1 00:00:00,880 --> 00:00:03,279 Speaker 1: Welcome to Drink Champs, the production of The Black Effect 2 00:00:03,320 --> 00:00:19,760 Speaker 1: and I heart radio and it's drinks motherfucking podcast. He's 3 00:00:19,840 --> 00:00:23,119 Speaker 1: a legendary queen's rapper, He'sagre's your boy in O R. 4 00:00:23,400 --> 00:00:27,080 Speaker 1: He's a Miami hip hop pioneer. D J e f N. 5 00:00:27,280 --> 00:00:30,760 Speaker 1: Together they drinking up with some of the biggest players 6 00:00:30,800 --> 00:00:35,080 Speaker 1: in the most professional, unprofessional podcast and yet number one 7 00:00:35,120 --> 00:00:41,600 Speaker 1: sorts for drunk drinks. Mother New Year's time for Drink Champs. 8 00:00:41,640 --> 00:00:50,440 Speaker 1: Trink Up, motherfuck, motherfuck? Would it good? Be hoping he 9 00:00:50,520 --> 00:00:52,159 Speaker 1: would sid me to see your point in O R? 10 00:00:52,479 --> 00:00:55,040 Speaker 1: What up is? D J e FN's really table? Got 11 00:00:55,040 --> 00:01:05,520 Speaker 1: ready to drink drink right now? Listen. You know we 12 00:01:05,840 --> 00:01:09,040 Speaker 1: as as I always do. You know, I do my 13 00:01:09,120 --> 00:01:11,319 Speaker 1: due diligence, and I do my research when I when 14 00:01:11,360 --> 00:01:16,120 Speaker 1: I interview somebody, and I was going through this man's 15 00:01:16,160 --> 00:01:19,960 Speaker 1: catalog and I'm just going through his bars selection. I 16 00:01:19,959 --> 00:01:24,000 Speaker 1: think you might be too good, So let me finish 17 00:01:24,040 --> 00:01:27,000 Speaker 1: my intro. I actually compare this guy, put him up 18 00:01:27,000 --> 00:01:29,760 Speaker 1: there with rock him. You know what I'm saying. When 19 00:01:29,840 --> 00:01:32,280 Speaker 1: it comes to lyrical content, I believe he would longed 20 00:01:32,280 --> 00:01:34,039 Speaker 1: in that era when it when it comes when it 21 00:01:34,040 --> 00:01:36,479 Speaker 1: comes to that, the man has to be the most 22 00:01:36,520 --> 00:01:41,800 Speaker 1: loyalist person I've ever seen held his wife down and 23 00:01:41,959 --> 00:01:44,720 Speaker 1: do a whole track, and we need more examples of that. 24 00:01:44,959 --> 00:01:49,000 Speaker 1: He's a lyrical bar lord. I mean, I don't think 25 00:01:49,040 --> 00:01:51,560 Speaker 1: I think he could wrap with anybody on the track. 26 00:01:51,960 --> 00:01:53,200 Speaker 1: So in case you don't know who the funk I'm 27 00:01:53,200 --> 00:01:55,400 Speaker 1: talking about, I'm about the one and only motherfucker pack 28 00:01:55,440 --> 00:02:01,760 Speaker 1: pools Now. I got to ask you, right, like when 29 00:02:01,800 --> 00:02:04,360 Speaker 1: you and your wife argue, do y'all like battle rap? 30 00:02:07,480 --> 00:02:13,880 Speaker 1: I just thought about that, like like when you like 31 00:02:14,000 --> 00:02:17,240 Speaker 1: it was just what's gonna be? Honestly, I wish we did. 32 00:02:18,360 --> 00:02:21,480 Speaker 1: She had killed me if we did, but the person 33 00:02:22,200 --> 00:02:24,880 Speaker 1: killed me. So let's let's take it from the beginning, right, 34 00:02:24,880 --> 00:02:28,440 Speaker 1: because in the beginning, uh, it was a case slave 35 00:02:28,720 --> 00:02:31,360 Speaker 1: that you got started with and didn't like Buster came on? Right? 36 00:02:31,760 --> 00:02:33,840 Speaker 1: Is that accurate? So how did that case slate connection 37 00:02:33,840 --> 00:02:37,079 Speaker 1: and start? Man? Um? I met slave man just you know, 38 00:02:37,120 --> 00:02:38,520 Speaker 1: I mean just being in the hood, and I mean 39 00:02:38,600 --> 00:02:40,520 Speaker 1: hip hop was always my dream, you know what I'm saying, 40 00:02:40,520 --> 00:02:42,520 Speaker 1: And coming up in the hood, man, it was just 41 00:02:42,560 --> 00:02:45,040 Speaker 1: so far from reality for me. And then one day 42 00:02:45,480 --> 00:02:47,080 Speaker 1: I was listening to the radio and I heard this 43 00:02:47,200 --> 00:02:50,359 Speaker 1: dude on the radio, but he was playing new artists. 44 00:02:50,600 --> 00:02:53,080 Speaker 1: And back then, if you wasn't coming through Rob a Fella, 45 00:02:53,720 --> 00:02:55,720 Speaker 1: murder In or rough Rider on one of those crews, 46 00:02:56,040 --> 00:02:59,959 Speaker 1: you wasn't getting on. Was this this the drama? Yeah? 47 00:03:00,280 --> 00:03:03,120 Speaker 1: He was on how Day seven is a super leger. 48 00:03:03,120 --> 00:03:05,200 Speaker 1: And I'm listening and I'm hearing. I'm like, this dude 49 00:03:05,320 --> 00:03:06,919 Speaker 1: is playing new all this on the radio. I need 50 00:03:06,919 --> 00:03:08,880 Speaker 1: to meet this dude. So I always kept that in 51 00:03:08,919 --> 00:03:11,120 Speaker 1: my mind, you know what I'm saying. And I was 52 00:03:11,160 --> 00:03:13,600 Speaker 1: in the street, I got locked up. What I'm saying. 53 00:03:13,720 --> 00:03:16,079 Speaker 1: I found myself on the island. Not for a long time, 54 00:03:16,160 --> 00:03:18,440 Speaker 1: a little a couple of weeks, but I'm in there 55 00:03:18,440 --> 00:03:20,560 Speaker 1: and I'm like, yo, man, when I get out of here, 56 00:03:20,560 --> 00:03:22,079 Speaker 1: I gotta go meet this dude. Man, I gotta I 57 00:03:22,120 --> 00:03:24,280 Speaker 1: gotta change my life because this is my future if 58 00:03:24,280 --> 00:03:26,720 Speaker 1: I if I continue doing what I'm doing, I'm definitely 59 00:03:26,760 --> 00:03:28,440 Speaker 1: gonna end up. You know, I'm saying, going up north 60 00:03:28,480 --> 00:03:30,040 Speaker 1: and do some time. So when I get out of here, 61 00:03:30,240 --> 00:03:32,960 Speaker 1: I'm gonna go meet that dude. And I got out, 62 00:03:33,200 --> 00:03:35,320 Speaker 1: I went to the studio. I recorded seven songs and 63 00:03:35,360 --> 00:03:37,080 Speaker 1: what I'm saying. I took the picture for the cover. 64 00:03:37,120 --> 00:03:38,480 Speaker 1: I had the mic and Wayne and the gun and 65 00:03:38,520 --> 00:03:41,120 Speaker 1: the other hand. Put my number on the CD and 66 00:03:41,120 --> 00:03:42,920 Speaker 1: I went up to only seven. I looked it up. 67 00:03:43,000 --> 00:03:44,440 Speaker 1: I ain't had Google and none. I must have used 68 00:03:44,520 --> 00:03:49,040 Speaker 1: yellow Pieces or something. I went to the station and 69 00:03:49,040 --> 00:03:51,120 Speaker 1: I just waited for him man, and he came. He 70 00:03:51,200 --> 00:03:52,880 Speaker 1: came out. Matter. He came, and he was going to 71 00:03:52,920 --> 00:03:55,280 Speaker 1: world game. You know my name, Pat post me? Here 72 00:03:55,280 --> 00:03:57,200 Speaker 1: you go, it's my demo, you know sled. He took 73 00:03:57,240 --> 00:03:59,280 Speaker 1: it and went in the building. I went to the radio. 74 00:03:59,280 --> 00:04:02,480 Speaker 1: I'm listening. I don't hear my song, But did you 75 00:04:03,760 --> 00:04:07,520 Speaker 1: just gonna happen? In my mind? I finally met a 76 00:04:07,600 --> 00:04:10,320 Speaker 1: nigga who on the radio it's up and that happens 77 00:04:10,320 --> 00:04:13,360 Speaker 1: to him every day. Most likely you start missening. You 78 00:04:13,720 --> 00:04:15,960 Speaker 1: wanna play my ship. I'm like, damn, I'm gonna do 79 00:04:15,960 --> 00:04:17,760 Speaker 1: this ship again next week. Then come back next week. 80 00:04:17,800 --> 00:04:19,720 Speaker 1: I do it again, same routine, Yo, he go, man, 81 00:04:20,920 --> 00:04:24,280 Speaker 1: same seven songs. What I'm saying, you go my name 82 00:04:24,480 --> 00:04:27,040 Speaker 1: name pas Man Like, I ain't going the building. I'm 83 00:04:27,040 --> 00:04:30,839 Speaker 1: listening to again. I'm like dating game again. So I said, 84 00:04:30,880 --> 00:04:32,599 Speaker 1: you know what, next time when I go, I'm a 85 00:04:32,680 --> 00:04:34,080 Speaker 1: wait for him, and that way we come out. He's 86 00:04:34,080 --> 00:04:35,440 Speaker 1: gonna have to explain to me why he didn't play 87 00:04:35,480 --> 00:04:38,480 Speaker 1: my my music. So I'm listening. He's going for at 88 00:04:38,480 --> 00:04:41,440 Speaker 1: two o'clock, it's like one fifty. I'm like, damn, I 89 00:04:41,480 --> 00:04:43,880 Speaker 1: still don't hear my song. I'm like, let me call 90 00:04:43,920 --> 00:04:45,400 Speaker 1: up on the radio. I call up from down in 91 00:04:45,400 --> 00:04:49,000 Speaker 1: the car. He picks up. I'm like, oh ship. So 92 00:04:49,040 --> 00:04:50,800 Speaker 1: he's like, Yo, what's up. I'm like, yo, man, why 93 00:04:50,800 --> 00:04:52,880 Speaker 1: do you playing my song? He's like you anybody can't 94 00:04:52,880 --> 00:04:55,440 Speaker 1: be a rapper man. Some people gotta be a firing man. 95 00:04:55,480 --> 00:05:03,680 Speaker 1: I'm like, oh, this is something like I remember exactly 96 00:05:03,720 --> 00:05:05,200 Speaker 1: how old it was, but I was a lot younger. 97 00:05:06,000 --> 00:05:07,840 Speaker 1: So he I'm like, all right, when he comes down, 98 00:05:07,839 --> 00:05:09,520 Speaker 1: I'm gonna see this nigger, you know what I'm saying. 99 00:05:09,760 --> 00:05:12,120 Speaker 1: So he comes down, I'm going at him. He going 100 00:05:12,200 --> 00:05:14,320 Speaker 1: at me. So the person who he was with at 101 00:05:14,320 --> 00:05:16,960 Speaker 1: the time, he got in the middle of us and saying, 102 00:05:16,960 --> 00:05:19,039 Speaker 1: he like, yo, you know you can't do it like that. 103 00:05:19,080 --> 00:05:21,200 Speaker 1: Give me the CD I got you, man. I'm like, 104 00:05:21,240 --> 00:05:24,680 Speaker 1: all right, whatever, man, I spin off. I'm back in 105 00:05:24,720 --> 00:05:26,360 Speaker 1: the hood again. Now I'm in a situation, but I'm 106 00:05:26,360 --> 00:05:29,719 Speaker 1: about to throw my life away and my phone ring mom. 107 00:05:29,720 --> 00:05:31,960 Speaker 1: In the midst of that, Slay on the phone He's like, yo, 108 00:05:32,080 --> 00:05:34,600 Speaker 1: You're on the radio next week. I'm like wow. And 109 00:05:34,640 --> 00:05:36,800 Speaker 1: then I went up there. He had projecty up the 110 00:05:36,920 --> 00:05:39,200 Speaker 1: arrest in peace. We spit live on the end and 111 00:05:39,240 --> 00:05:45,720 Speaker 1: the rest was history. Man. So eventually bust the rhymes 112 00:05:45,720 --> 00:05:50,240 Speaker 1: because becomes a part of this. How is that busters? Yeah? Yeah, 113 00:05:50,440 --> 00:05:52,279 Speaker 1: I started to me and Slay started flooding the streets 114 00:05:52,279 --> 00:05:55,000 Speaker 1: with a lot of mix tapes and ship and buster 115 00:05:55,120 --> 00:05:57,039 Speaker 1: her when when we was doing it, eventually he reached 116 00:05:57,080 --> 00:05:59,400 Speaker 1: out like, y'all want to funk with this kid? Ain't 117 00:05:59,400 --> 00:06:01,719 Speaker 1: Pam poost man, you know what I mean? And we um. 118 00:06:01,760 --> 00:06:03,719 Speaker 1: We did a couple of records together, hand in. Eventually 119 00:06:03,760 --> 00:06:06,400 Speaker 1: he put me on that big one. Yeah, that should 120 00:06:06,440 --> 00:06:08,080 Speaker 1: change my life. Man. I couldn't go to more nor 121 00:06:08,080 --> 00:06:13,840 Speaker 1: more after that understaying world right, um nah, I met Rem. 122 00:06:14,200 --> 00:06:17,720 Speaker 1: I met Rem like, oh four, No, I'm sorry, I 123 00:06:17,760 --> 00:06:19,839 Speaker 1: meant slaying oh four. I meant realm like around late 124 00:06:19,880 --> 00:06:22,200 Speaker 1: oh f oh five, you know what I'm saying. But 125 00:06:22,760 --> 00:06:25,360 Speaker 1: about mousing around. Let's some champagne ready. By the way, 126 00:06:25,839 --> 00:06:28,320 Speaker 1: your your your drink. I always pay attention to the 127 00:06:28,400 --> 00:06:30,960 Speaker 1: artist drink order and your drink orders. Out of line. 128 00:06:31,960 --> 00:06:35,279 Speaker 1: You picked Tennessee and Dorpy. We are drinking douce s 129 00:06:35,960 --> 00:06:44,600 Speaker 1: just black drinking Spain. Okay. So she told me I 130 00:06:44,640 --> 00:06:49,440 Speaker 1: would have brought I would have brought it. Man, let 131 00:06:49,480 --> 00:06:51,240 Speaker 1: me ask you something like like I said, I bounce 132 00:06:51,240 --> 00:06:54,200 Speaker 1: around a little bit. What how come you ain't never 133 00:06:54,240 --> 00:06:56,640 Speaker 1: have a relationship with Rocket Feller or is there a 134 00:06:56,720 --> 00:07:02,120 Speaker 1: quiet relationship? Um? Nah? Never queenst niggas know each other. 135 00:07:02,920 --> 00:07:05,920 Speaker 1: That's funny. I mean I funk with Bleak, but you know, 136 00:07:06,000 --> 00:07:07,920 Speaker 1: I mean I folk with Bleak now, but back then 137 00:07:07,760 --> 00:07:09,440 Speaker 1: I really a matter of fact, me and Blake actually 138 00:07:09,480 --> 00:07:12,520 Speaker 1: did a mixtape back then too. Um, but I never 139 00:07:12,560 --> 00:07:14,560 Speaker 1: had a relationship with them, with them like that, you 140 00:07:14,560 --> 00:07:17,239 Speaker 1: know what I'm saying. Because you gotta understand Slay sign 141 00:07:17,280 --> 00:07:21,320 Speaker 1: me and Slay and get along with Slay. They didn't 142 00:07:21,320 --> 00:07:23,280 Speaker 1: get along, so that door was like kind of closed 143 00:07:23,280 --> 00:07:28,040 Speaker 1: for me. Yeah yeah, yeah, man, you know what I'm saying. 144 00:07:28,120 --> 00:07:31,400 Speaker 1: And the history was a little a little shaky, you 145 00:07:31,480 --> 00:07:34,600 Speaker 1: know what I mean? That makes sense that makes sense. 146 00:07:35,200 --> 00:07:36,600 Speaker 1: Would you ever want to do a record with j 147 00:07:36,800 --> 00:07:39,360 Speaker 1: or like connect with Hell? Yeah, I would love to, 148 00:07:39,480 --> 00:07:41,400 Speaker 1: you know what I'm saying. It was a time where, um, 149 00:07:41,400 --> 00:07:43,480 Speaker 1: you know, I did an interview when I said a 150 00:07:43,480 --> 00:07:49,080 Speaker 1: couple of things in the interview, I ask you about that, 151 00:07:49,160 --> 00:07:52,280 Speaker 1: and well, you know, after the interview, I forgot what. 152 00:07:52,480 --> 00:07:53,920 Speaker 1: I think it was a daily news or something like that. 153 00:07:54,000 --> 00:07:56,640 Speaker 1: I did a long ass interview, and somewhere in the 154 00:07:56,640 --> 00:07:58,280 Speaker 1: interview they was like, yo, you know what I mean, 155 00:07:58,320 --> 00:08:00,160 Speaker 1: do you think you're the best? I said yeah. They 156 00:08:00,160 --> 00:08:02,080 Speaker 1: said better than jay Z? I say yeah. They said, 157 00:08:02,360 --> 00:08:05,360 Speaker 1: next thing, I know that was the headline King in 158 00:08:05,400 --> 00:08:08,360 Speaker 1: New York. After it was that was a whole another 159 00:08:11,640 --> 00:08:14,800 Speaker 1: but they just took that part. Pat Post says he's 160 00:08:14,880 --> 00:08:16,800 Speaker 1: better than jay Z. You know what I'm saying. The 161 00:08:16,840 --> 00:08:20,400 Speaker 1: interview wasn't even about that. I mean, but whatever, Um, 162 00:08:20,440 --> 00:08:22,560 Speaker 1: and that was that. So it went on from that, 163 00:08:22,600 --> 00:08:24,040 Speaker 1: and then I went on. I went in the studio. 164 00:08:24,400 --> 00:08:26,720 Speaker 1: I said, I backed it up, a double down on it. 165 00:08:26,920 --> 00:08:31,320 Speaker 1: I said him better than whatever, whatever, And then um, 166 00:08:31,560 --> 00:08:33,800 Speaker 1: eventually I met him. Though he showed me love. Though 167 00:08:34,040 --> 00:08:37,200 Speaker 1: he's like, yo, you're competitive, man. I like that. He 168 00:08:37,200 --> 00:08:42,280 Speaker 1: sees everything. Oh yeah yeah, yeah, like words, so that's crazy. Yeah, man, 169 00:08:42,280 --> 00:08:45,240 Speaker 1: that makes a lot of sense now. Like I said, 170 00:08:45,240 --> 00:08:51,199 Speaker 1: I was going through your stuff and like your boss 171 00:08:51,280 --> 00:08:55,720 Speaker 1: is really really complicated. It's really like so I could 172 00:08:55,720 --> 00:08:59,040 Speaker 1: tell that you really think all the way through, Like 173 00:08:59,280 --> 00:09:02,440 Speaker 1: your ship just sense like I'm not my my favorite 174 00:09:02,440 --> 00:09:05,520 Speaker 1: ship right now is bucking Hat No, okay, oh with 175 00:09:05,679 --> 00:09:08,840 Speaker 1: us doing rust Shout the rust Yeah, yeah, yeah, shout 176 00:09:08,840 --> 00:09:11,040 Speaker 1: out the rust Man some type of ship in me, 177 00:09:11,080 --> 00:09:14,760 Speaker 1: Like I was like listening to that. You can forget that. 178 00:09:15,120 --> 00:09:17,560 Speaker 1: I can't play that the rust Man. This is a 179 00:09:17,600 --> 00:09:22,719 Speaker 1: different type of that's his records right now that you 180 00:09:22,720 --> 00:09:24,600 Speaker 1: want to come back to, right, yeah, pick him up. 181 00:09:24,600 --> 00:09:26,440 Speaker 1: Shout the rust Man, which which one of you said 182 00:09:26,520 --> 00:09:28,600 Speaker 1: was the cold one lead damn I for god? Yeah 183 00:09:28,640 --> 00:09:30,199 Speaker 1: that yeah, want to play played that one? We don't 184 00:09:30,200 --> 00:09:33,280 Speaker 1: even do this, We don't even played the first time. Yeah. Yeah, 185 00:09:33,480 --> 00:09:41,560 Speaker 1: that's just something to me. Man, That's what's up now. 186 00:09:41,600 --> 00:09:43,600 Speaker 1: You got you gotta say who were the influences behind 187 00:09:43,880 --> 00:09:46,679 Speaker 1: one of your first looks? Was cool Girat right? Yeah, definitely. Man. 188 00:09:47,480 --> 00:09:49,160 Speaker 1: When I was younger, a friend of mine, I mean 189 00:09:49,200 --> 00:09:51,840 Speaker 1: he introduced me the bat I spit for him and 190 00:09:51,840 --> 00:09:54,520 Speaker 1: we did a song called Home, Sweet Funeral Home on 191 00:09:55,200 --> 00:09:58,160 Speaker 1: Roots of Evil album. That's what I'm saying. So you 192 00:09:58,160 --> 00:10:00,480 Speaker 1: shout out the g Batman big brother Man. Did he 193 00:10:00,480 --> 00:10:02,480 Speaker 1: gotta come outside? I said that on the last episode. Right, 194 00:10:03,520 --> 00:10:05,040 Speaker 1: You're gonna get mad at me, but I'm saying that 195 00:10:05,480 --> 00:10:06,960 Speaker 1: you gotta come out. You gotta come on a drink chat. 196 00:10:07,160 --> 00:10:09,760 Speaker 1: A lot of things got they stabbed from g Man. 197 00:10:10,040 --> 00:10:12,720 Speaker 1: A lot of people top five, So who's your top five? 198 00:10:13,559 --> 00:10:20,480 Speaker 1: My top five is g rap Kane, Biggie, uh Naas 199 00:10:21,960 --> 00:10:27,120 Speaker 1: and Cameras Swan. That's a good rock him honorable mentioned man. 200 00:10:27,240 --> 00:10:29,000 Speaker 1: I need to say I needed me, I needed six. 201 00:10:29,040 --> 00:10:33,640 Speaker 1: I need tend really. But I gotta put okay. I 202 00:10:33,640 --> 00:10:37,320 Speaker 1: gotta put the R in there on number six. I 203 00:10:37,360 --> 00:10:41,199 Speaker 1: gotta put um big pun number seven. I gotta put 204 00:10:41,240 --> 00:10:45,280 Speaker 1: two poc number eight. I gotta put busting rhymes number nine. 205 00:10:46,400 --> 00:10:50,520 Speaker 1: And no mean no particular order my wife man, no tupoc, 206 00:10:50,679 --> 00:10:58,600 Speaker 1: I mean no no holes. Lyrically, I don't got homever 207 00:10:58,600 --> 00:11:01,600 Speaker 1: my time. I mean on the business of its crazy. 208 00:11:07,000 --> 00:11:14,960 Speaker 1: You know I'm gonna be honest with you. Better be listen. 209 00:11:15,320 --> 00:11:18,200 Speaker 1: I'll be honest. You should do back. Doubt first came out, 210 00:11:18,280 --> 00:11:22,160 Speaker 1: I did not like I want. I mean, I could 211 00:11:22,200 --> 00:11:25,240 Speaker 1: say this man, when reasonable first first came out, I 212 00:11:25,280 --> 00:11:29,200 Speaker 1: wasn't crazy about it. I wasn't. But now I looked 213 00:11:29,200 --> 00:11:31,960 Speaker 1: back at the ship he was saying, they lived all 214 00:11:32,000 --> 00:11:34,480 Speaker 1: of that ship out. I got a whole new respect 215 00:11:34,480 --> 00:11:36,400 Speaker 1: for it. At the time, I was always tell them all, 216 00:11:36,440 --> 00:11:39,000 Speaker 1: I tell this people. I like I was broke, so 217 00:11:39,160 --> 00:11:41,880 Speaker 1: like Morelan ming wit to him. I felt like he 218 00:11:41,920 --> 00:11:45,960 Speaker 1: was frosting on me. I because if if you can 219 00:11:46,000 --> 00:11:48,640 Speaker 1: say you got money and say you broke, switch your lanes, 220 00:11:48,840 --> 00:11:51,439 Speaker 1: switch your lanes, and she's like that, you're talking to 221 00:11:51,559 --> 00:11:54,520 Speaker 1: me right right right, yeah, you're looking looking at your ship. 222 00:11:54,679 --> 00:11:56,360 Speaker 1: He's like you know what I mean. Like he always 223 00:11:56,360 --> 00:11:58,480 Speaker 1: made me feel like that, like to a certain step, 224 00:11:58,600 --> 00:12:01,200 Speaker 1: like I always say the story, Um, when Niggas and 225 00:12:01,200 --> 00:12:03,600 Speaker 1: Paris came out and we was going to the club 226 00:12:03,640 --> 00:12:04,880 Speaker 1: and I went with one of my friends. One of 227 00:12:04,880 --> 00:12:06,920 Speaker 1: my friends asked me the ball money and I gave 228 00:12:07,000 --> 00:12:08,840 Speaker 1: him some brad and were going the club and my 229 00:12:08,840 --> 00:12:11,720 Speaker 1: friends in there to Nigga like me, when you please 230 00:12:11,760 --> 00:12:19,160 Speaker 1: with mom. I'm sorry that wasn't out, but yeah, that's crazy. 231 00:12:19,200 --> 00:12:24,520 Speaker 1: That's crazy. So moving on, at one point, I felt 232 00:12:24,559 --> 00:12:28,079 Speaker 1: like you thought you were black balls. Oh yeah, definitely, 233 00:12:28,080 --> 00:12:31,080 Speaker 1: I definitely was. Do you think that's that really exists 234 00:12:31,120 --> 00:12:34,079 Speaker 1: in this industry? Black ball? Yes, absolutely, blan that to 235 00:12:34,120 --> 00:12:36,600 Speaker 1: the people for a new artist who's going basically, it's 236 00:12:36,640 --> 00:12:39,680 Speaker 1: another word for hate. You know what I'm saying, Niggas 237 00:12:39,679 --> 00:12:42,280 Speaker 1: hate on you, or if if they're intimidated by you, 238 00:12:42,640 --> 00:12:45,440 Speaker 1: they'll find a way to prevent you from reaching your 239 00:12:45,440 --> 00:12:47,880 Speaker 1: potential in this game. And it really exists, you know 240 00:12:47,880 --> 00:12:52,920 Speaker 1: what I'm saying. Executives, um d j's like niggas, niggas 241 00:12:52,920 --> 00:12:55,120 Speaker 1: will black ball you and will hate on you. I 242 00:12:55,160 --> 00:12:57,920 Speaker 1: definitely feel victims to that early in my think because 243 00:12:58,200 --> 00:13:00,240 Speaker 1: because I think at one point you was alluded until 244 00:13:00,280 --> 00:13:03,840 Speaker 1: you thought that Rocket Feller was Like, it wasn't me 245 00:13:03,960 --> 00:13:06,320 Speaker 1: that said that. A lot of people always said that, 246 00:13:07,160 --> 00:13:09,520 Speaker 1: Like it always haunted me. You know what I'm saying, 247 00:13:09,520 --> 00:13:11,839 Speaker 1: a lot of people, like I get I probably get 248 00:13:11,840 --> 00:13:16,520 Speaker 1: a message like that once a year, like yo, you 249 00:13:16,559 --> 00:13:18,760 Speaker 1: know I'm saying, now you're real talk and I'm saying, 250 00:13:18,760 --> 00:13:21,320 Speaker 1: but me personally, you know, I mean, I never experienced it. 251 00:13:21,480 --> 00:13:22,920 Speaker 1: You know what I'm saying, but I heard it a 252 00:13:22,920 --> 00:13:26,679 Speaker 1: lot because connection, I don't know what it was for, 253 00:13:27,040 --> 00:13:28,320 Speaker 1: you know, I mean all I could do is assume, 254 00:13:28,360 --> 00:13:30,720 Speaker 1: because you know what they say about assuming. I never 255 00:13:30,720 --> 00:13:32,880 Speaker 1: had no problem with no issues with nobody, you know 256 00:13:32,880 --> 00:13:35,600 Speaker 1: what I'm saying, but chancing nor re question. Yeah, I 257 00:13:35,600 --> 00:13:38,760 Speaker 1: heard that a lot throughout my career. And like, what 258 00:13:38,800 --> 00:13:41,400 Speaker 1: were signs that that that you felt that? Like you 259 00:13:41,520 --> 00:13:45,400 Speaker 1: ever trying to get records added to the radio and 260 00:13:46,360 --> 00:13:48,959 Speaker 1: how would you feel? Well, basically when I met slave, 261 00:13:49,440 --> 00:13:51,800 Speaker 1: you know what I mean. Luckily, I was fortunate enough 262 00:13:51,840 --> 00:13:56,760 Speaker 1: that I created a real serious buzz quick and you 263 00:13:56,800 --> 00:13:58,160 Speaker 1: know a lot of people was working with me. I 264 00:13:58,200 --> 00:14:06,160 Speaker 1: was toring. Yeah, actually it was a rough ride, man, 265 00:14:06,360 --> 00:14:08,280 Speaker 1: look at it like put like this, I met Slay four, 266 00:14:08,320 --> 00:14:10,160 Speaker 1: I can get a deal to like oh seven, that's 267 00:14:10,160 --> 00:14:12,480 Speaker 1: how That's how hard niggas was blocking me. But I 268 00:14:12,520 --> 00:14:14,160 Speaker 1: was toring, And you know what I mean, I was 269 00:14:14,200 --> 00:14:16,480 Speaker 1: so consistent that I still was able to shine. But 270 00:14:16,559 --> 00:14:19,040 Speaker 1: every time I got a good record. Oh yeah, I 271 00:14:19,080 --> 00:14:21,200 Speaker 1: had like twenty something mixtapes. But every time I got 272 00:14:21,200 --> 00:14:23,200 Speaker 1: a good record, you know what I mean, they went 273 00:14:23,360 --> 00:14:24,720 Speaker 1: they went't funk with it. You know what I'm saying 274 00:14:24,720 --> 00:14:28,240 Speaker 1: they wouldn't play and pay. Very interesting that you bring 275 00:14:28,280 --> 00:14:30,160 Speaker 1: it up because I did interview on a breakfast club 276 00:14:30,200 --> 00:14:32,480 Speaker 1: the other day and Envy actually shout out the Envy 277 00:14:32,480 --> 00:14:34,280 Speaker 1: I respect him to be honest, he actually admitted it. 278 00:14:35,320 --> 00:14:36,960 Speaker 1: Just put a footag job. You don't take my head, 279 00:14:38,560 --> 00:14:41,640 Speaker 1: he said. Yo. When Pat first came out, you know 280 00:14:41,680 --> 00:14:43,760 Speaker 1: what I'm saying, I didn't play his record because I 281 00:14:43,760 --> 00:14:46,960 Speaker 1: had a problem with Slag. He's sating on camera, you 282 00:14:47,000 --> 00:14:49,120 Speaker 1: know what I mean. And I already knew that. Oh, 283 00:14:49,160 --> 00:14:51,680 Speaker 1: so he wasn't the only one. He was the only one. 284 00:14:51,720 --> 00:14:53,680 Speaker 1: That feels like there was a lot of DJ's like that. 285 00:14:53,720 --> 00:14:56,040 Speaker 1: You know what I'm saying, That DJ hating on each 286 00:14:56,080 --> 00:15:04,840 Speaker 1: other wasn't organized like they all stick together, you communicated. 287 00:15:04,880 --> 00:15:08,040 Speaker 1: They got DJ teams like No, I know that that. 288 00:15:08,440 --> 00:15:13,720 Speaker 1: I'm just saying. So you wonder over this ship because 289 00:15:13,760 --> 00:15:16,320 Speaker 1: when I met Slave and I thought it was all good. No, 290 00:15:16,320 --> 00:15:18,000 Speaker 1: I mean, I'm thinking everything in the industry, I see 291 00:15:18,000 --> 00:15:20,160 Speaker 1: it's real. So I'm like, Okay, I funk with Slave, 292 00:15:20,400 --> 00:15:22,600 Speaker 1: he worked at the radio. I'm good. So when I 293 00:15:22,600 --> 00:15:25,120 Speaker 1: started taking my ussic, the nigga and niggas was acting funny. 294 00:15:25,120 --> 00:15:26,400 Speaker 1: I go back to Slay. I'm like, you say, what's 295 00:15:26,480 --> 00:15:29,600 Speaker 1: up with these niggas? Like all honesty, I need looking 296 00:15:29,640 --> 00:15:32,160 Speaker 1: for outside. Look looking at this body like you already 297 00:15:32,160 --> 00:15:35,160 Speaker 1: got slate. What you need me for? Not really though, 298 00:15:35,200 --> 00:15:37,960 Speaker 1: because you know once a week, twelve o'clock at night, 299 00:15:37,960 --> 00:15:40,760 Speaker 1: I need to be on day to have a career. 300 00:15:40,760 --> 00:15:44,560 Speaker 1: You need. So I'm trying to build relationships and niggas 301 00:15:44,560 --> 00:15:46,360 Speaker 1: is acting funny. So I'm like, you're Slay, what's up 302 00:15:47,280 --> 00:15:49,600 Speaker 1: makes me? I'm like, no, we need them so eventually. 303 00:15:49,640 --> 00:15:53,280 Speaker 1: Now me, I'm from the street, you know. Unfortunately I 304 00:15:53,320 --> 00:15:55,040 Speaker 1: was young and ignorant man, which I shouldn't never did. 305 00:15:55,040 --> 00:15:58,600 Speaker 1: We started putting hands on and I sucked up. I 306 00:15:58,640 --> 00:16:00,520 Speaker 1: made it worse. I made it a bassiship Asian works. 307 00:16:00,480 --> 00:16:02,960 Speaker 1: You know. I'm saying so because to tell you the truth, right, 308 00:16:03,440 --> 00:16:06,400 Speaker 1: And like I never I never thought he was black Ball. 309 00:16:06,440 --> 00:16:09,160 Speaker 1: I never did. I thought maybe, you know, I was 310 00:16:09,200 --> 00:16:10,920 Speaker 1: probably making the wrong moves, but I didn't think he 311 00:16:11,000 --> 00:16:13,520 Speaker 1: was black Ball. But for people who says that, right, 312 00:16:13,520 --> 00:16:16,360 Speaker 1: Like I watched an interview the other day of Ali Vegas. Right, 313 00:16:17,320 --> 00:16:19,280 Speaker 1: Ali Vegas. He didn't say it, but he was alluding 314 00:16:19,360 --> 00:16:22,680 Speaker 1: to like these people didn't want him to be as 315 00:16:22,720 --> 00:16:26,840 Speaker 1: big as Nas, and I was. I wanted to say, damn, 316 00:16:28,960 --> 00:16:31,920 Speaker 1: you have to think like that because because I'm just 317 00:16:31,960 --> 00:16:34,960 Speaker 1: being honest with you, I've never been as much times. 318 00:16:34,960 --> 00:16:37,200 Speaker 1: If I've always been around Nos, been around Jay, been 319 00:16:37,240 --> 00:16:40,520 Speaker 1: around Puff, I've never heard them even alluded to even 320 00:16:40,560 --> 00:16:43,000 Speaker 1: hating on another brother, like I swear to God, like 321 00:16:43,040 --> 00:16:45,520 Speaker 1: I know, it's like far fresh to see, but like 322 00:16:46,160 --> 00:16:49,240 Speaker 1: as I like, and I'd be always wondering like that. 323 00:16:49,920 --> 00:16:51,840 Speaker 1: I asked Nas if he was black ballter. He said 324 00:16:51,880 --> 00:16:54,800 Speaker 1: he was black balled. So well, let me say this, man, 325 00:16:54,960 --> 00:16:56,800 Speaker 1: when I met jay Z showed me a lot of 326 00:16:56,840 --> 00:16:59,760 Speaker 1: love and respect, and I showed him that respect back. 327 00:16:59,800 --> 00:17:01,520 Speaker 1: You know, say, because he's a legend, he's an icon, 328 00:17:02,080 --> 00:17:03,920 Speaker 1: he's everything. You know what I I mean what he saying 329 00:17:04,000 --> 00:17:06,520 Speaker 1: is nobody could take away from what he did, especially 330 00:17:06,600 --> 00:17:08,000 Speaker 1: being from Brooklyn, you know, I mean you got to 331 00:17:08,040 --> 00:17:10,680 Speaker 1: salute him. Same with nots like not trying to sign 332 00:17:10,680 --> 00:17:13,240 Speaker 1: me at one point, I mean, not just reached out 333 00:17:13,280 --> 00:17:15,320 Speaker 1: to me. We met up in Lower Manhattan, meet him 334 00:17:15,320 --> 00:17:17,520 Speaker 1: and my homie Old. We satting there, we ate pizza 335 00:17:18,080 --> 00:17:20,480 Speaker 1: and he was like, yo, yeah, just the three of us, 336 00:17:20,920 --> 00:17:27,560 Speaker 1: I think, And he was like, yeah, I'm going over 337 00:17:27,560 --> 00:17:28,960 Speaker 1: there with Jay soon. You know what I'm saying that 338 00:17:29,040 --> 00:17:30,760 Speaker 1: that Jam I want to bring you over there. You 339 00:17:30,760 --> 00:17:32,320 Speaker 1: know what I'm saying. I see big Bill bolls for 340 00:17:32,359 --> 00:17:36,040 Speaker 1: you all of love. And he said sending agreement. You know, 341 00:17:36,040 --> 00:17:37,359 Speaker 1: I mean it was not I mean I grew up 342 00:17:37,359 --> 00:17:41,119 Speaker 1: listening to him and he sent the contract over you 343 00:17:41,160 --> 00:17:43,960 Speaker 1: know what I meaning? And Slave and slaves say it 344 00:17:43,960 --> 00:17:46,800 Speaker 1: was like, man, man, think of man like this ain't 345 00:17:46,800 --> 00:17:49,120 Speaker 1: a good one packed and slave is my big brother. 346 00:17:49,119 --> 00:17:51,160 Speaker 1: You know what I'm saying. So, by the way, yeah, 347 00:17:51,160 --> 00:17:53,520 Speaker 1: pick up the slave man, get well soon. I hope 348 00:17:53,520 --> 00:17:58,320 Speaker 1: we're doing a better hit. Definitely definitely man so um 349 00:17:58,359 --> 00:18:01,399 Speaker 1: you know that's that to make it just the credit. 350 00:18:03,560 --> 00:18:06,160 Speaker 1: Just just don't know what you said about those two. Man, 351 00:18:06,640 --> 00:18:08,440 Speaker 1: I've never seen no hate from none of them, right, yeah, 352 00:18:08,800 --> 00:18:11,760 Speaker 1: I've never because like, in order fun and to be 353 00:18:11,840 --> 00:18:14,480 Speaker 1: black ball, right them, to be a part of a 354 00:18:14,520 --> 00:18:17,000 Speaker 1: black ball system, you gotta have some type of hater 355 00:18:17,160 --> 00:18:20,160 Speaker 1: in you. You understand what I'm saying. Like there's been 356 00:18:20,200 --> 00:18:23,520 Speaker 1: times I've brung things to them and they'd be like 357 00:18:24,320 --> 00:18:26,440 Speaker 1: and lets these dudes live like you know what I'm saying. 358 00:18:26,520 --> 00:18:29,040 Speaker 1: I'm like, I'll say off camera because you know I'm 359 00:18:29,040 --> 00:18:31,639 Speaker 1: getting a little deep. But I've always heard them like 360 00:18:31,720 --> 00:18:33,679 Speaker 1: let it go, Like I never hear it. See one 361 00:18:33,680 --> 00:18:35,399 Speaker 1: of them be like, hell, you know what, let's do it. 362 00:18:35,520 --> 00:18:40,640 Speaker 1: Like I see car, you ain't do that ship I've seen. Yeah, yeah, 363 00:18:40,640 --> 00:18:45,639 Speaker 1: it's yeah, it's a different names, different thing. If he 364 00:18:45,680 --> 00:18:47,400 Speaker 1: wanted to set you down, he goes, he's gonna say 365 00:18:47,400 --> 00:18:49,920 Speaker 1: it too, like he gonna he gonna weird on his sleeve. 366 00:18:51,720 --> 00:18:53,120 Speaker 1: But you know, you know what it is with with 367 00:18:53,119 --> 00:18:54,800 Speaker 1: with that situation, I don't even like to speak about 368 00:18:54,840 --> 00:18:57,320 Speaker 1: it because I'm in a good spaceman. It didn't work. 369 00:18:57,440 --> 00:18:59,440 Speaker 1: I mean, but you know what I worked do but 370 00:19:00,040 --> 00:19:01,800 Speaker 1: happened though, Like with me, That's why I don't like 371 00:19:01,800 --> 00:19:03,480 Speaker 1: to speak about it because a lot of niggas claiming 372 00:19:03,880 --> 00:19:07,280 Speaker 1: and it's not my situation. The ship is really like 373 00:19:07,320 --> 00:19:08,840 Speaker 1: the nigga And he just said it on the on 374 00:19:08,880 --> 00:19:10,960 Speaker 1: the Reference Club the other day, basically you know what 375 00:19:10,960 --> 00:19:13,440 Speaker 1: I mean on the camera, like I have Gilly, and 376 00:19:13,520 --> 00:19:15,879 Speaker 1: Gilly always say that he thought that he did he did. 377 00:19:16,000 --> 00:19:18,520 Speaker 1: I didn't see that. He always and I always be 378 00:19:18,640 --> 00:19:24,720 Speaker 1: like but I think I don't even think that thought about. 379 00:19:24,720 --> 00:19:27,120 Speaker 1: I think I'm cool. But he always says that back, 380 00:19:27,119 --> 00:19:29,560 Speaker 1: and he said he said he loves podcasting because no 381 00:19:29,640 --> 00:19:32,760 Speaker 1: one can't block him in podcast. So and so what 382 00:19:32,840 --> 00:19:35,440 Speaker 1: he's trying to say is, man, I got blocked and wrapped. 383 00:19:35,440 --> 00:19:37,280 Speaker 1: So you know, I always pull it out of him 384 00:19:37,320 --> 00:19:39,680 Speaker 1: on camera. Off camera, I be like, what do you mean? 385 00:19:40,000 --> 00:19:45,159 Speaker 1: He always like yeah, man, Like I'm gonna be honest. 386 00:19:45,200 --> 00:19:47,720 Speaker 1: The more I get got to meet you, Jake, I 387 00:19:47,760 --> 00:19:49,440 Speaker 1: don't think he was he would make a call to 388 00:19:49,800 --> 00:19:52,000 Speaker 1: block any black man from getting money. I swear to 389 00:19:52,040 --> 00:19:53,920 Speaker 1: guard like I swear to guard makes a noise for 390 00:19:54,000 --> 00:19:59,600 Speaker 1: j man, why not when your class? I think you 391 00:20:00,080 --> 00:20:04,080 Speaker 1: man Brooklyn, I got a little yeah, so definitely. So 392 00:20:04,119 --> 00:20:07,160 Speaker 1: now I think that I didn't think I would see 393 00:20:07,200 --> 00:20:09,000 Speaker 1: you on and I didn't want to get to the 394 00:20:09,600 --> 00:20:12,800 Speaker 1: EPs twelve in a month, right, but I didn't expect 395 00:20:12,800 --> 00:20:15,679 Speaker 1: to see you on, and you influenced me to do 396 00:20:16,480 --> 00:20:20,120 Speaker 1: O Love and hip Hop like you was the first 397 00:20:20,160 --> 00:20:21,919 Speaker 1: person I saw on Love and hip hop keep their 398 00:20:22,000 --> 00:20:24,880 Speaker 1: character and have your character clean like you was never 399 00:20:25,200 --> 00:20:27,240 Speaker 1: on no fucking re ship. You ain't throw no drinks, 400 00:20:27,560 --> 00:20:29,600 Speaker 1: you ain't doing no no dumb ship. It was always 401 00:20:29,600 --> 00:20:31,200 Speaker 1: a part of it, But what makes you even want 402 00:20:31,200 --> 00:20:33,120 Speaker 1: to join that? I didn't want to do it, man, 403 00:20:33,160 --> 00:20:35,840 Speaker 1: for those reasons. I don't want to do that ship. Man. 404 00:20:36,359 --> 00:20:38,200 Speaker 1: When my wife was locked up, they reached out and 405 00:20:38,240 --> 00:20:40,040 Speaker 1: they wanted to document, you know, I mean me going 406 00:20:40,080 --> 00:20:42,320 Speaker 1: to visit her and supporting and all that, and me 407 00:20:42,359 --> 00:20:43,879 Speaker 1: and her spoke and he was like, nine, that's not 408 00:20:43,920 --> 00:20:45,600 Speaker 1: something we want to be a part of because they'd 409 00:20:45,600 --> 00:20:48,240 Speaker 1: be throwing drinks and ship. Yeah, somebody do that ship 410 00:20:48,240 --> 00:20:49,480 Speaker 1: to us. You know what I'm saying, It ain't gonna 411 00:20:49,480 --> 00:20:51,560 Speaker 1: be good. But when we came when she came home, 412 00:20:52,040 --> 00:20:54,240 Speaker 1: we spoke about it again. They came to another offer, 413 00:20:54,480 --> 00:20:56,480 Speaker 1: and she was like, it might be good because you 414 00:20:56,600 --> 00:20:58,640 Speaker 1: got a bad livitation and I got a better. Maybe 415 00:20:58,640 --> 00:21:00,359 Speaker 1: we can show people that we all. He like, we 416 00:21:00,440 --> 00:21:02,000 Speaker 1: got a family, you know what I'm saying. That was 417 00:21:02,040 --> 00:21:05,919 Speaker 1: her decision. Yeah, she did, just like that. She's like, 418 00:21:06,800 --> 00:21:09,399 Speaker 1: because you know what if you did, you know, it's crazy. 419 00:21:10,160 --> 00:21:13,959 Speaker 1: I forced Capone to do that season. He was Campone 420 00:21:14,000 --> 00:21:16,479 Speaker 1: was supposed to be on that season, but they couldn't 421 00:21:16,480 --> 00:21:18,400 Speaker 1: tell us that y'all was doing it. Hadn't we knew 422 00:21:18,400 --> 00:21:20,639 Speaker 1: that with the I'll just assigned on the media. But 423 00:21:20,680 --> 00:21:23,440 Speaker 1: I back upon to do it at Compone's told everybody, 424 00:21:24,000 --> 00:21:25,200 Speaker 1: how are you gonna tell me to do love and 425 00:21:25,280 --> 00:21:30,760 Speaker 1: hip hop? And he ain't gonna do it. But when 426 00:21:30,800 --> 00:21:33,480 Speaker 1: I saw it was the integrity, like you gotta stayed 427 00:21:33,520 --> 00:21:36,200 Speaker 1: the same, and not only that, you guys major image 428 00:21:36,240 --> 00:21:38,400 Speaker 1: even better, like I wanted to be a better man. Yeah, 429 00:21:38,400 --> 00:21:40,000 Speaker 1: I ain't gonna lie. When I did it, though, I 430 00:21:40,040 --> 00:21:42,240 Speaker 1: was expecting to get to get killed. Man, they're gonna 431 00:21:42,280 --> 00:21:43,840 Speaker 1: kill me when they see this ship. Man, I'm on 432 00:21:43,840 --> 00:21:46,200 Speaker 1: one knee. I'm proposing, you know what I'm saying and 433 00:21:46,400 --> 00:21:49,639 Speaker 1: just showing. Yeah, but you know how ignormant motherfucker's is. 434 00:21:49,640 --> 00:21:54,800 Speaker 1: You know what I'm saying that. It was crazy though 435 00:21:54,800 --> 00:21:56,639 Speaker 1: when I when the when the ship, you know, I mean, 436 00:21:56,680 --> 00:21:59,640 Speaker 1: I was bracing myself for impact and I ain't nothing 437 00:21:59,680 --> 00:22:01,840 Speaker 1: beloved I came. Man, I think people was tired of 438 00:22:01,840 --> 00:22:03,679 Speaker 1: seeing our people. I'm saying to picked it like that 439 00:22:03,720 --> 00:22:05,080 Speaker 1: on the on the screen. I don't know what it was, 440 00:22:05,560 --> 00:22:07,160 Speaker 1: but I didn't get the number love from that ship. 441 00:22:08,440 --> 00:22:11,960 Speaker 1: You're still doing? Did you live in Atlanta? No? No, 442 00:22:12,200 --> 00:22:16,960 Speaker 1: I'm still living. Are you doing Atlanta edition? No, No, 443 00:22:17,000 --> 00:22:18,639 Speaker 1: I'm not. I'm not doing that. What happened was when 444 00:22:18,640 --> 00:22:19,960 Speaker 1: the COVID head, they tried to get us to do 445 00:22:20,000 --> 00:22:21,800 Speaker 1: the one in the Bubble, but then you had to 446 00:22:21,880 --> 00:22:23,680 Speaker 1: you couldn't bring the baby. And my daughter was only 447 00:22:23,720 --> 00:22:25,439 Speaker 1: like probably one years old of the time, and we 448 00:22:25,480 --> 00:22:27,240 Speaker 1: wasn't gonna separate from my child like that. So we 449 00:22:27,280 --> 00:22:29,159 Speaker 1: fell back. But we're still doing. We actually got a 450 00:22:29,200 --> 00:22:32,520 Speaker 1: new one coming out real soon, I think like next week. Yeah, 451 00:22:32,720 --> 00:22:35,639 Speaker 1: it's UM African Genealogy or something to that. That That we 452 00:22:35,840 --> 00:22:37,920 Speaker 1: went out there and they took out DNA and they're 453 00:22:37,920 --> 00:22:39,680 Speaker 1: telling us where we're from in Africa. You know what 454 00:22:39,720 --> 00:22:45,040 Speaker 1: I'm saying. So that's one. Did you travel over No? No, no, 455 00:22:45,320 --> 00:22:47,439 Speaker 1: they took it like probably a year ago. So they 456 00:22:47,480 --> 00:22:50,520 Speaker 1: took at DNA and then we shot at UM. Atlanta 457 00:22:50,600 --> 00:22:52,760 Speaker 1: could be dope if you went to wherever they found 458 00:22:52,800 --> 00:22:58,040 Speaker 1: your genealogy. I'm going. I'm going. I'm going, man, I 459 00:22:58,200 --> 00:23:00,560 Speaker 1: can't wait. I've never been in Africa, so I can't 460 00:23:00,560 --> 00:23:02,080 Speaker 1: wait to go. I went. I went to South Africa 461 00:23:02,119 --> 00:23:04,639 Speaker 1: recently and shout a film out there. Yeah it's dope. No, 462 00:23:04,720 --> 00:23:06,959 Speaker 1: I can't wait to go. Always just scare me about Africa, 463 00:23:07,080 --> 00:23:10,119 Speaker 1: like two shots and yeah, yeah, you gotta take a 464 00:23:10,160 --> 00:23:12,840 Speaker 1: bunch of shots. It depends where you're going to take 465 00:23:12,880 --> 00:23:22,800 Speaker 1: a shot. The vaccine. Back then, like like I don't 466 00:23:22,800 --> 00:23:24,800 Speaker 1: know if this is a white man thing or something, 467 00:23:24,840 --> 00:23:26,440 Speaker 1: but they would always be like, you can't drink they 468 00:23:26,480 --> 00:23:33,159 Speaker 1: water and like, yeah, but negles be drinking the mohait 469 00:23:33,160 --> 00:23:34,920 Speaker 1: those with the ice, and the ice is the water. 470 00:23:35,080 --> 00:23:36,520 Speaker 1: And then fuck you up, all right, that's why you 471 00:23:36,560 --> 00:23:41,920 Speaker 1: go straight. That's why you go straight, drinking straight drinks. 472 00:23:43,440 --> 00:23:49,880 Speaker 1: So pat, we do love the hip hop and dude, 473 00:23:50,400 --> 00:23:53,080 Speaker 1: is the music still there? The love the love of 474 00:23:53,160 --> 00:23:58,040 Speaker 1: music still there because because like I said, you guys 475 00:23:58,760 --> 00:24:03,320 Speaker 1: not only had a strong image, it actually made you 476 00:24:03,400 --> 00:24:07,000 Speaker 1: a star. Actually did with hip hop. Hip hop was 477 00:24:07,040 --> 00:24:09,200 Speaker 1: meant to do with you. You got through a whole 478 00:24:09,200 --> 00:24:14,080 Speaker 1: another alley alleyway. Yeah, man, that's what happens, man, when 479 00:24:14,080 --> 00:24:16,240 Speaker 1: they hating you, That's what happened man, You know what 480 00:24:16,240 --> 00:24:19,320 Speaker 1: I mean, gold finds another way for you to shine. Um. 481 00:24:19,960 --> 00:24:21,960 Speaker 1: At that time, I made more money off for television 482 00:24:22,000 --> 00:24:24,000 Speaker 1: that I ever made a hip hop you know, I'm saying, 483 00:24:24,000 --> 00:24:25,800 Speaker 1: shot them on the Scott Man, we love you. When 484 00:24:25,840 --> 00:24:27,920 Speaker 1: he camera, I love you. You can tell them checks 485 00:24:27,960 --> 00:24:35,720 Speaker 1: as good. I'm serious to man man, Oh yeah, man, 486 00:24:35,840 --> 00:24:38,840 Speaker 1: I'm over there. I made a lot of money, man, 487 00:24:39,240 --> 00:24:40,680 Speaker 1: I got it. I always say it maybe a chance 488 00:24:40,720 --> 00:24:44,239 Speaker 1: I get Man, I made a lot of money on television. So, um, 489 00:24:44,960 --> 00:24:46,399 Speaker 1: that's what happens, man, you know what I mean that. 490 00:24:46,600 --> 00:24:48,320 Speaker 1: That wasn't my plan. It just happened like that. And 491 00:24:48,400 --> 00:24:50,760 Speaker 1: doing it you're aware, which is yeah, yeah, we were 492 00:24:50,880 --> 00:24:52,840 Speaker 1: gonna make a fool out out of ourselves, you know 493 00:24:52,840 --> 00:24:55,840 Speaker 1: what I'm saying, and full into the fall, into the dumbnest. 494 00:24:56,320 --> 00:24:58,320 Speaker 1: We actually let them know, you know what I mean. 495 00:24:58,400 --> 00:25:00,840 Speaker 1: So they kept it cleaning, ain't play, no tricks and 496 00:25:00,880 --> 00:25:05,560 Speaker 1: nothing on Like the j the other day, he said, yeah, man, 497 00:25:05,640 --> 00:25:07,200 Speaker 1: I think it's over for me and my wife, and 498 00:25:07,200 --> 00:25:09,800 Speaker 1: I'm going really he goes, yeah, so I'm not arguing 499 00:25:09,840 --> 00:25:11,960 Speaker 1: with her to the cameras to cut on. I said 500 00:25:12,040 --> 00:25:18,320 Speaker 1: what he said this reality show and said he's saving 501 00:25:18,600 --> 00:25:21,520 Speaker 1: his arguments for the camera. I can't do that. I 502 00:25:21,600 --> 00:25:23,600 Speaker 1: was like, you too, will get too much invested into 503 00:25:23,640 --> 00:25:25,840 Speaker 1: this ship. Yeah yeah, see that's what I wasn't gonna do. 504 00:25:25,880 --> 00:25:27,600 Speaker 1: I wasn't gonna go up there and you know, make 505 00:25:27,640 --> 00:25:30,360 Speaker 1: a food out myself. It looked like you and really 506 00:25:30,440 --> 00:25:32,840 Speaker 1: never argue. It looked like y'all never have problems. I 507 00:25:32,920 --> 00:25:37,280 Speaker 1: mean we're human, man, everybody. Everybody go to the to 508 00:25:37,480 --> 00:25:39,400 Speaker 1: the ship. But it's not about the argument, man, It's 509 00:25:39,400 --> 00:25:42,280 Speaker 1: about and then when you're wrong, because you're not always right, 510 00:25:42,480 --> 00:25:44,879 Speaker 1: I mean you or your or your partner. So you know, 511 00:25:44,920 --> 00:25:47,680 Speaker 1: when she was locked up, I couldn't touch her. So 512 00:25:48,040 --> 00:25:50,400 Speaker 1: all we had was communication. Like I visited, they would say, 513 00:25:50,400 --> 00:25:52,159 Speaker 1: put your hands on the table. She like that. So 514 00:25:52,320 --> 00:25:54,680 Speaker 1: we spoke a lot, and throughout that communication we learned 515 00:25:55,119 --> 00:25:57,480 Speaker 1: even if it's a disagreement, if she's speaking, I gotta 516 00:25:57,480 --> 00:25:59,760 Speaker 1: be quiet, and then when I'm speaking, she got to 517 00:25:59,800 --> 00:26:01,800 Speaker 1: be And when you do that, you really see what 518 00:26:01,920 --> 00:26:03,280 Speaker 1: you was wrong, because you'd be like, oh, I made 519 00:26:03,280 --> 00:26:05,120 Speaker 1: you feel like that, and I don't be your attentions 520 00:26:05,240 --> 00:26:11,399 Speaker 1: what I'm saying like they right now? Man, you know, 521 00:26:11,440 --> 00:26:14,159 Speaker 1: I mean, it's communication. Man, We we disagree, but it 522 00:26:14,240 --> 00:26:17,560 Speaker 1: don't really escalate to the point of right negativity. And 523 00:26:17,640 --> 00:26:21,840 Speaker 1: you're both like alphas, they're both like so that's the 524 00:26:21,920 --> 00:26:25,080 Speaker 1: compromises of sitting back and yeah, you gotta you gotta listen, man, 525 00:26:25,119 --> 00:26:27,200 Speaker 1: when she talking, you gotta be quiet and you take 526 00:26:27,240 --> 00:26:29,080 Speaker 1: your turn. Now, I mean that should work out like 527 00:26:29,160 --> 00:26:31,560 Speaker 1: that all the time. Do you counsel and like that? 528 00:26:31,680 --> 00:26:34,920 Speaker 1: Or no? We never did it. We considered it though, Okay, 529 00:26:35,040 --> 00:26:37,280 Speaker 1: one time and we considered it, but it never happened yet. 530 00:26:37,400 --> 00:26:39,560 Speaker 1: Have you have you ever done it? I'm thinking about 531 00:26:39,600 --> 00:26:41,359 Speaker 1: it right you think about it. I'm thinking about it 532 00:26:41,440 --> 00:26:44,520 Speaker 1: right now. We did it on that bootcamp thing. Uh 533 00:26:45,640 --> 00:26:48,800 Speaker 1: well bootcamp was no marriage bootcampa. You didn't know counsel 534 00:26:49,160 --> 00:26:51,640 Speaker 1: that was counseling. Yeah, I enjoyed it. But what made 535 00:26:51,680 --> 00:26:53,879 Speaker 1: you what? Um? What made you want to do it? 536 00:26:54,160 --> 00:26:56,480 Speaker 1: But marriage bootcamp? No? No, I'm not that the counseling 537 00:26:56,800 --> 00:26:59,800 Speaker 1: like I wanted you to do it now because I'll 538 00:26:59,840 --> 00:27:02,200 Speaker 1: be realized that I'm just I'm still human too, like 539 00:27:02,280 --> 00:27:05,120 Speaker 1: I still got you know, ship, and I and I don't. 540 00:27:05,160 --> 00:27:07,680 Speaker 1: It's not nothing to talk talk about and I need you. 541 00:27:07,720 --> 00:27:10,280 Speaker 1: I shouldn't talk about it, you know what I'm saying. So, um, yeah, 542 00:27:10,359 --> 00:27:12,080 Speaker 1: I've been I've been thinking about and I like how 543 00:27:12,520 --> 00:27:15,119 Speaker 1: Charlotte Mayne, you know what I mean, Like he speaks 544 00:27:15,160 --> 00:27:18,879 Speaker 1: about count like yeah, like to me, So I just 545 00:27:18,960 --> 00:27:21,040 Speaker 1: want to be a better person. Now, that's dope. That's dope. 546 00:27:21,280 --> 00:27:23,359 Speaker 1: That's dope. So like I said, like, like, what what 547 00:27:23,480 --> 00:27:26,600 Speaker 1: what made you like this? All right? I was personally 548 00:27:26,640 --> 00:27:31,240 Speaker 1: seeing you, you know, when realmy was was away and 549 00:27:31,359 --> 00:27:34,600 Speaker 1: I was seeing you in the club being respectful old 550 00:27:34,640 --> 00:27:38,359 Speaker 1: woman around holding it down like a man. And the 551 00:27:38,600 --> 00:27:41,640 Speaker 1: Instagram wasn't popular back then, so you could have been 552 00:27:42,560 --> 00:27:45,240 Speaker 1: pop and bottle Stone. What made you? What made you 553 00:27:45,359 --> 00:27:49,080 Speaker 1: say like so solid like that? Well, when you get married, man, 554 00:27:49,160 --> 00:27:51,080 Speaker 1: you take vows, right, you know what I'm saying. You 555 00:27:51,160 --> 00:27:53,720 Speaker 1: gotta listen to those wedding vows when you when you 556 00:27:53,920 --> 00:27:55,840 Speaker 1: when you do that, because you signing up for that 557 00:27:55,960 --> 00:27:58,560 Speaker 1: and you you're taking those valves before God. So I 558 00:27:58,640 --> 00:28:01,120 Speaker 1: take that serious. I'm not gonna stay in here and say, 559 00:28:01,200 --> 00:28:03,160 Speaker 1: you know, to love to end up a text sicking 560 00:28:03,240 --> 00:28:05,960 Speaker 1: for sicking for health, Richard for pol to depth do 561 00:28:06,080 --> 00:28:08,240 Speaker 1: his part and didn't go do the opposite, you know 562 00:28:08,280 --> 00:28:10,280 Speaker 1: what I'm saying. So I take that very serious and 563 00:28:10,640 --> 00:28:12,920 Speaker 1: I try to live up to it. What so you 564 00:28:13,640 --> 00:28:16,119 Speaker 1: the whole time we don't have to answer this the 565 00:28:16,160 --> 00:28:26,480 Speaker 1: whole time you have sex at all? I had sex 566 00:28:26,520 --> 00:28:34,040 Speaker 1: with my wife. We had contusions. Okay, it was really 567 00:28:34,080 --> 00:28:36,920 Speaker 1: from the beginning. Okay, when you got married, because you 568 00:28:37,000 --> 00:28:40,280 Speaker 1: got married, and you know, we got married. Um, when 569 00:28:40,320 --> 00:28:42,440 Speaker 1: she blew trail, we was getting married because we didn't 570 00:28:42,440 --> 00:28:43,720 Speaker 1: think she was gonna blow. I didn't think she was 571 00:28:43,720 --> 00:28:47,320 Speaker 1: gonna It was a bullshit case. And you know when 572 00:28:47,360 --> 00:28:49,000 Speaker 1: we she blew trail, we lost our money. We had 573 00:28:49,000 --> 00:28:50,160 Speaker 1: the one and set up on the boat and all 574 00:28:50,240 --> 00:28:51,840 Speaker 1: that we lost that, you know what I'm saying. So 575 00:28:52,400 --> 00:28:54,640 Speaker 1: we want him getting married while she was locked up. Yeah, 576 00:28:54,720 --> 00:28:55,800 Speaker 1: he lost the whole ship, you know what I mean. 577 00:28:57,280 --> 00:28:59,240 Speaker 1: And we want him getting married while she was when 578 00:28:59,280 --> 00:29:01,880 Speaker 1: she was locked up. But even though like in the beginning, 579 00:29:02,280 --> 00:29:03,720 Speaker 1: you know the right and sounding we we didn't have 580 00:29:03,760 --> 00:29:06,400 Speaker 1: conjigble business, we still was making it happen. And still 581 00:29:06,440 --> 00:29:11,440 Speaker 1: find you got married in jail. That might be the 582 00:29:13,040 --> 00:29:16,000 Speaker 1: we got married. We got married over the phone at first, 583 00:29:16,800 --> 00:29:19,959 Speaker 1: because they canceled the wedding. Remember when she blew, they 584 00:29:20,040 --> 00:29:22,240 Speaker 1: remanded her. They let her go home. Clean up trip 585 00:29:22,240 --> 00:29:24,800 Speaker 1: about them right here right there, boom. So we couldn't 586 00:29:24,840 --> 00:29:27,880 Speaker 1: do nothing. So we we we are. It's time to 587 00:29:27,880 --> 00:29:29,960 Speaker 1: paperwork in the court room. And then that night we 588 00:29:30,000 --> 00:29:32,400 Speaker 1: did the three with the pastor and he married us 589 00:29:32,440 --> 00:29:35,520 Speaker 1: over the phone. That's why she came home. We had 590 00:29:35,560 --> 00:29:41,440 Speaker 1: the big wedding right snuff the papers in there sounding ship. 591 00:29:45,480 --> 00:29:47,600 Speaker 1: I don't know if you know, but our show is 592 00:29:47,640 --> 00:29:51,040 Speaker 1: about giving people they loved while they alive. They flowers. 593 00:29:51,400 --> 00:29:54,240 Speaker 1: We didn't invent that slogan, but we made it famous, 594 00:29:54,280 --> 00:29:56,240 Speaker 1: you know what I'm saying, And we got everybody biting 595 00:29:56,280 --> 00:29:59,360 Speaker 1: our ship. Now, continue to do our ships. We wanted 596 00:29:59,360 --> 00:30:01,440 Speaker 1: to purchase to get you your flowers. You know what 597 00:30:01,480 --> 00:30:12,040 Speaker 1: I'm saying. You know what I'm saying. What ye man, 598 00:30:13,440 --> 00:30:16,200 Speaker 1: Thank you, thank you love. Okay, that's a big deal, 599 00:30:16,360 --> 00:30:18,480 Speaker 1: massive big deal. I appreciate that, Yes sir, Yes, sir. 600 00:30:18,920 --> 00:30:21,680 Speaker 1: Now this is where the show gets a little crazy. 601 00:30:22,640 --> 00:30:24,840 Speaker 1: You're gonna take a shot glass you got, you got 602 00:30:24,880 --> 00:30:30,680 Speaker 1: your Brooklyn and drink over. You gotta represent makes some fart. 603 00:30:32,760 --> 00:30:35,120 Speaker 1: So this is where the game what's up? What's your 604 00:30:35,120 --> 00:30:37,480 Speaker 1: brisac brist back? This is where the game get tricky. 605 00:30:38,000 --> 00:30:39,800 Speaker 1: It's called quick time and slide. I'm gonna give you 606 00:30:39,960 --> 00:30:44,120 Speaker 1: two choice about this, okay, yeah, okay, give you two choices. 607 00:30:44,600 --> 00:30:46,960 Speaker 1: You can you can say one or the other and 608 00:30:47,040 --> 00:30:49,640 Speaker 1: you're good, or if you say both, or if you 609 00:30:49,800 --> 00:30:52,280 Speaker 1: you pass and say you don't want then you have 610 00:30:52,360 --> 00:30:55,120 Speaker 1: to take a drink. But all right, pretty much, I 611 00:30:55,200 --> 00:30:56,920 Speaker 1: think you're gonna you're gonna slide through this and we 612 00:30:57,040 --> 00:30:58,600 Speaker 1: drink with you. We drink it with you, so you 613 00:30:58,640 --> 00:31:01,120 Speaker 1: ain't you ain't by yourself. Don't worry. Okay, that's cooling. Okay, 614 00:31:01,760 --> 00:31:08,520 Speaker 1: big big punt. You gotta drink immediately, drink. That's a 615 00:31:08,560 --> 00:31:11,640 Speaker 1: good want to drink too, that's good. Hold my guys, 616 00:31:13,120 --> 00:31:16,480 Speaker 1: he's whiskey. That's the tough one. Ain't ain't gonna see yo, bleak. 617 00:31:16,560 --> 00:31:23,480 Speaker 1: Hold on, that's the tough yo, bleak. I'm here interviewing 618 00:31:23,560 --> 00:31:26,160 Speaker 1: pack pools. That's so far. We just walked in and 619 00:31:26,360 --> 00:31:29,200 Speaker 1: that that's when you that's three Brooklyn niggas. Yeah, Brooklyn niggas. 620 00:31:30,760 --> 00:31:35,800 Speaker 1: What's going on? Cool? Yeah? He said, what's up? Black? 621 00:31:35,840 --> 00:31:41,000 Speaker 1: What up? Bro's back right there. I'm gonna hit you 622 00:31:41,000 --> 00:31:42,680 Speaker 1: as soon as I finish this. Soon as I finish this, 623 00:31:43,080 --> 00:31:46,520 Speaker 1: all right? Cool? Cool niggas mad ghetto answering the phone, 624 00:31:47,920 --> 00:31:49,440 Speaker 1: you know what I mean? Hold on, I gotta take 625 00:31:49,440 --> 00:31:53,600 Speaker 1: the drink as he drinks, right shot at top. It's 626 00:31:53,720 --> 00:32:00,880 Speaker 1: a little alright, my bad man, that's not that's hard 627 00:32:02,280 --> 00:32:13,880 Speaker 1: rap or carerest one. Oh hold yeah, ain't gonna old 628 00:32:13,920 --> 00:32:17,000 Speaker 1: hiplop thiggers can't answer that, that's true. Hell no, it's 629 00:32:17,040 --> 00:32:24,920 Speaker 1: worse rock him. Oh big daddy can I'm sorry, man, 630 00:32:27,080 --> 00:32:30,600 Speaker 1: you kill us over here. You're killing me right now yourself. 631 00:32:30,840 --> 00:32:32,960 Speaker 1: You may this list by yourself. Yeah, they try to 632 00:32:33,040 --> 00:32:41,600 Speaker 1: kill the chapin niggers off. Oh this mom, this one, 633 00:32:41,640 --> 00:32:43,840 Speaker 1: I don't know. Next one I might have to answer. Yeah, 634 00:32:45,040 --> 00:32:53,600 Speaker 1: DMX Tupac, damn, that's all I'm gonna ask. I love 635 00:32:53,680 --> 00:32:55,479 Speaker 1: PC though, and he was on Tupac album. We'll get 636 00:32:55,480 --> 00:32:59,120 Speaker 1: to that later. I love them both, Eggstone, Okay, let's 637 00:32:59,120 --> 00:33:02,200 Speaker 1: go our face ice Cus call and face on ice Cu. 638 00:33:02,480 --> 00:33:19,920 Speaker 1: I'm gonna face m hmm, fat your Rick Ross Okay, look, 639 00:33:24,680 --> 00:33:28,160 Speaker 1: I love good Thomas line. Uh, put your tear of fat. 640 00:33:29,360 --> 00:33:33,760 Speaker 1: I gotta go in Brooklyn. Okay, the locks are markt 641 00:33:35,160 --> 00:33:46,640 Speaker 1: m hm, gonna be we hit your that's what did do. Yeah, 642 00:33:46,720 --> 00:33:48,440 Speaker 1: that's what this game is meant to be. So so 643 00:33:52,760 --> 00:33:54,880 Speaker 1: I even at the rest outcast a U g K, 644 00:33:56,040 --> 00:33:58,080 Speaker 1: I'm going U g K m M. I don't tell 645 00:33:58,080 --> 00:34:04,920 Speaker 1: you the outcast a lay of Miami, Miami. I'm gonna 646 00:34:04,960 --> 00:34:12,200 Speaker 1: cally okay, do say oh Hennessey Hennessy okay, sorry man? 647 00:34:14,080 --> 00:34:23,000 Speaker 1: Or funk flax case late. That's my brother, Allmatic or 648 00:34:23,080 --> 00:34:25,800 Speaker 1: ready to die, I gotta go, ready to die Brooklyn. 649 00:34:26,440 --> 00:34:28,840 Speaker 1: You can't go against Brooklyn. You can't do it. I disagree, 650 00:34:28,880 --> 00:34:31,320 Speaker 1: but I respect. I love Thematic, but man, you're kidding me. 651 00:34:31,520 --> 00:34:34,840 Speaker 1: The Chronicle of Ours on me? Oh odds on me? Man? Okay, 652 00:34:36,960 --> 00:34:41,359 Speaker 1: podcasts or radio? Man, I'm saying podcasting got to mix? 653 00:34:41,480 --> 00:34:54,759 Speaker 1: Looks okay, rough riders a rocket feller? Right, that was simple? Yeah? 654 00:34:54,760 --> 00:34:56,560 Speaker 1: What made you? What made you ask me about the 655 00:34:56,560 --> 00:34:59,680 Speaker 1: writer color thing? Though? Because I'm doing my due diligence. 656 00:35:00,160 --> 00:35:10,560 Speaker 1: That's crazy that you heard that too, though, heating the 657 00:35:10,640 --> 00:35:18,960 Speaker 1: murder anchor cool man, those are my guys. I'm in 658 00:35:19,000 --> 00:35:26,520 Speaker 1: the middle, Okay, No, no, no, little Kimmy foxing questions 659 00:35:26,600 --> 00:35:30,560 Speaker 1: no more. Oh yeah, take it out? Yeah yeah yeah. 660 00:35:30,760 --> 00:35:34,680 Speaker 1: They both killed me for the same reason. We took 661 00:35:34,760 --> 00:35:41,719 Speaker 1: that up. Drake or Puff Daddy Puffy Yeah, dr Drake. Um, 662 00:35:43,000 --> 00:35:45,480 Speaker 1: I gotta keep it New York. Yeah, I respect that 663 00:35:46,520 --> 00:35:48,120 Speaker 1: you want to revolte to right, now in case y'all 664 00:35:48,120 --> 00:35:54,200 Speaker 1: don't got this channel, make sure you're down Swiss piats 665 00:35:54,200 --> 00:36:00,319 Speaker 1: of tempering opening the production on my project? Yeah, great, 666 00:36:00,360 --> 00:36:06,640 Speaker 1: drugs great, hook me up? Oh my guys, cheers ye? 667 00:36:07,280 --> 00:36:12,279 Speaker 1: Or for roll I'll go with Kanye. I'm going for 668 00:36:12,440 --> 00:36:21,879 Speaker 1: roll Man Premre Pete Rock. Oh hell no, those my guy. 669 00:36:22,680 --> 00:36:27,879 Speaker 1: You gotta finish your shot. You gotta make Brooklyn proud. Baby. 670 00:36:28,239 --> 00:36:38,120 Speaker 1: I guess so man at B Street across grooves, Um, 671 00:36:38,800 --> 00:36:45,759 Speaker 1: that's hard and eat your eggs? Why bring um? I 672 00:36:45,800 --> 00:36:50,560 Speaker 1: think I'm gonna crush Crove Man that block. This is 673 00:36:50,680 --> 00:36:53,800 Speaker 1: this how he ended with all the quick time slot 674 00:36:54,920 --> 00:36:57,600 Speaker 1: And I'm always interested to see how people answer this, 675 00:36:58,120 --> 00:37:01,719 Speaker 1: because to me, sometimes this crush it is a complicated 676 00:37:01,800 --> 00:37:03,839 Speaker 1: question and sometimes just it seems like there's no wrong 677 00:37:03,920 --> 00:37:09,640 Speaker 1: and it's no wrong. Loyalty or respect, loyalty m H. 678 00:37:10,680 --> 00:37:14,480 Speaker 1: And I don't need to ask y because man, loyalty 679 00:37:15,719 --> 00:37:20,520 Speaker 1: will enable you to show respect to your loved ones 680 00:37:20,560 --> 00:37:23,120 Speaker 1: even when they're not around, even if they deceased, or 681 00:37:23,120 --> 00:37:25,080 Speaker 1: even if they you know, I mean, even if they 682 00:37:25,120 --> 00:37:28,600 Speaker 1: assent of the situation, you still you're still show that respect. 683 00:37:28,600 --> 00:37:32,960 Speaker 1: So loyal to you really get both I agree. See, 684 00:37:33,680 --> 00:37:36,759 Speaker 1: it's either and it's not wrong. Was very complicated, as 685 00:37:51,320 --> 00:37:57,840 Speaker 1: I tell you, a new fact Joe maybe almost twenty 686 00:37:57,960 --> 00:38:05,520 Speaker 1: years new ups downs, you know, tax problems, no tax problems, 687 00:38:05,600 --> 00:38:09,360 Speaker 1: rich rich rich rich, rich rich, whatever, whatever whatever. The 688 00:38:09,680 --> 00:38:15,520 Speaker 1: time I've seen fact Joe the most miserable. Like it's 689 00:38:15,560 --> 00:38:23,080 Speaker 1: when he was beefing with Remy because I know she's 690 00:38:23,160 --> 00:38:26,440 Speaker 1: her own boss. But where did that put you at 691 00:38:26,480 --> 00:38:28,319 Speaker 1: that state of mind when they when they was beefing, 692 00:38:28,400 --> 00:38:30,800 Speaker 1: because I just I just remember him, you know, he 693 00:38:31,040 --> 00:38:33,919 Speaker 1: went through the Cuban ship, he went through the other ship. 694 00:38:34,360 --> 00:38:38,120 Speaker 1: But it was the time that Remy was was going 695 00:38:38,239 --> 00:38:41,080 Speaker 1: that Joe, because oft at the same time fifty was 696 00:38:41,120 --> 00:38:44,120 Speaker 1: going that job. So where was you at in your 697 00:38:44,160 --> 00:38:48,040 Speaker 1: mind state when when this happened? Um, at that time, 698 00:38:48,120 --> 00:38:50,839 Speaker 1: I really didn't I really didn't know Joe what I'm saying. 699 00:38:51,680 --> 00:38:53,960 Speaker 1: So I really had no involvement in that, to be 700 00:38:54,040 --> 00:38:55,560 Speaker 1: honest with you, you know me, it was something that 701 00:38:55,680 --> 00:38:58,359 Speaker 1: was going on. I mean, I can't say and say 702 00:38:58,480 --> 00:39:00,839 Speaker 1: I didn't know what was going on me. I've been 703 00:39:00,880 --> 00:39:03,440 Speaker 1: witness to it, but I had no involvement and I 704 00:39:03,520 --> 00:39:05,320 Speaker 1: had no opinion, and I just was like Damn, this 705 00:39:05,440 --> 00:39:07,640 Speaker 1: is fucked up. I mean, Joe, Joe is a legend. 706 00:39:07,719 --> 00:39:09,440 Speaker 1: I mean I grew up listening to Joe anyway. So 707 00:39:10,480 --> 00:39:12,440 Speaker 1: to answer your question that I had, I had no involvement. 708 00:39:12,440 --> 00:39:16,879 Speaker 1: I never had met him at the time. So there's 709 00:39:16,880 --> 00:39:21,880 Speaker 1: no discussions of like, you know, um, because I think 710 00:39:21,920 --> 00:39:26,600 Speaker 1: she did this this record, right, I don't, um did 711 00:39:26,640 --> 00:39:28,799 Speaker 1: she do this recor Nah? She might have set a couple, 712 00:39:29,640 --> 00:39:31,040 Speaker 1: but I don't think it was just like a pen 713 00:39:31,680 --> 00:39:34,239 Speaker 1: street going at each other. Now, she probably set a 714 00:39:34,280 --> 00:39:38,640 Speaker 1: couple of lines or something like that. So it happens 715 00:39:38,640 --> 00:39:40,239 Speaker 1: to you, and you and Joe's brothers now, so that. 716 00:39:40,520 --> 00:39:42,640 Speaker 1: But you know, it's the past. It's a past. That's 717 00:39:42,880 --> 00:39:45,960 Speaker 1: which which loves the past is what makes the future 718 00:39:46,040 --> 00:39:48,280 Speaker 1: so beautiful. You know what I'm saying. You can't appreciate 719 00:39:48,719 --> 00:39:50,640 Speaker 1: the son unless the rain. Well I like the rain 720 00:39:50,680 --> 00:39:59,880 Speaker 1: when I like the sign. So boom they have this fallout, 721 00:40:00,840 --> 00:40:08,200 Speaker 1: it's public. Did you have anything to do with fixing it? Absolutely? Okay, 722 00:40:08,360 --> 00:40:10,600 Speaker 1: I had a lot to do with fixing it. Because 723 00:40:11,360 --> 00:40:14,759 Speaker 1: let's just be clear. After Ribby came home, we all 724 00:40:14,840 --> 00:40:16,600 Speaker 1: want to remy on the record, right, I remember that 725 00:40:16,719 --> 00:40:19,359 Speaker 1: that was the that was the thing. Well, everyone knew 726 00:40:19,400 --> 00:40:21,960 Speaker 1: we had to deal with Pat Poole's No one had 727 00:40:21,960 --> 00:40:24,600 Speaker 1: a line on Remy. No there was it was no management, 728 00:40:25,120 --> 00:40:27,440 Speaker 1: there was no we, No one knew nothing in the 729 00:40:27,480 --> 00:40:30,600 Speaker 1: whole industry. So this was on you. You're you're you're 730 00:40:30,680 --> 00:40:33,279 Speaker 1: almost for lack of a better turn from my man 731 00:40:33,360 --> 00:40:37,520 Speaker 1: who just walked in. You were almost like Safari, like Nikki, 732 00:40:37,640 --> 00:40:39,880 Speaker 1: like you understanding, well, well when me it happened by 733 00:40:40,000 --> 00:40:42,759 Speaker 1: default what I'm saying. What I'm saying, like, at one 734 00:40:42,800 --> 00:40:45,360 Speaker 1: point in the industry, and to get to Nikki you 735 00:40:45,480 --> 00:40:48,719 Speaker 1: had to go to s B And at one point 736 00:40:48,800 --> 00:40:52,800 Speaker 1: when when Remy came home, there's the same thing with 737 00:40:52,880 --> 00:40:55,919 Speaker 1: two the only people who knew how to get that Rimmy, 738 00:40:55,920 --> 00:40:58,120 Speaker 1: we had to go through you. So I would say 739 00:40:58,160 --> 00:41:02,400 Speaker 1: that to say, was that how because Joe Muston had 740 00:41:02,400 --> 00:41:04,600 Speaker 1: to reach out to you. No, that's not what happened. 741 00:41:04,600 --> 00:41:11,000 Speaker 1: Basic basically, basically the responsibility and you know, of somewhat 742 00:41:11,080 --> 00:41:15,640 Speaker 1: managing her career, I wouldn't say. I wouldn't say. I 743 00:41:15,680 --> 00:41:18,680 Speaker 1: would say this basically when she caught the case and 744 00:41:18,760 --> 00:41:21,640 Speaker 1: blew trial. You know, when you're going the kitchen and 745 00:41:21,680 --> 00:41:23,440 Speaker 1: you turn the lights in the hood and all the 746 00:41:23,520 --> 00:41:27,239 Speaker 1: roaches scatter. That's what happened. Everybody scattered, the whole team. 747 00:41:27,320 --> 00:41:30,000 Speaker 1: Everybody went in a different when she Yeah, when she 748 00:41:30,040 --> 00:41:31,640 Speaker 1: caught the case, because when you catch a case, you're 749 00:41:31,640 --> 00:41:34,360 Speaker 1: in a bad light. So nobody want to be around you. 750 00:41:34,440 --> 00:41:36,120 Speaker 1: Nobody want to sun what you really you know what 751 00:41:36,120 --> 00:41:39,080 Speaker 1: I'm saying. So everybody scattered. But when everybody in the 752 00:41:39,120 --> 00:41:41,719 Speaker 1: process that everybody scattering, the turning their back on it 753 00:41:41,880 --> 00:41:44,760 Speaker 1: was a lot of different things that needed to be handled, 754 00:41:45,000 --> 00:41:46,880 Speaker 1: and she was behind the g wall, so she couldn't 755 00:41:46,880 --> 00:41:48,680 Speaker 1: do nothing. So I was just was doing what I 756 00:41:48,760 --> 00:41:50,759 Speaker 1: could do to help out, you know what I'm saying, 757 00:41:50,760 --> 00:41:52,880 Speaker 1: because she was a good person. I mean, and I 758 00:41:53,000 --> 00:41:55,239 Speaker 1: told he, I say, Yo, if you blow trail, we're 759 00:41:55,239 --> 00:41:56,800 Speaker 1: still gonna get married. You know what I'm saying. She was. 760 00:41:56,960 --> 00:41:58,880 Speaker 1: She got mad at me when I said that, Like 761 00:41:58,960 --> 00:42:00,680 Speaker 1: what you're getting mad at me? She's at nine, because 762 00:42:00,719 --> 00:42:02,600 Speaker 1: you know, why would you say that? I said, Now, 763 00:42:02,600 --> 00:42:05,040 Speaker 1: I'm just let you know I'm gonna be there for you. Um, 764 00:42:05,920 --> 00:42:08,880 Speaker 1: So she blew trail. Everybody scared, everybody in a different direction. 765 00:42:09,160 --> 00:42:10,680 Speaker 1: So I'm like, damn, I still gotta help her. Out, 766 00:42:10,760 --> 00:42:13,359 Speaker 1: so I just by default I kind of became her 767 00:42:13,400 --> 00:42:16,320 Speaker 1: manager in the beginning of the bid, so when she 768 00:42:16,360 --> 00:42:18,680 Speaker 1: started coming home, people were just reaching out to me 769 00:42:18,800 --> 00:42:20,440 Speaker 1: to get it done. So that's why I kind of 770 00:42:20,560 --> 00:42:24,000 Speaker 1: ended up in that position. And with Joe Na, she 771 00:42:24,120 --> 00:42:26,960 Speaker 1: actually came to me. You know what I'm saying. She 772 00:42:27,040 --> 00:42:28,960 Speaker 1: came to me. And this was something she never did 773 00:42:29,080 --> 00:42:32,960 Speaker 1: because Rim is not really apologetic. She ain't that tite. 774 00:42:33,000 --> 00:42:37,920 Speaker 1: And I'm saying she came to me on one of 775 00:42:37,960 --> 00:42:39,600 Speaker 1: the visits and ship she was like, Yo, babe, what 776 00:42:39,680 --> 00:42:41,879 Speaker 1: you're thinking. You know what I'm saying. I was thinking, 777 00:42:41,880 --> 00:42:44,560 Speaker 1: I'm thinking about passing it up with Joe. You know 778 00:42:44,600 --> 00:42:46,359 Speaker 1: what I'm saying to me, I don't gotta ounce that. Hey, 779 00:42:46,400 --> 00:42:48,640 Speaker 1: then my blood, I said, hell, yeah, you need to 780 00:42:48,719 --> 00:42:51,080 Speaker 1: do that, I mean, and I promoted and I pushed 781 00:42:51,080 --> 00:42:57,480 Speaker 1: her to do it, and she did it because at 782 00:42:57,520 --> 00:43:01,200 Speaker 1: one point, like Joe was so mad at and the 783 00:43:01,239 --> 00:43:04,799 Speaker 1: beef even trickled out that you weren't Joe having a fight, right, Yeah, 784 00:43:04,880 --> 00:43:08,440 Speaker 1: But Joe, Joe was my daughter's godfather. Man. I love 785 00:43:08,480 --> 00:43:11,600 Speaker 1: him so much, to be honest with you, and one 786 00:43:11,680 --> 00:43:13,320 Speaker 1: of my favorite people in the world today. Man, so 787 00:43:13,320 --> 00:43:20,239 Speaker 1: I don't talk about that, man, just be honest. I love. 788 00:43:22,160 --> 00:43:24,440 Speaker 1: The reason why I'm even speaking about that or even 789 00:43:24,480 --> 00:43:28,719 Speaker 1: talking about it is because people are young kid as 790 00:43:28,760 --> 00:43:31,400 Speaker 1: a young kid right now watching this interview, that can 791 00:43:31,600 --> 00:43:33,719 Speaker 1: that can say, you know what, I had smoke would 792 00:43:33,840 --> 00:43:36,200 Speaker 1: because you had honorable smoke. You ain't had no you 793 00:43:36,360 --> 00:43:38,600 Speaker 1: had no dumb smoke. Yea honorable smoke. You ual standing 794 00:43:38,600 --> 00:43:42,040 Speaker 1: about your wife, so you by default it's still it's 795 00:43:42,040 --> 00:43:45,360 Speaker 1: still rapped in this situation. So I'm just saying this 796 00:43:45,480 --> 00:43:48,800 Speaker 1: for anybody who could watch it. It ain't about what happened. 797 00:43:48,880 --> 00:43:51,600 Speaker 1: It's about the end result. And the end result is 798 00:43:51,640 --> 00:43:58,319 Speaker 1: he is when I see y'all together with the like yo, 799 00:43:58,680 --> 00:44:01,080 Speaker 1: this is yo yo, bro. Word the word is ban. 800 00:44:01,160 --> 00:44:04,000 Speaker 1: Anybody who knows me to tell you have never been 801 00:44:04,040 --> 00:44:07,560 Speaker 1: a dick ride or Joe is my god. Like that's 802 00:44:07,600 --> 00:44:09,600 Speaker 1: my brother, like that, like like I fuss with him 803 00:44:09,640 --> 00:44:13,040 Speaker 1: on another level, bro. Like the love that he showed 804 00:44:13,200 --> 00:44:15,440 Speaker 1: me and my family and we showed it back. It 805 00:44:15,560 --> 00:44:18,440 Speaker 1: is nothing fake about it, man. He's very much authentic. 806 00:44:18,480 --> 00:44:20,359 Speaker 1: You know what I'm saying. Even throughout me putting out 807 00:44:20,360 --> 00:44:22,680 Speaker 1: all these projects this year, you know what I'm saying 808 00:44:22,680 --> 00:44:27,120 Speaker 1: when I when I got you guys, but I just 809 00:44:27,200 --> 00:44:29,120 Speaker 1: wanted to say that. The reason why I brought that 810 00:44:29,200 --> 00:44:30,520 Speaker 1: up was just say that, you know, like when she 811 00:44:30,640 --> 00:44:33,640 Speaker 1: got a little rough, I can hit Joe and he 812 00:44:33,680 --> 00:44:35,600 Speaker 1: would be the Phil Jackson. You dude, just pap through 813 00:44:35,640 --> 00:44:37,959 Speaker 1: that and know what I'm saying. No hating ship nothing. 814 00:44:38,480 --> 00:44:40,000 Speaker 1: I mean, Joe is one of the only people I 815 00:44:40,120 --> 00:44:43,160 Speaker 1: know that I love to see others win. That ship 816 00:44:43,280 --> 00:44:51,560 Speaker 1: is red man. So are you writing a wrap right now? 817 00:44:53,120 --> 00:44:56,480 Speaker 1: Come you put on twelve. That's very interesting that you 818 00:44:56,560 --> 00:44:58,799 Speaker 1: said that, because word is bant. That's how I create, bro, 819 00:44:59,080 --> 00:45:01,120 Speaker 1: Like you would say some ship, some fly shit and 820 00:45:01,239 --> 00:45:03,520 Speaker 1: I already yeah, I'll flip it and I hold it 821 00:45:03,600 --> 00:45:05,279 Speaker 1: for later. You know what I'm saying. So, so you 822 00:45:05,320 --> 00:45:08,640 Speaker 1: don't need to be the voice memo. To be honest 823 00:45:08,680 --> 00:45:10,960 Speaker 1: with you now that I'm a little older, Yeah, when 824 00:45:10,960 --> 00:45:16,080 Speaker 1: I was younger then in my brain, like when Big 825 00:45:16,120 --> 00:45:18,040 Speaker 1: said that, everybody starts saying all right, But for me, 826 00:45:18,239 --> 00:45:19,960 Speaker 1: that ship was my reality. Like I didn't need to 827 00:45:20,040 --> 00:45:23,040 Speaker 1: write because I loved it so much. It wasn't my choice. 828 00:45:23,400 --> 00:45:29,399 Speaker 1: Stop the lyrical bar ship that you're doing writing it down? Nah, 829 00:45:30,239 --> 00:45:37,319 Speaker 1: I didn't need to bro I'm gonna tell you why. 830 00:45:37,320 --> 00:45:39,000 Speaker 1: I'm gonna tell you why on the right stop you 831 00:45:39,080 --> 00:45:43,080 Speaker 1: can you write that down? Let me explain. I idolized 832 00:45:43,160 --> 00:45:46,160 Speaker 1: niggas who could write. I look up to y'all because 833 00:45:46,400 --> 00:45:48,560 Speaker 1: if I sit here with a pendent paper, I might 834 00:45:48,680 --> 00:45:51,120 Speaker 1: rap about the fucking pen of paper, you know what 835 00:45:51,120 --> 00:45:54,399 Speaker 1: I'm saying. So I create p Yeah, I might rap 836 00:45:54,400 --> 00:45:56,080 Speaker 1: about that ship. You might hear me rapping about the 837 00:45:56,080 --> 00:45:58,440 Speaker 1: paper I create throughout the course of my day, throughout 838 00:45:58,480 --> 00:46:01,440 Speaker 1: my experiences. I take that ship in and I regurgitated 839 00:46:01,480 --> 00:46:03,359 Speaker 1: through the rat but holding that memory as I think 840 00:46:03,400 --> 00:46:05,560 Speaker 1: where he's really when you love it so much, you're 841 00:46:05,560 --> 00:46:08,480 Speaker 1: going to remember it. I love this ship, so you know, 842 00:46:08,520 --> 00:46:18,800 Speaker 1: I mean, you need this smoke some weed you so 843 00:46:18,960 --> 00:46:21,960 Speaker 1: you just you keep these memories, just like like if 844 00:46:22,000 --> 00:46:25,640 Speaker 1: a bar strike you right now, because I listen, I 845 00:46:26,400 --> 00:46:29,160 Speaker 1: who the funds did? I had dinner with Yane. Every 846 00:46:29,200 --> 00:46:31,520 Speaker 1: time someone said something that's just going like this, he 847 00:46:31,640 --> 00:46:37,799 Speaker 1: was like, I'm looking like the time about because people 848 00:46:37,880 --> 00:46:40,560 Speaker 1: say the doping ship, but they don't know it, you 849 00:46:40,600 --> 00:46:42,480 Speaker 1: know what I'm saying. So me as an artist, I'm like, oh, 850 00:46:42,560 --> 00:46:44,719 Speaker 1: this just said such as such. I'm using that later. 851 00:46:45,560 --> 00:46:46,840 Speaker 1: You don't even know what he just said. He just 852 00:46:46,920 --> 00:47:00,600 Speaker 1: gave me a ball soro some ship for twelve fucking EPs. Yes, man, man, 853 00:47:00,960 --> 00:47:02,880 Speaker 1: I watched you. I want to do my dude Denners 854 00:47:02,920 --> 00:47:06,279 Speaker 1: just on um abro and you said you did it 855 00:47:06,360 --> 00:47:09,200 Speaker 1: through tune Call. This is what new artists. Can you 856 00:47:09,280 --> 00:47:12,680 Speaker 1: explaining to new artists with tune Core? Is because I 857 00:47:12,760 --> 00:47:14,840 Speaker 1: got a tune call account. It's not working out for me. 858 00:47:23,320 --> 00:47:26,120 Speaker 1: I see you talk about tune call. Camera's on here 859 00:47:26,160 --> 00:47:29,280 Speaker 1: talking about tune Core. Can you explain to new artists 860 00:47:29,320 --> 00:47:32,399 Speaker 1: coming up right now that's trying to get out there 861 00:47:32,600 --> 00:47:37,080 Speaker 1: in Memphis, there in Oklahoma, they're in Ohio. They don't 862 00:47:37,120 --> 00:47:38,920 Speaker 1: know how to get to New York. They can't afford 863 00:47:38,960 --> 00:47:41,480 Speaker 1: to get to New York. And one thing, did you 864 00:47:41,560 --> 00:47:44,520 Speaker 1: do a deal directly with the company tune Core? Is 865 00:47:44,600 --> 00:47:47,040 Speaker 1: it like anybody else is doing a tune core with 866 00:47:47,120 --> 00:47:51,520 Speaker 1: that in my institute? Okay, Artists, if you're drowning in 867 00:47:51,640 --> 00:47:54,720 Speaker 1: the in the Hudson River, mrs any river, ocean, whatever, 868 00:47:55,000 --> 00:47:57,439 Speaker 1: tune calls your life raft. You know what I'm saying. 869 00:47:57,719 --> 00:48:00,920 Speaker 1: That's the best way I could describe it. Remember, I 870 00:48:01,000 --> 00:48:02,239 Speaker 1: had at one point five me not a deal, he 871 00:48:02,280 --> 00:48:06,680 Speaker 1: said it earlier. You know what I'm saying. One point 872 00:48:06,760 --> 00:48:09,640 Speaker 1: five my job. Yes, my first deal was one point 873 00:48:09,719 --> 00:48:13,759 Speaker 1: five million. Yes, Um, worst mistake in my life taking 874 00:48:13,800 --> 00:48:16,080 Speaker 1: that deal. But UM, let me say this. Let me 875 00:48:16,120 --> 00:48:18,959 Speaker 1: say this. When I lost my deal, When I lost 876 00:48:19,000 --> 00:48:21,560 Speaker 1: my deal and the world turned thing back on me, 877 00:48:22,120 --> 00:48:26,200 Speaker 1: tune Cored was there. And tune Cored basically, all these 878 00:48:26,239 --> 00:48:28,560 Speaker 1: different distributors that you might sign with, they're going to 879 00:48:28,640 --> 00:48:31,520 Speaker 1: take a percentage of the money you make. Tune Cored 880 00:48:31,600 --> 00:48:33,920 Speaker 1: doesn't do that. They only charge you to upload the music. 881 00:48:34,280 --> 00:48:37,080 Speaker 1: So once you upload the music, the prophet is all yours, 882 00:48:37,160 --> 00:48:39,960 Speaker 1: my friend, and you're on all the digital streaming platforms. 883 00:48:40,360 --> 00:48:41,840 Speaker 1: So when I said I was going to do an 884 00:48:41,840 --> 00:48:44,360 Speaker 1: album every month, I was actually dealing with a distributor. 885 00:48:44,920 --> 00:48:48,000 Speaker 1: And he turned this back on me. He said, I 886 00:48:48,000 --> 00:48:50,719 Speaker 1: ain't gonna put him on Blast, not Empire. I deal 887 00:48:50,719 --> 00:48:52,759 Speaker 1: with Empire in the past before too. But tune cord 888 00:48:52,760 --> 00:48:56,000 Speaker 1: is better than all that. I know. I know, man, 889 00:48:56,160 --> 00:48:59,319 Speaker 1: I know, man, this is your therapy. He owe me money, 890 00:48:59,360 --> 00:49:01,239 Speaker 1: he owe me money, So I ain't gonna ain't gonn 891 00:49:01,239 --> 00:49:03,160 Speaker 1: shoot on them. Yeah, I get my money, come back. 892 00:49:03,160 --> 00:49:14,520 Speaker 1: I shoot on what I'm saying helusive. Now this this 893 00:49:14,680 --> 00:49:17,120 Speaker 1: this guy, this guy is very elusive. So I'm gonna 894 00:49:17,120 --> 00:49:18,839 Speaker 1: wait to catch him and get my money. And then 895 00:49:18,880 --> 00:49:26,600 Speaker 1: I shoot on elusive means I'm trying to catch you. 896 00:49:26,680 --> 00:49:28,360 Speaker 1: I can't. I can't get my hands on you know, 897 00:49:28,400 --> 00:49:30,480 Speaker 1: you're grabbing by the shirt and they slip out their 898 00:49:30,480 --> 00:49:36,279 Speaker 1: shirt like he's one of them. Ain't gonna say you 899 00:49:36,280 --> 00:49:39,080 Speaker 1: know what I'm saying. But um so yeah, everybody turned 900 00:49:39,120 --> 00:49:40,960 Speaker 1: it back on me. And when I said I was 901 00:49:40,960 --> 00:49:43,319 Speaker 1: gonna do an album each month, this guy was like, Yo, 902 00:49:43,400 --> 00:49:45,400 Speaker 1: you're overlapping yourself and it's not going to world. You 903 00:49:45,480 --> 00:49:48,160 Speaker 1: can't put out another album next month. And like right now, 904 00:49:48,160 --> 00:49:51,040 Speaker 1: I got good problems, like I gotta wreckord with Fabulous 905 00:49:51,120 --> 00:49:54,040 Speaker 1: You and Jamain Duprie. But at the same time, I 906 00:49:54,080 --> 00:49:56,600 Speaker 1: got a wreck it with Rick Ross. At the same time, 907 00:49:56,600 --> 00:49:58,000 Speaker 1: I got a record with a Little Way to Change 908 00:49:58,000 --> 00:50:01,280 Speaker 1: Busting Rounds my Wife, produced by Timberland. I got three records. 909 00:50:02,680 --> 00:50:06,600 Speaker 1: I got I got three regulars. That one DJ is 910 00:50:06,640 --> 00:50:07,880 Speaker 1: like your all these ships is high. I don't know 911 00:50:07,920 --> 00:50:09,759 Speaker 1: which want to play, you know what I'm saying. So 912 00:50:10,440 --> 00:50:11,759 Speaker 1: but this is what he was kind of saying. He 913 00:50:11,800 --> 00:50:13,600 Speaker 1: was saying, you want, but I'm like, yo, I can't 914 00:50:13,680 --> 00:50:16,319 Speaker 1: follow the industry way of releasing music because the ship 915 00:50:16,400 --> 00:50:18,200 Speaker 1: don't work for me. Like, that's what I want new 916 00:50:18,320 --> 00:50:21,480 Speaker 1: artists to understand. When you look at these artists that's uh, 917 00:50:22,760 --> 00:50:33,799 Speaker 1: mainstream yea, all new artists. This is what I want 918 00:50:33,800 --> 00:50:37,000 Speaker 1: you to understand. When you look at these mainstream artists 919 00:50:37,000 --> 00:50:40,239 Speaker 1: out here and there, you know, they're releasing their music, 920 00:50:40,320 --> 00:50:43,000 Speaker 1: they're promoting their music, they're doing the super Bowl, and 921 00:50:43,000 --> 00:50:45,759 Speaker 1: they're doing all the spectaculars, ship all of these, you know, 922 00:50:46,160 --> 00:50:49,279 Speaker 1: different ways of marketing their music, and you want to 923 00:50:49,320 --> 00:50:51,600 Speaker 1: be like dumb or whatever you inspire to be or whatever, 924 00:50:52,000 --> 00:50:54,640 Speaker 1: you cannot follow them because that doesn't work for you. 925 00:50:55,320 --> 00:50:57,960 Speaker 1: The industry format and the industry way of releasing music, 926 00:50:58,440 --> 00:51:01,120 Speaker 1: it didn't work for me at all. So I said 927 00:51:01,200 --> 00:51:02,600 Speaker 1: to myself, you know what I'm gonna do. I'm gonna 928 00:51:02,600 --> 00:51:05,080 Speaker 1: create my own format, in my own pattern, in my 929 00:51:05,160 --> 00:51:07,640 Speaker 1: own way of releasing music. I'm gonna drop an album 930 00:51:07,880 --> 00:51:10,120 Speaker 1: every month. And everybody told me, don't do it. This 931 00:51:10,200 --> 00:51:11,800 Speaker 1: it ain't gonna work. But guess what, it was the 932 00:51:11,840 --> 00:51:17,279 Speaker 1: best thing I ever did in my life. Explain to 933 00:51:17,360 --> 00:51:19,320 Speaker 1: the artists, because this is this is the way to 934 00:51:19,600 --> 00:51:22,040 Speaker 1: the support. This is for the kid that is dopest 935 00:51:22,120 --> 00:51:26,080 Speaker 1: fun in his mama's house. Right, So why this is 936 00:51:27,040 --> 00:51:30,000 Speaker 1: this is the best thing I ever did, because I 937 00:51:30,080 --> 00:51:32,440 Speaker 1: don't have to wait for no label. You know what 938 00:51:32,480 --> 00:51:34,640 Speaker 1: I'm saying to approve my music when I put it out, 939 00:51:35,080 --> 00:51:40,040 Speaker 1: you know, putting it through tune Core. Also, um, I 940 00:51:40,120 --> 00:51:43,960 Speaker 1: get my money every that's working on that. That's what 941 00:51:44,080 --> 00:51:49,920 Speaker 1: I'm let me tell you something, artists, every single Monday 942 00:51:50,040 --> 00:51:52,520 Speaker 1: of two thousand and twenty one, I had to check 943 00:51:52,560 --> 00:51:54,880 Speaker 1: waiting from me every month from tune Core because I 944 00:51:54,960 --> 00:51:57,959 Speaker 1: put out so much music and it reacted. The people 945 00:51:58,040 --> 00:51:59,960 Speaker 1: embraced it. So when you when you when you're trying 946 00:52:00,000 --> 00:52:02,720 Speaker 1: to put out an album once a year, the big shots, 947 00:52:02,760 --> 00:52:05,560 Speaker 1: the big dogs could do that. You're not a big dog. 948 00:52:05,760 --> 00:52:08,160 Speaker 1: You gotta work way harder than them, and you gotta 949 00:52:08,160 --> 00:52:10,520 Speaker 1: tell a certain extent. You gotta outwork them. You know 950 00:52:10,520 --> 00:52:12,040 Speaker 1: what I'm saying. Buster called me and said, your path 951 00:52:12,080 --> 00:52:13,759 Speaker 1: you outworked everybody this year. You know what I mean. 952 00:52:14,440 --> 00:52:15,960 Speaker 1: But you gotta do that if you want to eat 953 00:52:15,960 --> 00:52:18,320 Speaker 1: and you want to be successful, because let's be honest, 954 00:52:18,719 --> 00:52:20,560 Speaker 1: a year ago from now, they wasn't talking about my 955 00:52:20,680 --> 00:52:22,480 Speaker 1: music like how they're talking about it or even considering 956 00:52:22,680 --> 00:52:25,040 Speaker 1: how they are now. But by the grace of God, 957 00:52:25,080 --> 00:52:26,840 Speaker 1: I was so consistent that they have no choice but 958 00:52:26,920 --> 00:52:29,040 Speaker 1: to acknowledge my my work, you know what I'm saying. 959 00:52:29,480 --> 00:52:31,840 Speaker 1: So you know what I mean. Doing that was the 960 00:52:31,880 --> 00:52:33,600 Speaker 1: best thing I did. Bro. I don't even know how 961 00:52:33,680 --> 00:52:35,920 Speaker 1: to describe it. But tune core is the way that 962 00:52:36,040 --> 00:52:38,200 Speaker 1: you can do it at your own discretion. You can say, 963 00:52:38,239 --> 00:52:39,880 Speaker 1: all right, my album is finished, I want to put 964 00:52:39,920 --> 00:52:42,759 Speaker 1: it on the digital platforms. You uploaded the tune call, 965 00:52:42,880 --> 00:52:46,080 Speaker 1: you paid a little ten dollars or whatever. Yeah, that's it. 966 00:52:46,520 --> 00:52:48,640 Speaker 1: Everybody that buy your music, all that money come to you. 967 00:52:49,400 --> 00:52:51,400 Speaker 1: I mean, and I made a lot of money. And 968 00:52:51,440 --> 00:52:54,680 Speaker 1: I imagine putting out so many joints. It's like with 969 00:52:54,800 --> 00:52:58,200 Speaker 1: streaming now compounds like that's that's where it's positive, because streaming, 970 00:52:58,239 --> 00:53:01,000 Speaker 1: it's like you got all this catalog now, right, you 971 00:53:01,080 --> 00:53:04,200 Speaker 1: build up catalog and you actually you get into streaming. Now. 972 00:53:04,320 --> 00:53:06,360 Speaker 1: The streaming, Let's be honest, if you were selling records 973 00:53:06,360 --> 00:53:08,600 Speaker 1: back in the days, they didn't have streaming, and then 974 00:53:08,600 --> 00:53:10,600 Speaker 1: they're streaming. You never sew no records, bro, It's ahole 975 00:53:10,600 --> 00:53:12,960 Speaker 1: different way of releasing me. You never streamed before. So 976 00:53:13,120 --> 00:53:15,120 Speaker 1: for me, when I started doing that, I actually started 977 00:53:15,160 --> 00:53:17,520 Speaker 1: streaming now. I was just never streaming, and so I 978 00:53:17,560 --> 00:53:19,840 Speaker 1: did this ship to pay attention. So it was a 979 00:53:19,880 --> 00:53:21,640 Speaker 1: great thing. It was the best thing. Anybody told me 980 00:53:21,680 --> 00:53:24,160 Speaker 1: don't do. Even my wife, you don't release an album 981 00:53:24,160 --> 00:53:27,080 Speaker 1: marvery month just down the third. She tried to stop me, 982 00:53:27,080 --> 00:53:28,839 Speaker 1: you know what I'm saying, And she hated me last 983 00:53:28,880 --> 00:53:31,200 Speaker 1: year when I did that ship because I was so focus. 984 00:53:33,560 --> 00:53:37,719 Speaker 1: That's actually true, told me, don't do reggae. Don't do 985 00:53:37,840 --> 00:53:40,640 Speaker 1: it this time. You was joking when you said doing it, 986 00:53:42,440 --> 00:53:47,919 Speaker 1: rather said don't do it. But yeah, and you proved 987 00:53:48,000 --> 00:53:50,160 Speaker 1: them wrong. I didn't. I didn't mean to because I 988 00:53:50,239 --> 00:53:58,440 Speaker 1: love them. Yeah, I put them wrong. Lets but jeez, 989 00:53:58,600 --> 00:54:01,399 Speaker 1: that was That was dope. That that was really thank 990 00:54:01,440 --> 00:54:03,000 Speaker 1: you man. Shout out to all the artists who've seen 991 00:54:03,040 --> 00:54:04,960 Speaker 1: what I was doing man and decided to be a 992 00:54:05,040 --> 00:54:07,120 Speaker 1: part of it. Like I started feeling like I was 993 00:54:07,160 --> 00:54:10,160 Speaker 1: creating my own platform because big dogs wanted to be 994 00:54:10,239 --> 00:54:12,360 Speaker 1: a part of Ship. And when I reached out, it 995 00:54:12,440 --> 00:54:15,120 Speaker 1: was no resistance. I mean shout out the little wing. 996 00:54:15,680 --> 00:54:23,560 Speaker 1: Let's let's stay right there for stout. Um, Wayne, not 997 00:54:23,680 --> 00:54:26,960 Speaker 1: only did the record, yea, the videos come on and 998 00:54:27,040 --> 00:54:29,600 Speaker 1: see what I'm saying. That was hard to see what 999 00:54:29,680 --> 00:54:33,319 Speaker 1: I'm saying. That's hard that you know what it is? Man? 1000 00:54:33,880 --> 00:54:42,160 Speaker 1: Like this iss outside? Now you sit back right and 1001 00:54:42,280 --> 00:54:44,359 Speaker 1: every question you asked me earlier, you see what I said. 1002 00:54:44,400 --> 00:54:46,080 Speaker 1: I said, Oh New York, I'm going to New York. 1003 00:54:46,320 --> 00:54:49,480 Speaker 1: I'm going in Brooklyn, I represent. But when you come 1004 00:54:49,560 --> 00:54:51,239 Speaker 1: up and you look up to these guys and you 1005 00:54:51,320 --> 00:54:54,200 Speaker 1: come in the game and you you winning, and they 1006 00:54:54,239 --> 00:54:56,399 Speaker 1: don't embrace you, but you got a guy from out 1007 00:54:56,440 --> 00:54:59,799 Speaker 1: of town, a whole another region embrace you and show love. 1008 00:55:00,480 --> 00:55:03,040 Speaker 1: Not only do the record, do the video, because that's 1009 00:55:03,120 --> 00:55:06,319 Speaker 1: that's that's a statement. It's a statement, and it says 1010 00:55:06,320 --> 00:55:08,560 Speaker 1: a lot as to why I was city got pushed 1011 00:55:08,560 --> 00:55:11,200 Speaker 1: to the back burning in this thing because a lot 1012 00:55:11,239 --> 00:55:13,320 Speaker 1: of people don't like to see others win. But just 1013 00:55:13,360 --> 00:55:17,799 Speaker 1: a little Wayne Man, solid dude, man, how it happening? Um? Well, 1014 00:55:18,000 --> 00:55:22,040 Speaker 1: I always knew of your always knew. I always knew 1015 00:55:22,600 --> 00:55:25,839 Speaker 1: always because when he was when he's gonna write a sale, 1016 00:55:27,840 --> 00:55:31,560 Speaker 1: mcman hit slay up and it was like yo, yo 1017 00:55:31,680 --> 00:55:34,680 Speaker 1: Wayne fu pat Man with alphabetical slaughter. It was a 1018 00:55:34,719 --> 00:55:37,120 Speaker 1: song I hapen. I broke down the album. Yeah we're 1019 00:55:37,120 --> 00:55:38,919 Speaker 1: about to go there. He was like, Yo, Wayne, funk 1020 00:55:38,960 --> 00:55:40,480 Speaker 1: with him, heavy man, like you know what I'm saying 1021 00:55:40,520 --> 00:55:42,840 Speaker 1: this that the third I was like, work, I'll be 1022 00:55:42,920 --> 00:55:44,640 Speaker 1: honest with you. I try to try to visit him. 1023 00:55:44,840 --> 00:55:46,719 Speaker 1: What I'm saying, I couldn't do it though, I mean, 1024 00:55:47,360 --> 00:55:48,759 Speaker 1: but I always knew that he fun with me. You 1025 00:55:48,800 --> 00:55:50,920 Speaker 1: couldn't do it because you couldn't get there, or because 1026 00:55:51,000 --> 00:55:55,040 Speaker 1: I went to the island. I'm keeping the ball. It 1027 00:55:55,200 --> 00:55:58,640 Speaker 1: wasn't right. It was I wasn't on the less. I 1028 00:55:58,680 --> 00:56:03,000 Speaker 1: didn't get in. What I'm saying, I believe you believe 1029 00:56:04,200 --> 00:56:06,320 Speaker 1: I'm from the sidewalk and they can tell you Wayne 1030 00:56:06,400 --> 00:56:08,480 Speaker 1: rock with you. You need to go check that that's real. 1031 00:56:08,520 --> 00:56:10,640 Speaker 1: Ship that I went and try to chop it up 1032 00:56:10,640 --> 00:56:12,439 Speaker 1: with him. I didn't. That didn't work out. I didn't 1033 00:56:12,440 --> 00:56:13,960 Speaker 1: even tell I never got a chance to tell him that. 1034 00:56:14,640 --> 00:56:16,719 Speaker 1: Um when I went there, Drake was going in to 1035 00:56:16,719 --> 00:56:18,719 Speaker 1: see him. Actually, I've seen Drake in the visiting going 1036 00:56:18,760 --> 00:56:21,600 Speaker 1: through or they pushed you back for humble. They ain't 1037 00:56:21,600 --> 00:56:29,920 Speaker 1: pushed me back away. They pushed me back. But you 1038 00:56:29,960 --> 00:56:33,000 Speaker 1: know what, it didn't. It didn't work out. But you know, 1039 00:56:33,040 --> 00:56:34,600 Speaker 1: I always knew he funk with me or just off 1040 00:56:34,640 --> 00:56:36,960 Speaker 1: of that. So when I started doing the monthly projects, 1041 00:56:37,000 --> 00:56:39,200 Speaker 1: I said, Yo, man, I just want to get artists 1042 00:56:39,200 --> 00:56:41,800 Speaker 1: on these projects that I respect, and Wayne is and 1043 00:56:42,080 --> 00:56:44,120 Speaker 1: I respect. I reached out to him and worked his bond. 1044 00:56:44,160 --> 00:56:47,359 Speaker 1: He hit me right back, Broo. I sent him to joint. 1045 00:56:47,840 --> 00:56:49,879 Speaker 1: One night. I'm laying in the bed, my wife sleep, 1046 00:56:49,960 --> 00:56:52,200 Speaker 1: the baby's sleep. I'm looking through my email. I'm like, 1047 00:56:52,239 --> 00:56:55,040 Speaker 1: what is this. I turned the ship on. It's little Wayne. 1048 00:56:55,040 --> 00:56:56,919 Speaker 1: I jumped out the bed. I started dancing in the crib. 1049 00:56:58,320 --> 00:57:00,759 Speaker 1: I'm hearing the Wayne. But you know what I'm saying, 1050 00:57:00,760 --> 00:57:03,200 Speaker 1: I'm like, Wow, this nigga did this ship that quick. 1051 00:57:03,360 --> 00:57:08,080 Speaker 1: I'm talking, was quick, bro I was happy. He's solid, 1052 00:57:08,280 --> 00:57:10,360 Speaker 1: solid dude. Man. Everything he said he was gonna do, 1053 00:57:10,480 --> 00:57:12,720 Speaker 1: he did it. Never faked the jack, never pump faked. 1054 00:57:13,080 --> 00:57:15,160 Speaker 1: All right. So I'm an artist, So I know once 1055 00:57:15,200 --> 00:57:17,920 Speaker 1: you get diverse, we all for like DJ Collin, Right, 1056 00:57:22,640 --> 00:57:25,960 Speaker 1: I'm an artist. I know that's one part of the inquiry, right, 1057 00:57:26,280 --> 00:57:28,720 Speaker 1: getting the vote, right, that's the fact. But then the 1058 00:57:29,120 --> 00:57:32,840 Speaker 1: lex part is getting it clear and then getting the 1059 00:57:33,040 --> 00:57:36,320 Speaker 1: video clear. So what was that process? I told you earlier. Man, 1060 00:57:36,880 --> 00:57:39,280 Speaker 1: I built my own model of releasing music. So I'm 1061 00:57:39,280 --> 00:57:42,960 Speaker 1: releasing every thirty days. Okay, So once you and you 1062 00:57:43,040 --> 00:57:46,040 Speaker 1: need signations from these artists, I mean, eventually you gotta 1063 00:57:46,040 --> 00:57:47,439 Speaker 1: you gotta do it that, you gotta do the business. 1064 00:57:47,480 --> 00:57:49,760 Speaker 1: So I got my guy in on the business side. 1065 00:57:50,680 --> 00:57:52,160 Speaker 1: He you know, I just got the Wayne Verse. We 1066 00:57:52,200 --> 00:57:54,520 Speaker 1: need to handle it. He's handling it. I'm communicating with 1067 00:57:54,600 --> 00:57:57,120 Speaker 1: Mac main what I'm saying. We're putting everything together to 1068 00:57:57,160 --> 00:57:59,600 Speaker 1: make sure everything is right. Saying with Ross, But I 1069 00:57:59,640 --> 00:58:01,640 Speaker 1: gotta who are fast now? Because this got to come 1070 00:58:01,640 --> 00:58:04,080 Speaker 1: out on the thirty feet every month. I really can't 1071 00:58:04,080 --> 00:58:06,440 Speaker 1: wait for nobody, you know what I'm saying. So I'm 1072 00:58:06,480 --> 00:58:08,200 Speaker 1: working at this is the pace I'm working at. So 1073 00:58:08,240 --> 00:58:10,760 Speaker 1: as I'm getting versus the one every month, thirty one 1074 00:58:10,880 --> 00:58:13,240 Speaker 1: to last day every month, I'm dropping regardless of home 1075 00:58:13,280 --> 00:58:16,040 Speaker 1: or what what did you do in February the last 1076 00:58:16,120 --> 00:58:29,160 Speaker 1: day of that month? Back history money. So so because 1077 00:58:29,600 --> 00:58:33,480 Speaker 1: this is this is very very important for artists. Most 1078 00:58:33,600 --> 00:58:37,880 Speaker 1: artists think because they got money and and and they 1079 00:58:37,960 --> 00:58:45,720 Speaker 1: can pay for uh a wait in verse, right, yeah, 1080 00:58:45,800 --> 00:58:49,440 Speaker 1: but money can't buy you love. Yeah yeah, yeah. But 1081 00:58:49,560 --> 00:58:54,360 Speaker 1: what they don't understand is this, these signatures, this is this. Yeah. 1082 00:58:54,400 --> 00:58:56,800 Speaker 1: You gotta you gotta clear it. You gotta get you 1083 00:58:56,840 --> 00:58:59,080 Speaker 1: gotta get clearings. You gotta have good graces. And what 1084 00:58:59,080 --> 00:59:01,680 Speaker 1: I'm saying because I listen, I'm gonna tell you why 1085 00:59:01,760 --> 00:59:03,520 Speaker 1: I looked up with my Wayne record. I had a 1086 00:59:03,560 --> 00:59:08,400 Speaker 1: record with Rain and Wayne did the same thing with me. 1087 00:59:08,560 --> 00:59:10,640 Speaker 1: Just send it right back to me boom and went 1088 00:59:10,720 --> 00:59:18,400 Speaker 1: to the video. Sean Pectos answer the only show the instant. 1089 00:59:18,440 --> 00:59:21,960 Speaker 1: What's up man? Oh Ship? What does that we I'm 1090 00:59:22,040 --> 00:59:24,720 Speaker 1: live on drink Chance by the way, just just kid, 1091 00:59:26,160 --> 00:59:30,280 Speaker 1: what's up? Bro? What's good? My god? Man Ship chopping 1092 00:59:30,320 --> 00:59:35,360 Speaker 1: it up everybody, great man, just working man, trying to 1093 00:59:35,440 --> 00:59:38,720 Speaker 1: make it happen, no doubt you know it. Bro yea 1094 00:59:39,720 --> 00:59:42,880 Speaker 1: whatever niggas is under those stars, boy, y'all look good boy? 1095 00:59:44,360 --> 00:59:47,920 Speaker 1: What CC man, Come on, man, you ain't come on 1096 00:59:48,000 --> 00:59:50,400 Speaker 1: my show yet. You lost Weyne and changed on niggas. 1097 00:59:50,800 --> 00:59:53,400 Speaker 1: Come on, man, come on man, pull up on us. CC. 1098 00:59:53,880 --> 00:59:56,840 Speaker 1: It's just I just watched your documentary again. Come on, 1099 00:59:57,760 --> 00:59:59,840 Speaker 1: come on, pull up on us, man, come in on me. 1100 01:00:00,960 --> 01:00:05,520 Speaker 1: You gotta have some old alright, no problem, alright, my 1101 01:00:05,560 --> 01:00:13,080 Speaker 1: brother alright, cool, no problem. Look look my brother. Yeah, 1102 01:00:13,080 --> 01:00:18,960 Speaker 1: I'm sorry, Pap. We asked our phone during was very 1103 01:00:19,000 --> 01:00:27,160 Speaker 1: into that fight was the topic. We gotta gottaber. So 1104 01:00:27,320 --> 01:00:29,880 Speaker 1: what happened was I didn't know that. So I was 1105 01:00:29,960 --> 01:00:33,040 Speaker 1: throwing independent music and I wasn't getting no signatures. You 1106 01:00:33,160 --> 01:00:34,920 Speaker 1: just put it out. I was just putting it out. 1107 01:00:37,320 --> 01:00:40,560 Speaker 1: But with Wayne, they straightened me up. With Wayne. When 1108 01:00:40,560 --> 01:00:44,880 Speaker 1: I chopped the rain one, who Who's day? Universal? Everyone? 1109 01:00:46,360 --> 01:00:49,560 Speaker 1: They straightened me right up. But it was lucky because 1110 01:00:50,840 --> 01:00:54,040 Speaker 1: Birdman had lived in my building at the time. But 1111 01:00:54,160 --> 01:00:58,480 Speaker 1: Birdman also checked me. Say hey, played boy, you want 1112 01:00:58,480 --> 01:01:00,720 Speaker 1: a favor from me? You don't have them folks called me. 1113 01:01:01,200 --> 01:01:06,360 Speaker 1: I charged them folks. So I realized I couldn't have 1114 01:01:06,560 --> 01:01:10,480 Speaker 1: anybody called anybody from Rayne Camp other than me. That's 1115 01:01:10,480 --> 01:01:13,200 Speaker 1: the secret though, that's the shipper. That's an artist. We're 1116 01:01:13,200 --> 01:01:17,560 Speaker 1: blowing up right now. Relationship because niggers like us you 1117 01:01:17,640 --> 01:01:19,600 Speaker 1: can have a team. You know that. It goes back 1118 01:01:19,600 --> 01:01:21,080 Speaker 1: to what I was saying earlier. What works for these 1119 01:01:21,160 --> 01:01:23,560 Speaker 1: niggas don't work for like me, when I reached out 1120 01:01:23,600 --> 01:01:26,680 Speaker 1: the artist myself and I get ship done, then I 1121 01:01:26,760 --> 01:01:29,800 Speaker 1: passing to the team what I'm saying it. But when 1122 01:01:29,800 --> 01:01:32,160 Speaker 1: you got people reaching out, he's gonna he's gonna bang 1123 01:01:32,200 --> 01:01:33,400 Speaker 1: them and they're gonna call you and say, you know 1124 01:01:33,440 --> 01:01:36,080 Speaker 1: he said this much. I just saw the sticker, like 1125 01:01:36,160 --> 01:01:37,760 Speaker 1: I saw the sticker in the gym and he was 1126 01:01:37,800 --> 01:01:42,080 Speaker 1: like he stepped to me like because saying burn man. 1127 01:01:42,200 --> 01:01:46,760 Speaker 1: It's like, you know he hate at oh Like it 1128 01:01:46,880 --> 01:01:49,400 Speaker 1: was me one on one and he was like, play boy, 1129 01:01:50,320 --> 01:01:52,960 Speaker 1: I don't know why I keep getting played boy. Hate 1130 01:01:53,000 --> 01:01:58,000 Speaker 1: play man. He's like, I got you playing boy if 1131 01:01:58,040 --> 01:01:59,880 Speaker 1: I was like, damn, I got to get his nigger too, 1132 01:02:02,120 --> 01:02:11,280 Speaker 1: Jesus done. Ready that book wrong, I'm telling you. And 1133 01:02:11,560 --> 01:02:13,240 Speaker 1: he's a good nigga. So I haven't seen him in 1134 01:02:13,240 --> 01:02:17,280 Speaker 1: a while. But picking you up her man, So but 1135 01:02:17,440 --> 01:02:19,960 Speaker 1: now I haven't that with that rain the way that 1136 01:02:20,000 --> 01:02:24,240 Speaker 1: you took about now now it's back man, but still there. 1137 01:02:24,680 --> 01:02:28,920 Speaker 1: But now because this is a lot of people should 1138 01:02:29,040 --> 01:02:36,400 Speaker 1: understand about you and bust the rhyme situation and Wayne 1139 01:02:36,640 --> 01:02:40,120 Speaker 1: and Baby situation is once they kind of found out 1140 01:02:40,240 --> 01:02:44,920 Speaker 1: the discrepancies both kind of made it right right, like 1141 01:02:47,640 --> 01:02:52,280 Speaker 1: after whatever Wayne was beaten with baby and whatever. They 1142 01:02:52,360 --> 01:02:55,480 Speaker 1: made it right and they moved on. And I remember 1143 01:02:55,800 --> 01:02:58,960 Speaker 1: like you and Buster kind of bumping heads. I don't 1144 01:02:58,960 --> 01:03:00,800 Speaker 1: I don't know what it was because I was. It 1145 01:03:00,920 --> 01:03:03,000 Speaker 1: was just an industry, you know, talk not Me and 1146 01:03:03,040 --> 01:03:05,520 Speaker 1: Bus never had a problem busting Slay. They spared a lot. 1147 01:03:06,520 --> 01:03:08,959 Speaker 1: They spared a lot, but that but still shopping. Still, 1148 01:03:09,360 --> 01:03:11,280 Speaker 1: That's just what it was. It was just sparing with them. 1149 01:03:11,520 --> 01:03:14,120 Speaker 1: They love each other. Later on, I'm saying they spared, 1150 01:03:14,280 --> 01:03:16,760 Speaker 1: so you were just called in between because that's what. Yeah, 1151 01:03:16,800 --> 01:03:19,200 Speaker 1: we never had Me and Bus never had a shooting. Man. Really, 1152 01:03:19,360 --> 01:03:21,280 Speaker 1: I mean Bus the guy that brought me out on stage. Man, 1153 01:03:21,440 --> 01:03:23,560 Speaker 1: and the crowd started screaming, and I was looking around, 1154 01:03:23,560 --> 01:03:25,440 Speaker 1: like who here's screaming for? You know, it was me. 1155 01:03:27,320 --> 01:03:29,240 Speaker 1: I was used to being a regular nigga at the time. 1156 01:03:29,320 --> 01:03:31,080 Speaker 1: I mean, he bust to change my life. Man, that's 1157 01:03:31,080 --> 01:03:33,600 Speaker 1: my big brother. So we never had a problem. But 1158 01:03:33,720 --> 01:03:36,280 Speaker 1: you know, I mean him and my brother Slay, they 1159 01:03:36,400 --> 01:03:38,959 Speaker 1: just spared a lot. That's how they are too strong 1160 01:03:39,040 --> 01:03:43,480 Speaker 1: headed niggas. You was at the video shooting, Yeah, I 1161 01:03:43,600 --> 01:03:46,240 Speaker 1: was that touching the video that changed my life. Man, 1162 01:03:46,680 --> 01:03:49,200 Speaker 1: video on the song that I never forget it. Break 1163 01:03:49,200 --> 01:03:52,480 Speaker 1: it down, sir. I'm just saying that the record being 1164 01:03:52,520 --> 01:03:58,360 Speaker 1: on the record, that record, man, I couldn't go to 1165 01:03:58,440 --> 01:04:00,400 Speaker 1: the more no more. I went from then on the 1166 01:04:00,440 --> 01:04:03,760 Speaker 1: corner hustling and doing jux this to being a famous 1167 01:04:03,800 --> 01:04:06,480 Speaker 1: person off that record. What I mean, I had a 1168 01:04:06,600 --> 01:04:08,320 Speaker 1: name for myself. That's what got me on the record. 1169 01:04:08,360 --> 01:04:10,120 Speaker 1: But that record changed my life. Man, I can't lie 1170 01:04:10,120 --> 01:04:11,560 Speaker 1: to you. And it's crazy because when me and my 1171 01:04:11,600 --> 01:04:15,240 Speaker 1: man went to the studious to call me, I fell asleep. 1172 01:04:16,000 --> 01:04:18,000 Speaker 1: I was. I was so tired. He said, Yo, you 1173 01:04:18,040 --> 01:04:19,880 Speaker 1: gotta get to get on this song right head. I 1174 01:04:19,960 --> 01:04:22,400 Speaker 1: put the beat on. I fell asleep in the studio, 1175 01:04:22,760 --> 01:04:24,720 Speaker 1: fell asleep right there, the biggest record in my life. 1176 01:04:24,760 --> 01:04:28,680 Speaker 1: I fell asleep. They woke me up, and my man 1177 01:04:28,720 --> 01:04:30,120 Speaker 1: all right here he could tell you. I woke up. 1178 01:04:30,160 --> 01:04:31,640 Speaker 1: I went right in the book. I wrote that that 1179 01:04:31,760 --> 01:04:37,360 Speaker 1: verse of my sleep, Yo, man, you gotta stop oh 1180 01:04:37,440 --> 01:04:43,000 Speaker 1: in my life, yo. He he never lied. I wrote 1181 01:04:43,040 --> 01:04:49,240 Speaker 1: that verse. Thats too perfect. Let's just keep it the 1182 01:04:49,320 --> 01:04:58,000 Speaker 1: story verse five in my sleep, bro, Really, I knocked 1183 01:04:58,040 --> 01:04:59,760 Speaker 1: out in the studio woke up when writing the booth, 1184 01:05:00,000 --> 01:05:02,400 Speaker 1: because that's what all right, this is why your story 1185 01:05:02,520 --> 01:05:06,800 Speaker 1: sounds a little crazy. They used to say, that's what 1186 01:05:06,920 --> 01:05:09,080 Speaker 1: Big used to do. See what I'm saying. They used 1187 01:05:09,120 --> 01:05:11,480 Speaker 1: to say. Big used to go like this, close his 1188 01:05:11,640 --> 01:05:15,000 Speaker 1: eyes and then like twenty minutes later he just go 1189 01:05:15,120 --> 01:05:18,360 Speaker 1: on the booth. So did you know that I didn't 1190 01:05:18,360 --> 01:05:21,560 Speaker 1: hear that one. I did hear that Big thing right, Well, 1191 01:05:21,640 --> 01:05:27,520 Speaker 1: he's the first one before j Jar, the first one 1192 01:05:27,560 --> 01:05:30,560 Speaker 1: who who said that it became cool once Big said it. Yeah, 1193 01:05:30,720 --> 01:05:32,720 Speaker 1: and for me, I was like, oh, this is cool. 1194 01:05:32,920 --> 01:05:36,000 Speaker 1: This is what I really This described to people like, 1195 01:05:36,400 --> 01:05:43,760 Speaker 1: all right, describe to not writing means listen, remember this 1196 01:05:43,800 --> 01:05:45,560 Speaker 1: is what you gotta understand. For me, I can't speak 1197 01:05:45,600 --> 01:05:48,600 Speaker 1: for Big. For me, I'm such a fiend. It comes 1198 01:05:48,640 --> 01:05:50,280 Speaker 1: to the hip hop. I love this ship so much 1199 01:05:50,880 --> 01:05:54,320 Speaker 1: that if I because you don't. You only write it 1200 01:05:54,360 --> 01:05:56,880 Speaker 1: down to remember it. You created first in your head 1201 01:05:56,960 --> 01:05:58,440 Speaker 1: before you write. When you're writing, and you set him 1202 01:05:58,440 --> 01:05:59,919 Speaker 1: with the pin the paper, you think of the ship 1203 01:06:00,120 --> 01:06:02,000 Speaker 1: and you write it then, so you don't forget. I 1204 01:06:02,080 --> 01:06:03,760 Speaker 1: don't need to put it down so I don't forget. 1205 01:06:03,880 --> 01:06:05,920 Speaker 1: I'm not going to flee. I'm not going, I used 1206 01:06:05,920 --> 01:06:08,000 Speaker 1: to my wife smoked me out. What I'm saying. You 1207 01:06:08,080 --> 01:06:10,480 Speaker 1: don't have to be tiring my lungs. You're You're gonna 1208 01:06:10,480 --> 01:06:19,480 Speaker 1: come back home at least Keys and Kanye West smoke. Wow. Look, 1209 01:06:19,480 --> 01:06:21,040 Speaker 1: I look up to the guys who right, man, Because 1210 01:06:21,080 --> 01:06:23,520 Speaker 1: I can't write it. I can't write if I wanted to, 1211 01:06:23,560 --> 01:06:25,680 Speaker 1: I can't write. So wait, wait, but hold up. But 1212 01:06:25,720 --> 01:06:28,120 Speaker 1: when you spit it from memory? Is that with flow 1213 01:06:28,240 --> 01:06:29,760 Speaker 1: the way you're gonna flow it. I can't let you 1214 01:06:29,800 --> 01:06:34,720 Speaker 1: get away with that. Everything, everything you already hate. I 1215 01:06:34,800 --> 01:06:39,479 Speaker 1: hate a little bit you said. I can't You didn't 1216 01:06:39,560 --> 01:06:42,520 Speaker 1: start not writing down. You have to start right here. 1217 01:06:42,920 --> 01:06:44,840 Speaker 1: That's when I realized, if I keep holding this pen 1218 01:06:44,920 --> 01:06:46,439 Speaker 1: in this paper, I'm going to wrap about this penning 1219 01:06:46,480 --> 01:06:49,600 Speaker 1: this paper. There's been a lot of runs. I realized 1220 01:06:49,600 --> 01:06:51,360 Speaker 1: I need to wrap throughout the course of my day 1221 01:06:51,400 --> 01:06:54,400 Speaker 1: so I can wrap about different ships through my experience. 1222 01:06:55,480 --> 01:06:57,800 Speaker 1: He just mattered, you don't have a notepad throughout the 1223 01:06:57,840 --> 01:07:08,040 Speaker 1: course of your day. And nowadays, I kept like I said, 1224 01:07:08,040 --> 01:07:11,240 Speaker 1: I kept were worked with for like a week and 1225 01:07:11,440 --> 01:07:14,680 Speaker 1: everything that was dope that that Kanye just heard, he 1226 01:07:14,800 --> 01:07:17,800 Speaker 1: just kept voice open there See he's smart though he 1227 01:07:17,920 --> 01:07:20,880 Speaker 1: taking notes. Man, he's drown in life experience, isn't putting 1228 01:07:20,920 --> 01:07:23,640 Speaker 1: his music. He's smart. You do that with your with 1229 01:07:23,760 --> 01:07:25,920 Speaker 1: your brain. Yeah, I do that. I make sure I 1230 01:07:26,360 --> 01:07:28,840 Speaker 1: like should that happened? And just be so, you know, 1231 01:07:28,880 --> 01:07:32,040 Speaker 1: I mean, but talent moment, that's unique. Not everybody could 1232 01:07:32,040 --> 01:07:34,640 Speaker 1: do that. Well, I'm blessed man, I get the credit. 1233 01:07:34,760 --> 01:07:52,480 Speaker 1: I mean anyway, blessed many holy ship now. But you 1234 01:07:52,560 --> 01:07:54,440 Speaker 1: know what, you know what it was to putting out 1235 01:07:54,440 --> 01:07:56,520 Speaker 1: twelve albums in one year? You know how you got 1236 01:07:56,640 --> 01:07:59,560 Speaker 1: niggas that run down? It says EPs? Is it actually 1237 01:07:59,840 --> 01:08:02,600 Speaker 1: its albums? Because the album is uh I think seven 1238 01:08:02,680 --> 01:08:06,480 Speaker 1: no more seven more? And the eight tracks? Okay, eight tracks? 1239 01:08:06,480 --> 01:08:08,720 Speaker 1: You know what I mean. But let me say this though, 1240 01:08:09,480 --> 01:08:12,640 Speaker 1: Google is labor to the EPs though when I Google it, Oh, 1241 01:08:12,640 --> 01:08:15,680 Speaker 1: they gotta get this ship right. But his albums. But 1242 01:08:15,760 --> 01:08:17,439 Speaker 1: let me let me say this though. You know how 1243 01:08:17,439 --> 01:08:20,240 Speaker 1: the niggas run down, and you know remember saying put 1244 01:08:20,320 --> 01:08:22,360 Speaker 1: me on bro, why you I'm trying to rap, I'm 1245 01:08:22,360 --> 01:08:24,280 Speaker 1: trying to do this. You know, we're putting out twelve 1246 01:08:24,280 --> 01:08:26,400 Speaker 1: albums in the year. Did for me? They got all 1247 01:08:26,479 --> 01:08:32,800 Speaker 1: them niggas out of my face because let me explain it, right, 1248 01:08:33,680 --> 01:08:35,559 Speaker 1: So me, I've been in the game for a while. 1249 01:08:38,640 --> 01:08:41,120 Speaker 1: He thinks it's fueling, But let me tell you, right, 1250 01:08:41,600 --> 01:08:43,920 Speaker 1: I've been in the game for a while. Right, I 1251 01:08:44,000 --> 01:08:49,680 Speaker 1: had a million out of deal, right, I told overseas. 1252 01:08:50,160 --> 01:08:52,040 Speaker 1: I mean I did records with Nori, you know, I 1253 01:08:52,120 --> 01:08:54,599 Speaker 1: mean records with NAS, records with all these great people. 1254 01:08:55,320 --> 01:08:59,759 Speaker 1: And I'm really working hard, hard enough to release obs 1255 01:09:00,240 --> 01:09:02,640 Speaker 1: seventies of my songs in one year, twelve albums in 1256 01:09:02,800 --> 01:09:05,960 Speaker 1: one year. And you and what I turned the number 1257 01:09:05,960 --> 01:09:07,559 Speaker 1: when they come to me with the handout? Ship? How 1258 01:09:07,640 --> 01:09:10,160 Speaker 1: many your wrap, how many songs you put out? How 1259 01:09:10,200 --> 01:09:12,200 Speaker 1: many albums you put out? So I shouldn't be out 1260 01:09:12,240 --> 01:09:14,519 Speaker 1: working you. So if I might working you, that mean 1261 01:09:14,560 --> 01:09:16,320 Speaker 1: you're not hungry. I don't even want to hear from you. 1262 01:09:17,200 --> 01:09:20,720 Speaker 1: They liminated pretty much everybody. Yeah, because you wanted me. 1263 01:09:20,800 --> 01:09:23,120 Speaker 1: I'm going hard like I want this. So if you're 1264 01:09:23,160 --> 01:09:25,920 Speaker 1: not working as hard as me or more, don't come 1265 01:09:25,960 --> 01:09:27,599 Speaker 1: to me for that hand out. I owe you something ship, 1266 01:09:27,680 --> 01:09:29,240 Speaker 1: that entitlement ship. I don't want to hear that. But 1267 01:09:29,320 --> 01:09:31,160 Speaker 1: we put out how many episodes you put out a year. 1268 01:09:31,880 --> 01:09:33,920 Speaker 1: We're in the same league. We're in the same league 1269 01:09:44,880 --> 01:09:48,840 Speaker 1: out working over here. But listen back, that ship you 1270 01:09:49,000 --> 01:09:55,200 Speaker 1: did is amazing that the just I'm drunk already and 1271 01:09:55,479 --> 01:09:57,000 Speaker 1: I went to I went to happy on the shot. 1272 01:09:57,000 --> 01:09:59,560 Speaker 1: You ain't gonna do that. You went to have you 1273 01:09:59,600 --> 01:10:01,240 Speaker 1: on the shop the Japanese whiskey. This is that fly 1274 01:10:01,360 --> 01:10:04,880 Speaker 1: shall know what I'm saying. I'm hitting a little southing. 1275 01:10:05,479 --> 01:10:08,880 Speaker 1: Do say you do? Oh yeah? Hit it? H yeah, yo, 1276 01:10:10,680 --> 01:10:15,400 Speaker 1: m hmm, it's cool. That was not a good thing. 1277 01:10:26,200 --> 01:10:31,519 Speaker 1: Papoos vetter bidden. Niggas can't do what you just did. 1278 01:10:32,360 --> 01:10:37,519 Speaker 1: Niggas have been out. I can't do what you did. 1279 01:10:38,320 --> 01:10:40,639 Speaker 1: That's why we all sat back and was like, wait 1280 01:10:40,680 --> 01:10:44,360 Speaker 1: a minute, that's just something different. And we thought, I'm 1281 01:10:44,360 --> 01:10:47,600 Speaker 1: gonna be honest this. I'm part of a couple of 1282 01:10:47,880 --> 01:10:52,080 Speaker 1: group chats. People thought you was gonna miss a month, sir, 1283 01:11:01,560 --> 01:11:06,360 Speaker 1: you can't remember that runs Yeah, waiting they're waiting my luck. Yeah, 1284 01:11:06,880 --> 01:11:09,000 Speaker 1: I was watching too. Now. I wasn't gonna let up. Bro. 1285 01:11:09,920 --> 01:11:13,759 Speaker 1: Even if you under the weather, some somebody passed away, 1286 01:11:13,960 --> 01:11:18,080 Speaker 1: you know, something happened. You gotta keep going process. When 1287 01:11:18,120 --> 01:11:23,639 Speaker 1: you recording January's album, is they already recorded in December. Um, 1288 01:11:25,200 --> 01:11:27,160 Speaker 1: that's what I should have did. That's why I funked 1289 01:11:27,200 --> 01:11:28,960 Speaker 1: up at in the beginning, I stopped, Man, you didn't 1290 01:11:29,000 --> 01:11:37,320 Speaker 1: make January. I'm gonna tell you how I first, he 1291 01:11:40,760 --> 01:11:44,080 Speaker 1: I'm gonna tell you that's too crazy because for a 1292 01:11:44,160 --> 01:11:46,479 Speaker 1: couple of years, right, I've been saying, yo, next year, 1293 01:11:46,560 --> 01:11:48,880 Speaker 1: I'm dropping the album every month, and the next thing 1294 01:11:48,880 --> 01:11:51,360 Speaker 1: I know, it's February. I ain't dropped ship. So this 1295 01:11:51,560 --> 01:11:53,760 Speaker 1: month I said, damn, I'm dropping the album a month 1296 01:11:53,800 --> 01:11:55,760 Speaker 1: this year. But what I should have did was what 1297 01:11:55,880 --> 01:11:58,320 Speaker 1: he said. I should have didn't January and December. I 1298 01:11:58,360 --> 01:12:00,559 Speaker 1: didn't do that. That's why each project had to drop 1299 01:12:00,640 --> 01:12:03,320 Speaker 1: on the last day each month, because I didn't have ship, 1300 01:12:04,240 --> 01:12:07,040 Speaker 1: so I used the month. I used the thirty days 1301 01:12:07,360 --> 01:12:09,960 Speaker 1: to create. So when I dropped on January thirty one, 1302 01:12:10,640 --> 01:12:12,640 Speaker 1: I'm like, I'm at the finish nine. I'm exhausted, I'm 1303 01:12:12,680 --> 01:12:14,920 Speaker 1: out of breath, I'm sweating, I'm wiping the smell with 1304 01:12:14,960 --> 01:12:16,800 Speaker 1: the tower. When I'm like, right, I got some time. 1305 01:12:17,200 --> 01:12:19,240 Speaker 1: February the last's the shortest money of the year, The 1306 01:12:19,280 --> 01:12:21,679 Speaker 1: last day February, Okay, I gotta do it. Again. Let's 1307 01:12:21,720 --> 01:12:25,160 Speaker 1: go March, same ship. I'm creating this ship as I 1308 01:12:25,240 --> 01:12:30,599 Speaker 1: go along. I didn't November in one day. Yo. As 1309 01:12:30,680 --> 01:12:33,160 Speaker 1: the year progressed, I got better. I got so crazy 1310 01:12:33,200 --> 01:12:36,040 Speaker 1: with it because it's like Floyd Mayweather doing punches. You 1311 01:12:36,040 --> 01:12:39,400 Speaker 1: know what I'm saying. Wait a minute, man, Okay, you 1312 01:12:39,520 --> 01:12:42,320 Speaker 1: just start banking albums like we do podcasts. Probably just 1313 01:12:42,439 --> 01:12:47,080 Speaker 1: called the album's November. Yeah, January. Each one was typed 1314 01:12:47,280 --> 01:12:50,240 Speaker 1: the current month on the last day. That was the 1315 01:12:50,320 --> 01:12:53,559 Speaker 1: title the album. Each album was typing after the current month. 1316 01:12:53,640 --> 01:12:59,160 Speaker 1: That was part of my my whole concept. Also very cocky, sir. 1317 01:13:01,560 --> 01:13:03,040 Speaker 1: I don't ever want to come across like that, because 1318 01:13:03,040 --> 01:13:04,800 Speaker 1: I was cocky when I was young man, and I 1319 01:13:04,880 --> 01:13:06,040 Speaker 1: grew out of that ship, you know. I mean, I 1320 01:13:06,040 --> 01:13:08,479 Speaker 1: always try to stay humble, So I hope I ain't 1321 01:13:08,520 --> 01:13:13,519 Speaker 1: coming across cocky. No, no, in a respectful way. Can 1322 01:13:13,600 --> 01:13:16,559 Speaker 1: we open another bottle? Way? I feel like it's warranted, right, 1323 01:13:16,960 --> 01:13:20,080 Speaker 1: I'm ready because we got to make sure that you 1324 01:13:20,280 --> 01:13:29,400 Speaker 1: have no problem the airport and we, like I said, 1325 01:13:29,439 --> 01:13:31,799 Speaker 1: our show was about giving people their flowers and appreciate. 1326 01:13:31,840 --> 01:13:35,920 Speaker 1: I got my flowers and pat you know, I'm gonna 1327 01:13:35,960 --> 01:13:40,760 Speaker 1: tell you the truth. Appreciate this shower. Soon as we 1328 01:13:41,280 --> 01:13:45,280 Speaker 1: heard that we were booking you, I went and I listened, 1329 01:13:45,360 --> 01:13:47,960 Speaker 1: and I said, damn, bro I said, that might have 1330 01:13:48,040 --> 01:13:56,919 Speaker 1: been paps problem, not that he was blackballed. Is that lyrically? 1331 01:13:57,000 --> 01:14:00,920 Speaker 1: You actually you said that you actually yeah, you're actually 1332 01:14:01,040 --> 01:14:09,360 Speaker 1: in all right, Brooklyn. You actually like I'm saying this 1333 01:14:09,520 --> 01:14:13,920 Speaker 1: with all love like you might be in year eight 1334 01:14:14,080 --> 01:14:17,439 Speaker 1: with your bass at that. Man, Now, for real, I'm 1335 01:14:17,479 --> 01:14:20,800 Speaker 1: saying this like like like pull or something, sir, you 1336 01:14:21,439 --> 01:14:25,400 Speaker 1: know what arresting? I dumbed it, I called me mann. 1337 01:14:25,920 --> 01:14:29,000 Speaker 1: I dumbed it down to dumbed down. That's how I 1338 01:14:29,040 --> 01:14:32,000 Speaker 1: started getting more features. Man. I kind of realized that 1339 01:14:32,120 --> 01:14:34,720 Speaker 1: no cocky ship, I said, damn man, nobody wanna do 1340 01:14:34,800 --> 01:14:37,000 Speaker 1: songs with me? Man, I said, you know what? And 1341 01:14:37,160 --> 01:14:41,400 Speaker 1: and then I was so hip hop, little ship. I 1342 01:14:41,479 --> 01:14:43,120 Speaker 1: was so hip hop, and I was so young minded 1343 01:14:44,000 --> 01:14:47,360 Speaker 1: and noticed, I said, I was so hip hop. If 1344 01:14:47,360 --> 01:14:49,559 Speaker 1: I'm doing a song with you, I'm I'm trying gonna lie, 1345 01:14:49,640 --> 01:14:52,840 Speaker 1: I'm trying gonna in. I mean, but as you get older, 1346 01:14:52,880 --> 01:14:55,120 Speaker 1: you start to learn how to make music. It's not 1347 01:14:55,120 --> 01:14:57,720 Speaker 1: about having the best songs. It's about having the best song. 1348 01:14:58,360 --> 01:15:00,599 Speaker 1: So if I do a song with you oplous about 1349 01:15:00,640 --> 01:15:03,280 Speaker 1: having the best chemistry, Yes, I would do ship like 1350 01:15:03,520 --> 01:15:05,599 Speaker 1: you know, I mean, let's go in the studio together, 1351 01:15:05,840 --> 01:15:08,519 Speaker 1: or you know I mean, um, I wouldn't send you 1352 01:15:08,600 --> 01:15:10,120 Speaker 1: my verse. Now I do it verse real quick, and 1353 01:15:10,160 --> 01:15:12,479 Speaker 1: I send you my verse. Here take my verse. Man. 1354 01:15:12,560 --> 01:15:14,040 Speaker 1: I want you to I want you to kill me 1355 01:15:14,120 --> 01:15:15,880 Speaker 1: on this verse because when you when you put in 1356 01:15:15,920 --> 01:15:17,640 Speaker 1: the effort to kill me, that's gonna make it a 1357 01:15:17,680 --> 01:15:20,080 Speaker 1: better record. People. You know what I'm saying. So as 1358 01:15:20,120 --> 01:15:22,439 Speaker 1: you get older, you learned. And when I started learning 1359 01:15:22,520 --> 01:15:24,040 Speaker 1: that and started doing that, I was able to get 1360 01:15:24,080 --> 01:15:26,439 Speaker 1: more features. I'm I'm featuring with people I never feat 1361 01:15:26,479 --> 01:15:28,479 Speaker 1: you with in my life right now because we started 1362 01:15:28,520 --> 01:15:30,120 Speaker 1: with a little Wayne. Now, let's you said you had 1363 01:15:30,160 --> 01:15:32,519 Speaker 1: a list. Let's let's le's let's tell the list. You said, 1364 01:15:32,520 --> 01:15:35,839 Speaker 1: Little Wayne. Yeah, Little Wayne, listen on these monthly projects. 1365 01:15:36,160 --> 01:15:40,519 Speaker 1: I got Little Wayne. I got Fabulous. I got Fabulous. 1366 01:15:40,520 --> 01:15:42,040 Speaker 1: I've been living in Brooklyn my whole life. I've never 1367 01:15:42,080 --> 01:15:45,320 Speaker 1: had a song with Fabulous. A differentigger. I'm saying it's 1368 01:15:45,360 --> 01:15:49,280 Speaker 1: a different nigger though. I got Rick Ross, I got 1369 01:15:49,360 --> 01:15:53,679 Speaker 1: two chains, I got busted rounds, I got my wife. 1370 01:15:54,439 --> 01:15:56,400 Speaker 1: I'm sorry because I feel like we should make noise 1371 01:15:56,479 --> 01:15:58,400 Speaker 1: for every one of those guests. So let's start all over. 1372 01:15:58,520 --> 01:16:11,439 Speaker 1: Let's start over because you Rick Ross, fabulous, rimy mob, 1373 01:16:13,880 --> 01:16:23,200 Speaker 1: bust the rom I said, Rick Ross, Right, Anthony Hamilton, 1374 01:16:25,840 --> 01:16:34,280 Speaker 1: two chas ty Boy, Swiss Meats Swiss me Timberlin the game. 1375 01:16:36,120 --> 01:16:38,120 Speaker 1: I can keep going, no, no, no, no, hold on, 1376 01:16:38,200 --> 01:16:45,920 Speaker 1: crook it out, got damn it, I'm saying, jack Man 1377 01:16:47,280 --> 01:16:55,720 Speaker 1: loves Professor Rob. I can keep going if y'all want me. Man, No, 1378 01:16:55,880 --> 01:17:00,800 Speaker 1: I ain't got damn Ross. I think a smoke this 1379 01:17:03,840 --> 01:17:05,400 Speaker 1: so many great people, man, I was able to work 1380 01:17:05,439 --> 01:17:12,439 Speaker 1: with this year. Bro on my label Honorable Records Distributed Records, 1381 01:17:12,439 --> 01:17:14,920 Speaker 1: and you should start out with that saying that. So 1382 01:17:15,080 --> 01:17:17,080 Speaker 1: my bad, Honorable Records is the name of my label. 1383 01:17:17,120 --> 01:17:22,720 Speaker 1: It's the new death for all honor before money distributing. Yeah, 1384 01:17:25,000 --> 01:17:26,800 Speaker 1: like this is the new CEO of tune Cord right now. 1385 01:17:27,760 --> 01:17:31,680 Speaker 1: You're gonna get your money. One thing. You know you're 1386 01:17:31,680 --> 01:17:34,960 Speaker 1: gonna get your money. So you never worked with a 1387 01:17:35,200 --> 01:17:39,800 Speaker 1: one or um uh my man, Ghazi uhi, I never 1388 01:17:39,880 --> 01:17:42,160 Speaker 1: worked with the one I worked with Ghazi. You know 1389 01:17:42,200 --> 01:17:44,880 Speaker 1: what I'm saying, but Gazi, it's kind of hard to 1390 01:17:44,920 --> 01:17:47,960 Speaker 1: work with Ghazi really, And I've talked to other people 1391 01:17:48,240 --> 01:17:49,880 Speaker 1: and they said the same. I don't want to talk 1392 01:17:49,920 --> 01:17:52,439 Speaker 1: bad about it, you know what I'm saying, but it's 1393 01:17:52,479 --> 01:17:54,760 Speaker 1: difficult to me as an artist when this is your 1394 01:17:54,800 --> 01:17:57,519 Speaker 1: bread and butter and you don't really have no solid 1395 01:17:57,560 --> 01:18:01,720 Speaker 1: communication with your record label a distributor. Communication is key, 1396 01:18:02,720 --> 01:18:05,040 Speaker 1: and guys, he has it his to be a felling 1397 01:18:05,120 --> 01:18:07,679 Speaker 1: to communicate properly. And I know a lot of artists 1398 01:18:07,680 --> 01:18:10,439 Speaker 1: who watched this, they like this right on path And 1399 01:18:10,479 --> 01:18:13,639 Speaker 1: I'm saying because is a fact, bro Really Yeah, yeah, 1400 01:18:13,680 --> 01:18:15,599 Speaker 1: I've talked to the other other artists and that's the issue. 1401 01:18:15,760 --> 01:18:18,479 Speaker 1: And for me, I couldn't do that. I can't. I 1402 01:18:18,720 --> 01:18:20,600 Speaker 1: can't do that. I can't. I need to communicate like 1403 01:18:20,680 --> 01:18:23,160 Speaker 1: this is how I'm feeding my family. I mean, you can't, 1404 01:18:23,520 --> 01:18:26,400 Speaker 1: you know? So that was that? So yeah, because you know, guy, 1405 01:18:26,439 --> 01:18:28,200 Speaker 1: see my man, I hoped him out with Fat Joe 1406 01:18:29,240 --> 01:18:31,439 Speaker 1: and they made a lot of money to go. Yeah, 1407 01:18:31,479 --> 01:18:35,599 Speaker 1: I mean, you know, money is good. Money is good. 1408 01:18:37,040 --> 01:18:39,200 Speaker 1: Also squashed the people Fat Joe and jay Z. I 1409 01:18:39,240 --> 01:18:40,960 Speaker 1: don't know if you know that. I remember that I 1410 01:18:40,960 --> 01:18:45,240 Speaker 1: remember on the record and the remix, he shouts first, 1411 01:18:45,360 --> 01:18:49,920 Speaker 1: like hyeah, but I was supposed to get the shout 1412 01:18:49,920 --> 01:18:56,360 Speaker 1: out first, like I remember. That was a moment though. Yeah, 1413 01:18:56,479 --> 01:18:58,120 Speaker 1: listen to me. I want to say. I just wanna 1414 01:18:58,160 --> 01:19:00,960 Speaker 1: say this man, what you've done here, that's please. I 1415 01:19:01,040 --> 01:19:05,639 Speaker 1: salute you. Brook at that. Look at this getting money. 1416 01:19:06,040 --> 01:19:07,880 Speaker 1: That's my sun over there coming here and think with 1417 01:19:07,960 --> 01:19:13,080 Speaker 1: the wild over there. That's right on to Let's up 1418 01:19:13,320 --> 01:19:14,599 Speaker 1: when you see what I said when I sat down, 1419 01:19:14,600 --> 01:19:17,280 Speaker 1: I sit in Man, this is a real production, like 1420 01:19:17,640 --> 01:19:20,559 Speaker 1: doing them TV shows and ship me from VH one. 1421 01:19:20,960 --> 01:19:22,920 Speaker 1: I went this real solid production. I know what the 1422 01:19:22,960 --> 01:19:25,400 Speaker 1: real production is. Come here and I see your brothers 1423 01:19:25,439 --> 01:19:28,000 Speaker 1: setting up. I see everything. I just want to salute y'all. 1424 01:19:28,200 --> 01:19:29,840 Speaker 1: I wish I had another one to give your flowers. 1425 01:19:33,920 --> 01:19:36,560 Speaker 1: What you're doing this ship. You made a whole transition 1426 01:19:37,200 --> 01:19:39,360 Speaker 1: from doing the rap SHP to this ship, and then 1427 01:19:39,360 --> 01:19:43,360 Speaker 1: you got anybody following you. So salute everybody doing podcasts now, 1428 01:19:43,479 --> 01:19:46,280 Speaker 1: that's just like everybody doing reggae thrown too. Let's be clear, 1429 01:19:47,800 --> 01:19:50,840 Speaker 1: It'll be clear. Anybody they realized old ship. You want 1430 01:19:50,840 --> 01:19:53,760 Speaker 1: to go to. You want to go to the cocobata too. 1431 01:19:55,439 --> 01:20:00,040 Speaker 1: That's nice man, Yeah, yeah, not real ship man a 1432 01:20:00,200 --> 01:20:04,880 Speaker 1: path man. That's again man again man, like I think, 1433 01:20:05,040 --> 01:20:07,799 Speaker 1: I think, because what do you what do you consider 1434 01:20:07,960 --> 01:20:10,840 Speaker 1: is your biggest record that you was on that I 1435 01:20:10,960 --> 01:20:14,160 Speaker 1: was on my biggest record. I'm gonna say I thought 1436 01:20:14,160 --> 01:20:16,519 Speaker 1: I was gonna stop. Remix featuring and two change busting rhymes, 1437 01:20:16,520 --> 01:20:18,160 Speaker 1: red me a Little Wayne, goddamn it out right now 1438 01:20:18,200 --> 01:20:23,200 Speaker 1: on all digital platforms. Wait, wait, wait, my new record, 1439 01:20:23,240 --> 01:20:26,040 Speaker 1: my new single, It's cold. Thought I was gonna stop 1440 01:20:26,120 --> 01:20:30,559 Speaker 1: featuring two Chains busting rhymes, Little Wayne Rey produced by 1441 01:20:32,439 --> 01:20:34,639 Speaker 1: No He did the original and he's doing a remix. 1442 01:20:36,680 --> 01:20:39,080 Speaker 1: So we got the video now. I got two million 1443 01:20:39,160 --> 01:20:42,080 Speaker 1: views in the first two days. That's that's big shout 1444 01:20:42,120 --> 01:20:45,519 Speaker 1: with my brother Will seeing Tanna Big Tree. He treat 1445 01:20:45,520 --> 01:20:49,800 Speaker 1: He entertainment got here. That's little did anything the videos out. 1446 01:20:49,840 --> 01:20:51,720 Speaker 1: We did two million views first two days. I know 1447 01:20:51,840 --> 01:20:53,960 Speaker 1: y'all rappers do a billion views, but for me, that's 1448 01:20:54,000 --> 01:20:59,920 Speaker 1: a good look. I'm from Brooklyn. Sidewalk is different. I'm 1449 01:21:00,000 --> 01:21:02,240 Speaker 1: a ray bridge between Happen Sin Severatober. That's a good 1450 01:21:02,280 --> 01:21:05,800 Speaker 1: look for me. This is mean, Like if you would 1451 01:21:06,640 --> 01:21:11,760 Speaker 1: google me and ifs biggest arguments that's consistent on this show. 1452 01:21:12,640 --> 01:21:16,200 Speaker 1: It's just one argument. It should have been on Quick Time, 1453 01:21:16,240 --> 01:21:23,360 Speaker 1: which we already established. I said major or independent, that's 1454 01:21:23,439 --> 01:21:27,120 Speaker 1: really what it is. But you said earlier I had 1455 01:21:27,200 --> 01:21:30,639 Speaker 1: one point five million dollars deal. It's the worst worst 1456 01:21:30,680 --> 01:21:32,800 Speaker 1: mistake of my life. Man, Why would you say that? 1457 01:21:32,920 --> 01:21:34,400 Speaker 1: The worst thing I ever did was took that deal 1458 01:21:34,479 --> 01:21:36,040 Speaker 1: with you and you had Chris Light here around at 1459 01:21:36,080 --> 01:21:38,880 Speaker 1: that time. Rest in piece of Chris, like, explain this, sir, 1460 01:21:39,080 --> 01:21:43,080 Speaker 1: worst mistake I ever made in my life. Okay, listen, listen, 1461 01:21:43,400 --> 01:21:48,000 Speaker 1: young up and coming artists. I don't know what he's 1462 01:21:48,000 --> 01:21:51,160 Speaker 1: about to say, but let's just take the facts of 1463 01:21:51,280 --> 01:21:54,160 Speaker 1: what what is? What is about to be articulated. He 1464 01:21:54,240 --> 01:21:58,600 Speaker 1: said he had one point five million dollar deal, but 1465 01:21:58,720 --> 01:22:02,200 Speaker 1: let's be yeah, the deal, it's not marketing. They had 1466 01:22:02,200 --> 01:22:13,160 Speaker 1: nothing to do with the one point. Basically we all 1467 01:22:13,240 --> 01:22:19,040 Speaker 1: know that. Okay, you got a kid from Brooklyn, right, 1468 01:22:20,360 --> 01:22:22,400 Speaker 1: got a pas head kid from Brooklyn. What I'm saying 1469 01:22:22,479 --> 01:22:24,840 Speaker 1: from the sidewalk, I don't wait that on my sleeve. 1470 01:22:25,080 --> 01:22:28,000 Speaker 1: As you see, I promote black love positivity, but I'm 1471 01:22:28,040 --> 01:22:31,160 Speaker 1: tougher than a lot of these nigs. Anyway, I come 1472 01:22:31,200 --> 01:22:34,880 Speaker 1: from Brooklyn, from the sidewalk, and he makes it into 1473 01:22:34,920 --> 01:22:38,120 Speaker 1: the music business. Right he's grinding he doesn't have a 1474 01:22:38,160 --> 01:22:40,360 Speaker 1: record deal. This is me I'm talking about. I'm talking 1475 01:22:42,720 --> 01:22:45,519 Speaker 1: person is following. This kid's narrating his story. This kid 1476 01:22:45,600 --> 01:22:49,560 Speaker 1: is from Brooklyn. Everybody's rooted for him. Coincidentally, this is 1477 01:22:49,560 --> 01:22:51,840 Speaker 1: the same people that knew him before he signed the 1478 01:22:51,880 --> 01:22:53,640 Speaker 1: deal with case Leave, but they're rooted for him now. 1479 01:22:53,760 --> 01:22:57,320 Speaker 1: It's cool, embraced the love. I'm working hard. I'm building 1480 01:22:57,400 --> 01:23:00,960 Speaker 1: up a bus. I gained that. I'm the radio now, 1481 01:23:01,080 --> 01:23:04,320 Speaker 1: I'm doing tours. I'm doing toys. I'm performing from state 1482 01:23:04,400 --> 01:23:07,080 Speaker 1: to state every other day. I'm releasing music on a 1483 01:23:07,160 --> 01:23:09,200 Speaker 1: constant basis. This ship goes on from oh fod to 1484 01:23:09,240 --> 01:23:11,320 Speaker 1: oh seven. I've never had a record deal all that time, 1485 01:23:11,920 --> 01:23:14,160 Speaker 1: everybody thought, oh, pappers up, pappish. I never had a 1486 01:23:14,160 --> 01:23:16,519 Speaker 1: record deal. I was getting shown money, I was getting 1487 01:23:16,560 --> 01:23:20,000 Speaker 1: featured money, and I was touring. Now I signed a 1488 01:23:20,040 --> 01:23:22,720 Speaker 1: record deal in two thousand and seven, so basically I 1489 01:23:22,840 --> 01:23:26,719 Speaker 1: was independent that whole time, getting money. Once I signed 1490 01:23:26,800 --> 01:23:30,440 Speaker 1: the record deal, you have people telling you, have individuals 1491 01:23:31,080 --> 01:23:34,559 Speaker 1: in white shirts and suits telling you Oh, you don't 1492 01:23:34,560 --> 01:23:35,800 Speaker 1: need to make that record like that. You need to 1493 01:23:35,840 --> 01:23:39,920 Speaker 1: make it like this. I los I lost Job Records. 1494 01:23:39,920 --> 01:23:42,320 Speaker 1: I lost all creative control at that point. Let's let's 1495 01:23:42,320 --> 01:23:45,840 Speaker 1: be particular. Who is is the CEO? Is Barry White? 1496 01:23:46,040 --> 01:23:50,679 Speaker 1: This guy, this guy from Job Records. He's an asshole. 1497 01:23:51,200 --> 01:23:53,320 Speaker 1: What's his name? He goes by the name with Jeff Finster. 1498 01:23:53,400 --> 01:23:59,360 Speaker 1: He's the devil singing himself. I'm gonna put him out there. Okay, 1499 01:24:00,479 --> 01:24:02,800 Speaker 1: you ever heard of this guy? Know? What is his name? 1500 01:24:03,040 --> 01:24:07,760 Speaker 1: Jeff Finster? No, but let's talk about this. This dude 1501 01:24:07,880 --> 01:24:09,880 Speaker 1: is This dude is the worst guy you ever wanted 1502 01:24:09,920 --> 01:24:12,439 Speaker 1: media life. I hope he's watching because I'm still here. 1503 01:24:12,560 --> 01:24:14,760 Speaker 1: I'm still alive, and you wanted me that getting money. 1504 01:24:15,000 --> 01:24:16,760 Speaker 1: You try to ruin my life. I'm still getting money, 1505 01:24:16,840 --> 01:24:18,840 Speaker 1: my family still eating, and I live in a mansion 1506 01:24:18,880 --> 01:24:21,639 Speaker 1: in New Jersey. So you didn't stop nothing. I'm trying 1507 01:24:21,720 --> 01:24:26,320 Speaker 1: to make some more stock. You know, you try to 1508 01:24:26,360 --> 01:24:28,720 Speaker 1: in my you try to in my career. You know 1509 01:24:28,840 --> 01:24:30,680 Speaker 1: you hated on me. You did everything you could think of. 1510 01:24:31,240 --> 01:24:33,920 Speaker 1: But I don't blame I don't blame you for that, brother, 1511 01:24:34,000 --> 01:24:37,679 Speaker 1: I don't blame you. So what I'm saying what happened. Basically, 1512 01:24:37,760 --> 01:24:41,240 Speaker 1: this guy lied, This gout lied myself and my brother 1513 01:24:41,360 --> 01:24:43,960 Speaker 1: Kate slay Man. Who changed my life? Who who the 1514 01:24:44,000 --> 01:24:46,040 Speaker 1: only one that gave me an opportunity to do this 1515 01:24:46,439 --> 01:24:48,640 Speaker 1: to live by my dream? My brother Kate slay He 1516 01:24:48,680 --> 01:24:53,839 Speaker 1: gave a lot of people that we need your stream. Myself, 1517 01:24:54,320 --> 01:24:56,200 Speaker 1: myself and my brother Kate slay We signed that. Y'all 1518 01:24:56,280 --> 01:24:59,960 Speaker 1: records we had a bit in war numerous record lay 1519 01:25:00,000 --> 01:25:01,800 Speaker 1: who was what interested in signing me at the time. 1520 01:25:01,800 --> 01:25:03,640 Speaker 1: I told you I sat down with Nis. He was 1521 01:25:03,640 --> 01:25:05,560 Speaker 1: going to depth chair with jay Z. He wanted me 1522 01:25:05,600 --> 01:25:09,920 Speaker 1: to come over there. Um Atlantic you talk about. JO 1523 01:25:10,080 --> 01:25:12,439 Speaker 1: Records was on the same blocks Violator at that time. 1524 01:25:13,520 --> 01:25:16,160 Speaker 1: A bunch of different record labels were having a bit 1525 01:25:16,200 --> 01:25:18,280 Speaker 1: in war for me at this time, this is the 1526 01:25:18,320 --> 01:25:19,800 Speaker 1: dream come true for me. Don't let me say here 1527 01:25:19,800 --> 01:25:20,920 Speaker 1: A lot of you, a lot of guys come up 1528 01:25:20,920 --> 01:25:22,519 Speaker 1: here in the rap. I'm gonna hustler and the rap. 1529 01:25:22,560 --> 01:25:25,200 Speaker 1: I'm a gangster, I'm a rapper. I'm embracing it. I'm 1530 01:25:25,240 --> 01:25:30,479 Speaker 1: saying I wasn't having this, you know what I'm saying. 1531 01:25:30,520 --> 01:25:33,120 Speaker 1: So I was happy to be having this moment you 1532 01:25:33,160 --> 01:25:35,160 Speaker 1: know what I'm saying, And um, it was a bit 1533 01:25:35,240 --> 01:25:37,360 Speaker 1: in war. A lot of different labels wanted to sign me, 1534 01:25:38,040 --> 01:25:40,439 Speaker 1: so it just so happens. I linked up with Bust 1535 01:25:40,439 --> 01:25:43,519 Speaker 1: the Rhymes, who had the relationship with Chris. Lady introduced 1536 01:25:43,560 --> 01:25:46,200 Speaker 1: me to Chris. Chris signed me the Violator. Chris is 1537 01:25:46,240 --> 01:25:48,760 Speaker 1: the past. But you gotta break down with what was 1538 01:25:48,880 --> 01:25:56,400 Speaker 1: you violated management? Street Sweeper was entertainment violated management Busting 1539 01:25:56,439 --> 01:25:58,559 Speaker 1: Rhymes in case Slave did a joint feature. So now 1540 01:25:58,680 --> 01:26:02,240 Speaker 1: street Sweeper Slash Flip more. You understand I'm saying. But 1541 01:26:02,280 --> 01:26:04,160 Speaker 1: now my own boss, so it's even better for me. 1542 01:26:04,240 --> 01:26:07,200 Speaker 1: Now we're going back. Let's go back. So now I 1543 01:26:07,280 --> 01:26:09,439 Speaker 1: signed with Violator. I'm sorry I didn't sign with you. 1544 01:26:09,479 --> 01:26:11,720 Speaker 1: Don't sign a management, you would be a dummy. I 1545 01:26:11,840 --> 01:26:14,760 Speaker 1: link up with Violator. We're working. So now I got 1546 01:26:14,800 --> 01:26:19,880 Speaker 1: this spitting wall and seven hundred thousand off overhead, four 1547 01:26:19,960 --> 01:26:22,160 Speaker 1: hundred thousand from Niles over here. He's going to deaf Jam, 1548 01:26:22,720 --> 01:26:24,920 Speaker 1: which Casey wasn't with my brother, and I trust him. 1549 01:26:25,000 --> 01:26:27,439 Speaker 1: You know what I'm saying, Um, job comes in at 1550 01:26:27,479 --> 01:26:30,639 Speaker 1: one point five million. Alright, it's not that we money hungry. 1551 01:26:30,920 --> 01:26:33,080 Speaker 1: Our brother Chris Likedy is the president of that job. 1552 01:26:33,960 --> 01:26:39,680 Speaker 1: We're like, Chris was the president, alright, So we're like, 1553 01:26:39,760 --> 01:26:42,760 Speaker 1: it's a no brainer, Chris the president. We go to live, 1554 01:26:42,880 --> 01:26:46,479 Speaker 1: we go to job, we go to job. We look 1555 01:26:46,520 --> 01:26:49,080 Speaker 1: on the internet. A week later, Chris is not the 1556 01:26:49,120 --> 01:26:57,479 Speaker 1: president no more? What the ch You couldn't get inside 1557 01:26:57,479 --> 01:27:00,600 Speaker 1: of information? What's going on? What you You're not the 1558 01:27:00,640 --> 01:27:10,320 Speaker 1: president no more? This is where coming off. She is 1559 01:27:10,439 --> 01:27:13,559 Speaker 1: kind of where the restarted that. So we're like, damn, 1560 01:27:14,240 --> 01:27:16,640 Speaker 1: Chris is not the president. Okay, we rolled them with 1561 01:27:16,680 --> 01:27:19,800 Speaker 1: the punches. He's give an explanation. I'm still I'm still 1562 01:27:19,840 --> 01:27:22,759 Speaker 1: going to communicate. This is where he brings this devil 1563 01:27:22,880 --> 01:27:25,600 Speaker 1: in by the name of Jeff Fenster. He's going to 1564 01:27:25,640 --> 01:27:28,680 Speaker 1: be handling on your project now. So just to summarize 1565 01:27:28,680 --> 01:27:31,479 Speaker 1: it with this dickhead, did I hate to talk like this? Man? 1566 01:27:32,120 --> 01:27:35,280 Speaker 1: I try to be positive. Man, you gotta let it 1567 01:27:35,360 --> 01:27:40,720 Speaker 1: go for right right in therapeutic So we're doing records, right. 1568 01:27:41,520 --> 01:27:43,320 Speaker 1: So we're in the meeting and I'm playing all of 1569 01:27:43,400 --> 01:27:45,720 Speaker 1: my records and me and Slay are like, all right, 1570 01:27:46,080 --> 01:27:48,200 Speaker 1: these are the three records. We think it can be singles. 1571 01:27:49,160 --> 01:27:51,720 Speaker 1: So this guy's like, okay, I'm gonna play all three 1572 01:27:51,840 --> 01:27:55,439 Speaker 1: records for the owner of the label who signed me, 1573 01:27:55,520 --> 01:27:58,040 Speaker 1: which was the reason why anybody the label was mad. 1574 01:27:58,439 --> 01:28:00,880 Speaker 1: What that was? That very right? So Barry White and 1575 01:28:00,920 --> 01:28:03,000 Speaker 1: Peter Theter was the two bosses that job. When I signed, 1576 01:28:03,320 --> 01:28:05,320 Speaker 1: they flew me out and the guy told me my face, 1577 01:28:05,360 --> 01:28:06,840 Speaker 1: I signed you because my son is a fan of 1578 01:28:06,880 --> 01:28:09,040 Speaker 1: a lot Barby. This is why he signed me. This 1579 01:28:09,120 --> 01:28:10,800 Speaker 1: is why all the workers at the label was mad 1580 01:28:11,080 --> 01:28:12,559 Speaker 1: because I didn't come through none of them. I went 1581 01:28:12,640 --> 01:28:15,040 Speaker 1: straight to their boss. They hated my guts at the label. 1582 01:28:15,600 --> 01:28:19,559 Speaker 1: What I'm saying so this is real ship. I can't 1583 01:28:19,600 --> 01:28:21,840 Speaker 1: make this up if I tried. So all these niggers 1584 01:28:21,840 --> 01:28:23,560 Speaker 1: at the label is mad. What I'm saying because I 1585 01:28:23,640 --> 01:28:25,439 Speaker 1: I donna throw a couple of these things on the bus. 1586 01:28:25,479 --> 01:28:30,639 Speaker 1: I ain't gonna do it. Everybody at the labels, every 1587 01:28:30,720 --> 01:28:33,320 Speaker 1: rat the label, they feel some type of way. He's 1588 01:28:33,360 --> 01:28:37,280 Speaker 1: on your left shoulder when you're right so check it out. 1589 01:28:38,000 --> 01:28:40,240 Speaker 1: So check it, check it. I'm on Job Records. Now. 1590 01:28:40,240 --> 01:28:41,960 Speaker 1: You gotta remember this is an R and B label, 1591 01:28:42,400 --> 01:28:44,320 Speaker 1: So at that time, nor even know the formula. You 1592 01:28:44,400 --> 01:28:46,240 Speaker 1: put your ship out, you get on beat nigger you 1593 01:28:46,320 --> 01:28:49,040 Speaker 1: out of here. You're going to the moon. Who everybody's 1594 01:28:49,080 --> 01:28:53,439 Speaker 1: on the label? Chris Brown, t pay Kelly, Thank God, 1595 01:28:53,479 --> 01:28:57,240 Speaker 1: I ain't do that one. Um. You know what I'm saying. 1596 01:28:57,280 --> 01:28:59,800 Speaker 1: I keep going and I can keep going to a 1597 01:28:59,840 --> 01:29:02,080 Speaker 1: lot them beat niggers on this label. I'm on the label, 1598 01:29:02,560 --> 01:29:05,160 Speaker 1: my deal one point five million. So what they're doing 1599 01:29:05,320 --> 01:29:08,280 Speaker 1: is they're mad because I signed directly to their balls. 1600 01:29:08,320 --> 01:29:10,519 Speaker 1: They're blocking on the arm beat niggers off my project. 1601 01:29:11,160 --> 01:29:14,080 Speaker 1: I'm talking on beat niggas about doing features and they're 1602 01:29:14,080 --> 01:29:16,599 Speaker 1: blocking them. This is the beginning of your black balling. Yeah, 1603 01:29:17,760 --> 01:29:23,040 Speaker 1: he don't think it's real. Tell them I lived this ship. 1604 01:29:23,560 --> 01:29:26,360 Speaker 1: So they're blocking me. They're blocking on niggers off my project. 1605 01:29:26,439 --> 01:29:28,760 Speaker 1: I'm like, damn, this is funked up, you know what 1606 01:29:28,760 --> 01:29:31,560 Speaker 1: I'm saying. So this guy, Jeff Fenster, me and me 1607 01:29:31,640 --> 01:29:33,080 Speaker 1: and my brother came slid in the meet and we 1608 01:29:33,160 --> 01:29:35,599 Speaker 1: played the three singles. He's like, Okay, I'm gonna take 1609 01:29:35,680 --> 01:29:38,639 Speaker 1: these three singles. I'm gonna play them for the owner 1610 01:29:38,640 --> 01:29:40,760 Speaker 1: of the label so we can push one out there. 1611 01:29:41,520 --> 01:29:42,840 Speaker 1: I mean one of them. We wanted to get Snoop 1612 01:29:42,880 --> 01:29:44,680 Speaker 1: on what Snoop got on shout to my brother Snoop Dog, 1613 01:29:44,760 --> 01:29:47,840 Speaker 1: he got my first single. UM. So he comes back 1614 01:29:48,280 --> 01:29:50,800 Speaker 1: to us, this guy Jeff Fenster, who fucking we you know, 1615 01:29:50,920 --> 01:29:53,960 Speaker 1: got this illegitimate morefucker about default because Chris Likedy is 1616 01:29:53,960 --> 01:29:56,400 Speaker 1: no longer the president. He comes he's the president at 1617 01:29:56,439 --> 01:29:58,000 Speaker 1: this point. This guy this I don't know what he is, 1618 01:29:58,360 --> 01:30:01,120 Speaker 1: what the title of this n don't let me call 1619 01:30:01,160 --> 01:30:03,360 Speaker 1: him what I want to call him. So he comes 1620 01:30:03,439 --> 01:30:05,880 Speaker 1: back to us and he's like, yo, I played the 1621 01:30:05,960 --> 01:30:09,280 Speaker 1: records for um the owner of the label, and this 1622 01:30:09,439 --> 01:30:14,240 Speaker 1: is the one he likes. And we like, damn you sure? Okay, 1623 01:30:14,720 --> 01:30:17,920 Speaker 1: So this is the single. The single go out just 1624 01:30:18,000 --> 01:30:23,200 Speaker 1: so happy. It's sucking. UM, I think it's banging out 1625 01:30:23,320 --> 01:30:26,040 Speaker 1: featuring Snoop Dog. We had another one that was more 1626 01:30:26,080 --> 01:30:30,360 Speaker 1: commercial called fitting head Low. So we had the label 1627 01:30:30,400 --> 01:30:33,720 Speaker 1: one day and we see the owner the label and 1628 01:30:34,720 --> 01:30:37,040 Speaker 1: we're like, yo, you know, we're glad you like the record. 1629 01:30:37,400 --> 01:30:39,519 Speaker 1: He's like, were glad you like the records? He's like, 1630 01:30:39,680 --> 01:30:44,639 Speaker 1: we're records only hear one record. M So this motherfucker 1631 01:30:44,760 --> 01:30:47,960 Speaker 1: lie about playing the music for the owner because he 1632 01:30:48,000 --> 01:30:49,960 Speaker 1: wanted the record to come out that he wanted to 1633 01:30:50,040 --> 01:30:52,200 Speaker 1: come out. It's not even that he wanted the record 1634 01:30:52,240 --> 01:30:55,600 Speaker 1: to come out. He wanted to pay Snoop Dog so 1635 01:30:55,720 --> 01:30:59,000 Speaker 1: he could get kicked back, which was seventy thod dollars. 1636 01:31:00,000 --> 01:31:01,680 Speaker 1: You understand what I'm saying. This is the function, this, 1637 01:31:01,800 --> 01:31:03,559 Speaker 1: this is why. This is what I'm saying. What I'm 1638 01:31:03,560 --> 01:31:05,280 Speaker 1: saying to you, this is what he did. So he 1639 01:31:05,439 --> 01:31:07,639 Speaker 1: lied about playing the records to the owner of the label. 1640 01:31:08,840 --> 01:31:12,439 Speaker 1: Then he chose a record which he can overcharge my 1641 01:31:12,560 --> 01:31:14,439 Speaker 1: budget for because none of them was able to take 1642 01:31:14,479 --> 01:31:16,080 Speaker 1: a penny on my budget, which is why the he 1643 01:31:16,200 --> 01:31:19,080 Speaker 1: was mad. He lied about that. Whatever he did, he 1644 01:31:19,160 --> 01:31:22,360 Speaker 1: did the fun Ship. Now we see the owner label, 1645 01:31:22,360 --> 01:31:24,000 Speaker 1: we probably found out he didn't even play the music 1646 01:31:24,080 --> 01:31:27,439 Speaker 1: for the Nigger. The single was out already, so before 1647 01:31:27,479 --> 01:31:30,720 Speaker 1: they find out he did the funx Ship. He got 1648 01:31:30,800 --> 01:31:33,920 Speaker 1: me off the label real quick. What I'm saying. And 1649 01:31:33,960 --> 01:31:36,040 Speaker 1: when you say got it from label, that's like the 1650 01:31:36,120 --> 01:31:40,120 Speaker 1: famous thing where people say that you got dropped, got dropped. Well, 1651 01:31:40,360 --> 01:31:42,519 Speaker 1: they couldn't drop me like a bad They dropped me, 1652 01:31:42,520 --> 01:31:44,559 Speaker 1: but they couldn't drive me like a bad habit because 1653 01:31:44,640 --> 01:31:46,640 Speaker 1: me and Case negotiated the deal with we keep the 1654 01:31:46,680 --> 01:31:54,519 Speaker 1: one point five basic noise. You got dropped the back fence, right, 1655 01:31:55,320 --> 01:31:56,560 Speaker 1: you know what I'm saying. So we got off. We 1656 01:31:56,600 --> 01:31:58,120 Speaker 1: got off the label. Man, I hope I'm not saying 1657 01:31:58,160 --> 01:32:04,080 Speaker 1: too much good. This is what. This is what this weekend. 1658 01:32:04,280 --> 01:32:06,000 Speaker 1: This is what happened. If anything, I'm gonna tell you something. 1659 01:32:06,400 --> 01:32:09,880 Speaker 1: As an artist, when you if I do a song 1660 01:32:10,000 --> 01:32:12,120 Speaker 1: with you, you do a song with me, I want 1661 01:32:12,160 --> 01:32:13,840 Speaker 1: to want my fans to funk with you. I want 1662 01:32:13,880 --> 01:32:16,519 Speaker 1: my your fans to fun with me. So assisially, this 1663 01:32:16,640 --> 01:32:18,600 Speaker 1: is what this is. This is the first time I 1664 01:32:18,680 --> 01:32:21,639 Speaker 1: ever traded fans. Like every time I did a record 1665 01:32:21,680 --> 01:32:25,160 Speaker 1: with a person, I want to day fans. The only 1666 01:32:25,200 --> 01:32:29,400 Speaker 1: time I ever got their fans. This is being honest. 1667 01:32:29,479 --> 01:32:32,120 Speaker 1: That's what features are. And you think about Kelly. When 1668 01:32:32,120 --> 01:32:41,479 Speaker 1: I did a record Kelly, Yeah, look, my only record 1669 01:32:41,479 --> 01:32:45,960 Speaker 1: IVE ever did with jay Z is what Kelly? You know? 1670 01:32:46,040 --> 01:32:48,200 Speaker 1: I said, all of my core fans who follow me, 1671 01:32:48,760 --> 01:32:52,040 Speaker 1: I sent Kelly Cure. This is for my core fans 1672 01:32:52,439 --> 01:32:54,640 Speaker 1: who bought my music every morning. I sent them kill you. 1673 01:32:55,479 --> 01:32:58,120 Speaker 1: I sent them kill and him and his luke Um 1674 01:32:59,040 --> 01:33:01,400 Speaker 1: minions whatever you call they played games. But I ain't 1675 01:33:01,439 --> 01:33:03,160 Speaker 1: really mad at them because they was under the influence 1676 01:33:03,200 --> 01:33:05,519 Speaker 1: of the you know what I'm saying. But whatever, man, 1677 01:33:05,600 --> 01:33:07,599 Speaker 1: you went right over my head. You said the Cure. 1678 01:33:07,640 --> 01:33:09,760 Speaker 1: I had a record called Cure that eventually every cob 1679 01:33:09,840 --> 01:33:12,080 Speaker 1: I do did it. This ship is crazy. That's better. 1680 01:33:12,439 --> 01:33:14,439 Speaker 1: I want you to hear it. Man, Nobody at the time, 1681 01:33:14,439 --> 01:33:16,160 Speaker 1: I'm the hottest thing in the world. I dealt want 1682 01:33:16,200 --> 01:33:19,840 Speaker 1: fight one point five millions, keep talking about it's out 1683 01:33:19,880 --> 01:33:22,880 Speaker 1: of here at that time, that that that time, at 1684 01:33:22,920 --> 01:33:25,920 Speaker 1: that time time. That's by the way, he's done a 1685 01:33:25,960 --> 01:33:28,960 Speaker 1: molested at this time when trying he's a molesta. But 1686 01:33:29,040 --> 01:33:35,200 Speaker 1: nobody knows, alright, everybody, but unfortunately, so this is the time. 1687 01:33:35,439 --> 01:33:37,640 Speaker 1: So you you you calling your label to try to 1688 01:33:37,720 --> 01:33:39,560 Speaker 1: get all on the record. You're calling your able to 1689 01:33:39,560 --> 01:33:41,800 Speaker 1: try to get on I'm on the label with these guys, 1690 01:33:41,960 --> 01:33:45,000 Speaker 1: we label weights. Who is it our Kelly? It's all 1691 01:33:45,120 --> 01:33:48,439 Speaker 1: Kelly Teeth paying Paine Well, I sun the tea pain 1692 01:33:48,560 --> 01:33:50,360 Speaker 1: think I can I can own that that was what 1693 01:33:50,479 --> 01:33:53,040 Speaker 1: happened with t pay sir, because I can see it 1694 01:33:53,080 --> 01:33:56,040 Speaker 1: in your face. Something happen when I went when I 1695 01:33:56,120 --> 01:33:59,120 Speaker 1: went to the tea paying party. So we can lock 1696 01:33:59,160 --> 01:34:02,120 Speaker 1: the deal win for him to do the record. Somebody 1697 01:34:02,200 --> 01:34:03,960 Speaker 1: got beat up. You know what I'm saying. I ain't 1698 01:34:03,960 --> 01:34:06,439 Speaker 1: gonna talk too much about that, but that was my fault. 1699 01:34:06,760 --> 01:34:23,160 Speaker 1: They have more timberlance, like white t. Paine was the 1700 01:34:23,200 --> 01:34:24,560 Speaker 1: only guy on the label who was going to do 1701 01:34:24,600 --> 01:34:27,560 Speaker 1: a record with me eventually at that time. Know what 1702 01:34:27,560 --> 01:34:29,400 Speaker 1: I'm saying. I was told when I first signed to 1703 01:34:29,479 --> 01:34:31,360 Speaker 1: the label that Chris Brown expressed that he would do 1704 01:34:31,439 --> 01:34:33,720 Speaker 1: a record with me, but they kept him away from 1705 01:34:33,760 --> 01:34:35,479 Speaker 1: me because they was hating on me. To know what 1706 01:34:35,520 --> 01:34:40,559 Speaker 1: I'm saying, This is pre Weanna. Yeah, this is back then. 1707 01:34:40,640 --> 01:34:43,720 Speaker 1: You know what I'm saying, So before I mean, but 1708 01:34:43,840 --> 01:34:45,240 Speaker 1: thank god, I'm in a great space now and I 1709 01:34:45,280 --> 01:34:46,880 Speaker 1: got my new single. I thought I was gonna stop 1710 01:34:46,920 --> 01:34:55,080 Speaker 1: featuring two change with me my bust to see this 1711 01:34:55,520 --> 01:34:59,040 Speaker 1: and be like, he's been up. I'm in a great space, man. 1712 01:34:59,080 --> 01:35:01,840 Speaker 1: But this is therapeutic. Yeah, the stuff that people can 1713 01:35:01,920 --> 01:35:03,639 Speaker 1: learn from, that's really at the end of the day. 1714 01:35:03,720 --> 01:35:05,880 Speaker 1: People can learn from all these experiences got you. And 1715 01:35:05,960 --> 01:35:07,920 Speaker 1: by the way, look this is what's his name of 1716 01:35:08,000 --> 01:35:10,759 Speaker 1: this watch Friday right down to the bar, Telly and Time, 1717 01:35:11,080 --> 01:35:15,599 Speaker 1: Tolly and twine, Twine. This is a black old watch company. Yeah, 1718 01:35:15,960 --> 01:35:19,160 Speaker 1: it's a black watch them during our bail Great dude, 1719 01:35:19,680 --> 01:35:24,120 Speaker 1: what you say? I met them during our basil event 1720 01:35:24,760 --> 01:35:27,760 Speaker 1: and just met them. They want to collaborate with drink Champs. 1721 01:35:27,800 --> 01:35:30,200 Speaker 1: They send over some watches for both of us. You 1722 01:35:30,280 --> 01:35:32,519 Speaker 1: got the same watch, the same watch. You couldn't put 1723 01:35:32,560 --> 01:35:36,679 Speaker 1: it on today. So for special occasions that were classy watch, 1724 01:35:36,760 --> 01:35:38,759 Speaker 1: we gotta get you. You gotta get you back into watches. 1725 01:35:38,800 --> 01:35:41,880 Speaker 1: We gotta get you. Yeah, I see you back in 1726 01:35:41,920 --> 01:35:44,240 Speaker 1: the days. It was Julie. That was back in the day. 1727 01:35:45,080 --> 01:35:47,759 Speaker 1: You don't want to buy jury want to buy nothing. 1728 01:35:48,439 --> 01:35:51,800 Speaker 1: Getting money though you're getting He's getting that money, not me. 1729 01:35:54,479 --> 01:35:57,080 Speaker 1: We need to upgrade something about your man always like yo, 1730 01:35:57,400 --> 01:36:00,240 Speaker 1: My man, always like yo. Make sure you cool him Djen, 1731 01:36:00,320 --> 01:36:11,760 Speaker 1: He don't like man an. He's a legend. But let's 1732 01:36:11,800 --> 01:36:17,280 Speaker 1: just rest this because the timely wine. This is fine. 1733 01:36:17,880 --> 01:36:19,320 Speaker 1: They know what they know. My heart is in the 1734 01:36:19,439 --> 01:36:24,640 Speaker 1: right place. Really and great dudes, uh they say, the 1735 01:36:25,920 --> 01:36:29,280 Speaker 1: only the only I think black owned luxury watch companies. 1736 01:36:29,920 --> 01:36:32,400 Speaker 1: This is five bands. Yeah, from what they told them, 1737 01:36:32,439 --> 01:36:36,400 Speaker 1: this is five ship fighter yeah, black owned. Yeah, I 1738 01:36:36,479 --> 01:36:38,880 Speaker 1: like that ship. I told him that, you know he 1739 01:36:39,280 --> 01:36:43,880 Speaker 1: when I was he like it is classy. Yeah, classic, man, 1740 01:36:43,880 --> 01:36:46,600 Speaker 1: I will win this ship. Yeah, we're gonna we should do, 1741 01:36:46,880 --> 01:36:48,559 Speaker 1: because I don't know how to pronounce your last name. 1742 01:36:48,840 --> 01:36:55,360 Speaker 1: My last name not a cocktail? What is it? You're 1743 01:36:55,400 --> 01:37:05,639 Speaker 1: not something? Bust is mad? Easy to come on, man, listen, 1744 01:37:06,400 --> 01:37:14,040 Speaker 1: that's what the name of the watching called. Yeah here 1745 01:37:14,080 --> 01:37:18,360 Speaker 1: you not drink Champs to drinks? Has fucking this? Watch 1746 01:37:18,479 --> 01:37:22,280 Speaker 1: up a drink Champs watch? No, man, we are not 1747 01:37:22,400 --> 01:37:28,320 Speaker 1: elegant at all. We are not drinking beak drinking my 1748 01:37:28,360 --> 01:37:33,200 Speaker 1: moana out and now papus you out here with you 1749 01:37:34,200 --> 01:37:37,040 Speaker 1: see you outside? I mean the minimum, you know, that's 1750 01:37:37,080 --> 01:37:40,320 Speaker 1: the minimum. You know. I mean, I ain't gotta watch show. 1751 01:37:40,360 --> 01:37:44,360 Speaker 1: I gotta show just about watches? Is what? What did 1752 01:37:44,400 --> 01:37:46,679 Speaker 1: you want first? When you've got in the industry, the chain, 1753 01:37:46,800 --> 01:37:48,400 Speaker 1: or to watch? I ain't got a lot of the 1754 01:37:48,400 --> 01:37:50,600 Speaker 1: way y'all niggas shipped back in the days. Man with 1755 01:37:50,680 --> 01:37:53,960 Speaker 1: the roles always wanted the ro man talked about it 1756 01:37:54,040 --> 01:37:59,639 Speaker 1: and y'all jay Z he was a part of Yes, 1757 01:38:05,680 --> 01:38:10,679 Speaker 1: the records man. So so it was the watch first. 1758 01:38:10,800 --> 01:38:13,400 Speaker 1: It was the watch because you know why I always judged. 1759 01:38:14,680 --> 01:38:18,559 Speaker 1: I always know if a person chooses the watch first, 1760 01:38:18,800 --> 01:38:21,040 Speaker 1: that means they're gonna last, because the chain is gonna 1761 01:38:21,200 --> 01:38:23,719 Speaker 1: wi You know what it was when I was thirteen 1762 01:38:23,760 --> 01:38:25,880 Speaker 1: that had gold teeth and gold chain Gucci links. It 1763 01:38:25,920 --> 01:38:28,400 Speaker 1: was hollow, but I hadn't had gold. That's when my 1764 01:38:28,439 --> 01:38:33,559 Speaker 1: goldfriend what obvious gets from picking the avenue and browns 1765 01:38:35,360 --> 01:38:41,320 Speaker 1: right here? This is only a good place. I had 1766 01:38:41,439 --> 01:38:43,160 Speaker 1: gold teeth, and I had I had changed when I 1767 01:38:43,240 --> 01:38:46,080 Speaker 1: was really little, but I always wanted a Rolex because 1768 01:38:46,120 --> 01:38:48,320 Speaker 1: the way these guys were shining in the industry with it. 1769 01:38:48,880 --> 01:38:50,200 Speaker 1: I was like, I need one one day. You know 1770 01:38:50,200 --> 01:38:53,280 Speaker 1: what I'm saying, It's it's different, Like what what what 1771 01:38:53,720 --> 01:38:58,000 Speaker 1: the mill said? What's that role test? Modus? I wnna 1772 01:38:58,000 --> 01:39:05,200 Speaker 1: be honest with you. Uh, cor correct me, correct me 1773 01:39:05,280 --> 01:39:07,439 Speaker 1: if I'm wrong. I don't know if it was my 1774 01:39:07,520 --> 01:39:10,360 Speaker 1: birthday or Christmas. I think it was my birthday. Keep 1775 01:39:10,400 --> 01:39:12,040 Speaker 1: around the plus my wife he bought me this as 1776 01:39:12,040 --> 01:39:16,720 Speaker 1: a gift. It was. It was a birthday gift from 1777 01:39:16,760 --> 01:39:20,559 Speaker 1: my wife. Just this Rolex, right Jesus. And then I've 1778 01:39:20,600 --> 01:39:23,200 Speaker 1: seen your weather. You got mad. We got married. We 1779 01:39:23,280 --> 01:39:26,800 Speaker 1: got married, and Long Island at a very unique place. Man. 1780 01:39:27,280 --> 01:39:29,519 Speaker 1: It was a castle. It was a castle. It was 1781 01:39:29,760 --> 01:39:31,759 Speaker 1: it was a real castle. But like I said earlier, 1782 01:39:32,000 --> 01:39:34,320 Speaker 1: when she was in constrating, we got married over the phone. 1783 01:39:34,800 --> 01:39:36,880 Speaker 1: So we had to have a big ceremony. She came home. 1784 01:39:37,880 --> 01:39:39,800 Speaker 1: We didn't at the castle. You know what was funny 1785 01:39:39,840 --> 01:39:43,920 Speaker 1: and didn't really as people call us the book. Yeah, 1786 01:39:44,680 --> 01:39:47,640 Speaker 1: so this is funny. So I'm like, really, that's why 1787 01:39:47,680 --> 01:39:50,439 Speaker 1: I thought about y'all rap battle. You're like, oh, he's 1788 01:39:50,439 --> 01:39:53,360 Speaker 1: gonna be on, so I'm next. Because the few year 1789 01:39:53,360 --> 01:39:56,599 Speaker 1: was almost like a battle. It was like bath is coming, 1790 01:39:58,280 --> 01:40:01,120 Speaker 1: but y'all never rap battle that one. No, I really 1791 01:40:01,520 --> 01:40:03,800 Speaker 1: she would kill me if she like like you being 1792 01:40:04,320 --> 01:40:07,960 Speaker 1: she's nice man. She would get versus y'all against each other. 1793 01:40:11,320 --> 01:40:19,120 Speaker 1: That was like my nice question. Would I wouldn't go along? 1794 01:40:19,160 --> 01:40:23,040 Speaker 1: I went bad? You like you versus? Yeah? That ship 1795 01:40:23,160 --> 01:40:26,360 Speaker 1: is fire? Who who? Who your ultimate poem? Who you 1796 01:40:26,479 --> 01:40:30,599 Speaker 1: ultimate opponent? Yeah? I would do with anybody. We want 1797 01:40:30,640 --> 01:40:33,760 Speaker 1: to smoke nigger that you want to smoke with? You want? 1798 01:40:34,000 --> 01:40:35,680 Speaker 1: I don't got nobody particularly I want to smoke with. 1799 01:40:35,720 --> 01:40:39,160 Speaker 1: The only person I went bad was cool. You come on, slidestock. 1800 01:40:39,400 --> 01:40:41,479 Speaker 1: I'm being really, I think nobody really want a battle. 1801 01:40:41,960 --> 01:40:44,479 Speaker 1: I'm just saying in life period, I would battle anybody 1802 01:40:44,760 --> 01:40:47,439 Speaker 1: except that Nigga turns to the jack the ripper and 1803 01:40:47,640 --> 01:40:51,200 Speaker 1: your career we tell you. So I went into an 1804 01:40:51,600 --> 01:40:56,640 Speaker 1: l show. By the way, this is real. So I 1805 01:40:56,760 --> 01:41:03,040 Speaker 1: got home for I can't it's Top forty all the 1806 01:41:03,160 --> 01:41:07,080 Speaker 1: depth can things just on the Top forty tour. They're 1807 01:41:07,160 --> 01:41:09,960 Speaker 1: like on a forty day tour. Only on fourteen days 1808 01:41:10,040 --> 01:41:13,040 Speaker 1: of those tours. They like Nigga, you just talk Billy 1809 01:41:13,280 --> 01:41:19,200 Speaker 1: Nick Top forty, everyone else. Everyone else's real Top forty, 1810 01:41:19,280 --> 01:41:21,960 Speaker 1: like you just crossing over, like you go, you ain't 1811 01:41:22,000 --> 01:41:27,360 Speaker 1: gonna be on all these days. Where's day now? I 1812 01:41:27,439 --> 01:41:29,519 Speaker 1: had to watch else that he was closing, not the 1813 01:41:29,560 --> 01:41:33,600 Speaker 1: horch I at left this part of the show me. 1814 01:41:33,680 --> 01:41:36,960 Speaker 1: He just hands out roses. See what I'm saying, This 1815 01:41:37,000 --> 01:41:45,320 Speaker 1: is thinking different, could do that, Maybe can't could do that. 1816 01:41:46,040 --> 01:41:52,200 Speaker 1: It's different different cos his commercial success. So let me 1817 01:41:52,240 --> 01:41:55,200 Speaker 1: finish this and I'll let you take back over. When 1818 01:41:55,320 --> 01:42:00,559 Speaker 1: all was giving these bitchess roses, they're going and I'm 1819 01:42:00,640 --> 01:42:02,639 Speaker 1: looking at me and he's just he's just walking around. 1820 01:42:02,680 --> 01:42:04,680 Speaker 1: This is where his shirt comes walk up. Is he 1821 01:42:04,760 --> 01:42:07,960 Speaker 1: doing a song? This can't gonna stay on best. By 1822 01:42:08,040 --> 01:42:11,840 Speaker 1: the way, I think he invented that taking the shirt. Yeah, 1823 01:42:12,439 --> 01:42:14,439 Speaker 1: so I'm looking And by the way, I was my man. 1824 01:42:14,520 --> 01:42:16,200 Speaker 1: I got his phone number. But by the way, he 1825 01:42:16,320 --> 01:42:20,360 Speaker 1: has three rooms on tour. He has his room where 1826 01:42:20,400 --> 01:42:23,599 Speaker 1: he just talked to himself. He just all right, yeah, 1827 01:42:23,760 --> 01:42:27,040 Speaker 1: I think you think I voted. He talked to himself. Listen, 1828 01:42:27,160 --> 01:42:29,280 Speaker 1: he just in there like it's about to go in. 1829 01:42:29,520 --> 01:42:37,360 Speaker 1: And he has his kids room, he has his statter room. 1830 01:42:37,479 --> 01:42:43,160 Speaker 1: He has three rooms, just anything like everybody who all 1831 01:42:43,320 --> 01:42:45,240 Speaker 1: rappers who did shows that I was like this Nicka 1832 01:42:45,280 --> 01:42:49,160 Speaker 1: Nories give really Ray two muce. But anyway, so this 1833 01:42:49,240 --> 01:42:50,880 Speaker 1: is my first time I'm on tour with these names. 1834 01:42:51,400 --> 01:42:54,080 Speaker 1: By the way, all of them got helicopter's private planes. 1835 01:42:54,280 --> 01:42:58,360 Speaker 1: I'm still on United on I'm on contidential airlines with 1836 01:42:58,479 --> 01:43:00,760 Speaker 1: the same top for the records that the definitely it 1837 01:43:00,840 --> 01:43:05,080 Speaker 1: was like, you guys, you just gotta fit in, all right. 1838 01:43:05,200 --> 01:43:08,320 Speaker 1: So this is the first it's the first day. The 1839 01:43:08,439 --> 01:43:12,360 Speaker 1: first day, I gotta like you just just go normally, 1840 01:43:12,400 --> 01:43:14,080 Speaker 1: like you get the same money as they get you, 1841 01:43:14,200 --> 01:43:20,080 Speaker 1: just like I'm going with it. So that's the first 1842 01:43:20,120 --> 01:43:24,599 Speaker 1: thing I actually stayed to watch L perform and my nigga, 1843 01:43:24,720 --> 01:43:28,680 Speaker 1: this nigga has parts of his show because I've seen 1844 01:43:28,800 --> 01:43:32,000 Speaker 1: Caress one. You ever seen Caress One give a speech 1845 01:43:32,040 --> 01:43:36,320 Speaker 1: at this show? No, yo, your caress will rock the party. 1846 01:43:37,600 --> 01:43:39,880 Speaker 1: I was straight and then just stopped a lecture. Do 1847 01:43:39,960 --> 01:43:44,679 Speaker 1: you guys love you yourself? Yeah? Everybody, you don't start, 1848 01:43:45,720 --> 01:43:51,519 Speaker 1: Oh if I really love me whatever? Carros was saying, sweet, So, 1849 01:43:51,920 --> 01:43:55,160 Speaker 1: how do you think I got that tennis ball? Yes? Yes, 1850 01:43:55,640 --> 01:44:04,479 Speaker 1: SO has that same exact love me. So L has 1851 01:44:04,560 --> 01:44:09,200 Speaker 1: the same as action, but he's like speak he like, yo, yo, man, 1852 01:44:09,320 --> 01:44:11,479 Speaker 1: you know what I'm saying, before you go, I need love. 1853 01:44:11,960 --> 01:44:14,679 Speaker 1: He's just giving out these roses and you're not really 1854 01:44:14,920 --> 01:44:19,000 Speaker 1: realizing he about to go, I need love. And then 1855 01:44:19,439 --> 01:44:22,320 Speaker 1: if it's just just falling out. And by the way, 1856 01:44:22,600 --> 01:44:26,519 Speaker 1: very professional. His wife and kids is in the next room. 1857 01:44:26,560 --> 01:44:29,400 Speaker 1: I told you it's three rooms, one for himself, him 1858 01:44:29,439 --> 01:44:33,640 Speaker 1: and his security. Last that's why I respect him, and 1859 01:44:33,760 --> 01:44:37,280 Speaker 1: security is just gassing him. He's spoken around in one room, 1860 01:44:37,400 --> 01:44:39,640 Speaker 1: then his wife, his kids is in another room, and 1861 01:44:39,720 --> 01:44:42,479 Speaker 1: then like his production and all of them into another room. 1862 01:44:43,120 --> 01:44:45,400 Speaker 1: And I'll tell you, man, that's when I realized. I 1863 01:44:45,520 --> 01:44:48,080 Speaker 1: was like Damn bro. This is why I came into 1864 01:44:48,120 --> 01:44:51,519 Speaker 1: this game, and I have never had a chance to 1865 01:44:51,640 --> 01:44:54,360 Speaker 1: put my show together. Like, see what I'm saying about 1866 01:44:54,439 --> 01:44:57,600 Speaker 1: l L. You you're going to a battle. When I 1867 01:44:57,640 --> 01:44:58,720 Speaker 1: was a kid, I used to battle. You know what 1868 01:44:58,720 --> 01:45:01,320 Speaker 1: I'm saying, You're going to bad I'm a batteriss nigger. 1869 01:45:02,320 --> 01:45:05,280 Speaker 1: L morphs into another character, court Jack the Rill. But 1870 01:45:05,320 --> 01:45:07,120 Speaker 1: you don't even know who you're battling. How can you 1871 01:45:07,200 --> 01:45:10,360 Speaker 1: battle this nigga? I would never talk about the cannabis situation. 1872 01:45:10,960 --> 01:45:13,799 Speaker 1: You think I was being a bully or cannabis tribe. 1873 01:45:15,120 --> 01:45:17,720 Speaker 1: I don't think he was being a bully. Shout out 1874 01:45:17,760 --> 01:45:20,439 Speaker 1: the cannabis, very dope, nervous. By the way. By the way, 1875 01:45:20,760 --> 01:45:23,280 Speaker 1: why does a run. He said that we wouldn't send 1876 01:45:23,360 --> 01:45:26,360 Speaker 1: up a car service, sir. It's just always said sad. 1877 01:45:27,840 --> 01:45:31,479 Speaker 1: But he said something about we didn't send him. He said, 1878 01:45:31,520 --> 01:45:38,120 Speaker 1: we just send a car service. It's like car services 1879 01:45:39,840 --> 01:45:43,559 Speaker 1: got you, like, shout out the cannabis, very dope, livous. Okay, 1880 01:45:43,720 --> 01:45:45,680 Speaker 1: I gotta say that in your opinion. One of the 1881 01:45:46,520 --> 01:45:48,040 Speaker 1: thing I don't think that was being a bully. I 1882 01:45:48,080 --> 01:45:52,880 Speaker 1: think when he said, uh, your math with the man 1883 01:45:53,400 --> 01:45:55,960 Speaker 1: that Mike on your arm? Can I borrow that? I 1884 01:45:56,040 --> 01:45:57,640 Speaker 1: think it was all fan love and war after that, 1885 01:45:58,040 --> 01:46:00,040 Speaker 1: you know what I'm saying. But like I said, you 1886 01:46:00,080 --> 01:46:02,120 Speaker 1: out the cannabis. But I think l L had a 1887 01:46:02,240 --> 01:46:05,680 Speaker 1: legitimate reason to go left after that. I don't want 1888 01:46:05,680 --> 01:46:08,120 Speaker 1: to wake up old demons. Both of them are spoke, 1889 01:46:08,200 --> 01:46:10,600 Speaker 1: both of them. That's over and so. But L you 1890 01:46:10,640 --> 01:46:12,000 Speaker 1: know what I mean? Do you can say to yourself 1891 01:46:12,040 --> 01:46:14,040 Speaker 1: a pat rap? Now? I used to do that when 1892 01:46:14,040 --> 01:46:15,360 Speaker 1: I was a kid. I'm not even lying to you, 1893 01:46:16,320 --> 01:46:18,240 Speaker 1: Oh my lying. We used to being on the whole 1894 01:46:18,280 --> 01:46:21,200 Speaker 1: way war together. You know so right now, Uncle Murder 1895 01:46:21,280 --> 01:46:26,160 Speaker 1: say um right now. It's like for me and I 1896 01:46:26,280 --> 01:46:28,960 Speaker 1: love a battle culture. I love battle rap, you know 1897 01:46:28,960 --> 01:46:31,200 Speaker 1: what I'm saying. But for me, it's like it's almost 1898 01:46:31,240 --> 01:46:33,960 Speaker 1: like going backwards because I was doing it when I 1899 01:46:34,040 --> 01:46:36,360 Speaker 1: was younger than I can't I returned into I transitioned 1900 01:46:36,400 --> 01:46:40,559 Speaker 1: into a recorder. Honest, I can't say. If somebody coming 1901 01:46:40,560 --> 01:46:42,640 Speaker 1: with the right bag, I won't do it, you know 1902 01:46:42,680 --> 01:46:44,960 Speaker 1: what I mean? And you would do versus versus. I 1903 01:46:45,080 --> 01:46:52,200 Speaker 1: do that against your body. I'll do it against anybody. 1904 01:46:54,280 --> 01:46:56,080 Speaker 1: I'll do it against whoever. And you didn't say you 1905 01:46:56,160 --> 01:46:59,280 Speaker 1: have one opponement an opponent now, I don't know. I 1906 01:46:59,320 --> 01:47:04,599 Speaker 1: do under scream need from Brooklyn. Okay, let's think, guys, 1907 01:47:04,720 --> 01:47:07,760 Speaker 1: what's this a perfect opponent I don't know, versus if 1908 01:47:07,800 --> 01:47:12,200 Speaker 1: they think I'm worthy, I'll come to it. Yes, cast 1909 01:47:13,840 --> 01:47:18,920 Speaker 1: caste cast he shout the cash, shout the bleak bleak, 1910 01:47:19,280 --> 01:47:22,000 Speaker 1: shout at my brother bleek bleek is we talked from 1911 01:47:22,040 --> 01:47:28,519 Speaker 1: time to time. Shout the bleak, shout the freeway. Somebody 1912 01:47:28,560 --> 01:47:37,560 Speaker 1: say our cast I'm gonna do right now, Holy sh it, 1913 01:47:38,320 --> 01:47:42,320 Speaker 1: Oh that'd be interesting. That'll be interesting that Joe shout 1914 01:47:42,439 --> 01:47:44,599 Speaker 1: to Joe. But I don't think he wrapping them more. Yeah, 1915 01:47:44,720 --> 01:47:47,519 Speaker 1: me neither. I'm been trying to have him come outside 1916 01:47:47,680 --> 01:47:56,560 Speaker 1: or what they said, Gilly Joe, like I've seen that 1917 01:47:58,040 --> 01:48:00,640 Speaker 1: do it and didn't do new wraps. I've seen that. 1918 01:48:01,920 --> 01:48:04,360 Speaker 1: You think we did go win that Gilly or Joe? 1919 01:48:04,800 --> 01:48:08,320 Speaker 1: Both of them nice though they are back, actually both 1920 01:48:10,040 --> 01:48:17,920 Speaker 1: get wraps. Let's just um, I don't know. I don't 1921 01:48:18,720 --> 01:48:21,160 Speaker 1: both nice, but it would have to be new lyrics 1922 01:48:21,320 --> 01:48:27,080 Speaker 1: now right because Joe can't keep doing pump it up 1923 01:48:28,280 --> 01:48:30,320 Speaker 1: like like what I'm saying, like he happened though somebody 1924 01:48:30,360 --> 01:48:32,720 Speaker 1: called somebody out and somebody said let's go and don't 1925 01:48:32,720 --> 01:48:35,760 Speaker 1: we hit nothing else. No, I called Joe out. I 1926 01:48:35,840 --> 01:48:40,160 Speaker 1: wanted to Joe. Joe said, no, you got two many 1927 01:48:40,200 --> 01:48:43,080 Speaker 1: years durfy down to music and which I've expected. But 1928 01:48:43,800 --> 01:48:46,760 Speaker 1: when people do know is we were at bar one 1929 01:48:46,880 --> 01:48:48,960 Speaker 1: hanging out and I gave him to say. I was 1930 01:48:48,960 --> 01:48:51,479 Speaker 1: said let's go me and you because he he died. 1931 01:48:51,760 --> 01:48:56,040 Speaker 1: I got called camout. And this is before dip set ship. 1932 01:48:56,960 --> 01:49:00,920 Speaker 1: Joe was like, yo, leave Cam alone. I told he 1933 01:49:01,040 --> 01:49:06,439 Speaker 1: was podcast brother supposed to go with you. Then I 1934 01:49:06,520 --> 01:49:08,719 Speaker 1: humped him over with Kanye. He ain't seem being set 1935 01:49:13,920 --> 01:49:16,479 Speaker 1: what you was do. I was supposed to the mansion, 1936 01:49:16,560 --> 01:49:19,519 Speaker 1: and you know, and I'm not bragging his rich first purposes. 1937 01:49:19,520 --> 01:49:21,360 Speaker 1: Only I live in Jersey. Now. Let me not say 1938 01:49:21,360 --> 01:49:23,320 Speaker 1: I got the mansion in Jersey. I got the crib 1939 01:49:23,439 --> 01:49:25,880 Speaker 1: in Jersey now. And I went to the mall one 1940 01:49:25,960 --> 01:49:27,960 Speaker 1: day and I pulled in and I turned I seen 1941 01:49:28,000 --> 01:49:29,960 Speaker 1: my nigga Beatie seguel Man. Where the mother he was 1942 01:49:30,000 --> 01:49:31,880 Speaker 1: in the morning short here he was in the park 1943 01:49:31,960 --> 01:49:38,599 Speaker 1: at the Big Boy Westfield Westfield even market. Back up, Baby, 1944 01:49:40,439 --> 01:49:42,280 Speaker 1: I told me he used to come outside and he 1945 01:49:42,400 --> 01:49:46,040 Speaker 1: came outside the leg to that. That's my bro. Like 1946 01:49:46,160 --> 01:49:48,280 Speaker 1: a lot of people thought I was like chast sizing them, 1947 01:49:48,320 --> 01:49:52,280 Speaker 1: but it was just the over taxtics I used because 1948 01:49:52,479 --> 01:49:54,760 Speaker 1: I didn't know the Kanye ship was gonna happen. But 1949 01:49:54,800 --> 01:49:57,960 Speaker 1: I just was like, yo, like a lot of us 1950 01:49:59,560 --> 01:50:04,240 Speaker 1: older it individuals have been in the game, pretend twelve 1951 01:50:05,120 --> 01:50:08,320 Speaker 1: fifteen years. Sometimes we have I don't want to say 1952 01:50:08,400 --> 01:50:11,560 Speaker 1: low suffer statements. That's a bad term, but we we 1953 01:50:11,680 --> 01:50:16,400 Speaker 1: forget how important we are to the community and what 1954 01:50:16,560 --> 01:50:18,879 Speaker 1: it is is sometimes you gotta be in front of community. 1955 01:50:19,040 --> 01:50:21,439 Speaker 1: Sometimes if you don't come outside, then people ain't gonna 1956 01:50:21,439 --> 01:50:25,000 Speaker 1: say your pack you know, you're doping. And what I'm saying, 1957 01:50:25,439 --> 01:50:27,720 Speaker 1: you actually gotta come outside of you actually gotta get 1958 01:50:27,840 --> 01:50:32,040 Speaker 1: come outside to get your flowers. A lot of us, yeah, 1959 01:50:32,080 --> 01:50:34,360 Speaker 1: a lot of ups, That's right. A lot of us 1960 01:50:34,439 --> 01:50:38,840 Speaker 1: stay indoors and just expect just's expect the love to 1961 01:50:38,880 --> 01:50:41,479 Speaker 1: come to us, you know what I'm saying. So a 1962 01:50:41,560 --> 01:50:42,920 Speaker 1: lot of the times, that's what I was. That's what 1963 01:50:43,040 --> 01:50:49,320 Speaker 1: I realized. Your Miami niggas relaxed. But but that's what 1964 01:50:49,439 --> 01:50:52,800 Speaker 1: I realized about Miami was me being in New York 1965 01:50:52,920 --> 01:50:56,479 Speaker 1: was one thing for me being in Miami. It allowed 1966 01:50:56,520 --> 01:50:58,840 Speaker 1: people to give me my flowers in Miami because people 1967 01:50:58,880 --> 01:51:01,400 Speaker 1: were sitting back saying, you know what, I'm a New 1968 01:51:01,479 --> 01:51:04,759 Speaker 1: York nik. I could never stop me and John Singleton 1969 01:51:05,040 --> 01:51:07,639 Speaker 1: was lived down the block for me for the last 1970 01:51:07,680 --> 01:51:11,720 Speaker 1: few years. It's like John Singleton said, you will never 1971 01:51:11,840 --> 01:51:16,160 Speaker 1: be on my show. I said, why your New York 1972 01:51:16,320 --> 01:51:19,240 Speaker 1: accent is horrible? Like you can in a good way. 1973 01:51:19,280 --> 01:51:21,880 Speaker 1: It's about that. Let's talk about this so far. Why 1974 01:51:22,240 --> 01:51:24,519 Speaker 1: is it that other regions hate New York so much? 1975 01:51:25,000 --> 01:51:27,519 Speaker 1: Don't start this? Please, no, no, we gotta talk about this. 1976 01:51:28,120 --> 01:51:36,680 Speaker 1: We got because that's why, y'all he feels the same way. 1977 01:51:37,439 --> 01:51:38,880 Speaker 1: Let me tell you why I think and then you 1978 01:51:39,000 --> 01:51:41,599 Speaker 1: can correct me. Path Who's you're going on there? Correct? 1979 01:51:42,680 --> 01:51:47,720 Speaker 1: She got to be talked about because ship niggas nay, 1980 01:51:48,600 --> 01:51:53,519 Speaker 1: I w are you living right now? Man? I'm still 1981 01:51:53,520 --> 01:51:57,120 Speaker 1: in New York. I'm gonna summarize it. Y'all mad at 1982 01:51:57,280 --> 01:52:00,439 Speaker 1: us because we was doing this ship before or y'all 1983 01:52:01,400 --> 01:52:04,640 Speaker 1: like nah, It's like niggas is like I feel like 1984 01:52:05,200 --> 01:52:09,400 Speaker 1: New York started hip hop um when when New York 1985 01:52:09,439 --> 01:52:12,720 Speaker 1: was shining they didn't let us shine. So now that 1986 01:52:12,840 --> 01:52:16,320 Speaker 1: my region is shining. Fuck New York, let's clean all 1987 01:52:16,360 --> 01:52:27,920 Speaker 1: these niggas fun they Timberlands, hold on. Let they'll be 1988 01:52:28,000 --> 01:52:30,880 Speaker 1: hating on this. We didn't mean Paul. Let's starting hip. 1989 01:52:32,160 --> 01:52:38,759 Speaker 1: Let me feel everywhere freely and I get loved because 1990 01:52:38,760 --> 01:52:43,200 Speaker 1: I showed loves misunderstands. Why you don't know us back? 1991 01:52:44,280 --> 01:52:45,680 Speaker 1: I want to know why y'all be why y'all be 1992 01:52:45,760 --> 01:52:48,840 Speaker 1: stunning on New York. The jokes is cool, you're funny, 1993 01:52:49,760 --> 01:52:52,519 Speaker 1: very funny, but you gotta stop hating on the city man, 1994 01:52:52,960 --> 01:52:57,080 Speaker 1: the first of all, and you know this is true. 1995 01:52:57,680 --> 01:52:59,920 Speaker 1: First one, there's a misunderstand there's no hating on your 1996 01:53:00,040 --> 01:53:06,160 Speaker 1: what you call that, though there might be somebody's I 1997 01:53:06,280 --> 01:53:10,200 Speaker 1: don't what you're talking about. Because for me, I sit 1998 01:53:10,280 --> 01:53:13,240 Speaker 1: back and I see New York niggas reposting that ship, 1999 01:53:13,280 --> 01:53:15,760 Speaker 1: and I'm like, okay. But at the end of the day, 2000 01:53:15,800 --> 01:53:21,360 Speaker 1: it's hey, it's as jokes that can't be a York. 2001 01:53:25,880 --> 01:53:27,400 Speaker 1: Do you know the jokes that when people would go 2002 01:53:27,479 --> 01:53:29,160 Speaker 1: up to New York or we'll go talk to people 2003 01:53:29,160 --> 01:53:33,960 Speaker 1: with the jokes on the South too. We never create 2004 01:53:34,000 --> 01:53:37,080 Speaker 1: no davits let's address the problem. Nor South jokes. Let's 2005 01:53:37,120 --> 01:53:39,640 Speaker 1: be honest. There's New York. No, no, there was no 2006 01:53:39,840 --> 01:53:42,120 Speaker 1: that's it's coming from. He's talking what what we've talked 2007 01:53:42,120 --> 01:53:44,160 Speaker 1: about on the show is in the past. I'm talking 2008 01:53:44,160 --> 01:53:46,280 Speaker 1: about nineties. I can't talk for right now what's happening. 2009 01:53:46,320 --> 01:53:49,320 Speaker 1: But in the nineties, the industry, it's not it wasn't. 2010 01:53:49,360 --> 01:53:52,599 Speaker 1: The artist in New York, it wasn't. If you talk 2011 01:53:52,680 --> 01:53:55,559 Speaker 1: to any artists from the South that comes from that era, 2012 01:53:56,120 --> 01:53:58,680 Speaker 1: they all have love and respect for the culture. And 2013 01:53:58,760 --> 01:54:01,240 Speaker 1: where does the culture come from? Right? And for the 2014 01:54:01,400 --> 01:54:05,639 Speaker 1: all inspirations are artists from you? Because hate they also 2015 01:54:09,600 --> 01:54:12,760 Speaker 1: don't finish. Let me because this is a misconception. It's 2016 01:54:12,800 --> 01:54:14,280 Speaker 1: not a hate for you, it's a hate for the 2017 01:54:14,439 --> 01:54:17,280 Speaker 1: industry that was in your The industry the same the 2018 01:54:17,400 --> 01:54:19,800 Speaker 1: same thing that you like, the same thing everybody hates 2019 01:54:19,800 --> 01:54:22,320 Speaker 1: because the industry was based in New York. So what happened, 2020 01:54:22,360 --> 01:54:25,080 Speaker 1: I was oppressed, You feel pressed, No, it was they wasn't. 2021 01:54:25,080 --> 01:54:27,360 Speaker 1: I feel pressed. They was filtering what was getting signed, 2022 01:54:27,400 --> 01:54:29,400 Speaker 1: just like how you felt black balled. They were blackballing 2023 01:54:29,479 --> 01:54:32,800 Speaker 1: the regions the rest of the country. So you'll feel 2024 01:54:32,880 --> 01:54:35,400 Speaker 1: black that's why the West Coast when everything popped off. 2025 01:54:35,640 --> 01:54:37,800 Speaker 1: That's what they were. They were they were talking. But 2026 01:54:38,000 --> 01:54:39,560 Speaker 1: but can I ask you guys a question. You've been 2027 01:54:39,640 --> 01:54:46,320 Speaker 1: running the games, you guys years, enough reperations. I've only 2028 01:54:46,400 --> 01:54:51,920 Speaker 1: been running the game in the podcast. I don't know, man, 2029 01:54:52,960 --> 01:54:56,240 Speaker 1: because this I sat down with on and off air 2030 01:54:57,000 --> 01:55:00,800 Speaker 1: man tr feel the same way. What watch watch with 2031 01:55:00,840 --> 01:55:03,560 Speaker 1: the micrab pull it up? Okay, no, pull it up? Okay, 2032 01:55:05,480 --> 01:55:08,960 Speaker 1: I don't know. I don't do this ship. If she searchs, 2033 01:55:09,040 --> 01:55:12,920 Speaker 1: that's just answer. Hipp don't no, don't no. One called 2034 01:55:12,920 --> 01:55:18,120 Speaker 1: me but hip hop niggas right again? Oh okay, okay, 2035 01:55:18,200 --> 01:55:24,120 Speaker 1: shout to search if she searchs. You love drink chats 2036 01:55:24,160 --> 01:55:31,200 Speaker 1: the bat boots, make some noise. It was going, he said, 2037 01:55:31,200 --> 01:55:36,320 Speaker 1: it was up to the drill again. Let me ask 2038 01:55:36,360 --> 01:55:39,040 Speaker 1: you something. Was there ever a time in the industry 2039 01:55:39,080 --> 01:55:46,800 Speaker 1: you didn't have a job part the mic? Goddamnit, my brother, 2040 01:55:46,880 --> 01:55:52,160 Speaker 1: let's make some start calling you right back pack, Hey, 2041 01:55:52,280 --> 01:55:57,360 Speaker 1: listen and your whole team mem and carphones tonight. All right, 2042 01:55:57,360 --> 01:56:08,040 Speaker 1: It's I'll be there Jet blue man and met that search. 2043 01:56:08,200 --> 01:56:11,720 Speaker 1: No great dude, By the way, I say, I love 2044 01:56:11,800 --> 01:56:16,720 Speaker 1: them for that I was saying that playing around, but 2045 01:56:16,960 --> 01:56:19,600 Speaker 1: Search has always had a job in the hip hop, 2046 01:56:19,680 --> 01:56:23,280 Speaker 1: which is crazy because I feel like that's how we're 2047 01:56:23,280 --> 01:56:26,360 Speaker 1: supposed to walk away, Like when you when it's really 2048 01:56:26,440 --> 01:56:29,040 Speaker 1: time to retire, you posted to work at def Jam, 2049 01:56:29,120 --> 01:56:31,600 Speaker 1: you posted to work at that echo like he did. 2050 01:56:33,040 --> 01:56:35,760 Speaker 1: Glad y'are saying this because this is what I've been advocating. 2051 01:56:35,880 --> 01:56:38,480 Speaker 1: Me and my team have been advocating my line snaps. 2052 01:56:38,760 --> 01:56:40,560 Speaker 1: We've been advocating for me to have a position that 2053 01:56:40,640 --> 01:56:44,360 Speaker 1: toom call not just as a person who I can't 2054 01:56:44,360 --> 01:56:45,640 Speaker 1: think of the world right now, I'm a little hit. 2055 01:56:46,720 --> 01:56:49,920 Speaker 1: What did you call it? Brand ambassador? You go not 2056 01:56:50,080 --> 01:56:52,280 Speaker 1: as that, not just as that, but as someone who 2057 01:56:52,720 --> 01:56:56,440 Speaker 1: text to artists have equity and establishment because I can 2058 01:56:56,480 --> 01:57:00,400 Speaker 1: give an honest opinion on why all this should towards you, 2059 01:57:01,280 --> 01:57:06,920 Speaker 1: And you were saying, it's just now you wash and 2060 01:57:07,480 --> 01:57:09,080 Speaker 1: I's what I did. I was watching you on other 2061 01:57:09,160 --> 01:57:12,640 Speaker 1: interviews and I've seen you, you know, really believe, like 2062 01:57:12,800 --> 01:57:15,960 Speaker 1: really standing by that. Yeah. I mean because like I said, 2063 01:57:15,960 --> 01:57:18,240 Speaker 1: I lost my deal and I went to soon Cool 2064 01:57:18,720 --> 01:57:20,400 Speaker 1: and eventually it worked out for me. And then I 2065 01:57:20,440 --> 01:57:22,920 Speaker 1: can't say it right away, but eventually I stuck with it. 2066 01:57:23,800 --> 01:57:26,520 Speaker 1: The bag is coming in well before we wrap it up. Yes, 2067 01:57:26,800 --> 01:57:29,520 Speaker 1: what was that my state? Because let's let's just think 2068 01:57:29,560 --> 01:57:32,480 Speaker 1: about artists who are coming in this game. They get 2069 01:57:32,480 --> 01:57:35,120 Speaker 1: a hit record, they get this, this, this, this bars 2070 01:57:35,680 --> 01:57:37,880 Speaker 1: they get the same deal at one point five, at 2071 01:57:37,920 --> 01:57:40,080 Speaker 1: one point two to one point seven or whatever, then 2072 01:57:40,120 --> 01:57:42,960 Speaker 1: they lose it. What was your mind state when you 2073 01:57:43,120 --> 01:57:45,200 Speaker 1: when you lost it? And did you blame yourself? Did 2074 01:57:45,200 --> 01:57:47,480 Speaker 1: you blame Bustle, did you blame case Lay? That's a 2075 01:57:47,520 --> 01:57:50,280 Speaker 1: two point questions. I'm sorry the maturity hit me. As 2076 01:57:50,320 --> 01:57:53,280 Speaker 1: you get older, you mature, and one thing about maturity 2077 01:57:53,320 --> 01:57:55,640 Speaker 1: you learn you have to look at the man in 2078 01:57:55,720 --> 01:57:58,840 Speaker 1: the mirror. I blame myself because I should have knew better. 2079 01:57:58,960 --> 01:58:02,120 Speaker 1: I made mistakes. I mixed the industry with the street. 2080 01:58:02,280 --> 01:58:04,520 Speaker 1: I thought that when people didn't cooperate with me and 2081 01:58:04,600 --> 01:58:07,160 Speaker 1: people hated on me, I should have dressed them with violence. 2082 01:58:07,560 --> 01:58:09,960 Speaker 1: And that was a big mistake by me doing that. 2083 01:58:10,080 --> 01:58:11,600 Speaker 1: So due to the fact that I did that, I 2084 01:58:11,720 --> 01:58:15,440 Speaker 1: have to take full responsibility. Regardless of what Jeff Finston, 2085 01:58:15,520 --> 01:58:18,400 Speaker 1: regardless of the haters, regardless of the black bowling, I 2086 01:58:18,400 --> 01:58:20,600 Speaker 1: should have knew better, as a young man. You know 2087 01:58:20,600 --> 01:58:22,160 Speaker 1: what I mean. You know you understand what I'm saying, 2088 01:58:22,680 --> 01:58:25,560 Speaker 1: and you gotta understand me. I'm gonna be honest with y'all. 2089 01:58:26,160 --> 01:58:28,800 Speaker 1: The closest person to me man in the world. Our 2090 01:58:28,880 --> 01:58:32,760 Speaker 1: mothers are identical, twin sisters. My cousin Strong, he got murdered. 2091 01:58:33,760 --> 01:58:37,960 Speaker 1: And you know, music was our dream. Yeah I knew 2092 01:58:37,960 --> 01:58:40,040 Speaker 1: how to wrap, but it was our dreams. So when 2093 01:58:40,080 --> 01:58:42,920 Speaker 1: we was hustling and doing negativity in the street, music 2094 01:58:43,040 --> 01:58:44,400 Speaker 1: was always our way out. So when I got that 2095 01:58:44,480 --> 01:58:45,920 Speaker 1: one point five me out of day and we was 2096 01:58:46,040 --> 01:58:49,280 Speaker 1: touring and I lost my deal and everything fell apart, 2097 01:58:49,320 --> 01:58:51,920 Speaker 1: we went back to the street. And when when we 2098 01:58:52,040 --> 01:58:53,720 Speaker 1: went back to the street, yeah, I went back to 2099 01:58:53,800 --> 01:58:55,720 Speaker 1: the street, We went back to the street. My cousin 2100 01:58:55,800 --> 01:58:58,760 Speaker 1: lost his life. So I feel like if my career 2101 01:58:58,800 --> 01:59:01,000 Speaker 1: would have took off, maybe that would have never happened. 2102 01:59:01,800 --> 01:59:04,000 Speaker 1: So you got to be very careful and very mindful 2103 01:59:04,320 --> 01:59:06,480 Speaker 1: are the decisions you make and the mistakes you make. 2104 01:59:06,600 --> 01:59:08,800 Speaker 1: You know what I'm saying. I don't beat myself up 2105 01:59:08,840 --> 01:59:11,240 Speaker 1: to the point where I blame myself, but I can't 2106 01:59:11,280 --> 01:59:13,600 Speaker 1: help us say, damn, what if my career would have 2107 01:59:13,640 --> 01:59:16,360 Speaker 1: took off with my little cousins still be here. You 2108 01:59:16,400 --> 01:59:19,040 Speaker 1: know what I'm saying, So you know, be careful, be mindful, 2109 01:59:19,160 --> 01:59:22,840 Speaker 1: and don't take things for granted a little cause, man, 2110 01:59:22,880 --> 01:59:29,800 Speaker 1: that's shots. That was real. Definitely, Now there's no lie. Definitely, 2111 01:59:30,880 --> 01:59:33,720 Speaker 1: but we're gonna take a shot for cars. But we're 2112 01:59:33,720 --> 01:59:37,360 Speaker 1: gonna this is a happy note, happy note, Let's do it. 2113 01:59:37,680 --> 01:59:40,320 Speaker 1: We're really proud for you, and this is this is 2114 01:59:40,320 --> 01:59:42,480 Speaker 1: probably my last question after this. We're really proud for you. 2115 01:59:42,600 --> 01:59:44,720 Speaker 1: Thank you so a little before you say that, let 2116 01:59:44,760 --> 01:59:46,320 Speaker 1: me just say thought I was gonna stop pap posts 2117 01:59:46,360 --> 01:59:48,960 Speaker 1: teaching in two change. Really my little rain and Buston 2118 01:59:49,000 --> 01:59:58,240 Speaker 1: rob is available all did you platforms? I say, drink Chance. 2119 01:59:58,280 --> 02:00:00,360 Speaker 1: It's the biggest podcast in a way you think you man, 2120 02:00:01,960 --> 02:00:06,840 Speaker 1: let me ask you this because there's a rumor and 2121 02:00:07,040 --> 02:00:14,000 Speaker 1: you define this rumor. But when people say lyrical artists 2122 02:00:14,720 --> 02:00:18,880 Speaker 1: are not don't have money, do you agree with that? 2123 02:00:19,760 --> 02:00:22,640 Speaker 1: Obviously you you can't agree with that because you outside. 2124 02:00:24,160 --> 02:00:27,560 Speaker 1: But is that the norm if if a person is 2125 02:00:27,680 --> 02:00:31,760 Speaker 1: lyrical and it's just it's does his life if he 2126 02:00:31,840 --> 02:00:33,360 Speaker 1: doesn't have the option to go on on love and 2127 02:00:33,440 --> 02:00:37,080 Speaker 1: hip hop? But he doesn't have the option. Uh, you know, 2128 02:00:37,800 --> 02:00:43,520 Speaker 1: being married to like most lyrical m c s. What 2129 02:00:43,640 --> 02:00:45,960 Speaker 1: do you think for the lyrical mcs how? How are 2130 02:00:46,000 --> 02:00:52,880 Speaker 1: you gonna let me see this? You have some lyrical 2131 02:00:53,080 --> 02:00:58,080 Speaker 1: artists who are versatile and they're able to transition and 2132 02:00:58,200 --> 02:01:02,320 Speaker 1: do other things and make her wreckiss like Normy did. 2133 02:01:02,840 --> 02:01:07,600 Speaker 1: I'm sitting back in the day, but but I want you. 2134 02:01:08,360 --> 02:01:10,080 Speaker 1: I wanted I want you. I'm going to say this 2135 02:01:11,160 --> 02:01:12,920 Speaker 1: and a lot of people are gonna disagree with me, 2136 02:01:13,440 --> 02:01:14,800 Speaker 1: and I want you to know that this is coming 2137 02:01:14,840 --> 02:01:19,880 Speaker 1: from a person who is not broke, person who lives 2138 02:01:19,880 --> 02:01:22,840 Speaker 1: in the mansion. You know what I'm saying. When where 2139 02:01:22,880 --> 02:01:25,720 Speaker 1: it's nice, she he drives nice cars. My daughter is 2140 02:01:25,720 --> 02:01:30,600 Speaker 1: set for life. I'm gonna say this. Money isn't everything. 2141 02:01:31,520 --> 02:01:35,480 Speaker 1: It's not everything. You understand what I'm saying. And money 2142 02:01:35,520 --> 02:01:38,320 Speaker 1: doesn't make you a lyricist. Money doesn't make you a man. 2143 02:01:39,000 --> 02:01:44,200 Speaker 1: Money doesn't make you who you are. Character, dignity, loyalty, 2144 02:01:44,280 --> 02:01:48,040 Speaker 1: and respect make sure you are. Don't measure a man's character, 2145 02:01:48,720 --> 02:01:58,520 Speaker 1: ability or talent by money. You got a flight, yeah, 2146 02:01:59,720 --> 02:02:04,520 Speaker 1: but let's get out because that was the perfect rate 2147 02:02:04,560 --> 02:02:07,240 Speaker 1: to end it. Man, I'm just being honest. Man, Yeah, 2148 02:02:07,400 --> 02:02:10,120 Speaker 1: I little brother being honest. Don't tell me for what 2149 02:02:10,200 --> 02:02:12,760 Speaker 1: I said today. Guys like we told you that you 2150 02:02:12,800 --> 02:02:14,800 Speaker 1: gotta do drops, you gotta do pictures. Let's do it. 2151 02:02:14,800 --> 02:02:17,480 Speaker 1: Whatever you need me to do. Let me just tell 2152 02:02:17,480 --> 02:02:20,800 Speaker 1: you again because we're like fake cousins. To remember that 2153 02:02:23,080 --> 02:02:32,840 Speaker 1: your fake cousins really really we were lad, Yeah, trying 2154 02:02:32,840 --> 02:02:40,520 Speaker 1: to do that back in the day. You know, get 2155 02:02:40,560 --> 02:02:48,040 Speaker 1: on soon. Let's take this but our show it's back, Papoosh. 2156 02:02:48,080 --> 02:02:51,080 Speaker 1: You a legend. Thank you man, you're a dude. That's 2157 02:02:51,080 --> 02:02:54,960 Speaker 1: still the test of time. You could have cracked, you 2158 02:02:55,040 --> 02:02:58,200 Speaker 1: could have folded, you could have left your wife, you 2159 02:02:58,280 --> 02:03:03,160 Speaker 1: could have did a lot of dumb ship uh real talk, 2160 02:03:03,600 --> 02:03:07,480 Speaker 1: and you stood there. You still. I watched you at times, 2161 02:03:07,800 --> 02:03:09,760 Speaker 1: and I want to be a better version for me 2162 02:03:11,040 --> 02:03:13,360 Speaker 1: because I sit back and I say, damn, you know, 2163 02:03:13,640 --> 02:03:16,240 Speaker 1: I want my wife to know I love hard just 2164 02:03:16,320 --> 02:03:19,200 Speaker 1: as much as that. That what you what you show 2165 02:03:19,320 --> 02:03:23,480 Speaker 1: when you just distribute and um, that's why I did 2166 02:03:23,600 --> 02:03:25,600 Speaker 1: love and hip hop too, because it was just like 2167 02:03:25,720 --> 02:03:28,720 Speaker 1: you know what it was. It was two reasons. It's 2168 02:03:28,760 --> 02:03:31,280 Speaker 1: like I could be that better version of me, and 2169 02:03:31,360 --> 02:03:33,800 Speaker 1: I could be that better version of me and on TV. 2170 02:03:35,040 --> 02:03:39,840 Speaker 1: And then it's also when DMX passed away, that dude, 2171 02:03:40,520 --> 02:03:43,120 Speaker 1: I spent the last two weeks of his life. He 2172 02:03:43,480 --> 02:03:47,120 Speaker 1: every single day X with me, six weeks, six weeks, 2173 02:03:47,240 --> 02:03:49,160 Speaker 1: every single day xked with me and I'm just working 2174 02:03:49,200 --> 02:03:52,200 Speaker 1: with him. They don't get a little emotional out, but um, 2175 02:03:53,080 --> 02:03:55,240 Speaker 1: and when he passed, I wanted to do the same 2176 02:03:55,280 --> 02:03:57,840 Speaker 1: thing I did with my father passed or my father passed. 2177 02:03:58,720 --> 02:04:02,560 Speaker 1: It was the biggest year of my life. I had 2178 02:04:02,600 --> 02:04:05,160 Speaker 1: the number one record, number one album, number one, and 2179 02:04:05,240 --> 02:04:07,400 Speaker 1: then I lost my father. It looked good on you, man. 2180 02:04:09,120 --> 02:04:12,160 Speaker 1: Yeah yeah, so I say that to say so I 2181 02:04:12,320 --> 02:04:15,400 Speaker 1: did this. But at the end of the day, had 2182 02:04:15,440 --> 02:04:18,280 Speaker 1: it not been the image of you and rim, wow, 2183 02:04:19,240 --> 02:04:21,640 Speaker 1: like how y'all held it down, Like Yo, you could 2184 02:04:21,680 --> 02:04:24,360 Speaker 1: do this, I could navigate through this and be still 2185 02:04:24,440 --> 02:04:28,120 Speaker 1: be you. I wouldn't have. I wouldn't have been able 2186 02:04:28,160 --> 02:04:31,600 Speaker 1: to survive. Like like the extra hit me real hard 2187 02:04:31,680 --> 02:04:34,840 Speaker 1: and still I still cry, like you know, that's like 2188 02:04:34,920 --> 02:04:37,560 Speaker 1: my my brother twin, Like you know the other day, 2189 02:04:37,840 --> 02:04:40,760 Speaker 1: you know, I'm just me j B being the crea, 2190 02:04:41,000 --> 02:04:44,160 Speaker 1: just crying because because my my boy twins, because I'll 2191 02:04:44,200 --> 02:04:46,560 Speaker 1: be trying to be tough, but then all reality, I'm 2192 02:04:46,600 --> 02:04:50,000 Speaker 1: not like I'm actually a human. So I say that 2193 02:04:50,080 --> 02:04:52,440 Speaker 1: to say I want to thank you. I want to 2194 02:04:52,480 --> 02:04:54,000 Speaker 1: thank you as an artist. I want to thank you 2195 02:04:54,080 --> 02:04:56,040 Speaker 1: as a father. Don't want to thank you as a husband. 2196 02:04:56,480 --> 02:04:59,600 Speaker 1: I want to thank you because it's versions of you 2197 02:04:59,760 --> 02:05:01,680 Speaker 1: that I say. You know what, let me straighten up. 2198 02:05:02,800 --> 02:05:05,000 Speaker 1: Me'll hit me and better than me and every person 2199 02:05:06,600 --> 02:05:09,880 Speaker 1: he's battling. You can't say something to Norri. I want 2200 02:05:09,920 --> 02:05:12,920 Speaker 1: apologize to you, brother, because you messaged me and you're 2201 02:05:12,920 --> 02:05:15,960 Speaker 1: invited me to your anniversary and I tried everything in 2202 02:05:16,080 --> 02:05:18,680 Speaker 1: my power to make it and I couldn't make it. 2203 02:05:18,920 --> 02:05:21,720 Speaker 1: I know it was a wonderful anniversary versuit me without 2204 02:05:21,760 --> 02:05:24,160 Speaker 1: me being there. I only couldn't imatch it. But I 2205 02:05:24,200 --> 02:05:26,240 Speaker 1: want to thank you for being an advocate for black 2206 02:05:26,320 --> 02:05:29,280 Speaker 1: love and living it out do your family structure, and 2207 02:05:29,320 --> 02:05:30,840 Speaker 1: I want to thank you just for that alone. Brother, 2208 02:05:30,880 --> 02:05:35,120 Speaker 1: So let's get it around. Let up. I wouldn't say 2209 02:05:35,200 --> 02:05:37,440 Speaker 1: one thing. I'm gonna say this since we talked about 2210 02:05:37,440 --> 02:05:40,200 Speaker 1: relationships in marriage, I gotta say I see it all 2211 02:05:40,240 --> 02:05:42,600 Speaker 1: the time. A woman is the most Before I said 2212 02:05:42,600 --> 02:05:46,440 Speaker 1: I'm gonna take a shot, I gotta say it. I'm sorry, 2213 02:05:46,720 --> 02:05:48,360 Speaker 1: I do the same ship. That's crazy. Me and my 2214 02:05:48,360 --> 02:05:52,560 Speaker 1: wife up because I feel about people should hang with 2215 02:05:52,640 --> 02:05:56,400 Speaker 1: marrying people saying because we bounced off each other, it's 2216 02:05:56,440 --> 02:05:58,920 Speaker 1: therapeutic and I hope I still can get an invite 2217 02:05:58,920 --> 02:06:00,400 Speaker 1: even though I didn't make the last Are you get 2218 02:06:00,480 --> 02:06:02,920 Speaker 1: it right? You're doing it every year. I gotta come 2219 02:06:03,000 --> 02:06:06,680 Speaker 1: man and take a flick and do the drop. Let's 2220 02:06:06,680 --> 02:06:09,640 Speaker 1: get out of statement before I'm gonna say this last 2221 02:06:09,640 --> 02:06:12,320 Speaker 1: thing in case you're not married, I want to let 2222 02:06:12,360 --> 02:06:14,560 Speaker 1: you know a woman is the most precious jewel, more 2223 02:06:14,600 --> 02:06:17,400 Speaker 1: precious in the ruby, ameral, diamond, or sapphire. Each man 2224 02:06:17,520 --> 02:06:19,920 Speaker 1: has to say, one woman and rise above the rest 2225 02:06:20,080 --> 02:06:22,640 Speaker 1: so she can show the world how precious she truly is. Meaning, 2226 02:06:22,680 --> 02:06:24,440 Speaker 1: if you don't put your woman on the pedestal and 2227 02:06:24,520 --> 02:06:26,840 Speaker 1: show her that loyalty and I love, you cannot respect 2228 02:06:26,880 --> 02:06:32,440 Speaker 1: that and return my brothers and pieces. I'm I'm about 2229 02:06:32,440 --> 02:06:34,040 Speaker 1: to say, can you do a six team? You can't do? 2230 02:06:35,040 --> 02:06:37,160 Speaker 1: You're good, You're drunk. I just want them to get uh. 2231 02:06:37,480 --> 02:06:39,680 Speaker 1: I thought I was gonna stop featuring to change. We 2232 02:06:42,640 --> 02:06:46,200 Speaker 1: take a flick. Let's do it. Brother, Thanks for joining 2233 02:06:46,280 --> 02:06:49,040 Speaker 1: us for another episode of Drink Champs hosted by Yours truly, 2234 02:06:49,160 --> 02:06:51,880 Speaker 1: d J E F and n R E. Please make 2235 02:06:51,920 --> 02:06:54,160 Speaker 1: sure to follow us on all our socials. Let's add 2236 02:06:54,240 --> 02:06:57,600 Speaker 1: drink Champs across all platforms at the Real Noriega and 2237 02:06:57,680 --> 02:07:01,240 Speaker 1: I g at Noriega on Twitter, Mine is at Who's 2238 02:07:01,240 --> 02:07:04,120 Speaker 1: Crazy on I g at d J e f N 2239 02:07:04,200 --> 02:07:06,600 Speaker 1: on Twitter, and most importantly, stay up to date with 2240 02:07:06,680 --> 02:07:10,040 Speaker 1: the latest releases, news and merch by going to drink 2241 02:07:10,160 --> 02:07:19,920 Speaker 1: champs dot com. For more podcasts from my heart Radio, 2242 02:07:20,320 --> 02:07:24,000 Speaker 1: visit the iHeart Radio app, Apple Podcast, or wherever you 2243 02:07:24,120 --> 02:07:25,320 Speaker 1: listen to your favorite shows.