WEBVTT - Reacting to YOUR emails!

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<v Speaker 1>How to everybody. Welcome to the Granger Smith Podcast. Happy Monday.

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<v Speaker 1>Thank you for being with me. I love this platform.

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<v Speaker 1>I love the opportunity to literally sit in your living

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<v Speaker 1>room and have a conversation with you, or sit in

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<v Speaker 1>your car if that's where you'd like to listen to podcasts.

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<v Speaker 1>This is really fun for me and I enjoyed this process.

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<v Speaker 1>at my bookie. I am answering questions on this podcast

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<v Speaker 1>reacting to your emails. So last podcast episode forty nine,

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<v Speaker 1>I set up an email called Grangersmith Podcast at gmail

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<v Speaker 1>dot com. I asked you to reach out to me

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<v Speaker 1>with anything you want, anything you want me to talk about,

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<v Speaker 1>and so they fled it in. So, first of all,

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<v Speaker 1>thank you so much for sending those emails. I went

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<v Speaker 1>through all of them. I obviously can't answer all of them,

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<v Speaker 1>but I went through and grabbed the ones that I

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<v Speaker 1>need to answer right now. And if you have a

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<v Speaker 1>question that I don't answer on this episode, just ask again.

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<v Speaker 1>Or if you have a new question, or if you're

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<v Speaker 1>a new and you want to ask me anything that

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<v Speaker 1>you want me to answer longer than like a radio

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<v Speaker 1>blip or an Instagram blip. You know you want me

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<v Speaker 1>to long form answer and give you my best explanation

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<v Speaker 1>that I can, whether that's about my life or love

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<v Speaker 1>or country music or religion or sports or whatever you

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<v Speaker 1>want to talk about. I'm here. I'm here for you,

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<v Speaker 1>So email Granger Smith Podcast at gmail dot com. I'll

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<v Speaker 1>get to yours and right now I'm so happy to

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<v Speaker 1>see some really good questions and I'm excited. Welcome to

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<v Speaker 1>the Granger Smith Podcast. Gegee did char Mounchi and longline

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<v Speaker 1>fo up and down on back, rangycover Evage. If you

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<v Speaker 1>want to find a personal way to get a hold

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<v Speaker 1>of me, go to cameo dot com and you could

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<v Speaker 1>search Granger Smith. You could find me on there, and

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<v Speaker 1>that is a it's a fun thing I've do been

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<v Speaker 1>doing for about a year. I've been going on and

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<v Speaker 1>I could I could send you a personal video message,

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<v Speaker 1>whether that's a congratulations or happy birthday, or maybe you

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<v Speaker 1>want me to speak to some kind of piece of

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<v Speaker 1>advice or even give a shout out to maybe a

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<v Speaker 1>new business that you're starting. Cameo dot com allows you

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<v Speaker 1>to do that. You can go on and book me

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<v Speaker 1>to send you a personal video message. I love that,

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<v Speaker 1>especially during the crazy time of twenty twenty that's I

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<v Speaker 1>don't get to do meet and greets, and so this

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<v Speaker 1>is a great way for me to keep in contact

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<v Speaker 1>with you, as is this podcast. What a fun week

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<v Speaker 1>this is This is album release week for me. So

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<v Speaker 1>the biggest week for an artist is right now for me,

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<v Speaker 1>because this Friday, if you're listening real time, this coming Friday,

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<v Speaker 1>we are releasing our album September twenty fifth, called Country Things,

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<v Speaker 1>Volume one. Eight songs on there, including three that you

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<v Speaker 1>already know That's Why I Love Dirt Roads, Country Things,

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<v Speaker 1>the title track, and Hate You Like I Love You,

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<v Speaker 1>which we released those last two a few weeks ago.

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<v Speaker 1>So you're gonna get the rest of that Volume one,

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<v Speaker 1>and then you're going to get Volume two coming around

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<v Speaker 1>Thanksgiving for you non Americans, that's the end of November.

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<v Speaker 1>I'm excited about all sixteen songs that complete this whole project.

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<v Speaker 1>So let me know what you think. I'm pumped to

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<v Speaker 1>hear what you guys think on something that I've been

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<v Speaker 1>working on for two years, my tenth studio album. A

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<v Speaker 1>lot of thought, a lot of blood, sweat tears, literally,

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<v Speaker 1>a lot of editing, a lot of songwriting, a lot

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<v Speaker 1>of recording, a lot of picking art, a lot of

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<v Speaker 1>planning for this release has gone into this, and so

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<v Speaker 1>a little bit nervous, I'm a little bit excited, but

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<v Speaker 1>most of all, I just want to see if it

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<v Speaker 1>connects with you. Guys. I want to see if these

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<v Speaker 1>stories connect, because that's what I look for as a

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<v Speaker 1>country music artist is telling a story through my eyes

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<v Speaker 1>through music and then having someone out there go, man,

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<v Speaker 1>those lyrics sound like me. That sounds like what I'm

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<v Speaker 1>going through, or that sounds like my life, or that

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<v Speaker 1>sounds like where I used to be, or that sounds

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<v Speaker 1>like where I want to be. Any of those kind

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<v Speaker 1>of connections is how me as an artist really get

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<v Speaker 1>that relationship with a fan so that when we go

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<v Speaker 1>play live shows, it's like you're the only one in

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<v Speaker 1>the room. It's me and the band playing to one

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<v Speaker 1>person that's connecting with those lyrics at a very deep level.

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<v Speaker 1>And I can never ask anything more than that as

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<v Speaker 1>a singer. So, really, big week, if you can help

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<v Speaker 1>me out and check out this album. It's coming out Friday.

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<v Speaker 1>It maybe pre save it, maybe pre order it. Those

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<v Speaker 1>things really help the numbers of this album so that

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<v Speaker 1>it puts it in a higher algorithm and that all

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<v Speaker 1>the music platforms wherever you like to listen to music,

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<v Speaker 1>they get together and they go, oh wow, that Granger

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<v Speaker 1>album is getting a lot of looks, a lot of

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<v Speaker 1>pre safe so let's bump it up so maybe more

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<v Speaker 1>people will see it. So that's ultimately what helps me.

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<v Speaker 1>But I just hope you like it answering, I'm going

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<v Speaker 1>to go through some of these emails and react to them.

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<v Speaker 1>I've only read through them briefly one time, so as

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<v Speaker 1>I usually do on this podcast, there is no preparation.

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<v Speaker 1>There is no notes that I've taken, and I think

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<v Speaker 1>that some of the questions could be answered better if

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<v Speaker 1>I had notes or if I had references. But I

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<v Speaker 1>think at the same time, it helps keep this program

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<v Speaker 1>pretty raw and off the cuff, as if, like I

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<v Speaker 1>said in the intro, we're sitting in the same room

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<v Speaker 1>or sitting in the same truck, riding together and having

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<v Speaker 1>a conversation. The first email comes from Jordan. Oh, that

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<v Speaker 1>brings up a point. I could say your name on here.

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<v Speaker 1>I could say your first name. So if you send

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<v Speaker 1>me an email and you don't want me to say

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<v Speaker 1>your name, say you want to remain anonymous, but I

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<v Speaker 1>would like to also know your hometown, so, for instance,

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<v Speaker 1>or I don't know where you are, but it would

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<v Speaker 1>be cool if you would put your hometown in your

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<v Speaker 1>first name or anonymous. But I would love to be

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<v Speaker 1>able to read that. As part of the question, Jordan says,

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<v Speaker 1>I want to ask you. I wanted to ask you

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<v Speaker 1>this question a week ago, but I didn't get to

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<v Speaker 1>in time. What do you remember about nine to eleven

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<v Speaker 1>and did that make any kind of impact on your life?

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<v Speaker 1>I thought that was interesting because I remember exactly where

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<v Speaker 1>I was during that morning nine to eleven. I was

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<v Speaker 1>living in Nashville, Tennessee. I was writing songs, and I

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<v Speaker 1>was on my way to a writing appointment, or I

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<v Speaker 1>hadn't left the house yet, but I was going to

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<v Speaker 1>a writing appointment with two legendary songwriters, Aaron Barker and

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<v Speaker 1>Roy Burke, and they had never met each other. And

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<v Speaker 1>I had written individually with those two guys a lot,

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<v Speaker 1>and I was bringing them together, and it just felt like,

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<v Speaker 1>what a really cool moment to bring these two epic

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<v Speaker 1>legendary songwriters together, had all these hits collectively, and I

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<v Speaker 1>would be, you know, like a fly on the wall,

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<v Speaker 1>just connecting them and hopefully we could write a song.

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<v Speaker 1>That was the morning of September eleventh, two thousand and one.

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<v Speaker 1>For me, I was just a kid, and I walked

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<v Speaker 1>into the living room and my roommate was watching TV

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<v Speaker 1>and the first plane had hit the tower, and he

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<v Speaker 1>was like, you see this, And that was back before

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<v Speaker 1>we just knew what was happening on social media. You

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<v Speaker 1>actually learned things from TV. And I was like, oh

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<v Speaker 1>my gosh, what's you know. My first thought was, what

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<v Speaker 1>a terrible accident. This plane got off course somehow something

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<v Speaker 1>malfunctioned in the navigation system and they hit a skyscraper.

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<v Speaker 1>That's what I thought. And then as we were watching

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<v Speaker 1>and people were commentating and speculating on what this might be,

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<v Speaker 1>that's when the second plane hit. And the second plane,

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<v Speaker 1>everyone had a lot of lead time on it, so

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<v Speaker 1>you could actually see it from a distance. You could

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<v Speaker 1>see that it was on a collision course, and it

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<v Speaker 1>was like slow motion. Really, I mean, here comes this

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<v Speaker 1>this big jetliner heading for a massive skyscraper right next

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<v Speaker 1>to another skyscraper that's burning. So as it impacted, that's like,

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<v Speaker 1>right when it impacted, the world knew that it wasn't

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<v Speaker 1>an accident. This was on purpose. Whatever the motive, it

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<v Speaker 1>was on purpose. And then there was a whole different

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<v Speaker 1>reaction when the first tower fell, because I just thought

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<v Speaker 1>maybe a lot of people thought, oh man, that really sucks.

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<v Speaker 1>For that top of that building, like they're going to

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<v Speaker 1>have to remodel the whole top of that building. And

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<v Speaker 1>I still hadn't put together that this could possibly fall

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<v Speaker 1>down all the way, I could completely crumble. So when

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<v Speaker 1>the first one fell and then everyone started thinking the

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<v Speaker 1>second was gonna fall, it was just very surreal. I

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<v Speaker 1>wasn't alive obviously during JFK or any of the any

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<v Speaker 1>of the other past monumental American moments like that, and

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<v Speaker 1>so that is my that's my JFK moment. If you

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<v Speaker 1>a lot of y'all's parents and grandparents probably could remember

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<v Speaker 1>where they were when JFK was assassinated, And that was

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<v Speaker 1>me for nine to eleven, watching that in just complete disbelief,

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<v Speaker 1>very surreal. I remember thinking at that moment, so to

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<v Speaker 1>help answer the Jordan's question, I remember thinking, man, I

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<v Speaker 1>gotta go and list like I gotta go fight, like

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<v Speaker 1>this is this is a calling now, I'm I'm called

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<v Speaker 1>to go and join and and help in some way.

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<v Speaker 1>And I really had to kind of overcome that urge

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<v Speaker 1>and redirect that feeling of let's leave everything right now,

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<v Speaker 1>let's leave music, and let's go fight. I had to

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<v Speaker 1>kind of redirect that and say, hang on, I also

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<v Speaker 1>have an opportunity to use what I'm called to do.

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<v Speaker 1>I felt a calling to play music, and I could

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<v Speaker 1>use that calling to help towards this cause. And so

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<v Speaker 1>I made it a mission from that day, September eleventh,

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<v Speaker 1>two thousand and one, to use my music to help

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<v Speaker 1>with the cause. And it led me to my first

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<v Speaker 1>entertainment tour in Iraq in two thousand and seven. So

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<v Speaker 1>six years later, there I was on the stage in

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<v Speaker 1>Iraq with my band playing a concert that really started

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<v Speaker 1>from the motivation of what I saw on TV. At

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<v Speaker 1>nine to eleven. Question from Ian says, Hey, Graindeer, I'm

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<v Speaker 1>a fan from Canada. You're absolutely my favorite artist. Listen

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<v Speaker 1>to Silverada bench Seat and I've been hooked ever since. Anyway,

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<v Speaker 1>my question is how do you stay so faithful and

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<v Speaker 1>how you have such a great attitude even in the

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<v Speaker 1>worst of times. Is there something specific you do or

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<v Speaker 1>is it a mindset you need to get into. Ian

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<v Speaker 1>speaking to how do you stay so faithful and have

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<v Speaker 1>such great attitude even in the worst of times, The

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<v Speaker 1>short answer is I don't. I don't stay faithful and

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<v Speaker 1>have a great attitude in the worst of times. And

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<v Speaker 1>let me be clear that if I appear to then

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<v Speaker 1>that is either me being in shock or that is

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<v Speaker 1>me having thought through the situation enough to then go

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<v Speaker 1>onto social media or onto camera of some sort and

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<v Speaker 1>deliver a message of hope in the hindsight of what

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<v Speaker 1>was behind me the worst of times, as your email says,

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<v Speaker 1>but in the peak of a worst time, man, I

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<v Speaker 1>don't have a good attitude, and it's a battle of faith,

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<v Speaker 1>you know. It's a battle of getting everything I believe,

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<v Speaker 1>the rock solid beliefs I have together and organize them

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<v Speaker 1>so that I could overcome the urge to have a

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<v Speaker 1>bad attitude and a lack of faith. I cannot answer

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<v Speaker 1>that question without mentioning that my rock solid faith comes

0:14:55.160 --> 0:15:03.320
<v Speaker 1>through my relationship with Jesus Christ, in my Christian faith,

0:15:04.480 --> 0:15:08.080
<v Speaker 1>and that in a nutshell Ian answered, I could answer

0:15:08.080 --> 0:15:12.320
<v Speaker 1>your question right there. I could just say Jesus that

0:15:12.360 --> 0:15:15.200
<v Speaker 1>I could answer in one word, because in the worst

0:15:15.200 --> 0:15:21.200
<v Speaker 1>of times, I am not as a man capable of

0:15:21.400 --> 0:15:27.160
<v Speaker 1>relinquishing that feeling or extinguishing that flame. I'm not capable

0:15:27.200 --> 0:15:32.440
<v Speaker 1>of that, and it has taken me a long time

0:15:32.480 --> 0:15:37.480
<v Speaker 1>to realize, to understand that there's certain things I can't

0:15:37.680 --> 0:15:43.440
<v Speaker 1>fix I can't fix the worst of time situation within

0:15:43.520 --> 0:15:47.720
<v Speaker 1>me in real time as it's going down. I'm not

0:15:47.880 --> 0:15:51.640
<v Speaker 1>a superhero and the reality of that is no one

0:15:51.720 --> 0:15:55.840
<v Speaker 1>can No one can fix that or extinguish that fire

0:15:56.520 --> 0:16:00.960
<v Speaker 1>alone as a human, because we are inherently flawed as humans.

0:16:03.280 --> 0:16:04.560
<v Speaker 1>And that has taken me a lot of years, like

0:16:04.560 --> 0:16:11.000
<v Speaker 1>I said, to unpack that mindset. But when I'm completely broken,

0:16:12.200 --> 0:16:16.320
<v Speaker 1>I have to go There is God and I'm not him,

0:16:16.880 --> 0:16:19.360
<v Speaker 1>and I can't fix this without his help. I can't.

0:16:19.960 --> 0:16:23.360
<v Speaker 1>I can't find the next breath or the next moment

0:16:23.880 --> 0:16:28.560
<v Speaker 1>without his help. I can't. I can't move on or

0:16:28.600 --> 0:16:35.520
<v Speaker 1>I can't find a new course without him. And then

0:16:35.840 --> 0:16:39.160
<v Speaker 1>the next step for me is if I am so

0:16:40.200 --> 0:16:47.480
<v Speaker 1>broken and humble in that situation to God, then I

0:16:47.560 --> 0:16:50.320
<v Speaker 1>need to also be that way during the good times.

0:16:50.960 --> 0:16:53.480
<v Speaker 1>I need to take that and not just be a

0:16:53.640 --> 0:16:59.440
<v Speaker 1>servant of Him when I'm broken, but also be so

0:16:59.520 --> 0:17:03.000
<v Speaker 1>grateful in the good times, which a good time could

0:17:03.080 --> 0:17:05.200
<v Speaker 1>just be a normal day, you know, like a normal

0:17:05.520 --> 0:17:09.480
<v Speaker 1>day when things is not the things aren't going wrong.

0:17:09.600 --> 0:17:14.160
<v Speaker 1>Your mom isn't calling you saying Dad died. You know,

0:17:13.920 --> 0:17:17.320
<v Speaker 1>you're not getting in a car accident on the way

0:17:17.320 --> 0:17:20.479
<v Speaker 1>to work and taking your truck to get fixed and

0:17:20.520 --> 0:17:23.399
<v Speaker 1>get a bill that you literally is that bill is

0:17:23.440 --> 0:17:27.679
<v Speaker 1>more than you have in your bank account. Those days

0:17:27.880 --> 0:17:32.199
<v Speaker 1>are are extraordinary and it takes God to pull you

0:17:32.280 --> 0:17:37.080
<v Speaker 1>out of them. But I'm trying my hardest to seek

0:17:37.200 --> 0:17:41.840
<v Speaker 1>him during the normal days, during the good days, not

0:17:41.920 --> 0:17:50.080
<v Speaker 1>just in the bad ones. Nicholas, he says, I'm trying

0:17:50.119 --> 0:17:54.719
<v Speaker 1>to make a name for myself in country music, And

0:17:54.760 --> 0:17:56.679
<v Speaker 1>he says, Hi, my name is Nicholas Taylor. How are

0:17:56.720 --> 0:18:00.359
<v Speaker 1>you doing. I'm working on becoming a country artist by

0:18:00.560 --> 0:18:05.239
<v Speaker 1>twenty twenty to twenty twenty one. I'm nineteen from Chicago, Illinois.

0:18:07.200 --> 0:18:09.680
<v Speaker 1>I'm a very creative person and I play music. Music

0:18:09.800 --> 0:18:12.000
<v Speaker 1>is a very important thing to me, especially when it

0:18:12.040 --> 0:18:15.360
<v Speaker 1>comes to my mental health. I was born on the

0:18:15.400 --> 0:18:21.359
<v Speaker 1>autism spectrum with hearing loss and add music has helped

0:18:21.400 --> 0:18:24.399
<v Speaker 1>me wind down and stimulated me whenever I became to

0:18:24.560 --> 0:18:29.040
<v Speaker 1>hyper or had sensory overload. Also, I have anxiety and

0:18:29.080 --> 0:18:33.080
<v Speaker 1>it shows up whenever I'm writing a song. Where do

0:18:33.119 --> 0:18:35.560
<v Speaker 1>you stand with mental health and especially as a musician,

0:18:35.560 --> 0:18:38.840
<v Speaker 1>and what advice would you offer to an upcoming inspiring

0:18:38.920 --> 0:18:42.880
<v Speaker 1>artist like myself and others and what worries me. There's

0:18:42.880 --> 0:18:45.800
<v Speaker 1>a couple of things that worry me about this question, Nicholas.

0:18:46.320 --> 0:18:52.200
<v Speaker 1>One is how you say, I also have an anxiety

0:18:52.280 --> 0:18:57.600
<v Speaker 1>and it shows up whenever I am writing a song. Hmm.

0:19:00.720 --> 0:19:02.720
<v Speaker 1>And let me say the second thing that bothers me.

0:19:02.760 --> 0:19:04.680
<v Speaker 1>The second thing that bothers me is says you said,

0:19:04.720 --> 0:19:07.160
<v Speaker 1>I am working on becoming a country artist by twenty

0:19:07.200 --> 0:19:14.320
<v Speaker 1>twenty to twenty twenty one. Well, where do I begin

0:19:16.160 --> 0:19:20.120
<v Speaker 1>you You, first of all, you are a country artist.

0:19:20.200 --> 0:19:24.479
<v Speaker 1>You don't have to become one. You are one because

0:19:24.520 --> 0:19:28.680
<v Speaker 1>you obviously play music and you write songs. So that's done.

0:19:28.800 --> 0:19:35.000
<v Speaker 1>You are, Nicholas, a country artist. Officially, I'm moorbeaning you

0:19:35.720 --> 0:19:38.600
<v Speaker 1>a country artist so that you don't have to put

0:19:38.600 --> 0:19:40.480
<v Speaker 1>a deadline on when you're going to become it, because

0:19:40.560 --> 0:19:42.880
<v Speaker 1>you what you are saying is you want to have

0:19:42.920 --> 0:19:46.359
<v Speaker 1>some kind of notoriety, or you want to be heard

0:19:46.560 --> 0:19:49.120
<v Speaker 1>by a massive people by that time, or you want

0:19:49.160 --> 0:19:53.879
<v Speaker 1>to have some tangible form of success in the business

0:19:54.520 --> 0:19:58.560
<v Speaker 1>to hang on your wall. And that is not a

0:19:58.600 --> 0:20:03.320
<v Speaker 1>good reason to go through the anxiety of writing a song.

0:20:04.359 --> 0:20:08.320
<v Speaker 1>I understand having anxiety in writing a song. But that

0:20:08.400 --> 0:20:14.600
<v Speaker 1>anxiety for me comes with or comes from, the pressure

0:20:14.920 --> 0:20:19.960
<v Speaker 1>of trying to write a good song for success of

0:20:20.000 --> 0:20:26.800
<v Speaker 1>some kind. And at the beginning of a career, it

0:20:26.840 --> 0:20:29.679
<v Speaker 1>needs to be much more organic. It needs to be

0:20:29.800 --> 0:20:32.399
<v Speaker 1>much more of a vent for you. It needs to

0:20:32.440 --> 0:20:35.639
<v Speaker 1>be much more of a more of a way of

0:20:35.720 --> 0:20:38.560
<v Speaker 1>venting life, a way of writing in a diary in

0:20:38.600 --> 0:20:42.520
<v Speaker 1>the form of a song to get some creative ideas

0:20:42.560 --> 0:20:44.240
<v Speaker 1>out of you, or to tell a story you wanted

0:20:44.280 --> 0:20:49.000
<v Speaker 1>to release. But you have to take the pressure away

0:20:49.000 --> 0:20:51.959
<v Speaker 1>from trying to write a good song for commercial uses

0:20:52.880 --> 0:20:57.400
<v Speaker 1>at the beginning stages. It's impossible for me to do that. Now.

0:20:57.680 --> 0:21:00.439
<v Speaker 1>I love writing songs, and I'll write nine out of

0:21:00.440 --> 0:21:03.239
<v Speaker 1>ten songs. I love one out of ten songs. I

0:21:03.280 --> 0:21:05.600
<v Speaker 1>feel the pressure like oh, but the pressure comes when

0:21:05.600 --> 0:21:07.919
<v Speaker 1>I think this is good, Oh, this is good. All

0:21:08.040 --> 0:21:11.440
<v Speaker 1>screw this up, Granger, don't mess You had a good

0:21:11.480 --> 0:21:13.840
<v Speaker 1>idea and you're blowing it. You know, That's what goes

0:21:13.880 --> 0:21:18.080
<v Speaker 1>on in my head. So buddy, don't put a time

0:21:18.119 --> 0:21:20.440
<v Speaker 1>on this. Take away the twenty twenty to twenty twenty

0:21:20.600 --> 0:21:24.680
<v Speaker 1>take that away, because if you're a country artist, which

0:21:24.680 --> 0:21:27.680
<v Speaker 1>you are, you will be till you die. You'll be

0:21:27.720 --> 0:21:30.560
<v Speaker 1>a country artist forever. So use it as a way

0:21:30.600 --> 0:21:34.320
<v Speaker 1>to vent a way to express yourself, your express your creativity,

0:21:34.760 --> 0:21:39.080
<v Speaker 1>and realize that if one person likes it, awesome. If

0:21:39.160 --> 0:21:46.680
<v Speaker 1>nobody likes it, fine, that's not a necessity. You were

0:21:46.680 --> 0:21:51.080
<v Speaker 1>doing this because you're getting art out of you into

0:21:51.119 --> 0:21:54.760
<v Speaker 1>the world regardless of the reaction. Look at it from

0:21:54.840 --> 0:21:58.200
<v Speaker 1>that mindset. Start again and look at it in that mindset,

0:21:58.680 --> 0:22:02.520
<v Speaker 1>knowing that it might take you thirty years for anyone

0:22:02.600 --> 0:22:05.960
<v Speaker 1>to finally hear your music, and when they do finally

0:22:06.000 --> 0:22:09.040
<v Speaker 1>hear your music, it won't matter because you've already built

0:22:09.160 --> 0:22:12.560
<v Speaker 1>up that confidence inside you and you've built a mindset

0:22:12.640 --> 0:22:22.400
<v Speaker 1>of writing songs for you is a release, not anxiety.

0:22:22.960 --> 0:22:29.800
<v Speaker 1>Here's a question from Abby Martin and she says, I

0:22:29.840 --> 0:22:32.040
<v Speaker 1>listened to your podcast on Monday Mornings talking about your

0:22:32.040 --> 0:22:36.159
<v Speaker 1>relationship with Amber, and I'm curious what the inspiration behind

0:22:36.240 --> 0:22:38.199
<v Speaker 1>the journal you wrote for her before you knew her.

0:22:38.440 --> 0:22:41.320
<v Speaker 1>Was such an awesome idea. Love all your channels, such

0:22:41.320 --> 0:22:46.280
<v Speaker 1>an incredible family to watch. Thank you, Abby. So, Abby's

0:22:46.320 --> 0:22:49.240
<v Speaker 1>talking about a little piece of obscure information that she

0:22:49.320 --> 0:22:53.600
<v Speaker 1>heard at one point in me talk about I gave

0:22:53.720 --> 0:22:58.760
<v Speaker 1>Amber a gift the night before our wedding, and that

0:22:58.880 --> 0:23:02.320
<v Speaker 1>gift was a journal that I had written to her

0:23:03.840 --> 0:23:11.800
<v Speaker 1>about her without knowing her. And that came about after

0:23:12.280 --> 0:23:17.240
<v Speaker 1>many failed relationships with me and I would get you know,

0:23:17.240 --> 0:23:19.119
<v Speaker 1>I would have a girlfriend, and you know, you would

0:23:19.320 --> 0:23:21.760
<v Speaker 1>think you love her, and a couple of years would

0:23:21.800 --> 0:23:25.840
<v Speaker 1>go by or whatever, and then it would fail. Either

0:23:26.280 --> 0:23:28.600
<v Speaker 1>we would just get in too many fights and I'd

0:23:28.640 --> 0:23:31.719
<v Speaker 1>have to call it off, or we would fall out

0:23:31.720 --> 0:23:37.520
<v Speaker 1>a love for whatever reason, a million reasons. And at

0:23:37.560 --> 0:23:41.720
<v Speaker 1>the last time before Amber, I decided to pull back

0:23:41.920 --> 0:23:45.240
<v Speaker 1>on like the dating game, and pull back on getting

0:23:45.280 --> 0:23:49.240
<v Speaker 1>infatuated by a girl. It didn't matter anymore. I was

0:23:49.320 --> 0:23:52.080
<v Speaker 1>done with that. And so I thought, you know what,

0:23:52.680 --> 0:23:57.440
<v Speaker 1>whoever my future wife is, she's out there somewhere right now.

0:23:57.560 --> 0:23:59.760
<v Speaker 1>She's living her life. What is she doing, What does

0:23:59.800 --> 0:24:03.720
<v Speaker 1>she like? She's out there somewhere doing something, living her life.

0:24:03.720 --> 0:24:06.960
<v Speaker 1>Maybe she's in a relationship now, maybe she's working a job,

0:24:07.040 --> 0:24:10.560
<v Speaker 1>maybe she's maybe she's sitting at home thinking about me,

0:24:11.080 --> 0:24:14.639
<v Speaker 1>you know, the future version of me. Whatever. That mentality

0:24:14.680 --> 0:24:19.280
<v Speaker 1>took me to the idea that, well, I should start

0:24:19.320 --> 0:24:23.119
<v Speaker 1>writing her letter because she's out there. I knew she

0:24:23.280 --> 0:24:25.399
<v Speaker 1>was out there, I just didn't know who she was

0:24:25.480 --> 0:24:28.919
<v Speaker 1>or where she was. So I just started writing a

0:24:29.040 --> 0:24:32.520
<v Speaker 1>letter to a girl that I didn't know yet and

0:24:32.600 --> 0:24:36.879
<v Speaker 1>told her all about myself and what I had gone

0:24:36.880 --> 0:24:41.040
<v Speaker 1>through and how excited I was to finally meet her

0:24:41.600 --> 0:24:46.800
<v Speaker 1>and what a what a feeling that would be when

0:24:46.800 --> 0:24:48.520
<v Speaker 1>I knew and she knew, and we were going to

0:24:48.560 --> 0:24:51.880
<v Speaker 1>get married. So I wrote, you know, several pages of this,

0:24:52.040 --> 0:24:56.240
<v Speaker 1>and that was a great way to kind of calm

0:24:56.240 --> 0:24:59.359
<v Speaker 1>myself a little bit in the craziness of single life,

0:24:59.359 --> 0:25:02.800
<v Speaker 1>you know, when you just kind of feel like, man,

0:25:03.080 --> 0:25:05.640
<v Speaker 1>I'm never gonna meet anybody, that there's no more good

0:25:05.680 --> 0:25:08.920
<v Speaker 1>girls out there, or maybe I'll just be single. I

0:25:09.119 --> 0:25:11.120
<v Speaker 1>just be single, you know, like to calm all those

0:25:11.200 --> 0:25:14.159
<v Speaker 1>weird feelings. I just I would go home on a

0:25:14.160 --> 0:25:17.080
<v Speaker 1>weird night and I would pull out that spiral notebook

0:25:17.400 --> 0:25:21.880
<v Speaker 1>and we'll start writing to this anonymous girl. And then

0:25:21.880 --> 0:25:24.560
<v Speaker 1>I met Amber and I gave her that that journal.

0:25:24.840 --> 0:25:28.720
<v Speaker 1>So that's where that came from. By the way, that's

0:25:29.560 --> 0:25:33.880
<v Speaker 1>I would recommend that for single dudes out there. Single girls, Hey,

0:25:33.960 --> 0:25:38.040
<v Speaker 1>single girls, do it. Write a journal. It's a there's

0:25:38.040 --> 0:25:44.080
<v Speaker 1>a lot of healing in that. I will say too

0:25:44.119 --> 0:25:48.040
<v Speaker 1>that that than Amber and I continue that together. Then

0:25:48.080 --> 0:25:51.400
<v Speaker 1>we started writing our separate journals to our unborn children,

0:25:52.119 --> 0:26:01.560
<v Speaker 1>which we did. Question comes from Tyler says, what size lift, wheels,

0:26:01.600 --> 0:26:04.320
<v Speaker 1>tires and offset do you have on your truck? I

0:26:04.320 --> 0:26:07.680
<v Speaker 1>love the truck and I'm looking for a similar setup. Yeah, man,

0:26:09.840 --> 0:26:14.880
<v Speaker 1>I have a two thousand and eight silverado Z seventy

0:26:14.920 --> 0:26:19.239
<v Speaker 1>one half ton. It has a over the course of

0:26:19.400 --> 0:26:22.359
<v Speaker 1>many years, I did this stuff to it, but it

0:26:22.440 --> 0:26:28.680
<v Speaker 1>has a I believe it's a four inch body lift

0:26:29.520 --> 0:26:33.360
<v Speaker 1>and a three inch pro Comp suspension lift. It might

0:26:33.359 --> 0:26:35.440
<v Speaker 1>be I can't remember if it's vice versa. If it's

0:26:35.480 --> 0:26:38.640
<v Speaker 1>a four inch pro Comp suspension and a three inch body,

0:26:38.680 --> 0:26:41.679
<v Speaker 1>I think that's what it is, totally, totally seven inches.

0:26:43.480 --> 0:26:47.680
<v Speaker 1>I have thirty five inch tires that are BF Goodrench

0:26:48.440 --> 0:26:51.199
<v Speaker 1>mud Terrain, which I love of a great relationship with

0:26:51.280 --> 0:26:56.320
<v Speaker 1>BF Goodrench. And I have pro Comp wheels as well,

0:26:56.359 --> 0:26:58.760
<v Speaker 1>and those have lasted me forever, so I really like them.

0:26:59.080 --> 0:27:00.680
<v Speaker 1>I've had them forever. They don't go out of style,

0:27:00.680 --> 0:27:04.160
<v Speaker 1>they're all blacked out. I've had them forever. I have

0:27:05.800 --> 0:27:10.160
<v Speaker 1>a special plan for this truck that I'll be revealing too,

0:27:10.359 --> 0:27:13.600
<v Speaker 1>so little nugget, little piece of podcast nugget that if

0:27:13.600 --> 0:27:15.879
<v Speaker 1>some of you hear that and find it, it's a

0:27:15.920 --> 0:27:17.800
<v Speaker 1>little gold nugget I'm giving you. But I'm gonna do

0:27:17.840 --> 0:27:22.280
<v Speaker 1>something very special with this truck this year twenty twenty.

0:27:27.560 --> 0:27:30.359
<v Speaker 1>I was gonna read this, but I'm gonna reset these cameras,

0:27:30.440 --> 0:27:37.760
<v Speaker 1>take a quick break, be right back. This podcast is

0:27:37.800 --> 0:27:41.439
<v Speaker 1>also brought to you by Raycon earbuds Man. What an

0:27:41.520 --> 0:27:44.800
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0:27:44.880 --> 0:27:49.080
<v Speaker 1>Amber stealing them from me. This is a great way

0:27:49.119 --> 0:27:51.120
<v Speaker 1>to listen to music. Whether you're working out or working

0:27:51.160 --> 0:27:55.600
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0:27:55.800 --> 0:27:58.800
<v Speaker 1>wanting to listen to your roommate in the other room,

0:27:59.080 --> 0:28:02.240
<v Speaker 1>or your neighbors are, your significant other, your children running around,

0:28:02.280 --> 0:28:03.639
<v Speaker 1>your dog mark. You don't want to listen any of

0:28:03.640 --> 0:28:06.960
<v Speaker 1>that stuff. You want to have an isolating sound that

0:28:07.119 --> 0:28:10.760
<v Speaker 1>you could listen to the Grangersmith podcast on without these

0:28:10.840 --> 0:28:14.080
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0:29:33.120 --> 0:29:35.920
<v Speaker 1>sends a question and it says, how important is it

0:29:35.960 --> 0:29:38.920
<v Speaker 1>to keep busy while dealing with grief? I guess what

0:29:38.920 --> 0:29:40.320
<v Speaker 1>I'm trying to say is how do you find the

0:29:40.320 --> 0:29:43.120
<v Speaker 1>balance between surrounding yourself with loved ones and trying to

0:29:43.160 --> 0:29:45.160
<v Speaker 1>keep busy enough to get your mind off of it.

0:29:46.240 --> 0:29:48.200
<v Speaker 1>This is something I struggled with and when I lost

0:29:48.200 --> 0:29:51.080
<v Speaker 1>my father at a young age, in a sense, I

0:29:51.160 --> 0:29:57.880
<v Speaker 1>felt lost. Charles first, first thing I'll say is everyone

0:29:58.560 --> 0:30:02.840
<v Speaker 1>deals with grief different. Not only does everybody deal with

0:30:02.880 --> 0:30:11.000
<v Speaker 1>grief differently, but everybody deals with different loss differently. When

0:30:11.040 --> 0:30:15.640
<v Speaker 1>I lost my dad, that was I dealt without a

0:30:15.680 --> 0:30:19.200
<v Speaker 1>certain way. When I lost my son, I dealt without

0:30:19.200 --> 0:30:21.680
<v Speaker 1>a certain way. That was different than when I lost

0:30:21.680 --> 0:30:24.080
<v Speaker 1>my dad. I don't know why. I don't know why

0:30:24.080 --> 0:30:26.440
<v Speaker 1>people were different. I don't know why loss feels different.

0:30:27.000 --> 0:30:33.600
<v Speaker 1>It just does. And knowing that everyone's different, that every

0:30:33.640 --> 0:30:36.880
<v Speaker 1>loss is different, that you can't compare losses, you can't

0:30:36.880 --> 0:30:42.720
<v Speaker 1>compare hurt with one another. Knowing that helps helps the

0:30:42.800 --> 0:30:47.720
<v Speaker 1>understanding a little bit. And people have come up to

0:30:47.760 --> 0:30:50.920
<v Speaker 1>me many times and said things like, I know it's

0:30:50.960 --> 0:30:54.360
<v Speaker 1>nothing compared to your loss, but I lost my grandmother

0:30:54.440 --> 0:30:58.240
<v Speaker 1>and I'm really hurting. And I like to always stop

0:30:58.280 --> 0:30:59.800
<v Speaker 1>them right there and say, hey, you got to stop.

0:31:00.080 --> 0:31:02.400
<v Speaker 1>You can't compare yourself to me. Stop, Like, take that

0:31:02.440 --> 0:31:05.280
<v Speaker 1>sentence away. I know it doesn't compare to you. Take

0:31:05.320 --> 0:31:09.160
<v Speaker 1>the sentence away because I don't know about your relationship

0:31:09.200 --> 0:31:12.280
<v Speaker 1>with your grandma. I don't know about that. Only you do.

0:31:12.920 --> 0:31:16.720
<v Speaker 1>Only that is that, that is your loss. And they

0:31:16.760 --> 0:31:23.760
<v Speaker 1>say that you could you could judge a loss by

0:31:24.520 --> 0:31:28.080
<v Speaker 1>how much love was there, so you're the love equals

0:31:28.400 --> 0:31:32.120
<v Speaker 1>the loss. Unfortunately, the more you love, the more the

0:31:32.160 --> 0:31:38.520
<v Speaker 1>loss hurts, right, the more the grief and that that's uh,

0:31:38.960 --> 0:31:42.440
<v Speaker 1>that is the terrible thing about being human. You love

0:31:42.520 --> 0:31:46.880
<v Speaker 1>too much, you're gonna grieve a lot. You don't love anybody. Hey,

0:31:46.920 --> 0:31:49.240
<v Speaker 1>you're probably not gonna grieve, but guess what, you also

0:31:49.280 --> 0:31:51.840
<v Speaker 1>didn't love anybody, And that's where the joy comes from.

0:31:52.120 --> 0:31:55.120
<v Speaker 1>That's where that's what makes life worth living, is having

0:31:55.480 --> 0:31:59.920
<v Speaker 1>full love for other humans. Like that's that's what makes

0:32:00.760 --> 0:32:03.840
<v Speaker 1>that's what makes it worth living. So if you try

0:32:03.880 --> 0:32:06.760
<v Speaker 1>to minimize that love to try to offset the grief,

0:32:07.960 --> 0:32:11.400
<v Speaker 1>I don't work that way, y'all heard Garth Brooks the

0:32:11.480 --> 0:32:15.760
<v Speaker 1>dance like it, you could miss the pain, but you'd

0:32:15.800 --> 0:32:18.080
<v Speaker 1>had to have missed the dance, like No one wants

0:32:18.120 --> 0:32:22.520
<v Speaker 1>to miss the dance, right, So I could tell you

0:32:23.400 --> 0:32:28.760
<v Speaker 1>how I tried to balance, but that would just be

0:32:28.920 --> 0:32:36.960
<v Speaker 1>me and you. Inevitably, Charles are different than me with Dad.

0:32:37.000 --> 0:32:42.680
<v Speaker 1>When I lost my dad, I re engaging into life

0:32:43.720 --> 0:32:45.560
<v Speaker 1>is hard, no matter what, no matter what kind of grief.

0:32:45.560 --> 0:32:50.000
<v Speaker 1>It's hard to get back to a job. It's really

0:32:50.000 --> 0:32:53.560
<v Speaker 1>hard to get back into a hobby because you feel

0:32:53.600 --> 0:32:58.240
<v Speaker 1>a guilt that if you are going back to work,

0:32:58.720 --> 0:33:01.840
<v Speaker 1>or going back and going back and fishing in the

0:33:01.880 --> 0:33:07.560
<v Speaker 1>lake or playing golf, whatever hobby you throw in there,

0:33:08.400 --> 0:33:14.880
<v Speaker 1>there's a mindset that, man, I'm going to work. I guess.

0:33:15.400 --> 0:33:17.280
<v Speaker 1>I guess I'm just moving on from Dad. I guess

0:33:17.320 --> 0:33:19.440
<v Speaker 1>I'm just I guess it's not a big deal anymore.

0:33:19.440 --> 0:33:22.760
<v Speaker 1>Because now I've been off work for two weeks because

0:33:22.760 --> 0:33:25.000
<v Speaker 1>of the funeral and being trying to give time to

0:33:25.080 --> 0:33:29.080
<v Speaker 1>mom and try and dealing with my own misunderstanding of

0:33:30.360 --> 0:33:33.160
<v Speaker 1>losing Dad. I've been off for two weeks. Now I'm

0:33:33.160 --> 0:33:34.760
<v Speaker 1>going back to work, So I guess that's like the

0:33:34.800 --> 0:33:39.400
<v Speaker 1>start of forgetting dad, And that's a lie. That's a lie.

0:33:39.440 --> 0:33:42.800
<v Speaker 1>That guilt is a lie because first of all, you

0:33:42.800 --> 0:33:47.480
<v Speaker 1>got to go back to work sometime. And it's funny

0:33:47.480 --> 0:33:49.320
<v Speaker 1>that if you think of it in perspective of what

0:33:49.360 --> 0:33:51.000
<v Speaker 1>your dad would think. Of course, your dad wants you

0:33:51.000 --> 0:33:52.400
<v Speaker 1>to go back to whork. Course your dad wants you

0:33:52.440 --> 0:33:56.680
<v Speaker 1>to go and do the things that he loved to

0:33:56.680 --> 0:33:59.400
<v Speaker 1>do together with you, Like maybe it's fishing or hunting

0:33:59.480 --> 0:34:02.080
<v Speaker 1>or whatever. Maybe he loved to do those things with you,

0:34:02.520 --> 0:34:05.960
<v Speaker 1>So he only would want you to go and do

0:34:06.040 --> 0:34:09.040
<v Speaker 1>those things again and think about him. Right, So you

0:34:09.160 --> 0:34:14.680
<v Speaker 1>got to re engage. And you're right in thinking that

0:34:15.520 --> 0:34:17.640
<v Speaker 1>there's a balance of keeping yourself busy enough to get

0:34:17.680 --> 0:34:20.960
<v Speaker 1>it off your mind. And a lot of people might

0:34:21.000 --> 0:34:26.000
<v Speaker 1>tell you that you don't want to. You don't want

0:34:26.000 --> 0:34:27.839
<v Speaker 1>to kick the can down the road, kick your grief

0:34:27.880 --> 0:34:30.920
<v Speaker 1>down the road and deal with it later by distracting

0:34:30.920 --> 0:34:33.719
<v Speaker 1>yourself so much that you're just completely forgetting the real

0:34:33.719 --> 0:34:36.840
<v Speaker 1>world that you're living in. So, yes, you gotta go

0:34:36.840 --> 0:34:39.120
<v Speaker 1>to work. Yeah, you got to re engage in life,

0:34:39.160 --> 0:34:43.479
<v Speaker 1>but you carry it with you. And when you first

0:34:43.520 --> 0:34:46.000
<v Speaker 1>carry that loss, with you. It's really heavy, it's super

0:34:46.040 --> 0:34:49.280
<v Speaker 1>heavy baggage, and it feels like you're just you're barely moving,

0:34:49.360 --> 0:34:52.359
<v Speaker 1>like you just cannot function in life. But then that

0:34:52.480 --> 0:34:56.000
<v Speaker 1>weight gets lighter and lighter and lighter. That guilt gets

0:34:56.080 --> 0:34:59.840
<v Speaker 1>lighter and lighter, but your memory and your love for

0:35:00.080 --> 0:35:04.640
<v Speaker 1>your dad doesn't get lighter. So here I am. I'm

0:35:04.680 --> 0:35:07.319
<v Speaker 1>seven years down the road from losing my dad, and

0:35:08.840 --> 0:35:12.200
<v Speaker 1>I don't love him any less, and most maybe even

0:35:12.239 --> 0:35:15.400
<v Speaker 1>more important than that, to my own sanity, I haven't

0:35:15.440 --> 0:35:19.640
<v Speaker 1>forgotten him any more than I did when he was alive.

0:35:20.200 --> 0:35:22.279
<v Speaker 1>And that was my fear. I remember it like day one.

0:35:22.360 --> 0:35:26.560
<v Speaker 1>I remember driving down the road and seeing cars and

0:35:26.600 --> 0:35:30.400
<v Speaker 1>everyone's scurrying about living their lives, and I thought, man,

0:35:31.480 --> 0:35:34.160
<v Speaker 1>none of these people know my dad even died. They're

0:35:34.200 --> 0:35:39.520
<v Speaker 1>just living their life. And there's a strange feeling to that.

0:35:40.040 --> 0:35:43.759
<v Speaker 1>And then I thought, man, by tomorrow, I'm gonna have

0:35:43.880 --> 0:35:47.799
<v Speaker 1>forgotten him one percent, and by Friday I will I

0:35:47.840 --> 0:35:50.960
<v Speaker 1>will have forgotten him three more percent, and then by

0:35:51.000 --> 0:35:53.400
<v Speaker 1>ten years he'll just I won't even remember him. And

0:35:53.440 --> 0:35:55.440
<v Speaker 1>that's a lie. That's a lie. You'll carry it with

0:35:55.840 --> 0:35:59.080
<v Speaker 1>I had people tell me for a long time that

0:35:59.080 --> 0:36:04.520
<v Speaker 1>that is a lie. My grandmother who's ninety four, who

0:36:04.560 --> 0:36:12.520
<v Speaker 1>has outlived all of her siblings obviously, her parents, two husbands,

0:36:12.560 --> 0:36:17.200
<v Speaker 1>and a son, and every friend she's ever had growing up,

0:36:17.360 --> 0:36:21.319
<v Speaker 1>every one of them, she's outlived them all. And to

0:36:21.360 --> 0:36:23.840
<v Speaker 1>this day, when I ask her about her mother or

0:36:23.880 --> 0:36:28.080
<v Speaker 1>her father, I think her dad died in like seventy three,

0:36:28.200 --> 0:36:30.400
<v Speaker 1>and she still gets choked up talking about her dad,

0:36:30.600 --> 0:36:35.160
<v Speaker 1>who died in nineteen seventy three. That woman has not

0:36:35.360 --> 0:36:39.040
<v Speaker 1>forgotten anything about her dad, or the love she had,

0:36:39.280 --> 0:36:41.480
<v Speaker 1>or what a wonderful man he was. And that is

0:36:41.680 --> 0:36:44.320
<v Speaker 1>true hope to see a ninety four year old woman

0:36:44.920 --> 0:36:50.280
<v Speaker 1>so in love with being a daughter of her father

0:36:50.719 --> 0:36:54.359
<v Speaker 1>that it has not left her at all. So there's

0:36:54.480 --> 0:36:57.720
<v Speaker 1>so much hope that you'll go all the way, Charles,

0:36:57.719 --> 0:37:01.160
<v Speaker 1>to your deathbed with your dad so close to you

0:37:01.239 --> 0:37:04.359
<v Speaker 1>in your heart. And what I find with me is

0:37:05.040 --> 0:37:08.560
<v Speaker 1>it's crazy that sometimes now I'll say a joke or

0:37:08.600 --> 0:37:11.640
<v Speaker 1>i'll laugh a certain way, and I'll just thought comes

0:37:11.640 --> 0:37:14.839
<v Speaker 1>in my mind and says that was Dad. Like Dad

0:37:14.880 --> 0:37:17.560
<v Speaker 1>would have said that joke, those are his words, or

0:37:18.360 --> 0:37:22.200
<v Speaker 1>that laugh sounded just like Dad, And then I remember

0:37:22.239 --> 0:37:25.040
<v Speaker 1>that he's a part of me, like not only through DNA,

0:37:25.239 --> 0:37:28.920
<v Speaker 1>but through just the imprinted memory. Dad's a part of

0:37:28.960 --> 0:37:31.680
<v Speaker 1>me and I'll carry him with me to the day

0:37:31.719 --> 0:37:41.839
<v Speaker 1>I die. Jessica, and your question is what is your

0:37:41.840 --> 0:37:44.279
<v Speaker 1>favorite song saying I'm dying to know what song gets

0:37:44.280 --> 0:37:51.719
<v Speaker 1>you the most pumped? Jessica, that's usually that means the

0:37:51.760 --> 0:37:55.200
<v Speaker 1>song that people go crazy with, because that gets me

0:37:55.239 --> 0:37:58.560
<v Speaker 1>the most pumped. And it's a lot of times the

0:37:58.600 --> 0:38:01.880
<v Speaker 1>first song of the night is really high energy walking

0:38:01.960 --> 0:38:03.680
<v Speaker 1>on that stage for the first time, and whatever that

0:38:03.760 --> 0:38:06.719
<v Speaker 1>song might be. Currently it's the song Holler, whatever that

0:38:06.840 --> 0:38:10.720
<v Speaker 1>song might be, I just get I get really jazzed

0:38:10.800 --> 0:38:14.600
<v Speaker 1>up for that song. And then the country boy song,

0:38:14.840 --> 0:38:16.640
<v Speaker 1>which we still play the very end of our show,

0:38:16.640 --> 0:38:20.200
<v Speaker 1>Earl Diubbles Junior the country boy song and I you know,

0:38:20.920 --> 0:38:24.560
<v Speaker 1>come out on the stage, Earl comes out, and it's

0:38:24.600 --> 0:38:28.360
<v Speaker 1>always the end of the night. The crowd is really

0:38:28.440 --> 0:38:33.480
<v Speaker 1>crazy and fun and like the job's over, you know,

0:38:33.560 --> 0:38:35.480
<v Speaker 1>Like we did maybe we added some new songs in

0:38:35.480 --> 0:38:36.839
<v Speaker 1>the middle of the set, and that took a little

0:38:36.880 --> 0:38:38.480
<v Speaker 1>bit of work, took a little bit of brain power,

0:38:38.760 --> 0:38:40.800
<v Speaker 1>and by the end, it's like we're in cruise control.

0:38:41.200 --> 0:38:45.000
<v Speaker 1>We're just having fun and performing and I love that

0:38:45.040 --> 0:38:47.399
<v Speaker 1>about our last song of the night. So to answer

0:38:47.440 --> 0:38:49.919
<v Speaker 1>your question, Jessica, I would say the country boy song

0:38:53.760 --> 0:38:59.000
<v Speaker 1>question from Chris, who puts the title Boomer Sooner to

0:38:59.040 --> 0:39:00.680
<v Speaker 1>the end of his note here it says I've been

0:39:00.719 --> 0:39:04.160
<v Speaker 1>a fan since I first saw you at Jake jam

0:39:04.520 --> 0:39:07.760
<v Speaker 1>in twenty seventeen and Shawnee, Oklahoma. My daughter and I

0:39:07.800 --> 0:39:10.120
<v Speaker 1>showed up early and we're front row and I'll never

0:39:10.160 --> 0:39:12.960
<v Speaker 1>forget it. I was instantly hooked on your music and podcasts.

0:39:13.040 --> 0:39:16.400
<v Speaker 1>Since then, we enjoy getting the meet and greets and

0:39:16.480 --> 0:39:18.960
<v Speaker 1>every time we get to see you. I'll be forty

0:39:18.960 --> 0:39:21.759
<v Speaker 1>six in October and my daughter is eighteen. Thank you

0:39:21.800 --> 0:39:23.520
<v Speaker 1>for being so genuine every time I see you. I

0:39:23.560 --> 0:39:27.160
<v Speaker 1>remember seeing you at Frontier City in June twenty nineteen,

0:39:27.239 --> 0:39:30.160
<v Speaker 1>less than a week before River's accident, and that brings

0:39:30.160 --> 0:39:32.560
<v Speaker 1>me to my question. Do you ever think you'll go

0:39:32.680 --> 0:39:38.400
<v Speaker 1>back to one on one meet and greets again? Yeah? Buddy.

0:39:38.840 --> 0:39:43.320
<v Speaker 1>First of all, thank you, thank you for those kind words,

0:39:43.320 --> 0:39:46.920
<v Speaker 1>and thank you for being a fan of the music

0:39:46.960 --> 0:39:51.600
<v Speaker 1>and the podcast. Truly, I'm grateful for guys like you,

0:39:51.800 --> 0:39:53.560
<v Speaker 1>and I hope that you know that it's people like

0:39:53.600 --> 0:39:57.640
<v Speaker 1>you that make me want to keep doing it, to

0:39:57.719 --> 0:39:59.959
<v Speaker 1>see that passion that now you've passed on to your daughter.

0:40:00.200 --> 0:40:05.960
<v Speaker 1>I absolutely love that you guys get to share that together. Man.

0:40:06.200 --> 0:40:09.440
<v Speaker 1>The short answer to this question is yes, we'll absolutely

0:40:09.480 --> 0:40:12.000
<v Speaker 1>get back to one on one meet and greets. That

0:40:12.160 --> 0:40:14.680
<v Speaker 1>was a big, really big part of my life and

0:40:14.719 --> 0:40:19.040
<v Speaker 1>my show and my tour for many many years. And

0:40:19.120 --> 0:40:23.560
<v Speaker 1>it was after RIV I did stop meet and greets.

0:40:24.239 --> 0:40:27.000
<v Speaker 1>But that's not why I'm not doing them now now

0:40:27.120 --> 0:40:30.000
<v Speaker 1>is because of COVID. So I did start meet and

0:40:30.000 --> 0:40:32.400
<v Speaker 1>greets again at some point. I think it was December

0:40:32.440 --> 0:40:37.200
<v Speaker 1>of last year, and then you know the whole COVID thing.

0:40:37.200 --> 0:40:40.799
<v Speaker 1>These venues are not allowing anyone backstage, and they're not

0:40:40.840 --> 0:40:46.719
<v Speaker 1>allowing fans to meet artists for obvious reasons, like it's

0:40:46.719 --> 0:40:48.680
<v Speaker 1>not there's that's no that's a no brainer, and I

0:40:48.719 --> 0:40:52.279
<v Speaker 1>know you understand that. But I did play We played

0:40:52.320 --> 0:40:55.400
<v Speaker 1>Billy Bobs in Fort Worth, Texas last weekend, and the

0:40:55.440 --> 0:40:58.560
<v Speaker 1>club owner was saying, you know, I don't I just

0:40:58.600 --> 0:41:00.960
<v Speaker 1>don't see artists ever going back to meet and greets,

0:41:01.280 --> 0:41:03.239
<v Speaker 1>especially after they get used to not having a meet

0:41:03.239 --> 0:41:05.879
<v Speaker 1>and greet. I don't see artists ever going back with

0:41:06.160 --> 0:41:10.640
<v Speaker 1>you know, all the diseases that people carry on their hands. Man,

0:41:10.840 --> 0:41:14.000
<v Speaker 1>get I get it. But there's no way I'm ever

0:41:14.040 --> 0:41:15.719
<v Speaker 1>going to give up on meet and greets. That's just

0:41:17.239 --> 0:41:21.440
<v Speaker 1>that's a big part of what I do is getting

0:41:21.480 --> 0:41:24.319
<v Speaker 1>the pulse of the fans on the ground at the

0:41:24.360 --> 0:41:28.279
<v Speaker 1>show an hour before I go out and perform to them.

0:41:28.840 --> 0:41:31.840
<v Speaker 1>So I'll meet guys like you, Chris and your daughter,

0:41:31.960 --> 0:41:35.120
<v Speaker 1>and you might tell me of a song that you love,

0:41:35.520 --> 0:41:36.840
<v Speaker 1>or a song that means a lot to you and

0:41:36.840 --> 0:41:38.600
<v Speaker 1>your daughter, or it might tell me a story of

0:41:38.640 --> 0:41:40.480
<v Speaker 1>some kind, and then I can go out and perform

0:41:40.520 --> 0:41:43.360
<v Speaker 1>that song, or I could, at the very least, I

0:41:43.360 --> 0:41:46.920
<v Speaker 1>could think about it. And I really do think about

0:41:46.960 --> 0:41:50.680
<v Speaker 1>those meet and greets during the show. There's been so

0:41:50.880 --> 0:41:53.480
<v Speaker 1>many times, unfortunately, that people have come to meet and

0:41:53.480 --> 0:41:56.200
<v Speaker 1>greets to tell me of someone a level and that

0:41:56.239 --> 0:41:59.480
<v Speaker 1>they lost that was a fan that now the family

0:41:59.560 --> 0:42:05.160
<v Speaker 1>is coming to celebrate that lost person's life at his

0:42:05.280 --> 0:42:10.120
<v Speaker 1>favorite band's concert. And when they tell me that, when

0:42:10.560 --> 0:42:13.480
<v Speaker 1>a mother comes and tells me that they lost their

0:42:13.520 --> 0:42:15.719
<v Speaker 1>son to say a car accident and he was a

0:42:15.760 --> 0:42:19.520
<v Speaker 1>big fan of Yee and they're coming because it's his

0:42:19.560 --> 0:42:21.880
<v Speaker 1>birthday or because it's a year since the anniversary of

0:42:21.920 --> 0:42:26.399
<v Speaker 1>his death. And then I will always ask that mother

0:42:27.239 --> 0:42:29.920
<v Speaker 1>what's his name or what's her name? And then I

0:42:29.960 --> 0:42:34.040
<v Speaker 1>will think about that name during the deeper moments of

0:42:34.080 --> 0:42:39.239
<v Speaker 1>my show, because that makes my songs real, it makes

0:42:39.239 --> 0:42:42.560
<v Speaker 1>them come to life. And it's not just three minutes

0:42:42.560 --> 0:42:45.319
<v Speaker 1>in a melody. It's it's a story that's connecting with

0:42:45.440 --> 0:42:47.840
<v Speaker 1>someone that's out there. And sometimes I'll make eye contact

0:42:47.920 --> 0:42:52.320
<v Speaker 1>with that family and it is a deep, deep moment

0:42:52.400 --> 0:42:55.520
<v Speaker 1>when I make eye contact with that mother as an example,

0:42:56.480 --> 0:42:59.440
<v Speaker 1>and I'm thinking about her son, and she knows I'm

0:42:59.440 --> 0:43:01.839
<v Speaker 1>thinking about her son, and I kind of give her

0:43:01.840 --> 0:43:05.640
<v Speaker 1>the thumbs up. And that's man, That's that's a moment.

0:43:06.800 --> 0:43:08.719
<v Speaker 1>I will never get away from that. Chris, We'll go

0:43:08.719 --> 0:43:17.120
<v Speaker 1>back as soon as we can. This question comes from

0:43:17.200 --> 0:43:22.640
<v Speaker 1>Mike and he says, as a by vocational pastor, I'm

0:43:22.680 --> 0:43:26.800
<v Speaker 1>always struck with balancing how I behave, talk, and think

0:43:26.920 --> 0:43:31.080
<v Speaker 1>in my secular leadership role. Sometimes the tension is difficult.

0:43:31.600 --> 0:43:34.120
<v Speaker 1>How do you deal with that same tension between your

0:43:34.160 --> 0:43:38.280
<v Speaker 1>faith and your alter ego? Earl Dibbles Junior, love your music,

0:43:38.600 --> 0:43:41.680
<v Speaker 1>love your music, love your faith, and love your family's transparency.

0:43:42.280 --> 0:43:47.200
<v Speaker 1>God bless Mike. Mike. It's funny you specifically call out

0:43:47.239 --> 0:43:53.520
<v Speaker 1>Earl Dibbles, and as a as an associate pastor, you're

0:43:53.560 --> 0:44:00.840
<v Speaker 1>probably thinking, how does Earl, how does Granger come across

0:44:00.840 --> 0:44:07.120
<v Speaker 1>as try to be this transparent human being that maintains

0:44:07.120 --> 0:44:11.400
<v Speaker 1>a Christian faith, and yet he has this alter ego

0:44:12.000 --> 0:44:18.560
<v Speaker 1>that raises hell pretty much, you know. And it's a

0:44:18.560 --> 0:44:21.720
<v Speaker 1>good question. It's the reason I'm reading it because maybe

0:44:21.760 --> 0:44:27.000
<v Speaker 1>by trying to answer your question, I could talk myself

0:44:27.040 --> 0:44:32.360
<v Speaker 1>through the exact tension that you're correct and assuming that

0:44:32.440 --> 0:44:40.360
<v Speaker 1>I have. And I'll start with this, I've learned Earl

0:44:40.480 --> 0:44:47.880
<v Speaker 1>is nine years old, and I have learned that although

0:44:47.960 --> 0:44:52.160
<v Speaker 1>Earl at the very beginning of his creation, he started

0:44:52.360 --> 0:44:58.840
<v Speaker 1>as a basically a wing in a prayer, a hoped

0:44:59.640 --> 0:45:03.120
<v Speaker 1>viral video that would help promote an album. That's what

0:45:03.200 --> 0:45:05.400
<v Speaker 1>my brothers and I were doing, were making funny videos.

0:45:05.880 --> 0:45:10.720
<v Speaker 1>Earle was just an idea that it was a voice

0:45:10.719 --> 0:45:14.600
<v Speaker 1>that I had a funny country boy boys, and my

0:45:14.680 --> 0:45:16.759
<v Speaker 1>brother Tyler was like, Hey, we got to film that

0:45:17.040 --> 0:45:22.000
<v Speaker 1>country guy and put him on YouTube, And so put

0:45:22.040 --> 0:45:24.719
<v Speaker 1>on the overalls from high school, these old overalls and

0:45:24.960 --> 0:45:28.200
<v Speaker 1>white tank top and my old boots and my dad's

0:45:28.239 --> 0:45:31.600
<v Speaker 1>trucker cap, and we drew on some tattoos, which if

0:45:31.640 --> 0:45:33.319
<v Speaker 1>you're watching on YouTube, I still have a little bit

0:45:33.360 --> 0:45:36.600
<v Speaker 1>of a tattoo from Earl that we filmed earlier today

0:45:36.640 --> 0:45:41.600
<v Speaker 1>with college football Picks for CBS. But I always have

0:45:41.680 --> 0:45:46.280
<v Speaker 1>remnants of Earl tattoos on me. From the very beginning,

0:45:48.160 --> 0:45:51.480
<v Speaker 1>even though we didn't know that it would go viral.

0:45:53.440 --> 0:45:59.400
<v Speaker 1>We wanted to maintain a certain level of integrity with Earl.

0:46:00.160 --> 0:46:03.320
<v Speaker 1>And some of you might be thinking, what Earl has integrity? Yes,

0:46:03.760 --> 0:46:09.359
<v Speaker 1>so Earle, first of all, he has one enemy and

0:46:09.400 --> 0:46:13.680
<v Speaker 1>that's the city boy. But he in a very loving way,

0:46:13.760 --> 0:46:17.719
<v Speaker 1>he just kind of blankets his own misunderstanding of what

0:46:17.760 --> 0:46:19.880
<v Speaker 1>the city is and people that live in the city,

0:46:19.920 --> 0:46:21.680
<v Speaker 1>and he kind of just throws it all into this

0:46:22.640 --> 0:46:29.600
<v Speaker 1>blanket misunderstanding. And Earle's vulnerability of that misunderstanding, I think,

0:46:29.640 --> 0:46:32.279
<v Speaker 1>in my opinion, is what made him so popular. Was

0:46:32.360 --> 0:46:39.759
<v Speaker 1>him being able to misunderstand the world so much that

0:46:40.320 --> 0:46:42.640
<v Speaker 1>it was okay to laugh at himself, it was okay

0:46:42.640 --> 0:46:44.880
<v Speaker 1>to be vulnerable, It was okay for him to be

0:46:45.040 --> 0:46:49.520
<v Speaker 1>confused at not understanding why he was so angry at

0:46:49.960 --> 0:46:53.600
<v Speaker 1>something that was just a little bit different lifestyle than

0:46:53.640 --> 0:46:58.080
<v Speaker 1>what he lived. And I learned this kind of mentality

0:46:58.120 --> 0:47:00.799
<v Speaker 1>from different people in my life. You know, there's a

0:47:00.840 --> 0:47:04.960
<v Speaker 1>lot of real life Earls all around me, and there's

0:47:05.000 --> 0:47:08.680
<v Speaker 1>a lot of me and Earl too, And I always

0:47:09.200 --> 0:47:14.360
<v Speaker 1>felt that that vulnerability and that foundational level of integrity

0:47:14.360 --> 0:47:19.440
<v Speaker 1>with Earl is important to never break, to never personally

0:47:19.480 --> 0:47:22.840
<v Speaker 1>call out a specific group of people. And if you

0:47:22.960 --> 0:47:25.080
<v Speaker 1>notice from the very beginning of Earl, like for instance,

0:47:25.120 --> 0:47:30.480
<v Speaker 1>Earl never even says that he's from the South. Earl

0:47:30.600 --> 0:47:35.560
<v Speaker 1>is a country boy, and he embraces worldwide country boys,

0:47:36.000 --> 0:47:40.920
<v Speaker 1>even the ones that live in the city. So Earl

0:47:41.000 --> 0:47:44.399
<v Speaker 1>is the first to say that country is in your heart,

0:47:44.600 --> 0:47:50.600
<v Speaker 1>not in your closet. So he never categorizes people or

0:47:50.680 --> 0:47:57.480
<v Speaker 1>puts people in a box, or puts our stereotypes geography.

0:47:57.800 --> 0:48:02.279
<v Speaker 1>In any way, Earl is just a little bit confused

0:48:02.640 --> 0:48:05.879
<v Speaker 1>on city versus country. And it's as simple as that.

0:48:06.880 --> 0:48:09.920
<v Speaker 1>So when we move forward and Earl has evolved over

0:48:09.960 --> 0:48:16.000
<v Speaker 1>the last nine years, I have learned that Earle is

0:48:16.040 --> 0:48:21.360
<v Speaker 1>an icebreaker for many conversations. In fact, there's an argument

0:48:21.480 --> 0:48:24.719
<v Speaker 1>Mike that if it wasn't for Earl. Now this is

0:48:24.760 --> 0:48:28.440
<v Speaker 1>gonna blow your mind. If it wasn't for Earl, good argument,

0:48:29.160 --> 0:48:32.840
<v Speaker 1>you would not even know who I was. If it

0:48:32.920 --> 0:48:35.920
<v Speaker 1>wasn't for Earl, you wouldn't have found my music, you

0:48:35.920 --> 0:48:39.040
<v Speaker 1>wouldn't have found this podcast, and you wouldn't have had

0:48:39.080 --> 0:48:41.719
<v Speaker 1>it put on your heart to ask me if I

0:48:41.760 --> 0:48:51.160
<v Speaker 1>feel tension between my spiritual relationship with Christ and exploiting

0:48:51.400 --> 0:48:56.799
<v Speaker 1>Earl Dibbles as a party icon, right, And I'm kind

0:48:56.800 --> 0:48:59.800
<v Speaker 1>of putting words in your mouth, But isn't that interesting?

0:49:00.560 --> 0:49:04.200
<v Speaker 1>And I've learned this through many different ways that Earl

0:49:04.520 --> 0:49:07.920
<v Speaker 1>is an icebreaker that will lead you to me. So

0:49:09.040 --> 0:49:17.919
<v Speaker 1>I make Earl vulnerable and viral and very very over

0:49:17.960 --> 0:49:23.000
<v Speaker 1>the top to open people's eyes to go, what is that?

0:49:23.080 --> 0:49:25.080
<v Speaker 1>Is that guy real? Like? Is he really? Is that

0:49:25.120 --> 0:49:27.799
<v Speaker 1>guy really talk like that? Who is that? Or if

0:49:27.880 --> 0:49:29.440
<v Speaker 1>you're in concert and you see him running out, like

0:49:30.040 --> 0:49:32.439
<v Speaker 1>what is this guy? Is this guy real? So then

0:49:33.280 --> 0:49:36.280
<v Speaker 1>if you really are interested, you go a step further

0:49:36.880 --> 0:49:40.600
<v Speaker 1>and you find me. And then I've put myself out

0:49:40.600 --> 0:49:46.280
<v Speaker 1>there as honest as I possibly can and as vulnerable

0:49:46.280 --> 0:49:51.240
<v Speaker 1>as I possibly can. So that's That's the first really

0:49:51.239 --> 0:49:54.080
<v Speaker 1>interesting thing about Earl. I've also learned over the years

0:49:54.080 --> 0:49:57.520
<v Speaker 1>with Earl is it not only is he an icebreaker,

0:49:58.120 --> 0:50:05.040
<v Speaker 1>but Earl is quicker to make someone smile than I

0:50:05.080 --> 0:50:12.240
<v Speaker 1>am personally, and the smile leads someone to open theirselves

0:50:12.320 --> 0:50:16.840
<v Speaker 1>up to a deeper song by me. So I have

0:50:16.880 --> 0:50:21.279
<v Speaker 1>a song called Heavenbound Balloons. It's a deeper song I

0:50:21.320 --> 0:50:23.400
<v Speaker 1>have many of them. Have a song called five More Minutes.

0:50:23.400 --> 0:50:24.960
<v Speaker 1>I have a song called Bear Me and Blue Jeans.

0:50:25.440 --> 0:50:28.560
<v Speaker 1>I have a song called Tractor. These are songs that

0:50:28.600 --> 0:50:34.560
<v Speaker 1>are very close to me and my family and Earl.

0:50:35.400 --> 0:50:41.480
<v Speaker 1>The contrast, the dynamic, contrast of Earl's extremism, I believe

0:50:42.600 --> 0:50:46.400
<v Speaker 1>opens people up to listening to the other side of

0:50:46.400 --> 0:50:49.239
<v Speaker 1>the dynamic, because you can't have all Earl, like a

0:50:49.280 --> 0:50:53.080
<v Speaker 1>concert of all Earl or a YouTube page with all Earl,

0:50:53.200 --> 0:50:55.359
<v Speaker 1>nothing but Earl all the time. Earl, I think, would

0:50:55.400 --> 0:50:58.080
<v Speaker 1>get old and people would eventually tune out and they

0:50:58.080 --> 0:51:02.839
<v Speaker 1>would get numb to it. So this all happened by by.

0:51:05.280 --> 0:51:08.520
<v Speaker 1>I don't believe in coincidences, but this is the way

0:51:08.560 --> 0:51:10.560
<v Speaker 1>it was supposed to happen for me, I believe. And

0:51:10.920 --> 0:51:14.200
<v Speaker 1>what I'm going to do with it that's left to

0:51:14.200 --> 0:51:18.040
<v Speaker 1>be seen. But to break the ice with Earl and

0:51:18.040 --> 0:51:20.920
<v Speaker 1>make people smile helps them listen to those deeper songs

0:51:21.000 --> 0:51:24.520
<v Speaker 1>or listen to this podcast. I mean, I can't see it,

0:51:24.520 --> 0:51:26.479
<v Speaker 1>but raise your hand if you found this podcast, because

0:51:26.520 --> 0:51:28.520
<v Speaker 1>originally you found Earl a long time ago, and there's

0:51:28.560 --> 0:51:31.239
<v Speaker 1>a handful of people that didn't. But a lot of

0:51:31.239 --> 0:51:35.920
<v Speaker 1>times that's the case. So I have learned that not

0:51:36.120 --> 0:51:40.600
<v Speaker 1>only is it important to have a song that really

0:51:40.640 --> 0:51:44.879
<v Speaker 1>moves somebody with some lyrics that really really dig deep

0:51:44.920 --> 0:51:50.480
<v Speaker 1>and pull at their heartstrings, that's important, but it's just

0:51:50.760 --> 0:51:56.920
<v Speaker 1>equally as important for someone to laugh, to smile, to

0:51:58.120 --> 0:52:02.920
<v Speaker 1>forget for a moment the pain of humanity that they

0:52:03.000 --> 0:52:04.640
<v Speaker 1>might be living in in that moment that they hear

0:52:04.680 --> 0:52:06.719
<v Speaker 1>the song or see the video or at the concert

0:52:07.000 --> 0:52:11.240
<v Speaker 1>standing there with their friends. And I'm an entertainer first,

0:52:11.640 --> 0:52:15.120
<v Speaker 1>so that's that's an important thing for me to remember

0:52:15.200 --> 0:52:18.200
<v Speaker 1>that as an entertainer, my job is to make people smile.

0:52:18.520 --> 0:52:21.160
<v Speaker 1>My job is to make people feel something, and a

0:52:21.200 --> 0:52:24.360
<v Speaker 1>smile is a great way to get there, and Earl

0:52:24.360 --> 0:52:28.480
<v Speaker 1>helps me get there. All that being said, all that

0:52:28.520 --> 0:52:32.960
<v Speaker 1>being said, Mike is do. At some level, I feel

0:52:33.000 --> 0:52:39.399
<v Speaker 1>like I need to be careful with Earle exploiting drinking beer,

0:52:39.840 --> 0:52:46.640
<v Speaker 1>for instance, on stage, even though without without getting drunk,

0:52:47.200 --> 0:52:49.799
<v Speaker 1>there's technically nothing wrong with having a few beers with

0:52:49.840 --> 0:52:54.360
<v Speaker 1>your buddies. So I do. I do does cross my mind,

0:52:54.760 --> 0:52:58.680
<v Speaker 1>and maybe even more so because I've got kids and

0:52:58.719 --> 0:53:02.279
<v Speaker 1>they're watching me. So it does cross my mind that

0:53:02.360 --> 0:53:05.480
<v Speaker 1>there is a there is a boundary with him that

0:53:05.560 --> 0:53:09.080
<v Speaker 1>he can't cross, like you're never ever going to see

0:53:09.120 --> 0:53:15.760
<v Speaker 1>Earl drunk, and that that boundary is important. I also

0:53:15.800 --> 0:53:19.719
<v Speaker 1>think it's important to continue putting Earl out there and

0:53:19.760 --> 0:53:25.680
<v Speaker 1>making him fun and making him create smiles and breaking

0:53:25.680 --> 0:53:30.120
<v Speaker 1>the ice to a deeper conversation. I don't know if

0:53:30.160 --> 0:53:36.880
<v Speaker 1>you could relate that story to yours, because it's very different,

0:53:37.880 --> 0:53:41.640
<v Speaker 1>but that's my story and I really appreciate your question, Mike,

0:53:41.680 --> 0:53:49.760
<v Speaker 1>and thank you for listening. Here's a question from Will

0:53:50.760 --> 0:53:54.719
<v Speaker 1>that says, hey, big fan here as most of us are.

0:53:54.760 --> 0:53:57.200
<v Speaker 1>I had a question about the Silverada you drive. Hope

0:53:57.239 --> 0:54:00.120
<v Speaker 1>you get it running again, that get it broke down,

0:54:00.400 --> 0:54:02.240
<v Speaker 1>But I love your track. I currently drive one myself.

0:54:02.280 --> 0:54:04.200
<v Speaker 1>Side note, I threw thirty three's on it. In honor

0:54:04.239 --> 0:54:06.279
<v Speaker 1>of back Road song. My question is do you have

0:54:06.360 --> 0:54:08.479
<v Speaker 1>a lift on yours or just a level kit? Which brand?

0:54:08.480 --> 0:54:12.000
<v Speaker 1>Which wheels perfect? Because I answered that earlier and I'm

0:54:12.000 --> 0:54:13.839
<v Speaker 1>glad I got the knockout out for you too. Will

0:54:17.000 --> 0:54:20.480
<v Speaker 1>Here's the question that the only person I have, the

0:54:20.520 --> 0:54:23.400
<v Speaker 1>only way to know who this is is the email

0:54:23.520 --> 0:54:27.600
<v Speaker 1>and it's from love Cows. So love Cows says, how

0:54:27.600 --> 0:54:31.640
<v Speaker 1>do you stay strong in the darkest time of your life?

0:54:31.760 --> 0:54:34.319
<v Speaker 1>And I feel like I've I kind of went down

0:54:34.320 --> 0:54:40.640
<v Speaker 1>that road as well. And love Cows email me back

0:54:41.120 --> 0:54:43.880
<v Speaker 1>and go deeper on this question. Instead of saying, how

0:54:43.920 --> 0:54:45.680
<v Speaker 1>do you stay strong in the darkest time of your life?

0:54:45.760 --> 0:54:48.240
<v Speaker 1>Give me a little more, like why are you hinting

0:54:48.400 --> 0:54:51.200
<v Speaker 1>that you're going through a dark time? Maybe I could

0:54:51.200 --> 0:54:55.480
<v Speaker 1>help answer that question more directly. Yeah, help me out,

0:54:55.480 --> 0:54:58.319
<v Speaker 1>give me a little bit more. And love Cows also says, well,

0:54:58.320 --> 0:55:02.080
<v Speaker 1>the shirt of the Month club have long sleeves. Great question.

0:55:02.440 --> 0:55:06.280
<v Speaker 1>I think we should. I think we should comment below

0:55:06.800 --> 0:55:08.719
<v Speaker 1>if you think the shirt of the Monster should come

0:55:08.840 --> 0:55:12.200
<v Speaker 1>in long sleeves at some point. I think that would

0:55:12.200 --> 0:55:16.120
<v Speaker 1>be cool. Amanda. She has a question that says one

0:55:16.160 --> 0:55:19.200
<v Speaker 1>of your songs has the lyric quarter Cherokee Blood from

0:55:19.239 --> 0:55:22.560
<v Speaker 1>my Mom's half. That's country boys song with Earld Dibbles.

0:55:23.480 --> 0:55:27.359
<v Speaker 1>I've always wondered, are you describing her? What? Who are

0:55:27.400 --> 0:55:29.680
<v Speaker 1>you describing here? Or is it just lyrics? Are you

0:55:29.760 --> 0:55:35.719
<v Speaker 1>a quarter Cherokee? Says also is your Henderson, Nevada October

0:55:35.760 --> 0:55:37.920
<v Speaker 1>show still on? I'd love to come. I hope it

0:55:37.920 --> 0:55:41.719
<v Speaker 1>won't be canceled. I guess we never really know. Love you,

0:55:41.920 --> 0:55:44.080
<v Speaker 1>Love you too, Amanda. Thank you for listening and writing

0:55:44.160 --> 0:55:50.319
<v Speaker 1>in to address the concerts. Gosh, I don't know. I

0:55:50.360 --> 0:55:52.440
<v Speaker 1>wish I could have the calendar in front of me.

0:55:52.520 --> 0:55:54.359
<v Speaker 1>I do know that a lot of shows are coming

0:55:54.400 --> 0:55:57.120
<v Speaker 1>in in October, and it's a great sign. We're seeing

0:55:57.160 --> 0:56:01.840
<v Speaker 1>a lot of venues opening back up limited capacity. Some

0:56:01.920 --> 0:56:03.600
<v Speaker 1>of them are like fifty percent, some of them are

0:56:03.680 --> 0:56:06.160
<v Speaker 1>quarter and some of them are even up to seventy

0:56:06.160 --> 0:56:08.799
<v Speaker 1>five percent. So I'm seeing a lot of more a

0:56:08.800 --> 0:56:12.239
<v Speaker 1>lot of shows come in. So cross your fingers. If

0:56:12.239 --> 0:56:14.600
<v Speaker 1>it doesn't happen, we'll be back to Nevada really soon.

0:56:14.840 --> 0:56:19.480
<v Speaker 1>I promise we never skip Nevada. So yeah, I would,

0:56:19.520 --> 0:56:21.920
<v Speaker 1>I would hope so. And that goes for everyone listening

0:56:22.200 --> 0:56:25.800
<v Speaker 1>wherever you are, we will be back to your town.

0:56:25.920 --> 0:56:28.760
<v Speaker 1>I promise you it's not a matter if it's only

0:56:28.800 --> 0:56:32.160
<v Speaker 1>a matter of when I managed to go back to

0:56:32.160 --> 0:56:39.000
<v Speaker 1>your question about the Cherokee, Yes, Earl Doubles says, quarter

0:56:39.120 --> 0:56:42.520
<v Speaker 1>Cherokee blood from a mom's half, which is a very

0:56:42.560 --> 0:56:46.160
<v Speaker 1>strange math problem for a country boor Earl to even comprehend.

0:56:46.600 --> 0:56:48.760
<v Speaker 1>I don't even think I can comprehend that math problem.

0:56:49.200 --> 0:56:54.120
<v Speaker 1>But the true story is similar to that, which is

0:56:54.160 --> 0:57:01.480
<v Speaker 1>why I have Cherokee in here. My grandmother's father, who

0:57:01.520 --> 0:57:05.680
<v Speaker 1>would be my great grandfather, was half Cherokee because his

0:57:05.719 --> 0:57:11.440
<v Speaker 1>mother was full blooded Cherokee. So my great grandfather was

0:57:11.480 --> 0:57:16.080
<v Speaker 1>half my So that makes this is easy. My great

0:57:16.800 --> 0:57:21.560
<v Speaker 1>great grandmother was full blood Cherokee. Where does that leave

0:57:21.600 --> 0:57:24.440
<v Speaker 1>Earrol in this whole thing? I don't know that you

0:57:24.440 --> 0:57:27.280
<v Speaker 1>guys could figure out the genealogy between me and Earld Dibbles,

0:57:28.360 --> 0:57:31.280
<v Speaker 1>but I do not know. I'll read one more here

0:57:31.320 --> 0:57:34.320
<v Speaker 1>from Barbara says, what is the criteria for choosing band

0:57:34.360 --> 0:57:38.320
<v Speaker 1>members and touring members of your team? Do you pick

0:57:38.480 --> 0:57:43.280
<v Speaker 1>character qualities along with talent, ethical, immoral qualities? From Barbara

0:57:43.320 --> 0:57:47.000
<v Speaker 1>and Illinois, she says, longtime listener first time caller. Love that.

0:57:47.120 --> 0:57:49.880
<v Speaker 1>Thank you for listening, Barbara, thank you for asking the question,

0:57:50.240 --> 0:57:55.560
<v Speaker 1>and it's a good one. I most everyone has been

0:57:55.560 --> 0:58:00.720
<v Speaker 1>with me for many years. My bass player this week

0:58:00.840 --> 0:58:04.400
<v Speaker 1>marks our ten year anniversary together playing together, and everyone

0:58:04.440 --> 0:58:08.040
<v Speaker 1>else is around like nine ten seven. I think my

0:58:08.360 --> 0:58:14.040
<v Speaker 1>newest guy is three years with the band, so he's

0:58:14.120 --> 0:58:16.000
<v Speaker 1>my front of house guy. That's the guy that mixes

0:58:16.040 --> 0:58:19.200
<v Speaker 1>the front of the audio engineer that mixes what you

0:58:19.280 --> 0:58:22.120
<v Speaker 1>hear in the crowd. He's been with me three years.

0:58:22.160 --> 0:58:30.240
<v Speaker 1>So there's an extensive background check that we do, talking

0:58:30.280 --> 0:58:37.520
<v Speaker 1>to past employers, past band members, past friends that especially

0:58:37.520 --> 0:58:39.400
<v Speaker 1>if we can trust that friend, if we trust that

0:58:39.440 --> 0:58:42.400
<v Speaker 1>band member that's connected with them, we find those people,

0:58:42.440 --> 0:58:45.520
<v Speaker 1>we reach out to him. But ultimately it comes down

0:58:45.560 --> 0:58:48.520
<v Speaker 1>to taking them out for like thirty days or a

0:58:48.560 --> 0:58:52.720
<v Speaker 1>weekend or two weeks. And we'll take them out for

0:58:52.800 --> 0:58:55.360
<v Speaker 1>one weekend and you put them in the bus and

0:58:55.400 --> 0:58:57.680
<v Speaker 1>you live with them for three days and you play

0:58:57.720 --> 0:59:01.600
<v Speaker 1>a couple of shows, and you learn pretty quick what

0:59:01.720 --> 0:59:04.480
<v Speaker 1>kind of person they are. You learn their work ethic,

0:59:04.560 --> 0:59:08.800
<v Speaker 1>you learn how they are technically at the job. And

0:59:08.840 --> 0:59:11.320
<v Speaker 1>then if we hire you, we're going to ask you

0:59:11.760 --> 0:59:14.280
<v Speaker 1>to be on a thirty day or sixty. I know

0:59:14.320 --> 0:59:18.240
<v Speaker 1>we've done sixty also, so say sixty day trial run,

0:59:18.880 --> 0:59:22.480
<v Speaker 1>and that trial run is for that exact question that

0:59:22.520 --> 0:59:27.000
<v Speaker 1>you're asking, because I feel like technically and talent wise,

0:59:27.040 --> 0:59:29.560
<v Speaker 1>anyone could go out for a weekend and shine and

0:59:29.560 --> 0:59:32.439
<v Speaker 1>they could work really hard. So once do you pass

0:59:32.520 --> 0:59:34.320
<v Speaker 1>that test, that okay, they can do the job, and

0:59:34.320 --> 0:59:36.800
<v Speaker 1>they can do it really well. The sixty day trial

0:59:36.880 --> 0:59:40.200
<v Speaker 1>run is all about who are you? Who are you like?

0:59:40.280 --> 0:59:42.640
<v Speaker 1>What kind of bad habits do you have? What kind

0:59:42.680 --> 0:59:45.240
<v Speaker 1>of how late do you stay up on the bus

0:59:45.240 --> 0:59:47.760
<v Speaker 1>and keep everyone else up? What happens if you have

0:59:48.400 --> 0:59:51.920
<v Speaker 1>a glass of wine? What happens if you're on an

0:59:51.920 --> 0:59:53.760
<v Speaker 1>early morning flight and we have to deal with you

0:59:53.840 --> 0:59:55.920
<v Speaker 1>all day, if you've got four hours of sleep? What

0:59:56.000 --> 0:59:58.080
<v Speaker 1>kind of person are you? Then? Not just on your

0:59:58.080 --> 1:00:00.520
<v Speaker 1>best day, but how are you on your worst day?

1:00:00.520 --> 1:00:05.960
<v Speaker 1>How are you on a show that's difficult meaning weather

1:00:06.080 --> 1:00:08.400
<v Speaker 1>is terrible, so maybe it's really hot weather and we're

1:00:08.440 --> 1:00:10.680
<v Speaker 1>working long hours, or maybe it's a long push from

1:00:10.720 --> 1:00:13.640
<v Speaker 1>the trailer to the stage. How are you? Then? We

1:00:13.680 --> 1:00:18.240
<v Speaker 1>could see that in sixty days, and there have been

1:00:18.280 --> 1:00:19.800
<v Speaker 1>several times when we had to get rid of a

1:00:19.840 --> 1:00:21.800
<v Speaker 1>guy that we hired. We got rid of him on

1:00:21.840 --> 1:00:26.320
<v Speaker 1>his trial period because we realized, either man, we can't

1:00:26.360 --> 1:00:29.200
<v Speaker 1>get along with this guy. He doesn't mesh very well

1:00:29.240 --> 1:00:33.880
<v Speaker 1>with the group. He has some demons that we now

1:00:33.920 --> 1:00:37.720
<v Speaker 1>see coming out. But yeah, you're right to think that

1:00:37.800 --> 1:00:41.280
<v Speaker 1>there is a moral and ethical criteria that you have

1:00:41.360 --> 1:00:44.919
<v Speaker 1>to meet to be in our band, because you represent us,

1:00:45.000 --> 1:00:50.240
<v Speaker 1>you represent the brand. And when when the drummer, for instance,

1:00:51.280 --> 1:00:56.120
<v Speaker 1>goes out and gets in a bar fight, it's not

1:00:56.880 --> 1:01:00.840
<v Speaker 1>the drummer's name, it's gonna come out Grangers Smith's drummer

1:01:00.920 --> 1:01:04.000
<v Speaker 1>gets in bar fight and tears down building, you know,

1:01:04.080 --> 1:01:06.560
<v Speaker 1>So that's my name I have to look after. So

1:01:06.640 --> 1:01:08.160
<v Speaker 1>I have to think about that kind of stuff. It's

1:01:08.200 --> 1:01:11.200
<v Speaker 1>really important and we usually can tell and we usually

1:01:11.720 --> 1:01:14.040
<v Speaker 1>we squashed that pretty quick. So I'm happy with the

1:01:14.080 --> 1:01:17.560
<v Speaker 1>group that we have. I trust them all. No one's perfect.

1:01:17.720 --> 1:01:22.000
<v Speaker 1>Everyone has flaws, including me, But it's a really good

1:01:22.040 --> 1:01:27.120
<v Speaker 1>group that I trust and I enjoy sharing the stage

1:01:27.200 --> 1:01:31.760
<v Speaker 1>and the bus with and I don't mind them spreading

1:01:31.800 --> 1:01:35.440
<v Speaker 1>my brand far and wide. Thank you for all these questions,

1:01:35.480 --> 1:01:37.440
<v Speaker 1>if you have more, or if you have one, and

1:01:37.480 --> 1:01:41.840
<v Speaker 1>you're just listening. Grangersmith Podcast at gmail dot com. Shoot

1:01:41.880 --> 1:01:44.200
<v Speaker 1>over that email. I will put it in the archive.

1:01:44.240 --> 1:01:46.960
<v Speaker 1>If I don't get to it, ask it again and

1:01:48.120 --> 1:01:50.920
<v Speaker 1>I will eventually. So thank you guys so much. We'll

1:01:50.920 --> 1:01:51.960
<v Speaker 1>see you next week. E