1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,560 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,640 --> 00:00:33,280 Speaker 1: a little thing we like to call the after party. 6 00:00:33,560 --> 00:00:35,480 Speaker 1: This is the show after the show, the party after 7 00:00:35,479 --> 00:00:36,839 Speaker 1: the party, the bridge to get you from one full 8 00:00:36,880 --> 00:00:39,440 Speaker 1: episode of Disgraceland to the other. The backyard, to dig 9 00:00:39,479 --> 00:00:42,640 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:42,640 --> 00:00:45,920 Speaker 1: confront the myth, to reclaim the story. On this bonus episode, 11 00:00:46,080 --> 00:00:49,640 Speaker 1: we're talking about our new episode on Pentagram, and we're 12 00:00:49,680 --> 00:00:53,159 Speaker 1: rewinding back to our Cramps and Brandon Lee episodes for 13 00:00:53,240 --> 00:00:56,840 Speaker 1: the Spooky season. Previewing next week's story on Houdini with 14 00:00:56,880 --> 00:00:59,320 Speaker 1: the Red Hot Chili Peppers making a guest appearance as 15 00:00:59,320 --> 00:01:03,080 Speaker 1: we get into your voicemails, text, dms, and as always, 16 00:01:03,120 --> 00:01:05,760 Speaker 1: a whole lot of Rosie. This is the podcast for 17 00:01:05,840 --> 00:01:09,679 Speaker 1: the musically obsessed, the outsiders, the independent thinkers who know 18 00:01:09,760 --> 00:01:12,920 Speaker 1: that the best history is the history that gets buried. 19 00:01:12,920 --> 00:01:16,039 Speaker 1: Disgraceland is where I tell the stories they didn't want told, 20 00:01:16,040 --> 00:01:18,640 Speaker 1: the kind you'll end up telling to someone else. All right, discos, 21 00:01:19,080 --> 00:01:30,960 Speaker 1: let's get into it all right. Before I put these 22 00:01:31,000 --> 00:01:34,400 Speaker 1: after party episodes together, I usually do a quick cruise 23 00:01:34,520 --> 00:01:37,199 Speaker 1: of the internet just to see if there's any music 24 00:01:37,280 --> 00:01:40,039 Speaker 1: news breaking that's worth talking to you guys about. This morning, 25 00:01:40,080 --> 00:01:45,319 Speaker 1: I came across this headline Spotify integrates into chat GPT 26 00:01:45,880 --> 00:01:49,720 Speaker 1: to bring new music recommendations, and it made me vomit 27 00:01:49,840 --> 00:01:52,400 Speaker 1: in my mouth. But it also made me think of 28 00:01:52,560 --> 00:01:56,840 Speaker 1: our new full episode where the character of Teddy Pentagram 29 00:01:57,080 --> 00:02:01,840 Speaker 1: gloriously recommends who our too young metal heads the awesomeness 30 00:02:01,880 --> 00:02:07,200 Speaker 1: of his favorite band, pentagram My. How far we have 31 00:02:07,320 --> 00:02:11,160 Speaker 1: come from those days of searching out the cool dude 32 00:02:11,200 --> 00:02:13,079 Speaker 1: at the record store to turn you on to the 33 00:02:13,160 --> 00:02:16,800 Speaker 1: music that you needed to know about. Instead of stone 34 00:02:17,080 --> 00:02:21,160 Speaker 1: record store clerks and cool older siblings and parents who 35 00:02:21,240 --> 00:02:24,600 Speaker 1: knew their way around the cool section of their record collection, 36 00:02:24,720 --> 00:02:29,160 Speaker 1: we now have artificial intelligence spots turning us on to 37 00:02:29,280 --> 00:02:32,080 Speaker 1: new music. It was always going to come to this, guys. 38 00:02:32,120 --> 00:02:36,840 Speaker 1: It was all it was bound to happen, and it's here. Somehow, 39 00:02:36,880 --> 00:02:40,240 Speaker 1: this is more egregious to me than AI creating music, 40 00:02:40,600 --> 00:02:43,280 Speaker 1: because that feels like something that I'll be able to 41 00:02:43,320 --> 00:02:50,480 Speaker 1: safely ignore this artificial intelligence recommendation technology. It feels like 42 00:02:50,520 --> 00:02:53,040 Speaker 1: something that's going to quickly become normalized. It already is. 43 00:02:53,080 --> 00:02:55,000 Speaker 1: I mean, this is essentially what Spotify has been doing 44 00:02:55,080 --> 00:02:58,000 Speaker 1: with their playlist for years. But now with chat EPT 45 00:02:58,880 --> 00:03:04,040 Speaker 1: and language based AI, it's just going to explode, become 46 00:03:04,080 --> 00:03:08,600 Speaker 1: totally normalized. And I gotta say, like, I just feel 47 00:03:08,600 --> 00:03:14,400 Speaker 1: bad for future generations. The thrill of discovery, that sense 48 00:03:14,480 --> 00:03:19,160 Speaker 1: of danger, that feeling of being special, all those emotions 49 00:03:19,840 --> 00:03:23,240 Speaker 1: that you got when your musical sense, when you're Vinyl Sherpa, 50 00:03:23,320 --> 00:03:25,680 Speaker 1: when you're a rock and roll Obi wan Kenobi played 51 00:03:25,720 --> 00:03:28,400 Speaker 1: you Black Flag for the first time, or explain to 52 00:03:28,440 --> 00:03:31,480 Speaker 1: you what led Zeppelin's Deal with the Devil was all about, 53 00:03:31,600 --> 00:03:34,920 Speaker 1: or passed down a grateful dead bootleg cassette that they 54 00:03:34,960 --> 00:03:37,840 Speaker 1: got from like a cool person in their neighborhood, or 55 00:03:37,840 --> 00:03:39,920 Speaker 1: whatever it made you swear not to tell your parents 56 00:03:39,960 --> 00:03:41,560 Speaker 1: that he or she was gonna let you listen to 57 00:03:41,720 --> 00:03:48,560 Speaker 1: Straight out of Compton. All that will soon be completely gone. 58 00:03:49,520 --> 00:03:53,600 Speaker 1: A dead ritual from the past, like checking your messages 59 00:03:53,640 --> 00:03:56,680 Speaker 1: on an answering machine, or making a mixtape for a 60 00:03:56,680 --> 00:03:58,400 Speaker 1: girl or a guy that you got to crush on. 61 00:03:59,040 --> 00:04:02,320 Speaker 1: It's all gone. It's already gone, but it's really about 62 00:04:02,360 --> 00:04:04,680 Speaker 1: to be just dead dead dead dead dead dead dead. 63 00:04:05,600 --> 00:04:09,200 Speaker 1: Our question of the week coming into this after party 64 00:04:09,960 --> 00:04:15,920 Speaker 1: was who turned you onto music as a kid, And 65 00:04:15,920 --> 00:04:18,080 Speaker 1: we're gonna dive into your answers later in the show. 66 00:04:18,480 --> 00:04:21,080 Speaker 1: But I read this shit about chat, GPT and Spotify 67 00:04:21,120 --> 00:04:22,920 Speaker 1: recommendations and it just made me go, you know what, 68 00:04:22,960 --> 00:04:24,960 Speaker 1: fucking I just I just want to talk. I just 69 00:04:25,000 --> 00:04:27,000 Speaker 1: want to talk about music with these guys today. I 70 00:04:27,080 --> 00:04:29,640 Speaker 1: just want to recommend stuff. That's all I want to do. 71 00:04:29,720 --> 00:04:32,120 Speaker 1: I want to talk about cool shit. And I'm gonna 72 00:04:32,160 --> 00:04:35,880 Speaker 1: do recommendations with Zeth later in the show in the 73 00:04:35,920 --> 00:04:38,600 Speaker 1: exclusive section, but in the meantime, right here, I'm gonna 74 00:04:38,600 --> 00:04:42,719 Speaker 1: frame this around Halloween music and recommend music to you guys, 75 00:04:43,320 --> 00:04:46,440 Speaker 1: old school style, analog style, just gonna open up a 76 00:04:46,440 --> 00:04:49,839 Speaker 1: discussion right here, right now that will prompt some talk 77 00:04:50,200 --> 00:04:52,240 Speaker 1: about a certain type of music. And then, like I said, 78 00:04:52,320 --> 00:04:54,920 Speaker 1: later in the show, I will dive in more fully 79 00:04:54,960 --> 00:04:57,560 Speaker 1: with Zeth and give you specific recommendations. But I want 80 00:04:57,560 --> 00:05:00,640 Speaker 1: to just be open here and just talk about the 81 00:05:00,680 --> 00:05:05,599 Speaker 1: stuff that I'm vibing on right now. It's October, and 82 00:05:05,680 --> 00:05:08,080 Speaker 1: there's a specific type of music that I think we 83 00:05:08,160 --> 00:05:11,400 Speaker 1: all get into in October. I certainly do. My wife 84 00:05:11,480 --> 00:05:15,400 Speaker 1: and I. We've been hosting these October dinner parties now 85 00:05:15,440 --> 00:05:17,360 Speaker 1: for a couple of years. We had it a week 86 00:05:17,400 --> 00:05:19,599 Speaker 1: early at the end of September this year. But that's 87 00:05:19,600 --> 00:05:22,160 Speaker 1: not the point. The point is that I've had an 88 00:05:22,200 --> 00:05:26,839 Speaker 1: epic mix going on since about twenty twenty two with 89 00:05:27,240 --> 00:05:31,919 Speaker 1: great fall slash Halloween music. Now with this mix, with 90 00:05:31,960 --> 00:05:36,160 Speaker 1: this playlist, I'm not trying to give Haunted House vibes 91 00:05:36,240 --> 00:05:38,200 Speaker 1: with the mix, but I am trying to give Donnie 92 00:05:38,279 --> 00:05:41,080 Speaker 1: Darko dinner party vibes. Okay. So I want to look 93 00:05:41,120 --> 00:05:46,159 Speaker 1: at this great Halloween music from the perspective of a 94 00:05:46,200 --> 00:05:50,000 Speaker 1: list that I found on Rolling Stone of you know, 95 00:05:50,040 --> 00:05:53,040 Speaker 1: what they recommend in this genre in this area, and 96 00:05:53,080 --> 00:05:57,039 Speaker 1: line it up against my mix. Okay, And then, like 97 00:05:57,120 --> 00:05:59,039 Speaker 1: I said, Zath and I will come in during the 98 00:05:59,080 --> 00:06:01,240 Speaker 1: exclusive section of the show and we'll give you like 99 00:06:01,360 --> 00:06:06,400 Speaker 1: three just banger recommendations each on stuff that you're probably 100 00:06:06,400 --> 00:06:08,520 Speaker 1: not gonna find I don't think anywhere else. I mean, 101 00:06:08,600 --> 00:06:10,720 Speaker 1: some of you, I'm sure will have heard of some 102 00:06:10,760 --> 00:06:12,400 Speaker 1: of this stuff. But we're trying to, you know, pull 103 00:06:12,440 --> 00:06:15,919 Speaker 1: you under the covers with us. Here first, a sampling 104 00:06:16,080 --> 00:06:20,440 Speaker 1: of the track listing from my Halloween playlist. I'm not 105 00:06:20,440 --> 00:06:22,040 Speaker 1: gonna give you the whole thing because it's just too 106 00:06:22,120 --> 00:06:24,919 Speaker 1: damn long, but here's a taste Diamonds and Rust Judas 107 00:06:25,000 --> 00:06:27,120 Speaker 1: Priest Joan BIA's cover. It's a fucking great song. The 108 00:06:27,200 --> 00:06:30,520 Speaker 1: Killing Moon by Echoing the Bunnyman. There's that Donny Darko 109 00:06:30,640 --> 00:06:33,120 Speaker 1: dinner party vibe at its best that I was talking about. 110 00:06:33,279 --> 00:06:36,360 Speaker 1: Give Me Danger by the Stooges, just sound spooky. Don't 111 00:06:36,400 --> 00:06:38,840 Speaker 1: Fear the Reaper by Blue Oyster Cult because we need 112 00:06:38,880 --> 00:06:41,760 Speaker 1: the classic Mom and Dad from the seventies are breaking 113 00:06:41,800 --> 00:06:44,880 Speaker 1: up vibes. We need that. Peppered in Fascination Street by 114 00:06:44,920 --> 00:06:48,800 Speaker 1: The Cure. Are we having sex or are we freaked out? 115 00:06:48,880 --> 00:06:51,120 Speaker 1: Robert Smith, I don't know what's happening. Explain it to me. 116 00:06:51,360 --> 00:06:54,240 Speaker 1: Wolf Like Me by TV on the Radio. You are 117 00:06:54,240 --> 00:06:56,840 Speaker 1: the protagonists in your own horror movie here with this song, 118 00:06:56,920 --> 00:06:59,680 Speaker 1: So run Season of the Witch, but the Lana del 119 00:06:59,720 --> 00:07:02,640 Speaker 1: Rave version because depending on the day, I either love 120 00:07:02,800 --> 00:07:06,120 Speaker 1: or hate Donovan. Attack of the Ghostwriters by The Ravenettes 121 00:07:06,240 --> 00:07:09,200 Speaker 1: Hurdy gurdy Man by Donovan because the movie Zodiac made 122 00:07:09,240 --> 00:07:11,600 Speaker 1: me love this song, even if I do hate Donovan 123 00:07:11,640 --> 00:07:13,720 Speaker 1: on some days. My Girlfriend is a Witch by October 124 00:07:13,760 --> 00:07:16,280 Speaker 1: Country Murder in the Red Barn by Tom Wads. Just 125 00:07:16,320 --> 00:07:18,080 Speaker 1: to make sure everyone at the dinner party isn't getting 126 00:07:18,080 --> 00:07:21,160 Speaker 1: too comfortable. Were Wolves of London by Warren Zevon because 127 00:07:21,200 --> 00:07:23,280 Speaker 1: his hair was perfect. You Make Love and Fun by 128 00:07:23,320 --> 00:07:25,640 Speaker 1: Fleetwood Mac. I don't know. I find that tune Haunting 129 00:07:25,720 --> 00:07:29,800 Speaker 1: London Dungeon by Misfits because you know London Dungeon. Evil 130 00:07:29,800 --> 00:07:32,880 Speaker 1: Woman by Black Sabbath, Evil Woman by Elo, Wild in 131 00:07:32,920 --> 00:07:35,720 Speaker 1: the Streets by Garland Jeffries because city kids get to 132 00:07:35,760 --> 00:07:38,520 Speaker 1: celebrate Halloween too, And of course ninety six Tiers by 133 00:07:38,560 --> 00:07:41,640 Speaker 1: question Mark and The Mysterians and the Ripper by Judas Priest. 134 00:07:41,720 --> 00:07:44,320 Speaker 1: That's two Judas Priest songs already if you're counting Venus 135 00:07:44,600 --> 00:07:47,280 Speaker 1: of Avenue d by Mink Deville. And I could go 136 00:07:47,360 --> 00:07:50,000 Speaker 1: on and on and on, but I will not. This 137 00:07:50,280 --> 00:07:54,480 Speaker 1: list does not quit. But let's look to Rolling Stone 138 00:07:54,520 --> 00:07:58,200 Speaker 1: magazine and their list of twenty five songs that are 139 00:07:58,280 --> 00:08:01,360 Speaker 1: truly terrifying. Now I'm not gonna give you all twenty five. 140 00:08:01,680 --> 00:08:04,160 Speaker 1: But I'm gonna give you a smattering because this is 141 00:08:04,160 --> 00:08:07,360 Speaker 1: a pretty incredible list. It's from twenty nineteen. I don't 142 00:08:07,400 --> 00:08:10,040 Speaker 1: know if that's why I find Rolling Stone to be 143 00:08:10,080 --> 00:08:13,280 Speaker 1: insufferable these days, but you know, they really came to 144 00:08:13,480 --> 00:08:16,120 Speaker 1: with this. They brought it here with this list, all right. 145 00:08:16,160 --> 00:08:18,760 Speaker 1: I want to get into some of these songs with you, guys. Okay. 146 00:08:19,680 --> 00:08:22,640 Speaker 1: At twenty five, number twenty five, they have a song 147 00:08:22,720 --> 00:08:27,480 Speaker 1: called Murder of the Lawson Family by the Carolina Buddies. 148 00:08:28,120 --> 00:08:31,960 Speaker 1: Now I've heard this song. This story is the story 149 00:08:32,000 --> 00:08:34,640 Speaker 1: of this song is the basis for our Derek and 150 00:08:34,640 --> 00:08:38,559 Speaker 1: the Domino's Beeline story about the slaughter of the Lawson 151 00:08:38,679 --> 00:08:42,440 Speaker 1: family by their patriarch, Charlie Lawson on Christmas Day. So 152 00:08:42,480 --> 00:08:44,960 Speaker 1: this tune is more of a Christmas song for me 153 00:08:45,000 --> 00:08:47,719 Speaker 1: than a Halloween song. I've never heard this version though, 154 00:08:47,720 --> 00:08:50,360 Speaker 1: by the Carolina Buddies. I have heard other versions that 155 00:08:50,480 --> 00:08:54,440 Speaker 1: are you know, they're not very they're not spooky because 156 00:08:56,000 --> 00:09:00,640 Speaker 1: it's kind of old timey waltz country bluegrass. The subject 157 00:09:00,679 --> 00:09:03,199 Speaker 1: is scary, but the vibe isn't. I think it's the 158 00:09:04,120 --> 00:09:06,400 Speaker 1: what is the time? Too? For what is Walt's Time? 159 00:09:06,480 --> 00:09:09,320 Speaker 1: It just it doesn't spook me out, how okay? So 160 00:09:09,559 --> 00:09:11,960 Speaker 1: but whatever I mean. I credit Rolling Stone for having 161 00:09:11,960 --> 00:09:14,720 Speaker 1: this tune because the subject matter is as halloweeny as 162 00:09:14,720 --> 00:09:17,199 Speaker 1: it gets. Anyways. Next on the Rolling Stone list is 163 00:09:17,240 --> 00:09:21,080 Speaker 1: another old timey country song Louvin Brothers by Knoxville Girl, 164 00:09:21,120 --> 00:09:24,199 Speaker 1: which to me scares the hell out of me every 165 00:09:24,200 --> 00:09:26,480 Speaker 1: single time. There are other versions of this song that 166 00:09:26,559 --> 00:09:29,520 Speaker 1: are great, most notably the Lemonhead's version, which I love 167 00:09:29,800 --> 00:09:35,120 Speaker 1: totally different. There are certain artifacts from my past where 168 00:09:35,160 --> 00:09:37,720 Speaker 1: if I didn't consume them, I don't believe I would 169 00:09:37,720 --> 00:09:40,760 Speaker 1: be talking into the microphone with you right now, you know, 170 00:09:40,800 --> 00:09:44,840 Speaker 1: reading Helter Skelter by Vincent Buliosi as bunk as I 171 00:09:44,840 --> 00:09:47,520 Speaker 1: think that book now is. But it led me on 172 00:09:47,600 --> 00:09:50,439 Speaker 1: this path, and so did this song by by the 173 00:09:50,520 --> 00:09:54,120 Speaker 1: Luvin Brothers, specifically Knoxville Girl. It's one of the if 174 00:09:54,160 --> 00:09:57,160 Speaker 1: someone asked me, what's a murder ballad? This is the 175 00:09:57,200 --> 00:10:00,520 Speaker 1: song I'm playing for them. They've got. Rolling Stone has 176 00:10:00,559 --> 00:10:04,400 Speaker 1: the Doors the End, which I love, but this is 177 00:10:04,440 --> 00:10:08,440 Speaker 1: the wrong doors song for Halloween. You need to have 178 00:10:08,840 --> 00:10:12,800 Speaker 1: Riders on the Storm as your Doors tune for your 179 00:10:13,160 --> 00:10:18,880 Speaker 1: Halloween playlist. It's so spooky. It's so cinematic. Zeth and I. 180 00:10:19,840 --> 00:10:22,160 Speaker 1: For the All Access members, you're going to hear about 181 00:10:22,160 --> 00:10:23,679 Speaker 1: this in a little bit more detail when we get 182 00:10:23,720 --> 00:10:26,040 Speaker 1: into it. But Zeth and I spent all last night 183 00:10:26,080 --> 00:10:29,319 Speaker 1: with the cameras on the microphones on talking about Riders 184 00:10:29,320 --> 00:10:34,600 Speaker 1: on the Storm by the Doors and Billy Cokeye Cook, 185 00:10:34,800 --> 00:10:39,000 Speaker 1: the Killing Spree Juvenile delinquent hitchhiker from the nineteen fifties. 186 00:10:39,200 --> 00:10:40,720 Speaker 1: If you want to know why we were doing that 187 00:10:41,040 --> 00:10:44,680 Speaker 1: again seeing the exclusive section of this after party next 188 00:10:44,880 --> 00:10:49,120 Speaker 1: on the Rolling Stone list. This is great because this 189 00:10:49,200 --> 00:10:52,000 Speaker 1: is one of those songs that I know and I 190 00:10:52,080 --> 00:10:55,200 Speaker 1: love and I listen to often, and I just, for 191 00:10:55,240 --> 00:10:58,439 Speaker 1: whatever reason, never thought to put it on my playlist 192 00:10:58,520 --> 00:11:02,839 Speaker 1: of great Halloween tunes, great spooky season tunes, and it 193 00:11:02,880 --> 00:11:10,400 Speaker 1: is Leonard Cohen's Avalanche. I love this song. I love it. 194 00:11:10,920 --> 00:11:13,880 Speaker 1: I love it so much from Songs of Love and Hate. 195 00:11:15,840 --> 00:11:17,360 Speaker 2: Great great album. 196 00:11:17,679 --> 00:11:20,400 Speaker 1: I don't know why, man, when I'm you know, when 197 00:11:20,400 --> 00:11:22,360 Speaker 1: I got one, when I got one going, When I've 198 00:11:22,440 --> 00:11:24,440 Speaker 1: tied one on and it's late at night and the 199 00:11:24,440 --> 00:11:27,120 Speaker 1: wife's asleep and I'm still roaming around the house looking 200 00:11:27,160 --> 00:11:28,760 Speaker 1: for shit to do. This is one of those records 201 00:11:28,760 --> 00:11:30,400 Speaker 1: I put on and I just kind of, you know, 202 00:11:30,559 --> 00:11:37,880 Speaker 1: do my thing. This one in this context, however, Avalanche 203 00:11:38,160 --> 00:11:42,280 Speaker 1: the song check these lyrics out. Your laws do not 204 00:11:42,520 --> 00:11:48,880 Speaker 1: compel me to kneel grotesque and bear. It is your turn, beloved, 205 00:11:48,840 --> 00:11:54,480 Speaker 1: It is your flesh that I wear. Old Leonard was 206 00:11:54,520 --> 00:11:57,520 Speaker 1: on a heater with that one fucking great tune Love It. 207 00:11:57,600 --> 00:12:00,120 Speaker 1: Can't wait to put it on my list suicides Frank 208 00:12:00,240 --> 00:12:02,400 Speaker 1: tear Drop another great song. I feel like I talked 209 00:12:02,400 --> 00:12:05,160 Speaker 1: about this recently with you guys. That's on the list. 210 00:12:05,320 --> 00:12:10,640 Speaker 1: Of course, Springsteen's Nebraska. You can't talk about scary shit 211 00:12:10,760 --> 00:12:14,000 Speaker 1: without talking about this song. I still remember hearing the 212 00:12:14,000 --> 00:12:18,520 Speaker 1: closing lines of this tune and being chilled to my core. 213 00:12:19,200 --> 00:12:22,360 Speaker 1: And this, of course, just to give you a little context, 214 00:12:22,960 --> 00:12:26,360 Speaker 1: Charlie stark Weather, and this is true. He said this. 215 00:12:26,760 --> 00:12:31,280 Speaker 1: He's on trial for his life after one of the 216 00:12:31,320 --> 00:12:34,040 Speaker 1: first serial killers, if you want to call him that. 217 00:12:34,840 --> 00:12:38,960 Speaker 1: And Springsteen says about stark Weather at trial, these are 218 00:12:38,960 --> 00:12:43,240 Speaker 1: the lyrics. They declared me unfit to live, set into 219 00:12:43,280 --> 00:12:47,760 Speaker 1: that great void, my soul behurled. They want to know 220 00:12:47,800 --> 00:12:51,200 Speaker 1: why I did what I did? Well, sir, I guess 221 00:12:51,240 --> 00:12:58,800 Speaker 1: there's just a meanness in this world. Oh crushing, chilling lyric. 222 00:12:59,480 --> 00:13:03,600 Speaker 1: Also on the list, great tune PJ. Harvey down by 223 00:13:03,640 --> 00:13:09,200 Speaker 1: the Water, fucking great. Great Scott Walker Farmer in the City. 224 00:13:09,320 --> 00:13:12,000 Speaker 1: I don't know this song. Maybe you guys do, and 225 00:13:12,040 --> 00:13:17,520 Speaker 1: I'm talking about it here because I'm hoping. I'm hoping 226 00:13:17,840 --> 00:13:20,040 Speaker 1: one of you guys out there who's a Scott Walker 227 00:13:20,120 --> 00:13:23,440 Speaker 1: fan can point me in the right direction. Where do 228 00:13:23,520 --> 00:13:25,800 Speaker 1: I start with Scott Walker? I want to know? Okay, 229 00:13:25,880 --> 00:13:28,840 Speaker 1: Nick Cave and the Bad Seeds song of Joy. This 230 00:13:28,840 --> 00:13:32,680 Speaker 1: should be on my list. It's from his Murder Ballads album. 231 00:13:33,440 --> 00:13:35,320 Speaker 1: I'll sure you guys, Nick Kay, fancy know this tune. 232 00:13:35,320 --> 00:13:38,560 Speaker 1: We're gonna do a Nick Cave episode soon enough. Tom Waits, 233 00:13:38,760 --> 00:13:42,160 Speaker 1: what's he building in there? My wife and I always 234 00:13:42,240 --> 00:13:44,840 Speaker 1: joke about the song because in our very first apartment 235 00:13:44,880 --> 00:13:49,480 Speaker 1: together in Arlington, Massachusetts, in the Heights in Arlington Heights 236 00:13:50,120 --> 00:13:53,120 Speaker 1: with the Soshas, we had finally moved away from the 237 00:13:53,160 --> 00:13:56,120 Speaker 1: Greasers and we're living in the Heights and this dude 238 00:13:56,160 --> 00:14:00,440 Speaker 1: behind us had this house. This fuck guy. 239 00:14:00,559 --> 00:14:00,760 Speaker 3: Man. 240 00:14:00,800 --> 00:14:03,600 Speaker 1: They couldn't have made a horror movie character better than 241 00:14:03,640 --> 00:14:07,920 Speaker 1: this guy. He was something else, I you know, shortened stature, 242 00:14:08,679 --> 00:14:11,240 Speaker 1: and he only came out at night, and he always 243 00:14:11,280 --> 00:14:13,320 Speaker 1: seemed to be dressed for winter, even if it was 244 00:14:13,400 --> 00:14:16,480 Speaker 1: the summer. And I shit you not, this guy he 245 00:14:16,520 --> 00:14:19,000 Speaker 1: lived right behind us, Like I fucking kid you not. 246 00:14:19,520 --> 00:14:24,040 Speaker 1: He wore surgical gloves all the time, and we never 247 00:14:24,160 --> 00:14:27,680 Speaker 1: knew why. He freaked us the fuck out. He's probably 248 00:14:27,680 --> 00:14:30,000 Speaker 1: responsible for us moving out a year before we should have. 249 00:14:30,200 --> 00:14:31,800 Speaker 1: But we would always just we'd see him, we come 250 00:14:31,840 --> 00:14:34,120 Speaker 1: in the house, we'd be like, what's he building in there? 251 00:14:34,160 --> 00:14:37,160 Speaker 1: And that's from that Tom Waite song. Solid solid list 252 00:14:37,200 --> 00:14:40,360 Speaker 1: from Rolling Stone. Zeth and I are gonna have more 253 00:14:40,640 --> 00:14:45,040 Speaker 1: non AI generated spooky music recommendations for you guys in 254 00:14:45,080 --> 00:14:49,600 Speaker 1: the exclusive section of this episode, recommendations that I promise 255 00:14:49,680 --> 00:14:52,160 Speaker 1: you are not going to be able to get anywhere else, 256 00:14:52,520 --> 00:14:54,880 Speaker 1: So stick around for that. If you're an All Access member. 257 00:14:54,920 --> 00:14:57,200 Speaker 1: If you're not an All Access member and you want 258 00:14:57,280 --> 00:15:00,640 Speaker 1: exclusive content like this every month, you want ad free 259 00:15:00,680 --> 00:15:03,480 Speaker 1: listening on all Disgraceland and Hollywood Land episodes. If you 260 00:15:03,520 --> 00:15:06,560 Speaker 1: want behind the scenes content, if you want to talk 261 00:15:06,600 --> 00:15:09,880 Speaker 1: to me and Zef and your fellow Disgraceland listeners, your 262 00:15:09,920 --> 00:15:12,760 Speaker 1: fellow music obsessives daily you want to talk to us 263 00:15:12,760 --> 00:15:16,000 Speaker 1: in the chat, Well, now is the time to sign up. 264 00:15:16,040 --> 00:15:18,360 Speaker 1: You're gonna get everything that I just mentioned for only 265 00:15:18,440 --> 00:15:21,280 Speaker 1: five dollars a month, the cost of one cop the 266 00:15:21,320 --> 00:15:24,200 Speaker 1: cost of one cup of coffee a month. Guys. But 267 00:15:24,360 --> 00:15:27,280 Speaker 1: that price it's going to go up before Halloween, all right. 268 00:15:27,360 --> 00:15:30,080 Speaker 1: You can sign up now on Apple Podcasts or on Patreon. 269 00:15:30,560 --> 00:15:33,240 Speaker 1: And and if you sign up on Patreon in the 270 00:15:33,320 --> 00:15:36,880 Speaker 1: next two weeks, you're gonna get a pretty significant discount 271 00:15:36,880 --> 00:15:39,640 Speaker 1: on your membership. Okay, but that offer, that one's gonna 272 00:15:39,640 --> 00:15:43,240 Speaker 1: expire on October twenty first, So now is the time 273 00:15:43,280 --> 00:15:45,200 Speaker 1: to sign up so you don't hear any ads like 274 00:15:45,240 --> 00:15:47,680 Speaker 1: this one that we got coming up right now. I 275 00:15:47,760 --> 00:15:50,560 Speaker 1: will be back in a flash with your voicemails and text. 276 00:16:13,000 --> 00:16:13,440 Speaker 2: Alrighty. 277 00:16:13,520 --> 00:16:15,840 Speaker 1: This week we dropped our episode on Pentagram and the 278 00:16:15,880 --> 00:16:19,080 Speaker 1: Feed for all of you as our newest full episode. 279 00:16:19,200 --> 00:16:22,760 Speaker 1: Coming up right after this our rewind episodes direct for 280 00:16:22,840 --> 00:16:25,760 Speaker 1: the spooky Halloween heads out there. We've got the Cramps 281 00:16:26,680 --> 00:16:30,480 Speaker 1: and our episode on Brandon Lee and the Crow. Next 282 00:16:30,520 --> 00:16:34,120 Speaker 1: week on Tuesday, our next full new episode will be 283 00:16:34,160 --> 00:16:37,320 Speaker 1: on Houdini with a special appearance in that episode by 284 00:16:37,360 --> 00:16:40,600 Speaker 1: the Red Hot Chili Peppers. Okay, keeping with our haunted 285 00:16:40,680 --> 00:16:43,440 Speaker 1: October theme, I want to switch it up as it 286 00:16:43,480 --> 00:16:46,960 Speaker 1: pertains to the question of the week. I want to 287 00:16:47,120 --> 00:16:51,200 Speaker 1: stay on this topic of scary as all hell music. 288 00:16:51,960 --> 00:16:56,240 Speaker 1: I want your songs that spook you out. I want 289 00:16:56,600 --> 00:17:00,160 Speaker 1: to know the records that give you the creep pop. 290 00:17:00,960 --> 00:17:03,120 Speaker 1: I want you know we talked about you know, who 291 00:17:03,120 --> 00:17:04,720 Speaker 1: are the people who turned us onto music as a 292 00:17:04,720 --> 00:17:07,960 Speaker 1: little kids? You know what records are you guys playing 293 00:17:07,960 --> 00:17:10,000 Speaker 1: for your little sister, for your friend who you know, 294 00:17:10,040 --> 00:17:12,840 Speaker 1: your cousin, your kids, whatever, did you kind of creep 295 00:17:12,880 --> 00:17:16,240 Speaker 1: them out? I remember playing a Night Prowler by ACDC 296 00:17:16,400 --> 00:17:19,560 Speaker 1: for my sister when she was probably well ten, I 297 00:17:19,680 --> 00:17:23,040 Speaker 1: was probably fifteen and scaring the shit out of her. 298 00:17:23,520 --> 00:17:29,199 Speaker 1: What spooky music are you? Are you vibing on in October? 299 00:17:29,720 --> 00:17:32,440 Speaker 1: Hit me up six one seven, nine oh six sixty 300 00:17:32,440 --> 00:17:36,000 Speaker 1: six three eight, let me know, voicemail, text, Let's lean 301 00:17:36,040 --> 00:17:39,360 Speaker 1: into this spooky music this month. Okay, to match all 302 00:17:39,400 --> 00:17:41,640 Speaker 1: the spooky stories we got going into the feed. Six 303 00:17:41,720 --> 00:17:45,000 Speaker 1: one seven, nine oh six six six three eight voicemail 304 00:17:45,080 --> 00:17:48,359 Speaker 1: and text let me know what songs? What records, artists 305 00:17:48,400 --> 00:17:52,240 Speaker 1: and bands gave you the songs, the tunes, the records 306 00:17:52,600 --> 00:17:54,640 Speaker 1: that give you the good kind of creeps. All right, 307 00:17:55,200 --> 00:17:57,080 Speaker 1: and we'll get into it all next week. I'll play 308 00:17:57,080 --> 00:17:59,960 Speaker 1: your voicemails, I'll play your text right here. Last week's 309 00:18:00,080 --> 00:18:02,879 Speaker 1: question of the week was who was your musical obi? 310 00:18:02,880 --> 00:18:06,240 Speaker 1: Wan Kenobi? Who is your sherpa who turned you onto 311 00:18:06,240 --> 00:18:08,919 Speaker 1: great music as a kid? Hanging on the telephone this 312 00:18:08,960 --> 00:18:11,720 Speaker 1: week right now with the eight one six. 313 00:18:11,960 --> 00:18:18,440 Speaker 4: Hey, regarding the question about our musical shurpas of the past. 314 00:18:18,640 --> 00:18:23,080 Speaker 4: Number one would be my big brother obviously, But another 315 00:18:23,320 --> 00:18:26,960 Speaker 4: huge one for me and all my friends, and was 316 00:18:27,000 --> 00:18:30,919 Speaker 4: a skate videos from especially from the nineties before they 317 00:18:30,920 --> 00:18:34,240 Speaker 4: had to worry about music rights. We heard about tons 318 00:18:34,320 --> 00:18:37,400 Speaker 4: of punk and hip hop acts, but I mean even 319 00:18:37,440 --> 00:18:42,520 Speaker 4: got into stuff like Public Image Limited and Stereo Lab 320 00:18:42,600 --> 00:18:46,439 Speaker 4: even like Herbie Hancock and stuff. Just so much great 321 00:18:46,520 --> 00:18:49,040 Speaker 4: music and stuff you don't just stumble upon in your 322 00:18:49,119 --> 00:18:52,880 Speaker 4: day to day life gets used in skate videos and 323 00:18:53,320 --> 00:18:56,840 Speaker 4: they're a great source to this day. So all right, thanks, 324 00:18:57,119 --> 00:18:58,880 Speaker 4: thanks for the pod, and keep up the good work. 325 00:18:59,359 --> 00:19:02,200 Speaker 1: Love this love that you bring up. Skate videos such 326 00:19:02,240 --> 00:19:05,680 Speaker 1: a great portal for incredible music. Skate skaters just had 327 00:19:05,680 --> 00:19:09,000 Speaker 1: the best fucking taste. Man. I never skated as a kid, 328 00:19:09,000 --> 00:19:12,439 Speaker 1: but I hung out with skaters on Instagram. I did 329 00:19:12,440 --> 00:19:15,480 Speaker 1: a little video and I mentioned one of my musical 330 00:19:15,480 --> 00:19:18,000 Speaker 1: shirt was growing up. This guy from Clinton, mass named 331 00:19:18,080 --> 00:19:21,360 Speaker 1: Dan Thomas, who was an older skater kid who let 332 00:19:21,400 --> 00:19:24,240 Speaker 1: me borrow these records turned me onto the Circle Jerks 333 00:19:24,280 --> 00:19:28,200 Speaker 1: bad brains, and I mentioned that I wasn't sure if 334 00:19:28,240 --> 00:19:31,159 Speaker 1: I ever returned the records, knowing full fully that I 335 00:19:31,280 --> 00:19:33,160 Speaker 1: that I didn't just one of those things. I didn't 336 00:19:33,200 --> 00:19:36,040 Speaker 1: steal the records. I just you know, Dan got busy. 337 00:19:36,240 --> 00:19:38,840 Speaker 1: I got busy. He never got a Circle Jerks record back, 338 00:19:39,520 --> 00:19:42,679 Speaker 1: and you know whatever, I'm a dick, I admit it. Anyhow, 339 00:19:43,000 --> 00:19:46,400 Speaker 1: his girlfriend, I haven't seen Dan in literally like three 340 00:19:46,600 --> 00:19:50,760 Speaker 1: four dec like forever decades. I haven't seen him, and 341 00:19:50,840 --> 00:19:52,720 Speaker 1: I don't. He doesn't even live in Clinton anymore, now 342 00:19:52,760 --> 00:19:55,960 Speaker 1: that do I. His girlfriend saw the video got in 343 00:19:56,000 --> 00:19:58,600 Speaker 1: touch with me. It was like, Dan wants his records back, 344 00:19:59,640 --> 00:20:01,960 Speaker 1: so I'm gonna work on getting them back for him, 345 00:20:02,000 --> 00:20:04,720 Speaker 1: and a little something else too, some some disgrace land merch. 346 00:20:05,840 --> 00:20:08,160 Speaker 1: But Dan was of course a skater this is way 347 00:20:08,160 --> 00:20:14,200 Speaker 1: before skate videos and all the great, very eclectic those 348 00:20:14,240 --> 00:20:17,040 Speaker 1: skate skate videos from the nineties, as as the eight 349 00:20:17,119 --> 00:20:21,320 Speaker 1: one six mentions eclectic music, great taste, great taste. All right, 350 00:20:21,400 --> 00:20:25,320 Speaker 1: let's check out this voicemail here from the six to 351 00:20:25,440 --> 00:20:27,119 Speaker 1: one nine. 352 00:20:27,400 --> 00:20:31,640 Speaker 3: Yoh Jay, this is Jeremy again. Thanks for playing my 353 00:20:31,760 --> 00:20:37,560 Speaker 3: voicemail last time. But the Pentagram episode was fucking brilliant 354 00:20:38,800 --> 00:20:42,760 Speaker 3: and it's funny that I started getting some recognition before 355 00:20:42,840 --> 00:20:46,640 Speaker 3: being shut down finally. But as far as the person 356 00:20:46,880 --> 00:20:54,200 Speaker 3: who influenced me would be Cliff Cunningham from the local 357 00:20:54,280 --> 00:20:58,119 Speaker 3: bands Social Spit. He used to work it off the record, 358 00:20:59,200 --> 00:21:04,560 Speaker 3: and that guy used to basically turn every local punk 359 00:21:04,640 --> 00:21:11,119 Speaker 3: rocker onto some great, great music. I actually did a 360 00:21:11,119 --> 00:21:15,600 Speaker 3: podcast with him on my podcast. My podcast is the 361 00:21:15,720 --> 00:21:21,000 Speaker 3: Union and Metro Podcast, and we talked with him about 362 00:21:21,320 --> 00:21:25,520 Speaker 3: his music and then working it off the record and 363 00:21:25,560 --> 00:21:31,840 Speaker 3: influencing others by letting them know what to buy. So 364 00:21:31,880 --> 00:21:35,920 Speaker 3: thanks again, brother hopeball as well, and I will talk 365 00:21:35,920 --> 00:21:38,920 Speaker 3: to you soon. I got to dig up this cactus, 366 00:21:38,920 --> 00:21:39,840 Speaker 3: so I got to get back. 367 00:21:39,760 --> 00:21:44,159 Speaker 1: To work again again with the local punk rockers and 368 00:21:44,280 --> 00:21:47,399 Speaker 1: the local skate kids, turning us on to music. Thanks 369 00:21:47,400 --> 00:21:50,399 Speaker 1: for your message six to one nine. Appreciate you. Matt 370 00:21:50,800 --> 00:21:52,680 Speaker 1: play the seven eight one. 371 00:21:53,040 --> 00:21:56,200 Speaker 5: Hi, Jake, this is Kelly. I'm a seven eight one. 372 00:21:57,000 --> 00:21:58,760 Speaker 5: I haven't been in touch in a little while. I've 373 00:21:58,760 --> 00:22:01,040 Speaker 5: had like the rough few months. I was just talking 374 00:22:01,080 --> 00:22:06,199 Speaker 5: about who influenced you musically, questioned, and that would be 375 00:22:06,280 --> 00:22:12,040 Speaker 5: my big brother, which is Frank Francis, and he passed 376 00:22:12,040 --> 00:22:12,600 Speaker 5: away in May. 377 00:22:12,640 --> 00:22:13,760 Speaker 3: But I thought of. 378 00:22:13,760 --> 00:22:16,240 Speaker 5: Him instantly when he said that, because he really was. 379 00:22:16,760 --> 00:22:19,000 Speaker 5: He was a guitarist and so he had like two 380 00:22:19,080 --> 00:22:21,760 Speaker 5: Martia half sacks in his room and like his friends 381 00:22:21,880 --> 00:22:24,879 Speaker 5: always oho playing and you know, had a band, different 382 00:22:24,920 --> 00:22:30,000 Speaker 5: bands whatever. I just distinctly remember hearing Metallica one. This 383 00:22:30,080 --> 00:22:31,720 Speaker 5: was the first time I ever heard it from him. 384 00:22:32,320 --> 00:22:35,680 Speaker 5: He got me into all that, you know, how was 385 00:22:35,720 --> 00:22:38,040 Speaker 5: the led Zeppelin and my dad thought me into Beatles, 386 00:22:38,080 --> 00:22:40,600 Speaker 5: Tanganda the way before that. I could sing Rocky with 387 00:22:40,680 --> 00:22:42,920 Speaker 5: Home when I was being asl But definitely my big 388 00:22:42,960 --> 00:22:45,840 Speaker 5: brother influencing regards to music because he was a musician 389 00:22:46,160 --> 00:22:49,520 Speaker 5: and you know, had all musician friends and so yeah, 390 00:22:49,760 --> 00:22:53,800 Speaker 5: that's that's how I got into that. Now. I just 391 00:22:53,960 --> 00:22:57,760 Speaker 5: like everything, but wanted to call in checking with you. 392 00:22:57,920 --> 00:22:59,320 Speaker 5: Haven't talked to you because I haven't called you in 393 00:22:59,359 --> 00:23:03,600 Speaker 5: a while. Look at good and I still love the show, obviously, 394 00:23:04,240 --> 00:23:04,679 Speaker 5: keep it up. 395 00:23:04,760 --> 00:23:09,119 Speaker 1: Rocco Mola seven eighty one. My condolences to you. Sounds 396 00:23:09,160 --> 00:23:13,760 Speaker 1: like Francis had some great tastes. And I hope you're 397 00:23:13,760 --> 00:23:16,000 Speaker 1: doing okay. I hope you're doing all right. I hope 398 00:23:16,040 --> 00:23:18,719 Speaker 1: you're getting through this time. I just you know, for 399 00:23:18,760 --> 00:23:21,359 Speaker 1: what it's worth. I can hear the Massachusetts in your voice, 400 00:23:21,359 --> 00:23:23,399 Speaker 1: and it brought a smile to my face and it 401 00:23:23,520 --> 00:23:27,400 Speaker 1: made me feel a little homesick. And I'm actually heading 402 00:23:27,480 --> 00:23:30,240 Speaker 1: home this weekend. I'm really excited about it. Thanks for 403 00:23:30,240 --> 00:23:33,960 Speaker 1: getting in touch. Seven eight one. Let's go. Let's do 404 00:23:34,040 --> 00:23:36,680 Speaker 1: some text guys. Just a reminder six one seven nine 405 00:23:36,720 --> 00:23:39,800 Speaker 1: oh six six six three eight voicemails and texts that 406 00:23:39,840 --> 00:23:41,480 Speaker 1: I want to hear from you on for next week 407 00:23:41,520 --> 00:23:44,760 Speaker 1: are going to be what is the spooky music that 408 00:23:44,840 --> 00:23:49,639 Speaker 1: gets you going? The records, the songs, the artists. All right, 409 00:23:49,720 --> 00:23:52,920 Speaker 1: let's do this text from the five to three. Oh hey, Disgrace, 410 00:23:52,960 --> 00:23:55,840 Speaker 1: slam Crue. I'm catching up on the October first Bonus episode. 411 00:23:55,880 --> 00:23:58,400 Speaker 1: My friend Derek was solely responsible for getting me into 412 00:23:58,440 --> 00:24:01,080 Speaker 1: punk rock and hardcore when I was twelve. He introduced 413 00:24:01,080 --> 00:24:03,960 Speaker 1: me to bands like Dagnasty, Youth of Today Uniform Choice 414 00:24:04,520 --> 00:24:08,399 Speaker 1: list goes on and on. He also mysteriously disappeared and 415 00:24:08,520 --> 00:24:11,439 Speaker 1: was found dead in a California desert in August of 416 00:24:11,440 --> 00:24:16,080 Speaker 1: twenty twenty one. At the time, there were swirling stories 417 00:24:16,119 --> 00:24:19,080 Speaker 1: of what happened traveling fast by wire, and many of 418 00:24:19,160 --> 00:24:21,719 Speaker 1: us suspected foul play, but no cause of death or 419 00:24:21,760 --> 00:24:24,879 Speaker 1: autopsy were released to my knowledge, and I'd still like 420 00:24:24,960 --> 00:24:27,560 Speaker 1: to know exactly what happened, but may never know. His 421 00:24:27,680 --> 00:24:30,320 Speaker 1: spirit remains close to five three to zero. I'm sorry 422 00:24:30,359 --> 00:24:33,200 Speaker 1: for your loss. Sounds like your friend Derek had some 423 00:24:33,280 --> 00:24:39,679 Speaker 1: great taste in music. Horrific story. That's awful. All right, 424 00:24:39,840 --> 00:24:44,600 Speaker 1: Let's go to the four to one six four to 425 00:24:44,640 --> 00:24:47,360 Speaker 1: one six text and hey Jake, thanks for shouting out 426 00:24:47,400 --> 00:24:50,920 Speaker 1: on the corner Miles Davis record. I think his fusion 427 00:24:51,000 --> 00:24:53,480 Speaker 1: is underrated. When I got back from Jamaica, a great 428 00:24:53,520 --> 00:24:57,360 Speaker 1: trip toward Marley's estate in the mountains, Gonja, rasta tour, 429 00:24:57,640 --> 00:25:00,840 Speaker 1: drank steel Bottom and got a private tour Johnny Cash 430 00:25:00,920 --> 00:25:03,359 Speaker 1: is secluded a state. When I got back, I set 431 00:25:03,400 --> 00:25:06,880 Speaker 1: my Instagram reel of street photography picks from rural Saint 432 00:25:06,920 --> 00:25:10,040 Speaker 1: Anne's to Doubop by Miles. It slaps. I use it 433 00:25:10,080 --> 00:25:12,280 Speaker 1: as my wake up song now and it always makes 434 00:25:12,320 --> 00:25:16,080 Speaker 1: me smile. Rock a rolla you know, four one six. 435 00:25:16,800 --> 00:25:18,880 Speaker 1: I'm very happy to hear you say this. I love 436 00:25:18,920 --> 00:25:22,600 Speaker 1: it when we're recommended stuff. Just talking about music and 437 00:25:22,800 --> 00:25:26,320 Speaker 1: people are as hyped on things as we are. It's 438 00:25:26,320 --> 00:25:27,720 Speaker 1: part of what it's why we do it. I think 439 00:25:27,760 --> 00:25:29,639 Speaker 1: you know, my favorite thing in the world literally is 440 00:25:29,680 --> 00:25:33,760 Speaker 1: to talk about music. So keep it coming. Six one 441 00:25:33,800 --> 00:25:38,399 Speaker 1: seven nine oh six six six three eight. You can 442 00:25:38,400 --> 00:25:42,240 Speaker 1: also email me Disgrace Lampod at gmail dot com. Pauli 443 00:25:42,320 --> 00:25:45,479 Speaker 1: McCracken writes in my musical Shirp, but my cool aunt Judy, 444 00:25:46,000 --> 00:25:48,480 Speaker 1: Judy turned me onto the grateful Dead when I was 445 00:25:48,520 --> 00:25:51,359 Speaker 1: a kid. She was my mom's little sister, the fun aunt, 446 00:25:51,480 --> 00:25:53,720 Speaker 1: my favorite person ever, and we get along so well 447 00:25:53,760 --> 00:25:56,040 Speaker 1: because she was so cool and let me do things 448 00:25:56,080 --> 00:25:58,480 Speaker 1: my mom would not, and I could. I could talk 449 00:25:58,520 --> 00:26:01,040 Speaker 1: to her about anything. Sounds like you had a great 450 00:26:01,080 --> 00:26:04,240 Speaker 1: one there, Polly, with your aunt Judy. Thanks for getting 451 00:26:04,240 --> 00:26:06,119 Speaker 1: in touch. I get a shout out my aunt Tracy, 452 00:26:06,160 --> 00:26:10,119 Speaker 1: who listens to Disgraceland religiously and who still is turning 453 00:26:10,160 --> 00:26:13,040 Speaker 1: me on to awesome music. She gets me new records, 454 00:26:13,080 --> 00:26:16,679 Speaker 1: her new record every Christmas, and it's It's always fantastic, 455 00:26:16,720 --> 00:26:20,440 Speaker 1: which reminds me I still have that Canned Heat John 456 00:26:20,520 --> 00:26:24,080 Speaker 1: Lee Hooker album that she got me this past Christmas 457 00:26:24,080 --> 00:26:26,119 Speaker 1: that I have to fully dive into that I have not. 458 00:26:26,920 --> 00:26:29,360 Speaker 1: I'm on it, Tracy, It's happening, all right. You guys 459 00:26:29,359 --> 00:26:32,280 Speaker 1: want to email Disgrace Lampod at gmail dot com. You 460 00:26:32,320 --> 00:26:35,200 Speaker 1: want to call me six one seven nine oh six 461 00:26:35,280 --> 00:26:37,320 Speaker 1: six six three eight. You can leave me a voicemail. 462 00:26:37,320 --> 00:26:39,159 Speaker 1: You can send me a text. You want to hit 463 00:26:39,200 --> 00:26:41,080 Speaker 1: me up on social you can do that too at 464 00:26:41,080 --> 00:26:43,920 Speaker 1: Disgrace lam Pod. Just to remind her the question of 465 00:26:43,960 --> 00:26:46,840 Speaker 1: the week, I want to know what spooky music you 466 00:26:46,920 --> 00:26:50,400 Speaker 1: are recommending for this Halloween season. Right now, I'm gonna 467 00:26:50,400 --> 00:26:52,080 Speaker 1: take a quick little break. I'm gonna rink a little tea. 468 00:26:52,080 --> 00:27:08,199 Speaker 1: I'll be back in a flash. All right, Matt, give 469 00:27:08,240 --> 00:27:10,880 Speaker 1: me the ticker. I want to eat my crow right away. 470 00:27:10,880 --> 00:27:12,639 Speaker 1: I want to get into this. Let's hit it. This 471 00:27:12,720 --> 00:27:15,560 Speaker 1: sixty second sports rant and under thirty seconds is once 472 00:27:15,600 --> 00:27:18,480 Speaker 1: again sponsored by five Hour Energies new Pumpkinspice flavor, your 473 00:27:18,480 --> 00:27:21,880 Speaker 1: favorite fall drink in an energy shot. You can pick 474 00:27:21,960 --> 00:27:24,600 Speaker 1: up a Pumpkin Spice five Hour Energy Shot available online 475 00:27:24,600 --> 00:27:28,040 Speaker 1: at five hour Energy dot com or Amazon. Listen, it 476 00:27:28,119 --> 00:27:31,160 Speaker 1: takes a real man to admit when he's wrong. Teach 477 00:27:31,240 --> 00:27:34,840 Speaker 1: this to Mike Sons all the time. A couple weeks ago, 478 00:27:35,080 --> 00:27:38,199 Speaker 1: I sat down in front of this very microphone and 479 00:27:38,280 --> 00:27:43,720 Speaker 1: I told y'all how Drake may was at best Drake maybe, 480 00:27:43,800 --> 00:27:48,040 Speaker 1: and that he wasn't the real deal, That maybe McCaffrey 481 00:27:48,080 --> 00:27:50,879 Speaker 1: was better. That Drake didn't look like he had any sand, 482 00:27:50,920 --> 00:27:52,840 Speaker 1: like he couldn't hang in the NFL, like the Pats 483 00:27:52,840 --> 00:27:55,400 Speaker 1: were headed toward a season of mediocrity at best, while 484 00:27:55,400 --> 00:27:58,720 Speaker 1: I'm here today to tell you flat out that I 485 00:27:58,920 --> 00:28:01,840 Speaker 1: was wrong for that performance on Sunday night in Buffalo. 486 00:28:02,040 --> 00:28:04,399 Speaker 1: I am convinced this dude can play. I am also 487 00:28:04,480 --> 00:28:08,240 Speaker 1: convinced Mike Vrabel can coach. I think both these dudes 488 00:28:08,280 --> 00:28:10,720 Speaker 1: have intangibles that lead to winning. Yes, I'll say it 489 00:28:10,800 --> 00:28:13,760 Speaker 1: right now, in tangibles that lead to championships. I'm not 490 00:28:13,840 --> 00:28:16,280 Speaker 1: saying we're winning anything this year, but I am saying 491 00:28:16,320 --> 00:28:18,200 Speaker 1: we've got winning in our future, and I think even 492 00:28:18,200 --> 00:28:21,000 Speaker 1: a playoff appearance this year. That's right, I said it. 493 00:28:21,280 --> 00:28:23,520 Speaker 1: I was wrong, but I'm happy about it. You know why, 494 00:28:23,760 --> 00:28:26,480 Speaker 1: because we have the two things you absolutely need to 495 00:28:26,520 --> 00:28:28,679 Speaker 1: win in the NFL right now in New England. That 496 00:28:28,800 --> 00:28:32,240 Speaker 1: is a real coach and a real quarterback who can 497 00:28:32,359 --> 00:28:34,960 Speaker 1: ball out. All right, Matt, more of a me a 498 00:28:35,040 --> 00:28:37,400 Speaker 1: couple rave than a rant. I know I didn't do well, 499 00:28:37,400 --> 00:28:38,720 Speaker 1: but just let me know where I came in on 500 00:28:38,760 --> 00:28:39,160 Speaker 1: the buzzer. 501 00:28:39,400 --> 00:28:41,720 Speaker 5: Let's see here a minute eight, Jake, not too bad. 502 00:28:42,600 --> 00:28:44,600 Speaker 1: You know, I don't care. I don't care that I 503 00:28:44,600 --> 00:28:48,200 Speaker 1: didn't beat the buzzer. We beat the Bills in Buffalo. Baby. 504 00:28:48,200 --> 00:28:50,560 Speaker 1: That was the sports rant sponsored by five Hour Energies 505 00:28:50,600 --> 00:28:52,880 Speaker 1: New Pumpkin Spice Flavor. 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So every Wednesday, 511 00:29:10,440 --> 00:29:14,320 Speaker 1: Doctor Zeth Lundy from the Presley Memorial Hospital graces all 512 00:29:14,360 --> 00:29:16,680 Speaker 1: of you with his film in cinema knowledge in the 513 00:29:16,680 --> 00:29:19,800 Speaker 1: Hollywood Land Feed, here's a little of me grilling Zeth 514 00:29:19,920 --> 00:29:21,720 Speaker 1: on what he's got cooking in the Rap Party bonus 515 00:29:21,720 --> 00:29:24,560 Speaker 1: episode this week and why you should be subscribed to 516 00:29:24,640 --> 00:29:30,080 Speaker 1: Hollywood Land for the finest and true crime in Hollywood podcasting. Okay, 517 00:29:30,120 --> 00:29:31,560 Speaker 1: what are we going to speak to? I wanted an 518 00:29:31,640 --> 00:29:34,360 Speaker 1: update on Rap Party because I'm not gonna I don't 519 00:29:34,400 --> 00:29:35,960 Speaker 1: know that I'm traveling this week. I don't know how 520 00:29:36,080 --> 00:29:37,600 Speaker 1: sometime to see if I can bring me in. What 521 00:29:38,080 --> 00:29:39,320 Speaker 1: are you talking to the people about? Let me know? 522 00:29:39,360 --> 00:29:39,720 Speaker 1: What's all? 523 00:29:39,800 --> 00:29:43,240 Speaker 2: Pretty interesting stuff? Actually there was. I basically opened the 524 00:29:43,240 --> 00:29:46,360 Speaker 2: Wrap party asking the question our movie's dead, which is 525 00:29:46,360 --> 00:29:48,880 Speaker 2: a question that people ask all the time at any 526 00:29:48,920 --> 00:29:51,880 Speaker 2: given time in movie history. I guess, but it's kind 527 00:29:51,880 --> 00:29:54,719 Speaker 2: of come back on the conversation because the director, Ridley Scott, 528 00:29:54,960 --> 00:29:57,160 Speaker 2: just a couple of days ago, was giving a talk 529 00:29:57,480 --> 00:30:00,479 Speaker 2: somewhere in England and his son was like asking questions. 530 00:30:00,600 --> 00:30:02,400 Speaker 2: He took questions from the audience and someone asked them 531 00:30:02,400 --> 00:30:04,360 Speaker 2: about what kinds of movies he was watching, and he 532 00:30:04,400 --> 00:30:08,680 Speaker 2: basically said that he's watching his old his own movies 533 00:30:09,280 --> 00:30:13,200 Speaker 2: because they're so great, because we are drowning, he says, 534 00:30:13,240 --> 00:30:15,920 Speaker 2: I think it's the quote, is we are drowning in mediocrity, 535 00:30:16,160 --> 00:30:21,040 Speaker 2: that only five percent of movies that are made or 536 00:30:21,120 --> 00:30:25,160 Speaker 2: any good. And so before I posed this question of 537 00:30:25,160 --> 00:30:27,719 Speaker 2: the audience, I actually like went back in time. I 538 00:30:27,720 --> 00:30:30,360 Speaker 2: picked a year arbitrarily from the eighties, and I sort 539 00:30:30,360 --> 00:30:33,520 Speaker 2: of did a very unscientific look at the number of 540 00:30:33,520 --> 00:30:35,960 Speaker 2: movies that came out of that from that year and 541 00:30:36,160 --> 00:30:38,760 Speaker 2: clocked them against what I would just very quickly deem 542 00:30:38,800 --> 00:30:41,640 Speaker 2: as being great movies. And the percentage rate is pretty 543 00:30:41,680 --> 00:30:43,360 Speaker 2: much the same. It was like a five percentage rate, 544 00:30:43,520 --> 00:30:45,280 Speaker 2: the same thing that really Scott was talking about, what 545 00:30:45,360 --> 00:30:48,240 Speaker 2: year did you go back to eighty nine? Nineteen eighty nine? 546 00:30:48,280 --> 00:30:51,080 Speaker 1: So you went back to nineteen eighty nine. 547 00:30:50,880 --> 00:30:54,440 Speaker 2: And I, according to the IMDb, there were at least 548 00:30:54,520 --> 00:30:57,360 Speaker 2: worldwide six hundred movies made that year. There were more 549 00:30:57,400 --> 00:30:58,920 Speaker 2: than that, but I didn't have enough time to keep 550 00:30:58,960 --> 00:31:01,280 Speaker 2: going and find so there were at least six hundred, 551 00:31:01,320 --> 00:31:05,040 Speaker 2: and I quickly identified at least about twenty that I 552 00:31:05,080 --> 00:31:08,960 Speaker 2: thought were great, which was a three percent rate. And 553 00:31:09,000 --> 00:31:10,680 Speaker 2: then I said, if we just doubled this rate, and 554 00:31:10,720 --> 00:31:12,920 Speaker 2: made it forty out of six hundred. That's still a 555 00:31:12,920 --> 00:31:14,480 Speaker 2: six percent rate. It's still about the same. 556 00:31:14,760 --> 00:31:19,200 Speaker 1: So you took Ridley Scott's theory that only five percent 557 00:31:19,200 --> 00:31:22,440 Speaker 1: of films made today are actually any good. You went 558 00:31:22,520 --> 00:31:25,440 Speaker 1: back to nineteen eighty nine and you tested it against 559 00:31:25,520 --> 00:31:28,880 Speaker 1: the films that were made then, and you determined that 560 00:31:28,960 --> 00:31:31,920 Speaker 1: basically it was the same percentage of good films, just 561 00:31:32,040 --> 00:31:34,320 Speaker 1: five percent made back in nineteen eighty nine. 562 00:31:34,480 --> 00:31:36,840 Speaker 2: Very unscientific view of it. I think it was just 563 00:31:36,880 --> 00:31:38,800 Speaker 2: there was more to choose from. So there are more 564 00:31:38,840 --> 00:31:42,840 Speaker 2: great films, but there's also hundreds of more shitty films 565 00:31:42,840 --> 00:31:45,440 Speaker 2: because movies were just such a bigger deal back then. 566 00:31:45,520 --> 00:31:51,800 Speaker 1: Right, all right, that's Hollywood Land. That's the rap party. 567 00:31:52,160 --> 00:31:56,240 Speaker 1: Make sure you're subscribed to Hollywood Land on Apple Podcasts, Spotify, 568 00:31:56,320 --> 00:31:58,720 Speaker 1: or wherever you get your podcasts. On Tracy, I'm talking 569 00:31:58,760 --> 00:32:02,959 Speaker 1: to you. Listen, guys, don't forget the question of the 570 00:32:03,000 --> 00:32:10,560 Speaker 1: week this week, which evil, spooky dark? What musical madness 571 00:32:10,720 --> 00:32:13,040 Speaker 1: are you digging into in October? I want to know. 572 00:32:13,080 --> 00:32:15,640 Speaker 1: I want to update my playlist with your recommendations. Call 573 00:32:15,720 --> 00:32:17,840 Speaker 1: me six one seven nine oh six six six three 574 00:32:17,920 --> 00:32:21,160 Speaker 1: eight and let me know, leave a voicemail you'll hear 575 00:32:21,200 --> 00:32:23,920 Speaker 1: yourself here in the after party. Send me a text. 576 00:32:24,240 --> 00:32:27,160 Speaker 1: I might read it right here, and I respond sometimes 577 00:32:27,200 --> 00:32:28,600 Speaker 1: too to the text. You might get a text late 578 00:32:28,600 --> 00:32:30,680 Speaker 1: at night. Who the fuck is this? It's me? I 579 00:32:30,720 --> 00:32:32,840 Speaker 1: don't know. Sometimes I do that, you know. Sometimes I 580 00:32:32,880 --> 00:32:35,000 Speaker 1: answer it here, Sometimes I answer it there. Who cares 581 00:32:35,240 --> 00:32:37,160 Speaker 1: one way or another? You're getting an answer, I think. 582 00:32:37,240 --> 00:32:40,239 Speaker 1: I hope we try. Listen if you want more on 583 00:32:40,280 --> 00:32:43,040 Speaker 1: the recommendations front from Zeth and I, and trust me 584 00:32:43,080 --> 00:32:44,520 Speaker 1: you do. You're not gonna want to miss out on 585 00:32:44,560 --> 00:32:47,000 Speaker 1: these recommendations. They're coming up right now in the exclusive 586 00:32:47,000 --> 00:32:50,479 Speaker 1: section of this after party. Go to Patreon and sign up, 587 00:32:50,680 --> 00:32:52,440 Speaker 1: or just go. If your Apple podcast listeners, go to 588 00:32:52,480 --> 00:32:54,480 Speaker 1: Apple Podcasts and sign up. It's five bucks a month. 589 00:32:54,640 --> 00:32:56,240 Speaker 1: You know, you can buy a beer for five bucks? 590 00:32:56,880 --> 00:32:59,520 Speaker 1: Can you can? You can? You dip into the old 591 00:32:59,520 --> 00:33:02,480 Speaker 1: wallet there for one more beer, one more coffee per month. 592 00:33:02,760 --> 00:33:05,400 Speaker 1: You're gonna get that content and you're gonna support this show. 593 00:33:05,480 --> 00:33:08,760 Speaker 1: And believe me, we appreciate it all right here we go. 594 00:33:23,280 --> 00:33:28,479 Speaker 1: Oh man. We mentioned a ton of great musicians in 595 00:33:28,520 --> 00:33:35,520 Speaker 1: this episode, musicians with incredible stories, grateful Dead, Elvis Presley, 596 00:33:35,640 --> 00:33:39,440 Speaker 1: Bruce Springsteen, The Doors, Black Sabbath. We've got episodes on 597 00:33:39,520 --> 00:33:42,920 Speaker 1: all these artists. Good episodes on all these artists. We 598 00:33:43,200 --> 00:33:47,040 Speaker 1: also mentioned Judas Priest and The Cure. We've got episodes 599 00:33:47,080 --> 00:33:48,960 Speaker 1: for these guys in the pipeline. You're gonna hear this 600 00:33:49,040 --> 00:33:51,400 Speaker 1: Judas Priest episode this month. The Cure you're gonna hear 601 00:33:51,440 --> 00:33:56,520 Speaker 1: early next year. Mentioned Leonard Cohen, Nick Cave. Gotta do 602 00:33:56,560 --> 00:33:58,880 Speaker 1: episodes on these folks. PJ. Harvey, you should do a 603 00:33:58,920 --> 00:34:03,240 Speaker 1: PJ Rvey episode year for sure. Matt will have the 604 00:34:04,200 --> 00:34:07,640 Speaker 1: episode details in the show notes of this after Party 605 00:34:07,640 --> 00:34:11,360 Speaker 1: for you, so you can quickly find those Dead Elvis, Springsteen, 606 00:34:11,440 --> 00:34:15,400 Speaker 1: Doors Sabbath episodes and you can just get get to listening. 607 00:34:15,560 --> 00:34:20,560 Speaker 1: All right, But right now it's time. It's time to 608 00:34:20,680 --> 00:34:25,200 Speaker 1: recap Number one. This week's full episode on Pentagram is 609 00:34:25,239 --> 00:34:28,000 Speaker 1: available in your feed right now for you to check out. 610 00:34:28,040 --> 00:34:32,200 Speaker 1: Number two. We're rewinding with two spooky episodes this week, 611 00:34:32,200 --> 00:34:34,560 Speaker 1: one on the Cramps and one on Brandon Lee and 612 00:34:34,600 --> 00:34:36,359 Speaker 1: the Crow. Those are going to be in your feed 613 00:34:36,600 --> 00:34:40,719 Speaker 1: right after this after party. Number three next week on Tuesday, 614 00:34:41,120 --> 00:34:43,919 Speaker 1: our episode on Houdini with Like I said a little 615 00:34:43,920 --> 00:34:46,839 Speaker 1: bit of chili pepper sprinkled in there. Number four on 616 00:34:46,880 --> 00:34:50,520 Speaker 1: Hollywood Land right now, Anna Nicole Smith. Number five, six 617 00:34:50,640 --> 00:34:53,000 Speaker 1: one seven nine oh six, six six three eight. Your 618 00:34:53,080 --> 00:34:55,640 Speaker 1: voice keeps us digging into the dark corners of music history. 619 00:34:55,680 --> 00:34:58,200 Speaker 1: So keep calling, keep texting with your answers to this 620 00:34:58,239 --> 00:35:00,560 Speaker 1: week's question of the week, or with whatever else you 621 00:35:00,600 --> 00:35:02,799 Speaker 1: want to talk about. Number six. Don't forget discos. This 622 00:35:02,840 --> 00:35:06,440 Speaker 1: isn't just content. It's a community, a community of the obsessed. 623 00:35:06,680 --> 00:35:09,080 Speaker 1: And no one cares about music, books, records in the 624 00:35:09,080 --> 00:35:11,680 Speaker 1: crime and grime that ties them all together like you do. 625 00:35:11,800 --> 00:35:17,319 Speaker 1: And well that's a disgrace alright. Pentagram's excellent album Relentless 626 00:35:17,440 --> 00:35:21,799 Speaker 1: was released in February of nineteen eighty five, and here 627 00:35:22,640 --> 00:35:26,640 Speaker 1: is what America was listening to right at that moment. 628 00:35:27,239 --> 00:35:33,480 Speaker 1: Number one Careless Whisper Wham featuring George Michael, Last week 629 00:35:33,880 --> 00:35:38,960 Speaker 1: three weeks on chart nine. Number two I Want to 630 00:35:39,040 --> 00:35:43,839 Speaker 1: Know What Love Is foreigner weeks last week one peak 631 00:35:43,880 --> 00:35:51,200 Speaker 1: positions one weeks on charts, number three, Easy Lover the Bailey, 632 00:35:51,239 --> 00:35:56,200 Speaker 1: peak feature film columns number, last week peak position System 633 00:35:56,560 --> 00:36:00,919 Speaker 1: number one weeks on Chairless thirteen peak position number Fat Joe, 634 00:36:01,040 --> 00:36:07,080 Speaker 1: lovel billionship last or seven weeks peak position, fine hours 635 00:36:07,360 --> 00:36:08,160 Speaker 1: weeks on shop. 636 00:36:11,400 --> 00:36:11,719 Speaker 3: That's it. 637 00:36:11,880 --> 00:36:12,440 Speaker 1: A modern 638 00:36:23,000 --> 00:36:25,520 Speaker 2: Quit talking and start mixing.