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Speaker 1: Welcome to This is Important, a production of I Heart Radio,

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Speaker 1: the show where we only talk about what's the most important,

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Speaker 1: bottom line, critical thing happening on this planet today. This

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Speaker 1: is important? Am I gonna show my dick? I saw

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Speaker 1: a thirty rock porn? Oh, Rosia Dawson just like saw

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Speaker 1: my buttole and like thumbed my taint with a tampon,

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Speaker 1: and no one tells drs how to fuck buckle up.

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Speaker 1: But right, good evening. What's up? T I I Nation,

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Speaker 1: stand up? Tie Nation, tie Nation. Let's tie one off, baby,

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Speaker 1: Come on, you don't tie one off. You tie one

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Speaker 1: on one on Taiwe Yeah, what are you tying off? Yeah?

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Speaker 1: I tie off him? Then I shoot up Heroin before

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Speaker 1: a show. Let's tie off. Fuck. I hope that. I

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Speaker 1: hope there's not just one sad guy out there that's

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Speaker 1: just Jones been Jones and for Heroin. And he's like,

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Speaker 1: you know what, I'm not touching it. It's right there,

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Speaker 1: but I'm not going to touch it. And then Blake says,

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Speaker 1: let's tie one off, and he's like, yeah, that's my guy,

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Speaker 1: or the one guy who's actually the one guy who's

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Speaker 1: actually doing it, because that's what he does when he listens,

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Speaker 1: he's like, I just like to tie one on and

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Speaker 1: then timing off off. You gotta tie it off, and

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Speaker 1: then we caught We caught you, motherfucker. We caught you

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Speaker 1: in the act. What does that even mean? What is

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Speaker 1: tying one on on off? You tie like you're tying

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Speaker 1: the thing around your arms and the veins pop out

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Speaker 1: and then you shoot out in terms of like drinking, right,

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Speaker 1: in terms of drinking, that's tying one on. Oh no, no,

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Speaker 1: I got the time one off because I started that.

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Speaker 1: I coined that term. But what does time watch like? King?

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Speaker 1: Much like how you put that on us and suddenly

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Speaker 1: you don't know anything about stay blessed king? Yeah right,

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Speaker 1: but what is that tie one on? Where is that?

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Speaker 1: What are you tying on? You blake? I know what

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Speaker 1: it is and I'm a hundred percent right. So you

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Speaker 1: know how San Bernard's carry those little barrels of alcohol

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Speaker 1: brandy like you tie that on their neck. So it's like,

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Speaker 1: when you're gonna drink tonight, you're gonna tie one on

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Speaker 1: like a San Bernard has the little barrel of alcohol.

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Speaker 1: I'm smart, smart, That's what it is? Is that real

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Speaker 1: bam go off? King. Is that really? It seems it's

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Speaker 1: not it's not real. Well, it was convincing. You got me.

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Speaker 1: I believe last episode you were saying that I'm the

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Speaker 1: best layer. There's is the best layer because you actually

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Speaker 1: believe him when he says stuff. You know, I'm a trickster.

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Speaker 1: I'm a prankster. What is it? A Mary prankster? Your iago? Yes?

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Speaker 1: What's the game? What's that board game where you have

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Speaker 1: to make up all the the fucking the definitions? Is

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Speaker 1: it boulder dash ball? Yeah, hey, let's give balder dash.

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Speaker 1: It's it's flowers. That's a great game to play amongst peers. Yeah,

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Speaker 1: I sucked up some balder like that. You can't play

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Speaker 1: that with smart people who read a lot, though, because

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Speaker 1: they know how to write in like the diction or whatever.

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Speaker 1: I don't know smart people. I hang out with. Dummy,

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Speaker 1: Oh dude. I remember playing with my family as a

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Speaker 1: child and like my extended family, and I was like, oh,

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Speaker 1: a lot of my family is really stupid balder because

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Speaker 1: I was I was crushing at balder Dash and everyone else.

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Speaker 1: I'm like, no, you I know what you're doing. I

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Speaker 1: understand what you're doing. It's it's the same type of

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Speaker 1: answer every time, you know, it's like every time it's

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Speaker 1: like that. It's the same. You recognize patterns. I'm a

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Speaker 1: pattern guy. Yeah, you see the patterns coming at you,

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Speaker 1: the English language patterns, baby, pattern Yeah, I see patterns

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Speaker 1: and hear colors. I was actually thinking, do you think

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Speaker 1: we could pull all of our books we've read together

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Speaker 1: in Like, how many books do you think we've collectively

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Speaker 1: read as a as a collectively? Okay? Um, what a hundred?

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Speaker 1: What a hundred? Okay? What kind of books? Like like

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Speaker 1: like pros, like like novels, like really books total all

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Speaker 1: of us have read. I've literally never seen you read

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Speaker 1: a book, Like you have never had a book in

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Speaker 1: your hand. This is four grown men. I've never I've

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Speaker 1: never seen you have a book. Yeah, I'll come out

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Speaker 1: the gate right now. I'm saying, we know each other.

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Speaker 1: Do I have a book here? Yeah? I do have.

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Speaker 1: I started reading books during the quarantine kind of I started.

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Speaker 1: I read thirty pages of Home, then don't finish, and

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Speaker 1: then drop it. That's my ship. But dude, I'm saying

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Speaker 1: I was just saying that I read maybe twenty five

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Speaker 1: books in my life. Bullshit, I call bullsh you think

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Speaker 1: that's too much or too low, too much, Kyle, I

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Speaker 1: lived with you for seven almost eight years. Was that time,

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Speaker 1: friend that we lived together so each other every day,

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Speaker 1: took vacations together, went on holidays together. Never once, not

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Speaker 1: even one time, did I see you read a book.

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Speaker 1: Not once did you tie one on I had. I

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Speaker 1: had lots of books. I had lots of directing books

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Speaker 1: and like editing books, and I read them technical books.

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Speaker 1: Are we talking books that we own? Because I I

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Speaker 1: have shelves that are full of books that I don't.

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Speaker 1: I don't read all kinds of Ray bradberry Ship. Oh yeah,

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Speaker 1: my book collection is poor. It's very bad. I think, Adam,

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Speaker 1: you've probably read the most books. Yeah. Oh it sounds

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Speaker 1: like he wants the crown. Damn. Like I would say,

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Speaker 1: it's whatever you've read plus sixteen. Yeah, that's fair, that's

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Speaker 1: probably yeah, like thirty, like thirty. Maybe did I ever

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Speaker 1: tell you guys this? Did I ever tell you that, um,

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Speaker 1: you don't know how to read? Well? Kind of? When

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Speaker 1: I was in high school, this dude who was a

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Speaker 1: senior when I was a junior, he found out that

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Speaker 1: I had never like read a book for high school period,

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Speaker 1: and he was like I don't understand. I was like,

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Speaker 1: I just don't do it. And he like wrote a

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Speaker 1: paper about how someone like me can like survive, why

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Speaker 1: the public school system is just garbage because you slipped through.

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Speaker 1: I was like, this is stupid. I can't. This guy

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Speaker 1: is not me. Do you think you're dyslexic or something? Durst?

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Speaker 1: Is that what it is? I know? I am for sure.

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Speaker 1: There's for sure, because reading is not it does not

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Speaker 1: come easily. You're just talking bo well in my world, Well,

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Speaker 1: this was the thing, didn't you say that? Like you

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Speaker 1: were definitely the type of kid who because in school

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Speaker 1: you have to do a book report, You're supposed to

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Speaker 1: read the booking book and do a book report. I'm

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Speaker 1: the type of guy. You're that guy, Pal, you're that guy.

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Speaker 1: I would watch the movie of the book every time.

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Speaker 1: I remember doing like, uh, I did a report on

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Speaker 1: like William Wallace and I was like, it's just the

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Speaker 1: Braveheart story. Yeah, beat for beat, Braveheart um. And he

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Speaker 1: was like, so this seems like the movie. I go, yeah,

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Speaker 1: it's just like the book. You know. He knew. I

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Speaker 1: knew it was a very winky winky like okay, so

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Speaker 1: your teachers kind of suck because they didn't like hold

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Speaker 1: your feet to the fire a little bit. Well, what

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Speaker 1: do you think I got as and bees? No, they

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Speaker 1: were like, you're passing. But because you wrote pages but passed,

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Speaker 1: why would you why would you pass if you Yeah,

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Speaker 1: that's that's what I'm saying. Yeah, you should have been

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Speaker 1: a failure. I don't want you to fail just because

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Speaker 1: they A, I wrote pages and be they couldn't prove

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Speaker 1: it if you read his reports though, they were hell

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Speaker 1: of funny dude reports. I bet that is it. I

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Speaker 1: bet that is I had a lot of cut too

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Speaker 1: in the book report Exterior Scotland. Yeah, and then they

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Speaker 1: like all show their butts and then like I wish

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Speaker 1: it was like it says Mel Gibson in here. I'm

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Speaker 1: like that that was the joke. You don't get the joke.

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Speaker 1: Oh do you not get it? Are you too dumb?

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Speaker 1: You don't read a book? And then he's like, that's

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Speaker 1: what you're supposed to do. Well, Well, did you guys

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Speaker 1: read Cliffs and Sparks Notes when they came out a

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Speaker 1: whole new world? Yeah, Cliffs and Sparks Notes. That was

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Speaker 1: a game change. You'd go buy the Yellow Book and

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Speaker 1: just read it all in a night. You know what?

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Speaker 1: Though too long? Right, they were still so long. I

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Speaker 1: was like what I'm saying, And it would be like

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Speaker 1: here's the background of the story, and like here's the relationships,

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Speaker 1: and I'm like, I might as well just go read

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Speaker 1: the stinking book. Yeah. I definitely skimmed through a cliffs

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Speaker 1: notes and I'm like, this isn't buying me anytime. This

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Speaker 1: is still thank you. It isn't amazing that we all

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Speaker 1: have become writers, because usually titans of industry usually all

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Speaker 1: become titans of industry. Usually great readers become great writers

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Speaker 1: because you're and good actors watch everything that they can

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Speaker 1: get their eyes on, you know what I mean? And

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Speaker 1: what what what about good porno dudes? Well they fuck

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Speaker 1: ten hours? Yeah, they just practiced. They put in the

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Speaker 1: hours as man, they banned fucking. But you know what,

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Speaker 1: I guess the differences and like I wouldn't go out,

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Speaker 1: we're making a living, we're professionals, But I would say, like, um,

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Speaker 1: for me, the ten thou hours is watching TV and

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Speaker 1: movies and recognizing patterns there and kind of like downloading

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Speaker 1: and you guys know, like in the room, I'll be

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Speaker 1: like Okay, So in this movie, they did a thing

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Speaker 1: where the reveal was this we could make that blake,

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Speaker 1: but then change it from that to being this and

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Speaker 1: it has a whole new whatever. You know. Yeah right,

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Speaker 1: I kind of know. Can't read sentence though, Yeah, yeah

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Speaker 1: you notice pattern were we all noticed patterns. That's our thing.

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Speaker 1: We're like patterns male pattern I mean, it's so crazy

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Speaker 1: to see someone that's like great at school, like Chloe's

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Speaker 1: was just it's just so fucking good at school, just

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Speaker 1: like crushed school, like never got to be in her life.

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Speaker 1: Went to Columbia, an aced at Columbia just is and

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Speaker 1: it's like, you you can finish that sentence? Yeah, for

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Speaker 1: sure got it. Because she has a small part on

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Speaker 1: Righteous Jempstones this season, so she wanted to know what

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Speaker 1: was happening in the season. And I have a book

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Speaker 1: with every script printed out, a giant notebook, and she

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Speaker 1: read the entire I'm reading a script for this movie

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Speaker 1: that I'm about to do. I was on page sixty

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Speaker 1: when she was done with seven scripts. Damn, she's a

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Speaker 1: speed writing. She read seven scripts by the time I

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Speaker 1: read like sixty pages and new year lines oh yeah,

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Speaker 1: and was like call it was like, Oh, this this

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Speaker 1: scends so funny, and I'm like, what scene? And she's

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Speaker 1: explaining it to me and I'm like, yeah, that does

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Speaker 1: un funny. I immediately I read it like a month ago,

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Speaker 1: and I have totally forgot completely what I'm about to do.

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Speaker 1: The human brain, it's deeper than the Mariana trenches. What

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Speaker 1: about what about like back in the day, I used

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Speaker 1: to read hell of goose Bumps. Have we talked about

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Speaker 1: goose Bumps on the show? Like I used to fucking

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Speaker 1: crush a goose Bumps book in a day or so.

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Speaker 1: I used to read goose Pimples. I would love to

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Speaker 1: talk about goose Bumps. What was What was your favorite

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Speaker 1: goose Bumps book? Go Please tell the story of the

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Speaker 1: favorite Goosebumps book that you read. I think it's like

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Speaker 1: I remember, is like what came from Beneath the Sink

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Speaker 1: or something like that, like that anger r l Stein?

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Speaker 1: Give him his flowers. He's probably I haven't checked up

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Speaker 1: on arl Stein. I've got a feeling maybe he's not

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Speaker 1: a good person or something. I'm just guessing. Why did

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Speaker 1: you say that? Nah, Why do you think arl Stein

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Speaker 1: is not a good person? Most people suck? Yeah, okay, Yeah,

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Speaker 1: that's a generalization. Yeah, you're just assuming that's a safe

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Speaker 1: bet these days. Like I don't like that person. Why

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Speaker 1: because of what's going to happen in the future. Yeah,

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Speaker 1: more than likely, like a text message that he sent

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Speaker 1: a high school friend, uh eighteen years ago is going

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Speaker 1: to surface. Yeah. Yeah, he used the words finger bang

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Speaker 1: a lot in middle school and that's just not cool.

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Speaker 1: You can't say that it's not cool anymore. Finger blast

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Speaker 1: what is that? What is finger blasting exactly? I know

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Speaker 1: I'm offended by that. I think it's mentioned several times

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Speaker 1: in Goosebump books, like finger blasting, finger blasting keeps popping

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Speaker 1: up r. El Stein's goose bumps or harl Ston the

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Speaker 1: one who writes goose bumps for days. Come on, But

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Speaker 1: what's his name? Like, what's his name? What's r L

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Speaker 1: stand for? Raphael Leonardot original? Leonard Richard link lider Stein

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Speaker 1: link lider Light him up? Isn't that his name? Link? Later? Later? Later?

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Speaker 1: Player later, skater later? You're done in this business. He's pissed,

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Speaker 1: he's pissed at you know. I don't know if you

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Speaker 1: guys can see this, but I'm rocking a very specific

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Speaker 1: shirt right now. Okay, your microphone is covering it, but

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Speaker 1: it says north side tumblers. Oh hell yeah, side tumbler tumblers.

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Speaker 1: And then check this. That's a workaholic. You just you

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Speaker 1: have all your workaholics memorabilia. Oh my, I love that.

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Speaker 1: I missed the good old days reminiscent. I thought I

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Speaker 1: could have a little fun with you, guys. I appreciate

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Speaker 1: you for doing that you can't and that was fun

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Speaker 1: and I like it all. Thank you. Hey, Kyle, you

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Speaker 1: know that we're filming these these podcasts. We're filming these

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Speaker 1: podcasts now, and we're like doing these little clips get

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Speaker 1: People have been asking like, hey, we want to see

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Speaker 1: you guys do the podcast and actually see you guys.

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Speaker 1: Why are you sitting in a completely dark room? Yeah,

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Speaker 1: what is going on? You know it's dark right, Well, uh,

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Speaker 1: I gotta go to the fucking wall to turn on

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Speaker 1: the light switch. And I'm afraid to try and stretch

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Speaker 1: my headphones over there and stuff. Fair enough, I didn't know.

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Speaker 1: We didn't know you had to get up. We didn't

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Speaker 1: know it's gonna be that hard. Yeah. No, it's like

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Speaker 1: I'm just afraid to do a lot of things. Lately,

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Speaker 1: the anxiety is kicking and a lot of ship is

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Speaker 1: just like really, it's tough for me to move. I'm

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Speaker 1: gonna say that if you wanted to, just take a

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Speaker 1: second and take the headphones off, put the microphone down,

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Speaker 1: and then just walk over to the thing. Click it on,

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Speaker 1: and the only source of light is behind you, not helping.

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Speaker 1: You might not get this reference, but you look like

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Speaker 1: the bad guy from Police Academy five. Okay, all right,

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Speaker 1: I'll go turn it on. Hold on, give me two seconds.

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Speaker 1: I'm gonna we get fifteen seconds of music here, Blake,

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Speaker 1: do you got anything like hit us some hot drops? Okay?

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Speaker 1: Did this? Dude? Just did this? There go? There we go.

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Speaker 1: We filled the time. It's been a while. Look at

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Speaker 1: this guy, look and he's back. Wow, works for me.

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Speaker 1: Can you see me now? Yeah? It's kind all right? Hey?

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Speaker 1: How's that? Is that? All right? Is that good? Better? Yeah? Yeah?

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Speaker 1: Well I'm not traveling with a ring light. All my

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Speaker 1: lights are down on set, so absolutely, but you but

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Speaker 1: you wrapped right, like, bring them up? Bring them up? No, No,

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Speaker 1: they're still shooting. It's a low budget production. I'm using everything,

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Speaker 1: even the gear I heart gave me. Okay, Okay, what

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Speaker 1: the I saw Instagram story that said you had rapped,

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Speaker 1: but maybe that was a specific actor. That was an actress. Yes,

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Speaker 1: that was an actress who had rapped. She finished yesterday

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Speaker 1: and you just let her leave. Yeah, I did. We

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Speaker 1: finished the work and she had to go back down

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Speaker 1: to l A. So, uh, we're filming a psychological thriller

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Speaker 1: right now and honestly, right before this uh, living a

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Speaker 1: nightmare right before this fucking podcast. We did like the

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Speaker 1: icky icky icky, and it's like, oh, I've never been

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Speaker 1: a party for people who don't work in the industry

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Speaker 1: like we do. We just step out with iky icky

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Speaker 1: is for the layman. You smoked weed, you know, the

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Speaker 1: part of the movie in the psychological thriller horror film

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Speaker 1: where it leaves your stomach feeling like like gross. That's

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Speaker 1: why I don't have that. That's what I just did.

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Speaker 1: And I've never done that before. Who coined the term mickey?

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Speaker 1: It was it Ted Demi who did Silence the Lamb.

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Speaker 1: I think it was George George A. Romero, was Robert

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Speaker 1: McKee who said, in this part of the script delivered

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Speaker 1: the sticky iky iky, Or it was Rob Zombie. I

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Speaker 1: can't really remember can you just saying like the peak

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Speaker 1: like gross reveal or yeah, like the reveal of like

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Speaker 1: who is the fucking pulling the strings? Yeah, And it

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Speaker 1: just was uh, fucked the fucked up man. It was.

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Speaker 1: I was just like, nah, but you know, that's what

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Speaker 1: you want when you're filming this ship, that's what you want.

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Speaker 1: That's what I want. I want that. I I don't

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Speaker 1: know if I'm buying, And I think I think what

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Speaker 1: you're doing is you're trying to build hype. Usually podcast

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Speaker 1: you're building a little hype for the movie. You're being

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Speaker 1: like like, hey man, you're the You're the ad Wizard. Baby,

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Speaker 1: You're you're spinning it for me. That is true. He

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Speaker 1: is the ad Wizard. Because I'm intrigue. This is smart

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Speaker 1: and I like it, dude, and just be like, dude,

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Speaker 1: it was so scary. You got to see the movie.

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Speaker 1: It was so scary, and also see but look how

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Speaker 1: easy it is for you, Adam. It was just it's

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Speaker 1: fucked up. It's psychological. It's psychological. Bro. So what he

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Speaker 1: kind of is like insinuates something like says something verbally,

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Speaker 1: You're gonna have to see the movie, you know what

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Speaker 1: I mean. I'm in I'm buying it. I'm in the seats,

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Speaker 1: can't wait. Yes, So that's also why I was in

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Speaker 1: the dark place, because I wear my emotions with my lighting.

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Speaker 1: So when I stepped in in the dark, it's because

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Speaker 1: I was still feeling. This is why fun with you man,

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Speaker 1: he wears his emotions with his lighting. Player, I can't

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Speaker 1: stop you take it into your podcast. That's fucking sick.

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Speaker 1: I can't. Have you ever gone into a pitch and

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Speaker 1: turned out someone's lights, like an executive's lights in their office,

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Speaker 1: to just be like like, I'm wearing my emotions, I'm

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Speaker 1: setting I'm wearing my emotions on the lightning. Yeah, I

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Speaker 1: wear my emotions on my lightning. Somebody's probably done. It's

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Speaker 1: probably not a bad idea. Yeah, somebody definitely started flicking

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Speaker 1: the lights on and off for a pitch, right, because

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Speaker 1: that's the oldest trick in the book. Come on and

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Speaker 1: while the the co writer is whispering in their ear. Yeah,

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Speaker 1: this when really it gets really windy. I would love

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Speaker 1: to do that and have the executive like, can you

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Speaker 1: actually just put those back on? Yeah? I had a

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Speaker 1: whole flashlight thing, though, Get the funk out of my office.

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Speaker 1: It's it's goose bump it's got to be spooky as

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Speaker 1: a business. And they did remake goose Bumps right with

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Speaker 1: Jack Black. Jillian wasn't Jillian? And Jillian's in it too?

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Speaker 1: It I need to see it. Yeah, I'm sorry, Jillian,

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Speaker 1: if you do, indeed listen to our podcast, I would

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Speaker 1: like to apologize right now that happened. And Jack Black,

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Speaker 1: I'm sorry. I have not seen goose Bumps. Are there too?

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Speaker 1: Uh yeah, I don't think Jack or Jillian are in

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Speaker 1: the second one. I didn't see the second one. But

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Speaker 1: goose Pimples, Yeah, I didn't watch them either, you know

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Speaker 1: what I mean. I think I watched the first ten. Yeah.

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Speaker 1: It's good. It's four kids, but it's like it's it's fun,

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Speaker 1: fun movie. Can you tell me more about it? I

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Speaker 1: can't remember. I can't. I said, I know I saw it,

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Speaker 1: but I can't. I snapchat memory. I don't remember anything.

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Speaker 1: I did a punch up rewrite roundtable on it. And

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Speaker 1: it was about like some doll like the he's like

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Speaker 1: a puppet and he like gets loose and like controls

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Speaker 1: a bunch of other people. That's right, that's a classic

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Speaker 1: goose Bumps tiled the one about the puppets. So, but

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Speaker 1: the whole they there there did a universe where he's

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Speaker 1: in charge of all of the R. L. Stein characters. Yes,

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Speaker 1: and Jack Black plays R. L. Stein and he like

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Speaker 1: has something in his desk that can open the portal

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Speaker 1: and let all the monsters out into the town and man,

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Speaker 1: because let's just say, there's a part where it gets

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Speaker 1: so all the classic characters are used in the flick.

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Speaker 1: That's the whole move. Now is the Haunted Mask there? Oh, Carly?

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Speaker 1: Probably that's the character's name from Haunted Mask Carly. Okay,

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Speaker 1: you're so stoked on this, Kyle. I'm so glad the

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Speaker 1: lights around because, like people need to see this. Just dude,

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Speaker 1: where's his emotions on the lights? And lights come on?

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Speaker 1: He gets all sorts of stoked. I just love goose bumps,

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Speaker 1: Like with a majority of we can. I think it

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Speaker 1: was fucking a dope ass thing for me to do

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Speaker 1: in fourth and fifth grade. And I blazed through him

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Speaker 1: with your top five well saying like it came from

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Speaker 1: beneath the sink. I like that one. I like Camp.

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Speaker 1: I like the scary Camp one, remember that one? Not really,

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Speaker 1: I'm sure, I'm sure, Yeah, I do actually remember the

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Speaker 1: cover of the camp and it was like a camp

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Speaker 1: counsel with the whistle and he's like got a weird

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Speaker 1: smile on his The covers were off the check. That's

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Speaker 1: all I did. I looked at the covers. I didn't

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Speaker 1: read the fucking books. Yeah, the covers were done about

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Speaker 1: fucking Do you remember this say cheese and die? Absolutely?

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Speaker 1: I remember that. Sure. I remember the cover the camera. Yeah,

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Speaker 1: it was like a family at the barbecue and they're

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Speaker 1: all skeletons and it's like a polaroid. I remember the

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Speaker 1: covers like some Back to the Future ship. In the

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Speaker 1: hospital when I was a kid and I was hit

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Speaker 1: by the spinetrack, I'm in the hospital. I was there

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Speaker 1: for like a month and a half snooze, but people

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Speaker 1: kept bringing me are like I know, you're just sitting

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Speaker 1: here almost time, and they kept bringing me these fucking books.

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Speaker 1: And I'm like, oh, I have like a big gass

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Speaker 1: TV at the end of his bed, and and they're

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Speaker 1: giving me all the movies that I can handle. I'm like,

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Speaker 1: I just watched movies for ten hours a day in

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Speaker 1: and out of my morphine sleep. Used the books to

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Speaker 1: like prop your legs up, like these are great. I'm like, absolutely,

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Speaker 1: quit giving me these books. I like how to tell

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Speaker 1: my mom because she's like, what should people give you

390
00:22:18,480 --> 00:22:21,000
Speaker 1: the gifts? We're getting a lot of these books. I'm like, yeah,

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Speaker 1: knock it off with the books. Like snacks, you change

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Speaker 1: channels on the TV by throwing the book. Get the

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Speaker 1: fucking button. Wait, so did you not read? Goose? I

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Speaker 1: read a few of them. I don't really the lights

395
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Speaker 1: go out? Yeah, I'm about to get darker. Gave know.

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Speaker 1: That's that like a little kids scary ship. I don't

397
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Speaker 1: even really love horror movies. Oh you're too scared, I

398
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Speaker 1: got it. Yeah, yeah, you're fucking you get scared easily.

399
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Speaker 1: You're scared. No, I don't feel emotions like that, dude.

400
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Speaker 1: I only feel happy emotions. You don't feel scared emotions.

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Speaker 1: I don't feel scared emotions that much. I believe that.

402
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Speaker 1: Or do you feel it too hard and you're scared

403
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Speaker 1: of the books? You're scared of the book? No, I don't.

404
00:23:02,119 --> 00:23:04,879
Speaker 1: I don't get that scared. Read one right now? Go

405
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Speaker 1: read one right now, Go read one and come back

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Speaker 1: and tell me get scared? Um, I remember, do you

407
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Speaker 1: guys had the book mobile? Remember when like ship out

408
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Speaker 1: real crazy in Scholas, and the book mobile became a

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Speaker 1: thing and you could, like it would come to your school.

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Speaker 1: You would ask for a book and then they would

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Speaker 1: like bring it to you in the bookmobile the next week.

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Speaker 1: I just remember book fairs like the school would like

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Speaker 1: shut down the multi use room and then I mean

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Speaker 1: those are for if you're bawling, oh for real, because

415
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Speaker 1: you're buying a book. Oh yeah, dude. I remember my

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Speaker 1: mom the book fair was coming. I'm like, oh snap,

417
00:23:40,000 --> 00:23:41,919
Speaker 1: I made a little list of all these cool books

418
00:23:41,920 --> 00:23:44,840
Speaker 1: that I wanted. There were usually about like little boys

419
00:23:45,040 --> 00:23:46,840
Speaker 1: lost in the woods and they had to hatch it.

420
00:23:47,320 --> 00:23:50,040
Speaker 1: You're talking about one of ten books you've read, hat

421
00:23:50,400 --> 00:23:57,720
Speaker 1: Scary Paulson's Hatchett. Yes, good, it's a great book. It's

422
00:23:57,720 --> 00:23:59,720
Speaker 1: a great book to read. Is that one of the sixteen?

423
00:24:00,119 --> 00:24:02,720
Speaker 1: That is one of the sixteen? And I like made

424
00:24:02,720 --> 00:24:05,400
Speaker 1: a fucking cool little list, and I'm like, oh, hell yeah,

425
00:24:05,400 --> 00:24:08,520
Speaker 1: I get some get Hatchet, get other books that I

426
00:24:08,560 --> 00:24:11,520
Speaker 1: don't don't remember right now, where the red Fern grows,

427
00:24:11,920 --> 00:24:15,320
Speaker 1: Outsiders maybe maybe maybe the Outside Probably not. No, they

428
00:24:15,359 --> 00:24:17,800
Speaker 1: made me read that one Outsiders. But I made a

429
00:24:17,840 --> 00:24:20,560
Speaker 1: list and my mom was like, nah, I'm like, what

430
00:24:20,600 --> 00:24:22,359
Speaker 1: do you mean? And she goes a lot. She was

431
00:24:22,400 --> 00:24:25,080
Speaker 1: like this, it costs too much. Just go to the library.

432
00:24:25,080 --> 00:24:27,680
Speaker 1: And I'm like, I right, but I want to buy

433
00:24:27,720 --> 00:24:29,439
Speaker 1: these books. She's like and then she just goes like

434
00:24:29,480 --> 00:24:32,040
Speaker 1: where are we going to put them? Like we wouldn't

435
00:24:32,040 --> 00:24:34,240
Speaker 1: live in like a tiny at house, Like our house

436
00:24:34,280 --> 00:24:36,560
Speaker 1: is big enough to have books. But she's like, where

437
00:24:36,560 --> 00:24:41,440
Speaker 1: are you gonna put them? I have a bb gun room,

438
00:24:42,480 --> 00:24:45,120
Speaker 1: I mean honestly. And then you were like out of here,

439
00:24:45,200 --> 00:24:48,000
Speaker 1: and then you ran into a cementroc. Yeah, and she

440
00:24:48,119 --> 00:24:51,720
Speaker 1: was like, the last thing he said he wanted these books?

441
00:24:53,280 --> 00:24:57,520
Speaker 1: Don've underneath that's not fair because I think Adam just

442
00:24:57,600 --> 00:25:00,840
Speaker 1: chunked out. And if we could take a screenshot, I'll

443
00:25:00,840 --> 00:25:03,080
Speaker 1: take a picture of what his face looks like right now.

444
00:25:03,520 --> 00:25:10,919
Speaker 1: It's like I'm chunk and there he's back. I get it,

445
00:25:11,160 --> 00:25:13,480
Speaker 1: I got it. I just remember getting a lot of

446
00:25:13,520 --> 00:25:16,359
Speaker 1: a ton of Calvin and Hobbs period, Like that was

447
00:25:16,400 --> 00:25:20,000
Speaker 1: almost Calvin Cobbs off the charts. Dude, there's a Calvin

448
00:25:20,080 --> 00:25:22,800
Speaker 1: Hobbs book right fucking here. Hold on, oh that he'll

449
00:25:22,840 --> 00:25:24,600
Speaker 1: get up for. We don't need it, Yeah, we don't

450
00:25:24,600 --> 00:25:27,320
Speaker 1: need to see it. We believe. Yeah, there you for

451
00:25:27,359 --> 00:25:32,479
Speaker 1: sure have Calvino. And there this house that you're renting,

452
00:25:32,480 --> 00:25:35,320
Speaker 1: there's a calvinant houseboat. Sick. What is that the essential?

453
00:25:35,640 --> 00:25:39,119
Speaker 1: Which one is that Calvin Hobbs do America or something

454
00:25:39,280 --> 00:25:41,760
Speaker 1: that was Beavis and butt Head. No, this is just

455
00:25:41,840 --> 00:25:44,399
Speaker 1: the first one, dude, Calvin Hobby they have a name.

456
00:25:44,480 --> 00:25:46,000
Speaker 1: They don't have a name that No, this is the

457
00:25:46,040 --> 00:25:49,160
Speaker 1: first one, first to dish. Looking shout out to Bill Waterson.

458
00:25:49,240 --> 00:25:52,920
Speaker 1: Bill Waterson is a g because he has the rights

459
00:25:53,000 --> 00:25:55,880
Speaker 1: to Calvin and Hobbs, locked the fun down and like

460
00:25:56,760 --> 00:26:01,000
Speaker 1: nobody can do anything with even if dies tomorrow. He

461
00:26:01,040 --> 00:26:04,639
Speaker 1: owns it. That's cool. Is that cool? Yes, very cool

462
00:26:04,680 --> 00:26:11,040
Speaker 1: because it's his. Let people ruin it, yeah, I say yeah,

463
00:26:11,200 --> 00:26:14,280
Speaker 1: Let let people car carry on the flag. It's just

464
00:26:14,320 --> 00:26:17,520
Speaker 1: gonna die. And then and then later generations on fuck yeah,

465
00:26:17,520 --> 00:26:21,679
Speaker 1: idam fudam in other generations aren't gonna know what the

466
00:26:21,680 --> 00:26:25,280
Speaker 1: hell Kevin, Calvin and Hobbs is Kevin and Jobs, Kevin

467
00:26:25,320 --> 00:26:29,960
Speaker 1: and Hobbs. Let Jamie Foxx be Hobbs, and let Channing

468
00:26:30,000 --> 00:26:33,600
Speaker 1: Tatum be Calvin and let's have a funny ass fucking Romp. Dude,

469
00:26:33,680 --> 00:26:35,879
Speaker 1: I'm excited for them. He doesn't want it. It is

470
00:26:35,920 --> 00:26:38,960
Speaker 1: what it is. It's just it's just that I was

471
00:26:39,040 --> 00:26:43,200
Speaker 1: up for um for Clifford the Big Red Dog. Okay

472
00:26:43,640 --> 00:26:47,040
Speaker 1: last year, like let's talk about Scholastic. Like two years ago,

473
00:26:47,400 --> 00:26:50,480
Speaker 1: the Ages called and they're like, hey, um, it looks

474
00:26:50,560 --> 00:26:53,000
Speaker 1: like you're going to get an offer for Clifford the

475
00:26:53,000 --> 00:26:56,040
Speaker 1: Big Red Dog. And I was like, I don't want

476
00:26:56,040 --> 00:26:58,920
Speaker 1: to do Clifford the Big Red Dog, like, but they

477
00:26:58,920 --> 00:27:00,560
Speaker 1: were gonna pay me a lot money to do it.

478
00:27:00,600 --> 00:27:02,440
Speaker 1: And I'm like, well maybe, and it's a two D

479
00:27:02,480 --> 00:27:05,120
Speaker 1: million dollar movie that they're gonna blitz everywhere. Yeah, yeah,

480
00:27:05,680 --> 00:27:07,400
Speaker 1: And I'm like, I don't know. I really don't want

481
00:27:07,400 --> 00:27:09,479
Speaker 1: to do it. It was like that that seems cheesy.

482
00:27:09,640 --> 00:27:11,560
Speaker 1: I don't I don't really want to funk with it.

483
00:27:11,800 --> 00:27:16,639
Speaker 1: And then they didn't give it to me right, and

484
00:27:16,680 --> 00:27:20,080
Speaker 1: then I was pretty salty. I remember talking about agents.

485
00:27:20,400 --> 00:27:23,240
Speaker 1: So they there's no offer then for you said no

486
00:27:23,320 --> 00:27:26,160
Speaker 1: because I think maybe i'd come around if I would

487
00:27:26,160 --> 00:27:27,800
Speaker 1: love to read it. I'd love to read it just

488
00:27:27,840 --> 00:27:30,440
Speaker 1: to see if i'd like it. Hey, that's the business, baby,

489
00:27:30,680 --> 00:27:34,199
Speaker 1: The doors closed? That is wild. How you're like, I

490
00:27:34,240 --> 00:27:36,359
Speaker 1: don't know if creatively I really want to do this,

491
00:27:36,400 --> 00:27:37,840
Speaker 1: and then as soon as you don't do it, you're like,

492
00:27:37,880 --> 00:27:39,840
Speaker 1: this is the only thing I want to do. This

493
00:27:39,920 --> 00:27:42,320
Speaker 1: is it. I just want another boat. I only want

494
00:27:42,320 --> 00:27:45,320
Speaker 1: to do Clifford the Big Red Dog. That's all I

495
00:27:45,359 --> 00:27:47,720
Speaker 1: would like to do. I already got a chat. If

496
00:27:47,760 --> 00:27:51,159
Speaker 1: you did that movie. You gotta buy a boat this

497
00:27:51,400 --> 00:27:56,360
Speaker 1: red name of it as Clifford the Big Red Damn.

498
00:27:57,280 --> 00:27:59,520
Speaker 1: You should just do that and then put Scholastic all

499
00:27:59,600 --> 00:28:02,720
Speaker 1: on the side like gold letters and shows oh ship.

500
00:28:03,240 --> 00:28:07,240
Speaker 1: And it's called the book mobile too. Yeah, dude, that's it.

501
00:28:08,119 --> 00:28:09,680
Speaker 1: That's what you tow it in. You toe it with

502
00:28:09,720 --> 00:28:12,680
Speaker 1: the book mobile. Adam was the bookmobile in college when

503
00:28:12,680 --> 00:28:15,920
Speaker 1: I was in college, when I was nineteen years old

504
00:28:16,240 --> 00:28:22,879
Speaker 1: at Orange Coast Community College, Pirates. And remember that little

505
00:28:22,880 --> 00:28:25,720
Speaker 1: like job business center that they had, the career center,

506
00:28:25,920 --> 00:28:28,480
Speaker 1: the little career center whether it just had little flyers

507
00:28:28,520 --> 00:28:32,800
Speaker 1: for random gigs. One was to be the Scholastic book driver.

508
00:28:33,359 --> 00:28:36,000
Speaker 1: And so I would go to this woman's house, would

509
00:28:36,000 --> 00:28:37,920
Speaker 1: stack up all the books in the back of my

510
00:28:38,200 --> 00:28:45,120
Speaker 1: Ford escalade. I'm listening or explorer. A woman's house a

511
00:28:45,280 --> 00:28:50,640
Speaker 1: nice year old woman. I'm listening. Would go to these

512
00:28:50,640 --> 00:28:53,920
Speaker 1: elementary schools and it was you're the fucking king. You

513
00:28:54,000 --> 00:28:58,400
Speaker 1: walk in with all these books and people lose their minds.

514
00:28:58,520 --> 00:29:01,760
Speaker 1: It was awesome. What's up? You guys like books? Yeah?

515
00:29:01,800 --> 00:29:04,040
Speaker 1: I got them? What's up? I'm the kid. And it

516
00:29:04,120 --> 00:29:07,000
Speaker 1: wasn't even the kids, because you're just going to the secretary.

517
00:29:07,000 --> 00:29:09,120
Speaker 1: You're just carrying these books in for the secretary and

518
00:29:09,200 --> 00:29:12,720
Speaker 1: they go eight ship, They're like, the books are here.

519
00:29:25,560 --> 00:29:28,240
Speaker 1: I got a few jobs from that little business area

520
00:29:28,680 --> 00:29:31,920
Speaker 1: at o CC, the Career Center Centers what it's called.

521
00:29:32,520 --> 00:29:34,520
Speaker 1: It's called careers, and I think that's what it's called

522
00:29:34,720 --> 00:29:39,160
Speaker 1: business place thing grown up, the job business zone. I

523
00:29:39,200 --> 00:29:41,520
Speaker 1: don't know. Do you guys remember when I was I

524
00:29:41,600 --> 00:29:45,600
Speaker 1: was writing erotic stories. Remember that I wrote. I wrote

525
00:29:45,600 --> 00:29:51,360
Speaker 1: two erotic stories. Yeah erotic? Uhh, I mean honestly, but

526
00:29:51,440 --> 00:29:55,480
Speaker 1: I wrote these stories. I got fifty dollars a story,

527
00:29:55,520 --> 00:29:57,640
Speaker 1: and then I was like, this is too weird. And

528
00:29:57,720 --> 00:30:03,560
Speaker 1: each story was it was people are fucking of course,

529
00:30:04,320 --> 00:30:08,240
Speaker 1: and on a runaway hot air balloon and they couldn't

530
00:30:08,280 --> 00:30:10,560
Speaker 1: they like it was just going to float away into

531
00:30:10,560 --> 00:30:13,160
Speaker 1: the atmosphere and they just kept sucking to their death.

532
00:30:13,480 --> 00:30:17,360
Speaker 1: And then the other story was there on a jet

533
00:30:17,360 --> 00:30:20,440
Speaker 1: seat and they decided to a hundred dollars for that one.

534
00:30:20,480 --> 00:30:23,479
Speaker 1: But you got this job from college. It was on

535
00:30:23,560 --> 00:30:28,040
Speaker 1: the wall imaginative six nine shout out the Orange Coast

536
00:30:28,040 --> 00:30:31,000
Speaker 1: Community College Job Center. And also there was porno. There

537
00:30:31,040 --> 00:30:32,920
Speaker 1: was porno. You could do porno. There was like a

538
00:30:32,960 --> 00:30:35,880
Speaker 1: porno listing up there that you could just shoot him.

539
00:30:35,880 --> 00:30:38,400
Speaker 1: You are in the Orange Coage Community College Hall of Fame.

540
00:30:38,480 --> 00:30:42,280
Speaker 1: Do not tell? Do you not get your plaque taken

541
00:30:42,360 --> 00:30:46,320
Speaker 1: down for some weird ship. I'm saying that this is

542
00:30:46,360 --> 00:30:48,880
Speaker 1: what I happened. You're saying at the career center in

543
00:30:48,960 --> 00:30:54,400
Speaker 1: Orange Community College, they could you could become a porno. Yes,

544
00:30:54,520 --> 00:30:57,560
Speaker 1: there was Well you're not gonna be a porno, it

545
00:30:57,760 --> 00:31:02,160
Speaker 1: would be a porno stall tar. Well, hey, yeah you

546
00:31:02,200 --> 00:31:04,160
Speaker 1: could be. That was up. That was like on one

547
00:31:04,160 --> 00:31:05,840
Speaker 1: of the things where you pull a number off and

548
00:31:06,240 --> 00:31:09,080
Speaker 1: I'll just put this in my pocket. Yeah, well that

549
00:31:09,200 --> 00:31:11,520
Speaker 1: was back. I mean, I don't know what they're like now,

550
00:31:11,920 --> 00:31:14,720
Speaker 1: how long are these stories? It was like like five

551
00:31:14,920 --> 00:31:19,560
Speaker 1: five pages, five paragraphs, Like can we film these? Can

552
00:31:19,560 --> 00:31:23,040
Speaker 1: we send these to Johnny Sins to read I would

553
00:31:23,120 --> 00:31:26,240
Speaker 1: love that. I would love to write a porno with you. Guys.

554
00:31:26,520 --> 00:31:28,320
Speaker 1: We should write our own porn. Can we said this

555
00:31:28,440 --> 00:31:33,040
Speaker 1: a big pumper or a little pump Little pumper Brian Pumpery.

556
00:31:33,200 --> 00:31:36,640
Speaker 1: I'm serious about this. We should write a porno and

557
00:31:36,840 --> 00:31:42,920
Speaker 1: then cast it and make a start producing porno. Adam

558
00:31:43,000 --> 00:31:45,720
Speaker 1: you this is what you've been talking about forever, bro, Like,

559
00:31:45,960 --> 00:31:48,400
Speaker 1: this is not anything new from you, Like I know

560
00:31:48,560 --> 00:31:50,840
Speaker 1: that you want to do that. No, no, no, no,

561
00:31:50,920 --> 00:31:53,120
Speaker 1: I'm saying us as a group, it's a comedy porno.

562
00:31:53,240 --> 00:31:55,600
Speaker 1: It's comedy part and we're so close to talking about

563
00:31:55,640 --> 00:32:03,120
Speaker 1: com so close is charts that comes so close we're

564
00:32:03,120 --> 00:32:06,280
Speaker 1: gonna yeah, we lean in. It's less about the sex.

565
00:32:06,360 --> 00:32:09,440
Speaker 1: It's more about the funny situation, right and the The

566
00:32:09,480 --> 00:32:11,760
Speaker 1: other story that I wrote was about a jet ski

567
00:32:11,880 --> 00:32:15,120
Speaker 1: that the throttle got stuck at their fucking and uh,

568
00:32:15,360 --> 00:32:18,720
Speaker 1: they're just heading out to see they can't they can't stop.

569
00:32:18,800 --> 00:32:21,640
Speaker 1: This is the same You're just swapping vehicles. Yeah, yeah,

570
00:32:21,680 --> 00:32:25,160
Speaker 1: he's always on a vehicle to an infinite place and

571
00:32:25,280 --> 00:32:28,560
Speaker 1: fucking until whenever. It Really it's a metaphor. It's a

572
00:32:28,560 --> 00:32:31,800
Speaker 1: metaphor for the act itself. Sometimes you just lose yourself

573
00:32:31,880 --> 00:32:34,200
Speaker 1: in it, and you don't know when it's gonna ender,

574
00:32:34,240 --> 00:32:37,440
Speaker 1: where you're gonna go. The moment it's like that scene

575
00:32:37,480 --> 00:32:40,720
Speaker 1: from Is It The Chase when like Charlie Sheen his

576
00:32:40,840 --> 00:32:43,040
Speaker 1: car goes up into the sky and then they're like

577
00:32:43,080 --> 00:32:45,840
Speaker 1: sucking each other and it's like, what is this movie?

578
00:32:45,880 --> 00:32:49,440
Speaker 1: At this point? I love that movie? You've never seen it?

579
00:32:49,480 --> 00:32:53,320
Speaker 1: The chase called the Chase? I've never seen this? What

580
00:32:53,480 --> 00:32:56,680
Speaker 1: is the scene? Yo? Charlie Sheen Lee is in it,

581
00:32:56,880 --> 00:32:59,960
Speaker 1: Anthony Keytis is in it. So good. Well, the whole

582
00:33:00,160 --> 00:33:02,360
Speaker 1: the whole movie is about Charlie Sheen goes into like

583
00:33:02,440 --> 00:33:07,240
Speaker 1: a convenience store. Christie Swanson is like a above like

584
00:33:07,280 --> 00:33:12,080
Speaker 1: older than eighteen, fucking bratt rich girl has a BMW.

585
00:33:13,280 --> 00:33:17,120
Speaker 1: He goes in and robs the convenience story and then

586
00:33:17,200 --> 00:33:19,800
Speaker 1: takes her hostage in her BMW and it's like he's

587
00:33:19,800 --> 00:33:22,000
Speaker 1: having the shittiest day. You don't really know. But unfolds

588
00:33:22,080 --> 00:33:24,400
Speaker 1: as they're on the run and like the police are

589
00:33:24,400 --> 00:33:28,040
Speaker 1: following them, it gets bigger. Anthony Keatis flee and like

590
00:33:28,520 --> 00:33:31,720
Speaker 1: they start chasing in a giant like fucking bigfoot truck.

591
00:33:32,360 --> 00:33:35,720
Speaker 1: Henry Rollins is the chief of police or some ship. Yes,

592
00:33:36,440 --> 00:33:39,440
Speaker 1: she sucks them like while they're driving, and then they

593
00:33:39,480 --> 00:33:42,400
Speaker 1: start flying in the air when they start to finally

594
00:33:42,520 --> 00:33:47,440
Speaker 1: like have a sexual encounter. Then you the car like

595
00:33:47,560 --> 00:33:50,320
Speaker 1: goes into the sky like a Grease like at the

596
00:33:50,400 --> 00:33:53,640
Speaker 1: end of Grease. How they just take off very similar?

597
00:33:53,880 --> 00:33:56,280
Speaker 1: Did you want spoiler? So they're fucking did they like

598
00:33:56,360 --> 00:33:59,520
Speaker 1: jump off like a bridge and they are plummeting into

599
00:33:59,600 --> 00:34:02,640
Speaker 1: their death? No, no, no, no, no, no, Like it's like, oh,

600
00:34:02,680 --> 00:34:05,480
Speaker 1: it's just a metaphor creative license. Yeah, it's like what

601
00:34:05,520 --> 00:34:07,640
Speaker 1: you're saying, it's what you were writing about, Adam. You

602
00:34:07,640 --> 00:34:12,720
Speaker 1: should be really connected exactly. Okay, guys, user, let's do that.

603
00:34:13,000 --> 00:34:17,160
Speaker 1: Remake the chase. Let's remake the chase. This ain't the chase.

604
00:34:17,520 --> 00:34:21,680
Speaker 1: This ain't the chase. Porno parody, this ain't the chase.

605
00:34:22,239 --> 00:34:24,719
Speaker 1: We could get Charlie Sheen. You know what we could

606
00:34:24,760 --> 00:34:28,839
Speaker 1: do is we could produce Workaholics the porno. Dude. We've

607
00:34:28,880 --> 00:34:32,239
Speaker 1: talked about that so much. Not a bad idea. I

608
00:34:32,320 --> 00:34:35,120
Speaker 1: did see something like I saw a thirty rock porno.

609
00:34:37,320 --> 00:34:40,000
Speaker 1: They have done this, Like I didn't watch it, but

610
00:34:40,080 --> 00:34:43,160
Speaker 1: I saw a poster of the thirty Rock Porno and

611
00:34:43,200 --> 00:34:46,520
Speaker 1: it looks so fucking cool. You said thirty rock. I

612
00:34:46,560 --> 00:34:51,560
Speaker 1: thought you said third Rock, like from like French Stewards,

613
00:34:51,560 --> 00:34:54,200
Speaker 1: I want to see that John lithgo, Um, you're giving

614
00:34:54,239 --> 00:34:57,280
Speaker 1: me the best blow job of my all life. French

615
00:34:57,280 --> 00:35:01,560
Speaker 1: Stewards Like, Um, that's the wrong haul. I want to

616
00:35:01,600 --> 00:35:04,799
Speaker 1: rewatch that series so bad? Like what the funk was

617
00:35:04,840 --> 00:35:07,960
Speaker 1: that show? Even about? It was good. It was a

618
00:35:07,960 --> 00:35:11,440
Speaker 1: funny show. Yeah, they were just like aliens kicking it, right,

619
00:35:11,719 --> 00:35:16,080
Speaker 1: Joseph Gordon Levitt, Right, yeah, Joseph. Yeah, but did you

620
00:35:16,160 --> 00:35:20,120
Speaker 1: ever see their home planning? They live on Earth now, Blake,

621
00:35:20,360 --> 00:35:22,440
Speaker 1: I know, but I'm like, was there ever an episode

622
00:35:22,440 --> 00:35:24,440
Speaker 1: where you actually got to see where they're from? Like

623
00:35:24,520 --> 00:35:27,320
Speaker 1: did they extend the universe? They didn't have the budget

624
00:35:27,360 --> 00:35:29,480
Speaker 1: for that. They're not going to outer space. Yeah, they

625
00:35:29,480 --> 00:35:31,960
Speaker 1: can't go to space. Didn't have the budget by season

626
00:35:32,080 --> 00:35:34,279
Speaker 1: freaking six, and it is the biggest hit on what

627
00:35:34,760 --> 00:35:37,440
Speaker 1: you gotta give people what they like. We we stayed

628
00:35:37,480 --> 00:35:40,040
Speaker 1: on the roof, you know what I mean, We didn't

629
00:35:40,040 --> 00:35:43,160
Speaker 1: move from our house. Who's the other guy in that show?

630
00:35:43,280 --> 00:35:46,440
Speaker 1: French Stewart, Yes, French Stewart, French Stewart, John left Gal,

631
00:35:46,760 --> 00:35:49,280
Speaker 1: John with John with Gal. That's who I was thinking

632
00:35:49,280 --> 00:35:51,960
Speaker 1: of John, I said that earlier. Yeah, that's how we

633
00:35:52,040 --> 00:35:56,200
Speaker 1: let on. Sorry, I guess we're all from Harry and

634
00:35:56,200 --> 00:36:00,400
Speaker 1: the Henderson carry and the Henderson's fame. Now I'm listening plane,

635
00:36:00,600 --> 00:36:02,680
Speaker 1: I'd like to remake that with you guys. Wait, ready,

636
00:36:03,000 --> 00:36:05,600
Speaker 1: let's go around real quick. Okay, okay? Or can we

637
00:36:05,640 --> 00:36:08,800
Speaker 1: do this where you say your favorite John Lithgown movie.

638
00:36:09,200 --> 00:36:12,480
Speaker 1: This is a challenge on three kind of thing. No,

639
00:36:12,680 --> 00:36:14,759
Speaker 1: I would need to look wait wait, wait, wait, wait,

640
00:36:14,760 --> 00:36:16,600
Speaker 1: give me a second. Okay, Well then should I just

641
00:36:16,680 --> 00:36:21,560
Speaker 1: lead off? Yeah, you lead off. My number one John

642
00:36:21,640 --> 00:36:26,720
Speaker 1: Lithgown movie for sure is Cliffhanger. He's in that. He's

643
00:36:26,760 --> 00:36:33,120
Speaker 1: the bad guy. That movie off the Love Cliffhanger. I

644
00:36:33,160 --> 00:36:35,920
Speaker 1: only know one movie he's in. I think I know.

645
00:36:36,000 --> 00:36:39,560
Speaker 1: The worst one was that don't say that Planet of

646
00:36:39,600 --> 00:36:43,520
Speaker 1: the Apes movie. That's the one did I Foxes. He

647
00:36:43,640 --> 00:36:46,120
Speaker 1: wasn't that good in that though he was doing a thing.

648
00:36:46,600 --> 00:36:49,320
Speaker 1: It was a rough movie. But those movies, the ones

649
00:36:49,440 --> 00:36:53,520
Speaker 1: after that, are like unbelievable. Well, I'm saying his performance. Sorry,

650
00:36:53,560 --> 00:36:56,720
Speaker 1: I liked the movie. Now what I like him best

651
00:36:56,760 --> 00:37:02,320
Speaker 1: in is Adam is definitely IMDb for sure, for sure.

652
00:37:02,880 --> 00:37:04,879
Speaker 1: You know how my brain works. Oh well I want

653
00:37:04,880 --> 00:37:06,880
Speaker 1: to do that too. Then you know he's got Internet

654
00:37:07,280 --> 00:37:14,920
Speaker 1: Lord Farquad. Yes, yes he is in Shrek. Yes he

655
00:37:15,400 --> 00:37:18,319
Speaker 1: crushes that I met him. I didn't. Actually I just

656
00:37:18,320 --> 00:37:23,319
Speaker 1: stood by him hello backstage at like the Critics Choice

657
00:37:23,360 --> 00:37:26,279
Speaker 1: Award or something I was presenting, and he was going

658
00:37:26,320 --> 00:37:30,480
Speaker 1: on right before me, and uh it was and it

659
00:37:30,600 --> 00:37:35,680
Speaker 1: was him talking with Steven Spielberg, and I'm dude, I

660
00:37:35,719 --> 00:37:37,839
Speaker 1: was so close. I was like trying. I was like

661
00:37:38,160 --> 00:37:42,720
Speaker 1: hoping that one of them would just be like, oh hey, hey,

662
00:37:43,480 --> 00:37:46,640
Speaker 1: do you have wait a second, let's stop talking about

663
00:37:46,640 --> 00:37:52,200
Speaker 1: what we're talking about. That's Adam divine. He's read upwards.

664
00:37:52,480 --> 00:37:55,520
Speaker 1: He read Hatchet, he read Hatchet. It was me and

665
00:37:55,600 --> 00:38:00,560
Speaker 1: Eadie Patterson from Righteous Gemstones and we were just riffin.

666
00:38:01,120 --> 00:38:03,359
Speaker 1: It was just a fun we were on a funny run.

667
00:38:03,400 --> 00:38:05,520
Speaker 1: And then they came and I'm like, oh ship, we're

668
00:38:05,560 --> 00:38:09,040
Speaker 1: about to get spotted over here, dude, So you acted harder?

669
00:38:09,080 --> 00:38:11,719
Speaker 1: Were you riffing harder? Do we're riffing? We're just a

670
00:38:11,760 --> 00:38:14,360
Speaker 1: couple of riff dogs. Was she trying to get spotted

671
00:38:14,360 --> 00:38:17,120
Speaker 1: as well. We both were just riffing. There's a couple

672
00:38:17,120 --> 00:38:20,400
Speaker 1: of rift dogs you're spotting, And I was like, honestly, Spielberg,

673
00:38:20,520 --> 00:38:23,359
Speaker 1: that would be so dope, obviously, but I wanted John

674
00:38:23,440 --> 00:38:26,879
Speaker 1: Liftgoo to be like far Quad, You're the next Lord

675
00:38:26,920 --> 00:38:29,839
Speaker 1: far Quad? So Shrek, I don't know, I think I've

676
00:38:29,840 --> 00:38:33,840
Speaker 1: seen Shrek. Shrek is so funny. Far Quad is so funny.

677
00:38:34,040 --> 00:38:36,600
Speaker 1: It's so funny. Good call at him. Yeah, that's a

678
00:38:36,640 --> 00:38:41,600
Speaker 1: great Wasn't Farley supposed to be Shrek? And then he

679
00:38:41,640 --> 00:38:44,680
Speaker 1: died and then they had to replace him with Mike Lyers.

680
00:38:44,800 --> 00:38:48,560
Speaker 1: I'm pretty you're thinking. I'm thinking both nothing. Both know.

681
00:38:48,760 --> 00:38:52,839
Speaker 1: I heard it was a joke. The rumor mill is

682
00:38:52,840 --> 00:38:56,400
Speaker 1: is that there is a Shrek cut of Chris Farley

683
00:38:56,520 --> 00:39:01,120
Speaker 1: as Shrek. Yeah, to release it, don't okay, he wouldn't

684
00:39:01,160 --> 00:39:03,799
Speaker 1: sound like that like it had been in developments. Yeah,

685
00:39:03,840 --> 00:39:08,080
Speaker 1: they were already like recording. That's crazy, donkey. Much like

686
00:39:08,160 --> 00:39:10,759
Speaker 1: they're going to say the same thing about Ferdinand the

687
00:39:10,800 --> 00:39:16,239
Speaker 1: Bowl with John Cena ever a year and then got

688
00:39:16,360 --> 00:39:20,799
Speaker 1: fucking fired because Cina was bringing that heat, that hot

689
00:39:21,560 --> 00:39:26,200
Speaker 1: Ferdinand energy, And they're probably gonna say the exact same thing. Yeah, honestly,

690
00:39:26,320 --> 00:39:29,920
Speaker 1: I would like to read like they are. It's us.

691
00:39:30,000 --> 00:39:32,560
Speaker 1: We're the ones saying this about you didn't die. Yeah

692
00:39:32,600 --> 00:39:35,759
Speaker 1: for random guys podcasting in twenty years, there's not the

693
00:39:35,800 --> 00:39:38,960
Speaker 1: whole death excuse, you know what I mean? Yeah, yeah,

694
00:39:38,960 --> 00:39:44,960
Speaker 1: you know what. My career died. Shots fired off your

695
00:39:45,000 --> 00:39:50,080
Speaker 1: lights quick, I would, but I have to get up.

696
00:39:50,280 --> 00:39:52,799
Speaker 1: So you went from getting fired off of Ferdinand to

697
00:39:52,960 --> 00:39:56,320
Speaker 1: being not told you could be Cliver. Hey, it's a

698
00:39:57,280 --> 00:40:00,160
Speaker 1: real bang bang a couple of that's the Hollywood sel.

699
00:40:01,719 --> 00:40:05,799
Speaker 1: So did Lithgow in like did you guys interact? Backstage?

700
00:40:06,360 --> 00:40:09,080
Speaker 1: I tried to say hi to him and he he

701
00:40:09,160 --> 00:40:12,600
Speaker 1: was very dismissive of me. He was like, okay, move,

702
00:40:14,960 --> 00:40:18,000
Speaker 1: he was like move turn. I like tried to He

703
00:40:18,120 --> 00:40:21,040
Speaker 1: wasn't talking with just Bielberg. Spielberg had gone on stage

704
00:40:21,080 --> 00:40:23,880
Speaker 1: and then I it was just us back there with Lithgow,

705
00:40:24,040 --> 00:40:26,560
Speaker 1: and I'm like, I was like trying to say something

706
00:40:26,600 --> 00:40:28,680
Speaker 1: to him, and he was like in his own world.

707
00:40:28,760 --> 00:40:34,200
Speaker 1: He like was not entertaining us at all. Yeah, was

708
00:40:34,239 --> 00:40:39,480
Speaker 1: in Pitch Perfect three. Wait a minute, well I wasn't

709
00:40:39,480 --> 00:40:42,080
Speaker 1: in that movie, so I don't Adam as you know,

710
00:40:42,200 --> 00:40:45,600
Speaker 1: he won't watch those movies. No, I wasn't gonna watch

711
00:40:45,640 --> 00:40:50,000
Speaker 1: that third one. Did Lithgout play an old boomer or whatever? Wait?

712
00:40:50,040 --> 00:40:53,360
Speaker 1: It says he was in pitch Perfect? Yeah he was, evidently.

713
00:40:53,600 --> 00:40:56,000
Speaker 1: It says he was in pitch Perfect. The third one,

714
00:40:56,280 --> 00:41:00,120
Speaker 1: pitch Perfectly one. No, the first one. No, he's not. Okay, Hey,

715
00:41:00,120 --> 00:41:01,880
Speaker 1: well it says it right here on the internet, So

716
00:41:03,640 --> 00:41:06,640
Speaker 1: the internet never live. I've seen pitch Perfect. I don't

717
00:41:06,680 --> 00:41:10,040
Speaker 1: recall lift Gwen in that, nor do I. He's not

718
00:41:10,120 --> 00:41:12,319
Speaker 1: in it. He's in the third the radio he might

719
00:41:12,320 --> 00:41:14,600
Speaker 1: have been the college radio DJ for a second. Yeah,

720
00:41:14,600 --> 00:41:16,480
Speaker 1: they were just like showed up as a favor. I'm

721
00:41:16,520 --> 00:41:19,440
Speaker 1: looking at his IMDb page right now, Kyle, and you're

722
00:41:19,560 --> 00:41:23,719
Speaker 1: fucking I think you're looking at John Liftgaw too. There

723
00:41:23,760 --> 00:41:26,600
Speaker 1: are two lift Cows. One was the real one and

724
00:41:26,680 --> 00:41:30,200
Speaker 1: one is. Yo. You definitely don't get into business if

725
00:41:30,239 --> 00:41:32,560
Speaker 1: your name is John liftgow And there's already a John

726
00:41:32,640 --> 00:41:35,799
Speaker 1: liftgout right. No, he's in lighting. He like lit pitch

727
00:41:35,880 --> 00:41:41,960
Speaker 1: Perfect one in three, Kyle, that is so yeah, that's

728
00:41:41,960 --> 00:41:47,319
Speaker 1: where I got lights out. Hey, we need John got

729
00:41:47,440 --> 00:41:51,440
Speaker 1: to cut those lights out. Sorry, this is we're on

730
00:41:51,480 --> 00:41:55,360
Speaker 1: a real. Uh, John lithgout run here baby, This is

731
00:41:55,400 --> 00:41:58,920
Speaker 1: like that Donald Sutherland, we have our flowers. Wait, Kyle,

732
00:41:58,960 --> 00:42:01,560
Speaker 1: what's your liftout? Well? I think I look at this

733
00:42:01,600 --> 00:42:03,920
Speaker 1: and I'm like, yeah, dude, fucking Harry and the Henderson's.

734
00:42:03,960 --> 00:42:07,480
Speaker 1: That ship is dope. He crushes. That movie rocks because

735
00:42:07,520 --> 00:42:09,400
Speaker 1: he was he was all eyebrows and that when he

736
00:42:09,400 --> 00:42:12,400
Speaker 1: would just look at Harry and be like your family

737
00:42:12,480 --> 00:42:16,000
Speaker 1: now like yeah, he would hit it. That ship holds up.

738
00:42:16,040 --> 00:42:18,440
Speaker 1: Bad movie does not hold up. But no, that No,

739
00:42:18,600 --> 00:42:22,719
Speaker 1: the community has spoken and they agree that movie holds

740
00:42:22,840 --> 00:42:25,759
Speaker 1: the fun. I don't think I'm going to disagree with

741
00:42:25,800 --> 00:42:28,480
Speaker 1: the community, and I don't like doing that. I like

742
00:42:28,600 --> 00:42:32,520
Speaker 1: respecting the community as much as I can. But because

743
00:42:32,600 --> 00:42:35,600
Speaker 1: I watched that movie not too long ago, because I

744
00:42:35,640 --> 00:42:37,920
Speaker 1: was like, we should do an R rated version, or

745
00:42:38,000 --> 00:42:42,160
Speaker 1: someone should do an R rated sort of Harry and

746
00:42:42,160 --> 00:42:46,759
Speaker 1: the Henderson's not somebody, someone, maybe maybe us? Was that

747
00:42:46,840 --> 00:42:49,839
Speaker 1: a fart? Cow? Yeah? It goes right back to your

748
00:42:49,840 --> 00:42:53,840
Speaker 1: mouth so quickly, not a big deal. It's like you

749
00:42:53,920 --> 00:42:56,640
Speaker 1: taste it. Well, I gotta talk Todd. If we could

750
00:42:56,640 --> 00:42:58,880
Speaker 1: play all three farts that we have now and the

751
00:42:59,040 --> 00:43:08,360
Speaker 1: fartbank play him run, I snuck one in. I snuck

752
00:43:08,400 --> 00:43:11,919
Speaker 1: one in. I snuck one in about run five minutes ago.

753
00:43:12,000 --> 00:43:14,719
Speaker 1: I threw one in there. Oh well, none of us

754
00:43:14,719 --> 00:43:17,359
Speaker 1: heard that. Hang on, Adam, I want to hear more

755
00:43:17,360 --> 00:43:19,880
Speaker 1: about this because I'm sorry. I just watched it too.

756
00:43:19,920 --> 00:43:22,600
Speaker 1: I didn't mean to derail yet. Yeah. The farts take spotlight.

757
00:43:22,719 --> 00:43:25,600
Speaker 1: Uh yeah, and I watched it. It was probably a

758
00:43:25,640 --> 00:43:27,799
Speaker 1: few years ago at this point, but I remember being

759
00:43:28,000 --> 00:43:31,520
Speaker 1: so fucking bored. I was like, Oh, this is truly

760
00:43:31,840 --> 00:43:34,160
Speaker 1: for children. How long is the scene in the kitchen?

761
00:43:34,440 --> 00:43:37,919
Speaker 1: It goes on for all movies from that time. All

762
00:43:38,000 --> 00:43:41,840
Speaker 1: movies from that time are fucking boring, bro, by today's standards.

763
00:43:41,880 --> 00:43:44,560
Speaker 1: They moved so slow. I know what you're saying, editing

764
00:43:44,640 --> 00:43:47,919
Speaker 1: is different. They moved so slow. It's a completely different pace,

765
00:43:47,920 --> 00:43:50,400
Speaker 1: but you're captivated in different ways. Yeah, I don't know.

766
00:43:50,520 --> 00:43:53,960
Speaker 1: Tell that to lethal fucking weapon, Homie. Whoa he did

767
00:43:54,000 --> 00:43:56,600
Speaker 1: it that it's cooking? Yeah, I mean, have you ever

768
00:43:56,960 --> 00:44:00,239
Speaker 1: look at lethal weapon compared to like an action movie. Now,

769
00:44:00,320 --> 00:44:04,399
Speaker 1: it's totally different. I'm not saying it's worse now or

770
00:44:04,640 --> 00:44:07,960
Speaker 1: worse then. It's during those montages or those saxophone during

771
00:44:08,040 --> 00:44:11,360
Speaker 1: lethal weapon. Definitely not slow, definitely not boring. You're definitely

772
00:44:11,480 --> 00:44:16,160
Speaker 1: in it's also yeah, definitely just the main actors. But uh,

773
00:44:16,440 --> 00:44:18,680
Speaker 1: the next movie that we all do together, we have

774
00:44:18,840 --> 00:44:20,560
Speaker 1: to promise each other that there's going to be a

775
00:44:20,640 --> 00:44:25,080
Speaker 1: lot of saxophone. Can we say that? Yeah? Can we

776
00:44:25,120 --> 00:44:28,080
Speaker 1: say that? Can we all science agree? Right now, let's

777
00:44:28,080 --> 00:44:31,319
Speaker 1: make the pinky promise a lot. What constitutes a lot?

778
00:44:31,680 --> 00:44:33,600
Speaker 1: I'll put my pinky in there because y'all are doing it.

779
00:44:33,640 --> 00:44:36,200
Speaker 1: What constitutes a lot? Yeah? Yeah, what's a lot in

780
00:44:36,200 --> 00:44:38,799
Speaker 1: a movie? It's like pornography. You know it when you

781
00:44:38,880 --> 00:44:43,719
Speaker 1: see it. So yeah, but yeah, too much, too much?

782
00:44:43,760 --> 00:44:45,920
Speaker 1: It will hurt the movie, Kyle. But we all promised,

783
00:44:46,040 --> 00:44:48,920
Speaker 1: so yeah, that's what I'm gonna I don't know. Here's

784
00:44:48,920 --> 00:44:51,200
Speaker 1: what I'll say. I'm willing to hurt the movie for

785
00:44:51,440 --> 00:44:56,240
Speaker 1: saxophone for sex. Yeah, Blake Anderson hurts movies. Now, Okay,

786
00:44:56,360 --> 00:44:59,400
Speaker 1: at least people will come away saying, so there's too

787
00:44:59,480 --> 00:45:03,160
Speaker 1: much axophone, and I'll be like, yeah, it was a decision. Yeah,

788
00:45:03,239 --> 00:45:06,120
Speaker 1: it was a strong choice that we made. And I

789
00:45:06,160 --> 00:45:09,239
Speaker 1: did say, does that make us better than everyone else

790
00:45:09,320 --> 00:45:11,920
Speaker 1: that's making movies? Yeah, it does better than Ezra. Does

791
00:45:11,960 --> 00:45:14,600
Speaker 1: that make us better than Ezra? Dude? It puts us

792
00:45:14,680 --> 00:45:17,400
Speaker 1: up there. If you guys listen to better than Ezra? Recently?

793
00:45:17,960 --> 00:45:21,840
Speaker 1: What is their song? Dude, play Good I'm I'm looking

794
00:45:21,880 --> 00:45:24,040
Speaker 1: it up now, talk about who is it? Oh yeah,

795
00:45:24,160 --> 00:45:25,719
Speaker 1: throw a little bit because I don't got it in

796
00:45:25,760 --> 00:45:28,720
Speaker 1: my head. It is better than Ezra, better than Harry

797
00:45:28,719 --> 00:45:32,360
Speaker 1: and the Henderson's. It is play good by better than Ezra.

798
00:45:32,520 --> 00:45:36,480
Speaker 1: That song is a fucking banger. Fuck No, that one

799
00:45:36,520 --> 00:45:39,040
Speaker 1: came up recently on Spotify. What how does it go?

800
00:45:39,160 --> 00:45:42,279
Speaker 1: Is that like I remember running through the wet grass? No?

801
00:45:42,440 --> 00:45:44,800
Speaker 1: That is like seven Mary three or some ship? Okay,

802
00:45:44,880 --> 00:45:47,560
Speaker 1: I got it? Are you ready? Does it kick off quick?

803
00:45:47,640 --> 00:45:49,239
Speaker 1: Is it at the beginning of the song or some

804
00:45:49,320 --> 00:45:52,600
Speaker 1: ship but play the beginning I believe, or some sho Okay,

805
00:45:52,600 --> 00:45:58,200
Speaker 1: here we go. Are you ready? I'm ready? Please play it? Okay? Yeah?

806
00:45:59,200 --> 00:46:14,600
Speaker 1: Oh wow? Around everybody knows this man rock down. The

807
00:46:14,760 --> 00:46:17,200
Speaker 1: lights are so bright for Kyle right now, dude, If

808
00:46:17,239 --> 00:46:21,560
Speaker 1: that doesn't ignite something inside of you, you didn't grow

809
00:46:21,640 --> 00:46:25,719
Speaker 1: up in the Nine Days. So many people are not

810
00:46:25,880 --> 00:46:30,160
Speaker 1: charged right around, dude, people are charged powerful. Four note

811
00:46:30,280 --> 00:46:34,000
Speaker 1: baselines are just the hardest fucking thing ever where it's

812
00:46:34,080 --> 00:46:36,680
Speaker 1: just repeat, repeat. That one came on in the car

813
00:46:36,800 --> 00:46:38,960
Speaker 1: the other day and I was like something happened to

814
00:46:39,000 --> 00:46:40,560
Speaker 1: me and I'm like, oh, who the fun And then

815
00:46:40,600 --> 00:46:45,359
Speaker 1: I looked and I'm like better than Ezra? My god. Yeah,

816
00:46:45,719 --> 00:46:48,799
Speaker 1: because me and Kyle's we kept saying that if we

817
00:46:48,800 --> 00:46:51,400
Speaker 1: were to ever start a band, it'd be called better

818
00:46:51,480 --> 00:46:55,080
Speaker 1: than Aerosmith Aerosmith and we were going to do all

819
00:46:55,160 --> 00:47:01,840
Speaker 1: no Doubt covers. Yeah, yes, we were a sweeper to me.

820
00:47:01,960 --> 00:47:04,080
Speaker 1: I still would go on that mission and go on

821
00:47:04,120 --> 00:47:06,120
Speaker 1: a tour with you and do that. Dude, I would

822
00:47:06,120 --> 00:47:08,360
Speaker 1: love to do that with me, to do that with you.

823
00:47:08,560 --> 00:47:11,880
Speaker 1: Who sings or are you guys both? I think I sing?

824
00:47:11,960 --> 00:47:16,200
Speaker 1: Kyle is he plays all the instruments. I'm playing the guitar. Yeah,

825
00:47:16,200 --> 00:47:18,880
Speaker 1: I got loop pedal and some sick ass buttons for

826
00:47:18,960 --> 00:47:21,640
Speaker 1: the album. He plays all the instruments. But we'll probably

827
00:47:21,640 --> 00:47:24,680
Speaker 1: bring a few other people in for our live shows. Yeah,

828
00:47:24,880 --> 00:47:26,600
Speaker 1: just to fill it out. To get dope sound big

829
00:47:26,719 --> 00:47:29,360
Speaker 1: you got, don't you got, don't speak? You got the

830
00:47:29,360 --> 00:47:32,080
Speaker 1: words that don't speak um lock. No, I would have

831
00:47:32,120 --> 00:47:35,920
Speaker 1: to study, I'd have to study up. You would need

832
00:47:35,960 --> 00:47:40,359
Speaker 1: to carry. Don't tell me, because I would just keep

833
00:47:40,400 --> 00:47:45,000
Speaker 1: saying spider webs, spider web, that's cool too. I would

834
00:47:45,000 --> 00:47:50,280
Speaker 1: support that. I'm just a girl spider webs, No Doubt.

835
00:47:50,280 --> 00:47:52,479
Speaker 1: It was something about that time No Doubt was saying

836
00:47:52,520 --> 00:47:58,480
Speaker 1: spider webs a lot and Blink two was saying spiders

837
00:47:57,239 --> 00:48:01,359
Speaker 1: at the same time. That's the same. Yeah it is, well,

838
00:48:01,400 --> 00:48:04,359
Speaker 1: it's not. Yeah, I gotta fart again, you guys want

839
00:48:04,360 --> 00:48:06,640
Speaker 1: to hear it. Those bands are like ten times apart. No,

840
00:48:06,760 --> 00:48:11,520
Speaker 1: they're not from when from when uh, No Doubt popped

841
00:48:11,520 --> 00:48:14,759
Speaker 1: off and from when whatever the funk that o the

842
00:48:14,800 --> 00:48:17,440
Speaker 1: band popped off. That's ten years Link one eight two, No,

843
00:48:17,560 --> 00:48:21,879
Speaker 1: you're incorrect. Link two their first album was ninety four

844
00:48:23,200 --> 00:48:27,319
Speaker 1: and Link eight two first like album everyone heard is

845
00:48:27,360 --> 00:48:30,719
Speaker 1: what You're though. Damn it. That's the one where they

846
00:48:30,719 --> 00:48:33,120
Speaker 1: were making fun of all the MTV videos while they

847
00:48:33,120 --> 00:48:35,880
Speaker 1: did and they're they're huge. One is like ninety seven

848
00:48:35,960 --> 00:48:40,359
Speaker 1: or something. What, Yeah, I was right in the wheelhouse. Yeah, yeah,

849
00:48:40,840 --> 00:48:45,040
Speaker 1: Tragic Kingdom is probably No Doubts like Spotlight album and

850
00:48:45,080 --> 00:48:47,000
Speaker 1: then what is Link two is the one that has

851
00:48:47,040 --> 00:48:49,359
Speaker 1: all the small things Enema of the state is they're

852
00:48:49,360 --> 00:48:51,920
Speaker 1: a huge albums to take Off Your Pants and jacket.

853
00:48:52,600 --> 00:48:54,680
Speaker 1: That's not their huge album. I mean, I love that's

854
00:48:54,719 --> 00:48:57,680
Speaker 1: the best title though, Yeah that's the best. Damn it

855
00:48:57,760 --> 00:48:59,640
Speaker 1: the one that has like baron and iron and iron

856
00:48:59,640 --> 00:49:02,440
Speaker 1: iron and that that was the first hit. Yes, that

857
00:49:02,520 --> 00:49:05,439
Speaker 1: was damn It. So I guess that that was late

858
00:49:05,520 --> 00:49:08,360
Speaker 1: nineties because I was like, can't hardly wait. The party

859
00:49:08,400 --> 00:49:12,320
Speaker 1: was getting busted. Everyone had a perfect song, So no,

860
00:49:12,480 --> 00:49:15,640
Speaker 1: I take it back at cheshire Cat came out, and

861
00:49:15,719 --> 00:49:19,839
Speaker 1: that album Rock. That's a cut though. That's a cut though, Yeah, yeah,

862
00:49:19,960 --> 00:49:22,760
Speaker 1: that's a that's a deep cut. And wait what happened

863
00:49:22,800 --> 00:49:25,200
Speaker 1: to that? Other album came out? And then it was

864
00:49:26,080 --> 00:49:28,520
Speaker 1: and then I think the damn It came out like

865
00:49:28,560 --> 00:49:32,160
Speaker 1: the very next year. But why were you saying damn

866
00:49:32,160 --> 00:49:39,640
Speaker 1: it came out? Because I got the dates. Wrongs was

867
00:49:39,719 --> 00:49:45,440
Speaker 1: like fucking weez Er Blue album, and so you're lying seven.

868
00:49:45,600 --> 00:49:48,400
Speaker 1: So now there it is a few years later. I

869
00:49:48,480 --> 00:49:51,480
Speaker 1: have those guys in separate arrows because they're also from

870
00:49:51,520 --> 00:49:55,520
Speaker 1: separate like whatever we call those genres, like no doubt

871
00:49:55,560 --> 00:49:58,120
Speaker 1: it is definitely alternative rock. And then those dudes were

872
00:49:58,160 --> 00:50:03,360
Speaker 1: like that next emo no, well, like no Doubt, skewed

873
00:50:03,400 --> 00:50:09,080
Speaker 1: ska and and Blink skewed pop punk. Yes, but like,

874
00:50:09,360 --> 00:50:11,600
Speaker 1: but they're from to me, they're from two different eras.

875
00:50:11,640 --> 00:50:16,080
Speaker 1: But also Ska and Punk are brothers sister Skunk Skunk

876
00:50:16,200 --> 00:50:18,719
Speaker 1: as you know skunk music. They're going to perform at

877
00:50:18,760 --> 00:50:21,799
Speaker 1: the same festival. Are they all in what's considered alternative?

878
00:50:21,920 --> 00:50:24,839
Speaker 1: Like they're all an alternative right, yes, they're They're all

879
00:50:24,920 --> 00:50:27,799
Speaker 1: invited to vans Off the Wall tour. Wait to be fair,

880
00:50:27,840 --> 00:50:30,600
Speaker 1: they're all music, right, yeah, they're all music. Well, I mean,

881
00:50:30,640 --> 00:50:33,560
Speaker 1: I'm just saying they all make sound. Well, let's listen

882
00:50:33,560 --> 00:50:37,760
Speaker 1: to Blake. Blake is our in house music savant. Would

883
00:50:37,760 --> 00:50:40,640
Speaker 1: you say that they are in the same era and

884
00:50:40,680 --> 00:50:44,640
Speaker 1: the same general vicinity of music? Absolutely, absolutely titans of

885
00:50:44,680 --> 00:50:47,880
Speaker 1: alternative when alternative was at its peak. They were both

886
00:50:47,920 --> 00:50:52,480
Speaker 1: founding Four Mothers and father Matt Ganna do it. I

887
00:50:52,520 --> 00:50:54,560
Speaker 1: won't do it. I won't go there. I think that

888
00:50:54,680 --> 00:50:57,560
Speaker 1: like Sublime and No Doubt and other bands from so

889
00:50:57,760 --> 00:51:00,080
Speaker 1: called at that time they had it was a for

890
00:51:00,080 --> 00:51:03,919
Speaker 1: an arrow and then dude, no, it was all warped tour.

891
00:51:04,200 --> 00:51:06,239
Speaker 1: I said, Off the wal tour, it's all warped tour.

892
00:51:06,320 --> 00:51:11,439
Speaker 1: Means it's all no, it's it's hard tour, and then

893
00:51:11,520 --> 00:51:16,239
Speaker 1: Warp Tour came after. Just shut your big yap. I mean,

894
00:51:17,239 --> 00:51:19,520
Speaker 1: I don't know what's ever? What's down? Adam saying, damn

895
00:51:19,520 --> 00:51:23,680
Speaker 1: it came out. I lied to he's the best liar.

896
00:51:23,800 --> 00:51:27,400
Speaker 1: And when did the No Doubt album come out? We

897
00:51:27,480 --> 00:51:30,360
Speaker 1: never said, but we're crushing number. I mean, I don't know.

898
00:51:30,480 --> 00:51:34,160
Speaker 1: I don't don't know what came out of. This is important.

899
00:51:34,200 --> 00:51:37,000
Speaker 1: This is what the whole podcast is about. This is important.

900
00:51:37,520 --> 00:51:39,640
Speaker 1: Thank you. I think No Doubt and my guests would

901
00:51:39,640 --> 00:51:42,320
Speaker 1: be ninety six tragic Kingdom. I think it's what is

902
00:51:42,440 --> 00:51:45,680
Speaker 1: what is your guess? It was released on October tenth.

903
00:51:46,880 --> 00:51:53,080
Speaker 1: From the end of October, we're apart from child These

904
00:51:53,080 --> 00:51:55,680
Speaker 1: are a thousand days apart. Do you know how much

905
00:51:55,680 --> 00:52:00,480
Speaker 1: the world can change in just a moment. Yeah? Well really,

906
00:52:00,520 --> 00:52:10,680
Speaker 1: Well said we gotta get into some ship here, guys.

907
00:52:10,800 --> 00:52:14,680
Speaker 1: Blake hasn't even said his favorite John Let's go movie. Well,

908
00:52:15,040 --> 00:52:17,080
Speaker 1: I looked at his IMDb and it said he was

909
00:52:17,120 --> 00:52:20,680
Speaker 1: in pet cemetery. But is that true? It seems real.

910
00:52:20,840 --> 00:52:22,600
Speaker 1: He's in the New One. He plays the old guy

911
00:52:22,719 --> 00:52:25,960
Speaker 1: in the New One. Well, he's also in pitch Perfect.

912
00:52:26,160 --> 00:52:28,480
Speaker 1: He's in the third pitch Perfect and I think you

913
00:52:28,560 --> 00:52:30,640
Speaker 1: know that, dude. Well, why does it say that he's

914
00:52:30,680 --> 00:52:34,200
Speaker 1: in the first. It doesn't if you go to his page, No,

915
00:52:34,360 --> 00:52:37,560
Speaker 1: it doesn't. I'm looking at it looking two thousand twelve.

916
00:52:38,400 --> 00:52:42,280
Speaker 1: Go at each other when you make the movie. Just fight,

917
00:52:42,520 --> 00:52:47,080
Speaker 1: Just fight. We need we need ratings. If I check

918
00:52:47,160 --> 00:52:49,840
Speaker 1: right now, this fight is brought to you by McDonald's.

919
00:52:50,360 --> 00:52:53,760
Speaker 1: I'm also on his IMDb. Okay, he has a hundred

920
00:52:53,840 --> 00:52:56,560
Speaker 1: and twenty eight credits. Yeah, okay, we'll just look at

921
00:52:56,600 --> 00:52:58,560
Speaker 1: two thousand. I can't believe you guys even need to

922
00:52:58,560 --> 00:53:02,000
Speaker 1: go on IMDb. Okay, I'm in the year two thousand twelve.

923
00:53:02,239 --> 00:53:04,560
Speaker 1: He is not in it. It says he was in

924
00:53:04,600 --> 00:53:08,319
Speaker 1: This is forty. Yeah he was, and he was in

925
00:53:08,440 --> 00:53:12,080
Speaker 1: Shrek Thrilling Tales. He was in the campaign and those

926
00:53:12,080 --> 00:53:13,799
Speaker 1: are the three moves he did in the year two

927
00:53:13,800 --> 00:53:16,880
Speaker 1: thousand twelve. Yeah, what are you talking about, Kyle? I

928
00:53:16,920 --> 00:53:22,440
Speaker 1: don't know, dude, I don't know what are you talking about? Kyle?

929
00:53:23,120 --> 00:53:26,919
Speaker 1: Slow it down? Two thousand seventeen. And how many years

930
00:53:26,920 --> 00:53:29,600
Speaker 1: is that? After no doubt dropping? He was in pitch

931
00:53:30,280 --> 00:53:34,880
Speaker 1: Perfect three okay, okay, yeah, no, no, no, that's fine vibe.

932
00:53:35,080 --> 00:53:36,920
Speaker 1: I don't know why it says this. Then I don't know.

933
00:53:37,120 --> 00:53:38,839
Speaker 1: I don't know. What are you looking? What are you

934
00:53:38,880 --> 00:53:41,920
Speaker 1: want to know? What you'm looking? I googled John Lithgow

935
00:53:42,080 --> 00:53:46,320
Speaker 1: movies on Google. Okay, and that just go to his IMDb.

936
00:53:46,600 --> 00:53:47,960
Speaker 1: You can go ahead and do that and see what

937
00:53:47,960 --> 00:53:50,439
Speaker 1: I'm looking at. That that's an old man Google. That's

938
00:53:50,520 --> 00:53:53,880
Speaker 1: like you writing what movies was? John. You're supposed to

939
00:53:53,880 --> 00:53:57,279
Speaker 1: be the technical it's John light got sorry, I got

940
00:53:57,320 --> 00:54:00,520
Speaker 1: who the cares bro? That's what I did. No, that's

941
00:54:00,520 --> 00:54:03,320
Speaker 1: an old man Google. You're supposed to be the technical

942
00:54:03,360 --> 00:54:06,360
Speaker 1: savant of our group, of our crew, of our group,

943
00:54:07,040 --> 00:54:11,520
Speaker 1: group along the root of our I'm the one who

944
00:54:11,560 --> 00:54:15,680
Speaker 1: can't speak. Blake knows music. You are supposed to be

945
00:54:15,719 --> 00:54:18,279
Speaker 1: the tech guy who never has his lights with them,

946
00:54:18,320 --> 00:54:21,040
Speaker 1: and you're always in the dark. What's my thing? What's

947
00:54:22,320 --> 00:54:30,400
Speaker 1: your means? Takes heart? Your meaning? You can't read read Cary,

948
00:54:31,200 --> 00:54:34,400
Speaker 1: Oh you don't think those things are later reactionary. I

949
00:54:34,440 --> 00:54:36,600
Speaker 1: live in a world of letters that I can't read.

950
00:54:36,800 --> 00:54:42,040
Speaker 1: You think I'm angry. You project your signs everywhere, and

951
00:54:42,080 --> 00:54:44,480
Speaker 1: I don't know what they say, you hate yourself and

952
00:54:44,520 --> 00:54:46,840
Speaker 1: it makes you hate others. H Emma just has to

953
00:54:46,920 --> 00:54:48,839
Speaker 1: yell at you to stop the car. What does that

954
00:54:48,880 --> 00:54:52,280
Speaker 1: one mean? What does that one mean? Stop? She wears

955
00:54:52,320 --> 00:54:57,000
Speaker 1: brass knuckles. Well, Google is wrong, okay, and so Blake

956
00:54:57,160 --> 00:54:59,880
Speaker 1: and so Blake still just holding out, Huh, I like her.

957
00:55:00,080 --> 00:55:02,920
Speaker 1: You were like, no, dude, he was in Pitch Perfect,

958
00:55:02,960 --> 00:55:05,920
Speaker 1: a movie that I'm in. Fully no everyone, Well, I know,

959
00:55:06,040 --> 00:55:07,680
Speaker 1: I just thought maybe he was like a voice or

960
00:55:07,719 --> 00:55:09,840
Speaker 1: something that I didn't recognize. You know, sometimes that ship

961
00:55:09,880 --> 00:55:12,919
Speaker 1: goes down. That's like fun, dude, Adam was in that movie.

962
00:55:12,960 --> 00:55:15,440
Speaker 1: They would be fucking homies right now. We would be

963
00:55:15,520 --> 00:55:18,480
Speaker 1: such good friends. We would have hugged each other when

964
00:55:18,520 --> 00:55:21,120
Speaker 1: we saw each other backstage at the Critics Choice or whatever.

965
00:55:21,320 --> 00:55:24,719
Speaker 1: He'd be podcasting from his house. Do you get that? Yeah,

966
00:55:24,920 --> 00:55:26,719
Speaker 1: it's my bad. I mean, I'll own up to it.

967
00:55:26,800 --> 00:55:28,920
Speaker 1: I'm cool like that. I'll fucking own up to the

968
00:55:29,040 --> 00:55:31,560
Speaker 1: to the mistake. And I made a mistake, Kyle. It

969
00:55:31,600 --> 00:55:34,800
Speaker 1: doesn't bother me that it bothers me that you old

970
00:55:34,840 --> 00:55:38,200
Speaker 1: man Google. I did old man Google, and I fucking

971
00:55:38,560 --> 00:55:41,480
Speaker 1: you straight up wrote what movies are? John Lift go

972
00:55:41,680 --> 00:55:45,359
Speaker 1: on in in the fucking search bar. You can't do that.

973
00:55:45,600 --> 00:55:47,960
Speaker 1: You can't why not though I don't understand? Why not

974
00:55:48,200 --> 00:55:51,080
Speaker 1: his name in and hit the fucking IMDb. What's, of course,

975
00:55:51,200 --> 00:55:56,280
Speaker 1: is going to be this first Moving pictures appearances? Mom? Dad?

976
00:55:56,440 --> 00:56:00,120
Speaker 1: Can we stop fighting? I apologize? I do. I'm not

977
00:56:00,160 --> 00:56:03,520
Speaker 1: gonna fucking try and like, back my back my ship.

978
00:56:03,760 --> 00:56:06,239
Speaker 1: I fucked up. I sucked up. What I feel like

979
00:56:06,320 --> 00:56:08,120
Speaker 1: John Lithgow had to have been the bad guy and

980
00:56:08,239 --> 00:56:10,759
Speaker 1: like one of the biggest movies like a wild West

981
00:56:10,800 --> 00:56:14,200
Speaker 1: type yeah, or like in like die Hard three or something.

982
00:56:14,239 --> 00:56:16,040
Speaker 1: Hold on, let me pull it up, let me google

983
00:56:16,560 --> 00:56:20,879
Speaker 1: jal Iron. Well, here's what our manager Isaac. I can't.

984
00:56:20,920 --> 00:56:22,560
Speaker 1: I wasn't even gonna read it because I was like,

985
00:56:22,719 --> 00:56:27,040
Speaker 1: you're just qualified, dude. He wrote World according to Garp,

986
00:56:27,160 --> 00:56:30,480
Speaker 1: and I bet it's awesome, But what the hell is that?

987
00:56:30,920 --> 00:56:36,240
Speaker 1: Even IS's Robin Williams. I think, right that ever seen?

988
00:56:36,280 --> 00:56:38,760
Speaker 1: All right, I'm going to I AMDB. Now that sounds

989
00:56:38,800 --> 00:56:42,040
Speaker 1: like that that sitcom that Durst said last week that

990
00:56:42,080 --> 00:56:45,200
Speaker 1: everyone was like what then like, hey, let's not even bro.

991
00:56:45,719 --> 00:56:47,920
Speaker 1: My uncle straight up emailed me and was like, you

992
00:56:47,920 --> 00:56:50,520
Speaker 1: don't know fucking Dobie Gilroy or whatever it is. Man,

993
00:56:51,000 --> 00:56:53,560
Speaker 1: shout out, we're talking Matt BEYONDI who were talking? What

994
00:56:53,640 --> 00:56:56,640
Speaker 1: is it? Dobie Gillis. He's like, come on, that's where

995
00:56:56,680 --> 00:56:59,719
Speaker 1: Gilligan got his start exactly. Gilligan was the homemade and

996
00:56:59,719 --> 00:57:02,480
Speaker 1: we're gill again. You old fuck? Did you say that

997
00:57:02,480 --> 00:57:04,120
Speaker 1: to him? Did you say that to your uncle? No?

998
00:57:04,360 --> 00:57:06,520
Speaker 1: I was like, bro, you're fucking tight. Let's hang out

999
00:57:06,520 --> 00:57:09,600
Speaker 1: when I'm on the East coast. Wait, your uncle listens

1000
00:57:09,640 --> 00:57:12,719
Speaker 1: to the pod? Yeah, my uncle? I love that? Is it?

1001
00:57:12,800 --> 00:57:15,680
Speaker 1: Uncle's is not? Uncle's? Dude? Is it? No? Uncle? Uncle Rex?

1002
00:57:15,920 --> 00:57:18,440
Speaker 1: Oh shit, I don't even know uncle. Do you have

1003
00:57:18,480 --> 00:57:21,480
Speaker 1: an uncle named Rex? Fuck? Yeah, I have an uncle Rex. No,

1004
00:57:21,560 --> 00:57:26,440
Speaker 1: wonder you're so Uncle Rex. In fact, he's can we

1005
00:57:26,440 --> 00:57:28,840
Speaker 1: get a little rum shaker blake, He's a pimp, he

1006
00:57:28,880 --> 00:57:31,040
Speaker 1: gets it. And he was, oh, by the way, Jade

1007
00:57:31,080 --> 00:57:35,240
Speaker 1: baby check Simon Rex. Simon Rex. Yes, Simon Rex just

1008
00:57:35,320 --> 00:57:38,560
Speaker 1: did a movie that premiered in cans and he got

1009
00:57:38,600 --> 00:57:42,680
Speaker 1: like a five minute standing ovation and can I love

1010
00:57:42,880 --> 00:57:47,360
Speaker 1: it with Sean Baker? Yeah, that's right, I love it.

1011
00:57:47,720 --> 00:57:50,840
Speaker 1: Rex has always been on that edge. We were talking

1012
00:57:50,840 --> 00:57:54,920
Speaker 1: about VJs. The other day Simon about an O G VJ.

1013
00:57:55,360 --> 00:57:57,520
Speaker 1: I'm excited to see that movie. Sean Baker is the

1014
00:57:57,560 --> 00:58:01,440
Speaker 1: fucking ship. Can we talk about his body for a while? No, Timon,

1015
00:58:01,640 --> 00:58:03,640
Speaker 1: you don't want to tell about Simon Rex's body for

1016
00:58:03,720 --> 00:58:06,360
Speaker 1: like a long time? Sure, dude, go ahead, go ahead.

1017
00:58:06,680 --> 00:58:09,120
Speaker 1: You have the four what's going on? I don't know

1018
00:58:09,160 --> 00:58:12,400
Speaker 1: how old this dude is, but the body is twenty five.

1019
00:58:12,640 --> 00:58:15,320
Speaker 1: Kyle Fart stop this dude, I'm working on it. Yeah,

1020
00:58:15,400 --> 00:58:17,640
Speaker 1: he's got a pretty hot bot. I'll say that it's

1021
00:58:17,680 --> 00:58:22,400
Speaker 1: crazy good for him. Me. Yeah, no, not No, a

1022
00:58:22,400 --> 00:58:24,960
Speaker 1: guy who won't take a shirt off at like the

1023
00:58:24,960 --> 00:58:28,560
Speaker 1: Ozark Kyle, Simon, Kyle, I mean, there's no way Simon

1024
00:58:28,560 --> 00:58:30,440
Speaker 1: Rex is going away. He was a VJ. He was

1025
00:58:30,520 --> 00:58:33,400
Speaker 1: kind of in like Porno to first start off, right,

1026
00:58:33,440 --> 00:58:35,920
Speaker 1: that was like his jump off in the beginning. No,

1027
00:58:36,440 --> 00:58:38,680
Speaker 1: you listen to your Homies podcast where he did if

1028
00:58:38,720 --> 00:58:41,600
Speaker 1: we could shout out yeah, but still podcasts again, they

1029
00:58:41,600 --> 00:58:46,560
Speaker 1: have a really great interview with Simon. They're nice. He

1030
00:58:46,640 --> 00:58:48,840
Speaker 1: basically just did it because it was like funny and

1031
00:58:48,880 --> 00:58:51,040
Speaker 1: fun and could be like money. It was like j

1032
00:58:51,200 --> 00:58:53,320
Speaker 1: O Ship where you just get filmed j O, what

1033
00:58:53,520 --> 00:58:57,720
Speaker 1: jerking off? Yeah? Jo? Yeah, you don't know what JO is. Well,

1034
00:58:57,760 --> 00:59:01,440
Speaker 1: we're not being brash anymore. We're not being crash or crass.

1035
00:59:01,640 --> 00:59:03,360
Speaker 1: I mean it used to be Junior Olympics. Yeah, we

1036
00:59:04,080 --> 00:59:07,880
Speaker 1: decided to be KOI fifty five minutes into the podcast

1037
00:59:08,240 --> 00:59:11,280
Speaker 1: is when we're like j Owen, we're the coy Boys

1038
00:59:12,320 --> 00:59:15,440
Speaker 1: hashtag ki boys. This is important, Kyle. Is it crass

1039
00:59:15,560 --> 00:59:18,320
Speaker 1: or is it brash? Well, it's crass. I think it's

1040
00:59:18,320 --> 00:59:20,600
Speaker 1: what you wanted to say. Brash is just like you know,

1041
00:59:21,120 --> 00:59:25,120
Speaker 1: blunt guys. I get it. I'm showing my ass in

1042
00:59:25,560 --> 00:59:30,640
Speaker 1: righteous Jimps stumps tomorrow in the h Yeah, tomorrow morning. Perfect.

1043
00:59:31,960 --> 00:59:35,800
Speaker 1: And the intimacy coordinator because now, oh my god, let's

1044
00:59:35,800 --> 00:59:40,280
Speaker 1: talk the intimacy coordinator on set for the community. I'll

1045
00:59:40,320 --> 00:59:43,680
Speaker 1: explain it. It's it's some person that has to like

1046
00:59:43,800 --> 00:59:45,920
Speaker 1: come to you and be like, maybe it makes you

1047
00:59:45,960 --> 00:59:48,760
Speaker 1: feel uncomfortable being like are you okay with this? You

1048
00:59:48,760 --> 00:59:51,240
Speaker 1: can tell me if you're not okay with this? Oh yeah,

1049
00:59:51,240 --> 00:59:53,800
Speaker 1: oh yeah, makes it way harder. What are you willing

1050
00:59:53,840 --> 00:59:56,360
Speaker 1: to show or not show? It's so people do good

1051
00:59:56,400 --> 00:59:59,280
Speaker 1: pressured into doing nude scene they absolutely don't want to

1052
00:59:59,280 --> 01:00:02,040
Speaker 1: g How come we didn't have that on Game Over Man.

1053
01:00:02,280 --> 01:00:05,280
Speaker 1: We didn't have that. No one question whether my dick

1054
01:00:05,360 --> 01:00:07,840
Speaker 1: was coming out in Game over Man at all. I

1055
01:00:07,880 --> 01:00:10,480
Speaker 1: was the guy. I think I was the intimacy coordinator.

1056
01:00:10,560 --> 01:00:12,760
Speaker 1: Yeah that was well, well, Adam's gonna show his whole

1057
01:00:12,760 --> 01:00:14,720
Speaker 1: fun like, are you sure you want to do this? Yeah?

1058
01:00:15,080 --> 01:00:16,919
Speaker 1: Uh yeah, Well, if you want to know the real

1059
01:00:17,000 --> 01:00:20,200
Speaker 1: world explanation of it, it was it is something that

1060
01:00:20,240 --> 01:00:23,120
Speaker 1: came from the Me Too movement because women were like, dude,

1061
01:00:23,120 --> 01:00:26,400
Speaker 1: they're making me do shit like sex scenes with that

1062
01:00:26,440 --> 01:00:29,360
Speaker 1: I'm not cool with, and I'm feeling very pressured into stuff.

1063
01:00:29,400 --> 01:00:32,640
Speaker 1: So now they're actually, no, I'm the one that started it, dude,

1064
01:00:32,760 --> 01:00:35,080
Speaker 1: If we're being real, being real, it was after a

1065
01:00:35,120 --> 01:00:38,240
Speaker 1: Game Over Man was responsive to Adam. It was in

1066
01:00:38,360 --> 01:00:42,280
Speaker 1: response to me. But so anyways, me and Blake called

1067
01:00:42,320 --> 01:00:47,480
Speaker 1: the sag care like at his butt hole is everywhere.

1068
01:00:47,760 --> 01:00:50,720
Speaker 1: He won't put a robots to end. It's too intimate.

1069
01:00:50,920 --> 01:00:53,760
Speaker 1: It needs to be coordinated at Like, now, that's the

1070
01:00:53,880 --> 01:00:56,200
Speaker 1: end of this story. Is this woman keeps hitting me

1071
01:00:56,280 --> 01:00:59,440
Speaker 1: up and she keeps texting me being like are you okay?

1072
01:00:59,480 --> 01:01:02,040
Speaker 1: I really need an answer, and I keep texting her

1073
01:01:02,080 --> 01:01:04,840
Speaker 1: I'm only willing to show my butt hole, no other

1074
01:01:04,880 --> 01:01:11,200
Speaker 1: body parts, and she's like, okay, just trying to back

1075
01:01:11,240 --> 01:01:16,520
Speaker 1: to her, You're gonna get in trouble saying it. Yeah,

1076
01:01:16,520 --> 01:01:18,280
Speaker 1: and but that is the only part I'm willing to

1077
01:01:18,280 --> 01:01:20,760
Speaker 1: show on this show. So I'm hoping that they can

1078
01:01:20,800 --> 01:01:25,200
Speaker 1: clear that the actual bottles any take backs or apologies.

1079
01:01:26,720 --> 01:01:28,480
Speaker 1: I feel like you can lead it off. But by

1080
01:01:28,480 --> 01:01:31,160
Speaker 1: the way, Blake, yes, we all know that it's like

1081
01:01:31,320 --> 01:01:34,240
Speaker 1: a good thing to have. But then like in practice,

1082
01:01:34,400 --> 01:01:37,240
Speaker 1: like when I was doing the Shanda show, she's like

1083
01:01:37,680 --> 01:01:42,000
Speaker 1: showing you how to fuck, like right, She's like, okay,

1084
01:01:42,040 --> 01:01:44,640
Speaker 1: so and like not even in a way because you're

1085
01:01:44,640 --> 01:01:48,160
Speaker 1: wearing like you and no one tells how to fuck.

1086
01:01:49,320 --> 01:01:52,000
Speaker 1: Well no, but my point is, uh, you're wearing like

1087
01:01:52,040 --> 01:01:55,240
Speaker 1: your protective cup things, so like there's no anything going down.

1088
01:01:55,600 --> 01:01:57,560
Speaker 1: And then she'll be like, if you could, just if

1089
01:01:57,600 --> 01:02:00,400
Speaker 1: you want to, you can kind of stick your rear

1090
01:02:00,680 --> 01:02:03,560
Speaker 1: up in the air a little more and just and

1091
01:02:03,640 --> 01:02:07,160
Speaker 1: move that and it will it will h illustrate the

1092
01:02:07,240 --> 01:02:10,680
Speaker 1: sexual motions. And I'm like, this feels weirder than you're

1093
01:02:10,680 --> 01:02:12,480
Speaker 1: not telling me what to do. I don't know is

1094
01:02:12,480 --> 01:02:15,120
Speaker 1: that how it works? I can't remember. Do they have

1095
01:02:15,200 --> 01:02:17,640
Speaker 1: to Is that the person who talks to you about it,

1096
01:02:17,680 --> 01:02:20,360
Speaker 1: like the director can't even come up and say like hey,

1097
01:02:20,600 --> 01:02:24,480
Speaker 1: director can't and you can't talk to the actor like

1098
01:02:24,640 --> 01:02:27,160
Speaker 1: you have to go through the coordinator, which I get

1099
01:02:27,320 --> 01:02:30,320
Speaker 1: is good because like you know, if if like who

1100
01:02:30,640 --> 01:02:34,320
Speaker 1: uh dude, I mean on the fucking Chris Rock movie,

1101
01:02:34,360 --> 01:02:38,240
Speaker 1: I did like where you have like Tabasco Rosono Dawson

1102
01:02:38,360 --> 01:02:41,160
Speaker 1: just like saw my butt hole and like thumbed my

1103
01:02:41,240 --> 01:02:45,440
Speaker 1: taint with a tampon um and like I said, Okay,

1104
01:02:45,480 --> 01:02:48,640
Speaker 1: that's fine. Um, but I can imagine like people putting

1105
01:02:48,720 --> 01:02:52,240
Speaker 1: being put in compromise situations, and you're like, I wish

1106
01:02:52,280 --> 01:02:54,920
Speaker 1: I had a coordinator here. But it makes things very

1107
01:02:55,000 --> 01:03:00,600
Speaker 1: like um, not sexy, not how awkward. I'm well. You

1108
01:03:00,600 --> 01:03:03,240
Speaker 1: you become like on guard you feel like you're not

1109
01:03:03,800 --> 01:03:06,120
Speaker 1: in it to not nothing you want to you When

1110
01:03:06,120 --> 01:03:08,480
Speaker 1: you do things like this, you feel like you've made

1111
01:03:08,480 --> 01:03:10,480
Speaker 1: a pact with the other actor, like okay, we're actually

1112
01:03:10,520 --> 01:03:16,240
Speaker 1: gonna fuck uh. You feel like you're obviously jo you

1113
01:03:16,280 --> 01:03:19,520
Speaker 1: feel like you're you're like okay, let's just figure this out,

1114
01:03:19,680 --> 01:03:23,040
Speaker 1: like we want to make sure what are you comfortable with? Comfort?

1115
01:03:23,600 --> 01:03:26,720
Speaker 1: Right here? Here's what I because I had my first

1116
01:03:26,800 --> 01:03:32,800
Speaker 1: intimacy coordinator on Woke, and I would intimacy coordinator on Woke,

1117
01:03:33,520 --> 01:03:36,160
Speaker 1: and I was coming from our world of Game over

1118
01:03:36,240 --> 01:03:40,400
Speaker 1: Man and Workaholics, where like, yeah, we're like, we're like

1119
01:03:40,800 --> 01:03:44,120
Speaker 1: comfortable on set with Adam's butthole being everywhere. So I'm like,

1120
01:03:44,600 --> 01:03:46,920
Speaker 1: so when they kept approaching me with like are you

1121
01:03:46,960 --> 01:03:49,000
Speaker 1: okay with this? Are you okay with this? I started

1122
01:03:49,000 --> 01:03:52,760
Speaker 1: to be like maybe I'm not like they were freaking

1123
01:03:52,760 --> 01:03:55,240
Speaker 1: me out. I'm like, I was pretty sure everything was

1124
01:03:55,240 --> 01:03:56,800
Speaker 1: going to be shot above the ways, so I'm like,

1125
01:03:56,920 --> 01:03:59,240
Speaker 1: am I gonna show my dick? They started to make

1126
01:03:59,280 --> 01:04:01,760
Speaker 1: me think I was gonna do way more than I

1127
01:04:01,800 --> 01:04:04,840
Speaker 1: was required to do, and tune into season two to

1128
01:04:04,920 --> 01:04:07,880
Speaker 1: find I don't want to show my dick on the Gemstones,

1129
01:04:08,400 --> 01:04:11,160
Speaker 1: but I do want to show my top pube I'm

1130
01:04:11,160 --> 01:04:15,080
Speaker 1: talking about I I and like, no, I want to share.

1131
01:04:15,120 --> 01:04:19,840
Speaker 1: I want to be clean. What are you talking about?

1132
01:04:20,080 --> 01:04:22,200
Speaker 1: Just at the top where you could see the divot

1133
01:04:22,200 --> 01:04:24,040
Speaker 1: where you're like, does he have a vagina? But you

1134
01:04:24,080 --> 01:04:26,800
Speaker 1: start to see like, oh, there's a there's a hang there,

1135
01:04:26,880 --> 01:04:31,480
Speaker 1: something's hanging you mean the base, the base of your dick, know,

1136
01:04:31,680 --> 01:04:34,640
Speaker 1: the top of the did I know what you're talking about, Kyle?

1137
01:04:34,800 --> 01:04:36,760
Speaker 1: I know what you're talking about on your body, Adam,

1138
01:04:36,800 --> 01:04:41,080
Speaker 1: that's what's Yeah, not that, trust me. How you you

1139
01:04:41,080 --> 01:04:42,920
Speaker 1: You were in the end of Bay. You looked at

1140
01:04:42,920 --> 01:04:44,800
Speaker 1: my dick for a fucking a long time. You know

1141
01:04:44,880 --> 01:04:50,880
Speaker 1: my did that? Four? Kay? Zoom yea yeah yeah top

1142
01:04:51,680 --> 01:04:56,120
Speaker 1: Any takebacks, apologies, give away? What's going up with Blake's light?

1143
01:04:56,240 --> 01:04:58,520
Speaker 1: I like, I want to compliment Blake's light right now.

1144
01:04:58,600 --> 01:05:04,280
Speaker 1: That was Blake. It also see incredible. Look at it.

1145
01:05:03,000 --> 01:05:06,160
Speaker 1: It's it's so late over here, guys. Let's wrap this

1146
01:05:06,200 --> 01:05:11,040
Speaker 1: one up, alright, cool? Yeah, yeah, sure. I don't apologize

1147
01:05:11,040 --> 01:05:15,040
Speaker 1: for anything this week. If you're good, I'm gonna apologize

1148
01:05:15,040 --> 01:05:17,080
Speaker 1: to Blake for putting him in a position where he

1149
01:05:17,160 --> 01:05:19,560
Speaker 1: just has to name one John Lithgown movie and never does.

1150
01:05:19,640 --> 01:05:21,280
Speaker 1: Sorry about that, pal, I guess it was too much

1151
01:05:21,480 --> 01:05:25,160
Speaker 1: nothing about Come on, Blake, just say it, Just say it.

1152
01:05:25,160 --> 01:05:28,640
Speaker 1: It's footloose, it's not that. It's not that he lit

1153
01:05:28,680 --> 01:05:32,080
Speaker 1: foot loose, not that. Next well, then say something, say

1154
01:05:32,120 --> 01:05:34,800
Speaker 1: world according to Garb or some ship just say something

1155
01:05:34,840 --> 01:05:37,360
Speaker 1: to it is weird that you haven't named one, like

1156
01:05:37,400 --> 01:05:43,240
Speaker 1: what's up Harry and the Henderson's that's your favorite? Well,

1157
01:05:43,320 --> 01:05:46,480
Speaker 1: you didn't see any other movie exactly. This is when

1158
01:05:46,520 --> 01:05:48,560
Speaker 1: we find out that you've never seen any other movie.

1159
01:05:48,920 --> 01:05:51,680
Speaker 1: What a horrible choice. That is bad? What the fuck?

1160
01:05:52,120 --> 01:05:54,040
Speaker 1: That's why I didn't want to say it. I'm gonna

1161
01:05:54,040 --> 01:05:56,840
Speaker 1: go on. I'm gonna go on up rocks and look

1162
01:05:56,880 --> 01:06:00,919
Speaker 1: for the John Lithgow Top five Movies. You know it's there.

1163
01:06:00,960 --> 01:06:04,880
Speaker 1: Whatever the fun those websites, Yeah, pitch perfect one, google

1164
01:06:05,120 --> 01:06:08,680
Speaker 1: John mcau top five movies. You guys, talk amongst your

1165
01:06:08,680 --> 01:06:11,919
Speaker 1: se al right, guys. And that was another episode of

1166
01:06:11,920 --> 01:06:24,520
Speaker 1: of whatever this is? This this t I. The communities

1167
01:06:24,560 --> 01:06:26,560
Speaker 1: pissed because we didn't have a good outro