1 00:00:08,960 --> 00:00:10,320 Speaker 1: Welcome to the Sunday Sampler. 2 00:00:10,920 --> 00:00:14,080 Speaker 2: Some really great episodes from the Nashville Podcast Network. We 3 00:00:14,120 --> 00:00:16,480 Speaker 2: celebrate Women's History Month. Movie Mike and his wife Kelsey 4 00:00:16,520 --> 00:00:19,239 Speaker 2: go through their favorite female directed movies the last twenty years. 5 00:00:20,200 --> 00:00:22,799 Speaker 2: I encourage you to listen to this and go subscribe 6 00:00:22,840 --> 00:00:24,440 Speaker 2: to Movie Mike's movie podcast. 7 00:00:25,040 --> 00:00:25,799 Speaker 1: It's Real good. 8 00:00:26,239 --> 00:00:29,160 Speaker 2: On Four Things with Amy Brown, Amy talks with former 9 00:00:29,200 --> 00:00:35,600 Speaker 2: sports broadcaster, inspirational speaker, and author of Relentless Joy. Hewy's 10 00:00:35,680 --> 00:00:40,040 Speaker 2: her name, Rachel's Barbo, Rachel Barbo, we're on right now. 11 00:00:40,560 --> 00:00:43,879 Speaker 1: Oh oh, Barbara, Oh sorry, says it with the happier time. 12 00:00:43,960 --> 00:00:45,080 Speaker 3: I thought you were just asking me. 13 00:00:45,560 --> 00:00:49,120 Speaker 2: Rachel Barbo, about seeing pain as a gift and cherishing 14 00:00:49,120 --> 00:00:52,440 Speaker 2: the moment and more. In Bobby cast Mark Miller from 15 00:00:52,479 --> 00:00:53,440 Speaker 2: Sawyer Brown, It's great. 16 00:00:54,080 --> 00:00:55,639 Speaker 1: There's just a lot. We got this. 17 00:00:55,960 --> 00:00:58,880 Speaker 2: We got sore losers, you guys check it all out. 18 00:00:59,000 --> 00:01:01,040 Speaker 2: We're gonna start with the clip of Mark from saw 19 00:01:01,040 --> 00:01:03,240 Speaker 2: Your Brown. There is no person named Sawyer Brown, by 20 00:01:03,240 --> 00:01:05,640 Speaker 2: the way, but here's Mark, the lead singer, talking about 21 00:01:05,640 --> 00:01:08,279 Speaker 2: Some Girls Do and how it led to them playing 22 00:01:08,280 --> 00:01:13,400 Speaker 2: arena shows Some Girls Do in nineteen ninety two. I 23 00:01:13,440 --> 00:01:15,800 Speaker 2: mean you guys have so many massive songs. But again 24 00:01:16,120 --> 00:01:20,880 Speaker 2: your music is layered where there is the rock band. 25 00:01:20,959 --> 00:01:23,200 Speaker 2: But again you can hear that banjo in the background. 26 00:01:23,200 --> 00:01:25,040 Speaker 2: It gives us the texture of oh, this is for real. 27 00:01:25,880 --> 00:01:29,600 Speaker 4: Well, Some Girls Do was recorded three times. I first 28 00:01:29,640 --> 00:01:33,280 Speaker 4: went to Muscle Shoals and I got an unbelievable recording 29 00:01:33,280 --> 00:01:34,319 Speaker 4: of it Muscle Sholes. 30 00:01:34,560 --> 00:01:35,959 Speaker 5: But it was too rock and I knew. 31 00:01:36,280 --> 00:01:39,480 Speaker 4: But when I wrote Some Girls Do, I thought it 32 00:01:39,560 --> 00:01:41,440 Speaker 4: was the only song that I've ever written that I 33 00:01:41,520 --> 00:01:45,200 Speaker 4: knew I had one. I thought, okay, I've written one. 34 00:01:45,520 --> 00:01:49,360 Speaker 4: This is this could be something. So I go and 35 00:01:49,400 --> 00:01:53,080 Speaker 4: record it in Muscle Shoals. It's so good, it's like 36 00:01:53,200 --> 00:01:56,920 Speaker 4: zz top. It's so rock, so good. I come back 37 00:01:56,960 --> 00:02:00,840 Speaker 4: to Nashville. I play it for Randy Go in the studio. 38 00:02:01,120 --> 00:02:04,360 Speaker 4: We cut it in Nashville. It's so country. I want 39 00:02:04,360 --> 00:02:04,800 Speaker 4: to throw up. 40 00:02:04,920 --> 00:02:06,000 Speaker 1: Let's say complete opposite. 41 00:02:06,080 --> 00:02:09,560 Speaker 4: Yeah, I just I hated it. So I thought, okay, 42 00:02:09,919 --> 00:02:11,680 Speaker 4: it's again. It's going to be somewhere in the middle. 43 00:02:11,840 --> 00:02:15,480 Speaker 4: So so my favorite steel player is JD Manis, who 44 00:02:15,560 --> 00:02:17,800 Speaker 4: played on all those like California Cool. 45 00:02:17,960 --> 00:02:18,600 Speaker 5: He's from l A. 46 00:02:19,120 --> 00:02:24,080 Speaker 4: We flew JD and UH and we bring up some 47 00:02:24,120 --> 00:02:26,440 Speaker 4: of the guys from Muscle Shoals, and we bring in 48 00:02:26,480 --> 00:02:30,399 Speaker 4: some of the Nashville guys and we we recorded again. 49 00:02:30,480 --> 00:02:31,720 Speaker 5: I play in both records. 50 00:02:31,760 --> 00:02:32,520 Speaker 1: It was that hybrid. 51 00:02:33,000 --> 00:02:33,760 Speaker 5: It was a hybrid. 52 00:02:33,840 --> 00:02:34,240 Speaker 1: Wow. 53 00:02:34,400 --> 00:02:37,160 Speaker 4: Yeah, And and but the song was that important to me, 54 00:02:37,280 --> 00:02:40,360 Speaker 4: and and and it and it is the Mac. 55 00:02:40,240 --> 00:02:43,680 Speaker 5: Daddy, It's it's the It's the biggest thing to you. 56 00:02:43,800 --> 00:02:44,480 Speaker 1: That's the one. 57 00:02:44,960 --> 00:02:49,000 Speaker 4: Well, they always always say, you know, like in your career, 58 00:02:49,160 --> 00:02:52,600 Speaker 4: when things happen, then there's a shift and and and. 59 00:02:53,480 --> 00:02:55,519 Speaker 5: Like I thought, first of all, I thought step that 60 00:02:55,600 --> 00:02:56,200 Speaker 5: step was it? 61 00:02:56,480 --> 00:02:58,120 Speaker 1: Well, it was number one, it was bout yeah yeah. 62 00:02:58,240 --> 00:03:00,400 Speaker 4: And then I thought the races own was it? Then 63 00:03:00,440 --> 00:03:04,440 Speaker 4: I thought the walk, and the walk was huge. But 64 00:03:04,960 --> 00:03:07,760 Speaker 4: they say you'll know when the one comes on. And 65 00:03:07,919 --> 00:03:12,480 Speaker 4: some girls do changed our everything. Some girls do took 66 00:03:12,560 --> 00:03:15,160 Speaker 4: us into arenas. That's what that song did. 67 00:03:16,639 --> 00:03:19,000 Speaker 1: Nineteen ninety three, Thank God for you. What comes to mind? 68 00:03:19,200 --> 00:03:23,000 Speaker 4: Mac mcinally Mack and I wrote three or four songs. 69 00:03:23,040 --> 00:03:26,880 Speaker 4: He of course all these years, but Mac is Mac 70 00:03:27,040 --> 00:03:30,880 Speaker 4: kind of like he and I became really good friends. 71 00:03:31,040 --> 00:03:32,880 Speaker 4: The first time I went the Muscle Sholes. He played 72 00:03:32,919 --> 00:03:34,800 Speaker 4: on the stuff with us down there in the eighties 73 00:03:35,400 --> 00:03:36,560 Speaker 4: became great friends. 74 00:03:37,120 --> 00:03:39,119 Speaker 5: But he also really really. 75 00:03:38,960 --> 00:03:44,160 Speaker 4: Knows the band, and he came up with that chorus 76 00:03:44,840 --> 00:03:49,640 Speaker 4: and it was you know, And we recorded all this 77 00:03:49,640 --> 00:03:50,760 Speaker 4: stuff on muscle sholes. 78 00:03:51,160 --> 00:03:54,000 Speaker 5: All of our stuff, the big hits were in shoals. 79 00:03:54,600 --> 00:03:57,560 Speaker 4: Mack and I put a studio in his old house 80 00:03:57,600 --> 00:04:00,480 Speaker 4: down there and we would go down there, camp out 81 00:04:00,480 --> 00:04:01,600 Speaker 4: and make make a record. 82 00:04:01,640 --> 00:04:05,160 Speaker 1: This is the Coral Reefer, yeah, Mac mcanalan, Yeah, so cool. 83 00:04:05,400 --> 00:04:07,040 Speaker 1: When you get sick, does your voice get deeper? 84 00:04:07,920 --> 00:04:08,280 Speaker 5: It does. 85 00:04:08,440 --> 00:04:16,479 Speaker 1: It's like pop pop now Mariah exploding. 86 00:04:18,200 --> 00:04:20,599 Speaker 2: I would feel though, because if I'm you know, doing 87 00:04:20,600 --> 00:04:23,479 Speaker 2: stand up or anything, and my voice gets much deeper, 88 00:04:24,000 --> 00:04:26,800 Speaker 2: if yours gets a lot deeper, can you still sing 89 00:04:26,839 --> 00:04:27,640 Speaker 2: in the same key? 90 00:04:28,600 --> 00:04:29,360 Speaker 5: Yeah, yeah I can. 91 00:04:29,480 --> 00:04:31,120 Speaker 1: That would be a benefit having a deep I have to. 92 00:04:31,160 --> 00:04:34,640 Speaker 4: I have to get a like Mac and Mac and 93 00:04:34,640 --> 00:04:36,799 Speaker 4: I did something that the Hall of Fame last Saturday, 94 00:04:37,360 --> 00:04:39,240 Speaker 4: and I had to get up and it was going 95 00:04:39,279 --> 00:04:40,720 Speaker 4: to be like at noon, So I had to get 96 00:04:40,800 --> 00:04:43,400 Speaker 4: up at like seven o'clock in the morning and start 97 00:04:43,480 --> 00:04:47,240 Speaker 4: singing and try to, you know, get the cobwebs off 98 00:04:47,279 --> 00:04:48,159 Speaker 4: of it, because. 99 00:04:47,960 --> 00:04:50,920 Speaker 1: That's me every morning three o'clock. 100 00:05:00,040 --> 00:05:11,120 Speaker 6: Okay, cast up little food for yoursel life. Oh it's pretty, 101 00:05:10,760 --> 00:05:14,680 Speaker 6: but it's pretty beautiful, beautiful that for a little more 102 00:05:14,880 --> 00:05:23,799 Speaker 6: than said he you're kicking with full thing with Amy Brown. 103 00:05:23,920 --> 00:05:26,599 Speaker 3: Hey, it's Amy Brown from Four Things with Amy Brown. 104 00:05:26,760 --> 00:05:29,320 Speaker 3: And here's what we talked about this week on my podcast. 105 00:05:31,040 --> 00:05:34,440 Speaker 3: I want to talk about change, the narrative and the 106 00:05:34,480 --> 00:05:35,920 Speaker 3: movement behind that. 107 00:05:36,920 --> 00:05:39,919 Speaker 7: It was born out of a really dark time in 108 00:05:39,960 --> 00:05:42,520 Speaker 7: college football. I had just moved to Nashville and I 109 00:05:42,600 --> 00:05:46,120 Speaker 7: was doing shows at the Batman Building at the Serious Studios. 110 00:05:46,680 --> 00:05:50,279 Speaker 7: And I remember doing shows and I would prep because 111 00:05:50,320 --> 00:05:52,359 Speaker 7: I was a woman in a man's world. So I 112 00:05:52,400 --> 00:05:55,640 Speaker 7: would prep before any show two three hours beforehand. You know, 113 00:05:55,680 --> 00:05:59,040 Speaker 7: I was reading, prepping, pulling stats, all of those things 114 00:05:59,080 --> 00:06:01,400 Speaker 7: because if I I made a mistake, it wasn't as 115 00:06:01,440 --> 00:06:04,360 Speaker 7: easily forgivable as it was a man. Just that's what 116 00:06:04,400 --> 00:06:07,160 Speaker 7: it is in certain roles in sports. A lot of 117 00:06:07,160 --> 00:06:09,440 Speaker 7: people don't believe that women, you know, in sports talk 118 00:06:09,560 --> 00:06:12,240 Speaker 7: radio need to necessarily be in that role. And so 119 00:06:12,760 --> 00:06:16,360 Speaker 7: that summer was really dark. There was domestic violence, sexual violence, 120 00:06:16,480 --> 00:06:19,440 Speaker 7: coaches getting in trouble. It was left and right negative, negative, 121 00:06:19,480 --> 00:06:22,800 Speaker 7: negative news. And I was just audacious enough amy to 122 00:06:22,800 --> 00:06:25,719 Speaker 7: believe that I could affect change. And so I came 123 00:06:25,800 --> 00:06:27,960 Speaker 7: up with this curriculum and I kind of laugh and 124 00:06:28,000 --> 00:06:30,279 Speaker 7: tell people this like it wasn't a curriculum. 125 00:06:30,320 --> 00:06:33,479 Speaker 8: It was a two page Google doc like don't don't 126 00:06:33,520 --> 00:06:35,160 Speaker 8: curse the days of small beginnings. 127 00:06:35,160 --> 00:06:37,880 Speaker 7: People are like, oh, well, I'm not ready yet, I 128 00:06:37,920 --> 00:06:39,000 Speaker 7: don't have the thing. 129 00:06:39,360 --> 00:06:42,040 Speaker 8: I'm not prepared, I'm not educating enough. No, just start, 130 00:06:42,080 --> 00:06:43,719 Speaker 8: just start, just start. 131 00:06:43,800 --> 00:06:47,400 Speaker 7: It was a two page freaking Google doc about what 132 00:06:47,440 --> 00:06:50,159 Speaker 7: sets your soul on fire? And if you think you 133 00:06:50,200 --> 00:06:52,919 Speaker 7: were only born for sports, what a shame that was? 134 00:06:52,960 --> 00:06:56,200 Speaker 7: In my own experienced domestic violence and that's all it was. 135 00:06:56,440 --> 00:06:57,640 Speaker 7: And I thought I was going to take it into 136 00:06:57,680 --> 00:07:00,279 Speaker 7: high schools. And a friend of mine who was Nick 137 00:07:00,279 --> 00:07:03,640 Speaker 7: Saban's right hand man, he was like his headman psychologist 138 00:07:03,720 --> 00:07:06,799 Speaker 7: for twenty three years. He was also a friend of mine, 139 00:07:06,800 --> 00:07:09,400 Speaker 7: and he said, oh, by the way, Jimbo Fishers wants 140 00:07:09,440 --> 00:07:12,160 Speaker 7: you in at FSU to do this talk. And I'm like, 141 00:07:12,320 --> 00:07:14,880 Speaker 7: what what? And I remember being with my mom and 142 00:07:14,920 --> 00:07:17,320 Speaker 7: stepdad out in Jackson home. We were jumping up and 143 00:07:17,360 --> 00:07:19,680 Speaker 7: down and screaming. We were so excited because I had 144 00:07:19,720 --> 00:07:21,680 Speaker 7: never put two and two together, even though I was 145 00:07:21,720 --> 00:07:24,800 Speaker 7: a college football reporter that I would take this talk. 146 00:07:25,320 --> 00:07:29,120 Speaker 7: It wasn't even a movement then into colleges, but that's 147 00:07:29,160 --> 00:07:32,560 Speaker 7: what I did in August of twenty sixteen, and I 148 00:07:32,600 --> 00:07:36,480 Speaker 7: talked about purpose, passion, platform, mine, experience of domestic violence, 149 00:07:37,040 --> 00:07:39,440 Speaker 7: and then what makes your heart beat faster outside of sports? 150 00:07:40,080 --> 00:07:42,080 Speaker 7: And then I say I blinked, But there was so 151 00:07:42,200 --> 00:07:44,240 Speaker 7: much more to that. But in seven years, I've now 152 00:07:44,280 --> 00:07:47,800 Speaker 7: worked with eighty colleges, many of them multiple times. I 153 00:07:47,840 --> 00:07:50,080 Speaker 7: work with both kings and queens. I think that there's 154 00:07:50,080 --> 00:07:52,080 Speaker 7: a king or queen inside of every single one of us. 155 00:07:52,440 --> 00:07:54,800 Speaker 7: I also now talk about mental health. What happened to 156 00:07:54,840 --> 00:07:56,320 Speaker 7: me in my dark Knight of the Soul. I talk 157 00:07:56,360 --> 00:08:00,320 Speaker 7: about joy, interpersonal relationships, finding what set your. 158 00:08:00,200 --> 00:08:00,960 Speaker 8: Soul on fire. 159 00:08:01,400 --> 00:08:04,520 Speaker 7: And now it's spread out to corporations, halfway houses. I've 160 00:08:04,520 --> 00:08:10,120 Speaker 7: been into maximum security prisons, corporations, the NFL, law enforcement. 161 00:08:09,720 --> 00:08:12,120 Speaker 8: High schools K through five. Wherever they will have me, 162 00:08:12,240 --> 00:08:13,120 Speaker 8: I will go well. 163 00:08:13,200 --> 00:08:15,520 Speaker 3: And it started with that two page Google dots. Yes, 164 00:08:16,040 --> 00:08:17,240 Speaker 3: it's changing the narrative. 165 00:08:17,320 --> 00:08:17,880 Speaker 9: Dot org. 166 00:08:17,920 --> 00:08:19,320 Speaker 8: I'm changing the narrative dot org. 167 00:08:19,440 --> 00:08:22,040 Speaker 7: I'm yeah, I made it declarative, because there was like 168 00:08:22,080 --> 00:08:24,560 Speaker 7: a lot of changing the narratives, and I was like, okay, wait, 169 00:08:24,640 --> 00:08:27,400 Speaker 7: let's step I'm. 170 00:08:26,520 --> 00:08:29,080 Speaker 8: Changing the narrative. I'm going to change my narrative, you know. 171 00:08:29,600 --> 00:08:32,040 Speaker 3: Yeah, So even when you're typing it in, it's one 172 00:08:32,040 --> 00:08:35,400 Speaker 3: of those subconscious things too, that's happening every time you 173 00:08:35,440 --> 00:08:38,200 Speaker 3: type in, I'm changing the narrative on anything. 174 00:08:38,400 --> 00:08:42,000 Speaker 7: On generational curses that have you know, messed with your 175 00:08:42,080 --> 00:08:44,480 Speaker 7: family for ten generations back. 176 00:08:45,000 --> 00:08:47,560 Speaker 8: You know, I teach people this too. A lot of times. 177 00:08:47,600 --> 00:08:50,000 Speaker 7: We're talking about the things that we don't want to 178 00:08:50,000 --> 00:08:54,360 Speaker 7: repeat generationally, but there are also wonderful things conversely, that 179 00:08:54,440 --> 00:08:58,560 Speaker 7: your grandma's grandma's grandma's grandma had that you have, that 180 00:08:58,600 --> 00:09:01,199 Speaker 7: have been passed down to you. And there are things 181 00:09:01,280 --> 00:09:02,720 Speaker 7: as much that I don't want to repeat, but there 182 00:09:02,720 --> 00:09:04,200 Speaker 7: are things that I want to keep going and I 183 00:09:04,240 --> 00:09:07,240 Speaker 7: want to pass down to my kids right that were beautiful. 184 00:09:07,240 --> 00:09:10,680 Speaker 7: And I also think about too a lot what my 185 00:09:10,760 --> 00:09:15,320 Speaker 7: grandma's grandma's grandma's grandma either wasn't allowed to accomplish, or 186 00:09:15,480 --> 00:09:18,080 Speaker 7: the dreams that she never got to accomplish, the things 187 00:09:18,080 --> 00:09:20,319 Speaker 7: that never came to pass. And so every time I 188 00:09:20,440 --> 00:09:23,960 Speaker 7: do something new, or I hit a goal or I 189 00:09:23,960 --> 00:09:28,240 Speaker 7: achieved something. I think about all my ancestors, all these 190 00:09:28,280 --> 00:09:31,880 Speaker 7: generations ago, and and what they wanted to do, and 191 00:09:31,920 --> 00:09:34,480 Speaker 7: then I'm an extension of them and in some way 192 00:09:34,600 --> 00:09:37,240 Speaker 7: helping them rest peacefully if you will. 193 00:09:37,480 --> 00:09:39,800 Speaker 3: Oh, I love that. Yeah, And I'm sure with all 194 00:09:39,840 --> 00:09:43,280 Speaker 3: those I mean, it's going to keep my bathletes. Gosh. 195 00:09:43,320 --> 00:09:45,000 Speaker 8: I mean, I can't imagine thinking. 196 00:09:44,679 --> 00:09:48,240 Speaker 3: Like if you're just gifted superstar at something, and then 197 00:09:48,280 --> 00:09:50,560 Speaker 3: having the narrative in your mind that that's all you're worse. 198 00:09:50,760 --> 00:09:54,240 Speaker 7: Yeah, And how many times I encountered them. I remember 199 00:09:54,280 --> 00:09:57,080 Speaker 7: I was at Tennessee speaking years ago, and so I 200 00:09:57,120 --> 00:10:00,200 Speaker 7: stay afterwards. So I'll stay an hour, two hours, there's 201 00:10:00,600 --> 00:10:02,920 Speaker 7: three hours. I'll stay in the building till every last 202 00:10:02,960 --> 00:10:05,280 Speaker 7: one wants to talk to me. I even started doing 203 00:10:05,280 --> 00:10:07,040 Speaker 7: something during the pandemic where I gave out my phone 204 00:10:07,120 --> 00:10:10,160 Speaker 7: number and no one has ever abused it. But I 205 00:10:10,200 --> 00:10:12,240 Speaker 7: knew during the pandemic I didn't want people to have 206 00:10:12,240 --> 00:10:14,800 Speaker 7: to go through social media to get me because I 207 00:10:14,840 --> 00:10:17,000 Speaker 7: have had middle of the night suicide phone calls and 208 00:10:17,200 --> 00:10:19,400 Speaker 7: they're all alive. We got them help, We got them 209 00:10:19,480 --> 00:10:22,080 Speaker 7: immediate help, and then we got long term care for them. 210 00:10:22,520 --> 00:10:24,320 Speaker 7: But I had a player stand in front of me 211 00:10:24,679 --> 00:10:26,400 Speaker 7: and I told him that. I said, baby, if you 212 00:10:26,440 --> 00:10:28,920 Speaker 7: think you were only born to play football, what a 213 00:10:28,960 --> 00:10:31,640 Speaker 7: shame that is. And he's like tall, you know, and 214 00:10:31,640 --> 00:10:33,360 Speaker 7: I'm built close to the ground, and you could see 215 00:10:33,360 --> 00:10:36,520 Speaker 7: the tears right on the edge of his eyes. And 216 00:10:36,559 --> 00:10:39,080 Speaker 7: he said, Miss Rachel, where I come from, I was 217 00:10:39,200 --> 00:10:41,960 Speaker 7: taught I'm only as good as how well I can 218 00:10:42,000 --> 00:10:43,600 Speaker 7: throw a football or catch a football. 219 00:10:43,600 --> 00:10:44,560 Speaker 8: That's my whole worth. 220 00:10:45,120 --> 00:10:46,719 Speaker 7: And I said, baby, I said, and I put my 221 00:10:46,760 --> 00:10:48,480 Speaker 7: hand on his chest, and I was like, you're worth 222 00:10:48,559 --> 00:10:51,360 Speaker 7: so much more. All of a sudden, those tears come 223 00:10:51,400 --> 00:10:54,520 Speaker 7: over his eyes and then I'm crying and he's crying, 224 00:10:54,679 --> 00:10:57,280 Speaker 7: and it was like the light bulb. I got to 225 00:10:57,320 --> 00:11:00,240 Speaker 7: help the light bulb go off in his soul that 226 00:11:00,320 --> 00:11:03,640 Speaker 7: he was worth more than his physical athletic gifts. 227 00:11:03,679 --> 00:11:06,679 Speaker 8: And I feel like I'm a gajillionaire. 228 00:11:06,120 --> 00:11:07,840 Speaker 7: You know, because the work that I get to do, 229 00:11:08,040 --> 00:11:10,679 Speaker 7: I say, people are my currency. Therefore I'm a billionaire. 230 00:11:10,840 --> 00:11:13,280 Speaker 7: Like I get to do this every day, and the 231 00:11:13,360 --> 00:11:15,480 Speaker 7: work that I do all these colleges, I don't. 232 00:11:15,280 --> 00:11:16,079 Speaker 8: Speak and leave. 233 00:11:16,160 --> 00:11:19,280 Speaker 7: I create relationships so one of the most beautiful pictures 234 00:11:19,320 --> 00:11:22,040 Speaker 7: for my wedding is one of my kings getting my 235 00:11:22,160 --> 00:11:25,080 Speaker 7: husband ready for our wedding like was at our wedding. 236 00:11:25,200 --> 00:11:27,760 Speaker 7: I've been to my kings and queen's weddings. I've seen 237 00:11:27,800 --> 00:11:31,440 Speaker 7: babies be born. I've gotten birth announcements and wedding and 238 00:11:31,640 --> 00:11:33,920 Speaker 7: Miss Rachel, how are you I meet my mom? I 239 00:11:33,960 --> 00:11:37,160 Speaker 7: have moms of athletes I've spoke to serving my movement 240 00:11:37,440 --> 00:11:40,400 Speaker 7: like that's They were like, we heard, we heard what 241 00:11:40,440 --> 00:11:42,840 Speaker 7: you did. I had a mother call me one time 242 00:11:42,880 --> 00:11:44,720 Speaker 7: and she said, I've been asking my son to get 243 00:11:44,720 --> 00:11:48,080 Speaker 7: therapy for years. She said, I heard you spoke to 244 00:11:48,120 --> 00:11:50,880 Speaker 7: his team last night. Whatever you said will He walked 245 00:11:50,920 --> 00:11:53,400 Speaker 7: down the hallway the next day and checked himself into therapy. 246 00:11:54,080 --> 00:11:56,000 Speaker 7: I was like, oh my gosh, I said, it takes 247 00:11:56,040 --> 00:11:58,560 Speaker 7: a village, you know. I said to that mom, it 248 00:11:58,600 --> 00:12:00,920 Speaker 7: takes a village, and sometimes it just take someone outside 249 00:12:00,960 --> 00:12:04,520 Speaker 7: of your parents telling you something that reinforces everything that 250 00:12:04,520 --> 00:12:06,120 Speaker 7: your parents told you and you go get help. 251 00:12:19,400 --> 00:12:25,040 Speaker 1: Let's do it live. Oh the one two so loser? 252 00:12:27,160 --> 00:12:27,560 Speaker 7: What up? 253 00:12:27,600 --> 00:12:28,040 Speaker 5: Everybody? 254 00:12:28,080 --> 00:12:30,320 Speaker 10: I am lunchbox. I know the most about sports, so 255 00:12:30,320 --> 00:12:33,920 Speaker 10: I'll give you the sports facts my sports opinions because 256 00:12:33,960 --> 00:12:36,280 Speaker 10: I'm pretty much a sports genius. 257 00:12:36,760 --> 00:12:38,720 Speaker 11: What up, y'all at his scison. I'm from the North, 258 00:12:38,760 --> 00:12:40,600 Speaker 11: I'm in Alpha Male. I live on the west side 259 00:12:40,600 --> 00:12:43,560 Speaker 11: of Nashville with Baser, my wife. We do have a 260 00:12:43,600 --> 00:12:46,680 Speaker 11: white picket fence at the apartment complex. Soon I'm gonna 261 00:12:46,720 --> 00:12:49,439 Speaker 11: have two point five kids and yes, sadly, I will 262 00:12:49,480 --> 00:12:50,520 Speaker 11: die of a heart attack when. 263 00:12:50,400 --> 00:12:54,640 Speaker 1: I'm seventy two years old. Here's a clip from the 264 00:12:54,720 --> 00:12:55,559 Speaker 1: last podcast. 265 00:12:56,600 --> 00:12:58,480 Speaker 12: Oh wait maybe, oh wait, wait, wait, hold on, Oh 266 00:12:58,559 --> 00:13:01,480 Speaker 12: my damn it, what you idiot? 267 00:13:01,920 --> 00:13:03,080 Speaker 11: What they found him? 268 00:13:03,120 --> 00:13:05,439 Speaker 5: I think they found him. 269 00:13:05,679 --> 00:13:08,120 Speaker 10: That's great, dude, that's great for the family. Don't be mad. 270 00:13:08,960 --> 00:13:12,360 Speaker 11: Breaking Cruis are working to remove a body discovering the 271 00:13:12,400 --> 00:13:15,360 Speaker 11: Cumberland River this morning. I think they found him. Cajun 272 00:13:15,480 --> 00:13:19,720 Speaker 11: Army told their people to stand down. Riley Straine has 273 00:13:19,760 --> 00:13:20,240 Speaker 11: been found. 274 00:13:22,240 --> 00:13:23,480 Speaker 5: Bro, that's great. 275 00:13:23,640 --> 00:13:25,280 Speaker 11: He just said he would be found in the next 276 00:13:25,280 --> 00:13:27,480 Speaker 11: couple of days. And now that's not validated because we're 277 00:13:27,480 --> 00:13:28,760 Speaker 11: going to post this after it. 278 00:13:29,200 --> 00:13:30,959 Speaker 10: No, no, it's okay, but you don't need to react 279 00:13:31,040 --> 00:13:33,480 Speaker 10: in a negative way that they found him. Oh yeah, 280 00:13:33,679 --> 00:13:35,480 Speaker 10: it's okay that they found him, and it's good that 281 00:13:35,520 --> 00:13:37,080 Speaker 10: they found him, just so you know. 282 00:13:38,720 --> 00:13:42,120 Speaker 5: I mean, that's. 283 00:13:41,960 --> 00:13:45,160 Speaker 1: Great Metro Nashville. 284 00:13:45,200 --> 00:13:48,360 Speaker 11: The body of Riley Strane was recovered from the Cumberland 285 00:13:48,400 --> 00:13:51,200 Speaker 11: River in West Nashville this morning, which is what I predicted, 286 00:13:51,440 --> 00:13:56,600 Speaker 11: approximately eight miles from downtown, I said, forty Ashland City. 287 00:13:56,840 --> 00:14:00,520 Speaker 5: Wow, eight miles that's right your place. 288 00:14:01,320 --> 00:14:03,720 Speaker 11: It was right next to Bell's Bluff. 289 00:14:05,920 --> 00:14:09,320 Speaker 5: Dang, that's terrible, ma'am. 290 00:14:10,040 --> 00:14:18,439 Speaker 11: But you're right though, for the family. Yep, dude, they 291 00:14:18,480 --> 00:14:19,280 Speaker 11: may have found. 292 00:14:19,080 --> 00:14:20,160 Speaker 5: It at the bluff. 293 00:14:22,040 --> 00:14:24,120 Speaker 11: Because that's where that river widens out, and there's also 294 00:14:24,160 --> 00:14:27,920 Speaker 11: some logs where you can get caught up. How this 295 00:14:28,000 --> 00:14:33,560 Speaker 11: word is found, dude, I don't know where that is. 296 00:14:33,760 --> 00:14:35,600 Speaker 11: I don't know if it's a cliff that's Bells. 297 00:14:37,680 --> 00:14:39,200 Speaker 10: No, I'm telling I'm gonna tell you where this is. 298 00:14:40,120 --> 00:14:42,920 Speaker 10: It's directly across from that golf course. 299 00:14:42,960 --> 00:14:44,840 Speaker 5: I was just telling you about. 300 00:14:45,160 --> 00:14:46,440 Speaker 11: What golf course. Were you telling me. 301 00:14:46,440 --> 00:14:49,040 Speaker 10: About about how you can see the houses on the 302 00:14:49,160 --> 00:14:50,200 Speaker 10: ridge across the way? 303 00:14:51,480 --> 00:14:51,920 Speaker 1: Wow? 304 00:14:53,600 --> 00:14:54,000 Speaker 5: Damn. 305 00:14:54,560 --> 00:14:56,360 Speaker 11: So it only made it eight miles. What happened to 306 00:14:56,360 --> 00:14:57,880 Speaker 11: my theory of it, Well, it got caught up on 307 00:14:57,920 --> 00:14:59,640 Speaker 11: something three hundred and fifty miles. 308 00:15:00,760 --> 00:15:02,440 Speaker 10: Your mouth was a little off man, just like your 309 00:15:02,640 --> 00:15:04,600 Speaker 10: your betting algorithms a little off. 310 00:15:08,640 --> 00:15:08,960 Speaker 5: Damn. 311 00:15:09,120 --> 00:15:11,200 Speaker 10: All right, Well, have a good weekend, guys. 312 00:15:11,400 --> 00:15:16,000 Speaker 11: And you asked me the team did uh didn't Knessey 313 00:15:16,080 --> 00:15:21,640 Speaker 11: Chiefs went back to back. Yeah, I think Yukon does it. 314 00:15:21,800 --> 00:15:25,200 Speaker 5: And then I much to you, Yeah, I don't think 315 00:15:25,240 --> 00:15:25,920 Speaker 5: they're gonna do it. 316 00:15:26,080 --> 00:15:26,960 Speaker 12: I need to pick a winner. 317 00:15:27,040 --> 00:15:29,000 Speaker 5: Damn, I gotta do that. I almost forgot. 318 00:15:30,640 --> 00:15:36,800 Speaker 10: Dang, all right, have a good weekend. That's just sad, dude, 319 00:15:37,360 --> 00:15:39,280 Speaker 10: even though you knew he was probably dead. 320 00:15:41,760 --> 00:15:47,160 Speaker 11: The hell Justin said? I said, Justin texted this morning today, 321 00:15:47,760 --> 00:15:51,240 Speaker 11: I take hold of the bracket. And I responded, you 322 00:15:51,280 --> 00:15:54,360 Speaker 11: need to take hold of a golf club. He responded, 323 00:15:54,600 --> 00:15:56,520 Speaker 11: you used to golf prior to your. 324 00:15:57,480 --> 00:16:04,600 Speaker 12: I can't say it. Okay, all right, that's crazy. Right 325 00:16:04,640 --> 00:16:07,400 Speaker 12: as we were ending, yep, I mean, who's going to 326 00:16:07,440 --> 00:16:08,560 Speaker 12: be my pick today to win? 327 00:16:10,520 --> 00:16:11,200 Speaker 11: You know who it is? 328 00:16:12,280 --> 00:16:12,560 Speaker 1: Who? 329 00:16:13,240 --> 00:16:16,840 Speaker 11: But I just tell you Nebraska? Oh, I mean the 330 00:16:16,920 --> 00:16:18,880 Speaker 11: new Steph Curry. There are even money. 331 00:16:19,360 --> 00:16:20,840 Speaker 5: Yeah, yeah, I just need to win. 332 00:16:21,040 --> 00:16:25,920 Speaker 11: Like, hey, why would you not do the one from damn? 333 00:16:27,200 --> 00:16:29,360 Speaker 11: They said he's going to change the game of basketball? 334 00:16:29,600 --> 00:16:31,720 Speaker 11: Why would you? Why would you not bet On dam 335 00:16:32,400 --> 00:16:34,080 Speaker 11: because I don't give a damn about Dunt. 336 00:16:36,000 --> 00:16:39,960 Speaker 10: I really don't give a damn about Dunt. 337 00:16:40,440 --> 00:16:41,880 Speaker 1: They talked about it for twenty minutes. 338 00:16:41,920 --> 00:16:43,240 Speaker 11: I said, I have to bring it up, but I've 339 00:16:43,280 --> 00:16:43,560 Speaker 11: got to. 340 00:16:45,000 --> 00:16:46,320 Speaker 5: I just got to find a winner today. 341 00:16:46,360 --> 00:16:50,840 Speaker 10: Man, I go to the easy round and just take Baylor. 342 00:16:53,200 --> 00:16:56,400 Speaker 11: I don't know you've watched him. They probably played Kansas 343 00:16:56,440 --> 00:16:57,240 Speaker 11: twice this year. 344 00:16:57,360 --> 00:16:57,720 Speaker 6: I did. 345 00:16:58,280 --> 00:16:58,320 Speaker 8: No. 346 00:16:58,400 --> 00:17:00,440 Speaker 10: I'm just saying, I just got to find somebody that's 347 00:17:00,480 --> 00:17:04,240 Speaker 10: going to win the game. 348 00:17:05,960 --> 00:17:09,800 Speaker 11: And if we have any listeners in Oakland and Auburn Hills, Rochester, Michigan, 349 00:17:10,440 --> 00:17:14,160 Speaker 11: were any of y'all gonna tell us about Goldie. 350 00:17:13,680 --> 00:17:15,760 Speaker 5: The three three points crap? 351 00:17:16,200 --> 00:17:18,040 Speaker 11: Not one of y'all is gonna text us about this 352 00:17:18,320 --> 00:17:20,960 Speaker 11: kid from Oakland. We just have to find out on 353 00:17:21,000 --> 00:17:25,119 Speaker 11: TV with everybody else. Remember, if you live in a 354 00:17:25,200 --> 00:17:29,399 Speaker 11: city and something's going down, you're the local reporter. You 355 00:17:29,520 --> 00:17:32,440 Speaker 11: tell us, we break the news, and then it makes 356 00:17:32,520 --> 00:17:40,760 Speaker 11: mass media. 357 00:17:43,040 --> 00:17:47,840 Speaker 5: Cary, she's a queen and talking and a song. 358 00:17:49,680 --> 00:17:50,800 Speaker 1: She's getting really not. 359 00:17:50,800 --> 00:17:53,720 Speaker 5: Afraid to feats episode, So just let it flo. 360 00:17:54,320 --> 00:18:02,800 Speaker 13: No one can do we, Cary, Tim, what's up you 361 00:18:02,840 --> 00:18:04,480 Speaker 13: Guys's Caroline hobby. 362 00:18:04,680 --> 00:18:07,920 Speaker 14: This week on Get Real, I talked to Elisa Vanderheim 363 00:18:08,560 --> 00:18:12,719 Speaker 14: all about the project she and Kelsey Ballerini recorded with 364 00:18:12,760 --> 00:18:14,200 Speaker 14: no one knowing, Rolling Up. 365 00:18:14,080 --> 00:18:14,760 Speaker 8: The Welcome Matt. 366 00:18:15,080 --> 00:18:17,639 Speaker 14: It went on to become a Grammy nominated album for 367 00:18:17,720 --> 00:18:18,760 Speaker 14: Country Album of the Year. 368 00:18:19,200 --> 00:18:19,920 Speaker 8: And we got real. 369 00:18:20,040 --> 00:18:22,280 Speaker 14: We talked about her journey into music. We talked about 370 00:18:22,280 --> 00:18:23,520 Speaker 14: how she became a hit songwriter. 371 00:18:23,960 --> 00:18:27,399 Speaker 8: We cover it all. We talked about how that album. 372 00:18:27,200 --> 00:18:30,720 Speaker 14: Rolling Up the Welcome Matt was created such a great conversation. 373 00:18:30,840 --> 00:18:31,640 Speaker 8: Check it out right now? 374 00:18:32,960 --> 00:18:34,399 Speaker 15: Did that used to bum you out? Like when you 375 00:18:34,400 --> 00:18:35,960 Speaker 15: wouldn't get a song and be like. 376 00:18:35,880 --> 00:18:36,600 Speaker 8: Oh, for sure? 377 00:18:36,640 --> 00:18:39,639 Speaker 16: Actually, last year ironically was one of the worst creative 378 00:18:39,680 --> 00:18:42,000 Speaker 16: years of my life. Really know that this project came 379 00:18:42,000 --> 00:18:44,560 Speaker 16: out last year and like everyone was like excited about it, 380 00:18:44,600 --> 00:18:47,840 Speaker 16: but like in real time, it wasn't. I wasn't like 381 00:18:47,840 --> 00:18:49,840 Speaker 16: writing good songs all already. 382 00:18:49,960 --> 00:18:51,560 Speaker 8: Why I don't know it was going on with you 383 00:18:51,640 --> 00:18:52,000 Speaker 8: last year. 384 00:18:52,000 --> 00:18:54,600 Speaker 16: I had a lot of anxiety for some reason. I 385 00:18:54,640 --> 00:18:55,120 Speaker 16: guess you. 386 00:18:55,359 --> 00:18:57,119 Speaker 15: Shared so much in this album with Kelsey. 387 00:18:57,200 --> 00:18:59,320 Speaker 16: I don't know if it was like subconsciously that, but 388 00:18:59,480 --> 00:19:01,440 Speaker 16: because I wasn't the artist that was like putting myself 389 00:19:01,440 --> 00:19:01,760 Speaker 16: out there. 390 00:19:01,800 --> 00:19:04,400 Speaker 15: So but you were in a way involved, yeah, because 391 00:19:04,400 --> 00:19:06,040 Speaker 15: it's just you and her the whole thing, right, Yeah, 392 00:19:06,080 --> 00:19:08,119 Speaker 15: you wrote everything and co produced it. 393 00:19:08,960 --> 00:19:11,280 Speaker 16: Yeah, but yeah, it was just I'd never experienced that 394 00:19:11,359 --> 00:19:14,440 Speaker 16: much anxiety before. So it was just weird. I wasn't 395 00:19:14,520 --> 00:19:18,600 Speaker 16: like I was very self doubting. Really yeah, I wasn't 396 00:19:18,640 --> 00:19:20,320 Speaker 16: like excited to write songs that much. 397 00:19:20,640 --> 00:19:21,040 Speaker 1: It was weird. 398 00:19:21,119 --> 00:19:21,480 Speaker 5: It was weird. 399 00:19:21,560 --> 00:19:22,960 Speaker 16: Year very glad it's over. 400 00:19:23,160 --> 00:19:26,800 Speaker 15: What did you How did you navigate all that anxiety? Like, 401 00:19:26,840 --> 00:19:28,639 Speaker 15: had you already written the Kelsey album when you had 402 00:19:28,720 --> 00:19:31,640 Speaker 15: this anxiety? Did it happen after the Healthy album? 403 00:19:31,640 --> 00:19:33,600 Speaker 16: It must be because she honestly it started when it 404 00:19:33,640 --> 00:19:34,399 Speaker 16: came out. 405 00:19:34,640 --> 00:19:36,520 Speaker 15: When the album came out, you were filled with anxiety 406 00:19:37,160 --> 00:19:39,560 Speaker 15: because it was such a vulnerable album. 407 00:19:39,680 --> 00:19:41,880 Speaker 16: Now that you're talking about it, yeah, I think maybe 408 00:19:42,000 --> 00:19:44,040 Speaker 16: because a lot of people in town like weren't about 409 00:19:44,040 --> 00:19:44,720 Speaker 16: it really. 410 00:19:44,840 --> 00:19:47,040 Speaker 15: Yeah, like when it first hit, what. 411 00:19:47,160 --> 00:19:50,680 Speaker 16: It was, it was just like it was people were 412 00:19:50,760 --> 00:19:51,840 Speaker 16: kind of afraid to support it. 413 00:19:51,880 --> 00:19:52,280 Speaker 9: In a way. 414 00:19:52,680 --> 00:19:53,159 Speaker 8: I get that. 415 00:19:53,520 --> 00:19:55,840 Speaker 15: I totally can see that because like in my own 416 00:19:55,880 --> 00:19:59,120 Speaker 15: people that I'm close to, because they're like, she's divorcing 417 00:19:59,119 --> 00:20:00,840 Speaker 15: her husband, this is right right. 418 00:20:00,840 --> 00:20:03,199 Speaker 16: Or just like we don't want to like align with 419 00:20:03,240 --> 00:20:05,360 Speaker 16: one side or the other. And like people that were 420 00:20:05,400 --> 00:20:09,119 Speaker 16: like close to me like did that And I respect that, 421 00:20:09,200 --> 00:20:11,560 Speaker 16: but that like definitely like gave me some anxiety of 422 00:20:11,720 --> 00:20:14,679 Speaker 16: like am I doing? Am I the first thing that 423 00:20:14,720 --> 00:20:17,640 Speaker 16: I've ever produced? I'm like getting backlash for in a way, 424 00:20:17,880 --> 00:20:18,960 Speaker 16: like is am I doing the right thing? 425 00:20:19,040 --> 00:20:19,119 Speaker 1: Like? 426 00:20:19,200 --> 00:20:19,399 Speaker 8: Is this? 427 00:20:19,880 --> 00:20:20,480 Speaker 16: You know what I mean? 428 00:20:20,920 --> 00:20:25,919 Speaker 15: And it's because too also maybe people can villainize someone, 429 00:20:26,000 --> 00:20:28,359 Speaker 15: which I feel though, like and I feel like I 430 00:20:28,400 --> 00:20:30,480 Speaker 15: saw Kelsey do an interview about this or something, or 431 00:20:30,560 --> 00:20:32,800 Speaker 15: it's like maybe if she even said I'm entering my 432 00:20:32,880 --> 00:20:34,679 Speaker 15: villain error or something. I don't know if she said that. 433 00:20:34,680 --> 00:20:37,320 Speaker 15: I'm not quoting, but it's like, for the first time, 434 00:20:37,400 --> 00:20:39,440 Speaker 15: someone like Kelsey, and I'm sure someone like you who's 435 00:20:39,520 --> 00:20:42,440 Speaker 15: just been a songwriter, you know, assisting people write these 436 00:20:42,440 --> 00:20:45,760 Speaker 15: great songs, never really like sticking aground in a huge 437 00:20:45,840 --> 00:20:54,080 Speaker 15: like movement in like expressing someone's deepest, darkest painful life divorce, 438 00:20:54,200 --> 00:20:56,359 Speaker 15: you know, it's like airing all of that, like you're 439 00:20:56,800 --> 00:20:59,840 Speaker 15: the partner for that. Yeah, You've always just assisted in 440 00:20:59,880 --> 00:21:02,479 Speaker 15: the other songs that really don't come back to you 441 00:21:03,040 --> 00:21:04,080 Speaker 15: and then the other ways. 442 00:21:03,800 --> 00:21:04,840 Speaker 16: Not it's not risky. 443 00:21:04,960 --> 00:21:08,880 Speaker 15: It's not risky. This is risky business. But I feel though, 444 00:21:09,240 --> 00:21:11,640 Speaker 15: like and I feel like I'm actually entering this error 445 00:21:11,680 --> 00:21:13,159 Speaker 15: a little bit in my own life where I have 446 00:21:14,040 --> 00:21:17,159 Speaker 15: forever wanted everyone to like me. I wanted everyone to 447 00:21:17,160 --> 00:21:20,560 Speaker 15: think I'm great and lovely and like I'm a giant 448 00:21:20,560 --> 00:21:23,040 Speaker 15: people pleaser, and like, if I do anything to offend anyone, 449 00:21:23,200 --> 00:21:26,000 Speaker 15: I immediately feel regret and remorse and I'm so sorry, 450 00:21:26,040 --> 00:21:27,440 Speaker 15: and I overtalk it and I'm like. 451 00:21:27,800 --> 00:21:28,800 Speaker 8: Can you still love me? 452 00:21:28,840 --> 00:21:31,840 Speaker 15: Somehow? But it's like, there comes a point in time 453 00:21:32,240 --> 00:21:36,280 Speaker 15: where you make decisions to be open and creatively open 454 00:21:36,320 --> 00:21:39,600 Speaker 15: and express yourself, and it's like people may not like it, 455 00:21:40,119 --> 00:21:43,639 Speaker 15: and they may judge you, And part of that is 456 00:21:43,680 --> 00:21:47,200 Speaker 15: actually liberating, though when you've gone so far into that 457 00:21:47,200 --> 00:21:49,359 Speaker 15: that it's like, well, I guess I don't have to 458 00:21:49,400 --> 00:21:50,160 Speaker 15: worry about everyone. 459 00:21:50,000 --> 00:21:51,840 Speaker 16: Liking me anymore, thank God. 460 00:21:52,800 --> 00:21:55,879 Speaker 15: Was that kind of a relief, but also anxiety you 461 00:21:56,000 --> 00:21:56,560 Speaker 15: actually had. 462 00:21:56,600 --> 00:21:58,800 Speaker 16: This was very similar to your stories. She's always been 463 00:21:58,800 --> 00:21:59,719 Speaker 16: like a people played here. 464 00:22:00,000 --> 00:22:02,040 Speaker 15: All that in her music too in the past, even 465 00:22:02,080 --> 00:22:04,840 Speaker 15: the way she looks she's so beautiful and blonde, and 466 00:22:04,880 --> 00:22:07,480 Speaker 15: bubbly and sparkly and you know, and then all of 467 00:22:07,480 --> 00:22:09,920 Speaker 15: a sudden, she's like hitting us with some depths and 468 00:22:09,960 --> 00:22:13,360 Speaker 15: some pain and like I'm gonna bury. I'll be there 469 00:22:13,359 --> 00:22:14,480 Speaker 15: with you to bury the body. I know that was 470 00:22:14,480 --> 00:22:15,520 Speaker 15: from the past album or whatever. 471 00:22:15,560 --> 00:22:20,240 Speaker 16: But like, yeah, it's a lot, there's a lot, but 472 00:22:20,320 --> 00:22:23,560 Speaker 16: it's it's awesome to watch. So this is your first 473 00:22:23,600 --> 00:22:26,399 Speaker 16: album to produce, well for like an entire project. 474 00:22:26,520 --> 00:22:30,920 Speaker 15: Yeah, and everybody's got an opinion and they're scared of it. 475 00:22:31,000 --> 00:22:31,600 Speaker 9: They're scared. 476 00:22:31,680 --> 00:22:34,679 Speaker 16: Yeah people, I mean, I think people like the music. 477 00:22:34,720 --> 00:22:39,760 Speaker 16: But then yeah, yeah, there's just a lot of different shades. 478 00:22:40,520 --> 00:22:43,879 Speaker 15: That's probably why this one means ultimately maybe means so 479 00:22:43,960 --> 00:22:46,600 Speaker 15: much to you and to Kelsey. Tell me if I'm wrong, 480 00:22:46,640 --> 00:22:50,119 Speaker 15: because the fans took this one. Yeah, it wasn't like 481 00:22:50,200 --> 00:22:53,080 Speaker 15: the industry was making this happen. Sure, it's like the 482 00:22:53,200 --> 00:22:54,240 Speaker 15: fans made this happen. 483 00:22:54,440 --> 00:22:57,560 Speaker 16: That's true. Yeah, I mean none of those songs were 484 00:22:57,560 --> 00:22:59,560 Speaker 16: on the radio, right, not a single one. 485 00:22:59,600 --> 00:23:00,960 Speaker 15: None of these songs has been on the radio. But 486 00:23:01,000 --> 00:23:02,680 Speaker 15: this album's blown up and was not red for Album 487 00:23:02,720 --> 00:23:04,520 Speaker 15: of the Year as well because of the fans. Yeah, 488 00:23:05,200 --> 00:23:06,480 Speaker 15: so what do you learn from What do you take 489 00:23:06,480 --> 00:23:09,120 Speaker 15: away from all that? Because I mean you got the anxiety, you. 490 00:23:09,080 --> 00:23:10,400 Speaker 16: Know, yeah, because it's anxiety. 491 00:23:10,440 --> 00:23:12,560 Speaker 15: Got the anxiety. Yeah, But what do you take away 492 00:23:12,880 --> 00:23:17,880 Speaker 15: from this, like doing a deeply personal album, not trying 493 00:23:17,880 --> 00:23:21,160 Speaker 15: to please anybody, but get the art out correctly. 494 00:23:20,760 --> 00:23:22,400 Speaker 16: I think, I mean that's I want to do more 495 00:23:22,400 --> 00:23:22,720 Speaker 16: of it. 496 00:23:22,960 --> 00:23:23,240 Speaker 8: Really. 497 00:23:23,359 --> 00:23:24,439 Speaker 1: Yeah, So now you're like, Okay, I. 498 00:23:24,440 --> 00:23:27,480 Speaker 16: Got my double down. Yeah, got through the anxious part. 499 00:23:27,800 --> 00:23:30,479 Speaker 16: And now it's like, I mean, what's the point if 500 00:23:30,480 --> 00:23:32,680 Speaker 16: you're not doing that? I mean, obviously you always want 501 00:23:32,680 --> 00:23:35,479 Speaker 16: to write something that everyone would like and like feels 502 00:23:35,480 --> 00:23:39,040 Speaker 16: good and it's just like whatever, But like that is art, 503 00:23:39,080 --> 00:23:41,080 Speaker 16: That is music, and we forget about it a lot 504 00:23:41,160 --> 00:23:43,919 Speaker 16: when we're like forced into this. We're not forced. We 505 00:23:44,000 --> 00:23:45,000 Speaker 16: willingly are a part of. 506 00:23:45,000 --> 00:23:47,960 Speaker 15: This whenever the game. There's a game to play, of. 507 00:23:47,960 --> 00:23:49,760 Speaker 16: Course, and everyone wants to make money. Everyone wants to 508 00:23:49,840 --> 00:23:52,119 Speaker 16: song on the radio, which is fair, yeah, you know, 509 00:23:52,680 --> 00:23:53,600 Speaker 16: yeah how to eat. 510 00:23:53,560 --> 00:23:55,439 Speaker 15: So when you go rogue, it's a little scary. 511 00:23:55,520 --> 00:23:59,600 Speaker 16: Yeah, but I mean I think it's it was rare, 512 00:23:59,720 --> 00:24:02,280 Speaker 16: so I I think people that's why it was shocking. 513 00:24:02,320 --> 00:24:04,159 Speaker 16: It's because like, oh, like I haven't heard that. I 514 00:24:04,160 --> 00:24:06,920 Speaker 16: haven't heard that before bold Yeah. 515 00:24:06,560 --> 00:24:09,359 Speaker 15: Yeah, it's so rare, and honestly, it sets you up 516 00:24:09,400 --> 00:24:12,560 Speaker 15: as this producer who's like someone who will go there. 517 00:24:24,400 --> 00:24:26,440 Speaker 17: Hey, it's Mike d and this week a Movie Mike's 518 00:24:26,440 --> 00:24:29,240 Speaker 17: Movie Podcast, my wife Kelsey and I share our favorite 519 00:24:29,320 --> 00:24:32,960 Speaker 17: female directed films with the twenty first century, everything from 520 00:24:33,040 --> 00:24:37,000 Speaker 17: Barbie to American Psycho. We're celebrating Women's History Month on 521 00:24:37,080 --> 00:24:39,240 Speaker 17: the podcast and wanted to highlight some of the best 522 00:24:39,280 --> 00:24:42,320 Speaker 17: female directors right now. So be sure to check out 523 00:24:42,320 --> 00:24:44,800 Speaker 17: this entire episode to hear the full list. But right now, 524 00:24:44,840 --> 00:24:47,600 Speaker 17: here's just a little bit of Movie Mike's Movie Podcast. 525 00:24:48,960 --> 00:24:52,679 Speaker 17: March is Women's History Month, so for this episode, we 526 00:24:52,720 --> 00:24:57,000 Speaker 17: are focusing on female directed films of the twenty first century. 527 00:24:57,440 --> 00:25:00,359 Speaker 17: So in the last twenty four years. Weird that a 528 00:25:00,400 --> 00:25:02,040 Speaker 17: century already has twenty four years in it. 529 00:25:02,280 --> 00:25:04,000 Speaker 9: Yeah, we're almost a quarter of the way through. 530 00:25:04,119 --> 00:25:07,240 Speaker 17: In my head, the two thousands are still like last decade. 531 00:25:07,520 --> 00:25:09,119 Speaker 9: Oh, in my head, two thousand and seven was like 532 00:25:09,160 --> 00:25:09,840 Speaker 9: three years ago. 533 00:25:10,000 --> 00:25:12,200 Speaker 17: For the longest time, I always thought the nineties were 534 00:25:12,240 --> 00:25:14,520 Speaker 17: just like twenty years ago over there, so long ago. 535 00:25:14,680 --> 00:25:19,440 Speaker 18: Now we're both nineties babies, and we're both thirty plus now, 536 00:25:19,520 --> 00:25:22,280 Speaker 18: so yeah, the nineties are thirty years ago. 537 00:25:22,800 --> 00:25:25,119 Speaker 17: That's why we were focusing here on movies of the 538 00:25:25,200 --> 00:25:29,359 Speaker 17: last twenty four years, because to really showcase some of 539 00:25:29,400 --> 00:25:33,080 Speaker 17: the great female directors who maybe don't get the recognition 540 00:25:33,119 --> 00:25:35,560 Speaker 17: they deserve despite making some of the best films in 541 00:25:35,600 --> 00:25:40,960 Speaker 17: the last the women exactly, which is weird that I 542 00:25:40,960 --> 00:25:43,840 Speaker 17: don't really view movies like that. They're just directors. I'm 543 00:25:43,880 --> 00:25:46,239 Speaker 17: attached to whether they be male or female. If they 544 00:25:46,240 --> 00:25:48,639 Speaker 17: are just great directors, I'm going to watch their movies. 545 00:25:49,119 --> 00:25:52,640 Speaker 17: For some reason, people just have problems with female directors. 546 00:25:52,600 --> 00:25:55,040 Speaker 9: With females in any industry, and I think when. 547 00:25:54,880 --> 00:25:58,480 Speaker 17: You have movies directed by females, I feel like you 548 00:25:58,520 --> 00:26:01,480 Speaker 17: get better stories because they focus more on what I 549 00:26:01,640 --> 00:26:05,919 Speaker 17: like of the emotional details. They play more into character 550 00:26:06,040 --> 00:26:08,840 Speaker 17: development more so than male directors. 551 00:26:09,160 --> 00:26:11,400 Speaker 9: All the things that they tell women make us too 552 00:26:11,440 --> 00:26:12,800 Speaker 9: soft for most industries. 553 00:26:12,920 --> 00:26:14,400 Speaker 17: But if you look at this list that I put 554 00:26:14,400 --> 00:26:17,440 Speaker 17: together here, it's a phenomenal list. Even movies like American Psycho, 555 00:26:17,480 --> 00:26:19,800 Speaker 17: which you may not think that we was directed by 556 00:26:19,800 --> 00:26:22,000 Speaker 17: a female director one of the best like that is 557 00:26:22,000 --> 00:26:24,800 Speaker 17: an iconic movie. But sometimes I feel like that is 558 00:26:24,800 --> 00:26:28,560 Speaker 17: a footnote of that. Because of Christian Bale's performance and 559 00:26:28,560 --> 00:26:31,520 Speaker 17: because of how iconic that movie has been, we forget 560 00:26:31,560 --> 00:26:34,840 Speaker 17: about the director of American Psycho. So that is why 561 00:26:34,880 --> 00:26:36,560 Speaker 17: I want to do this episode as well. But before 562 00:26:36,560 --> 00:26:38,960 Speaker 17: we get into this entire list, I think we should 563 00:26:38,960 --> 00:26:42,159 Speaker 17: just go and share our favorite movie directed by a 564 00:26:42,160 --> 00:26:45,520 Speaker 17: female director. Kelsey do the honors. Kicking us off. 565 00:26:45,400 --> 00:26:46,920 Speaker 9: Greta Gerwig's Lady Bird. 566 00:26:47,200 --> 00:26:49,959 Speaker 18: Loved Barbie mm hmm, but feels too recent to call 567 00:26:50,000 --> 00:26:50,720 Speaker 18: it my favorite. 568 00:26:50,800 --> 00:26:53,160 Speaker 17: I was kind of in that same boat of including 569 00:26:53,200 --> 00:26:55,880 Speaker 17: a Greta Gerwig film because she is a fantastic director 570 00:26:55,960 --> 00:26:59,080 Speaker 17: and has put out just consistent hits. I mean, Lady Bird, 571 00:26:59,400 --> 00:27:03,080 Speaker 17: Little Women, and Barbie have all dominated the box office. 572 00:27:03,160 --> 00:27:05,040 Speaker 18: Think. I went to see Ladybird by myself at the 573 00:27:05,040 --> 00:27:07,800 Speaker 18: Alamo Drafthouse at Lakelynn back when movie pass was still 574 00:27:07,840 --> 00:27:08,120 Speaker 18: a thing. 575 00:27:08,200 --> 00:27:10,920 Speaker 17: Oh the movie Pass. I never got into the movie 576 00:27:10,920 --> 00:27:12,800 Speaker 17: past because I knew it was going to go under. 577 00:27:12,840 --> 00:27:14,359 Speaker 5: It was a bad business plan. 578 00:27:14,520 --> 00:27:15,720 Speaker 9: I mean it was great for a few months, it 579 00:27:15,760 --> 00:27:17,159 Speaker 9: were how long did it work for? 580 00:27:17,200 --> 00:27:17,360 Speaker 15: You? 581 00:27:17,560 --> 00:27:17,679 Speaker 18: Think? 582 00:27:17,760 --> 00:27:19,399 Speaker 9: Six months? I saw a lot of movies I wouldn't 583 00:27:19,400 --> 00:27:19,680 Speaker 9: have seen. 584 00:27:19,800 --> 00:27:20,560 Speaker 8: That's pretty solid. 585 00:27:20,640 --> 00:27:23,840 Speaker 18: It was I did not have disposable income as a 586 00:27:23,960 --> 00:27:28,440 Speaker 18: grad student working at a university and an admin assistant role, 587 00:27:28,480 --> 00:27:29,800 Speaker 18: the income was low. 588 00:27:30,080 --> 00:27:34,119 Speaker 17: Yes, I love Timothy shallomet sosheronin Together. She was also 589 00:27:34,359 --> 00:27:37,440 Speaker 17: in well, another one of Greta Gerwig's films in Little Women, 590 00:27:37,680 --> 00:27:39,320 Speaker 17: and I feel like that is one of the best 591 00:27:39,359 --> 00:27:42,440 Speaker 17: coming of age movies of the twenty first century. 592 00:27:42,520 --> 00:27:43,240 Speaker 1: Like that is up there. 593 00:27:43,520 --> 00:27:46,720 Speaker 18: Yeah, it just was a good relationship movie, like all 594 00:27:46,720 --> 00:27:48,879 Speaker 18: sorts of relationships. 595 00:27:48,200 --> 00:27:51,320 Speaker 17: And also like one that solidified A twenty four is 596 00:27:51,359 --> 00:27:55,199 Speaker 17: like being the go to art house film studio, Like 597 00:27:55,200 --> 00:27:57,240 Speaker 17: that is like one of their pillars of great movies, 598 00:27:57,280 --> 00:28:00,680 Speaker 17: like Ladybird. That image of her in the Canton Pink Cast, 599 00:28:01,040 --> 00:28:02,919 Speaker 17: like that is an iconic image that I feel like 600 00:28:02,960 --> 00:28:06,600 Speaker 17: A twenty four needs on their mount rushmore of movies. 601 00:28:06,400 --> 00:28:09,320 Speaker 18: Kind of kicked them off of like past last six 602 00:28:09,440 --> 00:28:13,480 Speaker 18: years of being really strong movies that maybe aren't like 603 00:28:13,720 --> 00:28:15,240 Speaker 18: box office smashes. 604 00:28:15,680 --> 00:28:17,440 Speaker 9: I mean Barbie will be her big. 605 00:28:17,200 --> 00:28:20,320 Speaker 17: Well, yeah, Barbie is the highest grossing female directed movie 606 00:28:20,320 --> 00:28:22,520 Speaker 17: of all time, which is incredible. And now that she 607 00:28:22,640 --> 00:28:25,439 Speaker 17: has made that movie and been so successful at the 608 00:28:25,440 --> 00:28:27,399 Speaker 17: box office, she is now in a position where she 609 00:28:27,400 --> 00:28:28,919 Speaker 17: can make any movie that's going to. 610 00:28:28,880 --> 00:28:30,760 Speaker 9: Be a products. I feel like you're gonna come down 611 00:28:30,800 --> 00:28:31,320 Speaker 9: the pipeline. 612 00:28:31,400 --> 00:28:33,200 Speaker 17: So I can't wait to see what she does next. 613 00:28:33,200 --> 00:28:35,200 Speaker 17: Because she's gonna have the budget. She's also going to 614 00:28:35,240 --> 00:28:38,360 Speaker 17: be able to work with any actor like she's an 615 00:28:38,400 --> 00:28:41,000 Speaker 17: actor anyone. I mean, the fact that she had Margot 616 00:28:41,080 --> 00:28:44,440 Speaker 17: Robbie and Ryan Gosling in a movie together is already 617 00:28:44,680 --> 00:28:47,320 Speaker 17: just monumental. But to think now of all the other 618 00:28:47,320 --> 00:28:49,000 Speaker 17: people who are going to want to work with her 619 00:28:49,480 --> 00:28:52,480 Speaker 17: is why I'm so excited. But if you haven't seen Ladybird, 620 00:28:52,920 --> 00:28:55,040 Speaker 17: it's a great one to check out from an awesome 621 00:28:55,040 --> 00:28:56,840 Speaker 17: director who is only going to go on to have 622 00:28:56,880 --> 00:28:58,840 Speaker 17: an amazing and more amazing career. 623 00:28:58,920 --> 00:28:59,880 Speaker 9: It's your favorite. 624 00:29:00,160 --> 00:29:03,080 Speaker 17: Mine has to be a little movie from two thousand 625 00:29:03,120 --> 00:29:06,240 Speaker 17: and eight called The hurt Locker, directed by Catherine Bigelow. 626 00:29:06,280 --> 00:29:07,360 Speaker 9: It's a stressful one. 627 00:29:07,480 --> 00:29:10,120 Speaker 17: I love stressful movies, and I love I don't love 628 00:29:10,160 --> 00:29:14,000 Speaker 17: the traditional war film. That's just here's a war going on, 629 00:29:14,080 --> 00:29:16,080 Speaker 17: and here's some characters you're going to follow along with. 630 00:29:16,560 --> 00:29:19,240 Speaker 17: I like the grittier, more modern day one, which is 631 00:29:19,280 --> 00:29:21,719 Speaker 17: kind of sad when you think about all the awful 632 00:29:21,720 --> 00:29:24,320 Speaker 17: things that happened in the two thousands, Like war during 633 00:29:24,360 --> 00:29:26,840 Speaker 17: that time was awful, but as a result of it, 634 00:29:26,920 --> 00:29:29,440 Speaker 17: we had some really great movies that came out of 635 00:29:29,480 --> 00:29:32,760 Speaker 17: it because of those stories are so powerful even though 636 00:29:32,800 --> 00:29:35,680 Speaker 17: they are depicting really awful things, And it's also different 637 00:29:35,720 --> 00:29:39,480 Speaker 17: for us growing up during that time. Yeah, of like 638 00:29:39,480 --> 00:29:41,400 Speaker 17: all the other war movies we would see were from 639 00:29:41,480 --> 00:29:44,280 Speaker 17: wars that we were not alive during, but that was 640 00:29:44,440 --> 00:29:47,280 Speaker 17: happening during that time and we were living it and 641 00:29:47,320 --> 00:29:49,720 Speaker 17: it was so fresh that I feel like that's why 642 00:29:49,760 --> 00:29:52,120 Speaker 17: those movies had so much more of an impact. So 643 00:29:52,760 --> 00:29:55,440 Speaker 17: hurt Locker was that first movie I watched, and it 644 00:29:55,480 --> 00:29:56,800 Speaker 17: was just like stunned by that. 645 00:29:57,080 --> 00:29:58,959 Speaker 9: Jeremy Renner, right, yeah, Jeremy Renner. 646 00:29:59,000 --> 00:30:02,000 Speaker 17: And then and went on to direct Zero Dark thirty, 647 00:30:02,000 --> 00:30:04,160 Speaker 17: which is another amazing film with Jessica Chastain. 648 00:30:04,400 --> 00:30:05,520 Speaker 9: That one's also hard to watch. 649 00:30:05,680 --> 00:30:08,360 Speaker 17: I still love hurt Locker more, but that one is 650 00:30:08,560 --> 00:30:11,920 Speaker 17: intense on another level. But it's just Catherine's distinct style 651 00:30:12,360 --> 00:30:14,520 Speaker 17: of war film is what I'm really drawn to, and 652 00:30:14,560 --> 00:30:17,080 Speaker 17: I feel like a lot of people emulated that, taking 653 00:30:17,080 --> 00:30:19,280 Speaker 17: that same kind of style that she did with the 654 00:30:19,320 --> 00:30:21,560 Speaker 17: same type of war. So that has always been one 655 00:30:21,600 --> 00:30:23,200 Speaker 17: of my favorite And that also came out at a 656 00:30:23,240 --> 00:30:26,480 Speaker 17: time where I was really focusing more on my love 657 00:30:26,520 --> 00:30:29,120 Speaker 17: of movies and watching them kind of with more intent, 658 00:30:29,360 --> 00:30:31,040 Speaker 17: when I was like seventeen years old, of like, oh, 659 00:30:31,080 --> 00:30:32,800 Speaker 17: this is actually something that's going to be nominated for 660 00:30:32,840 --> 00:30:34,760 Speaker 17: an oscar. That's where I kind of started putting those 661 00:30:34,880 --> 00:30:37,200 Speaker 17: pieces together. And that is a movie that I just 662 00:30:37,240 --> 00:30:39,240 Speaker 17: will never forget the first time I watched it because 663 00:30:39,280 --> 00:30:40,920 Speaker 17: of how just wild it is. 664 00:30:44,680 --> 00:30:47,560 Speaker 1: Hey, thanks for listening to the Sunday Sampler. Maybe you 665 00:30:47,600 --> 00:30:49,080 Speaker 1: want to check out one of the podcasts. 666 00:30:49,360 --> 00:30:51,280 Speaker 2: Maybe you're getting annoyed this shows up on a Sunday 667 00:30:51,320 --> 00:30:53,800 Speaker 2: into that we say, you know, I don't want to 668 00:30:53,800 --> 00:30:55,800 Speaker 2: say kick rocks, but just don't listen, you know. Yeah, 669 00:30:55,840 --> 00:30:57,280 Speaker 2: but if they got to this point, I guess they listen. 670 00:30:57,400 --> 00:31:01,959 Speaker 3: Yeah, I will say Morgan number Morgan number one. You're 671 00:31:02,040 --> 00:31:04,680 Speaker 3: Morgan massing Gel. She was at my interview with Rachel 672 00:31:04,800 --> 00:31:05,160 Speaker 3: all of. 673 00:31:05,120 --> 00:31:07,479 Speaker 1: Our Morgans, all of our she now runs the network. 674 00:31:07,600 --> 00:31:11,920 Speaker 3: Yes, so she was there and she had tissue, So 675 00:31:11,960 --> 00:31:13,760 Speaker 3: I will say for have tissue nearby. 676 00:31:13,880 --> 00:31:15,800 Speaker 2: Well, they heard that segment that we put on here 677 00:31:16,360 --> 00:31:17,440 Speaker 2: so they're a little clued. 678 00:31:17,200 --> 00:31:19,000 Speaker 9: In now, okayo, yeah, yeah, yeah, this is the end. 679 00:31:19,080 --> 00:31:20,360 Speaker 1: Yeah, but we didn't listen to that. We just got 680 00:31:20,360 --> 00:31:21,120 Speaker 1: the beginning in the end. 681 00:31:21,360 --> 00:31:21,600 Speaker 8: Okay. 682 00:31:21,640 --> 00:31:22,960 Speaker 16: Hope you had your tissue all right. 683 00:31:23,280 --> 00:31:26,320 Speaker 1: New episodes out weekly. Check it out. Have a great week. 684 00:31:26,360 --> 00:31:36,280 Speaker 2: Everybody will see you next Sunday.