1
00:00:01,560 --> 00:00:02,759
Speaker 1: Every day a week ago.

2
00:00:03,040 --> 00:00:07,200
Speaker 2: Click up the Breakfast Club finish for y'all done morning.

3
00:00:07,240 --> 00:00:11,040
Speaker 1: Everybody's Steve j n V Jess hilarious, Charlamagne the guy

4
00:00:11,119 --> 00:00:13,440
Speaker 1: we are the breakfast Club. Law La Rosa is here

5
00:00:13,560 --> 00:00:16,360
Speaker 1: as well. We got a special guest in the building

6
00:00:17,200 --> 00:00:19,960
Speaker 1: and on our breakfast Club am Twitch chat as well.

7
00:00:20,040 --> 00:00:22,560
Speaker 1: Ladies and gentlemen, we got Marco plus welcome.

8
00:00:22,840 --> 00:00:28,120
Speaker 3: Yo, this is crazy. How are y'all doing? I'm kind

9
00:00:28,160 --> 00:00:29,120
Speaker 3: of nervous. I can't cat.

10
00:00:29,200 --> 00:00:32,040
Speaker 2: Why is this crazy? Marco? Why are you nervous? What?

11
00:00:33,040 --> 00:00:36,320
Speaker 3: This is my childhood? Like they're serious. I was watching

12
00:00:37,040 --> 00:00:42,720
Speaker 3: my boy Ruben up here with knife yeah, and Night

13
00:00:42,800 --> 00:00:44,400
Speaker 3: said something about how this is like one of the

14
00:00:44,479 --> 00:00:47,280
Speaker 3: last places where you can come get some credibility for real,

15
00:00:47,840 --> 00:00:50,600
Speaker 3: Like everything gone. I ain't gonna lie, I ain't. I

16
00:00:50,600 --> 00:00:52,040
Speaker 3: honestly didn't think I was gonna make it up here.

17
00:00:52,360 --> 00:00:53,680
Speaker 2: Well, you know you've been gone by the time you

18
00:00:53,680 --> 00:00:55,800
Speaker 2: popped up, but it took away to be to you Award.

19
00:00:57,760 --> 00:01:00,960
Speaker 3: I was like, what that's crazy, like you never know

20
00:01:01,040 --> 00:01:01,520
Speaker 3: what's gone?

21
00:01:02,040 --> 00:01:02,200
Speaker 4: Yeah?

22
00:01:02,280 --> 00:01:05,000
Speaker 3: Yeah, yeah, sir? How old you twenty seven? And the

23
00:01:05,080 --> 00:01:06,520
Speaker 3: turned twenty eight in a couple of days.

24
00:01:06,600 --> 00:01:09,800
Speaker 4: Yes, we've been on half of your life, yes, sir. Yeah,

25
00:01:09,840 --> 00:01:11,480
Speaker 4: when you first get tapped in, you think.

26
00:01:12,840 --> 00:01:15,880
Speaker 3: I I'm young, but I got old. Sol I've seen

27
00:01:16,200 --> 00:01:17,319
Speaker 3: the ray j fab joint.

28
00:01:17,560 --> 00:01:20,920
Speaker 1: Oh wow, wow, you see this was he wasn't because

29
00:01:20,920 --> 00:01:22,320
Speaker 1: he would have been now you'd have been.

30
00:01:22,319 --> 00:01:25,840
Speaker 3: Your mom would have about fifteen. I got kept back

31
00:01:25,959 --> 00:01:31,280
Speaker 3: right in like the eighth grade, so you see. Yeah,

32
00:01:31,640 --> 00:01:37,240
Speaker 3: damn Sean, I was bad yea, yeah see I got cammability,

33
00:01:37,480 --> 00:01:40,680
Speaker 3: like I ended up in the class. So uh when

34
00:01:40,760 --> 00:01:43,200
Speaker 3: I when I started doing homeschool the next year, I

35
00:01:43,240 --> 00:01:44,559
Speaker 3: ain't do that work either.

36
00:01:44,959 --> 00:01:48,720
Speaker 1: Just watch this breakfast club raige was crazy.

37
00:01:48,760 --> 00:01:52,520
Speaker 4: Yeah that's well, thank you, Marchael. We appreciate you skipping

38
00:01:52,560 --> 00:01:53,280
Speaker 4: school to watch us.

39
00:01:55,120 --> 00:01:57,520
Speaker 1: So you are, of course, you're a rapper from Atlanta, yes, sir,

40
00:01:57,600 --> 00:01:59,920
Speaker 1: originally born in Florida, Yes, sir, and tell us how

41
00:02:00,400 --> 00:02:03,160
Speaker 1: what got you into to rap? Because you're unlike I

42
00:02:03,200 --> 00:02:05,640
Speaker 1: would say a lot of the rappers. Now, you got

43
00:02:05,680 --> 00:02:07,080
Speaker 1: a different way of doing it. So what got you

44
00:02:07,120 --> 00:02:07,840
Speaker 1: into what you do?

45
00:02:07,920 --> 00:02:08,120
Speaker 2: Now?

46
00:02:08,760 --> 00:02:12,480
Speaker 3: Honestly, it's kind of like embedded, you know what I mean.

47
00:02:12,760 --> 00:02:15,799
Speaker 3: My whole family is kind of musical. My granddad, I

48
00:02:15,840 --> 00:02:17,760
Speaker 3: think it starts with him. He owned a label in

49
00:02:17,760 --> 00:02:22,840
Speaker 3: Pensacola from like the eighties to the nineties. I think

50
00:02:22,880 --> 00:02:24,959
Speaker 3: it was like TSIM or something. It wasn't really very

51
00:02:24,960 --> 00:02:27,480
Speaker 3: big and like some some some flaw stuff happened with

52
00:02:27,520 --> 00:02:31,440
Speaker 3: like co owners and stuff like that. But like, yeah,

53
00:02:31,560 --> 00:02:34,240
Speaker 3: like just the whole family, especially the immediate family, Like

54
00:02:34,240 --> 00:02:36,680
Speaker 3: we're all kind of talented. I think I'm just the

55
00:02:36,680 --> 00:02:39,520
Speaker 3: one that actually had the chance to get out there

56
00:02:39,520 --> 00:02:41,760
Speaker 3: and do something with it. To be honest, I've been

57
00:02:41,800 --> 00:02:45,760
Speaker 3: wrapping my whole life brou my. I remember I remember

58
00:02:45,960 --> 00:02:48,360
Speaker 3: being like a Hot Boys fan as a child, Like

59
00:02:49,680 --> 00:02:52,000
Speaker 3: I have a very I have a very strong memory.

60
00:02:52,040 --> 00:02:54,760
Speaker 3: It goes far back. I could say, like two thousand.

61
00:02:54,800 --> 00:02:56,960
Speaker 3: I was trying to like look like Layne.

62
00:02:56,560 --> 00:02:56,880
Speaker 2: And b G.

63
00:02:58,639 --> 00:02:59,240
Speaker 5: I can see that.

64
00:02:59,480 --> 00:03:03,079
Speaker 3: Yeah, what we inspiration? So they weed inspirations, Yeah them

65
00:03:03,360 --> 00:03:10,120
Speaker 3: tip uh geezy. As I got older, it was probably

66
00:03:10,160 --> 00:03:12,839
Speaker 3: like I like, I like Prodigy from my deeper lot.

67
00:03:13,080 --> 00:03:14,200
Speaker 3: We got the same birthday and.

68
00:03:14,240 --> 00:03:16,120
Speaker 2: You name it awesome, you name it some heavy hitters.

69
00:03:16,160 --> 00:03:16,679
Speaker 2: I like this.

70
00:03:16,840 --> 00:03:17,399
Speaker 3: Yeah. Man.

71
00:03:17,720 --> 00:03:20,200
Speaker 1: The crazy thing about Prodigy, I think people are starting

72
00:03:20,200 --> 00:03:21,560
Speaker 1: to find a new respect for him. In the last

73
00:03:21,560 --> 00:03:22,960
Speaker 1: couple of years, Yeah, long Live Pe.

74
00:03:23,160 --> 00:03:25,160
Speaker 3: He was talking a lot of a lot of real stuff,

75
00:03:25,680 --> 00:03:27,679
Speaker 3: A lot of real stuff. That's one of my favors ever.

76
00:03:27,880 --> 00:03:29,760
Speaker 3: I think Infamous is one of the best albums ever.

77
00:03:30,040 --> 00:03:33,560
Speaker 4: Definitely is a lot of your music touches on like pain, reflection.

78
00:03:33,720 --> 00:03:35,400
Speaker 4: You know, you tap into, you know, mental health a

79
00:03:35,440 --> 00:03:38,720
Speaker 4: lot when you write. Are you you venting or are

80
00:03:39,080 --> 00:03:40,800
Speaker 4: you think healing or just documenting?

81
00:03:41,160 --> 00:03:44,040
Speaker 3: You know, it's so crazy. I just started realizing that's

82
00:03:44,080 --> 00:03:48,280
Speaker 3: how I I kind of heal from things. My girlfriend

83
00:03:48,280 --> 00:03:52,120
Speaker 3: told me I don't talk, so like I realized I

84
00:03:52,160 --> 00:03:55,040
Speaker 3: do most of my talking and my music I do

85
00:03:55,040 --> 00:03:55,440
Speaker 3: most of it.

86
00:03:55,600 --> 00:03:57,119
Speaker 1: It seems like you don't like too many people either.

87
00:03:57,560 --> 00:03:59,040
Speaker 3: I hate people tell.

88
00:03:59,560 --> 00:04:01,440
Speaker 1: Not not for listen to your music.

89
00:04:01,520 --> 00:04:04,400
Speaker 3: Yeah. Yeah, it's just like, I don't know, man, I

90
00:04:04,520 --> 00:04:07,360
Speaker 3: kind of have a I have a super sense of

91
00:04:07,800 --> 00:04:11,360
Speaker 3: what's the word, cognizance. I can keep in people's cap

92
00:04:11,520 --> 00:04:15,240
Speaker 3: I know when somebody it's kind of being weird, and

93
00:04:15,280 --> 00:04:18,120
Speaker 3: everybody be weird. So it's like sometimes I'd rather just

94
00:04:18,160 --> 00:04:18,640
Speaker 3: stay away.

95
00:04:18,920 --> 00:04:20,920
Speaker 2: Do you approach people with an open mind? Though?

96
00:04:21,080 --> 00:04:23,120
Speaker 3: Yeah, for sure, you got to. You gotta give everybody

97
00:04:23,160 --> 00:04:26,440
Speaker 3: grace in every situation. But At the same time, I

98
00:04:26,480 --> 00:04:29,359
Speaker 3: don't give people too many times to to show me

99
00:04:29,960 --> 00:04:33,279
Speaker 3: like after like when I first heard the whole fool

100
00:04:33,360 --> 00:04:36,279
Speaker 3: me once, shame on you, I felt like it shouldn't

101
00:04:36,279 --> 00:04:39,960
Speaker 3: be no fool me twice. It's a shame on me

102
00:04:40,000 --> 00:04:41,559
Speaker 3: if you fool me once.

103
00:04:41,680 --> 00:04:44,479
Speaker 4: Anyway, I feel like that, especially in the work environment. Boy,

104
00:04:44,480 --> 00:04:46,000
Speaker 4: were still getting fooled up here by people.

105
00:04:47,680 --> 00:04:50,760
Speaker 5: So is that how you grew up there? Like did

106
00:04:50,760 --> 00:04:52,240
Speaker 5: you grow up introverted? Or are you just not a

107
00:04:52,240 --> 00:04:55,080
Speaker 5: people's person at all? Did anything happen I had?

108
00:04:55,320 --> 00:04:57,080
Speaker 3: I got a lot of family. I got a lot

109
00:04:57,080 --> 00:04:59,279
Speaker 3: of family. So honestly, I don't be feeling like I

110
00:04:59,360 --> 00:05:01,560
Speaker 3: need friends because it's like I just called my cousins,

111
00:05:01,560 --> 00:05:06,800
Speaker 3: call my brothers. I wouldn't say I was necessarily introverted

112
00:05:06,880 --> 00:05:09,880
Speaker 3: up until a certain point, up until like my whole

113
00:05:09,920 --> 00:05:13,640
Speaker 3: life became trying to write at sixteen every day. Yeah,

114
00:05:13,720 --> 00:05:17,719
Speaker 3: I got kind of like shut in for.

115
00:05:17,760 --> 00:05:18,400
Speaker 2: The for the chat.

116
00:05:18,400 --> 00:05:20,200
Speaker 1: That's what everybody know. This is Marvel plus we're talking

117
00:05:20,200 --> 00:05:22,640
Speaker 1: to if you just joined us, yes, sir, rapping all

118
00:05:22,720 --> 00:05:23,839
Speaker 1: this from Atlanta.

119
00:05:24,120 --> 00:05:26,640
Speaker 6: I was going to ask how you went from so

120
00:05:26,680 --> 00:05:29,640
Speaker 6: your background in music not really liking people, but finding

121
00:05:29,640 --> 00:05:31,120
Speaker 6: you way in the industry where you gotta deal with people,

122
00:05:31,760 --> 00:05:34,960
Speaker 6: and then you get co signed and you're now distributing

123
00:05:35,000 --> 00:05:38,880
Speaker 6: your music through rock Nation. That's yeah, you know how

124
00:05:39,120 --> 00:05:41,200
Speaker 6: shout out to the gang. So what was your how

125
00:05:41,240 --> 00:05:43,320
Speaker 6: did you meet people from rock Nation and how did

126
00:05:43,360 --> 00:05:44,359
Speaker 6: that all come about?

127
00:05:44,600 --> 00:05:50,880
Speaker 3: Honestly, I was leaving another situation and I honestly didn't

128
00:05:50,880 --> 00:05:54,520
Speaker 3: know where I was going, but I just knew that

129
00:05:54,560 --> 00:05:56,800
Speaker 3: they were showing interest like some I think it was

130
00:05:56,839 --> 00:05:58,400
Speaker 3: one of my friends who had signed there. I think

131
00:05:58,400 --> 00:06:01,600
Speaker 3: he still signed there. He like, he just told me, like, yo,

132
00:06:01,640 --> 00:06:03,680
Speaker 3: these people talk talk about you up here all the time,

133
00:06:04,520 --> 00:06:07,520
Speaker 3: and I was like, I need something to do the

134
00:06:07,720 --> 00:06:10,440
Speaker 3: other do and they was. That was real quick with

135
00:06:10,480 --> 00:06:14,240
Speaker 3: it as well. It was like one month we were

136
00:06:14,279 --> 00:06:17,159
Speaker 3: just talking and in the next month I was signed. Yeah,

137
00:06:17,200 --> 00:06:18,240
Speaker 3: it's pretty cool.

138
00:06:18,000 --> 00:06:19,760
Speaker 1: But it's just distribution. So you still got to handle

139
00:06:19,800 --> 00:06:20,640
Speaker 1: everything yourself.

140
00:06:20,440 --> 00:06:22,280
Speaker 3: Yeah, for sure. And I love it that way though.

141
00:06:22,480 --> 00:06:24,600
Speaker 3: I like it that way. I like to be able

142
00:06:24,600 --> 00:06:27,880
Speaker 3: to control my time frame and all of that stuff,

143
00:06:28,320 --> 00:06:30,839
Speaker 3: just be able to like I could put out a

144
00:06:30,839 --> 00:06:33,120
Speaker 3: song that I made two weeks ago. A lot of

145
00:06:33,160 --> 00:06:35,680
Speaker 3: people can't do that. Yeah, that's a blessing right there.

146
00:06:35,680 --> 00:06:37,719
Speaker 1: But it's costly though, because you got to pay for everything. Correct,

147
00:06:39,600 --> 00:06:44,559
Speaker 1: they they help out. Yeah, okay, so it's more than distribution. Okay,

148
00:06:44,600 --> 00:06:51,160
Speaker 1: you know what I'm saying that crazy?

149
00:06:51,200 --> 00:06:52,280
Speaker 2: I know.

150
00:06:52,320 --> 00:06:54,680
Speaker 4: I know, Jim shout you out a lot of chance

151
00:06:54,760 --> 00:06:57,160
Speaker 4: to why'd you tap into those guys?

152
00:06:57,880 --> 00:06:58,520
Speaker 2: Uh Ji?

153
00:06:59,320 --> 00:07:04,440
Speaker 3: It's funny. Uh. It was like twenty twenty one, right

154
00:07:06,320 --> 00:07:09,480
Speaker 3: he somebody posted something on Instagram and he was like

155
00:07:09,680 --> 00:07:12,040
Speaker 3: rapping an unreleased song from his album Forever Story, if

156
00:07:12,040 --> 00:07:14,360
Speaker 3: I'm not mistaking. The song was crack Sandwich and he

157
00:07:14,440 --> 00:07:18,640
Speaker 3: ripped it. But I'm a rapper, so I commented, like, Yo,

158
00:07:18,720 --> 00:07:22,040
Speaker 3: this is hard, but wait till I dropped. And he's

159
00:07:22,040 --> 00:07:25,080
Speaker 3: seen that, and he just remembered. He just remembered it

160
00:07:25,120 --> 00:07:30,120
Speaker 3: and waited till I dropped. Yeah, and then he posted

161
00:07:30,120 --> 00:07:34,200
Speaker 3: the song he posted lately if I'm not mistaken, And honestly,

162
00:07:34,240 --> 00:07:36,320
Speaker 3: that's kind of where my career fully started.

163
00:07:36,600 --> 00:07:39,280
Speaker 2: If I wow. So he posted it. Did he say

164
00:07:39,320 --> 00:07:39,880
Speaker 2: it was hard too?

165
00:07:40,160 --> 00:07:40,440
Speaker 3: Yeah?

166
00:07:40,560 --> 00:07:42,080
Speaker 2: Okay, yeah, yeah, he hit me up.

167
00:07:42,120 --> 00:07:46,680
Speaker 3: We really talked down there every week two weeks at

168
00:07:46,720 --> 00:07:48,600
Speaker 3: this point. Real cool, dude.

169
00:07:48,640 --> 00:07:50,400
Speaker 4: The reason I respect that is because a lot of

170
00:07:50,520 --> 00:07:53,280
Speaker 4: artists on to come up wouldn't embrace another artist on

171
00:07:53,320 --> 00:07:53,720
Speaker 4: the come up.

172
00:07:53,720 --> 00:07:55,600
Speaker 2: People be feeling threatened, you know what I mean.

173
00:07:55,720 --> 00:07:57,200
Speaker 3: Yeah, that's the thing for sure.

174
00:07:57,360 --> 00:07:58,800
Speaker 2: He didn't feel like that with you at all.

175
00:07:59,240 --> 00:08:02,680
Speaker 3: Yeah. Nah, I think it's more so a kindred spirit

176
00:08:02,760 --> 00:08:05,560
Speaker 3: type thing because it's like just being from the A.

177
00:08:08,120 --> 00:08:10,720
Speaker 3: We kind of like the underdog, just off rip. No

178
00:08:10,720 --> 00:08:13,240
Speaker 3: matter how hard we is, we're just the underdog because

179
00:08:13,240 --> 00:08:16,360
Speaker 3: it's like everybody not gonna listen to us. Everybody's not

180
00:08:16,400 --> 00:08:18,760
Speaker 3: gonna want to listen to us. So I really think

181
00:08:18,800 --> 00:08:22,400
Speaker 3: it's one of those things where it's like he just

182
00:08:22,520 --> 00:08:25,200
Speaker 3: he seeing me wanting to make something more of not

183
00:08:25,320 --> 00:08:28,320
Speaker 3: just myself but of our scene, and he was like,

184
00:08:28,400 --> 00:08:30,280
Speaker 3: all right, I gotta I gotta put on for that.

185
00:08:30,640 --> 00:08:34,320
Speaker 4: You and Jen represent like a lane of the A,

186
00:08:34,880 --> 00:08:37,000
Speaker 4: and I'm glad it is kind of making a resurgence.

187
00:08:37,440 --> 00:08:39,600
Speaker 4: You know, I grew up off the Dungeon family. Yeah,

188
00:08:39,679 --> 00:08:41,840
Speaker 4: goodie mon outcast and that.

189
00:08:42,120 --> 00:08:42,320
Speaker 2: You know.

190
00:08:42,360 --> 00:08:44,040
Speaker 4: They don't get me wrong, it's crude off that tree

191
00:08:44,080 --> 00:08:46,360
Speaker 4: for sure, Like the Killer Mike's you know, lyricists like

192
00:08:46,440 --> 00:08:49,679
Speaker 4: t I, but like y'all are really in that space

193
00:08:49,720 --> 00:08:51,280
Speaker 4: of like, man, this is the Atlanta that I grew

194
00:08:51,360 --> 00:08:51,560
Speaker 4: up on.

195
00:08:51,679 --> 00:08:54,760
Speaker 3: Yes, sir, I wonder what that's about though, you know

196
00:08:54,800 --> 00:08:57,880
Speaker 3: what I'm saying, I wonder why we like because I

197
00:08:58,200 --> 00:09:01,400
Speaker 3: really don't have no idea of why I like. I

198
00:09:01,559 --> 00:09:05,160
Speaker 3: was attracted to the style that I do. Like I'm from,

199
00:09:05,280 --> 00:09:08,920
Speaker 3: I'm from like Atlanta, Atlanta. All I really know is

200
00:09:10,040 --> 00:09:12,520
Speaker 3: defo l You know what I'm saying. I know is

201
00:09:12,559 --> 00:09:17,880
Speaker 3: young droer. All I know I get busy lyricists. Come on, man,

202
00:09:17,920 --> 00:09:19,080
Speaker 3: I'm so happy you said that.

203
00:09:19,280 --> 00:09:22,480
Speaker 4: But and I guess you know, it's just different ways

204
00:09:22,480 --> 00:09:25,079
Speaker 4: to do socially conscious music. Yeah, I mean, y'all does

205
00:09:25,080 --> 00:09:28,719
Speaker 4: socially conscious show. You know, Mike definitely does socially conscious music.

206
00:09:28,760 --> 00:09:29,800
Speaker 4: It's just different ways to do.

207
00:09:29,720 --> 00:09:30,720
Speaker 3: It, Yeah, for sure.

208
00:09:30,960 --> 00:09:33,560
Speaker 5: So the name of your album is Marco Plus Versus

209
00:09:33,559 --> 00:09:34,559
Speaker 5: the Underworld.

210
00:09:34,160 --> 00:09:36,120
Speaker 3: Marco plus versus the Underworld.

211
00:09:36,160 --> 00:09:39,679
Speaker 5: So break that down. What what is you versus the Underworld?

212
00:09:39,960 --> 00:09:44,320
Speaker 3: The Underworld is? Honestly, well, number one is dealing with.

213
00:09:44,320 --> 00:09:45,240
Speaker 2: Your shadow side.

214
00:09:45,679 --> 00:09:50,840
Speaker 3: Yeah see that's yeah. That it's me coming from where

215
00:09:50,880 --> 00:09:53,600
Speaker 3: I come from and just the pitfalls of being from

216
00:09:53,679 --> 00:09:57,520
Speaker 3: the area where I'm from. It's about the underworld is

217
00:09:57,840 --> 00:10:03,080
Speaker 3: the industry. The under world is my emotions. The underworld

218
00:10:03,160 --> 00:10:07,640
Speaker 3: is infidelity, trust issues, all of that. I feel like

219
00:10:08,880 --> 00:10:11,280
Speaker 3: I chose the word the underworld because all of that

220
00:10:11,320 --> 00:10:13,520
Speaker 3: shit could feel like or excuse my language, it can

221
00:10:13,559 --> 00:10:17,000
Speaker 3: feel like hell, you know what I mean. So that's

222
00:10:17,080 --> 00:10:18,559
Speaker 3: kind of where I was coming with, you know what

223
00:10:18,559 --> 00:10:20,920
Speaker 3: I'm saying. And of course Scott Pilgrim versus the World

224
00:10:22,040 --> 00:10:25,440
Speaker 3: that was a fire movie. Yeah, so was the depression, trauma,

225
00:10:25,880 --> 00:10:28,880
Speaker 3: just all of it, like a culmination of all of it.

226
00:10:29,920 --> 00:10:32,120
Speaker 3: You know, sometimes you don't know where your depression come

227
00:10:32,120 --> 00:10:34,560
Speaker 3: from until you actually dig deep by y'all, just be

228
00:10:34,640 --> 00:10:41,120
Speaker 3: sad like so like just just having to realize that

229
00:10:41,440 --> 00:10:45,920
Speaker 3: nobody gonna do it for me. Ain't nobody really gonna

230
00:10:46,400 --> 00:10:48,560
Speaker 3: outside of you know, your family, and nobody gonna love

231
00:10:48,600 --> 00:10:53,360
Speaker 3: you for real like you and this by yourself. And

232
00:10:53,360 --> 00:10:55,800
Speaker 3: that's I feel like it's just a journey. It's like

233
00:10:55,840 --> 00:10:58,679
Speaker 3: the project is a journey for me come from. I'm

234
00:10:58,679 --> 00:11:02,080
Speaker 3: sorry a few things I ain't gonna lie. I was

235
00:11:02,120 --> 00:11:05,080
Speaker 3: depressed as hell when I was a kid for some reason,

236
00:11:05,320 --> 00:11:08,920
Speaker 3: like and I ain't like granted, I probably didn't even

237
00:11:08,920 --> 00:11:12,080
Speaker 3: know what I meant. But it was one day at school,

238
00:11:12,200 --> 00:11:14,520
Speaker 3: I forgot what we was doing in gym. I couldn't

239
00:11:14,520 --> 00:11:18,600
Speaker 3: do it. Push up it was right it it was

240
00:11:18,640 --> 00:11:22,320
Speaker 3: something crazy, I don't know, but I told them folks

241
00:11:22,360 --> 00:11:25,360
Speaker 3: I wanted to kill myself. Them folks called my mama

242
00:11:25,440 --> 00:11:29,880
Speaker 3: so fast, and they thought my mama was was like

243
00:11:29,960 --> 00:11:31,200
Speaker 3: abusing me or something.

244
00:11:31,440 --> 00:11:33,000
Speaker 4: Oh, did you really feel that way or you just

245
00:11:33,000 --> 00:11:34,560
Speaker 4: was upset about what happened in gym?

246
00:11:34,679 --> 00:11:35,160
Speaker 2: Bruh.

247
00:11:35,520 --> 00:11:37,680
Speaker 3: See, that's the thing. I think I was just sad.

248
00:11:38,320 --> 00:11:40,960
Speaker 3: I think it was just sad sometimes, Like I don't

249
00:11:41,000 --> 00:11:44,040
Speaker 3: know if I wanted to die, like death, I don't

250
00:11:44,080 --> 00:11:46,520
Speaker 3: even know if I understood the concept of it. But

251
00:11:46,559 --> 00:11:52,679
Speaker 3: then like it was like I like later on, I

252
00:11:52,760 --> 00:11:56,080
Speaker 3: kept having like just little problems in my head, you know,

253
00:11:56,240 --> 00:11:57,800
Speaker 3: like I don't know if it was coming from like

254
00:11:58,880 --> 00:12:01,960
Speaker 3: having having us a tad less than everybody, so like

255
00:12:02,000 --> 00:12:04,200
Speaker 3: you don't got the same type of swag, you don't

256
00:12:04,200 --> 00:12:07,280
Speaker 3: got the same type of things, or whether it's like

257
00:12:07,440 --> 00:12:10,520
Speaker 3: me not seeing my pops a lot, like just because

258
00:12:10,600 --> 00:12:13,160
Speaker 3: like we was in different places at the time. I

259
00:12:13,200 --> 00:12:15,320
Speaker 3: don't know where it came from. Depression is a sticky

260
00:12:15,400 --> 00:12:17,480
Speaker 3: it's like a it's a weird thing. It's a very

261
00:12:17,480 --> 00:12:18,000
Speaker 3: weird thing.

262
00:12:18,200 --> 00:12:21,400
Speaker 1: I always wonder. I always wondering with depression, like what

263
00:12:21,440 --> 00:12:23,680
Speaker 1: you're dealing with? Is it because you've seen it and

264
00:12:23,720 --> 00:12:26,040
Speaker 1: people talked about it so much. Right when I was

265
00:12:26,080 --> 00:12:28,640
Speaker 1: a kid, that wasn't a thought, you know what I mean.

266
00:12:28,840 --> 00:12:30,880
Speaker 1: It's like you can't push its either you're gonna try,

267
00:12:31,080 --> 00:12:32,880
Speaker 1: or you're gonna joke your way out of it, or

268
00:12:33,520 --> 00:12:36,760
Speaker 1: you fail. But nowadays, I feel like that's the that's

269
00:12:36,760 --> 00:12:38,720
Speaker 1: a reaction that a lot of kids hear and see.

270
00:12:38,720 --> 00:12:40,840
Speaker 1: So that's that emotion that they go to even like you,

271
00:12:41,160 --> 00:12:43,679
Speaker 1: even if they don't mean it, but when they say it,

272
00:12:43,679 --> 00:12:45,480
Speaker 1: it opens up a can of worms because you never

273
00:12:45,520 --> 00:12:47,240
Speaker 1: know if they're saying it because they really mean it,

274
00:12:47,640 --> 00:12:49,520
Speaker 1: if there's a problem at home. So I always wonder

275
00:12:49,559 --> 00:12:52,280
Speaker 1: when when you thought it, like where that came from?

276
00:12:52,280 --> 00:12:53,520
Speaker 1: Where that feeling came from?

277
00:12:53,600 --> 00:12:57,840
Speaker 3: Yeah, man, honestly, I'm not I'm not sure.

278
00:12:57,880 --> 00:12:59,400
Speaker 5: I don't think that I never got to the bottom

279
00:12:59,400 --> 00:12:59,560
Speaker 5: of it.

280
00:12:59,679 --> 00:13:01,520
Speaker 3: Yeah. I feel like it's a lot of people who

281
00:13:02,000 --> 00:13:07,000
Speaker 3: trying to figure out why they don't feel full, And

282
00:13:07,800 --> 00:13:09,800
Speaker 3: I don't know. I kind of been I've been one

283
00:13:09,800 --> 00:13:15,200
Speaker 3: of those people. Sometimes I'm still am I don't know.

284
00:13:15,280 --> 00:13:17,280
Speaker 3: I feel like we all just kind of go through

285
00:13:17,280 --> 00:13:19,920
Speaker 3: our things and get through them. Sometimes people brain receptors

286
00:13:19,960 --> 00:13:20,559
Speaker 3: be different.

287
00:13:20,920 --> 00:13:23,480
Speaker 6: To figure it out, I was going to say, you said,

288
00:13:23,480 --> 00:13:24,800
Speaker 6: do you feel like you're one of those people that

289
00:13:24,880 --> 00:13:27,120
Speaker 6: still battles with that? When I was listening to it?

290
00:13:27,160 --> 00:13:31,000
Speaker 6: So I listened to the opening on the project, and

291
00:13:31,080 --> 00:13:32,760
Speaker 6: it felt like that. It felt like you're talking about

292
00:13:32,760 --> 00:13:34,080
Speaker 6: so many different things, but it felt like a battle

293
00:13:34,120 --> 00:13:36,000
Speaker 6: between you have hope and then you lose it, but

294
00:13:36,040 --> 00:13:38,520
Speaker 6: you're still pushing through. You say they lost hope, they

295
00:13:38,559 --> 00:13:40,200
Speaker 6: convinced that God don't listen at one point?

296
00:13:40,240 --> 00:13:41,960
Speaker 5: Did you feel like God.

297
00:13:41,760 --> 00:13:43,520
Speaker 6: Wasn't listening to you or this is just what you're

298
00:13:43,520 --> 00:13:45,360
Speaker 6: seeing and then you're freakant it.

299
00:13:47,760 --> 00:13:52,760
Speaker 3: That's a very loaded question because honestly, I feel like

300
00:13:52,800 --> 00:13:57,560
Speaker 3: I battle with the idea of faith Sometimes a lot

301
00:13:57,559 --> 00:14:02,920
Speaker 3: of people probably wouldn't have said that, But like dog

302
00:14:03,160 --> 00:14:07,960
Speaker 3: all right, who am I to say that the man

303
00:14:10,760 --> 00:14:15,880
Speaker 3: from wherever he's from is wrong because he read another

304
00:14:15,920 --> 00:14:18,800
Speaker 3: book when he was like younger, and his family and

305
00:14:18,880 --> 00:14:23,640
Speaker 3: doctrinated him into this, Like I would feel wrong, and

306
00:14:23,720 --> 00:14:27,400
Speaker 3: like not only that, what if I spent my whole

307
00:14:27,440 --> 00:14:32,440
Speaker 3: life believing in something and then I go to hell,

308
00:14:33,200 --> 00:14:36,920
Speaker 3: like go to another hill, Like you feel what I'm saying. Like,

309
00:14:37,520 --> 00:14:40,720
Speaker 3: so it's honestly, it's honestly a confusing thing. Like, of

310
00:14:40,760 --> 00:14:45,680
Speaker 3: course I believe that God is real, I just don't understand.

311
00:14:46,000 --> 00:14:47,280
Speaker 3: Sometimes that's fine.

312
00:14:47,320 --> 00:14:47,880
Speaker 2: I don't think that.

313
00:14:48,080 --> 00:14:50,360
Speaker 4: I don't think that is confusing for anybody, as long

314
00:14:50,400 --> 00:14:52,560
Speaker 4: as you just admit we really don't know. We really

315
00:14:52,600 --> 00:14:55,280
Speaker 4: don't as everybody think they fucking know exactly going on,

316
00:14:55,400 --> 00:14:56,360
Speaker 4: and they don't like that.

317
00:14:56,480 --> 00:14:58,440
Speaker 2: You read what you read, you believe what you believe,

318
00:14:58,520 --> 00:15:00,680
Speaker 2: and it is what it is. You really you don't know.

319
00:15:01,320 --> 00:15:04,560
Speaker 5: That's my whole and I just respect your vulnerability because,

320
00:15:04,600 --> 00:15:05,960
Speaker 5: like you said, a lot of people wouldn't say that.

321
00:15:05,960 --> 00:15:08,560
Speaker 5: A lot of people are afraid to let out the

322
00:15:08,560 --> 00:15:09,320
Speaker 5: things in their head.

323
00:15:09,440 --> 00:15:09,600
Speaker 4: Yeah.

324
00:15:09,720 --> 00:15:13,360
Speaker 3: See, I gotta cut youry. Family don't play about that.

325
00:15:14,520 --> 00:15:18,560
Speaker 3: My daddy's side on the church, like it's like, they

326
00:15:18,600 --> 00:15:22,680
Speaker 3: don't play about that. But the Higher Power gave me

327
00:15:22,720 --> 00:15:24,440
Speaker 3: this mind for a reason. You know what I'm saying.

328
00:15:24,760 --> 00:15:26,840
Speaker 3: You know, it's a higher power exactly, and that's all.

329
00:15:26,920 --> 00:15:27,240
Speaker 2: That's all.

330
00:15:27,280 --> 00:15:29,840
Speaker 4: I'm like, Yo, I think about I always think about, like, okay,

331
00:15:29,920 --> 00:15:34,000
Speaker 4: think about before there was anything called religion, right, and

332
00:15:34,040 --> 00:15:36,160
Speaker 4: it was just humans here on this planet.

333
00:15:36,480 --> 00:15:38,840
Speaker 2: They just knew that there was a higher power exactly.

334
00:15:38,880 --> 00:15:40,800
Speaker 4: It just wasn't all of these different religions with all

335
00:15:40,840 --> 00:15:43,160
Speaker 4: these different practices and rituals and you have to be

336
00:15:43,200 --> 00:15:46,040
Speaker 4: here on this Sunday and you gotta do things like this. No,

337
00:15:46,280 --> 00:15:48,120
Speaker 4: I don't think that's how any of this should be.

338
00:15:48,320 --> 00:15:51,280
Speaker 4: In fact, man, a lot of it was was creative

339
00:15:51,320 --> 00:15:53,160
Speaker 4: for control exactly.

340
00:15:53,200 --> 00:15:56,120
Speaker 3: But that's a whole nother story. That's a whole other story.

341
00:15:57,240 --> 00:16:01,000
Speaker 5: Some Mark plus versus the Underworld is the storytelling. Basically,

342
00:16:01,040 --> 00:16:04,520
Speaker 5: you're telling stories about your journey, yes, from then to now?

343
00:16:04,920 --> 00:16:10,960
Speaker 3: Yes, yes, yes, it's it's really like I'm really I

344
00:16:11,000 --> 00:16:14,200
Speaker 3: was really trying to paint the picture of a young

345
00:16:14,240 --> 00:16:17,560
Speaker 3: man coming of age and trying to trying to make

346
00:16:17,560 --> 00:16:19,640
Speaker 3: a name for himself while dealing with all of these

347
00:16:19,640 --> 00:16:24,520
Speaker 3: types of issues because a lot of people don't understand, like, yeah,

348
00:16:24,520 --> 00:16:28,960
Speaker 3: we musicians, but like we got real life, like real

349
00:16:29,000 --> 00:16:32,720
Speaker 3: life things going on. So it's like, yeah, like this

350
00:16:32,840 --> 00:16:35,360
Speaker 3: is the main mission, but I gotta I gotta kind

351
00:16:35,360 --> 00:16:39,040
Speaker 3: of conquer all of these other things and it just

352
00:16:39,080 --> 00:16:41,200
Speaker 3: becomes a very difficult trip sometimes.

353
00:16:41,640 --> 00:16:44,240
Speaker 5: So when do you have fun? What do you enjoy doing?

354
00:16:44,480 --> 00:16:46,360
Speaker 5: When do you feel full? Do you have times that

355
00:16:46,400 --> 00:16:47,080
Speaker 5: you feel full?

356
00:16:47,840 --> 00:16:50,080
Speaker 3: When I went with my kid, Yeah, when I want

357
00:16:50,080 --> 00:16:53,800
Speaker 3: my daughter, for sure. When I with my girlfriend, I

358
00:16:53,840 --> 00:16:55,080
Speaker 3: smoke a lot.

359
00:16:58,640 --> 00:17:01,680
Speaker 2: What crazy?

360
00:17:08,600 --> 00:17:12,439
Speaker 3: But yeah, I'll be cooling. Man, I need to figure

361
00:17:12,480 --> 00:17:16,040
Speaker 3: out what to do to relax. I don't know how

362
00:17:16,080 --> 00:17:18,360
Speaker 3: to relax. I feel like my shoulders are tense right now.

363
00:17:18,440 --> 00:17:20,680
Speaker 4: I literally told my wife I went to the dinners,

364
00:17:20,680 --> 00:17:22,720
Speaker 4: and the dinners on me. You always clenching your teeth.

365
00:17:22,720 --> 00:17:24,000
Speaker 4: You gotta stop clenching your teeth.

366
00:17:24,040 --> 00:17:26,800
Speaker 3: I just learned I do that in my sleep. Yeah,

367
00:17:26,960 --> 00:17:28,919
Speaker 3: I learned. We're not supposed to rest our tongue at

368
00:17:28,920 --> 00:17:29,840
Speaker 3: the top of our mouth.

369
00:17:30,600 --> 00:17:31,000
Speaker 1: Mhmm.

370
00:17:31,160 --> 00:17:34,120
Speaker 3: That's crazy like that that's a sign of life. Even

371
00:17:34,119 --> 00:17:37,200
Speaker 3: though I can do that, right, You just got a list.

372
00:17:37,280 --> 00:17:41,600
Speaker 5: His tongue too thick. Sometimes press it at the top of.

373
00:17:41,880 --> 00:17:44,359
Speaker 2: The roof of your mouth, though.

374
00:17:44,760 --> 00:17:46,600
Speaker 3: I need to start doing that and get a retainer

375
00:17:46,720 --> 00:17:50,399
Speaker 3: or something. Yeah, grinding my teeth, man, that.

376
00:17:50,640 --> 00:17:53,200
Speaker 2: Guy, I don't know. I don't know. You're figuring it out.

377
00:17:53,320 --> 00:17:55,000
Speaker 2: I don't know. How you figure that out?

378
00:17:55,720 --> 00:17:56,120
Speaker 3: Crazy?

379
00:17:56,680 --> 00:17:58,600
Speaker 4: Do you have a sense of yourself to fear that

380
00:17:58,680 --> 00:18:01,159
Speaker 4: like being too vulnerable change out like fans.

381
00:18:00,880 --> 00:18:05,800
Speaker 3: And see, nah, I gotta it scared me because the

382
00:18:05,800 --> 00:18:08,280
Speaker 3: the ratneyal week as hell and they'll try to like

383
00:18:08,520 --> 00:18:11,399
Speaker 3: take advantage of you or like play you for a laye,

384
00:18:12,000 --> 00:18:15,399
Speaker 3: like just because you like you yourself. But I fade

385
00:18:15,440 --> 00:18:20,040
Speaker 3: any one of y'all. That's just honestly how I feel like.

386
00:18:20,080 --> 00:18:22,600
Speaker 3: I feel like your your supporters are your supporters for

387
00:18:22,640 --> 00:18:26,719
Speaker 3: a reason. They're gonna understand and feel you because they

388
00:18:27,560 --> 00:18:30,720
Speaker 3: like you connect from this certain place, whether it be

389
00:18:31,080 --> 00:18:34,640
Speaker 3: one part of the music or the other. But yeah,

390
00:18:34,680 --> 00:18:37,639
Speaker 3: sometimes I'd be like, that's kind of why I be

391
00:18:37,680 --> 00:18:40,200
Speaker 3: distant from a lot of people too. It's like a

392
00:18:40,280 --> 00:18:43,400
Speaker 3: vulnerable god be I'd be, I'd be cool. And I'm

393
00:18:43,440 --> 00:18:47,320
Speaker 3: also like a very like if I say you my

394
00:18:47,320 --> 00:18:51,120
Speaker 3: partner or people people people who don't respect that all

395
00:18:51,160 --> 00:18:51,400
Speaker 3: the time.

396
00:18:52,560 --> 00:18:56,359
Speaker 5: So with that being said, right, how does collaborations go?

397
00:18:56,440 --> 00:18:57,360
Speaker 5: How do you think about that?

398
00:18:57,760 --> 00:19:00,280
Speaker 3: I got my I got my few friends that I

399
00:19:00,359 --> 00:19:06,040
Speaker 3: like to rap with, of course, but honestly, when it

400
00:19:06,040 --> 00:19:09,119
Speaker 3: comes to songs, I'm willing to make music with anybody.

401
00:19:09,720 --> 00:19:11,879
Speaker 3: It just has to be right. This doesn't mean I

402
00:19:11,960 --> 00:19:16,439
Speaker 3: have to be friends with everyone. But I have no

403
00:19:16,480 --> 00:19:19,119
Speaker 3: problem making great music because music is that's what it's for.

404
00:19:19,359 --> 00:19:21,720
Speaker 3: Like we're all supposed to collaborate and make something fresh

405
00:19:21,840 --> 00:19:24,159
Speaker 3: and new and like something for people to love. And

406
00:19:24,320 --> 00:19:28,440
Speaker 3: I don't got no problem with none of that, just respect.

407
00:19:28,720 --> 00:19:30,960
Speaker 5: Do you have dream collaborations? Like who would you dream to.

408
00:19:30,960 --> 00:19:33,720
Speaker 3: Collaborate with Kendrick Drake?

409
00:19:34,680 --> 00:19:36,840
Speaker 2: Uh, you still want to do his song with Drake?

410
00:19:36,960 --> 00:19:43,040
Speaker 3: What by that? I'm conn by that be Kendrick first lie,

411
00:19:43,040 --> 00:19:45,280
Speaker 3: I'm a Kindrick fan. I'm a Drake fan too, though

412
00:19:45,320 --> 00:19:48,160
Speaker 3: it's just like I was. I was I was a teen,

413
00:19:48,520 --> 00:19:52,199
Speaker 3: like I had a point of this food gave me

414
00:19:52,359 --> 00:19:55,040
Speaker 3: take care like a week old, Like it was a

415
00:19:55,040 --> 00:19:57,720
Speaker 3: week old. I've never heard it. I ain't like the

416
00:19:57,720 --> 00:20:00,000
Speaker 3: only song like I think headlines is out of course

417
00:20:01,040 --> 00:20:04,160
Speaker 3: all that stuff. He just gave me the album and

418
00:20:04,200 --> 00:20:07,679
Speaker 3: that's really That's really when I became a Drake super

419
00:20:07,680 --> 00:20:10,919
Speaker 3: fan for sure. But I'm like, I think it was

420
00:20:10,960 --> 00:20:14,080
Speaker 3: like the BT Awards two thousand and eleven, the Hip

421
00:20:14,119 --> 00:20:16,760
Speaker 3: Hop Awards, That's the first time I ever heard Kenrick Camark.

422
00:20:16,800 --> 00:20:19,600
Speaker 3: It was like the cipher. That's what made me a

423
00:20:19,600 --> 00:20:23,080
Speaker 3: fan of Kendrick for real. So that like I was

424
00:20:23,119 --> 00:20:26,800
Speaker 3: like thirteen fourteen, Yeah, like I can't I can't escape that.

425
00:20:26,840 --> 00:20:28,760
Speaker 2: I can't escape him as a rap fan. Or you

426
00:20:28,800 --> 00:20:30,640
Speaker 2: loved the back and forth between them.

427
00:20:30,800 --> 00:20:35,480
Speaker 3: Honestly I hated it, really, bro You guys shouldn't make

428
00:20:35,640 --> 00:20:38,879
Speaker 3: music together. I don't. I don't want you guys to

429
00:20:38,880 --> 00:20:42,000
Speaker 3: be just that's not what I wanted. Like it was

430
00:20:42,000 --> 00:20:44,840
Speaker 3: like it was entertaining. It was entertaining in the in

431
00:20:44,880 --> 00:20:48,120
Speaker 3: the moment, like it got too nasty, they got too Yeah,

432
00:20:48,119 --> 00:20:50,159
Speaker 3: I ain't gonna lie. Just it was like it was

433
00:20:50,200 --> 00:20:51,080
Speaker 3: like I loved it.

434
00:20:51,520 --> 00:20:52,879
Speaker 2: Yeah he's.

435
00:20:54,760 --> 00:20:57,080
Speaker 5: But you thought it was a good thing when was like, nah,

436
00:20:57,119 --> 00:20:57,720
Speaker 5: we don't need to be.

437
00:20:57,760 --> 00:20:59,600
Speaker 3: Doing that, not in the moment, because I was in

438
00:20:59,640 --> 00:21:02,359
Speaker 3: the moment like these niggas fighting, you know what I'm saying.

439
00:21:05,720 --> 00:21:08,560
Speaker 3: But I ain't gonna lie. That's like, for his piece

440
00:21:08,720 --> 00:21:12,960
Speaker 3: and for his sanity, that is the realest thing you

441
00:21:12,960 --> 00:21:13,280
Speaker 3: could do.

442
00:21:13,359 --> 00:21:15,199
Speaker 1: Yeah, we've seen it after he's seen him fall, But

443
00:21:15,200 --> 00:21:16,040
Speaker 1: we've seen it after.

444
00:21:15,920 --> 00:21:19,200
Speaker 2: Yeah, you know what I'm saying, Yeah, get out Kendrick way.

445
00:21:19,520 --> 00:21:24,400
Speaker 3: He bought all your.

446
00:21:22,960 --> 00:21:25,440
Speaker 1: Because once it goes that personal, there's no getting back

447
00:21:25,440 --> 00:21:25,639
Speaker 1: to it.

448
00:21:25,760 --> 00:21:25,960
Speaker 3: Yeah.

449
00:21:26,240 --> 00:21:28,159
Speaker 1: Sure, I want to ask you. You know, I was

450
00:21:28,520 --> 00:21:31,080
Speaker 1: looking through your videos and one of the biggest things

451
00:21:31,080 --> 00:21:33,760
Speaker 1: a lot of your fans says they feel like YouTube

452
00:21:33,760 --> 00:21:34,920
Speaker 1: shadow band you.

453
00:21:35,000 --> 00:21:37,280
Speaker 3: Ah yeah, I don't know who does.

454
00:21:37,160 --> 00:21:38,040
Speaker 2: That come from? That true?

455
00:21:38,040 --> 00:21:40,080
Speaker 1: Because I mean, it wasn't just once I see Thatt, Like.

456
00:21:40,440 --> 00:21:42,840
Speaker 3: I don't know what that's about. I've been smoking with

457
00:21:43,000 --> 00:21:45,520
Speaker 3: my videos. I don't know. I don't know if it's

458
00:21:45,520 --> 00:21:46,280
Speaker 3: like if it's that.

459
00:21:46,960 --> 00:21:48,400
Speaker 1: So you see it too, You see what when people

460
00:21:48,440 --> 00:21:48,879
Speaker 1: say I.

461
00:21:49,240 --> 00:21:52,840
Speaker 3: Definitely think I should be one of those two hundred

462
00:21:52,880 --> 00:21:57,320
Speaker 3: thousand views of video artists for sure, and but I

463
00:21:57,440 --> 00:21:59,440
Speaker 3: just don't. I don't look at it like that because

464
00:21:59,480 --> 00:22:01,199
Speaker 3: I just look at like I just came out in

465
00:22:01,200 --> 00:22:03,399
Speaker 3: twenty twenty one, you know what I mean, Like I

466
00:22:03,440 --> 00:22:07,880
Speaker 3: have a I have a million years to garner these views.

467
00:22:08,040 --> 00:22:09,920
Speaker 3: So I just I don't be really tripping, you know

468
00:22:09,920 --> 00:22:10,320
Speaker 3: what I mean?

469
00:22:10,920 --> 00:22:13,800
Speaker 1: Do you chase the mainstream? Do you want to be mainstream?

470
00:22:13,960 --> 00:22:18,199
Speaker 3: Or I want to be the biggest rapper ever. I

471
00:22:18,240 --> 00:22:21,440
Speaker 3: want to be the biggest musician ever. I love that

472
00:22:21,600 --> 00:22:24,520
Speaker 3: I raped great, but a lot of people don't understand

473
00:22:24,520 --> 00:22:27,400
Speaker 3: that this ship is just how I have like how

474
00:22:27,440 --> 00:22:30,160
Speaker 3: I how I release my art, but I can do

475
00:22:30,400 --> 00:22:34,960
Speaker 3: everything else. Like it's just everybody has their starting point.

476
00:22:35,960 --> 00:22:38,280
Speaker 3: Everybody has their starting point. Michael Jackson didn't start off

477
00:22:38,280 --> 00:22:41,040
Speaker 3: with thriller like yeah, like he started off with his

478
00:22:41,119 --> 00:22:45,280
Speaker 3: brothers and stuff like everybody five, you know, come on,

479
00:22:45,560 --> 00:22:48,320
Speaker 3: But that's what I'm saying. It's like, it's like Tears

480
00:22:48,359 --> 00:22:53,280
Speaker 3: of Greatness exactly. And I have no problem taking the

481
00:22:53,359 --> 00:22:55,960
Speaker 3: route I gotta take to become one of them.

482
00:22:56,040 --> 00:22:57,959
Speaker 4: You're taking the stance. I'm glad you said that. I'm

483
00:22:58,000 --> 00:23:00,560
Speaker 4: tired of hand these people lie talking about. Don't care

484
00:23:00,600 --> 00:23:01,480
Speaker 4: about sales.

485
00:23:01,520 --> 00:23:03,119
Speaker 2: I don't care about the biggest.

486
00:23:05,480 --> 00:23:07,560
Speaker 3: You want to be the biggest, Hey, I want to

487
00:23:07,600 --> 00:23:11,159
Speaker 3: be the biggest ever. Like and that's a that's a

488
00:23:11,240 --> 00:23:13,960
Speaker 3: that's a tall ask, but I don't care.

489
00:23:15,040 --> 00:23:17,160
Speaker 4: But if you but if you set your bar that high,

490
00:23:17,240 --> 00:23:18,520
Speaker 4: you'll hit a high point.

491
00:23:18,640 --> 00:23:19,800
Speaker 2: You'll get somewhere exact.

492
00:23:19,840 --> 00:23:22,040
Speaker 4: I mean, you may not nobody gonna be Michael Jackson,

493
00:23:22,160 --> 00:23:25,800
Speaker 4: nobody gonna be, but you'll get you'll get up except probably.

494
00:23:25,440 --> 00:23:28,040
Speaker 3: Young boy, is what I learned in the past month.

495
00:23:28,640 --> 00:23:28,880
Speaker 4: NBA.

496
00:23:29,400 --> 00:23:31,840
Speaker 2: Yeah, numbers wise, No.

497
00:23:31,920 --> 00:23:34,560
Speaker 3: The way them people will have a seizure when they

498
00:23:34,600 --> 00:23:38,359
Speaker 3: see him impact. Yeah, numbers wise, hell no, Michael Jackson

499
00:23:38,440 --> 00:23:42,360
Speaker 3: sold what what what is throw million? Come on, dog,

500
00:23:42,520 --> 00:23:45,920
Speaker 3: that's that's that's over ten times domon.

501
00:23:47,640 --> 00:23:48,720
Speaker 5: When you see the impact.

502
00:23:48,720 --> 00:23:51,520
Speaker 4: That's interesting. Ahead No, I was gonna say, that's interesting.

503
00:23:51,800 --> 00:23:54,320
Speaker 4: I think I think what helped Young Boy is the

504
00:23:54,359 --> 00:23:56,640
Speaker 4: fact he was on house arrest all those years. Yeah,

505
00:23:56,880 --> 00:23:58,359
Speaker 4: and you know it was it was a air of

506
00:23:58,400 --> 00:24:01,600
Speaker 4: mysteriousness about him. You know, I think that that that's

507
00:24:01,680 --> 00:24:04,760
Speaker 4: lost in this era. People are too accessible.

508
00:24:05,520 --> 00:24:07,320
Speaker 3: To It's kind of like the Kendrick thing when you

509
00:24:07,359 --> 00:24:10,600
Speaker 3: think about Yeah, but their fans don't realize that they're

510
00:24:10,640 --> 00:24:13,600
Speaker 3: kind of the same type of artists, like in terms

511
00:24:13,600 --> 00:24:16,119
Speaker 3: of how they treat the public, how they treat their

512
00:24:16,119 --> 00:24:19,719
Speaker 3: public life. It's just young but kind of erratic. So

513
00:24:19,760 --> 00:24:21,199
Speaker 3: it's like you're gonna see more of that.

514
00:24:22,760 --> 00:24:23,720
Speaker 5: I know, question for that.

515
00:24:24,359 --> 00:24:24,680
Speaker 2: It's fun.

516
00:24:24,760 --> 00:24:26,280
Speaker 1: I'm looking at the chat in the chest believes it. It

517
00:24:26,480 --> 00:24:28,520
Speaker 1: was like Young Boy is definitely will surpass. It's like

518
00:24:28,520 --> 00:24:30,800
Speaker 1: for this generation, he is the Michael Jackson for guy.

519
00:24:34,720 --> 00:24:36,160
Speaker 3: You know, I feel like I feel like a lot

520
00:24:36,160 --> 00:24:39,119
Speaker 3: of people a lot of people conflate the two from

521
00:24:39,240 --> 00:24:43,480
Speaker 3: like musicality standards and literally how these people treat you

522
00:24:43,520 --> 00:24:45,840
Speaker 3: when you walk out the house. Consonat is another guy

523
00:24:45,880 --> 00:24:48,600
Speaker 3: on that level. Like my point, these guys can lead

524
00:24:48,600 --> 00:24:52,280
Speaker 3: the house and they won't get any like peace unless

525
00:24:52,280 --> 00:24:54,040
Speaker 3: they got three security guards with them.

526
00:24:54,080 --> 00:24:55,560
Speaker 4: But you know what y'all are seeing now, y'all are

527
00:24:55,600 --> 00:24:59,000
Speaker 4: actually seeing real celebrity. And there's a lot there there is.

528
00:24:59,080 --> 00:25:02,000
Speaker 4: There's a couple of real celebrities still left. Because of

529
00:25:02,080 --> 00:25:05,640
Speaker 4: the social media era, everybody is so accessible. Everybody looks

530
00:25:05,640 --> 00:25:08,000
Speaker 4: so regular and playing Jake alrighty city bikes.

531
00:25:07,880 --> 00:25:13,320
Speaker 3: The damn.

532
00:25:12,520 --> 00:25:13,199
Speaker 2: So it's different.

533
00:25:13,240 --> 00:25:16,119
Speaker 4: Like some people still get treated like real celebrities out here,

534
00:25:16,119 --> 00:25:17,760
Speaker 4: and I think it's because of how much access you

535
00:25:17,800 --> 00:25:19,320
Speaker 4: get for But what.

536
00:25:19,040 --> 00:25:22,080
Speaker 6: What young artists and there like and be a young

537
00:25:22,080 --> 00:25:25,240
Speaker 6: boys age has that celebrity because they're they're all over

538
00:25:25,320 --> 00:25:27,240
Speaker 6: social media, Like it's hard to do both.

539
00:25:27,280 --> 00:25:27,960
Speaker 5: They're doing both.

540
00:25:28,000 --> 00:25:31,400
Speaker 2: I've seen conson that God bless overseas and nobody care.

541
00:25:32,160 --> 00:25:32,679
Speaker 3: That's how it be.

542
00:25:33,040 --> 00:25:36,840
Speaker 4: But that not for Michael Jackson. Why y'all keep talking

543
00:25:36,840 --> 00:25:41,639
Speaker 4: about Michael. Stop comparing tobody. Nobody compared to Michael Jackson.

544
00:25:41,920 --> 00:25:43,040
Speaker 4: That ain't no old stuff.

545
00:25:43,080 --> 00:25:44,040
Speaker 2: Just go back and.

546
00:25:43,920 --> 00:25:48,240
Speaker 3: Watch you know who have them niggas overseas speed for real.

547
00:25:49,760 --> 00:25:51,080
Speaker 2: But it still ain't like Michael.

548
00:25:52,480 --> 00:25:54,600
Speaker 1: Right outside the airport for that man's playing the land.

549
00:25:54,720 --> 00:26:00,200
Speaker 4: Yeah, that's about how much Michael and Countries World Leader

550
00:26:00,600 --> 00:26:01,320
Speaker 4: would greet him.

551
00:26:01,400 --> 00:26:04,439
Speaker 3: Think about how think about how like the level of

552
00:26:04,480 --> 00:26:09,400
Speaker 3: astique you just like had by design as a top

553
00:26:09,480 --> 00:26:12,119
Speaker 3: artist in the eighties and nineties, Like a lot of

554
00:26:12,119 --> 00:26:14,639
Speaker 3: people don't got that chance. Like you have to post

555
00:26:14,680 --> 00:26:17,960
Speaker 3: on the internet, Michael Jackson. All he had to do

556
00:26:18,000 --> 00:26:20,040
Speaker 3: was drop a video and his lebel handle the rest

557
00:26:20,080 --> 00:26:22,560
Speaker 3: of it. It was, it was a different thing and

558
00:26:22,960 --> 00:26:30,280
Speaker 3: everybody didn't have phones. Everybody didn't have phones like that exactly.

559
00:26:30,320 --> 00:26:33,879
Speaker 5: But now before you even said I showed speed, everybody

560
00:26:33,960 --> 00:26:36,359
Speaker 5: was saying that in the chair, like speed speed to

561
00:26:36,400 --> 00:26:39,320
Speaker 5: get crazy, get out of the country.

562
00:26:39,520 --> 00:26:41,360
Speaker 1: Do you like that part of it, the part where

563
00:26:41,400 --> 00:26:43,159
Speaker 1: they say you have to post, you have to be

564
00:26:43,160 --> 00:26:45,560
Speaker 1: because people want to know more than just listening to

565
00:26:45,600 --> 00:26:46,080
Speaker 1: your music.

566
00:26:47,600 --> 00:26:50,280
Speaker 3: I have. You can ask my team. I have the

567
00:26:50,320 --> 00:26:52,040
Speaker 3: hardest time posting.

568
00:26:51,840 --> 00:26:52,680
Speaker 1: They laughing behind you.

569
00:26:52,840 --> 00:26:55,280
Speaker 3: Yeah, I had the hardest time, and it's not because

570
00:26:55,320 --> 00:26:57,359
Speaker 3: I don't care about posting, but it's because I'd be

571
00:26:57,480 --> 00:27:01,160
Speaker 3: overwhelmed with it, Like it's very overwhelming, Like, yeah, I'm

572
00:27:01,200 --> 00:27:04,320
Speaker 3: a young guy, but I'm also from the era of

573
00:27:04,760 --> 00:27:07,639
Speaker 3: right before it got this hectic, right before everything was

574
00:27:07,680 --> 00:27:12,000
Speaker 3: super duper. Oh, you can post an Instagram story, you

575
00:27:12,000 --> 00:27:14,920
Speaker 3: can post a real like it was just a square.

576
00:27:15,680 --> 00:27:17,919
Speaker 3: You would literally just be able to post a picture,

577
00:27:18,080 --> 00:27:20,720
Speaker 3: post a tweet when you had to retweet, like you

578
00:27:20,760 --> 00:27:22,960
Speaker 3: couldn't quote it. It was like it said rt next to

579
00:27:23,000 --> 00:27:25,440
Speaker 3: the tweet, Like I'm from that era. So it's kind

580
00:27:25,440 --> 00:27:27,480
Speaker 3: of it'd be kind of difficult for me to try

581
00:27:27,520 --> 00:27:28,520
Speaker 3: to latch on.

582
00:27:29,000 --> 00:27:32,440
Speaker 5: You go back on Facebook now, like it looked like

583
00:27:32,480 --> 00:27:33,320
Speaker 5: a whole different world.

584
00:27:33,520 --> 00:27:34,879
Speaker 1: Yeah right, it's crazy.

585
00:27:35,280 --> 00:27:37,280
Speaker 3: It's crazy. Facebook is not the same, you know.

586
00:27:37,560 --> 00:27:41,240
Speaker 6: No, it's not talk about the tension between up Next

587
00:27:41,320 --> 00:27:43,439
Speaker 6: and up Now that you explore with this project and

588
00:27:43,480 --> 00:27:46,359
Speaker 6: what that even means up next versus up now or

589
00:27:46,440 --> 00:27:48,120
Speaker 6: and so I.

590
00:27:48,040 --> 00:27:50,840
Speaker 3: Feel like I feel like up Next is kind of

591
00:27:50,880 --> 00:27:53,800
Speaker 3: like a leash. I feel like it's kind of like

592
00:27:53,840 --> 00:27:57,320
Speaker 3: a leash for sure, because it's like how long am

593
00:27:57,400 --> 00:27:59,119
Speaker 3: I going to be up next? How long are you

594
00:27:59,160 --> 00:28:01,199
Speaker 3: all going to keep telling me that, like when are

595
00:28:01,280 --> 00:28:07,119
Speaker 3: y'all gonna actually like push you know what I'm saying

596
00:28:07,119 --> 00:28:09,199
Speaker 3: for the guy to be up, not even just me,

597
00:28:09,880 --> 00:28:14,720
Speaker 3: because this can go for anybody. Like I just feel like, uh,

598
00:28:15,520 --> 00:28:18,040
Speaker 3: if y'all gonna say somebody next up, say it once

599
00:28:18,119 --> 00:28:20,760
Speaker 3: or twice and then just let the guy be the

600
00:28:20,840 --> 00:28:23,040
Speaker 3: one up. That's just how I be feeling.

601
00:28:23,119 --> 00:28:24,919
Speaker 4: Or to your point about is there used to be

602
00:28:24,960 --> 00:28:27,600
Speaker 4: a time where you could see it right, like you knew, Okay,

603
00:28:27,640 --> 00:28:29,399
Speaker 4: here go Marchael Plus in the beginning he got a

604
00:28:29,400 --> 00:28:33,000
Speaker 4: mixtape or whatever. Yeah, oh okay, Now Michael Plus just signed.

605
00:28:33,240 --> 00:28:35,680
Speaker 4: Oh Michael Plus. Now he on you know, b T

606
00:28:36,000 --> 00:28:38,600
Speaker 4: or MTV or whatever it is. Oh, now Margall Plus

607
00:28:38,600 --> 00:28:40,360
Speaker 4: without a single, Oh Michael Plus for out of album.

608
00:28:40,400 --> 00:28:42,200
Speaker 2: Oh he went platinum. Now he's on Award show.

609
00:28:42,320 --> 00:28:45,320
Speaker 4: Like you could see it nowadays, you can't really see

610
00:28:45,320 --> 00:28:46,239
Speaker 4: where it starts to end.

611
00:28:46,360 --> 00:28:49,160
Speaker 3: Yeah, yeah, that's exact. That's exactly. It's such a blur.

612
00:28:49,520 --> 00:28:53,000
Speaker 3: It is a complete blur. Everybody's career is like it's

613
00:28:53,000 --> 00:28:56,640
Speaker 3: so it's weird. It's weird, but I think it might

614
00:28:56,720 --> 00:28:58,800
Speaker 3: be for the better for these guys.

615
00:28:58,880 --> 00:29:01,200
Speaker 1: But let Chase Records to them. Yeah, they're not a

616
00:29:01,240 --> 00:29:02,920
Speaker 1: lot of times they're not chasing the artists. They're not

617
00:29:03,000 --> 00:29:05,280
Speaker 1: trying to build a brand and build an artists slow.

618
00:29:05,320 --> 00:29:07,920
Speaker 1: They they see a song on on Spotify, they see

619
00:29:07,920 --> 00:29:10,360
Speaker 1: a song on TikTok, and they chase music. Yeah, and

620
00:29:10,480 --> 00:29:13,480
Speaker 1: usually they artist has one song, they got a year max.

621
00:29:13,520 --> 00:29:14,600
Speaker 1: And then you never see them again.

622
00:29:14,800 --> 00:29:16,520
Speaker 6: Right in the chat, just said the lifespan for rappers

623
00:29:16,520 --> 00:29:18,520
Speaker 6: nowadays is so short, max is two years.

624
00:29:18,840 --> 00:29:20,720
Speaker 5: I think they're just talking about the art, not that life.

625
00:29:20,840 --> 00:29:24,840
Speaker 3: Yeah, not for sure. Uh, it's I feel like it's

626
00:29:25,000 --> 00:29:28,160
Speaker 3: it's two reasons for that. I feel like, of course,

627
00:29:28,200 --> 00:29:32,280
Speaker 3: the attention span of the fan and the ego of

628
00:29:32,360 --> 00:29:38,440
Speaker 3: the artists. Uh. I'm trying to I'm trying to practice

629
00:29:38,440 --> 00:29:40,560
Speaker 3: what I preach by actually like making sure I can

630
00:29:40,680 --> 00:29:43,960
Speaker 3: do all the work. But yeah, a lot of people

631
00:29:44,080 --> 00:29:48,840
Speaker 3: kind of get complacent, get jaded. If one thing doesn't work,

632
00:29:49,200 --> 00:29:52,720
Speaker 3: they forget, like they forget to keep going. But if

633
00:29:52,720 --> 00:29:55,440
Speaker 3: something does work, they forget to keep going, you.

634
00:29:55,440 --> 00:29:56,520
Speaker 2: Know what I'm saying.

635
00:29:56,640 --> 00:29:58,840
Speaker 3: Yeah, and you can't I don't know, I can't move

636
00:29:58,960 --> 00:30:01,840
Speaker 3: like that from the south side, right, Yeah, College Park.

637
00:30:02,200 --> 00:30:04,320
Speaker 2: What does the south side sound like to you.

638
00:30:04,920 --> 00:30:12,080
Speaker 3: Honestly, all of Atlanta. It's kind of like it's kind

639
00:30:12,080 --> 00:30:14,120
Speaker 3: of like, all right, so the way the South Side

640
00:30:14,240 --> 00:30:17,520
Speaker 3: is everybody is from I feel like everybody from the

641
00:30:17,640 --> 00:30:20,000
Speaker 3: from the West Side for real, or like just the

642
00:30:20,000 --> 00:30:23,080
Speaker 3: center of Atlanta, and then they moved out and spread out.

643
00:30:23,360 --> 00:30:26,440
Speaker 3: So I grew up with a lot of folks like, yeah,

644
00:30:26,480 --> 00:30:28,480
Speaker 3: we're from the South Side, but the folks from the

645
00:30:28,480 --> 00:30:31,440
Speaker 3: West Side, from Bankhead, or they from like Zone six

646
00:30:31,600 --> 00:30:34,880
Speaker 3: or they like from Boulevard something like that. So honestly,

647
00:30:37,280 --> 00:30:40,840
Speaker 3: the one of the first roue like outside of Jermaine Duprix,

648
00:30:40,880 --> 00:30:43,600
Speaker 3: one of the first big South Side artists was Two Chains,

649
00:30:43,880 --> 00:30:46,240
Speaker 3: you know what I'm saying. So really, what we had

650
00:30:46,960 --> 00:30:49,120
Speaker 3: we had what we had for real, like outside of

651
00:30:49,160 --> 00:30:51,120
Speaker 3: like the young like the up and coming artists and

652
00:30:51,120 --> 00:30:53,840
Speaker 3: stuff like that were listening like too, were listening to Gucci,

653
00:30:53,880 --> 00:30:57,720
Speaker 3: We listen to Gez, We listened to Young Ralph Young,

654
00:30:57,760 --> 00:30:59,160
Speaker 3: School to the Future, you know what I'm saying.

655
00:30:59,480 --> 00:31:05,520
Speaker 5: All that your album was described as a major creative leap, right,

656
00:31:05,640 --> 00:31:09,880
Speaker 5: so how did it sound on? I know? Right? So

657
00:31:10,320 --> 00:31:12,239
Speaker 5: they I guess they're basically saying that your sound has

658
00:31:12,280 --> 00:31:14,160
Speaker 5: evolved from previous projects.

659
00:31:14,160 --> 00:31:14,920
Speaker 2: Do you agree with that?

660
00:31:15,960 --> 00:31:18,600
Speaker 3: I do. I do agree with it, and only I

661
00:31:18,640 --> 00:31:22,200
Speaker 3: only feel like that now because I realized I hate

662
00:31:22,200 --> 00:31:26,040
Speaker 3: my older music, but not because it's bad, because I

663
00:31:26,080 --> 00:31:30,920
Speaker 3: know I've gotten better. I was listening to my music

664
00:31:30,920 --> 00:31:33,840
Speaker 3: the other day because I'm preparing for a tour and

665
00:31:34,040 --> 00:31:36,760
Speaker 3: I had to. I was really listening. I was like, yo,

666
00:31:36,840 --> 00:31:39,560
Speaker 3: I hate all this older stuff, but this newer album

667
00:31:39,680 --> 00:31:42,960
Speaker 3: is like it feels timeless, like it just feels better.

668
00:31:43,800 --> 00:31:46,840
Speaker 3: And maybe I'm gonna say that the next time, the

669
00:31:46,880 --> 00:31:50,000
Speaker 3: next time I drop an album, But right now, that's

670
00:31:50,080 --> 00:31:50,720
Speaker 3: just how I feel.

671
00:31:50,800 --> 00:31:53,120
Speaker 5: You should only get better and better. But what exactly

672
00:31:53,280 --> 00:31:55,160
Speaker 5: do you hate about it? Is it the subject matter?

673
00:31:55,320 --> 00:31:58,360
Speaker 3: Is it how you Sometimes it's my tone of voice.

674
00:31:58,760 --> 00:32:02,959
Speaker 3: Sometimes I I feel like I just got very, very

675
00:32:03,000 --> 00:32:06,680
Speaker 3: good at hooks. So it's a lot of times it's that.

676
00:32:07,000 --> 00:32:09,440
Speaker 3: A lot of times it's beat selection. A lot of

677
00:32:09,440 --> 00:32:11,240
Speaker 3: people say I have great beat selections. They're saying that

678
00:32:11,280 --> 00:32:15,280
Speaker 3: for years, But my ear changes all the time. So

679
00:32:16,040 --> 00:32:18,640
Speaker 3: it's usually just things like that. Me being a psychopath,

680
00:32:18,840 --> 00:32:19,280
Speaker 3: I want.

681
00:32:19,160 --> 00:32:22,440
Speaker 1: To ask that when you're writing a song. I look

682
00:32:22,480 --> 00:32:24,480
Speaker 1: at your songs, and they very and the reason the

683
00:32:24,480 --> 00:32:26,040
Speaker 1: way I said, they vary. Is before it used to

684
00:32:26,040 --> 00:32:29,080
Speaker 1: be sixteen hook, sixteen hook, sixteen hook, right, and then

685
00:32:29,160 --> 00:32:31,200
Speaker 1: for some reason it just stopped. Now is the song

686
00:32:31,320 --> 00:32:33,760
Speaker 1: is a minute forty two seconds or two minutes the longest?

687
00:32:33,920 --> 00:32:34,200
Speaker 2: Sure?

688
00:32:34,440 --> 00:32:36,440
Speaker 1: How do you get everything out in that short period

689
00:32:36,480 --> 00:32:39,360
Speaker 1: of time? It's that easier. That's the most difficult thing, yo.

690
00:32:39,760 --> 00:32:42,200
Speaker 1: I ain't gonna lie. That's a good question, because I

691
00:32:42,280 --> 00:32:45,840
Speaker 1: used to be the artist three sixteens like my I'm

692
00:32:45,840 --> 00:32:47,960
Speaker 1: looking at some of your records are four minutes long,

693
00:32:48,000 --> 00:32:50,320
Speaker 1: five minutes long, but now the last couple of two minutes.

694
00:32:50,680 --> 00:32:52,680
Speaker 3: They had to figure out how to consolidate it for

695
00:32:52,720 --> 00:32:55,480
Speaker 3: the younger people, man like, even for the even for

696
00:32:55,480 --> 00:32:57,200
Speaker 3: the people who don't got that much time in the

697
00:32:57,240 --> 00:32:59,040
Speaker 3: day or don't want to listen to the same beat

698
00:32:59,160 --> 00:33:02,280
Speaker 3: for three and a half minutes. I had to figure out, Oh,

699
00:33:02,360 --> 00:33:05,280
Speaker 3: instead of doing two sixteens and a hook, I could

700
00:33:05,280 --> 00:33:07,800
Speaker 3: do a cold twenty folk. I could do a mean

701
00:33:08,000 --> 00:33:10,200
Speaker 3: thirty two. You know what I'm saying, Do a hook

702
00:33:10,240 --> 00:33:12,959
Speaker 3: in a bridge instead of a bunch of hooks, like

703
00:33:13,200 --> 00:33:15,760
Speaker 3: just things like that, Even like the song out my

704
00:33:15,840 --> 00:33:18,640
Speaker 3: Way I have, I'm only on that joint for one minute.

705
00:33:19,600 --> 00:33:21,080
Speaker 3: I feel like Sino is on the song for more

706
00:33:21,120 --> 00:33:23,480
Speaker 3: time than I am. It's really just things like that,

707
00:33:23,640 --> 00:33:25,320
Speaker 3: just trying to figure out how to consolidate the art

708
00:33:25,360 --> 00:33:27,880
Speaker 3: form for the next generation.

709
00:33:28,240 --> 00:33:28,800
Speaker 2: You know what I mean?

710
00:33:32,240 --> 00:33:34,880
Speaker 3: Now? You cold? Now if you cold? Because a lot

711
00:33:34,880 --> 00:33:38,160
Speaker 3: of people, I feel like a lot of people, a

712
00:33:38,160 --> 00:33:40,400
Speaker 3: lot of people kind of be drawn it out, Like

713
00:33:40,440 --> 00:33:42,360
Speaker 3: you could draw like you could make a long song

714
00:33:42,360 --> 00:33:44,320
Speaker 3: and it could sound drawn out, or you can make

715
00:33:45,320 --> 00:33:48,480
Speaker 3: a short song that's compact and you like Yo, I

716
00:33:48,520 --> 00:33:50,640
Speaker 3: want to play this again. I want to listen to this,

717
00:33:51,360 --> 00:33:53,000
Speaker 3: like right after this and the next time.

718
00:33:54,320 --> 00:33:56,040
Speaker 5: Though you could be dope. Don't you listen to a

719
00:33:56,080 --> 00:33:58,640
Speaker 5: long song? Be cause for Perrero like not like us.

720
00:33:58,680 --> 00:34:02,200
Speaker 5: It's long as shit. But you can't stop the song.

721
00:34:02,440 --> 00:34:03,320
Speaker 5: You gotta keep listening.

722
00:34:03,760 --> 00:34:04,719
Speaker 3: I like to. I like to.

723
00:34:04,840 --> 00:34:07,360
Speaker 4: You know, I heard the song from Killing Mike A

724
00:34:07,360 --> 00:34:10,120
Speaker 4: one hundred three thousand that's not out yet. That's like

725
00:34:10,160 --> 00:34:13,880
Speaker 4: fourteen fifteen minutes long. Wow, And that song is incredible.

726
00:34:14,840 --> 00:34:15,560
Speaker 3: I need to hear that.

727
00:34:15,560 --> 00:34:16,399
Speaker 2: Would you tell me.

728
00:34:16,360 --> 00:34:17,600
Speaker 3: That you're not?

729
00:34:17,800 --> 00:34:20,040
Speaker 2: You should? You should connect with Mike connected I have

730
00:34:20,239 --> 00:34:20,880
Speaker 2: I've not met him.

731
00:34:20,920 --> 00:34:21,680
Speaker 3: I know his son though.

732
00:34:21,840 --> 00:34:24,560
Speaker 4: Okay, okay, like you and Mike need to connect because

733
00:34:24,600 --> 00:34:28,000
Speaker 4: 'all just you know, I feel like spiritual, spiritually, y'all

734
00:34:28,040 --> 00:34:31,040
Speaker 4: have like an you have a spiritual artistic connection, you.

735
00:34:31,080 --> 00:34:31,560
Speaker 2: Know what I mean.

736
00:34:31,760 --> 00:34:33,960
Speaker 4: But yes, him and Dre got a song and that's

737
00:34:33,960 --> 00:34:36,880
Speaker 4: like fifteen minutes long, and it's just them too, it's.

738
00:34:36,719 --> 00:34:38,120
Speaker 2: Just tim too.

739
00:34:38,320 --> 00:34:42,320
Speaker 7: But they start telling us now the beat is changing,

740
00:34:42,480 --> 00:34:46,200
Speaker 7: because the beat is changing because based off what Andre

741
00:34:46,320 --> 00:34:48,600
Speaker 7: is rapping about and the things he's referencing, the beat

742
00:34:48,719 --> 00:34:50,760
Speaker 7: changes to go along with what he's referencing.

743
00:34:50,880 --> 00:34:52,880
Speaker 3: Yeah, that's it's really dope.

744
00:34:53,160 --> 00:34:55,760
Speaker 4: That's and I'm like, I just think if something's dope,

745
00:34:55,840 --> 00:34:56,720
Speaker 4: it will keep your attention.

746
00:34:56,960 --> 00:34:59,760
Speaker 3: Hundred thousand makes me so angry because he's my favorite

747
00:34:59,800 --> 00:35:03,720
Speaker 3: rap forever. Like Outcast, I don't separate them. They're both.

748
00:35:04,200 --> 00:35:07,640
Speaker 3: There's like the act itself is the greatest rap act ever.

749
00:35:09,120 --> 00:35:12,239
Speaker 3: Like I understand what he means when he says he

750
00:35:12,480 --> 00:35:15,680
Speaker 3: don't think people want to listen to him, Bru, just

751
00:35:15,840 --> 00:35:19,319
Speaker 3: try it, Like, just try it, gang, try it. Bro.

752
00:35:19,400 --> 00:35:21,680
Speaker 3: It's people like me out here in Atlanta who need you,

753
00:35:22,160 --> 00:35:24,600
Speaker 3: like dead serious, like you think these folks don't need you,

754
00:35:24,680 --> 00:35:27,080
Speaker 3: and we do. Like it's folks who want to hear you.

755
00:35:27,080 --> 00:35:30,799
Speaker 3: It's fopos who want to like and no disrespect to

756
00:35:31,000 --> 00:35:34,600
Speaker 3: your your your your instrument albums album. Yeah, no, like,

757
00:35:34,680 --> 00:35:38,719
Speaker 3: no disrespect to that. But dog, we need a big homie, bro.

758
00:35:39,880 --> 00:35:41,879
Speaker 3: Everybody big homie trying to be in a club, trying

759
00:35:41,920 --> 00:35:45,200
Speaker 3: to be in a hookah lounge like nobody them folks

760
00:35:45,239 --> 00:35:47,520
Speaker 3: not like nah, we need a real big homie. You

761
00:35:47,520 --> 00:35:50,759
Speaker 3: don't like the flip. I love the flu I be

762
00:35:50,840 --> 00:35:54,960
Speaker 3: high as hell, but like, dog, we need we need

763
00:35:55,000 --> 00:35:57,479
Speaker 3: them bars. Like, what's the last thing we got from

764
00:35:57,560 --> 00:36:00,880
Speaker 3: from dre life of a party? It was for the

765
00:36:00,880 --> 00:36:02,719
Speaker 3: party with no scientists engineers, that's what.

766
00:36:04,440 --> 00:36:06,080
Speaker 4: Yeah, yeah, yeah, they want to grab me for that.

767
00:36:06,719 --> 00:36:09,480
Speaker 4: So who do you feel spiritually connected to artistically? When

768
00:36:09,480 --> 00:36:13,440
Speaker 4: you know I'm I'm specifically talking about the generations before you.

769
00:36:14,320 --> 00:36:18,400
Speaker 3: This might sun cliche, but pop big pop fan, super

770
00:36:18,400 --> 00:36:27,440
Speaker 3: pot fan. Uh, this is crazy Wayne at a certain

771
00:36:27,440 --> 00:36:30,799
Speaker 3: point in his life because I feel like I feel

772
00:36:30,840 --> 00:36:33,440
Speaker 3: like I'm in that best rapper alive back Sometimes I

773
00:36:33,520 --> 00:36:35,880
Speaker 3: just feel like every time I do a verse it's cold.

774
00:36:36,680 --> 00:36:47,000
Speaker 3: So Wayne, I'm not sure. I'm not sure. I'm not

775
00:36:47,040 --> 00:36:49,520
Speaker 3: sure what the rest of that to be honest, those

776
00:36:49,520 --> 00:36:50,239
Speaker 3: are two good ones.

777
00:36:50,440 --> 00:36:52,960
Speaker 5: Yeah, you said you was to you're getting ready for tours?

778
00:36:53,040 --> 00:36:55,400
Speaker 3: So you on tour with j D.

779
00:36:56,719 --> 00:37:03,520
Speaker 5: This man got me calling everything because the period the

780
00:37:03,560 --> 00:37:04,440
Speaker 5: periods throw me off.

781
00:37:04,480 --> 00:37:05,600
Speaker 2: I mean, it's just like it's.

782
00:37:05,480 --> 00:37:06,080
Speaker 3: J I D.

783
00:37:06,160 --> 00:37:10,880
Speaker 5: But whatever. Yeah, So how did that happen?

784
00:37:11,680 --> 00:37:16,000
Speaker 3: You being on to see it's kind of funny? Uh,

785
00:37:17,400 --> 00:37:18,680
Speaker 3: I ain't know I was gonna be on the tour,

786
00:37:18,800 --> 00:37:22,319
Speaker 3: but was talking about the tour one day and somebody said,

787
00:37:22,360 --> 00:37:24,279
Speaker 3: are you checking my plus on the road? He said,

788
00:37:25,040 --> 00:37:27,520
Speaker 3: you don't got no choice but to come. I didn't

789
00:37:27,520 --> 00:37:31,320
Speaker 3: know that I was going, but I thought he was

790
00:37:31,360 --> 00:37:33,480
Speaker 3: just I thought he was just saying that. But I

791
00:37:33,560 --> 00:37:35,560
Speaker 3: found out. I was like, oh, yeah, it's cool.

792
00:37:36,440 --> 00:37:37,680
Speaker 2: You don't have no choice but to come.

793
00:37:45,320 --> 00:37:51,359
Speaker 1: Getting that's hilarious, Yo, that's oh here Yo. I thought

794
00:37:51,360 --> 00:37:52,600
Speaker 1: he's gonna get you in the flu when you said

795
00:37:52,680 --> 00:37:56,640
Speaker 1: love the flu but the too. All right, we know

796
00:37:56,719 --> 00:37:58,080
Speaker 1: you do, bro?

797
00:37:58,239 --> 00:38:00,680
Speaker 2: What I do want to ask you? The period on

798
00:38:00,800 --> 00:38:02,840
Speaker 2: for Atlanta meaning to you in twenty twenty.

799
00:38:02,560 --> 00:38:07,040
Speaker 3: Five, honestly, just showing folks, that is more. It's more

800
00:38:07,080 --> 00:38:10,319
Speaker 3: than what met stye. All these young kids killing each other,

801
00:38:11,200 --> 00:38:13,919
Speaker 3: all these like and just even like on the wrap side,

802
00:38:14,040 --> 00:38:18,120
Speaker 3: like we ain't just stupid now like everybody think just

803
00:38:18,120 --> 00:38:21,440
Speaker 3: because like we we got a certain energy or we

804
00:38:21,520 --> 00:38:25,200
Speaker 3: talk a certain way that we like, like they think

805
00:38:25,239 --> 00:38:27,719
Speaker 3: country people slow. You know what I'm saying. I don't know.

806
00:38:27,760 --> 00:38:28,920
Speaker 3: I just want to be. I just want to show

807
00:38:29,000 --> 00:38:32,839
Speaker 3: niggas like it ain't like that. That's really it. That's

808
00:38:32,840 --> 00:38:35,600
Speaker 3: really it. I want to be and I want to

809
00:38:35,640 --> 00:38:38,920
Speaker 3: show that somebody from the South can be at the

810
00:38:38,920 --> 00:38:42,640
Speaker 3: top outside of j Cole, like because Cole is like

811
00:38:42,719 --> 00:38:46,440
Speaker 3: the he's like he's low key the real king of

812
00:38:47,239 --> 00:38:52,320
Speaker 3: Southern hip hop.

813
00:38:52,160 --> 00:38:58,520
Speaker 4: Talkin I'm from the Carolinas. Not make it so, you know,

814
00:38:59,239 --> 00:39:01,719
Speaker 4: not making it to the high not make it to

815
00:39:02,719 --> 00:39:06,799
Speaker 4: make it cast don't count. What about the number one

816
00:39:06,880 --> 00:39:08,799
Speaker 4: movie and album in the same week.

817
00:39:08,920 --> 00:39:10,719
Speaker 1: What is the highest point in your opinion? What is

818
00:39:10,719 --> 00:39:12,359
Speaker 1: the highest point there? Don't you speak up, sir?

819
00:39:12,960 --> 00:39:13,840
Speaker 3: Are we serious?

820
00:39:15,480 --> 00:39:23,040
Speaker 2: Tip had a number one forget how big, sir?

821
00:39:23,160 --> 00:39:26,080
Speaker 1: Generation just asking what you mean by said he's the

822
00:39:26,160 --> 00:39:26,840
Speaker 1: kidding yourself?

823
00:39:26,840 --> 00:39:29,920
Speaker 3: So like, what is podcast for the year at the

824
00:39:29,920 --> 00:39:32,440
Speaker 3: ground the king of Southern hip hop talking.

825
00:39:32,360 --> 00:39:33,759
Speaker 2: Like Atlanta not the South?

826
00:39:33,880 --> 00:39:36,759
Speaker 3: Bro, What do you mean Okay.

827
00:39:36,840 --> 00:39:38,080
Speaker 4: First of all, if you really want to get to

828
00:39:38,560 --> 00:39:40,920
Speaker 4: Atlanta is a territory of its own, let's give it.

829
00:39:41,719 --> 00:39:42,640
Speaker 3: It's like a peninsula.

830
00:39:42,680 --> 00:39:44,600
Speaker 2: Is it about sales? What are we talking be basing

831
00:39:44,600 --> 00:39:46,719
Speaker 2: this on because it's godface, I.

832
00:39:46,680 --> 00:39:48,640
Speaker 3: Think it's about I think it's I think it's how

833
00:39:48,640 --> 00:39:52,960
Speaker 3: people care about you, like bro, look at how they

834
00:39:52,960 --> 00:39:56,520
Speaker 3: treat today there. They will never treat cold like that.

835
00:39:56,840 --> 00:39:59,680
Speaker 3: Cole will never get you. Is trying to rat it

836
00:40:00,080 --> 00:40:02,000
Speaker 3: mainstream major act ever.

837
00:40:02,120 --> 00:40:04,000
Speaker 2: Yes, but that his peak. T I was the biggest.

838
00:40:04,000 --> 00:40:04,600
Speaker 2: That's peak.

839
00:40:05,040 --> 00:40:07,400
Speaker 3: That's his peak, though, cold call one of them guys

840
00:40:07,440 --> 00:40:10,600
Speaker 3: where people like I don't. I don't even think that

841
00:40:10,800 --> 00:40:13,960
Speaker 3: the rat beef apology is gonna set him back too much.

842
00:40:14,400 --> 00:40:16,480
Speaker 3: Like he's cold, he's cold?

843
00:40:17,920 --> 00:40:18,680
Speaker 2: Can I say something else?

844
00:40:19,480 --> 00:40:19,719
Speaker 3: You know?

845
00:40:19,719 --> 00:40:21,880
Speaker 4: If you're talking about accolades, future got more accolades than

846
00:40:21,880 --> 00:40:23,560
Speaker 4: col Right, all right.

847
00:40:23,520 --> 00:40:29,040
Speaker 3: All right, I thought I was talking about something like what.

848
00:40:29,040 --> 00:40:29,400
Speaker 2: Do we mean?

849
00:40:29,440 --> 00:40:30,960
Speaker 4: What do you mean when you're talking about you started

850
00:40:31,000 --> 00:40:32,719
Speaker 4: talking about Grammys? And what are you talking about when

851
00:40:32,719 --> 00:40:34,040
Speaker 4: you say he's the king in the South?

852
00:40:34,040 --> 00:40:37,000
Speaker 2: What qualifies you as king? And sun people still the time?

853
00:40:37,600 --> 00:40:42,080
Speaker 3: Car face, Bro, it's about like I don't know.

854
00:40:42,160 --> 00:40:44,439
Speaker 4: Man, it's a lot of the one record with DJ

855
00:40:44,600 --> 00:40:47,759
Speaker 4: Paul that's that's not good and you're acting like space.

856
00:40:48,320 --> 00:40:49,480
Speaker 3: I thought that was an ice cube.

857
00:40:50,239 --> 00:40:52,759
Speaker 5: Literally, Okay, I get what, I get. What you in

858
00:40:52,800 --> 00:40:57,719
Speaker 5: the chest was bad. My age or something like. The

859
00:40:57,760 --> 00:40:59,759
Speaker 5: future has no substance to his music.

860
00:40:59,800 --> 00:41:02,960
Speaker 3: We're talking about lyrics. That's this. This is that guy?

861
00:41:02,960 --> 00:41:05,560
Speaker 3: You know what's so crazy? Yeah, I just that's crazy.

862
00:41:05,840 --> 00:41:08,120
Speaker 1: Think about I look at Cood the other way. I

863
00:41:08,120 --> 00:41:09,600
Speaker 1: feel like, ain't no call.

864
00:41:10,480 --> 00:41:12,200
Speaker 2: I just don't like when y'all make these days.

865
00:41:18,000 --> 00:41:21,880
Speaker 3: I'm gonna do something. I'm gonna do something. T I's career.

866
00:41:23,080 --> 00:41:24,400
Speaker 3: He came out in two thousand and one.

867
00:41:24,440 --> 00:41:25,640
Speaker 2: What I'm serious?

868
00:41:25,960 --> 00:41:29,359
Speaker 3: He had arguably the one of the longest poems in

869
00:41:29,440 --> 00:41:33,359
Speaker 3: the South. I'll give it like I'll say, I'll say

870
00:41:33,400 --> 00:41:35,359
Speaker 3: twelve years because I like trouble man.

871
00:41:36,920 --> 00:41:37,319
Speaker 2: Mm hmm.

872
00:41:38,320 --> 00:41:42,840
Speaker 3: Cole has had the longest run of being at the

873
00:41:42,880 --> 00:41:46,319
Speaker 3: top in the South. It's been Cole came out. When

874
00:41:46,440 --> 00:41:49,640
Speaker 3: when did Sideline Story come out? Town eleven? It's twenty

875
00:41:49,680 --> 00:41:50,279
Speaker 3: twenty six.

876
00:41:50,680 --> 00:41:51,560
Speaker 2: What are we basing this?

877
00:41:51,680 --> 00:41:57,000
Speaker 3: I really yo, I'm so happy I'm up here. Okay,

878
00:41:58,239 --> 00:42:01,319
Speaker 3: agreeing with this man, I got a chart, I got

879
00:42:01,360 --> 00:42:06,399
Speaker 3: a chart. It's of course longevity. It's rap skills. It's

880
00:42:06,440 --> 00:42:08,880
Speaker 3: everything that goes into your rap skills. It is metaphors,

881
00:42:09,320 --> 00:42:12,280
Speaker 3: it's lyricability. People don't understand that lyrical ability and technical

882
00:42:12,280 --> 00:42:17,160
Speaker 3: ability are two different things. It's how it's how consistent

883
00:42:17,239 --> 00:42:17,520
Speaker 3: you are.

884
00:42:18,400 --> 00:42:19,600
Speaker 1: Check those relevancy.

885
00:42:19,920 --> 00:42:22,319
Speaker 3: Did they have a Wayne esque feature run though where

886
00:42:22,320 --> 00:42:24,319
Speaker 3: they killed everything? Yeah?

887
00:42:24,360 --> 00:42:24,960
Speaker 2: Absolutely?

888
00:42:26,520 --> 00:42:30,000
Speaker 3: Who you all right? Absolutely outside of stump argue that.

889
00:42:30,400 --> 00:42:34,959
Speaker 4: Dom Magic remix Soldier remix.

890
00:42:34,640 --> 00:42:41,040
Speaker 2: With what are we talking about that same thing? We

891
00:42:40,680 --> 00:42:43,040
Speaker 2: we we have recency bias.

892
00:42:42,719 --> 00:42:45,600
Speaker 3: So much, you know, you know, I'm I'm a I'm

893
00:42:45,600 --> 00:42:48,640
Speaker 3: a newer generation guy. That might be the case, might

894
00:42:48,719 --> 00:42:49,080
Speaker 3: be the case.

895
00:42:49,160 --> 00:42:51,600
Speaker 1: Most people say the opposite. Most people say Cole is

896
00:42:51,719 --> 00:42:53,560
Speaker 1: underrated and people don't respect him and ate them the

897
00:42:53,560 --> 00:42:53,880
Speaker 1: way that he.

898
00:42:55,480 --> 00:42:58,040
Speaker 3: Yeah, but he's like people say the same thing about

899
00:42:58,120 --> 00:43:01,600
Speaker 3: krit and he's way bigger than create. Like I just

900
00:43:01,600 --> 00:43:03,759
Speaker 3: feel true, I just feel like I don't know, man,

901
00:43:04,120 --> 00:43:06,520
Speaker 3: colded a cold cold and a lot of a lot

902
00:43:06,520 --> 00:43:10,040
Speaker 3: of work that the average Southern artists wouldn't be able

903
00:43:10,080 --> 00:43:13,600
Speaker 3: to stand right here still like, and I don't count

904
00:43:13,640 --> 00:43:18,160
Speaker 3: future transcending hip hop I can't count future because like

905
00:43:18,719 --> 00:43:19,520
Speaker 3: that's like Atlanta.

906
00:43:20,040 --> 00:43:22,279
Speaker 4: You can say transd at one point, I can say

907
00:43:22,280 --> 00:43:25,240
Speaker 4: you was on My Love and Robin.

908
00:43:26,320 --> 00:43:28,759
Speaker 2: You're a t I fan, Bros, my top five Folk

909
00:43:29,520 --> 00:43:30,759
Speaker 2: t GZ and like.

910
00:43:31,120 --> 00:43:33,840
Speaker 6: Folks don't I feel like this is a generational t

911
00:43:34,000 --> 00:43:36,200
Speaker 6: I fan argument, Like both of y'all are fans, but

912
00:43:36,239 --> 00:43:37,520
Speaker 6: you're just younger than him.

913
00:43:37,400 --> 00:43:39,560
Speaker 5: So you see it differently different.

914
00:43:41,440 --> 00:43:43,359
Speaker 3: Like I was like saying they are, But I.

915
00:43:43,280 --> 00:43:47,160
Speaker 6: Think he's arguing the longevity of the impact and staying

916
00:43:47,239 --> 00:43:49,600
Speaker 6: power and both of them have had it, but he

917
00:43:49,760 --> 00:43:50,520
Speaker 6: is viewed differently.

918
00:43:50,600 --> 00:43:52,920
Speaker 3: And also, I know more people influenced by Cold and

919
00:43:52,960 --> 00:43:55,440
Speaker 3: Tip age like a man.

920
00:43:57,960 --> 00:43:59,759
Speaker 2: This generation.

921
00:44:03,280 --> 00:44:06,080
Speaker 5: Yeah, that was influenced Tip of Coal bro.

922
00:44:06,000 --> 00:44:10,320
Speaker 4: I had every TI album. You just said that Cold.

923
00:44:10,400 --> 00:44:12,000
Speaker 4: More people more influenced by.

924
00:44:11,880 --> 00:44:19,680
Speaker 2: Cold, Yeah, they are that you.

925
00:44:16,520 --> 00:44:19,759
Speaker 3: Young kids want to repack. People don't want to You

926
00:44:19,840 --> 00:44:21,279
Speaker 3: don't want to write like t I. T I was

927
00:44:21,320 --> 00:44:23,320
Speaker 3: a lot of that was that was everybody wanted to

928
00:44:23,400 --> 00:44:26,160
Speaker 3: rap like in the day, but now nobody wants to

929
00:44:26,200 --> 00:44:28,680
Speaker 3: do that. He Tip was on Thug Out and he

930
00:44:28,840 --> 00:44:30,680
Speaker 3: was like, huh, what is t I doing on thug album?

931
00:44:31,320 --> 00:44:33,879
Speaker 2: The Money? But as I said, it's a recency bias thing.

932
00:44:34,160 --> 00:44:36,320
Speaker 2: By the way, that could happen to Cold.

933
00:44:36,960 --> 00:44:39,960
Speaker 3: That's not happening. The call it could quite already good.

934
00:44:40,000 --> 00:44:43,160
Speaker 2: I was you say you forty a co forty already?

935
00:44:43,280 --> 00:44:46,120
Speaker 2: I know he did. I'm not saying it will. I'm

936
00:44:46,120 --> 00:44:48,239
Speaker 2: saying because you never know what's gonna happen in the

937
00:44:48,280 --> 00:44:49,000
Speaker 2: next five years.

938
00:44:49,040 --> 00:44:51,279
Speaker 3: He's cemented, I think he said, and he's gonna drop

939
00:44:51,320 --> 00:44:52,839
Speaker 3: his last album. Don't even play like that.

940
00:44:52,960 --> 00:44:54,880
Speaker 4: I think I think Cold is submitted. I think Kendrick

941
00:44:54,920 --> 00:44:57,040
Speaker 4: is cemented. I think Drake is cemented, you know what

942
00:44:57,040 --> 00:44:59,440
Speaker 4: I mean. But also t I cemented as well. Jesus,

943
00:44:59,800 --> 00:45:02,239
Speaker 4: you can't take away who they and what they do.

944
00:45:02,320 --> 00:45:04,360
Speaker 3: I'm not doing that. But also I just got to

945
00:45:04,400 --> 00:45:06,239
Speaker 3: keep it the fact, bro, these white kids are listening

946
00:45:06,280 --> 00:45:08,400
Speaker 3: to Cold before they cut on the motivation.

947
00:45:09,800 --> 00:45:11,759
Speaker 2: Doug Motivation is twenty years old, no.

948
00:45:11,920 --> 00:45:14,920
Speaker 3: Matter, bro, it was, it was, it was everything is

949
00:45:14,920 --> 00:45:17,239
Speaker 3: twenty years old that people like you, you.

950
00:45:17,280 --> 00:45:21,399
Speaker 4: Know, by the way, by the way, Jay Cole don't

951
00:45:21,400 --> 00:45:22,720
Speaker 4: got no album like Doug Motivation.

952
00:45:22,840 --> 00:45:25,920
Speaker 3: You're right, come on, man, I was there. I was there.

953
00:45:26,400 --> 00:45:27,160
Speaker 2: I don't understand y'.

954
00:45:27,920 --> 00:45:29,400
Speaker 1: But also, like what he said.

955
00:45:29,960 --> 00:45:33,000
Speaker 3: A biased guy. I'm not a biased listener, so I can.

956
00:45:33,040 --> 00:45:35,879
Speaker 3: I can, I can. I can understand where it's like, yeah,

957
00:45:35,920 --> 00:45:39,440
Speaker 3: I appreciate this and I understand this, but I understand

958
00:45:39,440 --> 00:45:41,080
Speaker 3: also understanding back the kids.

959
00:45:41,120 --> 00:45:42,879
Speaker 4: You're right right, But you know what else we keep

960
00:45:42,920 --> 00:45:48,920
Speaker 4: we said? Golf said Wayne Bro, I love ain't had

961
00:45:48,960 --> 00:45:49,960
Speaker 4: no run like Wayne.

962
00:45:50,320 --> 00:45:54,239
Speaker 3: For god, you know what I mean?

963
00:45:54,440 --> 00:45:58,920
Speaker 2: I forgot to exactly but Wayne Bro? What Wayne?

964
00:45:59,360 --> 00:46:02,200
Speaker 3: Wayne? People forget Wayne from where he's from. Wayne just

965
00:46:02,960 --> 00:46:05,600
Speaker 3: a rapper like Wayne is one of the like, no

966
00:46:05,719 --> 00:46:08,520
Speaker 3: matter where you're from in the country, Wayne's gonna beat

967
00:46:08,520 --> 00:46:10,839
Speaker 3: somebody favorite rapper out there. Like that's like, but.

968
00:46:10,840 --> 00:46:14,600
Speaker 6: People forget what call from arguing right now that j

969
00:46:14,719 --> 00:46:15,640
Speaker 6: Cole is from New York.

970
00:46:17,320 --> 00:46:20,440
Speaker 5: I literally was like he's from down the streets like

971
00:46:22,120 --> 00:46:24,400
Speaker 5: sign to Rocks and all the times.

972
00:46:25,760 --> 00:46:29,600
Speaker 2: Wayne t I scarface, like come on, Broye.

973
00:46:29,760 --> 00:46:33,080
Speaker 3: All right, So it's it's Wayne and Cole with the longest.

974
00:46:36,239 --> 00:46:39,160
Speaker 2: Wayne been around since he was kid, like a kid

975
00:46:39,280 --> 00:46:40,280
Speaker 2: for real Wayne.

976
00:46:41,160 --> 00:46:45,719
Speaker 3: Yeah, yeah, and two kids. We about to ride.

977
00:46:46,080 --> 00:46:48,520
Speaker 2: What about your legacy? Marco?

978
00:46:48,640 --> 00:46:50,040
Speaker 4: Plus, when it's all said and done, what do you

979
00:46:50,080 --> 00:46:52,640
Speaker 4: want to Atlanta scene to say Marchael Plus contributed to

980
00:46:52,680 --> 00:46:53,120
Speaker 4: the coaching.

981
00:46:53,360 --> 00:46:56,080
Speaker 3: I want to be the reason that these young kids

982
00:46:56,200 --> 00:46:58,600
Speaker 3: want to like say like do more and say more

983
00:46:58,680 --> 00:47:00,600
Speaker 3: and don't want to get into beef and get shot

984
00:47:00,800 --> 00:47:03,560
Speaker 3: oh with nothing. Essentially, I kind of just want to

985
00:47:03,640 --> 00:47:07,960
Speaker 3: help my city figure out it's true identity. It's kind

986
00:47:08,000 --> 00:47:11,719
Speaker 3: of been lost upon since like the like a bunch

987
00:47:11,760 --> 00:47:17,320
Speaker 3: of things that, like the whole Rico debacle when Shorty

988
00:47:17,400 --> 00:47:19,080
Speaker 3: put out the list of like all the gangs and

989
00:47:19,080 --> 00:47:20,960
Speaker 3: all that stuff, it kind of didn't cool nothing down

990
00:47:21,000 --> 00:47:24,839
Speaker 3: and just made everything hotter. I just I don't know, man,

991
00:47:25,160 --> 00:47:27,919
Speaker 3: it be It's it's twelve year old kids getting shot

992
00:47:27,920 --> 00:47:31,560
Speaker 3: and killed. Like I want people to understand, like, you

993
00:47:31,600 --> 00:47:35,200
Speaker 3: ain't gotta be you ain't gotta be something like that

994
00:47:35,840 --> 00:47:38,480
Speaker 3: just to like cause you a talented kid. You know

995
00:47:38,520 --> 00:47:39,920
Speaker 3: what I'm saying. You want to get out and you

996
00:47:40,040 --> 00:47:42,040
Speaker 3: feel like, oh we're in this city. I gotta do

997
00:47:42,160 --> 00:47:45,440
Speaker 3: this when you can, you can be everything. You know

998
00:47:45,480 --> 00:47:46,920
Speaker 3: what I'm saying. You don't got to be one thing.

999
00:47:47,960 --> 00:47:50,880
Speaker 3: The success of a rapper is not linear or the

1000
00:47:50,960 --> 00:47:52,719
Speaker 3: same for anybody. And I just want to be able

1001
00:47:52,760 --> 00:47:56,400
Speaker 3: to be like Yo, this kid shifted the paradigm. That's

1002
00:47:56,440 --> 00:47:57,520
Speaker 3: what I want people to say.

1003
00:47:58,120 --> 00:48:02,400
Speaker 1: We appreciate you for joining. Yeah, come back, thank you absolutely.

1004
00:48:03,360 --> 00:48:05,160
Speaker 2: And when you become the biggest rapper in the world,

1005
00:48:05,200 --> 00:48:05,799
Speaker 2: don't forget us.

1006
00:48:06,120 --> 00:48:07,920
Speaker 3: Man. How the hell am I gonna do that?

1007
00:48:08,440 --> 00:48:15,239
Speaker 2: It's happened before one day, I'm gonna do the ship.

1008
00:48:15,640 --> 00:48:17,280
Speaker 3: Let me be done your day, ladies.

1009
00:48:19,560 --> 00:48:20,560
Speaker 1: It's the Breakfast Club.

1010
00:48:20,600 --> 00:48:20,959
Speaker 2: Good morning.

1011
00:48:21,000 --> 00:48:22,440
Speaker 1: Thank y'all, chat for riding what us just wanting to

1012
00:48:23,040 --> 00:48:25,680
Speaker 1: chat every day a week.

1013
00:48:26,280 --> 00:48:28,160
Speaker 3: Click yours up the Breakfast Club.

1014
00:48:28,719 --> 00:48:29,640
Speaker 2: Finish for y'all. Dumb