WEBVTT - Shake My Sillies Out

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<v Speaker 1>I think for other problems we have in the world,

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<v Speaker 1>the solution still lies in our children and how what

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<v Speaker 1>tools we give them an how we teach them to

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<v Speaker 1>communicate with the world. This is Ziggy Marley. I really

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<v Speaker 1>love the guy because the man has heart. We approaching

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<v Speaker 1>with respect and approach and with the knowledge that if

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<v Speaker 1>we instill something in them and it's solidifies in them,

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<v Speaker 1>then that is what they're going to put out there.

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<v Speaker 1>So to treat the children them as a part of

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<v Speaker 1>the process of making this world a better place. You know,

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<v Speaker 1>Ziggy believes that treating kids with respect is the backbone

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<v Speaker 1>of making the world a better place. Honestly, that reminds

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<v Speaker 1>me of Raffie. It's something Ziggy inherited from his father,

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<v Speaker 1>Bob Marley. My father had a lot of kids around.

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<v Speaker 1>We had just children, even not his children. I mean,

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<v Speaker 1>we can't learn a lot. That's why observing children recently

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<v Speaker 1>in the middle of the pandemic and Black Lives Matter protests,

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<v Speaker 1>Ziggy turned to his own kids for inspiration. I'm feeling

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<v Speaker 1>emotions about what's going on in the society, um racial injustice,

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<v Speaker 1>and you know, the cool of it and the planet

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<v Speaker 1>and those things inspire me. To speak out and speak

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<v Speaker 1>out in music. But then my five years so you

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<v Speaker 1>know him, comes around with his Google Gaga thing and

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<v Speaker 1>he's like Google Gaga, Google Gaga, and I'm like, yeah, okay,

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<v Speaker 1>I'm writing a song called Google Gaga. Now that's awesome.

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<v Speaker 1>Ziggy emerged with a new kids album called More Family

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<v Speaker 1>Time and yes there's a song called Google Gaga. He's

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<v Speaker 1>one of the few singers I know who can successfully

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<v Speaker 1>cross from adult music in the kids songs and back again. Yes,

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<v Speaker 1>someone said that to me, like, oh, yore, you just pivot.

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<v Speaker 1>You just go from wanted that so seen this um,

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<v Speaker 1>you know, unless you want to be just with blindness.

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<v Speaker 1>And none of us really are set in one way.

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<v Speaker 1>So the duality of my of I can sing songs

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<v Speaker 1>like your pienis mind, but I also have a child

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<v Speaker 1>like part of me that wants to express itself too,

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<v Speaker 1>and so I free that part of me without worrying

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<v Speaker 1>about ego are what you might think. It gives me

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<v Speaker 1>so much space to imagine. Yeah, I mean things would

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<v Speaker 1>be pretty miserable without that childlike inspiration it to be. Yeah,

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<v Speaker 1>Oh yeah, I need that chi, I need that childlike vibes.

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<v Speaker 1>You know, it makes me laugh. It makes me have funny,

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<v Speaker 1>it makes me be free. Yeah, I can feel it

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<v Speaker 1>when I'm playing with my daughter Sonny. I make goofy

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<v Speaker 1>faces to make her laugh and it's totally okay. Raffi

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<v Speaker 1>has always preached that we should make space for playing

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<v Speaker 1>our lives. But somewhere along the way, even ralf he

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<v Speaker 1>forgot to have fun. He abandoned his playful side that

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<v Speaker 1>urged to be silly. Doesn't die because we get older,

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<v Speaker 1>We just get good at ignoring it. So why do

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<v Speaker 1>we value playfulness and children and beat it out of

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<v Speaker 1>ourselves when we become adults. I'm Chris Garcia and this

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<v Speaker 1>is Finding Raffie, a ten part series for My Heart

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<v Speaker 1>Radio and Fatherly in partnership with Rococo Punch, about the life, philosophy,

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<v Speaker 1>and the work of Raffie, the man behind the music.

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<v Speaker 1>Today on our show, Rafie gets his Groove Back In

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<v Speaker 1>Raffie decided he wanted to stage a comeback. He hadn't

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<v Speaker 1>played to a young audience in four years, and he

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<v Speaker 1>was coming off a pretty rough period in his life.

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<v Speaker 1>You'll remember that he and his wife deb had split

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<v Speaker 1>up and Evergreen ever Blew his ecology album aimed at

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<v Speaker 1>teens and adults. Was pretty much a bust. So Ralfie

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<v Speaker 1>goes back on tour and after a few months he

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<v Speaker 1>decides to go big. Thank you very much and hello everyone.

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<v Speaker 1>I've waited a long time him for this to be

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<v Speaker 1>here with you on Broadway. Now, playing on Broadway is huge.

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<v Speaker 1>Raf He sold out six performances, but you could feel

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<v Speaker 1>his serious side battling it out with his playful side. Sure,

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<v Speaker 1>Raffie sang some old favorites like Baby Beluga, but he

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<v Speaker 1>followed it up with descriptions of whales dying from toxic pollution.

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<v Speaker 1>Then to lighten the mood, he did impersonations of Bob

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<v Speaker 1>Dylan and Elvis. You're just a little white wing on

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<v Speaker 1>the good Yeah, Blue, the Baby Babylon. This was a

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<v Speaker 1>new Raffi. He ditched the Hawaiian shirt and moccasin's for

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<v Speaker 1>a dresser and a tie, and in between songs he

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<v Speaker 1>incorporated a series of stage gangs. And that's when Raffie

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<v Speaker 1>hit on something really big. You know now what picture

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<v Speaker 1>this Raffie gets a delivery on stage. It's a shopping bag. Oh,

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<v Speaker 1>it says here, organically grown bananas. Mhm. Raffie reaches inside

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<v Speaker 1>and pulls out a banana. Hello, it's a banana phone,

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<v Speaker 1>a phone with a peel. Here's a family that looks

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<v Speaker 1>like you could use a bananular phone. There's so many

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<v Speaker 1>reasons that I love this. As a comedian, I appreciate

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<v Speaker 1>the misdirect. It's an all time classic bit. There's got

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<v Speaker 1>your nose, pull my finger and using a random object

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<v Speaker 1>as a phone. It's this corny stage choke that plants

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<v Speaker 1>the seeds for one of Ralphie's greatest hits, one he

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<v Speaker 1>hasn't even written yet. So how many people does this

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<v Speaker 1>happen to you? You got a phone called nine in

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<v Speaker 1>the morning and rapp He says, okay, listen, I got

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<v Speaker 1>this thing. I picked up my guitar and I went

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<v Speaker 1>prett ring, ring, ring, ring, ring, ring ring. Banana phone.

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<v Speaker 1>Musician Michael Creeper toured with Raffi during this period, and

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<v Speaker 1>he says, you know, what do you think? And I

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<v Speaker 1>don't even know it's worth anything or whatever. And I go,

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<v Speaker 1>I'm coming right over cold that thought, you know, because

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<v Speaker 1>it was brilliant. So I drove across town in my

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<v Speaker 1>volks like and bus and uh we sat there for

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<v Speaker 1>a full day in roping at the phone and basically

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<v Speaker 1>in a day on his kitchen table, Dong ding, dong ding.

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<v Speaker 1>I never thought Banana Phone would becomes a most popular

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<v Speaker 1>rashy song. It's the best beats the rest cellular, modular, interactive,

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<v Speaker 1>bodge ring ring. Sure, a lot of the kids are

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<v Speaker 1>gonna listen to Banana Phone, and they won't hear all

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<v Speaker 1>the puns we put in there. Those are for adults,

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<v Speaker 1>but it doesn't really matter. The whole the song is

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<v Speaker 1>fun no matter who listens to it. I mean, that's

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<v Speaker 1>all we did. We just created puns the whole song.

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<v Speaker 1>Dog up phone, Grandpa phone and a brama phone too.

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<v Speaker 1>Oh yeah, my cell you learn bana, you learn fool.

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<v Speaker 1>That playableness was good for us because we had fun

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<v Speaker 1>writing it and performing it. It's a phone would appeal,

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<v Speaker 1>and we do feel that those messages are eternal. You

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<v Speaker 1>can have your phone and need it too. Kids need

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<v Speaker 1>to know that it's okay. They need permission to play,

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<v Speaker 1>you know, in their world, and adults too. We need that. Todd.

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<v Speaker 1>Banana Phone is the moment that Raphie puts kids back

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<v Speaker 1>in the center of it all. Using a banana as

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<v Speaker 1>an imaginary phone is a wonderful former pretend play and

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<v Speaker 1>then making a song about it. Then the play becomes musical,

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<v Speaker 1>becomes a playful musical experience for the young child. You

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<v Speaker 1>can feel the same energy from his first album single

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<v Speaker 1>Bowl Songs, when he was just having fun and not

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<v Speaker 1>caring about what people thought. Ralphie said he felt light

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<v Speaker 1>and playful again. These were some of his favorite concerts ever.

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<v Speaker 1>His parents Arto and Lucy noticed the change in Raffi two.

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<v Speaker 1>There was something in his voice that moved them both.

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<v Speaker 1>In his autobiography, Rafi wrote that his ailing father listened

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<v Speaker 1>to the album every day, doing his exercises to the music,

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<v Speaker 1>and Lucy danced to it with a family dog. Rafe's

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<v Speaker 1>returned to playfulness was the key to his big comeback.

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<v Speaker 1>The puns and basic silliness of Bananaphone allowed him to

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<v Speaker 1>embrace the kidlike side of himself that he'd forgotten. But

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<v Speaker 1>how do the rest of us do that? Can we

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<v Speaker 1>change something so ingrained in our society? Do we even

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<v Speaker 1>know how? I think so many of us have a

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<v Speaker 1>hard time going back to these like playful, happy attitudes.

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<v Speaker 1>We're working and we're worried about our kids. When can

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<v Speaker 1>get dinner on the table, and rent is do and

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<v Speaker 1>so on, And I think there's just this idea that

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<v Speaker 1>that's silly stuff, you know, that's the stuff you give up,

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<v Speaker 1>you know, once you get a real adult job. You know.

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<v Speaker 1>I think when we, you know, forego playfulness, we do

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<v Speaker 1>it at our own cost. Dr Lori Santos is a

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<v Speaker 1>professor of psychology at Yale University and the host of

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<v Speaker 1>the Happiness Lab podcast. She teaches one of Yale's most

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<v Speaker 1>popular courses. It's known as the Happiness Class. The scientios

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<v Speaker 1>we'd be more productive at work if we engaged in

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<v Speaker 1>more playful practices. We'd end up being like more interesting

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<v Speaker 1>to friends. We'd have hobbies and things to talk about

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<v Speaker 1>with people. So it concrease our social connection, which also

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<v Speaker 1>can increase our well being. Every available study of happy

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<v Speaker 1>people suggest that happy people are more social right, they

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<v Speaker 1>prioritize time with their friends and family members, and they

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<v Speaker 1>really try to connect with the people around them. It's funny.

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<v Speaker 1>The first song on Rafe's first album single, Songs for

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<v Speaker 1>the Very Young, is the more we get together, the

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<v Speaker 1>happier will be. It's like straight out of the positive psychology,

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<v Speaker 1>you know. It could be a title of a like

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<v Speaker 1>journal paper and then feel the positive psychology. The more

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<v Speaker 1>we get together together together, the more we get together

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<v Speaker 1>happy be because your friends are my friends and my

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<v Speaker 1>friends are your friends. The more we get together happy,

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<v Speaker 1>you will be. Lorie isn't just a professor at yet.

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<v Speaker 1>She also lives on campus. She's ahead of college, which

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<v Speaker 1>means she's kind of like a dorm mom. Laurie eats

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<v Speaker 1>her meals with students, and she's there to experience the

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<v Speaker 1>ups and downs of college life. When I took on

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<v Speaker 1>that new role, I was expecting college to be, you know,

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<v Speaker 1>fun and parties. What I wasn't expecting to see was

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<v Speaker 1>the mental health crisis up close and personal, with so

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<v Speaker 1>many students reporting that they feel depressed and anxious, and

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<v Speaker 1>even ones that weren't you know, having like diagnosed mental

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<v Speaker 1>health condition were still just stressed and kind of fast

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<v Speaker 1>forwarding life, you know, and ask students like how's it

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<v Speaker 1>going to be, Like, oh, I can just fast forward

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<v Speaker 1>to mid terms or if I can just get like

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<v Speaker 1>to the weekend, And it's like, you only get four years,

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<v Speaker 1>you know, for our five years of college, right, you know,

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<v Speaker 1>if you're lev seven, you only get seven years of college.

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<v Speaker 1>You know, it just felt so sad that they were

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<v Speaker 1>kind of watching them fast forward through. And so my

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<v Speaker 1>interest in the happiness stuff came out of wanting to

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<v Speaker 1>teach my students some better strategies, right I did. I

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<v Speaker 1>didn't like seeing them so depressed and anxious, and I

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<v Speaker 1>really wanted to help. And I realized, you know, this

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<v Speaker 1>is such a universal problem where we feel like we're

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<v Speaker 1>not doing it well. And if you're a parent, you know,

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<v Speaker 1>it becomes an even worse universal problem because you're thinking

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<v Speaker 1>not just about your own happiness, but what you can

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<v Speaker 1>do to ensure that your kids are happy too. How

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<v Speaker 1>do we get this back as adults if we become

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<v Speaker 1>unhappier as we age. Yeah, I think, you know, this

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<v Speaker 1>is actually something that I think about a lot, and

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<v Speaker 1>the fact that I've been working on a lot, because

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<v Speaker 1>you know, I sometimes pontificate and give all this advice

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<v Speaker 1>about happiness that I'm not necessarily following myself. And one

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<v Speaker 1>thing I realized often causes me not to have fun

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<v Speaker 1>is that I'm just too hard on myself. Right, It's

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<v Speaker 1>hard for me to take a playful attitude because I'm

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<v Speaker 1>just so scared I'm not going to be perfect or

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<v Speaker 1>mess up or you know, sometimes fun things require being

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<v Speaker 1>a beginner. Learning some new game or some new skill

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<v Speaker 1>can be fun, but not if you're like I have

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<v Speaker 1>to be perfect. Oh my gosh, I'm so embarrassed, like

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<v Speaker 1>how am I not perfect? And so I think the

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<v Speaker 1>first step to dealing with that is to not worry

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<v Speaker 1>about other people, because they're not usually as bad as

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<v Speaker 1>you are. Judging yourself anyway, it's to work on your

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<v Speaker 1>own self compassion. You know, that really resonates with me

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<v Speaker 1>as a stand up comedian because everything I do is

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<v Speaker 1>based on people's reactions, but it's never as terrible as

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<v Speaker 1>the reaction I have afterwards. Like after a I'll think

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<v Speaker 1>I was like, oh my gosh, I bombed. People will go, hey,

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<v Speaker 1>that was really great. They will sincerely say it was great,

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<v Speaker 1>But inside I'm like, oh that was terrible. Um, well,

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<v Speaker 1>why why am I doing this? Doctor? Why do I

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<v Speaker 1>do this to myself? Why did I choose to risk

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<v Speaker 1>public humiliation as a career. You know the theme of

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<v Speaker 1>so many of these things in this happiness field is

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<v Speaker 1>that our minds lie to us. We think you're being

0:13:57.440 --> 0:13:59.360
<v Speaker 1>so hard on yourself because it's going to make you better,

0:13:59.600 --> 0:14:01.760
<v Speaker 1>you know, if not harsh on yourself, if you give

0:14:01.760 --> 0:14:03.679
<v Speaker 1>yourself the benefit of the doubt, you're just not going

0:14:03.720 --> 0:14:05.960
<v Speaker 1>to be a good comedian. Right. We think we have

0:14:06.040 --> 0:14:09.000
<v Speaker 1>to be this you mean, integral sergeant to ourselves to

0:14:09.040 --> 0:14:11.920
<v Speaker 1>get anything done, to be good at anything. But again,

0:14:11.960 --> 0:14:13.319
<v Speaker 1>this is a spot where if you look at the

0:14:13.360 --> 0:14:17.040
<v Speaker 1>scientific literature, it shows that our intuition here is just wrong.

0:14:17.559 --> 0:14:20.040
<v Speaker 1>Researchers in the field of self compassion actually looked at

0:14:20.520 --> 0:14:24.280
<v Speaker 1>veterans from Afghanistan and taught them, you know, ways of

0:14:24.320 --> 0:14:26.880
<v Speaker 1>being more self compassionate. And what they found is that

0:14:27.080 --> 0:14:30.160
<v Speaker 1>these veterans who experienced self compassion are less likely to

0:14:30.200 --> 0:14:32.840
<v Speaker 1>develop something like PTSD, you know, they're less likely to

0:14:32.840 --> 0:14:36.040
<v Speaker 1>be anxious after ward. So interesting. My my parents have

0:14:36.120 --> 0:14:39.200
<v Speaker 1>gone through a lot of trauma, and especially my mom,

0:14:39.440 --> 0:14:41.600
<v Speaker 1>and they've been through so much together. You know, my

0:14:41.680 --> 0:14:44.480
<v Speaker 1>dad was a political prisoner. He had some mental health

0:14:44.520 --> 0:14:47.040
<v Speaker 1>issues the last ten years of his life. He had

0:14:47.080 --> 0:14:51.000
<v Speaker 1>Alzheimer's disease until he finally passed away about four years ago.

0:14:51.600 --> 0:14:54.400
<v Speaker 1>And my mom is so resilient she could still find

0:14:54.520 --> 0:14:58.400
<v Speaker 1>humor in any situation. We're at the funeral home after

0:14:58.480 --> 0:15:02.320
<v Speaker 1>my dad dies. We're sad, and my mom asked the

0:15:02.400 --> 0:15:05.040
<v Speaker 1>person there if they offer a senior discount, and we

0:15:05.120 --> 0:15:07.600
<v Speaker 1>just all start laughing, and she's always she is the

0:15:07.680 --> 0:15:11.960
<v Speaker 1>Queen of gallows humor. What is it about finding humor

0:15:12.080 --> 0:15:15.600
<v Speaker 1>or laughter in the darkest moments? Yeah, well, I think

0:15:15.720 --> 0:15:17.800
<v Speaker 1>it's you know, it's just a way of kind of

0:15:17.840 --> 0:15:20.960
<v Speaker 1>shifting your perspective. And this is something you know that

0:15:21.080 --> 0:15:23.440
<v Speaker 1>so much of the research shows. It's also something that

0:15:23.480 --> 0:15:27.200
<v Speaker 1>I think a lot of really very wise ancient traditions

0:15:27.200 --> 0:15:30.680
<v Speaker 1>showed us too. You know. The Buddhists had this wonderful

0:15:31.120 --> 0:15:33.520
<v Speaker 1>parable that they call the parable of the second Arrow.

0:15:39.040 --> 0:15:41.239
<v Speaker 1>The way it goes is that Buddha asks his disciples,

0:15:41.240 --> 0:15:42.600
<v Speaker 1>you know, if a guy's walking down the street and

0:15:42.600 --> 0:15:45.480
<v Speaker 1>he gets shot with an arrow, is that bad? Disciple say, yeah,

0:15:45.480 --> 0:15:47.600
<v Speaker 1>it sucks to get shot with an arrow, And Buddha asked,

0:15:47.600 --> 0:15:49.080
<v Speaker 1>you know, is it worse to get shot with a

0:15:49.120 --> 0:15:51.760
<v Speaker 1>second arrow? You imagine, like you know, arrow number two

0:15:51.760 --> 0:15:54.680
<v Speaker 1>comes and strikes you again, is that worse? People say, yeah, that,

0:15:54.800 --> 0:15:56.640
<v Speaker 1>you know sucks twice as much to give us, you know,

0:15:56.680 --> 0:16:00.560
<v Speaker 1>struck with you arrows, And Buddhist as you know, the

0:16:00.600 --> 0:16:03.520
<v Speaker 1>first arrow is life. That's your circumstances. That's what they

0:16:03.520 --> 0:16:06.920
<v Speaker 1>call duca. That's suffering. You can't avoid that, right, that's

0:16:06.960 --> 0:16:09.000
<v Speaker 1>the you get alzheimer, as you get deaths in life.

0:16:09.000 --> 0:16:15.440
<v Speaker 1>You have bad circumstances. But the second arrow is your

0:16:15.480 --> 0:16:18.200
<v Speaker 1>reaction to it. And Buddha says, you know, the second

0:16:18.320 --> 0:16:21.200
<v Speaker 1>arrow is the most painful one because it's shot by ourselves.

0:16:21.560 --> 0:16:23.520
<v Speaker 1>Like whenever we get hit with the second arrow, it's

0:16:23.680 --> 0:16:26.520
<v Speaker 1>us reacting in a bad way, and it's worth remembering

0:16:26.520 --> 0:16:32.360
<v Speaker 1>that we can always control our second arrow. You know,

0:16:32.480 --> 0:16:34.520
<v Speaker 1>this kind of advice for me has been really powerful

0:16:34.640 --> 0:16:37.160
<v Speaker 1>because there's so many times in our life when our

0:16:37.240 --> 0:16:51.080
<v Speaker 1>misery is caused by us. Listening to Laurie, it explains

0:16:51.160 --> 0:16:54.080
<v Speaker 1>so much about my mom, and it made me wonder

0:16:54.120 --> 0:16:57.640
<v Speaker 1>about Raffie too. He's also always found his way back

0:16:57.680 --> 0:17:00.600
<v Speaker 1>to a playful place, even if it was it nurtured

0:17:00.640 --> 0:17:05.159
<v Speaker 1>in his childhood. No one had to encourage it. It

0:17:05.280 --> 0:17:09.439
<v Speaker 1>was just there, as it is in all children, you know.

0:17:09.520 --> 0:17:14.919
<v Speaker 1>I think maybe the more interesting question is who discouraged it.

0:17:20.440 --> 0:17:22.720
<v Speaker 1>Let's put it this way. There were many adults in

0:17:22.880 --> 0:17:27.680
<v Speaker 1>my life as a child who didn't quite appreciate how

0:17:28.720 --> 0:17:31.520
<v Speaker 1>the needs for play was so strong within me as

0:17:31.560 --> 0:17:35.240
<v Speaker 1>a as a child. But that's a long, long conversation.

0:17:35.359 --> 0:17:41.320
<v Speaker 1>It's it's not easy to put it into a short answer. Um,

0:17:41.320 --> 0:17:58.520
<v Speaker 1>I don't know what else to say at the moment, Hey, Tony,

0:17:58.520 --> 0:18:01.959
<v Speaker 1>how's it going. It's going well. Gosh, you sound so

0:18:02.000 --> 0:18:04.560
<v Speaker 1>good and I do not sound good. I don't know

0:18:04.640 --> 0:18:08.480
<v Speaker 1>you should hear it from this vantage point, it sounds great, good. God.

0:18:09.080 --> 0:18:12.080
<v Speaker 1>I need a lot of affirmation, constant affirmation, so do

0:18:12.160 --> 0:18:15.320
<v Speaker 1>I actually, But thank you so much for talking to

0:18:15.359 --> 0:18:18.359
<v Speaker 1>me this morning and taking the time. There are a

0:18:18.440 --> 0:18:21.080
<v Speaker 1>few people who get paid to be playful and do

0:18:21.160 --> 0:18:24.960
<v Speaker 1>it with such fun abandoned like Tony Hale. You probably

0:18:25.000 --> 0:18:28.159
<v Speaker 1>know Tony as Buster Bluth from Arrested Development and Gary

0:18:28.200 --> 0:18:31.480
<v Speaker 1>Walsh on Veep. In real life, he's a dad to

0:18:31.600 --> 0:18:35.040
<v Speaker 1>his teenage daughter Lloyd. I wanted to talk to Tony

0:18:35.200 --> 0:18:38.919
<v Speaker 1>because it's his job to be America's man child, so

0:18:39.000 --> 0:18:40.440
<v Speaker 1>he's got to be the guy who knows how to

0:18:40.520 --> 0:18:43.720
<v Speaker 1>keep that kid like feeling alive into adulthood. It's so

0:18:43.720 --> 0:18:46.119
<v Speaker 1>funny because there's such a playful side in the characters

0:18:46.200 --> 0:18:50.480
<v Speaker 1>that you've played. And um, I'm wondering if that's if

0:18:50.520 --> 0:18:53.400
<v Speaker 1>that's just who you are. Are you like, where does

0:18:53.440 --> 0:18:57.639
<v Speaker 1>that come from? Um? I think yeah. I mean I

0:18:57.960 --> 0:19:01.600
<v Speaker 1>will say, like Buster and Gary, there's a I think

0:19:01.600 --> 0:19:04.320
<v Speaker 1>there's an anxiety through line. When I was a kid,

0:19:04.400 --> 0:19:07.639
<v Speaker 1>I was very anxious. I was an asthmatic kid, and

0:19:07.640 --> 0:19:10.479
<v Speaker 1>I had a lot of anxiety around that. And I

0:19:10.480 --> 0:19:11.960
<v Speaker 1>think I was when I was a kid, I just

0:19:11.960 --> 0:19:14.640
<v Speaker 1>wanted everybody to like me and a lot of people

0:19:14.720 --> 0:19:17.720
<v Speaker 1>pleasing stuff. And I had panic attacks when I was

0:19:17.760 --> 0:19:21.000
<v Speaker 1>a kid. And so even though that sucked walking through

0:19:21.000 --> 0:19:23.159
<v Speaker 1>that as a kid, it's been it is nice to

0:19:23.200 --> 0:19:25.199
<v Speaker 1>kind of bring it into your work, like, I know what,

0:19:25.359 --> 0:19:27.239
<v Speaker 1>I know what a panic attack feels like, I know

0:19:27.880 --> 0:19:30.879
<v Speaker 1>I know what severe anxiety can how that can manifest.

0:19:30.960 --> 0:19:34.439
<v Speaker 1>And so it's nice to kind of have that history.

0:19:34.560 --> 0:19:37.040
<v Speaker 1>Even though it's not something that I struggle with as

0:19:37.119 --> 0:19:40.040
<v Speaker 1>much as I used to, I really kind of relate

0:19:40.160 --> 0:19:44.960
<v Speaker 1>to this anxiety, you know, and I am so cautious

0:19:45.040 --> 0:19:47.800
<v Speaker 1>of it and I really don't want to like pass

0:19:47.840 --> 0:19:50.560
<v Speaker 1>it down to my daughter, you know. And so even

0:19:50.560 --> 0:19:52.480
<v Speaker 1>though when I'm with her, I do feel a great

0:19:52.480 --> 0:19:55.920
<v Speaker 1>sense of calm uh and peace, then I I don't

0:19:55.920 --> 0:19:58.200
<v Speaker 1>know I've ever felt like it's just such a warm

0:19:58.240 --> 0:20:01.560
<v Speaker 1>and beautiful feeling. But some days I look at the

0:20:01.640 --> 0:20:04.879
<v Speaker 1>front page to the newspaper, um and it seems like

0:20:04.880 --> 0:20:08.320
<v Speaker 1>it's going to end today, you know, And so of course,

0:20:08.440 --> 0:20:11.679
<v Speaker 1>of course, yeah, um, how do you, like, do you

0:20:11.680 --> 0:20:13.679
<v Speaker 1>talk to your daughter about these big issues that are

0:20:13.720 --> 0:20:16.440
<v Speaker 1>going on in the world, like climate change or the pandemic,

0:20:16.560 --> 0:20:20.639
<v Speaker 1>or even anxiety. How do I navigate this? Yeah, and

0:20:20.680 --> 0:20:29.600
<v Speaker 1>it's it is hard. You've obviously heard of helicopter parenting.

0:20:29.640 --> 0:20:31.959
<v Speaker 1>That's a very common term. But there's a new one

0:20:32.000 --> 0:20:36.679
<v Speaker 1>I've heard called snowplow parenting, where you you just you

0:20:36.800 --> 0:20:39.959
<v Speaker 1>just try to remove all challenges in front of them

0:20:40.000 --> 0:20:41.920
<v Speaker 1>because you don't want them to walk through anything, which,

0:20:41.920 --> 0:20:43.760
<v Speaker 1>by the way, I completely get. I don't want my

0:20:43.920 --> 0:20:45.760
<v Speaker 1>daughter to be in pain. I don't want her to

0:20:45.880 --> 0:20:47.680
<v Speaker 1>have anxiety. I don't want I don't want to be challenged.

0:20:48.080 --> 0:20:50.400
<v Speaker 1>I want to remove all challenges so that she has

0:20:50.440 --> 0:20:54.919
<v Speaker 1>a very easy and smooth path. The fact is, like

0:20:55.000 --> 0:20:56.520
<v Speaker 1>you and I are who we are because of what

0:20:56.600 --> 0:20:59.640
<v Speaker 1>we've been through, and so I have to I want

0:20:59.680 --> 0:21:01.280
<v Speaker 1>so bad to fix and be like, Okay, this is

0:21:01.280 --> 0:21:03.480
<v Speaker 1>how you can get around that challenge. This is how

0:21:03.520 --> 0:21:06.720
<v Speaker 1>you can take this, you know, shortcut, and it's like no,

0:21:06.840 --> 0:21:09.000
<v Speaker 1>I mean I gotta sit and listen and understand and

0:21:09.040 --> 0:21:11.760
<v Speaker 1>allow her to walk through it. And that is really hard.

0:21:11.960 --> 0:21:17.399
<v Speaker 1>It's really hard. How do you harness fun in spite

0:21:17.400 --> 0:21:19.920
<v Speaker 1>of all the crap that's out there? Like what, like,

0:21:20.440 --> 0:21:22.480
<v Speaker 1>what has it done for you to find happiness or

0:21:22.560 --> 0:21:26.479
<v Speaker 1>laughter even in these dark moments? Yeah? I mean, this

0:21:26.520 --> 0:21:29.919
<v Speaker 1>has obviously been a very challenging two years for so

0:21:29.960 --> 0:21:34.760
<v Speaker 1>many people. But at the same time, I think it

0:21:34.840 --> 0:21:38.040
<v Speaker 1>has it has forced me to slow down and even

0:21:38.040 --> 0:21:42.199
<v Speaker 1>though it's been very frustrating, Like my daughter and I

0:21:42.280 --> 0:21:44.840
<v Speaker 1>have kind of watch movies. We try to watch movies

0:21:44.880 --> 0:21:50.080
<v Speaker 1>outside I don't know, Like we watch YouTube videos together

0:21:50.200 --> 0:21:54.120
<v Speaker 1>and just I cannot it makes me laugh so hard.

0:21:54.160 --> 0:21:57.440
<v Speaker 1>There's these YouTube videos of like people going on these

0:21:57.520 --> 0:22:00.879
<v Speaker 1>roller coaster rides and screaming and her and I just like,

0:22:00.960 --> 0:22:04.840
<v Speaker 1>how there's this one YouTube of it's really gross, but

0:22:04.880 --> 0:22:07.680
<v Speaker 1>these have you seen that YouTube about the parents and

0:22:08.480 --> 0:22:10.480
<v Speaker 1>if they're in the bathroom and they asked their kid

0:22:10.520 --> 0:22:13.440
<v Speaker 1>to get them toilet paper and the kid comes in,

0:22:13.840 --> 0:22:17.000
<v Speaker 1>comes in with toilet paper and then they put in

0:22:17.040 --> 0:22:20.119
<v Speaker 1>the tela on their arms, as they're walking away and

0:22:20.119 --> 0:22:22.800
<v Speaker 1>then they're and then they're like, oh my gosh, oh no,

0:22:23.200 --> 0:22:26.080
<v Speaker 1>and these kids, these kids are like and they just

0:22:26.400 --> 0:22:30.200
<v Speaker 1>absolutely lose it. It is the funny thing. I'll take

0:22:30.240 --> 0:22:33.199
<v Speaker 1>that over any sitcom and so like we just like

0:22:33.280 --> 0:22:35.760
<v Speaker 1>try to find stuff like that and laugh. Did you

0:22:35.800 --> 0:22:37.399
<v Speaker 1>play a lot of music for your daughter when she

0:22:37.480 --> 0:22:41.680
<v Speaker 1>was growing up? Yeah, we did, and we we always

0:22:41.760 --> 0:22:44.040
<v Speaker 1>love when she was little. I missed those times we

0:22:44.040 --> 0:22:46.720
<v Speaker 1>would little. We would always go to those play spaces

0:22:46.840 --> 0:22:49.280
<v Speaker 1>and with other parents and you'd sit around a circle

0:22:49.400 --> 0:22:52.560
<v Speaker 1>and you'd sing the songs. And when I was youtubeing

0:22:52.840 --> 0:22:55.520
<v Speaker 1>Raffie last night, just those kids and that kind of

0:22:55.720 --> 0:22:58.919
<v Speaker 1>five to six range where they don't give any crap

0:22:59.040 --> 0:23:01.160
<v Speaker 1>about what people think of them or if it's cool

0:23:01.920 --> 0:23:05.199
<v Speaker 1>or anything like that, and they just fully engage and

0:23:05.240 --> 0:23:08.399
<v Speaker 1>then he engages back. It's that age is a really

0:23:08.560 --> 0:23:12.439
<v Speaker 1>really beautiful age. It's so cool. We just actually started

0:23:12.480 --> 0:23:15.800
<v Speaker 1>taking my daughter to a music class on Monday mornings

0:23:16.080 --> 0:23:20.240
<v Speaker 1>and as soon as um, you know, the teacher of

0:23:20.280 --> 0:23:24.160
<v Speaker 1>the musician starts playing like she goes bonkers, and it's

0:23:24.200 --> 0:23:27.280
<v Speaker 1>like so free. She she's not self conscious at all.

0:23:27.640 --> 0:23:31.200
<v Speaker 1>She starts like wiggling and throwing your arms up, and

0:23:31.400 --> 0:23:36.520
<v Speaker 1>it's such a beautiful and pure thing um to watch. Yeah,

0:23:36.680 --> 0:23:39.399
<v Speaker 1>and it's it. Actually it actually switches now and my

0:23:39.480 --> 0:23:42.040
<v Speaker 1>donors fifteen. So now I do all those actions and

0:23:42.119 --> 0:23:47.320
<v Speaker 1>she's humiliated by it, just like I was never humiliated

0:23:47.359 --> 0:23:50.040
<v Speaker 1>by my challenge. She was young, but now I'm like

0:23:50.119 --> 0:23:52.240
<v Speaker 1>the freak and she's like, you really need to just

0:23:52.280 --> 0:23:56.280
<v Speaker 1>settle down. I couldn't let Tony go without getting his

0:23:56.400 --> 0:23:59.560
<v Speaker 1>take on Banana Phone. I just want to sit here

0:23:59.600 --> 0:24:03.280
<v Speaker 1>and list and two Raffi song Banana Phone with you

0:24:04.119 --> 0:24:10.040
<v Speaker 1>ring ring ring, ring, ring, ring ring, Banana Phone. I

0:24:10.160 --> 0:24:12.280
<v Speaker 1>love that so much. Do you know what I love

0:24:12.320 --> 0:24:16.280
<v Speaker 1>about what he's doing is he's giving permission to these kids.

0:24:17.080 --> 0:24:19.639
<v Speaker 1>You know, everybody looks at a banana and wants to

0:24:19.640 --> 0:24:21.800
<v Speaker 1>pick up the banana, go hey glow Like it's just

0:24:21.880 --> 0:24:24.760
<v Speaker 1>kind of it's just a common thing. But it gives

0:24:25.080 --> 0:24:28.320
<v Speaker 1>a child permission to be silly, a child permission to

0:24:28.400 --> 0:24:31.680
<v Speaker 1>kind of think beyond kind of whatever their present narrative is.

0:24:32.440 --> 0:24:35.159
<v Speaker 1>And it's like, man, that is such a gift, I

0:24:35.200 --> 0:24:38.480
<v Speaker 1>think to so many people. We all need it. To

0:24:38.560 --> 0:24:43.240
<v Speaker 1>call a friend of mine, don't need computer or TV

0:24:43.760 --> 0:24:47.480
<v Speaker 1>to have a real good time. I'll call for pizza,

0:24:47.720 --> 0:24:50.760
<v Speaker 1>I'll call my cat, I'll call the Whitre house, have

0:24:50.880 --> 0:24:54.719
<v Speaker 1>a chat in my place, to call around the world cooperator,

0:24:54.840 --> 0:25:02.160
<v Speaker 1>get me bei Jing Jing jing Jing. Over the past months,

0:25:02.200 --> 0:25:05.080
<v Speaker 1>I've spoken to Raffie a lot, and more than just

0:25:05.119 --> 0:25:08.040
<v Speaker 1>a few times. He showed me his playful side, cracking

0:25:08.119 --> 0:25:11.879
<v Speaker 1>jokes and just playing around. You know, long before the iPhone,

0:25:11.920 --> 0:25:15.719
<v Speaker 1>there was the b phone. Yeah, the banana phone pre

0:25:15.880 --> 0:25:19.119
<v Speaker 1>dated the iPhone by many years and I'm still going

0:25:19.160 --> 0:25:24.080
<v Speaker 1>strong and it hasn't been reinvented. It's uh a pocket cellular,

0:25:24.160 --> 0:25:29.520
<v Speaker 1>if you will. At first, I thought it was his

0:25:29.600 --> 0:25:32.240
<v Speaker 1>way of breaking the ice and dealing with the awkwardness

0:25:32.240 --> 0:25:35.000
<v Speaker 1>of being interviewed. Then I wondered if it was his

0:25:35.040 --> 0:25:37.560
<v Speaker 1>way of deflecting a question he didn't want to answer.

0:25:38.480 --> 0:25:41.520
<v Speaker 1>But now I see it as his mission, like he

0:25:41.600 --> 0:25:45.200
<v Speaker 1>chose to be playful as a way to survive. Maybe

0:25:45.200 --> 0:25:47.960
<v Speaker 1>it's how he deals with his strict upbringing, his divorce,

0:25:48.240 --> 0:25:52.640
<v Speaker 1>or as an escape from witnessing a dying planet. It's

0:25:52.640 --> 0:25:57.600
<v Speaker 1>amazing the amount of play that has been in my songs. Overtly,

0:25:58.359 --> 0:26:01.600
<v Speaker 1>I sometimes listen to my old stuff and I go, RAPI,

0:26:01.720 --> 0:26:08.199
<v Speaker 1>you dog, look at what you did, man, I just

0:26:08.280 --> 0:26:10.280
<v Speaker 1>kind of you know, I really went for it at

0:26:10.280 --> 0:26:15.640
<v Speaker 1>every point, I just yeah, baby, So you know, it's

0:26:15.680 --> 0:26:19.320
<v Speaker 1>just my way of enjoying every single day. Joy is

0:26:19.400 --> 0:26:25.120
<v Speaker 1>not something to be postponed ever. I love a great comeback.

0:26:25.160 --> 0:26:31.360
<v Speaker 1>Story plays a way of life. Really, it's an intelligence

0:26:31.960 --> 0:26:35.760
<v Speaker 1>and a way of life. And I actually think, um

0:26:35.800 --> 0:26:39.760
<v Speaker 1>that as we grow older, we're not meant to lose play.

0:26:40.119 --> 0:26:42.760
<v Speaker 1>I think we're actually meant to deepen our faculties in it.

0:27:03.840 --> 0:27:07.320
<v Speaker 1>Next time on Finding Raffie, you know, are you only

0:27:07.600 --> 0:27:10.720
<v Speaker 1>just gonna remember me for my six little ducks and

0:27:11.280 --> 0:27:15.160
<v Speaker 1>apples and bananas and baby Buluga? That you're gonna look

0:27:15.160 --> 0:27:18.720
<v Speaker 1>at my second career, my child honoring work. What about

0:27:18.960 --> 0:27:22.960
<v Speaker 1>my thirty years as a climate activist? Will you take

0:27:23.000 --> 0:27:27.080
<v Speaker 1>a look at all this music and advocacy activism? Will

0:27:27.119 --> 0:27:30.840
<v Speaker 1>you see the coherence in it? The Earth and child link.

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<v Speaker 1>Finding Raffi is a production of My Heart Radio and

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<v Speaker 1>Fatherly in partnership with Rococo Punch. It's produced by Catherine Finalosa,

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<v Speaker 1>Meredith Hannig, and James Trout. Production assistance from Charlotte Livingston

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<v Speaker 1>Alex French is our story consultant. Our senior producer is

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<v Speaker 1>Andrea Swahee. Emily Foreman is our editor. Fact checking by

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<v Speaker 1>Andrea Lopez Crusade. M raph E's music is courtesy of

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<v Speaker 1>Troubadour Music Special thanks to Kim Layton at Troubadour. Our

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<v Speaker 1>executive producers are Jessica Albert and John Parotti at Rococo,

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<v Speaker 1>punch Ty Trimble, Mike Rothman and Jeff Eisenman at Fatherly

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<v Speaker 1>and Me. Chris Garcia, thank you for listening. Your name

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<v Speaker 1>is probably the most fun friendly name you can have

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<v Speaker 1>rap because it rhymes with daffy. That could be it