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Speaker 1: Wake that ass up in the morning.

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Speaker 2: The Breakfast Club.

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Speaker 3: Morning, Everybody's d j Envy, Jess Hilarious, Charlamagne, the guy

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Speaker 3: we are the Breakfast Club just is on maternity leave.

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Speaker 3: So Laura La Rose is filling in. And we got

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Speaker 3: our niece with us today, Nyla.

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Speaker 2: Big Nyla.

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Speaker 3: All right, And we got a special guest in the building.

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Speaker 3: We have October London.

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Speaker 2: Welcome brother. Good morning, sir, Good morning. How do you feeling.

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Speaker 1: I feel good? Feel good?

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Speaker 2: Man. Is it hard to put on the double Vestitude

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Speaker 2: and tie ensemble in.

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Speaker 1: The morning, Not at all. I actually love it. Fresh

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Speaker 1: look very fresh, Yeah for sure. Sometimes I sleeping on

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Speaker 1: the bus.

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Speaker 2: Now you're signed to death row Yeah with Snoop.

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Speaker 3: Yeah, now talk about how you got the deal and

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Speaker 3: how he heard you and how that all came together.

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Speaker 1: I don't know, yeaheah. So I was actually on my

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Speaker 1: way to graduating truck driving school truck and school truck

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Speaker 1: and school. No, I quit right before some times. Yeah,

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Speaker 1: I was a.

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Speaker 2: Lot of trucks. I just don't like how they drive.

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Speaker 1: Yeah, it's a lot to it. But I was about

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Speaker 1: to I didn't. I didn't do it because I end

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Speaker 1: up linking up with Jazzy Fay. I ended up, you know,

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Speaker 1: linking up with him through a friend of a friend,

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Speaker 1: and I got his number and I text him like, Yo,

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Speaker 1: I got these records, you know, blah blah blah blah.

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Speaker 1: But I was sending them records. They were rap records,

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Speaker 1: their records for future, their records for all these other artists.

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Speaker 2: You were producing.

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Speaker 1: Yeah, yeah, I was producing, you know. I was writing

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Speaker 1: them all. Oh yeah, yeah, putting hooks on him. And

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Speaker 1: I happened to just kind of sneak in one of

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Speaker 1: my songs that I did call color Blind that had

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Speaker 1: that kind of Marvin lane, and I sent it to him.

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Speaker 1: I just waited, and he hit me back and was like, Yo,

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Speaker 1: you got some you got some heat, you know, linking

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Speaker 1: up with somebody. He didn't tell me who it was.

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Speaker 1: He was like, I'm not gonna tell you what it

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Speaker 1: is or anything like that, but I'm looking over with somebody,

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Speaker 1: like really important legend in the game. I might play

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Speaker 1: it for him. I was like, oh, awesome, cool, Yeah, yeah,

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Speaker 1: you know, it's I've been through the Ringer, you know,

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Speaker 1: so I'm like, all right, cool, whatever, whatever, you know.

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Speaker 1: So I kept going back to school all that kind

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Speaker 1: of stuff as far as trucking and and come. But

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Speaker 1: we kept, you know, conversation on and off. So that

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Speaker 1: was like that was like December when I got to

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Speaker 1: talking to him first. So fast forward to about February

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Speaker 1: and he hit me up and he was like, yo,

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Speaker 1: you remember I told you I was gonna play your

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Speaker 1: records for someone. I was like yeah. He was like,

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Speaker 1: I'm gonna have him call you or we're gonna call

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Speaker 1: you together and you can talk to him and he can,

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Speaker 1: you know, tell you what's up. I was like, all right, cool,

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Speaker 1: this was twenty sixteen now, yeah, yeap to sixteen. And

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Speaker 1: the night before the Super Bowl he hit me up

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Speaker 1: and was like, yo, I got that person online. Hold

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Speaker 1: on a second, and he was with him and he

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Speaker 1: was like, yeoh it's the big homie Snoop dog Man.

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Speaker 1: I'm a big fan. I was like, oh, how did

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Speaker 1: you feel? I honestly, I was like this, this has

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Speaker 1: got to be a joke. I'm like, you know, at

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Speaker 1: that point, I'm like, nah, this can't be real. And

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Speaker 1: yeah it was. It was real. And he was like, Yo,

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Speaker 1: I'm gonna fly you out. Me and Jazzy gonna link

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Speaker 1: up talk about you know how we're gonna do this.

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Speaker 1: We're gonna do it together. Said okay, cool, And a

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Speaker 1: couple of days after that he was like, YOA, we're

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Speaker 1: gonna fly you out around March, so you know, got

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Speaker 1: there March sixteen, two thou and that was a wrap.

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Speaker 1: That's when I met him.

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Speaker 4: But why why just throw away to CEDL dream? We

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Speaker 4: need a lot more shut up?

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Speaker 1: Man?

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Speaker 2: But I mean he was right there.

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Speaker 1: He was, I was right there, but I don't know.

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Speaker 1: It just wasn't. It wasn't. It wasn't for me at that.

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Speaker 1: I mean, I'm not gonna pass up opportunity to.

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Speaker 4: I'm asking I guess the question I'm really asking about

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Speaker 4: it just faith, Like, how does your discernment say, man,

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Speaker 4: even though I've been doing this for so long and

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Speaker 4: I'm right there, I'm gonna have faith in this situation

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Speaker 4: over here to pull come through.

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Speaker 1: I don't know. I believe in God. So I just

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Speaker 1: kind of was going off for him, and I really

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Speaker 1: was like, no, this is gonna be messed up. You

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Speaker 1: need to go stick with this due to nine to five.

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Speaker 1: It's just gonna be another obstacle. You're not gonna make

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Speaker 1: it the same thing I've been doing for years. At

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Speaker 1: this point, I've been oh, it's about to be on.

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Speaker 1: Oh now, it's not happening. It's about to be on always.

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Speaker 1: I've done that several times over. So at first I

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Speaker 1: was kind of skeptical. I was like, man, you're gonna

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Speaker 1: go out here, was gonna hear your music. It's gonna say, okay, cool,

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Speaker 1: You're gonna do one song. It's not gonna go nowhere.

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Speaker 1: I'm thinking a million things. And it just happened, you know,

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Speaker 1: it just we got there, me and him click. You know,

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Speaker 1: me and him both are libras. So we did one song.

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Speaker 1: He played one beat. He's like, yo, I want you

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Speaker 1: to hear this track. He played it got it's called

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Speaker 1: top Down. I think it's out still. And he played

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Speaker 1: that record and I instantly started, you know, writing to it,

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Speaker 1: and I had a hook really quick, and he was like, damn, okay,

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Speaker 1: all right. He's like going to the studio and you know,

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Speaker 1: record it, went in there, recorded it, he put his

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Speaker 1: verse on there. He's like, all right, let me do

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Speaker 1: something else. Put it another beat and I did that

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Speaker 1: one really quick and he was like, okay, So you

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Speaker 1: got a little work ethic and then me and him

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Speaker 1: for the next six months, maybe three to six months,

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Speaker 1: just back and forth working at it. Chose like work

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Speaker 1: ethic because he was like, okay, you you're for real,

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Speaker 1: You're free.

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Speaker 5: How did your family feel about you being like, oh, okay,

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Speaker 5: I was this close, but I'm gonna just go over

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Speaker 5: here and do this thing because they've been riding aways

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Speaker 5: with you, right Yeah.

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Speaker 1: Yeah, they've been riding and raised with me for a

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Speaker 1: long time. But they've been really supportive. Family friends, everybody's

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Speaker 1: been supportive. I don't know how many times I've all

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Speaker 1: my boy Jamie, but.

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Speaker 2: They in the business. Though.

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Speaker 3: Your mom's a singer of your dad.

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Speaker 1: My dad was. My dad was in the business. Yeah,

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Speaker 1: my dad was in the business. He toured and you know,

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Speaker 1: to with Earth Wind and Fire and all that probably

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Speaker 1: opening up for him something like that, but it never

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Speaker 1: really reached this level. So he's a static gotcha.

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Speaker 5: So that's where your soul for like, your household was

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Speaker 5: full of music.

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Speaker 1: Absolutely, I hear it all the time.

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Speaker 2: Absolutely.

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Speaker 1: Yeah. I grew up on before even listening to even rapper,

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Speaker 1: even Snooper any thing. I was listening to Earth Wind

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Speaker 1: and Fire. I was listening to confunction. I was just

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Speaker 1: not you know, so many artists, Frankie Beverly rest in peace.

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Speaker 2: You know.

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Speaker 1: So I've been listening to old school for a while

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Speaker 1: and then I started listening to jazz and I started

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Speaker 1: getting into that more, a little bit of Miles Davis.

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Speaker 1: So as far as music goes, I'm all.

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Speaker 2: Across the board.

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Speaker 6: Now where were you before you got the call to

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Speaker 6: go to LA Because how does the truck driver connect

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Speaker 6: with Jassey fay Well?

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Speaker 1: I mean, you know, it was just because my boy

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Speaker 1: knew somebody that knew something. It was. It was that

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Speaker 1: whole you gotta know somebody kind of aspect to it. So,

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Speaker 1: you know, my boy DeMarco Black called me and was like, Yo,

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Speaker 1: come over to the house. I got this contact. I

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Speaker 1: was like, all right, Cool. I was like, man, I

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Speaker 1: really don't want to do this. Man, I'm doing this.

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Speaker 1: I'm about to do this nine to five things. Man,

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Speaker 1: I'm tired. I don't want to you know. I went

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Speaker 1: over there. I was like, okay, cool, let's let's make

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Speaker 1: this call. And then we ended up making a call

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Speaker 1: in it. It just worked out.

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Speaker 6: Were you doing all of this in Indiana or did

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Speaker 6: you like venture out to another.

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Speaker 1: Yeah, I was doing all this in South Bend, Indiana.

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Speaker 2: Yeah, South Bend, Indiana, that's where Mayor Pete used to

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Speaker 2: be used to be.

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Speaker 1: That's right. Yeah, yeah, he gave me a proclamation before

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Speaker 1: he dipped out office.

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Speaker 4: What kind of time today? That must be like a

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Speaker 4: progressive time if they like the first well, I don't.

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Speaker 2: Know if he's the first game man. He had to

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Speaker 2: be the first game man of South Bend.

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Speaker 1: Right, yeah, I mean it's up. Yeah, you have Notre Dame.

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Speaker 1: I live right across street from Notre Dame, so yeah,

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Speaker 1: so you have that. But yeah, it's a college town.

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Speaker 1: It's you know, it's not too small and it's not

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Speaker 1: it's not a big town at all.

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Speaker 2: But yeah, he gave you what the key to the city.

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Speaker 1: No, no, he gave me the option. He said, either

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Speaker 1: I can give you the key to the city, because

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Speaker 1: he had heard Colorblind and saw where I was going

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Speaker 1: with it. And it's not South Bend. It's definitely not

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Speaker 1: musically inclined at all. It's more sports. It's Notre Dame

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Speaker 1: or it's Colt so it's all that kind of stuff.

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Speaker 1: So he was like, you can either a Keida city,

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Speaker 1: you can have the proclamation. I was like, okay, well

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Speaker 1: was the key to the city even open up? But it's like,

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Speaker 1: you know nothing, but you could have this proclamation and

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Speaker 1: I was like yeah, yeah. I was like, well, I

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Speaker 1: mean I knew, but I was just like I was

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Speaker 1: kind of being you know, I was joking, joking like yeah,

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Speaker 1: what door is? Like what is this? Are you know

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Speaker 1: what am I getting out for this? And he was

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Speaker 1: like no, it's just you know. I was like no.

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Speaker 1: I was like, no, I'm good. I was like, what's proclamatic?

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Speaker 3: Yeah, just let it just go?

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Speaker 2: A great dude piece a gret dude.

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Speaker 1: Yeah yeah, no, No, he's good. He's good. So it

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Speaker 1: was like the proclamation you have your own day and

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Speaker 1: they have to celebrate you for the rest of your

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Speaker 1: life on this day. And I was like, I'll take that.

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Speaker 2: Now. You signed to death Row?

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Speaker 3: Was were you nervous to sign the death or because

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Speaker 3: this was the relaunch of death Row and I'm sure,

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Speaker 3: you know, with with icons like pop and Snoop and

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Speaker 3: DPG and all that, I'm sure people were assuming the

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Speaker 3: first one was gonna be a rapper, right, a hardcore rapper.

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Speaker 1: But it was it was you. Was you nervous at all. Absolutely, yeah,

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Speaker 1: I just knew. I was in the room when he

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Speaker 1: was finishing the call, like deals done, okay cool. I

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Speaker 1: was like, bad, oh, this is gonna be dope for you, man,

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Speaker 1: you know, gonna find some dope wrapper out of la

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Speaker 1: or somewhere like that. And he was like, no, no, no,

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Speaker 1: it's gonna be you. I'm like, what, like that don't

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Speaker 1: even make sense. This is a gangst the rap label.

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Speaker 1: Like I thought we was doing this other thing. He

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Speaker 1: was like, no, no, no, You're gonna be the flagship for

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Speaker 1: death Row. I been to learn how to crip. Well

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Speaker 1: yeah like that really you know, I'm working on it,

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Speaker 1: but I'm just like, man, I don't know if that's

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Speaker 1: gonna work out, but it's snoop. You kind of roll

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Speaker 1: with that and it worked out. It was just we're like,

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Speaker 1: we're gonna put out this R and B album. Whatever

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Speaker 1: this R and B album is gonna be. We didn't

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Speaker 1: figure out what it was. He knows I'm a multi

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Speaker 1: genre artist, so he's like, we're gonna figure it out

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Speaker 1: along the way, but you're gonna be the first person

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Speaker 1: that we put out.

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Speaker 6: And I was then your death Row like legacy like

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Speaker 6: Doctor Dre or Sugar like commented on your work.

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Speaker 1: Uh yeah, Doctor Dre has for sure. Yeah. Yeah, I've

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Speaker 1: been in the studio with doctor Dre several times. I'm

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Speaker 1: actually on the new uh drean Snoop album that's coming out.

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Speaker 2: This year Missionary.

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Speaker 1: Yeah, missionary crazy title. I love it. I love it.

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Speaker 1: So I've I've been able to hear that whole album

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Speaker 1: in full. That album sounds incredible, by the way, so

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Speaker 1: shout out to Dreams.

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Speaker 4: So on that level, is it cause you know, a

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Speaker 4: lot of expectation Dre and Snoop. He's saying is to

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Speaker 4: follow up the doggy starts, a lot of expectation.

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Speaker 1: It's it's amazing.

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Speaker 2: It meets the mark.

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Speaker 1: Yeah, it hits the mark definitely. So you know, Dre

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Speaker 1: Dre definitely loves my music. I've played the other stuff too,

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Speaker 1: but he really loves And even that track that I'm

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Speaker 1: on is very Marvin Gay esque because he you know,

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Speaker 1: he loves Marvel.

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Speaker 6: Now I'm being nosy. Is the project cohesives? Like is

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Speaker 6: there a message with a missionary or like I.

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Speaker 1: Don't want to give too much? Yeah, I don't want

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Speaker 1: to give too much. I don't want to you know,

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Speaker 1: I don't need Drake calling me. I do not need that.

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Speaker 4: What happened with the Marvin Gate wasn't Dre doing the

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Speaker 4: mark what they were doing a Marvin Gaatee movie and

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Speaker 4: he was doing the soundtrack.

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Speaker 2: Were you involved in that?

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Speaker 1: Yeah, yeah, that's what I heard. I heard that there

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Speaker 1: was a soundtrack or something like that, or a movie,

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Speaker 1: but I don't know where it was going. And I

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Speaker 1: think I was going to be a part of that.

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Speaker 1: But I haven't really heard anything on this. I don't know.

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Speaker 2: When you put out the Rebirth of Marvin, I thought

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Speaker 2: you was a bug.

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Speaker 1: I know I saw it.

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Speaker 2: I saw it because I felt like you were putting

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Speaker 2: too much pressure on yourself.

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Speaker 4: Because when you compare yourself the mythical I ghosts like Marvin,

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Speaker 4: that's an impossible bar to reach.

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Speaker 2: So what was your mindset?

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Speaker 1: I know you put that up. I didn't that album

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Speaker 1: was not supposed to come out. That album was that.

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Speaker 1: I wasn't trying to be Marvin, not trying to fill

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Speaker 1: his shoes. I'm not trying to do any of that.

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Speaker 1: As not what I was trying to do. Like I said,

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Speaker 1: I'm a multi genre artists. I just go off of vibes.

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Speaker 1: So if I'm feeling, oh today, I'm gonna do pop today,

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Speaker 1: then I'm gonna go in the studio probably knock out

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Speaker 1: a whole pop album real quick, and I'm gonna go

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Speaker 1: ahead and set the sidecause that's what I'm feeling. So

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Speaker 1: I go off of feeling, you know, feeling the music

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Speaker 1: and what I'm you know, what I'm feeling at that time.

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Speaker 1: So I was in the studio and if you've been

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Speaker 1: to Snoops compound, he plays music twenty four hours a day,

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Speaker 1: seven days a week through the hallways. And at that time,

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Speaker 1: I was in the studio just going through stuff and

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Speaker 1: trying to figure out what track I was gonna do next,

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Speaker 1: and Marvin played like three four times, so then instantly

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Speaker 1: in my head, I'm already in that zone. So I

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Speaker 1: was like, okay, cool. Then Snoop sent over a track

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Speaker 1: and I was like, oh, this is dope. And then

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Speaker 1: I started doing it and I was like, oh, it

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Speaker 1: sounds a little bit Marvin, but I'm just gonna keep

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Speaker 1: doing it.

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Speaker 2: Whatever.

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Speaker 1: Liked it so much, so I was like, I'm gonna

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Speaker 1: do another track, and then Snoop came in and was like, Yo,

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Speaker 1: this is really dope, let me know when you you know,

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Speaker 1: finished with it, because he knows I like to work

300
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Speaker 1: and like, I like to work in spurts, so I

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Speaker 1: don't do just one track and go to next. Like

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Speaker 1: I'm like, well, if I've done too I might as

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Speaker 1: well do eight more and make it an album. And

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Speaker 1: I just put it up. I have a bunch of records,

305
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Speaker 1: just put up. I finished the record in like a week.

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Speaker 1: Rebirth of Marvin was done in the week. I pretty

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Speaker 1: much freestyled the whole thing as far as freestyle, and

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Speaker 1: I know it's different, but it's like going up to

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Speaker 1: the mic and just kind of saying what I feel.

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Speaker 1: Did that Like Back to Your Place was done in

311
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Speaker 1: an hour. My Holland Drive was done the hour. Both

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Speaker 1: of those went number one. So that's how I do

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Speaker 1: all of my music. So I put it away. I

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Speaker 1: was like, all right, that was fun. I was in

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Speaker 1: that Marvin Lane Gray, let me put aside. Now let

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Speaker 1: me get on this Bryce and Tiller lane real quick,

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Speaker 1: because that's what I wanted to put out. That's what

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Speaker 1: I thought Dog wanted me to do, and that's not

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Speaker 1: what happened. Dog came in and it was like, what

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Speaker 1: you're doing I'm like, oh, I'm just putting it up.

321
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Speaker 1: I'm gonna start on this. He was like no, no, no, no, no, no, no,

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Speaker 1: we're putting this out. I was like, no, nobody want

323
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Speaker 1: to hear old School right now. It's like, trust me,

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Speaker 1: this is the lane is open. Nobody's doing it right now.

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Speaker 1: Let's just do it all right. Cool, but it sounds

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Speaker 1: a little bit like Marvin. It's like, no, I don't

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Speaker 1: worry about that. I'm like, they're gonna chew me. They're

328
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Speaker 1: gonna chew my ass up. So you know, we started

329
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Speaker 1: sitting with the album Back to Your We put it out.

330
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Speaker 1: We didn't even pick a single. We let the audience pick.

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Speaker 1: They picked back to Your Place. They picked mahaland drive.

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Speaker 2: You know many girls. I know that I love back

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Speaker 2: to You for real?

334
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Speaker 7: Yes, that song is I didn't even know.

335
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Speaker 5: I forget what I was playing, but I think it

336
00:12:34,120 --> 00:12:35,360
Speaker 5: might have been made me on Instagram.

337
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Speaker 7: But that song.

338
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Speaker 5: I was like, what is this song? I was telling

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Speaker 5: Envy that like that is how I found you because

340
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Speaker 5: of the song. I didn't know who you were. And

341
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Speaker 5: then I heard the song and I was like, who

342
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Speaker 5: is october Line? I started googling I'm like, death Row,

343
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Speaker 5: like it just.

344
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Speaker 6: All of it.

345
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Speaker 7: Yeah, but it made me I was so interested.

346
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Speaker 5: I'm like, Okay, if death Row is going to go

347
00:12:51,360 --> 00:12:54,079
Speaker 5: for this type of sonic sound, he has to be talented.

348
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Speaker 5: So it made me want to listen to more because

349
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Speaker 5: it just was completely different than what I thought it

350
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Speaker 5: would be. But I know that, like some people did

351
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Speaker 5: have things to say, but a lot of people love

352
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Speaker 5: the music because it sounds good.

353
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Speaker 7: But I know that.

354
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Speaker 5: La gret Ziola gay who's Marvin Gaye's sister, she had

355
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Speaker 5: made some comments that she liked the music, but she

356
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Speaker 5: did say that she was just confused why you would

357
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Speaker 5: want to sound like another person and not do original songs?

358
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Speaker 7: Like what do you get out of it? Did you

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Speaker 7: get to have a conversation with.

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Speaker 1: Her family or yeah? I did?

361
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Speaker 6: You know?

362
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Speaker 1: She was seemed like she was mad as hell at me,

363
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Speaker 1: which I knew that was going to happen. I was like,

364
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Speaker 1: you know, and Dog wanted the name it Rebirth, and

365
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Speaker 1: Marvin I did not. I was like, let's just call

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Speaker 1: it the Rebirth. I tried to push towards that, but

367
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Speaker 1: you know, I'm following. You know. At this point, I'm like, Okay,

368
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Speaker 1: all right. You know, Dog has a plan. He's gonna

369
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Speaker 1: go with it. He's been right this whole time. I've

370
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Speaker 1: been with him for a long time. I know him.

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Speaker 1: Let's just do that. And we called it Rebirth and

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Speaker 1: Marvin because that's what he wanted to Tyler. And then yeah,

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Speaker 1: she was not happy about that because she was like, yeah,

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Speaker 1: you can sing, that's great, but you sound like my

375
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Speaker 1: brother little bit and it's freaking me out. And I

376
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Speaker 1: was like, that's cool. I just wish she at that

377
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Speaker 1: point she didn't go, you know, on wax and say

378
00:14:02,240 --> 00:14:04,560
Speaker 1: also stuff. Yeah, and just I wish he just would

379
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Speaker 1: have called me or called Dog or somebody like that,

380
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Speaker 1: because then people got on her that love my music,

381
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Speaker 1: that love back to your place. So then they attacked her,

382
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Speaker 1: and I'm like, we have to stop this. But then,

383
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Speaker 1: you know, we end up getting on a call together,

384
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Speaker 1: me and a few of the other family members and

385
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Speaker 1: they were like, we completely support you. We understand now

386
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Speaker 1: that you're not trying to be Marvin. You don't even

387
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Speaker 1: want to fill his shoes or anything like that. You

388
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Speaker 1: were just in a vibe and I was like, that's

389
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Speaker 1: what I've been trying to tell everyone, Like that's not me.

390
00:14:30,240 --> 00:14:31,560
Speaker 1: I was just feeling something for.

391
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Speaker 3: People that never heard you, right, Because we're introducing you

392
00:14:34,280 --> 00:14:36,760
Speaker 3: to some people that might not never heard you listening,

393
00:14:36,840 --> 00:14:39,280
Speaker 3: some people might think that you are mimicking artist, right

394
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Speaker 3: because you just said I was in a Marvin zone

395
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Speaker 3: and then I was in a Brison zone.

396
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Speaker 1: Yeah.

397
00:14:42,960 --> 00:14:45,080
Speaker 2: Yeah, So even on the new album, it's like old

398
00:14:45,120 --> 00:14:45,560
Speaker 2: sounds like.

399
00:14:45,840 --> 00:14:48,360
Speaker 3: Kelly a little bit. So who is O Tooler London?

400
00:14:48,440 --> 00:14:50,360
Speaker 3: And where what does the sound come from? Because when

401
00:14:50,360 --> 00:14:51,560
Speaker 3: I when I first heard I thought it was like, well,

402
00:14:51,600 --> 00:14:53,840
Speaker 3: that's his voice. He can't change his voice. It sounds

403
00:14:53,840 --> 00:14:56,040
Speaker 3: like Marvin. He sounds like Marvin. But who is I

404
00:14:56,160 --> 00:14:56,800
Speaker 3: toober London?

405
00:14:56,840 --> 00:14:57,000
Speaker 2: Then?

406
00:14:57,160 --> 00:15:00,600
Speaker 1: Yeah, October one is okay. So this new album, ober Nights,

407
00:15:01,040 --> 00:15:03,400
Speaker 1: it's more of a transitional album. It's getting out of

408
00:15:03,400 --> 00:15:05,720
Speaker 1: that lane. I'm finally being like, okay, guys, let's get

409
00:15:05,760 --> 00:15:08,000
Speaker 1: away from this. When it's when you start the album,

410
00:15:08,320 --> 00:15:11,360
Speaker 1: you know you have uh you have touch on me

411
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Speaker 1: and all those records like that, and then yeah, like

412
00:15:13,840 --> 00:15:16,880
Speaker 1: you said, r Kelly's been you know, my top number

413
00:15:16,920 --> 00:15:18,880
Speaker 1: one artist because I mean the writing style, I mean,

414
00:15:18,920 --> 00:15:21,600
Speaker 1: come on, it's Kels. Then once you get towards the

415
00:15:21,680 --> 00:15:24,240
Speaker 1: end of the album where you have a big record

416
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Speaker 1: called time, that's me, you know what I'm saying, Like

417
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Speaker 1: those records, that's me, like enjoying myself. And then the

418
00:15:30,280 --> 00:15:32,680
Speaker 1: third album obviously when I whenever I do that, then

419
00:15:32,680 --> 00:15:34,240
Speaker 1: you're gonna get all of me. But right now, it's

420
00:15:34,280 --> 00:15:36,560
Speaker 1: just kind of showing people that I can do these

421
00:15:36,600 --> 00:15:40,360
Speaker 1: waves and I know that we're missing this sound. I'm

422
00:15:40,360 --> 00:15:43,800
Speaker 1: not necessarily taken from everybody. I just have been listening

423
00:15:43,840 --> 00:15:46,960
Speaker 1: to everybody so much like Kels and Ronald Esey and

424
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Speaker 1: all that. I just take this a little bit, put

425
00:15:49,040 --> 00:15:51,160
Speaker 1: it here, but I don't really take from them. I'm

426
00:15:51,160 --> 00:15:53,400
Speaker 1: just taking that vibe to give you that vibe, give

427
00:15:53,400 --> 00:15:56,520
Speaker 1: you that love and that pain, and that that you

428
00:15:56,560 --> 00:15:58,720
Speaker 1: know what you feel, what we've been feeling for years.

429
00:15:59,240 --> 00:16:02,400
Speaker 6: So this is a transition project. I still feel like

430
00:16:03,040 --> 00:16:05,960
Speaker 6: sonically production kind of sounds cohesive. Do you have like

431
00:16:06,000 --> 00:16:08,720
Speaker 6: a built in team that you worked with or did

432
00:16:08,760 --> 00:16:10,880
Speaker 6: you decide to work with new people for this project?

433
00:16:11,120 --> 00:16:14,280
Speaker 1: I mean usually usually, and Snoop will tell you usually,

434
00:16:14,280 --> 00:16:17,760
Speaker 1: I do everything myself, Like I I write, I produce

435
00:16:18,480 --> 00:16:22,120
Speaker 1: a mix, I master, I engineer myself because I'm like,

436
00:16:22,320 --> 00:16:24,480
Speaker 1: I gotta get it done right now, Like I feel

437
00:16:24,520 --> 00:16:25,800
Speaker 1: something I need to get done. I don't want to

438
00:16:26,200 --> 00:16:28,200
Speaker 1: sit here and be like, oh, hey, engineer, what's up.

439
00:16:28,680 --> 00:16:30,400
Speaker 1: I can be there at four o'clock. No, no, no, no,

440
00:16:30,520 --> 00:16:32,800
Speaker 1: I gotta feel this now. So I learned to do

441
00:16:32,840 --> 00:16:36,840
Speaker 1: all this stuff on my own, so I do on

442
00:16:36,880 --> 00:16:39,760
Speaker 1: this album on October Nights. I teamed up with producers

443
00:16:39,800 --> 00:16:43,480
Speaker 1: like Jeff Giddy, Pooh Bear. I got with baby Face,

444
00:16:45,120 --> 00:16:47,640
Speaker 1: you know, obviously Snoop executive produced the album as well,

445
00:16:47,960 --> 00:16:50,600
Speaker 1: and I got with my my homie Superfly. Also, everybody

446
00:16:50,640 --> 00:16:53,080
Speaker 1: knows Superfly, so yeah, legend in the game. So he

447
00:16:53,120 --> 00:16:57,320
Speaker 1: came through put his spin on it as well, and

448
00:16:57,360 --> 00:16:59,360
Speaker 1: it came out really It came out really well because

449
00:16:59,360 --> 00:17:01,960
Speaker 1: we had kind of went through a thing where I submitted,

450
00:17:02,000 --> 00:17:03,640
Speaker 1: like this album. You're like, all right, let's change this,

451
00:17:03,720 --> 00:17:06,199
Speaker 1: let's put horns here, let's do this, and it just

452
00:17:06,320 --> 00:17:07,679
Speaker 1: turned out so beautiful. I love it.

453
00:17:07,680 --> 00:17:09,800
Speaker 4: I would love to know what the Baby Fath sessions

454
00:17:09,800 --> 00:17:12,359
Speaker 4: were like, because I know Babyfaith, he didn't want you

455
00:17:12,440 --> 00:17:13,919
Speaker 4: to come in on nothing except for you.

456
00:17:14,000 --> 00:17:16,760
Speaker 2: I'm sure what was that energy?

457
00:17:16,840 --> 00:17:19,560
Speaker 1: Like? It was good energy, man. We pulled up. He

458
00:17:19,600 --> 00:17:21,879
Speaker 1: was just ready to get down to business. Like immediately,

459
00:17:22,160 --> 00:17:24,520
Speaker 1: there was no oh, let's kick it in, chill, let's eat,

460
00:17:24,600 --> 00:17:26,280
Speaker 1: let's have a little breakfast and all. He was just

461
00:17:26,320 --> 00:17:28,520
Speaker 1: like are you ready. I'm like, yeah, let's go in there.

462
00:17:29,240 --> 00:17:31,720
Speaker 1: And we did the session. We knocked it out. It

463
00:17:31,720 --> 00:17:34,080
Speaker 1: didn't even take all day. Really, he went to writing it.

464
00:17:34,160 --> 00:17:36,399
Speaker 1: I just let him do his thing, because you know,

465
00:17:36,400 --> 00:17:38,000
Speaker 1: you're in front of a legend. I'm not trying to

466
00:17:38,000 --> 00:17:39,840
Speaker 1: be like, well, I do this, and I'm not about

467
00:17:39,880 --> 00:17:41,000
Speaker 1: to do I'm about to sit here and what you

468
00:17:41,040 --> 00:17:44,520
Speaker 1: need me to do coaching, Like yeah, I mean yeah,

469
00:17:44,520 --> 00:17:47,040
Speaker 1: he did man in the lab. We actually, yeah, it

470
00:17:47,080 --> 00:17:49,159
Speaker 1: was a lot. I'm not going okay, I can't. I

471
00:17:49,200 --> 00:17:51,040
Speaker 1: can't hold it was a lot. And he knows it

472
00:17:51,080 --> 00:17:52,960
Speaker 1: was a lot because I was like, oh, it was

473
00:17:52,960 --> 00:17:55,600
Speaker 1: funny because we were doing the takes. He was like, oh, okay,

474
00:17:55,640 --> 00:17:57,199
Speaker 1: let's do this first take of this and I do

475
00:17:57,280 --> 00:17:59,440
Speaker 1: the line. I was like, card, let's do it again,

476
00:18:00,080 --> 00:18:02,520
Speaker 1: do the line. I'm like, okay, that second one was perfect.

477
00:18:02,880 --> 00:18:04,679
Speaker 1: We're good. That's what I want to say. All Right,

478
00:18:04,680 --> 00:18:06,359
Speaker 1: we're good, let's go. Let's go to the next sign.

479
00:18:06,359 --> 00:18:12,280
Speaker 1: He's like, nah, let's do it again and again. I'm like, okay,

480
00:18:12,440 --> 00:18:14,440
Speaker 1: all right, okay, cool, I will do it. And he's like,

481
00:18:14,480 --> 00:18:15,800
Speaker 1: all right, cool, now you're ready to really do it.

482
00:18:15,840 --> 00:18:17,840
Speaker 1: I'm like, I thought we were just doing it. I

483
00:18:17,880 --> 00:18:19,240
Speaker 1: thought that was it. He was like, oh no, I

484
00:18:19,280 --> 00:18:20,840
Speaker 1: wasn't recording at all. I was just making sure you

485
00:18:20,840 --> 00:18:21,880
Speaker 1: were on top of it.

486
00:18:21,960 --> 00:18:23,400
Speaker 2: I thought the classes get made though.

487
00:18:23,560 --> 00:18:26,359
Speaker 1: I'm like, okay, cool. So see, and that's I'm not

488
00:18:26,560 --> 00:18:28,960
Speaker 1: used to that. I'm used to, Like I said, back

489
00:18:28,960 --> 00:18:31,520
Speaker 1: to your place one take boom the first lign, it

490
00:18:31,560 --> 00:18:33,480
Speaker 1: was just boom, boom, boom. I just make it quickly.

491
00:18:33,480 --> 00:18:36,800
Speaker 1: And even when I told him that, he was like, yeah, no, impossible, Like, no,

492
00:18:37,040 --> 00:18:39,000
Speaker 1: that's how I do my record. So he was like, oh,

493
00:18:39,040 --> 00:18:42,200
Speaker 1: so I'm really at this point, you know, like putting

494
00:18:42,200 --> 00:18:44,000
Speaker 1: you through it. I was like, yeah, but it's cool, man,

495
00:18:44,040 --> 00:18:46,320
Speaker 1: it's all good. I'm ready to learn.

496
00:18:46,440 --> 00:18:46,960
Speaker 2: It's all good.

497
00:18:47,160 --> 00:18:49,800
Speaker 4: Did you ever think in your life did you probably

498
00:18:49,840 --> 00:18:51,960
Speaker 4: signed the Ovial or did you ever want to sign

499
00:18:51,960 --> 00:18:52,359
Speaker 4: an Ovial?

500
00:18:52,680 --> 00:18:56,400
Speaker 1: Yeah? I did absolutely. I'm a fan of Drake, so yeah,

501
00:18:56,400 --> 00:18:59,480
Speaker 1: I definitely wanted to. I remember having conversations with Snoop like, hey,

502
00:19:00,160 --> 00:19:01,800
Speaker 1: you know who he should go to? Man, who I

503
00:19:01,800 --> 00:19:03,320
Speaker 1: should do some records? Let me go over here and

504
00:19:03,400 --> 00:19:05,360
Speaker 1: go to Drake. He's like, yeah, yeah, no, for sure, Yeah,

505
00:19:05,359 --> 00:19:06,880
Speaker 1: I'll call him all right? Cool? And then I wait

506
00:19:06,920 --> 00:19:07,800
Speaker 1: and Kendrick?

507
00:19:08,160 --> 00:19:08,639
Speaker 2: All that up?

508
00:19:10,680 --> 00:19:15,199
Speaker 1: Man, Kendrick, Yeah, that's a whole other thing. Yeah, but

509
00:19:15,359 --> 00:19:16,040
Speaker 1: I like them both.

510
00:19:16,080 --> 00:19:18,200
Speaker 2: Why did you ask that?

511
00:19:19,760 --> 00:19:21,560
Speaker 1: Yeah? So I wanted to be that, you know, I

512
00:19:21,600 --> 00:19:24,119
Speaker 1: was like, oh, October birthdays ten seventeen, this would be

513
00:19:24,200 --> 00:19:24,800
Speaker 1: perfect fit.

514
00:19:25,119 --> 00:19:27,160
Speaker 2: But or Gucci.

515
00:19:27,480 --> 00:19:30,200
Speaker 1: Gucci is ten seven. Yeah, yeah that's right, that's right.

516
00:19:30,240 --> 00:19:32,400
Speaker 1: But Snoop is a great, great fit. Man. I just love,

517
00:19:32,520 --> 00:19:35,440
Speaker 1: I really love. I'm actually a happy artist. Like I

518
00:19:35,440 --> 00:19:37,560
Speaker 1: talked to so many artists that are just so unhappy

519
00:19:37,640 --> 00:19:41,600
Speaker 1: and depressed, and you know, it's like they have people

520
00:19:41,640 --> 00:19:43,960
Speaker 1: over their shoulders all the time, and that's not what

521
00:19:44,040 --> 00:19:46,119
Speaker 1: happens at Death Throw. Snooper's like, hey, how are you

522
00:19:46,160 --> 00:19:49,320
Speaker 1: feeling this week? I'm feeling like a pop record? All right, cool,

523
00:19:49,480 --> 00:19:53,680
Speaker 1: call me when it's done. That's it. There's no stress

524
00:19:53,720 --> 00:19:57,240
Speaker 1: about it. There's no ah, we shouldn't do that. Let's

525
00:19:57,240 --> 00:19:57,680
Speaker 1: do it.

526
00:19:58,200 --> 00:20:00,919
Speaker 6: Being someone who has done it all for so long, like,

527
00:20:00,960 --> 00:20:04,520
Speaker 6: for yourself, what was the transition like having to take

528
00:20:04,600 --> 00:20:07,000
Speaker 6: the lead of like other people with your vision?

529
00:20:07,320 --> 00:20:10,680
Speaker 1: Tough, very because I've just been, like I said, I've

530
00:20:10,680 --> 00:20:16,200
Speaker 1: been doing this for so long, learning, doing this engineering thing,

531
00:20:16,359 --> 00:20:19,680
Speaker 1: doing the mixing, doing all this stuff, and I'm just like, Okay,

532
00:20:19,720 --> 00:20:21,520
Speaker 1: I can get this done. Because I look at a

533
00:20:21,520 --> 00:20:23,639
Speaker 1: lot of artists, it's like, oh yeah, I really want

534
00:20:23,880 --> 00:20:26,120
Speaker 1: Shah Day to drop another album. It's like, oh, eight

535
00:20:26,200 --> 00:20:30,000
Speaker 1: years later, I don't like it doesn't in my head

536
00:20:30,680 --> 00:20:32,639
Speaker 1: because I just taught myself. In my head, I'm like

537
00:20:32,800 --> 00:20:36,480
Speaker 1: to take that much. So and now look at other

538
00:20:36,640 --> 00:20:40,119
Speaker 1: arts too, and I'm like, well, you got all the resources,

539
00:20:40,119 --> 00:20:42,800
Speaker 1: you have everybody's number in your phone. Why isn't your

540
00:20:42,840 --> 00:20:46,200
Speaker 1: album getting done quicker? Like why aren't you? Maybe they're

541
00:20:46,200 --> 00:20:48,080
Speaker 1: not in the zone. Maybe they're getting pressured. I don't know.

542
00:20:48,200 --> 00:20:50,439
Speaker 1: I just like I said, I'm a happy artist, so

543
00:20:50,440 --> 00:20:55,720
Speaker 1: I'm not pressured by anything. I'm financially stable, like I'm good,

544
00:20:56,240 --> 00:20:57,639
Speaker 1: so I can go in the studio right now and

545
00:20:57,680 --> 00:20:59,200
Speaker 1: be like okay, cool, you need all right, I'll work

546
00:20:59,200 --> 00:21:01,119
Speaker 1: on the third album right now, or I work on

547
00:21:01,119 --> 00:21:03,240
Speaker 1: a country record, I work on a pot whatever. Because

548
00:21:03,280 --> 00:21:06,240
Speaker 1: he that's what helps me make great R and B

549
00:21:06,480 --> 00:21:10,080
Speaker 1: is by switching genres, taking a break because I don't

550
00:21:10,080 --> 00:21:11,880
Speaker 1: want to I don't want to be Marvin, So let

551
00:21:11,880 --> 00:21:13,159
Speaker 1: me not get too heavy in that back. Let me

552
00:21:13,200 --> 00:21:14,600
Speaker 1: go over here to the country real quick and write

553
00:21:14,600 --> 00:21:16,560
Speaker 1: this real quick and just take a break and then

554
00:21:16,560 --> 00:21:17,600
Speaker 1: go over here to something else.

555
00:21:17,680 --> 00:21:20,280
Speaker 3: I was tour with Maxwell and Jazmine.

556
00:21:19,920 --> 00:21:24,400
Speaker 1: Sellivan amazing, amazing, two great artists. Me and Maxweld close. Man,

557
00:21:24,640 --> 00:21:26,560
Speaker 1: He's just a really great dude, like he's been making

558
00:21:26,600 --> 00:21:30,639
Speaker 1: sure everybody's taking care of and just been amazing. The

559
00:21:30,680 --> 00:21:35,760
Speaker 1: crowd is just absolutely just I'm like, I'm in awe

560
00:21:36,080 --> 00:21:39,439
Speaker 1: of they saying word for word even my stuff, you know,

561
00:21:39,520 --> 00:21:41,639
Speaker 1: and me opening up for them like I did my

562
00:21:41,680 --> 00:21:44,879
Speaker 1: first tour in January, which sold out majority of the

563
00:21:44,920 --> 00:21:47,119
Speaker 1: tour and they were singing it. Then I was like,

564
00:21:47,320 --> 00:21:48,600
Speaker 1: I don't know if they're gonna do it this time.

565
00:21:48,680 --> 00:21:50,120
Speaker 1: They're doing it this time as well.

566
00:21:51,040 --> 00:21:54,160
Speaker 2: By that you said, even by stuff like yeah no,

567
00:21:54,240 --> 00:21:54,720
Speaker 2: because I.

568
00:21:54,760 --> 00:21:57,760
Speaker 1: Just in my head, I'm just still this dude in Soubn,

569
00:21:57,840 --> 00:22:00,320
Speaker 1: Indiana that's trying to make it. I'm still feel like

570
00:22:00,400 --> 00:22:03,480
Speaker 1: I'm going to the studio just trying to Oh, man,

571
00:22:03,480 --> 00:22:05,240
Speaker 1: I really hope they like it. I still have.

572
00:22:05,280 --> 00:22:07,560
Speaker 2: That slighting poster syndrome.

573
00:22:07,760 --> 00:22:10,480
Speaker 1: Yeah, I'm just like, I'm like, man, there's there's no way.

574
00:22:10,480 --> 00:22:12,600
Speaker 1: I don't think they're gonna like this. I don't snoops

575
00:22:12,640 --> 00:22:14,080
Speaker 1: heard me say. I don't think they're gonna like this

576
00:22:14,160 --> 00:22:16,359
Speaker 1: one hundred times over. I did not think they're gonna

577
00:22:16,359 --> 00:22:17,800
Speaker 1: like Rebirth of Marvin. I didn't think they're going to

578
00:22:17,920 --> 00:22:20,000
Speaker 1: back to your place. What I was like, No, there's

579
00:22:20,000 --> 00:22:22,840
Speaker 1: no way. I was like this ain't this ain't hot

580
00:22:22,920 --> 00:22:24,919
Speaker 1: right now? And they love it. And I'm like, okay,

581
00:22:25,160 --> 00:22:26,760
Speaker 1: So that's why I like letting the people decide.

582
00:22:26,800 --> 00:22:29,080
Speaker 4: But you let the real You let the You were

583
00:22:29,160 --> 00:22:32,200
Speaker 4: kind of letting the trends of R and B guide

584
00:22:32,240 --> 00:22:35,320
Speaker 4: you as opposed to what traditional R and B is,

585
00:22:35,400 --> 00:22:37,639
Speaker 4: because you make to me traditional R and B. But

586
00:22:37,720 --> 00:22:40,119
Speaker 4: you thought, because of the way people make R and

587
00:22:40,160 --> 00:22:42,560
Speaker 4: B now, they don't want to hear this tradition exactly.

588
00:22:42,640 --> 00:22:44,840
Speaker 1: That's exactly what I was thinking.

589
00:22:46,800 --> 00:22:48,920
Speaker 4: You wanted to redo bitches ain't shit but holding trick

590
00:22:49,400 --> 00:22:54,120
Speaker 4: R and B right, you know.

591
00:22:54,240 --> 00:23:05,000
Speaker 1: Yeah, actually, yeah, I think that was gonna send you.

592
00:23:05,000 --> 00:23:05,600
Speaker 1: I'm gonna send you.

593
00:23:05,600 --> 00:23:08,239
Speaker 5: Something through Like when I heard it, I was like,

594
00:23:08,359 --> 00:23:10,280
Speaker 5: who is I thought you? Honestly, I thought you were

595
00:23:10,320 --> 00:23:13,560
Speaker 5: like an older guy, like somebody. I really was so surprised.

596
00:23:13,600 --> 00:23:15,280
Speaker 5: I was like, what is this song? And then I

597
00:23:15,359 --> 00:23:17,640
Speaker 5: just kept hearing it. So to hear that you didn't

598
00:23:17,680 --> 00:23:19,720
Speaker 5: even think that we were gonna like it, I'm like,

599
00:23:19,760 --> 00:23:21,719
Speaker 5: that is insane. I'm so happy that you didn't get

600
00:23:21,760 --> 00:23:22,240
Speaker 5: in your own way.

601
00:23:22,520 --> 00:23:25,159
Speaker 6: No, no, no, definitely would like to add that I

602
00:23:25,200 --> 00:23:27,919
Speaker 6: went to that show at Barclay's. The mic was on,

603
00:23:28,240 --> 00:23:30,280
Speaker 6: and that was really impressive too, because a lot of

604
00:23:30,280 --> 00:23:33,959
Speaker 6: people vocally live don't hit like the actual record.

605
00:23:34,160 --> 00:23:37,800
Speaker 1: Yeah. Yeah, Now the MIC's were on, man Max is on,

606
00:23:37,880 --> 00:23:39,560
Speaker 1: Japmanin's Own Mind is on, And I make sure I

607
00:23:39,680 --> 00:23:42,000
Speaker 1: let people know like I'm not I'm not an auto

608
00:23:42,000 --> 00:23:45,240
Speaker 1: tuned artist. I have my face. When T Pain came out,

609
00:23:45,280 --> 00:23:48,840
Speaker 1: I was everything. I have a list of albums in

610
00:23:48,880 --> 00:23:53,840
Speaker 1: my heart just so T Pain. It's ridiculous, you know

611
00:23:53,840 --> 00:23:55,600
Speaker 1: what I'm saying. So I was like, oh, this is it, Boom,

612
00:23:55,640 --> 00:23:57,679
Speaker 1: I'm gonna do this, you know, I'm gonna get on

613
00:23:57,760 --> 00:24:00,560
Speaker 1: like doing this. And it's that time where like ten

614
00:24:00,600 --> 00:24:03,240
Speaker 1: times over, like oh okay, Nope, that didn't work out.

615
00:24:03,280 --> 00:24:05,480
Speaker 1: Oh I got this meeting with nevermind that didn't work out.

616
00:24:05,560 --> 00:24:07,960
Speaker 5: So this is really random. But speaking of like trying

617
00:24:08,000 --> 00:24:10,360
Speaker 5: to like things not working out, you were on Empire.

618
00:24:10,880 --> 00:24:13,359
Speaker 1: I was on Empire. Yeah, and then you were so

619
00:24:13,480 --> 00:24:13,760
Speaker 1: you did.

620
00:24:13,960 --> 00:24:15,919
Speaker 5: I've read about it. You were doing really well. They

621
00:24:15,960 --> 00:24:18,080
Speaker 5: were talking about making you a bigger character Empire.

622
00:24:18,240 --> 00:24:21,119
Speaker 1: Yeah, and all the Jesse Jesse smallest stuff happened.

623
00:24:30,480 --> 00:24:33,199
Speaker 7: That we didn't know. When you walked in, I'm like,

624
00:24:33,280 --> 00:24:33,560
Speaker 7: I know.

625
00:24:33,640 --> 00:24:38,800
Speaker 5: He was pissed that one is so perfect for you.

626
00:24:38,800 --> 00:24:41,879
Speaker 1: Come home man, No, I mean yeah, I thought it was.

627
00:24:42,119 --> 00:24:44,399
Speaker 1: That was my first time doing any type of acting.

628
00:24:44,640 --> 00:24:47,119
Speaker 1: Snoop was like, yeah, I'm gonna we're gonna add you

629
00:24:47,160 --> 00:24:50,159
Speaker 1: to Empire. Like, no, I can't act. He was like,

630
00:24:50,240 --> 00:24:53,120
Speaker 1: yeah you can't. No, I can't, man, that's not my lane.

631
00:24:53,119 --> 00:24:55,760
Speaker 1: I'm just come on man. And I went on, come

632
00:24:55,800 --> 00:24:58,199
Speaker 1: on man, and I went on there and and did it,

633
00:24:58,240 --> 00:25:00,000
Speaker 1: and the director was like, how long you've been acting?

634
00:25:00,080 --> 00:25:02,199
Speaker 1: I was like today. He was like, I think we

635
00:25:02,200 --> 00:25:06,720
Speaker 1: should sit down and talk. I'm like, okay, this is

636
00:25:06,720 --> 00:25:08,639
Speaker 1: the thing. I still think I'm dreaming. So I'm like

637
00:25:09,040 --> 00:25:11,840
Speaker 1: there's no way even being on here to breakfast. I've

638
00:25:11,840 --> 00:25:14,679
Speaker 1: been watching y'all for a long time. It's like like

639
00:25:14,880 --> 00:25:17,359
Speaker 1: just as I was sitting in the background, was just like, damn,

640
00:25:18,080 --> 00:25:19,840
Speaker 1: this is really happening. So that's how I kind of

641
00:25:19,840 --> 00:25:22,479
Speaker 1: felt on Empire. So then when Jesse mess it up

642
00:25:22,480 --> 00:25:27,600
Speaker 1: for me, as soon as as soon as I turned

643
00:25:27,680 --> 00:25:32,280
Speaker 1: on the news, I'm like sh I was like, come on,

644
00:25:32,960 --> 00:25:38,080
Speaker 1: come on, Maine, come on, Mane, don't do me like that, skinny.

645
00:25:39,000 --> 00:25:41,600
Speaker 4: It's interesting, right, because these are the type of stories

646
00:25:41,840 --> 00:25:44,840
Speaker 4: when you really really take off, everybody's be like damn,

647
00:25:44,840 --> 00:25:45,360
Speaker 4: this guy.

648
00:25:45,200 --> 00:25:47,240
Speaker 2: Came out and know it. But you've been with snoopsin.

649
00:25:48,960 --> 00:25:51,600
Speaker 1: Just doing background stuff like doing you know, when I

650
00:25:51,640 --> 00:25:53,080
Speaker 1: first got with him, He's like, Yo, I'm about to

651
00:25:53,080 --> 00:25:55,240
Speaker 1: go on tour. Once you come on tour with me.

652
00:25:55,760 --> 00:25:58,280
Speaker 1: So me doing a small crowd, it didn't start off

653
00:25:58,280 --> 00:26:01,240
Speaker 1: that way. It started off with fifty thousand people. So

654
00:26:01,280 --> 00:26:03,480
Speaker 1: now when I'm doing this just been at Max. Max

655
00:26:03,600 --> 00:26:07,080
Speaker 1: is like you're really comfortable and says I'm like yeah,

656
00:26:07,200 --> 00:26:11,359
Speaker 1: I'm like small crowds make me anxious. Really small crowds.

657
00:26:11,359 --> 00:26:14,119
Speaker 1: If I'm in a crowd of like a hundred. I'm like,

658
00:26:14,600 --> 00:26:17,720
Speaker 1: I can hear everybody's thoughts like that, nigg ain't hitting

659
00:26:17,720 --> 00:26:19,760
Speaker 1: a note like that, and you know, like he sound

660
00:26:19,800 --> 00:26:23,560
Speaker 1: a little dry today, you know. So doing that kind

661
00:26:23,560 --> 00:26:27,359
Speaker 1: of just molded me to be a better performer. So

662
00:26:27,480 --> 00:26:29,400
Speaker 1: doing that and then now coming on this tour where

663
00:26:29,440 --> 00:26:33,040
Speaker 1: it's you know, tens twenty thousand people, it just feels

664
00:26:33,320 --> 00:26:36,280
Speaker 1: feels normal to me. And being with Snoops in twenty sixteen,

665
00:26:36,320 --> 00:26:38,680
Speaker 1: I've just been doing that, been touring with him several

666
00:26:38,680 --> 00:26:45,399
Speaker 1: times overseas everything and just doing like the all the

667
00:26:45,480 --> 00:26:47,639
Speaker 1: stuff with him and Martha Stewart, Like I did the

668
00:26:47,640 --> 00:26:49,960
Speaker 1: song for the Him and Mont Stewart show, the Cooking

669
00:26:50,000 --> 00:26:52,679
Speaker 1: with Mark, you know, and I did that record and

670
00:26:52,720 --> 00:26:55,159
Speaker 1: then all his albums from twenty sixteen I've been on.

671
00:26:55,320 --> 00:26:57,919
Speaker 1: I've been doing backgrounds or I've been doing hooks. So

672
00:26:57,960 --> 00:26:59,959
Speaker 1: I've just been chilling and really caking up.

673
00:27:00,200 --> 00:27:01,040
Speaker 2: Is October London.

674
00:27:01,080 --> 00:27:04,679
Speaker 4: Trust his own talent, not not not his ability to

675
00:27:05,680 --> 00:27:07,520
Speaker 4: I guess sound like others, but do you trust your

676
00:27:07,640 --> 00:27:09,560
Speaker 4: own Absolutely.

677
00:27:10,040 --> 00:27:13,760
Speaker 1: I've been doing it for a while, so I know

678
00:27:13,840 --> 00:27:16,240
Speaker 1: exactly what I can do. I have so much stuff

679
00:27:16,240 --> 00:27:18,240
Speaker 1: in the hard drive that I can't wait to drop,

680
00:27:18,680 --> 00:27:21,320
Speaker 1: like it makes me anxious. Even being on the bus

681
00:27:21,359 --> 00:27:24,119
Speaker 1: this whole tour, I'm just listening to the records, and

682
00:27:24,160 --> 00:27:25,920
Speaker 1: everybody gets together and we listen to all the records

683
00:27:25,960 --> 00:27:28,439
Speaker 1: and we're just like, yo, this is really just the

684
00:27:28,480 --> 00:27:31,000
Speaker 1: starting point, Like they have no idea what's to come?

685
00:27:31,680 --> 00:27:33,600
Speaker 1: You know, can we play a record with.

686
00:27:35,280 --> 00:27:39,080
Speaker 6: I was gonna say, I know you're involved on the

687
00:27:39,280 --> 00:27:40,720
Speaker 6: Doggie Land for kids.

688
00:27:40,880 --> 00:27:43,360
Speaker 7: Yeah, talk to me about what do you what exactly

689
00:27:43,359 --> 00:27:43,719
Speaker 7: do you do?

690
00:27:43,920 --> 00:27:47,000
Speaker 1: Yeah? Yeah, yeah, no, I've been so what I'm saying,

691
00:27:47,040 --> 00:27:49,040
Speaker 1: so you know, Snep's been looking out for a long time.

692
00:27:50,320 --> 00:27:52,480
Speaker 1: Snoop came in the studio one day or one night

693
00:27:52,520 --> 00:27:55,040
Speaker 1: and was like, Hey, what do you think about doing

694
00:27:55,040 --> 00:27:57,800
Speaker 1: a kids record? And I was like, yeah, that's fine,

695
00:27:57,880 --> 00:28:00,679
Speaker 1: whatever I can do that. I made one kid record.

696
00:28:00,960 --> 00:28:02,679
Speaker 1: He came back in the studio, let me hear what

697
00:28:02,720 --> 00:28:04,879
Speaker 1: you got played it. He was like, Joe, can you

698
00:28:04,880 --> 00:28:06,960
Speaker 1: do anohing like that? I was like, yeah, of course.

699
00:28:07,840 --> 00:28:12,159
Speaker 1: This time I called my son on FaceTime. My son's seven, uh,

700
00:28:13,080 --> 00:28:14,880
Speaker 1: and I was like, hey, I need you to add

701
00:28:14,880 --> 00:28:17,800
Speaker 1: some vocals to this, you know. He was like okay, Dad.

702
00:28:17,960 --> 00:28:19,760
Speaker 1: You know, And this time we did a record called

703
00:28:19,800 --> 00:28:23,720
Speaker 1: brush Brush, so we ended up doing that and Snoop

704
00:28:23,760 --> 00:28:25,000
Speaker 1: came in. He was like, who is the kid. I

705
00:28:25,040 --> 00:28:27,560
Speaker 1: was like, it's my son, said nephew. He was like, oh,

706
00:28:27,640 --> 00:28:30,240
Speaker 1: like okay, cool, I think we should do an album.

707
00:28:30,760 --> 00:28:32,920
Speaker 1: All right, cool, give me till tomorrow because I'm quick.

708
00:28:32,960 --> 00:28:34,560
Speaker 2: I'm like tomorrow.

709
00:28:36,080 --> 00:28:36,480
Speaker 7: Album.

710
00:28:37,119 --> 00:28:39,280
Speaker 1: Yeah. Color when we came out in twenty sixteen. We

711
00:28:39,320 --> 00:28:40,959
Speaker 1: came out when I uh Me and Snoop came out

712
00:28:41,000 --> 00:28:42,920
Speaker 1: with Color Blind. I did eighteen songs in two or

713
00:28:42,960 --> 00:28:45,280
Speaker 1: three days. I got myself sick, and he was like,

714
00:28:45,320 --> 00:28:46,560
Speaker 1: all right, you need to go back to the hotel,

715
00:28:47,280 --> 00:28:50,000
Speaker 1: like because I was like, no, one shot, you get

716
00:28:50,040 --> 00:28:52,440
Speaker 1: one shot, and that was my one shot. I'm knocking

717
00:28:52,440 --> 00:28:54,800
Speaker 1: out eight to this, so I'm very I knock him

718
00:28:54,800 --> 00:28:58,440
Speaker 1: out really quick. So he was like okay, cool. So

719
00:28:58,440 --> 00:29:00,720
Speaker 1: I knocked out the album and then he called Claude

720
00:29:00,720 --> 00:29:03,040
Speaker 1: Brooks and he was like, Yo, I got an idea

721
00:29:03,080 --> 00:29:06,120
Speaker 1: for a show. Let's call it Doggie Lanb. And now

722
00:29:06,160 --> 00:29:09,840
Speaker 1: I'm I'm the co creator of Doggie Lanb. I am

723
00:29:09,960 --> 00:29:13,800
Speaker 1: the voice of Woolfie and I do the music that's dope.

724
00:29:13,880 --> 00:29:15,520
Speaker 4: You don't see this type of artist development, the more

725
00:29:15,520 --> 00:29:18,080
Speaker 4: you don't see people just like working with an artist

726
00:29:18,160 --> 00:29:20,000
Speaker 4: every step of the way, you know.

727
00:29:20,760 --> 00:29:22,720
Speaker 3: And then most artists went it right away. Remember he

728
00:29:22,760 --> 00:29:24,719
Speaker 3: been seeing the twenty sixteen. Most arts would have left

729
00:29:24,720 --> 00:29:26,320
Speaker 3: the twenty seventeen. It was like, I ain't popping yet.

730
00:29:26,320 --> 00:29:27,920
Speaker 2: I'm gone, Yeah, you've seen the vision.

731
00:29:28,000 --> 00:29:30,480
Speaker 1: Absolutely, Yeah, I saw the vision. But Snooper tell you

732
00:29:30,520 --> 00:29:31,560
Speaker 1: I gave him a hard time too.

733
00:29:31,920 --> 00:29:32,120
Speaker 2: Yeah.

734
00:29:32,200 --> 00:29:34,600
Speaker 1: Absolutely, I mean, yeah, I get you.

735
00:29:34,720 --> 00:29:36,320
Speaker 3: The artist that you see popping, it was like, yo,

736
00:29:36,360 --> 00:29:39,000
Speaker 3: that could have been that should have been me, Bryceon Tailler.

737
00:29:40,600 --> 00:29:42,720
Speaker 1: I wouldn't say Bryceon Tailor. Brce Stilla came out of nowhere.

738
00:29:42,760 --> 00:29:44,840
Speaker 1: To me, I was like, oh, this is dope. I'm

739
00:29:44,880 --> 00:29:48,000
Speaker 1: actually a fan of Bryson Tailor. I don't know what

740
00:29:48,120 --> 00:29:50,240
Speaker 1: artists came up. I know one artist that made me

741
00:29:51,680 --> 00:29:54,120
Speaker 1: actually kind of pissed me off, to be honest, and

742
00:29:54,160 --> 00:29:56,160
Speaker 1: that was and that and I'll tell you the story.

743
00:29:56,200 --> 00:29:56,440
Speaker 2: Why.

744
00:29:57,440 --> 00:30:00,200
Speaker 1: So it's two thousand and four, who was popping? Who

745
00:30:00,240 --> 00:30:02,720
Speaker 1: just came out with just gotta make it, It's gotta

746
00:30:02,720 --> 00:30:05,720
Speaker 1: make tray all day. He got the braids, I got

747
00:30:05,720 --> 00:30:08,520
Speaker 1: the braids. Light skinned. I'm light skinned, and my boy

748
00:30:08,560 --> 00:30:11,120
Speaker 1: Travis looked at me and was like, damn, you don't

749
00:30:11,160 --> 00:30:12,800
Speaker 1: let this nigga eat you up like that, and he

750
00:30:12,920 --> 00:30:16,360
Speaker 1: just walked away. And ever since then, I've just Paul

751
00:30:16,480 --> 00:30:18,680
Speaker 1: definitely paused pause him on the side.

752
00:30:19,840 --> 00:30:21,840
Speaker 3: He should have paused the back door before with the key,

753
00:30:21,920 --> 00:30:22,680
Speaker 3: but keep going.

754
00:30:23,000 --> 00:30:28,680
Speaker 2: Yeah missed it, but go ahead.

755
00:30:28,880 --> 00:30:33,600
Speaker 1: He missed it. So so at that point I was like, okay,

756
00:30:33,640 --> 00:30:36,880
Speaker 1: cool and made me competitive. So I'm super super competitive,

757
00:30:37,160 --> 00:30:39,720
Speaker 1: like I've been on I'm not gonna say the artists,

758
00:30:39,760 --> 00:30:43,000
Speaker 1: but I've been on different shows where you know, it's

759
00:30:43,000 --> 00:30:46,200
Speaker 1: several artists on this show, and they'll do certain things,

760
00:30:46,440 --> 00:30:48,240
Speaker 1: and I'll go in the back room and I'll put

761
00:30:48,280 --> 00:30:51,080
Speaker 1: on Michael Jordan's last dance and I'll sit there for

762
00:30:51,120 --> 00:30:52,880
Speaker 1: about a good thirty forty minutes watch that, and I

763
00:30:53,000 --> 00:30:56,320
Speaker 1: go out there and compete. Yep, everything's a competition. In

764
00:30:56,360 --> 00:31:00,000
Speaker 1: dark Snoop will consistently like it's not a competition, man,

765
00:31:00,120 --> 00:31:01,880
Speaker 1: you don't have to be like, you know, I be

766
00:31:01,960 --> 00:31:04,280
Speaker 1: so hardy and something like nah, you see the high

767
00:31:04,360 --> 00:31:06,080
Speaker 1: note he did, No, no, no, I can't let him live.

768
00:31:07,160 --> 00:31:10,040
Speaker 2: I love that. Though. How exhausting was it working with Tyres?

769
00:31:11,320 --> 00:31:14,240
Speaker 1: You know? Tyres is a is a great friend of mine.

770
00:31:14,640 --> 00:31:18,840
Speaker 1: He's a great d's a great guy, great existent at all.

771
00:31:18,920 --> 00:31:22,880
Speaker 1: He just he's passionate. He's just a passionate person. He

772
00:31:22,960 --> 00:31:25,240
Speaker 1: puts he literally wears his heart on his sleeve and

773
00:31:25,280 --> 00:31:26,240
Speaker 1: you got to give it to him.

774
00:31:26,280 --> 00:31:30,160
Speaker 4: Sure, But how exhausting was it working in the studio?

775
00:31:30,480 --> 00:31:32,760
Speaker 4: We all know him, like, like I just want to know,

776
00:31:33,640 --> 00:31:36,280
Speaker 4: like Bedroom Bully, how long did it take y'all to

777
00:31:36,320 --> 00:31:36,960
Speaker 4: make that record?

778
00:31:37,000 --> 00:31:37,920
Speaker 2: That didn't take a day?

779
00:31:38,200 --> 00:31:41,880
Speaker 1: Not with him, I don't know how long it took him.

780
00:31:42,160 --> 00:31:44,840
Speaker 1: You know how long it took me. So he sent

781
00:31:45,320 --> 00:31:47,000
Speaker 1: he sent the record to me and was like, I

782
00:31:47,040 --> 00:31:49,000
Speaker 1: got this record. He called me, So, I got this record.

783
00:31:49,040 --> 00:31:52,520
Speaker 1: I think you'd be great on it. It's very secret garden.

784
00:31:52,960 --> 00:31:54,880
Speaker 1: I was like, okay, bad, just just send it. I

785
00:31:54,920 --> 00:31:56,520
Speaker 1: was in the lab already sent the beat and I

786
00:31:56,560 --> 00:31:59,120
Speaker 1: was like, yo, this is dope. And he had a

787
00:31:59,160 --> 00:32:01,400
Speaker 1: little bit of his vocal on it, and I was like, okay, cool.

788
00:32:02,160 --> 00:32:04,640
Speaker 1: So really I wanted him to do his vocals first

789
00:32:04,920 --> 00:32:07,360
Speaker 1: because the competitive part. And then I was like, no,

790
00:32:07,400 --> 00:32:09,200
Speaker 1: I don't worry about it. You know it's Tyree's I

791
00:32:09,200 --> 00:32:11,880
Speaker 1: ain't tripping you know, we brothers. I went in and

792
00:32:11,880 --> 00:32:13,720
Speaker 1: put my part on there, then he put his part

793
00:32:13,760 --> 00:32:15,760
Speaker 1: on there and that was it. But it took me,

794
00:32:16,000 --> 00:32:17,840
Speaker 1: you know, thirty minutes knocked that out. I don't know

795
00:32:17,840 --> 00:32:19,720
Speaker 1: how long it took him to get his knocked out,

796
00:32:19,760 --> 00:32:21,720
Speaker 1: but for me, it was it was nothing but bedroom

797
00:32:21,720 --> 00:32:23,840
Speaker 1: Billy is. And that's on the album too, it's on

798
00:32:23,920 --> 00:32:24,520
Speaker 1: his an min.

799
00:32:25,120 --> 00:32:26,440
Speaker 4: When you do a song like that, do you feel

800
00:32:26,480 --> 00:32:29,440
Speaker 4: pressure to always deliver to a woman sexually?

801
00:32:29,760 --> 00:32:35,040
Speaker 1: Absolutely? Absolutely? I love cars and women period.

802
00:32:35,600 --> 00:32:38,360
Speaker 6: Did you guys make this record before after you almost

803
00:32:38,440 --> 00:32:39,480
Speaker 6: burned his house down?

804
00:32:39,760 --> 00:32:41,040
Speaker 1: That's just what I was after.

805
00:32:41,200 --> 00:32:44,880
Speaker 6: This was after person.

806
00:32:44,920 --> 00:32:46,720
Speaker 1: The person that almost burnt his house down is sitting

807
00:32:46,800 --> 00:32:47,520
Speaker 1: right behind. No.

808
00:32:48,320 --> 00:32:50,200
Speaker 2: Yeah, well this was the house in l a.

809
00:32:51,080 --> 00:32:51,960
Speaker 1: Uh No, Atlanta?

810
00:32:52,040 --> 00:32:53,200
Speaker 2: Atlanta is Atlanta?

811
00:32:53,600 --> 00:32:59,120
Speaker 7: What happened, Bernard Hooka. That's the only way.

812
00:32:59,040 --> 00:33:04,680
Speaker 1: You burn the house down now, right, Because you know,

813
00:33:04,880 --> 00:33:08,400
Speaker 1: we were listening to some music and we're all, you know, drinking,

814
00:33:08,400 --> 00:33:12,040
Speaker 1: except for Tyree because Tyres don't drink. And uh my

815
00:33:12,120 --> 00:33:16,560
Speaker 1: boy Jamie was listening to the music. He got hyped

816
00:33:16,640 --> 00:33:18,840
Speaker 1: up and he was just like, whoa, you know, this

817
00:33:18,840 --> 00:33:20,960
Speaker 1: is the records, gonna be crazy and he got up

818
00:33:21,120 --> 00:33:24,000
Speaker 1: and he knocked it over. Nobody noticed that first, and

819
00:33:24,080 --> 00:33:25,920
Speaker 1: I turned. I looked, and I was like, I saw

820
00:33:25,960 --> 00:33:28,120
Speaker 1: security moving really fast. One of the security guys moving

821
00:33:28,160 --> 00:33:30,600
Speaker 1: really fast. He started patting on the floor, and I'm like,

822
00:33:30,640 --> 00:33:32,360
Speaker 1: what the hell is he doing? Stinky leg or something.

823
00:33:32,360 --> 00:33:33,720
Speaker 1: Don't know what the hell he's doing. And I was

824
00:33:33,760 --> 00:33:36,000
Speaker 1: just like, okay, cool, alright. I guess he's feeling the record.

825
00:33:36,000 --> 00:33:38,280
Speaker 1: And I look, I'm like, oh, oh, oh the rugs

826
00:33:38,280 --> 00:33:40,320
Speaker 1: on fire. His vultron rugs on fire. I was like,

827
00:33:40,360 --> 00:33:42,959
Speaker 1: oh nice. So he's trying to put that out, grabbing

828
00:33:42,960 --> 00:33:45,400
Speaker 1: the coals off the thing and all that, and Jamie

829
00:33:45,400 --> 00:33:47,600
Speaker 1: felt bad, and Tyrese gives him, gives him ship every time.

830
00:33:47,760 --> 00:33:49,400
Speaker 2: What flavor was the hookah, damn it.

831
00:33:49,840 --> 00:33:53,360
Speaker 1: I don't even know. I don't know. It might have

832
00:33:53,400 --> 00:33:56,640
Speaker 1: been like mango buried cream or something, and.

833
00:33:57,400 --> 00:33:59,560
Speaker 7: That y'ard almost brunt that house do mango burried?

834
00:34:00,080 --> 00:34:03,560
Speaker 1: Oh right, that is not a good way to go out. So,

835
00:34:03,640 --> 00:34:06,480
Speaker 1: you know, every every time tyree sees Jamie, he's like,

836
00:34:06,520 --> 00:34:10,239
Speaker 1: he can't come in my house, he can't come out. Yeah,

837
00:34:10,280 --> 00:34:12,000
Speaker 1: hes be a carver, but you know he lets me

838
00:34:12,000 --> 00:34:12,440
Speaker 1: in anyway.

839
00:34:12,520 --> 00:34:14,600
Speaker 2: So it's good not a song. Time did you have

840
00:34:14,760 --> 00:34:16,560
Speaker 2: wedding song in mind when you wrote that?

841
00:34:16,880 --> 00:34:24,280
Speaker 1: Absolutely? Absolutely? So. Time actually is we are in twenty

842
00:34:24,320 --> 00:34:27,279
Speaker 1: twenty four, so that was done in eight, So what

843
00:34:27,280 --> 00:34:29,800
Speaker 1: do we It's fifteen fifteen, sixteen years in a game.

844
00:34:30,120 --> 00:34:32,760
Speaker 1: It's been sitting in my hard drive for fifteen sixteen years.

845
00:34:33,560 --> 00:34:35,759
Speaker 1: So that's an old song, old song that me and

846
00:34:35,840 --> 00:34:39,080
Speaker 1: my one of my best friends, Mike Letter out of Miami,

847
00:34:39,160 --> 00:34:43,920
Speaker 1: we did that record and yeah, I played it for

848
00:34:44,480 --> 00:34:46,719
Speaker 1: a dog. I think I played it maybe four or

849
00:34:46,719 --> 00:34:49,680
Speaker 1: five six times, and he remembers and then doesn't remember,

850
00:34:49,719 --> 00:34:51,560
Speaker 1: but he remembered. At this time, he was like, yeah,

851
00:34:51,560 --> 00:34:53,640
Speaker 1: we should put this on the album. And I loved

852
00:34:53,680 --> 00:34:55,600
Speaker 1: it because I've been waiting to put that album out

853
00:34:55,680 --> 00:34:57,560
Speaker 1: because it's just a beautiful ballad.

854
00:34:58,000 --> 00:34:59,880
Speaker 2: You didn't do nothing to it. You just that's how

855
00:35:00,080 --> 00:35:01,440
Speaker 2: recording remixed.

856
00:35:01,800 --> 00:35:04,200
Speaker 1: Yeah, yeah, remix and we added, uh, we added some

857
00:35:04,320 --> 00:35:06,279
Speaker 1: organ to it. Superfly came in and added like little

858
00:35:06,560 --> 00:35:08,920
Speaker 1: little things to you know, a little splashes. But other

859
00:35:09,040 --> 00:35:10,479
Speaker 1: than that same record, when.

860
00:35:10,400 --> 00:35:12,000
Speaker 4: You wrote that, in a way, what was your mind?

861
00:35:12,040 --> 00:35:15,760
Speaker 4: Is there somebody you wanted to marry or somebody you wanted.

862
00:35:14,960 --> 00:35:17,279
Speaker 1: Nah, I was a I was a sap man back

863
00:35:17,320 --> 00:35:20,400
Speaker 1: in eight so I was doing everything I possibly could.

864
00:35:20,840 --> 00:35:24,200
Speaker 1: You know I was doing. I was doing the most.

865
00:35:24,760 --> 00:35:28,319
Speaker 1: I ain't nothing wrong, like like a kind of like

866
00:35:28,520 --> 00:35:30,080
Speaker 1: you know, I was sucker. You know what I'm saying.

867
00:35:30,239 --> 00:35:30,960
Speaker 7: What's wrong with that?

868
00:35:31,360 --> 00:35:32,279
Speaker 1: Nothing wrong with it?

869
00:35:32,360 --> 00:35:34,680
Speaker 2: But you know you would tell a woman stuff like that.

870
00:35:34,719 --> 00:35:35,879
Speaker 2: I want to spend the rest of my life.

871
00:35:35,920 --> 00:35:40,479
Speaker 1: Oh my god, I had poems and ship. Nothing's wrong

872
00:35:40,520 --> 00:35:40,759
Speaker 1: with it.

873
00:35:42,600 --> 00:35:44,520
Speaker 5: You was texting the poems or you were, like mail them.

874
00:35:44,520 --> 00:35:45,480
Speaker 5: I feel that you would mail them.

875
00:35:45,560 --> 00:35:46,799
Speaker 1: I was, I was. I was.

876
00:35:50,239 --> 00:35:51,279
Speaker 7: I'm just asking.

877
00:35:51,040 --> 00:35:52,839
Speaker 2: Depending how old you are after era we come from,

878
00:35:52,880 --> 00:35:53,440
Speaker 2: We come from that.

879
00:35:53,560 --> 00:35:55,000
Speaker 1: You know you go with me?

880
00:35:55,280 --> 00:35:55,480
Speaker 2: Yes?

881
00:35:55,680 --> 00:35:57,200
Speaker 1: No, maybe I just want.

882
00:35:57,160 --> 00:35:57,920
Speaker 7: To know because.

883
00:35:59,480 --> 00:36:02,040
Speaker 5: We always on line like we missed that, like the begging,

884
00:36:02,120 --> 00:36:03,359
Speaker 5: begging love you, we love you.

885
00:36:03,360 --> 00:36:04,680
Speaker 7: You was doing it and you guys.

886
00:36:06,239 --> 00:36:08,279
Speaker 1: Back then. For some reason, I can't write a single

887
00:36:08,320 --> 00:36:08,799
Speaker 1: poem now.

888
00:36:09,880 --> 00:36:13,840
Speaker 7: I just buy what happened, No happening.

889
00:36:14,000 --> 00:36:17,640
Speaker 1: I got my heart broke and then got my heart

890
00:36:17,640 --> 00:36:18,160
Speaker 1: broken again.

891
00:36:18,360 --> 00:36:19,680
Speaker 7: I didn't mean to laught.

892
00:36:20,320 --> 00:36:22,239
Speaker 1: It's all right, you just laughing pain.

893
00:36:23,400 --> 00:36:25,960
Speaker 7: Nobody to hear that because that.

894
00:36:33,360 --> 00:36:35,120
Speaker 2: In the white man. No, she's like the White Man.

895
00:36:38,800 --> 00:36:42,400
Speaker 1: Travis Travis Caleb Plant but your.

896
00:36:42,239 --> 00:36:43,640
Speaker 2: Life and so she's willing to meet in the middle.

897
00:36:44,520 --> 00:36:44,880
Speaker 1: Nice.

898
00:36:45,560 --> 00:36:48,320
Speaker 2: That's but she went to Delaware State HBC.

899
00:36:49,560 --> 00:36:54,319
Speaker 6: Mm hmm, all right, you got more The sappiness makes

900
00:36:54,360 --> 00:36:55,160
Speaker 6: for great music.

901
00:36:56,840 --> 00:36:58,160
Speaker 7: I mean you're trying to say, yea.

902
00:36:58,239 --> 00:37:00,960
Speaker 1: Even the record uh Eternity that got on the Color

903
00:37:01,000 --> 00:37:03,600
Speaker 1: Purple soundtrack, that was a fifteen sixteen year old record.

904
00:37:03,600 --> 00:37:06,000
Speaker 1: I did Eternity right after me and Mike did Eternity

905
00:37:06,080 --> 00:37:06,680
Speaker 1: right after Time.

906
00:37:07,200 --> 00:37:09,960
Speaker 6: So Third Shift was a fresh, freshly done record. I

907
00:37:10,000 --> 00:37:11,000
Speaker 6: saw you just preview that.

908
00:37:11,719 --> 00:37:12,560
Speaker 1: Yeah, yeah?

909
00:37:13,360 --> 00:37:13,799
Speaker 7: Was that the.

910
00:37:13,719 --> 00:37:16,040
Speaker 6: Bridge or the hook that she was playing? Who was

911
00:37:16,120 --> 00:37:17,279
Speaker 6: in there conducting this?

912
00:37:18,280 --> 00:37:19,440
Speaker 1: What for the whole record?

913
00:37:19,480 --> 00:37:19,520
Speaker 2: For?

914
00:37:20,160 --> 00:37:24,160
Speaker 1: Yeah? I went to Jeff Giddy and Jeff was like, Yo,

915
00:37:24,239 --> 00:37:25,480
Speaker 1: you want to record it here? I was like no,

916
00:37:25,600 --> 00:37:27,719
Speaker 1: I'm going home, and I flew back home to South Ben.

917
00:37:27,760 --> 00:37:30,759
Speaker 1: I recorded there and then send it to Dog and

918
00:37:30,800 --> 00:37:33,960
Speaker 1: Dog was like, Yo, this is something fresh, it is

919
00:37:34,040 --> 00:37:35,960
Speaker 1: something new, And then went back to Jeff Giddy and

920
00:37:36,040 --> 00:37:38,959
Speaker 1: got another track, which is kill Shot. So kill Shot

921
00:37:38,960 --> 00:37:40,440
Speaker 1: and Third Shift was produced by Jeff.

922
00:37:40,239 --> 00:37:41,800
Speaker 2: Giddy South Ben.

923
00:37:41,880 --> 00:37:45,800
Speaker 1: Absolutely, I'm not if I leave it's not gonna be anywhere.

924
00:37:45,840 --> 00:37:47,959
Speaker 1: I'm not going to LA. I'm not going to New York.

925
00:37:48,800 --> 00:37:52,120
Speaker 1: Miami is my weak spot. That's my weak spot.

926
00:37:52,280 --> 00:37:54,000
Speaker 2: Is it good because he probably you probably get grounded

927
00:37:54,040 --> 00:37:56,040
Speaker 2: when you go home. Yeah.

928
00:37:56,080 --> 00:37:59,480
Speaker 1: Absolutely. I get to be around family, friends, like people

929
00:37:59,480 --> 00:38:03,360
Speaker 1: on tour, like they're my day ones, Like I don't.

930
00:38:03,560 --> 00:38:08,760
Speaker 1: I feel like I might lose myself if I go

931
00:38:08,920 --> 00:38:11,440
Speaker 1: and move somewhere where I have to be seen all

932
00:38:11,480 --> 00:38:13,480
Speaker 1: the time and red carpet all the time, and I

933
00:38:13,560 --> 00:38:15,520
Speaker 1: feel I just feel like I'm gonna lose myself. So

934
00:38:15,560 --> 00:38:17,480
Speaker 1: I go back home. I can come to New York,

935
00:38:17,520 --> 00:38:20,040
Speaker 1: come kick it for the weekend, come see y'all, and

936
00:38:20,080 --> 00:38:22,440
Speaker 1: then I'm back home. I'm right back home because my

937
00:38:22,560 --> 00:38:25,000
Speaker 1: son is there. He goes to a great school there,

938
00:38:25,880 --> 00:38:28,560
Speaker 1: and I just, you know, I like being with my son,

939
00:38:29,000 --> 00:38:31,880
Speaker 1: like chilling being at home, and if I need anything

940
00:38:32,000 --> 00:38:34,640
Speaker 1: or something goes wrong, I'm right there where I need

941
00:38:34,680 --> 00:38:34,880
Speaker 1: to be.

942
00:38:35,040 --> 00:38:37,960
Speaker 2: So to final questions, how did your mom feel about Mama?

943
00:38:38,920 --> 00:38:42,120
Speaker 1: She loved it. She loves it because we played it

944
00:38:42,160 --> 00:38:45,040
Speaker 1: in the studio for a bunch of people not too

945
00:38:45,080 --> 00:38:47,719
Speaker 1: long ago. I think that was maybe last month or

946
00:38:47,719 --> 00:38:49,799
Speaker 1: something like that, or maybe soon. I don't know time

947
00:38:49,880 --> 00:38:52,359
Speaker 1: is flying by, but we played it and she gets

948
00:38:52,360 --> 00:38:54,880
Speaker 1: teary eyed every time. And one of the people that

949
00:38:54,920 --> 00:38:56,520
Speaker 1: were in the studio she's like, oh my god, like

950
00:38:56,560 --> 00:38:59,200
Speaker 1: I love mama so much. It's just does your mom

951
00:38:59,280 --> 00:39:01,200
Speaker 1: know that you you know, you made this record. I

952
00:39:01,239 --> 00:39:04,000
Speaker 1: was like, she's sitting right behind you, and she goes, oh,

953
00:39:04,040 --> 00:39:07,040
Speaker 1: you know, so, yeah, the mama. I really cannot wait

954
00:39:07,040 --> 00:39:08,960
Speaker 1: to put that record out. I cannot wait because I

955
00:39:09,719 --> 00:39:11,960
Speaker 1: love the record a lot. And I actually did that

956
00:39:12,120 --> 00:39:15,719
Speaker 1: when Snoop's mom passed. Wow, So when the Stoops mom

957
00:39:15,760 --> 00:39:18,640
Speaker 1: passed INSPI you to rate that exactly. So when Snoopy

958
00:39:18,719 --> 00:39:20,840
Speaker 1: had the day after Snoop's mom passed, he was in

959
00:39:20,920 --> 00:39:23,719
Speaker 1: the studio and I was just like, I got my boy.

960
00:39:23,920 --> 00:39:25,279
Speaker 1: I got him and I went in there and I

961
00:39:25,320 --> 00:39:27,080
Speaker 1: just did it. And then I was like, yeah, I

962
00:39:27,120 --> 00:39:28,719
Speaker 1: want you to hear something, and I played it for

963
00:39:28,800 --> 00:39:29,680
Speaker 1: him and he just, you.

964
00:39:29,640 --> 00:39:33,040
Speaker 2: Know, broke down. It made you appreciate your mom still.

965
00:39:32,960 --> 00:39:36,640
Speaker 1: Absolutely, absolutely absolutely, So you know, I just think it's

966
00:39:36,640 --> 00:39:38,000
Speaker 1: a great record. I can't wait to drop it.

967
00:39:38,040 --> 00:39:39,359
Speaker 2: And that's one of the reasons you probably don't want

968
00:39:39,360 --> 00:39:39,799
Speaker 2: to leaves out.

969
00:39:39,840 --> 00:39:43,680
Speaker 1: Ben Ever, I don't know. I just feel comfortable there people,

970
00:39:43,880 --> 00:39:48,560
Speaker 1: you know, like everybody knows me, I know them. Nobody

971
00:39:48,640 --> 00:39:52,319
Speaker 1: really messes with me there. You know, nobody's messed up

972
00:39:52,320 --> 00:39:54,279
Speaker 1: any of my cars yet, so that's great. So I'm

973
00:39:54,280 --> 00:39:56,680
Speaker 1: pretty good. I'm happy there, you know as of right now.

974
00:39:56,680 --> 00:39:58,080
Speaker 1: And it's really cheap to live.

975
00:39:58,800 --> 00:40:00,239
Speaker 2: That's living in the por what.

976
00:40:00,239 --> 00:40:02,520
Speaker 1: Cost of living is very important. So you know, you

977
00:40:02,600 --> 00:40:04,799
Speaker 1: go do all this and then just go back home

978
00:40:04,840 --> 00:40:07,120
Speaker 1: and chill. Come on, you know what you want to

979
00:40:07,120 --> 00:40:10,080
Speaker 1: hear down, what you want to hear. Well, she brought

980
00:40:10,160 --> 00:40:13,359
Speaker 1: up third shift, third shift, so might as well play

981
00:40:13,400 --> 00:40:14,279
Speaker 1: third shift, all right.

982
00:40:14,360 --> 00:40:16,840
Speaker 3: Well, October Nights comes out this Friday, and we appreciate

983
00:40:16,840 --> 00:40:18,560
Speaker 3: you for joining NUK. You thank you, appreciate it, and

984
00:40:18,640 --> 00:40:21,160
Speaker 3: let's get into it. It's October London. It's the Breakfast Club.

985
00:40:21,200 --> 00:40:23,879
Speaker 1: Good morning, wake that ass up in the morning.

986
00:40:24,080 --> 00:40:25,080
Speaker 2: The Breakfast Club