WEBVTT - S4/E6 | Defense

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<v Speaker 1>Thirteen Days of Halloween Penance, a co production of iHeart

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<v Speaker 1>three D Audio Blumhouse Television and Grim and Mild from

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<v Speaker 1>Aaron Yankee. Headphones recommended. Listener discretion advised.

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<v Speaker 2>Were there steps there before? Okay?

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<v Speaker 3>So if the chapel's down there, I know I saw

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<v Speaker 3>somewhere around here, not here, not there.

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<v Speaker 4>Not there either, crazy, This place makes no sense.

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<v Speaker 5>I know that's somewhere in this nonsense nightmare labyrinth.

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<v Speaker 6>I saw a.

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<v Speaker 5>Lovely, little, good for nothing goddamn library.

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<v Speaker 2>It's so dark in here.

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<v Speaker 5>I wonder if they're hello, hello, ship.

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<v Speaker 6>Your voice down, but there's nobody in here? Are you

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<v Speaker 6>the librarian?

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<v Speaker 2>Mira?

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<v Speaker 3>Mira? Hi?

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<v Speaker 6>Do you have resources for UH residents?

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<v Speaker 2>Be more specific, like legal.

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<v Speaker 6>Guides, case law.

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<v Speaker 5>It would be great to cross reference everything by false imprisonment. Also,

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<v Speaker 5>anything you have about.

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<v Speaker 6>This building, where it is and who's running it. Are

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<v Speaker 6>we allowed to check out the books or do we

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<v Speaker 6>have to read them here? This is just so dark.

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<v Speaker 6>I'm not sure we.

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<v Speaker 7>Don't have anything like that, which part none of it?

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<v Speaker 2>Maybe in the law library.

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<v Speaker 6>Where's that?

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<v Speaker 2>Not here? What are you really looking for?

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<v Speaker 6>UH?

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<v Speaker 5>Answers answers about my case, your case, and what is

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<v Speaker 5>your case? Well, I don't know exactly, but when they

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<v Speaker 5>brought me in and read me my file, half the

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<v Speaker 5>information was.

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<v Speaker 6>Wrong, including my name. They arrested the wrong person. But

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<v Speaker 6>I can't seem to convince anyone or even get them

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<v Speaker 6>to tell me the reason. And I don't know how

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<v Speaker 6>to prove it.

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<v Speaker 7>Can't seem to convince anyone. You know, it doesn't matter

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<v Speaker 7>if you prove it. Whatever it is you're trying to prove, no.

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<v Speaker 2>One is going to believe you. No one. In the end.

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<v Speaker 7>You're not even going to believe yourself.

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<v Speaker 5>But I don't belong here, you and I both, So

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<v Speaker 5>are you gonna help me or not.

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<v Speaker 7>Follow me?

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<v Speaker 6>Why is it so dark in here?

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<v Speaker 8>Right?

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<v Speaker 2>That is bad for old books? It degrades them?

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<v Speaker 6>Is that really true?

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<v Speaker 2>Also? I'm sensitive to light here?

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<v Speaker 6>What does it say Those Without Shadow? Published eighteen eighty three.

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<v Speaker 6>What's this got to do with me?

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<v Speaker 2>Take these two?

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<v Speaker 5>The other self as an omen of death? The mirrorers?

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<v Speaker 5>What are these?

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<v Speaker 2>You said there was another you, the one that really

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<v Speaker 2>belongs here.

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<v Speaker 6>No, that's not what I never said.

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<v Speaker 2>The same thing happened to me. There's someone out there

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<v Speaker 2>that looks just like me.

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<v Speaker 7>Sounds just like me has my memories, lives, my life.

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<v Speaker 2>She took everything from me.

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<v Speaker 7>When I first got here, I looked up everything I

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<v Speaker 7>could about my case.

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<v Speaker 2>I can tell you your answers are here, but your

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<v Speaker 2>solution is not. I understand.

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<v Speaker 7>I understand everything now, but it doesn't change the fact that.

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<v Speaker 2>I'm in here and she's out there.

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<v Speaker 6>What happened?

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<v Speaker 2>What does it matter? You won't believe me.

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<v Speaker 5>Listen, If it's anything like what's happening to me, maybe

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<v Speaker 5>we can help each other find a way to prove

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<v Speaker 5>that neither of us should be here.

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<v Speaker 7>Hah, you remind me of me in the early days,

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<v Speaker 7>the differences. I had already met her, Ah, just like

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<v Speaker 7>every other day. I was waiting on the train. It

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<v Speaker 7>was cold, raining, the train was running late. I think

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<v Speaker 7>about that a lot if it hadn't been running late.

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<v Speaker 7>But no, it wouldn't have mattered. I was being hunted

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<v Speaker 7>when I first saw.

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<v Speaker 2>Her across the platform.

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<v Speaker 7>For a moment, I thought it was my own reflection

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<v Speaker 7>mirrored in the window glass, Only it.

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<v Speaker 2>Wasn't quite right.

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<v Speaker 7>Her eyes were shining like an animal in the darkness.

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<v Speaker 7>We got on the same train car. I tried to

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<v Speaker 7>stare without making it obvious, but there was something about

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<v Speaker 7>her that I couldn't quite make out, like a mirage

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<v Speaker 7>when you get too close. I tried to look at

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<v Speaker 7>her straight on. My eyes slid off like water. Then

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<v Speaker 7>she walked towards me. Her attention made my palm sweat,

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<v Speaker 7>my heart race. I thought it was attraction. Now I

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<v Speaker 7>wonder if it was some instinct picking up on a predator.

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<v Speaker 7>I don't remember who spoke first, but when we started talking,

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<v Speaker 7>it seemed like it would never stop.

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<v Speaker 2>She said her name was Jade, Jade like her emerald eyes.

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<v Speaker 2>Her voice was intriguing, strange, constantly making adjustment sleek.

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<v Speaker 7>She'd say false, false, false, that's FA's what they say.

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<v Speaker 7>But opposites attracting You and I are a lot alike may.

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<v Speaker 7>I liked her voice, I liked her looked.

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<v Speaker 2>Her so much. I missed my stuff.

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<v Speaker 7>I thought it was a sweet story, the story of

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<v Speaker 7>how we met, But it was fault. We decided to

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<v Speaker 7>start dating on the spot. Maybe a little fast, definitely

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<v Speaker 7>too fast. Things had started like a story book, I

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<v Speaker 7>guess I got swept up in the idea of it.

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<v Speaker 7>I didn't tell anyone at first. I didn't want to

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<v Speaker 7>deal with their questions. They were always pushing. You know.

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<v Speaker 7>They never approved of anything I did. They they yes,

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<v Speaker 7>my family, my mother. Especially At first, our relationship was perfect.

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<v Speaker 7>We were so happy. Jade listened, you know. She wanted

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<v Speaker 7>to know everything about me, wanted to share everything with me.

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<v Speaker 2>Yeah, uh, tell me again again again.

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<v Speaker 7>Other than pictures, she was shy about pictures.

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<v Speaker 2>Hold on, let me just gee, No, you're going to

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<v Speaker 2>ruin them.

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<v Speaker 7>We never fought. We were always in the mood for

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<v Speaker 7>the exact same thing. Whenever I was trying to remember something,

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<v Speaker 7>she had the answer.

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<v Speaker 2>That's what I was going to say.

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<v Speaker 7>When we played games together, she always anticipated my next

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<v Speaker 7>move as though she was reading my mind.

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<v Speaker 4>You she did.

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<v Speaker 7>She devoted all of her attention to me, laughed when

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<v Speaker 7>I laughed, smiled when I smiled, and she'd get this

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<v Speaker 7>look in her eye when she touched me.

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<v Speaker 2>I love you, I love you.

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<v Speaker 7>Sometimes when you're in love with someone, it's easy to

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<v Speaker 7>ignore the morning signs. But there were things with Jade

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<v Speaker 7>I just couldn't overlook. I'd wake up and she'd be

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<v Speaker 7>staring at me, good morning, good morning. She'd repeat things

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<v Speaker 7>I'd say multiple times, changing the tenor and tone until

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<v Speaker 7>she got it just right?

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<v Speaker 2>Say it again?

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<v Speaker 6>Why?

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<v Speaker 7>Because I like your voice at them?

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<v Speaker 2>Could you pass me that book? Eh?

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<v Speaker 8>Could you pass me that book? Could you please pass

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<v Speaker 8>me that book? Could you please pass me that book?

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<v Speaker 8>Could you please pass me that book?

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<v Speaker 6>What?

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<v Speaker 7>Oh?

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<v Speaker 4>Sure?

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<v Speaker 6>Here?

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<v Speaker 7>One of the only things we didn't agree on was food.

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<v Speaker 7>She never seemed to think anything I could was rich enough.

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<v Speaker 9>I doused salads and dressings, dredged vegetables and butter, drown

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<v Speaker 9>her dinner in oil and melted cheese and gravy, and she'd.

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<v Speaker 2>Just push it around her plate.

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<v Speaker 7>The meat, though, she'd devour the tendons, the fat, cartilage,

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<v Speaker 7>the marrow. She didn't care what kind of meat. Only

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<v Speaker 7>the rarer the better, I'd joke. Her teeth were like

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<v Speaker 7>a tiger's. By then she was practically living with me.

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<v Speaker 7>Even scraps and leftovers weren't safe. Sometimes I'd wander into

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<v Speaker 7>the kitchen at night to find Jade digging through the trash,

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<v Speaker 7>or with the refrigerator door wide open, smiling at me

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<v Speaker 7>with meat and her teeth, eyes shining like the day

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<v Speaker 7>we met. It would be hard to say exactly when

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<v Speaker 7>things escalated. Jade was like my shadow. When I would

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<v Speaker 7>turn around there. She was always smiling. I had to

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<v Speaker 7>fight to find any time alone.

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<v Speaker 2>Ah ha, you scared me, you scared me.

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<v Speaker 7>If I managed to catch her unawares, usually i'd find

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<v Speaker 7>her practicing things that people don't normally practice, staring into space,

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<v Speaker 7>shifting her face, trying on different types of smiles, using

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<v Speaker 7>her fingers to adjust.

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<v Speaker 2>The corners of her mouth, but never in front of

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<v Speaker 2>the mirror.

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<v Speaker 7>I'd hear her repeating things I'd said over and over,

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<v Speaker 7>shifting intonation and cadence.

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<v Speaker 2>You scared me, you scared me, You scared me, You

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<v Speaker 2>scare me, You scared me.

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<v Speaker 7>She'd audition different laughs, too small and polite, big and boisterous,

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<v Speaker 7>others I don't know. Sometimes I would look at Jade

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<v Speaker 7>and she would just be someone else, like there were

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<v Speaker 7>pieces of her that changed. I swear when I met her,

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<v Speaker 7>her eyes had been green, but now they were brown

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<v Speaker 7>like mine.

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<v Speaker 2>I felt like I was losing my mind.

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<v Speaker 6>Your eyes aren't brown, they're green.

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<v Speaker 7>Oh, yes, of course they are. I get it mixed up.

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<v Speaker 2>Sometimes.

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<v Speaker 7>Haven't been able to stomach seeing my reflection for a while.

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<v Speaker 7>Around the same time my health started to deteriorate. I

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<v Speaker 7>woke up one morning choking on my own tooth, another

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<v Speaker 7>with clumps of hair, missing, nails ripped off, scratches and bruises.

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<v Speaker 2>Appeared out of nowhere.

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<v Speaker 7>I visited one doctor after another. No one could tell

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<v Speaker 7>me what was wrong with me. But I'd have these dreams,

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<v Speaker 7>dreams where I was staring at Jade, but she was

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<v Speaker 7>wearing a mask, a mask to look like me.

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<v Speaker 2>I'd reach up to pull the mask off, but it

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<v Speaker 2>would tear.

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<v Speaker 9>I dig my nails in, clawing it away in shreds, and.

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<v Speaker 2>When the final piece.

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<v Speaker 7>Came off, behind all of it, there was emptiness, a

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<v Speaker 7>blank face, but it would smile Jade, smile my smile, and.

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<v Speaker 9>There she'd be, blank, smiling.

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<v Speaker 2>I was wasting away.

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<v Speaker 7>I didn't even recognize myself in the mirror, and I

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<v Speaker 7>was having trouble keeping things straight, like my memory was

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<v Speaker 7>being drained Jade, though Jade was glowing coming into focus.

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<v Speaker 7>One day, lying in bed, sick to my stomach, I

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<v Speaker 7>heard this sound from the other room, chop, chop chop.

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<v Speaker 7>I tried to ignore it, but it was insistent, giving

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<v Speaker 7>me such a headache.

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<v Speaker 9>This chop chop chop, Can you stop?

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<v Speaker 4>Jade?

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<v Speaker 7>Jade was in the kitchen cutting carrots are too many

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<v Speaker 7>for any recipe, especially when she didn't even eat carrots

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<v Speaker 7>and she was still cutting the knife slid through like butter,

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<v Speaker 7>so close to her fingers.

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<v Speaker 6>That's enough.

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<v Speaker 10>Can you stop, Jade? Please stop? I swear, I swear.

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<v Speaker 10>She chopped her finger clean off. I screamed and screamed,

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<v Speaker 10>but she just smiled that damn smile.

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<v Speaker 2>I must have passed out.

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<v Speaker 7>When I woke up, she had laid me in bed,

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<v Speaker 7>got a nice back on my head where I had

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<v Speaker 7>bumped it, and her finger was back like it had

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<v Speaker 7>never happened.

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<v Speaker 2>But I know what I saw.

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<v Speaker 6>Are you sure that wasn't also a dream?

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<v Speaker 2>I know what I saw, all right. Then one day

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<v Speaker 2>I overheard Jade on the phone.

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<v Speaker 7>Sorry, it's been so long, I've just been so busy.

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<v Speaker 7>She was talking to my mom, pretending to be me.

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<v Speaker 7>I know I say that every time, but I'm trying

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<v Speaker 7>to do better.

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<v Speaker 2>She sounded just like me. But yes, happy.

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<v Speaker 7>I was never happy talking to my mom. Mom was

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<v Speaker 7>never happy.

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<v Speaker 2>Talking to me.

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<v Speaker 7>Yes, I will, I love you.

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<v Speaker 2>I miss you.

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<v Speaker 7>Mom used to say in a thousand years, there would

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<v Speaker 7>never be someone like me that she could never love

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<v Speaker 7>anyone the way she loved me. But that was a lie,

0:14:44.600 --> 0:14:46.880
<v Speaker 7>just like everything else I know.

0:14:47.760 --> 0:14:51.760
<v Speaker 9>I remember, Oh, Mom, you always say that.

0:14:53.640 --> 0:14:56.560
<v Speaker 7>She'd said things on that call that she couldn't have that.

0:14:56.680 --> 0:15:00.520
<v Speaker 7>I never told her, I know what I you hadn't

0:15:01.040 --> 0:15:02.680
<v Speaker 7>How how.

0:15:02.680 --> 0:15:03.920
<v Speaker 2>Did she know me?

0:15:04.120 --> 0:15:05.320
<v Speaker 6>Hey, let go on my arm.

0:15:05.400 --> 0:15:06.080
<v Speaker 4>You're hurting me.

0:15:06.680 --> 0:15:08.160
<v Speaker 10>The lights off?

0:15:08.200 --> 0:15:08.920
<v Speaker 4>Turn them off?

0:15:12.320 --> 0:15:12.840
<v Speaker 9>What was that?

0:15:14.200 --> 0:15:15.960
<v Speaker 4>What was that? Yeah?

0:15:16.000 --> 0:15:16.920
<v Speaker 6>What the hell was that?

0:15:19.760 --> 0:15:24.040
<v Speaker 7>I guess I just got carried away, carried away.

0:15:25.480 --> 0:15:26.800
<v Speaker 2>Since all this happened, I've.

0:15:28.360 --> 0:15:33.040
<v Speaker 7>I've become unwell. I I don't like people seeing me

0:15:34.480 --> 0:15:39.560
<v Speaker 7>clearly anymore. Now that something out there is wearing my face.

0:15:40.720 --> 0:15:42.200
<v Speaker 9>My face feels.

0:15:43.640 --> 0:15:46.760
<v Speaker 2>Wrong, like it's not mine anymore.

0:15:48.600 --> 0:15:50.680
<v Speaker 6>I don't understand. How did you end up here?

0:15:52.600 --> 0:15:56.080
<v Speaker 2>I killed my mother? Mmm? I don't look at me

0:15:56.160 --> 0:15:56.360
<v Speaker 2>like that.

0:15:57.640 --> 0:16:04.560
<v Speaker 7>It was that things. It eroded my trust in everyone.

0:16:04.760 --> 0:16:09.840
<v Speaker 7>If she it could pretend to be me, convince everyone

0:16:09.840 --> 0:16:13.240
<v Speaker 7>else it was me, maybe it could be other people too,

0:16:14.480 --> 0:16:17.920
<v Speaker 7>isolating me more and more, wearing the mask of everyone

0:16:17.920 --> 0:16:18.400
<v Speaker 7>in my life.

0:16:18.400 --> 0:16:21.240
<v Speaker 6>That's what they do, what they do?

0:16:22.000 --> 0:16:22.800
<v Speaker 2>Are you mocking me?

0:16:23.920 --> 0:16:31.400
<v Speaker 7>So you thought your mother was Yeah, I heard this sound, thunk, dunk, dunk.

0:16:33.000 --> 0:16:34.000
<v Speaker 2>I thought it was Jade.

0:16:35.080 --> 0:16:36.960
<v Speaker 7>I went into the kitchen to get her to stop.

0:16:37.880 --> 0:16:41.000
<v Speaker 2>But it was my mother.

0:16:42.480 --> 0:16:45.680
<v Speaker 7>Standing at the counter as if she'd been invited, wearing

0:16:45.680 --> 0:16:51.680
<v Speaker 7>an apron, using a meat tenderizer to pound these flank stakes.

0:16:51.400 --> 0:16:52.480
<v Speaker 2>One of Jade's favorites.

0:16:53.840 --> 0:16:56.440
<v Speaker 7>She seemed confused while I was there, almost like she

0:16:56.440 --> 0:16:59.960
<v Speaker 7>didn't recognize me, and Jade was nowhere to be found.

0:17:01.240 --> 0:17:06.160
<v Speaker 7>Nothing about that made sense, I thought, put this beech

0:17:06.200 --> 0:17:08.840
<v Speaker 7>Shade masquerading as my mother.

0:17:10.960 --> 0:17:11.879
<v Speaker 2>I confronted her.

0:17:12.600 --> 0:17:14.359
<v Speaker 9>Tried to get her to show her true face.

0:17:14.960 --> 0:17:15.760
<v Speaker 2>But she pushed.

0:17:16.880 --> 0:17:20.520
<v Speaker 7>I told you how she always pushed, so I pushed

0:17:20.560 --> 0:17:26.840
<v Speaker 7>back hard. I'll never forget the sounder's skull made when

0:17:26.840 --> 0:17:27.680
<v Speaker 7>it cracked on the counter.

0:17:29.119 --> 0:17:29.760
<v Speaker 2>I didn't move.

0:17:30.680 --> 0:17:33.320
<v Speaker 7>I just stared at her body with a trickle of

0:17:33.320 --> 0:17:36.960
<v Speaker 7>blood on the tile. And when I looked up, Jade

0:17:37.040 --> 0:17:41.520
<v Speaker 7>was there, standing over my mother's dead body, smiling inhuman.

0:17:42.400 --> 0:17:45.840
<v Speaker 7>For a moment, a horrible, sickening moment, I actually believed

0:17:45.840 --> 0:17:49.040
<v Speaker 7>that she was me and I was the reflection the shadow.

0:17:50.720 --> 0:17:52.280
<v Speaker 7>Then I grabbed the hammer from the counter and I

0:17:52.320 --> 0:17:56.040
<v Speaker 7>swung it up her face. Blood spattered teeth skittered across

0:17:56.080 --> 0:17:58.400
<v Speaker 7>the floor, skin hung from the hammer and shreds.

0:18:00.080 --> 0:18:04.639
<v Speaker 9>Shade didn't move I just stared at me.

0:18:05.760 --> 0:18:08.880
<v Speaker 10>I swung again and again, determined to unearth the true

0:18:08.880 --> 0:18:11.639
<v Speaker 10>face beneath. I didn't stop until I saw the phone,

0:18:13.040 --> 0:18:15.879
<v Speaker 10>But she didn't move, didn't react.

0:18:17.000 --> 0:18:20.440
<v Speaker 7>The way she looked at me, I felt almost hypnotized.

0:18:22.040 --> 0:18:24.399
<v Speaker 2>I dropped the hammer and she laughed.

0:18:25.760 --> 0:18:28.359
<v Speaker 7>Under all the core I'd made of her face, of

0:18:28.520 --> 0:18:35.320
<v Speaker 7>my face, it was still my laugh. I tried to

0:18:35.359 --> 0:18:39.240
<v Speaker 7>ask her why, what had she wanted from all this

0:18:39.960 --> 0:18:43.960
<v Speaker 7>from me? But she just smiled, and the words came

0:18:44.160 --> 0:18:47.920
<v Speaker 7>spilling out of my mouth. Was it because I didn't

0:18:47.920 --> 0:18:51.959
<v Speaker 7>appreciate my life, didn't deserve it? Was it because she

0:18:51.960 --> 0:18:56.320
<v Speaker 7>could do it better, be a better version, or was

0:18:56.359 --> 0:18:58.480
<v Speaker 7>it just a matter of survival or.

0:18:58.440 --> 0:18:59.320
<v Speaker 2>That she was hungry?

0:19:01.320 --> 0:19:08.879
<v Speaker 7>She didn't answer, only smiled that blank, empty smile. I

0:19:08.920 --> 0:19:11.280
<v Speaker 7>think maybe she was just tired of being a shadow.

0:19:14.400 --> 0:19:17.840
<v Speaker 7>She reached out tenderly to hold my hands, even though

0:19:17.840 --> 0:19:21.120
<v Speaker 7>they were covered in blood. She leaned in as if

0:19:21.160 --> 0:19:27.000
<v Speaker 7>to kiss them, and then bit my finger clean off. Suddenly,

0:19:27.000 --> 0:19:30.679
<v Speaker 7>her whole face changed and kneaded back together, rippled and

0:19:30.760 --> 0:19:36.040
<v Speaker 7>settled until it was mine and she lunched at me.

0:19:36.680 --> 0:19:39.359
<v Speaker 7>I tried to run, to fight, but every move she

0:19:39.480 --> 0:19:42.840
<v Speaker 7>mirrored as so she could anticipate my every thought, as

0:19:42.840 --> 0:19:43.200
<v Speaker 7>though she.

0:19:43.400 --> 0:19:45.800
<v Speaker 2>Was me, but so much stronger.

0:19:48.880 --> 0:19:52.760
<v Speaker 7>She left me there, bleeding on the floor, not sure

0:19:52.800 --> 0:19:55.640
<v Speaker 7>how long I laid there, but when they finally arrived,

0:19:56.119 --> 0:19:57.480
<v Speaker 7>they arrested me.

0:20:00.880 --> 0:20:03.359
<v Speaker 2>I told them what happened, but they didn't believe me.

0:20:04.720 --> 0:20:07.640
<v Speaker 7>A woman with my name had already reported my mother's murder,

0:20:07.800 --> 0:20:10.400
<v Speaker 7>alleging a stalker had been plotting to take over her life.

0:20:11.200 --> 0:20:13.359
<v Speaker 7>I tried to tell them, tell them that she was

0:20:13.400 --> 0:20:18.439
<v Speaker 7>the impostor, that it wasn't even human, but they wouldn't listen.

0:20:19.520 --> 0:20:22.480
<v Speaker 7>And then I was carted off here and they tell

0:20:22.520 --> 0:20:24.000
<v Speaker 7>me I'm not me.

0:20:25.840 --> 0:20:28.960
<v Speaker 2>But I know it's not true. I know what happened.

0:20:29.400 --> 0:20:32.200
<v Speaker 10>She's out there living my life and I'm still me.

0:20:32.720 --> 0:20:35.600
<v Speaker 10>I'm me, and she cannot take that away from me.

0:20:38.080 --> 0:20:41.920
<v Speaker 5>She bit off your finger? What, just like you said?

0:20:41.920 --> 0:20:43.679
<v Speaker 5>You saw her cut off her own finger, But then

0:20:43.720 --> 0:20:48.800
<v Speaker 5>it was back like it never happened. Yes, but you

0:20:48.880 --> 0:20:49.680
<v Speaker 5>still have.

0:20:50.359 --> 0:20:52.200
<v Speaker 10>I tell you that some monster out there took my life,

0:20:52.200 --> 0:20:53.960
<v Speaker 10>that one probably took yours too, And you want to.

0:20:53.960 --> 0:20:55.920
<v Speaker 2>Know about my fingers?

0:20:56.600 --> 0:21:02.840
<v Speaker 6>Yes, you don't believe me either. I knew you wouldn't

0:21:03.080 --> 0:21:04.080
<v Speaker 6>I'm not saying that.

0:21:04.119 --> 0:21:07.399
<v Speaker 7>At a certain point, what does it even matter? People

0:21:07.440 --> 0:21:12.280
<v Speaker 7>seem perfectly content to accept the reflection. Maybe she has

0:21:12.320 --> 0:21:17.320
<v Speaker 7>the better version. I killed my mother, and she would

0:21:17.440 --> 0:21:22.359
<v Speaker 7>to the funeral. She has my looks, my voice, my memories.

0:21:22.400 --> 0:21:25.200
<v Speaker 7>She may as well be me, and.

0:21:25.160 --> 0:21:25.920
<v Speaker 2>I'm the shadow.

0:21:29.520 --> 0:21:32.720
<v Speaker 7>I avoid my own reflection now because all I see

0:21:32.760 --> 0:21:37.520
<v Speaker 7>is her fantasies about ripping off my skin and what

0:21:37.600 --> 0:21:43.520
<v Speaker 7>I'll find underneath. I can't trust anyone anymore. I'll probably

0:21:43.560 --> 0:21:45.320
<v Speaker 7>die here and no one will even know or care.

0:21:46.520 --> 0:21:49.360
<v Speaker 2>While she thrives, I'll die a shadow.

0:21:50.960 --> 0:21:54.800
<v Speaker 7>As for your double, I warn you, the more you

0:21:54.840 --> 0:21:58.639
<v Speaker 7>look into this, the more your mistrust will grow in

0:21:58.720 --> 0:22:02.600
<v Speaker 7>who you are what you are. So maybe it's in

0:22:02.640 --> 0:22:06.800
<v Speaker 7>your best interest to let it go, or one day

0:22:06.960 --> 0:22:08.439
<v Speaker 7>you won't recognize what you see.

0:22:08.320 --> 0:22:08.840
<v Speaker 2>In the mirror.

0:22:21.320 --> 0:22:25.679
<v Speaker 5>Well that's the last time I'll be visiting our local library.

0:22:27.400 --> 0:22:37.200
<v Speaker 6>But wait, how do I TV room? Okay?

0:22:37.359 --> 0:22:43.600
<v Speaker 5>Wait room, art room?

0:22:43.760 --> 0:22:44.000
<v Speaker 3>Shit?

0:22:44.200 --> 0:22:44.800
<v Speaker 7>Library?

0:22:45.680 --> 0:22:49.080
<v Speaker 6>Okay? This should be the cell block, and of course

0:22:49.240 --> 0:22:49.960
<v Speaker 6>it's not.

0:22:52.960 --> 0:22:55.840
<v Speaker 4>A I hate this fucking place.

0:22:57.400 --> 0:22:57.760
<v Speaker 11>Trouble.

0:22:58.200 --> 0:23:01.520
<v Speaker 6>Oh hi, I was you know, just walking back to

0:23:01.560 --> 0:23:01.960
<v Speaker 6>my room.

0:23:02.960 --> 0:23:04.960
<v Speaker 11>I can show you if you don't mind waiting.

0:23:07.160 --> 0:23:08.159
<v Speaker 6>What is this place?

0:23:09.200 --> 0:23:12.280
<v Speaker 11>Space to get away? Cigarette?

0:23:13.000 --> 0:23:14.360
<v Speaker 6>Wow? You can smoke in here?

0:23:15.720 --> 0:23:16.000
<v Speaker 11>I do.

0:23:18.760 --> 0:23:20.520
<v Speaker 2>Wow, that's so good.

0:23:21.400 --> 0:23:25.000
<v Speaker 11>It's easier to enjoy life simple pleasures when they're few

0:23:25.040 --> 0:23:27.960
<v Speaker 11>and far between. What's the book?

0:23:28.840 --> 0:23:33.919
<v Speaker 6>Ah, something from the library? The mirrors? A secret History

0:23:34.440 --> 0:23:36.000
<v Speaker 6>of the Life of Doubles.

0:23:36.480 --> 0:23:38.800
<v Speaker 11>Let me guess Jade gave you that?

0:23:39.640 --> 0:23:40.280
<v Speaker 6>You mean, Mirah?

0:23:41.080 --> 0:23:42.320
<v Speaker 11>What's the difference.

0:23:43.520 --> 0:23:46.359
<v Speaker 6>When they brought me in you know in my file

0:23:46.960 --> 0:23:48.320
<v Speaker 6>they had me under the wrong name.

0:23:48.960 --> 0:23:50.960
<v Speaker 11>Yeah, you've told me clerical era.

0:23:51.800 --> 0:23:53.879
<v Speaker 5>Well that's what I thought. But I'm starting to wonder,

0:23:54.560 --> 0:24:00.199
<v Speaker 5>wonder what if it could be more than that. I

0:24:00.240 --> 0:24:04.879
<v Speaker 5>figured it was all some big mistake. It is a senseless,

0:24:05.080 --> 0:24:11.520
<v Speaker 5>life destroying, devastating mistake. But why what's behind it? Could

0:24:11.520 --> 0:24:17.119
<v Speaker 5>there really be someone out there impersonating me?

0:24:18.240 --> 0:24:20.840
<v Speaker 6>Or I don't even know?

0:24:23.520 --> 0:24:27.960
<v Speaker 11>Most people think the hottest part of a flame is blue,

0:24:28.240 --> 0:24:32.600
<v Speaker 11>but it's not. There's a non luminous veil around the fire.

0:24:32.720 --> 0:24:37.439
<v Speaker 11>That's all most invisible. Look right there, don't turn your

0:24:37.440 --> 0:24:43.880
<v Speaker 11>eyes away, don't blink. What do you see? Nothing even

0:24:43.960 --> 0:24:45.639
<v Speaker 11>though you know something's there?

0:24:47.240 --> 0:24:48.320
<v Speaker 2>Uh?

0:24:48.400 --> 0:24:53.919
<v Speaker 6>Yeah, sorry, Am I missing something I don't know?

0:24:54.240 --> 0:24:59.320
<v Speaker 11>Probably not? Seems like your experience is consistent with most

0:24:59.359 --> 0:24:59.920
<v Speaker 11>everyone else.

0:25:02.280 --> 0:25:04.000
<v Speaker 2>Do you see something else?

0:25:05.560 --> 0:25:09.840
<v Speaker 11>At first I wasn't sure. Seemed like a trick of

0:25:09.840 --> 0:25:14.639
<v Speaker 11>the light, the product of an overactive imagination that it

0:25:14.720 --> 0:25:21.720
<v Speaker 11>was gesturing, beckoning, making faces at me. But the more

0:25:21.800 --> 0:25:27.199
<v Speaker 11>I looked, the cleverer things God, the more familiar the

0:25:27.280 --> 0:25:32.960
<v Speaker 11>face became. Took me a long time to realize, but

0:25:33.040 --> 0:25:38.760
<v Speaker 11>once I saw it, I couldn't not see it. It

0:25:38.840 --> 0:25:42.040
<v Speaker 11>was my face. It always had been.

0:25:43.720 --> 0:25:46.439
<v Speaker 6>FRep You are tripping me out, man? Is this an

0:25:46.480 --> 0:25:49.800
<v Speaker 6>allegory for something? Did the doctor slip you some of that?

0:25:50.160 --> 0:25:52.400
<v Speaker 6>I own a god drug shit.

0:25:53.119 --> 0:25:53.320
<v Speaker 8>You know.

0:25:53.440 --> 0:25:55.640
<v Speaker 11>The day I graduated high school, I enlisted.

0:25:56.400 --> 0:25:59.320
<v Speaker 6>You were in the military, Navy South Pacific.

0:26:00.200 --> 0:26:03.760
<v Speaker 11>All I'd bring back was a sun tan, these faded tattoos,

0:26:04.320 --> 0:26:08.000
<v Speaker 11>and a shoe box full of snapshots. But I learned

0:26:08.000 --> 0:26:12.800
<v Speaker 11>something out there, something few other people knew about, especially

0:26:12.840 --> 0:26:20.639
<v Speaker 11>in those days, what nuclear energy. By the early seventies,

0:26:20.640 --> 0:26:23.760
<v Speaker 11>I was the peak of my career, sought after for

0:26:23.800 --> 0:26:27.399
<v Speaker 11>whatever was the biggest new project on the market. My

0:26:27.480 --> 0:26:30.760
<v Speaker 11>last job was let's just say we were adjacent to

0:26:31.640 --> 0:26:37.040
<v Speaker 11>big city millions within the EPZ. I was the plant's

0:26:37.119 --> 0:26:44.440
<v Speaker 11>chief operator, EPZ the fallout zone. The thing with nuclear

0:26:44.520 --> 0:26:50.120
<v Speaker 11>is how it's regulated. It's not like all infrastructure. There's

0:26:50.359 --> 0:26:53.160
<v Speaker 11>big money to be spent, big money to be made.

0:26:53.600 --> 0:26:56.320
<v Speaker 11>The oversight committees that were ostensibly set up to keep

0:26:56.359 --> 0:27:00.720
<v Speaker 11>tabs on us cronies of the power company in their pockets,

0:27:00.920 --> 0:27:06.560
<v Speaker 11>every one of them. Anyway, One day I'm in the plant,

0:27:07.040 --> 0:27:13.960
<v Speaker 11>I'm the control room floor, and there's an anomaly, an anomaly,

0:27:15.000 --> 0:27:18.680
<v Speaker 11>a problem in our second reactor. For some reason, it's

0:27:18.680 --> 0:27:23.120
<v Speaker 11>struggling to dissipate heat quickly enough. There's something that occurs

0:27:23.119 --> 0:27:27.400
<v Speaker 11>in those reactors called a scram. It's a shutdown, happens

0:27:27.440 --> 0:27:29.840
<v Speaker 11>in seconds. I initiated it.

0:27:33.600 --> 0:27:36.320
<v Speaker 6>What was the problem hard to say.

0:27:37.160 --> 0:27:41.440
<v Speaker 11>My suspicion is that somebody cut corners and the concentration

0:27:41.560 --> 0:27:46.200
<v Speaker 11>of boron was too low, But the data didn't add up. Normally,

0:27:46.440 --> 0:27:49.760
<v Speaker 11>after a scram, there's some decay heat and it has

0:27:49.800 --> 0:27:53.240
<v Speaker 11>to be regulated. But this was more than normal, like

0:27:53.640 --> 0:27:57.960
<v Speaker 11>five times more. Even if the rods were bad. It

0:27:58.040 --> 0:28:03.080
<v Speaker 11>made no sense. Regardless, we needed time to assess. We

0:28:03.119 --> 0:28:06.280
<v Speaker 11>could keep the first reactor online while we repaired the second.

0:28:06.880 --> 0:28:12.280
<v Speaker 11>But half the reactors means half the power. But the

0:28:12.280 --> 0:28:15.800
<v Speaker 11>board accused me of overreacting, and so they did it

0:28:15.840 --> 0:28:19.119
<v Speaker 11>their way, got a technician to short the alarm and

0:28:19.200 --> 0:28:22.800
<v Speaker 11>create a bypass on the control board to suppress the error.

0:28:24.280 --> 0:28:25.080
<v Speaker 6>Sounds about right.

0:28:26.080 --> 0:28:28.920
<v Speaker 11>You want to know how many contamination events the world

0:28:29.000 --> 0:28:29.440
<v Speaker 11>has seen?

0:28:31.040 --> 0:28:32.679
<v Speaker 6>Yeah, so do I.

0:28:33.840 --> 0:28:37.360
<v Speaker 11>Someone here probably knows, and I can tell you it's

0:28:37.400 --> 0:28:38.400
<v Speaker 11>more than just three.

0:28:38.280 --> 0:28:41.920
<v Speaker 6>Mile Island, Fukushima, Chernobyl.

0:28:41.840 --> 0:28:45.920
<v Speaker 11>Sellafield, Gray's Wall, Frenchtown, like Homing. The number of times

0:28:45.920 --> 0:28:49.760
<v Speaker 11>we've come face to face with disastrous staggering, and almost

0:28:49.800 --> 0:28:56.760
<v Speaker 11>always it was due to someone's greed. A month after

0:28:56.760 --> 0:28:59.800
<v Speaker 11>the anomaly occurred, we were given a work order to

0:29:00.120 --> 0:29:04.360
<v Speaker 11>stall an experimental new condenser, told it would increase power

0:29:04.400 --> 0:29:09.280
<v Speaker 11>output in additional two point two percent. I knew the

0:29:09.320 --> 0:29:13.160
<v Speaker 11>system was unstable. I knew we didn't know enough to

0:29:13.240 --> 0:29:16.800
<v Speaker 11>go toying with untested tech. But I had seen the

0:29:16.840 --> 0:29:19.480
<v Speaker 11>guys who stood in the way of progress, and I

0:29:19.600 --> 0:29:24.000
<v Speaker 11>was thinking about my career, my pension, my legacy, my

0:29:24.080 --> 0:29:29.840
<v Speaker 11>own greed. So we got the condenser in line and

0:29:30.320 --> 0:29:33.840
<v Speaker 11>turn the system on. Piece by piece, water is led

0:29:33.920 --> 0:29:39.200
<v Speaker 11>into the containment building. Steamlines are clear, turbines are moving free,

0:29:39.440 --> 0:29:44.200
<v Speaker 11>all systems are go, So we dropped the control rods

0:29:44.280 --> 0:29:49.040
<v Speaker 11>and introduced the beryllium and boloonium. Immediate alpha decay from

0:29:49.120 --> 0:29:53.760
<v Speaker 11>the polonium hits the beryllium. Beryllium releases neutrons. Neutrons hit

0:29:53.840 --> 0:29:58.560
<v Speaker 11>the uranium, and we've got vision. And that's when it happens.

0:30:01.520 --> 0:30:02.160
<v Speaker 11>The anomaly.

0:30:06.560 --> 0:30:07.160
<v Speaker 6>It's back.

0:30:08.160 --> 0:30:11.800
<v Speaker 11>It never left, but now it's worse, so much worse.

0:30:12.360 --> 0:30:15.240
<v Speaker 11>Every panel of the control room lit up all at once.

0:30:15.640 --> 0:30:17.840
<v Speaker 11>We couldn't know if we could trust what we were seeing.

0:30:17.880 --> 0:30:20.400
<v Speaker 11>After they'd fucked around with the alarm, and I was

0:30:20.440 --> 0:30:24.560
<v Speaker 11>certain we were approaching a criticality failure. The RHR flooded

0:30:24.560 --> 0:30:27.840
<v Speaker 11>the containment with extra coolant, ramped up the vent fans,

0:30:28.000 --> 0:30:30.280
<v Speaker 11>had the new condenser, removing a ton of heat, but

0:30:30.440 --> 0:30:33.400
<v Speaker 11>to no avail. I tried to scram the reactor again,

0:30:33.480 --> 0:30:37.280
<v Speaker 11>but something was wrong. Half the control rods didn't move,

0:30:37.720 --> 0:30:41.880
<v Speaker 11>Something was stuck. Someone would have to go down there.

0:30:42.760 --> 0:30:49.520
<v Speaker 11>You me and a technician name of Harry Marx, twenty

0:30:49.600 --> 0:30:53.240
<v Speaker 11>year veteran, best in the biz. There was no time

0:30:53.280 --> 0:30:55.720
<v Speaker 11>to lose, so we suited up and headed into the

0:30:55.720 --> 0:30:59.960
<v Speaker 11>containment structure. Our handheld Geiger counters were saturated and said

0:31:00.200 --> 0:31:04.360
<v Speaker 11>it's completely useless. We could make it fifteen minutes at

0:31:04.400 --> 0:31:07.840
<v Speaker 11>the absolute maximum, even with the suits. One minute too

0:31:07.880 --> 0:31:11.800
<v Speaker 11>long was a death sentence. Harry went to work on

0:31:11.840 --> 0:31:15.120
<v Speaker 11>the RHR unit, making sure it was functioning at full capacity.

0:31:15.920 --> 0:31:18.720
<v Speaker 11>I had to deal with a control rod mechanism near

0:31:18.800 --> 0:31:21.600
<v Speaker 11>the side of the suppression pool tank. Through the window

0:31:21.600 --> 0:31:25.360
<v Speaker 11>of my hazmat, I looked into that abyss and saw

0:31:25.360 --> 0:31:30.280
<v Speaker 11>something I shouldn't have. As if my eyes could make

0:31:30.320 --> 0:31:35.360
<v Speaker 11>out the microscopic the heavens and the full electromagnetic spectrum

0:31:35.400 --> 0:31:40.720
<v Speaker 11>in between. The atom split, the energy surged, and in

0:31:40.800 --> 0:31:46.040
<v Speaker 11>the heat, the gesture, the beckoning, the face, my face.

0:31:47.320 --> 0:31:50.840
<v Speaker 11>I was in there. I had always been there, but

0:31:51.880 --> 0:31:56.440
<v Speaker 11>this time, for the first time, I was seeing myself

0:31:56.480 --> 0:32:02.080
<v Speaker 11>not from the outside in, but inside out. I had

0:32:02.080 --> 0:32:06.960
<v Speaker 11>been trapped all this time. I had been trapped inside

0:32:08.440 --> 0:32:14.000
<v Speaker 11>and now finally I could set myself free. I needed

0:32:14.000 --> 0:32:17.479
<v Speaker 11>to be free. As I saw it in the moment,

0:32:19.080 --> 0:32:20.240
<v Speaker 11>I had no other option.

0:32:20.840 --> 0:32:23.120
<v Speaker 8>What what are you doing?

0:32:34.600 --> 0:32:38.800
<v Speaker 11>Five seats That was my exposure. I should have been dead,

0:32:39.720 --> 0:32:45.800
<v Speaker 11>Burns all over my body, scarring in my lungs. Harry

0:32:45.920 --> 0:32:49.360
<v Speaker 11>was not so lucky. They escorted him out in a

0:32:49.440 --> 0:32:54.680
<v Speaker 11>lead body bag and I was hauled away. Here. I

0:32:54.800 --> 0:32:57.680
<v Speaker 11>spend the rest of eternity reflecting on what I had

0:32:57.760 --> 0:33:00.840
<v Speaker 11>done and what I had said.

0:33:02.320 --> 0:33:05.400
<v Speaker 6>But was there a breach? Did it contaminate the area?

0:33:06.600 --> 0:33:10.400
<v Speaker 11>I wouldn't know. I've been cut off from the outside

0:33:10.440 --> 0:33:14.560
<v Speaker 11>world ever since. But if you ever heard about it

0:33:14.600 --> 0:33:19.360
<v Speaker 11>in the news, I'd say they contained it or covered

0:33:19.400 --> 0:33:25.360
<v Speaker 11>it up. My point is none of us really know

0:33:25.520 --> 0:33:27.959
<v Speaker 11>what we are capable of when we are faced with

0:33:28.000 --> 0:33:33.320
<v Speaker 11>something extraordinary. I know there is more than one of me.

0:33:35.000 --> 0:33:39.280
<v Speaker 11>I believe there are reflections of all of us, and

0:33:39.400 --> 0:33:45.800
<v Speaker 11>if you find one, when those mirror images meet, the

0:33:45.880 --> 0:33:56.120
<v Speaker 11>results can be devastating. So you tell me you're wondering

0:33:56.200 --> 0:33:59.800
<v Speaker 11>if you have a double running around. That's what you're thinking,

0:34:00.000 --> 0:34:06.880
<v Speaker 11>isn't it. Maybe I'm saying they may be closer than

0:34:06.920 --> 0:34:15.080
<v Speaker 11>you think. The smarter, safer decision don't look at all.

0:34:22.719 --> 0:34:36.400
<v Speaker 6>Oh yea, I I'm sick.

0:34:38.920 --> 0:34:44.240
<v Speaker 1>Thirteen Days of Halloween penance starring Natalie Morales, Episode six

0:34:44.600 --> 0:34:49.040
<v Speaker 1>Defense written by Annie Reese, Alexander Williams, and Matthew Riddle.

0:34:49.400 --> 0:34:53.200
<v Speaker 1>Editing and sound design by Rima Ilkali, featuring the voices

0:34:53.239 --> 0:34:58.480
<v Speaker 1>of Rachel Rosenbloom, Wilber Fitzgerald and Wayne Bastra. Directed by

0:34:58.480 --> 0:35:03.640
<v Speaker 1>Alexander Williams. Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky,

0:35:03.840 --> 0:35:08.600
<v Speaker 1>Matt Frederick and Alexander Williams. Supervising producers Trevor Young and

0:35:08.760 --> 0:35:13.920
<v Speaker 1>Josh Thain. Producers Jesse funk, Rima Ilkali, Noami Griffin, Chandler

0:35:13.960 --> 0:35:18.400
<v Speaker 1>Mays and Casby Bias. Script editing by Lauren Vogelbaum. Story

0:35:18.440 --> 0:35:22.360
<v Speaker 1>consultants Ben Bolan and Matthew Riddle. Casting by Sunday Bowling

0:35:22.480 --> 0:35:28.040
<v Speaker 1>CSA and Meg Mormon CSA. Production coordinator Wayna Calderon. Production

0:35:28.120 --> 0:35:32.440
<v Speaker 1>assistants Jenna Johnson and Winona Lowe. Theme music by Rose

0:35:32.520 --> 0:35:36.560
<v Speaker 1>Aserti with vocals by Anna Humbler, recorded at This Is

0:35:36.640 --> 0:35:41.640
<v Speaker 1>Sound Design Studios in Burbank, California. Engineered by Ross aeronos

0:35:41.880 --> 0:35:46.359
<v Speaker 1>Special thanks to Romelia Osorio, Nathan Rule, Glenn Nishida, and

0:35:46.440 --> 0:35:50.080
<v Speaker 1>Rob Mosca. Thirteen Days of Halloween was created by Matt

0:35:50.120 --> 0:35:54.359
<v Speaker 1>Frederick and Alexander Williams and is a production of iHeart Podcasts,

0:35:54.440 --> 0:35:58.319
<v Speaker 1>Blumhouse Television, and Grimm and Mild from Aaron Makey. Learn

0:35:58.360 --> 0:36:02.400
<v Speaker 1>more about the show at Grimm and Slash thirteen days

0:36:02.600 --> 0:36:06.479
<v Speaker 1>and find more podcasts from iHeartRadio by visiting the iHeartRadio app,

0:36:06.560 --> 0:36:09.720
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:36:10.360 --> 0:36:11.239
<v Speaker 1>Happy Halloween,