WEBVTT - INTERVIEW: Marco Plus Talks Southern Hip Hop, Touring With J.I.D., New School Influence + More

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<v Speaker 1>Every day a week ago.

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<v Speaker 2>Click up the Breakfast Club finish for y'all done morning.

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<v Speaker 1>Everybody's Steve j n V Jess hilarious, Charlamagne the guy

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<v Speaker 1>we are the breakfast Club. Law La Rosa is here

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<v Speaker 1>as well. We got a special guest in the building

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<v Speaker 1>and on our breakfast Club am Twitch chat as well.

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<v Speaker 1>Ladies and gentlemen, we got Marco plus welcome.

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<v Speaker 3>Yo, this is crazy. How are y'all doing? I'm kind

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<v Speaker 3>of nervous. I can't cat.

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<v Speaker 2>Why is this crazy? Marco? Why are you nervous? What?

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<v Speaker 3>This is my childhood? Like they're serious. I was watching

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<v Speaker 3>my boy Ruben up here with knife yeah, and Night

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<v Speaker 3>said something about how this is like one of the

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<v Speaker 3>last places where you can come get some credibility for real,

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<v Speaker 3>Like everything gone. I ain't gonna lie, I ain't. I

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<v Speaker 3>honestly didn't think I was gonna make it up here.

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<v Speaker 2>Well, you know you've been gone by the time you

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<v Speaker 2>popped up, but it took away to be to you Award.

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<v Speaker 3>I was like, what that's crazy, like you never know

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<v Speaker 3>what's gone?

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<v Speaker 4>Yeah?

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<v Speaker 3>Yeah, yeah, sir? How old you twenty seven? And the

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<v Speaker 3>turned twenty eight in a couple of days.

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<v Speaker 4>Yes, we've been on half of your life, yes, sir. Yeah,

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<v Speaker 4>when you first get tapped in, you think.

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<v Speaker 3>I I'm young, but I got old. Sol I've seen

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<v Speaker 3>the ray j fab joint.

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<v Speaker 1>Oh wow, wow, you see this was he wasn't because

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<v Speaker 1>he would have been now you'd have been.

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<v Speaker 3>Your mom would have about fifteen. I got kept back

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<v Speaker 3>right in like the eighth grade, so you see. Yeah,

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<v Speaker 3>damn Sean, I was bad yea, yeah see I got cammability,

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<v Speaker 3>like I ended up in the class. So uh when

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<v Speaker 3>I when I started doing homeschool the next year, I

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<v Speaker 3>ain't do that work either.

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<v Speaker 1>Just watch this breakfast club raige was crazy.

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<v Speaker 4>Yeah that's well, thank you, Marchael. We appreciate you skipping

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<v Speaker 4>school to watch us.

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<v Speaker 1>So you are, of course, you're a rapper from Atlanta, yes, sir,

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<v Speaker 1>originally born in Florida, Yes, sir, and tell us how

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<v Speaker 1>what got you into to rap? Because you're unlike I

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<v Speaker 1>would say a lot of the rappers. Now, you got

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<v Speaker 1>a different way of doing it. So what got you

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<v Speaker 1>into what you do?

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<v Speaker 2>Now?

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<v Speaker 3>Honestly, it's kind of like embedded, you know what I mean.

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<v Speaker 3>My whole family is kind of musical. My granddad, I

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<v Speaker 3>think it starts with him. He owned a label in

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<v Speaker 3>Pensacola from like the eighties to the nineties. I think

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<v Speaker 3>it was like TSIM or something. It wasn't really very

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<v Speaker 3>big and like some some some flaw stuff happened with

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<v Speaker 3>like co owners and stuff like that. But like, yeah,

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<v Speaker 3>like just the whole family, especially the immediate family, Like

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<v Speaker 3>we're all kind of talented. I think I'm just the

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<v Speaker 3>one that actually had the chance to get out there

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<v Speaker 3>and do something with it. To be honest, I've been

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<v Speaker 3>wrapping my whole life brou my. I remember I remember

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<v Speaker 3>being like a Hot Boys fan as a child, Like

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<v Speaker 3>I have a very I have a very strong memory.

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<v Speaker 3>It goes far back. I could say, like two thousand.

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<v Speaker 3>I was trying to like look like Layne.

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<v Speaker 2>And b G.

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<v Speaker 5>I can see that.

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<v Speaker 3>Yeah, what we inspiration? So they weed inspirations, Yeah them

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<v Speaker 3>tip uh geezy. As I got older, it was probably

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<v Speaker 3>like I like, I like Prodigy from my deeper lot.

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<v Speaker 3>We got the same birthday and.

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<v Speaker 2>You name it awesome, you name it some heavy hitters.

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<v Speaker 2>I like this.

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<v Speaker 3>Yeah. Man.

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<v Speaker 1>The crazy thing about Prodigy, I think people are starting

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<v Speaker 1>to find a new respect for him. In the last

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<v Speaker 1>couple of years, Yeah, long Live Pe.

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<v Speaker 3>He was talking a lot of a lot of real stuff,

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<v Speaker 3>A lot of real stuff. That's one of my favors ever.

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<v Speaker 3>I think Infamous is one of the best albums ever.

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<v Speaker 4>Definitely is a lot of your music touches on like pain, reflection.

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<v Speaker 4>You know, you tap into, you know, mental health a

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<v Speaker 4>lot when you write. Are you you venting or are

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<v Speaker 4>you think healing or just documenting?

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<v Speaker 3>You know, it's so crazy. I just started realizing that's

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<v Speaker 3>how I I kind of heal from things. My girlfriend

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<v Speaker 3>told me I don't talk, so like I realized I

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<v Speaker 3>do most of my talking and my music I do

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<v Speaker 3>most of it.

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<v Speaker 1>It seems like you don't like too many people either.

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<v Speaker 3>I hate people tell.

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<v Speaker 1>Not not for listen to your music.

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<v Speaker 3>Yeah. Yeah, it's just like, I don't know, man, I

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<v Speaker 3>kind of have a I have a super sense of

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<v Speaker 3>what's the word, cognizance. I can keep in people's cap

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<v Speaker 3>I know when somebody it's kind of being weird, and

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<v Speaker 3>everybody be weird. So it's like sometimes I'd rather just

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<v Speaker 3>stay away.

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<v Speaker 2>Do you approach people with an open mind? Though?

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<v Speaker 3>Yeah, for sure, you got to. You gotta give everybody

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<v Speaker 3>grace in every situation. But At the same time, I

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<v Speaker 3>don't give people too many times to to show me

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<v Speaker 3>like after like when I first heard the whole fool

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<v Speaker 3>me once, shame on you, I felt like it shouldn't

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<v Speaker 3>be no fool me twice. It's a shame on me

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<v Speaker 3>if you fool me once.

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<v Speaker 4>Anyway, I feel like that, especially in the work environment. Boy,

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<v Speaker 4>were still getting fooled up here by people.

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<v Speaker 5>So is that how you grew up there? Like did

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<v Speaker 5>you grow up introverted? Or are you just not a

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<v Speaker 5>people's person at all? Did anything happen I had?

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<v Speaker 3>I got a lot of family. I got a lot

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<v Speaker 3>of family. So honestly, I don't be feeling like I

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<v Speaker 3>need friends because it's like I just called my cousins,

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<v Speaker 3>call my brothers. I wouldn't say I was necessarily introverted

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<v Speaker 3>up until a certain point, up until like my whole

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<v Speaker 3>life became trying to write at sixteen every day. Yeah,

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<v Speaker 3>I got kind of like shut in for.

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<v Speaker 2>The for the chat.

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<v Speaker 1>That's what everybody know. This is Marvel plus we're talking

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<v Speaker 1>to if you just joined us, yes, sir, rapping all

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<v Speaker 1>this from Atlanta.

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<v Speaker 6>I was going to ask how you went from so

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<v Speaker 6>your background in music not really liking people, but finding

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<v Speaker 6>you way in the industry where you gotta deal with people,

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<v Speaker 6>and then you get co signed and you're now distributing

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<v Speaker 6>your music through rock Nation. That's yeah, you know how

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<v Speaker 6>shout out to the gang. So what was your how

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<v Speaker 6>did you meet people from rock Nation and how did

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<v Speaker 6>that all come about?

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<v Speaker 3>Honestly, I was leaving another situation and I honestly didn't

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<v Speaker 3>know where I was going, but I just knew that

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<v Speaker 3>they were showing interest like some I think it was

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<v Speaker 3>one of my friends who had signed there. I think

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<v Speaker 3>he still signed there. He like, he just told me, like, yo,

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<v Speaker 3>these people talk talk about you up here all the time,

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<v Speaker 3>and I was like, I need something to do the

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<v Speaker 3>other do and they was. That was real quick with

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<v Speaker 3>it as well. It was like one month we were

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<v Speaker 3>just talking and in the next month I was signed. Yeah,

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<v Speaker 3>it's pretty cool.

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<v Speaker 1>But it's just distribution. So you still got to handle

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<v Speaker 1>everything yourself.

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<v Speaker 3>Yeah, for sure. And I love it that way though.

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<v Speaker 3>I like it that way. I like to be able

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<v Speaker 3>to control my time frame and all of that stuff,

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<v Speaker 3>just be able to like I could put out a

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<v Speaker 3>song that I made two weeks ago. A lot of

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<v Speaker 3>people can't do that. Yeah, that's a blessing right there.

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<v Speaker 1>But it's costly though, because you got to pay for everything. Correct,

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<v Speaker 1>they they help out. Yeah, okay, so it's more than distribution. Okay,

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<v Speaker 1>you know what I'm saying that crazy?

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<v Speaker 2>I know.

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<v Speaker 4>I know, Jim shout you out a lot of chance

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<v Speaker 4>to why'd you tap into those guys?

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<v Speaker 2>Uh Ji?

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<v Speaker 3>It's funny. Uh. It was like twenty twenty one, right

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<v Speaker 3>he somebody posted something on Instagram and he was like

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<v Speaker 3>rapping an unreleased song from his album Forever Story, if

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<v Speaker 3>I'm not mistaking. The song was crack Sandwich and he

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<v Speaker 3>ripped it. But I'm a rapper, so I commented, like, Yo,

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<v Speaker 3>this is hard, but wait till I dropped. And he's

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<v Speaker 3>seen that, and he just remembered. He just remembered it

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<v Speaker 3>and waited till I dropped. Yeah, and then he posted

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<v Speaker 3>the song he posted lately if I'm not mistaken, And honestly,

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<v Speaker 3>that's kind of where my career fully started.

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<v Speaker 2>If I wow. So he posted it. Did he say

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<v Speaker 2>it was hard too?

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<v Speaker 3>Yeah?

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<v Speaker 2>Okay, yeah, yeah, he hit me up.

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<v Speaker 3>We really talked down there every week two weeks at

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<v Speaker 3>this point. Real cool, dude.

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<v Speaker 4>The reason I respect that is because a lot of

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<v Speaker 4>artists on to come up wouldn't embrace another artist on

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<v Speaker 4>the come up.

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<v Speaker 2>People be feeling threatened, you know what I mean.

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<v Speaker 3>Yeah, that's the thing for sure.

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<v Speaker 2>He didn't feel like that with you at all.

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<v Speaker 3>Yeah. Nah, I think it's more so a kindred spirit

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<v Speaker 3>type thing because it's like just being from the A.

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<v Speaker 3>We kind of like the underdog, just off rip. No

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<v Speaker 3>matter how hard we is, we're just the underdog because

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<v Speaker 3>it's like everybody not gonna listen to us. Everybody's not

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<v Speaker 3>gonna want to listen to us. So I really think

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<v Speaker 3>it's one of those things where it's like he just

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<v Speaker 3>he seeing me wanting to make something more of not

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<v Speaker 3>just myself but of our scene, and he was like,

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<v Speaker 3>all right, I gotta I gotta put on for that.

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<v Speaker 4>You and Jen represent like a lane of the A,

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<v Speaker 4>and I'm glad it is kind of making a resurgence.

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<v Speaker 4>You know, I grew up off the Dungeon family. Yeah,

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<v Speaker 4>goodie mon outcast and that.

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<v Speaker 2>You know.

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<v Speaker 4>They don't get me wrong, it's crude off that tree

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<v Speaker 4>for sure, Like the Killer Mike's you know, lyricists like

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<v Speaker 4>t I, but like y'all are really in that space

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<v Speaker 4>of like, man, this is the Atlanta that I grew

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<v Speaker 4>up on.

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<v Speaker 3>Yes, sir, I wonder what that's about though, you know

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<v Speaker 3>what I'm saying, I wonder why we like because I

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<v Speaker 3>really don't have no idea of why I like. I

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<v Speaker 3>was attracted to the style that I do. Like I'm from,

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<v Speaker 3>I'm from like Atlanta, Atlanta. All I really know is

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<v Speaker 3>defo l You know what I'm saying. I know is

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<v Speaker 3>young droer. All I know I get busy lyricists. Come on, man,

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<v Speaker 3>I'm so happy you said that.

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<v Speaker 4>But and I guess you know, it's just different ways

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<v Speaker 4>to do socially conscious music. Yeah, I mean, y'all does

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<v Speaker 4>socially conscious show. You know, Mike definitely does socially conscious music.

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<v Speaker 4>It's just different ways to do.

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<v Speaker 3>It, Yeah, for sure.

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<v Speaker 5>So the name of your album is Marco Plus Versus

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<v Speaker 5>the Underworld.

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<v Speaker 3>Marco plus versus the Underworld.

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<v Speaker 5>So break that down. What what is you versus the Underworld?

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<v Speaker 3>The Underworld is? Honestly, well, number one is dealing with.

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<v Speaker 2>Your shadow side.

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<v Speaker 3>Yeah see that's yeah. That it's me coming from where

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<v Speaker 3>I come from and just the pitfalls of being from

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<v Speaker 3>the area where I'm from. It's about the underworld is

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<v Speaker 3>the industry. The under world is my emotions. The underworld

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<v Speaker 3>is infidelity, trust issues, all of that. I feel like

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<v Speaker 3>I chose the word the underworld because all of that

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<v Speaker 3>shit could feel like or excuse my language, it can

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<v Speaker 3>feel like hell, you know what I mean. So that's

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<v Speaker 3>kind of where I was coming with, you know what

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<v Speaker 3>I'm saying. And of course Scott Pilgrim versus the World

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<v Speaker 3>that was a fire movie. Yeah, so was the depression, trauma,

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<v Speaker 3>just all of it, like a culmination of all of it.

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<v Speaker 3>You know, sometimes you don't know where your depression come

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<v Speaker 3>from until you actually dig deep by y'all, just be

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<v Speaker 3>sad like so like just just having to realize that

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<v Speaker 3>nobody gonna do it for me. Ain't nobody really gonna

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<v Speaker 3>outside of you know, your family, and nobody gonna love

0:10:48.600 --> 0:10:53.360
<v Speaker 3>you for real like you and this by yourself. And

0:10:53.360 --> 0:10:55.800
<v Speaker 3>that's I feel like it's just a journey. It's like

0:10:55.840 --> 0:10:58.679
<v Speaker 3>the project is a journey for me come from. I'm

0:10:58.679 --> 0:11:02.080
<v Speaker 3>sorry a few things I ain't gonna lie. I was

0:11:02.120 --> 0:11:05.080
<v Speaker 3>depressed as hell when I was a kid for some reason,

0:11:05.320 --> 0:11:08.920
<v Speaker 3>like and I ain't like granted, I probably didn't even

0:11:08.920 --> 0:11:12.080
<v Speaker 3>know what I meant. But it was one day at school,

0:11:12.200 --> 0:11:14.520
<v Speaker 3>I forgot what we was doing in gym. I couldn't

0:11:14.520 --> 0:11:18.600
<v Speaker 3>do it. Push up it was right it it was

0:11:18.640 --> 0:11:22.320
<v Speaker 3>something crazy, I don't know, but I told them folks

0:11:22.360 --> 0:11:25.360
<v Speaker 3>I wanted to kill myself. Them folks called my mama

0:11:25.440 --> 0:11:29.880
<v Speaker 3>so fast, and they thought my mama was was like

0:11:29.960 --> 0:11:31.200
<v Speaker 3>abusing me or something.

0:11:31.440 --> 0:11:33.000
<v Speaker 4>Oh, did you really feel that way or you just

0:11:33.000 --> 0:11:34.560
<v Speaker 4>was upset about what happened in gym?

0:11:34.679 --> 0:11:35.160
<v Speaker 2>Bruh.

0:11:35.520 --> 0:11:37.680
<v Speaker 3>See, that's the thing. I think I was just sad.

0:11:38.320 --> 0:11:40.960
<v Speaker 3>I think it was just sad sometimes, Like I don't

0:11:41.000 --> 0:11:44.040
<v Speaker 3>know if I wanted to die, like death, I don't

0:11:44.080 --> 0:11:46.520
<v Speaker 3>even know if I understood the concept of it. But

0:11:46.559 --> 0:11:52.679
<v Speaker 3>then like it was like I like later on, I

0:11:52.760 --> 0:11:56.080
<v Speaker 3>kept having like just little problems in my head, you know,

0:11:56.240 --> 0:11:57.800
<v Speaker 3>like I don't know if it was coming from like

0:11:58.880 --> 0:12:01.960
<v Speaker 3>having having us a tad less than everybody, so like

0:12:02.000 --> 0:12:04.200
<v Speaker 3>you don't got the same type of swag, you don't

0:12:04.200 --> 0:12:07.280
<v Speaker 3>got the same type of things, or whether it's like

0:12:07.440 --> 0:12:10.520
<v Speaker 3>me not seeing my pops a lot, like just because

0:12:10.600 --> 0:12:13.160
<v Speaker 3>like we was in different places at the time. I

0:12:13.200 --> 0:12:15.320
<v Speaker 3>don't know where it came from. Depression is a sticky

0:12:15.400 --> 0:12:17.480
<v Speaker 3>it's like a it's a weird thing. It's a very

0:12:17.480 --> 0:12:18.000
<v Speaker 3>weird thing.

0:12:18.200 --> 0:12:21.400
<v Speaker 1>I always wonder. I always wondering with depression, like what

0:12:21.440 --> 0:12:23.680
<v Speaker 1>you're dealing with? Is it because you've seen it and

0:12:23.720 --> 0:12:26.040
<v Speaker 1>people talked about it so much. Right when I was

0:12:26.080 --> 0:12:28.640
<v Speaker 1>a kid, that wasn't a thought, you know what I mean.

0:12:28.840 --> 0:12:30.880
<v Speaker 1>It's like you can't push its either you're gonna try,

0:12:31.080 --> 0:12:32.880
<v Speaker 1>or you're gonna joke your way out of it, or

0:12:33.520 --> 0:12:36.760
<v Speaker 1>you fail. But nowadays, I feel like that's the that's

0:12:36.760 --> 0:12:38.720
<v Speaker 1>a reaction that a lot of kids hear and see.

0:12:38.720 --> 0:12:40.840
<v Speaker 1>So that's that emotion that they go to even like you,

0:12:41.160 --> 0:12:43.679
<v Speaker 1>even if they don't mean it, but when they say it,

0:12:43.679 --> 0:12:45.480
<v Speaker 1>it opens up a can of worms because you never

0:12:45.520 --> 0:12:47.240
<v Speaker 1>know if they're saying it because they really mean it,

0:12:47.640 --> 0:12:49.520
<v Speaker 1>if there's a problem at home. So I always wonder

0:12:49.559 --> 0:12:52.280
<v Speaker 1>when when you thought it, like where that came from?

0:12:52.280 --> 0:12:53.520
<v Speaker 1>Where that feeling came from?

0:12:53.600 --> 0:12:57.840
<v Speaker 3>Yeah, man, honestly, I'm not I'm not sure.

0:12:57.880 --> 0:12:59.400
<v Speaker 5>I don't think that I never got to the bottom

0:12:59.400 --> 0:12:59.560
<v Speaker 5>of it.

0:12:59.679 --> 0:13:01.520
<v Speaker 3>Yeah. I feel like it's a lot of people who

0:13:02.000 --> 0:13:07.000
<v Speaker 3>trying to figure out why they don't feel full, And

0:13:07.800 --> 0:13:09.800
<v Speaker 3>I don't know. I kind of been I've been one

0:13:09.800 --> 0:13:15.200
<v Speaker 3>of those people. Sometimes I'm still am I don't know.

0:13:15.280 --> 0:13:17.280
<v Speaker 3>I feel like we all just kind of go through

0:13:17.280 --> 0:13:19.920
<v Speaker 3>our things and get through them. Sometimes people brain receptors

0:13:19.960 --> 0:13:20.559
<v Speaker 3>be different.

0:13:20.920 --> 0:13:23.480
<v Speaker 6>To figure it out, I was going to say, you said,

0:13:23.480 --> 0:13:24.800
<v Speaker 6>do you feel like you're one of those people that

0:13:24.880 --> 0:13:27.120
<v Speaker 6>still battles with that? When I was listening to it?

0:13:27.160 --> 0:13:31.000
<v Speaker 6>So I listened to the opening on the project, and

0:13:31.080 --> 0:13:32.760
<v Speaker 6>it felt like that. It felt like you're talking about

0:13:32.760 --> 0:13:34.080
<v Speaker 6>so many different things, but it felt like a battle

0:13:34.120 --> 0:13:36.000
<v Speaker 6>between you have hope and then you lose it, but

0:13:36.040 --> 0:13:38.520
<v Speaker 6>you're still pushing through. You say they lost hope, they

0:13:38.559 --> 0:13:40.200
<v Speaker 6>convinced that God don't listen at one point?

0:13:40.240 --> 0:13:41.960
<v Speaker 5>Did you feel like God.

0:13:41.760 --> 0:13:43.520
<v Speaker 6>Wasn't listening to you or this is just what you're

0:13:43.520 --> 0:13:45.360
<v Speaker 6>seeing and then you're freakant it.

0:13:47.760 --> 0:13:52.760
<v Speaker 3>That's a very loaded question because honestly, I feel like

0:13:52.800 --> 0:13:57.560
<v Speaker 3>I battle with the idea of faith Sometimes a lot

0:13:57.559 --> 0:14:02.920
<v Speaker 3>of people probably wouldn't have said that, But like dog

0:14:03.160 --> 0:14:07.960
<v Speaker 3>all right, who am I to say that the man

0:14:10.760 --> 0:14:15.880
<v Speaker 3>from wherever he's from is wrong because he read another

0:14:15.920 --> 0:14:18.800
<v Speaker 3>book when he was like younger, and his family and

0:14:18.880 --> 0:14:23.640
<v Speaker 3>doctrinated him into this, Like I would feel wrong, and

0:14:23.720 --> 0:14:27.400
<v Speaker 3>like not only that, what if I spent my whole

0:14:27.440 --> 0:14:32.440
<v Speaker 3>life believing in something and then I go to hell,

0:14:33.200 --> 0:14:36.920
<v Speaker 3>like go to another hill, Like you feel what I'm saying. Like,

0:14:37.520 --> 0:14:40.720
<v Speaker 3>so it's honestly, it's honestly a confusing thing. Like, of

0:14:40.760 --> 0:14:45.680
<v Speaker 3>course I believe that God is real, I just don't understand.

0:14:46.000 --> 0:14:47.280
<v Speaker 3>Sometimes that's fine.

0:14:47.320 --> 0:14:47.880
<v Speaker 2>I don't think that.

0:14:48.080 --> 0:14:50.360
<v Speaker 4>I don't think that is confusing for anybody, as long

0:14:50.400 --> 0:14:52.560
<v Speaker 4>as you just admit we really don't know. We really

0:14:52.600 --> 0:14:55.280
<v Speaker 4>don't as everybody think they fucking know exactly going on,

0:14:55.400 --> 0:14:56.360
<v Speaker 4>and they don't like that.

0:14:56.480 --> 0:14:58.440
<v Speaker 2>You read what you read, you believe what you believe,

0:14:58.520 --> 0:15:00.680
<v Speaker 2>and it is what it is. You really you don't know.

0:15:01.320 --> 0:15:04.560
<v Speaker 5>That's my whole and I just respect your vulnerability because,

0:15:04.600 --> 0:15:05.960
<v Speaker 5>like you said, a lot of people wouldn't say that.

0:15:05.960 --> 0:15:08.560
<v Speaker 5>A lot of people are afraid to let out the

0:15:08.560 --> 0:15:09.320
<v Speaker 5>things in their head.

0:15:09.440 --> 0:15:09.600
<v Speaker 4>Yeah.

0:15:09.720 --> 0:15:13.360
<v Speaker 3>See, I gotta cut youry. Family don't play about that.

0:15:14.520 --> 0:15:18.560
<v Speaker 3>My daddy's side on the church, like it's like, they

0:15:18.600 --> 0:15:22.680
<v Speaker 3>don't play about that. But the Higher Power gave me

0:15:22.720 --> 0:15:24.440
<v Speaker 3>this mind for a reason. You know what I'm saying.

0:15:24.760 --> 0:15:26.840
<v Speaker 3>You know, it's a higher power exactly, and that's all.

0:15:26.920 --> 0:15:27.240
<v Speaker 2>That's all.

0:15:27.280 --> 0:15:29.840
<v Speaker 4>I'm like, Yo, I think about I always think about, like, okay,

0:15:29.920 --> 0:15:34.000
<v Speaker 4>think about before there was anything called religion, right, and

0:15:34.040 --> 0:15:36.160
<v Speaker 4>it was just humans here on this planet.

0:15:36.480 --> 0:15:38.840
<v Speaker 2>They just knew that there was a higher power exactly.

0:15:38.880 --> 0:15:40.800
<v Speaker 4>It just wasn't all of these different religions with all

0:15:40.840 --> 0:15:43.160
<v Speaker 4>these different practices and rituals and you have to be

0:15:43.200 --> 0:15:46.040
<v Speaker 4>here on this Sunday and you gotta do things like this. No,

0:15:46.280 --> 0:15:48.120
<v Speaker 4>I don't think that's how any of this should be.

0:15:48.320 --> 0:15:51.280
<v Speaker 4>In fact, man, a lot of it was was creative

0:15:51.320 --> 0:15:53.160
<v Speaker 4>for control exactly.

0:15:53.200 --> 0:15:56.120
<v Speaker 3>But that's a whole nother story. That's a whole other story.

0:15:57.240 --> 0:16:01.000
<v Speaker 5>Some Mark plus versus the Underworld is the storytelling. Basically,

0:16:01.040 --> 0:16:04.520
<v Speaker 5>you're telling stories about your journey, yes, from then to now?

0:16:04.920 --> 0:16:10.960
<v Speaker 3>Yes, yes, yes, it's it's really like I'm really I

0:16:11.000 --> 0:16:14.200
<v Speaker 3>was really trying to paint the picture of a young

0:16:14.240 --> 0:16:17.560
<v Speaker 3>man coming of age and trying to trying to make

0:16:17.560 --> 0:16:19.640
<v Speaker 3>a name for himself while dealing with all of these

0:16:19.640 --> 0:16:24.520
<v Speaker 3>types of issues because a lot of people don't understand, like, yeah,

0:16:24.520 --> 0:16:28.960
<v Speaker 3>we musicians, but like we got real life, like real

0:16:29.000 --> 0:16:32.720
<v Speaker 3>life things going on. So it's like, yeah, like this

0:16:32.840 --> 0:16:35.360
<v Speaker 3>is the main mission, but I gotta I gotta kind

0:16:35.360 --> 0:16:39.040
<v Speaker 3>of conquer all of these other things and it just

0:16:39.080 --> 0:16:41.200
<v Speaker 3>becomes a very difficult trip sometimes.

0:16:41.640 --> 0:16:44.240
<v Speaker 5>So when do you have fun? What do you enjoy doing?

0:16:44.480 --> 0:16:46.360
<v Speaker 5>When do you feel full? Do you have times that

0:16:46.400 --> 0:16:47.080
<v Speaker 5>you feel full?

0:16:47.840 --> 0:16:50.080
<v Speaker 3>When I went with my kid, Yeah, when I want

0:16:50.080 --> 0:16:53.800
<v Speaker 3>my daughter, for sure. When I with my girlfriend, I

0:16:53.840 --> 0:16:55.080
<v Speaker 3>smoke a lot.

0:16:58.640 --> 0:17:01.680
<v Speaker 2>What crazy?

0:17:08.600 --> 0:17:12.439
<v Speaker 3>But yeah, I'll be cooling. Man, I need to figure

0:17:12.480 --> 0:17:16.040
<v Speaker 3>out what to do to relax. I don't know how

0:17:16.080 --> 0:17:18.360
<v Speaker 3>to relax. I feel like my shoulders are tense right now.

0:17:18.440 --> 0:17:20.680
<v Speaker 4>I literally told my wife I went to the dinners,

0:17:20.680 --> 0:17:22.720
<v Speaker 4>and the dinners on me. You always clenching your teeth.

0:17:22.720 --> 0:17:24.000
<v Speaker 4>You gotta stop clenching your teeth.

0:17:24.040 --> 0:17:26.800
<v Speaker 3>I just learned I do that in my sleep. Yeah,

0:17:26.960 --> 0:17:28.919
<v Speaker 3>I learned. We're not supposed to rest our tongue at

0:17:28.920 --> 0:17:29.840
<v Speaker 3>the top of our mouth.

0:17:30.600 --> 0:17:31.000
<v Speaker 1>Mhmm.

0:17:31.160 --> 0:17:34.120
<v Speaker 3>That's crazy like that that's a sign of life. Even

0:17:34.119 --> 0:17:37.200
<v Speaker 3>though I can do that, right, You just got a list.

0:17:37.280 --> 0:17:41.600
<v Speaker 5>His tongue too thick. Sometimes press it at the top of.

0:17:41.880 --> 0:17:44.359
<v Speaker 2>The roof of your mouth, though.

0:17:44.760 --> 0:17:46.600
<v Speaker 3>I need to start doing that and get a retainer

0:17:46.720 --> 0:17:50.399
<v Speaker 3>or something. Yeah, grinding my teeth, man, that.

0:17:50.640 --> 0:17:53.200
<v Speaker 2>Guy, I don't know. I don't know. You're figuring it out.

0:17:53.320 --> 0:17:55.000
<v Speaker 2>I don't know. How you figure that out?

0:17:55.720 --> 0:17:56.120
<v Speaker 3>Crazy?

0:17:56.680 --> 0:17:58.600
<v Speaker 4>Do you have a sense of yourself to fear that

0:17:58.680 --> 0:18:01.159
<v Speaker 4>like being too vulnerable change out like fans.

0:18:00.880 --> 0:18:05.800
<v Speaker 3>And see, nah, I gotta it scared me because the

0:18:05.800 --> 0:18:08.280
<v Speaker 3>the ratneyal week as hell and they'll try to like

0:18:08.520 --> 0:18:11.399
<v Speaker 3>take advantage of you or like play you for a laye,

0:18:12.000 --> 0:18:15.399
<v Speaker 3>like just because you like you yourself. But I fade

0:18:15.440 --> 0:18:20.040
<v Speaker 3>any one of y'all. That's just honestly how I feel like.

0:18:20.080 --> 0:18:22.600
<v Speaker 3>I feel like your your supporters are your supporters for

0:18:22.640 --> 0:18:26.719
<v Speaker 3>a reason. They're gonna understand and feel you because they

0:18:27.560 --> 0:18:30.720
<v Speaker 3>like you connect from this certain place, whether it be

0:18:31.080 --> 0:18:34.640
<v Speaker 3>one part of the music or the other. But yeah,

0:18:34.680 --> 0:18:37.639
<v Speaker 3>sometimes I'd be like, that's kind of why I be

0:18:37.680 --> 0:18:40.200
<v Speaker 3>distant from a lot of people too. It's like a

0:18:40.280 --> 0:18:43.400
<v Speaker 3>vulnerable god be I'd be, I'd be cool. And I'm

0:18:43.440 --> 0:18:47.320
<v Speaker 3>also like a very like if I say you my

0:18:47.320 --> 0:18:51.120
<v Speaker 3>partner or people people people who don't respect that all

0:18:51.160 --> 0:18:51.400
<v Speaker 3>the time.

0:18:52.560 --> 0:18:56.359
<v Speaker 5>So with that being said, right, how does collaborations go?

0:18:56.440 --> 0:18:57.360
<v Speaker 5>How do you think about that?

0:18:57.760 --> 0:19:00.280
<v Speaker 3>I got my I got my few friends that I

0:19:00.359 --> 0:19:06.040
<v Speaker 3>like to rap with, of course, but honestly, when it

0:19:06.040 --> 0:19:09.119
<v Speaker 3>comes to songs, I'm willing to make music with anybody.

0:19:09.720 --> 0:19:11.879
<v Speaker 3>It just has to be right. This doesn't mean I

0:19:11.960 --> 0:19:16.439
<v Speaker 3>have to be friends with everyone. But I have no

0:19:16.480 --> 0:19:19.119
<v Speaker 3>problem making great music because music is that's what it's for.

0:19:19.359 --> 0:19:21.720
<v Speaker 3>Like we're all supposed to collaborate and make something fresh

0:19:21.840 --> 0:19:24.159
<v Speaker 3>and new and like something for people to love. And

0:19:24.320 --> 0:19:28.440
<v Speaker 3>I don't got no problem with none of that, just respect.

0:19:28.720 --> 0:19:30.960
<v Speaker 5>Do you have dream collaborations? Like who would you dream to.

0:19:30.960 --> 0:19:33.720
<v Speaker 3>Collaborate with Kendrick Drake?

0:19:34.680 --> 0:19:36.840
<v Speaker 2>Uh, you still want to do his song with Drake?

0:19:36.960 --> 0:19:43.040
<v Speaker 3>What by that? I'm conn by that be Kendrick first lie,

0:19:43.040 --> 0:19:45.280
<v Speaker 3>I'm a Kindrick fan. I'm a Drake fan too, though

0:19:45.320 --> 0:19:48.160
<v Speaker 3>it's just like I was. I was I was a teen,

0:19:48.520 --> 0:19:52.199
<v Speaker 3>like I had a point of this food gave me

0:19:52.359 --> 0:19:55.040
<v Speaker 3>take care like a week old, Like it was a

0:19:55.040 --> 0:19:57.720
<v Speaker 3>week old. I've never heard it. I ain't like the

0:19:57.720 --> 0:20:00.000
<v Speaker 3>only song like I think headlines is out of course

0:20:01.040 --> 0:20:04.160
<v Speaker 3>all that stuff. He just gave me the album and

0:20:04.200 --> 0:20:07.679
<v Speaker 3>that's really That's really when I became a Drake super

0:20:07.680 --> 0:20:10.919
<v Speaker 3>fan for sure. But I'm like, I think it was

0:20:10.960 --> 0:20:14.080
<v Speaker 3>like the BT Awards two thousand and eleven, the Hip

0:20:14.119 --> 0:20:16.760
<v Speaker 3>Hop Awards, That's the first time I ever heard Kenrick Camark.

0:20:16.800 --> 0:20:19.600
<v Speaker 3>It was like the cipher. That's what made me a

0:20:19.600 --> 0:20:23.080
<v Speaker 3>fan of Kendrick for real. So that like I was

0:20:23.119 --> 0:20:26.800
<v Speaker 3>like thirteen fourteen, Yeah, like I can't I can't escape that.

0:20:26.840 --> 0:20:28.760
<v Speaker 2>I can't escape him as a rap fan. Or you

0:20:28.800 --> 0:20:30.640
<v Speaker 2>loved the back and forth between them.

0:20:30.800 --> 0:20:35.480
<v Speaker 3>Honestly I hated it, really, bro You guys shouldn't make

0:20:35.640 --> 0:20:38.879
<v Speaker 3>music together. I don't. I don't want you guys to

0:20:38.880 --> 0:20:42.000
<v Speaker 3>be just that's not what I wanted. Like it was

0:20:42.000 --> 0:20:44.840
<v Speaker 3>like it was entertaining. It was entertaining in the in

0:20:44.880 --> 0:20:48.120
<v Speaker 3>the moment, like it got too nasty, they got too Yeah,

0:20:48.119 --> 0:20:50.159
<v Speaker 3>I ain't gonna lie. Just it was like it was

0:20:50.200 --> 0:20:51.080
<v Speaker 3>like I loved it.

0:20:51.520 --> 0:20:52.879
<v Speaker 2>Yeah he's.

0:20:54.760 --> 0:20:57.080
<v Speaker 5>But you thought it was a good thing when was like, nah,

0:20:57.119 --> 0:20:57.720
<v Speaker 5>we don't need to be.

0:20:57.760 --> 0:20:59.600
<v Speaker 3>Doing that, not in the moment, because I was in

0:20:59.640 --> 0:21:02.359
<v Speaker 3>the moment like these niggas fighting, you know what I'm saying.

0:21:05.720 --> 0:21:08.560
<v Speaker 3>But I ain't gonna lie. That's like, for his piece

0:21:08.720 --> 0:21:12.960
<v Speaker 3>and for his sanity, that is the realest thing you

0:21:12.960 --> 0:21:13.280
<v Speaker 3>could do.

0:21:13.359 --> 0:21:15.199
<v Speaker 1>Yeah, we've seen it after he's seen him fall, But

0:21:15.200 --> 0:21:16.040
<v Speaker 1>we've seen it after.

0:21:15.920 --> 0:21:19.200
<v Speaker 2>Yeah, you know what I'm saying, Yeah, get out Kendrick way.

0:21:19.520 --> 0:21:24.400
<v Speaker 3>He bought all your.

0:21:22.960 --> 0:21:25.440
<v Speaker 1>Because once it goes that personal, there's no getting back

0:21:25.440 --> 0:21:25.639
<v Speaker 1>to it.

0:21:25.760 --> 0:21:25.960
<v Speaker 3>Yeah.

0:21:26.240 --> 0:21:28.159
<v Speaker 1>Sure, I want to ask you. You know, I was

0:21:28.520 --> 0:21:31.080
<v Speaker 1>looking through your videos and one of the biggest things

0:21:31.080 --> 0:21:33.760
<v Speaker 1>a lot of your fans says they feel like YouTube

0:21:33.760 --> 0:21:34.920
<v Speaker 1>shadow band you.

0:21:35.000 --> 0:21:37.280
<v Speaker 3>Ah yeah, I don't know who does.

0:21:37.160 --> 0:21:38.040
<v Speaker 2>That come from? That true?

0:21:38.040 --> 0:21:40.080
<v Speaker 1>Because I mean, it wasn't just once I see Thatt, Like.

0:21:40.440 --> 0:21:42.840
<v Speaker 3>I don't know what that's about. I've been smoking with

0:21:43.000 --> 0:21:45.520
<v Speaker 3>my videos. I don't know. I don't know if it's

0:21:45.520 --> 0:21:46.280
<v Speaker 3>like if it's that.

0:21:46.960 --> 0:21:48.400
<v Speaker 1>So you see it too, You see what when people

0:21:48.440 --> 0:21:48.879
<v Speaker 1>say I.

0:21:49.240 --> 0:21:52.840
<v Speaker 3>Definitely think I should be one of those two hundred

0:21:52.880 --> 0:21:57.320
<v Speaker 3>thousand views of video artists for sure, and but I

0:21:57.440 --> 0:21:59.440
<v Speaker 3>just don't. I don't look at it like that because

0:21:59.480 --> 0:22:01.199
<v Speaker 3>I just look at like I just came out in

0:22:01.200 --> 0:22:03.399
<v Speaker 3>twenty twenty one, you know what I mean, Like I

0:22:03.440 --> 0:22:07.880
<v Speaker 3>have a I have a million years to garner these views.

0:22:08.040 --> 0:22:09.920
<v Speaker 3>So I just I don't be really tripping, you know

0:22:09.920 --> 0:22:10.320
<v Speaker 3>what I mean?

0:22:10.920 --> 0:22:13.800
<v Speaker 1>Do you chase the mainstream? Do you want to be mainstream?

0:22:13.960 --> 0:22:18.199
<v Speaker 3>Or I want to be the biggest rapper ever. I

0:22:18.240 --> 0:22:21.440
<v Speaker 3>want to be the biggest musician ever. I love that

0:22:21.600 --> 0:22:24.520
<v Speaker 3>I raped great, but a lot of people don't understand

0:22:24.520 --> 0:22:27.400
<v Speaker 3>that this ship is just how I have like how

0:22:27.440 --> 0:22:30.160
<v Speaker 3>I how I release my art, but I can do

0:22:30.400 --> 0:22:34.960
<v Speaker 3>everything else. Like it's just everybody has their starting point.

0:22:35.960 --> 0:22:38.280
<v Speaker 3>Everybody has their starting point. Michael Jackson didn't start off

0:22:38.280 --> 0:22:41.040
<v Speaker 3>with thriller like yeah, like he started off with his

0:22:41.119 --> 0:22:45.280
<v Speaker 3>brothers and stuff like everybody five, you know, come on,

0:22:45.560 --> 0:22:48.320
<v Speaker 3>But that's what I'm saying. It's like, it's like Tears

0:22:48.359 --> 0:22:53.280
<v Speaker 3>of Greatness exactly. And I have no problem taking the

0:22:53.359 --> 0:22:55.960
<v Speaker 3>route I gotta take to become one of them.

0:22:56.040 --> 0:22:57.959
<v Speaker 4>You're taking the stance. I'm glad you said that. I'm

0:22:58.000 --> 0:23:00.560
<v Speaker 4>tired of hand these people lie talking about. Don't care

0:23:00.600 --> 0:23:01.480
<v Speaker 4>about sales.

0:23:01.520 --> 0:23:03.119
<v Speaker 2>I don't care about the biggest.

0:23:05.480 --> 0:23:07.560
<v Speaker 3>You want to be the biggest, Hey, I want to

0:23:07.600 --> 0:23:11.159
<v Speaker 3>be the biggest ever. Like and that's a that's a

0:23:11.240 --> 0:23:13.960
<v Speaker 3>that's a tall ask, but I don't care.

0:23:15.040 --> 0:23:17.160
<v Speaker 4>But if you but if you set your bar that high,

0:23:17.240 --> 0:23:18.520
<v Speaker 4>you'll hit a high point.

0:23:18.640 --> 0:23:19.800
<v Speaker 2>You'll get somewhere exact.

0:23:19.840 --> 0:23:22.040
<v Speaker 4>I mean, you may not nobody gonna be Michael Jackson,

0:23:22.160 --> 0:23:25.800
<v Speaker 4>nobody gonna be, but you'll get you'll get up except probably.

0:23:25.440 --> 0:23:28.040
<v Speaker 3>Young boy, is what I learned in the past month.

0:23:28.640 --> 0:23:28.880
<v Speaker 4>NBA.

0:23:29.400 --> 0:23:31.840
<v Speaker 2>Yeah, numbers wise, No.

0:23:31.920 --> 0:23:34.560
<v Speaker 3>The way them people will have a seizure when they

0:23:34.600 --> 0:23:38.359
<v Speaker 3>see him impact. Yeah, numbers wise, hell no, Michael Jackson

0:23:38.440 --> 0:23:42.360
<v Speaker 3>sold what what what is throw million? Come on, dog,

0:23:42.520 --> 0:23:45.920
<v Speaker 3>that's that's that's over ten times domon.

0:23:47.640 --> 0:23:48.720
<v Speaker 5>When you see the impact.

0:23:48.720 --> 0:23:51.520
<v Speaker 4>That's interesting. Ahead No, I was gonna say, that's interesting.

0:23:51.800 --> 0:23:54.320
<v Speaker 4>I think I think what helped Young Boy is the

0:23:54.359 --> 0:23:56.640
<v Speaker 4>fact he was on house arrest all those years. Yeah,

0:23:56.880 --> 0:23:58.359
<v Speaker 4>and you know it was it was a air of

0:23:58.400 --> 0:24:01.600
<v Speaker 4>mysteriousness about him. You know, I think that that that's

0:24:01.680 --> 0:24:04.760
<v Speaker 4>lost in this era. People are too accessible.

0:24:05.520 --> 0:24:07.320
<v Speaker 3>To It's kind of like the Kendrick thing when you

0:24:07.359 --> 0:24:10.600
<v Speaker 3>think about Yeah, but their fans don't realize that they're

0:24:10.640 --> 0:24:13.600
<v Speaker 3>kind of the same type of artists, like in terms

0:24:13.600 --> 0:24:16.119
<v Speaker 3>of how they treat the public, how they treat their

0:24:16.119 --> 0:24:19.719
<v Speaker 3>public life. It's just young but kind of erratic. So

0:24:19.760 --> 0:24:21.199
<v Speaker 3>it's like you're gonna see more of that.

0:24:22.760 --> 0:24:23.720
<v Speaker 5>I know, question for that.

0:24:24.359 --> 0:24:24.680
<v Speaker 2>It's fun.

0:24:24.760 --> 0:24:26.280
<v Speaker 1>I'm looking at the chat in the chest believes it. It

0:24:26.480 --> 0:24:28.520
<v Speaker 1>was like Young Boy is definitely will surpass. It's like

0:24:28.520 --> 0:24:30.800
<v Speaker 1>for this generation, he is the Michael Jackson for guy.

0:24:34.720 --> 0:24:36.160
<v Speaker 3>You know, I feel like I feel like a lot

0:24:36.160 --> 0:24:39.119
<v Speaker 3>of people a lot of people conflate the two from

0:24:39.240 --> 0:24:43.480
<v Speaker 3>like musicality standards and literally how these people treat you

0:24:43.520 --> 0:24:45.840
<v Speaker 3>when you walk out the house. Consonat is another guy

0:24:45.880 --> 0:24:48.600
<v Speaker 3>on that level. Like my point, these guys can lead

0:24:48.600 --> 0:24:52.280
<v Speaker 3>the house and they won't get any like peace unless

0:24:52.280 --> 0:24:54.040
<v Speaker 3>they got three security guards with them.

0:24:54.080 --> 0:24:55.560
<v Speaker 4>But you know what y'all are seeing now, y'all are

0:24:55.600 --> 0:24:59.000
<v Speaker 4>actually seeing real celebrity. And there's a lot there there is.

0:24:59.080 --> 0:25:02.000
<v Speaker 4>There's a couple of real celebrities still left. Because of

0:25:02.080 --> 0:25:05.640
<v Speaker 4>the social media era, everybody is so accessible. Everybody looks

0:25:05.640 --> 0:25:08.000
<v Speaker 4>so regular and playing Jake alrighty city bikes.

0:25:07.880 --> 0:25:13.320
<v Speaker 3>The damn.

0:25:12.520 --> 0:25:13.199
<v Speaker 2>So it's different.

0:25:13.240 --> 0:25:16.119
<v Speaker 4>Like some people still get treated like real celebrities out here,

0:25:16.119 --> 0:25:17.760
<v Speaker 4>and I think it's because of how much access you

0:25:17.800 --> 0:25:19.320
<v Speaker 4>get for But what.

0:25:19.040 --> 0:25:22.080
<v Speaker 6>What young artists and there like and be a young

0:25:22.080 --> 0:25:25.240
<v Speaker 6>boys age has that celebrity because they're they're all over

0:25:25.320 --> 0:25:27.240
<v Speaker 6>social media, Like it's hard to do both.

0:25:27.280 --> 0:25:27.960
<v Speaker 5>They're doing both.

0:25:28.000 --> 0:25:31.400
<v Speaker 2>I've seen conson that God bless overseas and nobody care.

0:25:32.160 --> 0:25:32.679
<v Speaker 3>That's how it be.

0:25:33.040 --> 0:25:36.840
<v Speaker 4>But that not for Michael Jackson. Why y'all keep talking

0:25:36.840 --> 0:25:41.639
<v Speaker 4>about Michael. Stop comparing tobody. Nobody compared to Michael Jackson.

0:25:41.920 --> 0:25:43.040
<v Speaker 4>That ain't no old stuff.

0:25:43.080 --> 0:25:44.040
<v Speaker 2>Just go back and.

0:25:43.920 --> 0:25:48.240
<v Speaker 3>Watch you know who have them niggas overseas speed for real.

0:25:49.760 --> 0:25:51.080
<v Speaker 2>But it still ain't like Michael.

0:25:52.480 --> 0:25:54.600
<v Speaker 1>Right outside the airport for that man's playing the land.

0:25:54.720 --> 0:26:00.200
<v Speaker 4>Yeah, that's about how much Michael and Countries World Leader

0:26:00.600 --> 0:26:01.320
<v Speaker 4>would greet him.

0:26:01.400 --> 0:26:04.439
<v Speaker 3>Think about how think about how like the level of

0:26:04.480 --> 0:26:09.400
<v Speaker 3>astique you just like had by design as a top

0:26:09.480 --> 0:26:12.119
<v Speaker 3>artist in the eighties and nineties, Like a lot of

0:26:12.119 --> 0:26:14.639
<v Speaker 3>people don't got that chance. Like you have to post

0:26:14.680 --> 0:26:17.960
<v Speaker 3>on the internet, Michael Jackson. All he had to do

0:26:18.000 --> 0:26:20.040
<v Speaker 3>was drop a video and his lebel handle the rest

0:26:20.080 --> 0:26:22.560
<v Speaker 3>of it. It was, it was a different thing and

0:26:22.960 --> 0:26:30.280
<v Speaker 3>everybody didn't have phones. Everybody didn't have phones like that exactly.

0:26:30.320 --> 0:26:33.879
<v Speaker 5>But now before you even said I showed speed, everybody

0:26:33.960 --> 0:26:36.359
<v Speaker 5>was saying that in the chair, like speed speed to

0:26:36.400 --> 0:26:39.320
<v Speaker 5>get crazy, get out of the country.

0:26:39.520 --> 0:26:41.360
<v Speaker 1>Do you like that part of it, the part where

0:26:41.400 --> 0:26:43.159
<v Speaker 1>they say you have to post, you have to be

0:26:43.160 --> 0:26:45.560
<v Speaker 1>because people want to know more than just listening to

0:26:45.600 --> 0:26:46.080
<v Speaker 1>your music.

0:26:47.600 --> 0:26:50.280
<v Speaker 3>I have. You can ask my team. I have the

0:26:50.320 --> 0:26:52.040
<v Speaker 3>hardest time posting.

0:26:51.840 --> 0:26:52.680
<v Speaker 1>They laughing behind you.

0:26:52.840 --> 0:26:55.280
<v Speaker 3>Yeah, I had the hardest time, and it's not because

0:26:55.320 --> 0:26:57.359
<v Speaker 3>I don't care about posting, but it's because I'd be

0:26:57.480 --> 0:27:01.160
<v Speaker 3>overwhelmed with it, Like it's very overwhelming, Like, yeah, I'm

0:27:01.200 --> 0:27:04.320
<v Speaker 3>a young guy, but I'm also from the era of

0:27:04.760 --> 0:27:07.639
<v Speaker 3>right before it got this hectic, right before everything was

0:27:07.680 --> 0:27:12.000
<v Speaker 3>super duper. Oh, you can post an Instagram story, you

0:27:12.000 --> 0:27:14.920
<v Speaker 3>can post a real like it was just a square.

0:27:15.680 --> 0:27:17.919
<v Speaker 3>You would literally just be able to post a picture,

0:27:18.080 --> 0:27:20.720
<v Speaker 3>post a tweet when you had to retweet, like you

0:27:20.760 --> 0:27:22.960
<v Speaker 3>couldn't quote it. It was like it said rt next to

0:27:23.000 --> 0:27:25.440
<v Speaker 3>the tweet, Like I'm from that era. So it's kind

0:27:25.440 --> 0:27:27.480
<v Speaker 3>of it'd be kind of difficult for me to try

0:27:27.520 --> 0:27:28.520
<v Speaker 3>to latch on.

0:27:29.000 --> 0:27:32.440
<v Speaker 5>You go back on Facebook now, like it looked like

0:27:32.480 --> 0:27:33.320
<v Speaker 5>a whole different world.

0:27:33.520 --> 0:27:34.879
<v Speaker 1>Yeah right, it's crazy.

0:27:35.280 --> 0:27:37.280
<v Speaker 3>It's crazy. Facebook is not the same, you know.

0:27:37.560 --> 0:27:41.240
<v Speaker 6>No, it's not talk about the tension between up Next

0:27:41.320 --> 0:27:43.439
<v Speaker 6>and up Now that you explore with this project and

0:27:43.480 --> 0:27:46.359
<v Speaker 6>what that even means up next versus up now or

0:27:46.440 --> 0:27:48.120
<v Speaker 6>and so I.

0:27:48.040 --> 0:27:50.840
<v Speaker 3>Feel like I feel like up Next is kind of

0:27:50.880 --> 0:27:53.800
<v Speaker 3>like a leash. I feel like it's kind of like

0:27:53.840 --> 0:27:57.320
<v Speaker 3>a leash for sure, because it's like how long am

0:27:57.400 --> 0:27:59.119
<v Speaker 3>I going to be up next? How long are you

0:27:59.160 --> 0:28:01.199
<v Speaker 3>all going to keep telling me that, like when are

0:28:01.280 --> 0:28:07.119
<v Speaker 3>y'all gonna actually like push you know what I'm saying

0:28:07.119 --> 0:28:09.199
<v Speaker 3>for the guy to be up, not even just me,

0:28:09.880 --> 0:28:14.720
<v Speaker 3>because this can go for anybody. Like I just feel like, uh,

0:28:15.520 --> 0:28:18.040
<v Speaker 3>if y'all gonna say somebody next up, say it once

0:28:18.119 --> 0:28:20.760
<v Speaker 3>or twice and then just let the guy be the

0:28:20.840 --> 0:28:23.040
<v Speaker 3>one up. That's just how I be feeling.

0:28:23.119 --> 0:28:24.919
<v Speaker 4>Or to your point about is there used to be

0:28:24.960 --> 0:28:27.600
<v Speaker 4>a time where you could see it right, like you knew, Okay,

0:28:27.640 --> 0:28:29.399
<v Speaker 4>here go Marchael Plus in the beginning he got a

0:28:29.400 --> 0:28:33.000
<v Speaker 4>mixtape or whatever. Yeah, oh okay, Now Michael Plus just signed.

0:28:33.240 --> 0:28:35.680
<v Speaker 4>Oh Michael Plus. Now he on you know, b T

0:28:36.000 --> 0:28:38.600
<v Speaker 4>or MTV or whatever it is. Oh, now Margall Plus

0:28:38.600 --> 0:28:40.360
<v Speaker 4>without a single, Oh Michael Plus for out of album.

0:28:40.400 --> 0:28:42.200
<v Speaker 2>Oh he went platinum. Now he's on Award show.

0:28:42.320 --> 0:28:45.320
<v Speaker 4>Like you could see it nowadays, you can't really see

0:28:45.320 --> 0:28:46.239
<v Speaker 4>where it starts to end.

0:28:46.360 --> 0:28:49.160
<v Speaker 3>Yeah, yeah, that's exact. That's exactly. It's such a blur.

0:28:49.520 --> 0:28:53.000
<v Speaker 3>It is a complete blur. Everybody's career is like it's

0:28:53.000 --> 0:28:56.640
<v Speaker 3>so it's weird. It's weird, but I think it might

0:28:56.720 --> 0:28:58.800
<v Speaker 3>be for the better for these guys.

0:28:58.880 --> 0:29:01.200
<v Speaker 1>But let Chase Records to them. Yeah, they're not a

0:29:01.240 --> 0:29:02.920
<v Speaker 1>lot of times they're not chasing the artists. They're not

0:29:03.000 --> 0:29:05.280
<v Speaker 1>trying to build a brand and build an artists slow.

0:29:05.320 --> 0:29:07.920
<v Speaker 1>They they see a song on on Spotify, they see

0:29:07.920 --> 0:29:10.360
<v Speaker 1>a song on TikTok, and they chase music. Yeah, and

0:29:10.480 --> 0:29:13.480
<v Speaker 1>usually they artist has one song, they got a year max.

0:29:13.520 --> 0:29:14.600
<v Speaker 1>And then you never see them again.

0:29:14.800 --> 0:29:16.520
<v Speaker 6>Right in the chat, just said the lifespan for rappers

0:29:16.520 --> 0:29:18.520
<v Speaker 6>nowadays is so short, max is two years.

0:29:18.840 --> 0:29:20.720
<v Speaker 5>I think they're just talking about the art, not that life.

0:29:20.840 --> 0:29:24.840
<v Speaker 3>Yeah, not for sure. Uh, it's I feel like it's

0:29:25.000 --> 0:29:28.160
<v Speaker 3>it's two reasons for that. I feel like, of course,

0:29:28.200 --> 0:29:32.280
<v Speaker 3>the attention span of the fan and the ego of

0:29:32.360 --> 0:29:38.440
<v Speaker 3>the artists. Uh. I'm trying to I'm trying to practice

0:29:38.440 --> 0:29:40.560
<v Speaker 3>what I preach by actually like making sure I can

0:29:40.680 --> 0:29:43.960
<v Speaker 3>do all the work. But yeah, a lot of people

0:29:44.080 --> 0:29:48.840
<v Speaker 3>kind of get complacent, get jaded. If one thing doesn't work,

0:29:49.200 --> 0:29:52.720
<v Speaker 3>they forget, like they forget to keep going. But if

0:29:52.720 --> 0:29:55.440
<v Speaker 3>something does work, they forget to keep going, you.

0:29:55.440 --> 0:29:56.520
<v Speaker 2>Know what I'm saying.

0:29:56.640 --> 0:29:58.840
<v Speaker 3>Yeah, and you can't I don't know, I can't move

0:29:58.960 --> 0:30:01.840
<v Speaker 3>like that from the south side, right, Yeah, College Park.

0:30:02.200 --> 0:30:04.320
<v Speaker 2>What does the south side sound like to you.

0:30:04.920 --> 0:30:12.080
<v Speaker 3>Honestly, all of Atlanta. It's kind of like it's kind

0:30:12.080 --> 0:30:14.120
<v Speaker 3>of like, all right, so the way the South Side

0:30:14.240 --> 0:30:17.520
<v Speaker 3>is everybody is from I feel like everybody from the

0:30:17.640 --> 0:30:20.000
<v Speaker 3>from the West Side for real, or like just the

0:30:20.000 --> 0:30:23.080
<v Speaker 3>center of Atlanta, and then they moved out and spread out.

0:30:23.360 --> 0:30:26.440
<v Speaker 3>So I grew up with a lot of folks like, yeah,

0:30:26.480 --> 0:30:28.480
<v Speaker 3>we're from the South Side, but the folks from the

0:30:28.480 --> 0:30:31.440
<v Speaker 3>West Side, from Bankhead, or they from like Zone six

0:30:31.600 --> 0:30:34.880
<v Speaker 3>or they like from Boulevard something like that. So honestly,

0:30:37.280 --> 0:30:40.840
<v Speaker 3>the one of the first roue like outside of Jermaine Duprix,

0:30:40.880 --> 0:30:43.600
<v Speaker 3>one of the first big South Side artists was Two Chains,

0:30:43.880 --> 0:30:46.240
<v Speaker 3>you know what I'm saying. So really, what we had

0:30:46.960 --> 0:30:49.120
<v Speaker 3>we had what we had for real, like outside of

0:30:49.160 --> 0:30:51.120
<v Speaker 3>like the young like the up and coming artists and

0:30:51.120 --> 0:30:53.840
<v Speaker 3>stuff like that were listening like too, were listening to Gucci,

0:30:53.880 --> 0:30:57.720
<v Speaker 3>We listen to Gez, We listened to Young Ralph Young,

0:30:57.760 --> 0:30:59.160
<v Speaker 3>School to the Future, you know what I'm saying.

0:30:59.480 --> 0:31:05.520
<v Speaker 5>All that your album was described as a major creative leap, right,

0:31:05.640 --> 0:31:09.880
<v Speaker 5>so how did it sound on? I know? Right? So

0:31:10.320 --> 0:31:12.239
<v Speaker 5>they I guess they're basically saying that your sound has

0:31:12.280 --> 0:31:14.160
<v Speaker 5>evolved from previous projects.

0:31:14.160 --> 0:31:14.920
<v Speaker 2>Do you agree with that?

0:31:15.960 --> 0:31:18.600
<v Speaker 3>I do. I do agree with it, and only I

0:31:18.640 --> 0:31:22.200
<v Speaker 3>only feel like that now because I realized I hate

0:31:22.200 --> 0:31:26.040
<v Speaker 3>my older music, but not because it's bad, because I

0:31:26.080 --> 0:31:30.920
<v Speaker 3>know I've gotten better. I was listening to my music

0:31:30.920 --> 0:31:33.840
<v Speaker 3>the other day because I'm preparing for a tour and

0:31:34.040 --> 0:31:36.760
<v Speaker 3>I had to. I was really listening. I was like, yo,

0:31:36.840 --> 0:31:39.560
<v Speaker 3>I hate all this older stuff, but this newer album

0:31:39.680 --> 0:31:42.960
<v Speaker 3>is like it feels timeless, like it just feels better.

0:31:43.800 --> 0:31:46.840
<v Speaker 3>And maybe I'm gonna say that the next time, the

0:31:46.880 --> 0:31:50.000
<v Speaker 3>next time I drop an album, But right now, that's

0:31:50.080 --> 0:31:50.720
<v Speaker 3>just how I feel.

0:31:50.800 --> 0:31:53.120
<v Speaker 5>You should only get better and better. But what exactly

0:31:53.280 --> 0:31:55.160
<v Speaker 5>do you hate about it? Is it the subject matter?

0:31:55.320 --> 0:31:58.360
<v Speaker 3>Is it how you Sometimes it's my tone of voice.

0:31:58.760 --> 0:32:02.959
<v Speaker 3>Sometimes I I feel like I just got very, very

0:32:03.000 --> 0:32:06.680
<v Speaker 3>good at hooks. So it's a lot of times it's that.

0:32:07.000 --> 0:32:09.440
<v Speaker 3>A lot of times it's beat selection. A lot of

0:32:09.440 --> 0:32:11.240
<v Speaker 3>people say I have great beat selections. They're saying that

0:32:11.280 --> 0:32:15.280
<v Speaker 3>for years, But my ear changes all the time. So

0:32:16.040 --> 0:32:18.640
<v Speaker 3>it's usually just things like that. Me being a psychopath,

0:32:18.840 --> 0:32:19.280
<v Speaker 3>I want.

0:32:19.160 --> 0:32:22.440
<v Speaker 1>To ask that when you're writing a song. I look

0:32:22.480 --> 0:32:24.480
<v Speaker 1>at your songs, and they very and the reason the

0:32:24.480 --> 0:32:26.040
<v Speaker 1>way I said, they vary. Is before it used to

0:32:26.040 --> 0:32:29.080
<v Speaker 1>be sixteen hook, sixteen hook, sixteen hook, right, and then

0:32:29.160 --> 0:32:31.200
<v Speaker 1>for some reason it just stopped. Now is the song

0:32:31.320 --> 0:32:33.760
<v Speaker 1>is a minute forty two seconds or two minutes the longest?

0:32:33.920 --> 0:32:34.200
<v Speaker 2>Sure?

0:32:34.440 --> 0:32:36.440
<v Speaker 1>How do you get everything out in that short period

0:32:36.480 --> 0:32:39.360
<v Speaker 1>of time? It's that easier. That's the most difficult thing, yo.

0:32:39.760 --> 0:32:42.200
<v Speaker 1>I ain't gonna lie. That's a good question, because I

0:32:42.280 --> 0:32:45.840
<v Speaker 1>used to be the artist three sixteens like my I'm

0:32:45.840 --> 0:32:47.960
<v Speaker 1>looking at some of your records are four minutes long,

0:32:48.000 --> 0:32:50.320
<v Speaker 1>five minutes long, but now the last couple of two minutes.

0:32:50.680 --> 0:32:52.680
<v Speaker 3>They had to figure out how to consolidate it for

0:32:52.720 --> 0:32:55.480
<v Speaker 3>the younger people, man like, even for the even for

0:32:55.480 --> 0:32:57.200
<v Speaker 3>the people who don't got that much time in the

0:32:57.240 --> 0:32:59.040
<v Speaker 3>day or don't want to listen to the same beat

0:32:59.160 --> 0:33:02.280
<v Speaker 3>for three and a half minutes. I had to figure out, Oh,

0:33:02.360 --> 0:33:05.280
<v Speaker 3>instead of doing two sixteens and a hook, I could

0:33:05.280 --> 0:33:07.800
<v Speaker 3>do a cold twenty folk. I could do a mean

0:33:08.000 --> 0:33:10.200
<v Speaker 3>thirty two. You know what I'm saying, Do a hook

0:33:10.240 --> 0:33:12.959
<v Speaker 3>in a bridge instead of a bunch of hooks, like

0:33:13.200 --> 0:33:15.760
<v Speaker 3>just things like that, Even like the song out my

0:33:15.840 --> 0:33:18.640
<v Speaker 3>Way I have, I'm only on that joint for one minute.

0:33:19.600 --> 0:33:21.080
<v Speaker 3>I feel like Sino is on the song for more

0:33:21.120 --> 0:33:23.480
<v Speaker 3>time than I am. It's really just things like that,

0:33:23.640 --> 0:33:25.320
<v Speaker 3>just trying to figure out how to consolidate the art

0:33:25.360 --> 0:33:27.880
<v Speaker 3>form for the next generation.

0:33:28.240 --> 0:33:28.800
<v Speaker 2>You know what I mean?

0:33:32.240 --> 0:33:34.880
<v Speaker 3>Now? You cold? Now if you cold? Because a lot

0:33:34.880 --> 0:33:38.160
<v Speaker 3>of people, I feel like a lot of people, a

0:33:38.160 --> 0:33:40.400
<v Speaker 3>lot of people kind of be drawn it out, Like

0:33:40.440 --> 0:33:42.360
<v Speaker 3>you could draw like you could make a long song

0:33:42.360 --> 0:33:44.320
<v Speaker 3>and it could sound drawn out, or you can make

0:33:45.320 --> 0:33:48.480
<v Speaker 3>a short song that's compact and you like Yo, I

0:33:48.520 --> 0:33:50.640
<v Speaker 3>want to play this again. I want to listen to this,

0:33:51.360 --> 0:33:53.000
<v Speaker 3>like right after this and the next time.

0:33:54.320 --> 0:33:56.040
<v Speaker 5>Though you could be dope. Don't you listen to a

0:33:56.080 --> 0:33:58.640
<v Speaker 5>long song? Be cause for Perrero like not like us.

0:33:58.680 --> 0:34:02.200
<v Speaker 5>It's long as shit. But you can't stop the song.

0:34:02.440 --> 0:34:03.320
<v Speaker 5>You gotta keep listening.

0:34:03.760 --> 0:34:04.719
<v Speaker 3>I like to. I like to.

0:34:04.840 --> 0:34:07.360
<v Speaker 4>You know, I heard the song from Killing Mike A

0:34:07.360 --> 0:34:10.120
<v Speaker 4>one hundred three thousand that's not out yet. That's like

0:34:10.160 --> 0:34:13.880
<v Speaker 4>fourteen fifteen minutes long. Wow, And that song is incredible.

0:34:14.840 --> 0:34:15.560
<v Speaker 3>I need to hear that.

0:34:15.560 --> 0:34:16.399
<v Speaker 2>Would you tell me.

0:34:16.360 --> 0:34:17.600
<v Speaker 3>That you're not?

0:34:17.800 --> 0:34:20.040
<v Speaker 2>You should? You should connect with Mike connected I have

0:34:20.239 --> 0:34:20.880
<v Speaker 2>I've not met him.

0:34:20.920 --> 0:34:21.680
<v Speaker 3>I know his son though.

0:34:21.840 --> 0:34:24.560
<v Speaker 4>Okay, okay, like you and Mike need to connect because

0:34:24.600 --> 0:34:28.000
<v Speaker 4>'all just you know, I feel like spiritual, spiritually, y'all

0:34:28.040 --> 0:34:31.040
<v Speaker 4>have like an you have a spiritual artistic connection, you.

0:34:31.080 --> 0:34:31.560
<v Speaker 2>Know what I mean.

0:34:31.760 --> 0:34:33.960
<v Speaker 4>But yes, him and Dre got a song and that's

0:34:33.960 --> 0:34:36.880
<v Speaker 4>like fifteen minutes long, and it's just them too, it's.

0:34:36.719 --> 0:34:38.120
<v Speaker 2>Just tim too.

0:34:38.320 --> 0:34:42.320
<v Speaker 7>But they start telling us now the beat is changing,

0:34:42.480 --> 0:34:46.200
<v Speaker 7>because the beat is changing because based off what Andre

0:34:46.320 --> 0:34:48.600
<v Speaker 7>is rapping about and the things he's referencing, the beat

0:34:48.719 --> 0:34:50.760
<v Speaker 7>changes to go along with what he's referencing.

0:34:50.880 --> 0:34:52.880
<v Speaker 3>Yeah, that's it's really dope.

0:34:53.160 --> 0:34:55.760
<v Speaker 4>That's and I'm like, I just think if something's dope,

0:34:55.840 --> 0:34:56.720
<v Speaker 4>it will keep your attention.

0:34:56.960 --> 0:34:59.760
<v Speaker 3>Hundred thousand makes me so angry because he's my favorite

0:34:59.800 --> 0:35:03.720
<v Speaker 3>rap forever. Like Outcast, I don't separate them. They're both.

0:35:04.200 --> 0:35:07.640
<v Speaker 3>There's like the act itself is the greatest rap act ever.

0:35:09.120 --> 0:35:12.239
<v Speaker 3>Like I understand what he means when he says he

0:35:12.480 --> 0:35:15.680
<v Speaker 3>don't think people want to listen to him, Bru, just

0:35:15.840 --> 0:35:19.319
<v Speaker 3>try it, Like, just try it, gang, try it. Bro.

0:35:19.400 --> 0:35:21.680
<v Speaker 3>It's people like me out here in Atlanta who need you,

0:35:22.160 --> 0:35:24.600
<v Speaker 3>like dead serious, like you think these folks don't need you,

0:35:24.680 --> 0:35:27.080
<v Speaker 3>and we do. Like it's folks who want to hear you.

0:35:27.080 --> 0:35:30.799
<v Speaker 3>It's fopos who want to like and no disrespect to

0:35:31.000 --> 0:35:34.600
<v Speaker 3>your your your your instrument albums album. Yeah, no, like,

0:35:34.680 --> 0:35:38.719
<v Speaker 3>no disrespect to that. But dog, we need a big homie, bro.

0:35:39.880 --> 0:35:41.879
<v Speaker 3>Everybody big homie trying to be in a club, trying

0:35:41.920 --> 0:35:45.200
<v Speaker 3>to be in a hookah lounge like nobody them folks

0:35:45.239 --> 0:35:47.520
<v Speaker 3>not like nah, we need a real big homie. You

0:35:47.520 --> 0:35:50.759
<v Speaker 3>don't like the flip. I love the flu I be

0:35:50.840 --> 0:35:54.960
<v Speaker 3>high as hell, but like, dog, we need we need

0:35:55.000 --> 0:35:57.479
<v Speaker 3>them bars. Like, what's the last thing we got from

0:35:57.560 --> 0:36:00.880
<v Speaker 3>from dre life of a party? It was for the

0:36:00.880 --> 0:36:02.719
<v Speaker 3>party with no scientists engineers, that's what.

0:36:04.440 --> 0:36:06.080
<v Speaker 4>Yeah, yeah, yeah, they want to grab me for that.

0:36:06.719 --> 0:36:09.480
<v Speaker 4>So who do you feel spiritually connected to artistically? When

0:36:09.480 --> 0:36:13.440
<v Speaker 4>you know I'm I'm specifically talking about the generations before you.

0:36:14.320 --> 0:36:18.400
<v Speaker 3>This might sun cliche, but pop big pop fan, super

0:36:18.400 --> 0:36:27.440
<v Speaker 3>pot fan. Uh, this is crazy Wayne at a certain

0:36:27.440 --> 0:36:30.799
<v Speaker 3>point in his life because I feel like I feel

0:36:30.840 --> 0:36:33.440
<v Speaker 3>like I'm in that best rapper alive back Sometimes I

0:36:33.520 --> 0:36:35.880
<v Speaker 3>just feel like every time I do a verse it's cold.

0:36:36.680 --> 0:36:47.000
<v Speaker 3>So Wayne, I'm not sure. I'm not sure. I'm not

0:36:47.040 --> 0:36:49.520
<v Speaker 3>sure what the rest of that to be honest, those

0:36:49.520 --> 0:36:50.239
<v Speaker 3>are two good ones.

0:36:50.440 --> 0:36:52.960
<v Speaker 5>Yeah, you said you was to you're getting ready for tours?

0:36:53.040 --> 0:36:55.400
<v Speaker 3>So you on tour with j D.

0:36:56.719 --> 0:37:03.520
<v Speaker 5>This man got me calling everything because the period the

0:37:03.560 --> 0:37:04.440
<v Speaker 5>periods throw me off.

0:37:04.480 --> 0:37:05.600
<v Speaker 2>I mean, it's just like it's.

0:37:05.480 --> 0:37:06.080
<v Speaker 3>J I D.

0:37:06.160 --> 0:37:10.880
<v Speaker 5>But whatever. Yeah, So how did that happen?

0:37:11.680 --> 0:37:16.000
<v Speaker 3>You being on to see it's kind of funny? Uh,

0:37:17.400 --> 0:37:18.680
<v Speaker 3>I ain't know I was gonna be on the tour,

0:37:18.800 --> 0:37:22.319
<v Speaker 3>but was talking about the tour one day and somebody said,

0:37:22.360 --> 0:37:24.279
<v Speaker 3>are you checking my plus on the road? He said,

0:37:25.040 --> 0:37:27.520
<v Speaker 3>you don't got no choice but to come. I didn't

0:37:27.520 --> 0:37:31.320
<v Speaker 3>know that I was going, but I thought he was

0:37:31.360 --> 0:37:33.480
<v Speaker 3>just I thought he was just saying that. But I

0:37:33.560 --> 0:37:35.560
<v Speaker 3>found out. I was like, oh, yeah, it's cool.

0:37:36.440 --> 0:37:37.680
<v Speaker 2>You don't have no choice but to come.

0:37:45.320 --> 0:37:51.359
<v Speaker 1>Getting that's hilarious, Yo, that's oh here Yo. I thought

0:37:51.360 --> 0:37:52.600
<v Speaker 1>he's gonna get you in the flu when you said

0:37:52.680 --> 0:37:56.640
<v Speaker 1>love the flu but the too. All right, we know

0:37:56.719 --> 0:37:58.080
<v Speaker 1>you do, bro?

0:37:58.239 --> 0:38:00.680
<v Speaker 2>What I do want to ask you? The period on

0:38:00.800 --> 0:38:02.840
<v Speaker 2>for Atlanta meaning to you in twenty twenty.

0:38:02.560 --> 0:38:07.040
<v Speaker 3>Five, honestly, just showing folks, that is more. It's more

0:38:07.080 --> 0:38:10.319
<v Speaker 3>than what met stye. All these young kids killing each other,

0:38:11.200 --> 0:38:13.919
<v Speaker 3>all these like and just even like on the wrap side,

0:38:14.040 --> 0:38:18.120
<v Speaker 3>like we ain't just stupid now like everybody think just

0:38:18.120 --> 0:38:21.440
<v Speaker 3>because like we we got a certain energy or we

0:38:21.520 --> 0:38:25.200
<v Speaker 3>talk a certain way that we like, like they think

0:38:25.239 --> 0:38:27.719
<v Speaker 3>country people slow. You know what I'm saying. I don't know.

0:38:27.760 --> 0:38:28.920
<v Speaker 3>I just want to be. I just want to show

0:38:29.000 --> 0:38:32.839
<v Speaker 3>niggas like it ain't like that. That's really it. That's

0:38:32.840 --> 0:38:35.600
<v Speaker 3>really it. I want to be and I want to

0:38:35.640 --> 0:38:38.920
<v Speaker 3>show that somebody from the South can be at the

0:38:38.920 --> 0:38:42.640
<v Speaker 3>top outside of j Cole, like because Cole is like

0:38:42.719 --> 0:38:46.440
<v Speaker 3>the he's like he's low key the real king of

0:38:47.239 --> 0:38:52.320
<v Speaker 3>Southern hip hop.

0:38:52.160 --> 0:38:58.520
<v Speaker 4>Talkin I'm from the Carolinas. Not make it so, you know,

0:38:59.239 --> 0:39:01.719
<v Speaker 4>not making it to the high not make it to

0:39:02.719 --> 0:39:06.799
<v Speaker 4>make it cast don't count. What about the number one

0:39:06.880 --> 0:39:08.799
<v Speaker 4>movie and album in the same week.

0:39:08.920 --> 0:39:10.719
<v Speaker 1>What is the highest point in your opinion? What is

0:39:10.719 --> 0:39:12.359
<v Speaker 1>the highest point there? Don't you speak up, sir?

0:39:12.960 --> 0:39:13.840
<v Speaker 3>Are we serious?

0:39:15.480 --> 0:39:23.040
<v Speaker 2>Tip had a number one forget how big, sir?

0:39:23.160 --> 0:39:26.080
<v Speaker 1>Generation just asking what you mean by said he's the

0:39:26.160 --> 0:39:26.840
<v Speaker 1>kidding yourself?

0:39:26.840 --> 0:39:29.920
<v Speaker 3>So like, what is podcast for the year at the

0:39:29.920 --> 0:39:32.440
<v Speaker 3>ground the king of Southern hip hop talking.

0:39:32.360 --> 0:39:33.759
<v Speaker 2>Like Atlanta not the South?

0:39:33.880 --> 0:39:36.759
<v Speaker 3>Bro, What do you mean Okay.

0:39:36.840 --> 0:39:38.080
<v Speaker 4>First of all, if you really want to get to

0:39:38.560 --> 0:39:40.920
<v Speaker 4>Atlanta is a territory of its own, let's give it.

0:39:41.719 --> 0:39:42.640
<v Speaker 3>It's like a peninsula.

0:39:42.680 --> 0:39:44.600
<v Speaker 2>Is it about sales? What are we talking be basing

0:39:44.600 --> 0:39:46.719
<v Speaker 2>this on because it's godface, I.

0:39:46.680 --> 0:39:48.640
<v Speaker 3>Think it's about I think it's I think it's how

0:39:48.640 --> 0:39:52.960
<v Speaker 3>people care about you, like bro, look at how they

0:39:52.960 --> 0:39:56.520
<v Speaker 3>treat today there. They will never treat cold like that.

0:39:56.840 --> 0:39:59.680
<v Speaker 3>Cole will never get you. Is trying to rat it

0:40:00.080 --> 0:40:02.000
<v Speaker 3>mainstream major act ever.

0:40:02.120 --> 0:40:04.000
<v Speaker 2>Yes, but that his peak. T I was the biggest.

0:40:04.000 --> 0:40:04.600
<v Speaker 2>That's peak.

0:40:05.040 --> 0:40:07.400
<v Speaker 3>That's his peak, though, cold call one of them guys

0:40:07.440 --> 0:40:10.600
<v Speaker 3>where people like I don't. I don't even think that

0:40:10.800 --> 0:40:13.960
<v Speaker 3>the rat beef apology is gonna set him back too much.

0:40:14.400 --> 0:40:16.480
<v Speaker 3>Like he's cold, he's cold?

0:40:17.920 --> 0:40:18.680
<v Speaker 2>Can I say something else?

0:40:19.480 --> 0:40:19.719
<v Speaker 3>You know?

0:40:19.719 --> 0:40:21.880
<v Speaker 4>If you're talking about accolades, future got more accolades than

0:40:21.880 --> 0:40:23.560
<v Speaker 4>col Right, all right.

0:40:23.520 --> 0:40:29.040
<v Speaker 3>All right, I thought I was talking about something like what.

0:40:29.040 --> 0:40:29.400
<v Speaker 2>Do we mean?

0:40:29.440 --> 0:40:30.960
<v Speaker 4>What do you mean when you're talking about you started

0:40:31.000 --> 0:40:32.719
<v Speaker 4>talking about Grammys? And what are you talking about when

0:40:32.719 --> 0:40:34.040
<v Speaker 4>you say he's the king in the South?

0:40:34.040 --> 0:40:37.000
<v Speaker 2>What qualifies you as king? And sun people still the time?

0:40:37.600 --> 0:40:42.080
<v Speaker 3>Car face, Bro, it's about like I don't know.

0:40:42.160 --> 0:40:44.439
<v Speaker 4>Man, it's a lot of the one record with DJ

0:40:44.600 --> 0:40:47.759
<v Speaker 4>Paul that's that's not good and you're acting like space.

0:40:48.320 --> 0:40:49.480
<v Speaker 3>I thought that was an ice cube.

0:40:50.239 --> 0:40:52.759
<v Speaker 5>Literally, Okay, I get what, I get. What you in

0:40:52.800 --> 0:40:57.719
<v Speaker 5>the chest was bad. My age or something like. The

0:40:57.760 --> 0:40:59.759
<v Speaker 5>future has no substance to his music.

0:40:59.800 --> 0:41:02.960
<v Speaker 3>We're talking about lyrics. That's this. This is that guy?

0:41:02.960 --> 0:41:05.560
<v Speaker 3>You know what's so crazy? Yeah, I just that's crazy.

0:41:05.840 --> 0:41:08.120
<v Speaker 1>Think about I look at Cood the other way. I

0:41:08.120 --> 0:41:09.600
<v Speaker 1>feel like, ain't no call.

0:41:10.480 --> 0:41:12.200
<v Speaker 2>I just don't like when y'all make these days.

0:41:18.000 --> 0:41:21.880
<v Speaker 3>I'm gonna do something. I'm gonna do something. T I's career.

0:41:23.080 --> 0:41:24.400
<v Speaker 3>He came out in two thousand and one.

0:41:24.440 --> 0:41:25.640
<v Speaker 2>What I'm serious?

0:41:25.960 --> 0:41:29.359
<v Speaker 3>He had arguably the one of the longest poems in

0:41:29.440 --> 0:41:33.359
<v Speaker 3>the South. I'll give it like I'll say, I'll say

0:41:33.400 --> 0:41:35.359
<v Speaker 3>twelve years because I like trouble man.

0:41:36.920 --> 0:41:37.319
<v Speaker 2>Mm hmm.

0:41:38.320 --> 0:41:42.840
<v Speaker 3>Cole has had the longest run of being at the

0:41:42.880 --> 0:41:46.319
<v Speaker 3>top in the South. It's been Cole came out. When

0:41:46.440 --> 0:41:49.640
<v Speaker 3>when did Sideline Story come out? Town eleven? It's twenty

0:41:49.680 --> 0:41:50.279
<v Speaker 3>twenty six.

0:41:50.680 --> 0:41:51.560
<v Speaker 2>What are we basing this?

0:41:51.680 --> 0:41:57.000
<v Speaker 3>I really yo, I'm so happy I'm up here. Okay,

0:41:58.239 --> 0:42:01.319
<v Speaker 3>agreeing with this man, I got a chart, I got

0:42:01.360 --> 0:42:06.399
<v Speaker 3>a chart. It's of course longevity. It's rap skills. It's

0:42:06.440 --> 0:42:08.880
<v Speaker 3>everything that goes into your rap skills. It is metaphors,

0:42:09.320 --> 0:42:12.280
<v Speaker 3>it's lyricability. People don't understand that lyrical ability and technical

0:42:12.280 --> 0:42:17.160
<v Speaker 3>ability are two different things. It's how it's how consistent

0:42:17.239 --> 0:42:17.520
<v Speaker 3>you are.

0:42:18.400 --> 0:42:19.600
<v Speaker 1>Check those relevancy.

0:42:19.920 --> 0:42:22.319
<v Speaker 3>Did they have a Wayne esque feature run though where

0:42:22.320 --> 0:42:24.319
<v Speaker 3>they killed everything? Yeah?

0:42:24.360 --> 0:42:24.960
<v Speaker 2>Absolutely?

0:42:26.520 --> 0:42:30.000
<v Speaker 3>Who you all right? Absolutely outside of stump argue that.

0:42:30.400 --> 0:42:34.959
<v Speaker 4>Dom Magic remix Soldier remix.

0:42:34.640 --> 0:42:41.040
<v Speaker 2>With what are we talking about that same thing? We

0:42:40.680 --> 0:42:43.040
<v Speaker 2>we we have recency bias.

0:42:42.719 --> 0:42:45.600
<v Speaker 3>So much, you know, you know, I'm I'm a I'm

0:42:45.600 --> 0:42:48.640
<v Speaker 3>a newer generation guy. That might be the case, might

0:42:48.719 --> 0:42:49.080
<v Speaker 3>be the case.

0:42:49.160 --> 0:42:51.600
<v Speaker 1>Most people say the opposite. Most people say Cole is

0:42:51.719 --> 0:42:53.560
<v Speaker 1>underrated and people don't respect him and ate them the

0:42:53.560 --> 0:42:53.880
<v Speaker 1>way that he.

0:42:55.480 --> 0:42:58.040
<v Speaker 3>Yeah, but he's like people say the same thing about

0:42:58.120 --> 0:43:01.600
<v Speaker 3>krit and he's way bigger than create. Like I just

0:43:01.600 --> 0:43:03.759
<v Speaker 3>feel true, I just feel like I don't know, man,

0:43:04.120 --> 0:43:06.520
<v Speaker 3>colded a cold cold and a lot of a lot

0:43:06.520 --> 0:43:10.040
<v Speaker 3>of work that the average Southern artists wouldn't be able

0:43:10.080 --> 0:43:13.600
<v Speaker 3>to stand right here still like, and I don't count

0:43:13.640 --> 0:43:18.160
<v Speaker 3>future transcending hip hop I can't count future because like

0:43:18.719 --> 0:43:19.520
<v Speaker 3>that's like Atlanta.

0:43:20.040 --> 0:43:22.279
<v Speaker 4>You can say transd at one point, I can say

0:43:22.280 --> 0:43:25.240
<v Speaker 4>you was on My Love and Robin.

0:43:26.320 --> 0:43:28.759
<v Speaker 2>You're a t I fan, Bros, my top five Folk

0:43:29.520 --> 0:43:30.759
<v Speaker 2>t GZ and like.

0:43:31.120 --> 0:43:33.840
<v Speaker 6>Folks don't I feel like this is a generational t

0:43:34.000 --> 0:43:36.200
<v Speaker 6>I fan argument, Like both of y'all are fans, but

0:43:36.239 --> 0:43:37.520
<v Speaker 6>you're just younger than him.

0:43:37.400 --> 0:43:39.560
<v Speaker 5>So you see it differently different.

0:43:41.440 --> 0:43:43.359
<v Speaker 3>Like I was like saying they are, But I.

0:43:43.280 --> 0:43:47.160
<v Speaker 6>Think he's arguing the longevity of the impact and staying

0:43:47.239 --> 0:43:49.600
<v Speaker 6>power and both of them have had it, but he

0:43:49.760 --> 0:43:50.520
<v Speaker 6>is viewed differently.

0:43:50.600 --> 0:43:52.920
<v Speaker 3>And also, I know more people influenced by Cold and

0:43:52.960 --> 0:43:55.440
<v Speaker 3>Tip age like a man.

0:43:57.960 --> 0:43:59.759
<v Speaker 2>This generation.

0:44:03.280 --> 0:44:06.080
<v Speaker 5>Yeah, that was influenced Tip of Coal bro.

0:44:06.000 --> 0:44:10.320
<v Speaker 4>I had every TI album. You just said that Cold.

0:44:10.400 --> 0:44:12.000
<v Speaker 4>More people more influenced by.

0:44:11.880 --> 0:44:19.680
<v Speaker 2>Cold, Yeah, they are that you.

0:44:16.520 --> 0:44:19.759
<v Speaker 3>Young kids want to repack. People don't want to You

0:44:19.840 --> 0:44:21.279
<v Speaker 3>don't want to write like t I. T I was

0:44:21.320 --> 0:44:23.320
<v Speaker 3>a lot of that was that was everybody wanted to

0:44:23.400 --> 0:44:26.160
<v Speaker 3>rap like in the day, but now nobody wants to

0:44:26.200 --> 0:44:28.680
<v Speaker 3>do that. He Tip was on Thug Out and he

0:44:28.840 --> 0:44:30.680
<v Speaker 3>was like, huh, what is t I doing on thug album?

0:44:31.320 --> 0:44:33.879
<v Speaker 2>The Money? But as I said, it's a recency bias thing.

0:44:34.160 --> 0:44:36.320
<v Speaker 2>By the way, that could happen to Cold.

0:44:36.960 --> 0:44:39.960
<v Speaker 3>That's not happening. The call it could quite already good.

0:44:40.000 --> 0:44:43.160
<v Speaker 2>I was you say you forty a co forty already?

0:44:43.280 --> 0:44:46.120
<v Speaker 2>I know he did. I'm not saying it will. I'm

0:44:46.120 --> 0:44:48.239
<v Speaker 2>saying because you never know what's gonna happen in the

0:44:48.280 --> 0:44:49.000
<v Speaker 2>next five years.

0:44:49.040 --> 0:44:51.279
<v Speaker 3>He's cemented, I think he said, and he's gonna drop

0:44:51.320 --> 0:44:52.839
<v Speaker 3>his last album. Don't even play like that.

0:44:52.960 --> 0:44:54.880
<v Speaker 4>I think I think Cold is submitted. I think Kendrick

0:44:54.920 --> 0:44:57.040
<v Speaker 4>is cemented. I think Drake is cemented, you know what

0:44:57.040 --> 0:44:59.440
<v Speaker 4>I mean. But also t I cemented as well. Jesus,

0:44:59.800 --> 0:45:02.239
<v Speaker 4>you can't take away who they and what they do.

0:45:02.320 --> 0:45:04.360
<v Speaker 3>I'm not doing that. But also I just got to

0:45:04.400 --> 0:45:06.239
<v Speaker 3>keep it the fact, bro, these white kids are listening

0:45:06.280 --> 0:45:08.400
<v Speaker 3>to Cold before they cut on the motivation.

0:45:09.800 --> 0:45:11.759
<v Speaker 2>Doug Motivation is twenty years old, no.

0:45:11.920 --> 0:45:14.920
<v Speaker 3>Matter, bro, it was, it was, it was everything is

0:45:14.920 --> 0:45:17.239
<v Speaker 3>twenty years old that people like you, you.

0:45:17.280 --> 0:45:21.399
<v Speaker 4>Know, by the way, by the way, Jay Cole don't

0:45:21.400 --> 0:45:22.720
<v Speaker 4>got no album like Doug Motivation.

0:45:22.840 --> 0:45:25.920
<v Speaker 3>You're right, come on, man, I was there. I was there.

0:45:26.400 --> 0:45:27.160
<v Speaker 2>I don't understand y'.

0:45:27.920 --> 0:45:29.400
<v Speaker 1>But also, like what he said.

0:45:29.960 --> 0:45:33.000
<v Speaker 3>A biased guy. I'm not a biased listener, so I can.

0:45:33.040 --> 0:45:35.879
<v Speaker 3>I can, I can. I can understand where it's like, yeah,

0:45:35.920 --> 0:45:39.440
<v Speaker 3>I appreciate this and I understand this, but I understand

0:45:39.440 --> 0:45:41.080
<v Speaker 3>also understanding back the kids.

0:45:41.120 --> 0:45:42.879
<v Speaker 4>You're right right, But you know what else we keep

0:45:42.920 --> 0:45:48.920
<v Speaker 4>we said? Golf said Wayne Bro, I love ain't had

0:45:48.960 --> 0:45:49.960
<v Speaker 4>no run like Wayne.

0:45:50.320 --> 0:45:54.239
<v Speaker 3>For god, you know what I mean?

0:45:54.440 --> 0:45:58.920
<v Speaker 2>I forgot to exactly but Wayne Bro? What Wayne?

0:45:59.360 --> 0:46:02.200
<v Speaker 3>Wayne? People forget Wayne from where he's from. Wayne just

0:46:02.960 --> 0:46:05.600
<v Speaker 3>a rapper like Wayne is one of the like, no

0:46:05.719 --> 0:46:08.520
<v Speaker 3>matter where you're from in the country, Wayne's gonna beat

0:46:08.520 --> 0:46:10.839
<v Speaker 3>somebody favorite rapper out there. Like that's like, but.

0:46:10.840 --> 0:46:14.600
<v Speaker 6>People forget what call from arguing right now that j

0:46:14.719 --> 0:46:15.640
<v Speaker 6>Cole is from New York.

0:46:17.320 --> 0:46:20.440
<v Speaker 5>I literally was like he's from down the streets like

0:46:22.120 --> 0:46:24.400
<v Speaker 5>sign to Rocks and all the times.

0:46:25.760 --> 0:46:29.600
<v Speaker 2>Wayne t I scarface, like come on, Broye.

0:46:29.760 --> 0:46:33.080
<v Speaker 3>All right, So it's it's Wayne and Cole with the longest.

0:46:36.239 --> 0:46:39.160
<v Speaker 2>Wayne been around since he was kid, like a kid

0:46:39.280 --> 0:46:40.280
<v Speaker 2>for real Wayne.

0:46:41.160 --> 0:46:45.719
<v Speaker 3>Yeah, yeah, and two kids. We about to ride.

0:46:46.080 --> 0:46:48.520
<v Speaker 2>What about your legacy? Marco?

0:46:48.640 --> 0:46:50.040
<v Speaker 4>Plus, when it's all said and done, what do you

0:46:50.080 --> 0:46:52.640
<v Speaker 4>want to Atlanta scene to say Marchael Plus contributed to

0:46:52.680 --> 0:46:53.120
<v Speaker 4>the coaching.

0:46:53.360 --> 0:46:56.080
<v Speaker 3>I want to be the reason that these young kids

0:46:56.200 --> 0:46:58.600
<v Speaker 3>want to like say like do more and say more

0:46:58.680 --> 0:47:00.600
<v Speaker 3>and don't want to get into beef and get shot

0:47:00.800 --> 0:47:03.560
<v Speaker 3>oh with nothing. Essentially, I kind of just want to

0:47:03.640 --> 0:47:07.960
<v Speaker 3>help my city figure out it's true identity. It's kind

0:47:08.000 --> 0:47:11.719
<v Speaker 3>of been lost upon since like the like a bunch

0:47:11.760 --> 0:47:17.320
<v Speaker 3>of things that, like the whole Rico debacle when Shorty

0:47:17.400 --> 0:47:19.080
<v Speaker 3>put out the list of like all the gangs and

0:47:19.080 --> 0:47:20.960
<v Speaker 3>all that stuff, it kind of didn't cool nothing down

0:47:21.000 --> 0:47:24.839
<v Speaker 3>and just made everything hotter. I just I don't know, man,

0:47:25.160 --> 0:47:27.919
<v Speaker 3>it be It's it's twelve year old kids getting shot

0:47:27.920 --> 0:47:31.560
<v Speaker 3>and killed. Like I want people to understand, like, you

0:47:31.600 --> 0:47:35.200
<v Speaker 3>ain't gotta be you ain't gotta be something like that

0:47:35.840 --> 0:47:38.480
<v Speaker 3>just to like cause you a talented kid. You know

0:47:38.520 --> 0:47:39.920
<v Speaker 3>what I'm saying. You want to get out and you

0:47:40.040 --> 0:47:42.040
<v Speaker 3>feel like, oh we're in this city. I gotta do

0:47:42.160 --> 0:47:45.440
<v Speaker 3>this when you can, you can be everything. You know

0:47:45.480 --> 0:47:46.920
<v Speaker 3>what I'm saying. You don't got to be one thing.

0:47:47.960 --> 0:47:50.880
<v Speaker 3>The success of a rapper is not linear or the

0:47:50.960 --> 0:47:52.719
<v Speaker 3>same for anybody. And I just want to be able

0:47:52.760 --> 0:47:56.400
<v Speaker 3>to be like Yo, this kid shifted the paradigm. That's

0:47:56.440 --> 0:47:57.520
<v Speaker 3>what I want people to say.

0:47:58.120 --> 0:48:02.400
<v Speaker 1>We appreciate you for joining. Yeah, come back, thank you absolutely.

0:48:03.360 --> 0:48:05.160
<v Speaker 2>And when you become the biggest rapper in the world,

0:48:05.200 --> 0:48:05.799
<v Speaker 2>don't forget us.

0:48:06.120 --> 0:48:07.920
<v Speaker 3>Man. How the hell am I gonna do that?

0:48:08.440 --> 0:48:15.239
<v Speaker 2>It's happened before one day, I'm gonna do the ship.

0:48:15.640 --> 0:48:17.280
<v Speaker 3>Let me be done your day, ladies.

0:48:19.560 --> 0:48:20.560
<v Speaker 1>It's the Breakfast Club.

0:48:20.600 --> 0:48:20.959
<v Speaker 2>Good morning.

0:48:21.000 --> 0:48:22.440
<v Speaker 1>Thank y'all, chat for riding what us just wanting to

0:48:23.040 --> 0:48:25.680
<v Speaker 1>chat every day a week.

0:48:26.280 --> 0:48:28.160
<v Speaker 3>Click yours up the Breakfast Club.

0:48:28.719 --> 0:48:29.640
<v Speaker 2>Finish for y'all. Dumb