WEBVTT - The Accusation

0:00:06.920 --> 0:00:12.520
<v Speaker 1>Fantastica Soila princes the subage previously on The Princess of

0:00:12.560 --> 0:00:16.599
<v Speaker 1>South Beach. Estreya is blackmailing Esteban with a video of

0:00:16.680 --> 0:00:19.680
<v Speaker 1>him and Nacho getting it on, but that only resulted

0:00:19.720 --> 0:00:24.440
<v Speaker 1>in Esteban suspecting that Nacho filmed it to sabotage his campaign. Meanwhile,

0:00:24.800 --> 0:00:28.280
<v Speaker 1>poor Nacho is super stressed because he owes a lot

0:00:28.480 --> 0:00:30.760
<v Speaker 1>of money to a lot of nasty guys who are

0:00:30.760 --> 0:00:33.080
<v Speaker 1>threatening to kill him if he doesn't pay them soon.

0:00:33.640 --> 0:00:36.720
<v Speaker 1>Harsh and if that wasn't enough, he now has to

0:00:36.760 --> 0:00:39.840
<v Speaker 1>deal with a heartbroken raoul who Maria del Carmen broke

0:00:39.920 --> 0:00:53.479
<v Speaker 1>up with in a drunken and public incident. I'm in

0:00:53.520 --> 0:01:02.400
<v Speaker 1>my room whole. Get a hold of yourself. Let it out,

0:01:02.960 --> 0:01:06.080
<v Speaker 1>Let it out, Let it out. Okay, okay, too much,

0:01:06.160 --> 0:01:11.200
<v Speaker 1>too much, too much? Okay, that's enough. That's enough, good puppy.

0:01:12.160 --> 0:01:13.920
<v Speaker 1>It's like a I have a hole in the middle

0:01:13.959 --> 0:01:17.279
<v Speaker 1>of my chest. It's like a hole in the middle

0:01:17.319 --> 0:01:21.080
<v Speaker 1>of a volcano. I can't even think a good metaphors.

0:01:22.480 --> 0:01:25.640
<v Speaker 1>She told me that it was over. We had to

0:01:25.640 --> 0:01:28.520
<v Speaker 1>cancel a wedding. But that doesn't make sense. You said

0:01:28.560 --> 0:01:32.520
<v Speaker 1>things were going smoothly. I don't know what happened. Okay,

0:01:32.560 --> 0:01:35.880
<v Speaker 1>it's it's like she did a one eighty on her personality.

0:01:35.920 --> 0:01:39.360
<v Speaker 1>She's acting different since the accident. She doesn't like my metaphors,

0:01:39.360 --> 0:01:41.520
<v Speaker 1>she doesn't laugh at my jokes anymore. She doesn't like

0:01:41.600 --> 0:01:44.360
<v Speaker 1>any of the things she used to like. Maybe her

0:01:44.360 --> 0:01:46.840
<v Speaker 1>memory came back and she remembered our last fight. Or

0:01:47.480 --> 0:01:49.280
<v Speaker 1>maybe this has something to do with her losing the baby.

0:01:49.520 --> 0:01:52.800
<v Speaker 1>I don't know. All I know is that she doesn't

0:01:52.840 --> 0:02:02.000
<v Speaker 1>want to marry me. No I wanna die fu listen, Yes, yes, yes,

0:02:02.080 --> 0:02:06.160
<v Speaker 1>of course, of course I'm listening. I'm just look, there's

0:02:06.120 --> 0:02:09.960
<v Speaker 1>a there's a lot going on right now. We have

0:02:10.040 --> 0:02:12.839
<v Speaker 1>to take them on or one by one. What could

0:02:12.880 --> 0:02:15.040
<v Speaker 1>be more important than me losing the love of my life? Well,

0:02:15.360 --> 0:02:17.680
<v Speaker 1>do you remember the guys who are going to kill

0:02:17.760 --> 0:02:22.160
<v Speaker 1>me if I don't pay them back their money? Well, uh,

0:02:22.880 --> 0:02:26.000
<v Speaker 1>they gave me until the end of the week. Oh

0:02:26.680 --> 0:02:30.680
<v Speaker 1>that's bad. Yeah, and that that's not all. Now someone

0:02:30.800 --> 0:02:34.680
<v Speaker 1>is blackmailing a Steban and he thinks it's me. That's worse.

0:02:35.000 --> 0:02:39.440
<v Speaker 1>Well I wouldn't call it worse, but what are they

0:02:39.440 --> 0:02:43.760
<v Speaker 1>blackmailing estimate with? Yeah? It's isn't important. Okay. They sent

0:02:43.919 --> 0:02:48.920
<v Speaker 1>him an email with something bad and they're asking for

0:02:48.960 --> 0:02:53.359
<v Speaker 1>information and we have no idea who could have sent it? Wait, Bobby,

0:02:53.520 --> 0:02:55.920
<v Speaker 1>I can help you. Yeah. Well, I don't need an

0:02:55.960 --> 0:02:59.280
<v Speaker 1>inspirational metaphor right now, Raoul, No, no, no, Remember when

0:02:59.280 --> 0:03:00.840
<v Speaker 1>you sent me to that Pater camp after we saw

0:03:00.880 --> 0:03:04.880
<v Speaker 1>Oceans eleven. I really don't want an inspirational anecdote either, Poppy.

0:03:05.200 --> 0:03:07.200
<v Speaker 1>I can find the IP address from where the email

0:03:07.280 --> 0:03:11.120
<v Speaker 1>was sent. Yeah, I don't know what that means. It

0:03:11.240 --> 0:03:13.880
<v Speaker 1>tells you the location it was sent from. That way,

0:03:13.919 --> 0:03:15.799
<v Speaker 1>you could at least you know know where to start looking.

0:03:17.880 --> 0:03:23.960
<v Speaker 1>You're brilliant. This is brilliant. This is the first time

0:03:24.000 --> 0:03:27.080
<v Speaker 1>one of your summer camps is paid off. But but

0:03:27.200 --> 0:03:29.760
<v Speaker 1>I made you that beautiful vase and sir IMA's camp. Hi,

0:03:30.280 --> 0:03:34.840
<v Speaker 1>that vase so beautiful. Anyway, here's a step On's laptop

0:03:34.840 --> 0:03:39.480
<v Speaker 1>with the email. But don't open the attachment. It has

0:03:39.520 --> 0:03:50.400
<v Speaker 1>a virus. Okay, okay, okay, and bingo. No, I must

0:03:50.400 --> 0:03:52.800
<v Speaker 1>have done something wrong because wait, just let me try again.

0:03:52.880 --> 0:03:55.600
<v Speaker 1>Wait wait, why why what happened? There must be some

0:03:55.680 --> 0:03:57.720
<v Speaker 1>kind of mistake. So telling me that the email came

0:03:57.720 --> 0:04:00.680
<v Speaker 1>from Lacas Rosa. But I can't be right, can it

0:04:01.800 --> 0:04:09.680
<v Speaker 1>Lakasa Rosa? H? Yeah, are you saying it came from

0:04:09.680 --> 0:04:13.440
<v Speaker 1>inside the house. Yeah, it's it's weird. I ran it

0:04:13.480 --> 0:04:17.000
<v Speaker 1>again and it got the same result. Wait, so someone

0:04:17.080 --> 0:04:22.280
<v Speaker 1>sent this from inside Lakasa From inside is Stelan's house,

0:04:23.560 --> 0:04:27.440
<v Speaker 1>then that would mean that the person the only person

0:04:27.520 --> 0:04:34.520
<v Speaker 1>responsible is Oh, it looks like est and Maria de

0:04:34.680 --> 0:04:38.640
<v Speaker 1>Garman's little blackmailing scheme is going to backfire. But Maria

0:04:38.680 --> 0:04:41.680
<v Speaker 1>del Garman isn't thinking about that. She's too busy with

0:04:41.720 --> 0:05:00.680
<v Speaker 1>her asthmatic reporter. Heyd lovers, It's me Dadiana. Obviously we boy,

0:05:00.720 --> 0:05:03.640
<v Speaker 1>do we have a juicy scoop for you on the

0:05:03.760 --> 0:05:10.880
<v Speaker 1>next tea with Tatiana. Our next guest is a woman

0:05:11.000 --> 0:05:14.599
<v Speaker 1>we know nothing about, but hey, she does know a

0:05:14.640 --> 0:05:18.599
<v Speaker 1>lot about our dearest Gloria, and that's all that matters

0:05:18.600 --> 0:05:23.400
<v Speaker 1>on a gossip show. You know, I'm really intrigued by

0:05:23.400 --> 0:05:29.320
<v Speaker 1>this new version of Gloria that looks so fresh and sophisticated,

0:05:29.800 --> 0:05:34.600
<v Speaker 1>especially inside her new Lincoln aviator GT. Is it the suv?

0:05:35.640 --> 0:05:42.120
<v Speaker 1>Is it the Florida Sun? I don't know, all right,

0:05:42.240 --> 0:05:44.560
<v Speaker 1>that's it for now, but be sure to tune in

0:05:44.640 --> 0:05:48.720
<v Speaker 1>next time for more scandalous rumors about the Calderones on

0:05:48.880 --> 0:06:06.240
<v Speaker 1>the next tea with Satiana. Oh oh, it looks like

0:06:06.520 --> 0:06:09.760
<v Speaker 1>est and Maria del Garman's little blackmailing scheme is going

0:06:09.800 --> 0:06:13.240
<v Speaker 1>to backfire. But Maria del Garman isn't thinking about that.

0:06:13.680 --> 0:06:22.200
<v Speaker 1>She's too busy with her asthmatic reporter. Yes he's here.

0:06:22.800 --> 0:06:26.040
<v Speaker 1>Oh okay, uh let him come up. Oh no, no no, no, no, no,

0:06:26.160 --> 0:06:28.640
<v Speaker 1>not in the bedroom. Oh I'll come down too late.

0:06:28.760 --> 0:06:34.040
<v Speaker 1>You right behind me? Hi, Hi, thanks for coming. Okay,

0:06:34.480 --> 0:06:37.680
<v Speaker 1>I'm gonna leave you guys. Do it? Just gone put

0:06:37.720 --> 0:06:40.360
<v Speaker 1>these two condoms right here on this billow? Oh my god,

0:06:43.080 --> 0:06:44.600
<v Speaker 1>So how are you? How's it going? Sorry? Oh wait,

0:06:44.680 --> 0:06:48.400
<v Speaker 1>no you go? Sorry you no, no, you go? Um,

0:06:48.440 --> 0:06:50.840
<v Speaker 1>I'm sorry I called you and said all those crazy things.

0:06:50.920 --> 0:06:53.640
<v Speaker 1>Oh so you don't want to lick whipped cream off

0:06:53.680 --> 0:06:57.080
<v Speaker 1>my abs? Oh my god? I didn't say that, did

0:06:57.160 --> 0:06:59.640
<v Speaker 1>I say that? It was hard to tell because you

0:06:59.680 --> 0:07:02.040
<v Speaker 1>were cupping a lot, But I'm pretty sure that's what

0:07:02.520 --> 0:07:07.360
<v Speaker 1>it was. Jeez, that's embarrassing. No, I I haven't stopped

0:07:07.360 --> 0:07:12.640
<v Speaker 1>thinking about you. Really, I mean really, yeah, I really

0:07:12.840 --> 0:07:18.320
<v Speaker 1>like you. Um, so, don't be embarrassed. Easier said than done.

0:07:18.480 --> 0:07:20.240
<v Speaker 1>Do you want me to tell you something embarrassing to

0:07:20.360 --> 0:07:25.360
<v Speaker 1>make you feel better? Sure? Oh okay, I didn't think

0:07:25.360 --> 0:07:28.000
<v Speaker 1>you'd say yes. Um let me see, let me seem

0:07:28.000 --> 0:07:30.800
<v Speaker 1>to say. Oh, one time in bio class, I said

0:07:30.920 --> 0:07:36.480
<v Speaker 1>orgasm instead of organism. That's that's not that bad. Oh okay,

0:07:36.480 --> 0:07:37.600
<v Speaker 1>I thought that would be the out of it. Okay,

0:07:37.720 --> 0:07:40.440
<v Speaker 1>I'll come up with another one. Look. I've also been

0:07:40.520 --> 0:07:42.760
<v Speaker 1>stalking your Instagram every day since the last time we

0:07:42.800 --> 0:07:46.080
<v Speaker 1>saw each other. Oh, you post a lot of selfies. Oh,

0:07:46.160 --> 0:07:49.160
<v Speaker 1>so that's what you're into. Sorry, I don't look like

0:07:49.160 --> 0:07:51.000
<v Speaker 1>that in real life. No, no, no, that's not that's

0:07:51.000 --> 0:07:52.520
<v Speaker 1>not what I meant. I say, you look great, but

0:07:52.600 --> 0:07:56.320
<v Speaker 1>those I'm I didn't really see you in those. That

0:07:56.440 --> 0:07:58.280
<v Speaker 1>you I haven't been able to stop thinking about is

0:07:58.280 --> 0:08:02.200
<v Speaker 1>standing right in front of me. So you like me

0:08:02.240 --> 0:08:06.880
<v Speaker 1>with no makeup and filters and fancy clothes. Yeah, I mean. Look,

0:08:06.920 --> 0:08:09.160
<v Speaker 1>don't get me wrong, you look stunning in whatever, but

0:08:09.480 --> 0:08:11.920
<v Speaker 1>that's not what I like most about you. I like

0:08:12.040 --> 0:08:14.760
<v Speaker 1>your sense of humor and that you're a little clumsy

0:08:14.880 --> 0:08:17.920
<v Speaker 1>and you're kind. I think I see what you mean

0:08:17.960 --> 0:08:20.240
<v Speaker 1>when you say that there are two of you? Oh

0:08:20.320 --> 0:08:23.480
<v Speaker 1>my god, I didn't say that, did I say that? Yeah,

0:08:23.640 --> 0:08:27.680
<v Speaker 1>right after the whipped cream thing. Oh god, I can explain.

0:08:27.720 --> 0:08:30.960
<v Speaker 1>You don't have to. I understand. There's the Gloria that

0:08:31.000 --> 0:08:33.720
<v Speaker 1>everyone out there thinks they know, and then there's you.

0:08:34.600 --> 0:08:41.280
<v Speaker 1>I like you. I like you too. Sorry, I ask

0:08:41.360 --> 0:08:51.240
<v Speaker 1>my kicks in when I'm nervous. Kiss me. Oh looks

0:08:51.280 --> 0:08:54.000
<v Speaker 1>like the innocent orphan from the convent is not so

0:08:54.080 --> 0:08:58.559
<v Speaker 1>innocent anymore. But look out, because your little romance might

0:08:58.600 --> 0:09:05.600
<v Speaker 1>be in trouble. When asked Nacho Senna, Nacho, what are

0:09:05.600 --> 0:09:08.120
<v Speaker 1>you doing here? Where is everybody? I don't think this

0:09:08.160 --> 0:09:10.480
<v Speaker 1>is a good time for a visit. You get out

0:09:10.480 --> 0:09:12.440
<v Speaker 1>of my way. I need to talk to that snake. Okay,

0:09:12.480 --> 0:09:15.680
<v Speaker 1>you're not gonna be yaming at me, that's all right. Yeah,

0:09:15.720 --> 0:09:23.600
<v Speaker 1>I gott a vacuum. Aw youth. Who are you looking for? Luisa? Luisa? Louisa?

0:09:24.480 --> 0:09:27.640
<v Speaker 1>Oh no, Nacho is about to start a war with

0:09:27.720 --> 0:09:31.640
<v Speaker 1>the wrong woman, and Maria de Garnement is upstairs about

0:09:31.679 --> 0:09:34.679
<v Speaker 1>to get hot and heavy with Andres. What will happen

0:09:34.760 --> 0:09:37.800
<v Speaker 1>when Nacho finds out you left his son for another man,

0:09:38.440 --> 0:09:43.040
<v Speaker 1>I guess we'll have to wait and see. If you're

0:09:43.120 --> 0:09:46.760
<v Speaker 1>enjoying Princess of South Beach, please subscribe, rate, and review

0:09:46.800 --> 0:09:49.959
<v Speaker 1>our show wherever you're listening. The Princess of South Beach

0:09:50.040 --> 0:09:53.480
<v Speaker 1>is a production of Ihearts, Michael Podcast Network and Sono,

0:09:53.880 --> 0:09:57.520
<v Speaker 1>created and directed by Jasmine Romero, Written by Jasmine Romero

0:09:57.600 --> 0:10:01.400
<v Speaker 1>and Joanna Houseman, with help from Daniels Kis, Monisa Hendrix

0:10:01.520 --> 0:10:06.160
<v Speaker 1>and Christian Hats. Produced by Luisado Castillo. Executive produced by

0:10:06.200 --> 0:10:09.800
<v Speaker 1>Conald Byrne and Gazelle Bances for iHeart by Joanna Housman,

0:10:10.160 --> 0:10:14.360
<v Speaker 1>and by Jasmine Romero and Joshua Weinstein for Sonaro. Performances

0:10:14.360 --> 0:10:18.120
<v Speaker 1>in this episode by Rachel Zegler, Danny Pino, X Mayo,

0:10:18.360 --> 0:10:23.840
<v Speaker 1>Andy Bustios, and Alan Eisenberg. Our production manager is Guerriensachitis.

0:10:24.120 --> 0:10:27.920
<v Speaker 1>Recording and engineering by Emiliano Quintanaro, with sound designed by

0:10:28.040 --> 0:10:33.880
<v Speaker 1>eduin Irigoyen Casandratinajo, Andres Baiena, Diego Medina and Andres Coronalo.

0:10:34.040 --> 0:10:37.720
<v Speaker 1>Assistant sound designed by Eric Senttheno casting and coordination by

0:10:37.760 --> 0:10:42.040
<v Speaker 1>Andres Chitis. Folly by Samantha Gonzalez Fong. Our theme song

0:10:42.120 --> 0:10:45.880
<v Speaker 1>and original music by Rodrigo Garcia Roles and Charlie Hernandez.