:52.439
<v Speaker 1>to really sit down and talk and think about it.

1:14:52.720 --> 1:14:56.320
<v Speaker 1>And you know, that's the way the record labels pushed

1:14:56.320 --> 1:14:59.160
<v Speaker 1>you back then. You would get off tour and have

1:14:59.200 --> 1:15:01.120
<v Speaker 1>a couple of weeks off and go right back on

1:15:01.120 --> 1:15:03.240
<v Speaker 1>on tour, go right back out on tour. When you

1:15:03.280 --> 1:15:05.320
<v Speaker 1>finished that tour, you come back and work on a record,

1:15:05.720 --> 1:15:07.880
<v Speaker 1>and then you go right back out on tour. That's

1:15:07.880 --> 1:15:09.920
<v Speaker 1>that's the way it worked, and that's what we were

1:15:10.040 --> 1:15:14.240
<v Speaker 1>used to you know. Um. You know, in retrospect, it's like,

1:15:14.280 --> 1:15:16.960
<v Speaker 1>oh my god, you need to take time off to

1:15:17.720 --> 1:15:21.479
<v Speaker 1>find yourself and to learn how to really communicate with

1:15:21.520 --> 1:15:28.040
<v Speaker 1>each other. Um. There wasn't a lot of time for that. Okay,

1:15:28.120 --> 1:15:31.720
<v Speaker 1>so who said when to make this second record, the

1:15:31.760 --> 1:15:35.519
<v Speaker 1>record company or the band? And was the band company

1:15:35.640 --> 1:15:39.120
<v Speaker 1>their record company the record company? Did you have the songs?

1:15:39.160 --> 1:15:44.480
<v Speaker 1>And when were they written? We had some of the songs, um,

1:15:44.680 --> 1:15:46.479
<v Speaker 1>but I think that most of that stuff was written

1:15:46.479 --> 1:15:49.479
<v Speaker 1>while we were on tour. We didn't have time to

1:15:49.640 --> 1:15:53.799
<v Speaker 1>go home and work on stuff. Um. You know that,

1:15:53.960 --> 1:15:55.920
<v Speaker 1>you know the old saying the first record is a

1:15:55.960 --> 1:15:58.280
<v Speaker 1>lifetime takes a life time, and make second when you

1:15:58.320 --> 1:16:01.960
<v Speaker 1>gotta quick get it out. And of course we're all

1:16:02.000 --> 1:16:04.519
<v Speaker 1>worried about the sophomore jinks. You know, it could never

1:16:04.520 --> 1:16:06.640
<v Speaker 1>be as good as the first winner. I mean, it

1:16:06.760 --> 1:16:10.760
<v Speaker 1>was incredible that our first album sold the way that

1:16:10.800 --> 1:16:13.200
<v Speaker 1>it did, so we knew the second one was going

1:16:13.240 --> 1:16:16.120
<v Speaker 1>to be tough. You know, we were going to get

1:16:16.240 --> 1:16:18.639
<v Speaker 1>there going to say, oh, the first record you sold this, maney,

1:16:18.680 --> 1:16:20.720
<v Speaker 1>what's the problem with the second one? We did the

1:16:20.760 --> 1:16:24.920
<v Speaker 1>best we could, that's all. Okay. The second album comes out,

1:16:25.400 --> 1:16:28.599
<v Speaker 1>Cathy's got this song vacation. You worked that up after

1:16:28.560 --> 1:16:31.360
<v Speaker 1>it comes a hit. What's the perception being in the

1:16:31.400 --> 1:16:37.160
<v Speaker 1>band of the second record. I think that we all

1:16:37.200 --> 1:16:40.160
<v Speaker 1>felt rushed with that. We did feel rushed on the

1:16:40.160 --> 1:16:45.200
<v Speaker 1>second record, absolutely, and thank god Kathy had written Vacation

1:16:46.720 --> 1:16:48.840
<v Speaker 1>and we brought it into the band, changed it up

1:16:48.840 --> 1:16:52.040
<v Speaker 1>a little bit, worked up the arrangement and it became

1:16:52.080 --> 1:16:56.080
<v Speaker 1>a go go song, and that, you know, was the

1:16:56.479 --> 1:17:02.479
<v Speaker 1>was the single, and thank god Cathy. And what about

1:17:02.520 --> 1:17:05.200
<v Speaker 1>the other songs? Were they written in the studio? No,

1:17:05.439 --> 1:17:08.760
<v Speaker 1>they were written on tour. Did you ever written in

1:17:08.760 --> 1:17:10.680
<v Speaker 1>the studio, Bob? We have to have come in with

1:17:10.720 --> 1:17:14.639
<v Speaker 1>it prepared. Did you consciously say we'd better be writing

1:17:14.640 --> 1:17:16.320
<v Speaker 1>because we're gonna have to make a record, or it

1:17:16.320 --> 1:17:20.120
<v Speaker 1>happens spontaneously. I think it happens spontaneously. I think we

1:17:20.120 --> 1:17:23.360
<v Speaker 1>were all too busy and wound up, you know, at

1:17:23.360 --> 1:17:26.400
<v Speaker 1>that particular time, with everything that's going on around us.

1:17:26.520 --> 1:17:31.000
<v Speaker 1>And that's what I say. What what I'm saying here

1:17:31.080 --> 1:17:34.559
<v Speaker 1>is that there wasn't a lot of thought put into anything.

1:17:34.680 --> 1:17:36.439
<v Speaker 1>It was just do it, do it, do it, get

1:17:36.439 --> 1:17:40.240
<v Speaker 1>it done, put the record out. You know. We we

1:17:40.280 --> 1:17:42.439
<v Speaker 1>should have been allowed a little bit more time to

1:17:42.479 --> 1:17:49.040
<v Speaker 1>do everything, but we didn't know any better. Okay, then

1:17:49.080 --> 1:17:51.479
<v Speaker 1>you make the third record with Martin Russian, who of

1:17:51.479 --> 1:17:55.120
<v Speaker 1>course had used success with the Human Leagues. No, longer

1:17:55.160 --> 1:18:00.200
<v Speaker 1>with us. How did that come together? Um, well, we

1:18:00.240 --> 1:18:05.959
<v Speaker 1>did have some time off then and Martin I adored.

1:18:06.080 --> 1:18:09.200
<v Speaker 1>I thought that Human League record Dare was a masterpiece.

1:18:10.000 --> 1:18:11.680
<v Speaker 1>And when his name was brought up, I think it

1:18:11.720 --> 1:18:17.440
<v Speaker 1>was Kathy and myself that really pushed for him. Um.

1:18:17.479 --> 1:18:20.040
<v Speaker 1>I mean that album like I say that, albam there

1:18:20.080 --> 1:18:23.479
<v Speaker 1>is a masterpiece. And Martin was you know, produced it.

1:18:23.560 --> 1:18:26.200
<v Speaker 1>So I was like, please, just let's do it the

1:18:26.200 --> 1:18:28.559
<v Speaker 1>record of everybody agreed to do it. Whatever to England,

1:18:29.439 --> 1:18:32.479
<v Speaker 1>um to work on that record. But unfortunately, this was

1:18:32.560 --> 1:18:36.599
<v Speaker 1>the hype of the drug intake and also everybody had

1:18:36.640 --> 1:18:41.880
<v Speaker 1>plenty of money and uh, and the band was splintering

1:18:41.920 --> 1:18:44.280
<v Speaker 1>at that point, where you know, there was a lot

1:18:44.040 --> 1:18:50.120
<v Speaker 1>of there was problems, and no, we weren't communicating, we

1:18:50.120 --> 1:18:53.840
<v Speaker 1>weren't realistic about our situation. Once again, we're just doing

1:18:53.920 --> 1:18:56.760
<v Speaker 1>what we're told to do, um and not stopping to

1:18:56.840 --> 1:19:00.360
<v Speaker 1>think about the consequences of not having enough time to

1:19:00.360 --> 1:19:05.080
<v Speaker 1>really work on things on ourselves, you know, on our songs.

1:19:05.160 --> 1:19:08.960
<v Speaker 1>We just had to get it together. I love that record. Nonetheless,

1:19:09.360 --> 1:19:11.160
<v Speaker 1>I love Talk Show. I love the way it sunds.

1:19:11.240 --> 1:19:17.760
<v Speaker 1>Martin was a great producer, a wonderful guy. Um, and

1:19:18.040 --> 1:19:20.280
<v Speaker 1>I love that record. I'm happy with that record. How

1:19:20.280 --> 1:19:24.280
<v Speaker 1>did you decide not to use Richard one more time? Oh?

1:19:24.360 --> 1:19:26.439
<v Speaker 1>That was done. It was time to move on. It

1:19:26.560 --> 1:19:29.280
<v Speaker 1>was time, it was we needed to change. It couldn't

1:19:29.280 --> 1:19:31.720
<v Speaker 1>be the same thing again. Come on. Okay, So the

1:19:31.800 --> 1:19:37.360
<v Speaker 1>third record comes out, there's no obvious single. Ultimately head

1:19:37.400 --> 1:19:39.720
<v Speaker 1>over Heels. Head over Heels was a single, okay, but

1:19:39.760 --> 1:19:41.360
<v Speaker 1>I'm trying to say it didn't have the level of

1:19:41.400 --> 1:19:47.880
<v Speaker 1>success of the previous tracks. And then ultimately Jane says

1:19:47.920 --> 1:19:51.280
<v Speaker 1>she's gonna leave. Did you feel that coming? Was that

1:19:51.400 --> 1:19:56.519
<v Speaker 1>a total surprise? What was happening there? Well, Jane wanted

1:19:56.560 --> 1:20:01.040
<v Speaker 1>to be wanted to sing one of the songs Forget

1:20:01.080 --> 1:20:07.559
<v Speaker 1>that day, and uh, we sat down and agreed that

1:20:07.600 --> 1:20:11.559
<v Speaker 1>it wouldn't be good. Belinda would feel her role would

1:20:11.560 --> 1:20:17.240
<v Speaker 1>be diminished as a lead singer, and so you know, Um,

1:20:17.320 --> 1:20:20.400
<v Speaker 1>that's the way that went down. And obviously Jane I

1:20:20.479 --> 1:20:24.840
<v Speaker 1>couldn't deal with it and told us that she was

1:20:24.880 --> 1:20:28.600
<v Speaker 1>going to quit. Of course, I felt that, you know,

1:20:30.080 --> 1:20:33.240
<v Speaker 1>if Jane wanted to do her own material and be,

1:20:33.920 --> 1:20:36.679
<v Speaker 1>you know, be the lead singer, she should. She could

1:20:36.680 --> 1:20:38.760
<v Speaker 1>go out and get a solo deal and still be

1:20:38.800 --> 1:20:41.360
<v Speaker 1>in the band. But like I said, things were going

1:20:41.400 --> 1:20:43.559
<v Speaker 1>so fast, and there was a lot of drugs and

1:20:43.600 --> 1:20:47.000
<v Speaker 1>there was just everybody had their own camp and people

1:20:47.000 --> 1:20:48.960
<v Speaker 1>that were pushing them to do this and that, and

1:20:49.479 --> 1:20:52.599
<v Speaker 1>our management was not guiding us. They weren't really taking

1:20:52.640 --> 1:20:56.439
<v Speaker 1>care of things the right way. Um. You know, they

1:20:56.439 --> 1:20:59.240
<v Speaker 1>got to focusing on Belinda and her and she could

1:20:59.280 --> 1:21:03.200
<v Speaker 1>be a star. It was just coming apart, so that

1:21:03.360 --> 1:21:06.639
<v Speaker 1>the Jay thing was it was not a surprise, but

1:21:06.800 --> 1:21:09.479
<v Speaker 1>I couldn't when it actually happened. It seemed like, oh

1:21:09.479 --> 1:21:12.479
<v Speaker 1>my god, I can't believe she's really doing this. And

1:21:12.520 --> 1:21:17.120
<v Speaker 1>then ultimately there's one more splinter with Charlotte and Belinda

1:21:17.200 --> 1:21:20.840
<v Speaker 1>going off. Yeah, well that that was the final. Yeah,

1:21:20.960 --> 1:21:25.839
<v Speaker 1>that was it. Uh, that was weird because, um, Kathy

1:21:25.840 --> 1:21:28.519
<v Speaker 1>and I were just trying to keep things together and

1:21:29.200 --> 1:21:32.439
<v Speaker 1>Charlotte and we didn't put Charlotte in rehab and she

1:21:32.600 --> 1:21:35.800
<v Speaker 1>was I thought would come out better and we'd be

1:21:35.880 --> 1:21:38.599
<v Speaker 1>more united and we worked together. As it turns out,

1:21:38.680 --> 1:21:41.759
<v Speaker 1>she came out and I don't know what her Blenna

1:21:41.800 --> 1:21:44.680
<v Speaker 1>we're talking about, but we were all called into a

1:21:44.760 --> 1:21:48.000
<v Speaker 1>meeting at our management office and walked in and were

1:21:48.000 --> 1:21:51.479
<v Speaker 1>told Charlotte when they said, you know, the band is

1:21:51.520 --> 1:21:56.200
<v Speaker 1>over and that's that. And Kathy and I were mortified

1:21:56.240 --> 1:22:01.400
<v Speaker 1>and couldn't believe it was happening. Um, and we just

1:22:01.439 --> 1:22:03.880
<v Speaker 1>had to deal with it. That's the way it went. Dan.

1:22:03.960 --> 1:22:06.120
<v Speaker 1>It wasn't it wasn't right. It wasn't done the right way.

1:22:06.400 --> 1:22:09.040
<v Speaker 1>You know, what disbandinged to do is take a year

1:22:09.080 --> 1:22:14.880
<v Speaker 1>or two off and come back and communicate and you know,

1:22:15.000 --> 1:22:16.640
<v Speaker 1>do what we need to do with each other to

1:22:16.680 --> 1:22:20.240
<v Speaker 1>make it all right. Now. Charlotte, I only spent one

1:22:20.400 --> 1:22:23.960
<v Speaker 1>night sit next to her at some gig and talking

1:22:24.000 --> 1:22:26.720
<v Speaker 1>to her. But based on that experience, I know this

1:22:26.800 --> 1:22:29.920
<v Speaker 1>is a stupid statement. She would be the last person

1:22:29.960 --> 1:22:32.400
<v Speaker 1>I would expect to get hooked on heroin. How does

1:22:32.439 --> 1:22:35.760
<v Speaker 1>someone like Charlotte get hooked on heroin? I don't know.

1:22:35.800 --> 1:22:38.920
<v Speaker 1>You have to ask her. You know, it's a personal thing.

1:22:38.960 --> 1:22:43.000
<v Speaker 1>I don't know, man. You just uh, maybe the people

1:22:43.040 --> 1:22:45.280
<v Speaker 1>that are around you are doing it and you sort

1:22:45.280 --> 1:22:47.400
<v Speaker 1>of play with it and then it becomes a habit

1:22:47.439 --> 1:22:50.760
<v Speaker 1>before you know it. I had an issue with it

1:22:50.840 --> 1:22:54.840
<v Speaker 1>the nineties, um, and that was out of boredom, and

1:22:55.080 --> 1:22:57.040
<v Speaker 1>my thing was like Oh, we're just smoking it. It's

1:22:57.080 --> 1:22:58.960
<v Speaker 1>not a big deal. Well, yeah, it is a big deal.

1:23:00.040 --> 1:23:04.360
<v Speaker 1>You know. Heroin is the fucking devil. It's bad news,

1:23:03.680 --> 1:23:06.519
<v Speaker 1>bad news. So how long were you doing heron and

1:23:06.560 --> 1:23:09.719
<v Speaker 1>how did you get off? Oh? I was in rehab

1:23:09.760 --> 1:23:13.840
<v Speaker 1>like three times and before I got it together. Most people,

1:23:14.080 --> 1:23:15.760
<v Speaker 1>that's one thing I have to say about charge. She

1:23:15.840 --> 1:23:19.840
<v Speaker 1>was in rehab once, since she stayed sober. Most people

1:23:19.880 --> 1:23:22.519
<v Speaker 1>would take several times. It took me three times before

1:23:22.520 --> 1:23:25.920
<v Speaker 1>I got myself together, and that's been over twenty years.

1:23:25.960 --> 1:23:28.600
<v Speaker 1>I'd never do that, never do it again. It's a

1:23:29.880 --> 1:23:31.640
<v Speaker 1>you just become a different person. I look at that

1:23:31.680 --> 1:23:34.320
<v Speaker 1>and I think, like, that's not That's not who I am.

1:23:34.600 --> 1:23:40.160
<v Speaker 1>You know, I'm not that person. It's dark. It's really dark. Okay.

1:23:40.439 --> 1:23:44.439
<v Speaker 1>You know it's especially prevalent heroin now as a result

1:23:44.479 --> 1:23:48.920
<v Speaker 1>of the OxyContin situation, and need to say, heroin is

1:23:49.000 --> 1:23:50.760
<v Speaker 1>much less that's one of the reason people take it.

1:23:50.760 --> 1:23:53.960
<v Speaker 1>It's much less expensive than OxyContin, which also is harder

1:23:54.000 --> 1:23:57.559
<v Speaker 1>to get. But what was it like? You know, if

1:23:57.600 --> 1:24:01.479
<v Speaker 1>people like David Crosby, who lose everything, you're taking heroin.

1:24:02.000 --> 1:24:04.639
<v Speaker 1>You know, traditionally people say they spend all day thinking

1:24:04.640 --> 1:24:06.559
<v Speaker 1>about where they're going to get their next fix. What

1:24:06.600 --> 1:24:09.599
<v Speaker 1>was your experience, No, I just get what I need,

1:24:09.720 --> 1:24:12.479
<v Speaker 1>that's all, and just stay at home and do it.

1:24:14.240 --> 1:24:16.720
<v Speaker 1>That's it. When I would do that drug, I was

1:24:18.960 --> 1:24:20.240
<v Speaker 1>I had a lot of it would give me a

1:24:20.280 --> 1:24:25.200
<v Speaker 1>lot of energy, So I was constantly doing something. So

1:24:25.320 --> 1:24:27.320
<v Speaker 1>if I had asked you at that time, if it

1:24:27.400 --> 1:24:31.120
<v Speaker 1>was open, you're doing heroin, and I said you shouldn't

1:24:31.120 --> 1:24:34.879
<v Speaker 1>be doing it, you would have said, mind your business,

1:24:35.040 --> 1:24:37.679
<v Speaker 1>mind your own business. It's that nothing to do with you.

1:24:38.240 --> 1:24:40.519
<v Speaker 1>And I'll tell you something. When you're doing that drug,

1:24:41.000 --> 1:24:43.720
<v Speaker 1>people would say whatever they want, and people around you

1:24:43.760 --> 1:24:46.760
<v Speaker 1>can die, can overdose from it. It It doesn't matter. You

1:24:46.880 --> 1:24:50.479
<v Speaker 1>stop doing drugs when you are ready to. And I

1:24:50.479 --> 1:24:54.280
<v Speaker 1>don't know exactly that when that happens or how that happens,

1:24:54.479 --> 1:24:57.040
<v Speaker 1>but everybody has that moment if they're lucky, I had

1:24:57.080 --> 1:25:00.680
<v Speaker 1>that moment and I stopped, and at the end of it,

1:25:01.960 --> 1:25:04.960
<v Speaker 1>for me, I would never I would never deal with

1:25:04.960 --> 1:25:08.439
<v Speaker 1>that drug again because, uh, trying to get off of

1:25:08.520 --> 1:25:12.640
<v Speaker 1>it is such a horrible experience. I couldn't live through it.

1:25:12.680 --> 1:25:15.680
<v Speaker 1>So I'll never that. That will never be in my

1:25:15.760 --> 1:25:18.360
<v Speaker 1>life again. Okay, so if you went three times, you

1:25:18.400 --> 1:25:22.320
<v Speaker 1>obviously relapse twice. What was going on there? It's easy

1:25:22.400 --> 1:25:26.320
<v Speaker 1>to relapse, you know. It's just it's familiar territory. It

1:25:26.439 --> 1:25:29.800
<v Speaker 1>numbs you up. It just makes you numb, so that

1:25:29.880 --> 1:25:33.280
<v Speaker 1>everything around you good, If there's any kind of anything

1:25:33.320 --> 1:25:36.160
<v Speaker 1>that's good or bad, it just evens it all out

1:25:36.280 --> 1:25:39.720
<v Speaker 1>and you're numb to everything that's around you. So, uh,

1:25:40.120 --> 1:25:45.080
<v Speaker 1>it's easy to live day by day that way. You

1:25:45.080 --> 1:25:51.439
<v Speaker 1>don't you don't hurt, You don't hurt. However, what about

1:25:51.479 --> 1:25:55.200
<v Speaker 1>the potential concept of odine? You just put that out

1:25:55.200 --> 1:25:57.880
<v Speaker 1>of your mind. Or you're trying to be if you're

1:25:58.000 --> 1:26:01.800
<v Speaker 1>if you're if you're iron, and if you're using a needle, Well, yeah,

1:26:01.880 --> 1:26:04.080
<v Speaker 1>I guess so. I don't know. I would have never

1:26:04.120 --> 1:26:08.160
<v Speaker 1>touched that. My stupidity on my behalf was that I

1:26:08.200 --> 1:26:11.080
<v Speaker 1>was smoking it, thinking oh, it's not such a big deal.

1:26:11.120 --> 1:26:16.719
<v Speaker 1>It's like smoking pot. But of course that's ridiculous. Okay,

1:26:16.720 --> 1:26:18.680
<v Speaker 1>the band breaks up. What goes through your head? You

1:26:18.760 --> 1:26:22.599
<v Speaker 1>ultimately get a deal with House of Shock. What's what's

1:26:22.600 --> 1:26:26.120
<v Speaker 1>going on there? Well, you know, when the band broke up,

1:26:26.360 --> 1:26:29.120
<v Speaker 1>I was it was so bitter about the way that

1:26:29.160 --> 1:26:32.519
<v Speaker 1>went down, and I couldn't. I don't gonna wallow in that,

1:26:32.800 --> 1:26:36.120
<v Speaker 1>so I bitterness. So I just thought, Okay, I'm gonna

1:26:36.200 --> 1:26:39.920
<v Speaker 1>get myself together, and I worked with Kathy for a while.

1:26:40.000 --> 1:26:41.880
<v Speaker 1>We tried to put a band together, and that didn't

1:26:42.280 --> 1:26:44.120
<v Speaker 1>didn't gel in the way I hoped it would. And

1:26:44.120 --> 1:26:46.360
<v Speaker 1>then I thought, okay, I'm just gonna start from scratch,

1:26:47.560 --> 1:26:52.320
<v Speaker 1>and uh, look for the right people. I found Vance Degenerous,

1:26:53.479 --> 1:26:57.519
<v Speaker 1>and Vance and I started writing, and then we found

1:26:57.520 --> 1:26:59.719
<v Speaker 1>other players to work in the band House of Shock.

1:27:00.760 --> 1:27:03.439
<v Speaker 1>I got Miles Copeland to manage us. We would rehearse

1:27:03.560 --> 1:27:06.439
<v Speaker 1>up in his ass, and we did a show at

1:27:06.439 --> 1:27:10.360
<v Speaker 1>the Roxy, and record labels were invited and we did

1:27:10.360 --> 1:27:12.519
<v Speaker 1>one show and got a record deal with Capitol Records,

1:27:13.400 --> 1:27:16.920
<v Speaker 1>and uh, yeah, that's pretty cool. Do one show get

1:27:16.920 --> 1:27:19.439
<v Speaker 1>a deal? Very very cool? And then how did it

1:27:19.439 --> 1:27:22.240
<v Speaker 1>play out after that? Well, then we got Richard got

1:27:22.320 --> 1:27:24.360
<v Speaker 1>I brought I said, I want Richard back to help

1:27:24.400 --> 1:27:27.960
<v Speaker 1>make sure the songs are all together. And Richard came

1:27:27.960 --> 1:27:29.519
<v Speaker 1>in and we did the record and then I brought

1:27:29.520 --> 1:27:32.280
<v Speaker 1>in Chas Stamford, who had written I Ain't missing you,

1:27:32.880 --> 1:27:35.839
<v Speaker 1>missing you whatever. I knew he was a good songwriter

1:27:35.880 --> 1:27:39.080
<v Speaker 1>and a good producer, or brought him into sort of

1:27:40.960 --> 1:27:44.120
<v Speaker 1>work on the single, fixed the track a little bit

1:27:44.160 --> 1:27:48.720
<v Speaker 1>more um um, and we put the record out and

1:27:48.800 --> 1:27:50.719
<v Speaker 1>did what it did not a hell a lot. Didn't

1:27:50.720 --> 1:27:52.559
<v Speaker 1>have a lot of I didn't didn't have a lot

1:27:52.600 --> 1:27:56.840
<v Speaker 1>of money behind it pushing it. But I did get

1:27:56.880 --> 1:27:59.760
<v Speaker 1>a call. This sort of makes me happy. I got

1:27:59.840 --> 1:28:02.640
<v Speaker 1>a call from Billy Steinberg, who was a great songwriter,

1:28:02.800 --> 1:28:04.880
<v Speaker 1>and he said to me, Gina, I just had to

1:28:04.920 --> 1:28:06.519
<v Speaker 1>call you to let you know. I was driving to

1:28:06.840 --> 1:28:09.040
<v Speaker 1>Palm Springs from l A, which is where he lived

1:28:09.200 --> 1:28:12.760
<v Speaker 1>at the time, and he said, the song came on

1:28:12.800 --> 1:28:14.920
<v Speaker 1>the radio and it was so good I had to

1:28:14.960 --> 1:28:17.200
<v Speaker 1>pull my car over and listen. And at the end

1:28:17.200 --> 1:28:19.000
<v Speaker 1>of it, they said, oh, this is house of Shocked,

1:28:19.000 --> 1:28:21.400
<v Speaker 1>Gina Shocked, and the go goes. He said, I gotta

1:28:21.479 --> 1:28:24.479
<v Speaker 1>tell you that single is fantastic, Gina. You've done a

1:28:24.479 --> 1:28:26.799
<v Speaker 1>great job and it was a song middle of nowhere,

1:28:26.880 --> 1:28:30.639
<v Speaker 1>and that meant so much to me and it still

1:28:30.680 --> 1:28:33.920
<v Speaker 1>does to this day. You know, you know whether you're

1:28:34.000 --> 1:28:36.200
<v Speaker 1>whether your record makes it or not, as it's all

1:28:36.320 --> 1:28:40.559
<v Speaker 1>timing and there's a lot involved in whether something happens money,

1:28:41.080 --> 1:28:42.840
<v Speaker 1>it's sort of out of your hands. Once you make

1:28:42.880 --> 1:28:44.920
<v Speaker 1>that record, you do the best you can to set

1:28:44.920 --> 1:28:50.479
<v Speaker 1>it all up and h so the record is not

1:28:50.520 --> 1:28:53.280
<v Speaker 1>as successful as you have as it happens, I'm disappointed,

1:28:53.280 --> 1:28:56.320
<v Speaker 1>were you? And what happened with the act and what

1:28:56.360 --> 1:28:59.600
<v Speaker 1>was your next step? Well, I was, yeah, I was disappointed.

1:28:59.640 --> 1:29:03.479
<v Speaker 1>And then to make matters worse, Uh, the whole regime

1:29:03.520 --> 1:29:08.639
<v Speaker 1>at Capital Records changed. Our guy who was the head

1:29:08.680 --> 1:29:11.200
<v Speaker 1>of Capital of the time he got asked, and even

1:29:11.240 --> 1:29:13.680
<v Speaker 1>my head of the A and R. Tom Wally who

1:29:13.760 --> 1:29:18.439
<v Speaker 1>signed me, who actually went on to help make UM

1:29:18.640 --> 1:29:23.320
<v Speaker 1>Much Records. I can't think of it um anyway, interscope,

1:29:23.360 --> 1:29:27.519
<v Speaker 1>thank you um And it was a tough time, but

1:29:27.800 --> 1:29:32.120
<v Speaker 1>I thought I've done the best I can and you know,

1:29:32.200 --> 1:29:34.800
<v Speaker 1>if this is what it's all about, I'm done with

1:29:34.840 --> 1:29:38.160
<v Speaker 1>this crap. So I just thought, nowhere bands, I'm done

1:29:38.160 --> 1:29:40.120
<v Speaker 1>with this. Then I went to New York and thought

1:29:40.200 --> 1:29:42.800
<v Speaker 1>I was just going to be a songwriter, and so

1:29:42.840 --> 1:29:45.479
<v Speaker 1>I got a record deal on I mean a publishing

1:29:45.520 --> 1:29:48.640
<v Speaker 1>deal with m c A in New York. John Alexander

1:29:48.720 --> 1:29:52.640
<v Speaker 1>signed me and then I just wrote for several years

1:29:52.760 --> 1:29:58.080
<v Speaker 1>and you know, worked on my songwriting skills and and

1:29:58.120 --> 1:30:00.080
<v Speaker 1>in the meantime, the go goes. We started playing and

1:30:00.120 --> 1:30:04.920
<v Speaker 1>again started getting together. Sorry, okay, a couple of things.

1:30:05.520 --> 1:30:09.519
<v Speaker 1>Ginger was the original manager, then you became part of

1:30:09.520 --> 1:30:13.960
<v Speaker 1>the h K Empire. Why did you get rid of Ginger?

1:30:14.439 --> 1:30:18.280
<v Speaker 1>And retrospect? Hole important? Was Ginger to your success? And

1:30:18.360 --> 1:30:23.839
<v Speaker 1>to what degree did her absence contribute to the breakup? Yeah,

1:30:23.880 --> 1:30:30.840
<v Speaker 1>Ginger was the glue when when we when Ginger left,

1:30:31.000 --> 1:30:33.000
<v Speaker 1>we didn't fire her. We didn't want her to go.

1:30:33.320 --> 1:30:37.120
<v Speaker 1>We thought that, you know, Jimer just started out with us,

1:30:37.120 --> 1:30:39.519
<v Speaker 1>and we thought like, wow, we've reached this point where

1:30:39.520 --> 1:30:42.680
<v Speaker 1>we might need a bigger management company to sort of

1:30:42.760 --> 1:30:46.960
<v Speaker 1>oversee things. Can we have Ginger work with a bigger company?

1:30:47.160 --> 1:30:49.200
<v Speaker 1>And you know, I guess a lot of things went

1:30:49.280 --> 1:30:53.600
<v Speaker 1>down that we weren't pretty to back then, And I

1:30:53.680 --> 1:30:56.360
<v Speaker 1>only found out since then when I talked to Ginger

1:30:56.840 --> 1:31:02.000
<v Speaker 1>um and all of a sudden, Ginger was gone. She

1:31:02.200 --> 1:31:03.960
<v Speaker 1>left l A and was in New York. I don't

1:31:03.960 --> 1:31:07.040
<v Speaker 1>know what happened. It was, you know, we were sort

1:31:07.040 --> 1:31:08.960
<v Speaker 1>of like, oh my god, we didn't want her to go.

1:31:09.560 --> 1:31:12.240
<v Speaker 1>We wanted her to work with with the newer management company,

1:31:12.280 --> 1:31:15.439
<v Speaker 1>a big company, you know, because we knew that her

1:31:15.479 --> 1:31:19.040
<v Speaker 1>input would be sorely missed and it was and as

1:31:19.080 --> 1:31:21.559
<v Speaker 1>it you know, turned out, the band broke up. I

1:31:21.600 --> 1:31:23.639
<v Speaker 1>feel like if Ginger was there, she would have guided

1:31:23.720 --> 1:31:27.479
<v Speaker 1>us the right way where things like that wouldn't have happened.

1:31:27.560 --> 1:31:34.080
<v Speaker 1>I don't know, Bob, you know, Okay, Ginger is out.

1:31:34.280 --> 1:31:39.040
<v Speaker 1>Is she bitter? Um? I think she. I don't think

1:31:39.080 --> 1:31:44.439
<v Speaker 1>she was bitter about the band. You have to ask her,

1:31:44.600 --> 1:31:47.519
<v Speaker 1>but I don't think she thought that we were sort

1:31:47.520 --> 1:31:52.439
<v Speaker 1>of behind the way she was being treated. Nevertheless, she's

1:31:52.479 --> 1:31:57.360
<v Speaker 1>being treated really shabbily, and I I just felt really terrible.

1:31:57.360 --> 1:31:59.280
<v Speaker 1>We all feel terrible about it because we didn't, like

1:31:59.280 --> 1:32:02.719
<v Speaker 1>I said, there were things happening that we didn't know about. Um.

1:32:02.800 --> 1:32:07.040
<v Speaker 1>When when Asoft's company came in, UM and we loved Irving,

1:32:07.120 --> 1:32:11.320
<v Speaker 1>he was great, you know, Irving, Irving such a trip. Yeah.

1:32:11.360 --> 1:32:14.000
<v Speaker 1>I don't know. I you know, I couldn't say one

1:32:14.040 --> 1:32:18.160
<v Speaker 1>thing that. You know, we're all friends and we love

1:32:18.280 --> 1:32:21.120
<v Speaker 1>Ginger and she's sort of back in the phone and

1:32:21.160 --> 1:32:24.040
<v Speaker 1>has been for a while, and it's really nice nice

1:32:24.080 --> 1:32:27.640
<v Speaker 1>to tap her back. Okay, let's stay with the songwriting.

1:32:28.160 --> 1:32:32.240
<v Speaker 1>Ultimately you have some success even today, like with Miley Cyrus.

1:32:32.439 --> 1:32:36.160
<v Speaker 1>So tell us about your songwriting career. Well, you know,

1:32:36.400 --> 1:32:39.439
<v Speaker 1>I wasn't a writer initially, and then I saw how

1:32:39.520 --> 1:32:41.559
<v Speaker 1>much the songers. Man, I was like, wait a minute,

1:32:41.720 --> 1:32:44.320
<v Speaker 1>you know what, I'm working just as hard. Please give

1:32:44.360 --> 1:32:46.400
<v Speaker 1>me a break. I don't know what we got. The

1:32:46.400 --> 1:32:48.640
<v Speaker 1>beat would beat without that drum beat, you know what

1:32:48.720 --> 1:32:51.200
<v Speaker 1>I mean. I just had all these It was I

1:32:51.240 --> 1:32:54.759
<v Speaker 1>couldn't figure it out, and I was really angry. And

1:32:55.240 --> 1:32:56.960
<v Speaker 1>that was that was a big part of why. That

1:32:57.080 --> 1:32:58.800
<v Speaker 1>being kind of I'm sure it was why of being

1:32:58.880 --> 1:33:02.680
<v Speaker 1>kind of broke up um a part of it. Um.

1:33:02.720 --> 1:33:05.120
<v Speaker 1>So I just continued sorry and trying to get better

1:33:05.240 --> 1:33:09.640
<v Speaker 1>at my craft. And you know, in the like the

1:33:09.720 --> 1:33:13.360
<v Speaker 1>two thousand eight or nine or whatever, I was writing

1:33:13.400 --> 1:33:17.880
<v Speaker 1>with a couple of guys um and we wrote. We

1:33:17.880 --> 1:33:22.600
<v Speaker 1>wrote a bunch of songs, and Miley Cyrus heard one breakout.

1:33:23.680 --> 1:33:25.800
<v Speaker 1>She had had a record done, but she heard that

1:33:25.840 --> 1:33:27.519
<v Speaker 1>song and love it. She went back in and recorded

1:33:27.640 --> 1:33:30.600
<v Speaker 1>that became the title track of her record. That was

1:33:30.640 --> 1:33:32.519
<v Speaker 1>where she was going for being like a kid into

1:33:32.520 --> 1:33:36.519
<v Speaker 1>a young adult. And then Disney called us and John

1:33:36.560 --> 1:33:39.479
<v Speaker 1>Allixander was like, Hey, I got this other young U.

1:33:40.560 --> 1:33:42.760
<v Speaker 1>Her name is Selena Gomez, can you write something for

1:33:42.880 --> 1:33:46.000
<v Speaker 1>So we were brought in to write for Selena and

1:33:46.040 --> 1:33:49.760
<v Speaker 1>we wrote, uh, the first thing, all the title track

1:33:49.880 --> 1:33:52.720
<v Speaker 1>and you know, four songs for her that record. Um

1:33:52.920 --> 1:33:59.200
<v Speaker 1>and uh. So I felt like, well, guys, I actually

1:33:59.320 --> 1:34:01.800
<v Speaker 1>can write, and let me just show you what I've done.

1:34:02.880 --> 1:34:06.280
<v Speaker 1>So I felt vindicated at the end of the day

1:34:07.360 --> 1:34:10.519
<v Speaker 1>because you know, um, if you're in a band and

1:34:11.840 --> 1:34:14.799
<v Speaker 1>the way some things are sort of setting stones. Certain

1:34:14.800 --> 1:34:17.080
<v Speaker 1>people want to write with certain people and I get that,

1:34:17.880 --> 1:34:21.760
<v Speaker 1>and when you bring another elements that might mess with

1:34:21.880 --> 1:34:26.320
<v Speaker 1>that formula or whatever. But it was tough to get

1:34:26.320 --> 1:34:30.400
<v Speaker 1>into their into the songwriting group with Charlotte and Jane

1:34:30.800 --> 1:34:33.840
<v Speaker 1>h it was difficult, and so I just would write

1:34:33.880 --> 1:34:36.320
<v Speaker 1>what I would write, and whatever was accepted by the

1:34:36.320 --> 1:34:39.640
<v Speaker 1>band was But when I wrote stuff out on my

1:34:39.680 --> 1:34:44.559
<v Speaker 1>own and other artists chose to record it, that made

1:34:44.600 --> 1:34:46.439
<v Speaker 1>me feel really good and made me feel like, you

1:34:46.479 --> 1:34:50.400
<v Speaker 1>know what, I am a goddamn songwriter and somebody's appreciating.

1:34:50.439 --> 1:34:52.519
<v Speaker 1>And I didn't feel that much from the band, but

1:34:53.680 --> 1:34:55.519
<v Speaker 1>just the way it goes, you know, I don't think

1:34:55.520 --> 1:34:58.160
<v Speaker 1>it was a conscious effort on their behalfor just sort

1:34:58.160 --> 1:35:01.960
<v Speaker 1>of the way things were working. I don't know. Okay,

1:35:02.000 --> 1:35:06.080
<v Speaker 1>are you still writing songs today? I have not been.

1:35:07.680 --> 1:35:10.200
<v Speaker 1>I haven't been for like I say, the last six

1:35:10.280 --> 1:35:12.880
<v Speaker 1>years have been all devoted to my mom and dad

1:35:13.000 --> 1:35:15.680
<v Speaker 1>and uh, but I'm gonna start getting back into that.

1:35:15.720 --> 1:35:18.800
<v Speaker 1>I've been just super busy with you know, the last

1:35:18.840 --> 1:35:21.479
<v Speaker 1>year and a half writing this book and uh, putting

1:35:21.520 --> 1:35:25.480
<v Speaker 1>the book together, getting the photos together, all that, um,

1:35:25.560 --> 1:35:27.400
<v Speaker 1>and then of course there's always something going on and

1:35:27.520 --> 1:35:31.360
<v Speaker 1>go go land and which I'm super happy about. I

1:35:31.360 --> 1:35:34.519
<v Speaker 1>feel very good about the band and the way that

1:35:34.520 --> 1:35:38.479
<v Speaker 1>we communicate with each other. I just can't believe it,

1:35:38.520 --> 1:35:41.559
<v Speaker 1>all these years later, we're still it's still a five

1:35:41.600 --> 1:35:44.920
<v Speaker 1>of us, and we still like care about each other,

1:35:44.960 --> 1:35:47.760
<v Speaker 1>and it's a it's a little family here. Man. It's

1:35:47.800 --> 1:35:50.479
<v Speaker 1>a good thing. It's a good thing. Okay, let's go

1:35:50.520 --> 1:35:54.799
<v Speaker 1>back to thirty years ago. You do an House of Shock.

1:35:55.320 --> 1:35:59.160
<v Speaker 1>You're going through your thing. Meanwhile, Belinda has a couple

1:35:59.160 --> 1:36:03.640
<v Speaker 1>of very are you significant hits with videos? How do

1:36:03.720 --> 1:36:06.840
<v Speaker 1>you feel about that? Oh? I was piste off, but

1:36:07.000 --> 1:36:08.800
<v Speaker 1>then when I got my House a Shock deal, I

1:36:08.840 --> 1:36:11.280
<v Speaker 1>was fine because I was like, okay, I can do

1:36:11.400 --> 1:36:14.080
<v Speaker 1>this too. And I was just the drummer in the band.

1:36:14.720 --> 1:36:17.320
<v Speaker 1>It didn't get much songwriting in in in the go

1:36:17.320 --> 1:36:21.880
<v Speaker 1>goes um. But you know what, when pushed came to

1:36:21.920 --> 1:36:23.840
<v Speaker 1>a shove, I went out. I got a record deal,

1:36:24.040 --> 1:36:28.000
<v Speaker 1>and you know I can do that. I you know

1:36:28.040 --> 1:36:30.719
<v Speaker 1>where it ends up is I only have so much control.

1:36:31.640 --> 1:36:34.960
<v Speaker 1>But I still felt pretty good about what my contribution

1:36:35.120 --> 1:36:37.240
<v Speaker 1>was and what you know, what I tried to do

1:36:37.479 --> 1:36:40.000
<v Speaker 1>or what I did. So how did the band come

1:36:40.040 --> 1:36:44.920
<v Speaker 1>back together? Jane Fonda got this band back together. Jane

1:36:44.920 --> 1:36:48.080
<v Speaker 1>Fonda is the reason the band got back together. She

1:36:48.560 --> 1:36:54.280
<v Speaker 1>contacted contacted all of us Belinda initially about getting together

1:36:54.320 --> 1:36:57.600
<v Speaker 1>and wanting us to do a show at Universal for

1:36:58.080 --> 1:36:59.760
<v Speaker 1>a great initiative that she wanted to get on the

1:36:59.760 --> 1:37:03.760
<v Speaker 1>back it. And of course we said yes because we're

1:37:03.800 --> 1:37:07.759
<v Speaker 1>all environmentalists, and we also said yes because it's Jane Fonda,

1:37:08.160 --> 1:37:12.120
<v Speaker 1>you know, a hero of all of ours. And so

1:37:12.160 --> 1:37:14.639
<v Speaker 1>we met many times at her house in Santa Monica,

1:37:15.360 --> 1:37:19.000
<v Speaker 1>and uh, everybody just started talking. We started going out

1:37:19.000 --> 1:37:22.599
<v Speaker 1>to dinner, and you know it was a comfortable fit.

1:37:22.800 --> 1:37:25.320
<v Speaker 1>You know, we're fatily What could I say? And before

1:37:25.320 --> 1:37:28.160
<v Speaker 1>you know it, we're touring. We started touring a nine

1:37:28.439 --> 1:37:32.559
<v Speaker 1>nine haven't stopped. Okay, in the interim before Jane fond

1:37:32.560 --> 1:37:35.200
<v Speaker 1>it tracks you down, how much contact do you have

1:37:35.320 --> 1:37:38.120
<v Speaker 1>with the other four? And now since you've been back

1:37:38.120 --> 1:37:41.080
<v Speaker 1>together when you're not actually working, how much contact do

1:37:41.120 --> 1:37:44.599
<v Speaker 1>you have with the other four? Um? We we know

1:37:44.640 --> 1:37:47.320
<v Speaker 1>what we all Okay, we Lena's just has moved from

1:37:47.320 --> 1:37:50.880
<v Speaker 1>Bangkok now she's in Mexico City, Kathy's in Austin, Charlton,

1:37:51.080 --> 1:37:54.040
<v Speaker 1>l A. James in Hawaii, and I'm in San Francisco.

1:37:54.560 --> 1:37:56.360
<v Speaker 1>So it's not like we get to see each other.

1:37:56.360 --> 1:38:00.599
<v Speaker 1>We're not even the same place. But we do talk

1:38:00.720 --> 1:38:04.120
<v Speaker 1>quite a bit, believe it or not. Um And because

1:38:04.120 --> 1:38:06.240
<v Speaker 1>we have so much going on right now, so it's

1:38:06.280 --> 1:38:08.960
<v Speaker 1>it's a necessity that we all speak and get on

1:38:09.000 --> 1:38:11.240
<v Speaker 1>the same page about decisions that need to be made.

1:38:11.920 --> 1:38:14.799
<v Speaker 1>So it's it's like I said, it's pretty good now, Bob.

1:38:14.840 --> 1:38:19.080
<v Speaker 1>I feel pretty comfortable with everybody and happy the way

1:38:19.120 --> 1:38:21.040
<v Speaker 1>things are moving forward with the band. Where you know,

1:38:21.080 --> 1:38:24.839
<v Speaker 1>we're we're talking about doing some things next year. I'm

1:38:24.880 --> 1:38:27.120
<v Speaker 1>pretty excited about things. The other thing I have to

1:38:27.160 --> 1:38:33.120
<v Speaker 1>ask because I remember the final tour. Told I told,

1:38:33.280 --> 1:38:36.519
<v Speaker 1>I said, don't put final tour. The gogoes are never over.

1:38:36.640 --> 1:38:40.400
<v Speaker 1>Don't say final. That's ridiculous. Well, anyway, that happened, and

1:38:40.400 --> 1:38:43.519
<v Speaker 1>that was a stupid move. I feel. I'm just gonna

1:38:43.520 --> 1:38:46.400
<v Speaker 1>say it was really dumb, because you know what, we'll

1:38:46.439 --> 1:38:49.400
<v Speaker 1>just tour until we fall am and that's the truth.

1:38:49.800 --> 1:38:52.160
<v Speaker 1>We walk away from each other for six months or

1:38:52.160 --> 1:38:54.599
<v Speaker 1>a year, and then we come back together. We're like, Okay,

1:38:54.680 --> 1:38:57.400
<v Speaker 1>let's do some shows. Oh I miss you, Let's go

1:38:57.439 --> 1:38:59.360
<v Speaker 1>on a vacation together, Let's do this, let's do that.

1:39:00.040 --> 1:39:05.559
<v Speaker 1>Going was the decision? What? Why was the decision? Saying

1:39:05.600 --> 1:39:07.320
<v Speaker 1>it was a final tour because people thought they were

1:39:07.360 --> 1:39:10.120
<v Speaker 1>really out or you wanted to sell tickets was gone.

1:39:10.840 --> 1:39:13.200
<v Speaker 1>It wasn't a ticket thing. It was just a bullshit thing.

1:39:13.240 --> 1:39:16.160
<v Speaker 1>I don't remember who. It wasn't whatever that you know,

1:39:16.160 --> 1:39:18.720
<v Speaker 1>they don't want to work anymore. It doesn't matter. It

1:39:18.800 --> 1:39:24.000
<v Speaker 1>always resolved. And that was bullshit, and it's embarrassing. As

1:39:24.000 --> 1:39:27.559
<v Speaker 1>far as I'm concerned, that final show, final tour crap

1:39:27.960 --> 1:39:32.679
<v Speaker 1>that everybody does. I was not a part of that. Sorry,

1:39:32.840 --> 1:39:35.639
<v Speaker 1>I wasn't. Okay, Rock and Roll Hall of fame. Where

1:39:35.720 --> 1:39:41.840
<v Speaker 1>you at on that excited happy It's about time. I

1:39:41.920 --> 1:39:45.320
<v Speaker 1>didn't care initially, but now it's like when it actually happens,

1:39:45.800 --> 1:39:50.360
<v Speaker 1>it's pretty cool. I sing icing on the cake. Okay,

1:39:50.400 --> 1:39:56.360
<v Speaker 1>So looking back, you were progenitors all girl group. There

1:39:56.360 --> 1:39:58.880
<v Speaker 1>haven't been a whole hell of a lot since there

1:39:58.920 --> 1:40:01.720
<v Speaker 1>was the Bengals. A to you. Now we're in more

1:40:01.760 --> 1:40:05.439
<v Speaker 1>of a solo era. What can you tell us about

1:40:05.520 --> 1:40:08.720
<v Speaker 1>being a woman in the music business as a performer?

1:40:09.240 --> 1:40:11.559
<v Speaker 1>To what dick we are you held back to? What?

1:40:11.840 --> 1:40:14.920
<v Speaker 1>What have you learned? I don't figure how back so

1:40:15.040 --> 1:40:19.000
<v Speaker 1>much anymore. In the early eighties, late seventies, you worried

1:40:19.560 --> 1:40:24.240
<v Speaker 1>because you had something to prove um although there aren't

1:40:24.280 --> 1:40:28.599
<v Speaker 1>there still is not an all female band that has

1:40:29.360 --> 1:40:32.560
<v Speaker 1>done what we've done, and I'm waiting desperately for that.

1:40:32.800 --> 1:40:34.800
<v Speaker 1>We talked about this all the time. Why where's the

1:40:34.840 --> 1:40:38.080
<v Speaker 1>next goes? What the hell is going on? Well? There

1:40:38.120 --> 1:40:40.240
<v Speaker 1>may be some neat bands coming around the band that

1:40:40.280 --> 1:40:45.080
<v Speaker 1>are going to happen. I hope you know, um um like,

1:40:45.240 --> 1:40:47.800
<v Speaker 1>I love the Linda Lendas. Have you heard them? Bob? Yeah?

1:40:47.840 --> 1:40:51.000
<v Speaker 1>They're very good, aren't they great? I just I've spent

1:40:51.040 --> 1:40:54.280
<v Speaker 1>the weekend with them last last week last week in

1:40:54.479 --> 1:40:57.519
<v Speaker 1>l A and I actually did. I played they play

1:40:57.560 --> 1:40:59.479
<v Speaker 1>a go Goost they played tonight and so I played

1:40:59.560 --> 1:41:04.599
<v Speaker 1>drums that song with them and they they filled me

1:41:04.720 --> 1:41:07.240
<v Speaker 1>with joy. They are so wild and they're having such

1:41:07.240 --> 1:41:11.040
<v Speaker 1>a great time, and they remind me of us, except younger.

1:41:11.520 --> 1:41:16.160
<v Speaker 1>You know, they're so excited about everything. Oh man, I

1:41:16.200 --> 1:41:18.639
<v Speaker 1>hope they make it. What do you think, because there's

1:41:18.640 --> 1:41:21.439
<v Speaker 1>a huge buzz. Why do you think there's not a buzzle?

1:41:21.560 --> 1:41:25.080
<v Speaker 1>It hasn't happened already. I don't know. I don't know,

1:41:25.560 --> 1:41:28.559
<v Speaker 1>and you tell me. I have no idea, But it's

1:41:28.600 --> 1:41:31.000
<v Speaker 1>about time. I'm glad those girls are doing what they're

1:41:31.000 --> 1:41:33.400
<v Speaker 1>doing and they're serious about it. And their parents like

1:41:33.400 --> 1:41:36.000
<v Speaker 1>they're sending them to you know, they're they're all. They

1:41:36.040 --> 1:41:39.479
<v Speaker 1>take guitar lessons, they take piano lessons, drum lessons, like

1:41:39.560 --> 1:41:42.800
<v Speaker 1>their parents grew up watching us do what we do

1:41:43.200 --> 1:41:46.800
<v Speaker 1>and then started taking them as little kids. So they

1:41:47.000 --> 1:41:52.000
<v Speaker 1>know their history and they are excited about doing what

1:41:52.040 --> 1:41:55.920
<v Speaker 1>they do. They love it. Like the drummer is, she's

1:41:56.000 --> 1:42:00.160
<v Speaker 1>like eleven years old or twelve. It's crazy and all

1:42:00.240 --> 1:42:04.800
<v Speaker 1>this girl is sixteen. I love it. It's a beautiful thing.

1:42:05.400 --> 1:42:08.559
<v Speaker 1>It's about time. Okay. You know, we live in the

1:42:08.640 --> 1:42:11.760
<v Speaker 1>me too era? To what degree do you have your

1:42:11.760 --> 1:42:15.439
<v Speaker 1>own bad stories? So what degree do I have my

1:42:15.479 --> 1:42:19.439
<v Speaker 1>own bad stories? Me two moments where guys were doing

1:42:19.479 --> 1:42:24.240
<v Speaker 1>things that were inappropriate, I've never had that problem. I

1:42:24.240 --> 1:42:26.600
<v Speaker 1>think most guys are afraid of make and afraid of

1:42:26.640 --> 1:42:31.519
<v Speaker 1>this bam, and we're all together. The guys were always

1:42:31.560 --> 1:42:33.400
<v Speaker 1>afraid of us. When we bring them back into the

1:42:33.479 --> 1:42:37.400
<v Speaker 1>dressing room, they're like cowering in the corner. I mean,

1:42:37.479 --> 1:42:39.560
<v Speaker 1>when the five of us are together. I guess it

1:42:39.640 --> 1:42:41.640
<v Speaker 1>must be scary for guys. I don't know, but that's

1:42:41.680 --> 1:42:44.880
<v Speaker 1>the way it's always worked out. I don't need problem

1:42:44.880 --> 1:42:49.400
<v Speaker 1>with guys at all and getting you know, getting pushed around.

1:42:50.320 --> 1:42:52.920
<v Speaker 1>We stand our own ground. That's why we were successful.

1:42:53.120 --> 1:42:56.559
<v Speaker 1>That's why we've done what we've done. Okay, and the

1:42:56.600 --> 1:43:00.200
<v Speaker 1>hopefully thirty years you have left. Other than playing with

1:43:00.280 --> 1:43:03.000
<v Speaker 1>the go goes, you want to play until they bury you?

1:43:03.080 --> 1:43:07.160
<v Speaker 1>What else do you want to accomplish? Oh, God, Bob,

1:43:07.400 --> 1:43:12.880
<v Speaker 1>I don't know. You know, Um, I'm really happy to

1:43:12.960 --> 1:43:16.200
<v Speaker 1>be in this span and very grateful, and I hope

1:43:16.240 --> 1:43:18.080
<v Speaker 1>we play a lot longer, and I think we have

1:43:18.560 --> 1:43:21.439
<v Speaker 1>we have some things up our sleeve that perhaps will

1:43:21.479 --> 1:43:24.559
<v Speaker 1>be around next year. We're working on stuff all the

1:43:24.600 --> 1:43:28.800
<v Speaker 1>time behind the scenes. Um. All I hope for is

1:43:28.840 --> 1:43:32.839
<v Speaker 1>that I stay healthy and happy and I am allowed

1:43:32.880 --> 1:43:34.679
<v Speaker 1>to do what I love to do, which is music,

1:43:34.760 --> 1:43:38.320
<v Speaker 1>which will be writing, maybe some producing or you know,

1:43:38.479 --> 1:43:42.479
<v Speaker 1>and playing with the band. Um. I think I've I've

1:43:43.560 --> 1:43:47.200
<v Speaker 1>my life as far as been pretty fantastic. So I

1:43:47.240 --> 1:43:50.320
<v Speaker 1>don't know what else is in store for me. All

1:43:50.360 --> 1:43:52.080
<v Speaker 1>I know is that I'm gonna keep my ship together

1:43:52.400 --> 1:43:57.760
<v Speaker 1>and um, you know, be open to whatever may come

1:43:57.800 --> 1:44:02.280
<v Speaker 1>my way and be grateful about it. Well, Gina, you're

1:44:02.320 --> 1:44:05.400
<v Speaker 1>really a force of nature. I gotta tell you. I've

1:44:05.439 --> 1:44:07.400
<v Speaker 1>had a rough couple of days, been very busy, and

1:44:07.439 --> 1:44:09.360
<v Speaker 1>I was pretty fried. But as soon as you hit

1:44:09.400 --> 1:44:13.320
<v Speaker 1>the screen, blit right up right into the groove. I mean,

1:44:13.360 --> 1:44:16.680
<v Speaker 1>you could feel the energy, and I'm sure that is

1:44:16.840 --> 1:44:21.760
<v Speaker 1>part of why you're so successful. I don't know, Bob, everybody, everybody,

1:44:21.800 --> 1:44:24.599
<v Speaker 1>everybody tries the best way to know how. I'm tired

1:44:24.640 --> 1:44:26.400
<v Speaker 1>to hear myself sound like such a good T shirt.

1:44:26.439 --> 1:44:31.280
<v Speaker 1>I'm kind of an asso sometimes, But you know what, Um,

1:44:31.400 --> 1:44:34.040
<v Speaker 1>after being around for a while, I just, you know,

1:44:34.120 --> 1:44:37.000
<v Speaker 1>when I see somebody you know, becoming famous or you know,

1:44:37.280 --> 1:44:40.320
<v Speaker 1>I'm also happy for them because it's a tough business.

1:44:40.479 --> 1:44:43.240
<v Speaker 1>It really is, you know, And I would not want

1:44:43.280 --> 1:44:46.360
<v Speaker 1>to be trying to get a deal this in this

1:44:46.439 --> 1:44:50.840
<v Speaker 1>day and age. It is just so crazy. Um And

1:44:50.920 --> 1:44:54.559
<v Speaker 1>so I you know, I watched younger artists or bands

1:44:54.760 --> 1:44:58.400
<v Speaker 1>and I am I am their fan. I'm there in

1:44:58.439 --> 1:45:03.960
<v Speaker 1>the background going yeah, yeah, do it. Well, I you know,

1:45:04.040 --> 1:45:07.520
<v Speaker 1>I echo all that stuff. But being in Los Angeles

1:45:07.760 --> 1:45:13.160
<v Speaker 1>for forty five years and hearing everybody's bullshit and knowing

1:45:13.520 --> 1:45:17.760
<v Speaker 1>how hard it is to make it. Talent is at

1:45:17.800 --> 1:45:25.120
<v Speaker 1>most the other at work and drive. So anybody who

1:45:25.160 --> 1:45:29.559
<v Speaker 1>made it I have respect for because they really, they

1:45:29.600 --> 1:45:32.360
<v Speaker 1>really had to go through the mill. It doesn't happen

1:45:32.400 --> 1:45:34.559
<v Speaker 1>when people say, oh I was just in the right

1:45:34.560 --> 1:45:36.559
<v Speaker 1>place at the right time. I was lucky. That's just

1:45:36.640 --> 1:45:40.600
<v Speaker 1>horse ship. If you got there, you had to be

1:45:40.720 --> 1:45:43.720
<v Speaker 1>one minded. Yea, yeah, you had to be a little lucky.

1:45:43.800 --> 1:45:46.240
<v Speaker 1>But you have to make your own luck because this

1:45:46.320 --> 1:45:49.559
<v Speaker 1>is a town where everybody comes to make it and

1:45:49.600 --> 1:45:53.840
<v Speaker 1>almost nobody does. Think of all the bands you played with,

1:45:53.880 --> 1:45:56.679
<v Speaker 1>the Club eight eight, etcetera. Who knows where those people

1:45:56.720 --> 1:45:59.160
<v Speaker 1>are day They never even got signed, never mind, didn't

1:45:59.160 --> 1:46:05.520
<v Speaker 1>ever hit record. You're you're absolutely right. Yeah, it's uh,

1:46:06.000 --> 1:46:08.800
<v Speaker 1>it's scary. I mean, I can't imagine being one of

1:46:08.840 --> 1:46:11.680
<v Speaker 1>those first one of those people that that you know,

1:46:11.800 --> 1:46:15.280
<v Speaker 1>tried and tried and never really happened. Oh God, I

1:46:15.280 --> 1:46:19.720
<v Speaker 1>don't know what I do. I feel so lucky. And

1:46:19.760 --> 1:46:21.960
<v Speaker 1>you're right about all that. It does. You know, you

1:46:22.000 --> 1:46:24.120
<v Speaker 1>don't just you don't just you're not just in the

1:46:24.200 --> 1:46:25.720
<v Speaker 1>right place at the right time there. You have to

1:46:25.720 --> 1:46:28.400
<v Speaker 1>work to put yourself there, and you have to know

1:46:28.439 --> 1:46:32.080
<v Speaker 1>how to negotiate the situation. Yeah, because you know, what's

1:46:32.120 --> 1:46:35.960
<v Speaker 1>the other thing. You know, we're musicians, we're not lawyers,

1:46:36.360 --> 1:46:40.040
<v Speaker 1>we're not managers. That's not what we chose to do.

1:46:40.120 --> 1:46:41.680
<v Speaker 1>But yet you have to have a little bit of

1:46:41.680 --> 1:46:45.439
<v Speaker 1>that with what you're doing where you're gonna get screwed.

1:46:45.439 --> 1:46:48.519
<v Speaker 1>You've gotta you gotta learn the game. You gotta learn

1:46:48.520 --> 1:46:51.679
<v Speaker 1>how to play, and that takes that takes a while

1:46:52.080 --> 1:46:54.720
<v Speaker 1>before you really know the rules and you know how

1:46:54.760 --> 1:46:57.559
<v Speaker 1>to how to look out for yourself. Well, you talk

1:46:57.640 --> 1:47:00.840
<v Speaker 1>about you know, Charlie Watts and Bill. Why I'm in now,

1:47:00.920 --> 1:47:04.280
<v Speaker 1>Daryl Jones, You're anchoring the band. And I think the

1:47:04.320 --> 1:47:07.680
<v Speaker 1>most the most significant thing you were talking about is

1:47:07.720 --> 1:47:10.320
<v Speaker 1>when you joined the band, you were the pile driver

1:47:10.479 --> 1:47:14.160
<v Speaker 1>said we gotta rehearse, we gotta do this. I mean,

1:47:14.200 --> 1:47:16.760
<v Speaker 1>I can't lift the whole band, but I can light

1:47:16.800 --> 1:47:20.320
<v Speaker 1>a fire under you. Well, I just that was my way.

1:47:20.439 --> 1:47:22.479
<v Speaker 1>It was the only way I knew how to do things.

1:47:22.640 --> 1:47:26.800
<v Speaker 1>You know. Um, I didn't have the magic formula. All

1:47:26.880 --> 1:47:30.360
<v Speaker 1>I knew was that if we I felt like, if

1:47:30.400 --> 1:47:33.320
<v Speaker 1>this band rehearsed more something great, what's going to happen.

1:47:33.560 --> 1:47:37.800
<v Speaker 1>I really believe that. And I think the girls, you know,

1:47:38.200 --> 1:47:42.840
<v Speaker 1>adhered to that whole concept because they were they were

1:47:42.960 --> 1:47:46.000
<v Speaker 1>doing it, and they were excited about it, and they

1:47:46.080 --> 1:47:50.720
<v Speaker 1>felt that they believed in that idea and and and

1:47:51.040 --> 1:47:54.439
<v Speaker 1>you could see the band transforming, you know, from week

1:47:54.479 --> 1:47:57.840
<v Speaker 1>to week, month to month. Everybody was getting better at

1:47:57.880 --> 1:48:02.040
<v Speaker 1>what they do. And so that is something that really,

1:48:02.720 --> 1:48:05.800
<v Speaker 1>you know, propels you forward. It's like, Okay, well I

1:48:05.840 --> 1:48:08.280
<v Speaker 1>see a difference now from a month ago. Make sure

1:48:08.280 --> 1:48:10.240
<v Speaker 1>want to continue what you're doing and know that you're

1:48:10.280 --> 1:48:12.760
<v Speaker 1>doing the right stuff to make things better, to get

1:48:12.760 --> 1:48:14.960
<v Speaker 1>your songs out there, to be a better musician, to

1:48:15.040 --> 1:48:17.720
<v Speaker 1>be a better writer. All that goes into it. A

1:48:17.720 --> 1:48:21.920
<v Speaker 1>better performer, better at handling record labels, you know all

1:48:21.960 --> 1:48:25.519
<v Speaker 1>that stuff. It's a big picture. Well put and on

1:48:25.640 --> 1:48:28.559
<v Speaker 1>that note, I think we're gonna leave it. Gina, thanks

1:48:28.560 --> 1:48:31.760
<v Speaker 1>so much for doing this. Bob. It's a pleasure. You're

1:48:31.760 --> 1:48:34.960
<v Speaker 1>a sweetheart. I really enjoyed talking with you. Good luck

1:48:35.080 --> 1:48:41.040
<v Speaker 1>editing it, and um we are editors. We've really much

1:48:41.120 --> 1:48:43.200
<v Speaker 1>let her rip because we wanted to be honest. You

1:48:43.280 --> 1:48:46.360
<v Speaker 1>condensed it too much, you lose the essence. Yeah, I

1:48:46.400 --> 1:48:49.519
<v Speaker 1>don't know. Uh, I think it'll turn out pretty good. Oh,

1:48:49.600 --> 1:48:54.479
<v Speaker 1>I know it's good keeping You're like, you got some

1:48:54.600 --> 1:48:57.240
<v Speaker 1>energy up. That's good. Well, you know that's good. You

1:48:57.280 --> 1:48:59.840
<v Speaker 1>know I'm guiding and I'm judging whether it's good. That's

1:48:59.840 --> 1:49:02.280
<v Speaker 1>what I'm thinking about. Seven. As I say you earlier,

1:49:02.439 --> 1:49:04.400
<v Speaker 1>as soon as you hit the mic, I said, this

1:49:04.560 --> 1:49:07.200
<v Speaker 1>is gonna be no problem. Alright. Good. I'm glad you

1:49:07.240 --> 1:49:10.879
<v Speaker 1>felt that way. Dave Um and I appreciate your gians

1:49:10.920 --> 1:49:15.439
<v Speaker 1>through this. Okay, until next time, it's Bob left Sis