1 00:00:06,920 --> 00:00:12,520 Speaker 1: Fantastica Soila princes the subage previously on The Princess of 2 00:00:12,560 --> 00:00:16,599 Speaker 1: South Beach. Estreya is blackmailing Esteban with a video of 3 00:00:16,680 --> 00:00:19,680 Speaker 1: him and Nacho getting it on, but that only resulted 4 00:00:19,720 --> 00:00:24,440 Speaker 1: in Esteban suspecting that Nacho filmed it to sabotage his campaign. Meanwhile, 5 00:00:24,800 --> 00:00:28,280 Speaker 1: poor Nacho is super stressed because he owes a lot 6 00:00:28,480 --> 00:00:30,760 Speaker 1: of money to a lot of nasty guys who are 7 00:00:30,760 --> 00:00:33,080 Speaker 1: threatening to kill him if he doesn't pay them soon. 8 00:00:33,640 --> 00:00:36,720 Speaker 1: Harsh and if that wasn't enough, he now has to 9 00:00:36,760 --> 00:00:39,840 Speaker 1: deal with a heartbroken raoul who Maria del Carmen broke 10 00:00:39,920 --> 00:00:53,479 Speaker 1: up with in a drunken and public incident. I'm in 11 00:00:53,520 --> 00:01:02,400 Speaker 1: my room whole. Get a hold of yourself. Let it out, 12 00:01:02,960 --> 00:01:06,080 Speaker 1: Let it out, Let it out. Okay, okay, too much, 13 00:01:06,160 --> 00:01:11,200 Speaker 1: too much, too much? Okay, that's enough. That's enough, good puppy. 14 00:01:12,160 --> 00:01:13,920 Speaker 1: It's like a I have a hole in the middle 15 00:01:13,959 --> 00:01:17,279 Speaker 1: of my chest. It's like a hole in the middle 16 00:01:17,319 --> 00:01:21,080 Speaker 1: of a volcano. I can't even think a good metaphors. 17 00:01:22,480 --> 00:01:25,640 Speaker 1: She told me that it was over. We had to 18 00:01:25,640 --> 00:01:28,520 Speaker 1: cancel a wedding. But that doesn't make sense. You said 19 00:01:28,560 --> 00:01:32,520 Speaker 1: things were going smoothly. I don't know what happened. Okay, 20 00:01:32,560 --> 00:01:35,880 Speaker 1: it's it's like she did a one eighty on her personality. 21 00:01:35,920 --> 00:01:39,360 Speaker 1: She's acting different since the accident. She doesn't like my metaphors, 22 00:01:39,360 --> 00:01:41,520 Speaker 1: she doesn't laugh at my jokes anymore. She doesn't like 23 00:01:41,600 --> 00:01:44,360 Speaker 1: any of the things she used to like. Maybe her 24 00:01:44,360 --> 00:01:46,840 Speaker 1: memory came back and she remembered our last fight. Or 25 00:01:47,480 --> 00:01:49,280 Speaker 1: maybe this has something to do with her losing the baby. 26 00:01:49,520 --> 00:01:52,800 Speaker 1: I don't know. All I know is that she doesn't 27 00:01:52,840 --> 00:02:02,000 Speaker 1: want to marry me. No I wanna die fu listen, Yes, yes, yes, 28 00:02:02,080 --> 00:02:06,160 Speaker 1: of course, of course I'm listening. I'm just look, there's 29 00:02:06,120 --> 00:02:09,960 Speaker 1: a there's a lot going on right now. We have 30 00:02:10,040 --> 00:02:12,839 Speaker 1: to take them on or one by one. What could 31 00:02:12,880 --> 00:02:15,040 Speaker 1: be more important than me losing the love of my life? Well, 32 00:02:15,360 --> 00:02:17,680 Speaker 1: do you remember the guys who are going to kill 33 00:02:17,760 --> 00:02:22,160 Speaker 1: me if I don't pay them back their money? Well, uh, 34 00:02:22,880 --> 00:02:26,000 Speaker 1: they gave me until the end of the week. Oh 35 00:02:26,680 --> 00:02:30,680 Speaker 1: that's bad. Yeah, and that that's not all. Now someone 36 00:02:30,800 --> 00:02:34,680 Speaker 1: is blackmailing a Steban and he thinks it's me. That's worse. 37 00:02:35,000 --> 00:02:39,440 Speaker 1: Well I wouldn't call it worse, but what are they 38 00:02:39,440 --> 00:02:43,760 Speaker 1: blackmailing estimate with? Yeah? It's isn't important. Okay. They sent 39 00:02:43,919 --> 00:02:48,920 Speaker 1: him an email with something bad and they're asking for 40 00:02:48,960 --> 00:02:53,359 Speaker 1: information and we have no idea who could have sent it? Wait, Bobby, 41 00:02:53,520 --> 00:02:55,920 Speaker 1: I can help you. Yeah. Well, I don't need an 42 00:02:55,960 --> 00:02:59,280 Speaker 1: inspirational metaphor right now, Raoul, No, no, no, Remember when 43 00:02:59,280 --> 00:03:00,840 Speaker 1: you sent me to that Pater camp after we saw 44 00:03:00,880 --> 00:03:04,880 Speaker 1: Oceans eleven. I really don't want an inspirational anecdote either, Poppy. 45 00:03:05,200 --> 00:03:07,200 Speaker 1: I can find the IP address from where the email 46 00:03:07,280 --> 00:03:11,120 Speaker 1: was sent. Yeah, I don't know what that means. It 47 00:03:11,240 --> 00:03:13,880 Speaker 1: tells you the location it was sent from. That way, 48 00:03:13,919 --> 00:03:15,799 Speaker 1: you could at least you know know where to start looking. 49 00:03:17,880 --> 00:03:23,960 Speaker 1: You're brilliant. This is brilliant. This is the first time 50 00:03:24,000 --> 00:03:27,080 Speaker 1: one of your summer camps is paid off. But but 51 00:03:27,200 --> 00:03:29,760 Speaker 1: I made you that beautiful vase and sir IMA's camp. Hi, 52 00:03:30,280 --> 00:03:34,840 Speaker 1: that vase so beautiful. Anyway, here's a step On's laptop 53 00:03:34,840 --> 00:03:39,480 Speaker 1: with the email. But don't open the attachment. It has 54 00:03:39,520 --> 00:03:50,400 Speaker 1: a virus. Okay, okay, okay, and bingo. No, I must 55 00:03:50,400 --> 00:03:52,800 Speaker 1: have done something wrong because wait, just let me try again. 56 00:03:52,880 --> 00:03:55,600 Speaker 1: Wait wait, why why what happened? There must be some 57 00:03:55,680 --> 00:03:57,720 Speaker 1: kind of mistake. So telling me that the email came 58 00:03:57,720 --> 00:04:00,680 Speaker 1: from Lacas Rosa. But I can't be right, can it 59 00:04:01,800 --> 00:04:09,680 Speaker 1: Lakasa Rosa? H? Yeah, are you saying it came from 60 00:04:09,680 --> 00:04:13,440 Speaker 1: inside the house. Yeah, it's it's weird. I ran it 61 00:04:13,480 --> 00:04:17,000 Speaker 1: again and it got the same result. Wait, so someone 62 00:04:17,080 --> 00:04:22,280 Speaker 1: sent this from inside Lakasa From inside is Stelan's house, 63 00:04:23,560 --> 00:04:27,440 Speaker 1: then that would mean that the person the only person 64 00:04:27,520 --> 00:04:34,520 Speaker 1: responsible is Oh, it looks like est and Maria de 65 00:04:34,680 --> 00:04:38,640 Speaker 1: Garman's little blackmailing scheme is going to backfire. But Maria 66 00:04:38,680 --> 00:04:41,680 Speaker 1: del Garman isn't thinking about that. She's too busy with 67 00:04:41,720 --> 00:05:00,680 Speaker 1: her asthmatic reporter. Heyd lovers, It's me Dadiana. Obviously we boy, 68 00:05:00,720 --> 00:05:03,640 Speaker 1: do we have a juicy scoop for you on the 69 00:05:03,760 --> 00:05:10,880 Speaker 1: next tea with Tatiana. Our next guest is a woman 70 00:05:11,000 --> 00:05:14,599 Speaker 1: we know nothing about, but hey, she does know a 71 00:05:14,640 --> 00:05:18,599 Speaker 1: lot about our dearest Gloria, and that's all that matters 72 00:05:18,600 --> 00:05:23,400 Speaker 1: on a gossip show. You know, I'm really intrigued by 73 00:05:23,400 --> 00:05:29,320 Speaker 1: this new version of Gloria that looks so fresh and sophisticated, 74 00:05:29,800 --> 00:05:34,600 Speaker 1: especially inside her new Lincoln aviator GT. Is it the suv? 75 00:05:35,640 --> 00:05:42,120 Speaker 1: Is it the Florida Sun? I don't know, all right, 76 00:05:42,240 --> 00:05:44,560 Speaker 1: that's it for now, but be sure to tune in 77 00:05:44,640 --> 00:05:48,720 Speaker 1: next time for more scandalous rumors about the Calderones on 78 00:05:48,880 --> 00:06:06,240 Speaker 1: the next tea with Satiana. Oh oh, it looks like 79 00:06:06,520 --> 00:06:09,760 Speaker 1: est and Maria del Garman's little blackmailing scheme is going 80 00:06:09,800 --> 00:06:13,240 Speaker 1: to backfire. But Maria del Garman isn't thinking about that. 81 00:06:13,680 --> 00:06:22,200 Speaker 1: She's too busy with her asthmatic reporter. Yes he's here. 82 00:06:22,800 --> 00:06:26,040 Speaker 1: Oh okay, uh let him come up. Oh no, no no, no, no, no, 83 00:06:26,160 --> 00:06:28,640 Speaker 1: not in the bedroom. Oh I'll come down too late. 84 00:06:28,760 --> 00:06:34,040 Speaker 1: You right behind me? Hi, Hi, thanks for coming. Okay, 85 00:06:34,480 --> 00:06:37,680 Speaker 1: I'm gonna leave you guys. Do it? Just gone put 86 00:06:37,720 --> 00:06:40,360 Speaker 1: these two condoms right here on this billow? Oh my god, 87 00:06:43,080 --> 00:06:44,600 Speaker 1: So how are you? How's it going? Sorry? Oh wait, 88 00:06:44,680 --> 00:06:48,400 Speaker 1: no you go? Sorry you no, no, you go? Um, 89 00:06:48,440 --> 00:06:50,840 Speaker 1: I'm sorry I called you and said all those crazy things. 90 00:06:50,920 --> 00:06:53,640 Speaker 1: Oh so you don't want to lick whipped cream off 91 00:06:53,680 --> 00:06:57,080 Speaker 1: my abs? Oh my god? I didn't say that, did 92 00:06:57,160 --> 00:06:59,640 Speaker 1: I say that? It was hard to tell because you 93 00:06:59,680 --> 00:07:02,040 Speaker 1: were cupping a lot, But I'm pretty sure that's what 94 00:07:02,520 --> 00:07:07,360 Speaker 1: it was. Jeez, that's embarrassing. No, I I haven't stopped 95 00:07:07,360 --> 00:07:12,640 Speaker 1: thinking about you. Really, I mean really, yeah, I really 96 00:07:12,840 --> 00:07:18,320 Speaker 1: like you. Um, so, don't be embarrassed. Easier said than done. 97 00:07:18,480 --> 00:07:20,240 Speaker 1: Do you want me to tell you something embarrassing to 98 00:07:20,360 --> 00:07:25,360 Speaker 1: make you feel better? Sure? Oh okay, I didn't think 99 00:07:25,360 --> 00:07:28,000 Speaker 1: you'd say yes. Um let me see, let me seem 100 00:07:28,000 --> 00:07:30,800 Speaker 1: to say. Oh, one time in bio class, I said 101 00:07:30,920 --> 00:07:36,480 Speaker 1: orgasm instead of organism. That's that's not that bad. Oh okay, 102 00:07:36,480 --> 00:07:37,600 Speaker 1: I thought that would be the out of it. Okay, 103 00:07:37,720 --> 00:07:40,440 Speaker 1: I'll come up with another one. Look. I've also been 104 00:07:40,520 --> 00:07:42,760 Speaker 1: stalking your Instagram every day since the last time we 105 00:07:42,800 --> 00:07:46,080 Speaker 1: saw each other. Oh, you post a lot of selfies. Oh, 106 00:07:46,160 --> 00:07:49,160 Speaker 1: so that's what you're into. Sorry, I don't look like 107 00:07:49,160 --> 00:07:51,000 Speaker 1: that in real life. No, no, no, that's not that's 108 00:07:51,000 --> 00:07:52,520 Speaker 1: not what I meant. I say, you look great, but 109 00:07:52,600 --> 00:07:56,320 Speaker 1: those I'm I didn't really see you in those. That 110 00:07:56,440 --> 00:07:58,280 Speaker 1: you I haven't been able to stop thinking about is 111 00:07:58,280 --> 00:08:02,200 Speaker 1: standing right in front of me. So you like me 112 00:08:02,240 --> 00:08:06,880 Speaker 1: with no makeup and filters and fancy clothes. Yeah, I mean. Look, 113 00:08:06,920 --> 00:08:09,160 Speaker 1: don't get me wrong, you look stunning in whatever, but 114 00:08:09,480 --> 00:08:11,920 Speaker 1: that's not what I like most about you. I like 115 00:08:12,040 --> 00:08:14,760 Speaker 1: your sense of humor and that you're a little clumsy 116 00:08:14,880 --> 00:08:17,920 Speaker 1: and you're kind. I think I see what you mean 117 00:08:17,960 --> 00:08:20,240 Speaker 1: when you say that there are two of you? Oh 118 00:08:20,320 --> 00:08:23,480 Speaker 1: my god, I didn't say that, did I say that? Yeah, 119 00:08:23,640 --> 00:08:27,680 Speaker 1: right after the whipped cream thing. Oh god, I can explain. 120 00:08:27,720 --> 00:08:30,960 Speaker 1: You don't have to. I understand. There's the Gloria that 121 00:08:31,000 --> 00:08:33,720 Speaker 1: everyone out there thinks they know, and then there's you. 122 00:08:34,600 --> 00:08:41,280 Speaker 1: I like you. I like you too. Sorry, I ask 123 00:08:41,360 --> 00:08:51,240 Speaker 1: my kicks in when I'm nervous. Kiss me. Oh looks 124 00:08:51,280 --> 00:08:54,000 Speaker 1: like the innocent orphan from the convent is not so 125 00:08:54,080 --> 00:08:58,559 Speaker 1: innocent anymore. But look out, because your little romance might 126 00:08:58,600 --> 00:09:05,600 Speaker 1: be in trouble. When asked Nacho Senna, Nacho, what are 127 00:09:05,600 --> 00:09:08,120 Speaker 1: you doing here? Where is everybody? I don't think this 128 00:09:08,160 --> 00:09:10,480 Speaker 1: is a good time for a visit. You get out 129 00:09:10,480 --> 00:09:12,440 Speaker 1: of my way. I need to talk to that snake. Okay, 130 00:09:12,480 --> 00:09:15,680 Speaker 1: you're not gonna be yaming at me, that's all right. Yeah, 131 00:09:15,720 --> 00:09:23,600 Speaker 1: I gott a vacuum. Aw youth. Who are you looking for? Luisa? Luisa? Louisa? 132 00:09:24,480 --> 00:09:27,640 Speaker 1: Oh no, Nacho is about to start a war with 133 00:09:27,720 --> 00:09:31,640 Speaker 1: the wrong woman, and Maria de Garnement is upstairs about 134 00:09:31,679 --> 00:09:34,679 Speaker 1: to get hot and heavy with Andres. What will happen 135 00:09:34,760 --> 00:09:37,800 Speaker 1: when Nacho finds out you left his son for another man, 136 00:09:38,440 --> 00:09:43,040 Speaker 1: I guess we'll have to wait and see. If you're 137 00:09:43,120 --> 00:09:46,760 Speaker 1: enjoying Princess of South Beach, please subscribe, rate, and review 138 00:09:46,800 --> 00:09:49,959 Speaker 1: our show wherever you're listening. The Princess of South Beach 139 00:09:50,040 --> 00:09:53,480 Speaker 1: is a production of Ihearts, Michael Podcast Network and Sono, 140 00:09:53,880 --> 00:09:57,520 Speaker 1: created and directed by Jasmine Romero, Written by Jasmine Romero 141 00:09:57,600 --> 00:10:01,400 Speaker 1: and Joanna Houseman, with help from Daniels Kis, Monisa Hendrix 142 00:10:01,520 --> 00:10:06,160 Speaker 1: and Christian Hats. Produced by Luisado Castillo. Executive produced by 143 00:10:06,200 --> 00:10:09,800 Speaker 1: Conald Byrne and Gazelle Bances for iHeart by Joanna Housman, 144 00:10:10,160 --> 00:10:14,360 Speaker 1: and by Jasmine Romero and Joshua Weinstein for Sonaro. Performances 145 00:10:14,360 --> 00:10:18,120 Speaker 1: in this episode by Rachel Zegler, Danny Pino, X Mayo, 146 00:10:18,360 --> 00:10:23,840 Speaker 1: Andy Bustios, and Alan Eisenberg. Our production manager is Guerriensachitis. 147 00:10:24,120 --> 00:10:27,920 Speaker 1: Recording and engineering by Emiliano Quintanaro, with sound designed by 148 00:10:28,040 --> 00:10:33,880 Speaker 1: eduin Irigoyen Casandratinajo, Andres Baiena, Diego Medina and Andres Coronalo. 149 00:10:34,040 --> 00:10:37,720 Speaker 1: Assistant sound designed by Eric Senttheno casting and coordination by 150 00:10:37,760 --> 00:10:42,040 Speaker 1: Andres Chitis. Folly by Samantha Gonzalez Fong. Our theme song 151 00:10:42,120 --> 00:10:45,880 Speaker 1: and original music by Rodrigo Garcia Roles and Charlie Hernandez.