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Speaker 1: At State Farm, we're committed to uplifting black futures. In

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Speaker 1: collaboration with organizations like one hundred Black Men and National

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Speaker 1: Urban League, State Farm provides high school students with the

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Speaker 1: opportunity to learn and apply best practice strategies for saving

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Speaker 1: and investing, all while offering academic support, life skills, and

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Speaker 1: exposure to college access programs to prepare these students for

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Speaker 1: life after high school. Check out one hundred black Men

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Speaker 1: dot org and NUL dot org to donate and learn more.

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Speaker 1: Like a good neighbor, State Farm is there, yo, yo,

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Speaker 1: welcome to us up their podcast. You know who it is,

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Speaker 1: your boy, big Loan. Thank you for listening, Thank you

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Speaker 1: for tuning in. Kiss to video Afogfo TV on YouTube,

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Speaker 1: on Patreon dot com. It's up the podcast. I want

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Speaker 1: to start off talking about the baby and Dana Lay

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Speaker 1: and her brother approaching the baby for some sort of fight.

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Speaker 1: So let me lay the framework or what's happened and

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Speaker 1: how we got here. So the baby and Danna Lay

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Speaker 1: had a fall out. I reported on it. It's actually

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Speaker 1: going back viral due to this scandal that's popped off.

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Speaker 1: But the baby and Danna Lay had a falling out,

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Speaker 1: right So for those of you on a weld, the

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Speaker 1: baby has a child by Danna lay to me, she's

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Speaker 1: an Instagram girl. I really don't know what she does,

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Speaker 1: but that's what I know her from. It's kind of

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Speaker 1: like on Instagram or influencer. Right. I all due respect

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Speaker 1: to belove it, but there was a situation in which

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Speaker 1: and their family. I want to be clearing that as

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Speaker 1: I always speak on this. You know, everybody want to

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Speaker 1: choose size on things, but when you deal with people,

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Speaker 1: you have to understand that they are collective, so you

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Speaker 1: gotta view it from that perspective. Whether or not they

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Speaker 1: still together. They have a young child to raise. It's

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Speaker 1: very very critical time in their child's life, right as

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Speaker 1: the child is developing what love is developing, language, developing

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Speaker 1: all the things that makes you a human being. Right,

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Speaker 1: it needs support from both parties. So as we report

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Speaker 1: on this, we still want to be sympathetic to understanding

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Speaker 1: that they are family and there is children involved, the

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Speaker 1: same way when I report on anyone else, right, I

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Speaker 1: want to make sure I understand those things. But that

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Speaker 1: was a situation where they got into it at his condo.

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Speaker 1: He ended up going live. He said he went live

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Speaker 1: to make sure that he protected his brain because he

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Speaker 1: is in hot water where people are saying certain things,

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Speaker 1: and he kind of felt like it was a frame

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Speaker 1: type job. So in his opinion, he goes live to

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Speaker 1: save itself. Now when he goes live, it's a whole

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Speaker 1: other situation. Here we are dealing with two people in

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Speaker 1: front of the world, dealing with a personal thing in public. See,

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Speaker 1: everything has a position. You see, when you deal with

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Speaker 1: personal thing in a public setting, you're setting yourself for

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Speaker 1: a mistake, right, And that's what I said to begin with.

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Speaker 1: But then when he gives the reason and the man

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Speaker 1: I had to protect myself. You know, who am I

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Speaker 1: to tell a dude how to do what he needs

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Speaker 1: to do? Right? Still a mistake in my opinion, But nonetheless,

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Speaker 1: that's how you choose to ride after that, right he chose. Looks, listen,

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Speaker 1: this doesn't got too hot. I'm not I can't be

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Speaker 1: with you no more. Right, So he disassociate itself with her,

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Speaker 1: although they still have a baby. Again. When she was there,

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Speaker 1: she sighted a few things like she didn't have anywhere

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Speaker 1: a state, she didn't have anywhere to go, certain things

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Speaker 1: like that. Again, when you're dealing with a rich individual

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Speaker 1: ladies have to set some sort of boundaries, right, Hey,

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Speaker 1: I'm not coming there unless these situations are in lying

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Speaker 1: right and and ain't nobody rich tripping off that. If

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Speaker 1: they is, then you should reconsider going anyway. But that's

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Speaker 1: a song for another session, right when we deal with

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Speaker 1: this particular situation. He didn't put his hands on again.

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Speaker 1: I was. I was amazed at the backlash he got

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Speaker 1: because he really didn't do anything right. He said something,

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Speaker 1: some words that was not favorable to hunt and disrespect

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Speaker 1: the hunt. Of course, you know, we all view it

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Speaker 1: a certain way, but we say things in the heat

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Speaker 1: of the moment, and it's just how human beings are

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Speaker 1: put together, right, And I'm not going to know our

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Speaker 1: makeup to make you comfortable, and I'm also not going

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Speaker 1: to excuse it. Two things can be true. At that moment, though,

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Speaker 1: I realized that this is probably gonna end right, So

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Speaker 1: for him, Hey, yo, this is over it's too much

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Speaker 1: and we don't land with it. I'm it's over with.

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Speaker 1: I can't do that. I don't know if they've been

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Speaker 1: sneaking or whatever whatever, but publicly they've been away from

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Speaker 1: each other. Now the brother jumps in, and this is

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Speaker 1: what I don't like. I an't the grand standing these

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Speaker 1: little dudes be done. And I don't know the dude,

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Speaker 1: but word around them the media is that his ribs

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Speaker 1: is broke. Now he did some grand stand ending, right,

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Speaker 1: You don't never ever shoot. You don't never ever scare

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Speaker 1: birds that you're playing to shoot. You ever see how

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Speaker 1: to get over to try to get a birdie playing

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Speaker 1: playing on shooting, Boy, you got to be quiet and

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Speaker 1: creep up on the birds you playing on shooting can't

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Speaker 1: make out all that, So for for you to run in,

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Speaker 1: I'm gonna go straight to the dude to just own

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Speaker 1: the bowling, like, Yo, let's go have a like what

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Speaker 1: I would confuse he didn't understand the assignment or you

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Speaker 1: really didn't want to for me, like, I don't know

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Speaker 1: that was gonna be a failed mission. Off the scribble,

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Speaker 1: it's to me that was a failed mission. But nonetheless,

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Speaker 1: I'll show you the video and again come back and

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Speaker 1: talk about it. But the situation was funny to me, right,

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Speaker 1: So her brother come out and tell the baby, Yo,

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Speaker 1: we gotta have a fare one about how you just

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Speaker 1: did my sister. Right now? Do I expect dudes to

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Speaker 1: feel away about how their sister get treated. You know.

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Speaker 1: Of course they may feel away, but everybody better had

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Speaker 1: they positioning in order. You don't want to know. You

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Speaker 1: don't want me to have to you know, because she

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Speaker 1: a bearer brother. You see what I'm saying. I don't

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Speaker 1: have no real love for no you know, so it'd

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Speaker 1: be like you can't cross certain lines because you think

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Speaker 1: me and her love each other. So I have a

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Speaker 1: certain tolerance for you because that's you sadly mistaken. So

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Speaker 1: he come out, yo, I need to foul on. But

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Speaker 1: this what triggered me, And this is what I said, Oh, man,

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Speaker 1: see if it's a principle thing, let it stand on principle.

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Speaker 1: But the dude, Dana Lake's brother said he wanted to

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Speaker 1: do a fight for some money and you know, take

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Speaker 1: it online, social media and all of that. And I said, oh,

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Speaker 1: he playing that game. He playing the brand build a game.

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Speaker 1: If it was really prissible, let's try to figure that

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Speaker 1: out behind the scene. Yo, somebody to bring the baby

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Speaker 1: to me or it's gonna be pressure when they come

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Speaker 1: out here. You know what I'm saying. And either you

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Speaker 1: don't got the kind of reach or you looking for cloud.

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Speaker 1: In my opinion, it was a cloud move, so he

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Speaker 1: tried to set up some kind of celebrity boxing when

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Speaker 1: it ain't but one celebrity in the situation, the baby.

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Speaker 1: So if they would have faulted, it wouldn't have been

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Speaker 1: no celebrity boxed thing. It was once celebrity versus my baby,

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Speaker 1: mama brother, and I don't see nobody doing that entertaining that.

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Speaker 1: So the baby never really said nothing um at this

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Speaker 1: bowling that her brother comes. Let's see what happens on

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Speaker 1: For those of you listening, they're showing the baby not

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Speaker 1: throwing the punch, God Man handling him. BIG's big boy man, Hannah.

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Speaker 1: And see sometimes you know when you see something like

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Speaker 1: that happened. Now for me, that's just a whole weird encounter.

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Speaker 1: You're gonna walk up on me. First of all, let

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Speaker 1: me say this for people who aren't aware of how

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Speaker 1: the game is. Riches don't have foul ones. Ain't no

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Speaker 1: foul one with no real ain't no foul one with

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Speaker 1: no rich. Now, number one, even if the rich you

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Speaker 1: want to have a foul one, which you number one,

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Speaker 1: A friend in need is a is a friend. Indeed,

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Speaker 1: so anybody around the rich, you're gonna see him being

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Speaker 1: attacked as an opportunity to solidify any kind of position

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Speaker 1: he got open, right, So if you attack a rich

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Speaker 1: he ain't no fair ones. Man, Well, y'all be time

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Speaker 1: at yo. See that's a la gang bang see them

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Speaker 1: la is a make you come catch a foul one.

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Speaker 1: You understand, they'll make you come now if you catch

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Speaker 1: me one on one, we gotta it's a yeah, I

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Speaker 1: just had a foul one. We'll have a foul one. Right,

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Speaker 1: But I'm an rich bro. You think you for the

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Speaker 1: walk upon me saying hey, long, hey, me and you

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Speaker 1: right now parking a lot. Let's get them up. Man.

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Speaker 1: If y'all don't get this, y'o this get this guy mysel? Yo, bro?

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Speaker 1: How you even get right here? Number one security is

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Speaker 1: slipping in a way, how yo bro? They posted to

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Speaker 1: know what her brother looked like. He don't made threats

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Speaker 1: on me. He can't get that close to me. That's

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Speaker 1: a violation for whoever watching whatever they watching. But that's

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Speaker 1: what I tell you about rappers. Party in that party.

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Speaker 1: Party didn't make cause if if you're in real situations,

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Speaker 1: you out in la party in the world, he get

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Speaker 1: to get that close. I don't think that's that's cool,

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Speaker 1: but he get to get that closer. Basically, they said,

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Speaker 1: you know, I've heard that that was this second third time.

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Speaker 1: So let me allow you guys to understand what the

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Speaker 1: bowling thatly thing was. According to people, the bowling that

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Speaker 1: let situation was a event. So it wasn't just the

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Speaker 1: baby you had. Chris Brown had his own lane. You

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Speaker 1: had Todd dollars sign all these people allegedly had their

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Speaker 1: own lanes, right, so they were selling out and people

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Speaker 1: names is on the marquis. That's how dude knew he

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Speaker 1: was there. So dude, come to a place like that

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Speaker 1: and think you're gonna get a fara one. To me,

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Speaker 1: it almost sounds like you know you can't get a

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Speaker 1: fara one and you're looking for some kind of cloud.

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Speaker 1: Because if you ain't come to kill me, what is

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Speaker 1: you doing? You know what I mean? Now, they don't

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Speaker 1: broke his ribs. Now, he's somewhere. When he breathe, it hurt. Now,

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Speaker 1: you don't come up here asked me for a fara one.

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Speaker 1: Now when you somewhere, every time you breathe, it hurt.

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Speaker 1: But you ask yourself. It's a punch worth one million

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Speaker 1: dollars because sometimes you can somebody like the baby punch,

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Speaker 1: somebody that calls you a minie. But again, wrap us

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Speaker 1: up against that Internet, so they gotta go. Some of

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Speaker 1: them just like that, they're gonna go, but they y'all

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Speaker 1: show up against that Internet. Like even with the Kodak

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Speaker 1: Black situation, Dude, over that fighting, you gotta go, you

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Speaker 1: gotta go, just there when you gotta go. So now

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Speaker 1: we could have had another King Vaughan situation with that

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Speaker 1: Kodak Black. That was the same kind of situation, a fight, breakout,

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Speaker 1: boom somebody, right. So Kodak Black is blessed up be

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Speaker 1: able to still be in that situation. But we gotta

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Speaker 1: know what we're looking at and how to deal with it.

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Speaker 1: Sometime we can't do too much grandstanding. And I got

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Speaker 1: that problem because if I feel like they applying any

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Speaker 1: kind of pressure, I go to grand standing. I'm ready

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Speaker 1: to go all the way with it. So I get it,

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Speaker 1: I understand it, but I know it's a mistake and

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Speaker 1: I know the prickey get you in the trick bag.

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Speaker 1: And I know people are gonna say, yoh lord, if

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Speaker 1: if that was your sister, how you would have felt. Look, dude,

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Speaker 1: didn't touch my sister. He didn't do nothing. He really

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Speaker 1: didn't do nothing. That's what I'm saying. It feel like

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Speaker 1: you're doing a little like what you're doing, and then

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Speaker 1: you come in here to approach me. Bro, What y'all

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Speaker 1: who told y'all something about me? Man? Y'all fault don't win? Crazy?

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Speaker 1: Who don't told y'all y'all walk up on my bro y'all?

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Speaker 1: So listen, I think, man, listen, bro, I don't have

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Speaker 1: no sympathy. Man. I think if you violated, you should die. Man.

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Speaker 1: And I don't mean like if you come to harm me.

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Speaker 1: My security got to do their job. Man. Whoever I

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Speaker 1: got around me to take care of that, they got

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Speaker 1: to do their job. Man. So he played a dangerous game.

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Speaker 1: He showed either either he got a certain level of

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Speaker 1: nuts or he don't got good sense. You know. Some

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Speaker 1: of these guys don't got sense enough to get out

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Speaker 1: of the rain, like my mamma say, you know, so

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Speaker 1: sometimes they you look at these dudes like, hey, that

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Speaker 1: wasn't no boy. You got the sneak and shoot the bird. Boy,

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Speaker 1: it's a big bird, a multimillion dollars. You're talking about

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Speaker 1: the foul one man e folto went crazy man, you know,

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Speaker 1: speaking of LA and gang culture, Crypt Mac got DP

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Speaker 1: from his hood. And for those of you on the

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Speaker 1: weeld with Street coachure gang culture, DP means disciplined. And

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Speaker 1: it's funny because you can't escape being disciplined from your game. Right.

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Speaker 1: So when you join a game, there's a hierarch almost

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Speaker 1: like a corporate setting, right, how you got a team leader, supervisor, manager,

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Speaker 1: and that manager has a manager and then somewhere up

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Speaker 1: the line the vps there the person that kind of

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Speaker 1: runs this district, but she answers right, So it's it's

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Speaker 1: it's a structure similar to that setting, right, And Crip

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Speaker 1: Mac And for those of you, because i gotta make

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Speaker 1: sure that I'm speaking wide range, right, because I'm dealing

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Speaker 1: with an audience that I'm not sure that you're aware

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Speaker 1: people looking, listening and and and vibing out to its

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Speaker 1: up the podcast. So some of you may not know

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Speaker 1: who Kryp Macki is. Crypt Mackie is, and I'll show

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Speaker 1: the video of him after his after his discipline. I'll

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Speaker 1: show the video of how he looked and what he said.

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Speaker 1: But Kryp Maker is a guy that went viral on

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Speaker 1: the Internet. He has a funny voice, kind of like

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Speaker 1: Cookie Monster. But he's a crip. Now, don't get it confused.

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Speaker 1: He's a real crip from the land out there on

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Speaker 1: the West Coat. And I say that because I'm dealing

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Speaker 1: with my eyeballs. I'm seeing him in his neighborhood, I'm

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Speaker 1: seeing him in his back ally, I'm seeing him doing

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Speaker 1: his one too with the crib homies. They un justified

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Speaker 1: that he is what he is. So he is what

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Speaker 1: he is. The problem is he has a checkered pass

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Speaker 1: in regards to he didn't grow up in the LAC's.

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Speaker 1: A certain thing came out from his enemies. They started

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Speaker 1: trying to discredit him because he had apprehended the West

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Speaker 1: Coast like viral YouTube scene. He apprehended that. He took it.

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Speaker 1: He took it. He probably the biggest him and then

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Speaker 1: whag one hundred, right, probably the biggest thing on YouTube

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Speaker 1: from the West Coast. When we talk about hip hop

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Speaker 1: music coaching that subsection of entertainment, right, he's uh, he

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Speaker 1: kind of took over that. So he's a dude that

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Speaker 1: people tend to like, the kids liking. Again, he's one

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Speaker 1: of them members. He's a real member. So he's always

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Speaker 1: been crip heavy. Everything crip crypt is crypt that crypt

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Speaker 1: that he don't even say b word. He's super cript right,

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Speaker 1: he crypt out. And for him to be crypt out

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Speaker 1: in the face of the crips and then face a

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Speaker 1: disciplinary action, some people had a very harsh reaction to that, like, yo,

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Speaker 1: the cribs did that the you Some people don't understand

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Speaker 1: gang banging, coach. I don't participate in me being disciplined

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Speaker 1: by no man. I want to be clear on my

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Speaker 1: stands though, and I ain't doing no grandstanding. But I'm

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Speaker 1: just telling you can't nobody dp nothing over here about nothing.

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Speaker 1: Whatever I say, killed me about it to come get

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Speaker 1: killed about it. You feel I'm we ain't doing too

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Speaker 1: much in the in between and were coming to discipline

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Speaker 1: now we ain't doing that, and that's what I'll due respect.

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Speaker 1: But I didn't sign up for that. The home in

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Speaker 1: them signed up for that. The home in them signed

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Speaker 1: up to say, Yo, I ain't gonna just use the

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Speaker 1: gang for the strength of the game. If I get

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Speaker 1: in the wrong, I got an answer to the homes

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Speaker 1: and that's part of being in the gang. And for me,

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Speaker 1: that's an uncomfortable truth. That's an uncomfortable truth. But let's

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Speaker 1: look at the DP and let's kind of look at

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Speaker 1: him explain what happened. Crib Matt gets millions and millions

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Speaker 1: of views. You matter see him on No Jumper, lad TV,

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Speaker 1: cam capone news. Dudes, he gets millions of views. You

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Speaker 1: might have heard him go again, go at it with

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Speaker 1: Charleston White. Go at him now with cam capone again.

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Speaker 1: He does not use B words, just a funny character online. Um.

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Speaker 1: He also is trying to get into skits and things

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Speaker 1: like people in this hood and community are trying to get.

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Speaker 1: This is something I want to speak on us as

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Speaker 1: black people. When we get the information, we will try

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Speaker 1: to apply the information. You even see dudes like crib

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Speaker 1: Mack and his hood trying to figure out how we

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Speaker 1: monetize this. This is blowing up, and I think that's

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Speaker 1: so interesting and important for us to have that entrepreneur

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Speaker 1: mindset in this digital space, as this digital stuff now

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Speaker 1: is real estate, right you hit me talk six seven

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Speaker 1: eight figure deals a yo, my mama and them, this

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Speaker 1: would have been band buildings in houses for them to

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Speaker 1: get this kind of money. You see what I'm saying now,

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00:17:57,760 --> 00:18:00,359
Speaker 1: I'm sitting up talking and doing a of the new

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Speaker 1: shares and certain things and talking six seven figures, and

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Speaker 1: so you gotta understand what day in time we live

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Speaker 1: in and try to capitalize on that. So to even

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Speaker 1: see us do that as a collective, even though people

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Speaker 1: say it's oversaturated, I just look at it and say,

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Speaker 1: look at us, Look at what we're trying to do

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Speaker 1: with the information. Look at us out there. Everybody's doing

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Speaker 1: a part and standing next to a mic and sitting

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Speaker 1: next to a camera making tiktoks or dances, and that's

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Speaker 1: just in our culture. But Krip Mac again, you would

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Speaker 1: have seen them on no jump of millions of views.

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Speaker 1: And that's just to put in context. Also, I want

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Speaker 1: to say this to Chrip Mac, you're a real life soldier,

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Speaker 1: like Charleston White even said, you're a real life warrior, braveheart.

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Speaker 1: Because when they say yo U DP, this is what

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Speaker 1: took place, let me bag up something. Because I also

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Speaker 1: want to put in contexts why grown men get beat

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Speaker 1: on and things like that when we deal with gang coaching.

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Speaker 1: So in this particular situation, what's being said, and that's

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Speaker 1: why I tell people they play with the gang banging

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Speaker 1: terms and they play with these things the hoods, and

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Speaker 1: they think it's a joe go on the dead homies.

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Speaker 1: They play with these little you know, fuck y'all dead

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Speaker 1: homies and all of that. They don't know. It's a

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Speaker 1: subsection of black people that all died for that probably

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Speaker 1: the only culture that all die for. Words with such

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00:19:28,040 --> 00:19:32,600
Speaker 1: ill advised intent, right just to run right out into it, right,

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00:19:32,720 --> 00:19:37,439
Speaker 1: black people will die for respect and somewhat along the

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Speaker 1: lines that this in the dead or this and even

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00:19:40,880 --> 00:19:45,199
Speaker 1: their neighborhoods. You see you see people stump flags or

338
00:19:45,520 --> 00:19:48,920
Speaker 1: sit flags on file, or do the graffitia and mark

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00:19:48,960 --> 00:19:52,399
Speaker 1: out the names of the hood. That's very that's that's

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00:19:52,440 --> 00:19:57,159
Speaker 1: that's that's considered disrespect. In the game coach and the

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00:19:57,200 --> 00:19:59,640
Speaker 1: street coach, and especially on the West coach, they play

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00:20:00,480 --> 00:20:04,080
Speaker 1: buy different rules in regards to that. Right, So c

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00:20:04,359 --> 00:20:08,280
Speaker 1: MAC had, according to them, been from a different hood.

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00:20:08,440 --> 00:20:12,159
Speaker 1: Although in the in the crypt set right, So the

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00:20:12,240 --> 00:20:15,399
Speaker 1: old So you got the sixties, the fifties, all of that,

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00:20:15,480 --> 00:20:19,920
Speaker 1: the rolling forties and all of those. He I think

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00:20:19,960 --> 00:20:22,840
Speaker 1: what's said they use from sixties. Let's let the homie

348
00:20:22,840 --> 00:20:29,480
Speaker 1: break it down. Like all of y'all seen that DP man,

349
00:20:29,520 --> 00:20:31,440
Speaker 1: it looked like him and five five crip man, I'll

350
00:20:31,480 --> 00:20:35,720
Speaker 1: be doing so well as we seen. C Mac was

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00:20:35,760 --> 00:20:40,080
Speaker 1: seen on an earlier Facebook account and some accounts by

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00:20:40,119 --> 00:20:43,359
Speaker 1: some other folks down in Texas laming six. So go

353
00:20:43,400 --> 00:20:46,080
Speaker 1: to fo j FO TV to see the video. Go

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00:20:46,160 --> 00:20:49,040
Speaker 1: to Patriarchis Up There podcast shout out the wrapping new

355
00:20:49,119 --> 00:20:52,320
Speaker 1: looking real ugly for c mac reputation. Now, I don't

356
00:20:52,359 --> 00:20:57,520
Speaker 1: let people know I'm nifty on fifty years ago. Cume

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00:20:58,080 --> 00:21:01,200
Speaker 1: I was a motherfucking weird though, Let's go ahead and

358
00:21:01,280 --> 00:21:04,399
Speaker 1: keep it fifty fish stripped. So I gotta put on

359
00:21:04,480 --> 00:21:08,320
Speaker 1: fifty fish straight and now and later in life. Kill

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Speaker 1: ain't getting no customer, no smudge shit or nothing like that.

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Speaker 1: Kill real cripping, real solid. Oh look, we're respected and

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Speaker 1: well loved from my hood. You five me? Who is smack?

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Speaker 1: They ain't never seen him in the streets. I guess

364
00:21:27,240 --> 00:21:29,639
Speaker 1: he just gotta start buzzing too in them in the county.

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Speaker 1: So this correlate with what a lot of people have

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Speaker 1: been saying, especially them guards from Hoover like Jack tray Way.

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00:21:38,240 --> 00:21:40,399
Speaker 1: But you're like you're coming from a whole different area,

368
00:21:40,760 --> 00:21:42,760
Speaker 1: moving over here, just popping it about it said that's

369
00:21:42,800 --> 00:21:44,520
Speaker 1: just like uncalled for because we don't even know you

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00:21:44,520 --> 00:21:46,960
Speaker 1: don't crying. Oh so a lot of that you're saying

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00:21:47,000 --> 00:21:48,679
Speaker 1: a lot of that. It's like out of towns and

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00:21:48,680 --> 00:21:53,000
Speaker 1: stuff that just come through. Oh wow, he grew from Houston.

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Speaker 1: He's from Houston. Yeah, you know from Los Angeles? You

374
00:21:56,000 --> 00:21:58,400
Speaker 1: do you have you ever met c Mack? Hell noah,

375
00:21:59,480 --> 00:22:01,920
Speaker 1: I've never lay the eyes on him. I mean as

376
00:22:02,080 --> 00:22:04,240
Speaker 1: ask him what high school did his hook go to?

377
00:22:04,400 --> 00:22:06,879
Speaker 1: Or did he go to John Muir? Asking did he

378
00:22:06,880 --> 00:22:09,800
Speaker 1: go to John Muir or the school the five Fires

379
00:22:09,840 --> 00:22:11,680
Speaker 1: go to or the five sevens go to. He ain't

380
00:22:11,720 --> 00:22:15,360
Speaker 1: never went to that school. That us emotion about him

381
00:22:15,359 --> 00:22:19,119
Speaker 1: posting on Facebook talking about naps for all y'all that

382
00:22:19,160 --> 00:22:22,639
Speaker 1: don't know what that means. He talking about neighborhood crib

383
00:22:23,240 --> 00:22:25,879
Speaker 1: on that up that page years ago. What two thousand

384
00:22:25,920 --> 00:22:28,760
Speaker 1: and twelve, Cup, after my calls from snoobod it made

385
00:22:28,800 --> 00:22:31,639
Speaker 1: up a name and all that whatever. Cuh ain't never

386
00:22:31,680 --> 00:22:37,600
Speaker 1: been no motherfucking snooper out of anger of a beaten Cup.

387
00:22:38,560 --> 00:22:40,639
Speaker 1: That was crucial. Let's go ahead and keep it fifty

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00:22:40,640 --> 00:22:45,080
Speaker 1: fifth straight in the sixties, not in Texas. So that's

389
00:22:45,160 --> 00:22:49,320
Speaker 1: that's that incident. So that out here an official putoff cup.

390
00:22:49,840 --> 00:22:52,240
Speaker 1: Have me hate a lot of mother did this fifty

391
00:22:52,240 --> 00:22:57,560
Speaker 1: fifth streak. I'm dedicated to this, hear me. I'm dedicated

392
00:22:57,560 --> 00:23:02,359
Speaker 1: to this right here. And you know, whatever the outcome is,

393
00:23:02,359 --> 00:23:04,520
Speaker 1: the outcome is you hear me. Like I said, I'm

394
00:23:04,560 --> 00:23:07,640
Speaker 1: never covering it up. It's never coming off never all

395
00:23:07,720 --> 00:23:11,160
Speaker 1: things whatever. When the penitential blast in the county, whatever,

396
00:23:11,800 --> 00:23:13,639
Speaker 1: you get to that penitential, you like to burn this

397
00:23:13,760 --> 00:23:16,679
Speaker 1: motherfuck off. It ain't coming off right. You're at the

398
00:23:16,720 --> 00:23:20,240
Speaker 1: same time, if I would say, he's speaking to the

399
00:23:20,280 --> 00:23:22,959
Speaker 1: tattoo on his head. For those of you not watching

400
00:23:22,960 --> 00:23:25,399
Speaker 1: the video, this this dude has who would kill on

401
00:23:25,480 --> 00:23:28,760
Speaker 1: his head? Again, these things are viewed a certain way,

402
00:23:28,760 --> 00:23:33,080
Speaker 1: and that's that's automatic violation for anybody that repstead of

403
00:23:33,240 --> 00:23:37,359
Speaker 1: the hood snaps another. I mean, hey, sign your that

404
00:23:37,560 --> 00:23:41,640
Speaker 1: certificate on because once you fuck up them, geez, don't

405
00:23:41,640 --> 00:23:45,119
Speaker 1: big onmies. It's on your desks. You hear me. It

406
00:23:45,240 --> 00:23:47,760
Speaker 1: ain't no favoritism in this motherfuck It don't matter how

407
00:23:47,760 --> 00:23:50,160
Speaker 1: long you be from you fuck you suck up. Just

408
00:23:50,240 --> 00:23:52,640
Speaker 1: like in the penitential you get DP, you get DPT

409
00:23:53,240 --> 00:23:59,080
Speaker 1: my god, what mother front year I go to that

410
00:23:59,320 --> 00:24:05,240
Speaker 1: day cheer. You know I don't rub from nothing. I'm

411
00:24:03,400 --> 00:24:09,040
Speaker 1: saying never on crip jail, No, I should right a

412
00:24:09,040 --> 00:24:12,640
Speaker 1: little baby money crip. I was wrong years ago. Club,

413
00:24:15,640 --> 00:24:19,879
Speaker 1: I own up. Five. What's going on? You understand that?

414
00:24:20,320 --> 00:24:23,080
Speaker 1: And um I take responsibility as a man. I'm f

415
00:24:23,240 --> 00:24:25,960
Speaker 1: fifty fifth street crib. Let's be five ills. Put on

416
00:24:26,000 --> 00:24:28,400
Speaker 1: the hook. It's part of gang bang and cut. It's

417
00:24:28,400 --> 00:24:32,240
Speaker 1: part of gang banging. Oh, that's just what it is.

418
00:24:32,280 --> 00:24:35,280
Speaker 1: Because Pruss, my name is Hoover Killer destruction, the name

419
00:24:35,320 --> 00:24:38,440
Speaker 1: I kill. You fight me and I'm five minutes so

420
00:24:38,800 --> 00:24:41,440
Speaker 1: the other mothers from the hood cut, that's five minutes five.

421
00:24:42,000 --> 00:24:44,760
Speaker 1: You fight me the same gang bangers sit cume. I

422
00:24:44,760 --> 00:24:46,760
Speaker 1: mean when they do the same gang bangers ship Cup,

423
00:24:46,800 --> 00:24:50,000
Speaker 1: but they're not five minutes like me. All hook Cup.

424
00:24:50,160 --> 00:24:55,359
Speaker 1: It's because it's issue you find I'm pretty much the

425
00:24:55,400 --> 00:24:59,040
Speaker 1: face of the hood. You fight me on hood. I

426
00:24:59,119 --> 00:25:05,680
Speaker 1: am a nickel fifty fish straight, fifty fish straight, fifty

427
00:25:05,840 --> 00:25:11,479
Speaker 1: fair straight, fifty fair straight five you slow motherfuck this

428
00:25:11,560 --> 00:25:18,720
Speaker 1: is the fifth fifty fair strict. So as you see

429
00:25:18,720 --> 00:25:25,080
Speaker 1: that rundown man. A very interesting situation again, I I

430
00:25:25,160 --> 00:25:28,720
Speaker 1: always advise against gang banging, you know, I tell the

431
00:25:28,800 --> 00:25:32,120
Speaker 1: youngsters around me, and I'm harsh in my communication about it,

432
00:25:32,680 --> 00:25:35,679
Speaker 1: because I know the tools that's necessary. They don't. They

433
00:25:35,680 --> 00:25:39,680
Speaker 1: ain't equipped with They're no longer raised in a way

434
00:25:39,720 --> 00:25:44,119
Speaker 1: where they can gather what's needed to be effective in

435
00:25:44,240 --> 00:25:48,560
Speaker 1: that kind of culture. And oftentimes the people that starting

436
00:25:48,600 --> 00:25:51,520
Speaker 1: the wars are too old to fight them, and they're

437
00:25:51,520 --> 00:25:54,119
Speaker 1: advising people that's too young to die to go to

438
00:25:54,240 --> 00:25:58,679
Speaker 1: the war. Right, So what we're doing is we're losing

439
00:25:58,680 --> 00:26:03,880
Speaker 1: our children prior to them being able to launch at

440
00:26:03,880 --> 00:26:08,280
Speaker 1: the hands of older guys who survived a time when

441
00:26:08,359 --> 00:26:12,480
Speaker 1: guns wasn't as prevalent, when everybody didn't have an AAR,

442
00:26:13,359 --> 00:26:15,760
Speaker 1: when the youngsters didn't have c back when dudes was

443
00:26:15,840 --> 00:26:21,520
Speaker 1: gang banging, they had the squad boy fight it out. Nowadays,

444
00:26:21,560 --> 00:26:26,800
Speaker 1: they're sending other people's little boys with guns big enough

445
00:26:26,840 --> 00:26:29,280
Speaker 1: to kill four and five and six and seven people

446
00:26:31,040 --> 00:26:34,920
Speaker 1: on missions, and they calling them drills, and they relating

447
00:26:34,960 --> 00:26:37,919
Speaker 1: them to music, and they relating them to movies, and

448
00:26:38,000 --> 00:26:46,359
Speaker 1: they relating them to rank and then when institutionalized, because

449
00:26:46,400 --> 00:26:51,080
Speaker 1: somewhere down the line, even me, I feel like c.

450
00:26:51,359 --> 00:26:54,200
Speaker 1: Mac crip mac got a warrior spirit, and you can't

451
00:26:54,240 --> 00:26:57,480
Speaker 1: give these suckers a warrior spirit. They can't go buy

452
00:26:57,640 --> 00:27:02,280
Speaker 1: warrior spirit. Right. But I also feel like it's a

453
00:27:02,359 --> 00:27:07,240
Speaker 1: vicious cycle we find ourselves in. When I deal with it,

454
00:27:07,240 --> 00:27:09,560
Speaker 1: and I got to thinking about it and I deal

455
00:27:09,600 --> 00:27:14,960
Speaker 1: with La in particular, I say, damn man, what's its

456
00:27:15,040 --> 00:27:18,560
Speaker 1: casting us out there? To keep that cycle gone? Number

457
00:27:18,560 --> 00:27:23,160
Speaker 1: one is the colchure, right, it's the coach out there.

458
00:27:23,200 --> 00:27:28,600
Speaker 1: It's third generation. It ain't viewed the same outside the

459
00:27:28,600 --> 00:27:33,560
Speaker 1: wrastling ring. Right, we know what we're doing inside the

460
00:27:33,600 --> 00:27:38,520
Speaker 1: wrestling ring knows just looking at the match, they don't

461
00:27:38,560 --> 00:27:41,280
Speaker 1: necessarily understand the end the workers. So we're dealing with

462
00:27:41,320 --> 00:27:45,200
Speaker 1: Granted getting down gang bang and we're dealing with Mama,

463
00:27:45,280 --> 00:27:49,160
Speaker 1: We're dealing with Auntie, We're dealing with nephew and nice

464
00:27:49,240 --> 00:27:53,480
Speaker 1: gang banging. Right, So these are the things generational number one,

465
00:27:53,560 --> 00:28:01,000
Speaker 1: number two out there, because it's black people. We all

466
00:28:01,080 --> 00:28:11,199
Speaker 1: are under the same poverty is stricken environments. But somewhere

467
00:28:11,920 --> 00:28:14,600
Speaker 1: along the lines, the government has been able to make

468
00:28:14,600 --> 00:28:19,320
Speaker 1: it where dolling Atlanta don't spend the same as a

469
00:28:19,400 --> 00:28:26,439
Speaker 1: dolling California somewhere they've they've ran a smooth trick to

470
00:28:26,600 --> 00:28:31,800
Speaker 1: where a hamburger in Atlanta a Big macas two ninety nine,

471
00:28:32,320 --> 00:28:36,520
Speaker 1: and the same hamburger in California is six dollars. A

472
00:28:36,680 --> 00:28:40,400
Speaker 1: pack of cigarettes in Nashville it's three dollars and forty

473
00:28:40,480 --> 00:28:43,920
Speaker 1: nine cent, and that same pack of cigarettes in New

474
00:28:44,000 --> 00:28:47,920
Speaker 1: York is ten dollars. It's some kind of weird thing

475
00:28:48,000 --> 00:28:51,040
Speaker 1: that got going on with a dollar. It's still the dollar,

476
00:28:51,400 --> 00:28:54,840
Speaker 1: but the inflation moves as you go to these different states. Right,

477
00:28:55,360 --> 00:28:59,280
Speaker 1: So we're dealing with poverty in California, we're dealing with

478
00:28:59,720 --> 00:29:06,640
Speaker 1: a property value that keeps people from being able to

479
00:29:06,680 --> 00:29:09,760
Speaker 1: buy houses in the same way that you are able

480
00:29:09,800 --> 00:29:12,280
Speaker 1: to in some of these other areas. Right, you will

481
00:29:12,320 --> 00:29:15,400
Speaker 1: see a house there's two three thousand square feet, it'll

482
00:29:15,440 --> 00:29:17,720
Speaker 1: be three million dollars in the middle of the rolling

483
00:29:17,800 --> 00:29:24,480
Speaker 1: sixties neighborhood. So a lot of times when dudes grow

484
00:29:24,560 --> 00:29:26,960
Speaker 1: up gang banging and they live with Granted because Granted

485
00:29:27,080 --> 00:29:29,680
Speaker 1: was able to get in. Therefore, it was before the

486
00:29:29,760 --> 00:29:32,400
Speaker 1: inflation came and back in the sixties, she was able

487
00:29:32,440 --> 00:29:36,120
Speaker 1: to get that creer. So before they can you know,

488
00:29:36,200 --> 00:29:38,880
Speaker 1: before they was able to you know trick the system.

489
00:29:39,040 --> 00:29:42,800
Speaker 1: Granted was able to get the house. Now these dudes

490
00:29:43,160 --> 00:29:45,640
Speaker 1: ain't able to move away from granted house the coast

491
00:29:45,680 --> 00:29:51,200
Speaker 1: too much, so they stand in their neighborhoods. They forty

492
00:29:51,240 --> 00:29:55,360
Speaker 1: five years old, but they still live with Granning, which

493
00:29:55,400 --> 00:29:57,720
Speaker 1: is still in this neighborhood. So they still fall up

494
00:29:57,800 --> 00:30:01,440
Speaker 1: under the rules because what they say, we'll be marshaling them. Say,

495
00:30:01,760 --> 00:30:06,440
Speaker 1: exposure leads to expansion. So without the exposure, there is

496
00:30:06,480 --> 00:30:10,200
Speaker 1: no expansion. So you're dealing with a crib at twenty one.

497
00:30:10,720 --> 00:30:13,120
Speaker 1: You're gonna still be dealing with this crib at forty

498
00:30:13,240 --> 00:30:16,280
Speaker 1: one because we're still in the same area, doing these

499
00:30:16,320 --> 00:30:18,360
Speaker 1: same things, and we don't know how to get out

500
00:30:18,360 --> 00:30:23,000
Speaker 1: of the cycle. And so they affected by those rules. Man.

501
00:30:23,080 --> 00:30:26,160
Speaker 1: And I can't really speak on the rules a gang

502
00:30:26,200 --> 00:30:30,240
Speaker 1: bang because I don't gang bang the value coming from

503
00:30:30,280 --> 00:30:33,880
Speaker 1: my town. If I couldn't call Snoop Dogg and I

504
00:30:33,960 --> 00:30:37,640
Speaker 1: was a crib, I never could understand it. If I

505
00:30:37,720 --> 00:30:40,160
Speaker 1: decided to get down with blood and they couldn't put

506
00:30:40,160 --> 00:30:43,320
Speaker 1: me on the phone with Sugar Night, I didn't understand it.

507
00:30:43,640 --> 00:30:45,560
Speaker 1: I didn't know what I was saying, but that was

508
00:30:45,640 --> 00:30:48,479
Speaker 1: I always my mind set and I gas on both sides,

509
00:30:48,560 --> 00:30:52,880
Speaker 1: love on both sides, warriors on both sides, soldiers on

510
00:30:52,880 --> 00:30:57,800
Speaker 1: both sides. But as a young sty always told myself like,

511
00:30:59,160 --> 00:31:02,360
Speaker 1: it's something about it that I just can't understand. And

512
00:31:02,920 --> 00:31:06,320
Speaker 1: I thank god that I didn't bite that apple because

513
00:31:06,320 --> 00:31:10,760
Speaker 1: I'm a dedicated guy, and if I would have dedicated

514
00:31:10,840 --> 00:31:13,160
Speaker 1: to that, no telling what my life would have turned that.

515
00:31:13,400 --> 00:31:17,719
Speaker 1: But to see a grown man going to a neighborhood

516
00:31:17,800 --> 00:31:20,640
Speaker 1: in which he's put on his back for lack of

517
00:31:20,640 --> 00:31:25,960
Speaker 1: a better term, he's adjusted his vocabulary, he did everything

518
00:31:26,040 --> 00:31:27,720
Speaker 1: he could to put it on the map, and he

519
00:31:27,840 --> 00:31:33,760
Speaker 1: continued too. But they say nobody's bigger than the program.

520
00:31:33,880 --> 00:31:37,320
Speaker 1: Some people try to site yo. It's some animosity, man,

521
00:31:37,440 --> 00:31:39,320
Speaker 1: some of them. People probably like this that in the

522
00:31:39,400 --> 00:31:42,040
Speaker 1: third like you heard dude say, I don't know what

523
00:31:42,160 --> 00:31:47,280
Speaker 1: to say about that. Again. My opinion is I just

524
00:31:47,360 --> 00:31:52,960
Speaker 1: tell the kids stay away from it. It's unreasonable expectations

525
00:31:53,000 --> 00:31:59,440
Speaker 1: to the criminal behavior. There's an unreasonable approach. It's failed

526
00:31:59,440 --> 00:32:04,440
Speaker 1: to update. They're still trying the same old tricks. And

527
00:32:04,560 --> 00:32:08,960
Speaker 1: I used to think dudes were small until I realized that, say, loon,

528
00:32:11,080 --> 00:32:15,840
Speaker 1: you're the only one trying new things. Everybody you was

529
00:32:15,880 --> 00:32:18,160
Speaker 1: in the dope game. We're still in the dope game.

530
00:32:20,120 --> 00:32:22,680
Speaker 1: Then I got to thinking outside the box. And guess

531
00:32:22,680 --> 00:32:27,760
Speaker 1: what that exposed. You start pulling from different things. Oh man,

532
00:32:29,080 --> 00:32:33,160
Speaker 1: we ain't smart at all and I had to move forward. Man,

533
00:32:33,200 --> 00:32:36,360
Speaker 1: But it hurts. It hurt me to see somebody like

534
00:32:36,520 --> 00:32:40,440
Speaker 1: this dude because I'm and I'm gonna sit down with him,

535
00:32:40,600 --> 00:32:43,640
Speaker 1: you know, But it seemed like like his mind made up,

536
00:32:43,720 --> 00:32:48,800
Speaker 1: he cripping, his mind made up, and he going our

537
00:32:48,840 --> 00:32:52,200
Speaker 1: way out with it. I wonder what he's feeling aside

538
00:32:52,280 --> 00:32:57,640
Speaker 1: from that dog. Not only did the DP go down? Right,

539
00:32:57,680 --> 00:33:00,120
Speaker 1: even if you accept the DP, I'm gang bang and

540
00:33:00,160 --> 00:33:04,240
Speaker 1: that's part of this. That's what that is. But who yo,

541
00:33:04,800 --> 00:33:09,360
Speaker 1: whoever had that camera post and winning violation wonner because

542
00:33:09,360 --> 00:33:11,960
Speaker 1: this this guy, this hood business. He didn't put me

543
00:33:12,000 --> 00:33:16,160
Speaker 1: on camera. He pulled a bit Nixon. The rack ain't

544
00:33:16,160 --> 00:33:21,000
Speaker 1: no favoritism right, in my opinions, should have ended up

545
00:33:21,000 --> 00:33:24,480
Speaker 1: on the internet. And don't never thank you calling loan

546
00:33:24,600 --> 00:33:30,680
Speaker 1: for a loan to show up to get DP. It's

547
00:33:30,800 --> 00:33:34,400
Speaker 1: unfortunate that y'all would even approach people with that. But

548
00:33:34,480 --> 00:33:36,880
Speaker 1: I don't gang bang so I can't speak on that.

549
00:33:38,680 --> 00:33:43,920
Speaker 1: But again, rich people that's in position, learn from your position,

550
00:33:44,040 --> 00:33:47,560
Speaker 1: learn from what's happening. That's why I have a disdain

551
00:33:47,720 --> 00:33:50,840
Speaker 1: for guys that want to be start gang banging at

552
00:33:50,840 --> 00:33:55,240
Speaker 1: twenty eight or wanna be gang bangers. I gotta disdain

553
00:33:55,360 --> 00:33:59,400
Speaker 1: for the wanna be gang bangers. I wanna be gang bang.

554
00:33:59,440 --> 00:34:03,000
Speaker 1: I gotta staying for you all on the fence, gang banger.

555
00:34:03,760 --> 00:34:08,280
Speaker 1: I don't like you right because I know what you do.

556
00:34:08,320 --> 00:34:12,239
Speaker 1: You influence the wars that's gonna do it because you

557
00:34:12,400 --> 00:34:17,359
Speaker 1: the loudest oftentimes, and so I hate you dudes. I

558
00:34:17,360 --> 00:34:19,480
Speaker 1: feel a certain way about what you're doing to the

559
00:34:19,560 --> 00:34:23,040
Speaker 1: community right. The wars that's doing it, the wars that

560
00:34:23,160 --> 00:34:26,279
Speaker 1: grew up in it, the wars that decided that that's

561
00:34:26,320 --> 00:34:30,480
Speaker 1: what they're doing, keep the women in, the children out

562
00:34:30,520 --> 00:34:34,200
Speaker 1: of bidding it. But the wars that is faking it.

563
00:34:34,360 --> 00:34:37,399
Speaker 1: We got a real issue because y'all could have been

564
00:34:37,440 --> 00:34:41,680
Speaker 1: the doctors. You know, y'all could have been the lawyers.

565
00:34:42,400 --> 00:34:45,160
Speaker 1: I said, it's only fair. Back Snaps keeps everything fifty

566
00:34:45,160 --> 00:34:48,600
Speaker 1: fifth straight. You shouldn't Mamma Bear money make sure she

567
00:34:48,680 --> 00:34:52,320
Speaker 1: splits you with Granny Bear it's only fair than snaps.

568
00:34:52,360 --> 00:34:56,320
Speaker 1: It's a fair man, oh neighborhood crib. Well. What's funny

569
00:34:56,360 --> 00:35:00,359
Speaker 1: about it too, is that his last interview, would Know Chump,

570
00:35:00,440 --> 00:35:03,640
Speaker 1: he spoke about DPS. A couple of interviews he will

571
00:35:03,680 --> 00:35:06,640
Speaker 1: he will run around speak about DPS. In this interview

572
00:35:06,719 --> 00:35:08,920
Speaker 1: right here, I'm gonna play a little snippet. Will go

573
00:35:09,000 --> 00:35:12,640
Speaker 1: on with the show. But he spoke about DPS and

574
00:35:12,719 --> 00:35:16,640
Speaker 1: some of the ogs in his hood. The DP involved

575
00:35:16,640 --> 00:35:20,520
Speaker 1: ten people, they say, so ten people attacked him. To

576
00:35:20,640 --> 00:35:24,440
Speaker 1: make sure you get Aisian learn his lesson. This is

577
00:35:24,480 --> 00:35:28,839
Speaker 1: the behavior of the homies, and I just think it's

578
00:35:28,920 --> 00:35:32,160
Speaker 1: uncomfortable when you really drill it down and think about it. Right.

579
00:35:32,760 --> 00:35:36,040
Speaker 1: Got to find a different way for us to communicate

580
00:35:36,080 --> 00:35:42,160
Speaker 1: our standards to each other. But I bet you it's effective.

581
00:35:43,160 --> 00:35:45,400
Speaker 1: Don't nobody want to be in that blender like that.

582
00:35:46,560 --> 00:35:49,080
Speaker 1: That's why I say for him to show up so willingly,

583
00:35:49,200 --> 00:35:51,680
Speaker 1: so like, let's get this out the way, let's get

584
00:35:51,680 --> 00:35:54,560
Speaker 1: it going. Ain't no smug on my cripping and running

585
00:35:54,600 --> 00:35:57,680
Speaker 1: to the blender with ten dudes. It speaks to its spirit.

586
00:35:58,200 --> 00:36:01,960
Speaker 1: It speaks to its spirit. We know all these dudes

587
00:36:02,360 --> 00:36:06,320
Speaker 1: is selling saying like it's brown sugar. They grand standing.

588
00:36:06,440 --> 00:36:09,360
Speaker 1: We just saw the baby out let go. We see

589
00:36:09,680 --> 00:36:11,600
Speaker 1: you know, the brother running up on the baby with

590
00:36:11,719 --> 00:36:14,200
Speaker 1: the let's have a fair one instead of just fine

591
00:36:14,280 --> 00:36:17,560
Speaker 1: on it. It's one on one right here now because

592
00:36:17,600 --> 00:36:19,600
Speaker 1: you just you left what your reels broke. You might

593
00:36:19,800 --> 00:36:22,600
Speaker 1: well sprung on him and gone got you one end

594
00:36:22,960 --> 00:36:27,200
Speaker 1: because you're gonna leave here hurt. Right, But for dude

595
00:36:27,280 --> 00:36:30,759
Speaker 1: to run into that right after speaking about it so much,

596
00:36:30,800 --> 00:36:34,120
Speaker 1: man like I always tell y'all, you're manifesting things without

597
00:36:34,200 --> 00:36:38,759
Speaker 1: knowing it. You're manifesting situations without knowing it. It's unfortunate

598
00:36:38,840 --> 00:36:40,840
Speaker 1: for you. But let's listen to a little bit of

599
00:36:40,840 --> 00:36:43,720
Speaker 1: this and then with the gang bang awsome baby. Snaps

600
00:36:43,840 --> 00:36:47,000
Speaker 1: is fair, No favorite is right. It's right and wrong

601
00:36:47,040 --> 00:36:50,799
Speaker 1: it's wrong. Snaps is gonna come on homes call, come

602
00:36:50,800 --> 00:36:56,120
Speaker 1: on hooding. It is what it is. It's good to

603
00:36:56,160 --> 00:36:58,240
Speaker 1: have that. It's good. It's good to have a homey

604
00:36:58,320 --> 00:37:01,000
Speaker 1: dad that that cares about you on hood. But he'll

605
00:37:01,040 --> 00:37:02,759
Speaker 1: let you know what's light right, what's wrong is wrong.

606
00:37:03,080 --> 00:37:05,200
Speaker 1: You're gonna get suckuck gonna let you know how he's

607
00:37:05,200 --> 00:37:08,560
Speaker 1: gonna beat your anna but you learned your lesson. Yeah,

608
00:37:08,640 --> 00:37:10,560
Speaker 1: and a lot of months learning lesson. But you got

609
00:37:10,560 --> 00:37:12,640
Speaker 1: some us that will never come get that DP cut

610
00:37:12,640 --> 00:37:19,880
Speaker 1: the dis a few years the cub Let me stress laughing. Now,

611
00:37:20,000 --> 00:37:23,960
Speaker 1: let can you never get back to the hook when

612
00:37:23,960 --> 00:37:27,480
Speaker 1: you get DV. There are you the Cathaine beating me

613
00:37:27,520 --> 00:37:29,359
Speaker 1: down the most? Are you looking at I'm gonna get

614
00:37:29,360 --> 00:37:33,080
Speaker 1: you back? No? No, no, cume, it's like tis cup,

615
00:37:33,160 --> 00:37:36,040
Speaker 1: this is this is how it goes. Cut he's his homies. No,

616
00:37:36,160 --> 00:37:38,880
Speaker 1: it's more so cut. You gotta get your display cut

617
00:37:39,040 --> 00:37:41,520
Speaker 1: of issue. All they look at. That's it. We're gonna

618
00:37:41,560 --> 00:37:44,279
Speaker 1: look that's how it is because that's p's that's why

619
00:37:44,280 --> 00:37:46,719
Speaker 1: a lot of people that don't understand the game. That's

620
00:37:46,760 --> 00:37:49,719
Speaker 1: that's how it is. Yeah, it's rough, It's it's a

621
00:37:49,800 --> 00:37:52,200
Speaker 1: russ a rough life. Again, what by your mama? You

622
00:37:52,239 --> 00:37:54,200
Speaker 1: know you got Oh no, it ain't like getting hit

623
00:37:54,239 --> 00:37:57,200
Speaker 1: with a hanger of belt, my granny, Bear of mind, bear,

624
00:37:57,600 --> 00:38:02,879
Speaker 1: Notice how can you compare so again? Man, just showing you. Man,

625
00:38:02,960 --> 00:38:06,399
Speaker 1: dude got several different sizes. Unfortunate for me went through that.

626
00:38:06,719 --> 00:38:10,000
Speaker 1: You gotta just man, you gotta make sure your children,

627
00:38:10,000 --> 00:38:13,400
Speaker 1: no right because grown men, they already grown. Man, you

628
00:38:13,400 --> 00:38:16,560
Speaker 1: gotta make sure your kids know, like you don't want to.

629
00:38:16,680 --> 00:38:18,600
Speaker 1: You don't want to ask a go this route, this

630
00:38:18,719 --> 00:38:23,520
Speaker 1: route right here. You know it's it's it's a lot

631
00:38:23,600 --> 00:38:27,040
Speaker 1: of work and a little bit of reward. Right now.

632
00:38:27,120 --> 00:38:29,840
Speaker 1: When you need the killers, boy, you're good. But you

633
00:38:29,880 --> 00:38:32,480
Speaker 1: can go all your life and not need the killers.

634
00:38:33,360 --> 00:38:35,680
Speaker 1: If you live your life a certain way, you can

635
00:38:35,719 --> 00:38:38,040
Speaker 1: go all your life and not need to kill us.

636
00:38:38,400 --> 00:38:40,759
Speaker 1: So you don't necessarily gotta go through all it. And

637
00:38:40,760 --> 00:38:43,080
Speaker 1: then if you was in the see that's what I'm saying.

638
00:38:43,120 --> 00:38:45,560
Speaker 1: Some of them dudes, it's stuck in a proximity where

639
00:38:45,560 --> 00:38:48,480
Speaker 1: they need to kill us. So they gotta fall victim

640
00:38:48,520 --> 00:38:51,120
Speaker 1: to putting work in for the hood, because when it's time,

641
00:38:51,200 --> 00:38:53,919
Speaker 1: I'm gonna need the hood. Right But you can live

642
00:38:54,000 --> 00:38:56,680
Speaker 1: your whole life black, young dude, and be cool and

643
00:38:57,239 --> 00:39:00,719
Speaker 1: do your rap music thing without need the killers. You

644
00:39:00,719 --> 00:39:02,960
Speaker 1: don't never need the killers. Go get you some money,

645
00:39:03,480 --> 00:39:06,080
Speaker 1: stay away from out let. You'll never need the killers.

646
00:39:06,120 --> 00:39:09,680
Speaker 1: That's what we strive for, right, they hear, we they hear.

647
00:39:10,719 --> 00:39:13,680
Speaker 1: But let's never need the killer, specially on one another.

648
00:39:15,160 --> 00:39:17,799
Speaker 1: Let's redirect that energy you feel what I'm saying, let's

649
00:39:17,800 --> 00:39:20,440
Speaker 1: do something else with that. I wish we had the

650
00:39:20,480 --> 00:39:23,120
Speaker 1: power right to take the strength of the bloods, the

651
00:39:23,200 --> 00:39:27,000
Speaker 1: strength of the crips right and put that towards something else,

652
00:39:28,040 --> 00:39:29,960
Speaker 1: you know. I mean, we ever could do that, boy,

653
00:39:30,040 --> 00:39:33,640
Speaker 1: we'll be dangerous, you know what I mean. But unfortunately,

654
00:39:33,960 --> 00:39:36,440
Speaker 1: it's a lot of blood shit on both sides, even

655
00:39:36,480 --> 00:39:39,439
Speaker 1: inside of both sides, So it's like you can't really

656
00:39:39,480 --> 00:39:43,279
Speaker 1: speak on it. And again, it's history is generational, and

657
00:39:43,400 --> 00:39:45,880
Speaker 1: that's where it gets slipper read. It's gonna take somebody

658
00:39:45,920 --> 00:39:48,680
Speaker 1: from the top and it's gonna be one of them

659
00:39:48,760 --> 00:39:51,439
Speaker 1: kind of situations. So we'll think about it and we'll

660
00:39:51,480 --> 00:39:53,920
Speaker 1: figure it out. I'm gonna take a quick break and

661
00:39:53,960 --> 00:39:57,760
Speaker 1: we'll be back. But you can go your whole life

662
00:39:59,040 --> 00:40:02,440
Speaker 1: without needing use the killers. That's why you got to

663
00:40:02,480 --> 00:40:04,680
Speaker 1: make sure your children and your little boys and your

664
00:40:04,719 --> 00:40:08,360
Speaker 1: little girls understand and be able to distinguish what side

665
00:40:08,400 --> 00:40:12,359
Speaker 1: of the street it's more effective for prosperity right for

666
00:40:12,400 --> 00:40:15,719
Speaker 1: them to live a life that with freedom attached to

667
00:40:15,800 --> 00:40:20,120
Speaker 1: it financially mentally, were they able to break some of

668
00:40:20,120 --> 00:40:23,080
Speaker 1: these generational curses. When I speak to my people about

669
00:40:23,160 --> 00:40:26,480
Speaker 1: generational curses. I don't think they hit me. I say,

670
00:40:26,480 --> 00:40:28,879
Speaker 1: I'm breaking some of them on that's on my name,

671
00:40:29,800 --> 00:40:32,680
Speaker 1: that's on my back, right, we got to break some

672
00:40:32,760 --> 00:40:36,480
Speaker 1: of this. Got to break it right far as why

673
00:40:36,520 --> 00:40:38,440
Speaker 1: I'm you know, when they look back at what I

674
00:40:38,520 --> 00:40:41,560
Speaker 1: brought to the world when I transition, right when my

675
00:40:42,200 --> 00:40:46,239
Speaker 1: great grandkids and all. Let's say, man, my great granddaddy

676
00:40:46,320 --> 00:40:49,680
Speaker 1: put it down where he was going hard, you know,

677
00:40:49,760 --> 00:40:52,319
Speaker 1: but we try to strive. And you know, like I say,

678
00:40:52,400 --> 00:40:54,400
Speaker 1: when you in the neighborhood, when you stuck in a

679
00:40:54,520 --> 00:40:58,000
Speaker 1: proximity like California or one of these ghettos, are to

680
00:40:58,120 --> 00:41:00,879
Speaker 1: travel where you live at where one day, bro, I'm

681
00:41:00,880 --> 00:41:04,040
Speaker 1: gonna need the killers. So I gotta put in work

682
00:41:04,120 --> 00:41:06,080
Speaker 1: with the killers. I gotta make sure that I'm good

683
00:41:06,080 --> 00:41:08,799
Speaker 1: and my face card good with the killers because I

684
00:41:08,960 --> 00:41:11,359
Speaker 1: never know one day I'm definitely gonna need them. Because

685
00:41:11,360 --> 00:41:15,640
Speaker 1: we got enemies. We got enemies just from this neighborhood.

686
00:41:15,920 --> 00:41:19,160
Speaker 1: I ain't did none personally, but this neighborhood got enemies.

687
00:41:19,840 --> 00:41:23,080
Speaker 1: And because this neighborhood got enemies, and I come from

688
00:41:23,120 --> 00:41:27,120
Speaker 1: this neighborhood, I can't be the one from the hood

689
00:41:27,120 --> 00:41:30,320
Speaker 1: that ain't putting no work into whether when I need

690
00:41:30,320 --> 00:41:34,160
Speaker 1: the killers, they ain't know where to be found. But

691
00:41:34,280 --> 00:41:38,600
Speaker 1: I tell children, and again I'm I'm effective in it,

692
00:41:39,160 --> 00:41:42,759
Speaker 1: but I'm harsh with it. I don't play with them.

693
00:41:42,800 --> 00:41:45,640
Speaker 1: Still away from that gang banging like you think you

694
00:41:45,680 --> 00:41:48,480
Speaker 1: want to be street. Everything I lost come from there.

695
00:41:49,840 --> 00:41:53,799
Speaker 1: Everything I lost come from there, and so I got

696
00:41:53,800 --> 00:41:59,160
Speaker 1: a certain level of passion attat to man. You gotta

697
00:41:59,200 --> 00:42:04,359
Speaker 1: still away from that, bro, But I'm highly effective with it.

698
00:42:04,520 --> 00:42:07,160
Speaker 1: But you gotta teach them to be able to You

699
00:42:07,239 --> 00:42:09,560
Speaker 1: gotta be able to tell them and communicate to them.

700
00:42:09,600 --> 00:42:11,920
Speaker 1: You can go your whole life without needing the killers.

701
00:42:12,160 --> 00:42:14,719
Speaker 1: You could live a life right where you wouldn't getting money,

702
00:42:14,800 --> 00:42:19,000
Speaker 1: you wouldn't traveling, you know, eating exquisite meals all across

703
00:42:19,040 --> 00:42:23,440
Speaker 1: the country and abroad right taking pictures, you know, and

704
00:42:23,560 --> 00:42:28,120
Speaker 1: getting richer. Right, you in a situation and excel and prevail.

705
00:42:28,680 --> 00:42:31,480
Speaker 1: You understand me, So you ain't really trying to do

706
00:42:31,560 --> 00:42:34,560
Speaker 1: too much of a you know, back and force and

707
00:42:34,680 --> 00:42:37,680
Speaker 1: now that, yeah, you leave it up to the yegg

708
00:42:37,840 --> 00:42:41,160
Speaker 1: y'all can have that game. We're trying to get rich

709
00:42:41,200 --> 00:42:45,359
Speaker 1: and stay rich. You understand me, and you stay rich

710
00:42:45,480 --> 00:42:48,399
Speaker 1: long enough, it turned into being wealthy. So we want

711
00:42:48,400 --> 00:42:50,920
Speaker 1: to end up somewhere around now and y'all had it.

712
00:42:51,320 --> 00:42:53,640
Speaker 1: And I never need the killers unless and if I do,

713
00:42:53,719 --> 00:42:55,920
Speaker 1: I got enough money to leverage whatever it is I

714
00:42:56,520 --> 00:43:00,799
Speaker 1: need in life. Money makes things you by pay. It's outlets.

715
00:43:00,880 --> 00:43:05,360
Speaker 1: So I'm saying, when you dedicate to it, it's because

716
00:43:05,480 --> 00:43:08,040
Speaker 1: that's what you own. You're gonna gang bang. You're gonna

717
00:43:08,040 --> 00:43:11,160
Speaker 1: go the whole You're gonna go the whole ride for me. Man,

718
00:43:11,239 --> 00:43:14,800
Speaker 1: you gotta know the difference between living in the hood,

719
00:43:15,640 --> 00:43:19,320
Speaker 1: being from the hood, and being a product of the hood.

720
00:43:20,400 --> 00:43:22,719
Speaker 1: You see what I'm saying. You gotta be able to

721
00:43:22,760 --> 00:43:26,480
Speaker 1: distinguish how to come from the hood, but be greater

722
00:43:26,560 --> 00:43:28,520
Speaker 1: than what the hood thought you would be. Because I

723
00:43:28,600 --> 00:43:32,759
Speaker 1: know I'm reaching for multi media and we close, so

724
00:43:33,600 --> 00:43:37,359
Speaker 1: you're better, ye better, be better. Be awake. We're gonna

725
00:43:37,400 --> 00:43:39,959
Speaker 1: take a quick break and we'll be back. I gotta

726
00:43:40,040 --> 00:43:48,040
Speaker 1: reiterate this point because for some reason the compute, for

727
00:43:48,080 --> 00:43:50,879
Speaker 1: some reason, the camera stopped recording. I'm not sure why,

728
00:43:51,000 --> 00:43:54,839
Speaker 1: but and I don't necessarily know why I was at

729
00:43:54,880 --> 00:43:57,960
Speaker 1: so I'll just, you know, kind of reiterate the point

730
00:43:59,040 --> 00:44:01,160
Speaker 1: when you deal with these grown men. It's in this

731
00:44:01,320 --> 00:44:05,080
Speaker 1: vicious cycle, right when you gang banging or you caught

732
00:44:05,120 --> 00:44:08,920
Speaker 1: in the even hustling. I got homes that cannot stop hustling.

733
00:44:09,360 --> 00:44:14,000
Speaker 1: It don't matter what's going on. I don't bond facing life,

734
00:44:15,280 --> 00:44:18,520
Speaker 1: you know, I don't paroll with forty years over the

735
00:44:18,640 --> 00:44:21,840
Speaker 1: head like for some reason something some people just can't

736
00:44:21,880 --> 00:44:25,560
Speaker 1: stop hustling. They get caught in this cycle. Again. I

737
00:44:25,920 --> 00:44:30,520
Speaker 1: explained the point that I think with California in regards

738
00:44:30,560 --> 00:44:35,160
Speaker 1: to how the property value kind of drives them cycling

739
00:44:35,239 --> 00:44:40,200
Speaker 1: back and forth, back and forth, cycling around. But the

740
00:44:40,239 --> 00:44:44,200
Speaker 1: Hood to trick you, the Hood to make you think

741
00:44:45,960 --> 00:44:49,680
Speaker 1: that at some point you're gonna need the killers, so

742
00:44:49,760 --> 00:44:52,319
Speaker 1: you gotta do whatever you can do to keep the

743
00:44:52,400 --> 00:44:55,920
Speaker 1: killers on your side. But the Hood don't teach you

744
00:44:57,360 --> 00:45:00,239
Speaker 1: that you can go your whole life without ever eating

745
00:45:00,280 --> 00:45:04,120
Speaker 1: the killers. You may not never get in a situation

746
00:45:04,120 --> 00:45:07,759
Speaker 1: where you need to call the homies, like you might

747
00:45:07,760 --> 00:45:10,040
Speaker 1: can handle this one on one problems. You can kind

748
00:45:10,040 --> 00:45:12,439
Speaker 1: of handle yourself, you and your brother, you could couple

749
00:45:12,440 --> 00:45:16,360
Speaker 1: of y'all. But sometimes the Jews ain't worth the squeeze.

750
00:45:17,600 --> 00:45:21,160
Speaker 1: But them dudes in California is different because most likely

751
00:45:21,200 --> 00:45:23,920
Speaker 1: you grew up in the neighborhood. Property value is too

752
00:45:23,960 --> 00:45:26,040
Speaker 1: how to go buy a house? You got grown men

753
00:45:26,120 --> 00:45:29,200
Speaker 1: still in the neighborhood they grew up in. In the South,

754
00:45:29,360 --> 00:45:31,680
Speaker 1: you usually move from where you grew up in. At

755
00:45:31,719 --> 00:45:35,399
Speaker 1: some point, Mama do better. She something happens, Mama kind

756
00:45:35,400 --> 00:45:37,800
Speaker 1: of move out the hood like you usually move from that.

757
00:45:37,920 --> 00:45:40,000
Speaker 1: You don't go back to that area where a new

758
00:45:40,120 --> 00:45:45,279
Speaker 1: way is. This is gang territory. And that's why I

759
00:45:45,320 --> 00:45:49,600
Speaker 1: always had a disdain right for dudes. They try to

760
00:45:49,640 --> 00:45:52,560
Speaker 1: fake the gang bang or fake all that is because

761
00:45:53,960 --> 00:45:58,440
Speaker 1: you don't even understand you in the privileged position. You

762
00:45:58,440 --> 00:46:00,680
Speaker 1: don't even understand you in the privilege position not to

763
00:46:00,680 --> 00:46:04,720
Speaker 1: be count in the cycle. And part of our problem

764
00:46:04,880 --> 00:46:07,600
Speaker 1: is being young knicks on the grind and young knicks

765
00:46:07,600 --> 00:46:10,560
Speaker 1: from the street, is that we can't identify a hole.

766
00:46:11,239 --> 00:46:16,080
Speaker 1: We can't identify exit. You understand me. Sometimes you you

767
00:46:16,160 --> 00:46:19,440
Speaker 1: fucking who can't even identify exit. You like, yo, bro

768
00:46:19,600 --> 00:46:22,439
Speaker 1: go that way, clearly it's something that way for you.

769
00:46:22,440 --> 00:46:25,480
Speaker 1: You go that way. But dudes just won't go that way.

770
00:46:25,520 --> 00:46:28,279
Speaker 1: They stay that way. But crip MC went on the

771
00:46:28,360 --> 00:46:33,080
Speaker 1: no jump and kind of spoke on being DP discipline

772
00:46:33,120 --> 00:46:35,320
Speaker 1: for y'all that don't know. And this is in real time,

773
00:46:36,239 --> 00:46:38,400
Speaker 1: so we're gonna listen to a little bit of it,

774
00:46:40,960 --> 00:46:44,560
Speaker 1: little bit LA right on Briars in the sixties went

775
00:46:44,640 --> 00:46:47,080
Speaker 1: through some stuff over there, right, you know, Texas told

776
00:46:47,120 --> 00:46:49,400
Speaker 1: them there that they not like these kicks out here

777
00:46:49,440 --> 00:46:51,840
Speaker 1: because they all crips and they get along with each other. Okay,

778
00:46:52,000 --> 00:46:54,799
Speaker 1: so you know that type of went through a gang

779
00:46:54,840 --> 00:46:56,840
Speaker 1: of fights and different things like that, and then like

780
00:46:56,920 --> 00:46:59,920
Speaker 1: you know what, like we don't just feel like this, okay,

781
00:47:00,000 --> 00:47:02,320
Speaker 1: you know, but it's over with. It's a done issue.

782
00:47:02,480 --> 00:47:04,839
Speaker 1: But so you back when you were young, what age

783
00:47:04,960 --> 00:47:08,440
Speaker 1: were you roughly when you joined sixties or sixteen in

784
00:47:08,680 --> 00:47:12,200
Speaker 1: LA sixteen? Yeah, and so you just got around them

785
00:47:12,280 --> 00:47:15,560
Speaker 1: and you went through it. Yeah okay, and how long

786
00:47:15,600 --> 00:47:18,600
Speaker 1: did that last? And they didn't last long. I was

787
00:47:18,640 --> 00:47:21,640
Speaker 1: instantly drinking, instantly trying to snatch people's purchases. It got

788
00:47:21,640 --> 00:47:23,799
Speaker 1: put off. Oh that's what they put you off for

789
00:47:23,880 --> 00:47:26,799
Speaker 1: it And like that you were that that type of ship.

790
00:47:27,040 --> 00:47:29,400
Speaker 1: And she I was just going through and did that

791
00:47:29,480 --> 00:47:31,560
Speaker 1: type of sh So when it was time to get

792
00:47:31,600 --> 00:47:35,960
Speaker 1: the deep peaked, I wasn't fighting hord so pretty much

793
00:47:36,000 --> 00:47:38,239
Speaker 1: I get rid of this what I'm saying. I had

794
00:47:38,320 --> 00:47:40,439
Speaker 1: nobody really to back me up with it either though,

795
00:47:40,560 --> 00:47:43,000
Speaker 1: you know, Okay, then I went to Texas with all

796
00:47:43,080 --> 00:47:45,200
Speaker 1: mom out there? Right? Is that why you left LA

797
00:47:45,280 --> 00:47:47,000
Speaker 1: at that time? Because you were just fed up with

798
00:47:47,040 --> 00:47:50,879
Speaker 1: the whole experience and her boyfriend, mister Garry out there,

799
00:47:50,960 --> 00:47:52,319
Speaker 1: She like, why don't you come out here and try

800
00:47:52,360 --> 00:47:55,360
Speaker 1: to do some difference? You know? So were you feeling

801
00:47:55,360 --> 00:47:56,920
Speaker 1: it or were you still trying to be in the streets.

802
00:47:57,640 --> 00:48:00,720
Speaker 1: I wouldn't. I was just trying to gang bang facebook posts.

803
00:48:00,719 --> 00:48:03,440
Speaker 1: People were mad about what you were saying certain things.

804
00:48:04,040 --> 00:48:06,840
Speaker 1: What was was was that like right after you got

805
00:48:06,960 --> 00:48:09,960
Speaker 1: put off sixties? Was it was? Yeah? It was a

806
00:48:10,120 --> 00:48:11,960
Speaker 1: you know, I didn't mean none of the stuff I said,

807
00:48:12,440 --> 00:48:14,280
Speaker 1: but it was it was it was it was hatred

808
00:48:14,320 --> 00:48:16,279
Speaker 1: at the time. You know, That's just how it was.

809
00:48:16,440 --> 00:48:20,239
Speaker 1: You were just upset. Oh oh man, yeah, right. You

810
00:48:20,239 --> 00:48:22,360
Speaker 1: wish that you had deleted that Facebook page? Oh I

811
00:48:22,360 --> 00:48:24,000
Speaker 1: wish he would have never came out. But now that

812
00:48:24,040 --> 00:48:26,200
Speaker 1: it has, I you know, owned up to the mistakes

813
00:48:26,239 --> 00:48:29,160
Speaker 1: behind what was going on, and you know, my mom's

814
00:48:29,160 --> 00:48:31,759
Speaker 1: my Nicols. No, you know what type of dam right?

815
00:48:31,840 --> 00:48:33,400
Speaker 1: You see what I'm saying so much is no, I

816
00:48:33,400 --> 00:48:36,240
Speaker 1: didn't mean that, but it was going through at that time.

817
00:48:36,600 --> 00:48:38,720
Speaker 1: But to this day, me and the sixties, we could

818
00:48:39,239 --> 00:48:41,160
Speaker 1: to go and was it just milk being the person

819
00:48:41,160 --> 00:48:43,880
Speaker 1: who was putting it out here? It was it was

820
00:48:43,920 --> 00:48:45,960
Speaker 1: it was milk. But then once I've seen that it

821
00:48:46,040 --> 00:48:49,319
Speaker 1: did you know? I went on Instagram. I've seen some

822
00:48:49,440 --> 00:48:51,880
Speaker 1: you know, some sh some generals from the hood, and

823
00:48:51,920 --> 00:48:54,759
Speaker 1: it's just just like this like this this look you

824
00:48:54,800 --> 00:48:57,799
Speaker 1: know this, Mickey, I'm not letting slide nor what's right.

825
00:48:57,840 --> 00:48:59,719
Speaker 1: It's right. It was wrong, it's wrong. I'm like, hey,

826
00:48:59,719 --> 00:49:03,239
Speaker 1: I'm I'm going to the hood. I'm going to the

827
00:49:03,239 --> 00:49:05,960
Speaker 1: hood because you know, once the general's talk cut somebody,

828
00:49:06,040 --> 00:49:07,640
Speaker 1: you know, that's just how to see this, right. So,

829
00:49:07,719 --> 00:49:09,480
Speaker 1: did anyone tell you that you had to go pull

830
00:49:09,600 --> 00:49:11,600
Speaker 1: up to the block or pretty much it was just

831
00:49:11,600 --> 00:49:14,400
Speaker 1: gonna see a conversation. They wasn't gonna do nothing about

832
00:49:14,440 --> 00:49:16,520
Speaker 1: that type. It was more so I went five the

833
00:49:16,560 --> 00:49:20,200
Speaker 1: internet and it explained in aesthetic you fired me coming

834
00:49:20,400 --> 00:49:22,600
Speaker 1: fight to hood. They would have preferred that you pulled

835
00:49:22,640 --> 00:49:24,520
Speaker 1: up on them instead of making a VI. Yeah, yeah,

836
00:49:24,920 --> 00:49:27,320
Speaker 1: I came to the hood, right, and it was supposed

837
00:49:27,360 --> 00:49:29,080
Speaker 1: to see like everybody, you know, it wasna talk about

838
00:49:29,120 --> 00:49:31,400
Speaker 1: what was going on. But I pretty much how you say,

839
00:49:31,480 --> 00:49:33,680
Speaker 1: jumped the gun. I just wanted to get this over with,

840
00:49:34,080 --> 00:49:36,080
Speaker 1: get back in Loupe's card, drink some beer, let me go.

841
00:49:36,280 --> 00:49:38,520
Speaker 1: I don't like the tension on me. Was this story

842
00:49:38,560 --> 00:49:42,160
Speaker 1: true that you at first fought some smaller dudes and

843
00:49:42,200 --> 00:49:44,759
Speaker 1: then it became like bigger dudes got involved and like

844
00:49:44,800 --> 00:49:46,520
Speaker 1: at first you were winning. Is that is that how

845
00:49:46,560 --> 00:49:49,040
Speaker 1: this plot out? This is just how to go. It

846
00:49:49,160 --> 00:49:52,360
Speaker 1: was in a deep pe. You're gonna keep going like this.

847
00:49:52,440 --> 00:49:54,760
Speaker 1: So it's it's like you don't get no fucking break

848
00:49:54,760 --> 00:49:57,320
Speaker 1: to breathe or nothing. But considering these as homies, I

849
00:49:57,360 --> 00:49:59,319
Speaker 1: had my water, I was able to You had the

850
00:49:59,320 --> 00:50:03,200
Speaker 1: gallon with you. I did. I was able to get

851
00:50:03,280 --> 00:50:06,000
Speaker 1: drink some water, catch my breath. But it's still still

852
00:50:06,000 --> 00:50:08,279
Speaker 1: got to complete this right, And this is just right

853
00:50:08,320 --> 00:50:10,680
Speaker 1: out on the street. This isn't like in somebody's backyard.

854
00:50:10,960 --> 00:50:14,000
Speaker 1: This is a mother alley. Oh okay, you're gonna you're

855
00:50:14,000 --> 00:50:16,160
Speaker 1: gonna're gonna fight, You're gonna make it out that Alley, Right,

856
00:50:16,560 --> 00:50:19,640
Speaker 1: you know, wow, it's it's just your your respect is

857
00:50:19,680 --> 00:50:23,759
Speaker 1: on the line, right, pretty much, your career, you everything. Yeah,

858
00:50:23,800 --> 00:50:27,960
Speaker 1: you know. So when I look at that, right, first

859
00:50:28,000 --> 00:50:31,520
Speaker 1: thing I say to myself is, man, I gotta understand

860
00:50:31,560 --> 00:50:35,040
Speaker 1: as I expand, as as as my brain grows, right

861
00:50:35,120 --> 00:50:38,600
Speaker 1: and I start to speak to a wide variety of people,

862
00:50:39,760 --> 00:50:42,200
Speaker 1: sometimes I get caught into just speaking to us. And

863
00:50:42,280 --> 00:50:44,879
Speaker 1: of course I'm for us, and I'm always speak to us,

864
00:50:45,000 --> 00:50:49,160
Speaker 1: but I gotta broaden it a little bit. So now

865
00:50:49,200 --> 00:50:51,760
Speaker 1: I gotta figure out long how you explain the white

866
00:50:51,800 --> 00:50:55,680
Speaker 1: people what's going on, because I know they're viewing this

867
00:50:55,800 --> 00:50:58,040
Speaker 1: and they see a grown man get beat on by

868
00:50:58,080 --> 00:51:02,880
Speaker 1: other grown men. Right, I know they confused because gang

869
00:51:02,960 --> 00:51:05,600
Speaker 1: coach is a part of my coach. It's a subsection

870
00:51:05,640 --> 00:51:08,600
Speaker 1: of my coach, and I don't I don't get it,

871
00:51:10,400 --> 00:51:15,000
Speaker 1: So I know they confused, right, I don't what I

872
00:51:15,080 --> 00:51:19,000
Speaker 1: think it is. And I'm only speaking specifically to areas

873
00:51:19,040 --> 00:51:25,200
Speaker 1: that design and designated to where there's rival gangs on

874
00:51:25,320 --> 00:51:28,960
Speaker 1: each street or each neighborhood close proximity. That's dealing with

875
00:51:29,000 --> 00:51:33,000
Speaker 1: that gang banging in those worlds, because even inside a

876
00:51:33,040 --> 00:51:36,880
Speaker 1: gang banging, how serious. That is how much gravity is

877
00:51:36,920 --> 00:51:39,840
Speaker 1: attached to that that still fake and want to be

878
00:51:40,000 --> 00:51:44,439
Speaker 1: dues in that. Right, the flag don't make you who

879
00:51:44,480 --> 00:51:48,040
Speaker 1: you are, right, it just represents what hood you from.

880
00:51:48,080 --> 00:51:51,239
Speaker 1: So if you're a warrior, got a warrior spirit, you're

881
00:51:51,239 --> 00:51:54,680
Speaker 1: gonna move with a warrior spirit. If you don't, then

882
00:51:54,760 --> 00:51:58,800
Speaker 1: you won't. But in those areas, if you can picture,

883
00:52:00,719 --> 00:52:04,520
Speaker 1: it's like this hood on this street, that hood on

884
00:52:04,560 --> 00:52:07,200
Speaker 1: that street, and they in close proximity. It's like living

885
00:52:07,200 --> 00:52:12,080
Speaker 1: in the war zone. So again it all goes back

886
00:52:12,120 --> 00:52:14,680
Speaker 1: to one day, you're gonna need the homies because you're

887
00:52:14,680 --> 00:52:16,879
Speaker 1: gonna walk down the street and the other homies from

888
00:52:16,880 --> 00:52:19,960
Speaker 1: the other hood gonna they're gonna violate you because you

889
00:52:19,960 --> 00:52:23,279
Speaker 1: you're walking from wool the Wool Street, you see what

890
00:52:23,320 --> 00:52:26,080
Speaker 1: I'm saying. So it's it's it's almost like they're banging

891
00:52:26,120 --> 00:52:29,399
Speaker 1: together to try to you know, because enemies are set

892
00:52:29,520 --> 00:52:31,520
Speaker 1: in stone. And then if you're from the hood or

893
00:52:31,560 --> 00:52:33,600
Speaker 1: you living the hood and your mama was from there

894
00:52:33,600 --> 00:52:36,239
Speaker 1: and your auntie was from that, it's almost like it's

895
00:52:36,280 --> 00:52:41,680
Speaker 1: passed down to you. But the idea that we can't refocus,

896
00:52:42,280 --> 00:52:48,520
Speaker 1: it's why I find confusion because the idea that we

897
00:52:48,560 --> 00:52:52,439
Speaker 1: want to meet you in the adeline. Beat on you right,

898
00:52:52,680 --> 00:52:55,520
Speaker 1: grown men want you to right. I want to meet

899
00:52:55,560 --> 00:52:57,160
Speaker 1: you in the adeline. I want to put my hands

900
00:52:57,160 --> 00:53:02,000
Speaker 1: and feet on you for me. Dog. That's that will

901
00:53:02,040 --> 00:53:06,480
Speaker 1: never happen. It's just it's unacceptable. But I don't subscribe

902
00:53:06,520 --> 00:53:10,600
Speaker 1: to one day needing your killers right when I come

903
00:53:10,640 --> 00:53:12,920
Speaker 1: in your area. I really don't need Joe killers. I

904
00:53:12,960 --> 00:53:16,839
Speaker 1: got mine and then if I need some, I know

905
00:53:17,320 --> 00:53:21,040
Speaker 1: how to get some. Right. But what happens is you

906
00:53:21,080 --> 00:53:23,560
Speaker 1: know out there in that area, bro, it's so tied

907
00:53:23,719 --> 00:53:26,640
Speaker 1: in and some things tied in that you may not

908
00:53:26,760 --> 00:53:29,040
Speaker 1: even know it's tied in. So you may be hiring

909
00:53:29,040 --> 00:53:31,759
Speaker 1: a security team out there that's really tied in with

910
00:53:31,840 --> 00:53:33,879
Speaker 1: some people, that's tied in with some people where they

911
00:53:33,960 --> 00:53:39,040
Speaker 1: kind of know your whole whereabouts. I've seen iced Tea

912
00:53:39,080 --> 00:53:41,200
Speaker 1: tweet at the super Bowl, and we'll get into the

913
00:53:41,239 --> 00:53:45,120
Speaker 1: super Bowl that yo LA has over fifty thousand gang

914
00:53:45,200 --> 00:53:51,160
Speaker 1: members active, fifty thousand people. And the first thing that

915
00:53:51,239 --> 00:53:53,040
Speaker 1: came to my mind is we post you use them

916
00:53:53,160 --> 00:53:56,040
Speaker 1: numbers to run up and get a lot changed out there,

917
00:53:56,640 --> 00:53:59,080
Speaker 1: run up and make them give us this little subsection

918
00:53:59,120 --> 00:54:02,600
Speaker 1: of California. We got fifty thousand US that we know

919
00:54:03,080 --> 00:54:06,480
Speaker 1: gonna go when we see our arrival. Gang them folks,

920
00:54:06,520 --> 00:54:09,719
Speaker 1: they obligated the goal. Even if they don't want to go.

921
00:54:09,800 --> 00:54:12,759
Speaker 1: They got the goal. So why can't we refocus that?

922
00:54:12,760 --> 00:54:15,200
Speaker 1: That's to me, that's a but I see guys like

923
00:54:15,320 --> 00:54:18,520
Speaker 1: big you that's trying to restructure things. You know, certain

924
00:54:18,560 --> 00:54:21,840
Speaker 1: people that's out there on the West coast, restructure it

925
00:54:21,960 --> 00:54:24,440
Speaker 1: things and making it do what it's supposed to do.

926
00:54:24,600 --> 00:54:27,359
Speaker 1: But they need some help, They need some be in

927
00:54:27,360 --> 00:54:30,359
Speaker 1: that hell, you see what I'm saying. But but but

928
00:54:30,360 --> 00:54:32,319
Speaker 1: but they got some strength out there when you look

929
00:54:32,320 --> 00:54:35,879
Speaker 1: at it from that perspective. But I hate that, right

930
00:54:36,320 --> 00:54:39,479
Speaker 1: you go get a grown man and and you beat

931
00:54:39,560 --> 00:54:43,160
Speaker 1: on them, and white people look at that, and even me,

932
00:54:44,040 --> 00:54:46,440
Speaker 1: but I get it from a certain You see how

933
00:54:46,480 --> 00:54:48,839
Speaker 1: I'm breaking it down. This is my perspective on Yo,

934
00:54:48,960 --> 00:54:51,960
Speaker 1: loan what to mate? You know, it's like, yo, what

935
00:54:52,080 --> 00:54:54,799
Speaker 1: to make that be the case? Like? What to make

936
00:54:54,880 --> 00:54:58,280
Speaker 1: you take yourself through that? Because as you see, Adam

937
00:54:58,320 --> 00:55:00,840
Speaker 1: twenty two asks them a question. And I want to

938
00:55:00,840 --> 00:55:04,880
Speaker 1: point this out that Adam twenty two has decided to

939
00:55:04,960 --> 00:55:07,560
Speaker 1: make himself a part of the culture. Those outside the

940
00:55:07,600 --> 00:55:10,719
Speaker 1: culture that may not see that. I'm willing to have

941
00:55:10,800 --> 00:55:14,280
Speaker 1: that conversation with you, right, not that our coach signed

942
00:55:14,360 --> 00:55:17,080
Speaker 1: what he does, but I understand his place in the market.

943
00:55:17,440 --> 00:55:22,160
Speaker 1: And also he differs from Vlad in the sense of

944
00:55:23,880 --> 00:55:26,879
Speaker 1: Vlad makes a lot of money and has a big

945
00:55:27,000 --> 00:55:31,040
Speaker 1: voice in the culture. But Adam actually has integrated with

946
00:55:31,080 --> 00:55:35,560
Speaker 1: the culture. He's actually brought in guys, he's living around it.

947
00:55:35,640 --> 00:55:38,799
Speaker 1: So now you see him able to relate and say yo,

948
00:55:38,920 --> 00:55:41,680
Speaker 1: So he really know that's what you do. If you

949
00:55:41,800 --> 00:55:44,840
Speaker 1: run from a DP, you'll just probably move to Vegas

950
00:55:44,840 --> 00:55:47,400
Speaker 1: and never come back to the hood and hope nobody

951
00:55:47,480 --> 00:55:50,720
Speaker 1: never catch you. He knows that because he has that culture.

952
00:55:50,800 --> 00:55:53,720
Speaker 1: He has our culture all around him, and he's helping

953
00:55:53,760 --> 00:55:57,000
Speaker 1: them people. When you help us, bro, I gotta look

954
00:55:57,040 --> 00:55:58,799
Speaker 1: at you a certain way because it's a lot of us.

955
00:55:58,840 --> 00:56:01,239
Speaker 1: It's not helping us, you know what I'm saying. So

956
00:56:01,280 --> 00:56:03,520
Speaker 1: he kind of putting people in position to make money

957
00:56:03,560 --> 00:56:06,800
Speaker 1: and do things from a media standpoint in these regular

958
00:56:07,040 --> 00:56:11,000
Speaker 1: gang member dudes. So what that also, and I want

959
00:56:11,080 --> 00:56:13,520
Speaker 1: the black people over that it's working for no jumper

960
00:56:13,560 --> 00:56:18,719
Speaker 1: to understand what that also does outside of a validity

961
00:56:18,760 --> 00:56:22,040
Speaker 1: to no jumper's brain and have people like me view

962
00:56:22,160 --> 00:56:25,040
Speaker 1: him through a different different lens, and not that he's

963
00:56:25,080 --> 00:56:27,759
Speaker 1: doing it for that reason, but I'm telling you, even

964
00:56:27,800 --> 00:56:31,440
Speaker 1: if it's an unintentional consequence, it's the reality. But when

965
00:56:31,520 --> 00:56:36,520
Speaker 1: you see him brainer dude like a d on or

966
00:56:37,160 --> 00:56:39,600
Speaker 1: one of these other gang members over there, right, or

967
00:56:39,600 --> 00:56:43,160
Speaker 1: one of these just other black guys. See, he's smart

968
00:56:43,280 --> 00:56:46,279
Speaker 1: enough to understand two just don't brain gang members. He

969
00:56:46,320 --> 00:56:50,319
Speaker 1: got just regular black dudes, right, and this is just

970
00:56:50,360 --> 00:56:53,319
Speaker 1: a black guy that might like games and this and that, right,

971
00:56:53,600 --> 00:56:56,840
Speaker 1: So what that does for him it provides him an

972
00:56:56,920 --> 00:56:59,480
Speaker 1: understanding of us because he's working day in and day

973
00:56:59,520 --> 00:57:02,160
Speaker 1: out with these people and they speaking to him not that.

974
00:57:02,560 --> 00:57:05,520
Speaker 1: And see, you gotta understanding in this game. You gotta

975
00:57:05,560 --> 00:57:08,960
Speaker 1: be able to talk from an understanding perspective. That's what

976
00:57:09,080 --> 00:57:12,879
Speaker 1: gets the best content. You see sometimes, like when Joe

977
00:57:12,920 --> 00:57:16,040
Speaker 1: Budden sat down with a little baby. You see somebody

978
00:57:16,120 --> 00:57:19,120
Speaker 1: ask a question and somebody to answer a totally different question.

979
00:57:19,520 --> 00:57:22,760
Speaker 1: Them or two people that something there's a disconnector and

980
00:57:22,800 --> 00:57:25,520
Speaker 1: them two a vibe people. So you know, if we

981
00:57:25,680 --> 00:57:29,160
Speaker 1: got disconnections just from being from New York and Atlanta

982
00:57:29,320 --> 00:57:32,120
Speaker 1: that some white dude did come in definitely gonna be

983
00:57:32,160 --> 00:57:35,040
Speaker 1: disconnected when he's trying to communicate. I remember there was

984
00:57:35,080 --> 00:57:37,080
Speaker 1: a point of time where black women was just walking

985
00:57:37,120 --> 00:57:40,280
Speaker 1: out on him. That's before he made all these kind

986
00:57:40,320 --> 00:57:42,400
Speaker 1: of moves. He was flirting with him. But now he's

987
00:57:42,440 --> 00:57:45,560
Speaker 1: committed to him and you can tell he's rebranded it.

988
00:57:45,920 --> 00:57:49,520
Speaker 1: But he's integrated with the culture, which allows him a

989
00:57:49,640 --> 00:57:55,680
Speaker 1: luxury of understanding us, and that on top of his position. Right,

990
00:57:56,120 --> 00:57:59,720
Speaker 1: So you'll have to pay for that kind of understanding

991
00:57:59,760 --> 00:58:02,280
Speaker 1: that he gets from having gang members around him all

992
00:58:02,400 --> 00:58:05,800
Speaker 1: day and just black people, because we are this the

993
00:58:05,920 --> 00:58:08,520
Speaker 1: information they come with. They grew up listening to this.

994
00:58:08,680 --> 00:58:12,480
Speaker 1: While you were riding bikes and skateboarding, they were listening

995
00:58:12,560 --> 00:58:16,000
Speaker 1: to Dre and Eminem and whoever else, Two pocket Snoop

996
00:58:16,040 --> 00:58:19,480
Speaker 1: Dogg and krst one and whoever. They were listening to MCA.

997
00:58:19,600 --> 00:58:22,400
Speaker 1: Wherever they were doing on the West, they were listening

998
00:58:22,440 --> 00:58:25,040
Speaker 1: to I'll let as you was doing your other life.

999
00:58:25,360 --> 00:58:29,000
Speaker 1: So when they speak about something, they provide that perspective,

1000
00:58:29,480 --> 00:58:32,480
Speaker 1: but you can then pour from that by putting them

1001
00:58:32,480 --> 00:58:35,560
Speaker 1: in position. Why I see that it's worth mentioning in

1002
00:58:35,640 --> 00:58:38,760
Speaker 1: this because it seems like that he's allowing them to monetize.

1003
00:58:40,280 --> 00:58:43,640
Speaker 1: And we know in this game, it's a lot of stilling, right,

1004
00:58:43,680 --> 00:58:46,479
Speaker 1: It's a whole lot of stilling other information. Right, Still

1005
00:58:46,520 --> 00:58:48,960
Speaker 1: another little game, dude right here, put a list together.

1006
00:58:49,040 --> 00:58:52,400
Speaker 1: Let's use this list for everybody on our roster, you

1007
00:58:52,440 --> 00:58:57,000
Speaker 1: feel me without any compensation attest to. These things are

1008
00:58:57,040 --> 00:59:00,919
Speaker 1: important to understand and realize as you navigate through any game,

1009
00:59:01,640 --> 00:59:04,600
Speaker 1: this one in particular. But I just hate to see

1010
00:59:05,040 --> 00:59:07,800
Speaker 1: Krip Matt go through, you know, some of those things

1011
00:59:07,840 --> 00:59:10,120
Speaker 1: and to put a button up on the Adam twenty

1012
00:59:10,120 --> 00:59:16,320
Speaker 1: two and Vlad point um and again Vlad. Also when

1013
00:59:16,320 --> 00:59:18,920
Speaker 1: we look at Vlad, he pays these guys for interviews.

1014
00:59:18,920 --> 00:59:21,440
Speaker 1: So you can't say much about that because we know

1015
00:59:21,480 --> 00:59:23,680
Speaker 1: a lot of these dudes are trying to you know,

1016
00:59:23,760 --> 00:59:26,160
Speaker 1: sitting down and they're not getting nothing, you know what

1017
00:59:26,200 --> 00:59:27,840
Speaker 1: I'm saying. So if you're in a position to be

1018
00:59:27,920 --> 00:59:31,919
Speaker 1: able to pay people, cool Do that? Does that mean

1019
00:59:31,960 --> 00:59:34,280
Speaker 1: that every interview should have a charge to test to it?

1020
00:59:34,320 --> 00:59:37,960
Speaker 1: I say no, You see, sometimes it's worth it, this

1021
00:59:38,120 --> 00:59:41,000
Speaker 1: mandator and it's necessary and you gotta go with the move.

1022
00:59:41,680 --> 00:59:46,160
Speaker 1: Speaking of La Gang coaching. All of that Super Bowl

1023
00:59:47,480 --> 00:59:53,000
Speaker 1: was in La. Sunday, Um La Rams versus the Cincinnati Bingles.

1024
00:59:53,000 --> 00:59:55,800
Speaker 1: Shout out there, the La Rams. They brought it home.

1025
00:59:57,040 --> 00:59:59,440
Speaker 1: Um want a lot of people, a lot of money.

1026
01:00:01,160 --> 01:00:03,440
Speaker 1: But if you bet with Vegas, you lost because the

1027
01:00:03,520 --> 01:00:07,000
Speaker 1: bigin was covered. We've been hearing a lot about how

1028
01:00:07,160 --> 01:00:10,120
Speaker 1: LA has been operating over the past year right in

1029
01:00:10,160 --> 01:00:17,000
Speaker 1: regards to like home invasions, what they would call the purge.

1030
01:00:17,200 --> 01:00:19,680
Speaker 1: So they had what was being called a Super Bowl

1031
01:00:19,840 --> 01:00:25,280
Speaker 1: purge out in LA where they were vandalizing stores going

1032
01:00:25,360 --> 01:00:29,160
Speaker 1: in ceb. You gotta think, bro, it's a different mindset

1033
01:00:29,200 --> 01:00:33,440
Speaker 1: to me out there. The same dollar ain't worth the

1034
01:00:33,440 --> 01:00:36,680
Speaker 1: same amound out there. So it's like they getting over

1035
01:00:36,760 --> 01:00:39,520
Speaker 1: on us every chance they get. So any chance we

1036
01:00:39,720 --> 01:00:42,000
Speaker 1: get around here to get a little tools and few,

1037
01:00:42,800 --> 01:00:45,120
Speaker 1: we're going for. What we know. Boy, they're texting us.

1038
01:00:45,160 --> 01:00:48,840
Speaker 1: On top of texting us cigarette leave them dollars they

1039
01:00:48,880 --> 01:00:51,160
Speaker 1: don't take. Man, it's real easy to get them here

1040
01:00:51,200 --> 01:00:52,880
Speaker 1: if they write by the water, if they come in,

1041
01:00:53,000 --> 01:00:57,400
Speaker 1: whatever coming through the water should be cheap. McDonald's ain't

1042
01:00:57,400 --> 01:00:59,560
Speaker 1: making no different burger than what they're making in the

1043
01:00:59,560 --> 01:01:02,840
Speaker 1: South out there and then COASTMO. Some is there's a

1044
01:01:02,960 --> 01:01:06,720
Speaker 1: mean game going on, right, So it's like I tell man,

1045
01:01:06,760 --> 01:01:10,320
Speaker 1: it's a different spirit. Man. It's like, yo, whenever we can, bro,

1046
01:01:10,440 --> 01:01:15,640
Speaker 1: let's get over. And you know it's unfortunate. You know,

1047
01:01:16,200 --> 01:01:19,560
Speaker 1: I don't stand by vandalizing black businesses, right. I don't

1048
01:01:19,560 --> 01:01:25,720
Speaker 1: stand by vandalizing businesses period, you know. But I also

1049
01:01:25,880 --> 01:01:28,880
Speaker 1: stand by us being treated a certain way in those

1050
01:01:28,920 --> 01:01:32,240
Speaker 1: neighborhoods by those businesses. And if you're thriving from US,

1051
01:01:34,680 --> 01:01:39,160
Speaker 1: invest in US. I think it's a real simple two

1052
01:01:39,240 --> 01:01:43,680
Speaker 1: step process. If you're thriving from US, invest in US,

1053
01:01:43,680 --> 01:01:47,040
Speaker 1: simplest that. And so in La, you know why super

1054
01:01:47,040 --> 01:01:50,200
Speaker 1: Bowl is happening. You see a lot of violence, see

1055
01:01:50,200 --> 01:01:52,960
Speaker 1: a lot of encounters. I say, maybe not a lot

1056
01:01:52,960 --> 01:01:54,880
Speaker 1: of violence, but you see a lot of encounters with

1057
01:01:54,960 --> 01:01:58,480
Speaker 1: people that may shouldn't run into each other, or or

1058
01:01:58,600 --> 01:02:02,360
Speaker 1: situations that may come to a head. You know, water

1059
01:02:02,440 --> 01:02:06,240
Speaker 1: that finally comes to a ball. You understand. You see

1060
01:02:06,280 --> 01:02:10,080
Speaker 1: the baby and Danny lay Brothers situation happened, he ended

1061
01:02:10,160 --> 01:02:13,880
Speaker 1: up with his ribs. Bro. Now you see this Kodak

1062
01:02:13,920 --> 01:02:17,840
Speaker 1: Black situation. Now you got gone out there, Kodak Black

1063
01:02:17,920 --> 01:02:21,440
Speaker 1: some more people out there standing around, and then something happens.

1064
01:02:23,640 --> 01:02:25,800
Speaker 1: It's a certain amount of pressure when you're a black

1065
01:02:25,880 --> 01:02:31,080
Speaker 1: celebrity rapper. It's a certain amount of pressure attached to

1066
01:02:31,280 --> 01:02:37,520
Speaker 1: what you better do when he gets gone. And although

1067
01:02:38,520 --> 01:02:40,760
Speaker 1: the right thing to do is put the thread down,

1068
01:02:42,160 --> 01:02:44,520
Speaker 1: you're hard to make. You run right into the fire,

1069
01:02:45,880 --> 01:02:50,560
Speaker 1: not knowing the consequences. Everybody see the Kodak Black situation,

1070
01:02:50,600 --> 01:02:53,160
Speaker 1: then ka ka, You know they think, yeah, I look

1071
01:02:53,200 --> 01:02:56,520
Speaker 1: at it like yo that that looks for meal. Y'all right,

1072
01:02:56,640 --> 01:03:03,439
Speaker 1: p king vaugh and look familiar to running the fire.

1073
01:03:03,560 --> 01:03:08,560
Speaker 1: Look familiar. Our approach got a change, you understand, But

1074
01:03:08,600 --> 01:03:10,800
Speaker 1: it really he didn't have no option at that point.

1075
01:03:11,200 --> 01:03:13,520
Speaker 1: He do really didn't have no way he had to go.

1076
01:03:14,040 --> 01:03:16,320
Speaker 1: So now the question becomes should he should have been

1077
01:03:16,320 --> 01:03:19,280
Speaker 1: out there? Other rappers was out there? So is that

1078
01:03:19,440 --> 01:03:21,680
Speaker 1: a bad place to be? Like, I don't We still

1079
01:03:21,720 --> 01:03:25,480
Speaker 1: really don't know what happened. Now. I do think somewhat

1080
01:03:25,520 --> 01:03:30,840
Speaker 1: out in the line that dude didn't want to kill him.

1081
01:03:30,920 --> 01:03:34,439
Speaker 1: It'd be rough sometime when street running the rappers, because

1082
01:03:34,440 --> 01:03:37,240
Speaker 1: they kind of fans other and if they ain't got

1083
01:03:37,240 --> 01:03:39,680
Speaker 1: no real problem, we ain't really trying to kill him.

1084
01:03:40,320 --> 01:03:42,400
Speaker 1: But I wouldn't be keeping it real if I'm saying

1085
01:03:42,400 --> 01:03:46,439
Speaker 1: he wasn't close enough to really you know, we we

1086
01:03:46,440 --> 01:03:49,160
Speaker 1: were happy that didn't happen, but here close enough to

1087
01:03:50,040 --> 01:03:53,600
Speaker 1: here close enough to stand on that. You know, it's

1088
01:03:53,640 --> 01:03:55,920
Speaker 1: a lot of cameras. You're gonna probably get caught, so

1089
01:03:55,960 --> 01:03:57,960
Speaker 1: it probably ain't worth it. But and it ain't no

1090
01:03:58,040 --> 01:04:01,560
Speaker 1: real issue. He's just trying to stop what's going on.

1091
01:04:02,480 --> 01:04:06,720
Speaker 1: You feel what I'm saying, But Coda, gain ain't mentioning it.

1092
01:04:06,760 --> 01:04:09,680
Speaker 1: He ain't really speaking, only saying nothing about it. You know,

1093
01:04:09,720 --> 01:04:12,280
Speaker 1: That's how street dudes do. They just you know, keep

1094
01:04:12,320 --> 01:04:15,400
Speaker 1: it moving. We see Bushy go through that. He started

1095
01:04:15,440 --> 01:04:18,080
Speaker 1: saying something when he was in trouble, like y'all pray

1096
01:04:18,160 --> 01:04:21,120
Speaker 1: for me, this happening. But he really wasn't tripping saying nothing.

1097
01:04:21,720 --> 01:04:24,080
Speaker 1: You know. But let's look at the video or to

1098
01:04:24,200 --> 01:04:37,400
Speaker 1: encounter and see what took place. He put up that's

1099
01:04:37,520 --> 01:04:45,000
Speaker 1: gonna so it's gonna and him lucky, y'all gonna do.

1100
01:04:45,000 --> 01:05:18,200
Speaker 1: We're gonna walking h whoa shit? Who? So if you're

1101
01:05:18,240 --> 01:05:21,000
Speaker 1: listening to that pointing out the gun, Bam shot him

1102
01:05:21,360 --> 01:05:23,400
Speaker 1: right in the arm, right in the leg or something

1103
01:05:25,320 --> 01:05:33,560
Speaker 1: and left somebody right there. You don't hit no screaming

1104
01:05:33,640 --> 01:05:42,600
Speaker 1: or nothing. He ain't doing no screaming. It's always one

1105
01:05:42,640 --> 01:05:51,880
Speaker 1: of them with the camera. Hill Man record, yeah, hell

1106
01:05:52,000 --> 01:06:00,960
Speaker 1: man record, helm it on and all. I'm gonna try

1107
01:06:00,960 --> 01:06:06,320
Speaker 1: to find in this slow motion. Shout out to TMZ

1108
01:06:06,480 --> 01:06:17,640
Speaker 1: for the footage he got out of that, though, young

1109
01:06:18,160 --> 01:06:33,160
Speaker 1: a young pause, dot and goun come out. Everybody got

1110
01:06:33,280 --> 01:07:30,920
Speaker 1: to scout. Fuck you don't know. Police already on the scene.

1111
01:07:31,040 --> 01:07:56,960
Speaker 1: For those of you listening, Police stopped whoever caught it,

1112
01:08:00,080 --> 01:08:03,440
Speaker 1: told him to step out. I hate to see that

1113
01:08:03,560 --> 01:08:05,600
Speaker 1: for code that, you know what I mean. Get well,

1114
01:08:08,200 --> 01:08:10,560
Speaker 1: you know, I know he'll he'll stand up, you know

1115
01:08:10,720 --> 01:08:13,600
Speaker 1: though it You know what I'm saying. It's just unfortunate

1116
01:08:13,680 --> 01:08:18,240
Speaker 1: how those things tend to happen. It's like, I don't

1117
01:08:18,240 --> 01:08:20,360
Speaker 1: even know what's happening. I just see my home in it.

1118
01:08:21,080 --> 01:08:25,120
Speaker 1: I'm on the way and the gunshot go out. You

1119
01:08:25,240 --> 01:08:28,560
Speaker 1: really just gotta win. Gunshots go off like that, you

1120
01:08:28,720 --> 01:08:31,200
Speaker 1: just gotta hope you ain't the one hit somebody. Usually

1121
01:08:31,520 --> 01:08:33,960
Speaker 1: it is hitting them kind of situations with a crowd

1122
01:08:34,040 --> 01:08:37,639
Speaker 1: of people. But now being a rapper, Paul of being

1123
01:08:37,680 --> 01:08:41,200
Speaker 1: a rapper is standing on that business, you know, being

1124
01:08:41,240 --> 01:08:44,240
Speaker 1: one of the ones that ain't scared to go. You know,

1125
01:08:44,360 --> 01:08:46,439
Speaker 1: it's been a change in the rap game. You used

1126
01:08:46,479 --> 01:08:50,760
Speaker 1: to be suckers. NaN's really damn fools, you know what

1127
01:08:50,840 --> 01:08:54,760
Speaker 1: I mean. It's dudes that's doing whatever about whatever. You know,

1128
01:08:55,040 --> 01:08:57,880
Speaker 1: And again in that situation, I just don't ain't nothing

1129
01:08:57,920 --> 01:09:00,680
Speaker 1: really else he can do, you know what I mean.

1130
01:09:00,800 --> 01:09:03,320
Speaker 1: He gotta go his home and getting jumped, he gotta go.

1131
01:09:03,880 --> 01:09:06,080
Speaker 1: That's what it looked like, you know what I'm saying.

1132
01:09:08,800 --> 01:09:10,800
Speaker 1: We don't know what popped it off, what made it,

1133
01:09:10,960 --> 01:09:13,400
Speaker 1: you know what I mean, But he gotta deal with

1134
01:09:13,560 --> 01:09:16,519
Speaker 1: that and figure that out. Man. The super Bowl attracts

1135
01:09:16,560 --> 01:09:20,160
Speaker 1: all the big artists, you know, shout out Brandon Marshall,

1136
01:09:20,160 --> 01:09:23,439
Speaker 1: Earn your Leisure was out there with Mike Tyson. You know.

1137
01:09:23,600 --> 01:09:28,360
Speaker 1: They promoting a new brand that has to do with gambling,

1138
01:09:28,479 --> 01:09:30,880
Speaker 1: and because it's legal in a lot of places now,

1139
01:09:30,920 --> 01:09:36,639
Speaker 1: it's a big deal. Right, So everybody's out there, Kanye Jay,

1140
01:09:36,840 --> 01:09:42,400
Speaker 1: every dre them the best halftime show wherever's everybody's in wherever.

1141
01:09:42,520 --> 01:09:46,920
Speaker 1: Super Bowl let it draw everybody. You see what I'm saying,

1142
01:09:46,960 --> 01:09:49,799
Speaker 1: It's a reason why commercials cost you know, five million

1143
01:09:49,920 --> 01:09:53,560
Speaker 1: for sixty seconds or three million for sixty seconds or

1144
01:09:53,560 --> 01:09:57,519
Speaker 1: whatever that number was, millions of dollars for one minute

1145
01:09:57,560 --> 01:10:00,800
Speaker 1: of air time. It's because of the level of interests

1146
01:10:02,040 --> 01:10:05,360
Speaker 1: right that it has. Right, It piques the interest of

1147
01:10:05,479 --> 01:10:09,120
Speaker 1: so many people. Man. And so with that being said,

1148
01:10:09,240 --> 01:10:13,840
Speaker 1: the NFL has a unique relationship with us. They put

1149
01:10:14,000 --> 01:10:17,599
Speaker 1: Jay z in charging. For me, that was the best

1150
01:10:17,880 --> 01:10:22,519
Speaker 1: NFL halftime show I ever seen. For me, that was

1151
01:10:22,640 --> 01:10:25,400
Speaker 1: just my era. That was then with my dudes, I

1152
01:10:25,520 --> 01:10:28,600
Speaker 1: saw them dudes hustle. We talked about fifty cent. He

1153
01:10:28,760 --> 01:10:31,040
Speaker 1: helped the dude from my time get some money. So

1154
01:10:31,560 --> 01:10:34,920
Speaker 1: he's impact around here. I kind of felt, you see

1155
01:10:35,040 --> 01:10:37,559
Speaker 1: what I'm saying, his impact on the game. We talk

1156
01:10:37,640 --> 01:10:41,160
Speaker 1: about Snoop. We talked about Dre Eminem. Some people say,

1157
01:10:41,240 --> 01:10:45,519
Speaker 1: what's game post to be there? We talk about Kendrick, right,

1158
01:10:45,720 --> 01:10:49,320
Speaker 1: Kendrick the goat for some people, a lot of people,

1159
01:10:50,280 --> 01:10:53,160
Speaker 1: you know, well, his cadences next level. He got that

1160
01:10:53,240 --> 01:10:55,479
Speaker 1: Eminem kind of cadence with it, but he got us

1161
01:10:55,600 --> 01:10:58,320
Speaker 1: in him, so it's a different type thing. Then he

1162
01:10:58,400 --> 01:11:00,880
Speaker 1: can jump into the scene and things. So he's a beast.

1163
01:11:01,400 --> 01:11:05,519
Speaker 1: But some people say games should have been there, and

1164
01:11:05,680 --> 01:11:11,439
Speaker 1: when I zoom out, game should have been there for

1165
01:11:11,600 --> 01:11:14,280
Speaker 1: him and fifty ain't cool. And I think he told

1166
01:11:14,320 --> 01:11:16,840
Speaker 1: itself away from it when when him and Fifty went

1167
01:11:16,920 --> 01:11:21,040
Speaker 1: through that. I don't think that Game saw that the

1168
01:11:21,240 --> 01:11:24,760
Speaker 1: effects of that fallout would still be lingering around so

1169
01:11:25,080 --> 01:11:31,880
Speaker 1: long after that fallout. But that speaks to that speaks

1170
01:11:31,920 --> 01:11:34,680
Speaker 1: to what they placed him. Man, they had loved for

1171
01:11:34,800 --> 01:11:37,240
Speaker 1: him and placed him in a position where they were

1172
01:11:37,280 --> 01:11:40,200
Speaker 1: gonna try to say, Yo, he got the trajectory to

1173
01:11:40,320 --> 01:11:44,519
Speaker 1: be like a Snoop or one of them somewhat along

1174
01:11:44,560 --> 01:11:48,240
Speaker 1: the lines. His fallout kind of ripped more things a part,

1175
01:11:48,320 --> 01:11:51,639
Speaker 1: and I think they give him credit for a little

1176
01:11:51,680 --> 01:11:55,600
Speaker 1: bit of the demise of the situation, you understand, So

1177
01:11:56,160 --> 01:11:59,080
Speaker 1: him being there from that standpoint, I just think they

1178
01:11:59,120 --> 01:12:02,920
Speaker 1: couldn't agree. I think was a vote even made because

1179
01:12:02,960 --> 01:12:05,800
Speaker 1: he always big up Dre. I think Drake could probably

1180
01:12:05,840 --> 01:12:08,800
Speaker 1: would have brought his name up because he big up

1181
01:12:08,880 --> 01:12:13,880
Speaker 1: Dre like nothing else, and he helped Kendrick, right. So,

1182
01:12:14,160 --> 01:12:16,559
Speaker 1: but when we look at fifty and M and Snoop,

1183
01:12:17,640 --> 01:12:20,120
Speaker 1: you know, I don't know, you know what I'm saying,

1184
01:12:20,200 --> 01:12:23,559
Speaker 1: But game game contributed to the West. Now, don't get

1185
01:12:23,600 --> 01:12:26,880
Speaker 1: it confused. He contributed a great deal to the West.

1186
01:12:27,560 --> 01:12:32,800
Speaker 1: You see what I'm saying. But although he remains a millionaire,

1187
01:12:32,800 --> 01:12:36,560
Speaker 1: I think that fall out with fifty And let's not

1188
01:12:36,640 --> 01:12:38,839
Speaker 1: get it confused. He just dropped the record with Kanye.

1189
01:12:38,920 --> 01:12:42,920
Speaker 1: He's still able to maneuver in the marketplace. But when

1190
01:12:42,960 --> 01:12:46,479
Speaker 1: we deal with legacy, I think that break up kind

1191
01:12:46,520 --> 01:12:48,680
Speaker 1: of hurts him a little bit in regards to the

1192
01:12:48,760 --> 01:12:53,960
Speaker 1: legacy because the people that's gonna make the documentaries and things,

1193
01:12:56,560 --> 01:12:59,240
Speaker 1: they're gonna listen to those guys, and them guys gotta

1194
01:12:59,280 --> 01:13:01,600
Speaker 1: welcome you back in, and it just don't seem like

1195
01:13:01,680 --> 01:13:04,360
Speaker 1: they walk on it like it's like yeo, we might

1196
01:13:04,439 --> 01:13:06,240
Speaker 1: be in the same place as and it might be

1197
01:13:06,360 --> 01:13:08,760
Speaker 1: a picture, but it don't never see because I know

1198
01:13:08,880 --> 01:13:11,760
Speaker 1: I'm a cancer, so I know. Yeah, I know what

1199
01:13:11,920 --> 01:13:14,040
Speaker 1: fifty go through when he when he deal with one

1200
01:13:14,120 --> 01:13:18,080
Speaker 1: of them kind of weird situations, right, But it ain't no,

1201
01:13:18,240 --> 01:13:21,840
Speaker 1: it ain't like no embracing him. It's like, now we're cool.

1202
01:13:21,880 --> 01:13:24,200
Speaker 1: It ain't no problem. But it ain't no, We're back

1203
01:13:24,280 --> 01:13:27,360
Speaker 1: on tour, game pop out. You know what I'm saying.

1204
01:13:27,439 --> 01:13:29,559
Speaker 1: So that's what I'm saying, and I think that game

1205
01:13:29,640 --> 01:13:32,679
Speaker 1: can feel those ramifications. But when we deal with this pass,

1206
01:13:33,120 --> 01:13:35,760
Speaker 1: his pass, his pads, he contributed to that west and

1207
01:13:35,880 --> 01:13:39,080
Speaker 1: from a West coast standpoint, maybe it's day job. Maybe

1208
01:13:39,120 --> 01:13:41,360
Speaker 1: they post a whole let down. I don't know, but

1209
01:13:41,479 --> 01:13:44,120
Speaker 1: you gotta think with these documentaries and the people that

1210
01:13:44,200 --> 01:13:47,000
Speaker 1: write history, they're write you out. I gotta feeling that

1211
01:13:47,040 --> 01:13:49,200
Speaker 1: they're gonna try to write young Buck out of history

1212
01:13:49,720 --> 01:13:53,000
Speaker 1: because nowadays when I him mentioning g Unit, they don't

1213
01:13:53,040 --> 01:13:57,320
Speaker 1: say young Buck, they say banks, yeah, yo, fifty. And

1214
01:13:57,479 --> 01:13:59,760
Speaker 1: this is the documentaries and the thing even when they

1215
01:14:00,280 --> 01:14:03,639
Speaker 1: have conversation them g Unit dues. So you gotta write

1216
01:14:03,680 --> 01:14:06,760
Speaker 1: your own history. You gotta be able to. And you

1217
01:14:06,840 --> 01:14:08,880
Speaker 1: win this world now, so you gotta be able to

1218
01:14:08,960 --> 01:14:11,040
Speaker 1: really write your own history and say, Yo, this is

1219
01:14:11,080 --> 01:14:14,280
Speaker 1: what we own, this is what we tell me. You

1220
01:14:14,400 --> 01:14:15,920
Speaker 1: know what I'm saying, And I was there, here's to

1221
01:14:16,000 --> 01:14:18,760
Speaker 1: proove this happened. Don't try to erase that, you see,

1222
01:14:18,800 --> 01:14:20,720
Speaker 1: because if not, man, they're gonna write you right out

1223
01:14:20,760 --> 01:14:24,400
Speaker 1: of it and your contributions are go unnoticed. How could

1224
01:14:24,439 --> 01:14:28,360
Speaker 1: I forget the queen marriage j blinde. I don't know

1225
01:14:28,479 --> 01:14:31,280
Speaker 1: how I did that. That was a mistake. Marriage J.

1226
01:14:31,479 --> 01:14:33,880
Speaker 1: Blige shook it. Shout out, Marry. I'm a real big

1227
01:14:34,000 --> 01:14:36,800
Speaker 1: fan of hug Again, that's my error, and I was

1228
01:14:36,880 --> 01:14:39,800
Speaker 1: telling my old lady. Nobody has been able to match

1229
01:14:39,960 --> 01:14:46,160
Speaker 1: Mary J. Nobody's been able to that feeling, that vibe,

1230
01:14:46,280 --> 01:14:49,439
Speaker 1: Mary Gabe, there ain't been another artist to do with.

1231
01:14:49,560 --> 01:14:52,080
Speaker 1: Some people were saying Keisha were going down that role,

1232
01:14:52,160 --> 01:14:57,400
Speaker 1: but Yo, we're talking twenty years, thirty years of it, man,

1233
01:14:57,560 --> 01:14:59,800
Speaker 1: longer than I don't over know how this lady had

1234
01:14:59,800 --> 01:15:04,880
Speaker 1: been killing it in them type songs. There's a soulfulness,

1235
01:15:05,520 --> 01:15:10,000
Speaker 1: there's a vibration that comes out when Mary J. Blige sings,

1236
01:15:11,120 --> 01:15:15,360
Speaker 1: not only because of the infliction of a voice, but

1237
01:15:15,680 --> 01:15:18,240
Speaker 1: when it matches with the words it's coming out. It's

1238
01:15:18,320 --> 01:15:23,120
Speaker 1: like she touches some different and the tonality and all that. Yo,

1239
01:15:23,200 --> 01:15:26,519
Speaker 1: it'd be so and again, nobody has been able to

1240
01:15:26,600 --> 01:15:30,719
Speaker 1: touch that. And if something ever happen to Marry Board,

1241
01:15:31,439 --> 01:15:37,040
Speaker 1: our culture gonna be devastated because there ain't no replacing

1242
01:15:37,120 --> 01:15:40,599
Speaker 1: Mary J. Blige. We got a lot of great singers

1243
01:15:40,640 --> 01:15:43,160
Speaker 1: in our coachure. I love a lot of them. Listen

1244
01:15:43,280 --> 01:15:46,880
Speaker 1: to them X Y and Z, but they don't get

1245
01:15:46,920 --> 01:15:51,720
Speaker 1: that married feel. Marriage J give a certain kind of feel. Man.

1246
01:15:51,880 --> 01:15:55,920
Speaker 1: This in my opinion, it's just it's unmasked. And if

1247
01:15:56,080 --> 01:15:59,560
Speaker 1: somebody tell me who giving that, Mary Jay, because I

1248
01:15:59,640 --> 01:16:03,040
Speaker 1: need to be listening to them. But according to my palette,

1249
01:16:03,320 --> 01:16:06,920
Speaker 1: ain't nobody giving the marriage J. There ain't nobody giving

1250
01:16:06,960 --> 01:16:10,160
Speaker 1: the marriage j Phield. And if I'm wrong about that,

1251
01:16:10,320 --> 01:16:13,679
Speaker 1: somebody correct me. It was also interested in to see

1252
01:16:14,240 --> 01:16:19,840
Speaker 1: throughout the performance. I was watching it, right, So Drake

1253
01:16:19,920 --> 01:16:22,760
Speaker 1: come out. They do a little something, you know, Dreke,

1254
01:16:22,840 --> 01:16:24,760
Speaker 1: I mean, you know Snoop doing thing. They do a

1255
01:16:24,840 --> 01:16:29,679
Speaker 1: little something. This legendary status though again this legendary status.

1256
01:16:29,720 --> 01:16:31,920
Speaker 1: That what I'm saying that the black excellent show. This

1257
01:16:32,120 --> 01:16:35,560
Speaker 1: is the greatest hairtime show that I ever seen, me personally,

1258
01:16:36,080 --> 01:16:38,200
Speaker 1: And I started weighing them up because I remember I

1259
01:16:38,320 --> 01:16:41,120
Speaker 1: was asking her Beyonce dumb One, A couple of people

1260
01:16:41,200 --> 01:16:43,560
Speaker 1: done them. So I'm thinking, damn, it's this really the

1261
01:16:43,680 --> 01:16:45,479
Speaker 1: best one? I am? I count in the moment and

1262
01:16:45,520 --> 01:16:48,679
Speaker 1: the more I think about it, like I really believe

1263
01:16:48,760 --> 01:16:53,760
Speaker 1: it's the best one I've haven't seen. But Snoop come out,

1264
01:16:53,840 --> 01:16:56,880
Speaker 1: they do a little something. Drake come out. Okay, now

1265
01:16:56,960 --> 01:16:59,880
Speaker 1: they're kind of doing a little more. But when m

1266
01:17:00,040 --> 01:17:04,680
Speaker 1: and them came out, I can hear it. You can

1267
01:17:04,800 --> 01:17:07,839
Speaker 1: hear it through the TV. You can hear the crowd.

1268
01:17:08,000 --> 01:17:10,599
Speaker 1: Now at first I couldn't hear the crowd. You can

1269
01:17:10,680 --> 01:17:13,080
Speaker 1: hear the crowd. Kendrick come out. I can't even hear

1270
01:17:13,120 --> 01:17:17,200
Speaker 1: the crowd. Mole Marry, same thing. So it's like, okay,

1271
01:17:17,280 --> 01:17:19,479
Speaker 1: so they I don't know if they did that on purpose,

1272
01:17:19,600 --> 01:17:23,040
Speaker 1: but whatever happened to crowd kind of elevated with the show,

1273
01:17:23,120 --> 01:17:25,560
Speaker 1: which I think was a good move. But to me,

1274
01:17:26,760 --> 01:17:28,800
Speaker 1: it was it was a great It was just it

1275
01:17:28,920 --> 01:17:32,719
Speaker 1: was the best show, greatest halftime. It was the greatest

1276
01:17:32,720 --> 01:17:37,080
Speaker 1: halftime show that I've seen. Interesting thing that I watched though,

1277
01:17:37,120 --> 01:17:39,760
Speaker 1: with all the celebrities, celebrities Dad and again, this is

1278
01:17:39,840 --> 01:17:42,120
Speaker 1: what I'm telling you about the people that's in control.

1279
01:17:42,479 --> 01:17:45,519
Speaker 1: And that's why you gotta If Kanye gonna go roll,

1280
01:17:45,920 --> 01:17:51,519
Speaker 1: he gotta get with Revolt, because you're gonna need an outlet. Bro.

1281
01:17:52,840 --> 01:17:55,240
Speaker 1: You can play this little key key game, you won't,

1282
01:17:55,320 --> 01:17:57,759
Speaker 1: but you're gonna need an outlet. You're gonna need somewhere

1283
01:17:57,800 --> 01:18:00,640
Speaker 1: where you can really get your point across and not

1284
01:18:00,720 --> 01:18:03,479
Speaker 1: a lie to the people. With all the celebrities there

1285
01:18:03,520 --> 01:18:06,800
Speaker 1: and all the high class, high priority individuals in the

1286
01:18:06,920 --> 01:18:09,920
Speaker 1: building for the super Bowl, that was one thing that

1287
01:18:10,040 --> 01:18:12,320
Speaker 1: stood out to me. And it stood out because I

1288
01:18:12,439 --> 01:18:15,960
Speaker 1: am part of us, and when I think about our

1289
01:18:16,080 --> 01:18:19,080
Speaker 1: pioneers and I think about our most powerful people in

1290
01:18:19,200 --> 01:18:22,840
Speaker 1: our culture, I understand the game that the mass media

1291
01:18:22,960 --> 01:18:26,200
Speaker 1: has to play. Therefore, it's important for us to stand

1292
01:18:26,320 --> 01:18:32,360
Speaker 1: next to black medium. When I see, for whatever reason,

1293
01:18:32,520 --> 01:18:38,280
Speaker 1: Kanye West has been aligning himself with everything contrary popular opinion.

1294
01:18:41,160 --> 01:18:46,200
Speaker 1: I see how they try to navigate, going around him,

1295
01:18:47,240 --> 01:18:52,240
Speaker 1: but still covering him. Everything you do wrong, we magnify,

1296
01:18:53,000 --> 01:18:59,080
Speaker 1: and everything you do right we discredit right. Nonetheless, he's

1297
01:18:59,160 --> 01:19:02,000
Speaker 1: making some mistakes in my opinion. That's just my opinion.

1298
01:19:02,120 --> 01:19:03,880
Speaker 1: I can't tell a bigion now how to be a

1299
01:19:03,960 --> 01:19:07,519
Speaker 1: billion now. I'm focused on being a multi millionaire and

1300
01:19:07,600 --> 01:19:10,760
Speaker 1: I need to stay in my land. But when I

1301
01:19:10,920 --> 01:19:13,320
Speaker 1: zoomed out, I got to examine the game from a

1302
01:19:13,439 --> 01:19:18,519
Speaker 1: totality standpoint, because I plan on traveling the same roads

1303
01:19:18,600 --> 01:19:21,240
Speaker 1: and coming up the same mountains that some of my

1304
01:19:21,840 --> 01:19:25,559
Speaker 1: predecessors or some of our pioneers had to cut through.

1305
01:19:26,360 --> 01:19:28,880
Speaker 1: So it's important for me to not only learn from

1306
01:19:29,240 --> 01:19:33,960
Speaker 1: what they display, but learn from what they cover up. Right,

1307
01:19:34,120 --> 01:19:37,960
Speaker 1: So as I look at how they how he's treated, right,

1308
01:19:38,120 --> 01:19:41,439
Speaker 1: because he has been doing things that Again, I contrary

1309
01:19:41,479 --> 01:19:44,360
Speaker 1: to popular opinion, when I looked at the Super Bowl,

1310
01:19:45,080 --> 01:19:48,960
Speaker 1: that was all kinds of celebrities with Kanye, and he

1311
01:19:49,080 --> 01:19:56,240
Speaker 1: got no coverage. They showed Jay, they showed of course

1312
01:19:56,360 --> 01:19:59,360
Speaker 1: Drey Snoop by all of them. They showed Ben Affleck,

1313
01:20:00,000 --> 01:20:04,479
Speaker 1: they showed lebron they showed a shack, they showed off set,

1314
01:20:04,960 --> 01:20:07,400
Speaker 1: they showed all kinds of people, but they did not

1315
01:20:07,720 --> 01:20:12,000
Speaker 1: show Kanye West number one because he had Antonio o'brown

1316
01:20:12,120 --> 01:20:16,559
Speaker 1: with him, Right, And I need y'all understand what I'm saying.

1317
01:20:16,600 --> 01:20:19,720
Speaker 1: It's power win what I'm saying, it's power wint understanding

1318
01:20:19,800 --> 01:20:23,320
Speaker 1: what's happening. Kanye West is the richest, one of the

1319
01:20:23,479 --> 01:20:27,320
Speaker 1: richest black dudes in the world. He had a commercial

1320
01:20:27,880 --> 01:20:31,160
Speaker 1: unlike a lot of the people I just named, that

1321
01:20:31,400 --> 01:20:34,240
Speaker 1: aired during the Super Bowl, but did not get a

1322
01:20:34,439 --> 01:20:39,479
Speaker 1: shot on the Super Bowl. Right, It's because they silenced

1323
01:20:39,520 --> 01:20:43,360
Speaker 1: you as much as they can. Right now, in real

1324
01:20:43,520 --> 01:20:46,559
Speaker 1: time they're trying to figure how effective silence and people

1325
01:20:46,600 --> 01:20:50,680
Speaker 1: that's kind of just as powerful as the institution. How

1326
01:20:50,720 --> 01:20:53,840
Speaker 1: to do that. They just don't know how. One thing

1327
01:20:53,920 --> 01:20:58,680
Speaker 1: they know, don't cover him, don't show him. Antonio o'brown's there.

1328
01:20:58,760 --> 01:21:02,400
Speaker 1: He's been what they would consider disrespectful to the NFL

1329
01:21:02,640 --> 01:21:07,920
Speaker 1: and some of the people's eyes. Right, Kanye has been

1330
01:21:08,680 --> 01:21:12,560
Speaker 1: uplifting him and pushing him up and standing next to

1331
01:21:12,680 --> 01:21:15,560
Speaker 1: him as he should standing next to some of the

1332
01:21:15,640 --> 01:21:22,000
Speaker 1: people that's not favorable to mass media. He comes there

1333
01:21:22,360 --> 01:21:25,680
Speaker 1: no coverage to me, that spoke volumes to you, that

1334
01:21:25,840 --> 01:21:30,040
Speaker 1: said very little, But I understand what happens. And then

1335
01:21:30,080 --> 01:21:34,280
Speaker 1: I look at Kanye and I asked myself, his Kanye

1336
01:21:34,479 --> 01:21:38,800
Speaker 1: channeling his Donald Trump thing? Is he doing what he

1337
01:21:38,920 --> 01:21:43,880
Speaker 1: thinks Trump is doing? Because when you look at the outburst,

1338
01:21:43,920 --> 01:21:45,960
Speaker 1: so you look at some of the things Trump leaned

1339
01:21:46,040 --> 01:21:51,599
Speaker 1: into everything. But Trump had a certain team around him.

1340
01:21:53,320 --> 01:21:55,880
Speaker 1: But Trump leans into when they say things about him,

1341
01:21:55,920 --> 01:21:57,880
Speaker 1: you don't run from it. And Kanye seems to be

1342
01:21:58,000 --> 01:22:03,920
Speaker 1: giving us this it's best Trump type thing. Now, a

1343
01:22:04,000 --> 01:22:06,320
Speaker 1: lot of people can say Trump was influenced by us.

1344
01:22:06,400 --> 01:22:08,680
Speaker 1: You know, he hung with us all his life and

1345
01:22:08,880 --> 01:22:13,639
Speaker 1: what it looked like online if you understand. So when

1346
01:22:13,680 --> 01:22:21,160
Speaker 1: you see Kanye, for example, on Valentine's Day, he taxes Kim.

1347
01:22:21,240 --> 01:22:25,120
Speaker 1: He finally get a text back. She's been she's been

1348
01:22:25,160 --> 01:22:28,760
Speaker 1: ignoring him or whatever for whatever I guess according to

1349
01:22:28,880 --> 01:22:32,959
Speaker 1: the media, finally get a text back. He put it online.

1350
01:22:33,560 --> 01:22:35,920
Speaker 1: She takes him back, Hey, why can't you keep our

1351
01:22:36,000 --> 01:22:39,200
Speaker 1: messages between us? He takes her back, Gil, You're my

1352
01:22:39,280 --> 01:22:41,880
Speaker 1: favorite person in the world. Why would I keep it

1353
01:22:41,960 --> 01:22:46,040
Speaker 1: to myself? Now? This interferes with the relationship she may

1354
01:22:46,160 --> 01:22:51,639
Speaker 1: be having or maybe planning on ending. Right, And also

1355
01:22:52,040 --> 01:22:55,120
Speaker 1: she reached out saying something about you making it dangerous,

1356
01:22:55,200 --> 01:22:58,000
Speaker 1: and he still played with it. And she said, if

1357
01:22:58,040 --> 01:23:00,519
Speaker 1: something happiness, all your fault for me to the worst,

1358
01:23:00,560 --> 01:23:04,800
Speaker 1: did he better pay close attention to see these women

1359
01:23:04,880 --> 01:23:08,040
Speaker 1: They say things right, and they let you in their

1360
01:23:08,120 --> 01:23:11,000
Speaker 1: mind without knowing it. You know, when she said, if

1361
01:23:11,080 --> 01:23:13,560
Speaker 1: something happens, this is all your fault, trust me and

1362
01:23:13,680 --> 01:23:16,439
Speaker 1: believe they stand by that. They mean that. There's been

1363
01:23:16,479 --> 01:23:19,800
Speaker 1: a long conversation about some of these antics and how

1364
01:23:20,600 --> 01:23:23,840
Speaker 1: the thousands of ways these may these things may play out,

1365
01:23:23,880 --> 01:23:27,200
Speaker 1: and how he needs to be responsible for either way

1366
01:23:27,280 --> 01:23:30,000
Speaker 1: that it plays out again since that threat on the

1367
01:23:30,160 --> 01:23:33,679
Speaker 1: game song, or I'm sorry since the game song because

1368
01:23:33,680 --> 01:23:36,160
Speaker 1: I won't call it a thread and play into what

1369
01:23:36,360 --> 01:23:38,800
Speaker 1: I don't know, or is it a threat? Yeah, I

1370
01:23:38,880 --> 01:23:42,240
Speaker 1: mean he said beat beat as a threat. So prior

1371
01:23:42,360 --> 01:23:46,040
Speaker 1: to the threat on that game song, you saw them

1372
01:23:46,080 --> 01:23:50,920
Speaker 1: out together. After that, you haven't saw him very little.

1373
01:23:51,040 --> 01:23:55,919
Speaker 1: You see him now. Hey, I don't know. Very interesting situation.

1374
01:23:56,040 --> 01:23:58,080
Speaker 1: But back to the super Bowl. They got some things

1375
01:23:58,160 --> 01:24:02,160
Speaker 1: wrong with us. I tell you that they put in

1376
01:24:02,240 --> 01:24:04,840
Speaker 1: a point of representative. See when you talk about the NFL,

1377
01:24:04,960 --> 01:24:09,519
Speaker 1: we talk about billions. You know, I'm around them NFL

1378
01:24:09,760 --> 01:24:13,639
Speaker 1: people now, and they're clear with how much money it makes,

1379
01:24:14,360 --> 01:24:18,400
Speaker 1: sixteen billion dollars a year. When you put a bee

1380
01:24:18,479 --> 01:24:21,800
Speaker 1: behind it, you might as well put disconnected next to it.

1381
01:24:23,520 --> 01:24:28,040
Speaker 1: They gotta have representation. They got to a point. People

1382
01:24:28,120 --> 01:24:33,000
Speaker 1: have liaisons, right, this person post to understand marketing, This

1383
01:24:33,120 --> 01:24:35,680
Speaker 1: one understands culture. It's a lot of money. But they

1384
01:24:35,800 --> 01:24:38,920
Speaker 1: wave up the letter in regards to how much it's

1385
01:24:39,000 --> 01:24:41,960
Speaker 1: being made. So you see them make a mistake. As

1386
01:24:42,000 --> 01:24:44,439
Speaker 1: you see on the screen, it's a single mickey guiding

1387
01:24:45,520 --> 01:24:49,639
Speaker 1: and they called her gene Eko, which was a mistake,

1388
01:24:51,439 --> 01:24:55,679
Speaker 1: and the Internet of course pointed it out off the scribble.

1389
01:24:55,800 --> 01:24:58,240
Speaker 1: It wasn't even a thing. They instantly pointed out, Yo,

1390
01:24:58,360 --> 01:25:01,000
Speaker 1: that ain't the right person. That's the wrong person. And

1391
01:25:01,200 --> 01:25:05,000
Speaker 1: for me, man, I felt for the artists because not

1392
01:25:05,200 --> 01:25:07,439
Speaker 1: allow you a black and what I think they said

1393
01:25:07,439 --> 01:25:10,880
Speaker 1: a country single, right, So it's already rough in that

1394
01:25:11,160 --> 01:25:15,519
Speaker 1: field to cut through all your counterparts in a very

1395
01:25:15,600 --> 01:25:20,120
Speaker 1: competitive field like that. So there's number one, then number two.

1396
01:25:20,320 --> 01:25:22,280
Speaker 1: This is one of the biggest times of your life

1397
01:25:22,320 --> 01:25:25,240
Speaker 1: where you didn't get paid. No one gets paid for

1398
01:25:25,360 --> 01:25:28,040
Speaker 1: performing at the super Bowl. There's just too many eyes

1399
01:25:28,200 --> 01:25:31,080
Speaker 1: on it. This is an opportunity. There is no artist.

1400
01:25:31,200 --> 01:25:36,000
Speaker 1: This is an opportunity for from a visibility standpoint, right,

1401
01:25:36,360 --> 01:25:39,120
Speaker 1: So people don't look to be lucrative when the visibility

1402
01:25:39,280 --> 01:25:41,320
Speaker 1: is so high, because if you got something for sale,

1403
01:25:41,479 --> 01:25:44,800
Speaker 1: chances area to see after your appearance. That's just how

1404
01:25:44,880 --> 01:25:47,800
Speaker 1: it works. But when you're in a situation to be

1405
01:25:49,760 --> 01:25:51,640
Speaker 1: because she had to be somebody to be on the

1406
01:25:51,720 --> 01:25:53,880
Speaker 1: super Bowl, because I'm gonna be honest, I don't know

1407
01:25:53,960 --> 01:25:56,479
Speaker 1: who she is, but she has to be somebody to

1408
01:25:56,560 --> 01:26:00,160
Speaker 1: be on the super Bowl. But still there's no one

1409
01:26:00,360 --> 01:26:03,880
Speaker 1: bigger than the opportunity of having that much visibility at

1410
01:26:03,920 --> 01:26:08,000
Speaker 1: one time, especially showing off your craft. There's not another

1411
01:26:08,120 --> 01:26:10,200
Speaker 1: talent show or another show you can go on and

1412
01:26:10,280 --> 01:26:14,320
Speaker 1: get that level of attention for your craft. That's number one.

1413
01:26:14,760 --> 01:26:19,720
Speaker 1: So this is important to artists. This is important to

1414
01:26:19,800 --> 01:26:23,720
Speaker 1: the sales, This is important to the traffic that we're

1415
01:26:23,800 --> 01:26:26,920
Speaker 1: talking about. We drove driving while we're doing this for free.

1416
01:26:27,000 --> 01:26:29,040
Speaker 1: So when you get that name wrong, they send all

1417
01:26:29,120 --> 01:26:33,120
Speaker 1: that to the wrong person. It's like sending a package

1418
01:26:33,160 --> 01:26:36,040
Speaker 1: to the wrong address. So now, how does that look

1419
01:26:36,120 --> 01:26:38,400
Speaker 1: behind the scenes with the NFL, Like, Yo, I just

1420
01:26:38,600 --> 01:26:41,200
Speaker 1: did my part of the deal. Y'all mess that up,

1421
01:26:41,280 --> 01:26:46,280
Speaker 1: which affected how all is translated. I just wonder this,

1422
01:26:46,439 --> 01:26:49,519
Speaker 1: that's something in the contract that protects the artists of that,

1423
01:26:50,080 --> 01:26:53,479
Speaker 1: because that's a big moment to fail something like that. Yo,

1424
01:26:53,560 --> 01:26:55,840
Speaker 1: they did, they did it, but they did a hell

1425
01:26:55,880 --> 01:26:58,200
Speaker 1: of a Super Bowl show man. I want to personally

1426
01:26:58,320 --> 01:27:02,200
Speaker 1: send a shout out to eminem as he continues to

1427
01:27:02,320 --> 01:27:05,840
Speaker 1: put hisself on the line and say what you will

1428
01:27:05,920 --> 01:27:10,360
Speaker 1: about that. But the dude continues to put itself on

1429
01:27:10,439 --> 01:27:14,479
Speaker 1: the line for what looks like our side of the fence. Now,

1430
01:27:14,520 --> 01:27:18,200
Speaker 1: if somebody got information that I don't know. Please present that.

1431
01:27:19,280 --> 01:27:21,519
Speaker 1: But every time I turn around and look like he

1432
01:27:21,680 --> 01:27:25,080
Speaker 1: paying some kind of dead tours, they tell him, don't

1433
01:27:25,160 --> 01:27:29,880
Speaker 1: nearly kneel. They tell Dre take somebody's song. They said

1434
01:27:29,880 --> 01:27:33,280
Speaker 1: he left a end, right, They make Kendrick tweet the

1435
01:27:33,360 --> 01:27:35,519
Speaker 1: song that the eggs. They see how they accept us.

1436
01:27:35,760 --> 01:27:38,360
Speaker 1: They accept us, but they tweak us. Now, just think

1437
01:27:38,479 --> 01:27:41,639
Speaker 1: that's only a five twenty minute, twenty five minute show.

1438
01:27:42,160 --> 01:27:45,679
Speaker 1: Imagine what they're doing to our content. Imagine what they're

1439
01:27:45,720 --> 01:27:49,760
Speaker 1: doing to our two hour podcast where they think that

1440
01:27:49,880 --> 01:27:52,360
Speaker 1: this part didn't really mean nothing but sweet, but hey

1441
01:27:52,720 --> 01:27:55,360
Speaker 1: a company. In that part, I'm speaking directly to the

1442
01:27:55,479 --> 01:27:58,799
Speaker 1: youth like y'all can't relate to that, but I'm speaking

1443
01:27:58,880 --> 01:28:01,360
Speaker 1: directly to my peace right there. I need that out.

1444
01:28:02,680 --> 01:28:04,760
Speaker 1: You see, So they get us and they tweak us

1445
01:28:06,439 --> 01:28:09,719
Speaker 1: twenty five minutes show. Imagine what they're doing to our movies.

1446
01:28:10,640 --> 01:28:13,320
Speaker 1: Imagine what they're doing to our scripts as we try

1447
01:28:13,360 --> 01:28:17,120
Speaker 1: to fight for funding. Imagine what they're doing to our

1448
01:28:17,280 --> 01:28:19,800
Speaker 1: music as we try to come through and they want

1449
01:28:19,800 --> 01:28:22,679
Speaker 1: to put us on a drill beat or pop smoke

1450
01:28:22,800 --> 01:28:26,799
Speaker 1: type beat, right, Imagine what they're doing behind the scenes.

1451
01:28:26,840 --> 01:28:28,880
Speaker 1: If you see him in real time, tell some of

1452
01:28:28,960 --> 01:28:31,800
Speaker 1: our biggest acts, tweak that can't do that, don't do this,

1453
01:28:32,080 --> 01:28:34,960
Speaker 1: don't have that, and make sure that ain't they let

1454
01:28:35,040 --> 01:28:37,720
Speaker 1: you know what's happening on that level. For that to

1455
01:28:37,840 --> 01:28:41,280
Speaker 1: be accepted, it got to be accepted in a certain way.

1456
01:28:43,520 --> 01:28:47,759
Speaker 1: But Eminem still took a knee. I'm one hundred percent

1457
01:28:47,880 --> 01:28:51,000
Speaker 1: sure they told him don't take the knee. He still

1458
01:28:51,080 --> 01:28:54,040
Speaker 1: took the knee. So I gotta send a shout out

1459
01:28:54,120 --> 01:28:57,519
Speaker 1: to somebody that will continue to put their career on

1460
01:28:57,680 --> 01:29:00,800
Speaker 1: the line. Now we can be serious and argue that, hey, yo,

1461
01:29:00,920 --> 01:29:04,280
Speaker 1: that's not career suicide for somebody like him. They won't

1462
01:29:04,320 --> 01:29:07,960
Speaker 1: treat him the same way they treat cap. We see

1463
01:29:08,080 --> 01:29:11,040
Speaker 1: what they're doing with Chicao Richardson and the other the

1464
01:29:11,200 --> 01:29:13,519
Speaker 1: other person with the Olympics. She got to smoke. She

1465
01:29:14,040 --> 01:29:17,360
Speaker 1: It was like, yo, I'm gonna read that. Hold Chacar

1466
01:29:17,560 --> 01:29:20,080
Speaker 1: Richardson For those of you that don't know, she is

1467
01:29:20,160 --> 01:29:22,519
Speaker 1: the US trek and field sprinter that we all know

1468
01:29:22,680 --> 01:29:27,680
Speaker 1: from the Tokyo Olympics who was unable to qualify due

1469
01:29:27,720 --> 01:29:30,519
Speaker 1: to a fair drug test. We now find ourselves in

1470
01:29:30,600 --> 01:29:35,400
Speaker 1: that situation again with a young person, she's fifteen years old.

1471
01:29:36,240 --> 01:29:38,880
Speaker 1: They're saying that's the difference. A lot of people cite

1472
01:29:38,960 --> 01:29:41,840
Speaker 1: color as the difference. But the point there for me

1473
01:29:42,040 --> 01:29:45,080
Speaker 1: still is you understand that they're gonna treat you a

1474
01:29:45,200 --> 01:29:47,920
Speaker 1: certain people gonna deal with us different than they deal

1475
01:29:47,960 --> 01:29:50,320
Speaker 1: with their own, and so we gotta deal with our

1476
01:29:50,360 --> 01:29:53,120
Speaker 1: own different when we different than we deal with others.

1477
01:29:53,200 --> 01:29:55,680
Speaker 1: That's just how that worked. But even the press on

1478
01:29:55,800 --> 01:29:59,160
Speaker 1: these situations are different, even the press, and that's what

1479
01:29:59,240 --> 01:30:02,439
Speaker 1: I'm saying about Kanye being at the super Bowl, spending

1480
01:30:02,479 --> 01:30:05,519
Speaker 1: all that money to sit there because he had several

1481
01:30:05,680 --> 01:30:09,480
Speaker 1: seats a whole section of things, and he's a billionaire

1482
01:30:09,520 --> 01:30:12,400
Speaker 1: and he's a musician with Grammys, and there's two chains

1483
01:30:12,479 --> 01:30:15,200
Speaker 1: next to him, there's yg that's Tiger as all kinds

1484
01:30:15,200 --> 01:30:20,400
Speaker 1: of celebrities, his children there and no media time on

1485
01:30:20,680 --> 01:30:24,560
Speaker 1: live television. That was intentional. I need you to understand that.

1486
01:30:24,720 --> 01:30:27,040
Speaker 1: But you deal with people like Eminem and they put

1487
01:30:28,640 --> 01:30:33,360
Speaker 1: what looks like their career on the line. They said

1488
01:30:33,439 --> 01:30:36,080
Speaker 1: on nil, and they said Eminem would have turned it

1489
01:30:36,160 --> 01:30:38,760
Speaker 1: down if it won't for Dre, and Dre probably would

1490
01:30:38,760 --> 01:30:41,439
Speaker 1: have turned it down if it won't for Jay, you know,

1491
01:30:41,520 --> 01:30:43,240
Speaker 1: and Jay probably would have turned it down if he

1492
01:30:43,360 --> 01:30:45,559
Speaker 1: wasn't trying to get a team like it's it's moves

1493
01:30:45,720 --> 01:30:49,479
Speaker 1: being made that you gotta keep up with. I want

1494
01:30:49,520 --> 01:30:55,920
Speaker 1: to talk about being doubted for a second. Those of

1495
01:30:55,960 --> 01:30:59,200
Speaker 1: you listen to me and tune into his up their podcast,

1496
01:31:00,200 --> 01:31:05,160
Speaker 1: You've been on a journey with me, and we're now

1497
01:31:05,320 --> 01:31:11,080
Speaker 1: talking deals and situation where money is coming in and

1498
01:31:12,080 --> 01:31:15,360
Speaker 1: opportunities are coming in and people are seeing the vision.

1499
01:31:15,479 --> 01:31:21,000
Speaker 1: And it's an unfamiliar spot for somebody like me, right,

1500
01:31:21,240 --> 01:31:26,600
Speaker 1: but it's a spot I prepare for. It's important to

1501
01:31:26,720 --> 01:31:30,840
Speaker 1: understand what I said there. Write that down. It's an

1502
01:31:30,960 --> 01:31:36,719
Speaker 1: unfamiliar spot that I prepared for. I oftentimes talk about

1503
01:31:37,320 --> 01:31:41,160
Speaker 1: to be the champion, you gotta practice like the champion

1504
01:31:41,400 --> 01:31:44,840
Speaker 1: way before you get the championship. You gotta eat like

1505
01:31:44,960 --> 01:31:50,920
Speaker 1: the champion way before you get the championship. And I've

1506
01:31:50,920 --> 01:31:54,759
Speaker 1: been eating like the champion. I've been working like the champion.

1507
01:31:55,960 --> 01:31:58,760
Speaker 1: I put more work in than anybody you think is

1508
01:31:58,840 --> 01:32:02,080
Speaker 1: good at what they do. I'm willing to bet and

1509
01:32:02,320 --> 01:32:06,040
Speaker 1: stand on the fact that I put more work into

1510
01:32:06,120 --> 01:32:12,680
Speaker 1: this more time into understanding this game than anybody that

1511
01:32:12,840 --> 01:32:16,280
Speaker 1: you think is good at what they do. Now this

1512
01:32:16,520 --> 01:32:18,799
Speaker 1: is where it gets slippery, and this is what things

1513
01:32:19,240 --> 01:32:22,160
Speaker 1: the rubble meets the role. I'm now about to partner

1514
01:32:22,200 --> 01:32:25,439
Speaker 1: with some people and be able to interview anybody I

1515
01:32:25,520 --> 01:32:31,240
Speaker 1: want to interview in the world. For me, that's a

1516
01:32:31,400 --> 01:32:35,439
Speaker 1: dream come true. Right, That's like a dream come true.

1517
01:32:36,320 --> 01:32:39,479
Speaker 1: It's one of the biggest things I probably felt like

1518
01:32:39,600 --> 01:32:44,680
Speaker 1: I've been able to do. On the flip side of that,

1519
01:32:46,960 --> 01:32:53,320
Speaker 1: it becomes extremely heavy to know all the weight that's

1520
01:32:53,360 --> 01:32:57,519
Speaker 1: associated with this. I'm ready for it, though, I prepare

1521
01:32:57,640 --> 01:33:00,439
Speaker 1: for it. Again, I'm totally prepared, But I think it's

1522
01:33:00,640 --> 01:33:04,880
Speaker 1: important I communicate because I know that somebody, at least,

1523
01:33:05,160 --> 01:33:08,920
Speaker 1: you know, if I can help one person, I'm cool

1524
01:33:09,040 --> 01:33:15,479
Speaker 1: with that. But you gotta trust the game. And I

1525
01:33:15,560 --> 01:33:18,760
Speaker 1: gotta tell myself, Loan, trust the game. You got all

1526
01:33:18,800 --> 01:33:22,240
Speaker 1: the information you know about all this stuff. You've been

1527
01:33:22,400 --> 01:33:25,360
Speaker 1: You gave your life to the game. It's nothing for

1528
01:33:25,439 --> 01:33:28,040
Speaker 1: you to sit down with these dudes and box this album. Right,

1529
01:33:28,160 --> 01:33:32,240
Speaker 1: So we move with that. But when you when you

1530
01:33:32,479 --> 01:33:36,200
Speaker 1: when you build something from nothing and you dig and

1531
01:33:36,320 --> 01:33:38,160
Speaker 1: you dig and you dig, and I want to give

1532
01:33:38,320 --> 01:33:44,479
Speaker 1: up a shout out to our culture because, like I

1533
01:33:44,640 --> 01:33:51,760
Speaker 1: was telling Revote yesterday, I thought I would have to

1534
01:33:51,840 --> 01:33:53,800
Speaker 1: be loud. I thought I was gonna have to come in.

1535
01:33:54,000 --> 01:33:58,920
Speaker 1: Y'all got me. But everyone that's listening to me and

1536
01:33:59,040 --> 01:34:05,560
Speaker 1: everyone that's been able to cross paths with me in

1537
01:34:05,640 --> 01:34:09,120
Speaker 1: regards to podcasting has been able to draw from me,

1538
01:34:09,200 --> 01:34:11,120
Speaker 1: and it's tried to help me in any way that

1539
01:34:11,240 --> 01:34:13,960
Speaker 1: they can. I'm talking about the people that's really in

1540
01:34:14,080 --> 01:34:17,439
Speaker 1: positions of power, the people that's really to go to.

1541
01:34:17,760 --> 01:34:20,759
Speaker 1: People in this coach and when you're go on YouTube,

1542
01:34:20,840 --> 01:34:23,320
Speaker 1: some of the names you will go look at some

1543
01:34:23,479 --> 01:34:26,200
Speaker 1: of the people that's in position right. Million views in

1544
01:34:26,280 --> 01:34:29,360
Speaker 1: a day, million views a week, things like that. Those

1545
01:34:29,479 --> 01:34:31,920
Speaker 1: guys they reached back. Yo. Long we gotta get you

1546
01:34:32,120 --> 01:34:38,640
Speaker 1: up here. You kicking major game. And it surprised me.

1547
01:34:38,720 --> 01:34:42,680
Speaker 1: I think it said more about me because again just

1548
01:34:42,920 --> 01:34:47,800
Speaker 1: not knowing, like coming from the ghetto. It's like, yo, bro, y'all. Yo,

1549
01:34:49,680 --> 01:34:51,559
Speaker 1: My people the other day say you tricked me out

1550
01:34:51,600 --> 01:34:54,200
Speaker 1: when you say coming from the ghetto, and I say, yeah,

1551
01:34:54,240 --> 01:34:57,880
Speaker 1: they helped me keep it in perspective. I ain't playing

1552
01:34:57,920 --> 01:35:00,200
Speaker 1: about that. When I say that, I'm dead serious. It's

1553
01:35:00,200 --> 01:35:06,000
Speaker 1: about understanding we come from nothing. That ain't a joke,

1554
01:35:06,200 --> 01:35:08,200
Speaker 1: it ain't a feel, it ain't something I say to

1555
01:35:08,280 --> 01:35:14,600
Speaker 1: look cool on camera. Right. So I've been building this

1556
01:35:14,720 --> 01:35:17,160
Speaker 1: house and building this house, and I'm still building it.

1557
01:35:17,240 --> 01:35:21,800
Speaker 1: Ain't know where they're done, but I'm about to get

1558
01:35:21,840 --> 01:35:24,400
Speaker 1: an opportunity to do some things that's never been done.

1559
01:35:24,479 --> 01:35:28,280
Speaker 1: And I know I'm gonna capitalize because I'm prepared. I'm

1560
01:35:28,360 --> 01:35:31,720
Speaker 1: fully prepared. I know what's about to happen. So those

1561
01:35:31,760 --> 01:35:35,920
Speaker 1: of you that's here on the early stages, I just

1562
01:35:36,040 --> 01:35:38,160
Speaker 1: want to keep y'all up to date about what's about

1563
01:35:38,160 --> 01:35:42,639
Speaker 1: to happen. Right, It's it's gonna be a fun ride.

1564
01:35:42,640 --> 01:35:47,760
Speaker 1: We're gonna have some good conversations, and I think it'll

1565
01:35:47,800 --> 01:35:51,559
Speaker 1: be a fairly easy to transition into the game, become

1566
01:35:51,640 --> 01:35:54,120
Speaker 1: one of the voices in the culture that means something,

1567
01:35:55,160 --> 01:36:00,400
Speaker 1: and continue to build that. When I think about hustling,

1568
01:36:00,520 --> 01:36:03,800
Speaker 1: when I think about dudes that go get it, Dudes

1569
01:36:03,840 --> 01:36:07,160
Speaker 1: that understand right, not only how to hustle, but the

1570
01:36:07,240 --> 01:36:12,040
Speaker 1: infrastructure this thing right to become profitable, to leverage debt,

1571
01:36:12,200 --> 01:36:15,280
Speaker 1: certain things right, just to understand how to navigate being

1572
01:36:15,320 --> 01:36:17,599
Speaker 1: And I look at yo, gut it, and I see

1573
01:36:17,640 --> 01:36:22,120
Speaker 1: what he's doing with CMG. I know he's hoping money

1574
01:36:22,160 --> 01:36:24,720
Speaker 1: Bag re up with him. Money Bag might go a

1575
01:36:24,800 --> 01:36:27,000
Speaker 1: different route, or he might stay with him. At sure,

1576
01:36:27,840 --> 01:36:31,160
Speaker 1: they may restructure a different way of something. He stayed

1577
01:36:31,200 --> 01:36:33,240
Speaker 1: that he needed Bag to stay that because Bag is

1578
01:36:33,280 --> 01:36:36,400
Speaker 1: like his flagship artists. But he got a mean squad

1579
01:36:36,479 --> 01:36:40,559
Speaker 1: over there. Right when you get forty two Dug STG

1580
01:36:40,800 --> 01:36:45,040
Speaker 1: little me go black youngster, you know he got a squad.

1581
01:36:45,479 --> 01:36:49,000
Speaker 1: And then the resources are there. Right, You're dealing with

1582
01:36:49,040 --> 01:36:52,559
Speaker 1: a hustler that has resources and talent. You're looking at

1583
01:36:52,600 --> 01:36:55,599
Speaker 1: a wind right. So when I look at God, I say, yo,

1584
01:36:55,720 --> 01:36:57,880
Speaker 1: you know I look at him like a hustler. I

1585
01:36:57,960 --> 01:37:00,680
Speaker 1: look at him like you know that got in this

1586
01:37:00,800 --> 01:37:03,400
Speaker 1: space and not only got a few dollars, but got

1587
01:37:03,439 --> 01:37:06,960
Speaker 1: some information. Everybody that know me know it's all our

1588
01:37:07,040 --> 01:37:09,960
Speaker 1: kick is at the information talk. You know, I'm the

1589
01:37:10,040 --> 01:37:12,280
Speaker 1: reason the game and starting to really say, yo, give

1590
01:37:12,320 --> 01:37:15,479
Speaker 1: me some information. I don't need no money. We're doing

1591
01:37:15,560 --> 01:37:17,760
Speaker 1: pretty good in regards to that, but we need some

1592
01:37:17,920 --> 01:37:21,120
Speaker 1: information because if I got the information, I know how

1593
01:37:21,160 --> 01:37:25,920
Speaker 1: to go get the money. But yo, gotta added Mazi

1594
01:37:26,800 --> 01:37:31,920
Speaker 1: to the CMG roster, expanding his record label to the

1595
01:37:32,000 --> 01:37:36,320
Speaker 1: West Coast shout out Mazi. You know, I just spoke

1596
01:37:36,360 --> 01:37:38,360
Speaker 1: with his manager. I have him on this up there

1597
01:37:38,479 --> 01:37:42,240
Speaker 1: podcast soon. We just linked up and think that was

1598
01:37:42,320 --> 01:37:45,640
Speaker 1: DCE of November, one of them months last year, and

1599
01:37:45,760 --> 01:37:48,400
Speaker 1: had a brief conversation, so I definitely have him on

1600
01:37:48,479 --> 01:37:51,599
Speaker 1: the pard soon. He kicked some of that game talk,

1601
01:37:51,680 --> 01:37:53,320
Speaker 1: so I like to talk to him. He one of

1602
01:37:53,360 --> 01:37:56,519
Speaker 1: them guys. But he just linked up with God, and

1603
01:37:56,640 --> 01:37:58,639
Speaker 1: I think, you know, I'm not sure how I feel

1604
01:37:58,640 --> 01:38:02,639
Speaker 1: about the marriage it in regards to business. I think

1605
01:38:02,720 --> 01:38:06,840
Speaker 1: God it has the resources. Um, I think Mazzi has

1606
01:38:06,880 --> 01:38:10,280
Speaker 1: the fan base. But Mazzi has to stay true to

1607
01:38:10,400 --> 01:38:14,240
Speaker 1: his sound, and um, I think God it will allow

1608
01:38:14,360 --> 01:38:16,720
Speaker 1: him to do that. But hanging with them dudes there,

1609
01:38:17,000 --> 01:38:19,559
Speaker 1: with them with money bagging forty two and doll lay

1610
01:38:19,640 --> 01:38:22,160
Speaker 1: it might you gotta be careful that you don't try

1611
01:38:22,160 --> 01:38:24,599
Speaker 1: to mix and bleed too too too much and start

1612
01:38:24,720 --> 01:38:27,559
Speaker 1: signing kind of you know, walking with a little bit

1613
01:38:27,600 --> 01:38:30,080
Speaker 1: of the drip. Because them dudes is effective on the

1614
01:38:30,240 --> 01:38:34,080
Speaker 1: mic and probably doing it efficiently, so they probably getting

1615
01:38:34,320 --> 01:38:37,280
Speaker 1: done quick and Marzi is too. But they got like

1616
01:38:37,400 --> 01:38:42,439
Speaker 1: a southern type vibe and Mazi gotta stick to his sound.

1617
01:38:42,520 --> 01:38:45,200
Speaker 1: I think he'll b but um, we'll see what they're

1618
01:38:45,240 --> 01:38:48,840
Speaker 1: able to do for him, you know, sEMG. And you

1619
01:38:48,920 --> 01:38:50,600
Speaker 1: know they gotta come get me. You know, I'm the

1620
01:38:50,720 --> 01:38:53,800
Speaker 1: Tennessee big dog in this media space, you know what

1621
01:38:53,880 --> 01:38:56,880
Speaker 1: I'm saying. So when I see them do like press

1622
01:38:57,000 --> 01:39:00,200
Speaker 1: conferences and things like that, you know, we gotta we

1623
01:39:00,320 --> 01:39:02,719
Speaker 1: gotta figure that out. Gotta cut a check. Let's figure

1624
01:39:02,760 --> 01:39:06,639
Speaker 1: that out. But I like to I like the approach,

1625
01:39:07,120 --> 01:39:10,240
Speaker 1: you know, it's the big boy press release approach super

1626
01:39:10,280 --> 01:39:14,240
Speaker 1: Bowl weekend CEMG. It's like a staple type thing. I

1627
01:39:14,360 --> 01:39:17,280
Speaker 1: think it's something he should keep doing every year. Have

1628
01:39:17,520 --> 01:39:20,280
Speaker 1: something every year at the CEMG press conference and kind

1629
01:39:20,320 --> 01:39:22,360
Speaker 1: of spin it off like the Rock Nation Brunch. In

1630
01:39:22,479 --> 01:39:25,120
Speaker 1: my opinion, that'll be that'll be kind of dope, and

1631
01:39:25,200 --> 01:39:27,640
Speaker 1: it tends to grow every year. And you you know,

1632
01:39:27,800 --> 01:39:29,720
Speaker 1: you do your thing, you know, but shout out the

1633
01:39:29,800 --> 01:39:32,200
Speaker 1: guy to you know, holding it down. Like I say,

1634
01:39:32,240 --> 01:39:36,800
Speaker 1: it's a lot of labels, man, that's doing good, you

1635
01:39:36,920 --> 01:39:39,760
Speaker 1: know in the South, and we contribute a lot to

1636
01:39:39,840 --> 01:39:41,960
Speaker 1: the game and also far as the market shall we

1637
01:39:42,040 --> 01:39:46,200
Speaker 1: probably got eight and you know, in regards to music,

1638
01:39:46,479 --> 01:39:49,640
Speaker 1: um in the hip hop genre, you know what I mean. So,

1639
01:39:51,680 --> 01:39:55,080
Speaker 1: and I'm not talking all music. I'm talking about music consume,

1640
01:39:55,320 --> 01:39:58,080
Speaker 1: like the music that's really being streamed at a high level.

1641
01:39:58,880 --> 01:40:03,200
Speaker 1: UM outside of Rake. Drake's different, different beasts, but shout out,

1642
01:40:03,280 --> 01:40:05,200
Speaker 1: got it, Shout out to the business moves. You know,

1643
01:40:06,040 --> 01:40:08,519
Speaker 1: real hustler. Them dudes is doing their one too, So

1644
01:40:08,640 --> 01:40:10,960
Speaker 1: I salute them. I'm gonna talk about this then I

1645
01:40:11,080 --> 01:40:16,439
Speaker 1: get out of here. Carla Ray for those of you

1646
01:40:16,560 --> 01:40:19,360
Speaker 1: that don't know who that is, that's Ben Zeno's daughter

1647
01:40:19,439 --> 01:40:22,400
Speaker 1: who had the song. She had the song No More

1648
01:40:22,479 --> 01:40:26,720
Speaker 1: Parties featuring Young Dirt, and she also has the song

1649
01:40:26,840 --> 01:40:30,639
Speaker 1: out right now Twinning Them. That's a TikTok smash. She's

1650
01:40:30,680 --> 01:40:32,760
Speaker 1: been one of the artists that's been unique kind of

1651
01:40:32,800 --> 01:40:35,840
Speaker 1: in the space right. She's been able to create dances,

1652
01:40:36,000 --> 01:40:39,640
Speaker 1: create a different sort of look, also a sound that

1653
01:40:39,760 --> 01:40:42,559
Speaker 1: kind of blends in but stands out at the same time.

1654
01:40:42,640 --> 01:40:45,840
Speaker 1: I'm not sure you know what it is, but her

1655
01:40:46,160 --> 01:40:49,040
Speaker 1: and her singles, like the Twining Them in certain records

1656
01:40:49,160 --> 01:40:53,320
Speaker 1: that she's dropping, they're having that single effect on people.

1657
01:40:54,160 --> 01:40:57,680
Speaker 1: For those of you that underwear how the business music goals, right,

1658
01:40:58,600 --> 01:41:02,920
Speaker 1: the label draws up a single that's supposed to be

1659
01:41:03,080 --> 01:41:07,120
Speaker 1: well received across all genres. Right, Usually it's something that's

1660
01:41:07,320 --> 01:41:11,479
Speaker 1: kind of party issue, something that's in that vein. And

1661
01:41:11,600 --> 01:41:14,400
Speaker 1: she seems to be able to land in good spots,

1662
01:41:14,840 --> 01:41:18,360
Speaker 1: you know, in regards to creativity and continuing to have

1663
01:41:18,600 --> 01:41:21,320
Speaker 1: these ballots or these little says or whatever it is

1664
01:41:21,439 --> 01:41:24,640
Speaker 1: to go viral on TikTok along with the dances, so

1665
01:41:24,800 --> 01:41:30,000
Speaker 1: she's effective in the marketplace. In regards to business, she

1666
01:41:30,160 --> 01:41:35,320
Speaker 1: got in a relationship and it seems that I don't know.

1667
01:41:35,479 --> 01:41:37,840
Speaker 1: I won't say what I do. What I will say,

1668
01:41:38,560 --> 01:41:41,000
Speaker 1: I don't know if her relationship is affecting her. But

1669
01:41:41,120 --> 01:41:43,680
Speaker 1: what I will say because I like to take it

1670
01:41:43,760 --> 01:41:46,840
Speaker 1: off those individuals and speak on the situation as we

1671
01:41:46,960 --> 01:41:51,800
Speaker 1: try to learn from it as a whole. Right, things

1672
01:41:51,880 --> 01:41:56,120
Speaker 1: get draining on you, you know, things get draining on you.

1673
01:41:56,240 --> 01:42:03,560
Speaker 1: Let's read what she said, so says from her from Corlaree.

1674
01:42:04,160 --> 01:42:09,120
Speaker 1: She tweeted brain dead. Under that she tweeted to all

1675
01:42:09,200 --> 01:42:12,280
Speaker 1: my trendsetters, I'm sorry, I'll let you down. I don't

1676
01:42:12,320 --> 01:42:14,519
Speaker 1: have it in me to keep pushing. I feel like

1677
01:42:14,600 --> 01:42:17,639
Speaker 1: I'm brain dead. I pray that everyone continues to keep

1678
01:42:17,720 --> 01:42:21,000
Speaker 1: setting trends and striving. Don't know when I'll be back,

1679
01:42:22,000 --> 01:42:24,000
Speaker 1: but I don't even want to think about it. I

1680
01:42:24,120 --> 01:42:27,880
Speaker 1: love you for life, Court, That's what she tweeted, right, So,

1681
01:42:29,080 --> 01:42:33,840
Speaker 1: clearly something miss affecting her ability to create at a

1682
01:42:33,920 --> 01:42:38,240
Speaker 1: high level and probably draining them. I'm not sure what

1683
01:42:38,439 --> 01:42:41,280
Speaker 1: that is, but a lot of times love or relationships

1684
01:42:41,360 --> 01:42:47,120
Speaker 1: do that. When you love somebody or you put so

1685
01:42:47,360 --> 01:42:52,120
Speaker 1: much into someone, they can drain your creativity. They can

1686
01:42:52,240 --> 01:42:54,760
Speaker 1: drain your ability to be able to operate at a

1687
01:42:54,840 --> 01:42:59,640
Speaker 1: high level, just because they selfish in regards to how

1688
01:42:59,680 --> 01:43:03,320
Speaker 1: they you the situation. Right, If you really cared about

1689
01:43:03,360 --> 01:43:06,240
Speaker 1: the greater goal of things, you will view them a

1690
01:43:06,360 --> 01:43:09,080
Speaker 1: certain way. That's why I never care what people say.

1691
01:43:09,120 --> 01:43:11,679
Speaker 1: I pay attention to what they do. It's always important

1692
01:43:11,720 --> 01:43:16,920
Speaker 1: for me. But I hate to see somebody in that

1693
01:43:17,200 --> 01:43:20,200
Speaker 1: was smiling, operating at a high level dance and this then,

1694
01:43:20,240 --> 01:43:23,479
Speaker 1: and she will post almost every day something other people's songs,

1695
01:43:23,600 --> 01:43:25,759
Speaker 1: doing stuff. If you notice, it kind of went away

1696
01:43:26,280 --> 01:43:28,960
Speaker 1: and it's been several little breakups, break up, back together,

1697
01:43:29,040 --> 01:43:31,720
Speaker 1: breakup back together. You know, I don't know. I just

1698
01:43:31,920 --> 01:43:35,200
Speaker 1: think it can affect you, right, people tend to say, Yo,

1699
01:43:35,280 --> 01:43:37,559
Speaker 1: you don't let nobody get that kind of power over

1700
01:43:37,680 --> 01:43:40,880
Speaker 1: you to be able to affect you like somebody just

1701
01:43:41,000 --> 01:43:44,920
Speaker 1: walking around. Hey, take the power to affect me. It

1702
01:43:45,080 --> 01:43:49,839
Speaker 1: don't happen like that. It's damned that accident, how it happens.

1703
01:43:50,439 --> 01:43:54,639
Speaker 1: It's about time spend. It's about what's invested. Sometimes people

1704
01:43:54,760 --> 01:44:00,880
Speaker 1: invest a lot very quickly, right in regards to its emotions.

1705
01:44:00,960 --> 01:44:04,519
Speaker 1: They dump a lot into people very quickly. Therefore they

1706
01:44:04,720 --> 01:44:08,080
Speaker 1: hurt when that person tells that away you know what

1707
01:44:08,120 --> 01:44:10,680
Speaker 1: I'm saying, And then on the other side, it may

1708
01:44:10,800 --> 01:44:13,559
Speaker 1: take time to get it out of somebody, but then

1709
01:44:13,600 --> 01:44:16,200
Speaker 1: when you get it and do wrong bad, it's still

1710
01:44:16,320 --> 01:44:19,320
Speaker 1: hurts in that same way. That's why some people just

1711
01:44:19,479 --> 01:44:25,240
Speaker 1: stay away from relationships period, because if you maneuver in

1712
01:44:25,280 --> 01:44:29,320
Speaker 1: a relationship, understand nothing is forever. If you believe that,

1713
01:44:30,680 --> 01:44:33,439
Speaker 1: that means at some point I'm gonna be hurt by

1714
01:44:33,479 --> 01:44:37,400
Speaker 1: this relationship ending. It's just a matter of time. Now.

1715
01:44:37,479 --> 01:44:39,479
Speaker 1: If you don't adopt that, and you think like me

1716
01:44:39,560 --> 01:44:42,280
Speaker 1: and this person can make it through anything and be

1717
01:44:42,400 --> 01:44:46,519
Speaker 1: together for a long time or forever, then you operate

1718
01:44:46,600 --> 01:44:49,360
Speaker 1: with a different mindset. But when you're that young right there.

1719
01:44:49,720 --> 01:44:52,360
Speaker 1: It's a lot of confusion involved with falling in love

1720
01:44:52,439 --> 01:44:55,360
Speaker 1: with people or thinking you in love, or trying to

1721
01:44:55,439 --> 01:44:57,680
Speaker 1: figure out if this is love or when they have

1722
01:44:57,880 --> 01:45:00,880
Speaker 1: a babe or what a baby angel? Or will a

1723
01:45:00,960 --> 01:45:04,200
Speaker 1: baby influence how he views this? Will he look at it?

1724
01:45:04,280 --> 01:45:08,479
Speaker 1: And then like family like, it gets slippery, And so

1725
01:45:08,720 --> 01:45:12,120
Speaker 1: you gotta equip your daughters with enough information to know

1726
01:45:12,320 --> 01:45:16,840
Speaker 1: shit from sugar, right because man, it could be a

1727
01:45:16,920 --> 01:45:20,559
Speaker 1: situation where they trick your daughters quickly. Your daughters can

1728
01:45:20,640 --> 01:45:23,120
Speaker 1: be tricked by some of these guys because they operating

1729
01:45:23,160 --> 01:45:25,519
Speaker 1: with a high level of game. They're around dudes is

1730
01:45:26,160 --> 01:45:34,000
Speaker 1: kicking real game, you know. And I don't know, man,

1731
01:45:34,080 --> 01:45:36,280
Speaker 1: I just you know, I hate I hate to see

1732
01:45:36,360 --> 01:45:38,519
Speaker 1: that old girl like that, man, because she is one

1733
01:45:38,560 --> 01:45:41,320
Speaker 1: of them. I think she's needed in the coaching. I

1734
01:45:41,439 --> 01:45:45,800
Speaker 1: think her the way that she's a releasing records that

1735
01:45:45,920 --> 01:45:49,760
Speaker 1: approach to songs, I just don't see anybody really resonating

1736
01:45:49,880 --> 01:45:53,280
Speaker 1: like that, you know, for that younger audience with those

1737
01:45:53,479 --> 01:45:55,639
Speaker 1: kind of like listen to that twin in them beat

1738
01:45:56,600 --> 01:45:59,400
Speaker 1: that ain't even that it almost ain't even a full

1739
01:45:59,520 --> 01:46:02,280
Speaker 1: beat of almost. It's a real naked beat up until

1740
01:46:02,320 --> 01:46:07,479
Speaker 1: it drop. I'm gonna play look at that, So it

1741
01:46:07,560 --> 01:46:09,560
Speaker 1: ain't even a type of beat Like I say, that

1742
01:46:09,680 --> 01:46:16,679
Speaker 1: gives you any kind of like look, So you gotta

1743
01:46:16,720 --> 01:46:19,360
Speaker 1: ask yourself, like who else is hidden with them type

1744
01:46:19,400 --> 01:46:25,320
Speaker 1: of thing? You see what I'm saying. No, but that's

1745
01:46:25,360 --> 01:46:28,080
Speaker 1: a that's a banger. But like I say, that was

1746
01:46:28,160 --> 01:46:32,519
Speaker 1: her vibe. Man. But you know, relationships are draining, let it,

1747
01:46:32,720 --> 01:46:39,120
Speaker 1: let it be drugged. Then you see after she comes

1748
01:46:39,160 --> 01:46:41,600
Speaker 1: from this, she got to anxiety and things like that,

1749
01:46:41,800 --> 01:46:44,680
Speaker 1: she started tapping back into that sad bag. So she

1750
01:46:44,840 --> 01:46:46,519
Speaker 1: kind of telling you what it is or where they

1751
01:46:46,600 --> 01:46:50,040
Speaker 1: stand there, and um, gotta be careful. Relationships can a

1752
01:46:50,160 --> 01:46:51,720
Speaker 1: fick you. And man, you get in one at the

1753
01:46:51,800 --> 01:46:54,080
Speaker 1: wrong time when you at an all time highlight that

1754
01:46:54,920 --> 01:46:57,840
Speaker 1: you know, or you in a position what what God

1755
01:46:58,000 --> 01:47:01,960
Speaker 1: or universes put you into that earning spot? All right?

1756
01:47:02,120 --> 01:47:05,679
Speaker 1: These these next five or ten years, it's you're earning

1757
01:47:05,840 --> 01:47:08,640
Speaker 1: years and you better figure out what you're gonna do

1758
01:47:08,800 --> 01:47:10,800
Speaker 1: with him. And then you fall into a relationship and

1759
01:47:10,960 --> 01:47:14,000
Speaker 1: fall out of love or some kind of heartbreak happened

1760
01:47:14,040 --> 01:47:16,080
Speaker 1: within that time, and you waste that time. Man, you

1761
01:47:16,120 --> 01:47:18,439
Speaker 1: will look back at that and be hot. That's why

1762
01:47:18,520 --> 01:47:21,200
Speaker 1: you gotta grand no matter what. If it's working, Grand,

1763
01:47:21,240 --> 01:47:24,040
Speaker 1: if it ain't working Grand, if it's if she love

1764
01:47:24,160 --> 01:47:26,400
Speaker 1: you Grand, if he love you Grand, if he don't

1765
01:47:26,479 --> 01:47:29,280
Speaker 1: love you Grand, if he if she don't love you, Grand,

1766
01:47:29,720 --> 01:47:32,120
Speaker 1: if they talking about your grand, if they ain't talking

1767
01:47:32,120 --> 01:47:35,160
Speaker 1: about your grand like you gotta just keep pushing, keep going,

1768
01:47:35,720 --> 01:47:39,200
Speaker 1: and you will turn that thing into something. But y'all seeing,

1769
01:47:39,240 --> 01:47:41,800
Speaker 1: y'all love for shouting man shouting going through whatever it

1770
01:47:41,960 --> 01:47:44,799
Speaker 1: is she going through. You know, we send our prayers

1771
01:47:44,840 --> 01:47:49,280
Speaker 1: to people, to people involved in't that. I want to

1772
01:47:49,320 --> 01:47:55,320
Speaker 1: talk about Kim and Kanye. I'm really tired of them

1773
01:47:55,439 --> 01:47:59,280
Speaker 1: making a news cycle. If I'm being honest, I wonder

1774
01:47:59,360 --> 01:48:03,560
Speaker 1: how long for Kanye is exhausting his audience with this.

1775
01:48:05,439 --> 01:48:07,880
Speaker 1: I understand he's fighting for his family, so I don't

1776
01:48:07,920 --> 01:48:11,400
Speaker 1: really speak on that. I think his approach to it,

1777
01:48:13,720 --> 01:48:16,519
Speaker 1: I think it's approach to its interesting. I think he

1778
01:48:16,600 --> 01:48:23,840
Speaker 1: could take a different approach. But I also feel like

1779
01:48:25,000 --> 01:48:28,519
Speaker 1: he's using against them the only thing he got left.

1780
01:48:30,600 --> 01:48:37,080
Speaker 1: And I hear Charlemagne say that he's affected by Kim

1781
01:48:37,200 --> 01:48:41,360
Speaker 1: Kardashian not being affected by him having all that money

1782
01:48:41,400 --> 01:48:43,479
Speaker 1: and status and power and she just don't want to

1783
01:48:43,520 --> 01:48:46,519
Speaker 1: be bothered with it. I'm not sure if I take

1784
01:48:46,640 --> 01:48:55,800
Speaker 1: that same stance. I do think though, that Kanye West's

1785
01:48:55,880 --> 01:48:59,880
Speaker 1: powerless in this situation. I would agree with that. I

1786
01:49:00,120 --> 01:49:09,800
Speaker 1: also can relate to how vulnerable you feel as you

1787
01:49:09,960 --> 01:49:15,599
Speaker 1: try to navigate within the four walls with your family,

1788
01:49:16,479 --> 01:49:19,680
Speaker 1: as being one of the most powerful people that they

1789
01:49:19,800 --> 01:49:25,760
Speaker 1: know outside of those walls, but being ineffective somewhat inside

1790
01:49:26,120 --> 01:49:28,639
Speaker 1: of your own family. I think it's a unique situation

1791
01:49:28,760 --> 01:49:33,000
Speaker 1: of being When you see him by the house, when

1792
01:49:33,040 --> 01:49:34,880
Speaker 1: you see him do some of these kind of things,

1793
01:49:34,960 --> 01:49:39,800
Speaker 1: I think it's misdirected energy. I think he got the

1794
01:49:39,960 --> 01:49:43,479
Speaker 1: right I think he got the right like message, but

1795
01:49:43,680 --> 01:49:46,800
Speaker 1: just it's just I don't know, man, something about it,

1796
01:49:47,720 --> 01:49:53,000
Speaker 1: and I'm wondering, is it gonna exhaust the audience? I

1797
01:49:53,160 --> 01:49:56,120
Speaker 1: just don't know. But then when I think about it,

1798
01:49:56,240 --> 01:49:59,840
Speaker 1: I'm like, Yo, Kim can't think And for all int

1799
01:50:00,000 --> 01:50:03,680
Speaker 1: it's intensive purposes. I want to put a lot of

1800
01:50:03,760 --> 01:50:09,160
Speaker 1: respect on these people, right because I don't they family.

1801
01:50:09,240 --> 01:50:11,640
Speaker 1: I always talk about the family, and these people here

1802
01:50:11,720 --> 01:50:14,600
Speaker 1: is family. But it's important for me to examine the

1803
01:50:14,720 --> 01:50:16,840
Speaker 1: game and be able to spread the game and the

1804
01:50:17,000 --> 01:50:20,120
Speaker 1: knowledge and the gospel to the people that's influenced by

1805
01:50:20,160 --> 01:50:24,519
Speaker 1: the influencers. Right, we need to voice out there that's

1806
01:50:25,720 --> 01:50:28,559
Speaker 1: critiquing things from a high level, but also drilling them

1807
01:50:28,640 --> 01:50:33,960
Speaker 1: down and figuring out what the bits and pieces look like. Right.

1808
01:50:34,320 --> 01:50:38,120
Speaker 1: So that's what I do. But when I look back

1809
01:50:38,200 --> 01:50:40,160
Speaker 1: at Kanye and I look at some of the things

1810
01:50:40,240 --> 01:50:46,040
Speaker 1: you've done, I say, what, I know you love him.

1811
01:50:46,280 --> 01:50:48,720
Speaker 1: I know you love me. Right. If I'm Kanye, I

1812
01:50:48,840 --> 01:50:51,679
Speaker 1: know you love me. But what you thought it wasn't

1813
01:50:52,080 --> 01:50:56,360
Speaker 1: I wouldn't turn in on you. Yeah, it's the same

1814
01:50:56,479 --> 01:50:59,880
Speaker 1: Kanye that told on Live TV Bush don't care about

1815
01:51:00,080 --> 01:51:03,960
Speaker 1: black people. It's the same Kanye that win at jay Z,

1816
01:51:04,200 --> 01:51:06,400
Speaker 1: the guy that did the whole tape with him at

1817
01:51:06,439 --> 01:51:11,599
Speaker 1: the height of his career. Kanye being very valuable at

1818
01:51:11,640 --> 01:51:16,640
Speaker 1: that time as well. Hasn't been done since though by whole. Right,

1819
01:51:16,840 --> 01:51:21,880
Speaker 1: So again got on stage throwing shots at Beyonce, take

1820
01:51:21,920 --> 01:51:24,080
Speaker 1: the mike from Taylor, like, this is a guy that's

1821
01:51:24,120 --> 01:51:28,320
Speaker 1: gonna have erratic behavior. If you bag him up against

1822
01:51:28,320 --> 01:51:30,960
Speaker 1: a wall, he's gonna You're gonna come out like that.

1823
01:51:32,720 --> 01:51:34,640
Speaker 1: And so for you to fall in love with me

1824
01:51:34,840 --> 01:51:40,040
Speaker 1: is to understand me. So I can't say that she

1825
01:51:40,200 --> 01:51:43,479
Speaker 1: couldn't understand that he had that in him. It's just

1826
01:51:43,680 --> 01:51:45,559
Speaker 1: what will bring it out of mean, you know, if

1827
01:51:45,600 --> 01:51:48,040
Speaker 1: you take out everything from him, he gonna result the

1828
01:51:48,520 --> 01:51:52,240
Speaker 1: only thing you know could have promised a hundred times.

1829
01:51:52,280 --> 01:51:57,479
Speaker 1: He'll never do that. But what you want, what you

1830
01:51:57,560 --> 01:51:59,439
Speaker 1: want me to do, That's all I know. And I'm

1831
01:51:59,520 --> 01:52:02,840
Speaker 1: powerless us in this situation. The way he uses social media,

1832
01:52:02,920 --> 01:52:05,000
Speaker 1: he kind of explained, and say, Yo, I use my

1833
01:52:05,120 --> 01:52:07,760
Speaker 1: social media the same way the Shade Room used there,

1834
01:52:08,680 --> 01:52:11,400
Speaker 1: the same way academics uses his. You know some of

1835
01:52:11,439 --> 01:52:15,800
Speaker 1: these blog sites I use mind like that. The unfortunate

1836
01:52:15,960 --> 01:52:18,360
Speaker 1: reality is that he's a billion name, one of the

1837
01:52:18,439 --> 01:52:22,280
Speaker 1: most influential people in the world. And again, when Kim

1838
01:52:22,400 --> 01:52:25,240
Speaker 1: ticks you and said certain things, she's warning you that yo,

1839
01:52:25,360 --> 01:52:28,519
Speaker 1: or something happened. Bro, they're gonna take you down through

1840
01:52:28,560 --> 01:52:32,760
Speaker 1: They're gonna try to take you down through them. And

1841
01:52:32,920 --> 01:52:35,320
Speaker 1: so I don't know how to feel about it. I

1842
01:52:35,439 --> 01:52:37,800
Speaker 1: think you know, for me, we always keep it played.

1843
01:52:38,720 --> 01:52:42,040
Speaker 1: If the girl choose you, let her choose you. We

1844
01:52:42,160 --> 01:52:45,920
Speaker 1: wish y'all the best, even if we're going home and

1845
01:52:46,000 --> 01:52:48,080
Speaker 1: cry at night. If we go in the house and cry,

1846
01:52:49,400 --> 01:52:53,559
Speaker 1: we're gonna salute her on her on her walkout. We're

1847
01:52:53,560 --> 01:52:55,680
Speaker 1: gonna keep it peat. We're gonna keep it played at

1848
01:52:55,840 --> 01:52:59,559
Speaker 1: all times. And I just wish that he would keep

1849
01:52:59,560 --> 01:53:02,880
Speaker 1: it at little more. Player. You got you having too

1850
01:53:03,000 --> 01:53:07,559
Speaker 1: much motion, too much money, you understand me. But then

1851
01:53:07,680 --> 01:53:10,559
Speaker 1: his family. So I'm like, yo, man, I get stuck

1852
01:53:10,600 --> 01:53:13,240
Speaker 1: in between the two. I ain't gonna kept because I

1853
01:53:13,360 --> 01:53:17,560
Speaker 1: don't know right. That's his whole foundation right there, and

1854
01:53:18,880 --> 01:53:21,519
Speaker 1: in his man he made up, he made up billion

1855
01:53:21,600 --> 01:53:24,639
Speaker 1: and his man he changed her image, and his man

1856
01:53:25,360 --> 01:53:27,160
Speaker 1: he the one told her to go to X Y

1857
01:53:27,200 --> 01:53:29,439
Speaker 1: and Z and start x Y and Z and his man.

1858
01:53:29,560 --> 01:53:32,760
Speaker 1: That's how he feel about it. It's a lot of work.

1859
01:53:32,840 --> 01:53:36,240
Speaker 1: He feels like he put in to just lose to

1860
01:53:36,400 --> 01:53:41,280
Speaker 1: somebody that's the total opposite of me. That's always interesting

1861
01:53:41,320 --> 01:53:43,960
Speaker 1: to me. Somebody getting lied to because you can't like

1862
01:53:44,200 --> 01:53:47,120
Speaker 1: me and him My old lady show up with some

1863
01:53:47,320 --> 01:53:50,800
Speaker 1: dude looked like Pete Davidson. Man, I'm gonna be man,

1864
01:53:50,880 --> 01:53:54,240
Speaker 1: I'm gonna have questions. Man, Man, ain't the way you

1865
01:53:54,400 --> 01:53:57,400
Speaker 1: like me and Pete Davison. We ain't the same type

1866
01:53:57,479 --> 01:54:02,599
Speaker 1: dudes were two different type dudes. You feel what I'm saying. Yeah,

1867
01:54:02,680 --> 01:54:06,160
Speaker 1: the bird and the fish can't make a deal. You

1868
01:54:06,240 --> 01:54:08,960
Speaker 1: know what I'm saying. You can't like me and him.

1869
01:54:09,120 --> 01:54:12,559
Speaker 1: He's like, like, Yo, you like that type of guy,

1870
01:54:12,800 --> 01:54:16,160
Speaker 1: then you can't like me because I'm yo, these ain't

1871
01:54:16,200 --> 01:54:19,200
Speaker 1: the same things, or you just like anything. It's what

1872
01:54:19,320 --> 01:54:22,240
Speaker 1: you're telling me. You like what like you type thing?

1873
01:54:23,240 --> 01:54:26,160
Speaker 1: You know? But I have some real questions. Man. You know,

1874
01:54:26,320 --> 01:54:28,320
Speaker 1: you go from me and then I you know, they've

1875
01:54:28,360 --> 01:54:30,600
Speaker 1: been telling me you've been kind of slick dating. You know,

1876
01:54:30,760 --> 01:54:33,680
Speaker 1: we've been broke up for a month to half two months.

1877
01:54:33,720 --> 01:54:37,120
Speaker 1: They've been telling me, you know she dating now. Then

1878
01:54:37,280 --> 01:54:40,200
Speaker 1: I go, I go to sitting back now wonder, you know,

1879
01:54:40,320 --> 01:54:43,600
Speaker 1: wonder what's going on? You know, you know, and then

1880
01:54:43,800 --> 01:54:47,160
Speaker 1: I bump into you in this slime. Man, y'all got

1881
01:54:47,240 --> 01:54:50,560
Speaker 1: to be kidding me. Man, who is this dude? Where's

1882
01:54:50,600 --> 01:54:53,240
Speaker 1: your dude? What the dude you're dating? That? That ain't him?

1883
01:54:55,080 --> 01:54:58,920
Speaker 1: Not coming from I don't want you no more? Yeah, noah,

1884
01:54:58,920 --> 01:55:01,120
Speaker 1: I don't switched it. I don't want you no more.

1885
01:55:01,360 --> 01:55:03,840
Speaker 1: You like you like dudes like it now? I don't

1886
01:55:03,840 --> 01:55:07,160
Speaker 1: want you now, man, I heard you pig wrong. You

1887
01:55:07,320 --> 01:55:11,200
Speaker 1: like that? Yeah, I don't swist it. Yeah we ain't

1888
01:55:11,240 --> 01:55:14,040
Speaker 1: together because now I don't want you. Look what you except?

1889
01:55:14,840 --> 01:55:18,080
Speaker 1: Do you understand you like Pete Davis or you know,

1890
01:55:18,280 --> 01:55:20,800
Speaker 1: no disrespect to him. I'm just saying, like you know,

1891
01:55:21,000 --> 01:55:23,720
Speaker 1: if I were Kanye West. But I'm just saying. It

1892
01:55:23,800 --> 01:55:26,560
Speaker 1: ain't even about what I think he looked like. This

1893
01:55:26,800 --> 01:55:30,880
Speaker 1: is more so about the total opposite you feel what

1894
01:55:30,960 --> 01:55:33,400
Speaker 1: I'm saying. You don't win and got the total opposite

1895
01:55:33,440 --> 01:55:36,760
Speaker 1: of me. Now that made me thank somebody being lied to.

1896
01:55:37,040 --> 01:55:40,080
Speaker 1: That's just how I feel about that. Last week I

1897
01:55:40,240 --> 01:55:50,200
Speaker 1: spoke about Roddy Rich, Roddy Rich and meet Mia Meek

1898
01:55:50,280 --> 01:55:56,480
Speaker 1: Mill was in a situation too speak on not being

1899
01:55:56,560 --> 01:55:59,960
Speaker 1: paid for being involved with Roddy Rich launching this true

1900
01:56:00,000 --> 01:56:04,560
Speaker 1: Objectory as again, he's a very very high selling artist. Man,

1901
01:56:04,680 --> 01:56:08,040
Speaker 1: he's one of them dudes. This went five times platinum

1902
01:56:08,120 --> 01:56:10,280
Speaker 1: and all of that kind of stuff. So them dudes

1903
01:56:10,400 --> 01:56:13,480
Speaker 1: is making a lot of money. And Meet Mills pointing

1904
01:56:13,480 --> 01:56:15,960
Speaker 1: at Atlantic records like yo, y'all didn't give me nothing.

1905
01:56:16,440 --> 01:56:19,640
Speaker 1: At the same time, NBA young boys pointing at Atlantic

1906
01:56:19,720 --> 01:56:24,240
Speaker 1: records like yo, y'all tripping, y'all. Y'all treat me in

1907
01:56:24,320 --> 01:56:27,520
Speaker 1: the kind of way y'all ain't cool, right, y'all fucking

1908
01:56:27,600 --> 01:56:33,120
Speaker 1: the artists. Now he comes a tornado towards Atlantic Records

1909
01:56:33,200 --> 01:56:35,520
Speaker 1: with some of the biggest names in the game. Then

1910
01:56:35,600 --> 01:56:38,440
Speaker 1: you got Bobby Smirt on the other side calling out Silvia.

1911
01:56:38,600 --> 01:56:41,840
Speaker 1: She's a heavyweight in the game. So now people are

1912
01:56:41,880 --> 01:56:47,720
Speaker 1: calling our labels Atlantic Records. There was some confusion with us,

1913
01:56:47,840 --> 01:56:53,160
Speaker 1: with the media and with the fans in which we

1914
01:56:53,680 --> 01:56:58,240
Speaker 1: took what Meet Mill said as the label came to

1915
01:56:58,520 --> 01:57:01,880
Speaker 1: him or some kind of way approached him for a

1916
01:57:02,080 --> 01:57:09,000
Speaker 1: deal with Roddy Rich, he embraced it, kind of activated it,

1917
01:57:10,680 --> 01:57:13,000
Speaker 1: and then they ran off and may hundreds of millions

1918
01:57:13,080 --> 01:57:15,080
Speaker 1: of dollars off of them and didn't give him nothing.

1919
01:57:16,440 --> 01:57:20,280
Speaker 1: Roddy Rich went on DJ Academics podcast and he had

1920
01:57:20,320 --> 01:57:23,800
Speaker 1: a different story. Roddy Rich explains that, Yo, my deal

1921
01:57:23,920 --> 01:57:27,600
Speaker 1: came through Nipsey Hustle. I was already locked in with

1922
01:57:28,000 --> 01:57:30,560
Speaker 1: Nipse Elsa, took me on a world tour with a

1923
01:57:30,680 --> 01:57:34,080
Speaker 1: mixtape out. Meek Mill did do some things for me,

1924
01:57:34,200 --> 01:57:37,240
Speaker 1: But whatever business he talking about this with him in Atlantic,

1925
01:57:39,360 --> 01:57:41,920
Speaker 1: I do think if they made a lot of money,

1926
01:57:42,000 --> 01:57:44,360
Speaker 1: they probably should. You know, if they came to him

1927
01:57:45,280 --> 01:57:49,920
Speaker 1: for some services, they probably should pay for those services.

1928
01:57:50,080 --> 01:57:52,960
Speaker 1: Right In my opinion, I think I have to have

1929
01:57:53,120 --> 01:57:57,280
Speaker 1: a conversation with meet the kind of really understand what happened,

1930
01:57:57,360 --> 01:57:59,880
Speaker 1: what you well like, how they come to you, how

1931
01:58:00,040 --> 01:58:03,200
Speaker 1: they activated off you, what was going on. You know,

1932
01:58:03,320 --> 01:58:07,360
Speaker 1: we will remember writer Rich having a DC chain right

1933
01:58:07,480 --> 01:58:10,560
Speaker 1: dream chase the chain. But young rappers, let me get

1934
01:58:10,640 --> 01:58:15,640
Speaker 1: y'all a psay about chains. Sometimes the chain is to

1935
01:58:17,880 --> 01:58:22,720
Speaker 1: reinforce their brand. I see some rappers when they get hot,

1936
01:58:22,800 --> 01:58:26,600
Speaker 1: they get changed from everybody. Money bag. Yo'll be getting

1937
01:58:26,680 --> 01:58:29,160
Speaker 1: changed from all kind of rappers like we cool though,

1938
01:58:29,240 --> 01:58:30,720
Speaker 1: But you don't have to give me a chain. What

1939
01:58:30,880 --> 01:58:34,240
Speaker 1: that does is I'm a walking bill board. They probably

1940
01:58:34,320 --> 01:58:37,120
Speaker 1: hope I don't understand that, right, So I gotta tell

1941
01:58:37,280 --> 01:58:40,000
Speaker 1: y'all that. So if you're coming up and you're wondering

1942
01:58:40,040 --> 01:58:44,200
Speaker 1: why people giving you chains, like they got your best

1943
01:58:44,280 --> 01:58:47,880
Speaker 1: interests at hard now they chain number one home is

1944
01:58:47,880 --> 01:58:51,800
Speaker 1: a text right off, and then number two year walking billboard.

1945
01:58:52,360 --> 01:58:54,720
Speaker 1: So the most successful you are, they're gonna add to

1946
01:58:54,840 --> 01:58:57,160
Speaker 1: his legacy, not knowing he just gave me a chain,

1947
01:58:57,280 --> 01:58:59,920
Speaker 1: and I would thirsty to have diamonds on. He ain't

1948
01:59:00,000 --> 01:59:03,560
Speaker 1: putting nothing into my career. He gave me his smaller

1949
01:59:03,680 --> 01:59:07,760
Speaker 1: chain that he had before he redone his You know,

1950
01:59:08,080 --> 01:59:10,560
Speaker 1: these kind of games are being played in the rap game.

1951
01:59:10,640 --> 01:59:13,160
Speaker 1: But you gotta you gotta pay attention to know that.

1952
01:59:13,760 --> 01:59:16,920
Speaker 1: But Rider Rich moving around with a dream chase the chain.

1953
01:59:17,080 --> 01:59:19,000
Speaker 1: He said it was genuine love and he said he

1954
01:59:19,080 --> 01:59:22,280
Speaker 1: green lightening anything and meet mill level need for me.

1955
01:59:22,520 --> 01:59:27,560
Speaker 1: Mill is around businessman now for the last five ten

1956
01:59:27,760 --> 01:59:30,240
Speaker 1: years have along he being he been around business men,

1957
01:59:30,320 --> 01:59:33,760
Speaker 1: so he viewing things different. He understand that those kind

1958
01:59:33,800 --> 01:59:38,040
Speaker 1: of plays, it's a title on that I'm supposed to

1959
01:59:38,160 --> 01:59:41,280
Speaker 1: be paid. I was in a meeting the other day

1960
01:59:42,280 --> 01:59:46,680
Speaker 1: and I'm champion in like yo, see set set ceter

1961
01:59:46,880 --> 01:59:49,360
Speaker 1: right this that in the third I'm talking about putting

1962
01:59:49,440 --> 01:59:54,000
Speaker 1: major game down. In the meeting, I talked to the lawyer.

1963
01:59:54,600 --> 01:59:59,080
Speaker 1: Lawyers say, yo, that's called the ambassador. You get paid

1964
01:59:59,120 --> 02:00:03,720
Speaker 1: for that, I said, old show Liz right. So it's

1965
02:00:03,760 --> 02:00:07,480
Speaker 1: about knowing just what the title some of these things,

1966
02:00:08,200 --> 02:00:10,800
Speaker 1: and that information can make or break you. And you

1967
02:00:10,800 --> 02:00:13,400
Speaker 1: will be in a situation like that. You know, but

1968
02:00:13,480 --> 02:00:15,480
Speaker 1: again we don't know the ends and outs. I think

1969
02:00:15,520 --> 02:00:18,360
Speaker 1: I want to dive a little further into it, you know,

1970
02:00:18,480 --> 02:00:21,240
Speaker 1: but Ride basically spoke on nine it ain't it wasn't that.

1971
02:00:21,400 --> 02:00:24,640
Speaker 1: It wasn't Meek didn't really put me in. From my perspective,

1972
02:00:25,240 --> 02:00:28,280
Speaker 1: he helped me. But far as my deal and walking

1973
02:00:28,360 --> 02:00:30,720
Speaker 1: in Atlantic, Nipsey walked me in and didn't happen to

1974
02:00:30,800 --> 02:00:34,040
Speaker 1: pass away, now, I mean, and that's how that happened.

1975
02:00:34,120 --> 02:00:36,760
Speaker 1: So again we're gonna get the ends and outs of it.

1976
02:00:36,800 --> 02:00:38,720
Speaker 1: I'm gonna put Meek down as one of them people

1977
02:00:38,760 --> 02:00:41,920
Speaker 1: I need to speak with and have him come through

1978
02:00:41,960 --> 02:00:44,080
Speaker 1: the podcast and kind of just get some game on

1979
02:00:44,240 --> 02:00:48,080
Speaker 1: exactly what happeneding what was supposed to happen. More importantly,

1980
02:00:48,720 --> 02:00:52,120
Speaker 1: because what happened to speak detrimental to you know, the

1981
02:00:52,280 --> 02:00:55,520
Speaker 1: label or maybe Ride or whoever was responsible. We want

1982
02:00:55,520 --> 02:00:57,320
Speaker 1: to speak to what should have happened to make sure

1983
02:00:57,360 --> 02:01:01,800
Speaker 1: that those mistakes don't happen. Move forward, moving forward, right,

1984
02:01:01,880 --> 02:01:04,280
Speaker 1: So that's what we own and that's what we old

1985
02:01:04,320 --> 02:01:08,120
Speaker 1: tim Elia are gonna accomplish with that. So again, man,

1986
02:01:08,320 --> 02:01:14,000
Speaker 1: another episode. Fastest growing podcasts in the world, Biggest podcasts

1987
02:01:14,040 --> 02:01:16,760
Speaker 1: in the world. We got some announcements coming real soon.

1988
02:01:17,480 --> 02:01:21,560
Speaker 1: Appreciate it, everybody that's tapped in and tuned in. Biggest