WEBVTT - Gilbert King presents: Bone Valley Season 3 | Graves County

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<v Speaker 1>Hey, it's Gilbert King, host of Bone Valley, and today

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<v Speaker 1>we're bringing you something new, an introduction to Lava for

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<v Speaker 1>Good's newest investigative series. It's called Graves County and it

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<v Speaker 1>will be released right here in the Bone Valley Feed.

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<v Speaker 1>You'll see it shown here as Bone Valley Season three.

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<v Speaker 1>And while there are many familiar themes, this is an

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<v Speaker 1>entirely new show told by a different host, Maggie Freeling,

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<v Speaker 1>Pulitzer Prize winning journalist and one of the hosts of

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<v Speaker 1>Lava for Goods Wrongful Conviction. The story is about the

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<v Speaker 1>murder of a young mother, Jessica Currn, in the small

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<v Speaker 1>Kentucky town she lived in a place where it seems

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<v Speaker 1>like everyone has a connection to this case. After four

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<v Speaker 1>years of grossly mismanaged police investigation, a citizen sleuth named

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<v Speaker 1>Susan Goalbrath stepped in and took the case in a

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<v Speaker 1>new direction. She concocted a wildly complicated story, and the

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<v Speaker 1>police decided to go along with it. Susan's version of

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<v Speaker 1>events eventually led to at least eight different people being

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<v Speaker 1>charged with Jessica's murder. Most of them have maintained their

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<v Speaker 1>innocence from the beginning, and one of them, Quincy Cross,

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<v Speaker 1>is still fighting for his freedom from behind bars. Graves

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<v Speaker 1>County is a gripping, impeccably reported story of injustice that

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<v Speaker 1>must be heard to be believed. Maggie Freeling brings urgency, compassion,

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<v Speaker 1>and relentless journalism to a case that will stay with

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<v Speaker 1>you long after the final episode. The first two episodes

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<v Speaker 1>of Graves County will be out on July thirtieth, right

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<v Speaker 1>here in the Bone Valley Feed. Subscribers to Lava for

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<v Speaker 1>Good plus on Apple Podcasts will be able to listen

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<v Speaker 1>to the entire series the same day. As an introduction

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<v Speaker 1>to the new series, I sat down with Maggie for

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<v Speaker 1>a Q and A about her experience of reporting this

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<v Speaker 1>show for over two years in what she learned along

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<v Speaker 1>the way. Maggie, is so great to see you, so

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<v Speaker 1>great to speak with you again. I've been listening to

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<v Speaker 1>Graves County. I'm like four episodes in it. I am hooked,

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<v Speaker 1>and you've been working so hard on this. This is

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<v Speaker 1>a huge investigation for you. I just can't wait to

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<v Speaker 1>ask you a million questions about this.

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<v Speaker 2>Ask away. I love talking about it.

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<v Speaker 1>I can just walk us through the case, just to

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<v Speaker 1>give us a general sense of what this case is

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<v Speaker 1>really about.

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<v Speaker 2>Yes, So, in the summer two thousand, Jessica Kern is

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<v Speaker 2>an eighteen year old mom. She just had her baby, Zion,

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<v Speaker 2>and she is found brutally murdered and burned, half dressed

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<v Speaker 2>outside the Mayfield Middle School. And Susan Golbreath was just

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<v Speaker 2>a woman in the town. Her life was not going

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<v Speaker 2>great at the time. She needed purpose, and her purpose

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<v Speaker 2>was I'm going to solve this case. That was around

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<v Speaker 2>two thousand and four. After the police had initially bungled

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<v Speaker 2>the case, they hired a rookie detective. They made some

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<v Speaker 2>initial arrests and it went no So by two thousand

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<v Speaker 2>and four, the citizens Luth gets involved. She involves a

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<v Speaker 2>BBC reporter and they go on a hunt to solve

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<v Speaker 2>the case. And what transpires is some of the craziest

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<v Speaker 2>case solving techniques I've ever seen, the craziest quote journalism

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<v Speaker 2>I've ever seen, and just some of the craziest investigating

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<v Speaker 2>and policing I've ever seen. And it's all on tape

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<v Speaker 2>and documented in emails and so it was it was

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<v Speaker 2>pretty incredible to make this story and like have everyone's

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<v Speaker 2>follies just right there, just documented so well.

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<v Speaker 1>So Maggie, I just was really curious about Susan Goalbreth

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<v Speaker 1>and she's, you know, the amateur sleuth who helped solve

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<v Speaker 1>the eight year old murder of a teenage mom. But

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<v Speaker 1>what drives an everyday citizen to get involved in a

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<v Speaker 1>murder case like this? And obviously I think she passed

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<v Speaker 1>away before you got to meet her, but you've obviously

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<v Speaker 1>been studying her. Can you just talk about Susan and

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<v Speaker 1>what motivated her to get involved in this case.

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<v Speaker 2>Yeah, Susan is fascinating when people hear this. I mean,

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<v Speaker 2>she's a true character. She's you know, said that she

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<v Speaker 2>was compelled by God to solve this murder. She was

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<v Speaker 2>down the street eating lunch and she heard in this

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<v Speaker 2>small town that they found a body, and she went

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<v Speaker 2>right to the scene and said, God called her to

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<v Speaker 2>solve this. What I think happened is so often we

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<v Speaker 2>do see that when there is a void, when police

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<v Speaker 2>in this case, they bungled it, or they bungle it,

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<v Speaker 2>or if they can't solve it, there is a void

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<v Speaker 2>left and citizens, louths get involved. I mean we see

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<v Speaker 2>it now on Reddit and all these crime pages. It's

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<v Speaker 2>it's something that happens, and she was like a OG

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<v Speaker 2>one it was it was back in four she's an

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<v Speaker 2>OG sleuth.

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<v Speaker 1>How did like police law enforcement treat her like? What

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<v Speaker 1>was their relationship like with her? They?

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<v Speaker 2>I think they found her annoying based on these phone calls.

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<v Speaker 2>I think they just wanted her to go away. However,

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<v Speaker 2>you'll see as a story goes on, they really legitimized her.

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<v Speaker 2>They took tips and leads, and ultimately her theory of

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<v Speaker 2>what happened is the theory that the prosecution went with.

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<v Speaker 1>And she did have some tangential connections to people involved.

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<v Speaker 1>Can you just talk about how she interacted with them

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<v Speaker 1>and maybe used them as sources.

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<v Speaker 2>So, Susan, she's a self described busybody, and she knew

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<v Speaker 2>a lot of people in town. She had been there

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<v Speaker 2>a while. She's originally from Chicago, but she had been

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<v Speaker 2>in Mayfield, small small town for a long time. So

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<v Speaker 2>she knew a lot of the people involved in this case,

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<v Speaker 2>these young folks, because she was friends with one of

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<v Speaker 2>their moms, and she just she was friends with a

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<v Speaker 2>few of these kids' moms that were involved. She used

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<v Speaker 2>her relationships with these people to get information and that

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<v Speaker 2>came at a cost. I think these people eventually realized

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<v Speaker 2>that she was taking advantage of them.

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<v Speaker 1>Well, you've spent years, you know, covering the criminal justice system,

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<v Speaker 1>and probably from all different parts of the country. I'm

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<v Speaker 1>just curious, what about this case that stands out to you?

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<v Speaker 1>What makes it different than a lot that you've seen.

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<v Speaker 2>So when this case came to me, it came from

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<v Speaker 2>Jason Flomm and when it was presented to me, I

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<v Speaker 2>was basically told cop corruption. I hear that all the time.

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<v Speaker 2>You know what stood out was the police legitimizing a

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<v Speaker 2>citizen investigator, really using her, like wiring her. You'll hear

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<v Speaker 2>that in the podcast. So that was fascinating to me.

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<v Speaker 2>That was the first time I had really heard something

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<v Speaker 2>like that where a citizen, someone who has no background

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<v Speaker 2>in law enforcement, is wiring themselves up and giving police tape,

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<v Speaker 2>giving police leads, giving them full theories, and they're running

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<v Speaker 2>with it. And the other thing was how many people

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<v Speaker 2>were wrapped up in this story and how many people

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<v Speaker 2>were eventually convicted of this one murder. When you think

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<v Speaker 2>of Okham's razor, it was certainly not the story that

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<v Speaker 2>makes the most sense. It was just this wild story

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<v Speaker 2>that implicated eight or nine people, and I mean more

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<v Speaker 2>it does. It implicated countless people, but the amount of

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<v Speaker 2>people amount to being convicted. I had not seen before

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<v Speaker 2>five people we talk about in this story that were

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<v Speaker 2>convicted of it.

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<v Speaker 1>There's just like one mind blowing thing after another. I

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<v Speaker 1>just heard that. You know, you talk to the lead

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<v Speaker 1>investigator who basically says I didn't know what I was doing,

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<v Speaker 1>telling everybody that I don't know what I'm doing tail

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<v Speaker 1>in my head. I've never seen anything like that before. Like,

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<v Speaker 1>what does that tell you when you.

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<v Speaker 2>Yeah, So that was one of the things that you

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<v Speaker 2>know when they mentioned like this cop corruption. Okay, I'm interested,

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<v Speaker 2>not unique, but that was unique about it was why

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<v Speaker 2>did the assistant chief of police assign this case to

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<v Speaker 2>a rookie? It seemed almost like you wanted this to

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<v Speaker 2>be investigated poorly from the beginning if you're going to

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<v Speaker 2>assign a rookie and not some of your best, which

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<v Speaker 2>in retrospect to looking back, I don't know if Mayfield

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<v Speaker 2>Police at some of their best. They were really embroiled

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<v Speaker 2>with scandals and corruption. And you know that assistant chief

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<v Speaker 2>of police you'll hear in the podcast, was pretty dirty.

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<v Speaker 1>I want to go back to journalists because you do

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<v Speaker 1>have this international presence, but you also have the local presence.

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<v Speaker 1>And I'm just wondering if you can just talk about

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<v Speaker 1>like the role that journalism plays in a wrongful conviction

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<v Speaker 1>and what you know noticed in this part of Kentucky.

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<v Speaker 2>Yeah, so it is so interesting getting to travel and

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<v Speaker 2>tell so many different stories. I know you really specialize

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<v Speaker 2>in Florida, which is so cool. I'm sure the amount

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<v Speaker 2>of connections in Florida are amazing. This was my first

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<v Speaker 2>time in Kentucky and I don't as a journalist, I

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<v Speaker 2>don't like to just parachute in and then leave. So

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<v Speaker 2>I've really been working the story for two and a

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<v Speaker 2>half years, getting to know people, done multiple multiple trips there,

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<v Speaker 2>and Kentucky is just a wild place. The lead prosecutor

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<v Speaker 2>that convicted Quincy Cross in this case and the five

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<v Speaker 2>other people, she's been in office since the early eighties,

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<v Speaker 2>I mean that is crazy to me. And now we're

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<v Speaker 2>talking about five wrongful convictions from just this one case

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<v Speaker 2>and you've been in office since the eighties? How many

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<v Speaker 2>other people have you railroaded? So to me, that's just like,

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<v Speaker 2>what how is that? Okay? How is that possible. That

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<v Speaker 2>is the context of this story, and that is so

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<v Speaker 2>important to understand in order to understand Quincy and what happened.

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<v Speaker 1>I mean, did you ever feel any resentment about there

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<v Speaker 1>because you're down there. Obviously you don't have a deadline

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<v Speaker 1>of tomorrow and then maybe the case you don't write

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<v Speaker 1>it about it again, or maybe the cover the trial

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<v Speaker 1>in another year or something like that. You're actually doing

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<v Speaker 1>like long points of time studying this case, investigating this case.

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<v Speaker 1>One of the things I noticed is that sometimes the

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<v Speaker 1>local press they're friends with the prosecutors. Those are the

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<v Speaker 1>people that are given them the stories, given them access,

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<v Speaker 1>and the journalism has kind of tainted. Did you find

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<v Speaker 1>the same thing in that part of Absolutely?

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<v Speaker 2>I find that it's all tainted because in these small

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<v Speaker 2>towns everyone knows each other. It is just like a

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<v Speaker 2>spider web of people who know each other, people protecting

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<v Speaker 2>each other. You know, all these shows about small, small

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<v Speaker 2>southern town to talk about that, and it is so real.

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<v Speaker 2>It's very different from being in New York, where yes,

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<v Speaker 2>people they know each other. Of course there's quid quote pros,

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<v Speaker 2>but it's a it's a different kind of thing. It's

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<v Speaker 2>not my family grew up with your family kind of situation,

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<v Speaker 2>and I'm sure that exists, but the small town mentality,

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<v Speaker 2>it really fosters an environment of secrecy.

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<v Speaker 1>Yeah. I was thinking about that a lot while I

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<v Speaker 1>was listening to this, and I was just curious, like,

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<v Speaker 1>when you look at this whole Graves County story, do

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<v Speaker 1>you see it as like a tragedy, a conspiracy, a

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<v Speaker 1>cautionary trade? How do you look at Graves County?

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<v Speaker 2>I think it's I think it's all three. I think

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<v Speaker 2>it's a tragedy, a conspiracy, and what was the.

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<v Speaker 1>Other one, cautionary tale?

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<v Speaker 2>Cautionary tale?

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<v Speaker 1>You know.

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<v Speaker 2>I think it's a tragedy because if you think of

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<v Speaker 2>these five people whose lives were ruined that were convicted

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<v Speaker 2>of this, each of those five people have family, Some

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<v Speaker 2>of these people had kids, some of these people were kids,

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<v Speaker 2>So just alone there, it's it's devastating. Definitely a conspiracy.

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<v Speaker 2>There's some wacky stuff going on that you'll hear about.

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<v Speaker 2>And I think it's a cautionary tale because it all

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<v Speaker 2>started with just believing what we're told, you know, this

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<v Speaker 2>like confirmation bias, and I think that is so much

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<v Speaker 2>what happened in this Quincy was arrested and said he

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<v Speaker 2>was an evil man, and from there on it was believed.

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<v Speaker 2>And I think one of the things is that we

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<v Speaker 2>see is an eighteen year old mother was murdered and

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<v Speaker 2>people wanted justice, and it really was a cautionary tale

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<v Speaker 2>of how far will we go to get that justice?

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<v Speaker 2>How many people can we throw under the bus and

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<v Speaker 2>railroad to close this one case? And we see that

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<v Speaker 2>all the time in wrongful convictions.

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<v Speaker 1>You know what I really love about it so far

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<v Speaker 1>is You've made Graves County a character in the story,

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<v Speaker 1>and I just love the way comes to life. You know,

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<v Speaker 1>there's definitely colorful people and accents, of course, but you

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<v Speaker 1>just you start to get a sense of the county.

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<v Speaker 1>And it made me think, I wonder, like, do you

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<v Speaker 1>think that this story would have looked the same if

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<v Speaker 1>it was somewhere in like New England? What is it

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<v Speaker 1>about Graves County that made this kind of story possible?

0:13:20.520 --> 0:13:22.920
<v Speaker 2>I mean, Graves County is if you google it, it

0:13:23.040 --> 0:13:27.040
<v Speaker 2>is the heart. It is the almost the dead center

0:13:27.120 --> 0:13:29.440
<v Speaker 2>of this country. When I was like looking at a map,

0:13:29.440 --> 0:13:30.800
<v Speaker 2>I was trying to figure out, like where's the center

0:13:30.840 --> 0:13:33.400
<v Speaker 2>of this country? And Graves County is really right there.

0:13:35.800 --> 0:13:39.199
<v Speaker 2>It's kind of the middle of nowhere, and so secrets

0:13:39.280 --> 0:13:45.240
<v Speaker 2>like that can really be kept closed, they really stay there.

0:13:46.440 --> 0:13:49.439
<v Speaker 2>It was so surprising to know people in this state

0:13:49.520 --> 0:13:53.040
<v Speaker 2>didn't even know about this case, I mean, and the

0:13:53.040 --> 0:13:55.520
<v Speaker 2>fact that it wasn't as high profile as I thought

0:13:55.520 --> 0:13:59.079
<v Speaker 2>it should be. There's maybe like two TV shows on it,

0:13:59.200 --> 0:14:02.240
<v Speaker 2>and both of them again just repeat the Quincy's a disgusting,

0:14:02.240 --> 0:14:05.599
<v Speaker 2>horrible man. Repeat the story that the police and prosecutors

0:14:05.640 --> 0:14:08.400
<v Speaker 2>have been telling for years, despite the fact that he

0:14:08.440 --> 0:14:12.600
<v Speaker 2>has innocence claims in so no, I think it would

0:14:12.600 --> 0:14:15.160
<v Speaker 2>have been different, but who knows, for better or for worse.

0:14:16.240 --> 0:14:17.880
<v Speaker 1>One of the things that's happened when I'm listening to

0:14:17.920 --> 0:14:20.440
<v Speaker 1>this is like it seems like every episode my jaw dropped,

0:14:20.520 --> 0:14:22.600
<v Speaker 1>kind of drops, like I've never heard recordings of grand

0:14:22.680 --> 0:14:26.680
<v Speaker 1>jury testimony before like played out and then this Excusan

0:14:26.720 --> 0:14:30.240
<v Speaker 1>Goberth character, Like every every there's always some moment. I'm

0:14:30.280 --> 0:14:33.200
<v Speaker 1>just wondering for you, having studied this case and investigated,

0:14:33.480 --> 0:14:36.080
<v Speaker 1>was there anything that made your jaw drop having seen

0:14:36.440 --> 0:14:37.920
<v Speaker 1>everything involved in this case or.

0:14:39.800 --> 0:14:44.880
<v Speaker 2>You know, I think I think this case for me,

0:14:45.120 --> 0:14:48.600
<v Speaker 2>it was like a very clear how do wrongful convictions

0:14:48.600 --> 0:14:50.920
<v Speaker 2>happened because I lived this case for so long and

0:14:50.960 --> 0:14:55.880
<v Speaker 2>watched every piece of tape, which was the most incredible

0:14:56.880 --> 0:15:03.280
<v Speaker 2>thing to have every police interview. Let me say not

0:15:03.360 --> 0:15:07.800
<v Speaker 2>every because we've discovered that some are quote missing can't

0:15:07.840 --> 0:15:14.280
<v Speaker 2>be found, but most of the tape, and watch the

0:15:14.400 --> 0:15:19.360
<v Speaker 2>stories change, Watch how they're doing the interrogations. They are

0:15:19.400 --> 0:15:25.160
<v Speaker 2>like the ultimate super villains. My jaw dropped every time

0:15:25.280 --> 0:15:28.360
<v Speaker 2>they spoke, just every time they asked a question. It

0:15:28.400 --> 0:15:31.040
<v Speaker 2>wasn't a question, It was just like threats and interrogations

0:15:31.080 --> 0:15:45.560
<v Speaker 2>and just really inappropriate things.

0:15:47.040 --> 0:15:49.280
<v Speaker 1>Is there anything that happened that sort of change your

0:15:49.400 --> 0:15:52.200
<v Speaker 1>outlook or your opinion of anything involved in the case

0:15:52.440 --> 0:15:53.760
<v Speaker 1>as you dug deeper into it.

0:15:54.480 --> 0:15:58.440
<v Speaker 2>Well, I think just exploring this idea of what is

0:15:59.000 --> 0:16:03.080
<v Speaker 2>our role as journals and how do we tell these stories?

0:16:05.160 --> 0:16:08.320
<v Speaker 2>It made me. You know, in episode one, I mentioned

0:16:08.640 --> 0:16:12.120
<v Speaker 2>the one time when I very strongly believed in someone's

0:16:12.120 --> 0:16:14.880
<v Speaker 2>innocence and got it wrong and I had to grapple

0:16:14.920 --> 0:16:18.800
<v Speaker 2>with that, And I think as journalists we need to

0:16:18.920 --> 0:16:22.600
<v Speaker 2>think about what we do. Part of our job when

0:16:22.640 --> 0:16:26.320
<v Speaker 2>we become journalists is to do no harm. That's part

0:16:26.360 --> 0:16:32.160
<v Speaker 2>of our rules and ethics guidelines do no harm. So

0:16:32.200 --> 0:16:36.280
<v Speaker 2>it really put the light on myself and thinking about

0:16:36.320 --> 0:16:40.000
<v Speaker 2>my reporting and that time I did do harm, not

0:16:40.080 --> 0:16:44.680
<v Speaker 2>necessarily to the man that wound up being guilty, but

0:16:45.120 --> 0:16:47.600
<v Speaker 2>to the victim because I brought that story up again.

0:16:48.560 --> 0:16:50.320
<v Speaker 2>So that is something to think about when we do

0:16:50.400 --> 0:16:54.160
<v Speaker 2>cover these cases of wrongful convictions. There are victims and

0:16:54.240 --> 0:16:59.440
<v Speaker 2>victims families, and so I think it really helped me

0:16:59.520 --> 0:17:04.080
<v Speaker 2>process this role of a journalist, especially when we do

0:17:04.280 --> 0:17:07.960
<v Speaker 2>use emotion and empathy as a tool, and how we

0:17:08.600 --> 0:17:13.520
<v Speaker 2>present that and use that in a way that is ethical.

0:17:14.880 --> 0:17:16.800
<v Speaker 1>You know, that's interesting. I was listening to some of

0:17:16.840 --> 0:17:18.480
<v Speaker 1>your you know, obviously there's people who didn't want to

0:17:18.520 --> 0:17:20.679
<v Speaker 1>talk to you, and did you feel the presence of

0:17:20.720 --> 0:17:23.800
<v Speaker 1>like being an outsider and like you couldn't penetrate because.

0:17:23.600 --> 0:17:26.359
<v Speaker 2>Well, one of the things that we heard right away is,

0:17:27.240 --> 0:17:29.840
<v Speaker 2>you know, this is a very rural southern town. It

0:17:29.960 --> 0:17:33.760
<v Speaker 2>not necessarily segregated, but people often whites stay with the

0:17:33.800 --> 0:17:36.440
<v Speaker 2>whites and they talk about it like that. And when

0:17:36.440 --> 0:17:39.480
<v Speaker 2>we came in, instantly it was you're a white person,

0:17:39.520 --> 0:17:42.760
<v Speaker 2>no one's going to talk to you. That is how

0:17:42.800 --> 0:17:45.119
<v Speaker 2>that town is. I mean, so I really had to

0:17:45.520 --> 0:17:50.480
<v Speaker 2>build relationships and make myself trustworthy. And these are people

0:17:50.480 --> 0:17:52.560
<v Speaker 2>who have had the worst of the worst happen to them,

0:17:52.640 --> 0:17:58.120
<v Speaker 2>be convicted of crimes, a horrible rape and murder and

0:17:58.240 --> 0:18:02.280
<v Speaker 2>burning of a teenage girl. So yeah, I was. I

0:18:02.359 --> 0:18:04.520
<v Speaker 2>was very much an outsider, very much.

0:18:05.680 --> 0:18:07.679
<v Speaker 1>Some people ask me about this, you know, when it

0:18:07.720 --> 0:18:10.560
<v Speaker 1>comes to like Florida, You know, do you think this

0:18:10.640 --> 0:18:12.840
<v Speaker 1>story will matter to people outside of Florida? And I

0:18:12.880 --> 0:18:14.480
<v Speaker 1>have an answer for that, but I'm just curious what

0:18:14.520 --> 0:18:18.000
<v Speaker 1>your answer. People who don't know Mayfield, Kentucky, why would

0:18:18.040 --> 0:18:20.200
<v Speaker 1>they be interested in this? And can you explain?

0:18:20.600 --> 0:18:22.960
<v Speaker 2>I think the thing that we loved the most when

0:18:22.960 --> 0:18:26.480
<v Speaker 2>we first when Rebecca and I, my producer Rebecca, were

0:18:26.520 --> 0:18:29.000
<v Speaker 2>first talking about this. To us, it reminded us of

0:18:29.080 --> 0:18:32.080
<v Speaker 2>like I never watched gossip Girl, but just the title

0:18:32.160 --> 0:18:35.920
<v Speaker 2>gossip Girl. It was like all these teenage girls gossiping

0:18:36.400 --> 0:18:42.240
<v Speaker 2>about what happened to their friend, and those rumors turned

0:18:42.280 --> 0:18:47.439
<v Speaker 2>into this conviction. And that can happen anywhere when people

0:18:47.560 --> 0:18:53.320
<v Speaker 2>start telling stories and spinning tales and gossiping. That can

0:18:53.359 --> 0:18:57.040
<v Speaker 2>happen anywhere, not just small town Mayfield, Kentucky. So I

0:18:57.080 --> 0:19:01.000
<v Speaker 2>think yes, It happened in a rural small town, but

0:19:01.080 --> 0:19:09.399
<v Speaker 2>it's emblematic of wrongful convictions everywhere. Really, people making up

0:19:09.480 --> 0:19:14.040
<v Speaker 2>lies and blaming people, pointing the finger because we need answers.

0:19:14.240 --> 0:19:16.640
<v Speaker 2>It's just like a human we need to blame someone,

0:19:16.680 --> 0:19:20.159
<v Speaker 2>and the blame here. Everyone was just pointing fingers at

0:19:20.200 --> 0:19:24.800
<v Speaker 2>each other. And that is why Susan came in, because

0:19:24.800 --> 0:19:28.080
<v Speaker 2>there was a void. It was it was a prime

0:19:28.520 --> 0:19:33.320
<v Speaker 2>situation to go wrong because the police got it wrong

0:19:33.359 --> 0:19:35.399
<v Speaker 2>from the beginning. They bungled it, they messed it up

0:19:35.400 --> 0:19:38.479
<v Speaker 2>from the beginning, so from there it was just a

0:19:38.520 --> 0:19:39.120
<v Speaker 2>free for all.

0:19:39.400 --> 0:19:42.080
<v Speaker 1>One of the other things I felt really moving was

0:19:42.720 --> 0:19:46.800
<v Speaker 1>I'm just hearing from Jessica's father, and I'm just curious,

0:19:46.840 --> 0:19:49.159
<v Speaker 1>like what your take on him was, because it just

0:19:49.160 --> 0:19:52.960
<v Speaker 1>seemed like I could really relate to him as you know,

0:19:53.080 --> 0:19:55.720
<v Speaker 1>a father and just what that would do to you.

0:19:55.960 --> 0:19:57.920
<v Speaker 1>And I just found him very moving.

0:19:57.920 --> 0:20:02.080
<v Speaker 2>In the story, jo is a moving character. I mean,

0:20:03.240 --> 0:20:07.960
<v Speaker 2>he grew up in the Jim Crow South. From a

0:20:08.000 --> 0:20:10.560
<v Speaker 2>lot of his life, the only black guy. He grew

0:20:10.640 --> 0:20:14.040
<v Speaker 2>up in this world of white people, and he did

0:20:14.080 --> 0:20:16.480
<v Speaker 2>well in that world, in the Jim Crow South, and

0:20:16.520 --> 0:20:19.560
<v Speaker 2>then in segregation and reesis he did well. He was

0:20:19.640 --> 0:20:22.520
<v Speaker 2>a pillar in this town, and when his daughter was murdered,

0:20:23.040 --> 0:20:25.160
<v Speaker 2>he thought all these people that he did good for

0:20:25.240 --> 0:20:28.720
<v Speaker 2>and helped and was around and would do right by him.

0:20:29.800 --> 0:20:34.359
<v Speaker 2>And they didn't. They absolutely didn't. They failed Joe Kerran

0:20:34.480 --> 0:20:37.000
<v Speaker 2>in every way possible. And I think that's what was

0:20:37.040 --> 0:20:39.280
<v Speaker 2>so sad about it. It was a guy who did

0:20:39.320 --> 0:20:44.239
<v Speaker 2>everything right and persevered through everything and then was just

0:20:44.640 --> 0:20:51.399
<v Speaker 2>let down so badly. And I think you know, he

0:20:51.480 --> 0:20:54.200
<v Speaker 2>knows he might never get those because with a story

0:20:54.280 --> 0:20:57.239
<v Speaker 2>like this, where there is just so much bullshit, it

0:20:57.320 --> 0:21:00.679
<v Speaker 2>might be lost. It might very well be lost.

0:21:01.440 --> 0:21:03.160
<v Speaker 1>I'm just curious. Is he like one of the people

0:21:03.160 --> 0:21:05.160
<v Speaker 1>that you think about when you're trying to dig into

0:21:05.160 --> 0:21:08.640
<v Speaker 1>the story, Like I just want to make him have answers,

0:21:08.880 --> 0:21:11.159
<v Speaker 1>Like I would feel so motivated by the way he spoke.

0:21:12.000 --> 0:21:16.560
<v Speaker 2>It's him and David, and I got closer with David

0:21:17.960 --> 0:21:20.359
<v Speaker 2>because Joe dealt with another tragedy. One of his sons

0:21:20.400 --> 0:21:23.120
<v Speaker 2>died while we were reporting this. I mean, the currents

0:21:23.359 --> 0:21:26.360
<v Speaker 2>have just had loss after a lot, like we couldn't

0:21:26.640 --> 0:21:32.879
<v Speaker 2>believe another son died, or son died, two kids, So

0:21:33.119 --> 0:21:35.119
<v Speaker 2>you know, I didn't get to build as close of

0:21:35.119 --> 0:21:38.600
<v Speaker 2>a relationship with Joe that I did with David. But

0:21:38.720 --> 0:21:42.040
<v Speaker 2>what it was so beautiful to me about Joe is

0:21:42.080 --> 0:21:46.040
<v Speaker 2>that he was willing to listen to David and sit

0:21:46.160 --> 0:21:50.600
<v Speaker 2>down with him, the man whose son is convicted of

0:21:50.720 --> 0:21:54.159
<v Speaker 2>murdering your daughter. It's a very like Jeremy Leo. He

0:21:54.280 --> 0:21:56.960
<v Speaker 2>was like, I'll sit down and listen to your information

0:21:57.560 --> 0:21:59.720
<v Speaker 2>that brings up stuff for him, like looking at your

0:21:59.800 --> 0:22:03.280
<v Speaker 2>daughter's case file, looking at what was done to her.

0:22:05.480 --> 0:22:08.000
<v Speaker 2>He suffered through all of that just to get answers

0:22:08.520 --> 0:22:10.359
<v Speaker 2>he is. He's an incredible person.

0:22:10.880 --> 0:22:14.080
<v Speaker 1>Yeah, it really comes across and I just the empathy

0:22:14.119 --> 0:22:17.080
<v Speaker 1>and just I remember there's one like very casual comment,

0:22:17.119 --> 0:22:19.000
<v Speaker 1>like a waitress says to him, like you look like

0:22:19.080 --> 0:22:21.679
<v Speaker 1>you just lost your best friends something like that, and

0:22:21.840 --> 0:22:24.240
<v Speaker 1>realizes what it's about. And I just found that so

0:22:24.359 --> 0:22:25.679
<v Speaker 1>profound in the story.

0:22:26.359 --> 0:22:31.399
<v Speaker 2>And he still he really does. Joe feels like he

0:22:31.520 --> 0:22:33.200
<v Speaker 2>is carrying the weight of the world. You know what,

0:22:33.359 --> 0:22:38.240
<v Speaker 2>We've met with a lot of victims families, and he

0:22:38.359 --> 0:22:41.199
<v Speaker 2>is not someone that I that I can say, you know,

0:22:41.680 --> 0:22:45.879
<v Speaker 2>is just moving on, like he really this destroyed him.

0:22:46.280 --> 0:22:49.000
<v Speaker 2>You know, his wife wasn't there. She can't even talk

0:22:49.040 --> 0:22:51.520
<v Speaker 2>about it, so I never met her, talked to her.

0:22:52.160 --> 0:22:54.680
<v Speaker 2>She doesn't want anything to do with this kind of stuff,

0:22:54.720 --> 0:22:59.080
<v Speaker 2>and it's just too hard. It's too hard, and so

0:22:59.119 --> 0:23:02.199
<v Speaker 2>for Joe to be out there been doing this, We've

0:23:02.240 --> 0:23:03.840
<v Speaker 2>been wondering, like, is Joe going to listen to this?

0:23:03.880 --> 0:23:06.000
<v Speaker 2>Because the whole time, it's like, we want to make sure,

0:23:07.119 --> 0:23:10.280
<v Speaker 2>you know, the father of Jessica is able to listen

0:23:10.280 --> 0:23:13.119
<v Speaker 2>to this. We thought about him and we kind of

0:23:13.119 --> 0:23:15.000
<v Speaker 2>were like, me, he might not really listen to this.

0:23:15.680 --> 0:23:26.800
<v Speaker 2>That is just how could you? It's so hard.

0:23:31.960 --> 0:23:35.000
<v Speaker 1>Sometimes people ask me like has this case changed you?

0:23:35.440 --> 0:23:38.200
<v Speaker 1>And I'm just curious, like, going through this process, it's

0:23:38.240 --> 0:23:44.280
<v Speaker 1>obviously very labor intensive, investigatively intensive. Did it affect you differently?

0:23:44.320 --> 0:23:45.640
<v Speaker 1>Did you come away from this differently?

0:23:46.640 --> 0:23:49.359
<v Speaker 2>Yeah? I mean as a journalist, it really made me

0:23:49.400 --> 0:23:52.400
<v Speaker 2>look inwards because when we wanted to be reporting on

0:23:53.320 --> 0:23:59.160
<v Speaker 2>all of these allegations against the police, we set out

0:23:59.160 --> 0:24:02.200
<v Speaker 2>to do that, right, we were making an episode all

0:24:02.280 --> 0:24:04.600
<v Speaker 2>about these allegations about the police, and then we thought,

0:24:04.760 --> 0:24:06.639
<v Speaker 2>wait a second, but that's what Susan did, what the

0:24:06.640 --> 0:24:10.600
<v Speaker 2>police did, and we looked at ourselves as journalists and

0:24:10.640 --> 0:24:13.320
<v Speaker 2>storytellers and reporters, and said, what good would that do

0:24:13.800 --> 0:24:17.840
<v Speaker 2>to report these allegations and potentially ruin people's names, drag

0:24:17.880 --> 0:24:19.800
<v Speaker 2>their names for the mud if this isn't true, if

0:24:19.800 --> 0:24:24.920
<v Speaker 2>we can't fundamentally confirm this, And so that's what it did.

0:24:24.960 --> 0:24:28.720
<v Speaker 2>It really just made me look again at my role

0:24:28.840 --> 0:24:33.439
<v Speaker 2>as a storyteller and a journalist and what we choose

0:24:33.480 --> 0:24:38.040
<v Speaker 2>to present Again, do no harm. And even though I

0:24:38.080 --> 0:24:40.560
<v Speaker 2>think a lot of these officers are the worst of

0:24:40.600 --> 0:24:42.800
<v Speaker 2>the worst people things that we have found out about them,

0:24:43.200 --> 0:24:46.160
<v Speaker 2>it's still my job to do no harm to everyone

0:24:46.240 --> 0:24:46.919
<v Speaker 2>I report on.

0:24:47.480 --> 0:24:50.600
<v Speaker 1>And just curious what you like about this format telling

0:24:50.640 --> 0:24:53.520
<v Speaker 1>stories through audio. I'm just curious. You know, you've come

0:24:53.640 --> 0:24:57.119
<v Speaker 1>from a print background, like just about everybody. What do

0:24:57.160 --> 0:24:58.919
<v Speaker 1>you like and what do you see some of the

0:24:58.960 --> 0:25:00.840
<v Speaker 1>limitations of it your storytelling?

0:25:01.080 --> 0:25:04.359
<v Speaker 2>Yeah, so I've been into audio since two thousand and nine.

0:25:04.520 --> 0:25:07.520
<v Speaker 2>I took a podcasting class on garage band in undergrad

0:25:08.119 --> 0:25:11.439
<v Speaker 2>So I've always loved it because I just find it

0:25:11.520 --> 0:25:16.360
<v Speaker 2>so intimate. And for example, with season two, when your

0:25:16.400 --> 0:25:21.720
<v Speaker 2>season Bone Valley, when Gosh who was reading the letter

0:25:23.800 --> 0:25:26.840
<v Speaker 2>Jeremy was reading one of Justin's letters or vice versa.

0:25:26.920 --> 0:25:31.320
<v Speaker 2>But it was very beautifully layered on top justin playing

0:25:31.359 --> 0:25:33.840
<v Speaker 2>with his kid in the background as the letters being read.

0:25:34.720 --> 0:25:35.919
<v Speaker 2>And at first I was like, is that in my

0:25:35.920 --> 0:25:37.880
<v Speaker 2>hotel room? Like where do I hear kids playing? Because

0:25:37.880 --> 0:25:39.800
<v Speaker 2>it was so subtle, But then it was just this

0:25:39.960 --> 0:25:44.320
<v Speaker 2>beautiful moment of like one of them talking about how

0:25:44.320 --> 0:25:45.880
<v Speaker 2>well he's doing with his son, and then you can

0:25:45.960 --> 0:25:48.359
<v Speaker 2>hear it at the same time. And that would have

0:25:48.359 --> 0:25:51.199
<v Speaker 2>been visual in a TV show, but I like that

0:25:51.240 --> 0:25:53.600
<v Speaker 2>I could imagine it myself because what I was imagining

0:25:53.640 --> 0:25:55.320
<v Speaker 2>was the playing with the letter being and it was

0:25:55.400 --> 0:25:58.760
<v Speaker 2>just so intimate and beautiful, and I think a visual

0:25:58.800 --> 0:26:00.679
<v Speaker 2>would have taken away from that intimacy.

0:26:01.520 --> 0:26:05.800
<v Speaker 1>That's a really great point. Yeah, there is something about

0:26:05.840 --> 0:26:08.520
<v Speaker 1>just listening to a voice in your ear with headphones

0:26:08.840 --> 0:26:10.719
<v Speaker 1>when you know that microphone's.

0:26:10.200 --> 0:26:13.240
<v Speaker 2>Really close, because you know what it is. I find

0:26:13.320 --> 0:26:17.240
<v Speaker 2>visuals very distracting in a way. I'm a visual learner,

0:26:17.320 --> 0:26:20.040
<v Speaker 2>so I do like visuals. But in terms of storytelling,

0:26:20.320 --> 0:26:23.920
<v Speaker 2>I find it works when you have, you know, visually

0:26:23.960 --> 0:26:27.359
<v Speaker 2>wild characters, but I like to imagine what they look like.

0:26:27.440 --> 0:26:30.680
<v Speaker 2>I you know, some people fixate on things about someone

0:26:30.680 --> 0:26:32.600
<v Speaker 2>and instantly go I can't look at that person, or

0:26:32.600 --> 0:26:35.160
<v Speaker 2>I can't look what they're doing, or like Susan Gallbreath

0:26:35.200 --> 0:26:36.960
<v Speaker 2>on the stand, I mean, if she was a character

0:26:36.960 --> 0:26:39.560
<v Speaker 2>in a TV show, I would probably be fixated on

0:26:40.200 --> 0:26:42.679
<v Speaker 2>her just gum chewing and maybe not even hearing what

0:26:42.720 --> 0:26:46.640
<v Speaker 2>she's saying. So I just find that listening to it too,

0:26:47.160 --> 0:26:51.800
<v Speaker 2>it's without the distractions. It takes away one level of distraction.

0:26:52.040 --> 0:26:54.760
<v Speaker 2>Right then you're just thinking about what audio is distracting.

0:26:55.200 --> 0:26:57.320
<v Speaker 1>Right. That's really a good point because I noticed that, like,

0:26:57.680 --> 0:26:59.640
<v Speaker 1>you know, when they did the twenty twenty piece on Leo,

0:26:59.760 --> 0:27:02.040
<v Speaker 1>like the host has to ask the question did you

0:27:02.119 --> 0:27:05.240
<v Speaker 1>kill your wife? And you know he says no, obviously,

0:27:05.359 --> 0:27:08.359
<v Speaker 1>uh huh. But like I've had people concent saying, you know,

0:27:08.400 --> 0:27:09.880
<v Speaker 1>he kind of looked to the left, and that's kind

0:27:09.880 --> 0:27:11.919
<v Speaker 1>of something that guilty people do. And like it's just

0:27:12.400 --> 0:27:13.960
<v Speaker 1>the visual part, Like it's.

0:27:14.000 --> 0:27:17.400
<v Speaker 2>All thet anything, I believe, so and so.

0:27:17.400 --> 0:27:20.439
<v Speaker 1>I just think there's something about audio that's just almost

0:27:20.520 --> 0:27:21.800
<v Speaker 1>more truthful in a way.

0:27:22.000 --> 0:27:25.600
<v Speaker 2>I know, I think that visuals can be an you know,

0:27:25.600 --> 0:27:28.919
<v Speaker 2>when we talk about this in you know, when I

0:27:29.000 --> 0:27:32.680
<v Speaker 2>do stories as a journalist, music can manipulate people's feelings too.

0:27:32.840 --> 0:27:36.320
<v Speaker 2>We discuss what kind of music like, and there's just

0:27:36.359 --> 0:27:39.760
<v Speaker 2>another layer to that with visuals. So I just it's

0:27:39.840 --> 0:27:42.920
<v Speaker 2>like even more to get wrong, and it's I liked

0:27:43.119 --> 0:27:47.200
<v Speaker 2>the simplicity of audio, yeah, yeah, and like conveying points

0:27:47.240 --> 0:27:51.200
<v Speaker 2>that I want to in a very simple, easy, packaged,

0:27:51.359 --> 0:27:52.120
<v Speaker 2>intimate way.

0:27:52.720 --> 0:27:54.600
<v Speaker 1>I agree. I was just curious what your thought. Not

0:27:54.800 --> 0:27:56.679
<v Speaker 1>realize you started in two thousand and nine, that's amazing.

0:27:56.720 --> 0:27:58.600
<v Speaker 2>Well, I was an undergrad and I took a podcasting

0:27:58.640 --> 0:28:01.320
<v Speaker 2>class and garage band, which I don't even know if

0:28:01.320 --> 0:28:03.480
<v Speaker 2>garage band exists anymore, Like I don't think people will

0:28:03.520 --> 0:28:05.880
<v Speaker 2>even use that, but yeah, it was a podcasting class

0:28:05.920 --> 0:28:09.040
<v Speaker 2>and garage band, and then yeah, I started audio right

0:28:09.119 --> 0:28:12.400
<v Speaker 2>in grad school. Been doing it for a very long time.

0:28:13.080 --> 0:28:14.680
<v Speaker 1>Do you remember a lot of the mistakes you made,

0:28:14.920 --> 0:28:17.119
<v Speaker 1>like doing audio trying to figure out how do we

0:28:17.200 --> 0:28:17.399
<v Speaker 1>do this?

0:28:17.960 --> 0:28:19.320
<v Speaker 2>Yeah? And I think some of a lot of the

0:28:19.359 --> 0:28:22.400
<v Speaker 2>mistakes are just like to like overdoing the sound and

0:28:22.440 --> 0:28:26.119
<v Speaker 2>like music. Like again, it was really learning like how

0:28:28.359 --> 0:28:31.920
<v Speaker 2>music can manipulate someone's emotions, so like just being really

0:28:32.000 --> 0:28:34.720
<v Speaker 2>careful with that, because if you're trying to tell a

0:28:34.720 --> 0:28:37.240
<v Speaker 2>truthful story and you put in some music to make

0:28:37.280 --> 0:28:39.920
<v Speaker 2>someone feel something, you are manipulated. You're telling them what

0:28:40.040 --> 0:28:40.480
<v Speaker 2>to feel.

0:28:41.120 --> 0:28:44.959
<v Speaker 1>So yeah, yeah, my big was mistake was I just

0:28:44.960 --> 0:28:47.080
<v Speaker 1>couldn't shut up when people were talking to just keep going.

0:28:47.160 --> 0:28:49.800
<v Speaker 2>Yeah huh, yeah I still didn't know. Yeah, I still did.

0:28:49.880 --> 0:28:53.200
<v Speaker 1>That's a nightmare for the editors. And can you just

0:28:53.200 --> 0:28:54.719
<v Speaker 1>give us an update on Quincy Cross?

0:28:55.240 --> 0:29:02.120
<v Speaker 2>Yeah, so his case is moving. Quincy's just really hopeful.

0:29:02.200 --> 0:29:05.720
<v Speaker 2>He's glad his story's out there. I mean, it's when

0:29:05.720 --> 0:29:09.240
<v Speaker 2>you're put away in prison, you're meant to be forgotten about.

0:29:10.360 --> 0:29:13.440
<v Speaker 2>They want you to be forgotten about. They don't want

0:29:13.480 --> 0:29:16.600
<v Speaker 2>these stories coming out there, so they have to acknowledge

0:29:16.680 --> 0:29:20.120
<v Speaker 2>what has happened, what they did wrong. So he's just

0:29:20.240 --> 0:29:23.239
<v Speaker 2>really happy that people got to hear his truth of

0:29:23.280 --> 0:29:29.120
<v Speaker 2>the matter, that he's not a disgusting, savage rapist, burner man.

0:29:29.680 --> 0:29:34.520
<v Speaker 2>He's just he's a nice guy. You know. I hope

0:29:34.680 --> 0:29:35.680
<v Speaker 2>that Quincy gets out.

0:29:36.880 --> 0:29:38.480
<v Speaker 1>Does he have hope? Do you feel like you can

0:29:38.520 --> 0:29:40.880
<v Speaker 1>feel it? Yeah?

0:29:41.200 --> 0:29:46.200
<v Speaker 2>I cried so much during this, but especially when David

0:29:46.760 --> 0:29:49.320
<v Speaker 2>looked at us in the eyes and said, I'm afraid

0:29:49.320 --> 0:29:53.800
<v Speaker 2>I'll die before he gets out of prison. They're both old.

0:29:54.040 --> 0:29:59.520
<v Speaker 2>David's old, Joe is old. They're old men, and they

0:29:59.520 --> 0:30:04.520
<v Speaker 2>both the same thing, and it's really sad that the

0:30:04.640 --> 0:30:09.080
<v Speaker 2>law in Kentucky's denying these two men those answers.

0:30:10.880 --> 0:30:12.600
<v Speaker 1>Well, Maggie, I just it's been a pleasure to talk

0:30:12.640 --> 0:30:14.480
<v Speaker 1>to you. I cannot wait to hear the rest of

0:30:14.800 --> 0:30:17.800
<v Speaker 1>Graves County. And I just really want to commend you

0:30:17.840 --> 0:30:19.960
<v Speaker 1>on the work, because it's very hard to loop me

0:30:20.000 --> 0:30:21.800
<v Speaker 1>in on these stories, but this one is just grabbed

0:30:21.840 --> 0:30:24.040
<v Speaker 1>me from the start, and as I said, a lot

0:30:24.080 --> 0:30:26.719
<v Speaker 1>of jaw dropping moments which must have been so much

0:30:26.760 --> 0:30:27.120
<v Speaker 1>fun for.

0:30:27.080 --> 0:30:30.200
<v Speaker 2>You to report on exactly. Thank you. It's always great

0:30:30.240 --> 0:30:33.000
<v Speaker 2>talking with you. And maybe we'll get a drink.

0:30:32.800 --> 0:30:48.200
<v Speaker 1>After this sounds good. The first two episodes of Graves

0:30:48.240 --> 0:30:51.760
<v Speaker 1>County will be out on July thirtieth, right here in

0:30:51.800 --> 0:30:55.920
<v Speaker 1>the Bone Valley Feed. Subscribers to Lava for Good plus

0:30:55.960 --> 0:30:58.720
<v Speaker 1>on Apple Podcasts will be able to listen to the

0:30:58.880 --> 0:31:00.440
<v Speaker 1>entire series the same day.