Speaker 1: What up, y'all. This is your main man, Memphis Bleak
Speaker 1: right here.
Speaker 2: Welcome to Rock Solid, a production of iHeart Radio and
Speaker 2: the Black Effect Network in partnership with my guys over
Speaker 2: at Drink Champs.
Speaker 1: Yeah, y'all, you already know what it is.
Speaker 2: Yours truly back with another exclusive rock Solid podcast.
Speaker 1: Told you like I said before, when you.
Speaker 2: See people up here that mean, name my dog a
Speaker 2: Solid and they spit us, you know, I got somebody
Speaker 2: special in the building, one of the young Harlem new
Speaker 2: guys coming up, putting in that pain.
Speaker 1: Before I even say his name, I want to.
Speaker 2: Give y'all a little story because when I first heard him,
Speaker 2: I called my man from State Property, nith Yo, it's
Speaker 2: a nigga in New York.
Speaker 1: Got your name?
Speaker 2: He like, Bleak you lying. I'm like, yo, bro, you're
Speaker 2: gonna have to do something about that. Said, let me
Speaker 2: listen to the nigga music. I call NIF back.
Speaker 1: I say, Yo, nif you got a problem my nigga.
Speaker 1: Sure he got some ship yo. I don't know, yo, what.
Speaker 2: We're gonna do. So I called my dog Cheach. He like, Yo,
Speaker 2: that's my man. And then I met him, and then
Speaker 2: that's that's how he became my dog. So let's welcome
Speaker 2: my god Nique Bucks to the building. Halem General putting
Speaker 2: in pain and if you ain't got that pen gang ready,
Speaker 2: don't step in the ring with guys like this because
Speaker 2: he'll make you feel small.
Speaker 1: You already know what his nek What up me?
Speaker 2: Bro?
Speaker 3: I appreciate you having me.
Speaker 2: No, my god, come on, man, you know I fucks
Speaker 2: with you, my nigga off camera.
Speaker 1: You know a lot of niggas think this should just
Speaker 1: be yo, call the doors. Let's get this.
Speaker 2: Nine niggas gonna off camera. We got a real relationship.
Speaker 2: You pull up in the yams hallm Brooklyn. I don't
Speaker 2: care where I'm at. You pulling up?
Speaker 4: You know I'm coming, Yeah, yeah, shout out to the
Speaker 4: restaurant in Vegas.
Speaker 3: There. You know what I mean?
Speaker 2: I forgot you pulled up the support the bro Roma
Speaker 2: kid out there putting it paid.
Speaker 1: That's what's up, my gee? So what's been up?
Speaker 2: Man?
Speaker 3: Anything? Good?
Speaker 4: Man?
Speaker 3: You know? I feel amazing. You know what I mean?
Speaker 4: Bro, just just gashing like I told you earlier. Man,
Speaker 4: same set up, no let up, that's right, same set up,
Speaker 4: no let up?
Speaker 2: Man. I let that I might still a yeah, no
Speaker 2: for sure. I don't know if it's copyright and publishing
Speaker 2: on that, but I'm jagging that one. But Joe, like,
Speaker 2: I wanted to ask you before we get into this,
Speaker 2: how like with the name thing, because when I first
Speaker 2: heard you, of course you know Neith being from State
Speaker 2: p being Rockefeller, and I'm like Niak Buck neath Buck,
Speaker 2: how did that happen?
Speaker 3: Now?
Speaker 4: So you know, like, of course I ain't. I didn't
Speaker 4: name myself bro. You know when when when the Young
Speaker 4: Guns was coming up, I was a little younger, so
Speaker 4: you know what's so crazy. I never even knew neath
Speaker 4: name was Neith Buck. I always for me, being like young,
Speaker 4: I thought it was just Chris and neif you know
Speaker 4: what I mean, That's what I thought. But my real
Speaker 4: name is unique, so that's why I get the Nique
Speaker 4: from And then one of the big bros gave me
Speaker 4: the Nique bucks. He put the bucks on that because
Speaker 4: you know, nigga's young, getting too right, you know.
Speaker 3: What I mean? For sure?
Speaker 2: Now that's love fuck with and that's my dog. You know,
Speaker 2: we spoke about it, you know what I mean? He
Speaker 2: know you my dog and niggas definitely respect what you're doing.
Speaker 2: But let's start back man Harlem. You know what I mean,
Speaker 2: Harlem got a lot, a lot of pressure, a lot
Speaker 2: of pain out there. So what was it like being
Speaker 2: a young guy coming up with all that legendary shit
Speaker 2: that took place at Harlem trying to make your ma.
Speaker 4: Yeah, I mean, look, I'm from the East Side. You know,
Speaker 4: I ain't grow up. I ain't one of them. I
Speaker 4: ain't one of them stories that had the cousin that
Speaker 4: had shit going on or the big brother that has
Speaker 4: like I had to really, you know, make a name
Speaker 4: for myself. So you know, this guy that I am today,
Speaker 4: you know it came from just observing, you know, learning,
Speaker 4: you know, understanding what's right and what's wrong.
Speaker 3: You know what I mean.
Speaker 4: I come from a legendary drug block, you know what
Speaker 4: I mean, Purple City Obsession crew, you know what I mean.
Speaker 4: That's that's like my background. And you know, but I
Speaker 4: just I just came outside. I know, I wanted to
Speaker 4: be who I am now, you know what I mean,
Speaker 4: And that's just solid, solid individual and you know, drumming
Speaker 4: to this music shit and make my mark.
Speaker 2: Bro shit, you're doing it, putting in pain. So before
Speaker 2: the rap ship became serious for you.
Speaker 1: You know what I mean?
Speaker 2: What what were you focused on like back then as
Speaker 2: a shorty like because you know, we all ain't just
Speaker 2: started as a rapper like you know, some niggas had
Speaker 2: hoop dreams. Some niggas wanted to be artists. Some niggas
Speaker 2: was graffiti artists and break dancers in the dancing and
Speaker 2: ship like that. What was the vibe like before you
Speaker 2: even stepped foot.
Speaker 4: With the pet now, I was definitely one of them,
Speaker 4: the little niggas that had a hoop dream, you know
Speaker 4: what I mean. That's just what we used to do
Speaker 4: back in the day, just play all day.
Speaker 3: You know what I'm saying. Sh I understood. I was small.
Speaker 4: I understood early like you know that ship won't going nowhere,
Speaker 4: you know what I mean. In a fact, I started
Speaker 4: sucking with the rap shit, you know, like I grew
Speaker 4: up watching niggas like you, you know what I mean, and
Speaker 4: make me like, man, I don't know, but that like
Speaker 4: even this right here and me saying with you right
Speaker 4: this is like a dream come true on some you
Speaker 4: know what I mean, Nigga honested to say that though
Speaker 4: you know what I mean, sitting here with you, you know,
Speaker 4: years later and being able to build and you know,
Speaker 4: call you one of my guys.
Speaker 2: Man, it's right right, you know that. Man, You know
Speaker 2: you can hit me whenever, my dog, I'm there. Man,
Speaker 2: let's ask a question. You remember the first time people
Speaker 2: in the neighborhood like your hood, your projects, your block
Speaker 2: started really like yo, you're a real artist, like you
Speaker 2: could take this shit serious.
Speaker 3: Yeah. It was probably like twenty fourteen.
Speaker 4: I had some shit called Summertime in Haulem and I
Speaker 4: did that joint. Then I put Ondo on the Remax
Speaker 4: and then it was up.
Speaker 2: Man.
Speaker 4: You start like, you know, them dumb dumb, like them
Speaker 4: bitches from the hood that weren't noticing you, they.
Speaker 3: Start, you know what I mean.
Speaker 4: Once that shit started happening, you know what I mean,
Speaker 4: I'm like, okay, I'm here now, you know what I mean.
Speaker 1: That's why I missed A one.
Speaker 3: Yeah, yeah, yeah, I can already imagine.
Speaker 2: I was just coming to age value one. I thought
Speaker 2: I was hot because the chickens in the hood was
Speaker 2: on me. I'm sure I made it. It's all I had.
Speaker 2: So I got clipped and they had to realize, nah's more.
Speaker 2: Make it back for volume two. So at least you
Speaker 2: ain't lose your way.
Speaker 3: Nah, for sure.
Speaker 2: I mean you stayed grounded and stay grinded because me,
Speaker 2: I thought, oh they know me now I'm good.
Speaker 1: I don't need nothing else.
Speaker 4: It's so, I mean, then you had you had, you had,
Speaker 4: you know, you had like a group of people to
Speaker 4: look at and be like, yeah, I got it. You
Speaker 4: know what I'm saying, Like, Yo, look my ship, dope.
Speaker 4: I'm like the I'm like it was people who came
Speaker 4: before me. But ain't nobody do this ship on my
Speaker 4: level though? You know what I mean, Like to where
Speaker 4: I took it, you know what I mean, And that
Speaker 4: ship came from me building me, just building.
Speaker 3: You know what I mean.
Speaker 2: We gonna get into that much ge like early tapes
Speaker 2: like L Batio Man, you know how you say al
Speaker 2: Barrio al Batio, I mean I'm from Spanish Hall of too, Yeah,
Speaker 2: I mean l Batio.
Speaker 4: You know what I mean.
Speaker 2: Started putting your name on the map in rotation and
Speaker 2: ship like that. What was the grind like back then?
Speaker 2: Putting that project together.
Speaker 4: Shout out to my big bros. Out he passed away.
Speaker 4: That's that's that's like, you know, that was that was
Speaker 4: that was my thing.
Speaker 3: That was my big bro.
Speaker 4: That was my you know, like you would probably look
Speaker 4: at hole, that's my whole you know what I mean.
Speaker 3: But he ain't rap and.
Speaker 4: He was there for every step of that he installed
Speaker 4: you know, I'm a beast in me just kept you know,
Speaker 4: feeding that energy to me and letting me know that
Speaker 4: I'm him. So, you know, me recording that project, I
Speaker 4: spent a lot of time with him. I'm still I'm
Speaker 4: still in the project that projects at that time, I'm
Speaker 4: just you know, soaking everything up and door and everything
Speaker 4: I'm going through in Yeah, bro, that's how that came.
Speaker 3: That's how that came about.
Speaker 1: You know, that's crazy.
Speaker 2: You definitely built a career in the catalog independent without
Speaker 2: major you know what I mean. And I respect that
Speaker 2: that you went straight from the ground up when you
Speaker 2: said I did this thing different, Nobody did it like me,
Speaker 2: Like I understand what that means. What But how can
Speaker 2: you explain that to these guys like, you know what
Speaker 2: I mean, not trying to get the major deal like
Speaker 2: everybody doing, just knowing like I'm a better on myself
Speaker 2: out the gate.
Speaker 4: I just understood that Tom Tom Toms was changing. And
Speaker 4: you know now now even even even a couple of
Speaker 4: years ago, it was turning.
Speaker 3: Into a viral thing.
Speaker 4: You gotta be viral, you gotta be a certain kind
Speaker 4: of person to get to the next level. I just
Speaker 4: wanted to stick with my guns. I wanted to stick
Speaker 4: with what I know. I'm a student in the student
Speaker 4: of the game. So the people who came with for
Speaker 4: me is who you know, I listened to it, who
Speaker 4: I'm interested in, So you know, it's one percent, like
Speaker 4: one percent of us, it ain't too many. And I
Speaker 4: just stuck with that, and I wanted to do what
Speaker 4: I wanted to do. I didn't really want to change
Speaker 4: too much. Yeah, y'are gonna rock with it or not.
Speaker 2: That's a fact that you got classics like records like
Speaker 2: Forever do Me Die Rich connected with myself, the streets, everybody.
Speaker 2: I feel like there was just breakthrough records like what
Speaker 2: did you realize in your sound at that moment that
Speaker 2: it was resonating?
Speaker 1: But all bey, all holler.
Speaker 4: Just when I started connecting with other people like the
Speaker 4: Lucis and the Dirks and you know, where's Khalif for
Speaker 4: two chains? You know, these these are like big names
Speaker 4: in the game. And once I was able to connect
Speaker 4: with them, I understood, like, oh nah, you know they're
Speaker 4: respecting the craft, you know what I mean. So this
Speaker 4: shit it's bigger than ever, you know what I mean.
Speaker 2: That's a fact. You definitely got a major, major connection.
Speaker 2: Cause shout out Lucie when he came home. Man, I've
Speaker 2: seen he came down to New York.
Speaker 4: Yeah, do a dinner for my brother. You know he
Speaker 4: wanted he wanted them ones who you know. You know
Speaker 4: how New York is. It's hard to push through in
Speaker 4: New York and it always takes somebody from like out
Speaker 4: of town to come swoop somebody from the town and
Speaker 4: just you know, show the mother things and introduce you
Speaker 4: to the audience. And he was one of them early,
Speaker 4: you know what I mean, just coming to my hood
Speaker 4: shooting videos supporting.
Speaker 1: So was there a specific record would you say, co sign.
Speaker 2: Or a moment like you know what I mean, and
Speaker 2: anything that you felt like your name really rang in
Speaker 2: New York? Like what was that moment the way you
Speaker 2: knew like, oh shit, they fuck with me in New York.
Speaker 4: See, I can't even really pinpoint a record because I've
Speaker 4: always been like a body of.
Speaker 1: Work, dude, you like, yo, you go hard.
Speaker 4: Yeah, yeah, so I think that people just respect it, like,
Speaker 4: oh nah, you know my grind more than a record.
Speaker 4: And I love that about myself because you know, sometimes
Speaker 4: you might be in the spot and you you might
Speaker 4: want to get a dj son to play, but you know,
Speaker 4: everybody might not know it, but you had that crowd
Speaker 4: that'd be like, Yo, you got me through this, you
Speaker 4: got me through that, Like yo you so ye'ah. I
Speaker 4: would just say, my body's at work. Not really a record,
Speaker 4: you know, because you.
Speaker 1: Go you you put out records like I ain't gonna fry.
Speaker 2: I know you probably sit on three thousand these records
Speaker 2: in the computer at.
Speaker 1: The trip, Like, Yo, what you want we going with next?
Speaker 1: Cause you don't stop GEO.
Speaker 2: Look, you got a new record, new video, And that's
Speaker 2: one thing I love about that.
Speaker 1: You y'all new young niggas.
Speaker 2: Y'all don't take it, don't You don't need that whole
Speaker 2: production to get a video done, y'all, Like, Yo, I
Speaker 2: got my man, I'm fly set up, let's shoot, we
Speaker 2: done put it out.
Speaker 1: Like that's dope, man.
Speaker 2: Like what you think of the impact of that, like
Speaker 2: being that aggressive? You think music can come to that
Speaker 2: point where you think you have to be every day.
Speaker 1: That consistent. You think that's necessary in music?
Speaker 4: Yeah, I think it's necessary. I mean it depends on
Speaker 4: what kind of artists you want to be. If you
Speaker 4: want to be viral, you you you recall for that,
Speaker 4: but you want to do what I'm doing, and you
Speaker 4: want to don't want to skip them steps.
Speaker 3: You gotta be consistent.
Speaker 4: You gotta build that base, You gotta make sure people
Speaker 4: fuck with you, and you just gotta be solid because people.
Speaker 4: I feel like nowadays people feel that shit though. You can't.
Speaker 4: You can't cap your way through the game.
Speaker 1: Hell no, man, there's too much real ship.
Speaker 2: Like I said on social media Instagram, they looking at you,
Speaker 2: you know, when the record cut off, Let's see what
Speaker 2: he really into. Nig could go right to your socials Facebook, Instagram,
Speaker 2: Twitter and see whatever you're into.
Speaker 1: And no, he ain't really that, you know what I mean?
Speaker 1: They can tell you can't cap your way.
Speaker 3: Through this way way having it.
Speaker 2: Like working with artists like Davy shot out my god
Speaker 2: Davis to another Harlem general, you know what I mean,
Speaker 2: being a part of that Harlem conversation now, like you
Speaker 2: know what I mean, y'all like that. I feel like
Speaker 2: the two newest faces that I see. I know they
Speaker 2: got the young guy Fergie coming. Yeah, you know what
Speaker 2: I mean, he moving like and y'all all part of
Speaker 2: that conversation, like what does it feel like carrying that
Speaker 2: legacy from Harlem? Because like I said, it's a lot
Speaker 2: of legendary shit came.
Speaker 1: Out of all of them. Now.
Speaker 4: I feel amazing, you know, and no pressure, you know,
Speaker 4: like for me, I just I just feel like my part,
Speaker 4: my position in that is just to keep it as
Speaker 4: solid as possible, you know, keep the name firm when
Speaker 4: you speak on me. I don't want nothing goofy coming
Speaker 4: behind it because of where I'm from. I'm representing that,
Speaker 4: I'm waving that flag. So I just want to make
Speaker 4: sure with me when you when you speak on me,
Speaker 4: eight thing sturdy.
Speaker 2: You know, like a lot of artists today, right they
Speaker 2: drop music like I would say, I put myself in
Speaker 2: the shoes.
Speaker 1: I ain't gonna say nobody else I put myself.
Speaker 2: I never took the time to focus and pinpoint and
Speaker 2: locking who exactly my audience or.
Speaker 1: Fan base was. Like I said, it was no social
Speaker 1: media like you.
Speaker 2: You put out music, people heard it, They showed up
Speaker 2: to the shows, They showed up to the in stores.
Speaker 1: If not, that was it. I didn't have no other
Speaker 1: way to reach back out to this.
Speaker 2: Like an artist like yourself, Like you just said, Man,
Speaker 2: you got your core fan base, you know what they like?
Speaker 2: How to cater to them the merch they want, the
Speaker 2: records they want? How is that for new artists even
Speaker 2: building that up? What would you what advice would you
Speaker 2: give to another young artist that's trying to capitalize off
Speaker 2: his fan base.
Speaker 4: I mean, I would say, you gotta you gotta fuck
Speaker 4: with the people in learn the internet. You know, it
Speaker 4: got to be a balance of both. I think some
Speaker 4: people just base their career off the Internet, and you know,
Speaker 4: whatever I give the Internet is what you is what
Speaker 4: you get. But you gotta fuck with the people too.
Speaker 4: You gotta touch the people. People gotta know you solace
Speaker 4: so they could support you, you know what I mean.
Speaker 4: Like and I'm big on that. I'm big on I'm
Speaker 4: big on touching the people. You know, when I go
Speaker 4: to when I go to my parties and my shows,
Speaker 4: I try to, you know, get out to the crowd.
Speaker 4: Might walk to the bathroom, you know, on purpose, might
Speaker 4: not even got to use the bathroom. But I just
Speaker 4: want to walk through. You know what, I see what's
Speaker 4: going on. You can really fuck with me. These people
Speaker 4: pay that money to come see you, so you know
Speaker 4: everybody won't get the opportunity to get backstage. Right if
Speaker 4: you could get out there and touch the people and
Speaker 4: you know, fuck with them, they're gonna fuck with you back.
Speaker 3: It's love out there.
Speaker 2: Believe in that man life outside the velvet rope. Like
Speaker 2: I'm a firm believer. That's how I got a lot
Speaker 2: of connections. That's why, you know what I mean. I
Speaker 2: feel like you meet them people that really fuck with
Speaker 2: you and you and you could tap into that culture,
Speaker 2: that city, that country, that state, wherever you at. You
Speaker 2: know what I'm saying, and you need those boots on
Speaker 2: the ground to tell you what the movement is and
Speaker 2: a certain part of the life.
Speaker 4: Though you understand that though like I said, like shout
Speaker 4: out to my man seven Streams. I wanted to go
Speaker 4: chop it up with him, you know, not too long ago.
Speaker 4: But he he say, this thing is the one percent.
Speaker 4: It's only one percent of us, that's right, you know
Speaker 4: what I mean. I just still sticking to the cold
Speaker 4: and not even though not even against the cold, because
Speaker 4: I don't even want you know, I don't want to
Speaker 4: confuse the youngest like yo, the cold mean be a
Speaker 4: gangster in the rook. It's just about being solid, you know,
Speaker 4: the morals, values than principles, you know, showing up for yourself.
Speaker 2: That ain't here, that's going a lot of these young
Speaker 2: niggas don't even care about morals and principles. Man. They
Speaker 2: just think about fly Let me get fly, let me
Speaker 2: get a bit, and let me impress the homies.
Speaker 1: That's it.
Speaker 2: Ain't no morals, ain't no principles. And I feel like
Speaker 2: they just need guidance, man, because the ogs want to
Speaker 2: be young niggas, a lot of them, not all of them.
Speaker 2: A lot of these ogs, I still want to be
Speaker 2: the young boys.
Speaker 1: It's like you got it. It's okay man.
Speaker 3: That crisis man.
Speaker 2: He said we wouldn't get older. We had that embrace it.
Speaker 2: Hear that gang back and you know what I mean.
Speaker 2: I feel like, if you're OG sending young niggas down
Speaker 2: the wrong path, you ain't OG.
Speaker 1: You're just a stupid old nigga.
Speaker 3: That's all you word up like that, just a.
Speaker 1: Stupid old nigga.
Speaker 2: Because if you've been down them paths, and you're gonna
Speaker 2: send another nigga down them paths knowing what it leads to.
Speaker 1: Ain't nothing o g about that. It is You're just
Speaker 1: an old guy.
Speaker 3: Ain't gonna lie. A lot of that, A lot of that.
Speaker 4: That's good that you know we even touched on the
Speaker 4: subject because you know, when people tap into these podcasts, they.
Speaker 1: Need to hit us.
Speaker 4: They need to get that game. You know a lot
Speaker 4: of people ain't giving that. Giving that game. You know
Speaker 4: it's coming from somebody that's credible and been through it.
Speaker 1: You know what I'm saying.
Speaker 2: I would never stay young nigga down the path of
Speaker 2: no success or knowing it's only two results.
Speaker 1: Man, you know what I mean, It's no wins, it's
Speaker 1: only losses.
Speaker 2: Like you know what I mean, Like it's so much
Speaker 2: loss like even in the street, bro, Like it's a
Speaker 2: lot of successful niggas who put pain in in the street.
Speaker 2: But I bet you you act any successful gangster nigga
Speaker 2: who really lived that life. I bet you the losses
Speaker 2: he took to be who he is, he'd give all
Speaker 2: that shit back to be normal and get all his
Speaker 2: homies back, you know what I mean.
Speaker 1: Like that's real shit, Like it's a lot of shit.
Speaker 1: We go through. Niggas don't know, man, like fuck that.
Speaker 2: But yo, like every independent artist hit moments with things,
Speaker 2: you know, feel like they slowed down, like you know
Speaker 2: what I mean, And it don't go as planned like
Speaker 2: they panned out because you could put a plan on paper,
Speaker 2: execute it, and the results don't come out as you
Speaker 2: wanted them, as you hoped, you know what I mean.
Speaker 2: What's been the toughest stretch in the game.
Speaker 1: You say for yourself?
Speaker 4: I think I think, like I said, we was speaking
Speaker 4: like we was touching on earlier, just me sticking to
Speaker 4: my guns. And you know, like time's changed, the game
Speaker 4: get younger, you know what I mean, and you might
Speaker 4: somebody might come through with a record when you feel
Speaker 4: like when you right there, when it's your time, somebody
Speaker 4: might come through with a record and then all the
Speaker 4: attention shift that way. But you know, that shit built
Speaker 4: tough skin going through that shit, and you become who
Speaker 4: you are. So I feel like, even when not happened,
Speaker 4: I'm still who I am.
Speaker 1: That's right, you know what I mean.
Speaker 4: I still I still wake up they get it a bag.
Speaker 4: I still got my fan base that I built over
Speaker 4: the years, and man, this shit ain't never stopping.
Speaker 3: We sit going up.
Speaker 2: I could relate to that because I dealt with it. Remember,
Speaker 2: I was the first artist on Rockefeller. There was nobody
Speaker 2: else like Source Money. When did his own thing? Jazz O?
Speaker 1: When did his own thing? And it was Jay and
Speaker 1: it was me? And then here come Beanie Seguel and
Speaker 1: everything changed. I hated the niggas.
Speaker 2: I hated him, but it was motivation to make me like, wait,
Speaker 2: I can't hate him to stay away and not work.
Speaker 2: I gotta learn why, why he's so. I had to love,
Speaker 2: so I went and studied with Seguel. I give him
Speaker 2: a lot of credit to the artist I became because
Speaker 2: I used the motivation of what he brought to fuel
Speaker 2: what I had. You know what I'm saying. So I
Speaker 2: would never take that away. That nigga was super nice.
Speaker 2: So I know what you mean when the artists come
Speaker 2: with that record and it feel like everything shifts that way,
Speaker 2: but you're still right here. You can never lose motivation.
Speaker 2: All you could do is be inspired.
Speaker 3: And keep going with your ship.
Speaker 2: You know what I mean, Yo, That's what I'm saying
Speaker 2: that things like this shit is like whatever I'm supposed
Speaker 2: to do.
Speaker 4: And even look even even anybody that came with beings like.
Speaker 2: Yeah, niggas is animals, Chris mean free all sparks. Niggas
Speaker 2: was animals. The Niggas was dogs. Yeah, but that's what
Speaker 2: I mean. Like when you hear being say still shop
Speaker 2: and still, that's the fact.
Speaker 4: Bro.
Speaker 1: He was in that studio putting in pain. And if
Speaker 1: you didn't.
Speaker 2: It's sad to say, but real talk, if you didn't
Speaker 2: really put in that pressure, you didn't get those studio times.
Speaker 2: Remember it's only two rooms in baseline A and b room.
Speaker 2: J had the A room all day. So we fought
Speaker 2: for that b room and that b room. You wasn't
Speaker 2: You couldn't be in there playing with balls. You had
Speaker 2: to spit that ship or go play some go play
Speaker 2: some pool, play some two K do something next man
Speaker 2: up like word up. Niggas did not play that going
Speaker 2: in there. You sitting in here ten hours, they can't
Speaker 2: think of nothing. Okay, Well go sit over there. You
Speaker 2: in there and there like words. So what's the right
Speaker 2: what did you say? What's the vision right now for
Speaker 2: Nique Bucks, both the artists and the brand.
Speaker 4: Shit man, yo, look like I said earlier, Shit bigger
Speaker 4: than ever man Like, right now I got I'm in Allentown, PA.
Speaker 4: I got a right yeah, yeah, I got a juice ball.
Speaker 4: I just opened my studio Carpound studios out there.
Speaker 2: In a Yeah, that's what sung. Gotta come fuck with you, man.
Speaker 2: The SAMs owed me some money.
Speaker 3: Yeah, put up now you go.
Speaker 4: So look, I just I just opened up my studio
Speaker 4: Allentown called the Compound, and then it's a three story
Speaker 4: building downstairs. I'm opening the juice ball. I'm gonna announce
Speaker 4: my my grint opening once I clear this last permit,
Speaker 4: you know what I mean. But hopefully if you ain't
Speaker 4: doing shit, you know, come through, pull.
Speaker 1: Me up a Allentown right there, they got the low
Speaker 1: key airport.
Speaker 2: Straight to the no nigga gotta make moves, man, they
Speaker 2: got the low key airport.
Speaker 1: That's dope.
Speaker 4: But that's just a little sign of what's next to me.
Speaker 4: Of course, you know we're gonna we're putting the music
Speaker 4: out of the music go hand and stopping with that show.
Speaker 4: But you know, I'm just learning how to be a
Speaker 4: better hustler. You know, that's just just the right way,
Speaker 4: the correct.
Speaker 1: Way you doing it. I could say out a lot
Speaker 1: of the young artists.
Speaker 2: You one of the first I see showing you investing
Speaker 2: because I remember when you first posted you bought a building.
Speaker 2: You know, I'm like, that's how you do it, you
Speaker 2: know what I mean, that's how you do it. That's
Speaker 2: the play to go. Like real estate, it's three things
Speaker 2: that you are never losing in the world that's always needed.
Speaker 1: Food, real estate, clothing. For sure, there's three things people
Speaker 1: gonna need to the day they die.
Speaker 2: So you get the right building, you serve the right recipe,
Speaker 2: you get the right clothing.
Speaker 4: It's over in the song like Things I've Been Through.
Speaker 4: It's a song called Things I've Been Through. He said
Speaker 4: a line like, once they let you in, you're supposed
Speaker 4: to keep though I can't give you the formula and
Speaker 4: morning though, that line right there is stuck with me.
Speaker 3: You know.
Speaker 4: On once they let you in a little bit, once
Speaker 4: they give you the check, whatever they give you, you know
Speaker 4: what I mean, You're supposed to keep it after that.
Speaker 1: That's a fact, man, that's just my model.
Speaker 2: So what would you say at this point in your career, Well,
Speaker 2: the game taught you about patience and tim man.
Speaker 4: I see people come and go, you know, I see
Speaker 4: people come and go. So with that being said, you
Speaker 4: know you stay patient. Your time gonna come eventually, I
Speaker 4: see mad people. Time come, whether it's you know, whether
Speaker 4: it's late, whether it's early, Your time gonna come.
Speaker 3: Patient and be ready.
Speaker 2: Yeah, projects like that Al Barrio three joint, you know
Speaker 2: what I mean.
Speaker 1: How that's the latest joint you say you drop? That
Speaker 1: shows growth?
Speaker 2: You know what I mean? Perspective? What are your most
Speaker 2: focused on? What are you most focused on at this
Speaker 2: point in your career? Like where you want the music
Speaker 2: to take you now?
Speaker 3: You know, like right now, I want I want I want.
Speaker 4: The music to just for I can say it like this,
Speaker 4: right now, the music probably like just a little hobby
Speaker 4: for me now, you know what I'm saying. It's still
Speaker 4: like business. I still love it. I still put my
Speaker 4: old into it. But I'm just my mind just so open.
Speaker 4: It's so many different things because you know, social media
Speaker 4: just you know, they introduce you to a lot different
Speaker 4: ways to get to the bag, different ways to rebrand yourself.
Speaker 4: So you know, I can't just fully be focused on
Speaker 4: one thing. You know, just as an entrepreneur, you never
Speaker 4: fully focused on one thing. So the music is just
Speaker 4: one of many things you know that I that I
Speaker 4: love to do and I'm good.
Speaker 1: At New York.
Speaker 2: Like where we rank New York hip hop right now?
Speaker 2: Man in the world, you know what I mean? Of course,
Speaker 2: Atlanta doing anything. You got the West Coast been doing anything.
Speaker 2: The South been in Miami, the South, Atlanta, you got
Speaker 2: Saint Louis. Everybody been putting pressure Memphis right now. What
Speaker 2: you think New York got on that stef Man ship.
Speaker 4: Man, I say, if it wasn't for niggas like me,
Speaker 4: like this should have be finished, That's what I say.
Speaker 4: I'm respectfully though, you know what I mean. I just
Speaker 4: feel like, you know, this should change niggas. Niggas turn
Speaker 4: into groupies, you know, like dick riders and sh like that.
Speaker 3: For real. I'm being honest though, Yeah, not real shit though.
Speaker 4: I just feel like, you know, the way this ship
Speaker 4: going and niggas be deevers, you know what.
Speaker 1: I mean, Like that's a fact.
Speaker 3: It ain't too many years, bro.
Speaker 1: You can't ad to come before the bag.
Speaker 4: Yeah, yeah, I can't say too much good things about it,
Speaker 4: you know, like like even like the old g's and ship,
Speaker 4: you know, they they kind of stepping away from it
Speaker 4: and getting in the podcasting. If you looking at you know,
Speaker 4: all the big dogs and ship everybody, a lot of people.
Speaker 2: I wouldn't know he brought me into this ship, don't know, Yo,
Speaker 2: niggas gassed me up to do this.
Speaker 4: I don't think no, no, no, no, you know, I don't me.
Speaker 3: I wouldn't even sit down with you if I felt
Speaker 3: like that about you.
Speaker 2: With you, with you, but just for that, niggas out
Speaker 2: that that's still a burn yard.
Speaker 3: Yeah yeah, you're not real shit though.
Speaker 4: But I just feel like, you know, like even even
Speaker 4: even though G's kind of washed their hands with this
Speaker 4: ship a little bit, you know what I'm saying.
Speaker 2: I think it's the politics of it. While we're not
Speaker 2: the not the love of the music. I just feel
Speaker 2: like me from a New York person, I think we
Speaker 2: lost our identity, you know what I mean, Like a
Speaker 2: lot of New Yorkers, I be like, you're from no Way,
Speaker 2: no Way, You're from Nigga like world, You're from over here,
Speaker 2: like fucking lion. So that's what I think it is,
Speaker 2: Like we lost our identity. We fell in love with
Speaker 2: just one sound, and you know, the drill music.
Speaker 1: I love it. I fuck with all the drill shit
Speaker 1: that ship, don't you know? It don't fill up around.
Speaker 4: Look, I gotta, I gotta. I got a thousand little
Speaker 4: bit from my block. That dude drill right well that
Speaker 4: I'll be telling them though, right, Like, see, I can't
Speaker 4: promote the ship, you feel me, because that'd be that'd
Speaker 4: be me, you know, being a hypocrite.
Speaker 3: You know what I could do. I could pay for
Speaker 3: the studio though, that's right, you know what I mean.
Speaker 4: I could put you in there. But I can't. I can't.
Speaker 4: I'm not promoting that ship, but I pay for the studio. Yeah,
Speaker 4: but you know what I'm saying. But why drill? Why list?
Speaker 1: That's what they know.
Speaker 3: How to do. I just look at that. I like
Speaker 3: that style.
Speaker 1: I like the style of the music. But why gotta
Speaker 1: be an actual crime?
Speaker 2: Like why it can't be your such split a hot verse?
Speaker 2: Why gotta be an actual move he did for it
Speaker 2: to be drilled, that's without my old braincare process of
Speaker 2: the young boys that it had. It. Like if I
Speaker 2: go into crib right now, just right, a rhyme over
Speaker 2: a drill beat, it's not drilled unless I really did it.
Speaker 4: So I'm saying, look back in the days, back in
Speaker 4: the days, right look, you're saying niggas wasn't really rapping
Speaker 4: what they.
Speaker 1: Was, No, we were selling drugs.
Speaker 2: When you hear me say blue tops, yellow tops, yeah,
Speaker 2: thirty four tajma holes. I took crackheads id the first
Speaker 2: and fifty.
Speaker 1: That's all fat.
Speaker 2: But you didn't have to say that for it to
Speaker 2: be considered rap. This is what I'm saying. That was
Speaker 2: just me expressing my life today. I feel like, if
Speaker 2: it's not a real crime, it's not drill. If I
Speaker 2: ain't smoking on you in the pack for real, like
Speaker 2: you in the air, it's not drill. I just want
Speaker 2: to know why why nigga just can't make that hypothetical.
Speaker 2: He's spinning and he really never spun and be lick.
Speaker 4: Niggas ain't having that, ain't having that.
Speaker 2: Like the fake drill, it's no fake hip hop unless
Speaker 2: you just don't know your your you know what I mean,
Speaker 2: the ancestry, Like you don't know the history of hip
Speaker 2: hop and you just jumping and shit thinking, oh I'm
Speaker 2: gonna get a bag real quick, then yeah, you fake it.
Speaker 2: But you it's no way you're gonna learn how to
Speaker 2: rhyme to a beat.
Speaker 1: Make you know what I mean?
Speaker 2: Poetry on paper in this and you consider it fake
Speaker 2: like that shit.
Speaker 1: Just don't make sense to me, Like shit, you know
Speaker 1: what I'm saying.
Speaker 2: Like that's where I feel like we losing our creativity,
Speaker 2: like it has to be real for that to be real,
Speaker 2: we losing our artists.
Speaker 1: You nigga's going to jail to day. What's the latest record?
Speaker 2: Then this crime just happened that this shit just came
Speaker 2: up on my fucking what's the on my app?
Speaker 1: Citizens shit just popped.
Speaker 3: Up and he rapped about it.
Speaker 2: Go get now we don't get another record, and now
Speaker 2: it's no more music real shit.
Speaker 4: So I'll be telling I'll be telling him though, I
Speaker 4: tell him that shit all the time. That's that's my
Speaker 4: position in this ship now though, you know, is to
Speaker 4: get a game. You know that's just gonna listen to
Speaker 4: it or now. But I did my part.
Speaker 2: But one thing about that, you are young boy, So
Speaker 2: it's like it's kind of hard to look another nigga
Speaker 2: the same ages you and I and give him game
Speaker 2: because I'm not gonna lie back and I'm putting myself
Speaker 2: now back in the day, little bleak. I'm in the stool,
Speaker 2: beans or freeway. Anybody like, Yo, you're willing you shouldn't
Speaker 2: be going to the club like that, you're sure you
Speaker 2: should be doing. I'll be looking at niggas like you
Speaker 2: don't get.
Speaker 4: The fuck out right right.
Speaker 1: But that's just natural because you're the same age of
Speaker 1: the older niggas.
Speaker 2: Say a nigga gonna be like they're not maybe maybe
Speaker 2: then Back then, no, you knew. It wasn't no squares
Speaker 2: like that's the thing today, right, everybody look alike. When
Speaker 2: I was a shorty, it were groups of people. There
Speaker 2: was the backpack kids that you know what I mean,
Speaker 2: they hung out, did they skateboard thing, wild out doing
Speaker 2: you know, on some break dancing ship doing that. You
Speaker 2: had the graffiti niggas who was on that spray can shit.
Speaker 2: You had the drug dealers, you had the niggas. It
Speaker 2: was a style that don't even exist no more.
Speaker 1: It ain't even know GQ niggas out here where they at.
Speaker 2: Because I wanted to be a GQ nigga back then,
Speaker 2: but my moms ain't no bread to get the polo
Speaker 2: boots and shit, so I had to be a street nigga.
Speaker 1: Couldn't be GQ.
Speaker 2: But that's what I'm saying. You had dumb niggas, the
Speaker 2: fly pretty boy niggas. You had the basketball niggas, you
Speaker 2: had the rapping niggas. Then you had the nigg back
Speaker 2: in the days for some reason. See they don't exist
Speaker 2: in your era. You even had ninjas. It was a
Speaker 2: group of niggas that walked the fence, wore open toe
Speaker 2: shoes through ninja stars.
Speaker 1: Nigga.
Speaker 2: I wanted to be a ninja too. We was outside,
Speaker 2: but it was groups of different shit. Now everybody just
Speaker 2: blended in one pair. Kasubi's or.
Speaker 1: And so on. Nigga throw fitted on.
Speaker 2: You don't know what he into this nigga be a painter,
Speaker 2: but he looked like he trapping yo straight up back
Speaker 2: though everybody looked the same, so that it is no
Speaker 2: identity anymore. I feel like that's where we gotta fix it.
Speaker 2: Like it's cool to be cool. So when you're giving
Speaker 2: this game to these young boys, I feel like they
Speaker 2: looking at you like you in the same position as me.
Speaker 2: For you to be a young boy, to give game
Speaker 2: the young boys, you gotta stand on the block that's
Speaker 2: higher than the block they on. You know, it's like
Speaker 2: preaching from the podium. You know, you can't preach from
Speaker 2: the from eye level. They ain't gonna listen. You gotta
Speaker 2: be higher and the ship you're doing. You see what
Speaker 2: you say, I'm opening up a juice bar. I bought
Speaker 2: a four story building and I got a building in Harlem.
Speaker 2: Like that's how you lead by example, my nigga, because
Speaker 2: a lot of niggas lead with this and they ain't
Speaker 2: never so to give.
Speaker 1: Out game and still have accomplishments. That's the fact. That's
Speaker 1: what these kids need to see.
Speaker 2: They need to see results because niggas will tell you
Speaker 2: a bunch of shit, but then it's like, what did
Speaker 2: you do with this information you just gave me?
Speaker 1: You still broke nigga out of my face, you know
Speaker 1: what I'm saying.
Speaker 2: So when you say a lot of the ogs ain't given,
Speaker 2: a lot of the og still trying to fix day mistakes.
Speaker 1: You know what I'm saying.
Speaker 2: Niggas ain't Niggas ain't the eighties like niggas did they thing,
Speaker 2: but niggas thought that she was gonna last forever. You
Speaker 2: know what I'm saying. A lot of niggas ain't prepared
Speaker 2: for today.
Speaker 3: That's a fact.
Speaker 2: And so everybody trying to find their way and it's
Speaker 2: like you just gotta identify what you want and what
Speaker 2: you are and get it. That's my game that anybody old, young,
Speaker 2: fugging eighty ninety's never too late to figure out your lane,
Speaker 2: and your lane's definitely this type of platform.
Speaker 1: That I built.
Speaker 2: Like I see it's we're hearing you talk the way
Speaker 2: you talk, because it took me twenty thirty years to
Speaker 2: talk like that.
Speaker 1: You talking like this already, young. I was forty five
Speaker 1: when I got it.
Speaker 2: When I realized, but I said, it's never too late.
Speaker 2: You got it early, so you know you got a
Speaker 2: superhead start.
Speaker 3: Real sit I ain't gonna I think have been.
Speaker 1: Through a lot early, you know what I'm saying, saying like.
Speaker 4: I understand, like I got shot twice bro the most
Speaker 4: crucial places though, adding the chest. Niggas don't come back
Speaker 4: from those, you know, like two separate times. So me
Speaker 4: just understanding. That's why I wake up every day and
Speaker 4: just chase the nigga. Technically ain't supposed to be here.
Speaker 4: I'm here, or you heard I'm I'm gonna. I'm gonna
Speaker 4: squash these niggas.
Speaker 2: I'm here, you fat, there's a reason, man, So what
Speaker 2: the next level for you look like man like, after this,
Speaker 2: like what you think the next step?
Speaker 1: Buck is going where you see yourself going? Next?
Speaker 4: Man, Man, just big dog status, bro, you know anything,
Speaker 4: just colossal anything, big dog status.
Speaker 3: What I mean by that, you know.
Speaker 4: It's just it's just it's just expanding, expanding the brand,
Speaker 4: expanding the team, you know, putting other people on, you know,
Speaker 4: just just just just helping. That's a real thing. You know,
Speaker 4: you got people gotta help more out here. Ain't too
Speaker 4: much help, selfishness too much.
Speaker 1: Everybody is just.
Speaker 4: Really enough for everybody in this ship though, you know,
Speaker 4: and you know, for the solid ones, not nobody who's
Speaker 4: gonna do. That's where shit and just understanding who people is.
Speaker 4: Just loving people for who they are, because that shit
Speaker 4: get in the way. People might see a floor on
Speaker 4: somebody and not be the end all be all, but nah,
Speaker 4: you gotta learn how to understand people and love them
Speaker 4: for who they are.
Speaker 1: And that's how we expand.
Speaker 2: That's right, man, Like, I ain't like one thing, Jeezy,
Speaker 2: I'll never forget man, Nigga Jeezy says some shit. Man
Speaker 2: niggas say your bliz man. You know one thing about
Speaker 2: the land of niggas man on the outside. Yr niggas
Speaker 2: think we love each other. You say yeah when they
Speaker 2: come down to get that bag, you my man. But
Speaker 2: once that record come on, go fuck. We all looking
Speaker 2: at your like, man, get the fuck out of it.
Speaker 2: But to get that bag, we gonna come together. And
Speaker 2: I remember looking at him like nigga and New York
Speaker 2: have no nigga like I kill you and the bag.
Speaker 1: You talk about. So wherever you say that.
Speaker 4: Nigga, be like, Yo, this shit wide open, getting wide open?
Speaker 3: How to getting wide open?
Speaker 4: You got niggas like Fergie Baby, got niggas like Ea,
Speaker 4: she got niggas like me.
Speaker 3: Push niggas through the door so we could bring more
Speaker 3: niggas through.
Speaker 4: But the game wide open, like y'all don't see niggas
Speaker 4: going crazy, you know, the game wide open.
Speaker 2: I think it's the you know, it's the thing niggas say, yo,
Speaker 2: the gatekeepers. I think niggas rely too much on radio.
Speaker 2: With radio don't dictate the movements anymore. Like think about it, right,
Speaker 2: Benny the Butcher, west Side Gun, all of them niggas,
Speaker 2: the whole Griselda them niggas on tour for six months,
Speaker 2: three months at a time.
Speaker 1: I never heard one record on the radio, right you
Speaker 1: know what I mean?
Speaker 2: Smoke Thiszle on tour. I never heard the record on
Speaker 2: the radio. Fucking what's my man? Rock Marciano. Niggas consider
Speaker 2: him the guard of the shit. Never heard the record
Speaker 2: on the radio. Like I literally, these people, I gotta
Speaker 2: go and type their name in and hear their music
Speaker 2: and it's.
Speaker 1: Like, okay, this that ship right here, you know what
Speaker 1: I'm saying.
Speaker 2: So with that being said, Bro, it's nobody in New
Speaker 2: York that's gonna push you through with you. You know
Speaker 2: what I'm saying, There's no person that can do that shit.
Speaker 2: You know what's gonna do it consistency what you're doing,
Speaker 2: and heat that's undeniable.
Speaker 4: My nigga, we understand that ship now, we had no choice.
Speaker 4: But basically, what I'm trying to say is why nigga
Speaker 4: gotta go through all that? If you got you know
Speaker 4: what I mean? Look say, for example, HALLM niggas who
Speaker 4: got already in that position, you know, just say he
Speaker 4: the God, He the God, he the God, you push
Speaker 4: him through? He said the next No, this is the
Speaker 4: god that the guy should be a you know what
Speaker 4: I mean.
Speaker 2: But I'm gonna keep it real with how the niggas
Speaker 2: scared of they spy, Bro, they don't want you to
Speaker 2: come in and take their spot.
Speaker 1: My nigga.
Speaker 2: It's people out here actually say this ship like, I'm
Speaker 2: not helping niggas. Then they take my spot. Then what
Speaker 2: I'm supposed to do? You know what you're supposed to do?
Speaker 1: Grow, nigga? The fuck you mean what I'm supposed to do?
Speaker 1: You're gonna stay in the same spot forever.
Speaker 2: It gotta be the next man up and you move
Speaker 2: on to the next thing that's cooking or reinvent some shit.
Speaker 1: You know what I'm saying.
Speaker 2: And I don't fuck with those type of guys, bro,
Speaker 2: Like niggas who's scared, who protect what they think they own.
Speaker 1: Because we don't own this shit.
Speaker 3: Man.
Speaker 1: Success is not own. My nigga's rented and rent is
Speaker 1: due every day, my nigga. That's a fact. It's a
Speaker 1: tab on this shit every day.
Speaker 2: And the tie is no sleep, birthdays missed, celebrations and
Speaker 2: graduations and.
Speaker 1: Shit with your kids missed.
Speaker 2: Like I enjoy more with my son now than I
Speaker 2: did when he was a kid. Why I had to
Speaker 2: go on tour. I be back little nigga. You want
Speaker 2: them bikes and shit, or you want to eat sardines
Speaker 2: out the camp. So that's what success costs, man, It
Speaker 2: goes you your life, man, Like, you gotta really give
Speaker 2: your all of this shit to obtain it for real.
Speaker 1: It ain't just yo.
Speaker 2: Let me go get successful and go back to the
Speaker 2: block and party with the homies. Fuck no, that's the
Speaker 2: b roll her Like you got any music, you're working on,
Speaker 2: anything dropping?
Speaker 4: So I'm about to drop something with me and Khaki
Speaker 4: car you know, New York ship moving out here, dropping
Speaker 4: that joint. Then I'm gonna drop another junk with Luci.
Speaker 4: I got I got it in the bag, I got it,
Speaker 4: I got it ready.
Speaker 3: Yeah, hell yeah, you know what I mean.
Speaker 4: I've been I've been so busy on this fucking home,
Speaker 4: trying to get this building open, you know what.
Speaker 1: I mean, and working out.
Speaker 2: You gotta get with these young niggas too, man, job
Speaker 2: fucked up.
Speaker 1: I ain't getting the gym with you when we was young. Man,
Speaker 1: I'm old.
Speaker 2: Now and the young niggas got their ship together, so
Speaker 2: I'm gonna fuck with them. These niggas be in the
Speaker 2: park on the block, and you know it's safe because
Speaker 2: we didn't needed a gun.
Speaker 3: Back that ship. That ship real out there.
Speaker 4: But you know, I want niggas to look out the
Speaker 4: window and say your bucks out there.
Speaker 1: Yeah yeah, yeah, yeah, I love that ship. Man.
Speaker 2: Yah, niggas be out there putting it pay. I'll be
Speaker 2: watching you doing this ship, Smith and Wesson doing this ship,
Speaker 2: and you will see Jada kids get up there and
Speaker 2: do some other shipping.
Speaker 3: Man.
Speaker 2: Yeah, meths different diesel and a camera, Like, what's going
Speaker 2: on now?
Speaker 1: Niggas getting super powers here?
Speaker 2: Man?
Speaker 4: You know, it's a lot of bullshit, but it's a
Speaker 4: lot of good shit going on.
Speaker 1: Oh yeah, man, it's a lot of niggas. Man.
Speaker 2: That's why I did this platform buck just for ship
Speaker 2: like that, because I feel like it's a lot of
Speaker 2: negativity out here on niggas, and it's like, I don't
Speaker 2: want niggas to interview you because you did some.
Speaker 1: Some off the wall shit.
Speaker 2: You got caught with some chicken heads, or you clapped
Speaker 2: the nigga, or y'all jumped the nigga at the club,
Speaker 2: and now they want you on the platform. That shouldn't
Speaker 2: that shouldn't deserve And for niggas like y'all.
Speaker 1: Just off the work you put and should be on.
Speaker 2: You should be invited to all these platforms to promote
Speaker 2: what you're going on.
Speaker 1: Should have to be negativity for niggas.
Speaker 3: To know who you is definition of rock solid.
Speaker 2: While we hear my nigga like my brother, you know
Speaker 2: what it is, man, It's fucking rock solid. And if
Speaker 2: you don't know who nig buckets, you better fucking tap
Speaker 2: in e batio one, two and three is out. I
Speaker 2: checked out one and two. I didn't even know three
Speaker 2: was out, so you know I ain't capping no flags
Speaker 2: on these plays. We tapping in, Nigga, you know what
Speaker 2: it is, man, rock solid. Man got the homie. Make
Speaker 2: sure you know what it is and you lock in
Speaker 2: and get with it.
Speaker 1: Man.
Speaker 2: Young niggas taking over respect their old niggas move out
Speaker 2: the fucking way. For more podcasts from iHeart Radio, visit iHeartRadio, app,
Speaker 2: Apple Podcasts, or wherever you listen to your favorite shows
Speaker 2: at and you can follow me on any social media
Speaker 2: platform under the name Memphis Bleak. You see anybody fraud
Speaker 2: and flag them