WEBVTT - Futurama S11, Invincible: Atom Eve, & Picketing w/ Cody Ziglar

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<v Speaker 1>Warning, this podcast contains light spoilers for Futurama first couple

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<v Speaker 1>of episodes and some heavier spoilers for the Adam Eves

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<v Speaker 1>special episode of Invincible. Hello, my name is Jason Stepcio

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<v Speaker 1>and I'm Rosey Night and welcome to x ray Vision,

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<v Speaker 1>the Crooked media podcast where we've dived deep in your

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<v Speaker 1>favorite shows, movies, comics, and pop culture.

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<v Speaker 2>In this episode, in the previously on, we are talking

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<v Speaker 2>about Loki season two's trailer from the Struck Disney Corporation.

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<v Speaker 1>Save us Loki, your only hope.

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<v Speaker 2>There are any hope in the airlock. It's animated TV time,

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<v Speaker 2>including the surprise Invincible season two zero episode about Atamy

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<v Speaker 2>which was delightful, and the amazing Futurama season eleven with

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<v Speaker 2>cody'sig Zigla Drama's back, It's back baby in that out

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<v Speaker 2>a comics recommendation question.

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<v Speaker 3>And as I mentioned, we are joined today by Cody A.

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<v Speaker 4>I am good.

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<v Speaker 5>I am fresh off of picking this Struck Company Disney

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<v Speaker 5>this afternoon, and even though the humidity is out, everyone

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<v Speaker 5>is also still loud. It was this is the first

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<v Speaker 5>time I've been there since Sag has joined the fold.

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<v Speaker 5>Not unlike the rest of the Avengers are joining. Uh,

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<v Speaker 5>Captain America on your left, don your left, Yeah, I am.

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<v Speaker 5>I am so glad that new blood is out there

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<v Speaker 5>because I was so drained after only their being there

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<v Speaker 5>for like forty minutes in the heat. So it is

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<v Speaker 5>definitely nice seeing some like young enthusiastic faces. Also, uh,

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<v Speaker 5>I forget how many children are actually in SAG. So

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<v Speaker 5>I was out there there like there are a lot

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<v Speaker 5>of kids. I was like, I forget that there are

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<v Speaker 5>legitimately a lot of children in this union because I

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<v Speaker 5>was like, man, these people really brought all their children out.

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<v Speaker 5>Then I'm like, oh wait, these are actual union members

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<v Speaker 5>of SAG. So that explains why they are like eight

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<v Speaker 5>year olds on the line. That makes a lot more sense.

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<v Speaker 3>Dude.

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<v Speaker 2>How evil do you have to be as in a

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<v Speaker 2>corporation that you have an eight year old picket in

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<v Speaker 2>the year that's so sick at your children of the future?

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<v Speaker 4>Baby?

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<v Speaker 2>Yea.

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<v Speaker 1>Let me just say I was at I was picketing

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<v Speaker 1>Universal last week in the heat, in the in the

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<v Speaker 1>extreme heat of the valley. For the event was just

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<v Speaker 1>a normal picnic, but it was all comics writers or

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<v Speaker 1>friend zeb Wells was there. Our friend Andrew t was there.

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<v Speaker 1>Other people were there, lots of folks. But one thing

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<v Speaker 1>I found out at this particular picket on Lancashire Boulevard

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<v Speaker 1>in the Valley is that SAG is not allowed to

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<v Speaker 1>picket there because it's literally too dangerous.

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<v Speaker 3>Yeah.

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<v Speaker 1>Really they were afraid that, like a note, some notable

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<v Speaker 1>actor could get smushed. And it's true because you're crossing

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<v Speaker 1>a lot of roads. Also, they've like done you know,

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<v Speaker 1>this is the place where they cut the trees, and

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<v Speaker 1>it's also the place where I guess they had to

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<v Speaker 1>do some construction on the sidewalk. Yeah, so you have

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<v Speaker 1>to walk in the street.

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<v Speaker 3>Yeah, I think I just saw today.

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<v Speaker 2>I think somebody shed that maybe they've made they've now

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<v Speaker 2>made a new gate to make it safe for people

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<v Speaker 2>to pick it there, which is something SAG has been

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<v Speaker 2>asking for for a long time because as you mentioned,

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<v Speaker 2>like with the cut trees, which was done against the

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<v Speaker 2>city regulations, they've definitely been making that as hard a

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<v Speaker 2>place as possible for people to pick it, just the nuts.

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<v Speaker 1>It's also the place where apparently people have been intentionally

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<v Speaker 1>hit by cars, cars trying to hit people over there.

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<v Speaker 5>I think it's also funny that they were like, you know,

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<v Speaker 5>this is where the combook creators can go.

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<v Speaker 4>They've went to them. There they'll go.

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<v Speaker 3>They don't have a union.

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<v Speaker 4>Does the world need another Wally West story? We don't know.

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<v Speaker 4>Send them there.

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<v Speaker 2>You know.

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<v Speaker 1>Well, let's get into it. Coming up next. Previously on

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<v Speaker 1>first up in the previously on the Loki season two trailer,

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<v Speaker 1>which came out today. We're taping this on a Monday,

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<v Speaker 1>and uh the trailer appeared this morning with a wonderful

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<v Speaker 1>surprise the appearance of Ki Kwan as Orobaros and folks,

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<v Speaker 1>let's hope that this is the is the show that

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<v Speaker 1>can swing things back to good feelings for the MCU

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<v Speaker 1>on television, because it looked fun and it was great

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<v Speaker 1>to be to spend time with some old favorites. Your thoughts, Yeah.

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<v Speaker 3>I think it's very interesting.

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<v Speaker 2>I think they're in a tough situation because it is

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<v Speaker 2>very Kang focused as much as they kind of.

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<v Speaker 1>Only appears his face. This only appears for like half

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<v Speaker 1>a second.

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<v Speaker 3>It feels like out of the threat I do.

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<v Speaker 2>I will, I will say I have a piece coming out,

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<v Speaker 2>which was my theory all along, which I'm sticking to now,

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<v Speaker 2>which is I hope there is an easy fix for

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<v Speaker 2>this entire situation, which is Ravona Renslayer was Kang in

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<v Speaker 2>the comics during the Terminatrix objective, and it would be

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<v Speaker 2>really easy to just make Ravona Kang and.

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<v Speaker 3>Let Google have her moment in the Sun. I think it.

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<v Speaker 2>I think it's really smart. Yeah, it looks fun. Disney,

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<v Speaker 2>pay your writers, like pay some actors too, Like sounds

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<v Speaker 2>like they're they're also strong.

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<v Speaker 3>Interesting.

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<v Speaker 2>I didn't know it was like co directed by Justin

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<v Speaker 2>Benson and Aaron Moorehead who are like really weird in

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<v Speaker 2>the horror guys who've made a lot of like cosmic horror.

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<v Speaker 2>So that was interesting when I found that out.

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<v Speaker 5>Yeah, any thoughts, you know, I will say it. I

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<v Speaker 5>did watch the trailer today. I will say the thing

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<v Speaker 5>that I've always been drawn to most about the Loki

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<v Speaker 5>series that it seems like the most outside of gardens

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<v Speaker 5>of the Galaxy, the most tapped into, like how fun

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<v Speaker 5>the cosmic side of.

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<v Speaker 4>Like Marvel could be.

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<v Speaker 5>Yeah, and like even with this trailer, like it seemed fun,

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<v Speaker 5>it seemed like the most comic bookie. It seems like

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<v Speaker 5>it's the most it's the series that gels together the most.

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<v Speaker 5>I think consistently, Like I think, like with one division,

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<v Speaker 5>like those first six or seven episodes when it was

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<v Speaker 5>just a TV episode from a different decade, like they

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<v Speaker 5>sort of like lean into like the medium, which is

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<v Speaker 5>like this, this is like a fun like almost like

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<v Speaker 5>Quantum leap Rick and Morty type of like yeah, TV show,

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<v Speaker 5>And like I'm gonna be optimistic, Like I enjoyed the

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<v Speaker 5>trailer owhen Wilson looks like he's having like a lot

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<v Speaker 5>of fun in this. Yeah, So like I'm I'm remaining

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<v Speaker 5>optimistic and I am very curious to see like how

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<v Speaker 5>the Kang of it all is one of sort of

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<v Speaker 5>like sort itself out.

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<v Speaker 1>Yeah, yes, that is the question.

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<v Speaker 3>That's the big question.

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<v Speaker 1>I think. Here's my Well, I guess this is a prediction.

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<v Speaker 1>I think you're right, Rosie in that they'll There was

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<v Speaker 1>probably some last minute tweaking, but they will. I'm assuming

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<v Speaker 1>let this series run as it was intended to run,

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<v Speaker 1>and that poosts this they'll move on from. Certainly Jonathan

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<v Speaker 1>Major's as Kang, and maybe Kang in general is like

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<v Speaker 1>the focus. But I also feel like the flash probably

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<v Speaker 1>gave them some cover. Weirdly in a terrible way to

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<v Speaker 1>think about it the Flash gone away, I keep running.

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<v Speaker 2>I think I think that was definitely influential. I think

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<v Speaker 2>because the Flash didn't make a lot of money, that

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<v Speaker 2>also probably impacted the way they decided to go forward,

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<v Speaker 2>Like it was released, but it wasn't a hit, you know,

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<v Speaker 2>So I'm interested to see how that influences them. Also,

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<v Speaker 2>I do need to say something I find very interesting

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<v Speaker 2>about this is like, so that this is very like

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<v Speaker 2>you're saying, like the Rick and Morty of it all.

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<v Speaker 3>So Loki seems to be in this situation.

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<v Speaker 2>Where he's like time slipping they call it, where he

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<v Speaker 2>kind of can't control where he's going. Yeah, that's very

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<v Speaker 2>similar to the conceit of the Marvels where they keep

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<v Speaker 2>switching between time and space. I am unsure whether that

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<v Speaker 2>is going to be connected or whether it's just a

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<v Speaker 2>total coincidence, because this I would have before been like

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<v Speaker 2>this is obviously there's some kind of cosmic entanglement, But

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<v Speaker 2>nowadays I'm just interested to see how that plays out

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<v Speaker 2>because it seems very similar.

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<v Speaker 3>But it looks fun. I like that kind of stuff.

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<v Speaker 4>Yeah, yeah, I like that.

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<v Speaker 5>Also, you know, the conceit of Marvels that they are

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<v Speaker 5>not afraid to recast anyone, no matter how many movies

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<v Speaker 5>you've been in, so like, yeah, also what the added

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<v Speaker 5>benefit of like you know, there's an infinite number of kings,

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<v Speaker 5>so like you know, all of a sudden, we're going

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<v Speaker 5>to go to a king exactly thirty seven QB. It's

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<v Speaker 5>like a little different than than maybe the other kings

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<v Speaker 5>we've seen, so like, yeah, and there's.

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<v Speaker 2>Time there's times in the comment where Kang is like

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<v Speaker 2>more of a mantle like that, different people from different

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<v Speaker 2>earths have you know, So I think, yeah, there's lots

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<v Speaker 2>of space that will be very interesting. Only six episodes,

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<v Speaker 2>so that will be interesting to see how it goes down.

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<v Speaker 2>It's yeah, I think what is it October? Some good yeah,

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<v Speaker 2>some good chill in time from now to then, and

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<v Speaker 2>hopefully it can come in with a bang and hopefully

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<v Speaker 2>everyone who worked on it got paid on time. We

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<v Speaker 2>know that didn't happen with some of the Secret Invasion folks,

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<v Speaker 2>as we heard cat Vasco saying on the picket line,

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<v Speaker 2>so oh my god, yeah we've paid.

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<v Speaker 1>Hold on, let's talk about this, okay.

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<v Speaker 2>So essentially cat Vasco, who was a co producer I

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<v Speaker 2>believe and a writer on Secret invasion said that Disney

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<v Speaker 2>thought that if they paid people on time to work

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<v Speaker 2>on MCU shows, they wouldn't be as eager to like

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<v Speaker 2>work hard.

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<v Speaker 1>I'm going to read I'm going to read the quote

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<v Speaker 1>here it is. So this is again from cat Vasco

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<v Speaker 1>as told to the rap uh and here is the

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<v Speaker 1>quote quote. Their explanation was, and this is about writers

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<v Speaker 1>getting paid on time, which is a continual issue, whether

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<v Speaker 1>it's the w G A SAG, getting your money is

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<v Speaker 1>a multi week, multi month process. There are there are

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<v Speaker 1>things in the contracts that say that stipulate you have

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<v Speaker 1>to be paid according to a certain timetable. And honestly,

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<v Speaker 1>the a mt PTP in the studio is just ignoring.

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<v Speaker 4>It, and they ignore it.

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<v Speaker 3>Braz keep ignoring it.

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<v Speaker 1>We're going to keep ignoring it. Yeah. Yeah, they've been very,

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<v Speaker 1>very very straightforward about the fact that they are not

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<v Speaker 1>going to adhere to any kind of payment deadlines. Anyway,

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<v Speaker 1>here is cat mascow to the rap quote. Their explanation

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<v Speaker 1>the AMPTP was, then we wouldn't be incentivized to work

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<v Speaker 1>as hard. It's insulting to hear with the amount of

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<v Speaker 1>work that we're already that we already do for free,

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<v Speaker 1>so Kat essentially saying that what she got from a

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<v Speaker 1>conversation one would one would surmise from some Disney exec

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<v Speaker 1>was that, Uh, the reason we can't pay you is

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<v Speaker 1>because then you guys are just gonna go and play

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<v Speaker 1>Fortnite and I'm just gonna buy some relaxing Yeah, and listen,

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<v Speaker 1>I'm suretranged if you I'm sure that if you could

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<v Speaker 1>get this exec on the record, it was not what

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<v Speaker 1>I meant at all. I just meant it. Yeah, I

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<v Speaker 1>don't mean that at.

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<v Speaker 3>Taking out of context.

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<v Speaker 4>Yeah, yeah, I was.

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<v Speaker 1>Trying to say, I understand how much the writers love

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<v Speaker 1>the work. They do it to the passion of the work.

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<v Speaker 3>You understand it. They creativity, Like David Saslov said, we

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<v Speaker 3>all love it. That's why we'll get back to work

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<v Speaker 3>for the love of making things.

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<v Speaker 4>I love being in a room for eight to ten

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<v Speaker 4>hours a day not getting paid.

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<v Speaker 1>I love wondering where the money is coming from, saying

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<v Speaker 1>you're emailing you're rep saying hey, can you bug them again? Yeah?

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<v Speaker 2>I ran I'm like, this is one of the reasons

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<v Speaker 2>I was happy to see the comic book writers picket,

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<v Speaker 2>because like, this is a similar thing in comics. I

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<v Speaker 2>love to write a script to a specific commission and

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<v Speaker 2>then be told that the commission has changed and have

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<v Speaker 2>to rewrite it for free.

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<v Speaker 3>And that happens a lot.

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<v Speaker 2>Oh actually, now this character can't be involved or this

0:12:26.960 --> 0:12:28.839
<v Speaker 2>character can't do that, so can you rewrite it? And

0:12:28.960 --> 0:12:31.839
<v Speaker 2>know you're your contract that you signed does not a

0:12:31.960 --> 0:12:34.240
<v Speaker 2>work via contract give you money for rewrites?

0:12:34.640 --> 0:12:36.439
<v Speaker 3>Like the amount of free work people.

0:12:36.280 --> 0:12:39.480
<v Speaker 2>Are already doing in creative industries is like people don't

0:12:39.480 --> 0:12:40.640
<v Speaker 2>even realize how much of.

0:12:40.679 --> 0:12:41.560
<v Speaker 3>What you do is free.

0:12:41.920 --> 0:12:45.640
<v Speaker 5>Yeah, yeah, another think, I think it. I think it

0:12:45.760 --> 0:12:48.200
<v Speaker 5>took me a month to get my first Sheehawk paycheck

0:12:48.240 --> 0:12:50.160
<v Speaker 5>now that I think about it, Like, I just went

0:12:50.240 --> 0:12:52.679
<v Speaker 5>back to my emails to look when my starting was

0:12:52.800 --> 0:12:54.800
<v Speaker 5>and when my first actual check was and it was

0:12:55.800 --> 0:12:58.280
<v Speaker 5>thirty days to the actual time that I started.

0:12:58.880 --> 0:13:01.480
<v Speaker 4>So continues.

0:13:02.720 --> 0:13:22.360
<v Speaker 1>Yes, up next Futurama and Adam Eve. Let's talk about

0:13:22.760 --> 0:13:25.679
<v Speaker 1>something much more fun, and that is Futurama on Hulu,

0:13:26.840 --> 0:13:29.959
<v Speaker 1>or at least on the Struck Company Hulu that is

0:13:30.040 --> 0:13:34.480
<v Speaker 1>owned by multiple Struck companies. But one of one of

0:13:34.520 --> 0:13:37.760
<v Speaker 1>the writers on that particular series is Cody zig Ziggler,

0:13:37.840 --> 0:13:40.959
<v Speaker 1>who has once again managed to sneak himself into a

0:13:41.120 --> 0:13:44.640
<v Speaker 1>frame of a television program.

0:13:45.679 --> 0:13:47.920
<v Speaker 3>Making yourself canon in every series.

0:13:48.480 --> 0:13:51.559
<v Speaker 1>Yes, tell us about futur On returning to the screen.

0:13:53.320 --> 0:13:55.760
<v Speaker 5>It's a I'm not sure Like most people, actually, I'm sure,

0:13:55.800 --> 0:13:57.520
<v Speaker 5>Like both of you are huge fans of The Simpsons

0:13:57.559 --> 0:13:58.560
<v Speaker 5>and Futuruma growing up.

0:13:58.600 --> 0:13:58.760
<v Speaker 3>Yeah.

0:13:59.320 --> 0:14:01.040
<v Speaker 5>Yeah, When I, you know, got the call that I

0:14:01.200 --> 0:14:02.520
<v Speaker 5>was coming back and I could be a part of it,

0:14:02.600 --> 0:14:06.199
<v Speaker 5>it was a dream come true. I am a huge

0:14:06.240 --> 0:14:08.640
<v Speaker 5>fan of that series and the Simpsons. Like you know,

0:14:08.720 --> 0:14:12.120
<v Speaker 5>I probably I've seen every episode of The Simpsons from

0:14:12.160 --> 0:14:15.199
<v Speaker 5>season one to at least nine, at least five times,

0:14:15.280 --> 0:14:18.400
<v Speaker 5>if I had to guess, Yeah, and you know, as

0:14:18.440 --> 0:14:21.440
<v Speaker 5>someone you know, you guys have sort of been with

0:14:21.560 --> 0:14:23.520
<v Speaker 5>me as my director of my career has continued on

0:14:23.640 --> 0:14:25.640
<v Speaker 5>from like you know, she hoped to Rick and Morty

0:14:25.720 --> 0:14:28.280
<v Speaker 5>to this, so like you can look at my resume

0:14:28.320 --> 0:14:29.600
<v Speaker 5>and see what kind of stuff I'm into, which is

0:14:29.680 --> 0:14:30.800
<v Speaker 5>like the sci fi stuff of it all.

0:14:31.880 --> 0:14:34.760
<v Speaker 4>But like one thing that I thought really sort of stuck.

0:14:34.560 --> 0:14:38.840
<v Speaker 5>Out with the Futurama writers in particular, show ran by

0:14:39.120 --> 0:14:42.400
<v Speaker 5>David Exco one super super super funny talented guys.

0:14:42.200 --> 0:14:45.240
<v Speaker 4>That they really are like a NERD's nerd.

0:14:45.400 --> 0:14:47.640
<v Speaker 5>Like, this is the only show I've worked on where

0:14:47.680 --> 0:14:50.320
<v Speaker 5>like multiple people in the room had PhDs and they

0:14:50.360 --> 0:14:54.040
<v Speaker 5>would spend thirty to forty minutes a day trying to

0:14:54.080 --> 0:14:56.920
<v Speaker 5>make a joke about a very specific math theorem that

0:14:56.960 --> 0:14:58.440
<v Speaker 5>would be on the back of a chalkboard that I

0:14:58.600 --> 0:14:59.480
<v Speaker 5>just couldn't understand.

0:15:00.240 --> 0:15:02.200
<v Speaker 4>They were really passionate about.

0:15:02.600 --> 0:15:05.840
<v Speaker 2>This is like you in the Sheehock room, Yeah, telling

0:15:05.920 --> 0:15:09.400
<v Speaker 2>people about dead about like quantum physics.

0:15:09.480 --> 0:15:10.320
<v Speaker 4>Yeah, exactly, this is me.

0:15:10.400 --> 0:15:12.840
<v Speaker 5>Pulling up my Daredevil comic, but it's them talking about

0:15:12.920 --> 0:15:15.680
<v Speaker 5>like what how many angles are in an actual triangle?

0:15:15.760 --> 0:15:17.880
<v Speaker 5>But that triangle now is going to be whatever that

0:15:17.960 --> 0:15:20.720
<v Speaker 5>there's a very specific geometry drink in the first episode

0:15:21.080 --> 0:15:23.840
<v Speaker 5>that when they spent twenty minutes trying to figure out

0:15:23.960 --> 0:15:28.200
<v Speaker 5>how exactly this shape would form. And that was very

0:15:28.280 --> 0:15:31.240
<v Speaker 5>much every episode of that show was like the two

0:15:31.480 --> 0:15:34.240
<v Speaker 5>or three PhD guys, you know, trying to get their

0:15:34.400 --> 0:15:37.080
<v Speaker 5>very very niche jokes while everyone else is like, yeah,

0:15:37.160 --> 0:15:38.880
<v Speaker 5>but would have been just slipped on like a space

0:15:39.280 --> 0:15:40.600
<v Speaker 5>space banana like stuff like that.

0:15:40.720 --> 0:15:40.920
<v Speaker 3>It was.

0:15:43.120 --> 0:15:45.720
<v Speaker 5>It was very fun and it was also it's it

0:15:45.880 --> 0:15:49.000
<v Speaker 5>was just so cool, you know, seeing how the soup

0:15:49.120 --> 0:15:52.720
<v Speaker 5>is made, how the sausage is Like, you know, we

0:15:52.840 --> 0:15:54.240
<v Speaker 5>were lucky in that half the room where sort of

0:15:54.280 --> 0:15:56.720
<v Speaker 5>like these old school o G guys and like the

0:15:56.800 --> 0:15:59.000
<v Speaker 5>other half where people our ah, so like you know,

0:15:59.640 --> 0:16:02.000
<v Speaker 5>we get we got to. I mean, as you'll see

0:16:02.040 --> 0:16:05.000
<v Speaker 5>in later episodes, really add like sort of our perspective

0:16:05.040 --> 0:16:08.000
<v Speaker 5>on things and seeing how you know, sort of like

0:16:08.160 --> 0:16:10.760
<v Speaker 5>you know, it's such a fun mass mash thing, like

0:16:11.240 --> 0:16:14.560
<v Speaker 5>here's a reference to like a sixties like bubblegum commercial

0:16:14.920 --> 0:16:16.760
<v Speaker 5>and now we're going to have a reference to black mirror,

0:16:16.840 --> 0:16:21.440
<v Speaker 5>Like that's basically yeah, scary mirror. Yeah, there's a lot

0:16:21.480 --> 0:16:22.240
<v Speaker 5>of fun stuff like that.

0:16:22.880 --> 0:16:26.160
<v Speaker 2>One of the things that I found really interesting about

0:16:26.240 --> 0:16:28.360
<v Speaker 2>this and Sheeholk can obviously reckon more hears in this

0:16:28.440 --> 0:16:31.480
<v Speaker 2>space too, but like you know, the Sheahowk finale and

0:16:31.560 --> 0:16:35.920
<v Speaker 2>then the opening of Futurama, it's like super meta TV

0:16:36.720 --> 0:16:41.600
<v Speaker 2>about TV and TV writing. What is it about those stories?

0:16:41.640 --> 0:16:43.640
<v Speaker 2>Like you're always kind of in that space and in

0:16:43.760 --> 0:16:46.600
<v Speaker 2>that mindset, and it's like a very new not a

0:16:46.640 --> 0:16:48.680
<v Speaker 2>lot of TV is doing it, even though Futurama and

0:16:48.720 --> 0:16:51.520
<v Speaker 2>Simpsons have always been self referential, so could you talk

0:16:51.560 --> 0:16:53.480
<v Speaker 2>a little bit about that, because I thought it was crazy,

0:16:53.560 --> 0:16:57.000
<v Speaker 2>like just how many thematic and like humor similarities it

0:16:57.080 --> 0:16:58.240
<v Speaker 2>shared with the Sahok finale.

0:16:58.320 --> 0:16:58.840
<v Speaker 4>Oh that's funny.

0:16:58.960 --> 0:17:01.200
<v Speaker 5>I haven't actually thought about it, but I think, you know,

0:17:02.200 --> 0:17:04.359
<v Speaker 5>I think all that stuff to be traced back to

0:17:04.480 --> 0:17:06.960
<v Speaker 5>even like the Simpsons, Like that was the first time

0:17:07.080 --> 0:17:08.800
<v Speaker 5>I ever remember as a kid watching a show of

0:17:08.880 --> 0:17:12.280
<v Speaker 5>being like, oh, people write this, like people, like not

0:17:12.400 --> 0:17:14.480
<v Speaker 5>even like just one person, it's like multiple people. Like

0:17:14.960 --> 0:17:16.720
<v Speaker 5>I just I think there's actually like an early Simpsons

0:17:16.800 --> 0:17:19.520
<v Speaker 5>episode where Bart and Lisa become like a writing team

0:17:19.760 --> 0:17:23.160
<v Speaker 5>and they they they write for like Itchy and Scratchy

0:17:23.240 --> 0:17:26.320
<v Speaker 5>and they make Grandpa's Grandpa Simpson be the actual adult.

0:17:26.440 --> 0:17:28.560
<v Speaker 5>But like there's even like a running riff in that

0:17:28.680 --> 0:17:31.200
<v Speaker 5>between like Harvard writers and like Yell writers and like

0:17:31.280 --> 0:17:31.800
<v Speaker 5>a beef.

0:17:31.640 --> 0:17:33.800
<v Speaker 4>That I know, those things that existed, so like I

0:17:33.960 --> 0:17:34.840
<v Speaker 4>definitely think that was.

0:17:34.880 --> 0:17:37.440
<v Speaker 5>Like sort of the early like the older like genesis

0:17:37.480 --> 0:17:40.919
<v Speaker 5>of that is like seeing these sort of behind the scenes,

0:17:41.160 --> 0:17:45.040
<v Speaker 5>very very very niche jokes for like a very for

0:17:45.119 --> 0:17:47.920
<v Speaker 5>a job, for a job where even now they're only

0:17:47.960 --> 0:17:50.760
<v Speaker 5>like what ten thousand members of the WJ. Yeah, something

0:17:50.840 --> 0:17:53.000
<v Speaker 5>like that, like as a joke for not a lot

0:17:53.040 --> 0:17:55.040
<v Speaker 5>of people, but like that's the first That was the

0:17:55.080 --> 0:17:57.760
<v Speaker 5>first show I remember watching and being like, oh, writers

0:17:57.800 --> 0:18:00.960
<v Speaker 5>are like things that exist. And also the Simpsons make

0:18:01.280 --> 0:18:03.760
<v Speaker 5>a point of, like at least once the season making

0:18:03.840 --> 0:18:05.040
<v Speaker 5>fun of television writers.

0:18:05.520 --> 0:18:06.280
<v Speaker 2>Yeah, you know.

0:18:06.440 --> 0:18:09.960
<v Speaker 5>Yeah, Futurama was was lucky in that we had you know,

0:18:10.080 --> 0:18:13.959
<v Speaker 5>Patrick Verone, who was who was like the previous WJ president,

0:18:14.040 --> 0:18:16.120
<v Speaker 5>so like he's the one that actually has the line

0:18:16.200 --> 0:18:18.119
<v Speaker 5>in the show that like I died, I do it,

0:18:18.200 --> 0:18:20.879
<v Speaker 5>died doing what I hated. Like I think that's just

0:18:20.960 --> 0:18:23.280
<v Speaker 5>like a time model of traditionion that I was lucky

0:18:23.359 --> 0:18:24.280
<v Speaker 5>enough to stumble onto.

0:18:24.440 --> 0:18:24.639
<v Speaker 2>You know.

0:18:27.200 --> 0:18:31.399
<v Speaker 1>How, like how far into the process would you be

0:18:31.600 --> 0:18:35.399
<v Speaker 1>before you'd start to see like visuals you start to

0:18:35.440 --> 0:18:38.760
<v Speaker 1>see any kind of you know, generated stuff to let

0:18:38.840 --> 0:18:40.879
<v Speaker 1>you know like what the scenes might be looking like.

0:18:41.440 --> 0:18:44.200
<v Speaker 4>This is uh, I will say future. First of all,

0:18:44.240 --> 0:18:45.399
<v Speaker 4>it's all we we had there.

0:18:45.520 --> 0:18:47.400
<v Speaker 5>So we had a cast and crew screening like maybe

0:18:47.440 --> 0:18:51.920
<v Speaker 5>two weeks ago, and one of the animation directors gave

0:18:51.960 --> 0:18:53.520
<v Speaker 5>a really lovely speech, but at the end of it

0:18:53.640 --> 0:18:56.639
<v Speaker 5>he was like, our job is to see a script

0:18:56.760 --> 0:18:58.919
<v Speaker 5>and be like, this is impossible, and then I had

0:18:58.960 --> 0:19:01.200
<v Speaker 5>a conversation with David going to be like is it

0:19:01.280 --> 0:19:03.320
<v Speaker 5>that impossible? And then we have to make it possible.

0:19:03.359 --> 0:19:10.160
<v Speaker 5>So we honestly saw no visuals. It was pretty much

0:19:10.400 --> 0:19:12.800
<v Speaker 5>everything that we wrote was like, Bestley, what would make

0:19:12.840 --> 0:19:15.320
<v Speaker 5>it into it? And there was another running joke that

0:19:16.600 --> 0:19:18.040
<v Speaker 5>that they would always have. It was like the four

0:19:18.119 --> 0:19:19.920
<v Speaker 5>worst wards you never wanted to hear, which is we

0:19:20.119 --> 0:19:22.600
<v Speaker 5>need sign jokes. So like anytime you see like a

0:19:22.720 --> 0:19:25.480
<v Speaker 5>product or like a sign or a billboard, we would

0:19:25.520 --> 0:19:28.680
<v Speaker 5>spend half a day making like fifteen different alts of

0:19:28.760 --> 0:19:30.719
<v Speaker 5>what that joke could be, and then we email them

0:19:30.760 --> 0:19:32.480
<v Speaker 5>and then they would pick the best one. So like

0:19:33.359 --> 0:19:35.200
<v Speaker 5>it truly was like you'd read a script and like

0:19:35.560 --> 0:19:37.439
<v Speaker 5>they would be like there's a tumbleweed that blows by

0:19:37.480 --> 0:19:39.359
<v Speaker 5>and on the backgrounds a sign that says like this,

0:19:39.600 --> 0:19:42.280
<v Speaker 5>So like it truly is like you see how much

0:19:42.320 --> 0:19:45.760
<v Speaker 5>work the writers put into it. But then also how

0:19:45.800 --> 0:19:47.360
<v Speaker 5>it's sort of hand in hand with like the animation

0:19:47.520 --> 0:19:50.440
<v Speaker 5>team Roughhouse or rough Raft with the animation studio, and

0:19:50.440 --> 0:19:52.480
<v Speaker 5>they did They've been an animation studio for a Futurama

0:19:52.520 --> 0:19:55.080
<v Speaker 5>for forever. But like a lot of it is just

0:19:55.200 --> 0:19:57.480
<v Speaker 5>like off the dome from like that writers, and then

0:19:58.040 --> 0:20:00.280
<v Speaker 5>you'll sort of get like some more funds up when

0:20:00.280 --> 0:20:02.119
<v Speaker 5>you get like animatics back, like you'll see sort of

0:20:02.200 --> 0:20:05.119
<v Speaker 5>like the art the artistry that the artists bring to it,

0:20:05.160 --> 0:20:08.720
<v Speaker 5>as far as like jokes, like I, well, this episode

0:20:08.720 --> 0:20:09.920
<v Speaker 5>hasn't come out, so I can't say it, but like

0:20:10.200 --> 0:20:12.000
<v Speaker 5>there's just some some stuff that they add to it

0:20:12.119 --> 0:20:14.720
<v Speaker 5>that's like you never it was not a joke, but

0:20:15.040 --> 0:20:16.800
<v Speaker 5>that was written down, but they added like a nice

0:20:16.880 --> 0:20:20.000
<v Speaker 5>fun visual joke, so it was it was, it was really,

0:20:20.119 --> 0:20:23.119
<v Speaker 5>it was really cool seeing the stages from like the animatics,

0:20:23.240 --> 0:20:25.919
<v Speaker 5>like the colored version to like the stick version versions

0:20:25.960 --> 0:20:27.959
<v Speaker 5>and seeing like it actually comes like a full fledged thing.

0:20:28.040 --> 0:20:31.280
<v Speaker 5>And now watching it on on you know, on the

0:20:31.320 --> 0:20:34.920
<v Speaker 5>Struck Company Hulu, who will not say the writers decent wages,

0:20:34.920 --> 0:20:35.399
<v Speaker 5>but they should.

0:20:36.040 --> 0:20:41.680
<v Speaker 1>You posted two screenshots recently on your account on the

0:20:41.920 --> 0:20:49.800
<v Speaker 1>social media platform now called x and we see from

0:20:50.080 --> 0:20:52.520
<v Speaker 1>these screenshots that you've done it again. You've managed to

0:20:52.600 --> 0:20:57.520
<v Speaker 1>get yourself into a frame of futurare much as you

0:20:57.640 --> 0:20:59.920
<v Speaker 1>appeared on screen, and the she y' all tell me,

0:21:01.119 --> 0:21:04.520
<v Speaker 1>how how do you do it? How do you keep

0:21:04.840 --> 0:21:07.320
<v Speaker 1>doing it, and how did you do it this time?

0:21:08.320 --> 0:21:09.800
<v Speaker 4>I completely lucked out?

0:21:10.000 --> 0:21:12.280
<v Speaker 5>And that you know the finale for she opened, she

0:21:12.359 --> 0:21:15.640
<v Speaker 5>comes to the writer's room and Jessica Guy the show runner,

0:21:15.720 --> 0:21:17.000
<v Speaker 5>was like, hey, do you want to come on set?

0:21:17.040 --> 0:21:19.040
<v Speaker 5>The only we can come on set because the regular

0:21:19.040 --> 0:21:21.160
<v Speaker 5>middle of COVID is you'd be an extra. I was like, yeah,

0:21:21.160 --> 0:21:22.520
<v Speaker 5>I can send the background. It's like, who do I

0:21:22.520 --> 0:21:23.960
<v Speaker 5>got to play? Is like, well, you got to play yourself?

0:21:23.960 --> 0:21:25.880
<v Speaker 5>I was like, well I can do that all day long.

0:21:26.000 --> 0:21:31.400
<v Speaker 5>So it's great. But for this, like the pilot episode originally,

0:21:31.560 --> 0:21:33.640
<v Speaker 5>like they go to the writer's room and it's Patrick

0:21:33.720 --> 0:21:35.919
<v Speaker 5>and there's another guy head in the jar.

0:21:36.000 --> 0:21:37.680
<v Speaker 4>His name is Eric. He's like another old school writer.

0:21:37.800 --> 0:21:38.480
<v Speaker 4>But that was really it.

0:21:39.080 --> 0:21:42.119
<v Speaker 5>And then you know, we were like we had we

0:21:42.200 --> 0:21:44.440
<v Speaker 5>had got like an animatic version in like with is

0:21:44.560 --> 0:21:47.080
<v Speaker 5>like the black and white version. And then David was like, hey,

0:21:47.560 --> 0:21:49.119
<v Speaker 5>new writers, can you just like send a couple of

0:21:49.160 --> 0:21:52.320
<v Speaker 5>pictures of yourself to the staff and if you guys

0:21:52.359 --> 0:21:53.480
<v Speaker 5>want to be in the TV show, If not, you

0:21:53.520 --> 0:21:55.440
<v Speaker 5>don't have to. They like immediately I made like a

0:21:55.480 --> 0:21:58.239
<v Speaker 5>folder with like all my records and stuff, like if

0:21:58.280 --> 0:22:01.240
<v Speaker 5>you notice like if you I'm sure Jason has seen it.

0:22:01.280 --> 0:22:03.480
<v Speaker 5>But like the blue sweatshirt I have is just my

0:22:03.680 --> 0:22:06.160
<v Speaker 5>La sweatshirt that I wear all the time. Like there's

0:22:06.200 --> 0:22:09.400
<v Speaker 5>a gold chain, like that's my that's it's like people

0:22:09.400 --> 0:22:11.800
<v Speaker 5>at home can't see it, but it's my black panther chain.

0:22:11.800 --> 0:22:14.000
<v Speaker 5>It's exact same chain I wear, and she whole episode

0:22:14.080 --> 0:22:16.160
<v Speaker 5>like it's truly just like, hey, just send a bunch

0:22:16.200 --> 0:22:18.040
<v Speaker 5>of pictures and like you will make a Simpsons slash

0:22:18.040 --> 0:22:20.399
<v Speaker 5>Futurama version of you, which is like honestly, like that

0:22:20.560 --> 0:22:22.520
<v Speaker 5>was the dream, Like I've always wanted to be like

0:22:23.000 --> 0:22:25.399
<v Speaker 5>in like one of these cartoons. So like getting that,

0:22:25.960 --> 0:22:27.840
<v Speaker 5>sitting that off, and like like a month later I

0:22:27.920 --> 0:22:30.119
<v Speaker 5>got back like a little picture of me next to

0:22:30.160 --> 0:22:32.120
<v Speaker 5>Fry is like a scale thing, and like my note

0:22:32.280 --> 0:22:34.000
<v Speaker 5>was like can you make me taller than Fry?

0:22:34.040 --> 0:22:35.200
<v Speaker 4>That's all. That's the only.

0:22:37.680 --> 0:22:39.400
<v Speaker 5>So like I would like to get a three peet

0:22:40.080 --> 0:22:42.520
<v Speaker 5>after the after the strike is settled and we're paid

0:22:42.560 --> 0:22:44.800
<v Speaker 5>some lievable wages, Like I would love to continue the

0:22:45.600 --> 0:22:48.080
<v Speaker 5>the the trend of sneaking of weasling my way into

0:22:48.119 --> 0:22:49.600
<v Speaker 5>a cameo into his shows that I'm working on.

0:22:50.960 --> 0:22:54.720
<v Speaker 2>Yeah, that's also so are you now ready to be

0:22:54.920 --> 0:22:57.320
<v Speaker 2>killed off in a future show? Because that's like the

0:22:57.560 --> 0:23:01.080
<v Speaker 2>joy of I always think about Girl Morrison, who obviously

0:23:01.160 --> 0:23:04.359
<v Speaker 2>famously put themselves into Animal Man and then like as

0:23:04.400 --> 0:23:06.479
<v Speaker 2>someone in DC universe. But just like we're killing him,

0:23:07.359 --> 0:23:09.800
<v Speaker 2>Gron exists in this universe, so now we can there

0:23:09.840 --> 0:23:12.040
<v Speaker 2>a character. So are you ready for your likeness to

0:23:12.119 --> 0:23:14.439
<v Speaker 2>be used in nefarious ways?

0:23:15.480 --> 0:23:18.800
<v Speaker 5>I welcome, I welcome my animated death. Please let it

0:23:18.840 --> 0:23:20.480
<v Speaker 5>be a swift death. I would love nothing more than

0:23:20.640 --> 0:23:23.040
<v Speaker 5>be like blown up by like bender in like an

0:23:23.040 --> 0:23:25.080
<v Speaker 5>episode of Futura.

0:23:28.320 --> 0:23:31.760
<v Speaker 1>So you have managed to slip yourself through the fourth

0:23:31.880 --> 0:23:36.760
<v Speaker 1>wall into the scenes of both She Hulk and Futurama.

0:23:37.480 --> 0:23:41.040
<v Speaker 1>And I can't help but notice, as a as a

0:23:42.359 --> 0:23:45.719
<v Speaker 1>a reader of your fine work in the comic book pages,

0:23:46.480 --> 0:23:50.320
<v Speaker 1>that it appears that you've also slipped your good friend

0:23:50.560 --> 0:23:54.720
<v Speaker 1>Jessica Goal into the pages of Miles Morales as a

0:23:54.960 --> 0:23:59.920
<v Speaker 1>police officer, as the police police officer, Agent Gal, who's

0:24:00.080 --> 0:24:03.960
<v Speaker 1>out here just trying to rain in Miles Morales's shine

0:24:04.280 --> 0:24:08.440
<v Speaker 1>and give an opportunity trying to you know, is it

0:24:09.000 --> 0:24:12.399
<v Speaker 1>always like one inch from bringing him in in cuffs.

0:24:12.720 --> 0:24:14.960
<v Speaker 5>Yeah, it's it's it's becoming like a running jock at

0:24:14.960 --> 0:24:16.680
<v Speaker 5>this point, where she's always like I'm about to bust

0:24:16.720 --> 0:24:19.720
<v Speaker 5>your ass, but somehow she gets out of it. You know,

0:24:20.119 --> 0:24:22.200
<v Speaker 5>it really wasn't too disclimbered from our relationship in the

0:24:22.200 --> 0:24:24.200
<v Speaker 5>Shiyoak room. She's like, I'm about to I need to

0:24:24.240 --> 0:24:26.280
<v Speaker 5>keep on the straight and narrow Zigler and I would

0:24:26.320 --> 0:24:28.080
<v Speaker 5>say I'd use all my way out of it. You know,

0:24:28.160 --> 0:24:30.160
<v Speaker 5>I need I need this outline now. It's like, yeah,

0:24:30.240 --> 0:24:31.600
<v Speaker 5>totally got it to you. Did I get to do

0:24:31.720 --> 0:24:34.240
<v Speaker 5>like a day late? Like, yeah, I have a fun

0:24:34.320 --> 0:24:35.960
<v Speaker 5>running theme where like I like to put my friends

0:24:36.000 --> 0:24:37.960
<v Speaker 5>in my comic books. And it's going to be what

0:24:38.359 --> 0:24:41.280
<v Speaker 5>better way to like have a nice insult jab at

0:24:41.560 --> 0:24:43.760
<v Speaker 5>my good friend Gavin making her a cough that's trying

0:24:43.760 --> 0:24:46.359
<v Speaker 5>to take down the hero of the book, and it's

0:24:46.400 --> 0:24:48.000
<v Speaker 5>constantly going to be a thorn in his side.

0:24:49.160 --> 0:24:58.639
<v Speaker 3>That's extremely shady. It's good. And what's what's like this

0:24:58.840 --> 0:24:59.000
<v Speaker 3>to be?

0:24:59.280 --> 0:25:01.800
<v Speaker 2>We've been talking to about like struck companies and the

0:25:01.840 --> 0:25:03.960
<v Speaker 2>strikes and how you're picking and stuff. What's it like

0:25:04.040 --> 0:25:05.879
<v Speaker 2>to like walk on a show like this that's basically

0:25:06.080 --> 0:25:08.040
<v Speaker 2>like a dream gig or something that you love and

0:25:08.119 --> 0:25:10.639
<v Speaker 2>then launch it and then have it come out like

0:25:10.800 --> 0:25:13.240
<v Speaker 2>during the strike, Like, what's that kind of duale you've been.

0:25:13.240 --> 0:25:15.200
<v Speaker 5>Like, it's a very I don't know. I don't know

0:25:15.240 --> 0:25:16.840
<v Speaker 5>if Jason, I don't know if you had another show.

0:25:16.840 --> 0:25:18.440
<v Speaker 5>I don't know if your shit came out pre strike.

0:25:18.560 --> 0:25:22.960
<v Speaker 2>Yeah, I came out, came out, w GA strike was

0:25:23.000 --> 0:25:27.280
<v Speaker 2>on it like a week before the WGA strike really hit,

0:25:27.480 --> 0:25:30.800
<v Speaker 2>and we couldn't go to our premiere, for instance, because

0:25:31.320 --> 0:25:32.359
<v Speaker 2>the action had started.

0:25:32.480 --> 0:25:32.680
<v Speaker 1>Yeah.

0:25:32.840 --> 0:25:34.680
<v Speaker 5>Yeah, So I mean I'm sorry you sort of feel

0:25:34.680 --> 0:25:37.200
<v Speaker 5>the same similar way, where like you put Yeah, for me,

0:25:37.359 --> 0:25:39.879
<v Speaker 5>literally like fifty six weeks a year plus worth of

0:25:39.960 --> 0:25:43.280
<v Speaker 5>work into a project. So like you know, we're supposed

0:25:43.280 --> 0:25:44.879
<v Speaker 5>to have to supposed to go to Comic Contact a

0:25:44.880 --> 0:25:47.320
<v Speaker 5>big launch where I saw pictures that seemed like the

0:25:47.359 --> 0:25:48.040
<v Speaker 5>launch was still there.

0:25:48.160 --> 0:25:49.280
<v Speaker 4>We obviously couldn't go.

0:25:51.480 --> 0:25:51.520
<v Speaker 3>It.

0:25:51.760 --> 0:25:54.359
<v Speaker 5>It's sort of twofold. Like one, it's a bummer that

0:25:54.440 --> 0:25:57.200
<v Speaker 5>like I can't post more and share more, but also

0:25:57.359 --> 0:26:01.800
<v Speaker 5>like you know, I not sharing a tweet or a

0:26:01.920 --> 0:26:04.880
<v Speaker 5>text or a or an IG post is like small

0:26:05.119 --> 0:26:07.680
<v Speaker 5>potatoes compared to like what you're actually fighting for. Like

0:26:08.160 --> 0:26:11.000
<v Speaker 5>and also the WJA they did carve out, Like yes,

0:26:11.080 --> 0:26:12.879
<v Speaker 5>you can post stuff, but you can't do it directly

0:26:13.000 --> 0:26:17.000
<v Speaker 5>under the the permission of a struck company, which is

0:26:17.080 --> 0:26:18.679
<v Speaker 5>like why I could like post those things or come

0:26:18.720 --> 0:26:20.439
<v Speaker 5>on this show, Like I wasn't asked by like Disney

0:26:20.520 --> 0:26:23.760
<v Speaker 5>to come on or anything like that. But it, you know,

0:26:23.840 --> 0:26:26.800
<v Speaker 5>it sucks for like especially like the actors and stuff

0:26:26.840 --> 0:26:30.200
<v Speaker 5>who like you know, they came back after twenty years

0:26:30.280 --> 0:26:32.879
<v Speaker 5>to do this stuff, but they can't promote it and

0:26:32.920 --> 0:26:34.920
<v Speaker 5>they did fantastic work, and like the cast and crew

0:26:34.960 --> 0:26:37.640
<v Speaker 5>who you know, for their unions, like they can't post

0:26:37.680 --> 0:26:40.400
<v Speaker 5>about it. Like it definitely definitely is like a huge

0:26:40.440 --> 0:26:43.000
<v Speaker 5>bummer because like you know, again we did have a premiere,

0:26:43.080 --> 0:26:44.720
<v Speaker 5>We had like a cast and crew screening, which was

0:26:45.040 --> 0:26:47.359
<v Speaker 5>you know, definitely more intimate. It was cool in that regard,

0:26:47.480 --> 0:26:49.840
<v Speaker 5>but like you know, for for Shield, they had like

0:26:49.960 --> 0:26:52.240
<v Speaker 5>you know, the fucking theater roped out and they're like

0:26:52.640 --> 0:26:55.399
<v Speaker 5>cameras everywhere, and like, oh, I understand why these things exist,

0:26:55.560 --> 0:26:57.600
<v Speaker 5>Like yes, is to like roll out this big thing

0:26:57.640 --> 0:26:59.080
<v Speaker 5>and like blah blah blah, but also it is to

0:26:59.119 --> 0:27:02.520
<v Speaker 5>celebrate the yeah, the hundreds and sometimes thousands of people

0:27:02.560 --> 0:27:05.680
<v Speaker 5>that work on these projects, so you know, it's it's

0:27:05.720 --> 0:27:08.720
<v Speaker 5>a bittersweet, like I'm bummed that we can't enjoy it more.

0:27:08.760 --> 0:27:12.040
<v Speaker 5>But I also you know, I I that's part of

0:27:12.080 --> 0:27:15.119
<v Speaker 5>the the handshake agreement when you enter tune union, is

0:27:15.160 --> 0:27:17.600
<v Speaker 5>that like for solidarity, Like we can't do these things.

0:27:17.640 --> 0:27:19.479
<v Speaker 5>So like that's why me and Jason are out here

0:27:19.520 --> 0:27:23.400
<v Speaker 5>on the lines at ninety degree eighty or forty percent humidity.

0:27:23.480 --> 0:27:23.680
<v Speaker 2>You know.

0:27:24.480 --> 0:27:24.640
<v Speaker 3>Yeah.

0:27:24.720 --> 0:27:28.040
<v Speaker 1>With Primo, you know, obviously Ceaz for you know, most

0:27:28.040 --> 0:27:30.400
<v Speaker 1>of the writers to just not tweet not Yeah, that's

0:27:30.680 --> 0:27:31.160
<v Speaker 1>that's fine.

0:27:31.320 --> 0:27:33.520
<v Speaker 5>Also that writers aren't really putting butts and seeds, you know,

0:27:33.600 --> 0:27:37.000
<v Speaker 5>no one's coming from exactly, like what's Cody Zigger got.

0:27:37.000 --> 0:27:38.399
<v Speaker 4>To say about the Futurama, you know.

0:27:39.520 --> 0:27:43.080
<v Speaker 1>And with Primo was interesting because you know, the writers

0:27:43.160 --> 0:27:47.360
<v Speaker 1>went on strike and SAG was still negotiating at that time,

0:27:47.840 --> 0:27:50.520
<v Speaker 1>so the writers got to do the promo. But who

0:27:50.600 --> 0:27:53.960
<v Speaker 1>I really felt bad for was Shay who created the

0:27:54.040 --> 0:27:58.440
<v Speaker 1>show and it's based on his life and he put

0:27:58.520 --> 0:28:00.760
<v Speaker 1>a ton of heart into it. It not to mention

0:28:01.040 --> 0:28:03.800
<v Speaker 1>you know, it's his family members or represented there in

0:28:03.880 --> 0:28:06.200
<v Speaker 1>the show. And then so to not be able to

0:28:07.320 --> 0:28:11.879
<v Speaker 1>promote it. I felt bad for him. That was that

0:28:12.359 --> 0:28:15.119
<v Speaker 1>that I felt badly about because so much work and

0:28:15.200 --> 0:28:17.680
<v Speaker 1>heart went into that and to not be able to

0:28:17.840 --> 0:28:21.560
<v Speaker 1>be like, hey, we really, we really brought you something here,

0:28:21.720 --> 0:28:23.840
<v Speaker 1>We really tried to make something special. And to not

0:28:23.920 --> 0:28:25.520
<v Speaker 1>be able to do that when you know you're so

0:28:25.760 --> 0:28:30.639
<v Speaker 1>attached to it created it, et cetera. That made me

0:28:30.720 --> 0:28:34.000
<v Speaker 1>feel badly. But otherwise it's been very easy to not

0:28:34.080 --> 0:28:34.840
<v Speaker 1>tweet about stuff.

0:28:35.040 --> 0:28:40.440
<v Speaker 2>Yeah, and also the claimed Primo like the reviews did

0:28:40.480 --> 0:28:41.080
<v Speaker 2>it themselves.

0:28:41.120 --> 0:28:42.760
<v Speaker 3>The reviews have been promoting the show.

0:28:42.960 --> 0:28:44.120
<v Speaker 1>Been very fortunate that way.

0:28:44.200 --> 0:28:47.640
<v Speaker 5>Yeah, Yeah, I guess to echo Jason's it's as it's

0:28:47.880 --> 0:28:49.600
<v Speaker 5>It's never been an easier time not to want to

0:28:49.680 --> 0:28:51.680
<v Speaker 5>use Twitter than the past thirteen weeks.

0:28:53.640 --> 0:28:54.400
<v Speaker 4>Like the perfect time.

0:28:56.320 --> 0:28:58.920
<v Speaker 3>Yeah, thank you, thank you elon something we never say.

0:29:00.000 --> 0:29:00.520
<v Speaker 3>I appreciate it.

0:29:01.960 --> 0:29:05.320
<v Speaker 1>And I just know right now Linda Yakarino, who was

0:29:05.400 --> 0:29:09.280
<v Speaker 1>recently in Los Angeles doing like a charm offensive and

0:29:09.360 --> 0:29:13.360
<v Speaker 1>all the big agencies trying to get you know, celebs

0:29:13.520 --> 0:29:17.040
<v Speaker 1>to x about X or to say anything about X

0:29:17.080 --> 0:29:19.040
<v Speaker 1>and be like X is so cool. You just know

0:29:20.160 --> 0:29:25.800
<v Speaker 1>that Linda was talking to to whoever would be able

0:29:25.920 --> 0:29:30.760
<v Speaker 1>to give them, allow them to say X Gonna give

0:29:30.800 --> 0:29:37.520
<v Speaker 1>it to you and use a snippet of the song

0:29:38.600 --> 0:29:42.080
<v Speaker 1>promote they wish you just know that that was how

0:29:42.160 --> 0:29:45.640
<v Speaker 1>can we get X Gonna give It to you as

0:29:45.760 --> 0:29:49.400
<v Speaker 1>part of our promo for the social media platform X.

0:29:49.440 --> 0:29:54.760
<v Speaker 2>Formerly, I think people would have bought the head like

0:29:55.000 --> 0:29:59.200
<v Speaker 2>the luve, but that you just couldn't do it, Like no,

0:29:59.720 --> 0:30:01.200
<v Speaker 2>I'm are glad that she failed that that.

0:30:01.840 --> 0:30:03.480
<v Speaker 3>I mean, does anyone even call it X? I don't

0:30:03.520 --> 0:30:05.200
<v Speaker 3>have a Twitter account anymore, so I don't know, but

0:30:05.280 --> 0:30:07.320
<v Speaker 3>people still calling it Twitter. I'd be proud if I

0:30:07.400 --> 0:30:07.640
<v Speaker 3>say it.

0:30:07.680 --> 0:30:10.000
<v Speaker 1>Believe it's still it's still early days. But let the

0:30:10.080 --> 0:30:16.360
<v Speaker 1>brand brand give X a chance, given a chance, let

0:30:16.680 --> 0:30:18.880
<v Speaker 1>cook folks, let it give it a shot.

0:30:19.000 --> 0:30:20.920
<v Speaker 5>I mean, I mean, this is not I'm sure someone

0:30:21.200 --> 0:30:22.840
<v Speaker 5>plenty of people have had this take already, but like

0:30:23.360 --> 0:30:25.840
<v Speaker 5>it just seems it's so comic, Like it's just like

0:30:25.920 --> 0:30:29.240
<v Speaker 5>where is Charles Xavier at? Like this is like it's

0:30:29.280 --> 0:30:31.440
<v Speaker 5>such an easy one to one with, like comic book

0:30:31.520 --> 0:30:33.320
<v Speaker 5>and like like the reality of like this does not

0:30:33.400 --> 0:30:35.400
<v Speaker 5>make sense in like reality, like naming a company actually

0:30:35.520 --> 0:30:39.280
<v Speaker 5>seems so cartooniously nefarious that I it's hard to like

0:30:39.440 --> 0:30:41.960
<v Speaker 5>defy thee.

0:30:41.680 --> 0:30:42.680
<v Speaker 3>Must be so bad.

0:30:43.360 --> 0:30:45.320
<v Speaker 2>I can't even imagine how much money they had to

0:30:45.400 --> 0:30:47.719
<v Speaker 2>pay on the SEO to make that even come up

0:30:47.760 --> 0:30:48.560
<v Speaker 2>on the page.

0:30:49.840 --> 0:30:53.600
<v Speaker 1>Well, yeah, when you when you search, when you search Twitter,

0:30:54.520 --> 0:30:57.320
<v Speaker 1>X comes up, so they've somehow they paid a lot.

0:30:59.280 --> 0:31:02.320
<v Speaker 1>But listen, this is why you and I are not

0:31:03.280 --> 0:31:07.640
<v Speaker 1>business geniuses. When you have a brand that is instantly

0:31:07.760 --> 0:31:11.400
<v Speaker 1>recognizable to billions, what you want to do, actually is

0:31:11.440 --> 0:31:13.080
<v Speaker 1>you want to change it. You want to change it

0:31:13.160 --> 0:31:16.080
<v Speaker 1>to something completely different. It's not synonymous with what you

0:31:16.200 --> 0:31:18.959
<v Speaker 1>do right, and you want to just switch it up

0:31:19.000 --> 0:31:21.680
<v Speaker 1>that way. And you will never understand that. I will

0:31:21.720 --> 0:31:22.440
<v Speaker 1>never understand that.

0:31:23.160 --> 0:31:28.080
<v Speaker 2>Forty so many five D chests, five double D chest,

0:31:28.880 --> 0:31:29.920
<v Speaker 2>Solve for X.

0:31:30.080 --> 0:31:30.560
<v Speaker 1>How about that?

0:31:32.160 --> 0:31:35.760
<v Speaker 3>You can use that use that one for free, Use.

0:31:35.720 --> 0:31:38.680
<v Speaker 1>That one for free. Solve for X. Can use Solve

0:31:38.760 --> 0:31:40.360
<v Speaker 1>for X. I can see it on the bus stop

0:31:40.480 --> 0:31:40.880
<v Speaker 1>right now.

0:31:41.320 --> 0:31:43.640
<v Speaker 4>X marks the spot. It's like a little Pirates.

0:31:47.000 --> 0:31:49.440
<v Speaker 3>Guys. Guys, you're meant to be, You're meant to be

0:31:49.520 --> 0:31:52.959
<v Speaker 3>on strike. Free free gems say, guys, let me give

0:31:53.080 --> 0:31:53.640
<v Speaker 3>a free.

0:31:56.480 --> 0:31:57.720
<v Speaker 1>X ray Vision will be back.

0:32:07.040 --> 0:32:07.600
<v Speaker 4>And we're back.

0:32:08.000 --> 0:32:13.720
<v Speaker 1>Let's talk about the surprise drop of the Invincible season

0:32:13.800 --> 0:32:18.719
<v Speaker 1>two episode Adam Eve Special Episode prequel episode The Origin

0:32:18.840 --> 0:32:25.080
<v Speaker 1>Story of Adam Eve on the Struck Amazon Prime Struck

0:32:25.120 --> 0:32:29.880
<v Speaker 1>Strong Network. I was shocked to see this pop up

0:32:30.200 --> 0:32:32.920
<v Speaker 1>in my in my feet. I immediately watched it, and

0:32:33.440 --> 0:32:36.360
<v Speaker 1>I gotta tell you, folks, Invincible still got it.

0:32:36.480 --> 0:32:37.760
<v Speaker 4>It's great.

0:32:39.120 --> 0:32:44.000
<v Speaker 2>The way that the animation team make this show look

0:32:44.320 --> 0:32:48.560
<v Speaker 2>instantly familiar to people who watch like anime, but also

0:32:48.760 --> 0:32:50.880
<v Speaker 2>like completely different.

0:32:50.680 --> 0:32:53.800
<v Speaker 3>Like that fight scene with Adam Eve and.

0:32:53.880 --> 0:32:55.240
<v Speaker 2>The kind of the big fight at the end, so

0:32:55.240 --> 0:32:57.240
<v Speaker 2>I won't spoil kind of who she's fighting with, but

0:32:57.320 --> 0:33:01.000
<v Speaker 2>like the way they use camera moved mom in that

0:33:01.240 --> 0:33:04.520
<v Speaker 2>it feels like a danger Like it's like so different,

0:33:04.800 --> 0:33:08.440
<v Speaker 2>very animal, and there's all this this camera movement, the sweeps,

0:33:08.560 --> 0:33:12.080
<v Speaker 2>Like the action in this show is just unreal, and

0:33:12.200 --> 0:33:14.239
<v Speaker 2>it's nice to see them. You know, she still has

0:33:14.320 --> 0:33:17.720
<v Speaker 2>a very invincible backstory, very depressing and violent, because that's

0:33:17.720 --> 0:33:19.560
<v Speaker 2>the nature of Invincible, but it's nice to see her

0:33:19.600 --> 0:33:22.040
<v Speaker 2>get a little bit of character work here, Like I

0:33:22.080 --> 0:33:25.400
<v Speaker 2>could see them do this for most of the characters Invincible,

0:33:25.440 --> 0:33:26.360
<v Speaker 2>and I would love to see it.

0:33:26.840 --> 0:33:29.520
<v Speaker 5>Yeah, I kept thinking that, like I could just watch

0:33:30.200 --> 0:33:32.840
<v Speaker 5>a series of just these off characters that, yeah, I

0:33:32.880 --> 0:33:34.880
<v Speaker 5>guess Adam Adam Eve gets a little bit because he

0:33:34.960 --> 0:33:36.520
<v Speaker 5>gets more work than a lot of them. But like

0:33:36.520 --> 0:33:40.160
<v Speaker 5>I could watch like a Monster Girl like exactly or whatever.

0:33:40.240 --> 0:33:42.920
<v Speaker 5>You know, I could watch Rex Bludes, like Origin Story,

0:33:43.040 --> 0:33:45.760
<v Speaker 5>I can watch any of those or even like I

0:33:45.760 --> 0:33:47.080
<v Speaker 5>don't want to sport it, but like, you know, the

0:33:47.960 --> 0:33:51.160
<v Speaker 5>the like I'm really excited to see, Like for those

0:33:51.200 --> 0:33:54.680
<v Speaker 5>who've read the Invincible comics, like for me, for my money,

0:33:54.760 --> 0:33:57.520
<v Speaker 5>like the ending coda for like the ending like twenty

0:33:57.600 --> 0:33:59.280
<v Speaker 5>thirty pages of Invincible were like to me, is like

0:33:59.320 --> 0:34:02.400
<v Speaker 5>probably the best in the indy superhero comic I've ever

0:34:02.600 --> 0:34:03.120
<v Speaker 5>read ever.

0:34:03.400 --> 0:34:04.720
<v Speaker 4>Yes, Like I could fully just.

0:34:04.800 --> 0:34:05.880
<v Speaker 1>Watch the best Kirkman.

0:34:06.680 --> 0:34:08.000
<v Speaker 3>Yeah, it's absolutely the best.

0:34:08.040 --> 0:34:10.120
<v Speaker 1>It's the absolute best Kirkman.

0:34:10.360 --> 0:34:12.440
<v Speaker 5>It's it's like you just like you can't be like

0:34:12.520 --> 0:34:15.279
<v Speaker 5>I could watch fully just two hours of that code,

0:34:15.400 --> 0:34:16.279
<v Speaker 5>Like I could just watch that.

0:34:16.480 --> 0:34:19.319
<v Speaker 4>In forever, but I think that one.

0:34:19.719 --> 0:34:21.680
<v Speaker 3>Yeah, it's like one of the craziest things too, is

0:34:21.800 --> 0:34:24.719
<v Speaker 3>like you know you have two iconic you have Corey Walker,

0:34:24.719 --> 0:34:27.200
<v Speaker 3>you have Ryan Otley. Yeah, and like the way that

0:34:27.320 --> 0:34:31.280
<v Speaker 3>they translate like this looks like it, but it doesn't

0:34:31.320 --> 0:34:31.640
<v Speaker 3>look like.

0:34:31.680 --> 0:34:34.360
<v Speaker 2>But it also looks like the best of the DCAU,

0:34:34.840 --> 0:34:38.359
<v Speaker 2>but it also looks like anime or like especially it's

0:34:38.520 --> 0:34:43.760
<v Speaker 2>so visually pleasing, Like I understand why when they surprise

0:34:43.840 --> 0:34:46.319
<v Speaker 2>dropped this, like everyone lost their ship, because it also

0:34:46.520 --> 0:34:49.239
<v Speaker 2>is like it still has all the things people like

0:34:49.320 --> 0:34:52.400
<v Speaker 2>about Invincible. It's by the time you get to the end,

0:34:52.520 --> 0:34:56.600
<v Speaker 2>there's some really horrific shit going down. Yeah, and they

0:34:56.760 --> 0:34:59.960
<v Speaker 2>really do some grotesque stuff, but it has that hard

0:35:00.239 --> 0:35:02.439
<v Speaker 2>it has that punch, and then you get this really

0:35:02.600 --> 0:35:05.560
<v Speaker 2>fun like what's Mark been up to?

0:35:05.800 --> 0:35:06.880
<v Speaker 3>Sting and that.

0:35:07.000 --> 0:35:09.560
<v Speaker 2>Also somehow manages to really hit even though it's just

0:35:09.719 --> 0:35:12.640
<v Speaker 2>like it's mostly a bit, but the end has this

0:35:12.840 --> 0:35:14.280
<v Speaker 2>like little heft.

0:35:14.760 --> 0:35:14.960
<v Speaker 3>Yeah.

0:35:14.960 --> 0:35:17.960
<v Speaker 2>I just thought this was so good and obviously Surprise

0:35:18.080 --> 0:35:20.239
<v Speaker 2>dropping it probably because of the strike.

0:35:20.280 --> 0:35:21.080
<v Speaker 3>Just to bring it up.

0:35:20.960 --> 0:35:23.560
<v Speaker 2>Again, like let's people really couldn't have people out there

0:35:23.600 --> 0:35:28.000
<v Speaker 2>promoting this, but like, it was really good and I

0:35:28.080 --> 0:35:30.760
<v Speaker 2>hope people got paid. I mean, that first Invincible season

0:35:30.800 --> 0:35:34.600
<v Speaker 2>blew my mind because if I'm not mistaken, that was

0:35:34.840 --> 0:35:40.000
<v Speaker 2>Amazon and Skybound essentially creating like an animation studio. Like

0:35:40.160 --> 0:35:44.560
<v Speaker 2>I think that it was like more like produced by them,

0:35:44.920 --> 0:35:47.360
<v Speaker 2>and the idea was to keep making other animated stuff,

0:35:47.640 --> 0:35:51.920
<v Speaker 2>and it's just like so good visually, like there's no

0:35:52.040 --> 0:35:56.160
<v Speaker 2>one else right now is making superhero animation that compares

0:35:56.239 --> 0:35:56.400
<v Speaker 2>to this.

0:35:56.840 --> 0:36:00.200
<v Speaker 1>Yeah, it does something really great, which is and The

0:36:00.239 --> 0:36:02.160
<v Speaker 1>Boys does this too, And I think you know, whether

0:36:02.239 --> 0:36:07.480
<v Speaker 1>consciously or unconsciously, struck company, Amazon Prime Studios has kind

0:36:07.520 --> 0:36:11.439
<v Speaker 1>of backed into a brand with regards to its superhero stuff,

0:36:11.440 --> 0:36:15.480
<v Speaker 1>which is this kind of deconstruction of Superman of superheroes.

0:36:16.080 --> 0:36:18.919
<v Speaker 1>And the great thing about Invincible what I loved about

0:36:18.960 --> 0:36:22.480
<v Speaker 1>season one and it's right there front and center and

0:36:22.719 --> 0:36:25.160
<v Speaker 1>the Adam Eve prequel is that on the one hand,

0:36:25.200 --> 0:36:29.960
<v Speaker 1>they are deconstructing the myths right and showing you the

0:36:30.080 --> 0:36:35.800
<v Speaker 1>kind of like brutality and the very creaky like moral

0:36:36.160 --> 0:36:41.440
<v Speaker 1>standing of superheroes, but also they're giving you the magic

0:36:41.560 --> 0:36:44.080
<v Speaker 1>of what is great about like keeps it in general

0:36:44.320 --> 0:36:47.239
<v Speaker 1>also like it's like, I mean, this prequel is all

0:36:47.320 --> 0:36:50.920
<v Speaker 1>about a girl wanting to be special, wanting to find

0:36:50.960 --> 0:36:54.040
<v Speaker 1>that thing that is special about her, and then that

0:36:54.320 --> 0:36:58.279
<v Speaker 1>classic comic book thing of you get the thing that

0:36:58.520 --> 0:37:01.200
<v Speaker 1>makes you special and then you are rejected for it,

0:37:02.160 --> 0:37:08.120
<v Speaker 1>and that is just it is, and it is endlessly

0:37:08.480 --> 0:37:11.320
<v Speaker 1>emotionally impactful. For at least for me, that is the

0:37:11.440 --> 0:37:13.400
<v Speaker 1>thing that keeps me coming back to comic Like when

0:37:13.440 --> 0:37:15.759
<v Speaker 1>I get a whiff of that, when I get like

0:37:15.880 --> 0:37:20.000
<v Speaker 1>a hint of that kind of friction, that emotional like

0:37:20.200 --> 0:37:22.440
<v Speaker 1>impact and a story, I'm like, oh, yeah, this is

0:37:22.680 --> 0:37:26.160
<v Speaker 1>this is what I felt like, you know, originally reading

0:37:26.200 --> 0:37:28.680
<v Speaker 1>comics as a kid. And this prequel does it. And

0:37:28.800 --> 0:37:31.040
<v Speaker 1>it does it on multiple levels too. It's not just

0:37:31.120 --> 0:37:35.840
<v Speaker 1>like Adam Eve getting rejected when she shows a friend

0:37:36.000 --> 0:37:41.239
<v Speaker 1>like what is special artists spoil ler light spoiler. But

0:37:41.400 --> 0:37:47.920
<v Speaker 1>then you also get that that that dichotomy of of

0:37:49.800 --> 0:37:55.719
<v Speaker 1>what happens when the power the hero is aesthetically beautiful

0:37:56.440 --> 0:38:00.800
<v Speaker 1>as compared to the kind of more monstrous villain, and

0:38:01.920 --> 0:38:06.040
<v Speaker 1>what happens when that villain is warped by the fact

0:38:06.120 --> 0:38:08.960
<v Speaker 1>that they are rejected by society because they don't look

0:38:09.040 --> 0:38:12.319
<v Speaker 1>like everybody else. It's just like really good, just really

0:38:12.360 --> 0:38:15.200
<v Speaker 1>good comic book stuff. Even though they are tearing it's

0:38:15.200 --> 0:38:18.680
<v Speaker 1>simultaneously like tearing apart the troops of comic book stuff.

0:38:18.680 --> 0:38:21.960
<v Speaker 1>They're also giving you the tropes in equal measure, and

0:38:22.040 --> 0:38:23.520
<v Speaker 1>it just is really good yeah.

0:38:23.520 --> 0:38:25.319
<v Speaker 2>I think something they did really well in the first

0:38:25.400 --> 0:38:27.560
<v Speaker 2>season that they echo here in like a different way

0:38:27.719 --> 0:38:30.120
<v Speaker 2>is kind of like the relationship between like Mark and

0:38:30.280 --> 0:38:35.080
<v Speaker 2>his dad is revealed to be like a very abusive

0:38:35.200 --> 0:38:37.960
<v Speaker 2>relationship in like its own way, and that was really

0:38:38.040 --> 0:38:41.000
<v Speaker 2>interestingly done in the first season. But the way they

0:38:41.120 --> 0:38:45.600
<v Speaker 2>dealt with that here with like Eve Adams's dad and

0:38:45.719 --> 0:38:48.880
<v Speaker 2>the way he's like kind of emotionally abusive and neglect

0:38:49.000 --> 0:38:53.320
<v Speaker 2>kill there are like these moments that just absolutely broke me.

0:38:53.480 --> 0:38:55.839
<v Speaker 2>Like there's a moment where she's late for her own

0:38:55.920 --> 0:38:58.760
<v Speaker 2>birthday and he's already eaten a slice of her cake.

0:38:59.239 --> 0:39:01.600
<v Speaker 3>And that bit like she just says it. She's like,

0:39:01.719 --> 0:39:04.080
<v Speaker 3>you ate my cake and she and it just it

0:39:04.239 --> 0:39:05.359
<v Speaker 3>says so much.

0:39:05.600 --> 0:39:08.880
<v Speaker 2>And they do such a good job of bothering to

0:39:09.040 --> 0:39:14.600
<v Speaker 2>add nuance and detail and emotional backstory in a way

0:39:14.640 --> 0:39:17.600
<v Speaker 2>that a lot of other supero TV doesn't get the

0:39:17.680 --> 0:39:19.360
<v Speaker 2>time to but we do get the time to do

0:39:19.560 --> 0:39:22.520
<v Speaker 2>in comics, like Invincible is so big, it went on

0:39:22.640 --> 0:39:24.800
<v Speaker 2>for so long, so there's lots of space for nuance

0:39:24.880 --> 0:39:27.960
<v Speaker 2>and conversation about emotions. We often don't get that when

0:39:28.000 --> 0:39:30.239
<v Speaker 2>you're stripping it down for TV. But I feel like

0:39:30.320 --> 0:39:33.080
<v Speaker 2>in this special, especially, they expanded on something they were

0:39:33.120 --> 0:39:36.080
<v Speaker 2>already doing really well in the first season with these

0:39:36.200 --> 0:39:38.319
<v Speaker 2>tiny moments that just hit like super hard.

0:39:38.920 --> 0:39:42.320
<v Speaker 5>Yeah, this show's really cracked the balance between the superhero

0:39:42.440 --> 0:39:44.759
<v Speaker 5>big punching people through wall stuff, but like you really

0:39:44.840 --> 0:39:47.640
<v Speaker 5>care about the family dynamics. Like anytime you go you

0:39:47.640 --> 0:39:48.960
<v Speaker 5>see nick tier of her house and you go on

0:39:49.040 --> 0:39:50.799
<v Speaker 5>your side, you know you're about to have your fucking

0:39:50.840 --> 0:39:51.520
<v Speaker 5>heart Listen.

0:39:51.800 --> 0:39:56.359
<v Speaker 1>Oh, that's a great point. It is not you would think, oh,

0:39:56.640 --> 0:39:59.440
<v Speaker 1>I just watched someone get their head torn off in

0:39:59.520 --> 0:40:02.800
<v Speaker 1>a cree fight scene, and now we're heading to the

0:40:03.120 --> 0:40:07.359
<v Speaker 1>to the you know, a scene of domestic quietude. That's

0:40:07.400 --> 0:40:10.560
<v Speaker 1>not it. Like I almost clench up more when I

0:40:10.719 --> 0:40:13.160
<v Speaker 1>see the exterior of the house because you just know

0:40:13.840 --> 0:40:16.000
<v Speaker 1>it's going to be an emotional battlefield with me.

0:40:17.040 --> 0:40:21.040
<v Speaker 3>Absolutely as a scene where where Eve.

0:40:23.000 --> 0:40:25.480
<v Speaker 1>Shows her powers to her friend and then her friend

0:40:25.560 --> 0:40:28.880
<v Speaker 1>is just like so freaked out, was just so sad

0:40:29.080 --> 0:40:31.120
<v Speaker 1>to me, so sad.

0:40:31.960 --> 0:40:32.080
<v Speaker 4>Uh.

0:40:33.480 --> 0:40:36.439
<v Speaker 1>It's just like they've done it again, folks, They've really

0:40:36.520 --> 0:40:38.880
<v Speaker 1>done it again. And then the action is unbelievable, Like.

0:40:39.200 --> 0:40:42.000
<v Speaker 2>That's the wildest thing to have, Like action that feels

0:40:42.080 --> 0:40:45.279
<v Speaker 2>groundbreaking and different for Western animation, but also to have

0:40:46.000 --> 0:40:48.640
<v Speaker 2>emotional have to actually makes you care about the characters

0:40:48.800 --> 0:40:49.880
<v Speaker 2>is very impressive.

0:40:50.200 --> 0:40:50.759
<v Speaker 4>Yeah. Yeah.

0:40:50.880 --> 0:40:55.280
<v Speaker 5>The fight scene between they call it Guarding the Globes

0:40:55.320 --> 0:40:56.880
<v Speaker 5>that that the Invincible, Yeah.

0:40:56.719 --> 0:40:58.880
<v Speaker 1>The Guardians of the Globe and the and the lizards

0:40:58.920 --> 0:40:59.759
<v Speaker 1>to Quadron.

0:40:59.560 --> 0:41:01.920
<v Speaker 5>The Squadrat and like you know that scene is like

0:41:02.280 --> 0:41:05.279
<v Speaker 5>I've seen that fight a thousand times, and like marm

0:41:05.360 --> 0:41:08.040
<v Speaker 5>and like the animated versions of Superman and all that stuff.

0:41:08.080 --> 0:41:10.600
<v Speaker 5>But like even having the added edge of like at

0:41:10.640 --> 0:41:15.920
<v Speaker 5>any moment, Omniman could just fucking snap whoever, this queen lizard, whoever.

0:41:16.640 --> 0:41:18.960
<v Speaker 5>Tatiana Maslani plays a character like any moment, he could

0:41:19.000 --> 0:41:22.440
<v Speaker 5>like just snapper at half And like seeing that subdued

0:41:22.560 --> 0:41:24.600
<v Speaker 5>like quiet rage, knowing that he could do that at

0:41:24.600 --> 0:41:27.720
<v Speaker 5>any moment added such an extra texture of like fear

0:41:27.880 --> 0:41:30.840
<v Speaker 5>and like stakes to these fights when normally you'd be like, yeah, right,

0:41:30.880 --> 0:41:33.600
<v Speaker 5>we called the robbers, we saved the day. But like

0:41:34.160 --> 0:41:36.680
<v Speaker 5>having that little bit of edge that the Invincible Universe brings,

0:41:36.719 --> 0:41:40.280
<v Speaker 5>I think also adds like a sort of like subtle

0:41:40.400 --> 0:41:41.680
<v Speaker 5>tension to all these fight scenes.

0:41:42.320 --> 0:41:44.440
<v Speaker 2>Now that's such a good point because like, by the

0:41:44.600 --> 0:41:46.799
<v Speaker 2>end of Invincible season one, you know the truth about

0:41:46.840 --> 0:41:49.640
<v Speaker 2>Omni Man, but when we start this, because it's a prequel,

0:41:49.719 --> 0:41:53.279
<v Speaker 2>he is still in that like Superman esque role. Yeah,

0:41:53.440 --> 0:41:55.920
<v Speaker 2>so you have that dramatic irony of knowing who he

0:41:56.040 --> 0:41:59.279
<v Speaker 2>really is, but seeing him positioned as like the hero

0:41:59.480 --> 0:42:01.800
<v Speaker 2>in this fire, and then learning that he is directly

0:42:01.840 --> 0:42:05.440
<v Speaker 2>connected to the the origins of atam Eve in some

0:42:05.640 --> 0:42:08.440
<v Speaker 2>strange ways. Like it's really smartly done, and you're right,

0:42:08.520 --> 0:42:11.320
<v Speaker 2>it does add this level of like fear as you

0:42:11.480 --> 0:42:15.400
<v Speaker 2>the viewer knowing what he can really do, whereas the

0:42:15.480 --> 0:42:17.960
<v Speaker 2>wild Girl thinks he's you know, the.

0:42:18.040 --> 0:42:25.000
<v Speaker 1>Hero, just an incredible and absolutely terrifying villain. Omniman and

0:42:25.040 --> 0:42:27.280
<v Speaker 1>I will say, you know, in our in our discord,

0:42:27.360 --> 0:42:29.799
<v Speaker 1>there was kind of a conversation going the last couple

0:42:29.800 --> 0:42:35.440
<v Speaker 1>of days about why can't people get Superman right, why

0:42:35.560 --> 0:42:39.400
<v Speaker 1>can't they figure out the tone? And just listening to

0:42:39.520 --> 0:42:41.880
<v Speaker 1>this conversation right now, I think part of it is

0:42:42.000 --> 0:42:44.959
<v Speaker 1>that if you're not a fan of Superman and you're

0:42:45.040 --> 0:42:48.640
<v Speaker 1>not reading the Superman comics on the daily, it is

0:42:48.760 --> 0:42:53.880
<v Speaker 1>a lot easier to engage with this, with the potential

0:42:54.040 --> 0:42:58.440
<v Speaker 1>scariness of a Superman figure through Omniman, through the Boys

0:42:58.600 --> 0:43:03.720
<v Speaker 1>right of this character insanely powerful, but like you're wondering,

0:43:04.160 --> 0:43:09.399
<v Speaker 1>what if he just decides to not be a good guy? Yeah,

0:43:09.480 --> 0:43:11.400
<v Speaker 1>I mean this is the this is the genesis of

0:43:11.480 --> 0:43:13.520
<v Speaker 1>so many dec stories.

0:43:13.400 --> 0:43:18.040
<v Speaker 3>James Gun movie. It's like, yes, Superman was evil, you know, and.

0:43:18.200 --> 0:43:20.640
<v Speaker 1>With Superman there's never even that question, like you never

0:43:21.160 --> 0:43:24.000
<v Speaker 1>That's the thing about Superman is no one ever wonders,

0:43:24.040 --> 0:43:26.160
<v Speaker 1>oh fuck, what if he what if he goes back?

0:43:26.160 --> 0:43:29.080
<v Speaker 1>Because you just he would never happen with him. But

0:43:29.719 --> 0:43:32.480
<v Speaker 1>I think that's what makes it kind of hard, is

0:43:32.640 --> 0:43:37.000
<v Speaker 1>that we're just primed, like as a culture now to

0:43:37.120 --> 0:43:39.279
<v Speaker 1>be like, there's got to be something else with that guy.

0:43:39.320 --> 0:43:41.680
<v Speaker 1>There's gotta be a dark side, you know, with a

0:43:41.800 --> 0:43:45.280
<v Speaker 1>character like that. And that's what makes Omneymn so fucking

0:43:45.440 --> 0:43:50.600
<v Speaker 1>scary is he seems like the perfect dad, the perfect hero,

0:43:51.239 --> 0:43:53.960
<v Speaker 1>the hero that Earth needs, and really he's like a

0:43:54.080 --> 0:44:00.560
<v Speaker 1>fucking genocidal mass murror. Yeah uh, and is just barely

0:44:00.840 --> 0:44:05.800
<v Speaker 1>keeping his rage under control. And it's terrifying, shit, terrifying.

0:44:06.280 --> 0:44:07.880
<v Speaker 2>Yeah. I think it makes such a good point too.

0:44:07.920 --> 0:44:11.160
<v Speaker 2>It's almost like the eighty you know, the eight decade

0:44:11.360 --> 0:44:14.600
<v Speaker 2>plus of like Superman stories and superhero stories, we are

0:44:14.680 --> 0:44:18.000
<v Speaker 2>living with all of the ripple effects of all the

0:44:18.080 --> 0:44:19.080
<v Speaker 2>different versions.

0:44:19.640 --> 0:44:21.000
<v Speaker 3>So for every like All.

0:44:20.920 --> 0:44:25.040
<v Speaker 2>Star Superman, you have that dark fear version, or the

0:44:25.120 --> 0:44:28.560
<v Speaker 2>Elseworld's version, or the what if another he landed in

0:44:28.640 --> 0:44:31.600
<v Speaker 2>another country, you know, like the red Sun version. Like

0:44:31.960 --> 0:44:35.040
<v Speaker 2>there's all these different ideas of the fear of him.

0:44:35.080 --> 0:44:38.000
<v Speaker 2>But I do think you're right. I still truly believe

0:44:38.160 --> 0:44:41.520
<v Speaker 2>like Superman, he has a good mom, a good dad.

0:44:41.840 --> 0:44:44.360
<v Speaker 2>They raised him right, they loved him, and he's just

0:44:44.440 --> 0:44:46.879
<v Speaker 2>a really good person. Because of that, And also, can

0:44:46.960 --> 0:44:49.919
<v Speaker 2>we give mar Kent the props that she deserves because

0:44:49.920 --> 0:44:52.520
<v Speaker 2>she is comic's most powerful graphic designer.

0:44:54.160 --> 0:44:57.279
<v Speaker 3>Shit in her house and that became like the iconography in.

0:44:57.520 --> 0:45:00.200
<v Speaker 2>The world, you know, Like I know, I know, means

0:45:00.280 --> 0:45:03.360
<v Speaker 2>hope it's from Crimpton Shore. But I believe Marken is

0:45:03.400 --> 0:45:04.760
<v Speaker 2>the world's greatest graphic designer.

0:45:04.880 --> 0:45:05.600
<v Speaker 4>I agree with you.

0:45:06.000 --> 0:45:10.160
<v Speaker 2>That to me is like I hope that whatever version

0:45:10.200 --> 0:45:13.800
<v Speaker 2>of Superman we get understands that because his inherent goodness

0:45:13.920 --> 0:45:15.680
<v Speaker 2>is actually the most exciting thing.

0:45:16.360 --> 0:45:20.239
<v Speaker 1>But I think because of like besive, yeah, yeah, to

0:45:20.360 --> 0:45:22.200
<v Speaker 1>be character agree good.

0:45:24.040 --> 0:45:25.319
<v Speaker 3>Yeah, I would love to see it.

0:45:25.360 --> 0:45:30.680
<v Speaker 1>Well blown away. Can't wait for the next season of Invincible.

0:45:30.800 --> 0:45:31.640
<v Speaker 1>Up next nerd Out.

0:45:39.400 --> 0:45:41.920
<v Speaker 2>In today's nerd Out, where you asked tell us what

0:45:42.040 --> 0:45:43.919
<v Speaker 2>you love them? Why e theory, you're excited to share

0:45:44.320 --> 0:45:46.719
<v Speaker 2>a quick question we can answer. Andrew asked for a

0:45:46.760 --> 0:45:50.160
<v Speaker 2>little comic book wreck, and I believe that this is

0:45:50.239 --> 0:45:54.040
<v Speaker 2>the perfect time for ZIG from it, like if we

0:45:54.160 --> 0:45:59.520
<v Speaker 2>can finally try and promote our manga and anime agenda

0:45:59.600 --> 0:46:04.279
<v Speaker 2>onto So, Andrew asks, Hi, Jason and Rosie, and I

0:46:04.360 --> 0:46:07.160
<v Speaker 2>will add zig I am a big fan of your podcast,

0:46:07.239 --> 0:46:08.960
<v Speaker 2>currently burning through your stuff to get caught up to

0:46:09.000 --> 0:46:12.160
<v Speaker 2>most recent episodes. As a newbie to comics, do you

0:46:12.400 --> 0:46:14.520
<v Speaker 2>have a comic or two that you would recommend me?

0:46:14.640 --> 0:46:17.200
<v Speaker 2>And then he says this, I'm a big fan of

0:46:17.280 --> 0:46:20.359
<v Speaker 2>anime if it helps color my palette. Most recently, I've

0:46:20.400 --> 0:46:22.879
<v Speaker 2>been into Demon Slayer, Haiku and the Slice of Life

0:46:22.920 --> 0:46:25.759
<v Speaker 2>anime Katara Lives Alone. Based on those, is they're a

0:46:25.840 --> 0:46:30.040
<v Speaker 2>comic you would recommend? I will say yes, because you

0:46:30.160 --> 0:46:32.040
<v Speaker 2>are talking about anime, which means they're based on manga

0:46:32.480 --> 0:46:35.239
<v Speaker 2>and mango is one of the longest running forms of

0:46:35.280 --> 0:46:38.200
<v Speaker 2>comics in the whole world, and I would say I

0:46:38.400 --> 0:46:42.279
<v Speaker 2>Love Mason a Cuckoo by Remiko Takahashi visits doing like

0:46:42.360 --> 0:46:44.920
<v Speaker 2>an unbelievable re release of those right now. It's one

0:46:44.920 --> 0:46:47.080
<v Speaker 2>of the best Slice of Life comics ever. It's much

0:46:47.160 --> 0:46:50.799
<v Speaker 2>funnier than Katara Lives Alone, which is incredible but very sad.

0:46:51.200 --> 0:46:54.200
<v Speaker 2>It's very wacky. It's quite raunchy because that was Ramiko's

0:46:54.200 --> 0:46:57.440
<v Speaker 2>whole vibe, and it's about a woman who is a

0:46:57.600 --> 0:47:01.440
<v Speaker 2>young widow who takes over a boarding house and it's

0:47:01.440 --> 0:47:05.080
<v Speaker 2>about her and like her eclectic group of friends.

0:47:05.200 --> 0:47:05.920
<v Speaker 3>I love that.

0:47:06.040 --> 0:47:10.080
<v Speaker 2>I would also say, like, if you like Haiku, probably

0:47:10.840 --> 0:47:13.359
<v Speaker 2>you should be reading Ping Kong, which is like one

0:47:13.400 --> 0:47:17.000
<v Speaker 2>of the greatest manga series of all time by Tayo Matsimoto,

0:47:17.080 --> 0:47:19.759
<v Speaker 2>who's like really great and the title will give you

0:47:19.840 --> 0:47:21.680
<v Speaker 2>a hint of what it's about, but it's about like

0:47:21.760 --> 0:47:24.920
<v Speaker 2>a table tennis league in high school and it's so

0:47:25.160 --> 0:47:27.879
<v Speaker 2>good and it's like one of the best sportsman I've

0:47:27.880 --> 0:47:30.200
<v Speaker 2>ever read. So I would say those are like the

0:47:30.320 --> 0:47:32.400
<v Speaker 2>two that I would really go for.

0:47:32.560 --> 0:47:37.040
<v Speaker 5>Off those, zig I want to say based off this,

0:47:38.600 --> 0:47:41.080
<v Speaker 5>this is mainly coming from The Demon Slayer and the

0:47:41.920 --> 0:47:44.440
<v Speaker 5>Qatara Lives at Home. I think for a simple this

0:47:44.560 --> 0:47:46.759
<v Speaker 5>is like more visas, definitely an order on order one.

0:47:46.800 --> 0:47:49.000
<v Speaker 5>But I think if you're looking for something in the

0:47:49.040 --> 0:47:52.080
<v Speaker 5>line of Demon Slayer, I think definitely think the original

0:47:52.200 --> 0:47:56.520
<v Speaker 5>U Hockey show. Yeah, manga and even the anime would

0:47:56.520 --> 0:47:59.600
<v Speaker 5>be a great a great through line for that. Even

0:47:59.640 --> 0:48:02.560
<v Speaker 5>maybe even and Chainsaw Man, Like it's not Demon say it,

0:48:02.600 --> 0:48:04.520
<v Speaker 5>but there's a bunch of fun, fun, high octavee action

0:48:04.800 --> 0:48:07.360
<v Speaker 5>and actually even Jiujitsu k Those are probably three that

0:48:07.360 --> 0:48:09.560
<v Speaker 5>I would recommend if you're looking for like supernatural stuff,

0:48:09.840 --> 0:48:13.840
<v Speaker 5>I think some fun like like sort of elevated slights

0:48:13.880 --> 0:48:16.279
<v Speaker 5>of life stuff is I think spy families are very

0:48:16.320 --> 0:48:20.120
<v Speaker 5>fun when to get into. Yes, family in soccer Moto

0:48:20.200 --> 0:48:23.120
<v Speaker 5>Days is another fun like sliced of life, like a

0:48:23.120 --> 0:48:26.239
<v Speaker 5>little bit of action added into it. Like uh, I

0:48:26.320 --> 0:48:29.279
<v Speaker 5>think those like we're pretty good, pretty good places to start.

0:48:29.400 --> 0:48:31.480
<v Speaker 2>Yeah, and you know what, we always talk about this one,

0:48:31.640 --> 0:48:33.640
<v Speaker 2>like we've talked about it a lots is so great.

0:48:33.719 --> 0:48:35.440
<v Speaker 2>But I think if you're looking for something that's like

0:48:36.200 --> 0:48:40.840
<v Speaker 2>not anime or manga in that space, we talk a

0:48:40.880 --> 0:48:43.400
<v Speaker 2>lot about Fantasy Sports by Sam Bosma, which is like

0:48:43.640 --> 0:48:48.680
<v Speaker 2>so amazing, and that's definitely in that sports manga influenced space,

0:48:48.800 --> 0:48:51.080
<v Speaker 2>but it's like a really different style, and the comics

0:48:51.120 --> 0:48:51.640
<v Speaker 2>are beautiful.

0:48:51.680 --> 0:48:52.160
<v Speaker 3>They're kind of.

0:48:52.239 --> 0:48:55.920
<v Speaker 2>Huge, beautiful hard cover, like they're really nice to just

0:48:56.000 --> 0:48:58.719
<v Speaker 2>have a your house. I will also say Akira Dark

0:48:58.800 --> 0:49:01.400
<v Speaker 2>Horses re release them all. I'm rereading it from the

0:49:01.480 --> 0:49:05.320
<v Speaker 2>beginning and that is just like every page you're just like,

0:49:05.600 --> 0:49:06.960
<v Speaker 2>what the fuck was the como on?

0:49:07.080 --> 0:49:08.960
<v Speaker 3>This is like one of the best. This is like

0:49:09.080 --> 0:49:10.839
<v Speaker 3>one of the best things that's ever been made.

0:49:10.920 --> 0:49:14.280
<v Speaker 2>So yeah, lots and lots of recommendations, Jason is anything

0:49:14.320 --> 0:49:15.439
<v Speaker 2>immediately jumped to mind.

0:49:16.600 --> 0:49:19.040
<v Speaker 1>I am just happy to be taking all of this in.

0:49:20.480 --> 0:49:24.719
<v Speaker 1>I have just recently chinished Secure, which I and I

0:49:24.800 --> 0:49:27.880
<v Speaker 1>absolutely love it. I echo the Sam Bosma drop and

0:49:28.000 --> 0:49:31.960
<v Speaker 1>I'm just taking notes just like Andrew hopefully I would imagine,

0:49:32.080 --> 0:49:37.279
<v Speaker 1>is Andrew what a what a perfect episode? Your question as.

0:49:38.960 --> 0:49:42.239
<v Speaker 5>Yeah, yes, please always this is a comic book that

0:49:42.400 --> 0:49:48.120
<v Speaker 5>is very heavily influenced by manga. But do a power bomb, yes, Johnson.

0:49:48.320 --> 0:49:52.319
<v Speaker 5>It's such a fun It's just it's just like pro

0:49:52.440 --> 0:49:56.760
<v Speaker 5>wrestling and like another dimension, and everyone in that dimension

0:49:56.840 --> 0:49:59.279
<v Speaker 5>doesn't know that wrestling is fake on Earth, so it's

0:49:59.360 --> 0:50:00.120
<v Speaker 5>just it's.

0:50:00.200 --> 0:50:03.000
<v Speaker 2>Just that it's very very fun have recent eyes and

0:50:03.000 --> 0:50:05.839
<v Speaker 2>the winner, yeah won the eyes and this year also,

0:50:05.880 --> 0:50:08.160
<v Speaker 2>I will say, Jason, you are probably one of only

0:50:08.320 --> 0:50:10.759
<v Speaker 2>like five percent of people on earth who've actually read

0:50:10.800 --> 0:50:13.279
<v Speaker 2>all of Akira, So congratulations to you.

0:50:13.719 --> 0:50:16.480
<v Speaker 3>I'm hoping to be now. I have all the books

0:50:16.480 --> 0:50:17.279
<v Speaker 3>I'm rereading, and.

0:50:17.320 --> 0:50:20.080
<v Speaker 2>I never had like the last sixteen issues, because I

0:50:20.120 --> 0:50:23.520
<v Speaker 2>have all the collected, I have all the colored ones,

0:50:23.920 --> 0:50:27.320
<v Speaker 2>so I'm like very excited to finally be able to

0:50:27.440 --> 0:50:29.040
<v Speaker 2>fully read it all in order.

0:50:29.120 --> 0:50:32.640
<v Speaker 3>So well done to you five percent. Thank you Andrew

0:50:32.719 --> 0:50:33.040
<v Speaker 3>so much.

0:50:33.120 --> 0:50:35.840
<v Speaker 2>If you have any theories, fashions or quick questions you

0:50:35.880 --> 0:50:38.399
<v Speaker 2>want to share, hit us up extra at cricket dot com.

0:50:38.719 --> 0:50:39.920
<v Speaker 3>Instructions in the show notes.

0:50:42.800 --> 0:50:43.719
<v Speaker 1>That's it for us.

0:50:44.000 --> 0:50:47.200
<v Speaker 3>Rosesig any plugs, zige, anything to plug.

0:50:48.239 --> 0:50:55.400
<v Speaker 4>You know, pay writers what they owe ye that I

0:50:55.440 --> 0:50:56.839
<v Speaker 4>guess if you've seen in the pickle line and say

0:50:56.880 --> 0:50:57.239
<v Speaker 4>what's up?

0:50:57.920 --> 0:51:00.680
<v Speaker 3>Mm hmm, yes, remember we say every week. But you

0:51:00.800 --> 0:51:02.200
<v Speaker 3>can go to the picket lines.

0:51:02.239 --> 0:51:05.760
<v Speaker 2>You can follow WGA in east or you can follow

0:51:06.040 --> 0:51:07.960
<v Speaker 2>WGA West and you can see where the picket lines are.

0:51:08.000 --> 0:51:09.759
<v Speaker 2>You can go and support, you can take people food

0:51:09.880 --> 0:51:13.879
<v Speaker 2>and Water and you can donate to the Entertainment Community Fund.

0:51:14.719 --> 0:51:17.840
<v Speaker 3>Also, I will say I do have a book.

0:51:18.120 --> 0:51:19.759
<v Speaker 2>That is that you can pre order now. I did

0:51:19.800 --> 0:51:21.560
<v Speaker 2>not write the whole book, but I wrote some entries

0:51:21.600 --> 0:51:23.920
<v Speaker 2>in it. It's called The Screen Traveler's Guide, and it

0:51:24.080 --> 0:51:27.400
<v Speaker 2>is very fun. It's like a travel guide for people

0:51:27.480 --> 0:51:30.200
<v Speaker 2>who love movies, and it features all different kinds of

0:51:30.719 --> 0:51:34.520
<v Speaker 2>incredible facts and stories about movies that you love. I

0:51:34.640 --> 0:51:36.400
<v Speaker 2>got to cover some of my all time favorite movies

0:51:36.440 --> 0:51:39.680
<v Speaker 2>and The Dragon and Crashing Tigerhead and Dragon and North

0:51:39.760 --> 0:51:42.680
<v Speaker 2>By Northwest. I also got paid for the first time

0:51:42.760 --> 0:51:45.320
<v Speaker 2>to write about Twilight, so I'm incredibly proud of that

0:51:45.480 --> 0:51:48.839
<v Speaker 2>and happy. But it covers everything from like Star Wars

0:51:48.920 --> 0:51:53.239
<v Speaker 2>to superheroes, to classic movies to like Pray. I wrote

0:51:53.280 --> 0:51:55.440
<v Speaker 2>about like the Predator franchise and Pray and where they

0:51:55.520 --> 0:51:57.600
<v Speaker 2>filmed that, so it's really cool. There's a bunch of

0:51:57.640 --> 0:52:00.759
<v Speaker 2>brilliant writers like Ty Goodin involved, so that's really fun

0:52:01.120 --> 0:52:03.120
<v Speaker 2>and if you love movies, that'll probably be a great thing.

0:52:03.200 --> 0:52:04.200
<v Speaker 3>So you can pre order that now.

0:52:07.640 --> 0:52:09.920
<v Speaker 1>Catch the next episode of X ray Vision Friday, August

0:52:10.080 --> 0:52:14.120
<v Speaker 1>fourth for a mail bag episode. Send those questions and

0:52:14.440 --> 0:52:16.040
<v Speaker 1>send us the questions.

0:52:15.840 --> 0:52:18.440
<v Speaker 3>And you can watch for episodes of the podcast on YouTube.

0:52:18.719 --> 0:52:21.360
<v Speaker 2>Also check out our Twitter at xov pod and on

0:52:21.480 --> 0:52:23.160
<v Speaker 2>discord to hang out with loads of cool fans and

0:52:23.239 --> 0:52:25.720
<v Speaker 2>talk about cool stuff like how they could get Superman.

0:52:25.800 --> 0:52:30.520
<v Speaker 1>Bright five star ratings, five star reviews. We need them,

0:52:30.560 --> 0:52:32.120
<v Speaker 1>we gotta have you, gotta get them to us. Here's

0:52:32.120 --> 0:52:34.880
<v Speaker 1>one from EW seven to one three five stars for

0:52:35.000 --> 0:52:37.839
<v Speaker 1>Jason and Rosie. I discovered Jason through the official House

0:52:37.840 --> 0:52:41.719
<v Speaker 1>of the Dragon podcast and want more. This podcast has

0:52:41.800 --> 0:52:44.640
<v Speaker 1>been such a delight. Jason and Rosie expertly follow expander

0:52:44.719 --> 0:52:47.439
<v Speaker 1>and complete so many of the TV series and movies

0:52:47.480 --> 0:52:49.319
<v Speaker 1>in my family and I watch together. I love all

0:52:49.360 --> 0:52:51.640
<v Speaker 1>the excitement and discussion they bring to each episode. Thank

0:52:51.680 --> 0:52:55.640
<v Speaker 1>you so much you. X ray Vision is a Crooked

0:52:55.719 --> 0:52:57.719
<v Speaker 1>Media production. The show is produced by Chris Lord and

0:52:57.760 --> 0:53:00.680
<v Speaker 1>Saul Rubin and executive produced by me Jason SEPs You

0:53:00.719 --> 0:53:03.320
<v Speaker 1>and are editing at. Sound design is by Facilis Phatopoulos.

0:53:03.920 --> 0:53:07.760
<v Speaker 1>Video production by Delon Villanueva and Rachel Gayeski. Social media

0:53:07.880 --> 0:53:11.319
<v Speaker 1>by Awa Oklatti and Caroline Dunfe. Thank you to Brian

0:53:11.400 --> 0:53:19.600
<v Speaker 1>Basquez for our theme music. See you next time, Are

0:53:19.640 --> 0:53:22.000
<v Speaker 1>you down for finding out the best news and entertainment.

0:53:22.040 --> 0:53:24.440
<v Speaker 1>Are you down for celebrating your favorite fan with somebody

0:53:24.640 --> 0:53:26.160
<v Speaker 1>loves you as much as you do, Because if the

0:53:26.160 --> 0:53:28.279
<v Speaker 1>answer is yes, the Down and Nerdy Podcast is where

0:53:28.360 --> 0:53:30.800
<v Speaker 1>you want to be. Every week on The Down and

0:53:30.880 --> 0:53:33.320
<v Speaker 1>Nerdy Podcast, you won't just get interviews with some of

0:53:33.360 --> 0:53:35.680
<v Speaker 1>the biggest names in entertainment, comics, video games, and animation,

0:53:35.760 --> 0:53:38.320
<v Speaker 1>but also reviews and news coverage on all the stuff

0:53:38.360 --> 0:53:42.520
<v Speaker 1>you love. Host James with Them loves celebrating fantom all

0:53:42.600 --> 0:53:45.560
<v Speaker 1>year long, but especially around Comic Con season. Even if

0:53:45.640 --> 0:53:49.040
<v Speaker 1>you aren't able to attend, there are tons of big panels, experiences,

0:53:49.120 --> 0:53:51.919
<v Speaker 1>and interviews he can bring to you during and after

0:53:52.000 --> 0:53:55.080
<v Speaker 1>the event. So if you're down nerd out about your

0:53:55.120 --> 0:53:57.560
<v Speaker 1>favorite fandoms, be sure to listen to and subscribe to

0:53:57.640 --> 0:53:59.920
<v Speaker 1>The Down and Nerdy Podcast wherever you get your podcasts.