WEBVTT - TGI - Episode 201 "Back 2 School"

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<v Speaker 1>Hey, it's Wilfred l here. Now, before we get into

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<v Speaker 1>the new episode of Pod Meets World, I have a

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<v Speaker 1>major announcement. Yes, just in time for the thirtieth anniversary

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<v Speaker 1>of Boy Meets World. Where on YouTube. That's right, you

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<v Speaker 1>can now see our faces and action, which I guess

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<v Speaker 1>is a good and bad thing. But okay, so we're

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<v Speaker 1>gonna put up twenty episodes from season one, some of

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<v Speaker 1>our favorites, so you can experience our looks of surprise, embarrassment,

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<v Speaker 1>and pure joy with both your ears and your eyeholes.

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<v Speaker 1>So go to our YouTube channel, it's just Pod meets

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<v Speaker 1>World to see the first few episodes and subscribe for

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<v Speaker 1>all new releases and let me know what you think

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<v Speaker 1>of a face. I have some news, guys. Okay, you

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<v Speaker 1>have heard, dear listener. We have talked a lot about

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<v Speaker 1>April Kelly and where is April Kelly and what is

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<v Speaker 1>the story of April Kelly? And I was able to

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<v Speaker 1>track her down and she reached out to me. I

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<v Speaker 1>reached out to her, She got back to me right away.

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<v Speaker 1>We had a wonderful conversation and I asked her on

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<v Speaker 1>behalf of Will and Writer and myself. I asked her

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<v Speaker 1>if she would be a guest on our pod, and

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<v Speaker 1>it didn't take her long to say no before we

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<v Speaker 1>got out, would you know. Yeah, it was pretty much

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<v Speaker 1>like that. She's been incredibly private, right. Yeah, she's basically

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<v Speaker 1>left Hollywood. She moved away, and she moved away. She

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<v Speaker 1>has a curly separate career. I mean, she has an

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<v Speaker 1>incredible Hollywood career. She's had multiple incredible careers. Um, and

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<v Speaker 1>she yeah, she's overall just kind of an incredible, fascinating

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<v Speaker 1>her sin And she said she just doesn't want to

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<v Speaker 1>dip her toe back into this world. And it had

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<v Speaker 1>nothing to do with our dear listeners, That had nothing

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<v Speaker 1>to do with the three of us. Um, she just

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<v Speaker 1>wasn't interested. But what she was interested in doing was

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<v Speaker 1>writing me a letter that I could read on the podcast,

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<v Speaker 1>so that her, her voice and her words, um had

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<v Speaker 1>a place, but that they she just wasn't gonna appear

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<v Speaker 1>on the podcast. So, without further ado, here is a

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<v Speaker 1>pod Meets World letter from April Kelly. Greetings to all

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<v Speaker 1>you pod meets World listeners. I bet some of you

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<v Speaker 1>think acting on a TV show must be the sweetest

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<v Speaker 1>gig on earth, especially for a kid. Let me give

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<v Speaker 1>you a sobering dose of reality. It is actual work,

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<v Speaker 1>taking up maybe forty hours of your week, and you

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<v Speaker 1>still have to go to school. Every show with underage

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<v Speaker 1>actors must have two adults on set tasked with ensuring

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<v Speaker 1>the safety and welfare of those mini tornadoes in human form.

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<v Speaker 1>One is the welfare worker who makes sure nobody like

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<v Speaker 1>me slap someone upside the head, and the other is

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<v Speaker 1>the teacher who keeps their studies on par with regular

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<v Speaker 1>school so they will not be too far behind their

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<v Speaker 1>peers when the show was canceled or goes on hiatus.

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<v Speaker 1>So you have a full time job, You have all

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<v Speaker 1>that study and homework, and on top of that, you

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<v Speaker 1>are dealing with the unique issues that come with working

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<v Speaker 1>on any show. What kind of issues you ask for? Starters.

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<v Speaker 1>In order to play to Pengo with those Botta Chelly

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<v Speaker 1>curls we producers decided would be so freaking cool, Danielle

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<v Speaker 1>had to arrive several hours earlier than the rest of

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<v Speaker 1>the cast so her mom and a hairdresser could turn

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<v Speaker 1>her long, beautiful hair into the ten thousand, six d

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<v Speaker 1>twenty eight individual ten drils that created the character's iconic looks.

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<v Speaker 1>Maybe it wasn't exactly ten thousand, six twenty eight, But

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<v Speaker 1>trust me, it was a bunch. How long do you

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<v Speaker 1>think you could sit still and be tortured like that?

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<v Speaker 1>Or how about Will? He was only seventeen when we

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<v Speaker 1>learned him from New York to l A to play

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<v Speaker 1>Corey's big brother Eric. His parents were back east, and

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<v Speaker 1>he didn't know anybody on the West Coast but his

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<v Speaker 1>own older brother. Can you imagine being that isolated as

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<v Speaker 1>a teenager, especially starting a new job surrounded by a

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<v Speaker 1>bunch of complete strangers and really wanting to impress them

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<v Speaker 1>enough to get your career going. As Writer went through

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<v Speaker 1>the normal puberty fueled brooding and angst, he simultaneously appeared

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<v Speaker 1>to wrestle with the very concept of being an actor

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<v Speaker 1>at my request. At my request, his teacher occasionally slipped

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<v Speaker 1>me one of his essays or other written assignments, and

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<v Speaker 1>it was obvious even back then that playing best friend

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<v Speaker 1>Sean would only be the precursor of tapping into skills

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<v Speaker 1>he would feel more comfortable with, like writing and directing.

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<v Speaker 1>With all that personal challenge, long work weeks and keeping

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<v Speaker 1>up with school assignments, those three child actors never once

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<v Speaker 1>let their personal stress leak through into their performances. To

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<v Speaker 1>Pango was ever the girl whose insight and wisdom came

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<v Speaker 1>wrapped in endearing daffiness. Eric's impish smile and hilarious shallowness

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<v Speaker 1>never undermined his position as protector of his younger siblings,

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<v Speaker 1>and Sean remained the supportive and steadfast friend each of

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<v Speaker 1>us wishes we had, even in the face of the

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<v Speaker 1>character's struggles with a family situation that was not always healthy.

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<v Speaker 1>Their unflagging professionalism sharply contrasted with the childish antics, ridiculous demands,

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<v Speaker 1>and surly attitudes I had run across with adult actors

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<v Speaker 1>throughout my career. Because they always behaved with consummate professionalism,

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<v Speaker 1>it was easy for me to forget sometimes that they

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<v Speaker 1>were children, which is why I was so delighted that

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<v Speaker 1>first October when the wardrobe mistress called me at home

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<v Speaker 1>to tell me the entire cast of kids intended to

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<v Speaker 1>show up in Halloween costumes the next morning. I remember

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<v Speaker 1>scrambling to find a photographer to capture their spooky finery

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<v Speaker 1>and paying for it myself, as the studio and network

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<v Speaker 1>had no interest in spending their own money to memorialize

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<v Speaker 1>the event in my long career of writing and producing

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<v Speaker 1>situation comedies, one hour dramas, TV movies and miniseries. Those

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<v Speaker 1>photos where I posed with the cast and my four

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<v Speaker 1>ft long flowered clown tie and my high healed sneakers

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<v Speaker 1>represent the one and only time I ever intentionally had

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<v Speaker 1>my picture taken with any actor. Ugly studio politics swirling

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<v Speaker 1>far outside the notice of the young cast precluded my

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<v Speaker 1>returning to the show I created for a second year,

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<v Speaker 1>but I knew quote my kids unquote would be in

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<v Speaker 1>good hands with director David Trainer, also a consummate professional

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<v Speaker 1>and the perfect man to protect them from the worst

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<v Speaker 1>of the disgusting behavior and dismissive attitude displayed by a

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<v Speaker 1>certain other jerk who shall remain nameless. Even though I

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<v Speaker 1>spent only one season on Boy Meat's World, I have

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<v Speaker 1>always kept happy memories of that time, and I have

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<v Speaker 1>the pictures to prove it. Wow. So there you go.

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<v Speaker 1>That got me emotional. There's our our letter from a brokelly.

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<v Speaker 1>What a lost voice in that room. It's intense that

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<v Speaker 1>she was so aware of who we were and um

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<v Speaker 1>what our experience was like, because yeah, I mean we

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<v Speaker 1>we barely were aware. I look back and I'm like,

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<v Speaker 1>what was happening? Um, So it's so nice that um,

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<v Speaker 1>you know, yeah, and she was there for us. Yeah, listeners,

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<v Speaker 1>you should google her and see what she's done. The

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<v Speaker 1>career this woman has had on television, that this woman

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<v Speaker 1>has had, it's phenomenal. It really writes books now too,

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<v Speaker 1>by the way, you guys can find her books mysteries. Yeah,

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<v Speaker 1>she can write. I mean she can. She can blow

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<v Speaker 1>doors off. I mean it's insane. Yeah, absolutely, I mean

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<v Speaker 1>I'm sure you can tell from that letter. But check

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<v Speaker 1>out her books and google her and see some of

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<v Speaker 1>the people she's worked with and show she's created and

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<v Speaker 1>helped run and I mean so much too. As we've

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<v Speaker 1>learned doing this show. Um, is how many things go uncredited.

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<v Speaker 1>You know, how many jobs people get because they come

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<v Speaker 1>in and are asked to fix something somebody else did,

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<v Speaker 1>But depending on how much they fixed it, that may

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<v Speaker 1>never even your name never even gets credited. You're just

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<v Speaker 1>kind of discarded and the original person gets all the credit.

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<v Speaker 1>And so there's a ton of things you know that

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<v Speaker 1>I'm sure she wasn't even credited for. But the things

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<v Speaker 1>she's she is credited for. Our mind blowing. So anyway. UM,

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<v Speaker 1>I I sincerely wish she was willing to be a

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<v Speaker 1>guest on the podcast because I would love for you

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<v Speaker 1>all to hear her voice in her own voice. UM.

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<v Speaker 1>But with that said, I one hundred percent to understand

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<v Speaker 1>why she does not want to do it. Yeah. We've

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<v Speaker 1>also said from the beginning that we don't ever want

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<v Speaker 1>anybody to come on here and be uncomfortable. The last

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<v Speaker 1>thing we're looking for is trying to have anybody come

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<v Speaker 1>out here and be even slightly uncomfortable about talking about anything.

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<v Speaker 1>And so you know, again she if she even has

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<v Speaker 1>that moment of hesitation, then it's like that it's not

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<v Speaker 1>worth it. It's just I know, I want you to

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<v Speaker 1>feel that way. You know. We also asked Lily if

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<v Speaker 1>Lily was interested in coming on and and Lily very

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<v Speaker 1>politely declined, And I wrote her a second time, uh,

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<v Speaker 1>telling her how much we'd love to have her on,

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<v Speaker 1>And she declined a second time, and I said, I

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<v Speaker 1>totally get it. I will no longer bug you, just

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<v Speaker 1>so you know you have an open door policy. If

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<v Speaker 1>you ever change your mind, we would love to have

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<v Speaker 1>you on. Um. And so yeah, for you know, we've

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<v Speaker 1>we've discussed it there's Um, there's a lot of good

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<v Speaker 1>and and hard that comes with talking this openly and

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<v Speaker 1>looking at your experiences and looking at yourself in this way. Um,

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<v Speaker 1>and I understand why people don't want to do it.

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<v Speaker 1>And as always, like I said, Lily, open door policy,

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<v Speaker 1>Ben open door policy, April, open door policy. Um, if

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<v Speaker 1>they change their minds, I'd love to have them all right, Well,

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<v Speaker 1>call us gluttons for punishment. No break. We talked about it.

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<v Speaker 1>Should we take a break between season one and season two? Where?

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<v Speaker 1>Should we just keep going? And you know what, we

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<v Speaker 1>love each other, We love the show and we love

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<v Speaker 1>you guys so much. We decided who needs a break?

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<v Speaker 1>Will sleep when we're dead? Sweet sweet sleep, Sweet sweet

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<v Speaker 1>sleep of death. I'd like to change my vote? Is

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<v Speaker 1>it too late to change my vote? It's a little

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<v Speaker 1>too late? Well, fair enough. I was thinking about it

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<v Speaker 1>before we jump into season two. Do you guys remember

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<v Speaker 1>the hiatus, the summer hiatus between season one and season

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<v Speaker 1>two and what you did and and all that. Do

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<v Speaker 1>you remember also when you heard that the show was

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<v Speaker 1>picked up? Did we know when season? Like? How far

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<v Speaker 1>after season when ended? We did we know? That's an

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<v Speaker 1>interesting question. I kind of I don't remember it did.

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<v Speaker 1>Now it seems inevitable that we would be picked up.

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<v Speaker 1>So but at the time, like we've talked about, when

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<v Speaker 1>we were filming the last episode, there was the sense

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<v Speaker 1>that it could be the end. So it wasn't for sure,

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<v Speaker 1>but I know what our rays were good. I think

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<v Speaker 1>we were pretty confident. I think there was there was

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<v Speaker 1>a sense that it could end. You know, there was

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<v Speaker 1>there was no guarantee. Um also, maybe I felt that

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<v Speaker 1>way because we knew people could get fired at any moment,

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<v Speaker 1>but certainly, like I, I like there was a sense.

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<v Speaker 1>I remember there was a sense of we were getting

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<v Speaker 1>twenty four share on some episodes, which was a big deal.

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<v Speaker 1>And I remember there was a sense that we were hit.

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<v Speaker 1>So I actually don't even know if I can't explain

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<v Speaker 1>it perfectly. Four people were watching the show in so

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<v Speaker 1>ratings used to work. The Nielsen ratings used to work.

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<v Speaker 1>I mean, I'm assuming they still do, but no one

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<v Speaker 1>really cares about them anymore. As in the same way,

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<v Speaker 1>but it used to work that you would have a

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<v Speaker 1>share of the audience um or, and I don't know

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<v Speaker 1>how it worked out. Was at a percentage? Was it

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<v Speaker 1>actually twenty four million? Million if I think a million, yeah,

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<v Speaker 1>I think, I think. I'm not sure if that's like

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<v Speaker 1>like a Actually the way it worked, but there was

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<v Speaker 1>a shorthand that if you got a twenty four share,

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<v Speaker 1>that meant like twenty three million or twenty four million

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<v Speaker 1>people were watching the show, and that was like our bit,

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<v Speaker 1>and it was Corey's Alternative Friends was our first episode

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<v Speaker 1>to reach that, and then we continued to hit that

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<v Speaker 1>number on a somewhat regular basis throughout the first season,

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<v Speaker 1>which meant that we were a hit, that we were

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<v Speaker 1>enough to stay on the air. Nowadays, that would be

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<v Speaker 1>like the biggest television show of all time, because I'm yeah,

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<v Speaker 1>by the time, I mean when we were getting when

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<v Speaker 1>we got canceled in our seventh season, we were still

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<v Speaker 1>getting like twenty share or whatever, and like only a

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<v Speaker 1>few years later that would have been the number one

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<v Speaker 1>show on television. So you know, I don't mean to

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<v Speaker 1>interrupt in this might make it more confusing, but it

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<v Speaker 1>says in TV media planning, a share refers to the

0:12:37.160 --> 0:12:41.840
<v Speaker 1>percentage of households that is exposed to an advertisement measured

0:12:41.880 --> 0:12:44.960
<v Speaker 1>against the total number of households who were watching television

0:12:44.960 --> 0:12:49.440
<v Speaker 1>at that specific time, which people. Yes, that's the way. Yeah,

0:12:49.440 --> 0:12:51.040
<v Speaker 1>I think that's that's that's what it means. But it

0:12:51.080 --> 0:12:53.600
<v Speaker 1>basically means that that that your show is worth money

0:12:54.200 --> 0:12:56.720
<v Speaker 1>the network because that means that means that they're able

0:12:56.760 --> 0:13:00.319
<v Speaker 1>to turn to advertisers and say, we're getting this kinds

0:13:00.320 --> 0:13:02.480
<v Speaker 1>of numbers, do you want to advertise on this show?

0:13:02.679 --> 0:13:05.000
<v Speaker 1>And so for a show like ours, that's everything because

0:13:05.040 --> 0:13:08.560
<v Speaker 1>that's the network then decides to keep you around. Um yeah,

0:13:08.559 --> 0:13:10.800
<v Speaker 1>so I don't I don't know, I just yeah, So

0:13:11.000 --> 0:13:14.959
<v Speaker 1>I didn't remember this correctly. I had thought between second

0:13:15.000 --> 0:13:17.080
<v Speaker 1>and third season I went off and did an ABC

0:13:17.240 --> 0:13:19.080
<v Speaker 1>Movie of the Week, but I actually did it between

0:13:19.080 --> 0:13:22.520
<v Speaker 1>first and second season. Yeah, I did, which is crazy,

0:13:22.600 --> 0:13:25.320
<v Speaker 1>like you know, there I and will You ended up

0:13:25.320 --> 0:13:27.839
<v Speaker 1>doing multiple versions of these. But you know, back then

0:13:27.840 --> 0:13:30.320
<v Speaker 1>they would just like cast you in a TV show

0:13:30.360 --> 0:13:32.040
<v Speaker 1>if you were on like on a b R in

0:13:32.080 --> 0:13:34.480
<v Speaker 1>a movie. So ABC did Movies of the Week and

0:13:34.720 --> 0:13:36.840
<v Speaker 1>they just gave me a job, I guess as an

0:13:36.880 --> 0:13:39.440
<v Speaker 1>indication of like how well boy Me's world was doing

0:13:39.480 --> 0:13:42.400
<v Speaker 1>and that I was getting sort of acknowledged as a

0:13:42.400 --> 0:13:44.800
<v Speaker 1>as an actor on this show and like not no

0:13:44.800 --> 0:13:47.680
<v Speaker 1>longer just the two line best friend. They just offered

0:13:47.679 --> 0:13:50.040
<v Speaker 1>me the starring role in this ABC movie of the

0:13:50.040 --> 0:13:55.600
<v Speaker 1>Week called Summertime Switch, and so I went off to Jacksonville,

0:13:55.600 --> 0:13:59.559
<v Speaker 1>Florida for at least three weeks. It was. It was

0:13:59.600 --> 0:14:03.160
<v Speaker 1>an amazing in cast. Actually, so it's Jason Weaver who

0:14:03.280 --> 0:14:06.600
<v Speaker 1>had been um the singing voice of Young Simba, and

0:14:06.640 --> 0:14:09.840
<v Speaker 1>he was an amazing singer and dancer, uh and actor.

0:14:09.920 --> 0:14:11.960
<v Speaker 1>He was UM. He was also in the Jackson five

0:14:12.080 --> 0:14:14.040
<v Speaker 1>movie that had been come out around that time, like

0:14:14.200 --> 0:14:16.360
<v Speaker 1>maybe a year or two before they did a television

0:14:16.400 --> 0:14:18.240
<v Speaker 1>movie about the Jackson five. So he was this an

0:14:18.240 --> 0:14:22.640
<v Speaker 1>incredibly talented actor. And we played two guys who go

0:14:22.720 --> 0:14:24.880
<v Speaker 1>to the wrong summer camp, like we have the same name,

0:14:25.240 --> 0:14:28.000
<v Speaker 1>and I'm like the preppy guy and he's like the

0:14:28.120 --> 0:14:30.880
<v Speaker 1>criminal kid, and we I end up at the prison

0:14:30.960 --> 0:14:32.880
<v Speaker 1>summer camp and he ends up at like the rich

0:14:32.960 --> 0:14:35.360
<v Speaker 1>kids summer camp. And so I actually didn't get to

0:14:35.360 --> 0:14:37.200
<v Speaker 1>work with Jason all that much because we were on

0:14:37.360 --> 0:14:40.320
<v Speaker 1>opposite scenes all the time. But also had Soleigh Moonfry

0:14:40.400 --> 0:14:42.760
<v Speaker 1>in it. It had David tom if you guys remember

0:14:42.800 --> 0:14:45.240
<v Speaker 1>David Toms, Patrick Grenna and one of the sand Loot

0:14:45.240 --> 0:14:46.760
<v Speaker 1>guys was in it. When he was him a lot,

0:14:46.960 --> 0:14:48.520
<v Speaker 1>So it was a really fun cast. It was just

0:14:48.520 --> 0:14:51.880
<v Speaker 1>basically like it was basically like summer camping in Jacksonville, Florida.

0:14:51.920 --> 0:14:54.160
<v Speaker 1>Like I remember I did my first time doing karaoke

0:14:54.320 --> 0:14:56.840
<v Speaker 1>out there, um, and like none of us really cared

0:14:56.840 --> 0:15:00.920
<v Speaker 1>about the movie. Were like, you know, I think I'm

0:15:00.960 --> 0:15:03.040
<v Speaker 1>horrible in this film. I had to play basketball, which

0:15:03.040 --> 0:15:05.160
<v Speaker 1>I think I talked about on this show was the biggest.

0:15:07.480 --> 0:15:09.920
<v Speaker 1>But this also explains why my hair is so short

0:15:09.920 --> 0:15:12.000
<v Speaker 1>coming back into season two, because they gave me like

0:15:12.000 --> 0:15:15.160
<v Speaker 1>a super short, preppy haircut, and I'm like, you know,

0:15:15.680 --> 0:15:17.600
<v Speaker 1>I don't know. You know, some people have reached out

0:15:17.640 --> 0:15:19.560
<v Speaker 1>to me and said that they love this movie. I

0:15:19.640 --> 0:15:23.880
<v Speaker 1>refused to watch. Oh god, it's so maybe it's amazing.

0:15:24.000 --> 0:15:25.840
<v Speaker 1>I'm not going to watch it though, I'm so embarrassed.

0:15:25.840 --> 0:15:30.720
<v Speaker 1>But to the rewatch of Summertime Switch podcasts, No, No,

0:15:30.880 --> 0:15:33.760
<v Speaker 1>why writer it Similarly to the way you look like

0:15:33.760 --> 0:15:35.840
<v Speaker 1>a child in Boy Meets World, you would look like

0:15:35.880 --> 0:15:38.040
<v Speaker 1>a child in this movie. And so it's not going

0:15:38.080 --> 0:15:40.680
<v Speaker 1>to be like self conscious because it looks like you

0:15:40.800 --> 0:15:42.720
<v Speaker 1>as a grown man on screen. Why would you not

0:15:42.800 --> 0:15:45.160
<v Speaker 1>watch it? I think I'm very bad in and I

0:15:45.200 --> 0:15:48.440
<v Speaker 1>remember having struggles with the director. I remember the director

0:15:49.440 --> 0:15:53.440
<v Speaker 1>wanting me to be funnier and pushing me into you

0:15:53.480 --> 0:15:56.800
<v Speaker 1>know what was probably required, which was to be an

0:15:56.840 --> 0:16:00.640
<v Speaker 1>over the top funny character. And I didn't want to

0:16:00.640 --> 0:16:02.800
<v Speaker 1>be that actor, Like I didn't enjoy that kind of acting,

0:16:02.800 --> 0:16:05.120
<v Speaker 1>Like I was not interesting. Like I remember him specifically

0:16:05.160 --> 0:16:07.680
<v Speaker 1>being like, be more like Jim Carrey, you know how

0:16:07.760 --> 0:16:10.960
<v Speaker 1>Jim carried and like, I am not that guy like

0:16:11.000 --> 0:16:13.800
<v Speaker 1>and at the time, I I didn't like that, Like

0:16:13.840 --> 0:16:15.480
<v Speaker 1>I didn't want you know, of course, I wanted to

0:16:15.520 --> 0:16:17.480
<v Speaker 1>be a serious actor. I wanted to be a real actor.

0:16:17.560 --> 0:16:20.280
<v Speaker 1>I came from theater. Boy Meets World was not really

0:16:20.280 --> 0:16:23.160
<v Speaker 1>my style like doing, you know. So I just suddenly

0:16:23.160 --> 0:16:26.520
<v Speaker 1>found myself being plugged into this over the top comedy,

0:16:26.560 --> 0:16:28.960
<v Speaker 1>which I'm sure is fine. It just wasn't me, you know.

0:16:29.040 --> 0:16:31.160
<v Speaker 1>And so I was very uncomfortable the entire time with

0:16:31.200 --> 0:16:33.520
<v Speaker 1>the actual acting. And so when I look back on it,

0:16:33.560 --> 0:16:37.040
<v Speaker 1>I just feel uncomfortable and the like when I've seen screenshots,

0:16:37.120 --> 0:16:40.160
<v Speaker 1>I just it makes my skin crawl. As an experience,

0:16:40.240 --> 0:16:43.120
<v Speaker 1>it was super fun off camera, like it we were

0:16:43.160 --> 0:16:45.560
<v Speaker 1>all staying in the same hotel, you know, it's all

0:16:45.600 --> 0:16:47.680
<v Speaker 1>a bunch of kids and our parents and we would

0:16:47.720 --> 0:16:50.640
<v Speaker 1>just play games and hang out and um, it was

0:16:50.760 --> 0:16:52.800
<v Speaker 1>so like it was a good experience as far as

0:16:52.840 --> 0:16:55.200
<v Speaker 1>the you know, the friendships that I've forged and the

0:16:55.240 --> 0:16:58.240
<v Speaker 1>relationships we had off camera, but on camera I was

0:16:58.320 --> 0:17:01.080
<v Speaker 1>I was really uncomfortable and unhappy, which you know just happens.

0:17:01.120 --> 0:17:05.000
<v Speaker 1>I challenge you to doing a Summertimes which rewatch this

0:17:05.080 --> 0:17:09.000
<v Speaker 1>season within as a special episode. We can, we can

0:17:09.040 --> 0:17:11.560
<v Speaker 1>rewatch it and talk about it. You can say no,

0:17:11.680 --> 0:17:13.840
<v Speaker 1>but I'm just throwing it out there with love. It

0:17:13.880 --> 0:17:16.040
<v Speaker 1>would be a it's a safe space and then we

0:17:16.080 --> 0:17:18.760
<v Speaker 1>can do my date with the President's daughter there you go. Yeah,

0:17:18.760 --> 0:17:20.760
<v Speaker 1>but Will is actually great in that if I remember,

0:17:20.760 --> 0:17:25.199
<v Speaker 1>I'm phenomenal, absolutely phenomenal that the thing Will was always

0:17:25.440 --> 0:17:27.800
<v Speaker 1>you just always loved acting like you were always so

0:17:27.840 --> 0:17:30.720
<v Speaker 1>comfortable in your skin, and you knew exactly what you

0:17:30.760 --> 0:17:32.720
<v Speaker 1>were doing and who you were, and you were doing

0:17:32.760 --> 0:17:35.480
<v Speaker 1>exactly what you like I grew up wanting to do.

0:17:35.840 --> 0:17:37.600
<v Speaker 1>You know, for me, I was always like, why am

0:17:37.640 --> 0:17:40.160
<v Speaker 1>I here? What is happening? And I just always felt,

0:17:40.320 --> 0:17:43.240
<v Speaker 1>you know, out of place? Was always less Jim Carrey

0:17:43.359 --> 0:17:47.800
<v Speaker 1>less like Jim Carrey, so, well, what did you do

0:17:47.920 --> 0:17:52.359
<v Speaker 1>during that summer hiatus? This was in some ways of

0:17:52.720 --> 0:17:55.000
<v Speaker 1>a wonderful hiatus for me, and in some ways a

0:17:55.119 --> 0:17:58.760
<v Speaker 1>very horrible hiatus for me. So I was living in

0:17:58.840 --> 0:18:02.399
<v Speaker 1>Los Angeles, I had, you know, was starting my life

0:18:02.800 --> 0:18:05.400
<v Speaker 1>as an adult, and then I had to go back

0:18:05.440 --> 0:18:08.720
<v Speaker 1>and graduate high school. And high school was not a

0:18:08.800 --> 0:18:11.920
<v Speaker 1>good time for me. Um, I did not you know,

0:18:12.000 --> 0:18:13.680
<v Speaker 1>I was not treated real well in high school. I

0:18:13.720 --> 0:18:16.840
<v Speaker 1>didn't have a close group of friends. Um, you know,

0:18:16.880 --> 0:18:18.720
<v Speaker 1>I wasn't going to any of the parties and any stuff.

0:18:18.760 --> 0:18:21.719
<v Speaker 1>And then I came back and from being on television,

0:18:22.520 --> 0:18:25.200
<v Speaker 1>I was now one of the popular guys, and and

0:18:25.280 --> 0:18:27.720
<v Speaker 1>they had rewritten history to where all the times I

0:18:27.760 --> 0:18:29.600
<v Speaker 1>was not invited to parties, all of a sudden I

0:18:29.640 --> 0:18:33.119
<v Speaker 1>was there. So they'd start saying things like remember that party,

0:18:33.119 --> 0:18:34.480
<v Speaker 1>and I'd be like, no, I wasn't there, Like yeah

0:18:34.480 --> 0:18:36.159
<v Speaker 1>you were, Yeah, no we hung out that Like, all

0:18:36.200 --> 0:18:39.520
<v Speaker 1>of a sudden, I was rewritten into this history where

0:18:39.520 --> 0:18:42.640
<v Speaker 1>every Friday night I was home with my parents. But

0:18:42.760 --> 0:18:45.200
<v Speaker 1>now everyone wanted to brag about being your friend now.

0:18:49.480 --> 0:18:52.800
<v Speaker 1>So it was so the first three months leaving the show,

0:18:52.920 --> 0:18:54.359
<v Speaker 1>was tough because it was like I just wanted to

0:18:54.400 --> 0:18:56.160
<v Speaker 1>get through school. By that point, I was just over

0:18:57.680 --> 0:18:59.880
<v Speaker 1>seas would end in March, and so we would still

0:19:00.080 --> 0:19:03.199
<v Speaker 1>of like most of March, April, May, and then however

0:19:03.240 --> 0:19:06.240
<v Speaker 1>long Intervil. So I had like three and a half

0:19:06.280 --> 0:19:08.159
<v Speaker 1>months of school and I was just over it. I

0:19:08.200 --> 0:19:10.800
<v Speaker 1>wanted to just get out. And and then so once

0:19:10.840 --> 0:19:13.000
<v Speaker 1>once I graduated, it was great because then I went

0:19:13.080 --> 0:19:15.919
<v Speaker 1>and did UM, an awesome show on Nickelodeon. I did

0:19:15.920 --> 0:19:17.480
<v Speaker 1>in an episode of Are You Afraid of the Dark,

0:19:18.200 --> 0:19:21.000
<v Speaker 1>which is a super cool show and has become like

0:19:21.040 --> 0:19:24.639
<v Speaker 1>a cult hit, and I got to play a character

0:19:24.680 --> 0:19:26.400
<v Speaker 1>we were up in. We shot it up in Montreal,

0:19:26.960 --> 0:19:28.840
<v Speaker 1>and I got to play a character who's walking home

0:19:28.880 --> 0:19:30.920
<v Speaker 1>through these thick woods. You would have loved it. Writer

0:19:31.040 --> 0:19:33.360
<v Speaker 1>like this, He's a revolutionary work. And it turns out, yeah,

0:19:33.359 --> 0:19:36.600
<v Speaker 1>it turns out that he runs into a character an

0:19:36.600 --> 0:19:39.679
<v Speaker 1>old Rever War soldier. I think we watched it one

0:19:39.680 --> 0:19:43.520
<v Speaker 1>time at your house because I asked, and a ton

0:19:43.560 --> 0:19:45.879
<v Speaker 1>of fun. And my one cool friend from high school

0:19:45.960 --> 0:19:47.560
<v Speaker 1>I literally talked to you last night, who I'm still

0:19:47.560 --> 0:19:50.320
<v Speaker 1>really good friends with. UM was an extra and he

0:19:50.359 --> 0:19:52.919
<v Speaker 1>was the guy who He always looked like he was

0:19:53.040 --> 0:19:56.080
<v Speaker 1>forty when when we were in high school. So sitting

0:19:56.160 --> 0:19:58.040
<v Speaker 1>right behind me is is a guy we're supposed to

0:19:58.040 --> 0:19:59.800
<v Speaker 1>be like freshman in high school. It looks like it's

0:19:59.840 --> 0:20:01.919
<v Speaker 1>like sweet Beard. He came up to visit you when

0:20:01.920 --> 0:20:03.919
<v Speaker 1>you were in Montreal. She was my he I was

0:20:04.000 --> 0:20:06.439
<v Speaker 1>not yet eighteen, so I think he was like my

0:20:06.560 --> 0:20:09.359
<v Speaker 1>legal guardian because he was eighteen and a half or

0:20:09.400 --> 0:20:12.320
<v Speaker 1>something like that. So we drove up. We got into

0:20:12.320 --> 0:20:13.920
<v Speaker 1>my car. He and I would always take road trips.

0:20:13.920 --> 0:20:15.399
<v Speaker 1>He driven across the country a bunch of times with

0:20:15.480 --> 0:20:18.240
<v Speaker 1>up Google shout out um and he would. So we

0:20:18.320 --> 0:20:20.320
<v Speaker 1>drove up to Montreal from Kenneticut was like a six

0:20:20.320 --> 0:20:22.760
<v Speaker 1>hour drive and we went to checked everything out and

0:20:22.800 --> 0:20:24.800
<v Speaker 1>hung out in Montreal and I got to shoot be

0:20:25.320 --> 0:20:27.720
<v Speaker 1>the best and I got to shoot for It was

0:20:27.760 --> 0:20:30.080
<v Speaker 1>like two weeks and we just had it was just fun.

0:20:30.160 --> 0:20:33.639
<v Speaker 1>So it was it was the tale of two to

0:20:33.840 --> 0:20:36.120
<v Speaker 1>hiatuses for me where it started really bad and ended

0:20:36.119 --> 0:20:39.840
<v Speaker 1>really great. And I like writer. I honestly can't remember

0:20:40.720 --> 0:20:42.919
<v Speaker 1>finding out when the show was picked up. I have

0:20:43.040 --> 0:20:45.600
<v Speaker 1>no memory of Actually, I don't know if I got

0:20:45.600 --> 0:20:47.760
<v Speaker 1>a call or we were all. I mean, there wasn't

0:20:47.800 --> 0:20:49.720
<v Speaker 1>an email chain or anything like that at the time.

0:20:49.760 --> 0:20:53.800
<v Speaker 1>So I imagine you get a call from agent right going, hey,

0:20:53.840 --> 0:20:56.439
<v Speaker 1>they picked you up for another season. But I have

0:20:56.520 --> 0:20:59.040
<v Speaker 1>no memory of it whatsoever. Yeah, I don't either. I

0:20:59.040 --> 0:21:01.040
<v Speaker 1>have no memory of that. Also have no memory of

0:21:01.040 --> 0:21:03.439
<v Speaker 1>the summer. But I also like, just went back to

0:21:03.520 --> 0:21:06.119
<v Speaker 1>normal school, and then we probably went to Hawaii. My

0:21:06.160 --> 0:21:09.040
<v Speaker 1>family went to Hawaii every year, so that's where I

0:21:09.080 --> 0:21:12.360
<v Speaker 1>came back with that stellar tan and the natural blonde highlights.

0:21:12.480 --> 0:21:14.320
<v Speaker 1>And you hate it, and now you hate the beach.

0:21:15.280 --> 0:21:17.560
<v Speaker 1>I don't. I don't want to be in the sun,

0:21:17.600 --> 0:21:19.480
<v Speaker 1>but I do think I do love the beach and

0:21:20.440 --> 0:21:23.000
<v Speaker 1>on the beach. Correct, that is what I do if

0:21:23.040 --> 0:21:27.120
<v Speaker 1>I go to a tropical place. I'm under a cabana um.

0:21:27.200 --> 0:21:31.040
<v Speaker 1>But yeah, I have no fun summer stories. Did you.

0:21:31.040 --> 0:21:33.360
<v Speaker 1>You didn't shoot anything or anything in between. I never

0:21:33.480 --> 0:21:37.160
<v Speaker 1>once shot anything in between. I never wanted to another project.

0:21:39.280 --> 0:21:42.320
<v Speaker 1>Mostly by choice, I wanted to go back to I

0:21:42.359 --> 0:21:45.280
<v Speaker 1>was such a regular school kid. I wanted to go

0:21:45.359 --> 0:21:49.840
<v Speaker 1>back to regular school so bad. I loved the flip

0:21:49.880 --> 0:21:52.280
<v Speaker 1>of just being able to be with my high school

0:21:52.280 --> 0:21:54.879
<v Speaker 1>friends and the high school boys and the you know,

0:21:55.000 --> 0:21:57.320
<v Speaker 1>the normal high school experience. I wanted to do that,

0:21:57.440 --> 0:22:01.000
<v Speaker 1>and um, I also don't think I think I was

0:22:01.040 --> 0:22:03.120
<v Speaker 1>also like, I'm not going to audition. I work all

0:22:03.119 --> 0:22:05.359
<v Speaker 1>throughout the year. I don't want audition for stuff. And

0:22:05.359 --> 0:22:06.880
<v Speaker 1>I don't think I was being offered anything. I don't

0:22:06.880 --> 0:22:08.880
<v Speaker 1>think I turned it down an offer, but maybe I did.

0:22:09.240 --> 0:22:14.280
<v Speaker 1>But no, I have such boring hiatus stories, so I'm

0:22:14.320 --> 0:22:19.399
<v Speaker 1>gonna just yours. I'll think about it. Maybe I'll make

0:22:19.440 --> 0:22:24.520
<v Speaker 1>one up for between season three and season four or something. Yeah,

0:22:24.600 --> 0:22:26.280
<v Speaker 1>there's there's some kind of saving a kid from a

0:22:26.280 --> 0:22:28.600
<v Speaker 1>fire or something you can Yeah, that's a good idea. Okay,

0:22:28.640 --> 0:22:32.800
<v Speaker 1>well we'll workshop that. I like it. Well, welcome to

0:22:32.840 --> 0:22:35.800
<v Speaker 1>Pod meets World. I'm Daniel Fishel, I'm right or Strong,

0:22:35.960 --> 0:22:49.040
<v Speaker 1>and I'm Wilfredell. Okay. So, season two, episode one, back

0:22:49.080 --> 0:22:54.919
<v Speaker 1>to School. It originally aired September. The synopsis is Corey

0:22:54.920 --> 0:22:57.280
<v Speaker 1>and Sean don't exactly enjoy their first day of high

0:22:57.320 --> 0:22:59.679
<v Speaker 1>school when they face a new teacher, a bully, and

0:22:59.760 --> 0:23:03.399
<v Speaker 1>a face from the past. It was directed by David Traynor,

0:23:03.440 --> 0:23:07.000
<v Speaker 1>written by David Kendall. His first episode on Boy Mets world,

0:23:07.240 --> 0:23:12.160
<v Speaker 1>So many changes, so many changes. Two, we have a

0:23:12.200 --> 0:23:15.399
<v Speaker 1>lot of guest stars, so many guest stars. We have

0:23:15.760 --> 0:23:19.159
<v Speaker 1>Anthony Tyler Quinn who was listed as a guest star. Really,

0:23:19.280 --> 0:23:22.439
<v Speaker 1>I think he was a regular by this thought started

0:23:22.440 --> 0:23:28.080
<v Speaker 1>as a regular. Yeah, to double check, I thought interesting.

0:23:28.440 --> 0:23:31.359
<v Speaker 1>So Anthony Tyler Quinn. We know him affectionately as Tony Quinn.

0:23:31.359 --> 0:23:36.040
<v Speaker 1>He played Mr Turner, Danny McNulty, Harley Kiner, Kevin West

0:23:36.320 --> 0:23:41.240
<v Speaker 1>was Mr Stimpleton, Laura Scott was the nurse Blake Soaper,

0:23:41.400 --> 0:23:46.199
<v Speaker 1>Joey the Rat, Ethan Supply, Frankie Stachino, Marguerite Murrow was

0:23:46.480 --> 0:23:51.720
<v Speaker 1>Gail the long haired brunette, and Jeremy Wyand was Alvin.

0:23:52.200 --> 0:23:55.160
<v Speaker 1>And I think he is the person at the opening

0:23:55.160 --> 0:23:57.160
<v Speaker 1>of the show who doesn't have a shirt on says

0:23:57.200 --> 0:24:01.280
<v Speaker 1>that the seniors stole his shirt. No, Alvin. He was

0:24:01.359 --> 0:24:04.439
<v Speaker 1>one of the quote unquote nerds, wasn't he? And did

0:24:04.520 --> 0:24:06.640
<v Speaker 1>you say the other nerd which is Kaplan? What's his name?

0:24:06.680 --> 0:24:10.560
<v Speaker 1>The nerds were Jonathan Charles Kaplan. He was Herbert and

0:24:10.600 --> 0:24:13.280
<v Speaker 1>here's yeah, he worked. He took over from me from

0:24:13.320 --> 0:24:15.679
<v Speaker 1>the Graduate when we did really, when I did the

0:24:15.680 --> 0:24:18.399
<v Speaker 1>tour for the Graduate play, yeah, he took over from me,

0:24:18.920 --> 0:24:20.720
<v Speaker 1>so I met him years later and when we were

0:24:20.720 --> 0:24:25.240
<v Speaker 1>in our twenties. But the other nerd, Lucas Jackson. Guess

0:24:25.240 --> 0:24:34.400
<v Speaker 1>what that NERD's name was, what Limpkey? No, yeah, really recycled.

0:24:34.560 --> 0:24:37.399
<v Speaker 1>They recycled the name and just gave him the last name.

0:24:37.560 --> 0:24:41.440
<v Speaker 1>Calm on. Well if you think, I mean, you know,

0:24:41.240 --> 0:24:43.560
<v Speaker 1>you didn't work the first time, why would anybody know,

0:24:43.640 --> 0:24:47.240
<v Speaker 1>so you just pull out the same kind of uncool though.

0:24:47.520 --> 0:24:51.320
<v Speaker 1>I agree, mostly because my very first thought. And we're

0:24:51.320 --> 0:24:55.400
<v Speaker 1>not even in the recap yet, but yes, they started

0:24:55.440 --> 0:24:58.159
<v Speaker 1>off the scene in the school with two two nerds.

0:24:58.320 --> 0:25:04.760
<v Speaker 1>I know it's it's it's that it was infuriated. I

0:25:04.880 --> 0:25:07.679
<v Speaker 1>know it was infuriated. And then to find out in

0:25:07.880 --> 0:25:12.760
<v Speaker 1>looking it up, Lemky, I honestly it was a little insulted. Um.

0:25:12.800 --> 0:25:15.360
<v Speaker 1>So yeah, So Jeremy Wyant wasn't. Alvin was not one

0:25:15.400 --> 0:25:18.239
<v Speaker 1>of those two nerd characters, and Lemkey so I think

0:25:18.320 --> 0:25:22.919
<v Speaker 1>he was. I think he's I think Alvin the senior seniors. Um.

0:25:23.000 --> 0:25:25.760
<v Speaker 1>And then this was actually my first normal credit on

0:25:25.800 --> 0:25:29.080
<v Speaker 1>the show. I wasn't listed as a guest. Hey, welcome

0:25:29.119 --> 0:25:33.639
<v Speaker 1>to the show, Danielle. So I my mom swears that

0:25:33.680 --> 0:25:37.480
<v Speaker 1>I was, so I don't know. The mystery continues. I

0:25:37.480 --> 0:25:41.600
<v Speaker 1>need to talk. We need to talk to Judy Savage. Um.

0:25:41.640 --> 0:25:44.359
<v Speaker 1>And now we are as part of the cast. And

0:25:44.560 --> 0:25:47.440
<v Speaker 1>you you were, you were, You must have been guaranteed

0:25:47.480 --> 0:25:49.879
<v Speaker 1>thirteen out of exactly that's I think what it was.

0:25:49.960 --> 0:25:52.320
<v Speaker 1>I was regular, but I was only guaranteed thirteen or

0:25:52.560 --> 0:25:54.880
<v Speaker 1>maybe even seventeen out of twenty one, but I think

0:25:54.880 --> 0:25:56.960
<v Speaker 1>it was thirteen for the first For this second season,

0:25:57.320 --> 0:26:00.399
<v Speaker 1>and we've got a new I guess, short and cool

0:26:00.840 --> 0:26:04.919
<v Speaker 1>cartoon opening, no credits really just new theme music and

0:26:04.960 --> 0:26:09.600
<v Speaker 1>a and a cartoony dude being discussed. Do you guys

0:26:09.640 --> 0:26:13.399
<v Speaker 1>remember this, Like I, I I don't know. I remember Michael

0:26:13.400 --> 0:26:15.520
<v Speaker 1>pitching us this during note session. We're not gonna have

0:26:15.560 --> 0:26:18.520
<v Speaker 1>opening credits, We're just gonna have a cool cartoon. And

0:26:18.560 --> 0:26:20.960
<v Speaker 1>it's it was kind of like a I think maybe

0:26:20.960 --> 0:26:23.600
<v Speaker 1>it was a new idea or maybe just a trendier

0:26:23.920 --> 0:26:26.040
<v Speaker 1>thing that was. You know, it was like an evolution

0:26:26.200 --> 0:26:28.640
<v Speaker 1>in television shows. They were moving away from that sort

0:26:28.680 --> 0:26:32.280
<v Speaker 1>of eighties sitcom opening credits, you know. But it's also

0:26:32.359 --> 0:26:34.400
<v Speaker 1>you get more time to do, get way more time

0:26:34.440 --> 0:26:37.280
<v Speaker 1>for writing, which is why. Obviously the writers loved it

0:26:37.640 --> 0:26:40.280
<v Speaker 1>um but I think it was a relatively new idea

0:26:40.320 --> 0:26:42.080
<v Speaker 1>at the time. And then of course we ended up

0:26:42.080 --> 0:26:45.239
<v Speaker 1>going back to opening credits in the intern near the end.

0:26:46.800 --> 0:26:50.280
<v Speaker 1>I wonder where I did. I didn't want the I

0:26:50.320 --> 0:26:52.000
<v Speaker 1>didn't care whether or not it was the first one,

0:26:52.000 --> 0:26:55.560
<v Speaker 1>but I kind of missed having opening credits. I think

0:26:55.560 --> 0:27:00.040
<v Speaker 1>it's great for actors to be individualized too, Like I

0:27:00.640 --> 0:27:03.120
<v Speaker 1>seeing an actor's face with their name, I think that's

0:27:03.160 --> 0:27:06.479
<v Speaker 1>really part of the reason. You know, like people know

0:27:06.600 --> 0:27:10.360
<v Speaker 1>my name, like people know that no you know any

0:27:10.400 --> 0:27:13.000
<v Speaker 1>anything to say like this is a performance, this is

0:27:13.000 --> 0:27:16.959
<v Speaker 1>a person beyond this character. I think it is respectful

0:27:17.000 --> 0:27:19.879
<v Speaker 1>for actors like to be to be identified that way.

0:27:20.119 --> 0:27:22.159
<v Speaker 1>I know it. It breaks the fourth wall, and it

0:27:22.200 --> 0:27:25.520
<v Speaker 1>can kind of make it. It can get easily get hokey.

0:27:25.560 --> 0:27:28.680
<v Speaker 1>But as far as like what actors bring and and

0:27:28.680 --> 0:27:32.120
<v Speaker 1>and and recognizing actors as individuals and not just part

0:27:32.119 --> 0:27:35.000
<v Speaker 1>of an ensemble but individuals, I really like opening credits

0:27:35.000 --> 0:27:37.480
<v Speaker 1>for that, but I don't like them creatively, as you know,

0:27:37.520 --> 0:27:40.360
<v Speaker 1>as far as breaking the fourth wall experience, I disagree.

0:27:40.400 --> 0:27:42.240
<v Speaker 1>I like to get I like more show. I want

0:27:42.240 --> 0:27:43.920
<v Speaker 1>to have more show. It's like, here's the show. We've

0:27:43.920 --> 0:27:46.680
<v Speaker 1>got great, this is the title of it. Let's move on, right.

0:27:46.800 --> 0:27:48.680
<v Speaker 1>And I guess nowadays it doesn't matter as much because

0:27:48.680 --> 0:27:50.600
<v Speaker 1>you can always look up actors on the internet. You

0:27:50.640 --> 0:27:52.560
<v Speaker 1>can easily be like, who's the person who plays blah

0:27:52.600 --> 0:27:54.640
<v Speaker 1>blah blah. But back then, the only way anybody ever

0:27:54.720 --> 0:27:57.360
<v Speaker 1>knew like that, right or strong wasn't the guy who

0:27:57.400 --> 0:27:59.480
<v Speaker 1>was the cool teacher but the kid, you know, it

0:27:59.560 --> 0:28:02.840
<v Speaker 1>was because of those opening credits under our faces, like yeah,

0:28:03.040 --> 0:28:05.760
<v Speaker 1>it was a really respectful sort of like showcase of

0:28:06.160 --> 0:28:09.200
<v Speaker 1>this person is this character. I just never cared about

0:28:09.280 --> 0:28:11.240
<v Speaker 1>that stuff. I was one of those guys like it's like, well,

0:28:11.480 --> 0:28:13.280
<v Speaker 1>your fourth on the call sheet or third on the

0:28:13.320 --> 0:28:15.840
<v Speaker 1>call So for people out there don't know, you get

0:28:15.840 --> 0:28:18.000
<v Speaker 1>a call sheet kind of every week telling you, you know,

0:28:18.040 --> 0:28:19.760
<v Speaker 1>when you have to come into the set, who's going

0:28:19.800 --> 0:28:22.959
<v Speaker 1>to be there that day, And the where you're listed

0:28:22.960 --> 0:28:25.080
<v Speaker 1>on the call sheet is usually where your credit on

0:28:25.080 --> 0:28:26.919
<v Speaker 1>our show. And it was a script, right, and we

0:28:26.920 --> 0:28:29.159
<v Speaker 1>don't really have a call It was our scripts, and

0:28:29.200 --> 0:28:31.520
<v Speaker 1>so I just didn't. It was I had agents that

0:28:31.560 --> 0:28:32.760
<v Speaker 1>were like, well, do you want us to fight? So

0:28:32.800 --> 0:28:34.720
<v Speaker 1>you can be. I was like, I don't care where

0:28:34.800 --> 0:28:37.840
<v Speaker 1>I'm listed. I do not care at all about that stuff.

0:28:37.840 --> 0:28:40.080
<v Speaker 1>I will let my performance speak for itself, and I

0:28:40.080 --> 0:28:42.400
<v Speaker 1>don't care where you have me on the list of people.

0:28:42.400 --> 0:28:45.960
<v Speaker 1>I've just always done that, so I'd like I get

0:28:45.960 --> 0:28:47.600
<v Speaker 1>when to get to the show. Plus, but you know,

0:28:48.000 --> 0:28:50.040
<v Speaker 1>again going back to the shows like Mash and Cheers

0:28:50.040 --> 0:28:51.400
<v Speaker 1>and stuff like that, I would rather have seen a

0:28:51.400 --> 0:28:53.760
<v Speaker 1>longer episode of those shows than see the same title

0:28:53.840 --> 0:28:57.640
<v Speaker 1>over over again. Um yeah, yeah, I think it's it's lost.

0:28:57.640 --> 0:29:01.200
<v Speaker 1>It's it's lost its value for at because everyone can

0:29:01.200 --> 0:29:03.480
<v Speaker 1>be looked up online, it doesn't matter as much. But

0:29:03.640 --> 0:29:06.320
<v Speaker 1>now there is also a value in you know, you

0:29:06.320 --> 0:29:08.400
<v Speaker 1>think about the Game of Thrones opening credits, like there's

0:29:08.480 --> 0:29:10.920
<v Speaker 1>so much heavy lifting being done as far as like

0:29:11.040 --> 0:29:13.920
<v Speaker 1>explaining the world and mapping it out for people and

0:29:13.960 --> 0:29:16.080
<v Speaker 1>like giving you a sense of you know. And I

0:29:16.120 --> 0:29:18.640
<v Speaker 1>also think that there's there's become this huge movement I

0:29:18.680 --> 0:29:24.640
<v Speaker 1>mean basically post the seven opening credits. Um that this

0:29:24.720 --> 0:29:29.920
<v Speaker 1>idea of like stylistically establishing the tone through the opening credits.

0:29:30.000 --> 0:29:31.760
<v Speaker 1>You know, like that's like basically now you can't have

0:29:31.800 --> 0:29:34.800
<v Speaker 1>an HBO show without like creepy piano music and like

0:29:34.800 --> 0:29:38.360
<v Speaker 1>an amazingly shot opening credit sequence that sets the tone

0:29:38.400 --> 0:29:40.960
<v Speaker 1>for the entire show. But I really starting to explain

0:29:41.000 --> 0:29:43.600
<v Speaker 1>the world didn't really start with James Bond, the James

0:29:43.640 --> 0:29:45.880
<v Speaker 1>Bond movies where it was like that was the big thing.

0:29:45.960 --> 0:29:47.920
<v Speaker 1>Was what who was going to sing the opening song?

0:29:47.960 --> 0:29:49.680
<v Speaker 1>What the opening title credit was going to be? That

0:29:49.720 --> 0:29:52.000
<v Speaker 1>was like a character of the movie was was that

0:29:52.080 --> 0:29:55.280
<v Speaker 1>kind of stuff. But well, let's jump into our recap.

0:29:55.360 --> 0:29:57.960
<v Speaker 1>We start in the Matthews kitchen, and boy, oh boys,

0:29:58.000 --> 0:29:59.840
<v Speaker 1>it pretty obvious right off the top that a lot

0:30:00.160 --> 0:30:04.160
<v Speaker 1>growing up has happened for everybody. Yeah, Alan yells for

0:30:04.200 --> 0:30:06.840
<v Speaker 1>Corey Rusty is a fresh new cut, saying he's going

0:30:06.880 --> 0:30:08.680
<v Speaker 1>to be late for the first day of high school,

0:30:08.720 --> 0:30:12.160
<v Speaker 1>and Amy says, oh, he's probably nervous. Corey comes down

0:30:12.440 --> 0:30:16.360
<v Speaker 1>and Morgan says, go back to camp loser. Morgan, his aide,

0:30:16.480 --> 0:30:19.920
<v Speaker 1>looks ten years old and she's all hipped out in

0:30:19.920 --> 0:30:24.760
<v Speaker 1>her blossom hat. Yeah, like very stylized in a completely

0:30:24.800 --> 0:30:28.120
<v Speaker 1>new direction. I was like, Ben looks like he's grown

0:30:28.160 --> 0:30:33.959
<v Speaker 1>two to three inches. He's he's freaking out. Really, he

0:30:34.000 --> 0:30:37.560
<v Speaker 1>looks different, he looks different. He looks totally different. He

0:30:37.600 --> 0:30:39.760
<v Speaker 1>was like, yeah, I could not stop saying. I was like, yeah,

0:30:39.800 --> 0:30:43.200
<v Speaker 1>that's what happens when you grow Yeah, you know. Yeah.

0:30:43.200 --> 0:30:46.240
<v Speaker 1>The difference apparently between him at twelve and thirteen was

0:30:46.600 --> 0:30:49.080
<v Speaker 1>quite a lot. Corey is actually in a good mood.

0:30:49.120 --> 0:30:51.040
<v Speaker 1>He's not nervous for his first day of high school

0:30:51.080 --> 0:30:53.880
<v Speaker 1>at all. He knows his role and he is excited.

0:30:54.160 --> 0:30:56.360
<v Speaker 1>He says all summer he bugged Eric and he took

0:30:56.400 --> 0:30:59.000
<v Speaker 1>notes about what he heard. He needs to be friends

0:30:59.040 --> 0:31:02.600
<v Speaker 1>with Harley Kinner, a most feared and influential senior at school.

0:31:02.800 --> 0:31:05.760
<v Speaker 1>He will protect him. Alan and Amy say he doesn't

0:31:05.760 --> 0:31:07.960
<v Speaker 1>need to reinvent himself for high school and no one

0:31:08.040 --> 0:31:09.840
<v Speaker 1>has a plan like that. He's the only person with

0:31:09.880 --> 0:31:13.360
<v Speaker 1>a plan. And then Sean walks in saying he lost

0:31:13.400 --> 0:31:17.120
<v Speaker 1>his copy of the plan and he's wearing fake cyberns

0:31:18.040 --> 0:31:22.000
<v Speaker 1>cybernst me yeah, and he was like what are those things?

0:31:22.080 --> 0:31:23.840
<v Speaker 1>What happened? Why do you have hair? And I was like,

0:31:23.920 --> 0:31:28.720
<v Speaker 1>it's they're fake, don't worry. But yeah, it felt like

0:31:28.760 --> 0:31:33.520
<v Speaker 1>a a bit that yeah didn't really land but really

0:31:33.560 --> 0:31:36.520
<v Speaker 1>had a long run. We just I'm wearing them for

0:31:36.560 --> 0:31:40.280
<v Speaker 1>the next kind of two scenes. Yeah, it's so weird

0:31:40.320 --> 0:31:43.200
<v Speaker 1>because I've seen, you know, people have like pulled screen

0:31:43.200 --> 0:31:47.600
<v Speaker 1>grabs from this or and people think like, oh, those

0:31:47.600 --> 0:31:50.800
<v Speaker 1>are actual sidemus because they look realistic enough, they should

0:31:50.800 --> 0:31:53.320
<v Speaker 1>have gone faker. I feel like, yeah, it should have

0:31:53.360 --> 0:31:56.160
<v Speaker 1>been more obvious that they were fake. And you noticed

0:31:56.240 --> 0:31:59.080
<v Speaker 1>that Rusty the entire time is doing the actor pushes

0:31:59.080 --> 0:32:01.600
<v Speaker 1>food around with this thing. Well, I would like to

0:32:01.640 --> 0:32:04.280
<v Speaker 1>discuss this. Actually, what on earth is he eating? Is

0:32:04.320 --> 0:32:07.440
<v Speaker 1>at breakfast soup? Is it cereal? What is that? Because

0:32:07.920 --> 0:32:10.080
<v Speaker 1>he eat it when he comes down, Well, he takes

0:32:10.120 --> 0:32:12.880
<v Speaker 1>the bull from from Rusty, so we don't know what

0:32:13.120 --> 0:32:15.560
<v Speaker 1>you eat like a champ and you're I know, you're like,

0:32:17.280 --> 0:32:20.600
<v Speaker 1>I couldn't have no idea what it was yellow, It

0:32:20.640 --> 0:32:24.080
<v Speaker 1>looked like it looked like chedd cheddar broccoli soup or something.

0:32:24.120 --> 0:32:25.880
<v Speaker 1>I was just pushing it around. That's probably why he's

0:32:25.880 --> 0:32:29.080
<v Speaker 1>pushing it around. It looks really he's no, he's probably

0:32:29.080 --> 0:32:30.720
<v Speaker 1>pushing it around because he knows you're going to take

0:32:30.760 --> 0:32:32.680
<v Speaker 1>it and eat it. So he wasn't going to contaminate

0:32:32.720 --> 0:32:37.920
<v Speaker 1>your soup with his germs. That's true. So Eric comes downstair.

0:32:38.720 --> 0:32:42.760
<v Speaker 1>Eric comes downstairs and hands core know he's starting to

0:32:42.760 --> 0:32:47.480
<v Speaker 1>get there. Now, he's starting to turn the corner. Eric

0:32:47.520 --> 0:32:50.280
<v Speaker 1>comes downstairs and hands Corey a contract to not contact

0:32:50.360 --> 0:32:52.800
<v Speaker 1>him during school hours. He's only to refer to him

0:32:52.840 --> 0:32:57.160
<v Speaker 1>as Eric, the great one on campus. I loved well

0:32:57.240 --> 0:32:59.400
<v Speaker 1>how you knew what all the words of the contract were,

0:32:59.480 --> 0:33:01.840
<v Speaker 1>and so you were like you were like mouthing it

0:33:01.960 --> 0:33:04.600
<v Speaker 1>as he was like an East Coast prep. Now we

0:33:04.640 --> 0:33:09.880
<v Speaker 1>are done with grunge and hum and thin super thin

0:33:10.080 --> 0:33:14.200
<v Speaker 1>I know. Yeah, Michael Jacob's talk did that for me.

0:33:14.400 --> 0:33:17.160
<v Speaker 1>So really that was between season one season to know

0:33:17.240 --> 0:33:18.800
<v Speaker 1>it was it the end of season was like towards

0:33:18.840 --> 0:33:20.920
<v Speaker 1>the end of season one was that we were noticing

0:33:20.920 --> 0:33:22.440
<v Speaker 1>your gaining weight. So that was in my head the

0:33:22.440 --> 0:33:25.720
<v Speaker 1>whole time in between seasons. So yeah, it was Yeah.

0:33:25.720 --> 0:33:27.440
<v Speaker 1>I made I made sure I did not look like

0:33:27.480 --> 0:33:31.440
<v Speaker 1>that when I came back. Yeah, definitely. Hey, it looks good.

0:33:31.480 --> 0:33:36.920
<v Speaker 1>It worked. You do look great. I know, green shoes

0:33:36.920 --> 0:33:39.400
<v Speaker 1>in the green sweater. Yeah, I had that sweater until

0:33:39.400 --> 0:33:43.360
<v Speaker 1>like three years ago, did you. Yeah, Oh that's amazing. Yeah,

0:33:43.400 --> 0:33:45.880
<v Speaker 1>I love that sweater. It seems like a will sweater, right.

0:33:47.080 --> 0:33:49.880
<v Speaker 1>Uh So yeah, you explain to your parents that you

0:33:49.880 --> 0:33:52.640
<v Speaker 1>can't really associate with your brother at school. Sorry. Pheeny

0:33:52.720 --> 0:33:55.760
<v Speaker 1>walks in saying a huge object is blocking his driveway

0:33:55.840 --> 0:34:00.240
<v Speaker 1>and it's Eric's car. Sean and Corey Yeah, Shawn and

0:34:00.280 --> 0:34:02.200
<v Speaker 1>Cory ask Poenie if he'll miss them now that they're

0:34:02.240 --> 0:34:06.520
<v Speaker 1>off to high school, and he says no, and then

0:34:06.560 --> 0:34:09.080
<v Speaker 1>as Eric and Feenie leave to figure out the car situation,

0:34:09.120 --> 0:34:11.680
<v Speaker 1>Sean says high school means they are done with Poenie

0:34:11.840 --> 0:34:14.120
<v Speaker 1>and that it is the greatest day of their lives.

0:34:14.320 --> 0:34:18.920
<v Speaker 1>They do their handshake to celebrate, but they say they

0:34:18.920 --> 0:34:21.200
<v Speaker 1>should do something a bit cooler now that they're going

0:34:21.200 --> 0:34:24.040
<v Speaker 1>to high school, and they do a new cooler handshake

0:34:25.080 --> 0:34:27.040
<v Speaker 1>like that. It's exactly the same, but we're just doing

0:34:27.040 --> 0:34:33.799
<v Speaker 1>it like, hey, laughing by the end, Yeah, it's just

0:34:33.800 --> 0:34:37.959
<v Speaker 1>to slow down hipcat version. Yeah exactly. I think Amy

0:34:38.000 --> 0:34:40.279
<v Speaker 1>and Allen are laughing too. I'm like genuinely, Rusty and

0:34:40.320 --> 0:34:42.239
<v Speaker 1>Betsy are laughing while you're doing this. Everybody was just

0:34:42.280 --> 0:34:44.879
<v Speaker 1>having fun by this point. Can we talk about I mean,

0:34:44.960 --> 0:34:48.560
<v Speaker 1>I'm just I'm just overwhelmed by this episode. I'm like,

0:34:48.840 --> 0:34:53.480
<v Speaker 1>I am dizzy with how different It's a whole different

0:34:53.480 --> 0:34:58.480
<v Speaker 1>show and it's shocking. I am uncomfortable. I am very

0:34:58.520 --> 0:35:00.920
<v Speaker 1>scared for how I'm going to feel. I'm sure it

0:35:00.920 --> 0:35:05.640
<v Speaker 1>will change, but this episode completely threw me for a

0:35:07.680 --> 0:35:09.640
<v Speaker 1>I do not feel good, Like it's a weird, like

0:35:09.760 --> 0:35:16.040
<v Speaker 1>body reaction. I don't want. And I wonder how much Okay,

0:35:16.120 --> 0:35:19.480
<v Speaker 1>we're just going into season two really quickly, Like I

0:35:19.480 --> 0:35:21.960
<v Speaker 1>think having a year off would have been nice, you know,

0:35:22.040 --> 0:35:24.920
<v Speaker 1>like having a summer would have been nice. But I

0:35:25.239 --> 0:35:27.400
<v Speaker 1>wonder how much the audience felt this too, you know

0:35:27.640 --> 0:35:31.560
<v Speaker 1>how much how much of that is just natural television,

0:35:32.080 --> 0:35:35.480
<v Speaker 1>you know new season factor like okay, and how much

0:35:35.480 --> 0:35:38.000
<v Speaker 1>of it is because it obviously I have a personal

0:35:38.040 --> 0:35:40.719
<v Speaker 1>identification with the show. I don't know, but I just

0:35:40.719 --> 0:35:42.600
<v Speaker 1>don't feel good about anything. I think. I think a

0:35:42.600 --> 0:35:45.000
<v Speaker 1>lot of it is personal identification. Also because as I'm

0:35:45.040 --> 0:35:48.920
<v Speaker 1>reading the credits, I also realized behind the scenes was complete.

0:35:48.960 --> 0:35:53.200
<v Speaker 1>Everything was different, Everything was different. It's chaos, there's so much,

0:35:53.920 --> 0:35:59.959
<v Speaker 1>there are characters, there's like fifteen bit parts. There's store

0:36:00.160 --> 0:36:05.520
<v Speaker 1>wines where it feels like and I don't like it.

0:36:05.640 --> 0:36:10.400
<v Speaker 1>I already missed season one. Season one was like a

0:36:10.520 --> 0:36:14.480
<v Speaker 1>revelation of how comfortable and cozy and awesome, And this

0:36:14.600 --> 0:36:18.080
<v Speaker 1>just feels like and that what if I if I'm

0:36:18.120 --> 0:36:21.879
<v Speaker 1>being honest, if I'm objective, I was impressed with how

0:36:21.920 --> 0:36:24.399
<v Speaker 1>the storylines, how much they were able to pack in.

0:36:24.560 --> 0:36:28.920
<v Speaker 1>They were able to pull off amazing arcs, you know,

0:36:29.120 --> 0:36:31.239
<v Speaker 1>Eric coming back at the end, like I was. I was,

0:36:31.280 --> 0:36:35.160
<v Speaker 1>I was Feenie being incorporated. Mr Turner being introduced. Like

0:36:35.200 --> 0:36:38.360
<v Speaker 1>when I actually look at it on paper, I am impressed.

0:36:38.520 --> 0:36:41.479
<v Speaker 1>I go, Wow, they pulled it off. Sean, is there

0:36:41.840 --> 0:36:44.440
<v Speaker 1>pancas there? Like some of the even in this opening

0:36:44.440 --> 0:36:46.440
<v Speaker 1>scene you get to see the family is still around.

0:36:46.880 --> 0:36:50.200
<v Speaker 1>But it did not feel good watching the experience. Like

0:36:50.360 --> 0:36:53.879
<v Speaker 1>I can objectively say they pulled it off, but as

0:36:53.960 --> 0:36:56.360
<v Speaker 1>a as an experience, I am very uncomfortable with this.

0:36:56.560 --> 0:37:00.160
<v Speaker 1>I agree, But could you argue that the uncomfortability that

0:37:00.200 --> 0:37:03.440
<v Speaker 1>you're feeling would mirror the same uncomfortability you would actually

0:37:03.480 --> 0:37:06.960
<v Speaker 1>feel going into high school? I'm sure, yeah, yeah, I

0:37:06.960 --> 0:37:09.080
<v Speaker 1>mean that's a great way to think about it. I

0:37:09.160 --> 0:37:12.279
<v Speaker 1>just don't like, I'm hoping that this fades, you know,

0:37:12.400 --> 0:37:14.719
<v Speaker 1>And I think it's just like the new haircut, new

0:37:14.760 --> 0:37:17.560
<v Speaker 1>clothes feeling. It's just awkward and it's weird. It doesn't

0:37:17.719 --> 0:37:20.719
<v Speaker 1>it doesn't feel like my show. And it does, by

0:37:20.760 --> 0:37:23.680
<v Speaker 1>the way, feel what everyone said the reason for letting

0:37:23.719 --> 0:37:28.680
<v Speaker 1>Lee go. It does feel aged up, and and I

0:37:28.760 --> 0:37:34.000
<v Speaker 1>don't necessarily know that I like it. It's you know, um,

0:37:34.080 --> 0:37:36.560
<v Speaker 1>I know that we have to grow up. But there

0:37:36.640 --> 0:37:40.400
<v Speaker 1>was something that I had really, we had all really

0:37:40.440 --> 0:37:44.400
<v Speaker 1>settled into nicely at the end of season one. Uh.

0:37:44.400 --> 0:37:47.480
<v Speaker 1>And you're right, well, it's the comfort and coziness of

0:37:47.640 --> 0:37:50.399
<v Speaker 1>a safe environment and then the idea of entering high

0:37:50.400 --> 0:37:54.160
<v Speaker 1>school you're no longer safe. You have that that band

0:37:54.160 --> 0:37:56.840
<v Speaker 1>aid has been ripped off. But I could not agree

0:37:56.880 --> 0:37:58.800
<v Speaker 1>with you more writer, And will I know you feel

0:37:58.800 --> 0:38:02.000
<v Speaker 1>the same way it is. I'm uncomfortable. I'm just uncomfortable.

0:38:02.080 --> 0:38:07.080
<v Speaker 1>And I don't know. I don't remember feeling this as

0:38:07.080 --> 0:38:09.600
<v Speaker 1>we shot it. Do you I think I think I was,

0:38:10.040 --> 0:38:14.719
<v Speaker 1>because yeah, I mean, I mean I'm fine, like I

0:38:14.719 --> 0:38:17.200
<v Speaker 1>think I'm fine in the episode, but I don't. I mean,

0:38:17.239 --> 0:38:19.839
<v Speaker 1>I am very I can tell that I am uncomfortable,

0:38:19.880 --> 0:38:21.920
<v Speaker 1>like I don't know, like I the whole thing just

0:38:21.960 --> 0:38:23.919
<v Speaker 1>threw me for a loop. I was like, no, no, no,

0:38:24.160 --> 0:38:25.880
<v Speaker 1>it's like starting a whole new show. That's what I

0:38:25.960 --> 0:38:27.480
<v Speaker 1>That's how I looked at it. I was like, okay,

0:38:27.480 --> 0:38:30.799
<v Speaker 1>so it's just a brand new show. That's what I

0:38:30.840 --> 0:38:33.240
<v Speaker 1>have to look at it as, is they just here's

0:38:33.280 --> 0:38:36.120
<v Speaker 1>the family again. The dynamics are kind of the same,

0:38:36.120 --> 0:38:38.600
<v Speaker 1>but not really. Now we've got all these new characters

0:38:38.640 --> 0:38:42.839
<v Speaker 1>doing all this new stuff, and it's weird. It was. Yeah,

0:38:42.840 --> 0:38:45.839
<v Speaker 1>it's very off the Nerds with the whole because it's

0:38:45.840 --> 0:38:48.400
<v Speaker 1>always going through my head was it should have been

0:38:48.440 --> 0:38:52.920
<v Speaker 1>late so there was now to hear that the character's

0:38:52.960 --> 0:38:57.200
<v Speaker 1>name was lem Key. That's horrifying. Yeah, so yeah, it

0:38:57.320 --> 0:39:09.800
<v Speaker 1>was strange. Well, we we meet those two new Nerd

0:39:09.920 --> 0:39:13.560
<v Speaker 1>characters in the school hallway. They walk into the hallway saying,

0:39:13.640 --> 0:39:15.960
<v Speaker 1>high school, what happens to us now? We'll determine our

0:39:16.120 --> 0:39:19.080
<v Speaker 1>entire futures. And then Corey and Sean opened the door

0:39:19.200 --> 0:39:21.200
<v Speaker 1>and it hits them in the face and they say

0:39:21.200 --> 0:39:24.680
<v Speaker 1>basically the exact same thing. Why and how this was

0:39:24.719 --> 0:39:29.879
<v Speaker 1>not just Lee? We will never know? Um did this

0:39:29.960 --> 0:39:33.920
<v Speaker 1>joke work for you guys at all? It's three times

0:39:34.000 --> 0:39:36.120
<v Speaker 1>three or four times? And I never found it funny.

0:39:36.280 --> 0:39:38.200
<v Speaker 1>I was watching it. I knew it was coming because

0:39:38.239 --> 0:39:40.920
<v Speaker 1>I remembered it, and I was like, I don't. I

0:39:40.960 --> 0:39:42.919
<v Speaker 1>don't think this is not funny and it just never

0:39:43.080 --> 0:39:45.719
<v Speaker 1>never gotta laugh. Indie never liked it. It It was never.

0:39:46.400 --> 0:39:48.600
<v Speaker 1>It's like this, I don't know, I don't, I don't,

0:39:48.640 --> 0:39:52.080
<v Speaker 1>I don't I understand, like about this episode that I

0:39:52.120 --> 0:39:54.480
<v Speaker 1>thought missed, which is ironic because I think there's a

0:39:54.480 --> 0:39:57.040
<v Speaker 1>lot about this episode that landed. I thought Tony's character

0:39:57.120 --> 0:39:59.520
<v Speaker 1>landed very well, I thought, and we'll get to it.

0:39:59.560 --> 0:40:03.000
<v Speaker 1>I thought it was little much at first, um, little

0:40:03.120 --> 0:40:05.799
<v Speaker 1>little cartoony, but we'll we'll get to all. What you

0:40:05.840 --> 0:40:16.520
<v Speaker 1>mean exactly, teach you, teach you the same thing, you know,

0:40:16.800 --> 0:40:20.279
<v Speaker 1>he's like, but it's um, Yeah, So there was a

0:40:20.320 --> 0:40:22.319
<v Speaker 1>lot that didn't land and starting with this kind of

0:40:22.320 --> 0:40:24.760
<v Speaker 1>stuff and then getting into the seniors took my clothes

0:40:24.800 --> 0:40:29.399
<v Speaker 1>like it's setting up a weird I don't know. It was, yeah,

0:40:29.560 --> 0:40:31.319
<v Speaker 1>and maybe it was just thrown by the whole thing.

0:40:31.360 --> 0:40:34.160
<v Speaker 1>So that's that's what I'm trying. Yeah, I think I

0:40:34.800 --> 0:40:36.759
<v Speaker 1>think my third or fourth episode, we're going to be like,

0:40:36.800 --> 0:40:40.080
<v Speaker 1>this is great, right, everybody's comfortable. It's just like, you know,

0:40:40.160 --> 0:40:44.279
<v Speaker 1>but there's something you know, you think about how ambitious

0:40:44.360 --> 0:40:47.319
<v Speaker 1>of the first episode. This is just like we were saying, well,

0:40:47.360 --> 0:40:49.960
<v Speaker 1>behind the scenes must have been chaos. You have a

0:40:49.960 --> 0:40:52.560
<v Speaker 1>whole new crew, whole new writing staff, and you bring

0:40:52.600 --> 0:40:56.880
<v Speaker 1>on like literally twelve guest cast to a new and

0:40:57.160 --> 0:41:00.239
<v Speaker 1>it's insanity. We must have been pulling our hair out

0:41:00.239 --> 0:41:04.279
<v Speaker 1>going crazy this week. You must have been there's I

0:41:04.320 --> 0:41:07.680
<v Speaker 1>honestly don't. I have no memory of of I remembered

0:41:07.680 --> 0:41:09.640
<v Speaker 1>the episode or parts of it, but I have no

0:41:09.719 --> 0:41:13.080
<v Speaker 1>memory of actually doing it. I have memory of the

0:41:13.120 --> 0:41:16.000
<v Speaker 1>scene with us in the hallway, which well we will

0:41:16.000 --> 0:41:19.360
<v Speaker 1>get to right now. So Alvin the kid in his underwear,

0:41:19.480 --> 0:41:22.880
<v Speaker 1>and he says, seniors the same years, they took my clothes,

0:41:23.960 --> 0:41:25.960
<v Speaker 1>and I thought it was I think the thing that

0:41:25.960 --> 0:41:28.040
<v Speaker 1>above me the most is that he likes walking through

0:41:28.080 --> 0:41:30.440
<v Speaker 1>the hallway and then just walks right up to Corey,

0:41:30.520 --> 0:41:37.720
<v Speaker 1>just directly to Corey. Seniors senior to seniors. I know, uh.

0:41:37.760 --> 0:41:40.200
<v Speaker 1>And and he says that they took his clothes just

0:41:40.200 --> 0:41:42.280
<v Speaker 1>because he's the new kid, and oh, Corey is also

0:41:42.320 --> 0:41:46.400
<v Speaker 1>a new kid. And then new character alert Frankie comes

0:41:46.440 --> 0:41:49.600
<v Speaker 1>over and smashes Corey into the lockers because Corey was

0:41:49.680 --> 0:41:59.080
<v Speaker 1>almost in his way. Fantastic Future Pod meets World guest

0:41:59.239 --> 0:42:03.560
<v Speaker 1>in principly cannot wait to talk to him an incredible actor.

0:42:05.040 --> 0:42:07.279
<v Speaker 1>Sean says they were just looking for their home room,

0:42:07.400 --> 0:42:11.000
<v Speaker 1>and then another new character alert, another kid named Joey

0:42:11.160 --> 0:42:13.520
<v Speaker 1>enters and points to the locker says that's where their

0:42:13.560 --> 0:42:16.279
<v Speaker 1>home room is. So Sean jumps into it. And I

0:42:16.719 --> 0:42:19.799
<v Speaker 1>thought this was a really fantastic moment of Sean going

0:42:20.000 --> 0:42:23.520
<v Speaker 1>oh right here, Oh okay, I'll go ahead and jump in.

0:42:23.640 --> 0:42:26.839
<v Speaker 1>I thought it was great. And then I had a

0:42:26.960 --> 0:42:30.360
<v Speaker 1>real memory of being in those lockers and like having

0:42:30.400 --> 0:42:33.400
<v Speaker 1>them custom made and however, you know, making sure that

0:42:33.480 --> 0:42:36.520
<v Speaker 1>you could fit, and they were all just specially made lockers,

0:42:36.560 --> 0:42:39.520
<v Speaker 1>which I was like out there basically had a latch

0:42:39.520 --> 0:42:48.560
<v Speaker 1>on the inside. Yeah, that's funny, I remember photo coph God. So,

0:42:48.600 --> 0:42:51.279
<v Speaker 1>now with their attention on Corey, Joey and Frankie get

0:42:51.360 --> 0:42:55.279
<v Speaker 1>into their own little fight because Frankie thinks Joey just

0:42:55.400 --> 0:43:02.920
<v Speaker 1>called him gay. Where I'm from, it comes from nothing.

0:43:03.200 --> 0:43:10.280
<v Speaker 1>It right, was that he's so insecure, insecure his sexuality

0:43:10.360 --> 0:43:15.240
<v Speaker 1>that he leaps to did you just call me these

0:43:15.320 --> 0:43:20.480
<v Speaker 1>jokes aged like milk? Yeah, no, horrible, this was and

0:43:20.520 --> 0:43:22.759
<v Speaker 1>it's so I know at the time it was far

0:43:22.840 --> 0:43:25.320
<v Speaker 1>more common, so I'm sure watching it at the time

0:43:25.480 --> 0:43:29.040
<v Speaker 1>it wasn't nearly as jarring as it was to watch now. No.

0:43:29.239 --> 0:43:31.719
<v Speaker 1>I saw an episode of Friends from even later that

0:43:31.840 --> 0:43:34.719
<v Speaker 1>did this almost exactly. Or it had a series of

0:43:34.760 --> 0:43:37.160
<v Speaker 1>gay jokes like throughout. It was a runner throughout, and

0:43:37.200 --> 0:43:40.560
<v Speaker 1>I was like, whoa, this was totally normal, like the

0:43:41.080 --> 0:43:43.240
<v Speaker 1>eighties and nineties. That was the joke Bill and Ted's

0:43:43.239 --> 0:43:45.400
<v Speaker 1>all that stuff. I mean, this was like you instantly

0:43:45.400 --> 0:43:47.160
<v Speaker 1>went it was a nine. Yeah, it was. It was

0:43:47.320 --> 0:43:50.480
<v Speaker 1>like a nineties insult. Well, Bill and Ted's just actually

0:43:50.560 --> 0:43:54.399
<v Speaker 1>used the F word, like awefully, And that was really

0:43:54.400 --> 0:43:56.120
<v Speaker 1>hard because I wanted to watch Bill and Ted's with

0:43:56.120 --> 0:43:58.360
<v Speaker 1>the Indian and he was so totally up his alley

0:43:58.480 --> 0:44:01.279
<v Speaker 1>totally but he he's like, what does that word mean?

0:44:01.360 --> 0:44:04.880
<v Speaker 1>I'm like, right here you go, and you know, like

0:44:04.960 --> 0:44:07.160
<v Speaker 1>he just does not and even with this beat and

0:44:07.239 --> 0:44:10.360
<v Speaker 1>he was like what yeah, because you know, gay is

0:44:10.400 --> 0:44:14.200
<v Speaker 1>not a bad word, Like he we have so many

0:44:14.239 --> 0:44:18.200
<v Speaker 1>gay friends, his best friend's parents, like multiples friends of

0:44:18.280 --> 0:44:21.480
<v Speaker 1>his are gay parents. So like the idea of like

0:44:21.560 --> 0:44:24.640
<v Speaker 1>calling somebody gay or somebody being insecure for being called gay,

0:44:25.040 --> 0:44:27.840
<v Speaker 1>Like he was like literally did not understand what was happening, didn't,

0:44:27.880 --> 0:44:31.600
<v Speaker 1>which is wonderful for how the world has changed. Um,

0:44:31.680 --> 0:44:33.640
<v Speaker 1>so you know, I do have to say that as

0:44:33.680 --> 0:44:35.920
<v Speaker 1>opposed to like what I started to say, is as

0:44:35.960 --> 0:44:39.759
<v Speaker 1>opposed to Bill and Ted's which just went for the

0:44:39.520 --> 0:44:42.960
<v Speaker 1>the word this is clever, right, Like this has a

0:44:43.080 --> 0:44:45.520
<v Speaker 1>layer to it that is like, oh, you have to

0:44:45.560 --> 0:44:49.040
<v Speaker 1>sort of assume, you know, his his homophobia, that he's internalized,

0:44:49.400 --> 0:44:52.200
<v Speaker 1>that maybe has feelings he's not processed come out in

0:44:52.239 --> 0:44:54.840
<v Speaker 1>this awful way, and that he's a bully worried about that.

0:44:54.920 --> 0:44:57.360
<v Speaker 1>I can see, like, you know, there's lay up levels

0:44:57.360 --> 0:44:59.759
<v Speaker 1>to it. But yes, the the ultimate point of the

0:44:59.800 --> 0:45:02.799
<v Speaker 1>Joe is completely lost on a new generation. Like it's

0:45:02.840 --> 0:45:06.960
<v Speaker 1>a good thing, thank god. Yeah, so it's yeah, did

0:45:07.000 --> 0:45:10.799
<v Speaker 1>not did not feel good, didn't age well at all? Um, Well,

0:45:10.840 --> 0:45:14.440
<v Speaker 1>can we talk about in general the retro vibe of

0:45:14.480 --> 0:45:18.680
<v Speaker 1>this entire story line like these two bullies, these three bullies, right,

0:45:19.080 --> 0:45:23.400
<v Speaker 1>I mean it's it's straight this like Grease nineteen fifties,

0:45:23.480 --> 0:45:27.800
<v Speaker 1>three o'clock high happening like not none of this fault

0:45:27.800 --> 0:45:31.800
<v Speaker 1>reflective of nineties high school experience, but it was written

0:45:31.840 --> 0:45:38.360
<v Speaker 1>by super happy something believe how like, yeah, retro this

0:45:38.600 --> 0:45:41.560
<v Speaker 1>and you know, wearing the bowling shirt and like the grease.

0:45:41.719 --> 0:45:44.480
<v Speaker 1>I mean, like Carly Kleiner just looks like he's straight

0:45:44.520 --> 0:45:47.120
<v Speaker 1>of the fifties. And then Ethan and Joey, you know,

0:45:47.160 --> 0:45:49.400
<v Speaker 1>the doing everybody's doing like a New York sort of

0:45:49.440 --> 0:45:53.040
<v Speaker 1>like it all of in New York. He was like

0:45:53.840 --> 0:45:57.320
<v Speaker 1>everybody really, yes, everybody's from Brooks. I mean it was

0:45:57.360 --> 0:46:02.560
<v Speaker 1>like it just became this like cartoon nineteen fifties childhood

0:46:02.600 --> 0:46:06.640
<v Speaker 1>that does not square with the show we had from before.

0:46:07.000 --> 0:46:10.040
<v Speaker 1>And I think it becomes more conscious and funny later on,

0:46:10.120 --> 0:46:14.080
<v Speaker 1>but it felt very awkward to be like so different.

0:46:14.120 --> 0:46:16.920
<v Speaker 1>It was so different that then every you're looking at

0:46:16.920 --> 0:46:18.960
<v Speaker 1>all the reasons why it's different, because it was you're

0:46:19.000 --> 0:46:20.960
<v Speaker 1>just thrown into a brand new show and it's like,

0:46:21.160 --> 0:46:22.719
<v Speaker 1>oh that's not the same. Oh that's not the same.

0:46:22.719 --> 0:46:25.239
<v Speaker 1>Wait why is he from Brooklyn? Wait? What? And so

0:46:25.360 --> 0:46:28.680
<v Speaker 1>everything just felt out of place. Yeah, it was weird. Well,

0:46:28.719 --> 0:46:32.920
<v Speaker 1>then Corey asks the question, if Harley is the biggest

0:46:32.960 --> 0:46:36.080
<v Speaker 1>and baddest, then who were those two guys? And that

0:46:36.200 --> 0:46:39.000
<v Speaker 1>is a very scary thought for their future? What is

0:46:39.080 --> 0:46:42.080
<v Speaker 1>this place? And then to Peanga walks in and they

0:46:42.080 --> 0:46:44.960
<v Speaker 1>are so happy to see her because she feels like

0:46:45.040 --> 0:46:47.879
<v Speaker 1>a bit of the old world. And then they make

0:46:47.920 --> 0:46:50.040
<v Speaker 1>her walk in front of them like a human shield,

0:46:50.160 --> 0:46:54.000
<v Speaker 1>which I thought was pretty funny, and Sean is checking

0:46:54.040 --> 0:47:02.040
<v Speaker 1>out to Pananga. Sorry, sorry, sorry, I was biology. I'm

0:47:02.120 --> 0:47:06.080
<v Speaker 1>just saying we had talked about it very briefly last season,

0:47:06.480 --> 0:47:10.040
<v Speaker 1>about whether or not there was ever and Ernie and

0:47:10.120 --> 0:47:14.800
<v Speaker 1>maybe it was very good to you, and I remember

0:47:14.840 --> 0:47:19.000
<v Speaker 1>you remember kind of hating it, and I remember feeling

0:47:19.040 --> 0:47:21.480
<v Speaker 1>weird about it, like I remember because it was like,

0:47:21.640 --> 0:47:25.280
<v Speaker 1>I have your boobs grown that much? And I remember

0:47:25.320 --> 0:47:29.960
<v Speaker 1>being uncomfortable with Like did we talk about it? Because

0:47:29.960 --> 0:47:33.040
<v Speaker 1>I remember being uncomfortable, So I was uncomfortable too, And

0:47:33.080 --> 0:47:35.160
<v Speaker 1>I think the same reason you just mentioned was the

0:47:35.200 --> 0:47:39.160
<v Speaker 1>same reason I was uncomfortable. I didn't know. I was

0:47:39.200 --> 0:47:43.080
<v Speaker 1>not aware of the outward perception of my body having

0:47:43.120 --> 0:47:46.399
<v Speaker 1>been changed. I don't remember thinking I had changed that much.

0:47:47.000 --> 0:47:49.640
<v Speaker 1>And then when it was written in the episode, I

0:47:49.719 --> 0:47:54.280
<v Speaker 1>suddenly saw myself through the eyes of the people writing

0:47:54.360 --> 0:47:58.680
<v Speaker 1>for me, and I was like, Oh, I guess I

0:47:58.680 --> 0:48:01.840
<v Speaker 1>guess I've I guess I am now a look different.

0:48:02.000 --> 0:48:06.360
<v Speaker 1>I'm more womanly and I didn't feel it until it

0:48:06.360 --> 0:48:08.759
<v Speaker 1>was written in the script. And that's what made me uncomfortable,

0:48:08.880 --> 0:48:12.960
<v Speaker 1>is that I became hyper focused on um being aware

0:48:13.040 --> 0:48:15.200
<v Speaker 1>of how I was being perceived. Yeah, and I had

0:48:15.200 --> 0:48:17.440
<v Speaker 1>already I had done an episode of Evening Ship it

0:48:17.480 --> 0:48:20.600
<v Speaker 1>was exactly this too, where it was a whole episode

0:48:20.600 --> 0:48:23.240
<v Speaker 1>about eleven year old girl getting a bra or whatever,

0:48:23.520 --> 0:48:27.120
<v Speaker 1>and it was I remember it being super uncomfortable in

0:48:27.160 --> 0:48:30.799
<v Speaker 1>person back then too, Like with the other the girl actors, like,

0:48:30.880 --> 0:48:33.960
<v Speaker 1>we were all so uncomfortable with having to do these

0:48:34.000 --> 0:48:38.000
<v Speaker 1>scenes about this thing in a way that like, obviously

0:48:38.040 --> 0:48:40.520
<v Speaker 1>at the point of these these beats is that it's

0:48:40.560 --> 0:48:43.160
<v Speaker 1>uncomfortable for kids to go through this, but for actors

0:48:43.200 --> 0:48:47.160
<v Speaker 1>to have to play that and to recognize adds like

0:48:47.239 --> 0:48:50.680
<v Speaker 1>a whole meta layer of discomfort. It's like and and

0:48:50.680 --> 0:48:53.000
<v Speaker 1>and you have to be aware of it and play

0:48:53.080 --> 0:48:56.080
<v Speaker 1>to it. And I just remember being I hated all

0:48:56.120 --> 0:49:00.600
<v Speaker 1>of this, but you know that's that was the job. Yeah, yeah,

0:49:00.640 --> 0:49:03.040
<v Speaker 1>And I mean, you know it's lost to the viewer.

0:49:04.440 --> 0:49:07.120
<v Speaker 1>We were obviously talking about it from the outside perspective

0:49:07.120 --> 0:49:08.920
<v Speaker 1>and really putting it, shining a light on it. But

0:49:09.000 --> 0:49:11.480
<v Speaker 1>I don't think people really thought about. Oh, I wonder

0:49:11.520 --> 0:49:15.120
<v Speaker 1>what the actual feeling was on the set while they

0:49:15.120 --> 0:49:18.200
<v Speaker 1>were filming this. I wonder what those kids were thinking

0:49:18.200 --> 0:49:20.160
<v Speaker 1>and feeling. Like the fact that we were real kids

0:49:20.760 --> 0:49:23.200
<v Speaker 1>is kind of lost on the viewer until you start

0:49:23.200 --> 0:49:26.839
<v Speaker 1>having this discussion. And um, just so people don't jump

0:49:26.880 --> 0:49:28.799
<v Speaker 1>down our throats, we're not saying you shouldn't do an

0:49:28.800 --> 0:49:31.600
<v Speaker 1>episode about this because it's uncomfortable. We're just saying that

0:49:31.680 --> 0:49:34.880
<v Speaker 1>being the kids that are doing that, that are doing it,

0:49:34.880 --> 0:49:37.920
<v Speaker 1>it's uncomfortable and it's and you even though you're playing

0:49:37.960 --> 0:49:41.760
<v Speaker 1>a character children looking at each other talking about boots,

0:49:42.200 --> 0:49:44.960
<v Speaker 1>about your boots, and we have to play a scene

0:49:45.000 --> 0:49:48.640
<v Speaker 1>about that, And in real life we I don't remember

0:49:48.680 --> 0:49:52.520
<v Speaker 1>thinking about that yet exactly. We were not. We were

0:49:52.520 --> 0:49:55.799
<v Speaker 1>not and you were not. You know. It wasn't like

0:49:55.880 --> 0:49:58.600
<v Speaker 1>we were all at the same developmental level to being

0:49:58.640 --> 0:50:03.240
<v Speaker 1>able to maturely act it. We were sort of pressured

0:50:03.320 --> 0:50:06.640
<v Speaker 1>into acting something that we may not necessarily. Yeah, it's

0:50:06.680 --> 0:50:10.239
<v Speaker 1>just an awkward Well, I was insecure about it, and

0:50:10.280 --> 0:50:13.000
<v Speaker 1>my character was supposed to be very confident about it.

0:50:13.160 --> 0:50:18.480
<v Speaker 1>So as an insecure person about this thing, I'm supposed

0:50:18.520 --> 0:50:22.279
<v Speaker 1>to be playing this self assured, almost like I'm going

0:50:22.320 --> 0:50:24.960
<v Speaker 1>to use this power I have, and I'm like, I

0:50:25.000 --> 0:50:29.120
<v Speaker 1>don't feel powerful. It feels uncomfortable. Danielle, how old were

0:50:29.160 --> 0:50:32.239
<v Speaker 1>you when when you do this? I may have just

0:50:32.320 --> 0:50:35.160
<v Speaker 1>turned thirteen, Depending on where we were in the shooting

0:50:35.200 --> 0:50:40.680
<v Speaker 1>of this. This would have been Fall of ninety four,

0:50:40.840 --> 0:50:46.200
<v Speaker 1>so I would have just turned thirteen in May. No really, yeah,

0:50:46.440 --> 0:50:50.200
<v Speaker 1>I was born in May of one, so Fall of

0:50:50.239 --> 0:50:52.600
<v Speaker 1>eighty four, I would have turned thirteen. You know. If

0:50:52.640 --> 0:50:55.080
<v Speaker 1>we filmed this in September or something or August, I

0:50:55.080 --> 0:50:59.080
<v Speaker 1>would have been This would have been like July or August,

0:50:59.760 --> 0:51:03.120
<v Speaker 1>probably July early on. Yeah, so a few I was

0:51:03.200 --> 0:51:06.600
<v Speaker 1>thirteen in two months or something. Yeah, it's weird. It's yachts.

0:51:07.160 --> 0:51:09.759
<v Speaker 1>It's odd. I had a smoking hot tan though, because

0:51:09.760 --> 0:51:15.040
<v Speaker 1>I spent all summer at the pool. I used to tan.

0:51:15.200 --> 0:51:17.759
<v Speaker 1>I used to tan as a child. I didn't I

0:51:17.800 --> 0:51:20.120
<v Speaker 1>wasn't thinking about my future skin. And what's funny is

0:51:20.320 --> 0:51:22.160
<v Speaker 1>what's funny to me is that you look older in

0:51:22.200 --> 0:51:25.279
<v Speaker 1>your face more than anything. Yeah, and you looked more

0:51:25.680 --> 0:51:28.120
<v Speaker 1>like that. I hate to say it, but I look

0:51:28.200 --> 0:51:33.800
<v Speaker 1>like the AI art. Yeah, no, it was. There's something

0:51:33.840 --> 0:51:35.719
<v Speaker 1>about your face. That I was like, oh, Danielle is

0:51:35.719 --> 0:51:38.160
<v Speaker 1>getting older. That was like way more noticeable to me

0:51:38.200 --> 0:51:40.520
<v Speaker 1>than your body, and that we're making this whole thing

0:51:40.560 --> 0:51:42.040
<v Speaker 1>about your body. But I was like, no, she just

0:51:42.080 --> 0:51:45.240
<v Speaker 1>looks older in her face and more like sort of confident, mature,

0:51:45.280 --> 0:51:48.160
<v Speaker 1>And maybe just from the way I looked at it.

0:51:48.160 --> 0:51:50.919
<v Speaker 1>There's the logistical aspect of the fact that she says,

0:51:50.960 --> 0:51:53.040
<v Speaker 1>what are you looking at while you're looking at her back,

0:51:53.360 --> 0:51:55.480
<v Speaker 1>and you know, and then you say you're blown. I know.

0:51:55.800 --> 0:51:58.200
<v Speaker 1>I thought that was weird too, You're looking at my back.

0:51:58.520 --> 0:52:00.520
<v Speaker 1>And then I turned and I asked, what are you

0:52:00.560 --> 0:52:03.120
<v Speaker 1>looking at? And Sean says, her blouse and that summer

0:52:03.200 --> 0:52:05.560
<v Speaker 1>was very good to her and to Penga says, well,

0:52:05.600 --> 0:52:08.120
<v Speaker 1>at least what I grew was real, and I rip

0:52:08.160 --> 0:52:11.120
<v Speaker 1>off your fake sideburns. And now I have to say,

0:52:11.239 --> 0:52:13.920
<v Speaker 1>from a comedic standpoint, it's a good line. That's funny.

0:52:13.960 --> 0:52:16.040
<v Speaker 1>That's what I grew was real. When she rips off

0:52:16.080 --> 0:52:18.960
<v Speaker 1>your sideburns is a funny line. I mean to get

0:52:19.000 --> 0:52:24.239
<v Speaker 1>those stupid sideburns off, but it's a funny. Haircut is awful? Really,

0:52:24.760 --> 0:52:27.160
<v Speaker 1>you asked if you were wearing a wig. I just

0:52:27.400 --> 0:52:29.920
<v Speaker 1>look watching this, I was like, oh, that is awful haircut.

0:52:30.040 --> 0:52:33.520
<v Speaker 1>So I can't say I noticed, but Will did apparently

0:52:34.280 --> 0:52:39.600
<v Speaker 1>did okay fake hair well. Topenga says that we all

0:52:39.640 --> 0:52:41.759
<v Speaker 1>have home room together because she looked it up and

0:52:41.840 --> 0:52:45.800
<v Speaker 1>the teacher is Mr Turner. Eric told Corey nothing about

0:52:45.840 --> 0:52:47.960
<v Speaker 1>this Mr Turner guy. And then a guy with a

0:52:48.040 --> 0:52:51.000
<v Speaker 1>leather jacket, sunglasses, and a helmet walks into the hall

0:52:51.320 --> 0:52:59.600
<v Speaker 1>and Corey thinks it has to be Harley Kiner, like

0:52:59.640 --> 0:53:03.879
<v Speaker 1>that's an Danny was already looking like a twenty six

0:53:03.960 --> 0:53:07.680
<v Speaker 1>year old at least with that hair and the sunglass,

0:53:07.680 --> 0:53:10.600
<v Speaker 1>holding the motorcycle helmet, like you just he might as

0:53:10.600 --> 0:53:12.800
<v Speaker 1>well just be wearing a Neon shirt that just says

0:53:12.840 --> 0:53:17.680
<v Speaker 1>I'm cool. It's got all the stereotypical I'm cool guy

0:53:18.040 --> 0:53:23.680
<v Speaker 1>sunglasses in the helmet, and it's like, exactly, it's so

0:53:23.760 --> 0:53:38.640
<v Speaker 1>clearly like exact fantasy guy for our writing staff. So funny. Yeah,

0:53:39.760 --> 0:53:41.799
<v Speaker 1>So Corey goes up to him saying he wants to

0:53:41.800 --> 0:53:43.600
<v Speaker 1>be his friend and he'll do anything for him, and

0:53:43.640 --> 0:53:46.760
<v Speaker 1>then he quickly realizes that it's a Mr Jonathan Turner,

0:53:47.040 --> 0:53:50.520
<v Speaker 1>and then we go into Turner's classroom. Mr Turner says

0:53:50.560 --> 0:53:53.560
<v Speaker 1>he's there for home room English and anytime someone wants

0:53:53.600 --> 0:53:56.200
<v Speaker 1>to talk, it appears. Mr Turners in on the edge

0:53:56.200 --> 0:54:01.040
<v Speaker 1>of the desk, up whatever you want to talk. I'm

0:54:01.040 --> 0:54:06.200
<v Speaker 1>surprised he didn't start rapping, seriously exactly rash isn't cool yet.

0:54:06.520 --> 0:54:08.279
<v Speaker 1>I just got my head gum. But it's just gonna

0:54:08.320 --> 0:54:15.719
<v Speaker 1>sit here and just talk about books and what he's got. Yes,

0:54:15.840 --> 0:54:17.759
<v Speaker 1>they record. Tony is one of my favorite people in

0:54:17.800 --> 0:54:21.040
<v Speaker 1>the world and a wonderful actor. It is. This is

0:54:21.120 --> 0:54:24.200
<v Speaker 1>just so pushed. The character is just so pushed. You know,

0:54:24.600 --> 0:54:27.919
<v Speaker 1>obviously he's not comfortable yet, but we're all just so

0:54:28.560 --> 0:54:31.600
<v Speaker 1>he's this right character? Is it working? Yeah? Is it

0:54:31.719 --> 0:54:34.680
<v Speaker 1>too much? Should it be more? Is that? Yeah? You

0:54:34.680 --> 0:54:37.160
<v Speaker 1>don't think I'm gonna notice X man when I see it? Like, no,

0:54:37.719 --> 0:54:42.000
<v Speaker 1>where is that from? Yeah? Mr Turner asks Corey if

0:54:42.040 --> 0:54:44.680
<v Speaker 1>he's the troublemaker and the one who's going to try

0:54:44.680 --> 0:54:46.480
<v Speaker 1>to bring down the new teacher, and Corey says, no,

0:54:46.680 --> 0:54:48.880
<v Speaker 1>that would be Sean. So in order to figure out

0:54:48.880 --> 0:54:51.200
<v Speaker 1>who Sean is, Mr Turner walks around the class and says,

0:54:51.200 --> 0:54:56.520
<v Speaker 1>whoever the troublemaker is will be avoiding eye contacting and bingo, bingo,

0:54:57.120 --> 0:55:01.560
<v Speaker 1>Sean funny, it is funny. Hey, how you doing Sean? Hey?

0:55:01.560 --> 0:55:06.640
<v Speaker 1>Sean Turner asks if anyone knows about the Odyssey, and

0:55:06.760 --> 0:55:09.520
<v Speaker 1>as Tapanka helps a little, Mr Turner explains that. Corey

0:55:09.560 --> 0:55:12.880
<v Speaker 1>asks who wants to read that? And then Mr Turner

0:55:12.920 --> 0:55:15.640
<v Speaker 1>takes his X Men comic. He assigns the class to

0:55:15.680 --> 0:55:19.120
<v Speaker 1>read the Odyssey and X Men, a comic book. He

0:55:19.160 --> 0:55:29.680
<v Speaker 1>reads two guys. Corey says, finally a cool teacher, and

0:55:29.719 --> 0:55:32.719
<v Speaker 1>then Corey calls him phoeney with an air ring. When

0:55:32.840 --> 0:55:36.600
<v Speaker 1>Mr Turner tells him he will lead the classroom discussion tomorrow,

0:55:38.400 --> 0:55:40.240
<v Speaker 1>I'd like to point out you both got that wrong

0:55:40.360 --> 0:55:43.800
<v Speaker 1>during our live show. That was one of the questions

0:55:43.840 --> 0:55:45.600
<v Speaker 1>that was asked to you in trivia, and neither of

0:55:45.640 --> 0:55:47.160
<v Speaker 1>you knew the answer to that. What was the question?

0:55:47.560 --> 0:55:50.279
<v Speaker 1>The question is what is? Corey called Mr Turner and

0:55:50.320 --> 0:55:54.200
<v Speaker 1>I gave you free and it turned out a ring

0:55:54.440 --> 0:55:58.160
<v Speaker 1>so good, so funny. Did Tony actually have an ear

0:55:58.239 --> 0:56:02.640
<v Speaker 1>ring in real life? Did they? Is he wearing an

0:56:02.680 --> 0:56:05.439
<v Speaker 1>earring in the show? I can't remember. I can't remember

0:56:05.440 --> 0:56:06.759
<v Speaker 1>if he has one in real life or not. Yeah,

0:56:06.760 --> 0:56:09.399
<v Speaker 1>I think he has years I don't think, but yeah, yeah,

0:56:09.400 --> 0:56:12.200
<v Speaker 1>it's funny. So then we're in the school hallway. Corey

0:56:12.239 --> 0:56:14.400
<v Speaker 1>says Mr Turner is onto them, and Sean says, no,

0:56:14.600 --> 0:56:17.200
<v Speaker 1>it was just Corey. He was onto and Corey and

0:56:17.200 --> 0:56:19.480
<v Speaker 1>Sean realized they're going to be separated for their second

0:56:19.560 --> 0:56:21.440
<v Speaker 1>class and they're going to be split up for the

0:56:21.480 --> 0:56:25.160
<v Speaker 1>first time ever. We could have played that a little

0:56:25.160 --> 0:56:27.040
<v Speaker 1>bit bigger. I think we could have gone farther, you know,

0:56:27.239 --> 0:56:30.600
<v Speaker 1>just like I know I agree with if it was

0:56:30.640 --> 0:56:32.600
<v Speaker 1>season three that we would have right, but at this

0:56:32.680 --> 0:56:34.880
<v Speaker 1>point that the point of us being pulled apart is

0:56:34.880 --> 0:56:37.920
<v Speaker 1>not as big of a joke. But yeah, but it

0:56:38.000 --> 0:56:40.040
<v Speaker 1>is very funny that, like the idea was, okay, where

0:56:40.080 --> 0:56:44.640
<v Speaker 1>do we go next? Occurred to us. So then Corey

0:56:44.719 --> 0:56:47.240
<v Speaker 1>runs up to his brother Eric, who's with some girls,

0:56:47.320 --> 0:56:49.319
<v Speaker 1>and Eric pretends like he doesn't know who he is.

0:56:50.280 --> 0:56:55.759
<v Speaker 1>And then new character alert Harley, Joey, and Frankie are

0:56:55.880 --> 0:56:59.239
<v Speaker 1>standing by the bathroom when Corey excitedly walks up to

0:56:59.280 --> 0:57:02.560
<v Speaker 1>say hi, and we get a call back to the

0:57:02.600 --> 0:57:05.960
<v Speaker 1>gage joke. Yeah, well, it's been a couple of pages.

0:57:06.760 --> 0:57:09.440
<v Speaker 1>It's the second time we're seeing that. The second it's

0:57:09.440 --> 0:57:11.399
<v Speaker 1>also I just have to say, so, so far we've

0:57:11.400 --> 0:57:17.080
<v Speaker 1>seen Joey and Frankie, Harley, Tony Quinn, and then we'll

0:57:17.120 --> 0:57:21.800
<v Speaker 1>get to Marry and Staple, and everybody is so cartoony

0:57:22.720 --> 0:57:27.360
<v Speaker 1>it's unbelievable. And these are all really good actors. There

0:57:27.440 --> 0:57:31.520
<v Speaker 1>is not a bad actor in the bunch, and it

0:57:31.800 --> 0:57:37.160
<v Speaker 1>is so over the top cartoony it's amazing. Yeah, I mean,

0:57:37.560 --> 0:57:39.920
<v Speaker 1>I'm wondering how much of that tone remains, Like I

0:57:39.960 --> 0:57:43.680
<v Speaker 1>don't remember, Like, uh, I think Frankie and Joey kind

0:57:43.680 --> 0:57:46.240
<v Speaker 1>of stay Frankie. But again, you can have a couple

0:57:46.280 --> 0:57:49.640
<v Speaker 1>of cartoony characters that's okay. You can you get you know,

0:57:49.720 --> 0:57:52.600
<v Speaker 1>that sitcomy kind of crazy where it's almost you know,

0:57:52.640 --> 0:57:56.800
<v Speaker 1>you get Lenny and Squiggy from Laverne and Shirley, you know. There,

0:57:56.880 --> 0:57:59.640
<v Speaker 1>you can have that kind of clinger for mash where

0:57:59.640 --> 0:58:04.120
<v Speaker 1>it is cartoony and crazy. But when it's everybody you're introducing,

0:58:04.160 --> 0:58:07.480
<v Speaker 1>I mean, every new character is so over the top

0:58:07.960 --> 0:58:11.160
<v Speaker 1>that it amazing. It's amazing. Part of the dizzy and

0:58:11.200 --> 0:58:13.600
<v Speaker 1>factor that I had it was just like what is happening?

0:58:13.640 --> 0:58:16.800
<v Speaker 1>Like I think by the time Marian came in is

0:58:16.800 --> 0:58:21.160
<v Speaker 1>when I really was like, what is going on? Over

0:58:21.200 --> 0:58:25.360
<v Speaker 1>the top. Yes, they're all phenomenally talented people, and we

0:58:25.520 --> 0:58:27.760
<v Speaker 1>just became a cartoon. We just became like that's what

0:58:27.800 --> 0:58:30.600
<v Speaker 1>I mean. It was like Frankie and Joey are clearly

0:58:30.640 --> 0:58:32.880
<v Speaker 1>like remember the cartoons with like the Big Bulldog and

0:58:32.880 --> 0:58:35.520
<v Speaker 1>the Little One that was always done, Like, that's clearly

0:58:35.520 --> 0:58:38.000
<v Speaker 1>what they're doing. They're just not doing they're the human

0:58:38.080 --> 0:58:40.880
<v Speaker 1>version of that. And that's okay if that's a guy

0:58:40.960 --> 0:58:43.880
<v Speaker 1>with a girl's name. Yeah, but it was just and

0:58:43.880 --> 0:58:46.760
<v Speaker 1>it's also the way he's doing it, like it's like, wow,

0:58:46.920 --> 0:58:50.000
<v Speaker 1>it's just so over the top. Well, Corey is trying

0:58:50.040 --> 0:58:51.960
<v Speaker 1>to avoid a beat down, and he tells Harley that

0:58:52.000 --> 0:58:54.160
<v Speaker 1>people would like him even more if he looked out

0:58:54.160 --> 0:58:57.560
<v Speaker 1>for a seventh grader like himself, And Harley asks his

0:58:57.640 --> 0:59:01.680
<v Speaker 1>name and then exclaims that Corey Matthews is a hoofy name,

0:59:03.080 --> 0:59:07.880
<v Speaker 1>you know. Uh so, yet another reference to just again

0:59:07.920 --> 0:59:10.120
<v Speaker 1>aging like milk here. So he gives him a new

0:59:10.200 --> 0:59:14.960
<v Speaker 1>name that exudes fear and respect, Johnny Baboon, and then

0:59:15.080 --> 0:59:18.640
<v Speaker 1>Mr Simpleton, another new character, walks out and sends Harley

0:59:18.680 --> 0:59:21.040
<v Speaker 1>and Corey to the principal's office for not being in class.

0:59:22.280 --> 0:59:25.600
<v Speaker 1>And then we're at the principal's office. Corey, Mr Stimpleman,

0:59:25.720 --> 0:59:28.240
<v Speaker 1>and Harley walk in to see the principle and it

0:59:28.320 --> 0:59:33.320
<v Speaker 1>is Mr Penny. It was a great we should have

0:59:33.360 --> 0:59:35.640
<v Speaker 1>happened maybe five minutes earlier, do you know what I mean?

0:59:35.760 --> 0:59:37.959
<v Speaker 1>Like it should have probably been like the first beat

0:59:37.960 --> 0:59:40.320
<v Speaker 1>as before Turner, because at this point I was like,

0:59:40.400 --> 0:59:42.280
<v Speaker 1>now we're going to the principle, Like it's just like

0:59:43.120 --> 0:59:44.800
<v Speaker 1>in the world a new person, and and it was

0:59:44.840 --> 0:59:46.520
<v Speaker 1>like how many characters are we going to have to

0:59:46.640 --> 0:59:49.640
<v Speaker 1>get through before we have that comforting like we're still

0:59:49.680 --> 0:59:52.439
<v Speaker 1>the same show ye beat, And so when this came,

0:59:52.520 --> 0:59:55.240
<v Speaker 1>it was like a sigh of relief, just like there's

0:59:55.280 --> 0:59:59.080
<v Speaker 1>an anchor, I know this relationship, I know these two people. Um,

0:59:59.080 --> 1:00:02.920
<v Speaker 1>it came a little too for me. It's like, you know,

1:00:03.040 --> 1:00:06.800
<v Speaker 1>no offense to that actor, but just that introducing that character,

1:00:07.240 --> 1:00:11.240
<v Speaker 1>it's like, geez, just too many, you know to get there.

1:00:11.680 --> 1:00:13.840
<v Speaker 1>This is also this is also from something that we

1:00:13.840 --> 1:00:15.680
<v Speaker 1>talked about I think in a previous episode though. This

1:00:15.720 --> 1:00:20.840
<v Speaker 1>is something where this also shows the detriment of binge watching,

1:00:21.480 --> 1:00:23.680
<v Speaker 1>because if you go right from the last episode of

1:00:23.680 --> 1:00:26.280
<v Speaker 1>season one, which was that amazing episode of The I

1:00:26.400 --> 1:00:29.320
<v Speaker 1>Dream of Phoenie where it's kind of a more quiet

1:00:29.360 --> 1:00:32.760
<v Speaker 1>episode of Ben and Phoenie having these great kind of

1:00:33.200 --> 1:00:37.400
<v Speaker 1>uh scenes together, and it's very well acted and very

1:00:37.520 --> 1:00:41.320
<v Speaker 1>earnest to this kind of craziness right away. It's even

1:00:41.400 --> 1:00:44.200
<v Speaker 1>doubly as jarring. Um, so I think that, you know,

1:00:44.200 --> 1:00:47.960
<v Speaker 1>if you've got a summer off before you jump back in,

1:00:48.760 --> 1:00:54.200
<v Speaker 1>it's not nearly as bad. Yeah, quite possibly. So Mr

1:00:54.240 --> 1:00:57.120
<v Speaker 1>Simpleman says Corey got on his nerves and then Phoenie

1:00:57.200 --> 1:00:59.640
<v Speaker 1>gives Corey a break and says get out of his face.

1:01:00.560 --> 1:01:04.320
<v Speaker 1>But then Corey realizes his next classes with Mr Feeney,

1:01:04.440 --> 1:01:06.760
<v Speaker 1>but he can't even say his name. So it's a

1:01:08.520 --> 1:01:12.360
<v Speaker 1>such a Michael Jacob's read Mr Mr this is where

1:01:12.360 --> 1:01:15.640
<v Speaker 1>he talks about the caning. Yes, yeah, so this is

1:01:15.640 --> 1:01:18.680
<v Speaker 1>obviously because that had Remember that was big in the country.

1:01:18.720 --> 1:01:20.640
<v Speaker 1>That was like the number one news story was Michael

1:01:20.640 --> 1:01:24.440
<v Speaker 1>Fay in the country in Singapore where he was a

1:01:24.480 --> 1:01:30.560
<v Speaker 1>guy who was going to be cane for vandalizing cars, yeah, graffiti,

1:01:30.680 --> 1:01:33.080
<v Speaker 1>vandalized something like that, and they was gonna be cane

1:01:33.080 --> 1:01:35.240
<v Speaker 1>to like in the public square. So this was right around.

1:01:36.800 --> 1:01:39.000
<v Speaker 1>We can obviously tell they were throwing that in the area.

1:01:40.120 --> 1:01:41.640
<v Speaker 1>By the way, I am not a genius. I had

1:01:41.640 --> 1:01:43.400
<v Speaker 1>to google the guy's name just for the record that

1:01:43.480 --> 1:01:45.520
<v Speaker 1>it was Michael Fay. But I remember that whole caning

1:01:45.600 --> 1:01:47.680
<v Speaker 1>thing was like a big deal, right, what a big deal?

1:01:47.720 --> 1:01:50.000
<v Speaker 1>I wonder if that would ever matter now, Like, why

1:01:50.080 --> 1:01:52.120
<v Speaker 1>was that a thing? I don't know. Also, I wonder

1:01:52.120 --> 1:01:57.400
<v Speaker 1>if that's part of the reason they said mr fahe r. Okay,

1:01:57.440 --> 1:01:59.880
<v Speaker 1>we're in the school hallway. Harley catches up to Corey

1:02:00.080 --> 1:02:03.160
<v Speaker 1>sarcastically thanks him for giving him detention all week. Harley

1:02:03.200 --> 1:02:06.080
<v Speaker 1>asks Corey to meet him by the senior bathroom at

1:02:06.120 --> 1:02:10.640
<v Speaker 1>three pm because he's going to kill him and punch

1:02:10.680 --> 1:02:15.080
<v Speaker 1>the kid. Now, the whole wave. Just if you want

1:02:15.080 --> 1:02:18.480
<v Speaker 1>to beat somebody up, beat him up and walk, because

1:02:18.560 --> 1:02:25.919
<v Speaker 1>then you're already alone. Why wait, But you know, when

1:02:25.920 --> 1:02:27.800
<v Speaker 1>this show took place in the nineteen fifties, that's what

1:02:27.840 --> 1:02:30.960
<v Speaker 1>you did. You made up they were going to rumble

1:02:31.080 --> 1:02:34.160
<v Speaker 1>after they had their you know, they're driving their fifties cars. Well,

1:02:34.160 --> 1:02:36.640
<v Speaker 1>I think, actually, I think the thought processes. If it's

1:02:36.680 --> 1:02:39.400
<v Speaker 1>after three, if it's after school hours, the school can't

1:02:39.400 --> 1:02:42.160
<v Speaker 1>punish you for it in their own even I know

1:02:42.280 --> 1:02:43.800
<v Speaker 1>on the in the bathroom they could. But like the

1:02:43.840 --> 1:02:45.600
<v Speaker 1>reason people would say meet me in the parking lot

1:02:45.680 --> 1:02:49.800
<v Speaker 1>at three o'clock is because like behind the library. Library.

1:02:50.360 --> 1:02:53.520
<v Speaker 1>Really yeah, Andy foss shout out to Andy Fosse, and

1:02:53.520 --> 1:02:57.640
<v Speaker 1>I got a new fist fight. I lost badly. Okay,

1:02:58.840 --> 1:03:01.640
<v Speaker 1>just for the record, thank you Andy. So we're in

1:03:01.680 --> 1:03:04.480
<v Speaker 1>the school cafeteria. Mr Phoenie hands Mr Turner at comic

1:03:04.520 --> 1:03:09.000
<v Speaker 1>book and Turner admits, yeah, he signed its dynamic. By

1:03:09.040 --> 1:03:12.040
<v Speaker 1>the way, I know was a really nice because it

1:03:12.080 --> 1:03:15.480
<v Speaker 1>was like, ah, now Turner's part of the group, and

1:03:15.480 --> 1:03:20.560
<v Speaker 1>and being questioned there's tension between the teachers. Teachers really

1:03:20.800 --> 1:03:25.560
<v Speaker 1>different and Greek actually has a foe, like a real

1:03:25.680 --> 1:03:29.200
<v Speaker 1>not just a child, you know. Um, so, yeah, I

1:03:29.520 --> 1:03:32.160
<v Speaker 1>thought this was great. He Phoene says he knows Turner

1:03:32.280 --> 1:03:34.400
<v Speaker 1>is the new groovy teacher, but Phoene says he wants

1:03:34.440 --> 1:03:37.200
<v Speaker 1>the students closer to his level, and then a rivalry.

1:03:37.320 --> 1:03:39.440
<v Speaker 1>We see the rivalry between the two of them has started,

1:03:39.640 --> 1:03:41.560
<v Speaker 1>and then the two nerds from the beginning of the

1:03:41.560 --> 1:03:44.240
<v Speaker 1>episode walk in. Another opportunity for Lee Norris to have

1:03:44.240 --> 1:03:46.440
<v Speaker 1>been a shining Star in this episode, but they get

1:03:46.520 --> 1:03:50.960
<v Speaker 1>hit by doors that Corey then opens up yea, and

1:03:51.040 --> 1:03:53.280
<v Speaker 1>they of course then say the same thing they just

1:03:53.320 --> 1:03:57.120
<v Speaker 1>said again. Uh. Corey wishes lunch was mac and cheese

1:03:57.160 --> 1:03:59.040
<v Speaker 1>so that when Harley punches him later he would puke

1:03:59.040 --> 1:04:02.120
<v Speaker 1>all over him and make a your mess. Sean says

1:04:02.200 --> 1:04:05.480
<v Speaker 1>they need Eric's help, and Eric is actually nearby eating

1:04:05.560 --> 1:04:08.600
<v Speaker 1>lunch with the two girls we saw earlier, Marguerite Moreau,

1:04:08.920 --> 1:04:11.320
<v Speaker 1>who was later known for tons of work including Mighty

1:04:11.400 --> 1:04:14.200
<v Speaker 1>Ducks and Wet Hot American Summer. She was so nice,

1:04:14.320 --> 1:04:16.840
<v Speaker 1>she was She was absolutely well wonderful actress and a

1:04:16.960 --> 1:04:19.439
<v Speaker 1>very nice person. That's what I remember most about her. Well,

1:04:19.480 --> 1:04:22.400
<v Speaker 1>so Sean goes over to Eric and the girls. They're

1:04:22.560 --> 1:04:26.160
<v Speaker 1>flirt with him too. I know Sean's got game apparent

1:04:27.440 --> 1:04:32.000
<v Speaker 1>has started to become the girl magnet yep, were you

1:04:32.360 --> 1:04:35.240
<v Speaker 1>teen magazine guy by this point by season two? Had

1:04:35.240 --> 1:04:37.520
<v Speaker 1>it started yet? I must have been right? It must

1:04:37.640 --> 1:04:39.920
<v Speaker 1>like I'm wondering if they're playing into that now, because

1:04:39.920 --> 1:04:42.000
<v Speaker 1>it's like, oh, we've got to break out, you know,

1:04:42.160 --> 1:04:45.720
<v Speaker 1>teen idol. Let's write to that question, because you went

1:04:45.840 --> 1:04:48.520
<v Speaker 1>right to girls now, I mean, you're instantly like they're

1:04:48.560 --> 1:04:50.720
<v Speaker 1>starting to switch. This is where Eric and Sean starts

1:04:50.720 --> 1:04:53.520
<v Speaker 1>to switch, where all of a sudden, it's you're you're

1:04:53.520 --> 1:05:00.000
<v Speaker 1>a girl crazy right, so uh, Sean says at three o'clock,

1:05:00.520 --> 1:05:03.000
<v Speaker 1>Eric actually won't have a brother if he doesn't help.

1:05:03.120 --> 1:05:05.200
<v Speaker 1>Eric pretends to drink water at the water fountain, will

1:05:05.240 --> 1:05:07.880
<v Speaker 1>talking to Corey, uh slightly helping him get out of

1:05:07.880 --> 1:05:11.560
<v Speaker 1>trouble by going to the nurses station. Yeah, pretended to

1:05:11.600 --> 1:05:13.240
<v Speaker 1>be sick. Go to the nurse station and then wait

1:05:13.240 --> 1:05:15.040
<v Speaker 1>for mom and dad to pick you home or pick

1:05:15.080 --> 1:05:16.920
<v Speaker 1>you up, or you could just fight the guy if

1:05:16.960 --> 1:05:19.040
<v Speaker 1>you don't want to look like a coward. And then

1:05:19.240 --> 1:05:22.160
<v Speaker 1>Harley furiously walks into the lunchroom and asks who took

1:05:22.200 --> 1:05:25.040
<v Speaker 1>the last piece of chicken, which Corey happens to be holding,

1:05:25.080 --> 1:05:27.840
<v Speaker 1>so he immediately drops it. And then Eric walks away

1:05:27.880 --> 1:05:33.200
<v Speaker 1>and says, do not attempt to recontact me. And I

1:05:33.200 --> 1:05:35.680
<v Speaker 1>thought Ben's line of how did you how did you

1:05:35.720 --> 1:05:37.440
<v Speaker 1>do this? You know, you ruined this in a day,

1:05:37.440 --> 1:05:38.920
<v Speaker 1>and he's like, it didn't take me the whole day,

1:05:40.440 --> 1:05:43.200
<v Speaker 1>how badly in a day? It didn't take me the

1:05:43.200 --> 1:05:45.960
<v Speaker 1>whole day. Take me the whole day that was so

1:05:46.000 --> 1:05:48.360
<v Speaker 1>funny and absolutely great beat. Yeah. Yeah, this is a

1:05:48.400 --> 1:05:51.400
<v Speaker 1>really cute This was a really cute brother moment. I

1:05:51.480 --> 1:05:53.960
<v Speaker 1>enjoyed it. Another episode I have to say where I

1:05:54.000 --> 1:05:57.080
<v Speaker 1>don't like particularly like the episode. But again Ben is

1:05:57.120 --> 1:06:00.120
<v Speaker 1>really good. Yeah, Ben is really good, and especially this

1:06:00.160 --> 1:06:02.200
<v Speaker 1>scene he's dropping the chicken out of his hand. He's

1:06:02.360 --> 1:06:05.880
<v Speaker 1>hitting some beats that are very very funny. Yeah. And

1:06:05.920 --> 1:06:08.200
<v Speaker 1>then we're in the nurse's office. Corey sits next to

1:06:08.240 --> 1:06:11.240
<v Speaker 1>the two nerds and they are comparing their injuries. They

1:06:11.240 --> 1:06:13.400
<v Speaker 1>say they're going to sit in this nurse's office every

1:06:13.480 --> 1:06:15.960
<v Speaker 1>day to get picked up and stay safe. Corey asks

1:06:15.960 --> 1:06:18.120
<v Speaker 1>if they think other kids will call them cowards and

1:06:18.240 --> 1:06:20.600
<v Speaker 1>they don't care. Corey does care. He says he is

1:06:20.640 --> 1:06:22.280
<v Speaker 1>not going to fake an injury. He's going to go

1:06:22.360 --> 1:06:27.600
<v Speaker 1>get a real one. Would you guys have cared? Yes?

1:06:28.720 --> 1:06:31.000
<v Speaker 1>If if people like would you have wanted to take

1:06:31.000 --> 1:06:32.280
<v Speaker 1>the easy like, would you guys have got I mean,

1:06:32.280 --> 1:06:33.959
<v Speaker 1>Will said he just got into a fight in high school.

1:06:34.200 --> 1:06:36.280
<v Speaker 1>You go to the fight. You go to the fight.

1:06:36.560 --> 1:06:38.480
<v Speaker 1>There's sometimes if a bully is standing in front of you,

1:06:38.600 --> 1:06:39.800
<v Speaker 1>the only thing you can do is punch him in

1:06:39.800 --> 1:06:43.840
<v Speaker 1>the nose. You might lose, but you're gonna fight. That's

1:06:43.840 --> 1:06:45.280
<v Speaker 1>just I don't know if that's the way just the

1:06:45.280 --> 1:06:47.000
<v Speaker 1>way I was raised. You never start a fight, but

1:06:47.080 --> 1:06:49.120
<v Speaker 1>if you can finish it, you do. And that's that's

1:06:49.320 --> 1:06:52.200
<v Speaker 1>really gotten fights in high school, like grade school. I

1:06:52.240 --> 1:06:55.200
<v Speaker 1>remember are six people in your high school you said,

1:06:55.280 --> 1:06:57.200
<v Speaker 1>It's like, well, yeah, this was my I mean, this

1:06:57.280 --> 1:06:59.400
<v Speaker 1>was my I was already working, like I don't know,

1:06:59.520 --> 1:07:03.080
<v Speaker 1>it wasn't all in with But no. Sometimes again, what

1:07:03.160 --> 1:07:04.840
<v Speaker 1>do they say that the rider I'm sure you know

1:07:04.880 --> 1:07:07.760
<v Speaker 1>the quote better than I. What is it? The uh

1:07:08.760 --> 1:07:11.080
<v Speaker 1>a hero dies, but once a coward dies, a thousand

1:07:11.160 --> 1:07:14.520
<v Speaker 1>deaths something like that, because it's because you you know,

1:07:14.880 --> 1:07:17.440
<v Speaker 1>you're gonna keep dying inside if you don't stand up

1:07:17.440 --> 1:07:19.120
<v Speaker 1>for yourself. So that was very real to me, and

1:07:19.120 --> 1:07:21.200
<v Speaker 1>that resonated to me where it's like, this is going

1:07:21.240 --> 1:07:24.760
<v Speaker 1>to determine your your life now for the rest of

1:07:24.800 --> 1:07:27.680
<v Speaker 1>your life, because there's people that were bullied that didn't

1:07:27.680 --> 1:07:30.080
<v Speaker 1>stand up that are now in their forties that look

1:07:30.160 --> 1:07:32.600
<v Speaker 1>back at that like that changed my life. Yeah, But

1:07:32.640 --> 1:07:36.080
<v Speaker 1>there's also there's also the insinuation that it's sort of

1:07:36.120 --> 1:07:38.400
<v Speaker 1>a little bit of blaming the victim with these guys right,

1:07:38.520 --> 1:07:42.720
<v Speaker 1>like they're because they're being nerdy, like they want to

1:07:42.760 --> 1:07:45.640
<v Speaker 1>continue being coward, Like they shouldn't be in this position

1:07:45.640 --> 1:07:49.760
<v Speaker 1>to begin with. There should not be situations. Not some

1:07:49.880 --> 1:07:55.479
<v Speaker 1>giant older kid is a situations like that all the time.

1:07:56.320 --> 1:07:59.040
<v Speaker 1>That's the thing. It's there shouldn't be but but but

1:07:59.080 --> 1:08:01.560
<v Speaker 1>you don't necessarily need to go to a fight in

1:08:01.680 --> 1:08:04.320
<v Speaker 1>order to not be a coward. You can also find

1:08:04.360 --> 1:08:07.280
<v Speaker 1>other ways of managing a situation. And of course I

1:08:07.360 --> 1:08:12.000
<v Speaker 1>just wanted to for of course this show is again

1:08:12.120 --> 1:08:14.760
<v Speaker 1>in this retro mode of like, you know, there's the

1:08:14.880 --> 1:08:17.080
<v Speaker 1>nerds and they're just gonna be weekly and they're going

1:08:17.120 --> 1:08:19.639
<v Speaker 1>to take the easy ways before being nerds was cool

1:08:20.560 --> 1:08:23.760
<v Speaker 1>and and uh yeah, no, I agree, there's obviously other

1:08:23.760 --> 1:08:25.920
<v Speaker 1>ways to go about it, but they're trying to make

1:08:25.920 --> 1:08:30.320
<v Speaker 1>it as cartoony again cartoony possible one avenue or the

1:08:30.360 --> 1:08:32.880
<v Speaker 1>other avenue, And we're making it as blatantly cartoony as

1:08:32.920 --> 1:08:35.200
<v Speaker 1>we possibly can. I'd just like to shout out to

1:08:35.240 --> 1:08:37.320
<v Speaker 1>the nerd what would be called Nerd number two because

1:08:37.360 --> 1:08:39.720
<v Speaker 1>I referred to call refused to call him lemkey, but

1:08:39.800 --> 1:08:41.840
<v Speaker 1>he was pretty funny. I thought with the whole and

1:08:41.840 --> 1:08:44.479
<v Speaker 1>I've got ASTHM and he's like, oh yeah, you win,

1:08:44.600 --> 1:08:47.160
<v Speaker 1>Like he that was he had some funny beats as

1:08:47.160 --> 1:08:48.880
<v Speaker 1>an actor. I thought he had some funny beats, but

1:08:49.200 --> 1:08:52.040
<v Speaker 1>with what they were given. Well. It is now three

1:08:52.080 --> 1:08:54.679
<v Speaker 1>pm in the school hallway and Mr Turner sees Corey

1:08:54.760 --> 1:08:57.240
<v Speaker 1>sitting there. Corey asks if the guy in the Odyssey

1:08:57.280 --> 1:08:59.960
<v Speaker 1>gets home alive, and Turner says he does after facing

1:09:00.040 --> 1:09:02.880
<v Speaker 1>few obstacles, and then he's off for the day. He

1:09:02.920 --> 1:09:05.760
<v Speaker 1>starts to leave. Sean runs over to support Corey, but

1:09:05.800 --> 1:09:07.880
<v Speaker 1>then a girl walks by and he leaves with her

1:09:07.920 --> 1:09:13.280
<v Speaker 1>immediately again Sean's got game. And then Corey is about

1:09:13.320 --> 1:09:15.799
<v Speaker 1>to leave himself at three oh five, but then Harley

1:09:15.840 --> 1:09:19.080
<v Speaker 1>opens the bathroom door and is ready to brawl Corey

1:09:19.080 --> 1:09:21.040
<v Speaker 1>in the whole way again like there is still in

1:09:21.040 --> 1:09:26.880
<v Speaker 1>the schools, Like what the hell's the point still there? Yeah? Yeah,

1:09:26.880 --> 1:09:31.560
<v Speaker 1>they didn't have parking lot set apparently, so Corey is

1:09:31.600 --> 1:09:34.240
<v Speaker 1>about to leave. Corey says he would rather be dead

1:09:34.280 --> 1:09:36.840
<v Speaker 1>than the school coward for the next six years, so

1:09:36.960 --> 1:09:38.760
<v Speaker 1>he's ready to get beat up. So we mentioned that

1:09:38.800 --> 1:09:41.080
<v Speaker 1>we would be in the school for six more years.

1:09:41.439 --> 1:09:44.480
<v Speaker 1>But then we're only in the school for four but anyway,

1:09:44.600 --> 1:09:46.960
<v Speaker 1>uh so he's ready to get beat up, and then

1:09:47.040 --> 1:09:51.360
<v Speaker 1>Harley gets into position, but then Eric jumps over the

1:09:51.479 --> 1:09:53.519
<v Speaker 1>law man. I thought it was so cool, and I

1:09:53.520 --> 1:09:57.479
<v Speaker 1>remember jumping over the wall being like, yeah, this is

1:09:57.160 --> 1:10:00.320
<v Speaker 1>this is awesome. That's you undercut it with a joke

1:10:00.439 --> 1:10:02.439
<v Speaker 1>right away. It was like, as it was happening, I

1:10:02.479 --> 1:10:06.640
<v Speaker 1>was like, oh god, this feels really lazy, and I

1:10:06.720 --> 1:10:09.120
<v Speaker 1>was like, oh, of course Will is going to save it. Yeah,

1:10:09.400 --> 1:10:11.160
<v Speaker 1>it was. It was a fun beat. I remember that.

1:10:11.200 --> 1:10:13.840
<v Speaker 1>I remember thinking to myself like, oh, they're gonna keep

1:10:13.880 --> 1:10:16.840
<v Speaker 1>me in the show. Like essentially, they're working Eric into

1:10:16.920 --> 1:10:18.640
<v Speaker 1>the show where he's still be a matter in the

1:10:18.640 --> 1:10:21.559
<v Speaker 1>show because again we've now Lee's gone and we don't

1:10:21.560 --> 1:10:23.840
<v Speaker 1>know he was coming. Who's going what's going to happen

1:10:24.200 --> 1:10:26.960
<v Speaker 1>right now? They're going in a bunch of new characters.

1:10:27.400 --> 1:10:30.559
<v Speaker 1>My oh my god. My dad was convinced that that um,

1:10:31.080 --> 1:10:33.479
<v Speaker 1>Harley was going to become the new Fanzie and Eric

1:10:33.560 --> 1:10:35.800
<v Speaker 1>was slowly going to be taken off the show. He

1:10:35.880 --> 1:10:42.240
<v Speaker 1>was convinced. Oh my my dad was He's like, you

1:10:42.320 --> 1:10:44.519
<v Speaker 1>got it, you got it, you got you think that's

1:10:44.520 --> 1:10:46.120
<v Speaker 1>going to happen. You know. I think he called my

1:10:46.200 --> 1:10:48.160
<v Speaker 1>agent like all that kind of stuff, and I was like,

1:10:48.320 --> 1:10:50.120
<v Speaker 1>I was like, Dad, it's gonna be fine, It's gonna

1:10:50.120 --> 1:10:52.599
<v Speaker 1>be fine. Um. But yeah, they were they thought they

1:10:52.600 --> 1:10:54.280
<v Speaker 1>were doing that whole new dynamic and that was gonna

1:10:54.320 --> 1:10:57.720
<v Speaker 1>be it. So yeah, strange. Wow, Well, Eric is going

1:10:57.760 --> 1:10:59.720
<v Speaker 1>to defend Corey. He jumps in front of Harley and

1:10:59.760 --> 1:11:02.439
<v Speaker 1>he only admits that Corey is his brother and you

1:11:02.479 --> 1:11:05.240
<v Speaker 1>guys work together, which is very cute. Harley begins to

1:11:05.280 --> 1:11:08.760
<v Speaker 1>push Eric, but Mr Turner appears and stops the confrontation.

1:11:08.880 --> 1:11:11.320
<v Speaker 1>Harley asks who he is, not knowing that Mr. Turner

1:11:11.360 --> 1:11:14.439
<v Speaker 1>is a new teacher, but he learns quickly. Mr Turner

1:11:14.439 --> 1:11:17.000
<v Speaker 1>plays the cool guy and asks Harley not to kill

1:11:17.040 --> 1:11:20.360
<v Speaker 1>his students, and Harley realizes he couldn't take Mr Turner,

1:11:20.439 --> 1:11:23.439
<v Speaker 1>so he leaves that's I know, it's really cute. Was

1:11:23.479 --> 1:11:26.160
<v Speaker 1>that could I thank you? Nah? I could have taken

1:11:26.200 --> 1:11:29.479
<v Speaker 1>the kid though. It is crazy how much contemporaries though, Yeah,

1:11:29.520 --> 1:11:35.680
<v Speaker 1>like age wise, it's mind yeah, of course. Uh So

1:11:35.760 --> 1:11:38.719
<v Speaker 1>Corey thinks Mr Turner and then he thinks his brother Eric,

1:11:38.760 --> 1:11:41.519
<v Speaker 1>who in turn pretends not to know him again, which

1:11:41.560 --> 1:11:43.840
<v Speaker 1>again I thought that was all very cute. Listen, I

1:11:43.920 --> 1:11:45.519
<v Speaker 1>was there for you when I need when you needed me.

1:11:45.920 --> 1:11:47.720
<v Speaker 1>But we're back to status quell and I'll talk to

1:11:47.720 --> 1:11:50.800
<v Speaker 1>me again. Uh. And then Corey tells Sean he can

1:11:50.840 --> 1:11:53.800
<v Speaker 1>get out of the locker now, which I thought, how

1:11:53.840 --> 1:11:55.519
<v Speaker 1>do we know he's in the locker. I didn't know

1:11:55.560 --> 1:11:58.160
<v Speaker 1>he was in the locker, and and Corey did not

1:11:58.280 --> 1:12:00.639
<v Speaker 1>see him go into the locker, like I just went

1:12:00.680 --> 1:12:04.400
<v Speaker 1>off camera. So yeah, that was weird. I exactly was like,

1:12:04.400 --> 1:12:07.720
<v Speaker 1>what it's also, I'm sorry to point this out kind

1:12:07.720 --> 1:12:10.080
<v Speaker 1>of weirdly, but you have to imagine she's Eric's age

1:12:10.120 --> 1:12:12.880
<v Speaker 1>because they were having lunch, so she's in the locker

1:12:12.960 --> 1:12:17.120
<v Speaker 1>with the seventh grader Junior high. A little strange, saying

1:12:17.320 --> 1:12:19.800
<v Speaker 1>little odd, little odd. Again. I guess the idea is

1:12:19.800 --> 1:12:23.680
<v Speaker 1>that if you're in the same school, and that's why, truthfully,

1:12:23.800 --> 1:12:26.360
<v Speaker 1>that's why schools are set up that way, is so

1:12:26.439 --> 1:12:31.360
<v Speaker 1>that adult ish style teens are not in school with

1:12:31.400 --> 1:12:34.519
<v Speaker 1>people who are supposed to be twelve or who are twelve.

1:12:34.720 --> 1:12:37.360
<v Speaker 1>Someone who's seventeen in a locker with somebody who's twelve

1:12:37.400 --> 1:12:40.320
<v Speaker 1>or thirteen is a little creepy, I just think, but

1:12:40.439 --> 1:12:42.519
<v Speaker 1>it's you know, it's again a lot of it maybe

1:12:42.560 --> 1:12:45.320
<v Speaker 1>more than a creepy, but again I think so much

1:12:45.360 --> 1:12:48.960
<v Speaker 1>of it was like, suspend your disbelief about what's going

1:12:49.000 --> 1:12:54.920
<v Speaker 1>on here. Just even eighteen year old actors us and

1:12:54.920 --> 1:12:58.200
<v Speaker 1>we don't have to deal with kid hours. That's not

1:12:58.320 --> 1:13:01.599
<v Speaker 1>just that, but also let's get to as many laughs

1:13:01.640 --> 1:13:05.000
<v Speaker 1>as possible and also appeal to maybe what was an

1:13:05.040 --> 1:13:07.240
<v Speaker 1>ABC mandate of aging us up that they wanted a

1:13:07.280 --> 1:13:09.680
<v Speaker 1>high school show, but we started off being eleven, and

1:13:09.720 --> 1:13:12.160
<v Speaker 1>so how do you go from the govern production I

1:13:12.160 --> 1:13:15.040
<v Speaker 1>think it's purely production concerns. They were they were sick

1:13:15.080 --> 1:13:17.320
<v Speaker 1>and tired of not having the hours and not having

1:13:17.320 --> 1:13:19.920
<v Speaker 1>the time and having to deal with more teachers and

1:13:19.960 --> 1:13:22.200
<v Speaker 1>more kids. So it was like, let's cut down the

1:13:22.280 --> 1:13:25.840
<v Speaker 1>kid cast. So essentially at this point was you, me

1:13:25.920 --> 1:13:27.519
<v Speaker 1>and Ben. That was it for the That was it,

1:13:27.640 --> 1:13:31.040
<v Speaker 1>Like we would didn't try again with anybody. Know, everybody

1:13:31.040 --> 1:13:33.200
<v Speaker 1>else was an eighteen plus, and it was like so

1:13:33.240 --> 1:13:35.519
<v Speaker 1>they could have they could work extra hours, they didn't

1:13:35.520 --> 1:13:37.280
<v Speaker 1>have to have teachers and didn't have the social workers,

1:13:37.439 --> 1:13:39.800
<v Speaker 1>didn't have to have parents, so like everybody was older.

1:13:39.840 --> 1:13:41.800
<v Speaker 1>I mean, how old were Blake and Ethan in your

1:13:41.840 --> 1:13:43.840
<v Speaker 1>life at this point my age or older? Actually, they

1:13:43.920 --> 1:13:46.680
<v Speaker 1>might have been older the Baker, I think, and they

1:13:46.720 --> 1:13:48.320
<v Speaker 1>might have been older than me by this point, and

1:13:48.400 --> 1:13:52.160
<v Speaker 1>Danny must have been like at least yeah, So it

1:13:52.280 --> 1:13:54.519
<v Speaker 1>was yeah. No. I also think you could argue that

1:13:54.600 --> 1:13:58.000
<v Speaker 1>they made it as cartoony as possible because they're in

1:13:58.000 --> 1:14:00.400
<v Speaker 1>this new mythical high school world and it just the

1:14:00.520 --> 1:14:03.040
<v Speaker 1>giant cartoon. Because I'd like to think, and again, I

1:14:03.080 --> 1:14:05.360
<v Speaker 1>haven't seen the show in years. Ridy you've never seen it. Daniel,

1:14:05.360 --> 1:14:08.759
<v Speaker 1>you haven't seen in years. I think it grounds itself,

1:14:09.200 --> 1:14:13.759
<v Speaker 1>I hope. So I think I think the out Yeah,

1:14:13.840 --> 1:14:15.720
<v Speaker 1>I think so too. So maybe it's the first day

1:14:15.880 --> 1:14:18.519
<v Speaker 1>is supposed to be this crazy look and it's supposed

1:14:18.560 --> 1:14:22.800
<v Speaker 1>to give us this feeling yes, comfortable, Yeah, because I

1:14:22.800 --> 1:14:27.280
<v Speaker 1>don't recall it being this outlandishly off the wall with

1:14:27.360 --> 1:14:29.960
<v Speaker 1>teachers like Marion coming in, Like I I think this

1:14:30.040 --> 1:14:31.720
<v Speaker 1>was a one off. I'm hoping this was a one

1:14:31.720 --> 1:14:34.439
<v Speaker 1>off and it's gonna it's gonna come back down to earth,

1:14:34.520 --> 1:14:37.400
<v Speaker 1>we can hope. So the the locker is opened and

1:14:37.439 --> 1:14:39.400
<v Speaker 1>Corey sees that Sean is in there, with a girl,

1:14:39.520 --> 1:14:42.960
<v Speaker 1>and he says they're big lockers in high school, which

1:14:43.200 --> 1:14:45.920
<v Speaker 1>it is very funny, and then we get into our

1:14:46.080 --> 1:14:48.680
<v Speaker 1>end credits and we wrap up the episode. In the

1:14:48.720 --> 1:14:52.439
<v Speaker 1>Matthews living room, Corey walks in, saying his brother is Eric,

1:14:52.479 --> 1:14:55.200
<v Speaker 1>the great one Matthews. Eric says an older kid was

1:14:55.240 --> 1:14:57.479
<v Speaker 1>picking on Corey and he hates it when people do that,

1:14:57.800 --> 1:15:00.280
<v Speaker 1>and then he himself picks on Corey and grabs the about.

1:15:00.560 --> 1:15:02.920
<v Speaker 1>Morgan grabs the remote next and takes full control of

1:15:02.960 --> 1:15:06.200
<v Speaker 1>the TV. The family falls into place. She yells, everybody

1:15:06.200 --> 1:15:09.719
<v Speaker 1>stopped talking. I'm watching TV. And then now that's power,

1:15:10.080 --> 1:15:14.439
<v Speaker 1>Morgan says. And we end the episode, and that was

1:15:14.439 --> 1:15:21.519
<v Speaker 1>a big laugh for Indie. She's in control. He's just

1:15:21.560 --> 1:15:25.400
<v Speaker 1>like ye still like yeah, it's really funny, that's great.

1:15:25.439 --> 1:15:27.080
<v Speaker 1>And he was definitely weirded out by me being in

1:15:27.120 --> 1:15:30.439
<v Speaker 1>the locker with a girl. Oh really, I don't I

1:15:30.479 --> 1:15:31.720
<v Speaker 1>just don't know how we're going to deal with this

1:15:31.800 --> 1:15:34.800
<v Speaker 1>now that I'm gonna be making out. I started prepping

1:15:34.840 --> 1:15:36.679
<v Speaker 1>him out. I was like, yeah, that's gonna be happening

1:15:36.680 --> 1:15:40.759
<v Speaker 1>a lot more. But really, yeah, is he still enjoying

1:15:40.760 --> 1:15:44.640
<v Speaker 1>watching it? Yeah? I mean he definitely. Like, I don't know,

1:15:44.720 --> 1:15:46.400
<v Speaker 1>the second season is gonna be interesting. I think it's

1:15:46.400 --> 1:15:50.400
<v Speaker 1>gonna be really different. I think this episode felt off,

1:15:50.520 --> 1:15:53.240
<v Speaker 1>you know, like basically after the first scene, I don't

1:15:53.240 --> 1:15:57.080
<v Speaker 1>think he was comfortable again until now were we Like

1:15:57.120 --> 1:15:59.280
<v Speaker 1>he was leaving the house made and leaving the regular

1:15:59.360 --> 1:16:02.080
<v Speaker 1>characters made him uncomfortable. I think Phoeney as a principal

1:16:02.120 --> 1:16:04.400
<v Speaker 1>was cool. He liked that. But yeah, he's very much

1:16:04.439 --> 1:16:06.439
<v Speaker 1>still you know, he's still in the Little Kids Well

1:16:06.880 --> 1:16:10.720
<v Speaker 1>season as his favorite character of Morgan. I have bad

1:16:10.760 --> 1:16:16.960
<v Speaker 1>news for him. Oh jeez. So the next episode we

1:16:17.000 --> 1:16:20.960
<v Speaker 1>are going to recap is season two, episode two, pairing Off,

1:16:21.080 --> 1:16:23.439
<v Speaker 1>which already sounds like bad news for India as well.

1:16:24.560 --> 1:16:27.360
<v Speaker 1>I don't know anything about it, but pairing Off sounds

1:16:27.360 --> 1:16:31.639
<v Speaker 1>like it's someone's kissing someone and it originally aired September.

1:16:33.880 --> 1:16:37.599
<v Speaker 1>And there we go, guys, I'm super uncomfy. I hope

1:16:37.840 --> 1:16:39.320
<v Speaker 1>I hope we get I hope we get. Come for

1:16:39.400 --> 1:16:42.280
<v Speaker 1>your later. I'm thinking the next episode that pairing Off

1:16:42.320 --> 1:16:44.599
<v Speaker 1>is the one with the second one with Marguerite Moreau,

1:16:44.800 --> 1:16:48.040
<v Speaker 1>and it's not going to be comfy. Oh no, yeah,

1:16:48.080 --> 1:16:50.800
<v Speaker 1>if memory serves, there's some some conversations to have with

1:16:50.840 --> 1:16:54.240
<v Speaker 1>that one. Yeah, we're I really did. I got the chills.

1:16:55.360 --> 1:16:57.920
<v Speaker 1>We're settling back down here. Is it time to bring

1:16:57.960 --> 1:17:01.160
<v Speaker 1>that therapist on yet? Are we to do that? Yeah,

1:17:01.560 --> 1:17:04.720
<v Speaker 1>that's kind of a but I'm uncomfortable even with the

1:17:04.720 --> 1:17:08.160
<v Speaker 1>classroom facing the opposite direction, and I'm like, no, no,

1:17:08.200 --> 1:17:10.519
<v Speaker 1>this isn't right. This isn't right. And I worked in

1:17:10.560 --> 1:17:12.840
<v Speaker 1>that classroom, like is this the way the classroom was

1:17:12.880 --> 1:17:17.200
<v Speaker 1>all season like? But I'm just like, no, no, that's okay, right,

1:17:17.840 --> 1:17:21.639
<v Speaker 1>hate do this because I know that producer husband Jensen

1:17:21.680 --> 1:17:24.240
<v Speaker 1>carp Um does the bulk of the reading and then

1:17:24.360 --> 1:17:26.280
<v Speaker 1>and then sends it out to us. But I'd be

1:17:26.320 --> 1:17:30.640
<v Speaker 1>really curious if everybody else felt as uncomfortable by watching this.

1:17:31.560 --> 1:17:33.960
<v Speaker 1>Please send us your emails, Yeah, because I'm curious if

1:17:33.960 --> 1:17:35.679
<v Speaker 1>they're like, no, it didn't bother me at all. There's

1:17:35.800 --> 1:17:39.400
<v Speaker 1>no that's uncomfortable. They've watched it a million times. It's like,

1:17:39.479 --> 1:17:41.840
<v Speaker 1>you know, maybe they're watching if people are going in

1:17:42.000 --> 1:17:44.360
<v Speaker 1>order like us, Yeah, I am curious. I think that

1:17:44.360 --> 1:17:47.920
<v Speaker 1>there is people I liked it, Tara liked it, Okay.

1:17:48.160 --> 1:17:51.000
<v Speaker 1>I think there are people who really gravitate towards first

1:17:51.000 --> 1:17:53.000
<v Speaker 1>season point it's World, and then there are people who

1:17:53.040 --> 1:17:55.080
<v Speaker 1>really like later season Boy MEAs World, you know, And

1:17:55.120 --> 1:17:57.519
<v Speaker 1>I think that we're just We're just kind of in

1:17:57.560 --> 1:17:59.680
<v Speaker 1>the in between right now. I'm hoping we get more

1:17:59.720 --> 1:18:02.800
<v Speaker 1>comfort well. But I have to say I always thought

1:18:02.960 --> 1:18:05.080
<v Speaker 1>first season a boy Meets World in my memory, having

1:18:05.120 --> 1:18:07.320
<v Speaker 1>not seen it, I always thought the first season was

1:18:07.360 --> 1:18:10.679
<v Speaker 1>pretty bad too. That was my assumption. So we didn't

1:18:10.680 --> 1:18:12.720
<v Speaker 1>know what our show was and that we became a

1:18:12.720 --> 1:18:16.280
<v Speaker 1>better show, and that is completely reversed right now. I

1:18:16.320 --> 1:18:19.599
<v Speaker 1>think the first season was spectacular. I love it for

1:18:19.760 --> 1:18:23.160
<v Speaker 1>all the you know, little kid coziness of it, and

1:18:23.200 --> 1:18:25.840
<v Speaker 1>I am terrified about what's to come. I think we

1:18:25.920 --> 1:18:28.880
<v Speaker 1>gotta we gotta chalk this up to It was a

1:18:28.880 --> 1:18:31.120
<v Speaker 1>whole different experience for us. It was a whole different

1:18:31.120 --> 1:18:34.040
<v Speaker 1>experience for our crew. We had new producers. We're gonna

1:18:34.120 --> 1:18:37.360
<v Speaker 1>we're gonna fall into it again. We're gonna find ourselves,

1:18:37.400 --> 1:18:39.479
<v Speaker 1>we're gonna find our rhythm, and this was just a

1:18:39.640 --> 1:18:42.000
<v Speaker 1>jarring one off. I think ye were forward like that

1:18:42.040 --> 1:18:44.519
<v Speaker 1>will be fine. Yeah it was. There's definitely some growing

1:18:44.560 --> 1:18:50.000
<v Speaker 1>pains um and that show we should recap. Uh just

1:18:50.080 --> 1:18:52.080
<v Speaker 1>so you guys know so Tara said she liked it,

1:18:52.400 --> 1:18:57.720
<v Speaker 1>husband Jensen producer Jensen Carp was completely jarred, like just

1:18:57.920 --> 1:19:00.240
<v Speaker 1>absolutely thrown off, had no idea what was goinging on.

1:19:00.280 --> 1:19:04.040
<v Speaker 1>Felt the same way we did. Very uncomfortable and um uh.

1:19:04.160 --> 1:19:08.559
<v Speaker 1>Jackie says it was jarring as well. So there we are. Anyway,

1:19:09.040 --> 1:19:12.280
<v Speaker 1>it was nice recapping with you guys, will sign us off.

1:19:12.960 --> 1:19:17.560
<v Speaker 1>We love you all, pod dismissed. Pod Meets World is

1:19:17.600 --> 1:19:20.799
<v Speaker 1>an I heart podcast produced and hosted by Daniel Fishel Wilford,

1:19:20.920 --> 1:19:23.880
<v Speaker 1>l and Ryder Strong executive producers, Jensen Carp and Amy

1:19:23.920 --> 1:19:27.559
<v Speaker 1>Sugarman Executive in charge of production, Daniel Romo, producer and editor,

1:19:27.600 --> 1:19:31.040
<v Speaker 1>Tara sup Box producer, Jackie Rodriguez, engineer and Boy Meets

1:19:31.040 --> 1:19:33.439
<v Speaker 1>World super fan Easton Allen. Our theme song is by

1:19:33.520 --> 1:19:35.680
<v Speaker 1>Kyle Morton of Typhoon and you can follow us on

1:19:35.720 --> 1:19:38.800
<v Speaker 1>Instagram at Pod Meets World Show or email us at

1:19:38.840 --> 1:19:41.480
<v Speaker 1>Pod Meets World Show at gmail dot com