1 00:00:03,880 --> 00:00:11,360 Speaker 1: It's that time, time, time, time, luck and loud. The 2 00:00:11,520 --> 00:00:21,960 Speaker 1: Michael Verie Show is on the air. It's Charlie from 3 00:00:21,960 --> 00:00:24,600 Speaker 1: BlackBerry Smother. I can feel a good one coming on. 4 00:00:24,800 --> 00:00:30,200 Speaker 1: It's the Michael Berry Show. You staying somemmer there with 5 00:00:30,240 --> 00:00:33,440 Speaker 1: some friends, last sign and at the end of the dinner. 6 00:00:34,159 --> 00:00:39,440 Speaker 1: They are very healthy people and you know, small portions, 7 00:00:39,800 --> 00:00:43,199 Speaker 1: very healthy foods. They're not. They didn't grow up like 8 00:00:43,240 --> 00:00:47,040 Speaker 1: I did. There's no fried chicken here, right. We're not 9 00:00:47,120 --> 00:00:50,199 Speaker 1: priding ourselves on how much we eat, so I have 10 00:00:50,240 --> 00:00:54,080 Speaker 1: to be on my best behavior. Food was phenomenal. I 11 00:00:54,120 --> 00:00:56,760 Speaker 1: had chicken. My wife had fish. My wife would eat 12 00:00:56,760 --> 00:00:59,800 Speaker 1: fish at every meal. She could not me, not me. 13 00:01:00,240 --> 00:01:02,680 Speaker 1: If I'm eating fish, it's going to be fried. Yep. 14 00:01:03,280 --> 00:01:07,559 Speaker 1: And you know where was I the other day? Where 15 00:01:07,680 --> 00:01:10,839 Speaker 1: was I the other day? I could not get fried catfish? 16 00:01:10,920 --> 00:01:14,720 Speaker 1: And I could not believe they would not. They did 17 00:01:14,760 --> 00:01:18,839 Speaker 1: not have fried No, it wasn't Dante's third level of Hell. 18 00:01:19,880 --> 00:01:26,200 Speaker 1: It was somewhere that I would have expected. And they said, no, 19 00:01:26,319 --> 00:01:32,039 Speaker 1: we have drum, but not catfish. I don't want drum. Yeah, 20 00:01:32,080 --> 00:01:37,200 Speaker 1: the drums. One, lizit is girlfriend's house. Uh what what? 21 00:01:37,560 --> 00:01:39,320 Speaker 1: Where was that. Hold on, let me think about this. 22 00:01:39,680 --> 00:01:42,800 Speaker 1: It was me and no though, and I decide I'm 23 00:01:42,800 --> 00:01:46,880 Speaker 1: going to have Oh, I can't remember anyway, Iver tell 24 00:01:46,880 --> 00:01:49,480 Speaker 1: you my story about Charles Clark at Brassway nineteen So 25 00:01:50,480 --> 00:01:53,559 Speaker 1: a lot of restaurants, if you go in and ask 26 00:01:53,600 --> 00:01:57,600 Speaker 1: for catfish, which what I grew up on, they will 27 00:01:57,640 --> 00:02:01,720 Speaker 1: make comments like ew. I've been told by a restaurant 28 00:02:01,720 --> 00:02:05,200 Speaker 1: owner I will not name when I said, how come 29 00:02:05,240 --> 00:02:08,959 Speaker 1: I don't fry catfish? That catfish is a trash food. 30 00:02:11,000 --> 00:02:16,400 Speaker 1: Be that as it may. We can start listen. Your 31 00:02:16,400 --> 00:02:19,080 Speaker 1: wife's got a tattoo that's begun to sag. Let's not 32 00:02:19,200 --> 00:02:21,360 Speaker 1: kid it. I don't know who said that to me, 33 00:02:21,400 --> 00:02:23,560 Speaker 1: and I don't know if that person that was. I 34 00:02:23,600 --> 00:02:26,239 Speaker 1: shouldn't say that, because whoever it was probably listening to 35 00:02:26,280 --> 00:02:29,520 Speaker 1: the show, and I'll be accused of insulting his wife 36 00:02:29,560 --> 00:02:31,200 Speaker 1: when that's not what I'm meant to do. But anyway, 37 00:02:31,680 --> 00:02:34,200 Speaker 1: I have been told before that catfish is a trash food, 38 00:02:34,800 --> 00:02:37,639 Speaker 1: but I think it's ridiculous. Catfish is a delicious food. 39 00:02:38,160 --> 00:02:42,799 Speaker 1: It's a bottom feeder. Wait a second, what fish are 40 00:02:42,840 --> 00:02:46,480 Speaker 1: you eating? And do they just did they just float 41 00:02:46,560 --> 00:02:51,240 Speaker 1: on top? Of the water. Anything beneath the surface is 42 00:02:51,280 --> 00:02:57,760 Speaker 1: beneath them. Literally, Ah, bottom feeder? What does that even 43 00:02:58,040 --> 00:03:02,240 Speaker 1: mean when you're eating the flesh of a fish? What 44 00:03:02,280 --> 00:03:05,679 Speaker 1: are you? Yes, it's a bottom feeder. What do you think? 45 00:03:05,720 --> 00:03:09,280 Speaker 1: I'm down there nibbling on the bottom of the lake. 46 00:03:09,600 --> 00:03:13,720 Speaker 1: What kind of stupid people have? What's it? Yeah? It's vegan? 47 00:03:14,160 --> 00:03:19,200 Speaker 1: I mean, what do I care? Honestly? What do I care? 48 00:03:20,040 --> 00:03:24,800 Speaker 1: If you really want to get down into your food source, 49 00:03:25,639 --> 00:03:31,280 Speaker 1: whether meat based, fish based, or whatever else. And before 50 00:03:31,360 --> 00:03:35,920 Speaker 1: you tell me how nasty pigs are, let me fry 51 00:03:36,000 --> 00:03:38,720 Speaker 1: you some bacon and you have some of it, and 52 00:03:38,760 --> 00:03:41,320 Speaker 1: you tell me how nasty that pig was. 53 00:03:41,480 --> 00:03:41,840 Speaker 2: Whoa? 54 00:03:43,040 --> 00:03:46,880 Speaker 1: Let me get you a delicious pork chop. Hmmm, and 55 00:03:46,960 --> 00:03:50,000 Speaker 1: let's talk about how honestly. But anyway, can I need 56 00:03:50,040 --> 00:03:55,120 Speaker 1: to get back to my fish? What? Yep? Plus bacon? Oh? Man, 57 00:03:55,160 --> 00:03:57,280 Speaker 1: I don't eat pork? Are you Jewish? 58 00:03:57,560 --> 00:03:57,960 Speaker 3: All right? 59 00:03:58,000 --> 00:03:59,720 Speaker 1: Jewish? I just don't dig on swine, that's all. 60 00:04:00,000 --> 00:04:00,280 Speaker 3: Why not? 61 00:04:00,880 --> 00:04:06,560 Speaker 1: Hold on big? The delivery of John Travolta in the 62 00:04:06,560 --> 00:04:10,720 Speaker 1: way he says, are you Jewish? Like half kind of 63 00:04:10,800 --> 00:04:14,360 Speaker 1: jabbing at him, but half kind of asking, knowing good 64 00:04:14,360 --> 00:04:17,919 Speaker 1: and well he's not Travolta in this role is so 65 00:04:18,120 --> 00:04:21,240 Speaker 1: good and it's so different than the way he he's 66 00:04:21,279 --> 00:04:23,960 Speaker 1: sort of off handles. Are you Jewish? Do they get 67 00:04:24,320 --> 00:04:25,800 Speaker 1: plus some bacon? Oh? 68 00:04:25,960 --> 00:04:26,120 Speaker 4: Yeah? 69 00:04:26,120 --> 00:04:28,679 Speaker 1: I don't eat four? Are you Jewish? 70 00:04:29,000 --> 00:04:29,240 Speaker 5: Jewish? 71 00:04:29,279 --> 00:04:31,240 Speaker 6: I just don't dig on swine, that's all? Why not 72 00:04:32,440 --> 00:04:34,960 Speaker 6: big a filthy animals? I don't eat filthy animals? 73 00:04:35,320 --> 00:04:38,479 Speaker 1: Yeah, but bacon tastes good. O chops taste good? 74 00:04:38,880 --> 00:04:39,000 Speaker 3: Right? 75 00:04:39,240 --> 00:04:40,840 Speaker 1: Sword rat may taste like punkin pine. 76 00:04:40,880 --> 00:04:42,799 Speaker 6: But I never know, because I wouldn't eat the filthiest 77 00:04:44,240 --> 00:04:45,559 Speaker 6: big sweep and group. 78 00:04:45,600 --> 00:04:46,799 Speaker 1: And that's a filthy animal. 79 00:04:47,160 --> 00:04:49,080 Speaker 6: I ain't eed nothing, ain't got send enough to disregard 80 00:04:49,120 --> 00:04:50,320 Speaker 6: his own cecs. 81 00:04:50,400 --> 00:04:53,200 Speaker 1: Having a dog dog eats his own feces. I don't 82 00:04:53,240 --> 00:04:56,279 Speaker 1: eat dog, eagle, heap. Do you consider a dog to 83 00:04:56,279 --> 00:04:57,120 Speaker 1: be a filthy animal? 84 00:04:57,640 --> 00:05:00,080 Speaker 6: I wouldn't go so far as to call a dog filthy. 85 00:05:00,160 --> 00:05:04,560 Speaker 6: Definitely dirty, But he's got personality personality going wrong. 86 00:05:04,680 --> 00:05:07,120 Speaker 5: But by that rationale, if a pig you get a 87 00:05:07,120 --> 00:05:09,760 Speaker 5: better personality, she ceased to be a filthy animal. 88 00:05:10,160 --> 00:05:10,640 Speaker 1: Is that true? 89 00:05:10,880 --> 00:05:12,680 Speaker 6: Well, we have to be talking about what and p 90 00:05:13,520 --> 00:05:15,440 Speaker 6: I mean he had to be tendathmal Chiman in that 91 00:05:15,600 --> 00:05:16,600 Speaker 6: armlong green ankles. 92 00:05:16,600 --> 00:05:22,560 Speaker 1: You know what I'm saying. Good dialogue, good writing is 93 00:05:22,720 --> 00:05:29,039 Speaker 1: lost in most films. Great films should have wonderful writing, 94 00:05:29,440 --> 00:05:32,320 Speaker 1: and that's one of the things that Tarantino does so well. 95 00:05:32,960 --> 00:05:35,960 Speaker 1: If you haven't seen the movie Vengeance, it's by bj 96 00:05:36,200 --> 00:05:41,520 Speaker 1: what's his name, B B. Jayden? I can't think his name. 97 00:05:41,600 --> 00:05:43,400 Speaker 1: I can't think of his name. Guy's from New York. 98 00:05:43,880 --> 00:05:48,120 Speaker 1: But it's about Texas. It's what's set in Texas. The 99 00:05:48,320 --> 00:05:52,080 Speaker 1: BJ Novak you've seen it. The dialogue in that there's 100 00:05:52,120 --> 00:05:55,359 Speaker 1: some scenes. There's some discussions of water burger that you 101 00:05:55,440 --> 00:05:57,960 Speaker 1: better not drink anything while you're watching that movie, or 102 00:05:58,040 --> 00:06:00,120 Speaker 1: you will spew them out of your mouth. Like the 103 00:06:00,200 --> 00:06:03,159 Speaker 1: Church It laid layout to sea. It will blow your 104 00:06:03,279 --> 00:06:06,560 Speaker 1: mind how good the dialogue, and then you will be 105 00:06:06,600 --> 00:06:11,599 Speaker 1: There's an opening scene of BJ Novak and John Mayer, 106 00:06:12,640 --> 00:06:15,680 Speaker 1: two buddies, and they go to party. It's kind of 107 00:06:15,720 --> 00:06:20,000 Speaker 1: like a wedding crashers type thing, and they're telling stories 108 00:06:20,480 --> 00:06:24,800 Speaker 1: about the their their conquest. Anyway, So back to my story. 109 00:06:25,360 --> 00:06:28,000 Speaker 1: So we have this meal and then at the end 110 00:06:28,040 --> 00:06:33,680 Speaker 1: of it they put on this plate these very beautiful 111 00:06:34,320 --> 00:06:40,320 Speaker 1: hand painted pieces of art. Well, I know that sometimes 112 00:06:41,480 --> 00:06:44,880 Speaker 1: I can ask questions that make people uncomfortable. So I 113 00:06:44,880 --> 00:06:47,640 Speaker 1: don't know if you can eat that art because it's 114 00:06:47,720 --> 00:06:50,760 Speaker 1: honestly too pretty. But it might be a chocolate. And 115 00:06:50,800 --> 00:06:53,000 Speaker 1: it was presented on a on a plate with on 116 00:06:53,040 --> 00:06:56,080 Speaker 1: a plate with some macaroons. So I said, oh man, 117 00:06:56,200 --> 00:06:59,080 Speaker 1: these are gorgeous, thinking, you know, trying to trying to 118 00:06:59,320 --> 00:07:04,640 Speaker 1: flush out what exactly they were, and I said, wow, 119 00:07:04,720 --> 00:07:07,080 Speaker 1: these are these are really pretty. So I pick it 120 00:07:07,200 --> 00:07:11,240 Speaker 1: up in hopes that by picking it up, I might 121 00:07:11,440 --> 00:07:13,600 Speaker 1: you know, if it crumbles in my hands or when 122 00:07:13,640 --> 00:07:17,560 Speaker 1: I set it back down, if there's some color on 123 00:07:17,600 --> 00:07:22,680 Speaker 1: my finger, then that means that it was a chocolate. 124 00:07:24,040 --> 00:07:28,960 Speaker 1: And there's maybe six of them on the plate, along 125 00:07:29,040 --> 00:07:37,040 Speaker 1: with about four my karooms, and you if you saw them, well, 126 00:07:37,800 --> 00:07:40,040 Speaker 1: I'll explain in a minute if I said, let him 127 00:07:40,120 --> 00:07:46,520 Speaker 1: judgment Michael Vary show. So funnily, I kind of hemmed 128 00:07:46,560 --> 00:07:49,000 Speaker 1: and hard around this thing. I've twisted it over in 129 00:07:49,080 --> 00:07:53,400 Speaker 1: my hand. I've held it for a while, and this 130 00:07:53,520 --> 00:07:56,640 Speaker 1: couple are very good friends of our. She says, Uh, 131 00:07:57,360 --> 00:08:00,520 Speaker 1: it's the best chocolates I've ever had, And I hope 132 00:08:00,520 --> 00:08:03,880 Speaker 1: that my body language did not reveal, Oh, okay, it 133 00:08:03,920 --> 00:08:07,520 Speaker 1: is a chocolate now. I say that to compliment the thing, 134 00:08:08,080 --> 00:08:10,520 Speaker 1: because it was truly a work of art. It was 135 00:08:10,560 --> 00:08:14,080 Speaker 1: something you might have bought at a museum. I mean, 136 00:08:14,160 --> 00:08:19,440 Speaker 1: it was incredibly obviously hand painted and just it had 137 00:08:19,520 --> 00:08:23,080 Speaker 1: it had a like a gloss over it, like a 138 00:08:23,280 --> 00:08:26,920 Speaker 1: like a you know when they'll do classic cars or 139 00:08:26,960 --> 00:08:29,640 Speaker 1: hot rod cars and then they put, I don't know 140 00:08:29,680 --> 00:08:31,520 Speaker 1: what it is. It's like a glaze over it so 141 00:08:31,560 --> 00:08:33,400 Speaker 1: that it almost seems like the color is an inch 142 00:08:34,160 --> 00:08:38,160 Speaker 1: like yeah, like a lacquer type deal. Anyway, so it 143 00:08:38,240 --> 00:08:41,160 Speaker 1: was that. So I bite into it. It looked like 144 00:08:41,200 --> 00:08:44,000 Speaker 1: a ladybug. It was a half orange, half green. The 145 00:08:44,040 --> 00:08:46,800 Speaker 1: coloring scheme one look at the hump of a ladybug 146 00:08:47,280 --> 00:08:50,240 Speaker 1: and I said, wow, what is that? And she said 147 00:08:51,880 --> 00:09:01,440 Speaker 1: carrot cake. Not only did it look amazing, it tasted amazing. No, 148 00:09:01,640 --> 00:09:05,040 Speaker 1: we didn't then kick poor people. I ate more. And 149 00:09:05,120 --> 00:09:07,560 Speaker 1: it was an awkward situation because I was the only 150 00:09:07,600 --> 00:09:09,560 Speaker 1: one eating them. So there are four of us at 151 00:09:09,559 --> 00:09:12,840 Speaker 1: the table, and there were six of them that and 152 00:09:12,880 --> 00:09:15,800 Speaker 1: so I had my one, and in my mind I thought, okay, 153 00:09:15,800 --> 00:09:20,080 Speaker 1: if you have two, not everybody can have two. But 154 00:09:20,200 --> 00:09:23,280 Speaker 1: my wife every year takes a vow. She gives up 155 00:09:23,320 --> 00:09:27,160 Speaker 1: something every year. It's an Indian thing, and so this 156 00:09:27,320 --> 00:09:33,480 Speaker 1: year it's sweets. Oh she went romme one year. She said, 157 00:09:33,520 --> 00:09:36,360 Speaker 1: for five years, I'm not eating meat or sweets. I thought, well, 158 00:09:36,400 --> 00:09:39,960 Speaker 1: what else? And you she doesn't drink, so what else 159 00:09:40,040 --> 00:09:42,280 Speaker 1: is there? Oh? And she did it for five years? 160 00:09:42,280 --> 00:09:46,440 Speaker 1: She did it anyway back to it. So I've already 161 00:09:46,480 --> 00:09:50,200 Speaker 1: processed that if I have the second one, not everybody 162 00:09:50,200 --> 00:09:52,000 Speaker 1: can have two. So it's already kind of one of 163 00:09:52,040 --> 00:09:54,440 Speaker 1: those moves. But I thought, well, none, that's not going 164 00:09:54,520 --> 00:09:58,360 Speaker 1: to eat anyt So technically there's three of us, so 165 00:09:58,400 --> 00:10:02,040 Speaker 1: there's two each. And just so when I took my second, 166 00:10:02,040 --> 00:10:04,160 Speaker 1: when I was clear, I said, sweetheart, are you going 167 00:10:04,200 --> 00:10:06,959 Speaker 1: to eat any No, she wouldn't, but to tell them, 168 00:10:07,000 --> 00:10:09,280 Speaker 1: I'm telegraphing to them I can have the second one 169 00:10:09,280 --> 00:10:12,600 Speaker 1: without overstepping the bounds. And she said, no, you go ahead, 170 00:10:13,000 --> 00:10:16,000 Speaker 1: all right, So I hit number two. We started with six. 171 00:10:16,040 --> 00:10:18,960 Speaker 1: Now there's four left. I've had two. There's two of them. Well, 172 00:10:19,000 --> 00:10:24,040 Speaker 1: how do I convey subtly? I'd like another one? So 173 00:10:24,120 --> 00:10:28,960 Speaker 1: everybody's sitting and we're talking and I'm like a child, 174 00:10:29,120 --> 00:10:33,280 Speaker 1: just focused on those chocolates. And so I waited a 175 00:10:33,320 --> 00:10:36,640 Speaker 1: little while and I kind of reached out a little, 176 00:10:36,720 --> 00:10:41,240 Speaker 1: and I finally I picked one that was different than 177 00:10:41,320 --> 00:10:43,040 Speaker 1: and I said, I'm sorry to touch this, but I 178 00:10:43,120 --> 00:10:45,520 Speaker 1: just have to see it. And the husband said, oh, 179 00:10:45,679 --> 00:10:50,120 Speaker 1: have it, okay. So I waited, awhile and waited, awhile. 180 00:10:50,160 --> 00:10:52,640 Speaker 1: We're thirty minutes into nobody else has eating one except 181 00:10:52,640 --> 00:10:55,960 Speaker 1: for me, and I finally just said, I feel like 182 00:10:56,320 --> 00:10:58,600 Speaker 1: it's appropriate if I have a fourth one, And before 183 00:10:58,600 --> 00:11:01,360 Speaker 1: long there weren't any left, and I went home. So 184 00:11:01,520 --> 00:11:04,600 Speaker 1: before I said, where do you get these? And she 185 00:11:04,640 --> 00:11:07,520 Speaker 1: says it's called mostly chocolate, and she gives me the 186 00:11:07,840 --> 00:11:12,160 Speaker 1: lady's name and she does catering, but really it's it's 187 00:11:12,160 --> 00:11:15,480 Speaker 1: a chocolate thing. I said, okay, So Ramon, let's see 188 00:11:15,480 --> 00:11:18,520 Speaker 1: how much you know. If I were to tell you 189 00:11:18,960 --> 00:11:22,520 Speaker 1: that the maker of these chocolates is from a place 190 00:11:22,559 --> 00:11:26,600 Speaker 1: in the world that if you go to a restaurant, 191 00:11:26,600 --> 00:11:28,680 Speaker 1: I mean, if you go to a shop anywhere in 192 00:11:28,720 --> 00:11:32,360 Speaker 1: America and it's high end chocolates, I mean three or 193 00:11:32,360 --> 00:11:35,360 Speaker 1: four dollars per little tiny chocolate, where would you guess 194 00:11:35,400 --> 00:11:37,480 Speaker 1: she's from. There's two countries they're most likely from. There's 195 00:11:37,480 --> 00:11:41,240 Speaker 1: so number one, that's the obvious number. So, okay, Switzerland, 196 00:11:41,240 --> 00:11:42,679 Speaker 1: good guess. All right, I'll give you credit. There's three 197 00:11:42,679 --> 00:11:45,960 Speaker 1: places they could be from. Not Belgium, because the Belgians 198 00:11:45,960 --> 00:11:48,440 Speaker 1: do chocolates, but they don't do them like this. Let 199 00:11:48,480 --> 00:11:50,920 Speaker 1: me let me tell you if a place, if a 200 00:11:50,960 --> 00:11:53,760 Speaker 1: place sells these, not necessarily makes although they do make 201 00:11:53,800 --> 00:11:56,440 Speaker 1: cost it's where they're always from, and there's a lot 202 00:11:56,440 --> 00:11:58,080 Speaker 1: of these in Houston's probably ten of them like this 203 00:11:58,160 --> 00:12:02,240 Speaker 1: in usetaces. No, it's where people are from that will 204 00:12:02,240 --> 00:12:06,160 Speaker 1: have high end chocolate shops. They will also uh, it'll 205 00:12:06,160 --> 00:12:08,680 Speaker 1: also be a coffee shop, and they'll have like a 206 00:12:08,800 --> 00:12:12,320 Speaker 1: fresco dining. People will be sitting out and smoking cigarettes 207 00:12:12,320 --> 00:12:17,040 Speaker 1: in the middle afternoon, dressed to the nines in Italian clothing. 208 00:12:17,640 --> 00:12:21,480 Speaker 1: The women will be beautiful. They'll all be wearing shades. Uh. 209 00:12:22,120 --> 00:12:24,960 Speaker 1: Italy is a good guess. It's it's where you see 210 00:12:25,000 --> 00:12:28,240 Speaker 1: a lot of these people vacation, not sweets. Not sweets, 211 00:12:28,240 --> 00:12:34,040 Speaker 1: so not Italy. Focus on the chocolates. It'll be chocolates, 212 00:12:34,559 --> 00:12:39,880 Speaker 1: it'll be uh, what's the Greek thing? I like baklava. Chuck, Yeah, 213 00:12:39,880 --> 00:12:42,400 Speaker 1: they do. Shut your filthy mouth. I'll love it. Everybody 214 00:12:42,400 --> 00:12:44,920 Speaker 1: loves bacla bah. Why don't you want We're on a 215 00:12:45,000 --> 00:12:49,040 Speaker 1: positive training. It'll always it'll be chocolates. It might even 216 00:12:49,080 --> 00:12:53,200 Speaker 1: be some real high end Italian, some gelato coffees. Germans 217 00:12:53,240 --> 00:12:58,040 Speaker 1: don't do that. Lebanese. They're always Lebanese. What are you doing? 218 00:12:58,679 --> 00:13:02,080 Speaker 1: Everybody would guess Lebanese. Everybody that knows anything, you don't 219 00:13:02,120 --> 00:13:05,160 Speaker 1: pay attention to anything. The number one most likely place 220 00:13:05,200 --> 00:13:07,440 Speaker 1: they would be from and they would be is Lebanese, 221 00:13:07,480 --> 00:13:11,400 Speaker 1: followed by Irani. I'm telling you, anybody that knows knows. 222 00:13:11,880 --> 00:13:14,560 Speaker 1: So I looked this place up. It's called mostly Chocolate. 223 00:13:15,080 --> 00:13:19,680 Speaker 1: Their website is mostly HTx dot com. Jump yeah, like 224 00:13:19,720 --> 00:13:23,760 Speaker 1: most of it. Now listen to this. I'm thinking, oh ah, 225 00:13:23,800 --> 00:13:27,920 Speaker 1: these people like chocolates right. The woman's name is Rena 226 00:13:28,200 --> 00:13:32,200 Speaker 1: Kumkagi and says Rina's passion for cooking began when she 227 00:13:32,280 --> 00:13:35,280 Speaker 1: was just a child. Hey this music. Growing up in Lebanon, 228 00:13:35,840 --> 00:13:38,760 Speaker 1: Rena was taught by her mother to create delectable Lebanese 229 00:13:38,840 --> 00:13:41,839 Speaker 1: dishes and pastries. From working closely with her mother, her 230 00:13:41,840 --> 00:13:45,200 Speaker 1: love for cookie and food flourished As she got older, 231 00:13:45,240 --> 00:13:48,480 Speaker 1: Rena realized her passion and natural talent for cooking was 232 00:13:48,520 --> 00:13:51,400 Speaker 1: more than just a hobby when she crafted a pistachio 233 00:13:51,480 --> 00:13:55,680 Speaker 1: filled chocolate pastry. Let me read that again, a pistachio 234 00:13:55,800 --> 00:14:00,920 Speaker 1: filled chocolate pastry to serve over Thanksgiving. Her friends were 235 00:14:00,960 --> 00:14:04,160 Speaker 1: astounded by the delicate texture and full flavor of her pastry, 236 00:14:04,480 --> 00:14:06,560 Speaker 1: and she was convinced to replicate the pastry for a 237 00:14:06,559 --> 00:14:11,319 Speaker 1: friend's wedding. Inspired to sharpen her craft, Rina completely specialty 238 00:14:11,400 --> 00:14:15,600 Speaker 1: courses completed, sorry, completed specialty courses with local Houston chef 239 00:14:15,600 --> 00:14:19,400 Speaker 1: and chocolateier on a Gomez. So this one was a 240 00:14:19,480 --> 00:14:22,680 Speaker 1: chef and a chocolateier. We're about to talk about chocolate 241 00:14:23,360 --> 00:14:26,400 Speaker 1: worse than Somlie's do. This is like a PhD of 242 00:14:26,480 --> 00:14:30,800 Speaker 1: chocolate along with local Houston chef and chocolateer on a Gomez, 243 00:14:30,840 --> 00:14:34,160 Speaker 1: and then went on to attend the Chocolate Academy in 244 00:14:34,240 --> 00:14:40,040 Speaker 1: Saint Hyacinth in Montreal, Quebec, with world renowned chocolateier Christophe Morel. 245 00:14:41,400 --> 00:14:44,080 Speaker 1: Y'all are getting way too serious about chocolate here, Okay, 246 00:14:44,200 --> 00:14:46,800 Speaker 1: So then it talks about her catering. Then here's her son, 247 00:14:47,320 --> 00:14:51,200 Speaker 1: Rina's son, Danny Komkagi, joined the team in twenty eleven 248 00:14:51,480 --> 00:14:54,560 Speaker 1: his endless drive and passion by blah blah blah. After 249 00:14:55,360 --> 00:14:59,400 Speaker 1: various internships studying under renowned master chocolatiers in New York 250 00:14:59,440 --> 00:15:03,960 Speaker 1: and Montreal, Danny became head chocolateer in twenty fifteen. Since 251 00:15:03,960 --> 00:15:07,560 Speaker 1: Sinny's gone on to win various prestigious national and international awards, 252 00:15:08,040 --> 00:15:11,320 Speaker 1: the three Dessert Grand Champion Buckal Awards at the HLSR 253 00:15:11,640 --> 00:15:14,040 Speaker 1: Houston Lifestige Show, Rodeo Best Bites competition for the Goat 254 00:15:14,120 --> 00:15:17,760 Speaker 1: Cheese Truffle, Pakhan Pie Truffle and hazel Nut and Pop Rocks, 255 00:15:18,000 --> 00:15:20,880 Speaker 1: a first place gold finish in the International Chocolate Award 256 00:15:21,200 --> 00:15:24,640 Speaker 1: America's competition, second place silver finish in the International's Chocolate 257 00:15:24,680 --> 00:15:28,400 Speaker 1: Awards World. These people are getting real serious about chocolate. 258 00:15:29,360 --> 00:15:38,920 Speaker 1: Michael Mary's show the illegal alien detention centers for popping 259 00:15:39,000 --> 00:15:44,360 Speaker 1: up all over. There is the corn Husker Clink in Nebraska, 260 00:15:44,560 --> 00:15:49,080 Speaker 1: My Brother, and now the Louisiana lock Up opening on 261 00:15:49,120 --> 00:15:52,400 Speaker 1: the grounds of Angola Prison, which was once dubbed the 262 00:15:52,480 --> 00:15:56,360 Speaker 1: bloodiest prison in the South. Partner Homeland Security says it 263 00:15:56,360 --> 00:15:58,320 Speaker 1: will house some of the worst of the worst criminal 264 00:15:58,320 --> 00:16:02,960 Speaker 1: illegal aliens. Louisiana Lockup is the latest facility to be 265 00:16:02,960 --> 00:16:07,040 Speaker 1: converted into an ICE attention facility, after the aforementioned corn 266 00:16:07,120 --> 00:16:12,520 Speaker 1: Husker Clink and Alligator Alcatraz in Florida. I think they're 267 00:16:12,520 --> 00:16:18,320 Speaker 1: opening another one in Florida and the Speedway Slammer in Indiana. 268 00:16:18,800 --> 00:16:22,400 Speaker 1: The Louisiana Lockup story from Fox News. 269 00:16:23,080 --> 00:16:27,480 Speaker 7: We are right outside the notorious Engla prison here in Louisiana. 270 00:16:27,520 --> 00:16:29,320 Speaker 1: A section of this prison. 271 00:16:29,120 --> 00:16:31,720 Speaker 7: Is going to be turned into an iced attention facility 272 00:16:32,040 --> 00:16:35,600 Speaker 7: and it's going to be called Louisiana Lockup. Now. Fox 273 00:16:35,680 --> 00:16:38,680 Speaker 7: is the first to report that fifty one illegal migrants 274 00:16:38,960 --> 00:16:42,240 Speaker 7: have already been moved. Tier. Louisiana Lockup is going to 275 00:16:42,280 --> 00:16:46,080 Speaker 7: hold up to four hundred and sixteen beds. The Department 276 00:16:46,120 --> 00:16:49,440 Speaker 7: of Homeland Security says they've partnered with the State of Louisiana. 277 00:16:49,880 --> 00:16:53,120 Speaker 7: They are using this unused section of the prison to 278 00:16:53,240 --> 00:16:56,040 Speaker 7: detain and deport some of the worst of the worst 279 00:16:56,080 --> 00:17:00,480 Speaker 7: illegal migrants now in Gola is the largest maximum security 280 00:17:00,520 --> 00:17:03,720 Speaker 7: prison in the country. It was once named the bloodiest 281 00:17:03,720 --> 00:17:06,159 Speaker 7: prison in the South for its harsh conditions. In the 282 00:17:06,240 --> 00:17:10,680 Speaker 7: nineteen sixties, Louisiana lockup is funded by the Big Beautiful Bill, 283 00:17:10,960 --> 00:17:14,600 Speaker 7: which gave ICE an additional eighty thousand detention beds to 284 00:17:14,640 --> 00:17:19,240 Speaker 7: help ramp up deportations. DHS Secretary Christy Nomes sent us 285 00:17:19,280 --> 00:17:22,359 Speaker 7: this statement, quote, thank you to Governor Landry for his 286 00:17:22,520 --> 00:17:25,680 Speaker 7: partnership to help remove the worst of the worst out 287 00:17:25,720 --> 00:17:28,800 Speaker 7: of our country. If you are in America illegally, you 288 00:17:28,800 --> 00:17:33,679 Speaker 7: could find yourself in Seacott Cornhusker, Clink, Speedway Slammer, or 289 00:17:33,800 --> 00:17:38,280 Speaker 7: Louisiana Lockup, avoid arrest and self deport now using. 290 00:17:38,080 --> 00:17:39,440 Speaker 1: The CBP home map. 291 00:17:39,840 --> 00:17:44,880 Speaker 7: And Louisiana Governor Jeff Landry said quote, criminal illegal aliens beware, 292 00:17:45,280 --> 00:17:48,440 Speaker 7: Louisiana Lockup is where your time in America ends. 293 00:17:48,800 --> 00:17:50,040 Speaker 1: Louisiana Lockup will. 294 00:17:49,960 --> 00:17:52,080 Speaker 7: Give ICE the space it needs to lock up some 295 00:17:52,160 --> 00:17:56,119 Speaker 7: of the worst of the worst criminal illegal aliens, and 296 00:17:56,240 --> 00:17:59,480 Speaker 7: DHS says they will be housing a violent illegal migrants 297 00:17:59,560 --> 00:18:04,600 Speaker 7: like the recently arrested by ICE New Orleans, including murderers, rapists, 298 00:18:04,600 --> 00:18:08,080 Speaker 7: and traffickers. Take a look at this twenty two year old, 299 00:18:08,119 --> 00:18:11,879 Speaker 7: a legal migrant from Honduras recently arrested in March. She 300 00:18:11,920 --> 00:18:15,760 Speaker 7: had warrens for three hundred ninety four counts of pornography 301 00:18:15,840 --> 00:18:21,359 Speaker 7: involving juveniles and two counts of sexual abuse of an animal. Again, 302 00:18:21,760 --> 00:18:24,920 Speaker 7: it is illegal migrants like that that DHS says will 303 00:18:25,040 --> 00:18:28,600 Speaker 7: end up here in the Louisiana lock Up. Later this afternoon, 304 00:18:28,840 --> 00:18:32,640 Speaker 7: the DHS Secretary Governor and Attorney General, Pam Bondi, will 305 00:18:32,640 --> 00:18:34,800 Speaker 7: be here to make this formal announcement. 306 00:18:36,960 --> 00:18:41,800 Speaker 1: My mom Ma, I could see this as a category 307 00:18:42,480 --> 00:18:48,720 Speaker 1: on Jeopardy, Ice deporte or ice detention facility nicknames. They 308 00:18:48,760 --> 00:18:50,920 Speaker 1: give you the state, you have to give the nickname. 309 00:18:51,520 --> 00:18:57,360 Speaker 1: So you've got the Louisiana Lockup, the Alligator Alcatraz. Speaking 310 00:18:57,400 --> 00:19:01,080 Speaker 1: of the corn Husker Clink in Nebraska. 311 00:19:01,720 --> 00:19:05,280 Speaker 8: You've heard about Alligator Alcatraz. Here in Texas, we love 312 00:19:05,400 --> 00:19:09,280 Speaker 8: Lone Star lock Up. Now, Eli, Galalien's headed to the Midwest. 313 00:19:09,480 --> 00:19:14,879 Speaker 8: Get ready for the corn Husker clean Oh no, not 314 00:19:14,960 --> 00:19:16,720 Speaker 8: another dinner made of corn going on. 315 00:19:16,760 --> 00:19:20,399 Speaker 1: The cob can corn corn pudding? How much more corn 316 00:19:20,440 --> 00:19:20,960 Speaker 1: can a man? 317 00:19:21,000 --> 00:19:21,200 Speaker 3: Think? 318 00:19:21,760 --> 00:19:24,760 Speaker 8: This is pure porcher And if anyone thinks of escaping, 319 00:19:25,200 --> 00:19:27,880 Speaker 8: good luck. Just wait until one of these jokers want 320 00:19:27,880 --> 00:19:30,879 Speaker 8: to try and escape. My uncle Bart's farm backs up 321 00:19:30,880 --> 00:19:31,960 Speaker 8: to the Cornhusker Clink. 322 00:19:32,240 --> 00:19:34,920 Speaker 1: By I have a surprise for these guys, got the. 323 00:19:34,880 --> 00:19:37,320 Speaker 8: Old John Deere out and created a cornmes in the 324 00:19:37,359 --> 00:19:39,159 Speaker 8: face of our great President Donald J. 325 00:19:39,400 --> 00:19:39,760 Speaker 1: Trump. 326 00:19:40,880 --> 00:19:43,879 Speaker 8: They'll be lucky to get past it. Tear and coming soon. 327 00:19:44,160 --> 00:19:52,760 Speaker 8: The Pennsylvania Pokey, Kansas Cooler, Louisiana Lockdown, we could do 328 00:19:52,880 --> 00:19:53,800 Speaker 8: one in every state. 329 00:19:55,160 --> 00:19:58,680 Speaker 1: Be fun to name it. The point is we got 330 00:19:58,680 --> 00:20:01,120 Speaker 1: to get the bad people out of this country who 331 00:20:01,160 --> 00:20:07,240 Speaker 1: are in here illegally fighting crime and restoring order. Feels 332 00:20:07,280 --> 00:20:11,080 Speaker 1: like a kind of a garage or barn. Find doesn't 333 00:20:11,080 --> 00:20:15,440 Speaker 1: it get the keys, Let's fire it up, let's wash 334 00:20:15,480 --> 00:20:19,119 Speaker 1: it down, Let's make this thing home again, or a 335 00:20:19,160 --> 00:20:23,280 Speaker 1: renovation project with Chip and Joanna. I mean, it just 336 00:20:23,640 --> 00:20:28,040 Speaker 1: makes you feel good. Our country's coming back. You can 337 00:20:28,119 --> 00:20:31,159 Speaker 1: walk the streets at night. There's a pall that is 338 00:20:31,359 --> 00:20:35,919 Speaker 1: cast upon a people when crime runs rampant. You know, 339 00:20:36,000 --> 00:20:41,040 Speaker 1: I was thinking the Louisiana lock up. Wouldn't that be 340 00:20:41,160 --> 00:20:43,719 Speaker 1: the darnedest thing. If Shirley c Lickor had a family 341 00:20:43,720 --> 00:20:46,200 Speaker 1: member that was an illegal alien and they put this 342 00:20:46,280 --> 00:20:49,919 Speaker 1: thing their faraday or faraday as she says, and she 343 00:20:50,000 --> 00:20:54,640 Speaker 1: had to go visit them. Thank you on the ground, India, if. 344 00:20:54,520 --> 00:20:55,440 Speaker 9: You are what's an esta? 345 00:20:55,640 --> 00:20:58,840 Speaker 2: You believing urge takes orange? 346 00:20:58,880 --> 00:21:02,200 Speaker 10: Ah, and I need to go over at Ferriday, Louisima 347 00:21:02,720 --> 00:21:06,760 Speaker 10: verdon f r I d a wire and it's me 348 00:21:06,880 --> 00:21:10,359 Speaker 10: and my nineteen children's and we need to leave Monday morning. 349 00:21:15,040 --> 00:21:18,600 Speaker 10: You were leaving from Odessa, no Orange, you are a 350 00:21:18,760 --> 00:21:22,480 Speaker 10: E O R A n GE Texas. 351 00:21:22,960 --> 00:21:25,040 Speaker 1: And my sister and her husband. 352 00:21:24,720 --> 00:21:28,560 Speaker 2: Staying firday and she wanted us to come over there. 353 00:21:28,640 --> 00:21:29,920 Speaker 1: She been wanting us to come over. 354 00:21:30,040 --> 00:21:33,960 Speaker 2: We just hadn't went because of her attitude. Frankly, that's 355 00:21:33,960 --> 00:21:36,879 Speaker 2: the problem is she just she won't ask for all. 356 00:21:37,920 --> 00:21:38,560 Speaker 1: I don't know why. 357 00:21:38,680 --> 00:21:40,800 Speaker 2: She just gets like that. But now she want to 358 00:21:40,800 --> 00:21:43,720 Speaker 2: make up, so she'll say, well, y'all come on and 359 00:21:43,760 --> 00:21:46,080 Speaker 2: with all these children, I want to make sure of 360 00:21:46,200 --> 00:21:47,800 Speaker 2: the price before I book it. 361 00:21:48,600 --> 00:21:49,879 Speaker 1: Okay, you don't book tickets. 362 00:21:49,960 --> 00:21:52,879 Speaker 10: You go to the terminal at least one hour prior 363 00:21:52,920 --> 00:21:53,800 Speaker 10: to buy your tickets. 364 00:21:54,119 --> 00:21:55,119 Speaker 1: How old are the children? 365 00:21:55,600 --> 00:22:01,400 Speaker 2: Oh lord, listen, The youngest wheat is five, oldest one 366 00:22:01,480 --> 00:22:03,000 Speaker 2: about seventeen. 367 00:22:02,680 --> 00:22:06,960 Speaker 1: Okay rising as an adult. The seventeen dude, uh huh? 368 00:22:07,000 --> 00:22:08,120 Speaker 1: And how about sixteen? 369 00:22:08,320 --> 00:22:08,639 Speaker 7: Okay? 370 00:22:08,680 --> 00:22:11,640 Speaker 1: Ages two to eleven ride as children? I think they're 371 00:22:11,640 --> 00:22:15,600 Speaker 1: all under eleven. Okay, ages two to eleven? 372 00:22:15,720 --> 00:22:18,320 Speaker 2: Give me the tints on neck, okay, and I might 373 00:22:18,320 --> 00:22:20,960 Speaker 2: bring my good friend why tuson drinkings from Mars to 374 00:22:21,080 --> 00:22:25,240 Speaker 2: part So check for two adults. If you have a calculator, 375 00:22:25,440 --> 00:22:29,119 Speaker 2: what would the total be for nineteen children? Me and 376 00:22:29,280 --> 00:22:31,080 Speaker 2: why toustain from urge to. 377 00:22:31,040 --> 00:22:33,720 Speaker 1: Fay to lose that at bank? Okay? Well, I don't 378 00:22:33,760 --> 00:22:39,440 Speaker 1: have a calculator with me. Just approximated for me. Okay, 379 00:22:39,720 --> 00:22:40,800 Speaker 1: y'all going round trip? 380 00:22:41,720 --> 00:22:42,200 Speaker 2: Uh huh? 381 00:22:42,320 --> 00:22:44,160 Speaker 11: Yeah, I guess I at least some of them want 382 00:22:44,160 --> 00:22:44,800 Speaker 11: to stay with her. 383 00:22:45,040 --> 00:22:47,280 Speaker 2: I don't care. If they want to stay in her house, 384 00:22:47,359 --> 00:22:47,960 Speaker 2: that's fine. 385 00:22:49,040 --> 00:22:51,760 Speaker 1: But I'm only buying for round trip. Okay, for two 386 00:22:51,840 --> 00:22:54,840 Speaker 1: of those, round trip will be two hundred and four dollars. 387 00:22:55,080 --> 00:22:58,639 Speaker 1: Oh lord, Okay, that's with the adults. Two adults, uh huh? 388 00:22:58,640 --> 00:23:04,640 Speaker 10: Okay, with nineteen children around trip fifty one dollars time nineteen. 389 00:23:06,840 --> 00:23:09,399 Speaker 1: Here's what and that's how much it's gonna be. 390 00:23:09,920 --> 00:23:12,240 Speaker 3: How much is that? I don't know. 391 00:23:12,240 --> 00:23:14,040 Speaker 2: I'm not very good with math. I don't have my 392 00:23:14,119 --> 00:23:20,800 Speaker 2: glasses on. How much would that be? For approximately nine hundred. 393 00:23:20,520 --> 00:23:21,280 Speaker 1: And sixty nine? 394 00:23:21,400 --> 00:23:21,760 Speaker 5: Oh? 395 00:23:21,880 --> 00:23:31,040 Speaker 11: Jeezus, lord, well, I'm gonna have to call her and 396 00:23:31,119 --> 00:23:32,080 Speaker 11: ask her what she spit. 397 00:23:32,040 --> 00:23:32,359 Speaker 3: It with me. 398 00:23:32,400 --> 00:23:34,400 Speaker 10: I guess okay, and I don't. 399 00:23:34,160 --> 00:23:34,639 Speaker 1: Need to make it. 400 00:23:34,920 --> 00:23:36,840 Speaker 2: That's first class of coach. 401 00:23:37,320 --> 00:23:41,480 Speaker 1: It's no first class of coach in Greyhound. It's first come, first, third. 402 00:23:42,359 --> 00:23:45,400 Speaker 2: Oh okay, then okay, thank you dollar ha a good 403 00:23:45,400 --> 00:23:45,880 Speaker 2: week year. 404 00:23:46,200 --> 00:23:48,120 Speaker 10: Tell you mommy and my asking how you're drink. 405 00:23:48,280 --> 00:23:52,560 Speaker 1: Okay, I should arrest me or take me to Texas 406 00:23:52,760 --> 00:23:55,240 Speaker 1: because I'm ready to get out of this state. I 407 00:23:55,320 --> 00:24:00,800 Speaker 1: think Michael Barry rocks, I don't like you. I tell 408 00:24:00,800 --> 00:24:03,560 Speaker 1: you this next story and we play the sixty minutes report. 409 00:24:04,800 --> 00:24:11,400 Speaker 1: I need to let you know that Texans are mildly 410 00:24:11,440 --> 00:24:16,640 Speaker 1: obsessed with cockroaches. That may be because we have very 411 00:24:16,720 --> 00:24:20,040 Speaker 1: large cockroaches. I don't know what size cockroaches you have 412 00:24:20,119 --> 00:24:22,680 Speaker 1: in your state, but I've been told that Texas cockroaches 413 00:24:22,680 --> 00:24:25,399 Speaker 1: are bigger. But Texans have a tendency, and I'm as 414 00:24:25,400 --> 00:24:29,639 Speaker 1: guilty as the next guy. We have a tendency to 415 00:24:29,680 --> 00:24:32,960 Speaker 1: think everything in Texas is bigger and better, even if 416 00:24:33,000 --> 00:24:36,840 Speaker 1: it's not necessarily. But we are mildly obsessed with cockroaches, 417 00:24:36,880 --> 00:24:41,359 Speaker 1: and even al Pacino's pronunciation of cockroach in in scarface 418 00:24:41,440 --> 00:24:46,840 Speaker 1: is perfect. We love to talk about cockroaches some women, 419 00:24:46,880 --> 00:24:50,760 Speaker 1: because they'll fly around we'll freak out. So any story 420 00:24:50,800 --> 00:24:53,440 Speaker 1: that involves the cockroach we're probably going to share with you, 421 00:24:53,680 --> 00:25:03,280 Speaker 1: and this one is no different. Sixty minutes cockroaches fitted 422 00:25:03,320 --> 00:25:06,679 Speaker 1: with tiny backpacks could be part of the future of 423 00:25:06,760 --> 00:25:13,159 Speaker 1: spycraft search and rescue missions, thank you thanks to a 424 00:25:13,359 --> 00:25:22,080 Speaker 1: German startup, swarm Biotactics, a German startup is working to 425 00:25:22,160 --> 00:25:29,399 Speaker 1: fit Madagascar hissing cockroaches with tiny backpacks that could carry cameras, microphones, 426 00:25:29,960 --> 00:25:34,360 Speaker 1: and Doppler radio. The species is small enough to fit 427 00:25:34,400 --> 00:25:38,400 Speaker 1: almost anywhere and resilient enough to survive environments it could 428 00:25:38,440 --> 00:25:45,720 Speaker 1: be dangerous to people. The story from sixty minutes, that's 429 00:25:45,760 --> 00:25:46,720 Speaker 1: KLIP number fifteen. 430 00:25:47,200 --> 00:25:52,280 Speaker 5: The Defense Ministry is thinking outside the box, way outside 431 00:25:52,359 --> 00:25:56,120 Speaker 5: the box. It's funding tests to see if these giant 432 00:25:56,200 --> 00:26:02,560 Speaker 5: Madagascar hissing cockroaches can be repurposed repulsive pests to miniature 433 00:26:02,720 --> 00:26:04,159 Speaker 5: battlefield assets. 434 00:26:04,720 --> 00:26:07,320 Speaker 9: This is a left turn, and this is a right turn. 435 00:26:08,080 --> 00:26:12,800 Speaker 5: Stephen Wilhelm's year old startup, Swarm Biotactics in Central Germany 436 00:26:13,240 --> 00:26:16,960 Speaker 5: is working with the bundesvert to develop technology that can 437 00:26:17,000 --> 00:26:22,160 Speaker 5: steer the creepy critters autonomously and send them on reconnaissance missions. 438 00:26:22,640 --> 00:26:24,399 Speaker 5: He let me take control. 439 00:26:26,080 --> 00:26:29,760 Speaker 9: Wow, they're super resilient and as you can see, I 440 00:26:29,800 --> 00:26:33,119 Speaker 9: mean there can crawl through tiny spaces, can go up 441 00:26:33,160 --> 00:26:36,679 Speaker 9: the wall, into pipes on the ground and rubble. 442 00:26:37,000 --> 00:26:43,920 Speaker 5: You know this is really bizarre, is it? Swarms insect 443 00:26:44,040 --> 00:26:49,280 Speaker 5: neuroscientists attach electrodes to the roaches antennae. They insist this 444 00:26:49,359 --> 00:26:55,200 Speaker 5: doesn't hurt, stimulating their natural ability to navigate. The electrodes 445 00:26:55,200 --> 00:26:58,639 Speaker 5: are hidden in these bug sized backpacks, along with a 446 00:26:58,720 --> 00:27:03,000 Speaker 5: battery and microchin. They're working to shrink the technology to 447 00:27:03,119 --> 00:27:10,680 Speaker 5: soon look like this. Swarms. AI generated videos shows how 448 00:27:10,760 --> 00:27:15,920 Speaker 5: they might be deployed, carrying cameras, microphones, and Duppler radar 449 00:27:16,119 --> 00:27:17,360 Speaker 5: into war zones. 450 00:27:20,520 --> 00:27:25,600 Speaker 1: It's kind of cool. Backpacks aren't just for school anymore, Romone. 451 00:27:27,240 --> 00:27:31,640 Speaker 1: You see adults carrying backpacks around everywhere. It's I guess 452 00:27:31,680 --> 00:27:35,360 Speaker 1: it's a good way to tear your laptop or tablet. 453 00:27:35,760 --> 00:27:39,480 Speaker 1: Can you imagine seeing a cockroach carrying around a backpack? 454 00:27:39,760 --> 00:27:43,439 Speaker 1: Now that that's a visual. Her little Stanley water bottle 455 00:27:43,480 --> 00:27:48,760 Speaker 1: in his side pocket on Monday, he has his blue one. 456 00:27:49,760 --> 00:27:53,480 Speaker 1: On Tuesday, it's a gun metal blat. You got a 457 00:27:53,520 --> 00:27:58,000 Speaker 1: little different one for everyone. The little cockroach in his backpack? 458 00:27:59,080 --> 00:28:01,159 Speaker 1: What kind of training do you give a guy? How 459 00:28:01,240 --> 00:28:04,640 Speaker 1: do you train a cockroach like that? How do they 460 00:28:04,680 --> 00:28:06,840 Speaker 1: not scatter when the lights turn on? I mean, I 461 00:28:06,920 --> 00:28:11,119 Speaker 1: got a German dude with his German accent and his 462 00:28:11,440 --> 00:28:17,880 Speaker 1: prototypically German self, incapable of catching a joke, training the roach. 463 00:28:17,920 --> 00:28:20,520 Speaker 1: I could just see him there, just coaxing the roach. 464 00:28:26,720 --> 00:28:30,440 Speaker 1: You think little roach parents are disappointed when their little 465 00:28:30,480 --> 00:28:38,560 Speaker 1: roach doesn't want to take over the family business. Wire 466 00:28:38,680 --> 00:28:44,920 Speaker 1: Roach is so damn funny. Daddy Roach is very disappointed 467 00:28:45,440 --> 00:28:47,959 Speaker 1: that baby roach doesn't want to go to medical school. 468 00:28:48,360 --> 00:28:52,200 Speaker 1: He wants to be a spy. Can you imagine the 469 00:28:52,320 --> 00:28:58,880 Speaker 1: disappointment when a little jeth Roach, little jethroats Bodine comes 470 00:28:58,920 --> 00:29:03,360 Speaker 1: home and announces he doesn't want to be a brain surgeon, 471 00:29:03,640 --> 00:29:05,400 Speaker 1: and Daddy Roach has to deal with that. 472 00:29:06,440 --> 00:29:08,480 Speaker 4: Uncle Jed, I decided I ain't going to be a 473 00:29:08,480 --> 00:29:09,160 Speaker 4: brain surgeon. 474 00:29:11,880 --> 00:29:14,600 Speaker 1: I can bear up under that always. 475 00:29:14,600 --> 00:29:16,960 Speaker 3: You got granny, maybe one doctor in the family's enough, 476 00:29:18,400 --> 00:29:19,480 Speaker 3: but you're glad you're taking it. 477 00:29:19,600 --> 00:29:22,120 Speaker 1: So good? What made you change your mind? 478 00:29:23,200 --> 00:29:25,560 Speaker 4: I've seen another one of them double out spy movies, 479 00:29:25,840 --> 00:29:27,320 Speaker 4: Uncle Jed, that is what I was. 480 00:29:27,280 --> 00:29:27,720 Speaker 1: Meant to be. 481 00:29:28,840 --> 00:29:31,000 Speaker 4: Non seven has got the world by the tail. 482 00:29:32,840 --> 00:29:35,400 Speaker 3: Yeah, I remember you was all fired up over him 483 00:29:35,440 --> 00:29:38,560 Speaker 3: a while back. He's one does all that fighting and loving? 484 00:29:38,800 --> 00:29:39,400 Speaker 1: Does he? 485 00:29:39,480 --> 00:29:39,760 Speaker 5: Ever? 486 00:29:41,040 --> 00:29:44,960 Speaker 4: Hey, as long as you're working on shoes, would you 487 00:29:45,040 --> 00:29:46,520 Speaker 4: mind hollering out the heel so I can put a 488 00:29:46,520 --> 00:29:51,160 Speaker 4: little radio in there. Radio and the heelier shoe deer. 489 00:29:51,400 --> 00:29:53,080 Speaker 1: That's where Double Knots seven carries. 490 00:29:52,880 --> 00:29:56,080 Speaker 3: Is seems like a mighty unhandy place to carry it. 491 00:29:56,400 --> 00:30:00,080 Speaker 1: Why don't he just carry in his pocket? Wal? I 492 00:30:00,120 --> 00:30:02,200 Speaker 1: can't tell you that secret. 493 00:30:03,360 --> 00:30:21,600 Speaker 4: Oh sure, I just ain't sure. 494 00:30:28,840 --> 00:30:32,400 Speaker 1: I don't know. They got me done? Okay, look at. 495 00:30:32,320 --> 00:30:37,840 Speaker 4: Me, mother, like you've got. 496 00:30:39,440 --> 00:30:39,960 Speaker 12: I don't play. 497 00:30:40,000 --> 00:30:40,680 Speaker 1: They got me done? 498 00:30:41,240 --> 00:30:54,240 Speaker 12: Okay, Yeah, I mean let go. I'm gonna faty wah wah. 499 00:30:57,680 --> 00:31:14,840 Speaker 1: Who do you got to me? Don't they bothered? 500 00:31:18,080 --> 00:31:21,400 Speaker 12: You got you? Got ya? 501 00:31:21,440 --> 00:31:22,280 Speaker 1: Don't they got you? 502 00:31:25,800 --> 00:31:36,920 Speaker 13: Somewhere in Mexican history, some dude Holly drunk and brachod 503 00:31:37,800 --> 00:31:44,240 Speaker 13: they like, some drunk Mexican said Hey, I had a 504 00:31:44,280 --> 00:31:45,680 Speaker 13: new song. We need to record. 505 00:31:47,120 --> 00:31:49,880 Speaker 1: Is it a love song? Is it a ballad? 506 00:31:51,040 --> 00:31:51,080 Speaker 9: No? 507 00:31:51,800 --> 00:31:59,280 Speaker 1: No, it's about a roach. You can't walk. It's a metaphor, 508 00:31:59,760 --> 00:32:07,320 Speaker 1: it's it's an allegory. It's yeah. What's it called leko karacha? 509 00:32:08,280 --> 00:32:10,360 Speaker 1: You want us to record a song called the roach? 510 00:32:11,520 --> 00:32:13,680 Speaker 1: We got one hour studio time, and you want us 511 00:32:13,720 --> 00:32:17,200 Speaker 1: to go in and cut a song called the roach. Yeah, 512 00:32:18,200 --> 00:32:24,680 Speaker 1: he's good, it's really good. Yeah, And he did, And 513 00:32:24,800 --> 00:32:28,480 Speaker 1: here we are ninety nine point nine percent of vackicine 514 00:32:28,520 --> 00:32:35,720 Speaker 1: songs ever recorded. I don't know, but laucarachas, thank you 515 00:32:36,240 --> 00:32:37,000 Speaker 1: and good night,