1 00:00:00,280 --> 00:00:05,680 Speaker 1: Warning, this podcast contains light spoilers for Futurama first couple 2 00:00:05,680 --> 00:00:08,960 Speaker 1: of episodes and some heavier spoilers for the Adam Eves 3 00:00:08,960 --> 00:00:28,880 Speaker 1: special episode of Invincible. Hello, my name is Jason Stepcio 4 00:00:29,480 --> 00:00:32,680 Speaker 1: and I'm Rosey Night and welcome to x ray Vision, 5 00:00:32,720 --> 00:00:35,440 Speaker 1: the Crooked media podcast where we've dived deep in your 6 00:00:35,440 --> 00:00:37,600 Speaker 1: favorite shows, movies, comics, and pop culture. 7 00:00:38,400 --> 00:00:41,640 Speaker 2: In this episode, in the previously on, we are talking 8 00:00:41,680 --> 00:00:46,720 Speaker 2: about Loki season two's trailer from the Struck Disney Corporation. 9 00:00:47,320 --> 00:00:50,160 Speaker 1: Save us Loki, your only hope. 10 00:00:49,880 --> 00:00:53,320 Speaker 2: There are any hope in the airlock. It's animated TV time, 11 00:00:53,400 --> 00:00:58,240 Speaker 2: including the surprise Invincible season two zero episode about Atamy 12 00:00:58,360 --> 00:01:02,200 Speaker 2: which was delightful, and the amazing Futurama season eleven with 13 00:01:02,480 --> 00:01:08,360 Speaker 2: cody'sig Zigla Drama's back, It's back baby in that out 14 00:01:08,440 --> 00:01:09,960 Speaker 2: a comics recommendation question. 15 00:01:10,400 --> 00:01:15,000 Speaker 3: And as I mentioned, we are joined today by Cody A. 16 00:01:19,240 --> 00:01:19,759 Speaker 4: I am good. 17 00:01:19,840 --> 00:01:22,360 Speaker 5: I am fresh off of picking this Struck Company Disney 18 00:01:23,080 --> 00:01:27,160 Speaker 5: this afternoon, and even though the humidity is out, everyone 19 00:01:27,200 --> 00:01:28,760 Speaker 5: is also still loud. It was this is the first 20 00:01:28,800 --> 00:01:31,800 Speaker 5: time I've been there since Sag has joined the fold. 21 00:01:32,240 --> 00:01:35,479 Speaker 5: Not unlike the rest of the Avengers are joining. Uh, 22 00:01:35,520 --> 00:01:39,360 Speaker 5: Captain America on your left, don your left, Yeah, I am. 23 00:01:39,440 --> 00:01:40,959 Speaker 5: I am so glad that new blood is out there 24 00:01:40,959 --> 00:01:44,040 Speaker 5: because I was so drained after only their being there 25 00:01:44,080 --> 00:01:46,080 Speaker 5: for like forty minutes in the heat. So it is 26 00:01:46,080 --> 00:01:50,440 Speaker 5: definitely nice seeing some like young enthusiastic faces. Also, uh, 27 00:01:50,960 --> 00:01:54,320 Speaker 5: I forget how many children are actually in SAG. So 28 00:01:54,600 --> 00:01:56,560 Speaker 5: I was out there there like there are a lot 29 00:01:56,600 --> 00:01:58,280 Speaker 5: of kids. I was like, I forget that there are 30 00:01:58,640 --> 00:02:00,920 Speaker 5: legitimately a lot of children in this union because I 31 00:02:00,920 --> 00:02:03,040 Speaker 5: was like, man, these people really brought all their children out. 32 00:02:03,160 --> 00:02:05,640 Speaker 5: Then I'm like, oh wait, these are actual union members 33 00:02:05,720 --> 00:02:08,120 Speaker 5: of SAG. So that explains why they are like eight 34 00:02:08,200 --> 00:02:10,520 Speaker 5: year olds on the line. That makes a lot more sense. 35 00:02:11,480 --> 00:02:11,720 Speaker 3: Dude. 36 00:02:11,760 --> 00:02:13,120 Speaker 2: How evil do you have to be as in a 37 00:02:13,200 --> 00:02:15,280 Speaker 2: corporation that you have an eight year old picket in 38 00:02:15,280 --> 00:02:19,000 Speaker 2: the year that's so sick at your children of the future? 39 00:02:19,040 --> 00:02:19,320 Speaker 4: Baby? 40 00:02:19,360 --> 00:02:19,480 Speaker 2: Yea. 41 00:02:21,880 --> 00:02:24,320 Speaker 1: Let me just say I was at I was picketing 42 00:02:24,520 --> 00:02:29,560 Speaker 1: Universal last week in the heat, in the in the 43 00:02:29,800 --> 00:02:36,040 Speaker 1: extreme heat of the valley. For the event was just 44 00:02:36,080 --> 00:02:39,280 Speaker 1: a normal picnic, but it was all comics writers or 45 00:02:39,760 --> 00:02:42,760 Speaker 1: friend zeb Wells was there. Our friend Andrew t was there. 46 00:02:42,840 --> 00:02:45,839 Speaker 1: Other people were there, lots of folks. But one thing 47 00:02:46,080 --> 00:02:51,040 Speaker 1: I found out at this particular picket on Lancashire Boulevard 48 00:02:51,120 --> 00:02:55,040 Speaker 1: in the Valley is that SAG is not allowed to 49 00:02:55,160 --> 00:02:58,559 Speaker 1: picket there because it's literally too dangerous. 50 00:02:58,960 --> 00:02:59,440 Speaker 3: Yeah. 51 00:02:59,680 --> 00:03:03,359 Speaker 1: Really they were afraid that, like a note, some notable 52 00:03:03,560 --> 00:03:07,800 Speaker 1: actor could get smushed. And it's true because you're crossing 53 00:03:07,840 --> 00:03:11,200 Speaker 1: a lot of roads. Also, they've like done you know, 54 00:03:11,360 --> 00:03:13,760 Speaker 1: this is the place where they cut the trees, and 55 00:03:13,800 --> 00:03:16,400 Speaker 1: it's also the place where I guess they had to 56 00:03:16,440 --> 00:03:19,320 Speaker 1: do some construction on the sidewalk. Yeah, so you have 57 00:03:19,360 --> 00:03:20,680 Speaker 1: to walk in the street. 58 00:03:21,040 --> 00:03:22,520 Speaker 3: Yeah, I think I just saw today. 59 00:03:22,720 --> 00:03:26,480 Speaker 2: I think somebody shed that maybe they've made they've now 60 00:03:26,600 --> 00:03:29,000 Speaker 2: made a new gate to make it safe for people 61 00:03:29,040 --> 00:03:31,280 Speaker 2: to pick it there, which is something SAG has been 62 00:03:31,280 --> 00:03:33,320 Speaker 2: asking for for a long time because as you mentioned, 63 00:03:33,320 --> 00:03:35,920 Speaker 2: like with the cut trees, which was done against the 64 00:03:35,920 --> 00:03:39,880 Speaker 2: city regulations, they've definitely been making that as hard a 65 00:03:39,920 --> 00:03:44,080 Speaker 2: place as possible for people to pick it, just the nuts. 66 00:03:44,160 --> 00:03:48,400 Speaker 1: It's also the place where apparently people have been intentionally 67 00:03:48,480 --> 00:03:51,520 Speaker 1: hit by cars, cars trying to hit people over there. 68 00:03:51,760 --> 00:03:53,680 Speaker 5: I think it's also funny that they were like, you know, 69 00:03:53,680 --> 00:03:55,280 Speaker 5: this is where the combook creators can go. 70 00:03:55,280 --> 00:03:56,920 Speaker 4: They've went to them. There they'll go. 71 00:04:00,560 --> 00:04:01,440 Speaker 3: They don't have a union. 72 00:04:04,320 --> 00:04:06,400 Speaker 4: Does the world need another Wally West story? We don't know. 73 00:04:06,480 --> 00:04:07,000 Speaker 4: Send them there. 74 00:04:07,040 --> 00:04:07,200 Speaker 2: You know. 75 00:04:09,560 --> 00:04:12,040 Speaker 1: Well, let's get into it. Coming up next. Previously on 76 00:04:14,280 --> 00:04:17,880 Speaker 1: first up in the previously on the Loki season two trailer, 77 00:04:17,960 --> 00:04:20,600 Speaker 1: which came out today. We're taping this on a Monday, 78 00:04:21,320 --> 00:04:26,520 Speaker 1: and uh the trailer appeared this morning with a wonderful 79 00:04:26,560 --> 00:04:33,359 Speaker 1: surprise the appearance of Ki Kwan as Orobaros and folks, 80 00:04:34,000 --> 00:04:37,479 Speaker 1: let's hope that this is the is the show that 81 00:04:37,600 --> 00:04:42,560 Speaker 1: can swing things back to good feelings for the MCU 82 00:04:42,680 --> 00:04:45,479 Speaker 1: on television, because it looked fun and it was great 83 00:04:45,520 --> 00:04:50,760 Speaker 1: to be to spend time with some old favorites. Your thoughts, Yeah. 84 00:04:50,560 --> 00:04:52,680 Speaker 3: I think it's very interesting. 85 00:04:52,720 --> 00:04:55,159 Speaker 2: I think they're in a tough situation because it is 86 00:04:55,400 --> 00:04:58,640 Speaker 2: very Kang focused as much as they kind of. 87 00:04:58,839 --> 00:05:01,760 Speaker 1: Only appears his face. This only appears for like half 88 00:05:01,760 --> 00:05:02,280 Speaker 1: a second. 89 00:05:02,320 --> 00:05:05,800 Speaker 3: It feels like out of the threat I do. 90 00:05:05,960 --> 00:05:08,080 Speaker 2: I will, I will say I have a piece coming out, 91 00:05:08,480 --> 00:05:11,320 Speaker 2: which was my theory all along, which I'm sticking to now, 92 00:05:11,360 --> 00:05:15,080 Speaker 2: which is I hope there is an easy fix for 93 00:05:15,160 --> 00:05:19,440 Speaker 2: this entire situation, which is Ravona Renslayer was Kang in 94 00:05:19,520 --> 00:05:23,360 Speaker 2: the comics during the Terminatrix objective, and it would be 95 00:05:23,440 --> 00:05:25,840 Speaker 2: really easy to just make Ravona Kang and. 96 00:05:25,800 --> 00:05:30,000 Speaker 3: Let Google have her moment in the Sun. I think it. 97 00:05:30,160 --> 00:05:33,400 Speaker 2: I think it's really smart. Yeah, it looks fun. Disney, 98 00:05:33,440 --> 00:05:40,120 Speaker 2: pay your writers, like pay some actors too, Like sounds 99 00:05:40,120 --> 00:05:41,479 Speaker 2: like they're they're also strong. 100 00:05:41,760 --> 00:05:42,200 Speaker 3: Interesting. 101 00:05:42,279 --> 00:05:46,320 Speaker 2: I didn't know it was like co directed by Justin 102 00:05:46,320 --> 00:05:50,320 Speaker 2: Benson and Aaron Moorehead who are like really weird in 103 00:05:50,400 --> 00:05:53,680 Speaker 2: the horror guys who've made a lot of like cosmic horror. 104 00:05:53,720 --> 00:05:56,080 Speaker 2: So that was interesting when I found that out. 105 00:05:57,440 --> 00:06:01,800 Speaker 5: Yeah, any thoughts, you know, I will say it. I 106 00:06:01,839 --> 00:06:05,040 Speaker 5: did watch the trailer today. I will say the thing 107 00:06:05,080 --> 00:06:07,440 Speaker 5: that I've always been drawn to most about the Loki 108 00:06:07,480 --> 00:06:11,119 Speaker 5: series that it seems like the most outside of gardens 109 00:06:11,120 --> 00:06:13,200 Speaker 5: of the Galaxy, the most tapped into, like how fun 110 00:06:13,680 --> 00:06:14,920 Speaker 5: the cosmic side of. 111 00:06:14,839 --> 00:06:15,839 Speaker 4: Like Marvel could be. 112 00:06:16,120 --> 00:06:19,240 Speaker 5: Yeah, and like even with this trailer, like it seemed fun, 113 00:06:19,279 --> 00:06:21,800 Speaker 5: it seemed like the most comic bookie. It seems like 114 00:06:21,839 --> 00:06:26,640 Speaker 5: it's the most it's the series that gels together the most. 115 00:06:26,760 --> 00:06:29,880 Speaker 5: I think consistently, Like I think, like with one division, 116 00:06:29,920 --> 00:06:32,360 Speaker 5: like those first six or seven episodes when it was 117 00:06:32,440 --> 00:06:35,560 Speaker 5: just a TV episode from a different decade, like they 118 00:06:35,600 --> 00:06:37,480 Speaker 5: sort of like lean into like the medium, which is 119 00:06:37,480 --> 00:06:41,159 Speaker 5: like this, this is like a fun like almost like 120 00:06:41,240 --> 00:06:45,080 Speaker 5: Quantum leap Rick and Morty type of like yeah, TV show, 121 00:06:45,520 --> 00:06:48,120 Speaker 5: And like I'm gonna be optimistic, Like I enjoyed the 122 00:06:48,160 --> 00:06:52,320 Speaker 5: trailer owhen Wilson looks like he's having like a lot 123 00:06:52,320 --> 00:06:55,760 Speaker 5: of fun in this. Yeah, So like I'm I'm remaining 124 00:06:55,760 --> 00:06:58,240 Speaker 5: optimistic and I am very curious to see like how 125 00:06:58,320 --> 00:06:59,800 Speaker 5: the Kang of it all is one of sort of 126 00:06:59,839 --> 00:07:00,880 Speaker 5: like sort itself out. 127 00:07:01,800 --> 00:07:03,719 Speaker 1: Yeah, yes, that is the question. 128 00:07:03,800 --> 00:07:04,839 Speaker 3: That's the big question. 129 00:07:05,880 --> 00:07:09,240 Speaker 1: I think. Here's my Well, I guess this is a prediction. 130 00:07:09,279 --> 00:07:13,080 Speaker 1: I think you're right, Rosie in that they'll There was 131 00:07:13,120 --> 00:07:18,360 Speaker 1: probably some last minute tweaking, but they will. I'm assuming 132 00:07:18,520 --> 00:07:21,720 Speaker 1: let this series run as it was intended to run, 133 00:07:21,800 --> 00:07:27,560 Speaker 1: and that poosts this they'll move on from. Certainly Jonathan 134 00:07:27,600 --> 00:07:30,240 Speaker 1: Major's as Kang, and maybe Kang in general is like 135 00:07:31,000 --> 00:07:36,640 Speaker 1: the focus. But I also feel like the flash probably 136 00:07:36,640 --> 00:07:39,400 Speaker 1: gave them some cover. Weirdly in a terrible way to 137 00:07:39,440 --> 00:07:44,320 Speaker 1: think about it the Flash gone away, I keep running. 138 00:07:44,440 --> 00:07:48,080 Speaker 2: I think I think that was definitely influential. I think 139 00:07:48,120 --> 00:07:51,240 Speaker 2: because the Flash didn't make a lot of money, that 140 00:07:51,400 --> 00:07:54,080 Speaker 2: also probably impacted the way they decided to go forward, 141 00:07:54,680 --> 00:07:57,040 Speaker 2: Like it was released, but it wasn't a hit, you know, 142 00:07:57,200 --> 00:08:00,240 Speaker 2: So I'm interested to see how that influences them. Also, 143 00:08:00,320 --> 00:08:02,360 Speaker 2: I do need to say something I find very interesting 144 00:08:02,400 --> 00:08:05,360 Speaker 2: about this is like, so that this is very like 145 00:08:05,440 --> 00:08:07,520 Speaker 2: you're saying, like the Rick and Morty of it all. 146 00:08:07,760 --> 00:08:09,840 Speaker 3: So Loki seems to be in this situation. 147 00:08:09,520 --> 00:08:11,880 Speaker 2: Where he's like time slipping they call it, where he 148 00:08:12,000 --> 00:08:14,280 Speaker 2: kind of can't control where he's going. Yeah, that's very 149 00:08:14,400 --> 00:08:17,360 Speaker 2: similar to the conceit of the Marvels where they keep 150 00:08:17,480 --> 00:08:21,160 Speaker 2: switching between time and space. I am unsure whether that 151 00:08:21,360 --> 00:08:23,560 Speaker 2: is going to be connected or whether it's just a 152 00:08:23,640 --> 00:08:26,240 Speaker 2: total coincidence, because this I would have before been like 153 00:08:26,400 --> 00:08:30,760 Speaker 2: this is obviously there's some kind of cosmic entanglement, But 154 00:08:30,920 --> 00:08:33,240 Speaker 2: nowadays I'm just interested to see how that plays out 155 00:08:33,240 --> 00:08:34,400 Speaker 2: because it seems very similar. 156 00:08:34,440 --> 00:08:36,360 Speaker 3: But it looks fun. I like that kind of stuff. 157 00:08:36,760 --> 00:08:37,839 Speaker 4: Yeah, yeah, I like that. 158 00:08:37,960 --> 00:08:40,160 Speaker 5: Also, you know, the conceit of Marvels that they are 159 00:08:40,200 --> 00:08:42,520 Speaker 5: not afraid to recast anyone, no matter how many movies 160 00:08:42,559 --> 00:08:44,720 Speaker 5: you've been in, so like, yeah, also what the added 161 00:08:44,800 --> 00:08:47,160 Speaker 5: benefit of like you know, there's an infinite number of kings, 162 00:08:47,200 --> 00:08:48,880 Speaker 5: so like you know, all of a sudden, we're going 163 00:08:48,920 --> 00:08:51,440 Speaker 5: to go to a king exactly thirty seven QB. It's 164 00:08:51,480 --> 00:08:54,440 Speaker 5: like a little different than than maybe the other kings 165 00:08:54,480 --> 00:08:59,760 Speaker 5: we've seen, so like, yeah, and there's. 166 00:08:58,120 --> 00:09:01,120 Speaker 2: Time there's times in the comment where Kang is like 167 00:09:01,240 --> 00:09:04,320 Speaker 2: more of a mantle like that, different people from different 168 00:09:04,360 --> 00:09:06,600 Speaker 2: earths have you know, So I think, yeah, there's lots 169 00:09:06,640 --> 00:09:10,040 Speaker 2: of space that will be very interesting. Only six episodes, 170 00:09:10,160 --> 00:09:13,280 Speaker 2: so that will be interesting to see how it goes down. 171 00:09:13,840 --> 00:09:18,280 Speaker 2: It's yeah, I think what is it October? Some good yeah, 172 00:09:18,600 --> 00:09:20,640 Speaker 2: some good chill in time from now to then, and 173 00:09:20,720 --> 00:09:23,240 Speaker 2: hopefully it can come in with a bang and hopefully 174 00:09:23,240 --> 00:09:25,319 Speaker 2: everyone who worked on it got paid on time. We 175 00:09:25,400 --> 00:09:27,800 Speaker 2: know that didn't happen with some of the Secret Invasion folks, 176 00:09:27,840 --> 00:09:29,960 Speaker 2: as we heard cat Vasco saying on the picket line, 177 00:09:30,480 --> 00:09:32,480 Speaker 2: so oh my god, yeah we've paid. 178 00:09:32,559 --> 00:09:37,240 Speaker 1: Hold on, let's talk about this, okay. 179 00:09:38,440 --> 00:09:41,679 Speaker 2: So essentially cat Vasco, who was a co producer I 180 00:09:41,760 --> 00:09:47,000 Speaker 2: believe and a writer on Secret invasion said that Disney 181 00:09:47,679 --> 00:09:50,439 Speaker 2: thought that if they paid people on time to work 182 00:09:50,480 --> 00:09:53,760 Speaker 2: on MCU shows, they wouldn't be as eager to like 183 00:09:53,920 --> 00:09:54,400 Speaker 2: work hard. 184 00:09:54,480 --> 00:09:56,240 Speaker 1: I'm going to read I'm going to read the quote 185 00:09:56,280 --> 00:09:58,880 Speaker 1: here it is. So this is again from cat Vasco 186 00:09:58,920 --> 00:10:03,559 Speaker 1: as told to the rap uh and here is the 187 00:10:03,679 --> 00:10:08,920 Speaker 1: quote quote. Their explanation was, and this is about writers 188 00:10:09,000 --> 00:10:11,920 Speaker 1: getting paid on time, which is a continual issue, whether 189 00:10:11,960 --> 00:10:15,880 Speaker 1: it's the w G A SAG, getting your money is 190 00:10:16,840 --> 00:10:22,400 Speaker 1: a multi week, multi month process. There are there are 191 00:10:22,559 --> 00:10:25,480 Speaker 1: things in the contracts that say that stipulate you have 192 00:10:25,559 --> 00:10:28,480 Speaker 1: to be paid according to a certain timetable. And honestly, 193 00:10:28,559 --> 00:10:31,080 Speaker 1: the a mt PTP in the studio is just ignoring. 194 00:10:30,760 --> 00:10:31,520 Speaker 4: It, and they ignore it. 195 00:10:31,559 --> 00:10:33,839 Speaker 3: Braz keep ignoring it. 196 00:10:34,760 --> 00:10:37,160 Speaker 1: We're going to keep ignoring it. Yeah. Yeah, they've been very, 197 00:10:37,320 --> 00:10:40,199 Speaker 1: very very straightforward about the fact that they are not 198 00:10:40,280 --> 00:10:42,679 Speaker 1: going to adhere to any kind of payment deadlines. Anyway, 199 00:10:43,800 --> 00:10:47,400 Speaker 1: here is cat mascow to the rap quote. Their explanation 200 00:10:47,720 --> 00:10:52,400 Speaker 1: the AMPTP was, then we wouldn't be incentivized to work 201 00:10:52,440 --> 00:10:54,559 Speaker 1: as hard. It's insulting to hear with the amount of 202 00:10:54,640 --> 00:10:57,199 Speaker 1: work that we're already that we already do for free, 203 00:10:57,320 --> 00:11:01,760 Speaker 1: so Kat essentially saying that what she got from a 204 00:11:01,800 --> 00:11:06,280 Speaker 1: conversation one would one would surmise from some Disney exec 205 00:11:06,520 --> 00:11:09,120 Speaker 1: was that, Uh, the reason we can't pay you is 206 00:11:09,200 --> 00:11:12,560 Speaker 1: because then you guys are just gonna go and play 207 00:11:12,640 --> 00:11:20,120 Speaker 1: Fortnite and I'm just gonna buy some relaxing Yeah, and listen, 208 00:11:20,200 --> 00:11:23,320 Speaker 1: I'm suretranged if you I'm sure that if you could 209 00:11:24,000 --> 00:11:26,400 Speaker 1: get this exec on the record, it was not what 210 00:11:26,520 --> 00:11:28,800 Speaker 1: I meant at all. I just meant it. Yeah, I 211 00:11:28,840 --> 00:11:31,240 Speaker 1: don't mean that at. 212 00:11:33,960 --> 00:11:34,880 Speaker 3: Taking out of context. 213 00:11:35,120 --> 00:11:39,560 Speaker 4: Yeah, yeah, I was. 214 00:11:39,559 --> 00:11:41,920 Speaker 1: Trying to say, I understand how much the writers love 215 00:11:42,000 --> 00:11:43,920 Speaker 1: the work. They do it to the passion of the work. 216 00:11:43,960 --> 00:11:47,160 Speaker 3: You understand it. They creativity, Like David Saslov said, we 217 00:11:47,240 --> 00:11:49,040 Speaker 3: all love it. That's why we'll get back to work 218 00:11:49,160 --> 00:11:50,600 Speaker 3: for the love of making things. 219 00:11:50,880 --> 00:11:52,520 Speaker 4: I love being in a room for eight to ten 220 00:11:52,559 --> 00:11:53,960 Speaker 4: hours a day not getting paid. 221 00:11:56,000 --> 00:11:58,480 Speaker 1: I love wondering where the money is coming from, saying 222 00:11:58,559 --> 00:12:02,679 Speaker 1: you're emailing you're rep saying hey, can you bug them again? Yeah? 223 00:12:04,000 --> 00:12:07,920 Speaker 2: I ran I'm like, this is one of the reasons 224 00:12:07,960 --> 00:12:09,840 Speaker 2: I was happy to see the comic book writers picket, 225 00:12:09,920 --> 00:12:12,559 Speaker 2: because like, this is a similar thing in comics. I 226 00:12:14,080 --> 00:12:18,400 Speaker 2: love to write a script to a specific commission and 227 00:12:18,559 --> 00:12:21,000 Speaker 2: then be told that the commission has changed and have 228 00:12:21,120 --> 00:12:22,120 Speaker 2: to rewrite it for free. 229 00:12:22,720 --> 00:12:23,920 Speaker 3: And that happens a lot. 230 00:12:24,280 --> 00:12:26,800 Speaker 2: Oh actually, now this character can't be involved or this 231 00:12:26,960 --> 00:12:28,839 Speaker 2: character can't do that, so can you rewrite it? And 232 00:12:28,960 --> 00:12:31,839 Speaker 2: know you're your contract that you signed does not a 233 00:12:31,960 --> 00:12:34,240 Speaker 2: work via contract give you money for rewrites? 234 00:12:34,640 --> 00:12:36,439 Speaker 3: Like the amount of free work people. 235 00:12:36,280 --> 00:12:39,480 Speaker 2: Are already doing in creative industries is like people don't 236 00:12:39,480 --> 00:12:40,640 Speaker 2: even realize how much of. 237 00:12:40,679 --> 00:12:41,560 Speaker 3: What you do is free. 238 00:12:41,920 --> 00:12:45,640 Speaker 5: Yeah, yeah, another think, I think it. I think it 239 00:12:45,760 --> 00:12:48,200 Speaker 5: took me a month to get my first Sheehawk paycheck 240 00:12:48,240 --> 00:12:50,160 Speaker 5: now that I think about it, Like, I just went 241 00:12:50,240 --> 00:12:52,679 Speaker 5: back to my emails to look when my starting was 242 00:12:52,800 --> 00:12:54,800 Speaker 5: and when my first actual check was and it was 243 00:12:55,800 --> 00:12:58,280 Speaker 5: thirty days to the actual time that I started. 244 00:12:58,880 --> 00:13:01,480 Speaker 4: So continues. 245 00:13:02,720 --> 00:13:22,360 Speaker 1: Yes, up next Futurama and Adam Eve. Let's talk about 246 00:13:22,760 --> 00:13:25,679 Speaker 1: something much more fun, and that is Futurama on Hulu, 247 00:13:26,840 --> 00:13:29,959 Speaker 1: or at least on the Struck Company Hulu that is 248 00:13:30,040 --> 00:13:34,480 Speaker 1: owned by multiple Struck companies. But one of one of 249 00:13:34,520 --> 00:13:37,760 Speaker 1: the writers on that particular series is Cody zig Ziggler, 250 00:13:37,840 --> 00:13:40,959 Speaker 1: who has once again managed to sneak himself into a 251 00:13:41,120 --> 00:13:44,640 Speaker 1: frame of a television program. 252 00:13:45,679 --> 00:13:47,920 Speaker 3: Making yourself canon in every series. 253 00:13:48,480 --> 00:13:51,559 Speaker 1: Yes, tell us about futur On returning to the screen. 254 00:13:53,320 --> 00:13:55,760 Speaker 5: It's a I'm not sure Like most people, actually, I'm sure, 255 00:13:55,800 --> 00:13:57,520 Speaker 5: Like both of you are huge fans of The Simpsons 256 00:13:57,559 --> 00:13:58,560 Speaker 5: and Futuruma growing up. 257 00:13:58,600 --> 00:13:58,760 Speaker 3: Yeah. 258 00:13:59,320 --> 00:14:01,040 Speaker 5: Yeah, When I, you know, got the call that I 259 00:14:01,200 --> 00:14:02,520 Speaker 5: was coming back and I could be a part of it, 260 00:14:02,600 --> 00:14:06,199 Speaker 5: it was a dream come true. I am a huge 261 00:14:06,240 --> 00:14:08,640 Speaker 5: fan of that series and the Simpsons. Like you know, 262 00:14:08,720 --> 00:14:12,120 Speaker 5: I probably I've seen every episode of The Simpsons from 263 00:14:12,160 --> 00:14:15,199 Speaker 5: season one to at least nine, at least five times, 264 00:14:15,280 --> 00:14:18,400 Speaker 5: if I had to guess, Yeah, and you know, as 265 00:14:18,440 --> 00:14:21,440 Speaker 5: someone you know, you guys have sort of been with 266 00:14:21,560 --> 00:14:23,520 Speaker 5: me as my director of my career has continued on 267 00:14:23,640 --> 00:14:25,640 Speaker 5: from like you know, she hoped to Rick and Morty 268 00:14:25,720 --> 00:14:28,280 Speaker 5: to this, so like you can look at my resume 269 00:14:28,320 --> 00:14:29,600 Speaker 5: and see what kind of stuff I'm into, which is 270 00:14:29,680 --> 00:14:30,800 Speaker 5: like the sci fi stuff of it all. 271 00:14:31,880 --> 00:14:34,760 Speaker 4: But like one thing that I thought really sort of stuck. 272 00:14:34,560 --> 00:14:38,840 Speaker 5: Out with the Futurama writers in particular, show ran by 273 00:14:39,120 --> 00:14:42,400 Speaker 5: David Exco one super super super funny talented guys. 274 00:14:42,200 --> 00:14:45,240 Speaker 4: That they really are like a NERD's nerd. 275 00:14:45,400 --> 00:14:47,640 Speaker 5: Like, this is the only show I've worked on where 276 00:14:47,680 --> 00:14:50,320 Speaker 5: like multiple people in the room had PhDs and they 277 00:14:50,360 --> 00:14:54,040 Speaker 5: would spend thirty to forty minutes a day trying to 278 00:14:54,080 --> 00:14:56,920 Speaker 5: make a joke about a very specific math theorem that 279 00:14:56,960 --> 00:14:58,440 Speaker 5: would be on the back of a chalkboard that I 280 00:14:58,600 --> 00:14:59,480 Speaker 5: just couldn't understand. 281 00:15:00,240 --> 00:15:02,200 Speaker 4: They were really passionate about. 282 00:15:02,600 --> 00:15:05,840 Speaker 2: This is like you in the Sheehock room, Yeah, telling 283 00:15:05,920 --> 00:15:09,400 Speaker 2: people about dead about like quantum physics. 284 00:15:09,480 --> 00:15:10,320 Speaker 4: Yeah, exactly, this is me. 285 00:15:10,400 --> 00:15:12,840 Speaker 5: Pulling up my Daredevil comic, but it's them talking about 286 00:15:12,920 --> 00:15:15,680 Speaker 5: like what how many angles are in an actual triangle? 287 00:15:15,760 --> 00:15:17,880 Speaker 5: But that triangle now is going to be whatever that 288 00:15:17,960 --> 00:15:20,720 Speaker 5: there's a very specific geometry drink in the first episode 289 00:15:21,080 --> 00:15:23,840 Speaker 5: that when they spent twenty minutes trying to figure out 290 00:15:23,960 --> 00:15:28,200 Speaker 5: how exactly this shape would form. And that was very 291 00:15:28,280 --> 00:15:31,240 Speaker 5: much every episode of that show was like the two 292 00:15:31,480 --> 00:15:34,240 Speaker 5: or three PhD guys, you know, trying to get their 293 00:15:34,400 --> 00:15:37,080 Speaker 5: very very niche jokes while everyone else is like, yeah, 294 00:15:37,160 --> 00:15:38,880 Speaker 5: but would have been just slipped on like a space 295 00:15:39,280 --> 00:15:40,600 Speaker 5: space banana like stuff like that. 296 00:15:40,720 --> 00:15:40,920 Speaker 3: It was. 297 00:15:43,120 --> 00:15:45,720 Speaker 5: It was very fun and it was also it's it 298 00:15:45,880 --> 00:15:49,000 Speaker 5: was just so cool, you know, seeing how the soup 299 00:15:49,120 --> 00:15:52,720 Speaker 5: is made, how the sausage is Like, you know, we 300 00:15:52,840 --> 00:15:54,240 Speaker 5: were lucky in that half the room where sort of 301 00:15:54,280 --> 00:15:56,720 Speaker 5: like these old school o G guys and like the 302 00:15:56,800 --> 00:15:59,000 Speaker 5: other half where people our ah, so like you know, 303 00:15:59,640 --> 00:16:02,000 Speaker 5: we get we got to. I mean, as you'll see 304 00:16:02,040 --> 00:16:05,000 Speaker 5: in later episodes, really add like sort of our perspective 305 00:16:05,040 --> 00:16:08,000 Speaker 5: on things and seeing how you know, sort of like 306 00:16:08,160 --> 00:16:10,760 Speaker 5: you know, it's such a fun mass mash thing, like 307 00:16:11,240 --> 00:16:14,560 Speaker 5: here's a reference to like a sixties like bubblegum commercial 308 00:16:14,920 --> 00:16:16,760 Speaker 5: and now we're going to have a reference to black mirror, 309 00:16:16,840 --> 00:16:21,440 Speaker 5: Like that's basically yeah, scary mirror. Yeah, there's a lot 310 00:16:21,480 --> 00:16:22,240 Speaker 5: of fun stuff like that. 311 00:16:22,880 --> 00:16:26,160 Speaker 2: One of the things that I found really interesting about 312 00:16:26,240 --> 00:16:28,360 Speaker 2: this and Sheeholk can obviously reckon more hears in this 313 00:16:28,440 --> 00:16:31,480 Speaker 2: space too, but like you know, the Sheahowk finale and 314 00:16:31,560 --> 00:16:35,920 Speaker 2: then the opening of Futurama, it's like super meta TV 315 00:16:36,720 --> 00:16:41,600 Speaker 2: about TV and TV writing. What is it about those stories? 316 00:16:41,640 --> 00:16:43,640 Speaker 2: Like you're always kind of in that space and in 317 00:16:43,760 --> 00:16:46,600 Speaker 2: that mindset, and it's like a very new not a 318 00:16:46,640 --> 00:16:48,680 Speaker 2: lot of TV is doing it, even though Futurama and 319 00:16:48,720 --> 00:16:51,520 Speaker 2: Simpsons have always been self referential, so could you talk 320 00:16:51,560 --> 00:16:53,480 Speaker 2: a little bit about that, because I thought it was crazy, 321 00:16:53,560 --> 00:16:57,000 Speaker 2: like just how many thematic and like humor similarities it 322 00:16:57,080 --> 00:16:58,240 Speaker 2: shared with the Sahok finale. 323 00:16:58,320 --> 00:16:58,840 Speaker 4: Oh that's funny. 324 00:16:58,960 --> 00:17:01,200 Speaker 5: I haven't actually thought about it, but I think, you know, 325 00:17:02,200 --> 00:17:04,359 Speaker 5: I think all that stuff to be traced back to 326 00:17:04,480 --> 00:17:06,960 Speaker 5: even like the Simpsons, Like that was the first time 327 00:17:07,080 --> 00:17:08,800 Speaker 5: I ever remember as a kid watching a show of 328 00:17:08,880 --> 00:17:12,280 Speaker 5: being like, oh, people write this, like people, like not 329 00:17:12,400 --> 00:17:14,480 Speaker 5: even like just one person, it's like multiple people. Like 330 00:17:14,960 --> 00:17:16,720 Speaker 5: I just I think there's actually like an early Simpsons 331 00:17:16,800 --> 00:17:19,520 Speaker 5: episode where Bart and Lisa become like a writing team 332 00:17:19,760 --> 00:17:23,160 Speaker 5: and they they they write for like Itchy and Scratchy 333 00:17:23,240 --> 00:17:26,320 Speaker 5: and they make Grandpa's Grandpa Simpson be the actual adult. 334 00:17:26,440 --> 00:17:28,560 Speaker 5: But like there's even like a running riff in that 335 00:17:28,680 --> 00:17:31,200 Speaker 5: between like Harvard writers and like Yell writers and like 336 00:17:31,280 --> 00:17:31,800 Speaker 5: a beef. 337 00:17:31,640 --> 00:17:33,800 Speaker 4: That I know, those things that existed, so like I 338 00:17:33,960 --> 00:17:34,840 Speaker 4: definitely think that was. 339 00:17:34,880 --> 00:17:37,440 Speaker 5: Like sort of the early like the older like genesis 340 00:17:37,480 --> 00:17:40,919 Speaker 5: of that is like seeing these sort of behind the scenes, 341 00:17:41,160 --> 00:17:45,040 Speaker 5: very very very niche jokes for like a very for 342 00:17:45,119 --> 00:17:47,920 Speaker 5: a job, for a job where even now they're only 343 00:17:47,960 --> 00:17:50,760 Speaker 5: like what ten thousand members of the WJ. Yeah, something 344 00:17:50,840 --> 00:17:53,000 Speaker 5: like that, like as a joke for not a lot 345 00:17:53,040 --> 00:17:55,040 Speaker 5: of people, but like that's the first That was the 346 00:17:55,080 --> 00:17:57,760 Speaker 5: first show I remember watching and being like, oh, writers 347 00:17:57,800 --> 00:18:00,960 Speaker 5: are like things that exist. And also the Simpsons make 348 00:18:01,280 --> 00:18:03,760 Speaker 5: a point of, like at least once the season making 349 00:18:03,840 --> 00:18:05,040 Speaker 5: fun of television writers. 350 00:18:05,520 --> 00:18:06,280 Speaker 2: Yeah, you know. 351 00:18:06,440 --> 00:18:09,960 Speaker 5: Yeah, Futurama was was lucky in that we had you know, 352 00:18:10,080 --> 00:18:13,959 Speaker 5: Patrick Verone, who was who was like the previous WJ president, 353 00:18:14,040 --> 00:18:16,120 Speaker 5: so like he's the one that actually has the line 354 00:18:16,200 --> 00:18:18,119 Speaker 5: in the show that like I died, I do it, 355 00:18:18,200 --> 00:18:20,879 Speaker 5: died doing what I hated. Like I think that's just 356 00:18:20,960 --> 00:18:23,280 Speaker 5: like a time model of traditionion that I was lucky 357 00:18:23,359 --> 00:18:24,280 Speaker 5: enough to stumble onto. 358 00:18:24,440 --> 00:18:24,639 Speaker 2: You know. 359 00:18:27,200 --> 00:18:31,399 Speaker 1: How, like how far into the process would you be 360 00:18:31,600 --> 00:18:35,399 Speaker 1: before you'd start to see like visuals you start to 361 00:18:35,440 --> 00:18:38,760 Speaker 1: see any kind of you know, generated stuff to let 362 00:18:38,840 --> 00:18:40,879 Speaker 1: you know like what the scenes might be looking like. 363 00:18:41,440 --> 00:18:44,200 Speaker 4: This is uh, I will say future. First of all, 364 00:18:44,240 --> 00:18:45,399 Speaker 4: it's all we we had there. 365 00:18:45,520 --> 00:18:47,400 Speaker 5: So we had a cast and crew screening like maybe 366 00:18:47,440 --> 00:18:51,920 Speaker 5: two weeks ago, and one of the animation directors gave 367 00:18:51,960 --> 00:18:53,520 Speaker 5: a really lovely speech, but at the end of it 368 00:18:53,640 --> 00:18:56,639 Speaker 5: he was like, our job is to see a script 369 00:18:56,760 --> 00:18:58,919 Speaker 5: and be like, this is impossible, and then I had 370 00:18:58,960 --> 00:19:01,200 Speaker 5: a conversation with David going to be like is it 371 00:19:01,280 --> 00:19:03,320 Speaker 5: that impossible? And then we have to make it possible. 372 00:19:03,359 --> 00:19:10,160 Speaker 5: So we honestly saw no visuals. It was pretty much 373 00:19:10,400 --> 00:19:12,800 Speaker 5: everything that we wrote was like, Bestley, what would make 374 00:19:12,840 --> 00:19:15,320 Speaker 5: it into it? And there was another running joke that 375 00:19:16,600 --> 00:19:18,040 Speaker 5: that they would always have. It was like the four 376 00:19:18,119 --> 00:19:19,920 Speaker 5: worst wards you never wanted to hear, which is we 377 00:19:20,119 --> 00:19:22,600 Speaker 5: need sign jokes. So like anytime you see like a 378 00:19:22,720 --> 00:19:25,480 Speaker 5: product or like a sign or a billboard, we would 379 00:19:25,520 --> 00:19:28,680 Speaker 5: spend half a day making like fifteen different alts of 380 00:19:28,760 --> 00:19:30,719 Speaker 5: what that joke could be, and then we email them 381 00:19:30,760 --> 00:19:32,480 Speaker 5: and then they would pick the best one. So like 382 00:19:33,359 --> 00:19:35,200 Speaker 5: it truly was like you'd read a script and like 383 00:19:35,560 --> 00:19:37,439 Speaker 5: they would be like there's a tumbleweed that blows by 384 00:19:37,480 --> 00:19:39,359 Speaker 5: and on the backgrounds a sign that says like this, 385 00:19:39,600 --> 00:19:42,280 Speaker 5: So like it truly is like you see how much 386 00:19:42,320 --> 00:19:45,760 Speaker 5: work the writers put into it. But then also how 387 00:19:45,800 --> 00:19:47,360 Speaker 5: it's sort of hand in hand with like the animation 388 00:19:47,520 --> 00:19:50,440 Speaker 5: team Roughhouse or rough Raft with the animation studio, and 389 00:19:50,440 --> 00:19:52,480 Speaker 5: they did They've been an animation studio for a Futurama 390 00:19:52,520 --> 00:19:55,080 Speaker 5: for forever. But like a lot of it is just 391 00:19:55,200 --> 00:19:57,480 Speaker 5: like off the dome from like that writers, and then 392 00:19:58,040 --> 00:20:00,280 Speaker 5: you'll sort of get like some more funds up when 393 00:20:00,280 --> 00:20:02,119 Speaker 5: you get like animatics back, like you'll see sort of 394 00:20:02,200 --> 00:20:05,119 Speaker 5: like the art the artistry that the artists bring to it, 395 00:20:05,160 --> 00:20:08,720 Speaker 5: as far as like jokes, like I, well, this episode 396 00:20:08,720 --> 00:20:09,920 Speaker 5: hasn't come out, so I can't say it, but like 397 00:20:10,200 --> 00:20:12,000 Speaker 5: there's just some some stuff that they add to it 398 00:20:12,119 --> 00:20:14,720 Speaker 5: that's like you never it was not a joke, but 399 00:20:15,040 --> 00:20:16,800 Speaker 5: that was written down, but they added like a nice 400 00:20:16,880 --> 00:20:20,000 Speaker 5: fun visual joke, so it was it was, it was really, 401 00:20:20,119 --> 00:20:23,119 Speaker 5: it was really cool seeing the stages from like the animatics, 402 00:20:23,240 --> 00:20:25,919 Speaker 5: like the colored version to like the stick version versions 403 00:20:25,960 --> 00:20:27,959 Speaker 5: and seeing like it actually comes like a full fledged thing. 404 00:20:28,040 --> 00:20:31,280 Speaker 5: And now watching it on on you know, on the 405 00:20:31,320 --> 00:20:34,920 Speaker 5: Struck Company Hulu, who will not say the writers decent wages, 406 00:20:34,920 --> 00:20:35,399 Speaker 5: but they should. 407 00:20:36,040 --> 00:20:41,680 Speaker 1: You posted two screenshots recently on your account on the 408 00:20:41,920 --> 00:20:49,800 Speaker 1: social media platform now called x and we see from 409 00:20:50,080 --> 00:20:52,520 Speaker 1: these screenshots that you've done it again. You've managed to 410 00:20:52,600 --> 00:20:57,520 Speaker 1: get yourself into a frame of futurare much as you 411 00:20:57,640 --> 00:20:59,920 Speaker 1: appeared on screen, and the she y' all tell me, 412 00:21:01,119 --> 00:21:04,520 Speaker 1: how how do you do it? How do you keep 413 00:21:04,840 --> 00:21:07,320 Speaker 1: doing it, and how did you do it this time? 414 00:21:08,320 --> 00:21:09,800 Speaker 4: I completely lucked out? 415 00:21:10,000 --> 00:21:12,280 Speaker 5: And that you know the finale for she opened, she 416 00:21:12,359 --> 00:21:15,640 Speaker 5: comes to the writer's room and Jessica Guy the show runner, 417 00:21:15,720 --> 00:21:17,000 Speaker 5: was like, hey, do you want to come on set? 418 00:21:17,040 --> 00:21:19,040 Speaker 5: The only we can come on set because the regular 419 00:21:19,040 --> 00:21:21,160 Speaker 5: middle of COVID is you'd be an extra. I was like, yeah, 420 00:21:21,160 --> 00:21:22,520 Speaker 5: I can send the background. It's like, who do I 421 00:21:22,520 --> 00:21:23,960 Speaker 5: got to play? Is like, well, you got to play yourself? 422 00:21:23,960 --> 00:21:25,880 Speaker 5: I was like, well I can do that all day long. 423 00:21:26,000 --> 00:21:31,400 Speaker 5: So it's great. But for this, like the pilot episode originally, 424 00:21:31,560 --> 00:21:33,640 Speaker 5: like they go to the writer's room and it's Patrick 425 00:21:33,720 --> 00:21:35,919 Speaker 5: and there's another guy head in the jar. 426 00:21:36,000 --> 00:21:37,680 Speaker 4: His name is Eric. He's like another old school writer. 427 00:21:37,800 --> 00:21:38,480 Speaker 4: But that was really it. 428 00:21:39,080 --> 00:21:42,119 Speaker 5: And then you know, we were like we had we 429 00:21:42,200 --> 00:21:44,440 Speaker 5: had got like an animatic version in like with is 430 00:21:44,560 --> 00:21:47,080 Speaker 5: like the black and white version. And then David was like, hey, 431 00:21:47,560 --> 00:21:49,119 Speaker 5: new writers, can you just like send a couple of 432 00:21:49,160 --> 00:21:52,320 Speaker 5: pictures of yourself to the staff and if you guys 433 00:21:52,359 --> 00:21:53,480 Speaker 5: want to be in the TV show, If not, you 434 00:21:53,520 --> 00:21:55,440 Speaker 5: don't have to. They like immediately I made like a 435 00:21:55,480 --> 00:21:58,239 Speaker 5: folder with like all my records and stuff, like if 436 00:21:58,280 --> 00:22:01,240 Speaker 5: you notice like if you I'm sure Jason has seen it. 437 00:22:01,280 --> 00:22:03,480 Speaker 5: But like the blue sweatshirt I have is just my 438 00:22:03,680 --> 00:22:06,160 Speaker 5: La sweatshirt that I wear all the time. Like there's 439 00:22:06,200 --> 00:22:09,400 Speaker 5: a gold chain, like that's my that's it's like people 440 00:22:09,400 --> 00:22:11,800 Speaker 5: at home can't see it, but it's my black panther chain. 441 00:22:11,800 --> 00:22:14,000 Speaker 5: It's exact same chain I wear, and she whole episode 442 00:22:14,080 --> 00:22:16,160 Speaker 5: like it's truly just like, hey, just send a bunch 443 00:22:16,200 --> 00:22:18,040 Speaker 5: of pictures and like you will make a Simpsons slash 444 00:22:18,040 --> 00:22:20,399 Speaker 5: Futurama version of you, which is like honestly, like that 445 00:22:20,560 --> 00:22:22,520 Speaker 5: was the dream, Like I've always wanted to be like 446 00:22:23,000 --> 00:22:25,399 Speaker 5: in like one of these cartoons. So like getting that, 447 00:22:25,960 --> 00:22:27,840 Speaker 5: sitting that off, and like like a month later I 448 00:22:27,920 --> 00:22:30,119 Speaker 5: got back like a little picture of me next to 449 00:22:30,160 --> 00:22:32,120 Speaker 5: Fry is like a scale thing, and like my note 450 00:22:32,280 --> 00:22:34,000 Speaker 5: was like can you make me taller than Fry? 451 00:22:34,040 --> 00:22:35,200 Speaker 4: That's all. That's the only. 452 00:22:37,680 --> 00:22:39,400 Speaker 5: So like I would like to get a three peet 453 00:22:40,080 --> 00:22:42,520 Speaker 5: after the after the strike is settled and we're paid 454 00:22:42,560 --> 00:22:44,800 Speaker 5: some lievable wages, Like I would love to continue the 455 00:22:45,600 --> 00:22:48,080 Speaker 5: the the trend of sneaking of weasling my way into 456 00:22:48,119 --> 00:22:49,600 Speaker 5: a cameo into his shows that I'm working on. 457 00:22:50,960 --> 00:22:54,720 Speaker 2: Yeah, that's also so are you now ready to be 458 00:22:54,920 --> 00:22:57,320 Speaker 2: killed off in a future show? Because that's like the 459 00:22:57,560 --> 00:23:01,080 Speaker 2: joy of I always think about Girl Morrison, who obviously 460 00:23:01,160 --> 00:23:04,359 Speaker 2: famously put themselves into Animal Man and then like as 461 00:23:04,400 --> 00:23:06,479 Speaker 2: someone in DC universe. But just like we're killing him, 462 00:23:07,359 --> 00:23:09,800 Speaker 2: Gron exists in this universe, so now we can there 463 00:23:09,840 --> 00:23:12,040 Speaker 2: a character. So are you ready for your likeness to 464 00:23:12,119 --> 00:23:14,439 Speaker 2: be used in nefarious ways? 465 00:23:15,480 --> 00:23:18,800 Speaker 5: I welcome, I welcome my animated death. Please let it 466 00:23:18,840 --> 00:23:20,480 Speaker 5: be a swift death. I would love nothing more than 467 00:23:20,640 --> 00:23:23,040 Speaker 5: be like blown up by like bender in like an 468 00:23:23,040 --> 00:23:25,080 Speaker 5: episode of Futura. 469 00:23:28,320 --> 00:23:31,760 Speaker 1: So you have managed to slip yourself through the fourth 470 00:23:31,880 --> 00:23:36,760 Speaker 1: wall into the scenes of both She Hulk and Futurama. 471 00:23:37,480 --> 00:23:41,040 Speaker 1: And I can't help but notice, as a as a 472 00:23:42,359 --> 00:23:45,719 Speaker 1: a reader of your fine work in the comic book pages, 473 00:23:46,480 --> 00:23:50,320 Speaker 1: that it appears that you've also slipped your good friend 474 00:23:50,560 --> 00:23:54,720 Speaker 1: Jessica Goal into the pages of Miles Morales as a 475 00:23:54,960 --> 00:23:59,920 Speaker 1: police officer, as the police police officer, Agent Gal, who's 476 00:24:00,080 --> 00:24:03,960 Speaker 1: out here just trying to rain in Miles Morales's shine 477 00:24:04,280 --> 00:24:08,440 Speaker 1: and give an opportunity trying to you know, is it 478 00:24:09,000 --> 00:24:12,399 Speaker 1: always like one inch from bringing him in in cuffs. 479 00:24:12,720 --> 00:24:14,960 Speaker 5: Yeah, it's it's it's becoming like a running jock at 480 00:24:14,960 --> 00:24:16,680 Speaker 5: this point, where she's always like I'm about to bust 481 00:24:16,720 --> 00:24:19,720 Speaker 5: your ass, but somehow she gets out of it. You know, 482 00:24:20,119 --> 00:24:22,200 Speaker 5: it really wasn't too disclimbered from our relationship in the 483 00:24:22,200 --> 00:24:24,200 Speaker 5: Shiyoak room. She's like, I'm about to I need to 484 00:24:24,240 --> 00:24:26,280 Speaker 5: keep on the straight and narrow Zigler and I would 485 00:24:26,320 --> 00:24:28,080 Speaker 5: say I'd use all my way out of it. You know, 486 00:24:28,160 --> 00:24:30,160 Speaker 5: I need I need this outline now. It's like, yeah, 487 00:24:30,240 --> 00:24:31,600 Speaker 5: totally got it to you. Did I get to do 488 00:24:31,720 --> 00:24:34,240 Speaker 5: like a day late? Like, yeah, I have a fun 489 00:24:34,320 --> 00:24:35,960 Speaker 5: running theme where like I like to put my friends 490 00:24:36,000 --> 00:24:37,960 Speaker 5: in my comic books. And it's going to be what 491 00:24:38,359 --> 00:24:41,280 Speaker 5: better way to like have a nice insult jab at 492 00:24:41,560 --> 00:24:43,760 Speaker 5: my good friend Gavin making her a cough that's trying 493 00:24:43,760 --> 00:24:46,359 Speaker 5: to take down the hero of the book, and it's 494 00:24:46,400 --> 00:24:48,000 Speaker 5: constantly going to be a thorn in his side. 495 00:24:49,160 --> 00:24:58,639 Speaker 3: That's extremely shady. It's good. And what's what's like this 496 00:24:58,840 --> 00:24:59,000 Speaker 3: to be? 497 00:24:59,280 --> 00:25:01,800 Speaker 2: We've been talking to about like struck companies and the 498 00:25:01,840 --> 00:25:03,960 Speaker 2: strikes and how you're picking and stuff. What's it like 499 00:25:04,040 --> 00:25:05,879 Speaker 2: to like walk on a show like this that's basically 500 00:25:06,080 --> 00:25:08,040 Speaker 2: like a dream gig or something that you love and 501 00:25:08,119 --> 00:25:10,639 Speaker 2: then launch it and then have it come out like 502 00:25:10,800 --> 00:25:13,240 Speaker 2: during the strike, Like, what's that kind of duale you've been. 503 00:25:13,240 --> 00:25:15,200 Speaker 5: Like, it's a very I don't know. I don't know 504 00:25:15,240 --> 00:25:16,840 Speaker 5: if Jason, I don't know if you had another show. 505 00:25:16,840 --> 00:25:18,440 Speaker 5: I don't know if your shit came out pre strike. 506 00:25:18,560 --> 00:25:22,960 Speaker 2: Yeah, I came out, came out, w GA strike was 507 00:25:23,000 --> 00:25:27,280 Speaker 2: on it like a week before the WGA strike really hit, 508 00:25:27,480 --> 00:25:30,800 Speaker 2: and we couldn't go to our premiere, for instance, because 509 00:25:31,320 --> 00:25:32,359 Speaker 2: the action had started. 510 00:25:32,480 --> 00:25:32,680 Speaker 1: Yeah. 511 00:25:32,840 --> 00:25:34,680 Speaker 5: Yeah, So I mean I'm sorry you sort of feel 512 00:25:34,680 --> 00:25:37,200 Speaker 5: the same similar way, where like you put Yeah, for me, 513 00:25:37,359 --> 00:25:39,879 Speaker 5: literally like fifty six weeks a year plus worth of 514 00:25:39,960 --> 00:25:43,280 Speaker 5: work into a project. So like you know, we're supposed 515 00:25:43,280 --> 00:25:44,879 Speaker 5: to have to supposed to go to Comic Contact a 516 00:25:44,880 --> 00:25:47,320 Speaker 5: big launch where I saw pictures that seemed like the 517 00:25:47,359 --> 00:25:48,040 Speaker 5: launch was still there. 518 00:25:48,160 --> 00:25:49,280 Speaker 4: We obviously couldn't go. 519 00:25:51,480 --> 00:25:51,520 Speaker 3: It. 520 00:25:51,760 --> 00:25:54,359 Speaker 5: It's sort of twofold. Like one, it's a bummer that 521 00:25:54,440 --> 00:25:57,200 Speaker 5: like I can't post more and share more, but also 522 00:25:57,359 --> 00:26:01,800 Speaker 5: like you know, I not sharing a tweet or a 523 00:26:01,920 --> 00:26:04,880 Speaker 5: text or a or an IG post is like small 524 00:26:05,119 --> 00:26:07,680 Speaker 5: potatoes compared to like what you're actually fighting for. Like 525 00:26:08,160 --> 00:26:11,000 Speaker 5: and also the WJA they did carve out, Like yes, 526 00:26:11,080 --> 00:26:12,879 Speaker 5: you can post stuff, but you can't do it directly 527 00:26:13,000 --> 00:26:17,000 Speaker 5: under the the permission of a struck company, which is 528 00:26:17,080 --> 00:26:18,679 Speaker 5: like why I could like post those things or come 529 00:26:18,720 --> 00:26:20,439 Speaker 5: on this show, Like I wasn't asked by like Disney 530 00:26:20,520 --> 00:26:23,760 Speaker 5: to come on or anything like that. But it, you know, 531 00:26:23,840 --> 00:26:26,800 Speaker 5: it sucks for like especially like the actors and stuff 532 00:26:26,840 --> 00:26:30,200 Speaker 5: who like you know, they came back after twenty years 533 00:26:30,280 --> 00:26:32,879 Speaker 5: to do this stuff, but they can't promote it and 534 00:26:32,920 --> 00:26:34,920 Speaker 5: they did fantastic work, and like the cast and crew 535 00:26:34,960 --> 00:26:37,640 Speaker 5: who you know, for their unions, like they can't post 536 00:26:37,680 --> 00:26:40,400 Speaker 5: about it. Like it definitely definitely is like a huge 537 00:26:40,440 --> 00:26:43,000 Speaker 5: bummer because like you know, again we did have a premiere, 538 00:26:43,080 --> 00:26:44,720 Speaker 5: We had like a cast and crew screening, which was 539 00:26:45,040 --> 00:26:47,359 Speaker 5: you know, definitely more intimate. It was cool in that regard, 540 00:26:47,480 --> 00:26:49,840 Speaker 5: but like you know, for for Shield, they had like 541 00:26:49,960 --> 00:26:52,240 Speaker 5: you know, the fucking theater roped out and they're like 542 00:26:52,640 --> 00:26:55,399 Speaker 5: cameras everywhere, and like, oh, I understand why these things exist, 543 00:26:55,560 --> 00:26:57,600 Speaker 5: Like yes, is to like roll out this big thing 544 00:26:57,640 --> 00:26:59,080 Speaker 5: and like blah blah blah, but also it is to 545 00:26:59,119 --> 00:27:02,520 Speaker 5: celebrate the yeah, the hundreds and sometimes thousands of people 546 00:27:02,560 --> 00:27:05,680 Speaker 5: that work on these projects, so you know, it's it's 547 00:27:05,720 --> 00:27:08,720 Speaker 5: a bittersweet, like I'm bummed that we can't enjoy it more. 548 00:27:08,760 --> 00:27:12,040 Speaker 5: But I also you know, I I that's part of 549 00:27:12,080 --> 00:27:15,119 Speaker 5: the the handshake agreement when you enter tune union, is 550 00:27:15,160 --> 00:27:17,600 Speaker 5: that like for solidarity, Like we can't do these things. 551 00:27:17,640 --> 00:27:19,479 Speaker 5: So like that's why me and Jason are out here 552 00:27:19,520 --> 00:27:23,400 Speaker 5: on the lines at ninety degree eighty or forty percent humidity. 553 00:27:23,480 --> 00:27:23,680 Speaker 2: You know. 554 00:27:24,480 --> 00:27:24,640 Speaker 3: Yeah. 555 00:27:24,720 --> 00:27:28,040 Speaker 1: With Primo, you know, obviously Ceaz for you know, most 556 00:27:28,040 --> 00:27:30,400 Speaker 1: of the writers to just not tweet not Yeah, that's 557 00:27:30,680 --> 00:27:31,160 Speaker 1: that's fine. 558 00:27:31,320 --> 00:27:33,520 Speaker 5: Also that writers aren't really putting butts and seeds, you know, 559 00:27:33,600 --> 00:27:37,000 Speaker 5: no one's coming from exactly, like what's Cody Zigger got. 560 00:27:37,000 --> 00:27:38,399 Speaker 4: To say about the Futurama, you know. 561 00:27:39,520 --> 00:27:43,080 Speaker 1: And with Primo was interesting because you know, the writers 562 00:27:43,160 --> 00:27:47,360 Speaker 1: went on strike and SAG was still negotiating at that time, 563 00:27:47,840 --> 00:27:50,520 Speaker 1: so the writers got to do the promo. But who 564 00:27:50,600 --> 00:27:53,960 Speaker 1: I really felt bad for was Shay who created the 565 00:27:54,040 --> 00:27:58,440 Speaker 1: show and it's based on his life and he put 566 00:27:58,520 --> 00:28:00,760 Speaker 1: a ton of heart into it. It not to mention 567 00:28:01,040 --> 00:28:03,800 Speaker 1: you know, it's his family members or represented there in 568 00:28:03,880 --> 00:28:06,200 Speaker 1: the show. And then so to not be able to 569 00:28:07,320 --> 00:28:11,879 Speaker 1: promote it. I felt bad for him. That was that 570 00:28:12,359 --> 00:28:15,119 Speaker 1: that I felt badly about because so much work and 571 00:28:15,200 --> 00:28:17,680 Speaker 1: heart went into that and to not be able to 572 00:28:17,840 --> 00:28:21,560 Speaker 1: be like, hey, we really, we really brought you something here, 573 00:28:21,720 --> 00:28:23,840 Speaker 1: We really tried to make something special. And to not 574 00:28:23,920 --> 00:28:25,520 Speaker 1: be able to do that when you know you're so 575 00:28:25,760 --> 00:28:30,639 Speaker 1: attached to it created it, et cetera. That made me 576 00:28:30,720 --> 00:28:34,000 Speaker 1: feel badly. But otherwise it's been very easy to not 577 00:28:34,080 --> 00:28:34,840 Speaker 1: tweet about stuff. 578 00:28:35,040 --> 00:28:40,440 Speaker 2: Yeah, and also the claimed Primo like the reviews did 579 00:28:40,480 --> 00:28:41,080 Speaker 2: it themselves. 580 00:28:41,120 --> 00:28:42,760 Speaker 3: The reviews have been promoting the show. 581 00:28:42,960 --> 00:28:44,120 Speaker 1: Been very fortunate that way. 582 00:28:44,200 --> 00:28:47,640 Speaker 5: Yeah, Yeah, I guess to echo Jason's it's as it's 583 00:28:47,880 --> 00:28:49,600 Speaker 5: It's never been an easier time not to want to 584 00:28:49,680 --> 00:28:51,680 Speaker 5: use Twitter than the past thirteen weeks. 585 00:28:53,640 --> 00:28:54,400 Speaker 4: Like the perfect time. 586 00:28:56,320 --> 00:28:58,920 Speaker 3: Yeah, thank you, thank you elon something we never say. 587 00:29:00,000 --> 00:29:00,520 Speaker 3: I appreciate it. 588 00:29:01,960 --> 00:29:05,320 Speaker 1: And I just know right now Linda Yakarino, who was 589 00:29:05,400 --> 00:29:09,280 Speaker 1: recently in Los Angeles doing like a charm offensive and 590 00:29:09,360 --> 00:29:13,360 Speaker 1: all the big agencies trying to get you know, celebs 591 00:29:13,520 --> 00:29:17,040 Speaker 1: to x about X or to say anything about X 592 00:29:17,080 --> 00:29:19,040 Speaker 1: and be like X is so cool. You just know 593 00:29:20,160 --> 00:29:25,800 Speaker 1: that Linda was talking to to whoever would be able 594 00:29:25,920 --> 00:29:30,760 Speaker 1: to give them, allow them to say X Gonna give 595 00:29:30,800 --> 00:29:37,520 Speaker 1: it to you and use a snippet of the song 596 00:29:38,600 --> 00:29:42,080 Speaker 1: promote they wish you just know that that was how 597 00:29:42,160 --> 00:29:45,640 Speaker 1: can we get X Gonna give It to you as 598 00:29:45,760 --> 00:29:49,400 Speaker 1: part of our promo for the social media platform X. 599 00:29:49,440 --> 00:29:54,760 Speaker 2: Formerly, I think people would have bought the head like 600 00:29:55,000 --> 00:29:59,200 Speaker 2: the luve, but that you just couldn't do it, Like no, 601 00:29:59,720 --> 00:30:01,200 Speaker 2: I'm are glad that she failed that that. 602 00:30:01,840 --> 00:30:03,480 Speaker 3: I mean, does anyone even call it X? I don't 603 00:30:03,520 --> 00:30:05,200 Speaker 3: have a Twitter account anymore, so I don't know, but 604 00:30:05,280 --> 00:30:07,320 Speaker 3: people still calling it Twitter. I'd be proud if I 605 00:30:07,400 --> 00:30:07,640 Speaker 3: say it. 606 00:30:07,680 --> 00:30:10,000 Speaker 1: Believe it's still it's still early days. But let the 607 00:30:10,080 --> 00:30:16,360 Speaker 1: brand brand give X a chance, given a chance, let 608 00:30:16,680 --> 00:30:18,880 Speaker 1: cook folks, let it give it a shot. 609 00:30:19,000 --> 00:30:20,920 Speaker 5: I mean, I mean, this is not I'm sure someone 610 00:30:21,200 --> 00:30:22,840 Speaker 5: plenty of people have had this take already, but like 611 00:30:23,360 --> 00:30:25,840 Speaker 5: it just seems it's so comic, Like it's just like 612 00:30:25,920 --> 00:30:29,240 Speaker 5: where is Charles Xavier at? Like this is like it's 613 00:30:29,280 --> 00:30:31,440 Speaker 5: such an easy one to one with, like comic book 614 00:30:31,520 --> 00:30:33,320 Speaker 5: and like like the reality of like this does not 615 00:30:33,400 --> 00:30:35,400 Speaker 5: make sense in like reality, like naming a company actually 616 00:30:35,520 --> 00:30:39,280 Speaker 5: seems so cartooniously nefarious that I it's hard to like 617 00:30:39,440 --> 00:30:41,960 Speaker 5: defy thee. 618 00:30:41,680 --> 00:30:42,680 Speaker 3: Must be so bad. 619 00:30:43,360 --> 00:30:45,320 Speaker 2: I can't even imagine how much money they had to 620 00:30:45,400 --> 00:30:47,719 Speaker 2: pay on the SEO to make that even come up 621 00:30:47,760 --> 00:30:48,560 Speaker 2: on the page. 622 00:30:49,840 --> 00:30:53,600 Speaker 1: Well, yeah, when you when you search, when you search Twitter, 623 00:30:54,520 --> 00:30:57,320 Speaker 1: X comes up, so they've somehow they paid a lot. 624 00:30:59,280 --> 00:31:02,320 Speaker 1: But listen, this is why you and I are not 625 00:31:03,280 --> 00:31:07,640 Speaker 1: business geniuses. When you have a brand that is instantly 626 00:31:07,760 --> 00:31:11,400 Speaker 1: recognizable to billions, what you want to do, actually is 627 00:31:11,440 --> 00:31:13,080 Speaker 1: you want to change it. You want to change it 628 00:31:13,160 --> 00:31:16,080 Speaker 1: to something completely different. It's not synonymous with what you 629 00:31:16,200 --> 00:31:18,959 Speaker 1: do right, and you want to just switch it up 630 00:31:19,000 --> 00:31:21,680 Speaker 1: that way. And you will never understand that. I will 631 00:31:21,720 --> 00:31:22,440 Speaker 1: never understand that. 632 00:31:23,160 --> 00:31:28,080 Speaker 2: Forty so many five D chests, five double D chest, 633 00:31:28,880 --> 00:31:29,920 Speaker 2: Solve for X. 634 00:31:30,080 --> 00:31:30,560 Speaker 1: How about that? 635 00:31:32,160 --> 00:31:35,760 Speaker 3: You can use that use that one for free, Use. 636 00:31:35,720 --> 00:31:38,680 Speaker 1: That one for free. Solve for X. Can use Solve 637 00:31:38,760 --> 00:31:40,360 Speaker 1: for X. I can see it on the bus stop 638 00:31:40,480 --> 00:31:40,880 Speaker 1: right now. 639 00:31:41,320 --> 00:31:43,640 Speaker 4: X marks the spot. It's like a little Pirates. 640 00:31:47,000 --> 00:31:49,440 Speaker 3: Guys. Guys, you're meant to be, You're meant to be 641 00:31:49,520 --> 00:31:52,959 Speaker 3: on strike. Free free gems say, guys, let me give 642 00:31:53,080 --> 00:31:53,640 Speaker 3: a free. 643 00:31:56,480 --> 00:31:57,720 Speaker 1: X ray Vision will be back. 644 00:32:07,040 --> 00:32:07,600 Speaker 4: And we're back. 645 00:32:08,000 --> 00:32:13,720 Speaker 1: Let's talk about the surprise drop of the Invincible season 646 00:32:13,800 --> 00:32:18,719 Speaker 1: two episode Adam Eve Special Episode prequel episode The Origin 647 00:32:18,840 --> 00:32:25,080 Speaker 1: Story of Adam Eve on the Struck Amazon Prime Struck 648 00:32:25,120 --> 00:32:29,880 Speaker 1: Strong Network. I was shocked to see this pop up 649 00:32:30,200 --> 00:32:32,920 Speaker 1: in my in my feet. I immediately watched it, and 650 00:32:33,440 --> 00:32:36,360 Speaker 1: I gotta tell you, folks, Invincible still got it. 651 00:32:36,480 --> 00:32:37,760 Speaker 4: It's great. 652 00:32:39,120 --> 00:32:44,000 Speaker 2: The way that the animation team make this show look 653 00:32:44,320 --> 00:32:48,560 Speaker 2: instantly familiar to people who watch like anime, but also 654 00:32:48,760 --> 00:32:50,880 Speaker 2: like completely different. 655 00:32:50,680 --> 00:32:53,800 Speaker 3: Like that fight scene with Adam Eve and. 656 00:32:53,880 --> 00:32:55,240 Speaker 2: The kind of the big fight at the end, so 657 00:32:55,240 --> 00:32:57,240 Speaker 2: I won't spoil kind of who she's fighting with, but 658 00:32:57,320 --> 00:33:01,000 Speaker 2: like the way they use camera moved mom in that 659 00:33:01,240 --> 00:33:04,520 Speaker 2: it feels like a danger Like it's like so different, 660 00:33:04,800 --> 00:33:08,440 Speaker 2: very animal, and there's all this this camera movement, the sweeps, 661 00:33:08,560 --> 00:33:12,080 Speaker 2: Like the action in this show is just unreal, and 662 00:33:12,200 --> 00:33:14,239 Speaker 2: it's nice to see them. You know, she still has 663 00:33:14,320 --> 00:33:17,720 Speaker 2: a very invincible backstory, very depressing and violent, because that's 664 00:33:17,720 --> 00:33:19,560 Speaker 2: the nature of Invincible, but it's nice to see her 665 00:33:19,600 --> 00:33:22,040 Speaker 2: get a little bit of character work here, Like I 666 00:33:22,080 --> 00:33:25,400 Speaker 2: could see them do this for most of the characters Invincible, 667 00:33:25,440 --> 00:33:26,360 Speaker 2: and I would love to see it. 668 00:33:26,840 --> 00:33:29,520 Speaker 5: Yeah, I kept thinking that, like I could just watch 669 00:33:30,200 --> 00:33:32,840 Speaker 5: a series of just these off characters that, yeah, I 670 00:33:32,880 --> 00:33:34,880 Speaker 5: guess Adam Adam Eve gets a little bit because he 671 00:33:34,960 --> 00:33:36,520 Speaker 5: gets more work than a lot of them. But like 672 00:33:36,520 --> 00:33:40,160 Speaker 5: I could watch like a Monster Girl like exactly or whatever. 673 00:33:40,240 --> 00:33:42,920 Speaker 5: You know, I could watch Rex Bludes, like Origin Story, 674 00:33:43,040 --> 00:33:45,760 Speaker 5: I can watch any of those or even like I 675 00:33:45,760 --> 00:33:47,080 Speaker 5: don't want to sport it, but like, you know, the 676 00:33:47,960 --> 00:33:51,160 Speaker 5: the like I'm really excited to see, Like for those 677 00:33:51,200 --> 00:33:54,680 Speaker 5: who've read the Invincible comics, like for me, for my money, 678 00:33:54,760 --> 00:33:57,520 Speaker 5: like the ending coda for like the ending like twenty 679 00:33:57,600 --> 00:33:59,280 Speaker 5: thirty pages of Invincible were like to me, is like 680 00:33:59,320 --> 00:34:02,400 Speaker 5: probably the best in the indy superhero comic I've ever 681 00:34:02,600 --> 00:34:03,120 Speaker 5: read ever. 682 00:34:03,400 --> 00:34:04,720 Speaker 4: Yes, Like I could fully just. 683 00:34:04,800 --> 00:34:05,880 Speaker 1: Watch the best Kirkman. 684 00:34:06,680 --> 00:34:08,000 Speaker 3: Yeah, it's absolutely the best. 685 00:34:08,040 --> 00:34:10,120 Speaker 1: It's the absolute best Kirkman. 686 00:34:10,360 --> 00:34:12,440 Speaker 5: It's it's like you just like you can't be like 687 00:34:12,520 --> 00:34:15,279 Speaker 5: I could watch fully just two hours of that code, 688 00:34:15,400 --> 00:34:16,279 Speaker 5: Like I could just watch that. 689 00:34:16,480 --> 00:34:19,319 Speaker 4: In forever, but I think that one. 690 00:34:19,719 --> 00:34:21,680 Speaker 3: Yeah, it's like one of the craziest things too, is 691 00:34:21,800 --> 00:34:24,719 Speaker 3: like you know you have two iconic you have Corey Walker, 692 00:34:24,719 --> 00:34:27,200 Speaker 3: you have Ryan Otley. Yeah, and like the way that 693 00:34:27,320 --> 00:34:31,280 Speaker 3: they translate like this looks like it, but it doesn't 694 00:34:31,320 --> 00:34:31,640 Speaker 3: look like. 695 00:34:31,680 --> 00:34:34,360 Speaker 2: But it also looks like the best of the DCAU, 696 00:34:34,840 --> 00:34:38,359 Speaker 2: but it also looks like anime or like especially it's 697 00:34:38,520 --> 00:34:43,760 Speaker 2: so visually pleasing, Like I understand why when they surprise 698 00:34:43,840 --> 00:34:46,319 Speaker 2: dropped this, like everyone lost their ship, because it also 699 00:34:46,520 --> 00:34:49,239 Speaker 2: is like it still has all the things people like 700 00:34:49,320 --> 00:34:52,400 Speaker 2: about Invincible. It's by the time you get to the end, 701 00:34:52,520 --> 00:34:56,600 Speaker 2: there's some really horrific shit going down. Yeah, and they 702 00:34:56,760 --> 00:34:59,960 Speaker 2: really do some grotesque stuff, but it has that hard 703 00:35:00,239 --> 00:35:02,439 Speaker 2: it has that punch, and then you get this really 704 00:35:02,600 --> 00:35:05,560 Speaker 2: fun like what's Mark been up to? 705 00:35:05,800 --> 00:35:06,880 Speaker 3: Sting and that. 706 00:35:07,000 --> 00:35:09,560 Speaker 2: Also somehow manages to really hit even though it's just 707 00:35:09,719 --> 00:35:12,640 Speaker 2: like it's mostly a bit, but the end has this 708 00:35:12,840 --> 00:35:14,280 Speaker 2: like little heft. 709 00:35:14,760 --> 00:35:14,960 Speaker 3: Yeah. 710 00:35:14,960 --> 00:35:17,960 Speaker 2: I just thought this was so good and obviously Surprise 711 00:35:18,080 --> 00:35:20,239 Speaker 2: dropping it probably because of the strike. 712 00:35:20,280 --> 00:35:21,080 Speaker 3: Just to bring it up. 713 00:35:20,960 --> 00:35:23,560 Speaker 2: Again, like let's people really couldn't have people out there 714 00:35:23,600 --> 00:35:28,000 Speaker 2: promoting this, but like, it was really good and I 715 00:35:28,080 --> 00:35:30,760 Speaker 2: hope people got paid. I mean, that first Invincible season 716 00:35:30,800 --> 00:35:34,600 Speaker 2: blew my mind because if I'm not mistaken, that was 717 00:35:34,840 --> 00:35:40,000 Speaker 2: Amazon and Skybound essentially creating like an animation studio. Like 718 00:35:40,160 --> 00:35:44,560 Speaker 2: I think that it was like more like produced by them, 719 00:35:44,920 --> 00:35:47,360 Speaker 2: and the idea was to keep making other animated stuff, 720 00:35:47,640 --> 00:35:51,920 Speaker 2: and it's just like so good visually, like there's no 721 00:35:52,040 --> 00:35:56,160 Speaker 2: one else right now is making superhero animation that compares 722 00:35:56,239 --> 00:35:56,400 Speaker 2: to this. 723 00:35:56,840 --> 00:36:00,200 Speaker 1: Yeah, it does something really great, which is and The 724 00:36:00,239 --> 00:36:02,160 Speaker 1: Boys does this too, And I think you know, whether 725 00:36:02,239 --> 00:36:07,480 Speaker 1: consciously or unconsciously, struck company, Amazon Prime Studios has kind 726 00:36:07,520 --> 00:36:11,439 Speaker 1: of backed into a brand with regards to its superhero stuff, 727 00:36:11,440 --> 00:36:15,480 Speaker 1: which is this kind of deconstruction of Superman of superheroes. 728 00:36:16,080 --> 00:36:18,919 Speaker 1: And the great thing about Invincible what I loved about 729 00:36:18,960 --> 00:36:22,480 Speaker 1: season one and it's right there front and center and 730 00:36:22,719 --> 00:36:25,160 Speaker 1: the Adam Eve prequel is that on the one hand, 731 00:36:25,200 --> 00:36:29,960 Speaker 1: they are deconstructing the myths right and showing you the 732 00:36:30,080 --> 00:36:35,800 Speaker 1: kind of like brutality and the very creaky like moral 733 00:36:36,160 --> 00:36:41,440 Speaker 1: standing of superheroes, but also they're giving you the magic 734 00:36:41,560 --> 00:36:44,080 Speaker 1: of what is great about like keeps it in general 735 00:36:44,320 --> 00:36:47,239 Speaker 1: also like it's like, I mean, this prequel is all 736 00:36:47,320 --> 00:36:50,920 Speaker 1: about a girl wanting to be special, wanting to find 737 00:36:50,960 --> 00:36:54,040 Speaker 1: that thing that is special about her, and then that 738 00:36:54,320 --> 00:36:58,279 Speaker 1: classic comic book thing of you get the thing that 739 00:36:58,520 --> 00:37:01,200 Speaker 1: makes you special and then you are rejected for it, 740 00:37:02,160 --> 00:37:08,120 Speaker 1: and that is just it is, and it is endlessly 741 00:37:08,480 --> 00:37:11,320 Speaker 1: emotionally impactful. For at least for me, that is the 742 00:37:11,440 --> 00:37:13,400 Speaker 1: thing that keeps me coming back to comic Like when 743 00:37:13,440 --> 00:37:15,759 Speaker 1: I get a whiff of that, when I get like 744 00:37:15,880 --> 00:37:20,000 Speaker 1: a hint of that kind of friction, that emotional like 745 00:37:20,200 --> 00:37:22,440 Speaker 1: impact and a story, I'm like, oh, yeah, this is 746 00:37:22,680 --> 00:37:26,160 Speaker 1: this is what I felt like, you know, originally reading 747 00:37:26,200 --> 00:37:28,680 Speaker 1: comics as a kid. And this prequel does it. And 748 00:37:28,800 --> 00:37:31,040 Speaker 1: it does it on multiple levels too. It's not just 749 00:37:31,120 --> 00:37:35,840 Speaker 1: like Adam Eve getting rejected when she shows a friend 750 00:37:36,000 --> 00:37:41,239 Speaker 1: like what is special artists spoil ler light spoiler. But 751 00:37:41,400 --> 00:37:47,920 Speaker 1: then you also get that that that dichotomy of of 752 00:37:49,800 --> 00:37:55,719 Speaker 1: what happens when the power the hero is aesthetically beautiful 753 00:37:56,440 --> 00:38:00,800 Speaker 1: as compared to the kind of more monstrous villain, and 754 00:38:01,920 --> 00:38:06,040 Speaker 1: what happens when that villain is warped by the fact 755 00:38:06,120 --> 00:38:08,960 Speaker 1: that they are rejected by society because they don't look 756 00:38:09,040 --> 00:38:12,319 Speaker 1: like everybody else. It's just like really good, just really 757 00:38:12,360 --> 00:38:15,200 Speaker 1: good comic book stuff. Even though they are tearing it's 758 00:38:15,200 --> 00:38:18,680 Speaker 1: simultaneously like tearing apart the troops of comic book stuff. 759 00:38:18,680 --> 00:38:21,960 Speaker 1: They're also giving you the tropes in equal measure, and 760 00:38:22,040 --> 00:38:23,520 Speaker 1: it just is really good yeah. 761 00:38:23,520 --> 00:38:25,319 Speaker 2: I think something they did really well in the first 762 00:38:25,400 --> 00:38:27,560 Speaker 2: season that they echo here in like a different way 763 00:38:27,719 --> 00:38:30,120 Speaker 2: is kind of like the relationship between like Mark and 764 00:38:30,280 --> 00:38:35,080 Speaker 2: his dad is revealed to be like a very abusive 765 00:38:35,200 --> 00:38:37,960 Speaker 2: relationship in like its own way, and that was really 766 00:38:38,040 --> 00:38:41,000 Speaker 2: interestingly done in the first season. But the way they 767 00:38:41,120 --> 00:38:45,600 Speaker 2: dealt with that here with like Eve Adams's dad and 768 00:38:45,719 --> 00:38:48,880 Speaker 2: the way he's like kind of emotionally abusive and neglect 769 00:38:49,000 --> 00:38:53,320 Speaker 2: kill there are like these moments that just absolutely broke me. 770 00:38:53,480 --> 00:38:55,839 Speaker 2: Like there's a moment where she's late for her own 771 00:38:55,920 --> 00:38:58,760 Speaker 2: birthday and he's already eaten a slice of her cake. 772 00:38:59,239 --> 00:39:01,600 Speaker 3: And that bit like she just says it. She's like, 773 00:39:01,719 --> 00:39:04,080 Speaker 3: you ate my cake and she and it just it 774 00:39:04,239 --> 00:39:05,359 Speaker 3: says so much. 775 00:39:05,600 --> 00:39:08,880 Speaker 2: And they do such a good job of bothering to 776 00:39:09,040 --> 00:39:14,600 Speaker 2: add nuance and detail and emotional backstory in a way 777 00:39:14,640 --> 00:39:17,600 Speaker 2: that a lot of other supero TV doesn't get the 778 00:39:17,680 --> 00:39:19,360 Speaker 2: time to but we do get the time to do 779 00:39:19,560 --> 00:39:22,520 Speaker 2: in comics, like Invincible is so big, it went on 780 00:39:22,640 --> 00:39:24,800 Speaker 2: for so long, so there's lots of space for nuance 781 00:39:24,880 --> 00:39:27,960 Speaker 2: and conversation about emotions. We often don't get that when 782 00:39:28,000 --> 00:39:30,239 Speaker 2: you're stripping it down for TV. But I feel like 783 00:39:30,320 --> 00:39:33,080 Speaker 2: in this special, especially, they expanded on something they were 784 00:39:33,120 --> 00:39:36,080 Speaker 2: already doing really well in the first season with these 785 00:39:36,200 --> 00:39:38,319 Speaker 2: tiny moments that just hit like super hard. 786 00:39:38,920 --> 00:39:42,320 Speaker 5: Yeah, this show's really cracked the balance between the superhero 787 00:39:42,440 --> 00:39:44,759 Speaker 5: big punching people through wall stuff, but like you really 788 00:39:44,840 --> 00:39:47,640 Speaker 5: care about the family dynamics. Like anytime you go you 789 00:39:47,640 --> 00:39:48,960 Speaker 5: see nick tier of her house and you go on 790 00:39:49,040 --> 00:39:50,799 Speaker 5: your side, you know you're about to have your fucking 791 00:39:50,840 --> 00:39:51,520 Speaker 5: heart Listen. 792 00:39:51,800 --> 00:39:56,359 Speaker 1: Oh, that's a great point. It is not you would think, oh, 793 00:39:56,640 --> 00:39:59,440 Speaker 1: I just watched someone get their head torn off in 794 00:39:59,520 --> 00:40:02,800 Speaker 1: a cree fight scene, and now we're heading to the 795 00:40:03,120 --> 00:40:07,359 Speaker 1: to the you know, a scene of domestic quietude. That's 796 00:40:07,400 --> 00:40:10,560 Speaker 1: not it. Like I almost clench up more when I 797 00:40:10,719 --> 00:40:13,160 Speaker 1: see the exterior of the house because you just know 798 00:40:13,840 --> 00:40:16,000 Speaker 1: it's going to be an emotional battlefield with me. 799 00:40:17,040 --> 00:40:21,040 Speaker 3: Absolutely as a scene where where Eve. 800 00:40:23,000 --> 00:40:25,480 Speaker 1: Shows her powers to her friend and then her friend 801 00:40:25,560 --> 00:40:28,880 Speaker 1: is just like so freaked out, was just so sad 802 00:40:29,080 --> 00:40:31,120 Speaker 1: to me, so sad. 803 00:40:31,960 --> 00:40:32,080 Speaker 4: Uh. 804 00:40:33,480 --> 00:40:36,439 Speaker 1: It's just like they've done it again, folks, They've really 805 00:40:36,520 --> 00:40:38,880 Speaker 1: done it again. And then the action is unbelievable, Like. 806 00:40:39,200 --> 00:40:42,000 Speaker 2: That's the wildest thing to have, Like action that feels 807 00:40:42,080 --> 00:40:45,279 Speaker 2: groundbreaking and different for Western animation, but also to have 808 00:40:46,000 --> 00:40:48,640 Speaker 2: emotional have to actually makes you care about the characters 809 00:40:48,800 --> 00:40:49,880 Speaker 2: is very impressive. 810 00:40:50,200 --> 00:40:50,759 Speaker 4: Yeah. Yeah. 811 00:40:50,880 --> 00:40:55,280 Speaker 5: The fight scene between they call it Guarding the Globes 812 00:40:55,320 --> 00:40:56,880 Speaker 5: that that the Invincible, Yeah. 813 00:40:56,719 --> 00:40:58,880 Speaker 1: The Guardians of the Globe and the and the lizards 814 00:40:58,920 --> 00:40:59,759 Speaker 1: to Quadron. 815 00:40:59,560 --> 00:41:01,920 Speaker 5: The Squadrat and like you know that scene is like 816 00:41:02,280 --> 00:41:05,279 Speaker 5: I've seen that fight a thousand times, and like marm 817 00:41:05,360 --> 00:41:08,040 Speaker 5: and like the animated versions of Superman and all that stuff. 818 00:41:08,080 --> 00:41:10,600 Speaker 5: But like even having the added edge of like at 819 00:41:10,640 --> 00:41:15,920 Speaker 5: any moment, Omniman could just fucking snap whoever, this queen lizard, whoever. 820 00:41:16,640 --> 00:41:18,960 Speaker 5: Tatiana Maslani plays a character like any moment, he could 821 00:41:19,000 --> 00:41:22,440 Speaker 5: like just snapper at half And like seeing that subdued 822 00:41:22,560 --> 00:41:24,600 Speaker 5: like quiet rage, knowing that he could do that at 823 00:41:24,600 --> 00:41:27,720 Speaker 5: any moment added such an extra texture of like fear 824 00:41:27,880 --> 00:41:30,840 Speaker 5: and like stakes to these fights when normally you'd be like, yeah, right, 825 00:41:30,880 --> 00:41:33,600 Speaker 5: we called the robbers, we saved the day. But like 826 00:41:34,160 --> 00:41:36,680 Speaker 5: having that little bit of edge that the Invincible Universe brings, 827 00:41:36,719 --> 00:41:40,280 Speaker 5: I think also adds like a sort of like subtle 828 00:41:40,400 --> 00:41:41,680 Speaker 5: tension to all these fight scenes. 829 00:41:42,320 --> 00:41:44,440 Speaker 2: Now that's such a good point because like, by the 830 00:41:44,600 --> 00:41:46,799 Speaker 2: end of Invincible season one, you know the truth about 831 00:41:46,840 --> 00:41:49,640 Speaker 2: Omni Man, but when we start this, because it's a prequel, 832 00:41:49,719 --> 00:41:53,279 Speaker 2: he is still in that like Superman esque role. Yeah, 833 00:41:53,440 --> 00:41:55,920 Speaker 2: so you have that dramatic irony of knowing who he 834 00:41:56,040 --> 00:41:59,279 Speaker 2: really is, but seeing him positioned as like the hero 835 00:41:59,480 --> 00:42:01,800 Speaker 2: in this fire, and then learning that he is directly 836 00:42:01,840 --> 00:42:05,440 Speaker 2: connected to the the origins of atam Eve in some 837 00:42:05,640 --> 00:42:08,440 Speaker 2: strange ways. Like it's really smartly done, and you're right, 838 00:42:08,520 --> 00:42:11,320 Speaker 2: it does add this level of like fear as you 839 00:42:11,480 --> 00:42:15,400 Speaker 2: the viewer knowing what he can really do, whereas the 840 00:42:15,480 --> 00:42:17,960 Speaker 2: wild Girl thinks he's you know, the. 841 00:42:18,040 --> 00:42:25,000 Speaker 1: Hero, just an incredible and absolutely terrifying villain. Omniman and 842 00:42:25,040 --> 00:42:27,280 Speaker 1: I will say, you know, in our in our discord, 843 00:42:27,360 --> 00:42:29,799 Speaker 1: there was kind of a conversation going the last couple 844 00:42:29,800 --> 00:42:35,440 Speaker 1: of days about why can't people get Superman right, why 845 00:42:35,560 --> 00:42:39,400 Speaker 1: can't they figure out the tone? And just listening to 846 00:42:39,520 --> 00:42:41,880 Speaker 1: this conversation right now, I think part of it is 847 00:42:42,000 --> 00:42:44,959 Speaker 1: that if you're not a fan of Superman and you're 848 00:42:45,040 --> 00:42:48,640 Speaker 1: not reading the Superman comics on the daily, it is 849 00:42:48,760 --> 00:42:53,880 Speaker 1: a lot easier to engage with this, with the potential 850 00:42:54,040 --> 00:42:58,440 Speaker 1: scariness of a Superman figure through Omniman, through the Boys 851 00:42:58,600 --> 00:43:03,720 Speaker 1: right of this character insanely powerful, but like you're wondering, 852 00:43:04,160 --> 00:43:09,399 Speaker 1: what if he just decides to not be a good guy? Yeah, 853 00:43:09,480 --> 00:43:11,400 Speaker 1: I mean this is the this is the genesis of 854 00:43:11,480 --> 00:43:13,520 Speaker 1: so many dec stories. 855 00:43:13,400 --> 00:43:18,040 Speaker 3: James Gun movie. It's like, yes, Superman was evil, you know, and. 856 00:43:18,200 --> 00:43:20,640 Speaker 1: With Superman there's never even that question, like you never 857 00:43:21,160 --> 00:43:24,000 Speaker 1: That's the thing about Superman is no one ever wonders, 858 00:43:24,040 --> 00:43:26,160 Speaker 1: oh fuck, what if he what if he goes back? 859 00:43:26,160 --> 00:43:29,080 Speaker 1: Because you just he would never happen with him. But 860 00:43:29,719 --> 00:43:32,480 Speaker 1: I think that's what makes it kind of hard, is 861 00:43:32,640 --> 00:43:37,000 Speaker 1: that we're just primed, like as a culture now to 862 00:43:37,120 --> 00:43:39,279 Speaker 1: be like, there's got to be something else with that guy. 863 00:43:39,320 --> 00:43:41,680 Speaker 1: There's gotta be a dark side, you know, with a 864 00:43:41,800 --> 00:43:45,280 Speaker 1: character like that. And that's what makes Omneymn so fucking 865 00:43:45,440 --> 00:43:50,600 Speaker 1: scary is he seems like the perfect dad, the perfect hero, 866 00:43:51,239 --> 00:43:53,960 Speaker 1: the hero that Earth needs, and really he's like a 867 00:43:54,080 --> 00:44:00,560 Speaker 1: fucking genocidal mass murror. Yeah uh, and is just barely 868 00:44:00,840 --> 00:44:05,800 Speaker 1: keeping his rage under control. And it's terrifying, shit, terrifying. 869 00:44:06,280 --> 00:44:07,880 Speaker 2: Yeah. I think it makes such a good point too. 870 00:44:07,920 --> 00:44:11,160 Speaker 2: It's almost like the eighty you know, the eight decade 871 00:44:11,360 --> 00:44:14,600 Speaker 2: plus of like Superman stories and superhero stories, we are 872 00:44:14,680 --> 00:44:18,000 Speaker 2: living with all of the ripple effects of all the 873 00:44:18,080 --> 00:44:19,080 Speaker 2: different versions. 874 00:44:19,640 --> 00:44:21,000 Speaker 3: So for every like All. 875 00:44:20,920 --> 00:44:25,040 Speaker 2: Star Superman, you have that dark fear version, or the 876 00:44:25,120 --> 00:44:28,560 Speaker 2: Elseworld's version, or the what if another he landed in 877 00:44:28,640 --> 00:44:31,600 Speaker 2: another country, you know, like the red Sun version. Like 878 00:44:31,960 --> 00:44:35,040 Speaker 2: there's all these different ideas of the fear of him. 879 00:44:35,080 --> 00:44:38,000 Speaker 2: But I do think you're right. I still truly believe 880 00:44:38,160 --> 00:44:41,520 Speaker 2: like Superman, he has a good mom, a good dad. 881 00:44:41,840 --> 00:44:44,360 Speaker 2: They raised him right, they loved him, and he's just 882 00:44:44,440 --> 00:44:46,879 Speaker 2: a really good person. Because of that, And also, can 883 00:44:46,960 --> 00:44:49,919 Speaker 2: we give mar Kent the props that she deserves because 884 00:44:49,920 --> 00:44:52,520 Speaker 2: she is comic's most powerful graphic designer. 885 00:44:54,160 --> 00:44:57,279 Speaker 3: Shit in her house and that became like the iconography in. 886 00:44:57,520 --> 00:45:00,200 Speaker 2: The world, you know, Like I know, I know, means 887 00:45:00,280 --> 00:45:03,360 Speaker 2: hope it's from Crimpton Shore. But I believe Marken is 888 00:45:03,400 --> 00:45:04,760 Speaker 2: the world's greatest graphic designer. 889 00:45:04,880 --> 00:45:05,600 Speaker 4: I agree with you. 890 00:45:06,000 --> 00:45:10,160 Speaker 2: That to me is like I hope that whatever version 891 00:45:10,200 --> 00:45:13,800 Speaker 2: of Superman we get understands that because his inherent goodness 892 00:45:13,920 --> 00:45:15,680 Speaker 2: is actually the most exciting thing. 893 00:45:16,360 --> 00:45:20,239 Speaker 1: But I think because of like besive, yeah, yeah, to 894 00:45:20,360 --> 00:45:22,200 Speaker 1: be character agree good. 895 00:45:24,040 --> 00:45:25,319 Speaker 3: Yeah, I would love to see it. 896 00:45:25,360 --> 00:45:30,680 Speaker 1: Well blown away. Can't wait for the next season of Invincible. 897 00:45:30,800 --> 00:45:31,640 Speaker 1: Up next nerd Out. 898 00:45:39,400 --> 00:45:41,920 Speaker 2: In today's nerd Out, where you asked tell us what 899 00:45:42,040 --> 00:45:43,919 Speaker 2: you love them? Why e theory, you're excited to share 900 00:45:44,320 --> 00:45:46,719 Speaker 2: a quick question we can answer. Andrew asked for a 901 00:45:46,760 --> 00:45:50,160 Speaker 2: little comic book wreck, and I believe that this is 902 00:45:50,239 --> 00:45:54,040 Speaker 2: the perfect time for ZIG from it, like if we 903 00:45:54,160 --> 00:45:59,520 Speaker 2: can finally try and promote our manga and anime agenda 904 00:45:59,600 --> 00:46:04,279 Speaker 2: onto So, Andrew asks, Hi, Jason and Rosie, and I 905 00:46:04,360 --> 00:46:07,160 Speaker 2: will add zig I am a big fan of your podcast, 906 00:46:07,239 --> 00:46:08,960 Speaker 2: currently burning through your stuff to get caught up to 907 00:46:09,000 --> 00:46:12,160 Speaker 2: most recent episodes. As a newbie to comics, do you 908 00:46:12,400 --> 00:46:14,520 Speaker 2: have a comic or two that you would recommend me? 909 00:46:14,640 --> 00:46:17,200 Speaker 2: And then he says this, I'm a big fan of 910 00:46:17,280 --> 00:46:20,359 Speaker 2: anime if it helps color my palette. Most recently, I've 911 00:46:20,400 --> 00:46:22,879 Speaker 2: been into Demon Slayer, Haiku and the Slice of Life 912 00:46:22,920 --> 00:46:25,759 Speaker 2: anime Katara Lives Alone. Based on those, is they're a 913 00:46:25,840 --> 00:46:30,040 Speaker 2: comic you would recommend? I will say yes, because you 914 00:46:30,160 --> 00:46:32,040 Speaker 2: are talking about anime, which means they're based on manga 915 00:46:32,480 --> 00:46:35,239 Speaker 2: and mango is one of the longest running forms of 916 00:46:35,280 --> 00:46:38,200 Speaker 2: comics in the whole world, and I would say I 917 00:46:38,400 --> 00:46:42,279 Speaker 2: Love Mason a Cuckoo by Remiko Takahashi visits doing like 918 00:46:42,360 --> 00:46:44,920 Speaker 2: an unbelievable re release of those right now. It's one 919 00:46:44,920 --> 00:46:47,080 Speaker 2: of the best Slice of Life comics ever. It's much 920 00:46:47,160 --> 00:46:50,799 Speaker 2: funnier than Katara Lives Alone, which is incredible but very sad. 921 00:46:51,200 --> 00:46:54,200 Speaker 2: It's very wacky. It's quite raunchy because that was Ramiko's 922 00:46:54,200 --> 00:46:57,440 Speaker 2: whole vibe, and it's about a woman who is a 923 00:46:57,600 --> 00:47:01,440 Speaker 2: young widow who takes over a boarding house and it's 924 00:47:01,440 --> 00:47:05,080 Speaker 2: about her and like her eclectic group of friends. 925 00:47:05,200 --> 00:47:05,920 Speaker 3: I love that. 926 00:47:06,040 --> 00:47:10,080 Speaker 2: I would also say, like, if you like Haiku, probably 927 00:47:10,840 --> 00:47:13,359 Speaker 2: you should be reading Ping Kong, which is like one 928 00:47:13,400 --> 00:47:17,000 Speaker 2: of the greatest manga series of all time by Tayo Matsimoto, 929 00:47:17,080 --> 00:47:19,759 Speaker 2: who's like really great and the title will give you 930 00:47:19,840 --> 00:47:21,680 Speaker 2: a hint of what it's about, but it's about like 931 00:47:21,760 --> 00:47:24,920 Speaker 2: a table tennis league in high school and it's so 932 00:47:25,160 --> 00:47:27,879 Speaker 2: good and it's like one of the best sportsman I've 933 00:47:27,880 --> 00:47:30,200 Speaker 2: ever read. So I would say those are like the 934 00:47:30,320 --> 00:47:32,400 Speaker 2: two that I would really go for. 935 00:47:32,560 --> 00:47:37,040 Speaker 5: Off those, zig I want to say based off this, 936 00:47:38,600 --> 00:47:41,080 Speaker 5: this is mainly coming from The Demon Slayer and the 937 00:47:41,920 --> 00:47:44,440 Speaker 5: Qatara Lives at Home. I think for a simple this 938 00:47:44,560 --> 00:47:46,759 Speaker 5: is like more visas, definitely an order on order one. 939 00:47:46,800 --> 00:47:49,000 Speaker 5: But I think if you're looking for something in the 940 00:47:49,040 --> 00:47:52,080 Speaker 5: line of Demon Slayer, I think definitely think the original 941 00:47:52,200 --> 00:47:56,520 Speaker 5: U Hockey show. Yeah, manga and even the anime would 942 00:47:56,520 --> 00:47:59,600 Speaker 5: be a great a great through line for that. Even 943 00:47:59,640 --> 00:48:02,560 Speaker 5: maybe even and Chainsaw Man, Like it's not Demon say it, 944 00:48:02,600 --> 00:48:04,520 Speaker 5: but there's a bunch of fun, fun, high octavee action 945 00:48:04,800 --> 00:48:07,360 Speaker 5: and actually even Jiujitsu k Those are probably three that 946 00:48:07,360 --> 00:48:09,560 Speaker 5: I would recommend if you're looking for like supernatural stuff, 947 00:48:09,840 --> 00:48:13,840 Speaker 5: I think some fun like like sort of elevated slights 948 00:48:13,880 --> 00:48:16,279 Speaker 5: of life stuff is I think spy families are very 949 00:48:16,320 --> 00:48:20,120 Speaker 5: fun when to get into. Yes, family in soccer Moto 950 00:48:20,200 --> 00:48:23,120 Speaker 5: Days is another fun like sliced of life, like a 951 00:48:23,120 --> 00:48:26,239 Speaker 5: little bit of action added into it. Like uh, I 952 00:48:26,320 --> 00:48:29,279 Speaker 5: think those like we're pretty good, pretty good places to start. 953 00:48:29,400 --> 00:48:31,480 Speaker 2: Yeah, and you know what, we always talk about this one, 954 00:48:31,640 --> 00:48:33,640 Speaker 2: like we've talked about it a lots is so great. 955 00:48:33,719 --> 00:48:35,440 Speaker 2: But I think if you're looking for something that's like 956 00:48:36,200 --> 00:48:40,840 Speaker 2: not anime or manga in that space, we talk a 957 00:48:40,880 --> 00:48:43,400 Speaker 2: lot about Fantasy Sports by Sam Bosma, which is like 958 00:48:43,640 --> 00:48:48,680 Speaker 2: so amazing, and that's definitely in that sports manga influenced space, 959 00:48:48,800 --> 00:48:51,080 Speaker 2: but it's like a really different style, and the comics 960 00:48:51,120 --> 00:48:51,640 Speaker 2: are beautiful. 961 00:48:51,680 --> 00:48:52,160 Speaker 3: They're kind of. 962 00:48:52,239 --> 00:48:55,920 Speaker 2: Huge, beautiful hard cover, like they're really nice to just 963 00:48:56,000 --> 00:48:58,719 Speaker 2: have a your house. I will also say Akira Dark 964 00:48:58,800 --> 00:49:01,400 Speaker 2: Horses re release them all. I'm rereading it from the 965 00:49:01,480 --> 00:49:05,320 Speaker 2: beginning and that is just like every page you're just like, 966 00:49:05,600 --> 00:49:06,960 Speaker 2: what the fuck was the como on? 967 00:49:07,080 --> 00:49:08,960 Speaker 3: This is like one of the best. This is like 968 00:49:09,080 --> 00:49:10,839 Speaker 3: one of the best things that's ever been made. 969 00:49:10,920 --> 00:49:14,280 Speaker 2: So yeah, lots and lots of recommendations, Jason is anything 970 00:49:14,320 --> 00:49:15,439 Speaker 2: immediately jumped to mind. 971 00:49:16,600 --> 00:49:19,040 Speaker 1: I am just happy to be taking all of this in. 972 00:49:20,480 --> 00:49:24,719 Speaker 1: I have just recently chinished Secure, which I and I 973 00:49:24,800 --> 00:49:27,880 Speaker 1: absolutely love it. I echo the Sam Bosma drop and 974 00:49:28,000 --> 00:49:31,960 Speaker 1: I'm just taking notes just like Andrew hopefully I would imagine, 975 00:49:32,080 --> 00:49:37,279 Speaker 1: is Andrew what a what a perfect episode? Your question as. 976 00:49:38,960 --> 00:49:42,239 Speaker 5: Yeah, yes, please always this is a comic book that 977 00:49:42,400 --> 00:49:48,120 Speaker 5: is very heavily influenced by manga. But do a power bomb, yes, Johnson. 978 00:49:48,320 --> 00:49:52,319 Speaker 5: It's such a fun It's just it's just like pro 979 00:49:52,440 --> 00:49:56,760 Speaker 5: wrestling and like another dimension, and everyone in that dimension 980 00:49:56,840 --> 00:49:59,279 Speaker 5: doesn't know that wrestling is fake on Earth, so it's 981 00:49:59,360 --> 00:50:00,120 Speaker 5: just it's. 982 00:50:00,200 --> 00:50:03,000 Speaker 2: Just that it's very very fun have recent eyes and 983 00:50:03,000 --> 00:50:05,839 Speaker 2: the winner, yeah won the eyes and this year also, 984 00:50:05,880 --> 00:50:08,160 Speaker 2: I will say, Jason, you are probably one of only 985 00:50:08,320 --> 00:50:10,759 Speaker 2: like five percent of people on earth who've actually read 986 00:50:10,800 --> 00:50:13,279 Speaker 2: all of Akira, So congratulations to you. 987 00:50:13,719 --> 00:50:16,480 Speaker 3: I'm hoping to be now. I have all the books 988 00:50:16,480 --> 00:50:17,279 Speaker 3: I'm rereading, and. 989 00:50:17,320 --> 00:50:20,080 Speaker 2: I never had like the last sixteen issues, because I 990 00:50:20,120 --> 00:50:23,520 Speaker 2: have all the collected, I have all the colored ones, 991 00:50:23,920 --> 00:50:27,320 Speaker 2: so I'm like very excited to finally be able to 992 00:50:27,440 --> 00:50:29,040 Speaker 2: fully read it all in order. 993 00:50:29,120 --> 00:50:32,640 Speaker 3: So well done to you five percent. Thank you Andrew 994 00:50:32,719 --> 00:50:33,040 Speaker 3: so much. 995 00:50:33,120 --> 00:50:35,840 Speaker 2: If you have any theories, fashions or quick questions you 996 00:50:35,880 --> 00:50:38,399 Speaker 2: want to share, hit us up extra at cricket dot com. 997 00:50:38,719 --> 00:50:39,920 Speaker 3: Instructions in the show notes. 998 00:50:42,800 --> 00:50:43,719 Speaker 1: That's it for us. 999 00:50:44,000 --> 00:50:47,200 Speaker 3: Rosesig any plugs, zige, anything to plug. 1000 00:50:48,239 --> 00:50:55,400 Speaker 4: You know, pay writers what they owe ye that I 1001 00:50:55,440 --> 00:50:56,839 Speaker 4: guess if you've seen in the pickle line and say 1002 00:50:56,880 --> 00:50:57,239 Speaker 4: what's up? 1003 00:50:57,920 --> 00:51:00,680 Speaker 3: Mm hmm, yes, remember we say every week. But you 1004 00:51:00,800 --> 00:51:02,200 Speaker 3: can go to the picket lines. 1005 00:51:02,239 --> 00:51:05,760 Speaker 2: You can follow WGA in east or you can follow 1006 00:51:06,040 --> 00:51:07,960 Speaker 2: WGA West and you can see where the picket lines are. 1007 00:51:08,000 --> 00:51:09,759 Speaker 2: You can go and support, you can take people food 1008 00:51:09,880 --> 00:51:13,879 Speaker 2: and Water and you can donate to the Entertainment Community Fund. 1009 00:51:14,719 --> 00:51:17,840 Speaker 3: Also, I will say I do have a book. 1010 00:51:18,120 --> 00:51:19,759 Speaker 2: That is that you can pre order now. I did 1011 00:51:19,800 --> 00:51:21,560 Speaker 2: not write the whole book, but I wrote some entries 1012 00:51:21,600 --> 00:51:23,920 Speaker 2: in it. It's called The Screen Traveler's Guide, and it 1013 00:51:24,080 --> 00:51:27,400 Speaker 2: is very fun. It's like a travel guide for people 1014 00:51:27,480 --> 00:51:30,200 Speaker 2: who love movies, and it features all different kinds of 1015 00:51:30,719 --> 00:51:34,520 Speaker 2: incredible facts and stories about movies that you love. I 1016 00:51:34,640 --> 00:51:36,400 Speaker 2: got to cover some of my all time favorite movies 1017 00:51:36,440 --> 00:51:39,680 Speaker 2: and The Dragon and Crashing Tigerhead and Dragon and North 1018 00:51:39,760 --> 00:51:42,680 Speaker 2: By Northwest. I also got paid for the first time 1019 00:51:42,760 --> 00:51:45,320 Speaker 2: to write about Twilight, so I'm incredibly proud of that 1020 00:51:45,480 --> 00:51:48,839 Speaker 2: and happy. But it covers everything from like Star Wars 1021 00:51:48,920 --> 00:51:53,239 Speaker 2: to superheroes, to classic movies to like Pray. I wrote 1022 00:51:53,280 --> 00:51:55,440 Speaker 2: about like the Predator franchise and Pray and where they 1023 00:51:55,520 --> 00:51:57,600 Speaker 2: filmed that, so it's really cool. There's a bunch of 1024 00:51:57,640 --> 00:52:00,759 Speaker 2: brilliant writers like Ty Goodin involved, so that's really fun 1025 00:52:01,120 --> 00:52:03,120 Speaker 2: and if you love movies, that'll probably be a great thing. 1026 00:52:03,200 --> 00:52:04,200 Speaker 3: So you can pre order that now. 1027 00:52:07,640 --> 00:52:09,920 Speaker 1: Catch the next episode of X ray Vision Friday, August 1028 00:52:10,080 --> 00:52:14,120 Speaker 1: fourth for a mail bag episode. Send those questions and 1029 00:52:14,440 --> 00:52:16,040 Speaker 1: send us the questions. 1030 00:52:15,840 --> 00:52:18,440 Speaker 3: And you can watch for episodes of the podcast on YouTube. 1031 00:52:18,719 --> 00:52:21,360 Speaker 2: Also check out our Twitter at xov pod and on 1032 00:52:21,480 --> 00:52:23,160 Speaker 2: discord to hang out with loads of cool fans and 1033 00:52:23,239 --> 00:52:25,720 Speaker 2: talk about cool stuff like how they could get Superman. 1034 00:52:25,800 --> 00:52:30,520 Speaker 1: Bright five star ratings, five star reviews. We need them, 1035 00:52:30,560 --> 00:52:32,120 Speaker 1: we gotta have you, gotta get them to us. Here's 1036 00:52:32,120 --> 00:52:34,880 Speaker 1: one from EW seven to one three five stars for 1037 00:52:35,000 --> 00:52:37,839 Speaker 1: Jason and Rosie. I discovered Jason through the official House 1038 00:52:37,840 --> 00:52:41,719 Speaker 1: of the Dragon podcast and want more. This podcast has 1039 00:52:41,800 --> 00:52:44,640 Speaker 1: been such a delight. Jason and Rosie expertly follow expander 1040 00:52:44,719 --> 00:52:47,439 Speaker 1: and complete so many of the TV series and movies 1041 00:52:47,480 --> 00:52:49,319 Speaker 1: in my family and I watch together. I love all 1042 00:52:49,360 --> 00:52:51,640 Speaker 1: the excitement and discussion they bring to each episode. Thank 1043 00:52:51,680 --> 00:52:55,640 Speaker 1: you so much you. X ray Vision is a Crooked 1044 00:52:55,719 --> 00:52:57,719 Speaker 1: Media production. The show is produced by Chris Lord and 1045 00:52:57,760 --> 00:53:00,680 Speaker 1: Saul Rubin and executive produced by me Jason SEPs You 1046 00:53:00,719 --> 00:53:03,320 Speaker 1: and are editing at. Sound design is by Facilis Phatopoulos. 1047 00:53:03,920 --> 00:53:07,760 Speaker 1: Video production by Delon Villanueva and Rachel Gayeski. Social media 1048 00:53:07,880 --> 00:53:11,319 Speaker 1: by Awa Oklatti and Caroline Dunfe. Thank you to Brian 1049 00:53:11,400 --> 00:53:19,600 Speaker 1: Basquez for our theme music. See you next time, Are 1050 00:53:19,640 --> 00:53:22,000 Speaker 1: you down for finding out the best news and entertainment. 1051 00:53:22,040 --> 00:53:24,440 Speaker 1: Are you down for celebrating your favorite fan with somebody 1052 00:53:24,640 --> 00:53:26,160 Speaker 1: loves you as much as you do, Because if the 1053 00:53:26,160 --> 00:53:28,279 Speaker 1: answer is yes, the Down and Nerdy Podcast is where 1054 00:53:28,360 --> 00:53:30,800 Speaker 1: you want to be. Every week on The Down and 1055 00:53:30,880 --> 00:53:33,320 Speaker 1: Nerdy Podcast, you won't just get interviews with some of 1056 00:53:33,360 --> 00:53:35,680 Speaker 1: the biggest names in entertainment, comics, video games, and animation, 1057 00:53:35,760 --> 00:53:38,320 Speaker 1: but also reviews and news coverage on all the stuff 1058 00:53:38,360 --> 00:53:42,520 Speaker 1: you love. Host James with Them loves celebrating fantom all 1059 00:53:42,600 --> 00:53:45,560 Speaker 1: year long, but especially around Comic Con season. Even if 1060 00:53:45,640 --> 00:53:49,040 Speaker 1: you aren't able to attend, there are tons of big panels, experiences, 1061 00:53:49,120 --> 00:53:51,919 Speaker 1: and interviews he can bring to you during and after 1062 00:53:52,000 --> 00:53:55,080 Speaker 1: the event. So if you're down nerd out about your 1063 00:53:55,120 --> 00:53:57,560 Speaker 1: favorite fandoms, be sure to listen to and subscribe to 1064 00:53:57,640 --> 00:53:59,920 Speaker 1: The Down and Nerdy Podcast wherever you get your podcasts.