WEBVTT - Creep ("Lonely Hearts" S1 EP 8) 0:00:05.720 --> 0:00:09.320 Still the Place with Laura Layton, Courtney thorn Smith. 0:00:09.440 --> 0:00:16.760 And Daphne's Aniga and iHeartRadio podcast. Hi guys, Hi Hi. 0:00:18.079 --> 0:00:20.360 Laura was afraid her glasses were going to reflect the 0:00:20.400 --> 0:00:23.040 light on zoom, and I remembered that we had a 0:00:23.079 --> 0:00:26.520 director who had been a child star who used to 0:00:26.600 --> 0:00:28.720 tell us chin down, chin down, ladies, and you would 0:00:28.720 --> 0:00:30.159 do this thing as you go, see what this looks like, 0:00:30.240 --> 0:00:32.360 see what this looks like. And then Daphney remembered her 0:00:32.440 --> 0:00:35.320 name Nancy, because you said she was a child star. 0:00:35.360 --> 0:00:37.680 She had blonde hair, she was full of energy. 0:00:37.720 --> 0:00:40.600 And I'll tell you what she said to me. She said, Daphne, 0:00:41.200 --> 0:00:45.320 look just below the camera, like if this is the lens, 0:00:45.360 --> 0:00:48.319 look right here and stare off and give me that 0:00:48.360 --> 0:00:50.760 stare at the end. That's what I learned from Mickey Rooney. 0:00:50.840 --> 0:00:53.200 So at the end of a scene when you wish 0:00:53.200 --> 0:00:55.200 they would say cut, but they don't say cut. So 0:00:55.240 --> 0:00:58.000 you're like, yes, oh, I don't know what to do. 0:00:58.240 --> 0:00:59.360 Just look right. 0:00:59.240 --> 0:01:02.120 There and think of Mickey Rooney. 0:01:02.480 --> 0:01:05.360 But here it's a perfect They get all flushed. Do 0:01:05.400 --> 0:01:08.319 you remember that at one point she was going through 0:01:08.319 --> 0:01:10.880 a divorce and she would keep us there for like 0:01:10.920 --> 0:01:13.000 eighteen hours. Do you remember that? It's like, where are 0:01:13.000 --> 0:01:15.080 the hours along? So that she's getting a divorce, I 0:01:15.120 --> 0:01:17.240 was like, oh, never wasted. A director is going through 0:01:17.240 --> 0:01:19.160 a divorce because they never want to go home. 0:01:19.680 --> 0:01:22.760 Oh my god, So think of who else kept us 0:01:22.800 --> 0:01:23.280 there long? 0:01:23.360 --> 0:01:27.280 Now? He exactly keep shooting over and over. Want people 0:01:27.280 --> 0:01:29.280 with a happy home life because then they want to 0:01:29.280 --> 0:01:32.199 get through the day and get home. Yes, like true, 0:01:32.440 --> 0:01:35.480 Well that was Phil Rosenthal was famous for on Everybody 0:01:35.520 --> 0:01:38.080 Loves Raymond. But he had a happy home life. So 0:01:38.120 --> 0:01:40.280 they had really good hours because he wanted to get 0:01:40.280 --> 0:01:42.600 home to his happy home life. So all the writers 0:01:42.640 --> 0:01:45.440 got to have happy home lives. That's so cool, isn't 0:01:45.480 --> 0:01:47.119 that sweet? And just what you think he'd. 0:01:47.000 --> 0:01:50.120 Be like, yeah, yeah, yeah, that's great. That's a good 0:01:50.440 --> 0:01:51.200 telltale though. 0:01:51.400 --> 0:01:54.360 All right, so we have we have another recap this week. 0:01:54.600 --> 0:01:57.400 It is episode eight in season one. 0:01:57.800 --> 0:01:59.680 It's episode right, and can I ask you guys something? 0:01:59.720 --> 0:02:02.640 So I was watching this and I was thinking, I 0:02:02.680 --> 0:02:04.520 feel like I'm able to watch it. It's just like 0:02:05.480 --> 0:02:07.720 Jenny and Tory said, like, I'm becoming more of a fan. 0:02:07.760 --> 0:02:11.400 I'm getting more separation and I'm like, oh, I know 0:02:11.720 --> 0:02:14.880 everyone had a crush on the guys, Like I'm suddenly 0:02:14.919 --> 0:02:17.200 seeing them not as the guys I worked with, but 0:02:17.280 --> 0:02:19.800 like Objeculately or Andrew who I dated, are my friends. 0:02:19.840 --> 0:02:22.240 Like I'm going, oh, my goodness, there's one and we 0:02:22.320 --> 0:02:24.520 get to what I'll say it. But but Grant had 0:02:24.520 --> 0:02:27.560 a line where he it was just so charming and sweet, 0:02:27.600 --> 0:02:30.799 and I was like, oh, well, like there's I think, 0:02:30.800 --> 0:02:34.280 I know, abjectively adorable you do when when Amy came in, 0:02:34.320 --> 0:02:36.040 we'll talk about it. We get I wrote it down, 0:02:36.040 --> 0:02:38.000 but I'll say it when we get to because he 0:02:38.160 --> 0:02:42.399 showed through, right, his charm showed through, and I just thought, oh, 0:02:42.680 --> 0:02:45.440 I get it. I get why the ladies love the show. 0:02:45.600 --> 0:02:50.440 Well, it's funny, Courtney, because now I'm watching scenes with 0:02:50.480 --> 0:02:53.160 you and Andrew knowing that something already happened off camera. 0:02:53.600 --> 0:02:56.680 So I'm very much of that in this Like in this. 0:02:56.680 --> 0:02:59.520 Episode, I'm like, they're really close together on that. Yeah, 0:02:59.600 --> 0:03:02.640 we were to meet it together at this point. Yeah really, 0:03:03.280 --> 0:03:05.960 Oh my god. So you're like, can we shoot it again? 0:03:06.160 --> 0:03:07.440 Can we shoot the scene again? 0:03:07.520 --> 0:03:07.880 Please? 0:03:08.240 --> 0:03:09.800 We can see it all over the screen. 0:03:10.120 --> 0:03:12.640 It's so funny. Yeah, it's great. 0:03:12.720 --> 0:03:15.959 Yeah, So this one is season season one, episode eight. 0:03:16.480 --> 0:03:18.640 Lonely Hearts is the title, and. 0:03:19.280 --> 0:03:24.200 This one I remembered so clearly. Really, I remember filming 0:03:24.240 --> 0:03:27.840 it so clearly. I remember the storyline, not my storyline, 0:03:28.800 --> 0:03:32.240 but Amy and Matt Roth's storyline. Yeah, I remember it 0:03:32.400 --> 0:03:34.680 so clearly. For whatever reason, m. 0:03:35.440 --> 0:03:38.720 I feel like the story, this story was pretty like 0:03:40.040 --> 0:03:43.600 relevant and like poignant and stood out. It doesn't surprise 0:03:43.680 --> 0:03:46.360 me that that you remember it, actually, because I think 0:03:46.400 --> 0:03:50.080 it was a big story to tell. Yeah that that 0:03:50.480 --> 0:03:54.560 woman in peril thing, and yeah, well not that you 0:03:54.560 --> 0:03:56.800 don't remember your own your own bit in it, but 0:03:56.800 --> 0:03:58.880 I'm just so caught up in your personal life by 0:03:59.040 --> 0:04:01.840 the car exactly. 0:04:01.960 --> 0:04:04.880 But I think, Laura, you know what you said relevant. 0:04:05.440 --> 0:04:08.880 I was a little surprised that this storyline, which we'll 0:04:08.880 --> 0:04:15.160 obviously find out, is as relevant. It's like age old, 0:04:15.280 --> 0:04:16.240 it's still relevant. 0:04:16.279 --> 0:04:17.160 It's constant. 0:04:17.200 --> 0:04:19.320 Yeah, it's totally bad. 0:04:19.400 --> 0:04:21.120 I was thinking that too, and we'll get into it. 0:04:21.120 --> 0:04:24.400 It's basically about stalking and I watch Some might say 0:04:24.440 --> 0:04:28.200 too much dateline, which is valid, but still you're like, 0:04:28.279 --> 0:04:30.560 the cops don't have enough power to do anything when 0:04:30.600 --> 0:04:34.320 women are being terrorized, women are still expected to just 0:04:34.560 --> 0:04:37.280 and she's very clear from the beginning. She's very clear 0:04:37.279 --> 0:04:39.800 from the beginning, and he just doesn't hear her. There's 0:04:39.839 --> 0:04:41.600 too much to give away. It's so good, all right, 0:04:41.680 --> 0:04:42.479 let's get started. 0:04:43.000 --> 0:04:47.240 So it begins with Sandy and Ronda shopping in a boutique. 0:04:47.240 --> 0:04:50.880 They're trying on hats, they're having good time. Random dude 0:04:50.920 --> 0:04:52.000 walks by looks in the. 0:04:51.960 --> 0:04:55.840 Windows around, which is every guy's version of what women do. 0:04:55.960 --> 0:04:58.440 It's either either having a pillow fight or dancing in 0:04:58.440 --> 0:05:00.839 a store, trying while trying. 0:05:00.360 --> 0:05:04.040 They're having fun, but it turns out they're being watched. 0:05:04.040 --> 0:05:05.960 So the guy walking by, he looks in the window, 0:05:06.000 --> 0:05:07.840 and he stops and he wants to watch some more, 0:05:07.839 --> 0:05:10.680 and then he starts interacting with Sandy through the window. 0:05:11.440 --> 0:05:15.440 Then he comes inside and they introduced themselves and he says, wow, 0:05:15.640 --> 0:05:17.679 you know you must be an actress or a model. 0:05:17.760 --> 0:05:19.720 You've just got all the all the right you know, 0:05:19.800 --> 0:05:23.640 parts and pieces and whatever. They end up going outside 0:05:23.680 --> 0:05:26.640 where he continues to ask her out on a date 0:05:27.120 --> 0:05:29.599 for tonight and not just like a coffee or whatever, 0:05:29.680 --> 0:05:30.240 like dinner. 0:05:30.360 --> 0:05:34.960 Angelini's so and he's super handsome and seems super sweet, 0:05:34.960 --> 0:05:37.200 but did you guys notice and they were filming it 0:05:37.360 --> 0:05:39.839 like something was weird, like there wasn an action must 0:05:39.839 --> 0:05:43.039 not have actually been a front window because there is 0:05:43.120 --> 0:05:44.840 no window when he was filming, and it looked like 0:05:44.880 --> 0:05:46.360 they weren't really dealing with each other. 0:05:46.400 --> 0:05:47.160 Did you notice that? 0:05:47.240 --> 0:05:49.560 And they clarified it for one side of it, maybe 0:05:49.640 --> 0:05:50.280 like the window. 0:05:50.360 --> 0:05:52.960 I walked in past camera, but you never saw a window. 0:05:53.120 --> 0:05:56.800 I couldn't get past all the denim. Did you notice all. 0:05:56.640 --> 0:05:58.159 The denim jnim on danim. 0:05:58.200 --> 0:06:03.440 I did d Denham and denim overalls, and yet the 0:06:03.480 --> 0:06:05.120 extra denim. 0:06:04.880 --> 0:06:07.400 Den Oh my god, there was so much denim in 0:06:07.400 --> 0:06:07.839 the nineties. 0:06:07.839 --> 0:06:11.719 Oh and the cowboy boots walking down the stream was 0:06:11.760 --> 0:06:14.480 the very opening with the denim and the cowboy boots 0:06:14.480 --> 0:06:17.080 walking down Melrose, which, yeah, then you know it is 0:06:17.120 --> 0:06:19.000 sort of foreshadowing because we see that look. 0:06:18.880 --> 0:06:21.599 At the extras literally after that scene kind of wraps 0:06:21.640 --> 0:06:21.880 it up. 0:06:21.880 --> 0:06:25.000 Then all these extras walk probably with all these denis 0:06:25.040 --> 0:06:26.160 on a jean jackets. 0:06:26.200 --> 0:06:28.720 And I just bought a denim dress yesterday, so I'm 0:06:29.000 --> 0:06:32.960 right in with nineteen ninety four. I might in we. 0:06:33.120 --> 0:06:36.479 Have a denim dress too, So I think we're all yeah, 0:06:36.520 --> 0:06:40.640 I think it's just confirmation that the nineties fashion is now. 0:06:40.480 --> 0:06:41.120 It's back. 0:06:41.839 --> 0:06:44.240 It is either that or we're terribly out of touch. 0:06:44.960 --> 0:06:46.080 We're stuck in the past. 0:06:46.320 --> 0:06:49.720 Yeah the arm I think we're I have the same. 0:06:49.520 --> 0:06:51.880 Airdo, so I might very well be stuck in the past. 0:06:53.400 --> 0:06:57.799 All right, we're okay, Okay. So then, uh, at the restaurant, 0:06:57.880 --> 0:07:01.520 Paul and Sandy are on this date at Angeline's and 0:07:01.760 --> 0:07:03.880 Sandy's you know, sort of trying to get to know him. 0:07:04.080 --> 0:07:09.600 Finds out that he was boring. He's boring, and she 0:07:09.720 --> 0:07:13.120 says yeah, and she says, uh, you know the way 0:07:13.160 --> 0:07:15.720 we met. No, that's weird. She sort of acknowledges it 0:07:15.800 --> 0:07:19.160 right off the bat. So as they're getting into the date. 0:07:19.080 --> 0:07:22.320 Both from a small town, like that's all that's all 0:07:22.360 --> 0:07:23.960 he needs, right, like to have. 0:07:24.000 --> 0:07:28.280 In common, he's finding out where she's from. Whatever. So anyway, 0:07:28.320 --> 0:07:31.880 before we finish that date, we cut to Allison who's 0:07:31.920 --> 0:07:36.360 returning home to the apartment. She's very angry and she's 0:07:36.440 --> 0:07:38.200 kind of a mess, and she enters the apartment. She 0:07:38.280 --> 0:07:40.360 slammed the door, angry about her car. 0:07:40.960 --> 0:07:45.440 That's I have a single uh and splash basically of 0:07:45.480 --> 0:07:46.520 Greece on race. 0:07:47.320 --> 0:07:49.440 It doesn't really get a dressed, so just. 0:07:49.520 --> 0:07:53.680 Highlight my cheek. You requested that, didn't you cart here? 0:07:53.720 --> 0:07:54.040 Please? 0:07:54.560 --> 0:07:56.920 You must have said just have something, and Lorna went, 0:07:56.920 --> 0:07:58.400 all right, here you go and give me. I was 0:07:58.560 --> 0:07:59.360 wife of Greece. 0:08:00.120 --> 0:08:03.400 I was distracted by this smear of Greece. 0:08:03.560 --> 0:08:05.800 It was a stripe. 0:08:05.840 --> 0:08:07.680 It was a drawing, yeah. 0:08:08.040 --> 0:08:10.360 But it was so pronounced. I was expecting him to 0:08:10.480 --> 0:08:12.880 like wipe it off with some a nice little, you know, 0:08:13.000 --> 0:08:14.360 dish towel or something, to at. 0:08:14.360 --> 0:08:17.520 Least say, what happened to you? Acknowledge it? For the 0:08:17.560 --> 0:08:19.160 loan of God, somebody acknowledge it. 0:08:19.360 --> 0:08:21.520 Yeah, it was an elephant in the room. The stripe 0:08:21.520 --> 0:08:23.560 on her face was the elephant. That nobody's gonna talk 0:08:23.600 --> 0:08:26.400 about it. But she does say that she if she 0:08:26.440 --> 0:08:29.120 had a gun, she would shoot her car because she's 0:08:29.160 --> 0:08:32.360 so angry about the unreliability of her car. And she said, 0:08:32.360 --> 0:08:37.040 such a horrible day. So Billy suggests that it's maybe 0:08:37.240 --> 0:08:40.080 time to go car shopping and he could help her. 0:08:40.400 --> 0:08:43.720 I'm sure you qualify for a loan. Trust me, you 0:08:43.760 --> 0:08:47.760 know I got you, And Alison says, every time I 0:08:47.920 --> 0:08:55.160 trust you, something terrible happens, sad just saying. 0:08:56.520 --> 0:08:58.800 Really. Yeah. 0:08:58.840 --> 0:09:02.360 We go back to the restaurant where Paul is telling 0:09:02.400 --> 0:09:05.000 Sandy about his job at the nursery. He's a plant guy. 0:09:05.080 --> 0:09:09.080 She's clearly very bored, but he, you know, he wants 0:09:09.120 --> 0:09:11.000 her to know. It's you know, did you know it's 0:09:11.080 --> 0:09:15.120 not what you plant. No, it's not what you plant, 0:09:15.200 --> 0:09:18.719 it's where you plant. It's like profound. 0:09:19.200 --> 0:09:20.880 Coming, boring. Yeah. 0:09:20.920 --> 0:09:25.199 So they're sharing this very boring and awkward date and 0:09:25.320 --> 0:09:28.360 Sandy says, no, thank you to dessert. It's time. She 0:09:28.360 --> 0:09:30.400 would like to just go home, but he insists on 0:09:30.640 --> 0:09:33.760 following her, accompanying her home, which she tries. 0:09:33.960 --> 0:09:36.800 And of course those of us at home are going, yeah, 0:09:36.840 --> 0:09:39.199 those are going red flag, red flag. 0:09:39.040 --> 0:09:41.040 Red flag. Yeah they don't. They have separate cars. He 0:09:41.080 --> 0:09:43.880 didn't need to do that, and he insists. 0:09:43.720 --> 0:09:48.640 This is why boundaries are important early and strong, like 0:09:49.000 --> 0:09:51.880 sometimes I don't work, no thank you. Then he wouldn't 0:09:51.880 --> 0:09:52.680 know where she lived. 0:09:53.360 --> 0:09:55.800 And she's, you know, she's in this position of being like, 0:09:56.000 --> 0:09:58.440 I just was trying not to be rude or trying 0:09:58.480 --> 0:10:00.480 to you know, trying to be nice or like, and 0:10:00.480 --> 0:10:04.040 you've found herself allowing that, you know, like just this 0:10:04.920 --> 0:10:07.839 bad judgment moment and then he's following her home and 0:10:08.200 --> 0:10:09.480 then when they get there. 0:10:09.640 --> 0:10:12.800 But you guys, he would have followed her anyway, Okay, 0:10:12.880 --> 0:10:15.920 so he asked permission. It's kind of like because he 0:10:16.000 --> 0:10:18.120 knows who he is, he knows he's going to obsess, 0:10:18.160 --> 0:10:20.839 it's what he does. And he says, oh, I'll follow you, 0:10:20.920 --> 0:10:23.080 and it's so awkward. Who the hell does that? I'm 0:10:23.120 --> 0:10:25.559 going to follow you in your car to where you live. 0:10:26.240 --> 0:10:29.640 But because she says that, one thing of like, oh, okay, 0:10:29.800 --> 0:10:32.560 you know, if she had said no for your comment 0:10:32.600 --> 0:10:34.800 about having a boundary, I think he would have followed 0:10:34.800 --> 0:10:37.280 her anyways. So kind of like you're an a lose loom. 0:10:37.960 --> 0:10:40.199 I don't know, though, I think this sooner you pay 0:10:40.240 --> 0:10:43.160 attention to red flags, the better, Like if she had 0:10:43.200 --> 0:10:45.200 then paid attention, if he'd followed her, she could have 0:10:45.240 --> 0:10:48.840 stopped it earlier. But as women, as we know, we're 0:10:48.880 --> 0:10:51.120 so raised to be polite and not hurt their feelings 0:10:51.120 --> 0:10:53.800 that we often abandon ourselves to avoid hurting a man's 0:10:53.840 --> 0:10:56.680 feelings correct and then we end up getting trouble, which 0:10:56.720 --> 0:10:59.199 is what happened. You know, she knew she was trying 0:10:59.200 --> 0:11:01.240 to be nice, and then every little bit of nice 0:11:01.280 --> 0:11:02.040 gave him more. 0:11:02.360 --> 0:11:06.000 Yeah, and she's twenty one years old or something like, 0:11:06.080 --> 0:11:08.679 you know, all these things that are just like difficult 0:11:08.679 --> 0:11:12.080 to navigate and for a young girl. And so she 0:11:12.120 --> 0:11:15.440 finds herself in this position. So now he's walking into 0:11:15.480 --> 0:11:19.360 the courtyard into her apartment, you know, commenting on how 0:11:19.480 --> 0:11:22.720 nice the apartment building is, which one's yours. Wants to 0:11:22.720 --> 0:11:24.040 know actually where her apartment is. 0:11:24.080 --> 0:11:26.160 She tries to be vague and just say it's upstairs, 0:11:26.280 --> 0:11:30.520 not specifically which one it is, and then he says 0:11:30.520 --> 0:11:31.720 he wants to go out with her again. 0:11:31.840 --> 0:11:34.600 She says, no, I'm not. The timing's really not right 0:11:34.679 --> 0:11:36.840 for me. My life is complicated. But thank you for dinner. 0:11:37.400 --> 0:11:39.840 But she's she's pretty clear like yeah, this isn't going 0:11:39.920 --> 0:11:42.800 to be a thing. She's polite, but she's trying to 0:11:42.840 --> 0:11:45.480 say nope, no more. He kisses her good night on 0:11:45.559 --> 0:11:48.800 the cheek, I think, And when Sandy goes to turn 0:11:49.000 --> 0:11:52.320 and walk upstairs, that's when we see that Jake is 0:11:52.960 --> 0:11:55.200 sitting poolside and he's kind of witnessed the whole thing, 0:11:55.280 --> 0:11:57.880 and he comments, he's like, oh, another one bites the 0:11:57.960 --> 0:12:00.440 dust and is that the moment your time talking about. 0:12:00.559 --> 0:12:04.920 Now, this is when when she was that was my moment, 0:12:05.000 --> 0:12:07.800 and I was like grant because it was so grant 0:12:07.840 --> 0:12:10.040 that moment. It was so adorable when he put the 0:12:10.120 --> 0:12:10.960 hat down right. 0:12:11.080 --> 0:12:13.320 Yeah, he's sitting pull side with a baseball hat on, 0:12:13.520 --> 0:12:16.040 and he he's witnessed this moment. He's taking a little 0:12:16.040 --> 0:12:18.920 bit of like glee from it to see that, you know, 0:12:19.000 --> 0:12:22.400 she's blowing off this guy or whatever. Yeah, And it's 0:12:22.440 --> 0:12:24.880 just his tone and he's so casual, like he's so 0:12:24.960 --> 0:12:27.719 comfortable in his posture and the way he's sitting. And 0:12:28.000 --> 0:12:30.320 that was why I assumed that was the moment Courtney 0:12:30.440 --> 0:12:32.320 was talking about, But apparently it's the one d Africa. 0:12:32.360 --> 0:12:35.880 Oh there's another one coming, I know that's one scene. 0:12:36.000 --> 0:12:38.160 It was just he was so relaxed. A lot of 0:12:38.200 --> 0:12:40.360 Grant came through in that scene. He wasn't very yeah, 0:12:40.360 --> 0:12:42.920 I mean later he's super tough Jake, but this scene 0:12:42.920 --> 0:12:44.520 had a lot of Grant and it was just adorable. 0:12:44.840 --> 0:12:47.640 Yeah. So that scene ends with Ronda appearing at the 0:12:47.640 --> 0:12:49.400 top of the stairs too, saying, you know, if you're 0:12:49.440 --> 0:12:51.200 waiting for the perfect guy, you might be waiting forever. 0:12:52.080 --> 0:12:54.760 You know, tell me, tell me something at least was 0:12:54.760 --> 0:12:56.839 was he a good kiss her? And Ron is like, no, 0:12:57.120 --> 0:12:59.800 no way, you know, I've kissed walls with more passion, 0:12:59.840 --> 0:13:02.000 so clearly it was not a lot of walls. 0:13:02.000 --> 0:13:02.840 Are you yeah? 0:13:03.480 --> 0:13:04.880 Bizarre but okay, it's weird. 0:13:05.559 --> 0:13:08.600 That's when Grant pulls his hat down or. 0:13:08.679 --> 0:13:13.120 Guy yeaeah ouch, but he is getting a kick out 0:13:13.120 --> 0:13:16.360 of it, like carrying out Sandy Weston for sure. So 0:13:16.800 --> 0:13:19.160 h Then we're at the car dealership where Billy is 0:13:19.200 --> 0:13:22.880 trying to help Allison with the car sale and car 0:13:22.880 --> 0:13:25.160 exchange and the used car is going to be her 0:13:25.200 --> 0:13:27.800 down payment bill. It's like, I got this. Here's here's 0:13:27.800 --> 0:13:30.680 the trick. You gotta play hard to get. Trust me, 0:13:30.760 --> 0:13:36.520 I know what I'm doing. But uh, then as Allison 0:13:36.520 --> 0:13:38.679 does not understand, be cool. 0:13:40.600 --> 0:13:44.480 And comment on that dealership, is that nineties or what 0:13:44.760 --> 0:13:50.200 all those flags? A pink used car lot? The guy 0:13:50.480 --> 0:13:53.720 it was so nineties? And does it stand out at 0:13:53.720 --> 0:13:56.640 me now because it's all this time later or was that? 0:13:56.720 --> 0:13:59.199 I mean, I know it was beefed up back then, right. 0:13:59.280 --> 0:14:02.880 I just noticed the prices of the doms, you know, 0:14:02.920 --> 0:14:06.600 like only ninety eight or you know whatever, and they 0:14:07.040 --> 0:14:11.000 and yeah, like just the prices where oh my goodness. 0:14:10.960 --> 0:14:14.079 Carlos change that much. Though there's one on Lincoln still 0:14:14.120 --> 0:14:15.480 that I think looks like that. 0:14:15.640 --> 0:14:17.680 Magenta with all those jobs. 0:14:17.960 --> 0:14:20.320 Maybe think it was. 0:14:20.320 --> 0:14:25.280 The Taco joint or or like the little like windy 0:14:25.320 --> 0:14:28.080 guys that like, yeah, didn't do that. 0:14:28.360 --> 0:14:29.040 I just love it. 0:14:29.920 --> 0:14:32.840 It's those kind of experts. It's those kind of moments, 0:14:32.880 --> 0:14:36.360 the visual in the show that it just makes me 0:14:37.080 --> 0:14:39.840 long for it and miss it those days the DNA. 0:14:40.280 --> 0:14:42.760 Not that I want to wear a lot, but just 0:14:42.800 --> 0:14:44.200 those kind of visual we. 0:14:44.160 --> 0:14:46.160 Can get you a dress and we can all be matchy, 0:14:46.960 --> 0:14:49.120 maybe by accident, like we'll just show up and we'll 0:14:49.160 --> 0:14:56.600 all have so anyway, so, uh, Alison is not able 0:14:56.640 --> 0:14:59.480 to play it cool. She sees a red convertible. She's like, oh, 0:14:59.560 --> 0:15:04.480 that's the and I want no, I think this was time. 0:15:04.800 --> 0:15:07.040 This is I'm going to see you guys talk amongst yourselves. 0:15:07.080 --> 0:15:08.960 I'm going to look up when miatas came out. 0:15:09.200 --> 0:15:12.760 Oh I think oh I came out. I think I 0:15:12.760 --> 0:15:15.800 think that's right. It's probably a but anyway, Allison is 0:15:15.800 --> 0:15:17.200 not playing it cool. She loves it. She jumps in 0:15:17.240 --> 0:15:18.760 the front seat and she makes it very clear that 0:15:18.840 --> 0:15:22.000 this is the one she wants, and Billy's like, not 0:15:22.080 --> 0:15:22.720 the way to handle. 0:15:23.680 --> 0:15:26.800 Billy's trying to cut control of the situation, and. 0:15:28.240 --> 0:15:30.200 Yeah, that's right when they came out. 0:15:30.800 --> 0:15:32.720 Nice red Miata. 0:15:33.120 --> 0:15:35.840 So then Billy and Allison are outside the car sales 0:15:36.120 --> 0:15:39.960 office and the guy says, you know, your car is 0:15:39.960 --> 0:15:43.120 only worth three hundred bucks for a time, and Allison 0:15:43.200 --> 0:15:47.640 is super that's Betsy. That's Betsy. He's insulting. 0:15:47.840 --> 0:15:51.920 Is Alison's car named Betsy worth more than that? Yeah, 0:15:52.120 --> 0:15:54.520 So Billy says, it's all right, we can walk away. 0:15:54.600 --> 0:15:57.400 Trust me, he'll he'll chase it hard, he'll yeah, he'll 0:15:57.440 --> 0:15:59.480 play hard to get, he'll fault. And the salesman has 0:15:59.520 --> 0:16:01.640 no interesting and doing that, he moves on to another customer. 0:16:02.280 --> 0:16:04.000 So Billy says, all right, Allison, you're gonna have to 0:16:04.000 --> 0:16:07.160 sell Betsy yourself, but then we'll have real bargaining power. 0:16:08.680 --> 0:16:11.760 So then or in the daytime, there's a pool party. 0:16:13.320 --> 0:16:16.720 There's Matt and Jake, Michael and Jane. They're in the pool. 0:16:16.840 --> 0:16:19.480 Ronda is at the grill. Sandy's just getting back from 0:16:19.520 --> 0:16:25.920 the grocery store and discovers that Paul is there. He's 0:16:26.080 --> 0:16:29.240 invited himself to join the pool party, and he's sitting 0:16:29.240 --> 0:16:30.120 in a lounge chair. 0:16:30.640 --> 0:16:34.040 He's got a bouquet of roses and that's a little 0:16:34.040 --> 0:16:35.840 off putting, and she. 0:16:36.080 --> 0:16:38.760 Leaves to go put his flowers in the water. Ronda suggests, 0:16:38.800 --> 0:16:40.840 you know, maybe you should give this guy a chance, 0:16:41.480 --> 0:16:45.160 and Sandy is like, no, that's not her I gave him. 0:16:45.480 --> 0:16:48.240 I have my opinion, and I gave him my thoughts 0:16:48.360 --> 0:16:51.920 and no. So she follows him outside and she says, 0:16:51.920 --> 0:16:53.560 you know what, Paul, I have a lot to do. 0:16:54.040 --> 0:16:57.760 I'm not able to do this right now. And he says, 0:16:57.760 --> 0:17:00.560 we'll walk me to my car. So outside she down 0:17:00.560 --> 0:17:02.920 and she says, I was just trying to be nice, 0:17:03.120 --> 0:17:05.040 you know. He says, doesn't seem like your life is 0:17:05.080 --> 0:17:06.800 so complicated. I was just trying to be nice. 0:17:07.160 --> 0:17:09.280 But no, no, no, she's saying. I think before she 0:17:09.280 --> 0:17:10.639 said I was trying to be nice, she said, I 0:17:10.680 --> 0:17:14.240 was very clear. She says that on the courtyard too, 0:17:14.280 --> 0:17:16.720 I think, and then he's like, yeah, the whole point 0:17:16.720 --> 0:17:18.800 of the scene is that he is not hearing no 0:17:19.000 --> 0:17:20.440 here what she says. 0:17:20.560 --> 0:17:22.360 And then she goes so far as to say, hey, 0:17:22.400 --> 0:17:24.480 I told you that my life was complicated because I 0:17:24.520 --> 0:17:25.879 was trying to be nice. I mean, I want to 0:17:25.880 --> 0:17:27.200 just come out and say I want to go out 0:17:27.240 --> 0:17:30.640 with you, you know. And so he says, all right, 0:17:30.680 --> 0:17:35.080 I can take a hint. And he says, I mean 0:17:35.119 --> 0:17:37.600 like I'm not I get it. I'm not good enough 0:17:37.600 --> 0:17:40.399 for you. It's like how he decides to try to 0:17:40.440 --> 0:17:41.040 be He. 0:17:40.960 --> 0:17:44.040 Plays it well though, because he seems like a really 0:17:44.080 --> 0:17:46.480 sweet guy, just needy. So you're kind of like, this 0:17:46.720 --> 0:17:50.040 is weird, but it doesn't feel scary at this point, right. 0:17:50.200 --> 0:17:53.880 He's he's annoying, but it doesn't feel quite scary. 0:17:53.960 --> 0:17:57.120 He's just annoying. And to be clear, like Matt Roth, 0:17:57.119 --> 0:17:59.159 who's the actor, he's fantastic. 0:17:59.200 --> 0:18:01.280 It's this huge storyline, always fantastic. 0:18:01.320 --> 0:18:04.200 Yeah, he's fantastic in everything. He has a huge career. 0:18:04.240 --> 0:18:06.640 I think we've all worked with him and other shows, 0:18:06.720 --> 0:18:09.639 you know, in other times of our lives. Whatever. He's great, 0:18:09.880 --> 0:18:13.119 and he's got this huge part this episode. It's just 0:18:13.200 --> 0:18:16.840 the character is so darn insidious and creepy. 0:18:16.840 --> 0:18:17.679 It does look like that. 0:18:18.640 --> 0:18:20.119 It's not mad, it's it's the character. 0:18:20.600 --> 0:18:22.959 Yeah, he does. Look how that looked like he just 0:18:22.960 --> 0:18:26.520 came out from the Midwest with like maybe Hay still 0:18:26.520 --> 0:18:29.520 in the hair and very nice and I'm gonna mad 0:18:29.560 --> 0:18:30.400 at that's what I'm saying. 0:18:30.440 --> 0:18:32.960 He seems so sweet that you're like weird, but it's 0:18:32.960 --> 0:18:36.159 hard to be mean to him because he seems so sweet. 0:18:36.320 --> 0:18:37.639 There's an aw shucks about him. 0:18:37.760 --> 0:18:40.879 Yeah exactly, Yeah, really well played mm hm. 0:18:46.320 --> 0:18:49.119 The next morning, Sandy wakes up to the clock radio 0:18:49.160 --> 0:18:51.439 informing her about how hot it's going to be in 0:18:51.560 --> 0:18:54.280 La There's san Anna wins and Ronda is in the 0:18:54.280 --> 0:18:57.920 living room packing up stuff cassette tapes by the way 0:18:58.800 --> 0:19:01.000 or at aerobic seminar. She minds Sandy that she's going 0:19:01.040 --> 0:19:03.320 to be out of town at an aerobic seminar in Houston, 0:19:04.040 --> 0:19:07.240 Sandy opens the front door to discover that the swimming 0:19:07.280 --> 0:19:10.439 pool has been filled with lilies, which happened to be 0:19:10.840 --> 0:19:11.440 a flower. 0:19:12.280 --> 0:19:15.720