WEBVTT - Dancing with…Peta Murgatroyd

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<v Speaker 1>Welcome to Danielle Wick, a podcast slowly transforming like a

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<v Speaker 1>young caterpillar looking to fly. I am Danielle Fischel, a

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<v Speaker 1>TV director, a podcaster, a mom of two, a former

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<v Speaker 1>ballroom dancer, and the new owner of the teen Beat trademark,

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<v Speaker 1>an element of my new podcast, debuting in January right

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<v Speaker 1>here on this feed. But first, before we fully flip

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<v Speaker 1>the switch, I'm still on the prowl interviewing some of

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<v Speaker 1>my favorite personalities from the Dancing with the Stars universe,

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<v Speaker 1>hoping to get a closer look at the phenomenon that was.

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<v Speaker 2>Season thirty four.

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<v Speaker 1>I am just weeks away from joining the show's live tour,

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<v Speaker 1>where I will.

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<v Speaker 2>Travel city to city for about thirty.

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<v Speaker 1>Days, hosting and dancing all of the country, and once

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<v Speaker 1>in Canada, acting like some sort of fox trotting circus.

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<v Speaker 2>Carney.

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<v Speaker 1>Sure, I'm a little nervous, but at least I'll be

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<v Speaker 1>crammed in a small bus with some of my absolute

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<v Speaker 1>favorite people and living off just protein shakes, peanut butter

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<v Speaker 1>and rice cakes. But in the meanwhile, I'm continuing to

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<v Speaker 1>talk to past contestants and professionals from the twenty year

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<v Speaker 1>history of the show and today I am sitting down

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<v Speaker 1>with one of the best and most outspoken legacy superstars

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<v Speaker 1>who may not have been in the ballroom every week

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<v Speaker 1>this year, but I was just as glued to her

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<v Speaker 1>social media as I was the three judges' scores. After

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<v Speaker 1>growing up, winning numerous dance championships and completing a run

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<v Speaker 1>on Broadway, she joined Troop in season twelve and then

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<v Speaker 1>was upgraded to Pro a year later, and it didn't

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<v Speaker 1>take long for her presence to be felt. She won

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<v Speaker 1>the coveted mirror Ball in just her second season alongside

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<v Speaker 1>former football player Donald Driver and became one of the

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<v Speaker 1>most popular dancers.

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<v Speaker 2>On the show.

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<v Speaker 1>Later paired with fan favorites like James Maslow, Nick Lache

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<v Speaker 1>and Tommy Chong, and her mirror ball got a friend

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<v Speaker 1>in season twenty two, when she finished first again, this

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<v Speaker 1>time with model Nile DeMarco.

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<v Speaker 2>She left the show in twenty twenty.

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<v Speaker 1>Three and entered an entrepreneur era with her own self

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<v Speaker 1>tanning line, Peta Jane, and now just launched a podcast,

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<v Speaker 1>The Penthouse with Peta A bit of a lightning rod

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<v Speaker 1>for attention this past season thanks to some hot takes

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<v Speaker 1>and her husband, another former pro, Max Schmerkovsky, who has

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<v Speaker 1>never once said out loud, I don't have an opinion

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<v Speaker 1>on that, and we love him for it. And the

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<v Speaker 1>rest of her family tree is still very much on

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<v Speaker 1>the dance floor because her sister.

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<v Speaker 2>In law and brother in law are a little.

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<v Speaker 1>Duo you might know as Jenna Johnson and Valschmerkovsky. So

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<v Speaker 1>this week I'm excited to welcome to Danielle with one

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<v Speaker 1>of my all time fits. It's Peter Murgatroyd. Peter, thank

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<v Speaker 1>you so much for sitting down with me.

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<v Speaker 2>Thank you.

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<v Speaker 1>You have always been one of my favorite dancers. No, truly,

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<v Speaker 1>you have always been one of my favorite dancers. I

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<v Speaker 1>can never take my eyes off of you. But then

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<v Speaker 1>this past season I had so much fun listening to

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<v Speaker 1>your podcast and getting to see you and recognize you

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<v Speaker 1>as an incredible host.

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<v Speaker 3>Thank you so much. That means a lot coming from you, honestly.

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<v Speaker 2>Thank you. You really very much impressed me. Thank you.

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<v Speaker 3>I honestly, that wasn't something that was kind of on

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<v Speaker 3>my dream board, wish list or anything. I was approached

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<v Speaker 3>by a couple of producers and they were like, listen,

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<v Speaker 3>like let's do a female led podcast, and let's see

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<v Speaker 3>how it goes, and if you love it, like it?

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<v Speaker 3>And again I was very.

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<v Speaker 2>Is it the word trepid, just like tredacious, trepidaceous.

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<v Speaker 3>Going into it, I was like, oh my god, what

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<v Speaker 3>if I suck like I What if I can't remember

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<v Speaker 3>my questions? What if I can't segue into the next

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<v Speaker 3>you know what I mean? I had never trained it.

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<v Speaker 2>I've never trained in hosting nothing right, but.

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<v Speaker 3>It's been really fun and meeting new people that come in,

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<v Speaker 3>like all the different you know, celebrities and stuff.

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<v Speaker 2>It's been really fun. Well, you're really good at it.

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<v Speaker 1>And before we get into your story, I wanted to

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<v Speaker 1>touch on this past season a little bit. Yeah, it

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<v Speaker 1>really seems the show just has seemed to have been

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<v Speaker 1>catapulted into a new pop culture realm. Why do you

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<v Speaker 1>think this twenty year old show has had such a

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<v Speaker 1>big new audience and has felt Has it felt different

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<v Speaker 1>to you this year?

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<v Speaker 2>Yeah?

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<v Speaker 3>I mean okay, so if we go way back, this

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<v Speaker 3>show was birthed just purely on ballroom dancing, right.

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<v Speaker 2>Just the very basics.

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<v Speaker 3>I mean, have you ever seen the first stage that

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<v Speaker 3>they ever created? I mean, compared to what we have now,

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<v Speaker 3>it's just like it's on another level. I think why

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<v Speaker 3>it's stayed so popular and so amazing for people to

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<v Speaker 3>watch is because everybody can watch. The generational people. I mean,

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<v Speaker 3>it's it's literally from like babies to grandparents are watching

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<v Speaker 3>our show. And dance gives people hope, It makes you

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<v Speaker 3>feel something, It makes people happy.

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<v Speaker 2>When you enjoy us when you watch it.

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<v Speaker 3>I mean, there's nothing better than watching two people dance

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<v Speaker 3>together and like getting down and like it's so fun.

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<v Speaker 2>I mean, you know you would have had the best

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<v Speaker 2>time with Pash. He's the best. He is amazing.

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<v Speaker 3>Yeah, I mean, and now it's just it's on another

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<v Speaker 3>level with social media. I think it was not this season,

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<v Speaker 3>but the one before where we started doing all the stuffs.

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<v Speaker 3>That's when it all started, right when it started to explode.

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<v Speaker 3>This season just blew it out of the water, right,

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<v Speaker 3>you're right.

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<v Speaker 1>Last season, Alona was one of the people who was

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<v Speaker 1>really helped helped bring in the TikTok and social media

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<v Speaker 1>again to the show.

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<v Speaker 3>And Riley she was really heavy on TikTok at that year,

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<v Speaker 3>so she did an amazing job.

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<v Speaker 1>You're right, You're right, Riley Ezra bringing in this young

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<v Speaker 1>TikTok kind of generation was very influential in opening the

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<v Speaker 1>show up to a whole new generational kids. It amazes me,

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<v Speaker 1>like you said, the show being generational. Both sets of

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<v Speaker 1>my grandparents loved the show. And now when I go out,

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<v Speaker 1>having done season thirty four, the amount of anywhere from

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<v Speaker 1>six to twelve year olds that come up and say,

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<v Speaker 1>are you on Dancing with the Stars? Wow, the young kids.

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<v Speaker 1>So kids that aren't even on TikTok. But it's amazing

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<v Speaker 1>to me how many young kids love it and people

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<v Speaker 1>can sit with.

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<v Speaker 2>Their families and watch it and have a great time.

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<v Speaker 3>I think it's just I like the evolution of the show.

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<v Speaker 3>I think there's been some mistakes in the past, Like

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<v Speaker 3>I forget season maybe thirty third he won the late eight,

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<v Speaker 3>twenty eight, twenty nine, like that was kind of our

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<v Speaker 3>dipping a point where it was like, oh, are we

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<v Speaker 3>going to go off the air, Like we don't know,

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<v Speaker 3>and then it just rose again, and you know, with

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<v Speaker 3>Conrad Green Dina behind it obviously for so many years,

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<v Speaker 3>Conrad really brought it back to what it was and

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<v Speaker 3>just on another level.

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<v Speaker 1>Yeah, exactly, Puppernochnoch, I have a very loaded question for you.

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<v Speaker 2>Okay, did they get the winner right this season, I

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<v Speaker 2>believe that I knew he was going to win.

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<v Speaker 3>Yeah, from the very beginning, I felt like, yeah, I

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<v Speaker 3>feel like he was the whole round package that people

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<v Speaker 3>love and adore, that Australian accent, that he's so kind

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<v Speaker 3>and lovable.

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<v Speaker 2>Yes, and he nailed his dancers.

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<v Speaker 3>I mean, you rarely get given that gift of a partner,

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<v Speaker 3>you know, and when you get it, you know you

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<v Speaker 3>got it right.

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<v Speaker 2>You know, you have.

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<v Speaker 3>A big job, that's and big shoes to feel you

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<v Speaker 3>have to complete incredible dances every single week. In saying that,

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<v Speaker 3>Alex and Val surprised me so much. In the beginning,

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<v Speaker 3>I was like, she's good.

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<v Speaker 4>Uh huh.

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<v Speaker 3>As it went on, I'm like, wow, Okay, she is

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<v Speaker 3>coming out of her shell. She is a beautiful, stunning

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<v Speaker 3>human to look at it. And then on top of that,

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<v Speaker 3>she was acting. She was giving it more and I

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<v Speaker 3>mean her freestyle was my favorite.

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<v Speaker 2>Of the night.

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<v Speaker 3>I mean, she it could have been either one because

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<v Speaker 3>they both have a lot of fans too, and that's

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<v Speaker 3>at one stage, I was honestly thinking, oh, Alex can

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<v Speaker 3>take this well.

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<v Speaker 2>So it was it was kind of like one of

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<v Speaker 2>these ones. But Robert I think from the beginning, the guy, Yeah,

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<v Speaker 2>it was his to lose. I think that's the way.

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<v Speaker 1>Yeah, I thought of it from that first week when

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<v Speaker 1>they came out of the gate with just such a

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<v Speaker 1>big performance. It was like, Okay, he's obviously very beloved

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<v Speaker 1>and for good reason. Yes, and he's talented and he's

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<v Speaker 1>got the showmanship.

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<v Speaker 2>Yeah, this is his to lose.

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<v Speaker 1>Something would have really needed to go horribly wrong in

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<v Speaker 1>the season for him to lose it, or something incredibly shocking,

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<v Speaker 1>but you're right that.

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<v Speaker 2>Then toward the end, I was surprised that.

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<v Speaker 3>I was like, oh, wow, people creeping up behind humh

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<v Speaker 3>alex exactly.

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<v Speaker 2>Dylan was great. Wait did he get third? Dylan was fourth,

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<v Speaker 2>Jordan was third, and Elane was. I mean, yeah, they're

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<v Speaker 2>all and you were too. Well, thank you. I appreciate it.

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<v Speaker 2>I thank you.

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<v Speaker 1>I appreciate that. What were your thoughts on the judging

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<v Speaker 1>this season? A lot of viewers seemed to be extra

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<v Speaker 1>confused by the guidelines and the consistency, but that also

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<v Speaker 1>happens every year, it does. Yeah, did it seem like

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<v Speaker 1>it was more confusing this year for at least the audience?

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<v Speaker 2>For me?

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<v Speaker 3>No, Okay, I didn't feel like it was like, oh

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<v Speaker 3>my gosh, what's happening to the judging. But because I've

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<v Speaker 3>kind of felt that for a while, as in, like

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<v Speaker 3>you need to start lower, That's not my only thing,

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<v Speaker 3>I know. You know, if you see somebody really cannot dance,

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<v Speaker 3>they're giving it, they're all and they're great, but they're

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<v Speaker 3>dancing is really terrible. You're going to give them a

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<v Speaker 3>really low score to begin with so they can go somewhere.

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<v Speaker 3>Give them a two so they can get to a.

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<v Speaker 2>Five by week five or something like that.

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<v Speaker 3>You know, Yeah, but giving somebody a seven when it's

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<v Speaker 3>clearly a three is just an interesting judging math.

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<v Speaker 1>And really, for me, because I completely agree with you,

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<v Speaker 1>the hardest part for me is not about the seven

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<v Speaker 1>that we just gave them.

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<v Speaker 2>It's that then the other people who are getting eights.

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<v Speaker 1>Yeah, but they're not only one point apart. It would

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<v Speaker 1>have to be on a scale of maybe to twenty,

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<v Speaker 1>where then I'm comfortable with the seven.

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<v Speaker 2>And then that could be in eighteen.

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<v Speaker 1>But like, so that's really where that's why those lower

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<v Speaker 1>numbers exist to show the difference.

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<v Speaker 3>I completely agree, And you know, it is up to

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<v Speaker 3>people's artistic expression and.

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<v Speaker 2>What they love.

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<v Speaker 3>You know, Carrie, I might have loved that dance, but

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<v Speaker 3>she's still going to knock you for taking your foot

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<v Speaker 3>off the floor, do you know what I mean?

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<v Speaker 2>Which I'm cool with.

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<v Speaker 3>If you took your foot off the floor, you're not

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<v Speaker 3>allowed to do a lift in that dance. You should

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<v Speaker 3>be docked for that, you know what I mean. I

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<v Speaker 3>don't have a problem with that. But I think people

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<v Speaker 3>don't understand that everyone's got their idea of what they

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<v Speaker 3>love in a dance and what they don't. Some people

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<v Speaker 3>might want more technicalities. Other people might just want them

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<v Speaker 3>to see showmanship. I just want to see you giving

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<v Speaker 3>it your all and like that rob at spirit, like

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<v Speaker 3>he never let up every single time, you know.

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<v Speaker 2>So I don't know. I'm on the fence.

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<v Speaker 3>I don't care as long as I think it should

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<v Speaker 3>be consistent, like you can't say then if they did

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<v Speaker 3>do a lift when they're not meant to keep them

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<v Speaker 3>at the high school, then do you know what I mean?

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<v Speaker 2>Like, just just be consistent and then we're all good. Yeah, yeah,

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<v Speaker 2>I know.

0:12:05.679 --> 0:12:08.199
<v Speaker 1>There was one week I think for Robert where there

0:12:08.280 --> 0:12:12.080
<v Speaker 1>was something that happened and Carrie Anne said, you know,

0:12:13.240 --> 0:12:14.959
<v Speaker 1>I saw I saw your foot left off the floor.

0:12:14.960 --> 0:12:18.480
<v Speaker 2>But who cares? Yeah, there was that finale week or

0:12:18.520 --> 0:12:19.600
<v Speaker 2>was that before finale?

0:12:19.800 --> 0:12:21.960
<v Speaker 1>No, it was before finale. It may have been week

0:12:22.040 --> 0:12:24.040
<v Speaker 1>eight or week nine, and it.

0:12:23.920 --> 0:12:25.400
<v Speaker 2>Was like, but who cares?

0:12:25.480 --> 0:12:28.200
<v Speaker 1>Because sometimes you just throw that out the window for

0:12:28.240 --> 0:12:29.760
<v Speaker 1>the way something makes you feel.

0:12:30.920 --> 0:12:33.640
<v Speaker 2>And I and it is. I do understand that she

0:12:34.640 --> 0:12:35.160
<v Speaker 2>is more.

0:12:35.040 --> 0:12:37.720
<v Speaker 1>Of the person who wants to be moved emotionally by

0:12:37.920 --> 0:12:41.480
<v Speaker 1>a dance. But then when every other week, or say

0:12:41.480 --> 0:12:46.079
<v Speaker 1>the week before, you did dock somebody specifically because they

0:12:46.080 --> 0:12:48.240
<v Speaker 1>took a foot off the floor, it's just yeah, I mean,

0:12:48.360 --> 0:12:49.320
<v Speaker 1>it is subjective.

0:12:49.520 --> 0:12:50.520
<v Speaker 2>Dancy is key.

0:12:50.600 --> 0:12:56.200
<v Speaker 3>Yeah, it's funny though in finale. You know, Robert did

0:12:56.280 --> 0:13:00.559
<v Speaker 3>make big mistake in the finale, and I believe that

0:13:00.559 --> 0:13:06.080
<v Speaker 3>that was because everyone's overworked doing that that dance. I

0:13:06.080 --> 0:13:09.000
<v Speaker 3>forget what it's called now, that instant dance or whatever. Yeah,

0:13:09.160 --> 0:13:12.199
<v Speaker 3>I mean that's the only time I have I think

0:13:12.240 --> 0:13:14.880
<v Speaker 3>I've seen him make a really big mistake like that.

0:13:14.920 --> 0:13:16.640
<v Speaker 2>And I was and it was in the instant Dance

0:13:16.679 --> 0:13:17.320
<v Speaker 2>with the cha.

0:13:17.600 --> 0:13:20.440
<v Speaker 3>Yeah, he he went when he wasn't meant to go

0:13:20.520 --> 0:13:24.160
<v Speaker 3>in a New Yorker section And you know what I think,

0:13:24.200 --> 0:13:27.120
<v Speaker 3>I said it on my podcast. I was like, I

0:13:27.120 --> 0:13:30.920
<v Speaker 3>don't want to see somebody like Robert make those mistakes

0:13:30.960 --> 0:13:33.600
<v Speaker 3>in a finale. That's only because he's tired, or he

0:13:33.640 --> 0:13:36.320
<v Speaker 3>didn't think right then that in that split second, whatever,

0:13:36.640 --> 0:13:37.360
<v Speaker 3>I don't want to see that.

0:13:37.400 --> 0:13:39.679
<v Speaker 2>I think they were it was too much. But other

0:13:39.720 --> 0:13:40.400
<v Speaker 2>people loved it.

0:13:40.559 --> 0:13:43.640
<v Speaker 1>Yeah, but it was definitely a lot, and I know

0:13:43.760 --> 0:13:47.800
<v Speaker 1>everybody was very stressed about it. I was in the

0:13:47.840 --> 0:13:49.800
<v Speaker 1>conversation because I was still on the show at the

0:13:49.800 --> 0:13:51.040
<v Speaker 1>time that they were talking to.

0:13:51.040 --> 0:13:51.679
<v Speaker 2>Us about it.

0:13:51.880 --> 0:13:56.680
<v Speaker 1>Yeah, and so I just remember being like, wait, I'm sorry,

0:13:56.760 --> 0:14:00.560
<v Speaker 1>what and it it felt crazy. And then I obviously

0:14:00.600 --> 0:14:02.240
<v Speaker 1>did not have to I was not in the finale,

0:14:02.320 --> 0:14:05.720
<v Speaker 1>but seeing my friends and hearing them talk about it.

0:14:05.920 --> 0:14:09.720
<v Speaker 1>And Robert, he had said all season long how much

0:14:09.720 --> 0:14:10.880
<v Speaker 1>he didn't like the cha chaw.

0:14:11.480 --> 0:14:13.800
<v Speaker 2>It was his number one Achilles heel.

0:14:14.120 --> 0:14:17.240
<v Speaker 3>When he pulled that, I could not believe it. I mean,

0:14:17.240 --> 0:14:20.560
<v Speaker 3>he did an amazing job anyway, it did just like, yes,

0:14:20.600 --> 0:14:22.160
<v Speaker 3>come on, yeah, but you're right.

0:14:22.280 --> 0:14:25.960
<v Speaker 1>It's tough to watch somebody who has excelled all season

0:14:26.000 --> 0:14:28.120
<v Speaker 1>long and is rightfully in the finale and then to

0:14:28.160 --> 0:14:30.960
<v Speaker 1>see them make an error that you know, they're like

0:14:31.080 --> 0:14:34.200
<v Speaker 1>embarrassed by that. He would never have normally made had

0:14:34.200 --> 0:14:38.600
<v Speaker 1>he not just been exhausted right well as a penthouse

0:14:38.640 --> 0:14:40.960
<v Speaker 1>with Peter Listener. I think I know the answer here.

0:14:41.000 --> 0:14:45.040
<v Speaker 1>But is Dancing with the Star's end goal to find

0:14:45.120 --> 0:14:50.280
<v Speaker 1>the best celebrity dancer or the most entertaining celebrity dancer.

0:14:55.520 --> 0:15:00.680
<v Speaker 3>I think they try to find the best dancer, but

0:15:00.800 --> 0:15:04.600
<v Speaker 3>I do believe it comes down to the most entertaining person.

0:15:05.200 --> 0:15:09.320
<v Speaker 2>I won with two non dancers, so you.

0:15:09.280 --> 0:15:15.880
<v Speaker 3>Know, people vote for who they love and like. At

0:15:15.880 --> 0:15:19.240
<v Speaker 3>the end of the day. Did Donald Drivers I don't know,

0:15:19.320 --> 0:15:23.080
<v Speaker 3>New Yorkers. Were they better than the woman that got

0:15:23.160 --> 0:15:27.520
<v Speaker 3>second with Mark Ballas? Probably not, But he won because

0:15:27.640 --> 0:15:30.840
<v Speaker 3>of himself and his personality and the guts and the

0:15:30.920 --> 0:15:33.640
<v Speaker 3>giving that he gave for the whole entire season. And

0:15:34.000 --> 0:15:36.360
<v Speaker 3>I mean he was amazing, but you know, like he

0:15:36.520 --> 0:15:40.760
<v Speaker 3>wasn't the most technically sound dancer on the dance floor.

0:15:41.200 --> 0:15:45.360
<v Speaker 3>We've always we've always had trained dancers come in either

0:15:45.360 --> 0:15:48.760
<v Speaker 3>one or two a season, so I do believe that

0:15:48.840 --> 0:15:50.040
<v Speaker 3>it's the most entertaining.

0:15:50.800 --> 0:15:52.760
<v Speaker 2>Yeah, I agree with you. I'll tell you what.

0:15:53.600 --> 0:15:56.800
<v Speaker 1>Obviously, Andy Richter was such a big story this season

0:15:57.000 --> 0:16:00.560
<v Speaker 1>and you were paired with Tommy Chong who and Barry

0:16:00.600 --> 0:16:04.000
<v Speaker 1>Williams who came in seventh. I wanted to get your

0:16:04.240 --> 0:16:09.040
<v Speaker 1>take on Andy's success and also ask you why you

0:16:09.080 --> 0:16:12.760
<v Speaker 1>think Emma was able to be so successful with him.

0:16:12.880 --> 0:16:15.479
<v Speaker 2>I think it all starts.

0:16:15.120 --> 0:16:17.600
<v Speaker 3>In the beginning and what type of friendship and bond

0:16:17.680 --> 0:16:21.840
<v Speaker 3>that you can create in that first week. I feel

0:16:21.840 --> 0:16:24.440
<v Speaker 3>like I know that the person within that week, as in,

0:16:24.600 --> 0:16:27.040
<v Speaker 3>if we're gonna really get along, if it's going to be,

0:16:27.160 --> 0:16:29.640
<v Speaker 3>you know, an up and down sort of struggle. Not

0:16:29.720 --> 0:16:32.640
<v Speaker 3>that I've had any body that we've been fighting the

0:16:32.640 --> 0:16:37.840
<v Speaker 3>whole season. Never, I've always had decent partners. But she

0:16:38.400 --> 0:16:41.640
<v Speaker 3>was able to bring out the joy and the best

0:16:41.680 --> 0:16:45.240
<v Speaker 3>in Andy that everybody wants to see because nobody wants

0:16:45.280 --> 0:16:48.400
<v Speaker 3>to see Andy struggle and try to do a perfect

0:16:48.440 --> 0:16:51.200
<v Speaker 3>New Yorker yes or Chutch our luck whatever. Nobody wants

0:16:51.240 --> 0:16:53.640
<v Speaker 3>to see that. We know he can't do it. And

0:16:53.640 --> 0:16:56.400
<v Speaker 3>I'm being really honest right now, Yeah, he can't do it.

0:16:56.440 --> 0:16:58.360
<v Speaker 3>So what are you going to do? You have it,

0:16:58.440 --> 0:17:02.400
<v Speaker 3>You've been given this amazing, beautiful guy to dance with.

0:17:02.840 --> 0:17:05.639
<v Speaker 3>You have to make him be lovable. You have to

0:17:05.640 --> 0:17:07.879
<v Speaker 3>make him smile the entire time, and we have to

0:17:08.119 --> 0:17:10.640
<v Speaker 3>love watching him out there dance with you. Yeah, so

0:17:11.640 --> 0:17:14.840
<v Speaker 3>you have to throw away the dance steps, so to speak, right,

0:17:14.920 --> 0:17:17.119
<v Speaker 3>you know, you put together what you can and you

0:17:17.160 --> 0:17:19.440
<v Speaker 3>do what you can and find out his limits and

0:17:19.520 --> 0:17:20.960
<v Speaker 3>you know what he can't do, what he can do,

0:17:21.040 --> 0:17:22.080
<v Speaker 3>and what he does best.

0:17:22.280 --> 0:17:25.040
<v Speaker 2>Do a lot of that, lean into his strengths, lean into.

0:17:24.920 --> 0:17:27.960
<v Speaker 3>The strengths, and then just run with that. I mean,

0:17:28.119 --> 0:17:32.760
<v Speaker 3>they had a beautiful partnership. I looked forward to watching

0:17:32.800 --> 0:17:36.840
<v Speaker 3>him every week because I don't necessarily want to see

0:17:36.880 --> 0:17:39.200
<v Speaker 3>a perfect dance every time. And we had a lot

0:17:39.200 --> 0:17:42.160
<v Speaker 3>of your dancing this season, which was amazing yep.

0:17:42.160 --> 0:17:43.120
<v Speaker 2>But then when it came to and.

0:17:43.200 --> 0:17:45.760
<v Speaker 3>I was like, oh, okay, we have somebody who's just

0:17:45.840 --> 0:17:47.960
<v Speaker 3>in it for the fun. And just like he knows

0:17:48.000 --> 0:17:50.320
<v Speaker 3>too that he is not competing at that level.

0:17:50.400 --> 0:17:52.440
<v Speaker 2>He's in his own race, yep, which is cool.

0:17:52.560 --> 0:17:56.159
<v Speaker 1>Exactly he's competing against himself. I really saw them also

0:17:56.440 --> 0:17:59.960
<v Speaker 1>when they would get the early on, they had more

0:18:00.680 --> 0:18:04.760
<v Speaker 1>actual critique than I feel like eventually they realized, well,

0:18:04.800 --> 0:18:08.040
<v Speaker 1>he's so beloved, let's just keep talking about Wow, it's

0:18:08.040 --> 0:18:10.880
<v Speaker 1>so joyful. And then they stopped really critiquing, like you said,

0:18:10.920 --> 0:18:13.159
<v Speaker 1>probably because what else is there to say, where we

0:18:13.240 --> 0:18:15.560
<v Speaker 1>probably reached the limit of what we're going to be

0:18:15.560 --> 0:18:18.600
<v Speaker 1>able to see dance wise. But early on I did

0:18:18.720 --> 0:18:21.000
<v Speaker 1>appreciate when one of them, I believe it was Carrie Anne,

0:18:21.000 --> 0:18:24.600
<v Speaker 1>said we are gonna need to see some more steps,

0:18:24.920 --> 0:18:25.960
<v Speaker 1>like we're gonna have to have you.

0:18:26.200 --> 0:18:29.400
<v Speaker 2>And then the next week he's fairly good. There were

0:18:29.480 --> 0:18:30.720
<v Speaker 2>more steps they did.

0:18:30.800 --> 0:18:32.679
<v Speaker 1>She really did say like, we're going to give them

0:18:32.680 --> 0:18:35.440
<v Speaker 1>what they asked for, and you saw him pushing himself

0:18:35.520 --> 0:18:39.480
<v Speaker 1>and really trying. My favorite dance of his was I

0:18:39.560 --> 0:18:42.240
<v Speaker 1>literally cried. But when he reached up and grabbed the camera,

0:18:42.640 --> 0:18:45.399
<v Speaker 1>I know, I was like, oh my gosh, I mean,

0:18:45.480 --> 0:18:48.359
<v Speaker 1>his little beautiful face and touching that camera.

0:18:48.800 --> 0:18:50.640
<v Speaker 2>It was, it was. It was pretty great.

0:18:50.640 --> 0:18:52.679
<v Speaker 3>It was nice to have somebody like that this season

0:18:52.840 --> 0:18:54.199
<v Speaker 3>and amongst all the good dances.

0:18:54.280 --> 0:18:55.320
<v Speaker 2>Very yes, exactly.

0:18:55.480 --> 0:19:08.200
<v Speaker 4>Yeah.

0:19:08.400 --> 0:19:12.560
<v Speaker 1>Now, let's say you are hired as the new showrunner

0:19:12.600 --> 0:19:15.840
<v Speaker 1>of Dancing with the Stars next season. Okay, what are

0:19:16.520 --> 0:19:19.920
<v Speaker 1>the first three things you might change or adjust.

0:19:23.359 --> 0:19:23.680
<v Speaker 3>Or add?

0:19:25.520 --> 0:19:28.520
<v Speaker 2>You know what? I that instant dance, yeah, okay, the

0:19:28.520 --> 0:19:30.120
<v Speaker 2>top of my head. Right now, as we just spoke

0:19:30.119 --> 0:19:33.320
<v Speaker 2>about it. I would change that to the twenty four

0:19:33.359 --> 0:19:35.919
<v Speaker 2>hour dance. Oh, but that means that we would have

0:19:36.000 --> 0:19:37.720
<v Speaker 2>to have a show day. I would bring back the

0:19:37.760 --> 0:19:40.960
<v Speaker 2>Tuesday shows. Great, okay, so get rid of instant dance,

0:19:41.240 --> 0:19:42.280
<v Speaker 2>you'd bring back.

0:19:42.280 --> 0:19:45.120
<v Speaker 3>I'd bring back the second show day. Okay, the results show,

0:19:45.200 --> 0:19:47.800
<v Speaker 3>the results show, right, Yeah, because that was that was

0:19:47.840 --> 0:19:51.280
<v Speaker 3>a good time. Yeah, you could be there, although you

0:19:51.280 --> 0:19:53.840
<v Speaker 3>didn't get that time to train, so that took away

0:19:54.000 --> 0:19:57.439
<v Speaker 3>a day of training. But I loved the fact that

0:19:57.480 --> 0:19:59.639
<v Speaker 3>everyone had fun. Yeah, and it was a it was

0:19:59.640 --> 0:20:02.719
<v Speaker 3>a sell a great celebratory day. We had, you know,

0:20:02.760 --> 0:20:05.240
<v Speaker 3>singers come in, artists come in, and we would dance

0:20:05.280 --> 0:20:07.720
<v Speaker 3>for them and it would just be a really fun day. Yes,

0:20:07.760 --> 0:20:12.040
<v Speaker 3>it ended with an elimination, but that twenty four So

0:20:12.080 --> 0:20:15.480
<v Speaker 3>that twenty four hour dance. So the first day of finale,

0:20:15.520 --> 0:20:18.359
<v Speaker 3>like the Monday night, you would you would do your

0:20:18.440 --> 0:20:20.720
<v Speaker 3>dance and the freestyle, and then you would go straight

0:20:20.720 --> 0:20:21.320
<v Speaker 3>to the studio.

0:20:21.880 --> 0:20:23.800
<v Speaker 2>You would have three.

0:20:23.560 --> 0:20:26.480
<v Speaker 3>Hours, however long it took you to put a dance

0:20:26.520 --> 0:20:29.960
<v Speaker 3>together with your celebrity end at like one two am,

0:20:30.760 --> 0:20:33.560
<v Speaker 3>and then you'd come back the next day and perform

0:20:33.640 --> 0:20:35.480
<v Speaker 3>that as they finish the final dance.

0:20:36.040 --> 0:20:36.880
<v Speaker 2>Usually people all.

0:20:36.800 --> 0:20:38.679
<v Speaker 3>Got tense for that because it was just you know,

0:20:38.720 --> 0:20:40.840
<v Speaker 3>why would you give somebody an eight on their last

0:20:40.920 --> 0:20:43.840
<v Speaker 3>last dance? Yeah, but yeah, I think I would bring

0:20:43.880 --> 0:20:46.520
<v Speaker 3>that back because it was a really Although we hated

0:20:46.560 --> 0:20:49.040
<v Speaker 3>it in the at the time, in the moment, we're

0:20:49.080 --> 0:20:51.199
<v Speaker 3>just like, come on, like, this is so hard, But

0:20:52.480 --> 0:20:55.159
<v Speaker 3>in hindsight, when I look back at those hard times,

0:20:55.160 --> 0:20:56.480
<v Speaker 3>it was some of the best times.

0:20:56.720 --> 0:20:59.840
<v Speaker 2>Yeah. It's much like parenting.

0:21:00.119 --> 0:21:03.359
<v Speaker 1>Yes, every time I've ever taken a trip with my children,

0:21:03.400 --> 0:21:05.920
<v Speaker 1>I have thought it, well, at least one point, never again.

0:21:06.440 --> 0:21:09.479
<v Speaker 1>And then you come home and you look at all

0:21:09.480 --> 0:21:13.240
<v Speaker 1>the photos and you start reminiscing about the tantrum on

0:21:13.320 --> 0:21:15.800
<v Speaker 1>the carousel and the thing, and you're like, in the moment,

0:21:15.880 --> 0:21:18.360
<v Speaker 1>I said never again, But now, yep, I just want

0:21:18.359 --> 0:21:19.119
<v Speaker 1>to do that again.

0:21:20.040 --> 0:21:20.880
<v Speaker 2>I agree with that.

0:21:21.040 --> 0:21:24.480
<v Speaker 1>Another big story of this season ended up being Whitney's elimination.

0:21:25.200 --> 0:21:28.280
<v Speaker 1>Did you see that coming or did you think she

0:21:28.320 --> 0:21:30.520
<v Speaker 1>would for sure be in the finals?

0:21:31.080 --> 0:21:33.639
<v Speaker 3>I thought she would be in the finals. Yeah, yeah,

0:21:33.720 --> 0:21:38.080
<v Speaker 3>I think that's because I wasn't so aware. I could

0:21:38.080 --> 0:21:39.800
<v Speaker 3>see people saying, oh, she's getting a lot of hate

0:21:39.840 --> 0:21:41.840
<v Speaker 3>she's getting a lot of hate, but I wasn't aware

0:21:41.880 --> 0:21:44.400
<v Speaker 3>of it because I'm not on TikTok every day scrolling. Yeah,

0:21:44.440 --> 0:21:47.280
<v Speaker 3>I don't do that to myself. I can't get into

0:21:47.320 --> 0:21:49.480
<v Speaker 3>it like that. It's something that I've never kind of

0:21:49.520 --> 0:21:51.240
<v Speaker 3>grabbed hold of and gravitated to.

0:21:51.680 --> 0:21:52.520
<v Speaker 2>I love Instagram.

0:21:52.560 --> 0:21:56.360
<v Speaker 3>I'm old I have the same with you. Yeah, yeah, TikTok,

0:21:56.600 --> 0:22:01.679
<v Speaker 3>I love, But there was sorry to to sidetrack. There

0:22:01.720 --> 0:22:04.199
<v Speaker 3>was one time where I posted a video of my

0:22:04.240 --> 0:22:06.959
<v Speaker 3>son and I could see all these comments. I just

0:22:07.040 --> 0:22:10.119
<v Speaker 3>remember that taking me back and I'm like, I'm not

0:22:10.160 --> 0:22:12.680
<v Speaker 3>going to come on here much anymore. There was one yeah,

0:22:13.000 --> 0:22:17.119
<v Speaker 3>So for me, I didn't see what people were talking

0:22:17.119 --> 0:22:19.800
<v Speaker 3>about and saying. So if I maybe had seen that

0:22:20.400 --> 0:22:22.600
<v Speaker 3>all of what she was getting at that time, maybe

0:22:22.640 --> 0:22:24.440
<v Speaker 3>I could have put two and two together and said, oh, yeah,

0:22:24.480 --> 0:22:26.919
<v Speaker 3>they're going to be eliminated soon. But no, yeah, I

0:22:26.920 --> 0:22:28.520
<v Speaker 3>didn't see it, so I thought she was going to

0:22:28.520 --> 0:22:29.320
<v Speaker 3>be in the finale.

0:22:29.440 --> 0:22:32.320
<v Speaker 1>I also didn't see it, and I think, I really

0:22:32.760 --> 0:22:37.719
<v Speaker 1>it's made me realize how much like the algorithm really

0:22:38.880 --> 0:22:41.960
<v Speaker 1>very quickly will jump on whatever you have spent any

0:22:42.000 --> 0:22:45.720
<v Speaker 1>sort of time on. Because I was getting only Dancing

0:22:45.800 --> 0:22:48.280
<v Speaker 1>with the Stars content. Yeah, but I wasn't seeing a

0:22:48.280 --> 0:22:52.520
<v Speaker 1>lot of hateful stuff. But I think there have been

0:22:52.560 --> 0:22:55.280
<v Speaker 1>times that eat both on Instagram and on TikTok, where

0:22:55.480 --> 0:22:57.400
<v Speaker 1>my husband and I will be looking at the same

0:22:57.480 --> 0:23:00.639
<v Speaker 1>video and the top comments are different on both of

0:23:00.640 --> 0:23:05.600
<v Speaker 1>our On our feeds where I'm or I'll see a post,

0:23:05.640 --> 0:23:08.159
<v Speaker 1>I'll screencap the comments and send it to a friend

0:23:08.240 --> 0:23:10.400
<v Speaker 1>and they open it up and go, those aren't those

0:23:10.440 --> 0:23:12.000
<v Speaker 1>aren't the comments I'm seeing?

0:23:12.240 --> 0:23:13.119
<v Speaker 2>How does that work?

0:23:13.520 --> 0:23:16.440
<v Speaker 1>I am not sure, but I do think that if

0:23:16.520 --> 0:23:18.960
<v Speaker 1>you see a post and then click on it to

0:23:18.960 --> 0:23:21.480
<v Speaker 1>see more, even like to hate watch something or to

0:23:21.600 --> 0:23:25.000
<v Speaker 1>just out of curiosity, it thinks they stick around when

0:23:25.040 --> 0:23:27.680
<v Speaker 1>I show them this type of stuff. So I didn't

0:23:27.680 --> 0:23:29.280
<v Speaker 1>see a lot of it, but I knew from Whitney

0:23:29.280 --> 0:23:31.000
<v Speaker 1>because Whitney and I had talked about it a lot.

0:23:31.440 --> 0:23:35.560
<v Speaker 1>She was telling me that it's incessant, vile, yes, And

0:23:35.640 --> 0:23:39.000
<v Speaker 1>so I was still shocked. I thought, there's no way, though,

0:23:39.119 --> 0:23:41.919
<v Speaker 1>that the majority the voting public, the majority of the

0:23:42.040 --> 0:23:46.080
<v Speaker 1>voting public are TikTok haters. Like, what are the odds,

0:23:46.119 --> 0:23:49.040
<v Speaker 1>you know, Like she has to be getting so many

0:23:49.440 --> 0:23:53.520
<v Speaker 1>other votes That's what I was to counteract, right whatever.

0:23:53.359 --> 0:23:56.080
<v Speaker 3>They were not voting for her, they were voting for

0:23:56.119 --> 0:23:58.680
<v Speaker 3>everybody but her, and I didn't see.

0:23:58.680 --> 0:24:01.040
<v Speaker 2>I didn't know that. I didn't know that concept. So

0:24:01.240 --> 0:24:03.199
<v Speaker 2>I think that was a new concept this season.

0:24:03.920 --> 0:24:08.360
<v Speaker 1>I'm pretty sure that was something people very early on

0:24:08.600 --> 0:24:13.760
<v Speaker 1>put together, like, hey, let's band together and vote for everyone.

0:24:14.119 --> 0:24:17.040
<v Speaker 2>It's terrible. It's so crazy, it's cruel.

0:24:17.240 --> 0:24:21.439
<v Speaker 3>I mean, I I don't know as of you know,

0:24:21.600 --> 0:24:23.800
<v Speaker 3>watcher of TV shows and stuff like that and other

0:24:23.840 --> 0:24:26.720
<v Speaker 3>reality shows. I can't imagine being on a group.

0:24:26.480 --> 0:24:30.000
<v Speaker 2>Text saying vote for everyone. What this person? I mean,

0:24:30.080 --> 0:24:31.720
<v Speaker 2>who does that? I don't know?

0:24:32.000 --> 0:24:33.840
<v Speaker 1>But I say the same thing about people who ever

0:24:33.920 --> 0:24:38.199
<v Speaker 1>leave negative comments. I have never found myself on a

0:24:38.280 --> 0:24:41.160
<v Speaker 1>video of something and have thought something negative and thought

0:24:41.440 --> 0:24:44.080
<v Speaker 1>I should write I should write this. If I think

0:24:44.080 --> 0:24:45.119
<v Speaker 1>something negative, it's.

0:24:45.000 --> 0:24:45.480
<v Speaker 3>Not for me.

0:24:46.040 --> 0:24:48.520
<v Speaker 2>Move along. Yeah, I just need to write it down.

0:24:48.720 --> 0:24:51.160
<v Speaker 1>When someone tells me they're great brownie recipe, I don't

0:24:51.160 --> 0:24:54.760
<v Speaker 1>need to say I don't like brownies. Okay, go find

0:24:54.760 --> 0:24:58.919
<v Speaker 1>a cookie recipe, then, lady, like, why just I so?

0:24:59.119 --> 0:25:01.359
<v Speaker 2>I you know, I I don't quite get people like

0:25:01.440 --> 0:25:03.160
<v Speaker 2>to share. They do? They do?

0:25:03.200 --> 0:25:06.480
<v Speaker 1>They like their opinions to be known. Now, you are

0:25:06.520 --> 0:25:09.920
<v Speaker 1>a former Blackpool participant. You are a two time amateur

0:25:10.000 --> 0:25:15.040
<v Speaker 1>Latin State champion, a premier finalist in ballroom competitions around

0:25:15.080 --> 0:25:19.080
<v Speaker 1>the world. Your education is absolutely perfect for the show.

0:25:19.800 --> 0:25:23.320
<v Speaker 1>But as we mentioned, it's newfound attention on TikTok, obviously

0:25:23.800 --> 0:25:28.800
<v Speaker 1>producers are turning to some less traditional spaces to find pros.

0:25:29.200 --> 0:25:33.399
<v Speaker 1>Do you think that without a true background in ballroom

0:25:33.880 --> 0:25:41.240
<v Speaker 1>you could win Dancing with the Stars? Sure, Okay, it's.

0:25:43.040 --> 0:25:43.960
<v Speaker 2>Got to do with who.

0:25:43.840 --> 0:25:47.359
<v Speaker 3>You partnered with number one. Okay, So I feel like

0:25:47.760 --> 0:25:49.840
<v Speaker 3>that is a huge plus. If somebody with not so

0:25:49.920 --> 0:25:53.320
<v Speaker 3>much borm training has a clear winner from day one, Yeah,

0:25:54.240 --> 0:25:57.760
<v Speaker 3>if they can get outside help to choreograph and do

0:25:57.840 --> 0:26:03.640
<v Speaker 3>the right thing and can teach somewhat something, then I think, yeah,

0:26:04.040 --> 0:26:08.200
<v Speaker 3>you can win. I think though the job is a

0:26:08.359 --> 0:26:11.960
<v Speaker 3>very difficult job that people do not understand.

0:26:12.160 --> 0:26:16.600
<v Speaker 2>Nope, not one bit. I was like floored learning.

0:26:16.640 --> 0:26:18.440
<v Speaker 1>I mean, you always know like, oh, yeah, the pros

0:26:18.440 --> 0:26:20.520
<v Speaker 1>are putting all of this together, but then being on

0:26:20.560 --> 0:26:25.080
<v Speaker 1>the inside of it and seeing how much you are

0:26:25.160 --> 0:26:28.680
<v Speaker 1>all tasked with. Yeah, while you're still doing that week,

0:26:28.760 --> 0:26:34.520
<v Speaker 1>prepping the next week, song choices, involvement in wardrobe, production meetings,

0:26:34.920 --> 0:26:38.320
<v Speaker 1>the knowing when the instant dances are coming in, the like.

0:26:38.359 --> 0:26:40.879
<v Speaker 3>Yeah, you have to be like three four weeks ahead

0:26:40.920 --> 0:26:42.600
<v Speaker 3>of yourself every single time.

0:26:42.680 --> 0:26:45.280
<v Speaker 2>So like it's not just.

0:26:45.560 --> 0:26:48.199
<v Speaker 3>Oh, let's go into the studio and create, you know,

0:26:48.280 --> 0:26:51.160
<v Speaker 3>it's not like that. We are literally like four weeks

0:26:51.160 --> 0:26:55.280
<v Speaker 3>ahead of you. And we're not just a dance teacher.

0:26:55.400 --> 0:26:58.000
<v Speaker 3>We are in on, as you said, everything the wardrobe,

0:26:58.040 --> 0:27:01.919
<v Speaker 3>the song choice, the lighting, I mean creating, not the

0:27:02.080 --> 0:27:02.680
<v Speaker 3>entire set.

0:27:02.800 --> 0:27:05.480
<v Speaker 2>But you know, we know what we need for you

0:27:05.680 --> 0:27:07.439
<v Speaker 2>as for you as a dancer, Like what do you

0:27:07.520 --> 0:27:09.679
<v Speaker 2>need yep? What will look? Will make what?

0:27:09.680 --> 0:27:12.080
<v Speaker 3>What will make Danielle look the best that she can

0:27:12.160 --> 0:27:15.800
<v Speaker 3>possibly look? So and the late nights choreographing for the

0:27:15.880 --> 0:27:18.280
<v Speaker 3>next three weeks. I mean it's you know, sometimes I

0:27:18.280 --> 0:27:20.920
<v Speaker 3>would come home when I was single, I would come home.

0:27:20.800 --> 0:27:22.840
<v Speaker 2>At two am from a dance studio.

0:27:23.359 --> 0:27:25.400
<v Speaker 3>It was it was crazy. I can't do that now

0:27:25.440 --> 0:27:28.600
<v Speaker 3>because of kids. But like it's a lot that people

0:27:28.680 --> 0:27:31.000
<v Speaker 3>do not understand. And celebrities also sign up for the

0:27:31.000 --> 0:27:34.280
<v Speaker 3>show not knowing how much work completely do.

0:27:34.720 --> 0:27:36.600
<v Speaker 1>All the years they had asked me and I and

0:27:36.640 --> 0:27:37.800
<v Speaker 1>it just had never worked out.

0:27:37.960 --> 0:27:39.440
<v Speaker 2>I was always told.

0:27:39.400 --> 0:27:41.080
<v Speaker 1>Don't worry, because I would be like, well, I'm working

0:27:41.200 --> 0:27:43.240
<v Speaker 1>or I'm doing this, and they don't worry. We can

0:27:43.280 --> 0:27:44.720
<v Speaker 1>work around your work schedule.

0:27:45.280 --> 0:27:46.000
<v Speaker 2>Well you can.

0:27:46.119 --> 0:27:48.600
<v Speaker 1>You can rehearse wherever you are if you're gonna and

0:27:48.640 --> 0:27:50.159
<v Speaker 1>thinking like, all right, so then it can't be that

0:27:50.200 --> 0:27:50.879
<v Speaker 1>big of a commitment.

0:27:50.920 --> 0:27:53.280
<v Speaker 2>If they're willing to, like work around my work schedule.

0:27:53.400 --> 0:27:59.719
<v Speaker 1>Yeah, I mean sure you can. If you can, you

0:27:59.760 --> 0:28:03.840
<v Speaker 1>can have a full time job and do dancing with

0:28:03.880 --> 0:28:08.320
<v Speaker 1>the stars if you're comfortable tough, just working literally twenty

0:28:08.320 --> 0:28:11.520
<v Speaker 1>four hours a day and or not truly caring what

0:28:11.640 --> 0:28:14.240
<v Speaker 1>kind of what you're putting on, what you're putting out there.

0:28:14.280 --> 0:28:17.040
<v Speaker 2>True, were you working at all?

0:28:17.240 --> 0:28:17.520
<v Speaker 4>No?

0:28:18.040 --> 0:28:21.080
<v Speaker 2>I gave everything up. I said, this has to be

0:28:21.160 --> 0:28:22.399
<v Speaker 2>my entire life.

0:28:22.600 --> 0:28:25.880
<v Speaker 1>But I still had two children and a household to run,

0:28:25.920 --> 0:28:28.520
<v Speaker 1>and I was doing podcasts. When I say no, I

0:28:28.560 --> 0:28:31.199
<v Speaker 1>wasn't working. I was doing it, yeah, multiple parts, But.

0:28:31.200 --> 0:28:31.920
<v Speaker 2>You weren't on set.

0:28:32.000 --> 0:28:35.480
<v Speaker 1>I was not directing. Noah, how could I have been directing?

0:28:35.600 --> 0:28:38.240
<v Speaker 1>Like in my mind, I thought, thank god, I didn't say, well,

0:28:38.240 --> 0:28:40.280
<v Speaker 1>there's one week I'll be directing a TV show and

0:28:40.280 --> 0:28:42.240
<v Speaker 1>we'll just have to make it work that way.

0:28:42.560 --> 0:28:43.160
<v Speaker 2>Good luck.

0:28:43.440 --> 0:28:46.360
<v Speaker 3>I haven't had a lot of partners with that. I

0:28:46.400 --> 0:28:47.280
<v Speaker 3>had you Marini.

0:28:47.440 --> 0:28:48.360
<v Speaker 2>Okay, he had to.

0:28:48.320 --> 0:28:50.400
<v Speaker 3>Do some things on set. I forget the show that

0:28:50.440 --> 0:28:52.360
<v Speaker 3>he was filming at the time, but we would rehearse

0:28:52.360 --> 0:28:55.520
<v Speaker 3>on set. He was also really naturally talented, so I

0:28:55.520 --> 0:28:59.360
<v Speaker 3>mean he had also gotten second with Cheryl. I got

0:28:59.440 --> 0:29:01.720
<v Speaker 3>him on an All Star, so he was he was

0:29:01.760 --> 0:29:03.720
<v Speaker 3>already sort of prepped and knew what the thing was.

0:29:04.480 --> 0:29:06.960
<v Speaker 3>But you know, Max, my husband, he had Meryl Davis,

0:29:07.000 --> 0:29:09.240
<v Speaker 3>who he ended up winning with. She was on tour

0:29:09.560 --> 0:29:13.920
<v Speaker 3>and ice skating tour. They weren't even in La. They

0:29:13.960 --> 0:29:16.280
<v Speaker 3>came back to LA for the show and then flew

0:29:16.280 --> 0:29:20.520
<v Speaker 3>straight back out so she could go touring. It was nuts, yeah,

0:29:20.600 --> 0:29:20.880
<v Speaker 3>and so.

0:29:20.960 --> 0:29:23.200
<v Speaker 2>Was Max on tour with her on tour yeah.

0:29:23.000 --> 0:29:26.000
<v Speaker 3>And same with Shana because she was dancing with Meryll's partner.

0:29:26.680 --> 0:29:29.520
<v Speaker 3>But so they were like a foursome going around America together,

0:29:29.640 --> 0:29:31.760
<v Speaker 3>driving cars to the next city and stuff like that.

0:29:32.080 --> 0:29:32.840
<v Speaker 2>It was crazy.

0:29:34.120 --> 0:29:35.920
<v Speaker 3>So you don't know who you're going to get with,

0:29:35.960 --> 0:29:38.040
<v Speaker 3>like what, but you kind of hope that you haven't

0:29:38.040 --> 0:29:41.320
<v Speaker 3>got somebody with a travel schedule. Really do because it's

0:29:41.440 --> 0:29:42.080
<v Speaker 3>really hard.

0:29:42.640 --> 0:29:45.959
<v Speaker 1>Yeah, it just and we're all getting sick anyway all

0:29:46.000 --> 0:29:48.720
<v Speaker 1>the time. But now you add travel and like dout

0:29:48.760 --> 0:29:51.000
<v Speaker 1>cities and planes to the mix.

0:29:51.280 --> 0:29:52.960
<v Speaker 2>Yep, Oh my goodness.

0:29:53.240 --> 0:29:56.480
<v Speaker 1>If a family excluded, if you were a celebrity on

0:29:56.520 --> 0:29:58.520
<v Speaker 1>the show, who do you hope you'd be paired with?

0:29:59.200 --> 0:30:01.040
<v Speaker 2>Family excluded? Family excluded?

0:30:02.440 --> 0:30:02.560
<v Speaker 1>Mm?

0:30:04.920 --> 0:30:05.960
<v Speaker 2>With the people right now?

0:30:06.200 --> 0:30:09.560
<v Speaker 1>Yeah, with the pros on there right now, let's or

0:30:09.600 --> 0:30:10.680
<v Speaker 1>you know what, let's open it up.

0:30:10.760 --> 0:30:11.680
<v Speaker 2>Any of the any of.

0:30:11.600 --> 0:30:14.480
<v Speaker 1>The pros who've been on Family excluded, any of the

0:30:14.520 --> 0:30:16.560
<v Speaker 1>pros who've ever been on the show. Who would be

0:30:16.600 --> 0:30:18.360
<v Speaker 1>your number one choice if you were a celebrity.

0:30:21.360 --> 0:30:24.360
<v Speaker 3>It's really hot, that's really hot. I'm going through like

0:30:24.920 --> 0:30:30.040
<v Speaker 3>this one. That what there's so many factors too, because

0:30:30.080 --> 0:30:32.680
<v Speaker 3>like there are because I'm if you're talking about me,

0:30:32.760 --> 0:30:38.520
<v Speaker 3>I'm told you're tall, so I need Max is the tolest,

0:30:38.600 --> 0:30:40.640
<v Speaker 3>so I can't have him, So I'm gonna have to

0:30:40.640 --> 0:30:42.720
<v Speaker 3>go with a glib or an Autumn.

0:30:42.760 --> 0:30:46.120
<v Speaker 2>Right, Okay, because they're the next.

0:30:46.080 --> 0:30:50.000
<v Speaker 3>They're the next kind of tallest guys. Yeah, a glib

0:30:50.080 --> 0:30:50.680
<v Speaker 3>or an Autumn.

0:30:50.680 --> 0:30:52.800
<v Speaker 2>I would have to say, Okay, that's good. How tall

0:30:52.880 --> 0:30:58.040
<v Speaker 2>is Artem probably five eleven, yeah or something. Yeah. I

0:30:58.040 --> 0:31:02.440
<v Speaker 2>don't think he's quite six feet okay, but yeah, all right, yeah,

0:31:02.480 --> 0:31:03.280
<v Speaker 2>I think those two.

0:31:03.600 --> 0:31:05.440
<v Speaker 3>And for me, I like a tough teacher because I

0:31:05.440 --> 0:31:10.200
<v Speaker 3>grew up with Russian ballet masters, so yeah, I like

0:31:10.280 --> 0:31:12.560
<v Speaker 3>to be pushed, and I think that they would be

0:31:12.680 --> 0:31:13.440
<v Speaker 3>kind of tough on me.

0:31:13.680 --> 0:31:16.240
<v Speaker 1>You think Gleb would be tough, don't I kept trying

0:31:16.240 --> 0:31:18.840
<v Speaker 1>to figure out what kind of teacher Gleb was.

0:31:19.240 --> 0:31:20.560
<v Speaker 2>He's tough? Is he tough?

0:31:20.560 --> 0:31:22.760
<v Speaker 3>He's fun and tough at the same time. Yeah, because

0:31:22.800 --> 0:31:27.240
<v Speaker 3>he speaks so softly. He hasn't got that thing about him,

0:31:27.760 --> 0:31:29.120
<v Speaker 3>but he is tough technically.

0:31:29.200 --> 0:31:29.760
<v Speaker 2>Yeah, okay.

0:31:29.960 --> 0:31:31.280
<v Speaker 4>Yeah.

0:31:31.400 --> 0:31:34.320
<v Speaker 1>During my research I did some math and I realized

0:31:34.360 --> 0:31:38.240
<v Speaker 1>that you were on Broadway as a lead dancer at

0:31:38.280 --> 0:31:39.720
<v Speaker 1>like eighteen years old.

0:31:39.960 --> 0:31:45.280
<v Speaker 2>Yeah, which is quite an achievement. Were you ever nervous

0:31:45.520 --> 0:31:50.720
<v Speaker 2>or intimidated? Yeah? Yeah, oh my god, Yeah, that brings

0:31:50.720 --> 0:31:53.040
<v Speaker 2>me back very much.

0:31:53.080 --> 0:31:57.640
<v Speaker 3>So we were in Perth training that's my hometown, with

0:31:57.680 --> 0:31:59.720
<v Speaker 3>the show burned the floor at the time, getting it

0:31:59.720 --> 0:32:02.280
<v Speaker 3>ready for Broadway. So all the Broadway producers came to

0:32:02.320 --> 0:32:05.240
<v Speaker 3>Perth to like dissect the show and like take out

0:32:05.240 --> 0:32:07.640
<v Speaker 3>this number, put this number there, switch people around like

0:32:07.680 --> 0:32:09.800
<v Speaker 3>where they will be standing, and it was a big

0:32:09.840 --> 0:32:12.360
<v Speaker 3>like ruffle of feathers because we want to get it

0:32:12.360 --> 0:32:12.920
<v Speaker 3>to Broadway.

0:32:12.960 --> 0:32:15.120
<v Speaker 2>But like people were losing parts and people were getting

0:32:15.200 --> 0:32:19.120
<v Speaker 2>changed around and stuff. So it was it was.

0:32:19.080 --> 0:32:22.480
<v Speaker 3>A really chaotic time in my life actually when I

0:32:22.520 --> 0:32:24.680
<v Speaker 3>look back, because yeah, I did have a lot of

0:32:24.680 --> 0:32:27.480
<v Speaker 3>the lead stuff in there. And I remember getting pulled

0:32:27.520 --> 0:32:32.760
<v Speaker 3>into the office and the producers, the Broadway producers sat

0:32:32.800 --> 0:32:35.920
<v Speaker 3>me down and said, look, you know the show rides

0:32:35.960 --> 0:32:39.040
<v Speaker 3>on you, so strap up type of thing.

0:32:39.240 --> 0:32:39.560
<v Speaker 2>Girly.

0:32:39.720 --> 0:32:42.040
<v Speaker 3>You know, we're going to Broadway and you can't have

0:32:42.080 --> 0:32:44.160
<v Speaker 3>a down day. You cannot have a down day.

0:32:44.160 --> 0:32:44.480
<v Speaker 2>Okay.

0:32:44.800 --> 0:32:48.040
<v Speaker 3>I was like, oh, I did not know what to say.

0:32:48.080 --> 0:32:51.600
<v Speaker 3>I was like, yes, sir, like right, I am your girl,

0:32:51.640 --> 0:32:52.440
<v Speaker 3>Like I will get.

0:32:52.320 --> 0:32:54.200
<v Speaker 2>It done of thing. Yeah it was.

0:32:54.280 --> 0:32:56.240
<v Speaker 3>Yeah, it was a moment in my life where I'm like,

0:32:56.280 --> 0:32:57.880
<v Speaker 3>look back, I'm like, they probably shouldn't have said that

0:32:57.920 --> 0:33:03.000
<v Speaker 3>to me, but yeah, it was. It was an incredible experience,

0:33:03.600 --> 0:33:06.920
<v Speaker 3>Like I wish I could go back and relive those

0:33:07.040 --> 0:33:09.680
<v Speaker 3>six days that we worked our asses off. Yeah, and

0:33:09.680 --> 0:33:11.240
<v Speaker 3>then had the one day off, you know, just to

0:33:11.280 --> 0:33:12.640
<v Speaker 3>recover and lie in bed all day.

0:33:13.280 --> 0:33:14.480
<v Speaker 2>But yeah, it was. It was amazing.

0:33:15.160 --> 0:33:18.760
<v Speaker 1>Isn' nick just so kind of fun and interesting the

0:33:18.760 --> 0:33:20.880
<v Speaker 1>way life works that like you're able to look back

0:33:20.880 --> 0:33:23.800
<v Speaker 1>on it and you go, wow, one of the most

0:33:23.880 --> 0:33:28.200
<v Speaker 1>chaotic and stressful times of your life. And yet at

0:33:28.240 --> 0:33:31.640
<v Speaker 1>the time you probably felt very much like I've got this.

0:33:31.800 --> 0:33:33.760
<v Speaker 1>Even though you were nervous and intimidated, you were like,

0:33:33.840 --> 0:33:35.560
<v Speaker 1>I can do it, like you said, you were like, yes, sir,

0:33:35.960 --> 0:33:37.400
<v Speaker 1>and then in your mind You're just like, I have

0:33:37.440 --> 0:33:39.000
<v Speaker 1>to do it, and I'm gonna work my off six

0:33:39.080 --> 0:33:40.680
<v Speaker 1>days a week and then I'm gonna lay in bed

0:33:40.720 --> 0:33:41.880
<v Speaker 1>to recover that one day.

0:33:42.080 --> 0:33:43.720
<v Speaker 2>And now here we are, we have kids.

0:33:43.720 --> 0:33:45.160
<v Speaker 1>It's like you say, you know, I used to come

0:33:45.160 --> 0:33:46.840
<v Speaker 1>home at two o'clock in the morning from a dance studio.

0:33:46.880 --> 0:33:49.480
<v Speaker 1>I can't do that anymore because because no matter what,

0:33:49.520 --> 0:33:50.840
<v Speaker 1>the alarm's going off at five thirty.

0:33:51.360 --> 0:33:53.640
<v Speaker 2>Totally. Yeah, there is no such thing as just lying

0:33:53.680 --> 0:33:56.400
<v Speaker 2>in bed all day anymore. Yep. Wow, you have just

0:33:56.640 --> 0:33:58.840
<v Speaker 2>you have had quite a career.

0:33:59.120 --> 0:34:01.480
<v Speaker 1>How did you then find yourself on Dancing with the

0:34:01.520 --> 0:34:03.120
<v Speaker 1>Stars after being on Broadway?

0:34:03.600 --> 0:34:06.600
<v Speaker 3>So again, when we were in Perth, getting the show

0:34:06.680 --> 0:34:11.160
<v Speaker 3>ready for Broadway. I was actually given a contract with

0:34:11.200 --> 0:34:14.040
<v Speaker 3>my then boyfriend for Dancing with Stars. They reached out

0:34:14.080 --> 0:34:16.120
<v Speaker 3>to me and they were like, hey, come do the show.

0:34:17.400 --> 0:34:20.640
<v Speaker 3>I obviously our people have burned the floor, were like, well,

0:34:20.680 --> 0:34:22.879
<v Speaker 3>you can't do it. You got to choose which one

0:34:22.920 --> 0:34:26.439
<v Speaker 3>you want to do, And I chose Broadway ultimately because

0:34:26.480 --> 0:34:28.239
<v Speaker 3>I'm like, I might never get the chance to go

0:34:28.320 --> 0:34:30.440
<v Speaker 3>back and I've worked for six years on this touring

0:34:30.520 --> 0:34:31.440
<v Speaker 3>dance show, like I.

0:34:31.520 --> 0:34:32.400
<v Speaker 2>Have to do Broadway.

0:34:32.440 --> 0:34:36.960
<v Speaker 3>So and also I was I didn't know if I

0:34:37.080 --> 0:34:39.120
<v Speaker 3>wanted to do Dancing with the Stars. Yes, it was

0:34:39.400 --> 0:34:42.000
<v Speaker 3>a TV opportunity, but I've never been on TV. At

0:34:42.040 --> 0:34:44.400
<v Speaker 3>that stage, I was still very young, and I was

0:34:44.520 --> 0:34:47.960
<v Speaker 3>very nervous to take that opportunity. But I eventually ended

0:34:48.040 --> 0:34:50.400
<v Speaker 3>up taking it. When I got to LA and Broadway

0:34:50.480 --> 0:34:53.880
<v Speaker 3>was over and done with, and I came to Broadway

0:34:53.920 --> 0:34:57.120
<v Speaker 3>with my then boyfriend and I wanted to act, I

0:34:57.280 --> 0:34:59.360
<v Speaker 3>was just like, I'm done with dance.

0:34:59.520 --> 0:35:00.719
<v Speaker 2>I've hit Broadway, you know.

0:35:00.800 --> 0:35:04.040
<v Speaker 3>I loved it, Like there's no other Broadway connections for

0:35:04.120 --> 0:35:06.840
<v Speaker 3>me to kind of go into, so why don't I

0:35:06.880 --> 0:35:07.439
<v Speaker 3>just try acting?

0:35:07.440 --> 0:35:10.160
<v Speaker 2>Anyway, it was really hard Yeah, I.

0:35:10.120 --> 0:35:12.000
<v Speaker 3>Didn't have much money, and I'm like, I kin't of

0:35:12.040 --> 0:35:13.919
<v Speaker 3>need a job, Like this is really hard.

0:35:14.000 --> 0:35:16.839
<v Speaker 2>Everybody. I would walk into a room like a cattle call.

0:35:16.960 --> 0:35:20.160
<v Speaker 3>Everyone looked like me, blonde, green eyes, and I'm like, holy,

0:35:22.640 --> 0:35:23.879
<v Speaker 3>how am I going to get this job?

0:35:23.920 --> 0:35:25.359
<v Speaker 2>I got really close to like.

0:35:25.360 --> 0:35:27.560
<v Speaker 3>Three or four, and then I just get pipped at

0:35:27.600 --> 0:35:28.920
<v Speaker 3>the post every time, and.

0:35:28.880 --> 0:35:30.879
<v Speaker 2>Then I run out of money. Yeah, and I need

0:35:31.200 --> 0:35:31.720
<v Speaker 2>an income.

0:35:31.800 --> 0:35:33.920
<v Speaker 3>Yeah, I don't have rich parents. So I'm like, I

0:35:34.840 --> 0:35:37.759
<v Speaker 3>gotta go and take the job now. So yeah, I

0:35:37.800 --> 0:35:40.520
<v Speaker 3>took the job and never looked back fifteen years later

0:35:40.600 --> 0:35:41.000
<v Speaker 3>or whatever.

0:35:41.560 --> 0:35:43.040
<v Speaker 2>Yeah, it was really cool.

0:35:55.080 --> 0:35:58.839
<v Speaker 1>Your first mirror ball coming in just your second season. Yes,

0:35:59.280 --> 0:36:01.840
<v Speaker 1>what made Die old Driver such an incredible partner?

0:36:03.280 --> 0:36:07.000
<v Speaker 3>It was our friendship. We had the best time together.

0:36:07.440 --> 0:36:12.319
<v Speaker 3>He gave me everything. I mean he you know, the

0:36:12.360 --> 0:36:14.879
<v Speaker 3>family moved out here. He had three kids at the time,

0:36:14.920 --> 0:36:18.880
<v Speaker 3>three very young kids. He would get there early, he

0:36:18.920 --> 0:36:21.360
<v Speaker 3>would leave later than me. He would be there stretching

0:36:21.440 --> 0:36:26.360
<v Speaker 3>before me. He never gave me any attitude, you know,

0:36:26.520 --> 0:36:28.480
<v Speaker 3>like some of the guys can be like, you know,

0:36:28.840 --> 0:36:30.680
<v Speaker 3>I don't want to do that, or you know, they

0:36:30.680 --> 0:36:33.880
<v Speaker 3>would give you something along the way he never did.

0:36:34.040 --> 0:36:37.800
<v Speaker 3>He just every performance he did, he threw himself into

0:36:37.880 --> 0:36:41.839
<v Speaker 3>every character. I didn't have to like tell him, well,

0:36:41.880 --> 0:36:43.600
<v Speaker 3>you know, I had to describe the dance and everything

0:36:43.600 --> 0:36:45.040
<v Speaker 3>and say, you got to get close to me here.

0:36:45.120 --> 0:36:46.719
<v Speaker 3>We got to be angry and like a little bit

0:36:46.719 --> 0:36:50.239
<v Speaker 3>of like tension. He would do everything. And I didn't

0:36:50.280 --> 0:36:51.160
<v Speaker 3>know that we were going to win. I was my

0:36:51.200 --> 0:36:53.360
<v Speaker 3>second season. I had no idea, but I knew I

0:36:53.400 --> 0:36:56.839
<v Speaker 3>had somebody that people loved, you know. He he was

0:36:56.920 --> 0:36:59.680
<v Speaker 3>you know the word beloved, beloved.

0:37:00.000 --> 0:37:01.359
<v Speaker 2>And yeah it goes both ways.

0:37:01.400 --> 0:37:04.960
<v Speaker 1>Yeah, yeah, well that's he is, by the way, the

0:37:05.080 --> 0:37:08.040
<v Speaker 1>nicest guy. I got to meet him at the twentieth anniversary,

0:37:08.200 --> 0:37:10.440
<v Speaker 1>which was really special that again that I got to

0:37:10.480 --> 0:37:12.400
<v Speaker 1>be a part of season thirty four, which was the

0:37:12.400 --> 0:37:15.200
<v Speaker 1>twentieth anniversary, and they got to bring everybody back, and

0:37:15.239 --> 0:37:18.360
<v Speaker 1>so I got to meet so many people that I

0:37:18.400 --> 0:37:21.240
<v Speaker 1>have loved and admired over the many seasons of the show,

0:37:21.440 --> 0:37:24.360
<v Speaker 1>and he was one of them who came up, introduced himself.

0:37:24.520 --> 0:37:27.399
<v Speaker 1>Was just the kindest Wow, was sitting like two rows

0:37:27.400 --> 0:37:29.880
<v Speaker 1>in front of me. I was like, man, he's incredible.

0:37:30.920 --> 0:37:33.080
<v Speaker 1>Like I said, I tuned in every week of your

0:37:33.120 --> 0:37:36.120
<v Speaker 1>podcast to find out what you and Max thought about

0:37:36.160 --> 0:37:40.480
<v Speaker 1>my scores. Yes, you are an incredible host. Did you

0:37:40.840 --> 0:37:43.920
<v Speaker 1>expect when you started the show? Did you expect Max

0:37:44.000 --> 0:37:49.280
<v Speaker 1>to grab so many headlines with his opinions? I love

0:37:50.000 --> 0:37:52.480
<v Speaker 1>his honesty, I truly, and I told him when he

0:37:52.520 --> 0:37:56.560
<v Speaker 1>was here. I have always loved his honesty and the

0:37:56.600 --> 0:38:00.719
<v Speaker 1>way he just is like, listen, I'm I I cannot

0:38:00.719 --> 0:38:02.400
<v Speaker 1>tell you something other than my truth.

0:38:02.680 --> 0:38:03.280
<v Speaker 2>I just can't.

0:38:03.440 --> 0:38:06.759
<v Speaker 3>Yeah, and that's what I respect about him. Yeah, you know,

0:38:06.920 --> 0:38:10.160
<v Speaker 3>I love that about him. I knew that I wanted

0:38:10.200 --> 0:38:15.640
<v Speaker 3>somebody in my life that was strong and passionate, and

0:38:15.760 --> 0:38:18.040
<v Speaker 3>whatever he says, it really does come down to the

0:38:18.080 --> 0:38:18.920
<v Speaker 3>passion behind it.

0:38:19.040 --> 0:38:19.880
<v Speaker 2>Yeah.

0:38:20.080 --> 0:38:22.839
<v Speaker 3>Yes, he may say things in the wrong tone, they

0:38:22.880 --> 0:38:26.000
<v Speaker 3>may come out the wrong way. That's his heritage, that's

0:38:26.080 --> 0:38:30.160
<v Speaker 3>his culture, that's his low voice when he speaks. He

0:38:30.239 --> 0:38:33.520
<v Speaker 3>speaks like this because he's passionate. You know, it doesn't

0:38:33.560 --> 0:38:36.279
<v Speaker 3>come from an angry, bitter place at all.

0:38:38.320 --> 0:38:41.640
<v Speaker 2>But wait, what was the question? Did you expect him

0:38:41.680 --> 0:38:45.759
<v Speaker 2>to grab so many headlines? No? No, I did not. No,

0:38:47.880 --> 0:38:50.120
<v Speaker 2>that was a lot. Yeah, that was a lot.

0:38:50.880 --> 0:38:56.319
<v Speaker 1>As someone who also has been in my personal life,

0:38:56.400 --> 0:39:03.560
<v Speaker 1>especially tone monitored. Yes, I also have a tone and

0:39:05.040 --> 0:39:09.279
<v Speaker 1>have been told by many people that my tone is

0:39:09.320 --> 0:39:13.279
<v Speaker 1>scary or or that I'm yelling when I'm like, but

0:39:13.400 --> 0:39:17.600
<v Speaker 1>I'm not yelling. But there's a tone that I that

0:39:17.719 --> 0:39:21.680
<v Speaker 1>I take on sometimes that is offensive to people. So

0:39:21.960 --> 0:39:29.200
<v Speaker 1>I totally understand that you have a full understanding that sometimes.

0:39:29.600 --> 0:39:31.759
<v Speaker 1>And for him, I'm sure he's also been told at

0:39:31.760 --> 0:39:34.960
<v Speaker 1>his entire life that he's like, man, I just really

0:39:35.040 --> 0:39:38.480
<v Speaker 1>when I'm talking about something, I just love what I'm

0:39:38.520 --> 0:39:41.879
<v Speaker 1>talking about. And that passion, whether like is also when

0:39:41.880 --> 0:39:43.800
<v Speaker 1>I get very excited about something I love.

0:39:44.120 --> 0:39:45.920
<v Speaker 2>I have that, you know.

0:39:46.040 --> 0:39:49.680
<v Speaker 1>So it's like it's almost feels impossible to then expect

0:39:49.680 --> 0:39:52.640
<v Speaker 1>someone when they are saying something that might be taken negatively,

0:39:53.040 --> 0:39:55.600
<v Speaker 1>to have to do it in a totally different.

0:39:55.320 --> 0:39:59.920
<v Speaker 2>Voice than you. And I don't want to, like Microman

0:40:00.640 --> 0:40:03.359
<v Speaker 2>push him down. What am I doing? He is who

0:40:03.440 --> 0:40:03.880
<v Speaker 2>he is.

0:40:04.160 --> 0:40:06.759
<v Speaker 3>I married him because of that, So it's like, why

0:40:06.760 --> 0:40:09.359
<v Speaker 3>am I gonna say, baby, don't you got to say

0:40:09.400 --> 0:40:11.600
<v Speaker 3>it like this? You know, I'm gonna give him free

0:40:11.640 --> 0:40:13.560
<v Speaker 3>rein and then if we need to chop stuff out,

0:40:13.560 --> 0:40:14.640
<v Speaker 3>we're gonna chop stuff out.

0:40:14.680 --> 0:40:15.440
<v Speaker 2>It is what it is.

0:40:15.800 --> 0:40:18.600
<v Speaker 3>But I think what it comes down to also is

0:40:18.640 --> 0:40:22.960
<v Speaker 3>like people are so afraid right now to speak, uh huh,

0:40:23.400 --> 0:40:27.759
<v Speaker 3>so afraid and it's debilitating when you can't have an

0:40:27.800 --> 0:40:31.440
<v Speaker 3>opinion or say what you really feel. Yes, we don't

0:40:31.440 --> 0:40:35.080
<v Speaker 3>want to hurt anybody's feelings at all. No, that was

0:40:35.120 --> 0:40:38.440
<v Speaker 3>the one thing that I'm like, oh my god, you know,

0:40:38.760 --> 0:40:41.040
<v Speaker 3>absolutely not like I don't stand for I got kids,

0:40:41.040 --> 0:40:42.840
<v Speaker 3>you know what I mean, Like this is not cool,

0:40:46.040 --> 0:40:48.719
<v Speaker 3>but everybody should be allowed to have an opinion and

0:40:48.719 --> 0:40:49.880
<v Speaker 3>not be taken down for it.

0:40:50.360 --> 0:40:50.840
<v Speaker 2>Exactly.

0:40:50.880 --> 0:40:53.520
<v Speaker 3>I don't know, that's what I I just think everyone's

0:40:53.520 --> 0:40:56.479
<v Speaker 3>so vanilla right now. Nobody wants to like, oh my god,

0:40:56.520 --> 0:40:58.200
<v Speaker 3>I said a little bit too much, Like everyone is

0:40:58.640 --> 0:41:03.319
<v Speaker 3>playing it so so I'm not just talking in what

0:41:03.360 --> 0:41:06.040
<v Speaker 3>we do, but like the world in general, you know,

0:41:06.120 --> 0:41:07.960
<v Speaker 3>you're going to be canceled if you say this. You're

0:41:07.960 --> 0:41:10.319
<v Speaker 3>going to be canceled if you go to like it's

0:41:10.360 --> 0:41:11.360
<v Speaker 3>just hot, yeah, you know.

0:41:12.560 --> 0:41:17.799
<v Speaker 1>Yeah, And everyone does have their own opinion, and we

0:41:17.880 --> 0:41:20.120
<v Speaker 1>don't have to agree with someone's opinion.

0:41:20.200 --> 0:41:22.520
<v Speaker 2>There were many times Max.

0:41:22.280 --> 0:41:24.439
<v Speaker 1>Has said something or that you said something and I thought,

0:41:24.440 --> 0:41:27.279
<v Speaker 1>well I don't agree with that doesn't make me hate

0:41:27.320 --> 0:41:30.120
<v Speaker 1>you doesn't make me dislike you, doesn't make me think

0:41:30.160 --> 0:41:31.400
<v Speaker 1>I have to take you down.

0:41:32.000 --> 0:41:33.120
<v Speaker 2>We just we disagree.

0:41:33.160 --> 0:41:37.120
<v Speaker 1>We see something a different way, and that that is okay.

0:41:37.440 --> 0:41:41.680
<v Speaker 1>But if we stop ever showing that we have differences

0:41:41.680 --> 0:41:44.640
<v Speaker 1>of opinion, they're not going to stop the differences of

0:41:44.680 --> 0:41:46.719
<v Speaker 1>opinion from being there. They're just going to stop us

0:41:46.719 --> 0:41:50.280
<v Speaker 1>from showing others how you have productive conflict.

0:41:50.760 --> 0:41:54.600
<v Speaker 2>I one agree with you. Yeah, so I very.

0:41:54.520 --> 0:41:58.160
<v Speaker 1>Much appreciate the honest approach that you two took, and,

0:41:58.239 --> 0:42:01.280
<v Speaker 1>like you said, when you did feel like, oh, something

0:42:01.680 --> 0:42:03.480
<v Speaker 1>we said may have hurt someone's feelings.

0:42:03.520 --> 0:42:07.040
<v Speaker 2>Absolutely, then made a comment about that. That's when you.

0:42:07.760 --> 0:42:09.759
<v Speaker 3>Own up to it, put your big girl panties on,

0:42:09.840 --> 0:42:12.120
<v Speaker 3>and you go, I am so sorry.

0:42:12.160 --> 0:42:13.839
<v Speaker 2>This is not how that was meant to go.

0:42:14.040 --> 0:42:16.920
<v Speaker 3>I know, absolutely you got to take accountability if you

0:42:16.960 --> 0:42:19.640
<v Speaker 3>really if somebody's feeling that way, you have to do

0:42:19.680 --> 0:42:20.239
<v Speaker 3>something about it.

0:42:20.280 --> 0:42:22.239
<v Speaker 1>I even said the same thing about carry Anne in

0:42:22.280 --> 0:42:24.760
<v Speaker 1>the season when Carrie on at the very end apologized

0:42:24.920 --> 0:42:27.560
<v Speaker 1>to me about something that had not hurt my feelings.

0:42:27.880 --> 0:42:28.960
<v Speaker 2>What was that again.

0:42:28.800 --> 0:42:33.680
<v Speaker 1>She had said when she said, you're a tiny little woman.

0:42:34.280 --> 0:42:36.160
<v Speaker 1>I want to I want to see but when you

0:42:36.280 --> 0:42:39.239
<v Speaker 1>let out this, I want to see you. I want

0:42:39.239 --> 0:42:42.440
<v Speaker 1>to see that more bigger. And it did not hurt me.

0:42:42.560 --> 0:42:46.080
<v Speaker 1>I am, I'm you know, five to one like I'm.

0:42:48.960 --> 0:42:50.799
<v Speaker 1>It did not offend me. It's just to me, it's

0:42:50.840 --> 0:42:54.520
<v Speaker 1>just a fact. But some people online felt very much like, so,

0:42:55.040 --> 0:42:58.000
<v Speaker 1>I guess dance like you're taller, because I could see

0:42:58.000 --> 0:42:59.879
<v Speaker 1>how that it could be taken that way, like.

0:43:01.520 --> 0:43:04.040
<v Speaker 2>And she's coming, she's commenting on.

0:43:03.960 --> 0:43:07.600
<v Speaker 1>Me physically, and so people were a little but it

0:43:07.640 --> 0:43:09.759
<v Speaker 1>did not offend me. But then I did mention it

0:43:09.760 --> 0:43:11.480
<v Speaker 1>in my package where I said, you know, Carrie and

0:43:11.560 --> 0:43:13.239
<v Speaker 1>said I was a tiny loan but I'm big on

0:43:13.280 --> 0:43:17.640
<v Speaker 1>the inside. And she then apologized and I and then

0:43:17.680 --> 0:43:20.839
<v Speaker 1>people were talking about the apology and I said, I

0:43:20.920 --> 0:43:25.080
<v Speaker 1>will take somebody getting up on national television, even though

0:43:25.120 --> 0:43:27.160
<v Speaker 1>I did not tell her it offended me in any way.

0:43:28.239 --> 0:43:33.360
<v Speaker 1>Anyone who's willing to say in a public forum, I

0:43:33.680 --> 0:43:37.600
<v Speaker 1>may have done something that hurt you and I'm sorry.

0:43:37.920 --> 0:43:38.839
<v Speaker 2>We need more of that.

0:43:39.800 --> 0:43:41.839
<v Speaker 1>So there is I mean, just what a what an

0:43:41.840 --> 0:43:45.080
<v Speaker 1>incredible thing to be able to do, to say one

0:43:45.280 --> 0:43:48.880
<v Speaker 1>what's on your mind openly and with that takes courage

0:43:49.200 --> 0:43:51.919
<v Speaker 1>and then to recognize ooh, saying that may have hurt

0:43:51.920 --> 0:43:53.160
<v Speaker 1>you and that was never my intention.

0:43:53.280 --> 0:43:56.320
<v Speaker 2>I'm sorry. We need more of both of those things.

0:43:56.440 --> 0:43:57.840
<v Speaker 2>I one thousand agree.

0:43:58.120 --> 0:44:02.600
<v Speaker 1>So I very much appreciate your your approach.

0:44:02.760 --> 0:44:06.160
<v Speaker 2>Who is your dream podcast guest? Honestly?

0:44:06.200 --> 0:44:08.160
<v Speaker 3>But right now we're just kind of throwing stuff at

0:44:08.160 --> 0:44:09.720
<v Speaker 3>the wall and so seeing what sticks.

0:44:09.800 --> 0:44:10.600
<v Speaker 2>It's so new.

0:44:10.840 --> 0:44:14.600
<v Speaker 3>I'm you know where, We've got a lot of feelers

0:44:14.600 --> 0:44:18.040
<v Speaker 3>out to different people to come in, and I'm going

0:44:18.120 --> 0:44:22.719
<v Speaker 3>to be starting something with Shana soon too. So I

0:44:22.719 --> 0:44:25.400
<v Speaker 3>don't know if I have a dream person right now. Okay,

0:44:26.080 --> 0:44:27.719
<v Speaker 3>We're waiting on a lot of cool people to come

0:44:27.719 --> 0:44:29.040
<v Speaker 3>in and give me dates.

0:44:28.800 --> 0:44:30.239
<v Speaker 2>And some of that I want you to come on to.

0:44:31.000 --> 0:44:32.560
<v Speaker 1>We have been trying to work it out. I would

0:44:32.560 --> 0:44:35.240
<v Speaker 1>need love love to okay.

0:44:35.120 --> 0:44:37.239
<v Speaker 2>But yeah, maybe not a I haven't just got a

0:44:37.320 --> 0:44:40.480
<v Speaker 2>dream person. Okay. I love that because it's still new.

0:44:40.600 --> 0:44:44.359
<v Speaker 1>This is how shows become incredible, is that you have

0:44:44.440 --> 0:44:47.120
<v Speaker 1>to figure out what really like.

0:44:47.320 --> 0:44:48.880
<v Speaker 2>I don't know what do you want to hear about?

0:44:49.000 --> 0:44:50.879
<v Speaker 2>You know? So we're just kind of still in that

0:44:51.000 --> 0:44:52.279
<v Speaker 2>stage right now. Yeah.

0:44:52.920 --> 0:44:55.799
<v Speaker 1>With Mark Ballas returning this past season, do you ever

0:44:55.840 --> 0:44:56.880
<v Speaker 1>get the itch yourself.

0:44:57.719 --> 0:45:00.200
<v Speaker 2>Yeah, I do you, Yeah, I do all that.

0:45:00.360 --> 0:45:02.680
<v Speaker 3>I mean, it's been really nice to sit out for

0:45:02.719 --> 0:45:06.879
<v Speaker 3>a few I will say that it's been lovely just

0:45:06.920 --> 0:45:08.880
<v Speaker 3>sitting at home on the couch, putting the TV on,

0:45:08.920 --> 0:45:09.399
<v Speaker 3>and I'm like.

0:45:09.480 --> 0:45:12.279
<v Speaker 2>Yeah, that's cool. You know that show looks amazing.

0:45:12.440 --> 0:45:17.279
<v Speaker 3>You know, it's been really nice to not to be

0:45:17.280 --> 0:45:19.400
<v Speaker 3>able to cheer from the sidelines and just to not

0:45:19.480 --> 0:45:22.400
<v Speaker 3>have maybe all that stress, because you know, it is

0:45:22.520 --> 0:45:23.239
<v Speaker 3>very stressful.

0:45:23.280 --> 0:45:24.080
<v Speaker 2>It's a big job.

0:45:25.040 --> 0:45:27.480
<v Speaker 3>But yeah, I do now when I feel like I've

0:45:27.520 --> 0:45:29.560
<v Speaker 3>you know, I've got my body back, and I'm like,

0:45:30.200 --> 0:45:34.080
<v Speaker 3>you know, fit again. I'm not pregnant, I'm not postpartum.

0:45:33.920 --> 0:45:37.160
<v Speaker 3>I'm feeling pretty good. Like I would love to get

0:45:37.200 --> 0:45:38.200
<v Speaker 3>it one more stab.

0:45:38.480 --> 0:45:42.520
<v Speaker 2>Yeah, yeah, oh I love to hear that. They probably

0:45:42.560 --> 0:45:45.160
<v Speaker 2>wouldn't take me, but I would love to have one

0:45:45.200 --> 0:45:48.600
<v Speaker 2>more go. Okay. I love hearing that.

0:45:48.719 --> 0:45:52.120
<v Speaker 1>Okay, I hope they hear that because that would make

0:45:52.160 --> 0:45:54.120
<v Speaker 1>me so happy.

0:45:54.280 --> 0:45:56.399
<v Speaker 2>So thank you so much for being with us.

0:45:56.520 --> 0:45:59.560
<v Speaker 1>I want to ask you before you go, you're Peter

0:45:59.680 --> 0:46:03.560
<v Speaker 1>Jane beauty your self Tanner. Yes, I want you. You

0:46:03.640 --> 0:46:07.440
<v Speaker 1>gave me a beautiful bedazzled box and it's sitting gorgeously

0:46:07.520 --> 0:46:11.719
<v Speaker 1>on my bathroom counter. I am not I've never done

0:46:11.719 --> 0:46:14.640
<v Speaker 1>a good self tan. Okay, I know your products are

0:46:14.680 --> 0:46:16.400
<v Speaker 1>gonna be the ones that are gonna allow me to

0:46:16.400 --> 0:46:17.600
<v Speaker 1>give myself a good self hand.

0:46:17.840 --> 0:46:21.200
<v Speaker 2>What are my what are your like top tips?

0:46:21.239 --> 0:46:24.799
<v Speaker 1>What are things I must do in order to with

0:46:24.920 --> 0:46:27.040
<v Speaker 1>your products give myself the perfect self tan?

0:46:27.280 --> 0:46:27.600
<v Speaker 2>Okay?

0:46:27.680 --> 0:46:30.080
<v Speaker 3>So number one, you just need clean skin, get out

0:46:30.120 --> 0:46:32.160
<v Speaker 3>of the shower. Okay, that's when you're gonna put your

0:46:32.160 --> 0:46:34.080
<v Speaker 3>tan on. Or you can do it right before bed

0:46:34.120 --> 0:46:36.400
<v Speaker 3>and you can sleep in it. Really yeah, it won't

0:46:36.400 --> 0:46:37.400
<v Speaker 3>stain my bed sheets.

0:46:37.480 --> 0:46:39.320
<v Speaker 2>Put dark clothing okay.

0:46:39.440 --> 0:46:43.200
<v Speaker 3>Dark Pagai always say that Doc pajamas, long sleeve, long legs.

0:46:44.440 --> 0:46:45.520
<v Speaker 2>I would say its folio eight.

0:46:45.680 --> 0:46:48.240
<v Speaker 3>Okay, the day before, the day before, not right before,

0:46:48.360 --> 0:46:52.080
<v Speaker 3>not right before, because for me, anyway, that will irritate

0:46:52.120 --> 0:46:55.160
<v Speaker 3>my skin. I don't know, you od yeah, yeah, yeah,

0:46:55.200 --> 0:46:59.840
<v Speaker 3>So do it the day before and then consistently moisturize afterwards.

0:47:00.200 --> 0:47:02.960
<v Speaker 3>Use one of our tan extenders to keep extending the

0:47:03.000 --> 0:47:04.920
<v Speaker 3>life of the tan and the color and the vibrance

0:47:04.960 --> 0:47:06.160
<v Speaker 3>of it for the rest of the week.

0:47:06.400 --> 0:47:08.719
<v Speaker 2>Okay. So yeah, those are my top tips. I mean

0:47:08.760 --> 0:47:10.560
<v Speaker 2>it dry. It's my baby.

0:47:10.640 --> 0:47:13.400
<v Speaker 3>I've been working on this since twenty fifteen, so you

0:47:13.440 --> 0:47:15.560
<v Speaker 3>know it's it's now my full time job.

0:47:15.719 --> 0:47:16.080
<v Speaker 2>Yeah.

0:47:16.120 --> 0:47:18.480
<v Speaker 1>Well, I'm about to go on tour and I'm not

0:47:18.520 --> 0:47:20.080
<v Speaker 1>going to be able to get spray tan. But you

0:47:20.200 --> 0:47:21.799
<v Speaker 1>going on the tour and I'm going on tour. Yeah,

0:47:21.800 --> 0:47:23.440
<v Speaker 1>I'm opening the tour. I'm going to be doing the

0:47:23.440 --> 0:47:26.480
<v Speaker 1>first three the first three weeks. I'm gone like them

0:47:27.040 --> 0:47:30.880
<v Speaker 1>the eighteenth to the fifteenth or something so cool. So

0:47:30.920 --> 0:47:33.160
<v Speaker 1>I'm gonna I'm like, I take them with You'm going

0:47:33.160 --> 0:47:35.440
<v Speaker 1>to take them with me because I'm gonna need my

0:47:35.560 --> 0:47:36.640
<v Speaker 1>little You're gonna.

0:47:36.520 --> 0:47:37.080
<v Speaker 2>Stan on the go.

0:47:37.280 --> 0:47:39.200
<v Speaker 3>You're gonna need to look hot in your dresses, and

0:47:39.239 --> 0:47:41.720
<v Speaker 3>you're gonna need brown skin and glowing.

0:47:41.360 --> 0:47:43.960
<v Speaker 2>Skin, brown glowing skin. I love it so.

0:47:44.280 --> 0:47:47.719
<v Speaker 1>Penthouse with Peta is available wherever you get your podcasts.

0:47:48.000 --> 0:47:51.160
<v Speaker 1>Peter Jane her Self tanning product is available at Peter

0:47:51.280 --> 0:47:54.399
<v Speaker 1>Janebeauty dot com, and you can follow Peta and her

0:47:54.640 --> 0:47:59.360
<v Speaker 1>absolutely adorable family, who makes the cutest social media videos.

0:47:59.520 --> 0:48:04.280
<v Speaker 1>Thank you and Max together are just just too freaking cute.

0:48:04.800 --> 0:48:07.239
<v Speaker 1>Her handle is at Peta Murgatroyd.

0:48:07.440 --> 0:48:09.320
<v Speaker 2>Do we think your kids are going to be dancers.

0:48:10.280 --> 0:48:12.080
<v Speaker 2>I don't think so. No, I don't think so.

0:48:12.120 --> 0:48:14.239
<v Speaker 3>I mean, I don't know about the youngest two and one,

0:48:14.440 --> 0:48:17.720
<v Speaker 3>but my eight year old right now is in dancing.

0:48:17.760 --> 0:48:20.719
<v Speaker 2>He has a little partner. Oh my gosh, he loves it.

0:48:20.760 --> 0:48:22.880
<v Speaker 2>When he's there, it's a fight to get him in

0:48:22.880 --> 0:48:26.120
<v Speaker 2>the car. Okay, it's I don't know. He's really good

0:48:26.120 --> 0:48:27.000
<v Speaker 2>at tennis though.

0:48:27.120 --> 0:48:28.319
<v Speaker 4>Really good.

0:48:28.400 --> 0:48:30.640
<v Speaker 2>Yeah, so I'm trying to like push that more.

0:48:30.880 --> 0:48:34.040
<v Speaker 1>I love tennis for kids, yeah, I really do. I mean,

0:48:34.040 --> 0:48:36.120
<v Speaker 1>I love tennis for adults. I love tennis. But but

0:48:37.400 --> 0:48:39.960
<v Speaker 1>look looking at what different sports there are. Because we

0:48:40.000 --> 0:48:42.480
<v Speaker 1>have we have a very we're an athletic family, and

0:48:42.520 --> 0:48:47.680
<v Speaker 1>so my youngest son loves imaginative play. But every time

0:48:47.840 --> 0:48:49.640
<v Speaker 1>we put him in something, he does it. For a

0:48:49.640 --> 0:48:51.640
<v Speaker 1>little while, we had him in karate, he got his

0:48:51.680 --> 0:48:54.160
<v Speaker 1>first belt change and then he was like, I did it.

0:48:54.239 --> 0:48:56.480
<v Speaker 1>I'm done, no more, I don't want to do this anymore.

0:48:56.920 --> 0:48:58.920
<v Speaker 1>And then we put him in baseball for a season.

0:48:59.000 --> 0:49:00.600
<v Speaker 1>He was like, great, I know how to do that. Now,

0:49:00.680 --> 0:49:01.560
<v Speaker 1>don't want to do that anymore.

0:49:01.640 --> 0:49:03.879
<v Speaker 2>I love him. Listen, We're gonna have.

0:49:03.800 --> 0:49:05.839
<v Speaker 1>To keep doing something because we need to keep our

0:49:05.840 --> 0:49:09.120
<v Speaker 1>bodies active and so old to see he's only four.

0:49:09.440 --> 0:49:10.919
<v Speaker 2>Oh okay, he's only four.

0:49:11.040 --> 0:49:14.520
<v Speaker 1>Yea fine, But I like football, like is off the

0:49:14.560 --> 0:49:17.120
<v Speaker 1>table for me. Not you know, soccer, but like NFL

0:49:17.160 --> 0:49:20.359
<v Speaker 1>style football is just a no go. And so then

0:49:20.400 --> 0:49:24.000
<v Speaker 1>I started thinking, like tennis, golf, Tennis is great.

0:49:24.080 --> 0:49:25.920
<v Speaker 2>Okay, you like tennis. I love it.

0:49:25.960 --> 0:49:29.359
<v Speaker 3>I literally got shy into it because we were living

0:49:29.360 --> 0:49:30.920
<v Speaker 3>in Meliby at the time and we were in an

0:49:30.920 --> 0:49:34.320
<v Speaker 3>apartment and I was like, he just keeps throwing.

0:49:35.440 --> 0:49:36.560
<v Speaker 2>It, just keeps.

0:49:36.560 --> 0:49:39.279
<v Speaker 3>Throwing and hitting stuff. And I'm like, I'm going to

0:49:39.360 --> 0:49:41.520
<v Speaker 3>call a tennis coach. And I'm like, I called this

0:49:41.560 --> 0:49:44.520
<v Speaker 3>tennis coach. And we had courts across the road like

0:49:44.640 --> 0:49:47.279
<v Speaker 3>a part of the complex that we were in, and

0:49:48.000 --> 0:49:50.239
<v Speaker 3>we have never looked back. He is training with like

0:49:50.280 --> 0:49:53.560
<v Speaker 3>a top coach in Beverly Hills right now and he's

0:49:53.760 --> 0:49:54.279
<v Speaker 3>killing it.

0:49:54.760 --> 0:49:57.640
<v Speaker 2>Like so, I don't know, try it, Okay, try it.

0:49:57.680 --> 0:50:01.200
<v Speaker 3>He gets it, gets the the the boy stuff out,

0:50:01.440 --> 0:50:03.360
<v Speaker 3>you know, he gets to whack that bull and he

0:50:03.400 --> 0:50:05.600
<v Speaker 3>gets it all at in that hour and I love it.

0:50:05.719 --> 0:50:08.440
<v Speaker 1>Yeah, that's that's good. Okay, good to know. Thank you

0:50:08.480 --> 0:50:09.279
<v Speaker 1>so much for being here.

0:50:09.320 --> 0:50:11.960
<v Speaker 2>With me. You are just wonderful and I cannot wait

0:50:11.960 --> 0:50:14.440
<v Speaker 2>to do your podcast. Kay okay, I love that all right,

0:50:14.560 --> 0:50:15.000
<v Speaker 2>Thank you.

0:50:17.920 --> 0:50:21.320
<v Speaker 1>Danielle with the Stars Produced and hosted by Danielle Fischel.

0:50:21.480 --> 0:50:24.759
<v Speaker 1>Executive producers Jensen Carp and Amy Sugarman, Executive in charge

0:50:24.760 --> 0:50:28.920
<v Speaker 1>of production Danielle Romo, producer, editor and engineer Tara Sudbosch.

0:50:29.239 --> 0:50:32.279
<v Speaker 2>Theme song by Justin Siegel. Follow us on Instagram at

0:50:32.360 --> 0:50:35.200
<v Speaker 2>Danielle with Stars and vote for me