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Speaker 1: Welcome to This is Important a production of I Heart Radio,

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Speaker 1: the show where we only talk about what's obviously the

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Speaker 1: most important ship in the whole freaking universe. Today, we

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Speaker 1: talk about back in the day when like resources were thin.

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Speaker 1: You're watching Naked Knight. You gotta do what you gotta do.

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Speaker 1: I deserve to be more drunk. I wish I was

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Speaker 1: like six. I wish I was double the amount of drink. Steve,

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Speaker 1: cut your fucking hair. Why are you afraid to cut

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Speaker 1: your hair, you bitch. I'm not gonna kink shame you?

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Speaker 1: Would you like to jerk off the Here we go.

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Speaker 1: Start your engines. It's hot, it's a hot take. Uh well,

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Speaker 1: Kyle's internet is what is it doing? Kyle? My internet

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Speaker 1: is chunking right now. It's it's just chunking like a moa. Oh.

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Speaker 1: I love that. And what's class? Or is it chunking

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Speaker 1: too hard? When your internet chunks? Getting VPN is chunking

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Speaker 1: because because this is we're not working right now, everyone's

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Speaker 1: kind of chunking over each other. We're chunking a little bit.

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Speaker 1: I feel a little chunky, especially this holiday season. I'm

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Speaker 1: feeling chunk Yeah, how's everybody's post Thanksgiving chunk coming. Uh.

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Speaker 1: You know what, I was afraid to do a pre

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Speaker 1: and post like that day because remember when I would

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Speaker 1: visit you, Kyle, I would gain like ten plus pounds

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Speaker 1: on over Thanksgiving. You hold the record. Oh you were

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Speaker 1: afraid to do away in before. I was afraid to

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Speaker 1: do the way in just by myself because now I'm

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Speaker 1: when I was doing it with Kyle, I'm what twenty

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Speaker 1: three four years old. It's funny. It's funny, young man.

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Speaker 1: Chunk you can put on the chunk, then you can

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Speaker 1: easily lose the chunk. Now I'm afraid this boy is

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Speaker 1: not losing the chunk. This boy has turned into a man.

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Speaker 1: Boys two men, and I won't be able to lose

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Speaker 1: the chunk. So I just weighed myself this morning and

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Speaker 1: I am up just a couple of LB's, like almost

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Speaker 1: three lbs. That's not bad. I can as that LB's.

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Speaker 1: But I didn't weigh in the day of Well, you

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Speaker 1: know what they say A moment on the lips, a

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Speaker 1: lifetime on the hips. They do say that. That's what

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Speaker 1: I heard, that's the saying I heard. I've never heard that.

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Speaker 1: That's cool. No people say that, I'm not saying they haven't,

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Speaker 1: but also like, just don't don't be a fucking lazy

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Speaker 1: ass dude. That's if you eat and then you just

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Speaker 1: never work out, you never do anything. You're not active.

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Speaker 1: I think by the time we're at forty on this pod,

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Speaker 1: we're going to have just a sick little string of

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Speaker 1: of atoms, workout tips and embody dysmorphia. Dude, I'm fitness

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Speaker 1: inspo on Instagram. That's my new thing. Yeah, I have

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Speaker 1: noticed you're leaning into I'm leaning into that. Yeah, I'm

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Speaker 1: kind of going to be basically poor Man's the Rock,

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Speaker 1: you're stepping into the playbook. Yeah, I kind of I'm

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Speaker 1: gonna be a lot of like how to work out.

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Speaker 1: I don't have a sick gym. I actually have a

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Speaker 1: pretty wackascarage that will work out in uh and um.

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Speaker 1: That's that's sort of my life. So if you're sick

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Speaker 1: of the Rock and his dope ass gym, him and

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Speaker 1: him like saying I don't got time to bleed and

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Speaker 1: all kinds of cool catch phrases, and if you're sick

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Speaker 1: of that, come over to me. I have minimal catch phrases.

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Speaker 1: I don't really know what I'm doing and I'm just

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Speaker 1: copying other people's workouts that I find online. What what

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Speaker 1: catch phrases do you have? I said, minimal catch Uh, Kyle,

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Speaker 1: you're chunking. You're chunking a lot, Kyle. I know, I'm

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Speaker 1: I'm gonna be chunk on this whole app Sorry about that.

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Speaker 1: Did you hear that? Because you sound like, baby, really

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Speaker 1: this is important. And sometimes when I mix up a workout,

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Speaker 1: I say, oh ah ah, that's a little bit of

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Speaker 1: a diarrhea di that's I like that. I like the

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Speaker 1: high pitched one, the dance prety diarrhea. Little did I

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Speaker 1: know is that Pepto Bismo has been like going at

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Speaker 1: this like song and dance diarrhea for a minute. So

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Speaker 1: there's a wealth of commercials to draw from. I would say,

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Speaker 1: little did anyone know? Yeah, a lot of people didn't

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Speaker 1: know that. Yeah, but we're bringing it to him a

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Speaker 1: deep dough. I didn't even know where you got that

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Speaker 1: clip from. And then I was watching TV with the

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Speaker 1: whole fam the other day and uh, my dad, here's

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Speaker 1: the Peto Bismo diarrhea and he's like, yeah, baby diarrhea.

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Speaker 1: I'm like, oh my god. He's like I love that commercial,

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Speaker 1: and I'm like, oh, ship. Blake straight up nabbed that one. Allegedly.

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Speaker 1: He allegedly took that from a commercial. I'm trying to

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Speaker 1: be the guy on the street that people used to

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Speaker 1: yell tight buttole too and now go it's diarrhea guy. Okay,

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Speaker 1: I also want that for you. It's gonna happen. Do

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Speaker 1: we um? Was I just I'm thinking I'm drunk again?

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Speaker 1: My boys drunk again? Man? Hey, can I just say

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Speaker 1: I wish I was more drunk last week? You were

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Speaker 1: drunk enough. No, No, that's the thing I wasn't. I

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Speaker 1: that was one of my third drink. Listen, no one's

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Speaker 1: saying you didn't drink a lot. You were drunk enough. Well,

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Speaker 1: now it should have been for as much flat flack

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Speaker 1: as much fucking a flack I got. I deserve to

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Speaker 1: be more drunk. I wish I was like six. I

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Speaker 1: wish I was double the amount of drinks deep. Sure, yeah,

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Speaker 1: we gotta do one, and we gotta do a pod

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Speaker 1: where we get really hammered. I'm actually switching over. I'm

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Speaker 1: I'm starting an event that I'm calling December to remember

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Speaker 1: is what I'm trademarking. Hopefully that's never been done before

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Speaker 1: that I've never heard of that. Yeah, not like not

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Speaker 1: like on a jewelry commercial or anything. I've never heard

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Speaker 1: of that. No, I think that's a ridge. I don't know,

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Speaker 1: but I'm I mean, you're not like blacking out or

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Speaker 1: what since? Uh, you know, we're not going to any

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Speaker 1: holiday parties and I really won't have any chances to

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Speaker 1: black out and really look forward to remember in December

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Speaker 1: completely and I will be drinking an A Beers for

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Speaker 1: the month. And A Beers. Don't drink beer because why

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Speaker 1: even so you're having a sober November or sorry December

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Speaker 1: December to remember December, remember the whole name of the month.

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Speaker 1: I'm not drunk, I swear to God. So then why

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Speaker 1: even drink the n A beers because those are gross? Well,

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Speaker 1: I want to taste test them. There's so many options.

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Speaker 1: I last week I tried the um Budweiser zero and yeah,

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Speaker 1: it's really pointless to drink. I felt, Yeah, it doesn't

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Speaker 1: make an a sense to drink. Well, I feel like

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Speaker 1: they all are pretty pointless to drink if they're not

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Speaker 1: getting you drunk, though, right, Kyle A, let's ask this

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Speaker 1: this the sober friend. Kyle, Uh, do you when you

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Speaker 1: were first saying, you know what, I'm done drinking. I'm

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Speaker 1: not gonna drink anymore. Did you drink and A beers

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Speaker 1: or were you like those are gross? Oh? I filled

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Speaker 1: my fridge with them? There you go, because is it

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Speaker 1: was like I needed I felt like I needed to

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Speaker 1: drink a beer. But uh, yeah, I love that visual. Yeah,

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Speaker 1: I filled my entire refrigerator with that, not beer. But

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Speaker 1: then when you're when you really break it down, it's

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Speaker 1: like they don't taste good, they don't get you drunk,

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Speaker 1: there's nothing good about them. It's kind of like I disagree.

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Speaker 1: Right now, I'm trying this n a Heineken. It's pretty

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Speaker 1: freaking tasty. Yeah, but you could also just have a

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Speaker 1: little Roix, you know, I'm liking this. Yeah, drink water

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Speaker 1: or like some was it meo little meal? Squirrel? So

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Speaker 1: so what is this for? What is this? What is

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Speaker 1: this for? Blake? Are you just trying to you're tired

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Speaker 1: of pissing out of your ass? Is that what you're

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Speaker 1: tired of? What do you are you waking up in

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Speaker 1: the cause of diarrhea? Alright, we gotta diversified the polio.

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Speaker 1: That's the only downside, that's the only downside, unless you

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Speaker 1: are like blacking out a lot, or you're driving into

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Speaker 1: trash canon your bicycle and breaking other arms. Does that happen?

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Speaker 1: Did that? Did happen? Over the corn farantine? I did

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Speaker 1: hit a garbage can. He did break his arm. Uh.

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Speaker 1: And you couldn't go shark diving with us on a

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Speaker 1: during Shark Week he had to sit on That's true,

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Speaker 1: But I don't know. To me, like I grew up

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Speaker 1: with an uncle and a stepdad who drank an a beers,

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Speaker 1: and I, oh, good for you, good for you. I

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Speaker 1: think they're kind of freaking cool dudes who drink an

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Speaker 1: a beer or chicks that drink an a beer. And

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Speaker 1: so this is part of you rebuilding your image. Yeah,

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Speaker 1: I'm trying to go bad boy. But then that's fine.

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Speaker 1: I get it, and it's working out online. You're doing this. Yeah,

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Speaker 1: I'm trying to give fitness inspo to the people. Sick dirs.

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Speaker 1: What are you trying to do? You're just still being

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Speaker 1: a basic as regular actor in TV and movies. Whack? Yeah,

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Speaker 1: come on, what's your vibe? I'm a non alcohol Yeah,

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Speaker 1: I got nothing. Whack fucking diversify, man. We already have

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Speaker 1: a podcast we're already branching out. That's it. I'm podcasting now,

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Speaker 1: I'm branching out podcasters. Podcasters. Yeah, I'm uh, I'm a

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Speaker 1: recovering alcoholic. Adam is a fitness guru. I'm a fitness

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Speaker 1: guru who says still an alcoholic. I'm not an alcoholic.

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Speaker 1: The emptiness in your laugh was pretty cool. Fitness guru

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Speaker 1: is still an alcohol Like pause, I did. My parents

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Speaker 1: just visited, and man, we drank a lot. Those those folks,

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Speaker 1: they they they've been living at Lake at the Ozarks

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Speaker 1: now for a couple of years and they they're just

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Speaker 1: going for it. Not a lot of n as their

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Speaker 1: level of going for it as a as full steam ahead.

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Speaker 1: And my parents didn't drink a lot when I was

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Speaker 1: growing up. My dad actually didn't drink, uh, for like

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Speaker 1: from like when I was seven or eight till I

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Speaker 1: graduated high school, and then he started drinking again and

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Speaker 1: then now he's like back on it. I think cool

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Speaker 1: that you guys were all watching TV together. I feel

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Speaker 1: like that's like a lost family thing that like families

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Speaker 1: just sit and watch one thing together. Yeah, what's because

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Speaker 1: my dad's like son of a bitch, goddamn it. Because

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Speaker 1: he doesn't like streaming. He doesn't like not just being

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Speaker 1: able to flip through the channels. Wow, he's a surfer.

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Speaker 1: He's pissed every time he'd like go to grab the

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Speaker 1: thing and like go to turn it, and then it

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Speaker 1: would just come back to the main screen where it's

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Speaker 1: like and he's like the son of a bitch because

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Speaker 1: he pissed now. He's pissed now because he wants to

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Speaker 1: watch all the all the you know, the fun commercials,

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Speaker 1: the rife commercials, and all the fun things that were

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Speaker 1: missing out on Adam. Were you the one who says

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Speaker 1: flicking channels or is that Kyle? No, that's like flip

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Speaker 1: off and flick off. I didn't flick off channels. Flipping.

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Speaker 1: Somebody used to say flicking channels and I was like flipping. Yeah, yeah,

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Speaker 1: what are the shows that family's watched it? I mean

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Speaker 1: I watched sports with my family. But other than that,

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Speaker 1: what is it like Masked Singer or something? Yeah, it

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Speaker 1: used to be like American idol. Uh yeah, we watched

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Speaker 1: a mass singer and my dad, although he's the one

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Speaker 1: that turned it on, he was like never seen the show,

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Speaker 1: and I'm like, why are why are we watching it?

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Speaker 1: Then he goes because it looks stupid as shit, and

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Speaker 1: I'm like, okay, well it seems like you wouldn't have

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Speaker 1: turned it on if you hadn't watched it. And then

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Speaker 1: he was like guessing who it is. He's like really investing,

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Speaker 1: like it seems like you watch it. He's like, I

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Speaker 1: might have seen it a couple of times, but it's

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Speaker 1: dumb as hell. Listen to this. Oh this is good. Oh,

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Speaker 1: I gotta see who the Jenny McCarthy, Jenny McCarthy, Yeah,

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Speaker 1: she gets it. I just gotta know who the cake

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Speaker 1: head is. I gotta know who's the cake It is

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Speaker 1: a crazy show. And now they're doing the mass dancer. Yeah,

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Speaker 1: like they need to just mask off, Like how many

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Speaker 1: mass versions going to get? Oh, they're gonna spin that off,

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Speaker 1: have future hosted mask off. That would be a synergy.

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Speaker 1: And yeah, and I understand that reference. What does that

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Speaker 1: mean exactly for the listeners who doesn't mask off? It's

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Speaker 1: a hot track. Our our listeners know they're they're young,

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Speaker 1: go heart, well some of them are, and some of

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Speaker 1: them are our age that we're knocking on children and

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Speaker 1: families and uh and maybe don't well, they still got

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Speaker 1: to listen to mask Off by Future come on with.

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Speaker 1: Some of them do and some of them don't. So

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Speaker 1: it is a song by Future mask Off. Yeah, I

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Speaker 1: guess I could. I can. I can cue it up

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Speaker 1: and we can play us out with it at the

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Speaker 1: end of the pod. Yeah, oh please, that's what they're

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Speaker 1: gonna wait, They're gonna wait on wait till the end. Babe,

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Speaker 1: I can't stop listening mask Off is about to play.

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Speaker 1: Do you guys think that you could have a normal

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Speaker 1: conversation with Future and now a normal conversation. I don't

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Speaker 1: even know who Future Future is. I know who he is,

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Speaker 1: I couldn't tell you what he looks like or what

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Speaker 1: he looks fucking cool. Yeah, he looks like a Lynx.

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Speaker 1: I'm sure. I'm sure he's cool. He kind of looks

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Speaker 1: like one of hr Geegers Aliens has became a rapper. Oh,

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Speaker 1: he's like tall as hell, right, he's like six eight

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Speaker 1: or something. I don't know, six eight, he's not. I

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Speaker 1: think I'm thinking of two Chains to Chains is like

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Speaker 1: the lanky ass dude Change is dope and he can ball.

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Speaker 1: But Future just I feel like if I, like was

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Speaker 1: in an elevator with him and was just like hell

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Speaker 1: of a day. Like I just want to know what

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Speaker 1: he would say, if you'd be like, yeah, he'd said nothing,

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Speaker 1: or if he'd be like do you remember when Blake

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Speaker 1: and I were at the the NBA All Star Game

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Speaker 1: when I did that weird I did that weird song

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Speaker 1: and dance with Queen Latifa and Jamie Fox and Kevin

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Speaker 1: Hart for the NBA Jelly All Star Game in l A.

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Speaker 1: And then I came out. It was so weird. It

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Speaker 1: was the weirdest. It was literally me, Queen Latifa, Jamie Fox,

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Speaker 1: who else was there? Kevin Hart and like two other Ludicrous.

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Speaker 1: I shared a room with Ludicrous and uh like our

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Speaker 1: green room was the same room, and he was getting

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Speaker 1: his hair cut and he's like anything you want to

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Speaker 1: listen to at him? And then I go, oh, anything

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Speaker 1: by word of mouth, ready for ready for him to

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Speaker 1: be like ha ha, and he goes na man, and

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Speaker 1: I'm like okay, and then I don't I don't think

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Speaker 1: you're gonna have a good conversation with future either the no.

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Speaker 1: But I remember when me and Blake were at the game,

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Speaker 1: the slam Dunk contest and me goes had just one

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Speaker 1: like the celebrity m v P and the Celebrity All

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Speaker 1: Star Game and he had the trophy. I believe Quevo

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Speaker 1: Quevo was it was Quevo. Yeah. Me goes yeah, it's

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Speaker 1: three people, that's right, Quevo. And I go, uh yo,

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Speaker 1: so you won the trophy huh. And he was holding

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Speaker 1: it and he's like yeah, man, And I'm like, where

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Speaker 1: are you gonna keep that trophy? Bad question. I'm just

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Speaker 1: trying to spark up a converence. He's sitting right next

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Speaker 1: to me and he's like, I don't know, man, I'll

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Speaker 1: go you're gonna put it like in your bathroom. You

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Speaker 1: know people put trophies in their bathroom. And he's like,

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Speaker 1: goofy nah. And I'm like, okay, so you gott a

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Speaker 1: shelf or something like, really trying to get a conversation going,

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Speaker 1: and he goes, yeah, man, I got a shelf. That's cool,

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Speaker 1: all right, Okay, the cool thing I don't know. But

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Speaker 1: he didn't even have in a shell. He was like fun. God, dude,

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Speaker 1: he was probably super high, just having a good time.

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Speaker 1: I hope he was. I also kind of think he's

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Speaker 1: probably really nervous to talk to Blake and me, and

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Speaker 1: he was like oh ship, Yeah, superstar struck. He was like,

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Speaker 1: it's the guy with the hair. Yeah, he was like

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Speaker 1: superstar struck by us, the guy with the hair, the

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Speaker 1: short one that was just dancing with Queen Latifa. Oh,

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Speaker 1: nervous King, it's King Latifa. You've done a lot of

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Speaker 1: singing and dancing, and I'm sure you're like under contract.

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Speaker 1: But if you're on the if you're one of the

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Speaker 1: mass singers, can you like blink for us or something

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Speaker 1: like how far away? Or are you currently masked up

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Speaker 1: and doing the show? I cannot say. I cannot say

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Speaker 1: if I'm a mass singer, if I sing with masks

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Speaker 1: on or off? Oh my gosh, I feel like your

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Speaker 1: seasons away? Can you say, have they come to you?

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Speaker 1: Have they offered? Does Robin Thick have your phone number?

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Speaker 1: I don't know if Robin Thick does, but someone over

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Speaker 1: there does. I will say, Uh, okay, you're built for

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Speaker 1: that show man, You're really built for it. Shortened and squat,

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Speaker 1: how am I doing? Guys? I moved a little closer

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Speaker 1: to the router. Am I still chunking? Or? What's? You?

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Speaker 1: Seem less chunky right now? You seem a little less chunky.

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Speaker 1: Everything feels a little bit smoother. I moved upstairs. I'm

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Speaker 1: sitting on the floor. I'm very then right now, okay, alright, good, good, good, Well,

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Speaker 1: don't come don't come back in and take over the

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Speaker 1: whole goddamn podcast we're talking about. Yeah, just fucking bulldozing

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Speaker 1: the whole thing. What are you talking about? What did

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Speaker 1: I miss? What did I miss? I'm not doing that. No, no,

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Speaker 1: we're not going yeah no, no, no, all right. Where

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Speaker 1: where are we at? How are you? How are you

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Speaker 1: doing with the podcast? Kyle? Because my mom is is

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Speaker 1: really worried about you after last week. I kind of

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Speaker 1: told her, uh, you know, about the podcast, and and

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Speaker 1: she had listened to a few episodes and she thinks

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Speaker 1: we're giving it a little too hard to you. So

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Speaker 1: I'm gonna take Penny's advice and uh you know, I'm

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Speaker 1: gonna be nice to sun to you from now on,

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Speaker 1: at least during this podcast. Like you say that every

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Speaker 1: weekend then you rip them to No, I don't know,

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Speaker 1: I don't I'm always I always try to be nice

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Speaker 1: to Cole And then at the end he backtracks and

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Speaker 1: and then stabs me in the back when I'm trying

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Speaker 1: to just love on my buddy, you trying to kiss

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Speaker 1: on my daddy. Dude, I don't mind it. I don't,

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Speaker 1: you know, if it doesn't bother me. It's just as

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Speaker 1: an entertainer, it feels a little one note, you know

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Speaker 1: what I mean. It feels like I feel like I

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Speaker 1: don't want it to become predictable. I would hate for

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Speaker 1: our podcast to be like you know, I've I've heard

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Speaker 1: that episode before, so I think it's good to switch

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Speaker 1: it up. I think that's just good from an entertainment standpoint. Bro, Yeah,

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Speaker 1: that's absolutely right. So we gotta find someone else to

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Speaker 1: kind of dog on. Hey, Blake, fuck you man, Yeah,

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Speaker 1: fuck you Blake. I don't know that that's not the same.

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Speaker 1: Cut your hair, you bitch. I think of how many episodes. Okay,

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Speaker 1: everybody cut your fucking hair. Why are you afraid to

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Speaker 1: cut your hair, you bitch? You know it looks like

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Speaker 1: I'm I'm chunking over here. I might have to log off. Okay. Yeah,

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Speaker 1: that's a that's a nice little defense mechanism. Yeah, and

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Speaker 1: I disagree. I think yelling and ripping Kyle apart every

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Speaker 1: week is money. It's like, I love Lucy, come on,

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Speaker 1: she's gonna get into trouble every episode. Okay, that is yeah,

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Speaker 1: that's absolutely true. The fans, the fans need it, and

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Speaker 1: the arugal Lloyd's I feel like they also like it.

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Speaker 1: They're like, you know what, I like salads. But also

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Speaker 1: I'm getting a kick out of this too. So I

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Speaker 1: would venture to say people have been saying we are

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Speaker 1: the I Love Lucy of podcasts, and that's such a

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Speaker 1: topical reference. And I think a lot of people are,

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Speaker 1: you know, during quarantine, they're going back and they're watching

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Speaker 1: all their classic favorite shows from their childhood, especially fans

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Speaker 1: of our podcast, people that are in their twenties and

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Speaker 1: thirties and some in their early forties. They really remember

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Speaker 1: I Heart uh Lucy, I Love Lucy. It's one of

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Speaker 1: the Yeah, I Love Lucy's Heart Radio is our podcast channel.

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Speaker 1: I actually might start a spinoff podcast where I watch

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Speaker 1: every episode of I Love Lucy and I just chit

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Speaker 1: chat about it. That's what the people what Yeah, thank you,

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00:19:03,080 --> 00:19:08,199
Speaker 1: lu seal Ball. I'm not piss now, Okay, what what

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Speaker 1: else did I know? That that show was like groundbreaking,

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Speaker 1: game changer, super hilarious, still holds up. What else did

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Speaker 1: she have? I know she produced things, but did she

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Speaker 1: starring other things like did she ever cross the steel Ball? Yes,

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Speaker 1: I don't know. I don't know if she did. I

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Speaker 1: don't know if she did anything else except for that show,

359
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Speaker 1: Like did she cross over in the movies or like

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Speaker 1: did she have a podcast or you know that's actually

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Speaker 1: really crazy. Yeah, if she doesn't have a podcast, was

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Speaker 1: she even an entertainer? That's what I'm saying. Yeah, I mean,

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Speaker 1: at this point, I'm sure Desi art Nez had a

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Speaker 1: fucking radio show or something like that that she was on.

365
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Speaker 1: Desi Art knows was a major player. He bought r

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Speaker 1: k O Studios after the Orson Wells era. Right, But

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Speaker 1: wasn't she the business savy want? Yeah, but I think

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Speaker 1: it was a different time, and Desi was kind of

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Speaker 1: the guy make in the deals, the puppet. Yeah, she

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Speaker 1: had her fucking fist up his button. Was like talking

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Speaker 1: with you got some spaining to do? We can I

372
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Speaker 1: just say I'm looking up some lucile ball right now.

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Speaker 1: She's for like, even though she looks even when she's younger,

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Speaker 1: she still looks like she's your grandmother just because that

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Speaker 1: style and haird but kind of a babe babe grandmother.

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Speaker 1: She was hot. Yeah, fucking crush on that when I'd

377
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Speaker 1: be homesick from school. Did you really like black and

378
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Speaker 1: white porn? You jerked off to Lucille Ball? Yeah, for sure,

379
00:20:37,200 --> 00:20:40,760
Speaker 1: Patty Duke, Patti Duke on nickod Night, for sure. Who's

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Speaker 1: Pattie Duke? Don't make the noise, dude, Patti Duke. The

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Speaker 1: Patti Duke Show. It was about twins, but it was

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Speaker 1: played by one one lady, Patty Duke. Okay, yeah, this woman,

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Speaker 1: this woman is pretty for sure. My my, my old

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Speaker 1: time lady was Mary Tyler Moore. Oh yeah, that was

385
00:20:59,080 --> 00:21:02,320
Speaker 1: my that was my speed. Come on. It's also weird

386
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Speaker 1: because my mom would get that she looks like Barry

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Speaker 1: Tyler Moore kind of a lot, like when we were

388
00:21:06,720 --> 00:21:08,919
Speaker 1: out and about. Yeah, that is weird. Yeah, but but

389
00:21:08,960 --> 00:21:11,040
Speaker 1: I wasn't like jerking off like this creep. I was

390
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Speaker 1: a child, like eight years old, and I'm going yeah,

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00:21:15,880 --> 00:21:18,320
Speaker 1: and I'm going like, oh, yeah, that woman is pretty

392
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Speaker 1: like my mom's pretty. I bet you'd take care of

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Speaker 1: me and give me food. I bet you'd love and

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Speaker 1: appreciate me the way my mom does. I love Mary

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Speaker 1: Tyler moorets we got let's get out of this one.

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Speaker 1: Whoa Patty Duke is Shawn Aston's mom and you look

397
00:21:32,200 --> 00:21:35,320
Speaker 1: like Sean Aston? So what is going on there? Dude?

398
00:21:35,359 --> 00:21:37,159
Speaker 1: I do look like Sean Aston, but I don't know

399
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Speaker 1: who Patty Duke is. I just looked her up. She's

400
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Speaker 1: a pretty woman, But I'm talking about Mary dy Duke

401
00:21:42,119 --> 00:21:47,479
Speaker 1: is Shawn Wait, Adam, what Kyle saying is that Patty

402
00:21:47,520 --> 00:21:51,960
Speaker 1: Duke is Shawn Aston's mom? You you look like Seawan Aston?

403
00:21:53,280 --> 00:21:55,840
Speaker 1: So do I want to fuck you? And I feel

404
00:21:55,840 --> 00:22:02,040
Speaker 1: like we've this idiot good radio? Yeah? Yeah, this we've

405
00:22:02,080 --> 00:22:07,160
Speaker 1: already it's already well established that he would marry me Catalina. Yeah,

406
00:22:07,280 --> 00:22:09,679
Speaker 1: to to take my boat to Catalina and fuck me

407
00:22:09,920 --> 00:22:19,639
Speaker 1: on the boat. I'm trying to think of what my

408
00:22:19,800 --> 00:22:24,119
Speaker 1: classic beauty I would like to shack up with, like

409
00:22:24,359 --> 00:22:28,080
Speaker 1: the old school well, I mean Sophia Lauren, Like there's

410
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Speaker 1: some raals. I mean, you obviously have a weird like

411
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Speaker 1: kind of I'm not gonna kink shame you, but you

412
00:22:35,160 --> 00:22:39,560
Speaker 1: like to jerk off the old school footage of TV starlets.

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Speaker 1: I'm not saying I do it now. I'm not going

414
00:22:42,480 --> 00:22:44,640
Speaker 1: to kink shame you, but you'd like to wrap your

415
00:22:44,760 --> 00:22:49,320
Speaker 1: nuts in tinfoil and stick him in the microwave. That's good.

416
00:22:49,520 --> 00:22:53,600
Speaker 1: I'm not on porn hub like hitting like sixties sitcom

417
00:22:53,680 --> 00:22:56,040
Speaker 1: bays I think you are? Is that a category? On

418
00:22:56,080 --> 00:23:00,000
Speaker 1: that same back in the day when everything is a category,

419
00:23:00,280 --> 00:23:02,560
Speaker 1: take it to the hub. But I'm staying back in

420
00:23:02,600 --> 00:23:05,879
Speaker 1: the day when like resources were thin and you're watching

421
00:23:05,960 --> 00:23:08,359
Speaker 1: niked Knight. You gotta do what you gotta do, No,

422
00:23:08,520 --> 00:23:11,280
Speaker 1: because come on MTV like beach Houses on what you

423
00:23:11,560 --> 00:23:16,200
Speaker 1: don't get me started on? Oh say can you hey?

424
00:23:16,240 --> 00:23:19,240
Speaker 1: First of all, Blake DR's is the oldest person we know.

425
00:23:19,480 --> 00:23:22,240
Speaker 1: He wasn't watching Beach House Beach House is when we

426
00:23:22,240 --> 00:23:25,520
Speaker 1: were kids. He he had to watch old black and white,

427
00:23:25,840 --> 00:23:29,320
Speaker 1: old timey Oh maybe maybe like I Dream of Genie.

428
00:23:29,440 --> 00:23:33,359
Speaker 1: Oh boy, come on, what mean yeah? Oh my god.

429
00:23:34,119 --> 00:23:36,720
Speaker 1: Wasn't the guy who was the one the dude in

430
00:23:36,840 --> 00:23:39,160
Speaker 1: one of those old shows like Hogan's Heroes or something

431
00:23:39,200 --> 00:23:41,920
Speaker 1: where he was like a like a total porn addict

432
00:23:42,040 --> 00:23:43,959
Speaker 1: or not a porner. He was like addicted to fucking

433
00:23:44,119 --> 00:23:46,480
Speaker 1: and him and his buddy would like film each other

434
00:23:46,520 --> 00:23:48,920
Speaker 1: and make their own homemade pornos and then he got murdered.

435
00:23:49,560 --> 00:23:53,240
Speaker 1: That movie The Auto focused movies off the Chain, Yeah,

436
00:23:53,240 --> 00:23:55,960
Speaker 1: oh yeah, who was in there was like great Caneer

437
00:23:56,080 --> 00:24:00,000
Speaker 1: or someone can plays the dude and his best friend

438
00:24:00,000 --> 00:24:04,119
Speaker 1: and is played by um Willem Dafoe and he's like

439
00:24:04,480 --> 00:24:06,560
Speaker 1: he's like a gear head that's like a photographer and

440
00:24:06,960 --> 00:24:09,800
Speaker 1: gets all this like early cam quarters from Japan and stuff,

441
00:24:10,200 --> 00:24:12,680
Speaker 1: and then they just started filming. Moore knows and there's

442
00:24:12,720 --> 00:24:15,440
Speaker 1: a great line where they're like sitting watching their fun

443
00:24:15,520 --> 00:24:17,240
Speaker 1: fest from the night before and he's like, hang on

444
00:24:17,280 --> 00:24:20,480
Speaker 1: a second, poset, Who's whose hand is that on my ass?

445
00:24:20,760 --> 00:24:22,960
Speaker 1: And William's like, that's that's mine. He's like, what do

446
00:24:23,000 --> 00:24:24,600
Speaker 1: you mean it's yours? He goes, well, I had my

447
00:24:24,640 --> 00:24:26,320
Speaker 1: thumb in your ass. You didn't see you in mind

448
00:24:29,160 --> 00:24:32,440
Speaker 1: that What are you talking about? It's like, hey, it's

449
00:24:32,440 --> 00:24:34,280
Speaker 1: a what do you call? He's like, it's a grabbing

450
00:24:34,359 --> 00:24:37,560
Speaker 1: go or some ship. I gotta check that outlass grabbing.

451
00:24:38,320 --> 00:24:40,919
Speaker 1: You know. I'm a big Caneer fan. So good. I

452
00:24:40,920 --> 00:24:43,320
Speaker 1: think my with this count as an old school lady.

453
00:24:43,320 --> 00:24:48,560
Speaker 1: I I kind of thought Gina Davis was hot. Yes,

454
00:24:48,840 --> 00:24:53,080
Speaker 1: Gina Davis is unbelievably beautiful. In Earth Girls Are Easy,

455
00:24:53,520 --> 00:24:56,879
Speaker 1: Davis was super hot. She's kind of weird looking. Man,

456
00:24:56,960 --> 00:24:59,360
Speaker 1: I didn't know. That's not my reference. That's not my reference.

457
00:24:59,520 --> 00:25:04,120
Speaker 1: My ref fly their own. It was lega their own. Yeah,

458
00:25:04,480 --> 00:25:07,080
Speaker 1: she's so hot. She's the star, but also a league

459
00:25:07,080 --> 00:25:09,399
Speaker 1: of their own. She was a babe, dude, she's the

460
00:25:09,440 --> 00:25:11,720
Speaker 1: star of the movie. She's a superhow But now I

461
00:25:11,800 --> 00:25:14,840
Speaker 1: look back, I like her younger sister, Kit. Right, is

462
00:25:14,880 --> 00:25:18,080
Speaker 1: that her name? Kit? That's not like, are you talking

463
00:25:18,119 --> 00:25:23,360
Speaker 1: about kid? Yeah? From Free Will See a Ghost? She

464
00:25:23,040 --> 00:25:26,800
Speaker 1: was great. What was that woman's name? Hot tank girl?

465
00:25:26,960 --> 00:25:28,959
Speaker 1: What was her name? She was one of the first

466
00:25:29,000 --> 00:25:31,760
Speaker 1: people I saw. I saw her when I first moved

467
00:25:31,760 --> 00:25:35,399
Speaker 1: to California in Venice Beach with her. She remember she

468
00:25:35,440 --> 00:25:37,600
Speaker 1: had a shaved head for a while. Yeah, yeah, we

469
00:25:37,640 --> 00:25:39,920
Speaker 1: can do this. Don't tell us the name, don't look

470
00:25:39,960 --> 00:25:42,240
Speaker 1: it up. We can do this. She was in in

471
00:25:42,359 --> 00:25:47,520
Speaker 1: the Army. She was roller skating, sorry, skateboarding barefoot down

472
00:25:47,520 --> 00:25:50,280
Speaker 1: the street in Venice, holding a bottle of red wine.

473
00:25:50,920 --> 00:25:54,840
Speaker 1: Roller skating barefoot? No, no, no, she was sorry, skateboarding

474
00:25:54,880 --> 00:25:58,399
Speaker 1: barefoot down the street holding a bottle of red wine.

475
00:25:58,840 --> 00:26:01,159
Speaker 1: And I was like, well, come to California, man, this

476
00:26:01,240 --> 00:26:04,720
Speaker 1: is the coolest place. Lori Petty, that is her name.

477
00:26:04,760 --> 00:26:07,320
Speaker 1: That is her name. I think she went to my

478
00:26:07,359 --> 00:26:09,880
Speaker 1: college roommates high school and that was his claim to fame,

479
00:26:09,920 --> 00:26:13,600
Speaker 1: claim to fame somewhere in Iowa. She was great, Oh know,

480
00:26:13,680 --> 00:26:15,560
Speaker 1: like that she went to his high school. He was like,

481
00:26:15,600 --> 00:26:17,280
Speaker 1: that's how cool I am. And I was like, that's

482
00:26:17,280 --> 00:26:20,159
Speaker 1: fucking sick. Yeah, that's super dope. Yea. And she was

483
00:26:20,440 --> 00:26:25,080
Speaker 1: roller skating while skateboarding. Yeah, Lori Petty rules, that's amazing. No,

484
00:26:25,200 --> 00:26:28,760
Speaker 1: she was skateboarding man hairfoot, goddamn it. She was skateboarding

485
00:26:28,840 --> 00:26:32,960
Speaker 1: hairfoot tank girl. She could do it. Welcome to California, baby.

486
00:26:32,960 --> 00:26:39,200
Speaker 1: We established that I had drunk again. I'm drunk again

487
00:26:39,400 --> 00:26:42,280
Speaker 1: off my caffeine high. I'm riding too high off the fiend.

488
00:26:43,040 --> 00:26:49,160
Speaker 1: By the way, Gina Davis is like shockingly beautiful. Yeah,

489
00:26:49,280 --> 00:26:51,679
Speaker 1: the bone structure and that we we were talking about,

490
00:26:51,760 --> 00:26:54,640
Speaker 1: like and also Gina Davis is a little old. We're

491
00:26:54,640 --> 00:26:57,880
Speaker 1: talking about women that are now in their seventies or eighties.

492
00:27:00,680 --> 00:27:03,199
Speaker 1: We're talking about we're talking about like grandma's time. This

493
00:27:03,280 --> 00:27:06,199
Speaker 1: is important. Welcome to our Like, Gina Davis is what

494
00:27:06,520 --> 00:27:09,800
Speaker 1: could be like what like an older sister, like a

495
00:27:09,840 --> 00:27:11,960
Speaker 1: little too young to be your mom. Probably, Yeah, she's

496
00:27:12,000 --> 00:27:17,240
Speaker 1: fifties something, Gina Davis. Gina Davis Man, No, she's like seventy, dude,

497
00:27:17,240 --> 00:27:20,960
Speaker 1: are you Yeah? You guys think you're younger than you are. No, No,

498
00:27:21,359 --> 00:27:23,879
Speaker 1: get the funk at it. How old is Gina Davis?

499
00:27:23,920 --> 00:27:26,480
Speaker 1: Now look it up. I'm gonna say she's fifty three.

500
00:27:26,920 --> 00:27:31,560
Speaker 1: No way, No, I'm gonna say, yeah, fifty five, almost seven.

501
00:27:31,920 --> 00:27:34,680
Speaker 1: She's like sixty seven. Yeah, I'm with you, boy, gotta

502
00:27:34,720 --> 00:27:37,200
Speaker 1: be up there. No, she was thirteen and eleague of

503
00:27:37,200 --> 00:27:42,119
Speaker 1: the Oh my gosh, she's almost seventy, if not seven,

504
00:27:42,160 --> 00:27:45,080
Speaker 1: she's sixty four. That's exactly what I just said. Sixty

505
00:27:45,280 --> 00:27:50,920
Speaker 1: she's sixty four, sixty four, So I was three years off.

506
00:27:51,640 --> 00:27:53,840
Speaker 1: I got it. So, yeah she is. She is our

507
00:27:53,880 --> 00:27:57,840
Speaker 1: mom's age. And so Blake wants to fuck his mom.

508
00:27:58,040 --> 00:28:01,800
Speaker 1: That's weird, dude, And it's all all we circle back, baby,

509
00:28:01,920 --> 00:28:06,400
Speaker 1: what that's weird? Dude? How come everybody said, no, that's

510
00:28:06,400 --> 00:28:08,439
Speaker 1: not what I'm saying. That's kind of your thing, and

511
00:28:08,480 --> 00:28:11,760
Speaker 1: that's fine. Maybe that'll be the thing that everyone likes

512
00:28:11,800 --> 00:28:13,960
Speaker 1: about this episode. It's just because we're not beating up

513
00:28:14,040 --> 00:28:16,560
Speaker 1: Kyle Okay, well I think they're gonna like that you

514
00:28:16,640 --> 00:28:19,119
Speaker 1: beat off to Nick at night. Okay, Yeah, it's an

515
00:28:19,119 --> 00:28:24,160
Speaker 1: Oedipus complex. Everybody here got that. No, what does that mean?

516
00:28:24,280 --> 00:28:26,680
Speaker 1: An Oedipus complex is when you want to fuck your

517
00:28:26,680 --> 00:28:30,080
Speaker 1: mom and kill your father. Oh, it's got to be both.

518
00:28:30,600 --> 00:28:32,600
Speaker 1: It has to be both. It's not just your mom.

519
00:28:32,680 --> 00:28:35,880
Speaker 1: That's just king shaming. I got news. If you fuck

520
00:28:35,960 --> 00:28:38,160
Speaker 1: your mom, you're that's gonna kill your dad. Yeah. True,

521
00:28:38,200 --> 00:28:40,520
Speaker 1: you do it all in one stop. Admittedly dad would

522
00:28:40,560 --> 00:28:45,640
Speaker 1: be pretty salty. Yeah, that's cool that I know that.

523
00:28:45,720 --> 00:28:48,320
Speaker 1: My parents listen to the podcast, So it's fun for them.

524
00:28:48,320 --> 00:28:50,200
Speaker 1: There's gonna be a fun little few minutes for them.

525
00:28:50,240 --> 00:28:53,080
Speaker 1: It's gonna be a fun drive to the supermarket. Don't

526
00:28:53,160 --> 00:28:54,760
Speaker 1: but they were the ones complaining that we pick on

527
00:28:54,840 --> 00:28:57,120
Speaker 1: Kyle so much for so be careful what you asked?

528
00:28:57,120 --> 00:28:59,200
Speaker 1: Pouring on it. Yeah, see what happens when we let

529
00:28:59,280 --> 00:29:03,600
Speaker 1: him loose, Mike. Yes, I didn't mean that we all

530
00:29:03,640 --> 00:29:05,200
Speaker 1: had it. I was just relating it to us in

531
00:29:05,360 --> 00:29:08,680
Speaker 1: like a way. But we don't. None of us have that.

532
00:29:09,360 --> 00:29:12,560
Speaker 1: Absolutely not, No, we don't have. You guys ever watched

533
00:29:13,040 --> 00:29:17,200
Speaker 1: you obviously the graduate no, not enough, of course. I

534
00:29:17,240 --> 00:29:20,000
Speaker 1: mean I did I have what's her name, mel Brooks?

535
00:29:20,080 --> 00:29:24,760
Speaker 1: Is that mel Brooks's wife? Oh? I don't know her name? Stunner.

536
00:29:25,320 --> 00:29:28,040
Speaker 1: This is like the Golden Age of Hollywood? Correct? Is that?

537
00:29:28,080 --> 00:29:30,920
Speaker 1: What is that what we're talking about? No? Yeah, the

538
00:29:30,960 --> 00:29:33,520
Speaker 1: graduate kind of kicked it off. Golden We're talking like

539
00:29:33,800 --> 00:29:40,720
Speaker 1: and Bancroft. No clue, Jesus Christ, No one remembers who

540
00:29:40,760 --> 00:29:44,320
Speaker 1: this woman is. I just pretended, yeah, I know. Kyle

541
00:29:44,440 --> 00:29:46,080
Speaker 1: is just saying, oh, yeah, I know, I know it

542
00:29:46,160 --> 00:29:48,320
Speaker 1: because he's a director, so he had to pretend he's

543
00:29:48,360 --> 00:29:51,600
Speaker 1: seen films. Oh the Graduate, yes, my favorite. Well, it

544
00:29:51,640 --> 00:29:53,880
Speaker 1: was either like it was either right there in that moment,

545
00:29:53,920 --> 00:29:56,480
Speaker 1: it was either oh yes, or the Golden Age of

546
00:29:56,520 --> 00:30:00,200
Speaker 1: Hollywood is actually the thirties. Is that? Yeah? It is

547
00:30:00,240 --> 00:30:03,280
Speaker 1: the thirties? Yeah, for sure. The Golden Age of Hollywood

548
00:30:03,400 --> 00:30:05,440
Speaker 1: is when Fight Club came out and the next year

549
00:30:05,520 --> 00:30:08,960
Speaker 1: was The Matrix. Fuck y'all, dude, know the Golden Age

550
00:30:09,120 --> 00:30:14,320
Speaker 1: was in when Jim Carey came out with Ace Ventura

551
00:30:14,720 --> 00:30:17,680
Speaker 1: Mask and Dumb and Dumber on the same year. That

552
00:30:17,760 --> 00:30:21,680
Speaker 1: was the Golden Age. Get at me, Hollywood historian, Are

553
00:30:21,720 --> 00:30:26,920
Speaker 1: you not hitting the sound board. Check cock, thank you man,

554
00:30:28,000 --> 00:30:32,560
Speaker 1: do check there we go, thank you to chaka. Oh.

555
00:30:32,600 --> 00:30:36,440
Speaker 1: I'm like, what, hey, Kyle, how often when you go

556
00:30:36,480 --> 00:30:41,560
Speaker 1: into a meeting and someone references because you're you're you're

557
00:30:41,600 --> 00:30:47,240
Speaker 1: not very well studied when it comes to knowing movies movies? Well,

558
00:30:47,280 --> 00:30:50,960
Speaker 1: that's that's kind of not true. But what's up? Well,

559
00:30:51,720 --> 00:30:53,880
Speaker 1: I think it kind of Hey, no, no, no, he's

560
00:30:53,880 --> 00:30:56,880
Speaker 1: seen ten movies. But go ahead, you've seen ten movies.

561
00:30:58,040 --> 00:31:00,920
Speaker 1: How often are someone does someone like a producer or something,

562
00:31:01,280 --> 00:31:04,000
Speaker 1: say like, oh, a deep cut movie and you are like,

563
00:31:04,040 --> 00:31:06,640
Speaker 1: because I do it sometimes, but I'm sure as a

564
00:31:06,680 --> 00:31:10,080
Speaker 1: director it happens to so much more where they're like, oh, yeah,

565
00:31:10,120 --> 00:31:13,960
Speaker 1: and you remember this film from like nineteen sixty four,

566
00:31:14,400 --> 00:31:18,480
Speaker 1: and you're like, well, that's true. I mean no, no,

567
00:31:18,520 --> 00:31:20,560
Speaker 1: you're but like a deep cut because you're not a

568
00:31:20,560 --> 00:31:24,080
Speaker 1: true cinophile. You're not like studying films all day every day.

569
00:31:24,200 --> 00:31:27,960
Speaker 1: I'm getting more so, I'm more so getting there now.

570
00:31:28,200 --> 00:31:30,560
Speaker 1: Like I just watched Citizen Kane a year ago for

571
00:31:30,600 --> 00:31:34,360
Speaker 1: the first time. I had never seen that before because

572
00:31:34,400 --> 00:31:37,080
Speaker 1: I wasn't interested in studying it. I was more interested

573
00:31:37,120 --> 00:31:39,080
Speaker 1: in making the films. You know what I mean, and

574
00:31:39,160 --> 00:31:41,440
Speaker 1: just the craft of doing it. But yeah, you're right, No,

575
00:31:41,560 --> 00:31:44,920
Speaker 1: I get it, Kyle. Is that your argument that you're like,

576
00:31:45,080 --> 00:31:48,880
Speaker 1: I don't watch movies, I make movies. That's what it was. Yeah,

577
00:31:48,920 --> 00:31:52,760
Speaker 1: for sure, you know that doesn't work right. Okay, Well,

578
00:31:52,760 --> 00:31:55,160
Speaker 1: now now he knows and he's and he's doing it.

579
00:31:56,280 --> 00:31:59,000
Speaker 1: How do you handle a line? Do you say I

580
00:31:59,040 --> 00:32:04,160
Speaker 1: didn't see that? Or do you do a classic Oh yeah, yeah,

581
00:32:04,240 --> 00:32:06,520
Speaker 1: I'm that guy, because that's what I do. I first, sure,

582
00:32:06,600 --> 00:32:11,360
Speaker 1: I lie almost almost I would say the time, I'll

583
00:32:11,400 --> 00:32:14,040
Speaker 1: go like, you know what, I don't I don't know

584
00:32:14,120 --> 00:32:17,400
Speaker 1: that one. But most of the time, more than most

585
00:32:17,400 --> 00:32:21,200
Speaker 1: of the time, I will go like, oh yeah, yeah,

586
00:32:21,680 --> 00:32:24,000
Speaker 1: I'm like I'll do that when it comes to actors

587
00:32:24,000 --> 00:32:27,920
Speaker 1: and actresses, like I'll definitely be like, oh right, I

588
00:32:28,040 --> 00:32:30,440
Speaker 1: remember him or I remember her, but not when it

589
00:32:30,440 --> 00:32:33,400
Speaker 1: comes to movies and plots. When it comes to movies

590
00:32:33,440 --> 00:32:35,760
Speaker 1: and plots, I'm just like, I can't. I'm not lying,

591
00:32:35,840 --> 00:32:40,080
Speaker 1: you know what I mean. It's not sure in case

592
00:32:40,160 --> 00:32:42,560
Speaker 1: in case, they have a follow up question and they're like,

593
00:32:42,600 --> 00:32:44,800
Speaker 1: so what do you think of this plot? Device? Were

594
00:32:44,800 --> 00:32:47,280
Speaker 1: they and then you have to be like oh yeah,

595
00:32:47,280 --> 00:32:49,680
Speaker 1: I haven't seen that one in a while, right. I

596
00:32:49,680 --> 00:32:52,120
Speaker 1: can breathe past like an actor and an actress and

597
00:32:52,240 --> 00:32:55,000
Speaker 1: just be like yeah, or like this actor or this actress,

598
00:32:55,040 --> 00:32:56,560
Speaker 1: like you can kind of do that. But if or

599
00:32:56,640 --> 00:32:58,960
Speaker 1: someone then I know, right exactly, or one of my

600
00:32:59,040 --> 00:33:02,640
Speaker 1: friends from Mortal Combat the movie, yeah yeah might. I

601
00:33:02,680 --> 00:33:05,080
Speaker 1: find that sometimes people will be like, uh, you know,

602
00:33:05,160 --> 00:33:07,040
Speaker 1: what's their name or like your friends with it, and

603
00:33:07,040 --> 00:33:09,600
Speaker 1: I'll be like yeah, yeah, yeah, and then they continue

604
00:33:09,600 --> 00:33:11,560
Speaker 1: with it like so, yeah, I was just talking to

605
00:33:11,640 --> 00:33:15,160
Speaker 1: them the other day and you're like, yeah, I actually

606
00:33:15,200 --> 00:33:18,760
Speaker 1: don't know that president at all, right, Angelica Houston, Yeah yeah,

607
00:33:18,760 --> 00:33:21,760
Speaker 1: And I'll be yeah, like I'm sure for Shelly, I've

608
00:33:21,760 --> 00:33:23,760
Speaker 1: probably met them at a comic con when I was

609
00:33:23,840 --> 00:33:26,840
Speaker 1: black out and they remember the time I met them

610
00:33:26,840 --> 00:33:29,680
Speaker 1: and I don't at all. Uh, well that happens to me.

611
00:33:30,360 --> 00:33:33,840
Speaker 1: I would say that specifically from you where people being

612
00:33:33,880 --> 00:33:39,080
Speaker 1: like yo, dude, I'm blake, so me and uh, and

613
00:33:39,080 --> 00:33:40,640
Speaker 1: then I have to well, this is then the before

614
00:33:40,680 --> 00:33:42,800
Speaker 1: times when I actually would go out places and see

615
00:33:42,800 --> 00:33:45,880
Speaker 1: people that I didn't know, but I would always get

616
00:33:45,880 --> 00:33:49,280
Speaker 1: people to be like yo' I'm homies with your friend

617
00:33:49,320 --> 00:33:51,680
Speaker 1: Blake man, and then I have to like have a

618
00:33:51,720 --> 00:33:54,840
Speaker 1: conversation with them for like ten minutes. And then and

619
00:33:54,840 --> 00:33:56,719
Speaker 1: then I kind of put in it together like, oh,

620
00:33:56,840 --> 00:33:59,120
Speaker 1: he doesn't really know Blake. He like was at a

621
00:33:59,160 --> 00:34:02,600
Speaker 1: bar once with him. Yeah, And for some reason they

622
00:34:02,600 --> 00:34:04,440
Speaker 1: feel like they have a connection with you that then

623
00:34:04,440 --> 00:34:07,080
Speaker 1: they go like, hey, we're really good friends. The next

624
00:34:07,120 --> 00:34:08,480
Speaker 1: time I see one of these guys, I have to

625
00:34:08,560 --> 00:34:11,680
Speaker 1: let them know that, well, next time, just FaceTime me

626
00:34:11,760 --> 00:34:14,520
Speaker 1: and show me the person, and you know, we'll sort

627
00:34:14,560 --> 00:34:16,600
Speaker 1: it out. That always works. And then you could be

628
00:34:16,640 --> 00:34:18,360
Speaker 1: real harsh with this like I don't I do not

629
00:34:18,480 --> 00:34:22,799
Speaker 1: know that man, I don't know Sorry man, walk away, run,

630
00:34:23,080 --> 00:34:25,560
Speaker 1: I don't know this person. Get the hell out of there.

631
00:34:25,640 --> 00:34:29,680
Speaker 1: I just turned it on, Kyle. What are your five

632
00:34:29,840 --> 00:34:33,480
Speaker 1: most as well? Let's do this two ways. As a director,

633
00:34:33,960 --> 00:34:37,480
Speaker 1: what are your three most influential movies? And then just

634
00:34:37,600 --> 00:34:40,800
Speaker 1: as a movie fan, what are your three favorite movies?

635
00:34:40,960 --> 00:34:43,040
Speaker 1: Just so we can get inside that brain of yours

636
00:34:43,040 --> 00:34:47,000
Speaker 1: and not make fun of or whatever. Well, yeah, I

637
00:34:47,040 --> 00:34:50,799
Speaker 1: think my my one of my top influential films is

638
00:34:50,840 --> 00:34:55,399
Speaker 1: The Wrest of Her Okay, very nice, that's that's up there.

639
00:34:56,600 --> 00:34:58,799
Speaker 1: I'm an old piece of meat is what what did

640
00:34:58,800 --> 00:35:01,640
Speaker 1: you say the rest of her with Nicky Rourke Aoki?

641
00:35:01,800 --> 00:35:04,080
Speaker 1: Oh yeah, you love the Wrestler. That is true, and

642
00:35:04,160 --> 00:35:08,520
Speaker 1: I also love The Big Lebowski. But Big Lebowski is

643
00:35:08,600 --> 00:35:11,360
Speaker 1: so underrated. Yeah, I was just talking about this the

644
00:35:11,360 --> 00:35:14,439
Speaker 1: other day. Absolutely not, It's it's perfectly rated. I feel

645
00:35:14,440 --> 00:35:17,200
Speaker 1: like people love The Big Lebowski. No, no, no, no, no,

646
00:35:17,440 --> 00:35:20,919
Speaker 1: it's underrated because the swing that the Cohen Brothers took

647
00:35:20,960 --> 00:35:25,839
Speaker 1: with that fucking movie with like it's insane, it's crazy,

648
00:35:26,080 --> 00:35:29,200
Speaker 1: and for some reason, you just go it all works together.

649
00:35:29,320 --> 00:35:32,239
Speaker 1: For some fucking crazy reason, all that stuff together works

650
00:35:32,239 --> 00:35:34,719
Speaker 1: and it shows. There's like there's like literally like the

651
00:35:34,840 --> 00:35:39,520
Speaker 1: Dude Days, there's like holidays surrounding people obsess over, There's

652
00:35:39,600 --> 00:35:42,120
Speaker 1: Lebowski Fest. There's there's all that stuff. I know, but

653
00:35:42,160 --> 00:35:44,279
Speaker 1: I'm saying it's like a film. I'm saying it is

654
00:35:44,320 --> 00:35:46,399
Speaker 1: like not like, oh dude, we used to get stone

655
00:35:46,440 --> 00:35:48,080
Speaker 1: and watch that shoot all the time. I'm saying, like,

656
00:35:48,520 --> 00:35:52,480
Speaker 1: what those guys did. They like created a whole new

657
00:35:52,640 --> 00:35:55,320
Speaker 1: genre in that movie. And I think they get the

658
00:35:55,480 --> 00:35:57,879
Speaker 1: love for that, I really do. I I don't think

659
00:35:57,880 --> 00:36:01,880
Speaker 1: they get it for that movie from like film critics.

660
00:36:01,960 --> 00:36:04,840
Speaker 1: I think stoner dudes are like whatever, and film critics

661
00:36:04,840 --> 00:36:09,000
Speaker 1: are like Fargo Miller's Crossing, and you're like, all right, yeah,

662
00:36:09,040 --> 00:36:12,000
Speaker 1: I watched that movie. I remember I got when I

663
00:36:12,040 --> 00:36:13,960
Speaker 1: was doing I used when I was a kid, I

664
00:36:13,960 --> 00:36:16,240
Speaker 1: would do voices on the radio and get free tickets

665
00:36:16,280 --> 00:36:20,239
Speaker 1: to movie premieres and like concerts and ship and they

666
00:36:20,239 --> 00:36:22,759
Speaker 1: gave me and my dad a ticket to go see

667
00:36:22,800 --> 00:36:26,319
Speaker 1: The Big Lebowski. But I'm in like seventh grade, six

668
00:36:26,400 --> 00:36:29,560
Speaker 1: seventh grade, so it was way over my head. I

669
00:36:29,560 --> 00:36:31,879
Speaker 1: remember just leaving going like I don't know what the funk,

670
00:36:31,920 --> 00:36:33,440
Speaker 1: I just watched it. It It wasn't until I watched it

671
00:36:33,480 --> 00:36:36,080
Speaker 1: when I was like nineteen or whatever that I was like, oh,

672
00:36:36,120 --> 00:36:38,480
Speaker 1: that was actually great, dude. I saw The Big Lebowski

673
00:36:38,560 --> 00:36:40,800
Speaker 1: right when I was making like stuff with my friends,

674
00:36:41,040 --> 00:36:43,520
Speaker 1: and I watched it and I was like, what that

675
00:36:43,600 --> 00:36:46,960
Speaker 1: felt like the most natural film I've ever seen in

676
00:36:47,000 --> 00:36:51,800
Speaker 1: my life. Like the performances had to have been improvisational,

677
00:36:51,880 --> 00:36:53,880
Speaker 1: they had to have been like what did the actors

678
00:36:53,920 --> 00:36:57,080
Speaker 1: like bring to that? Like what? And then when you

679
00:36:57,120 --> 00:36:59,239
Speaker 1: go and you actually do your research on that movie,

680
00:36:59,239 --> 00:37:02,960
Speaker 1: and you're like reword. Every punctuation was thought out by

681
00:37:03,000 --> 00:37:07,160
Speaker 1: the Cohen's and you're like, oh, so this is a

682
00:37:07,160 --> 00:37:12,360
Speaker 1: testament to fantastic writing and a testament to the fucking

683
00:37:12,400 --> 00:37:15,759
Speaker 1: best performances I've ever seen. Like all those guys made

684
00:37:15,760 --> 00:37:19,640
Speaker 1: that ship feel right there in the moment, very casual

685
00:37:19,880 --> 00:37:22,200
Speaker 1: and just so sick dude. But then, but this is

686
00:37:22,239 --> 00:37:24,160
Speaker 1: what I'm saying, is you have that where you're like, oh,

687
00:37:24,200 --> 00:37:26,799
Speaker 1: they're just recording these friends talking. Then you have Julianne

688
00:37:26,800 --> 00:37:29,759
Speaker 1: Moore coming in and doing like that whole fucking thing

689
00:37:30,200 --> 00:37:33,879
Speaker 1: and it works. And you have the other Lebowski being

690
00:37:33,960 --> 00:37:36,120
Speaker 1: very performative, you know what I mean, And you have

691
00:37:36,480 --> 00:37:40,720
Speaker 1: Philip symore Hoffman very kind of doing his own different

692
00:37:40,719 --> 00:37:44,600
Speaker 1: thing and and for whatever reason, somehow Terror Read steals

693
00:37:44,640 --> 00:37:50,000
Speaker 1: the whole fucking movie. Yeah, exactly, Like how do you

694
00:37:50,040 --> 00:37:52,759
Speaker 1: get that? I mean, that's just that's just good performances, man,

695
00:37:52,840 --> 00:37:56,280
Speaker 1: That's like p t A level performances where dream stuff

696
00:37:57,040 --> 00:38:00,279
Speaker 1: fucking with like the Vikings and like, I mean, great

697
00:38:00,280 --> 00:38:05,040
Speaker 1: soundtrack soundtracks, bangers did. So what's your next one, guy

698
00:38:05,480 --> 00:38:08,200
Speaker 1: A Roll? I think I would actually go to I

699
00:38:08,239 --> 00:38:11,520
Speaker 1: think I would actually go talk about Paul Thomas Anderson

700
00:38:11,560 --> 00:38:15,600
Speaker 1: and talk about either Boogie Nights. I think I got

701
00:38:15,600 --> 00:38:20,080
Speaker 1: to talk about Boogie Nights because that's like just fucking

702
00:38:20,160 --> 00:38:25,120
Speaker 1: so good again. Great performances, great shots, great story. Julianne

703
00:38:25,160 --> 00:38:29,440
Speaker 1: Moore like great tone. Um, it's like, you know, funny

704
00:38:29,440 --> 00:38:32,960
Speaker 1: at times and fucking really like heart wrenching a lot

705
00:38:33,000 --> 00:38:35,040
Speaker 1: of the times too. It's like I love that. I

706
00:38:35,080 --> 00:38:37,360
Speaker 1: love when I'm laughing in one scene and then I'm

707
00:38:37,400 --> 00:38:40,839
Speaker 1: like kind of feeling and the next thing. Mostly Walberg's

708
00:38:40,880 --> 00:38:43,600
Speaker 1: cock and that one shot, well, that's the that's his

709
00:38:43,760 --> 00:38:46,760
Speaker 1: best performance of all time, right, yeah, I mean hands,

710
00:38:46,960 --> 00:38:49,520
Speaker 1: that was the cherry on tout for you. Ka. I

711
00:38:49,560 --> 00:38:52,439
Speaker 1: don't know. I heart Huckabees. He's pretty cool. Fear Yeah,

712
00:38:52,600 --> 00:38:55,479
Speaker 1: just sort of that here, right. Fear is good too,

713
00:38:55,600 --> 00:38:59,359
Speaker 1: That's very true. Oh fear man, he rules in fear. Yeah,

714
00:38:59,440 --> 00:39:02,440
Speaker 1: Huckabees was good as well. Uh for sure. Welcome to

715
00:39:02,480 --> 00:39:06,719
Speaker 1: my dojo. I mean good. Who what's that guy's name? Ye?

716
00:39:07,200 --> 00:39:11,040
Speaker 1: Who made that movie? What's his name? Screamer? Yeah? Yeah, yeah,

717
00:39:11,280 --> 00:39:15,040
Speaker 1: David David. I don't know. Oh my god, where do

718
00:39:15,080 --> 00:39:18,719
Speaker 1: you stand? Kyle? On the first forty five minutes of

719
00:39:18,800 --> 00:39:22,080
Speaker 1: Blow the greatest movie of all time, the greatest first

720
00:39:22,120 --> 00:39:25,120
Speaker 1: forty five minutes of all time. Now that's me as probably.

721
00:39:25,160 --> 00:39:27,960
Speaker 1: So there's also asked as a movie watcher like Blow

722
00:39:28,120 --> 00:39:31,000
Speaker 1: is really fun for me to watch. I love watching

723
00:39:31,000 --> 00:39:34,160
Speaker 1: that because Juice it's like the Rise to the Top.

724
00:39:34,280 --> 00:39:40,360
Speaker 1: It's very fun. Uh. And Pee Herman's crushing. Uh, dude,

725
00:39:40,400 --> 00:39:43,279
Speaker 1: Paul Rumans slaves in that movie. I used to watch

726
00:39:43,280 --> 00:39:47,399
Speaker 1: that movie every night before going to bed like a psychopath. Yeah,

727
00:39:47,440 --> 00:39:49,279
Speaker 1: you love that. I loved it. I would watch it

728
00:39:49,360 --> 00:39:51,280
Speaker 1: as I'm going to well, I slept on a couch

729
00:39:51,360 --> 00:39:54,600
Speaker 1: for like two years of my life, so I would

730
00:39:54,640 --> 00:39:56,400
Speaker 1: just I'd be in the living rooms about to go

731
00:39:56,440 --> 00:39:58,760
Speaker 1: to bed, and I just put it on and watch

732
00:39:58,960 --> 00:40:01,160
Speaker 1: the first forty five minutes as I'm falling asleep, and

733
00:40:01,160 --> 00:40:03,680
Speaker 1: then turn it off because then it gets kind of

734
00:40:03,680 --> 00:40:05,560
Speaker 1: sad and you're like, oh, it's life depressing. But the

735
00:40:05,560 --> 00:40:08,840
Speaker 1: first forty five when he's just like a a kingpin

736
00:40:09,800 --> 00:40:12,600
Speaker 1: weed dealer. So you don't like the latter half of

737
00:40:12,600 --> 00:40:14,960
Speaker 1: that movie. No, I like the ladder half too, But

738
00:40:15,000 --> 00:40:17,680
Speaker 1: I'm like, I'm not trying to go to bed being like, oh,

739
00:40:17,760 --> 00:40:19,880
Speaker 1: this poor guy lost everything. I'm just trying to go

740
00:40:19,920 --> 00:40:25,759
Speaker 1: to bed being like, yeah, I'm gonna have nice dreams. Yeah,

741
00:40:25,840 --> 00:40:28,840
Speaker 1: just saying drugs rules. It's a major cautionary tale. You

742
00:40:28,840 --> 00:40:31,120
Speaker 1: should probably spend the next ten years of your life

743
00:40:31,160 --> 00:40:36,480
Speaker 1: just watching the second half. Funny how life changes. I've

744
00:40:36,640 --> 00:40:38,920
Speaker 1: I've seen it, and I get it. The thing is

745
00:40:39,080 --> 00:40:44,040
Speaker 1: deal weed, not cocaine. The best part of the whole

746
00:40:44,080 --> 00:40:48,719
Speaker 1: movie is Penelope Cruise in the wind suit at the end.

747
00:40:49,520 --> 00:40:54,800
Speaker 1: I miss her. God, Penelope Cruise Row. She looks cool.

748
00:40:54,880 --> 00:40:57,719
Speaker 1: What happened to her? She was sick, she's still doing it.

749
00:40:57,760 --> 00:41:00,479
Speaker 1: She was in zoo later to come on, hell yeah, yeah,

750
00:41:00,560 --> 00:41:03,160
Speaker 1: what happened to her? He has cocaine in the drunk.

751
00:41:03,440 --> 00:41:06,680
Speaker 1: He's got cocaine in the drunk and then bust his ass.

752
00:41:06,680 --> 00:41:08,560
Speaker 1: Oh man, I was so mad at her, But you

753
00:41:08,600 --> 00:41:10,759
Speaker 1: know who killed it? Like in the same vein with

754
00:41:10,800 --> 00:41:14,200
Speaker 1: Sharon Stone and Casino, where it's just like it's like

755
00:41:14,280 --> 00:41:17,120
Speaker 1: the woman in the relationship who's basically like sticking her

756
00:41:17,160 --> 00:41:19,560
Speaker 1: neck out online for the guy and she's like, funk this,

757
00:41:19,560 --> 00:41:21,200
Speaker 1: this is insane. We have a family to raise and

758
00:41:21,200 --> 00:41:24,120
Speaker 1: just throws it all. That's kind of her. That's kind

759
00:41:24,120 --> 00:41:28,000
Speaker 1: of a cool role. Is like the cocaine queen, like

760
00:41:28,440 --> 00:41:31,480
Speaker 1: in most of those cocaine movies, the Wife of the King,

761
00:41:31,719 --> 00:41:35,560
Speaker 1: or like the actual Mentor. It's like Michelle Peiffer right

762
00:41:35,760 --> 00:41:40,279
Speaker 1: in uh Scarface and Penelope Cruise. Well, you know how

763
00:41:40,320 --> 00:41:42,960
Speaker 1: they're like turning every movie. Hollywood's turning every movie on

764
00:41:43,040 --> 00:41:46,680
Speaker 1: his head and like making the women be the leads now.

765
00:41:47,280 --> 00:41:50,239
Speaker 1: And I want to be the man candy. I want

766
00:41:50,239 --> 00:41:54,440
Speaker 1: to be the cocaine queen. I want to be like

767
00:41:54,480 --> 00:41:56,760
Speaker 1: the just the I want to play like the coked

768
00:41:56,840 --> 00:42:00,480
Speaker 1: up wild man husband who is She's making all the money.

769
00:42:00,520 --> 00:42:02,640
Speaker 1: And you're like, I can't I can't control this hot

770
00:42:02,640 --> 00:42:05,239
Speaker 1: piece of ass. That's what my wife is saying. My

771
00:42:05,280 --> 00:42:07,479
Speaker 1: wife is going like, I can't control this hot piece

772
00:42:07,480 --> 00:42:11,400
Speaker 1: of ass. I'm only keeping around because of his thick,

773
00:42:11,520 --> 00:42:14,560
Speaker 1: juicy ass. Look at that ass and then gratuitous ass

774
00:42:14,600 --> 00:42:17,160
Speaker 1: shots at me, like walking around the pool, you're always

775
00:42:17,160 --> 00:42:19,920
Speaker 1: in a Speedoh you're like, honey, came here, and like

776
00:42:20,360 --> 00:42:22,920
Speaker 1: she's like she just buries her face in your ass,

777
00:42:22,920 --> 00:42:25,960
Speaker 1: Like like how guys always like crumbled on their knees

778
00:42:25,960 --> 00:42:27,640
Speaker 1: and just put their face right in their crots Like

779
00:42:28,120 --> 00:42:31,719
Speaker 1: I'm so sorry, I just want to go home. Yeah, exactly,

780
00:42:31,800 --> 00:42:33,879
Speaker 1: that's that's those are the roles I'm trying to get

781
00:42:34,000 --> 00:42:36,280
Speaker 1: right now. That's why I'm I'm working out my fitness,

782
00:42:36,280 --> 00:42:39,359
Speaker 1: trying to be a fitness inspo. So it all comes back.

783
00:42:39,440 --> 00:42:42,040
Speaker 1: So the fitness inspo is on the way to becoming

784
00:42:42,080 --> 00:42:45,680
Speaker 1: more of man and Candy for the gender swap. Yeah,

785
00:42:45,719 --> 00:42:48,920
Speaker 1: well it's now and this is my year of health

786
00:42:49,040 --> 00:42:51,720
Speaker 1: that I'm getting my body and mind in great shape.

787
00:42:51,760 --> 00:42:56,440
Speaker 1: So hit and that man Candy roll is up for grabs.

788
00:42:56,800 --> 00:42:59,360
Speaker 1: It'll be me and all the hot boys me the

789
00:42:59,440 --> 00:43:02,719
Speaker 1: hems were, it's all the Chris is Michael b. And

790
00:43:02,760 --> 00:43:04,400
Speaker 1: I'm right there in the running. I've been doing it

791
00:43:04,400 --> 00:43:09,320
Speaker 1: for a few years. The water is warm, come on in, Okay,

792
00:43:09,320 --> 00:43:12,040
Speaker 1: has been dry, has been hot man Candy. He's always

793
00:43:12,040 --> 00:43:14,360
Speaker 1: sitting around. He's always like cutting up carrots and ship

794
00:43:14,440 --> 00:43:17,840
Speaker 1: by the by the sink that hey, we're gonna use

795
00:43:17,840 --> 00:43:21,120
Speaker 1: some new carrots. I cut all the carrots, So I

796
00:43:21,200 --> 00:43:32,840
Speaker 1: cut carrot. Let's just say he's cut. How is it playing?

797
00:43:32,880 --> 00:43:35,759
Speaker 1: Because that is true? Drsey, you've been playing these You

798
00:43:35,840 --> 00:43:38,239
Speaker 1: get roles that Blake and I do not get the

799
00:43:38,280 --> 00:43:41,800
Speaker 1: hot boy rolls. The hot husband. Not too hot. He's

800
00:43:41,920 --> 00:43:45,839
Speaker 1: just he's home, isn't he He's just home hot enough? Yes,

801
00:43:45,960 --> 00:43:50,439
Speaker 1: stoked you married him? Yeah? What's that like? Man, Well,

802
00:43:50,520 --> 00:43:52,719
Speaker 1: you you get both. You get stoked to married him,

803
00:43:52,800 --> 00:43:55,080
Speaker 1: and then like, oh he seems like a great guy,

804
00:43:55,080 --> 00:43:58,440
Speaker 1: but he's actually a cheating bastard. I turn on everyone.

805
00:43:58,680 --> 00:44:02,080
Speaker 1: That's why lady is at the airport. Fucking flip me off?

806
00:44:02,160 --> 00:44:06,239
Speaker 1: Do they They're like, fuck you from the intern, that's right. Yeah, Well,

807
00:44:06,360 --> 00:44:08,399
Speaker 1: explaining the role, your role in the intern and why

808
00:44:08,400 --> 00:44:11,920
Speaker 1: the women hate you. The movie The Intern starring Adam

809
00:44:11,960 --> 00:44:16,719
Speaker 1: Devine and Anne Hathaway and Robert DeNiro. DeNiro becomes an

810
00:44:16,719 --> 00:44:20,279
Speaker 1: intern for Anne Hathaway, who runs this big like internet

811
00:44:20,320 --> 00:44:24,120
Speaker 1: clothing store. I'm her husband. She's at work all day

812
00:44:24,160 --> 00:44:26,239
Speaker 1: and I get lonely. Watch it on a plane. It's

813
00:44:26,239 --> 00:44:28,920
Speaker 1: a great plane movie. It's probably being washed on a

814
00:44:28,920 --> 00:44:34,080
Speaker 1: plane right now. Uh. Daddy gets lonely, steps out the

815
00:44:34,640 --> 00:44:38,440
Speaker 1: Anne knows. She confronts me. I apologize, She stays with me.

816
00:44:38,880 --> 00:44:43,000
Speaker 1: Game changer of a movie. Um, wow, yeah, I didn't

817
00:44:43,000 --> 00:44:45,040
Speaker 1: have to, could have left your ass. A lot of

818
00:44:45,080 --> 00:44:47,840
Speaker 1: women are mad. They're mad at you. Day one on

819
00:44:47,880 --> 00:44:52,960
Speaker 1: that movie was me crying with Anne Hathaway. Oh that

820
00:44:53,080 --> 00:44:57,759
Speaker 1: was the first day, brutal, first scene, it was so rough.

821
00:44:58,239 --> 00:45:01,880
Speaker 1: Oh my god. I got to rewatch that. I didn't

822
00:45:01,920 --> 00:45:04,360
Speaker 1: realize you cried. How did you cry? Because you you

823
00:45:04,400 --> 00:45:06,640
Speaker 1: don't cry that often. What did you do? How did

824
00:45:06,680 --> 00:45:08,880
Speaker 1: you do that? Yeah? You are a robot? Did you

825
00:45:08,960 --> 00:45:11,759
Speaker 1: use the tear sticks? Let me let's get real. Let's

826
00:45:11,760 --> 00:45:13,680
Speaker 1: get real here ready, you're ready to get real for

827
00:45:13,719 --> 00:45:16,759
Speaker 1: the first time on the pod. Yeah. I squeezed my

828
00:45:16,840 --> 00:45:21,000
Speaker 1: nuts really hard. Let's go get ready, I'll get real.

829
00:45:21,239 --> 00:45:24,560
Speaker 1: I had. I was like, Yo, you gotta get in

830
00:45:24,680 --> 00:45:27,279
Speaker 1: fucking gear for this. This is Anne Hathaway. It's a

831
00:45:27,320 --> 00:45:32,560
Speaker 1: big movie. Uh, you don't do this, Nancy, big writer, director,

832
00:45:32,880 --> 00:45:36,600
Speaker 1: world famous. You have to step up. You have to deliver,

833
00:45:37,640 --> 00:45:40,920
Speaker 1: especially because in the audition and cried when we did

834
00:45:41,080 --> 00:45:43,440
Speaker 1: like our one on one thing. She's so fucking good.

835
00:45:43,760 --> 00:45:46,160
Speaker 1: She's so good. She cries exactly when she's supposed to.

836
00:45:46,440 --> 00:45:50,200
Speaker 1: And I was like, fuck ud So day one, I

837
00:45:50,200 --> 00:45:52,640
Speaker 1: had just had a friend passed away. R I p

838
00:45:52,800 --> 00:45:57,359
Speaker 1: trip heely my man, and I was like, just think

839
00:45:57,360 --> 00:46:00,279
Speaker 1: about your homie, how much you miss him? Are to

840
00:46:00,320 --> 00:46:04,920
Speaker 1: cry and like get into gear, and like five minutes before,

841
00:46:05,000 --> 00:46:06,800
Speaker 1: as I'm kind of like doing my thing in the corner,

842
00:46:07,400 --> 00:46:12,320
Speaker 1: I'm like, this is the fucking worst idea, the dumbest

843
00:46:12,360 --> 00:46:14,920
Speaker 1: fucking shit. My homie Trip would be like, what the

844
00:46:14,960 --> 00:46:17,800
Speaker 1: funk are you doing? Put the picture of him away

845
00:46:18,280 --> 00:46:21,440
Speaker 1: and just go tell someone to put your eye drops

846
00:46:21,480 --> 00:46:25,799
Speaker 1: in your eyes. So I was like that, so you

847
00:46:25,800 --> 00:46:30,000
Speaker 1: you almost you almost were method, and then you decided not.

848
00:46:30,080 --> 00:46:32,040
Speaker 1: I was just like, this is so fun. I have

849
00:46:32,080 --> 00:46:34,879
Speaker 1: a real friend who died. I'm not going to use

850
00:46:34,960 --> 00:46:40,520
Speaker 1: that to pretend to cry for a movie. And I

851
00:46:40,560 --> 00:46:43,200
Speaker 1: was sad and then I was like, okay, what's the

852
00:46:43,239 --> 00:46:46,120
Speaker 1: scene And I was like, the scene is sad. You

853
00:46:46,120 --> 00:46:49,320
Speaker 1: can you can be sad. And then I never cried.

854
00:46:49,480 --> 00:46:52,040
Speaker 1: So they had to have someone like, come, what blow

855
00:46:52,080 --> 00:46:56,640
Speaker 1: the menthol in your eyes? I love those things when

856
00:46:56,640 --> 00:46:58,520
Speaker 1: we use those in when we we use those I

857
00:46:58,520 --> 00:47:00,239
Speaker 1: only had to use them once in Workaholics when I

858
00:47:00,280 --> 00:47:02,439
Speaker 1: was cutting my dick off and I was like, yeah,

859
00:47:02,560 --> 00:47:06,279
Speaker 1: give me more. So it's like a menthol, you know

860
00:47:06,320 --> 00:47:07,759
Speaker 1: when like you have a cough drop and then you

861
00:47:07,800 --> 00:47:10,960
Speaker 1: put on your fucking mask these days, or your chewing

862
00:47:11,000 --> 00:47:13,960
Speaker 1: gum with your your stars mask on and the fucking

863
00:47:14,080 --> 00:47:18,279
Speaker 1: covid covid. Yeah, but I have stars, I mean, and

864
00:47:18,360 --> 00:47:21,560
Speaker 1: like you get that fucking little wind of of peppermint

865
00:47:21,600 --> 00:47:23,560
Speaker 1: blowing on your eyes and you're like, oh shit, that's

866
00:47:23,680 --> 00:47:28,759
Speaker 1: essentially what we're talking about here. And uh I love

867
00:47:28,800 --> 00:47:31,520
Speaker 1: that story, Jersey. That's a beautiful story. Can I say

868
00:47:31,560 --> 00:47:36,080
Speaker 1: that Blake fucking missed a primetime opportunity that when he

869
00:47:36,200 --> 00:47:39,640
Speaker 1: was being very real for the first time in the podcast,

870
00:47:39,880 --> 00:47:44,359
Speaker 1: that's when you should have done yeah, baby, yeah, right

871
00:47:44,400 --> 00:47:46,560
Speaker 1: in the middle of it. Man, why don't you cry

872
00:47:46,560 --> 00:47:48,960
Speaker 1: about it? I mean, I thought we weren't doing that today.

873
00:47:49,000 --> 00:47:50,759
Speaker 1: I thought we weren't cutting each other. I thought we

874
00:47:50,760 --> 00:47:52,719
Speaker 1: were kind of you know, just what. No, we're not

875
00:47:52,760 --> 00:47:56,880
Speaker 1: picking on you. Shut the funk up, Kyle. That's not

876
00:47:57,000 --> 00:47:58,960
Speaker 1: a we're not cutting on it. That wouldn't have been

877
00:47:58,960 --> 00:48:02,840
Speaker 1: cutting on dirs. That's delivering a funny ha ha a

878
00:48:02,920 --> 00:48:05,920
Speaker 1: gig for our listeners, you know, because they're here for

879
00:48:06,000 --> 00:48:09,920
Speaker 1: the gigs, they're here for the has. This is your

880
00:48:09,920 --> 00:48:12,880
Speaker 1: worst day at the soundboard, I must say. I have

881
00:48:12,920 --> 00:48:15,319
Speaker 1: an explanation. I just wasn't say it came out hot.

882
00:48:15,320 --> 00:48:16,960
Speaker 1: You're like looking at all my new things, and then

883
00:48:16,960 --> 00:48:19,080
Speaker 1: it's not My ship wasn't My ship is not set.

884
00:48:19,160 --> 00:48:21,160
Speaker 1: My ship's not set? What do you mean? It's like, Okay,

885
00:48:21,480 --> 00:48:23,680
Speaker 1: did you just recently have a homie dial? Oh? I

886
00:48:23,719 --> 00:48:27,319
Speaker 1: did not? Well, then what's your fucking excuse? I just

887
00:48:27,320 --> 00:48:29,640
Speaker 1: didn't get my sounds to a little bit before, and

888
00:48:29,680 --> 00:48:32,720
Speaker 1: I was having technical issues. But I finally have figured

889
00:48:32,719 --> 00:48:35,800
Speaker 1: out how to have like more than just ten sounds.

890
00:48:35,800 --> 00:48:39,080
Speaker 1: So soundboard chunking. Okay, Well, well that checks out. My

891
00:48:39,080 --> 00:48:42,319
Speaker 1: ship wasn't ready. Okay, Okay, it was a little chunky. Yeah,

892
00:48:42,520 --> 00:48:45,600
Speaker 1: soundboard chunking over the right. Yeah, well you know what

893
00:48:45,640 --> 00:48:49,400
Speaker 1: can I do? Soundboard chunk So wait, so you didn't

894
00:48:49,400 --> 00:48:51,840
Speaker 1: tell the story of when you were at the airport.

895
00:48:51,880 --> 00:48:54,239
Speaker 1: It was like right after. It was like after the

896
00:48:54,280 --> 00:48:57,000
Speaker 1: intern had had been playing for a little while. You've

897
00:48:57,040 --> 00:49:00,319
Speaker 1: got women coming up to being like how dare you? Yeah,

898
00:49:00,320 --> 00:49:02,080
Speaker 1: they had just washed down the airplane and then they

899
00:49:02,120 --> 00:49:05,839
Speaker 1: see me and just fucking flying punch me. I did

900
00:49:05,880 --> 00:49:09,680
Speaker 1: have one woman push me, like like playfully, really like

901
00:49:09,800 --> 00:49:13,719
Speaker 1: I don't like you, and she like pushed my shoulder, um,

902
00:49:13,760 --> 00:49:17,680
Speaker 1: and I fell off, fell into a garbage gam and

903
00:49:17,719 --> 00:49:22,960
Speaker 1: I felled out some stairs. Yeah, it's uh, it's part

904
00:49:23,000 --> 00:49:26,080
Speaker 1: of the it's part of the gig. So guys, come

905
00:49:26,160 --> 00:49:29,040
Speaker 1: come play the husband the boyfriend. Ry your eyes out.

906
00:49:29,600 --> 00:49:32,760
Speaker 1: I'm trying to be a sexy bad boy. That's all

907
00:49:32,560 --> 00:49:36,440
Speaker 1: I want. And I don't see it in the cards exactly,

908
00:49:36,480 --> 00:49:39,680
Speaker 1: but that's that's why. What the funk would be fun

909
00:49:39,680 --> 00:49:42,719
Speaker 1: about that? Playing the sexy bad boy? Oh? What's fun

910
00:49:42,719 --> 00:49:45,640
Speaker 1: about this? You're working? Yeah? Well, working is cool, but

911
00:49:45,680 --> 00:49:47,680
Speaker 1: if you just have to pick your know, I get that,

912
00:49:47,760 --> 00:49:50,080
Speaker 1: but like to shoot for it, like why would you?

913
00:49:50,160 --> 00:49:52,160
Speaker 1: I don't know. Yeah, but are you looking at my

914
00:49:52,160 --> 00:49:55,320
Speaker 1: face right now? I hope we're rolling on that because

915
00:49:55,320 --> 00:49:58,080
Speaker 1: it's fun to play something you know that's the cause

916
00:49:58,080 --> 00:50:02,120
Speaker 1: of diarrhea. I because Adams always fun and fun loving

917
00:50:02,200 --> 00:50:04,239
Speaker 1: and like lovable and all that, and I'm sure he

918
00:50:04,280 --> 00:50:06,960
Speaker 1: wants to be the guy who's like, actually fuck you

919
00:50:07,280 --> 00:50:09,880
Speaker 1: and everyone's like WHOA. Well, I do say that. My

920
00:50:10,000 --> 00:50:12,719
Speaker 1: dream would be to do like the movie Fear, basically

921
00:50:12,800 --> 00:50:15,160
Speaker 1: with Mark Wahlberg, where you're like, oh, yeah, he's a

922
00:50:15,200 --> 00:50:18,400
Speaker 1: great boyfriend, we love him. Every everybody seems to like

923
00:50:18,480 --> 00:50:20,879
Speaker 1: this guy and then just turn and I'm actually a

924
00:50:20,920 --> 00:50:24,120
Speaker 1: fucking psychopath. Do you think you would get taken seriously? Yeah?

925
00:50:24,239 --> 00:50:26,560
Speaker 1: I definitely think if you took a turn into your

926
00:50:26,560 --> 00:50:30,239
Speaker 1: fucking insanity that would be fun. Yeah. I think I

927
00:50:30,239 --> 00:50:32,640
Speaker 1: think you could turn into your insanity really well, and

928
00:50:32,680 --> 00:50:34,960
Speaker 1: it would it would be like, not in a comedic way,

929
00:50:35,000 --> 00:50:36,960
Speaker 1: but in a very dark way. It would be awesome.

930
00:50:37,120 --> 00:50:39,719
Speaker 1: Do you think America would let you do that? Now?

931
00:50:40,080 --> 00:50:42,160
Speaker 1: Do you think in a movie theater people would laugh?

932
00:50:42,280 --> 00:50:46,160
Speaker 1: I'm sorry, it's America your boss. Wait, I'm not saying,

933
00:50:47,000 --> 00:50:50,839
Speaker 1: I'm saying, do you think America would interpret him as

934
00:50:50,880 --> 00:50:54,280
Speaker 1: a serious scary guy or would they be like I think, Adam,

935
00:50:55,120 --> 00:50:57,319
Speaker 1: I think it would work. Yeah, I think I know you.

936
00:50:57,760 --> 00:51:01,160
Speaker 1: I'm talking about the general pop. I'm pissed. Now what

937
00:51:01,160 --> 00:51:03,319
Speaker 1: I'm saying, you gotta try it. I guess you got.

938
00:51:03,400 --> 00:51:05,000
Speaker 1: I think you just got to try it. I don't know,

939
00:51:05,080 --> 00:51:07,399
Speaker 1: that's why you go out on a limb. Well. Also, like,

940
00:51:08,080 --> 00:51:11,520
Speaker 1: would you think that people would take after Billy Madison

941
00:51:11,520 --> 00:51:14,319
Speaker 1: and Happy Gilmore would take Sandler seriously? And then they do?

942
00:51:14,480 --> 00:51:17,560
Speaker 1: And I don't. I never have. I think it sucks

943
00:51:17,600 --> 00:51:19,960
Speaker 1: when he tries to be serious. Have you seen all

944
00:51:20,000 --> 00:51:22,200
Speaker 1: those Wait? Really, I'll see I love It, and then

945
00:51:22,320 --> 00:51:25,480
Speaker 1: the same with Robin Williams. Robin Williams killed it? Wait

946
00:51:25,520 --> 00:51:27,880
Speaker 1: what what? Wait? Hold on, let's talk about Sandman for

947
00:51:27,960 --> 00:51:30,959
Speaker 1: a second. What's the matter. What's Adam Sandler does great

948
00:51:31,000 --> 00:51:33,040
Speaker 1: in those roles? I disagree. I don't think he does.

949
00:51:33,120 --> 00:51:35,319
Speaker 1: I don't think. I don't what roles are we talking here?

950
00:51:35,360 --> 00:51:37,319
Speaker 1: What I mean? We can talk about p t A's

951
00:51:37,360 --> 00:51:39,799
Speaker 1: movie Punch Drunk Glove, Punch Drunk Love. I would have

952
00:51:39,840 --> 00:51:42,400
Speaker 1: loved to seen anybody else in that role. What about

953
00:51:42,440 --> 00:51:45,520
Speaker 1: Uncut Gems, that movie fucking rock. I'm gonna go to

954
00:51:45,600 --> 00:51:49,799
Speaker 1: Uncut Gems next, but think a better movie and it

955
00:51:49,800 --> 00:51:53,760
Speaker 1: would have been an amazing movie. Killed It, Yeah, he crushed.

956
00:51:54,080 --> 00:51:56,400
Speaker 1: I also think he crushed. Even in Rain Over Me,

957
00:51:56,480 --> 00:51:58,200
Speaker 1: he did a great job. I don't know what the

958
00:51:58,200 --> 00:51:59,799
Speaker 1: funk that is, and no one else does because they

959
00:51:59,840 --> 00:52:02,080
Speaker 1: don't want to see that ship. That's the one with

960
00:52:02,160 --> 00:52:06,640
Speaker 1: fucking don cheatle Bro the poste. No one, Yeah, hey

961
00:52:06,640 --> 00:52:09,520
Speaker 1: didn't thank the cobbler. But that's my point is that

962
00:52:09,560 --> 00:52:11,839
Speaker 1: if he was killing it, I would you would say

963
00:52:11,880 --> 00:52:13,799
Speaker 1: that name of that movie and I would go, oh yeah,

964
00:52:13,800 --> 00:52:15,600
Speaker 1: of course that one, and everyone else would too. But no,

965
00:52:15,600 --> 00:52:17,640
Speaker 1: one's seen that show. Well even I said too, and

966
00:52:17,719 --> 00:52:20,000
Speaker 1: you know what they are, and so like he did

967
00:52:20,040 --> 00:52:22,359
Speaker 1: a great job and people accepted him as that. There,

968
00:52:22,440 --> 00:52:26,080
Speaker 1: I don't like it. Who huh? Nobody accepted him as that?

969
00:52:26,320 --> 00:52:30,160
Speaker 1: Who liked him in in Uncut Gems? No, Uncut Gems? Yeah,

970
00:52:30,160 --> 00:52:32,480
Speaker 1: he was great. I loved him, Kyle. I'm with you.

971
00:52:32,680 --> 00:52:35,760
Speaker 1: I think Sandler does a great job. I don't mind.

972
00:52:36,239 --> 00:52:39,080
Speaker 1: People liked him and Uncut Gems and everyone's like he

973
00:52:39,160 --> 00:52:42,400
Speaker 1: got snubbed for an Academy Awards. Like, he didn't get snubbed.

974
00:52:42,560 --> 00:52:47,759
Speaker 1: He wasn't awesome. Oh wow, you're wrong. He didn't give

975
00:52:47,800 --> 00:52:50,160
Speaker 1: a funk about that f y. I that's not why

976
00:52:50,160 --> 00:52:51,960
Speaker 1: he did him. He didn't because he liked the script

977
00:52:51,960 --> 00:52:54,200
Speaker 1: and like the character. He doesn't care what people think

978
00:52:54,239 --> 00:52:56,719
Speaker 1: about him. Let's get him on the pod. I'm right now,

979
00:52:56,760 --> 00:53:04,400
Speaker 1: who did you do? Yeah? The worst sailor impress time?

980
00:53:07,600 --> 00:53:10,520
Speaker 1: I think so too. And we can't be tough on guys,

981
00:53:10,719 --> 00:53:12,720
Speaker 1: No you can. But he just it's like a homie

982
00:53:12,760 --> 00:53:14,520
Speaker 1: and I'm like, I back him up. So I feel like, so,

983
00:53:14,560 --> 00:53:16,719
Speaker 1: what do you want me to do? Be like, do

984
00:53:16,760 --> 00:53:18,759
Speaker 1: you want me to not say? How I feel No.

985
00:53:18,960 --> 00:53:22,400
Speaker 1: I just think that like you are contradicting yourself in

986
00:53:22,520 --> 00:53:26,200
Speaker 1: saying that he was good in in Uncut Gems. Therefore,

987
00:53:26,600 --> 00:53:28,680
Speaker 1: your initial statement was a little bit kind. I thought

988
00:53:28,719 --> 00:53:31,120
Speaker 1: it was fine. I just don't believe him in these things.

989
00:53:31,120 --> 00:53:33,560
Speaker 1: That's all. Yeah, Okay, I feel yeah, I feel you

990
00:53:33,560 --> 00:53:35,360
Speaker 1: can have your opinion. That's cool. But what then, what

991
00:53:35,440 --> 00:53:38,880
Speaker 1: about there's other actors. What about Robin Williams when he

992
00:53:39,000 --> 00:53:40,960
Speaker 1: and when you said that, I said he killed it

993
00:53:41,080 --> 00:53:44,680
Speaker 1: in like Google hunting or whatever. Yeah, right, so right,

994
00:53:44,760 --> 00:53:48,240
Speaker 1: I'm not saying no one crosses over. The whole beginning

995
00:53:48,280 --> 00:53:51,600
Speaker 1: of the thing was do you think America in general

996
00:53:51,960 --> 00:53:55,360
Speaker 1: would would believe you as the scary, mean guy or

997
00:53:55,360 --> 00:53:57,640
Speaker 1: would it be No. I think I don't think i'd

998
00:53:57,640 --> 00:53:59,719
Speaker 1: be I think I would be like a little bit

999
00:53:59,719 --> 00:54:02,839
Speaker 1: of a psychopath. And I think if if it's turned

1000
00:54:02,880 --> 00:54:05,640
Speaker 1: on the head, where I'm exactly what you think I

1001
00:54:05,680 --> 00:54:07,799
Speaker 1: am at the beginning of the movie, I'm like a fun,

1002
00:54:07,840 --> 00:54:10,000
Speaker 1: loving guy that everybody kind of is just like, Oh,

1003
00:54:10,239 --> 00:54:12,440
Speaker 1: this guy's fun. I like having him around, and then

1004
00:54:12,480 --> 00:54:14,160
Speaker 1: all of a sudden I turned. I think that's a

1005
00:54:14,200 --> 00:54:17,520
Speaker 1: good plot device in a movie where you're like Oh,

1006
00:54:17,600 --> 00:54:20,839
Speaker 1: what a fun turn. I didn't see that coming. Then

1007
00:54:20,880 --> 00:54:23,200
Speaker 1: you take your shirt off. They would invest in the character,

1008
00:54:23,520 --> 00:54:25,719
Speaker 1: and then they see those abs and then I wear

1009
00:54:25,760 --> 00:54:28,880
Speaker 1: the that uh, the ads that I'm gonna get and

1010
00:54:29,400 --> 00:54:32,640
Speaker 1: my fucking cheeks as gonna say the tattoo of that

1011
00:54:32,760 --> 00:54:34,960
Speaker 1: goat man on your back. Yeah, I mean yeah, I

1012
00:54:35,440 --> 00:54:36,920
Speaker 1: want to see you in that role. I want to

1013
00:54:36,920 --> 00:54:39,000
Speaker 1: see Ricky Gervais in that role. There's like a lot

1014
00:54:39,040 --> 00:54:41,040
Speaker 1: of comedians I would love to seem like that. Wait

1015
00:54:41,080 --> 00:54:44,839
Speaker 1: what Yeah, I would also like to see I mean, look,

1016
00:54:44,920 --> 00:54:46,799
Speaker 1: Jim Carrey, the fucking man and then you put him

1017
00:54:46,800 --> 00:54:49,120
Speaker 1: in like the number twenty three and he's like yeah,

1018
00:54:49,360 --> 00:54:54,080
Speaker 1: and you're going, no, that wasn't a great grip though, right, No,

1019
00:54:54,320 --> 00:54:57,279
Speaker 1: that's not a great eternal Sunshine of the Spotless Mine

1020
00:54:57,280 --> 00:54:58,880
Speaker 1: and that movie ruled, and he was great in it.

1021
00:54:59,280 --> 00:55:01,520
Speaker 1: He crushed right up to the Riddler. I thought he

1022
00:55:01,600 --> 00:55:04,560
Speaker 1: was fine. You just had to pick the correct movie,

1023
00:55:04,640 --> 00:55:06,360
Speaker 1: I know, but I thought he was fine. Did you

1024
00:55:06,400 --> 00:55:10,000
Speaker 1: like that movie or or I mean his performance was good.

1025
00:55:09,840 --> 00:55:11,880
Speaker 1: I didn't love that movie, but I thought he was

1026
00:55:11,920 --> 00:55:15,040
Speaker 1: fine in it. It seems like you like people when

1027
00:55:15,040 --> 00:55:18,000
Speaker 1: they just play in their lanes. And I like that too,

1028
00:55:18,080 --> 00:55:21,120
Speaker 1: because I mean, there's a reason Sandler keeps going back

1029
00:55:21,160 --> 00:55:23,080
Speaker 1: to the well of of making his type of movies

1030
00:55:23,080 --> 00:55:26,000
Speaker 1: because people just fucking love them in that realm. I mean,

1031
00:55:26,000 --> 00:55:28,200
Speaker 1: by the way, I'm not a huge Saidler guy, like period.

1032
00:55:28,560 --> 00:55:31,440
Speaker 1: Uh so that doesn't help either, Okay, but I'm no,

1033
00:55:31,520 --> 00:55:34,640
Speaker 1: it's a very limited lane like John Candy and JFK.

1034
00:55:34,960 --> 00:55:37,520
Speaker 1: It like small part, but it was like, whoa, holy

1035
00:55:37,560 --> 00:55:40,040
Speaker 1: sh it, this dude is like this fucking Louisiana guy.

1036
00:55:40,160 --> 00:55:42,080
Speaker 1: Now that's weird and crazy, and you pulled it off.

1037
00:55:42,480 --> 00:55:45,520
Speaker 1: Some people would do some people do it. Mm hmm. Yeah,

1038
00:55:45,680 --> 00:55:47,880
Speaker 1: I don't know. I think you'd being a hater. Yeah.

1039
00:55:47,960 --> 00:55:51,439
Speaker 1: I think you're sipping a big glass of hater aide. Dude,

1040
00:55:51,440 --> 00:55:55,840
Speaker 1: you're sipping so much. It's cool though. That's our opinion

1041
00:55:56,120 --> 00:56:00,800
Speaker 1: about your opinion, right, That's why I just go, Okay, Yeah, well, Jersey,

1042
00:56:00,960 --> 00:56:03,680
Speaker 1: I think you can very easily get out of your

1043
00:56:03,760 --> 00:56:08,800
Speaker 1: pigeonholed existence as the hot boy husband and uh you know,

1044
00:56:08,920 --> 00:56:12,200
Speaker 1: play a super fun, loving, uh swinging cat. Oh dude,

1045
00:56:12,200 --> 00:56:15,160
Speaker 1: and that's my fucking dream role. This is like I

1046
00:56:15,239 --> 00:56:18,879
Speaker 1: keep saying, that's our manager can I just get fun, living, loving,

1047
00:56:19,040 --> 00:56:22,360
Speaker 1: swinging cat Okay, maybe it could roller skate and skateboard

1048
00:56:22,400 --> 00:56:25,520
Speaker 1: at the same time. There's what would your role be

1049
00:56:25,880 --> 00:56:29,440
Speaker 1: if you were going to like re establish yourself as

1050
00:56:29,480 --> 00:56:32,160
Speaker 1: something like what would you want to take on where

1051
00:56:32,200 --> 00:56:34,520
Speaker 1: people would be like, oh, whoa damn, I didn't see

1052
00:56:34,560 --> 00:56:36,759
Speaker 1: that coming, but you think you could kill I want

1053
00:56:36,760 --> 00:56:38,960
Speaker 1: to see Drsey as a little bit of an action hero.

1054
00:56:39,200 --> 00:56:41,480
Speaker 1: That's that's my vote for your career. It's already kind

1055
00:56:41,480 --> 00:56:44,080
Speaker 1: of done that, though I would love to if I

1056
00:56:44,120 --> 00:56:45,680
Speaker 1: want to do the thing I would want to do

1057
00:56:45,920 --> 00:56:50,000
Speaker 1: right now next would to just be like what Adam does,

1058
00:56:50,040 --> 00:56:53,280
Speaker 1: which is like the ridiculous friend of the person who's

1059
00:56:53,360 --> 00:56:55,880
Speaker 1: like crying about some girl. You know. I think that

1060
00:56:55,880 --> 00:56:58,600
Speaker 1: would be fun to be like the absurd dude who

1061
00:56:58,600 --> 00:57:01,480
Speaker 1: gets to say the most insane ship it um. But

1062
00:57:01,560 --> 00:57:04,120
Speaker 1: they don't see me be insane because they're like, oh,

1063
00:57:04,200 --> 00:57:08,640
Speaker 1: frank Ill, you know you're too hot to be insane

1064
00:57:09,200 --> 00:57:11,880
Speaker 1: eighties movie villain, you're too hot. I don't know what

1065
00:57:12,040 --> 00:57:14,400
Speaker 1: my neck is too long, I don't know what it is. Um,

1066
00:57:14,680 --> 00:57:16,560
Speaker 1: grow your hair out. I'm not saying people should stay

1067
00:57:16,560 --> 00:57:19,400
Speaker 1: in their lane. I think that it is a fucking

1068
00:57:20,240 --> 00:57:23,400
Speaker 1: it's a it's a hard needle to thread. Not many

1069
00:57:23,400 --> 00:57:26,640
Speaker 1: people can do it, and you guys think some people

1070
00:57:26,720 --> 00:57:29,720
Speaker 1: can do it that I don't, you know, I get that. Yeah,

1071
00:57:29,760 --> 00:57:33,000
Speaker 1: I do love watching people put themselves out there, and

1072
00:57:33,280 --> 00:57:35,840
Speaker 1: I guess I do give him a tremendous amount of

1073
00:57:35,840 --> 00:57:39,000
Speaker 1: credit for even just stepping out of their lane in general,

1074
00:57:39,120 --> 00:57:42,120
Speaker 1: so like, because I think that that takes guts and

1075
00:57:42,200 --> 00:57:45,360
Speaker 1: takes like you know, it just takes It's a tough

1076
00:57:45,400 --> 00:57:48,240
Speaker 1: thing to do. So I maybe I am giving people

1077
00:57:48,320 --> 00:57:51,360
Speaker 1: more credit than just the roll at phace value for

1078
00:57:51,560 --> 00:57:54,400
Speaker 1: even stepping outside of their lane and taking the risk

1079
00:57:54,480 --> 00:57:57,400
Speaker 1: as a performer, because that takes guts, you know what

1080
00:57:57,440 --> 00:57:59,600
Speaker 1: I mean. It's it's cool. I like that. It's also

1081
00:57:59,720 --> 00:58:02,520
Speaker 1: rolling the dice as far as like your career goes you.

1082
00:58:02,520 --> 00:58:05,800
Speaker 1: You want, uh, at the end of the day, when

1083
00:58:05,840 --> 00:58:08,680
Speaker 1: you're when we're all fucking old people and we're just

1084
00:58:08,720 --> 00:58:10,600
Speaker 1: like on our deathbed, you want to look back and

1085
00:58:10,640 --> 00:58:13,520
Speaker 1: be like, oh I did I did step out of

1086
00:58:13,560 --> 00:58:15,880
Speaker 1: what I do all the time, and I tried a

1087
00:58:15,960 --> 00:58:18,080
Speaker 1: little bit of everything. And then maybe you try something

1088
00:58:18,120 --> 00:58:22,320
Speaker 1: and everyone's like absolutely not never that again. Then just

1089
00:58:22,360 --> 00:58:24,640
Speaker 1: don't you don't do that ship again, but or maybe

1090
00:58:24,640 --> 00:58:26,880
Speaker 1: you do it and people are like, oh, I fucking

1091
00:58:27,080 --> 00:58:29,560
Speaker 1: did not expect him to be like a psychopath in

1092
00:58:29,600 --> 00:58:32,880
Speaker 1: this movie, and that opens up a whole other, uh,

1093
00:58:32,920 --> 00:58:35,160
Speaker 1: you know, segment of your career that you never thought

1094
00:58:35,240 --> 00:58:37,360
Speaker 1: was possible, you know what I mean, Like like I'm

1095
00:58:37,400 --> 00:58:39,520
Speaker 1: doing a lot of I've been doing the last few years,

1096
00:58:39,600 --> 00:58:42,400
Speaker 1: or like rom coms where I'm like the cute guy

1097
00:58:42,520 --> 00:58:45,479
Speaker 1: that gets the girl at the end, And I never

1098
00:58:46,120 --> 00:58:48,160
Speaker 1: saw that coming in my fucking life. If you would

1099
00:58:48,160 --> 00:58:51,360
Speaker 1: have told me when we were all four years old

1100
00:58:51,360 --> 00:58:54,480
Speaker 1: and we're like on the precipice of creating work colics

1101
00:58:54,560 --> 00:58:57,120
Speaker 1: that I was going to be like a romantic comedy guy,

1102
00:58:57,200 --> 00:58:59,720
Speaker 1: I would have gone your fucking nuts. But then the

1103
00:59:00,000 --> 00:59:03,480
Speaker 1: opportunity arise and I was like, Okay, I guess I'll

1104
00:59:03,560 --> 00:59:06,760
Speaker 1: roll the dice on this. I guess I It comes

1105
00:59:06,800 --> 00:59:10,280
Speaker 1: down to, like, I I appreciate I know what you're

1106
00:59:10,320 --> 00:59:12,840
Speaker 1: saying about people stepping out of their comfort zone. I

1107
00:59:12,840 --> 00:59:14,960
Speaker 1: don't think that that's that big of a deal. I

1108
00:59:15,000 --> 00:59:17,920
Speaker 1: think you are being a little generous with your like, Hey,

1109
00:59:18,000 --> 00:59:20,440
Speaker 1: just because you did that movie, I'm gonna give you props, Like,

1110
00:59:21,240 --> 00:59:23,280
Speaker 1: I don't think it takes that much guts to do that.

1111
00:59:23,880 --> 00:59:25,760
Speaker 1: I think people get bored being the same guy and

1112
00:59:25,760 --> 00:59:27,720
Speaker 1: they're like, oh, here's my opportunity to be a weirdo,

1113
00:59:27,800 --> 00:59:29,640
Speaker 1: and they're like, I'm gonna do it to say like

1114
00:59:30,240 --> 00:59:31,960
Speaker 1: fuck you, you can't control me or pigeon hold me.

1115
00:59:31,960 --> 00:59:33,800
Speaker 1: I'm gonna show you how good I am, how how

1116
00:59:33,960 --> 00:59:37,600
Speaker 1: diverse my portfolio is. Well, the guts when people say

1117
00:59:37,640 --> 00:59:41,800
Speaker 1: the guts, like acting it takes no guts, there's no guts.

1118
00:59:42,040 --> 00:59:44,600
Speaker 1: That's not true. Yeah, I disagree with you. Well, no,

1119
00:59:44,880 --> 00:59:47,360
Speaker 1: I would say to do some things it takes guts.

1120
00:59:47,680 --> 00:59:51,200
Speaker 1: I think it does, but I mean sure, but like really,

1121
00:59:51,600 --> 00:59:54,480
Speaker 1: we're just acting. It's not real guts. It's no, we're

1122
00:59:54,480 --> 00:59:57,240
Speaker 1: not fucking firemen running into burning buildings. It's like the

1123
00:59:57,280 --> 01:00:01,000
Speaker 1: same backdraft. I disagree. Some people are really afraid to

1124
01:00:01,200 --> 01:00:04,480
Speaker 1: access certain emotions. I think it can be a very

1125
01:00:04,520 --> 01:00:07,680
Speaker 1: like for people who take on roles that are really heavy,

1126
01:00:07,720 --> 01:00:10,080
Speaker 1: Like who likes to sit and think about their dead friend?

1127
01:00:10,440 --> 01:00:12,560
Speaker 1: Because you're playing in a movie where that's where you're

1128
01:00:12,600 --> 01:00:15,640
Speaker 1: living for three months, is in that headspace? Or if

1129
01:00:15,640 --> 01:00:18,760
Speaker 1: you're playing a real life person who's still alive and

1130
01:00:18,800 --> 01:00:21,800
Speaker 1: it's like an important movie. There's like risks involved with

1131
01:00:21,840 --> 01:00:24,600
Speaker 1: like fucking that up and feeling horrible about it. For

1132
01:00:24,680 --> 01:00:27,360
Speaker 1: some people, that is the one of the scariest things,

1133
01:00:28,080 --> 01:00:32,000
Speaker 1: like like Kindergarten Cop. Yes, that like Arnold and Kindergarten Cop.

1134
01:00:32,160 --> 01:00:36,200
Speaker 1: The amount of lifting or demolition Man, and and Westerley

1135
01:00:36,280 --> 01:00:40,360
Speaker 1: snipes his portrayal. He's Simon. He's like a serial killer.

1136
01:00:40,400 --> 01:00:43,120
Speaker 1: He has to live in that. He has to live

1137
01:00:43,240 --> 01:00:47,560
Speaker 1: up to that kidding honestly, in Kindergarten Cop, can we

1138
01:00:47,600 --> 01:00:52,960
Speaker 1: talk about the bad guy Crisp because so good? Where

1139
01:00:53,040 --> 01:00:55,800
Speaker 1: was he when he made that movie? He's a killer? Hey,

1140
01:00:55,920 --> 01:00:58,280
Speaker 1: I take it back. I don't want Robin Williams career.

1141
01:00:58,320 --> 01:01:02,040
Speaker 1: I want whatever that guy's game is in. So let's

1142
01:01:02,120 --> 01:01:05,400
Speaker 1: let's get into that that guy. Okay, he was in

1143
01:01:05,440 --> 01:01:08,200
Speaker 1: a movie called Three o'clock High where he played the

1144
01:01:08,200 --> 01:01:09,880
Speaker 1: bully that was like, I'm gonna kick your fucking as

1145
01:01:09,920 --> 01:01:12,880
Speaker 1: at three o'clock. It was unbelievably scary and fucking good.

1146
01:01:13,200 --> 01:01:17,200
Speaker 1: In Kindergarten Cop, super fucking scary. And then he's in

1147
01:01:17,320 --> 01:01:19,960
Speaker 1: like all the Fairly Brothers movies and he's super fucking

1148
01:01:19,960 --> 01:01:24,920
Speaker 1: funny that dude, that dude gets my seal of approval there,

1149
01:01:24,960 --> 01:01:28,000
Speaker 1: and that that dude wins it. That's cool. That's just

1150
01:01:28,040 --> 01:01:30,800
Speaker 1: a character actor that's trained and goes in wherever he

1151
01:01:30,880 --> 01:01:36,040
Speaker 1: feels like he's talented kills. Yeah, I'm team Crisp. So

1152
01:01:36,520 --> 01:01:41,560
Speaker 1: is there any takebacks, compliments or whatever? Put up? Put downs?

1153
01:01:41,560 --> 01:01:44,280
Speaker 1: What then are what's the other way down? Take backs

1154
01:01:44,280 --> 01:01:47,840
Speaker 1: and apologies? How do we not know this yet? I've

1155
01:01:47,920 --> 01:01:51,880
Speaker 1: take back to apologies, compliments and put downs eight he

1156
01:01:51,960 --> 01:01:59,800
Speaker 1: slams and ultimate slams Ultimate let's add ultimate slams. Please

1157
01:02:00,000 --> 01:02:05,680
Speaker 1: compliments or yo, mama jokes. I would like to compliment

1158
01:02:05,800 --> 01:02:09,360
Speaker 1: Kyle on finding the good WiFi. He was chunky. I

1159
01:02:09,400 --> 01:02:11,320
Speaker 1: thought he was he was about to bail. I thought

1160
01:02:11,320 --> 01:02:13,120
Speaker 1: he was like, Hey, you know what, I'm gonna go

1161
01:02:13,160 --> 01:02:15,000
Speaker 1: eat some fish tacos or whatever you're trying to do

1162
01:02:15,080 --> 01:02:17,920
Speaker 1: with your life right now, making an independent movie, make

1163
01:02:17,960 --> 01:02:20,000
Speaker 1: an independent movie or I don't know. Maybe I thought

1164
01:02:20,080 --> 01:02:21,840
Speaker 1: during that time you got a little hungry, you want

1165
01:02:21,840 --> 01:02:25,240
Speaker 1: to fish tapos. I'm not sure exactly what you were doing. Uh,

1166
01:02:25,320 --> 01:02:27,280
Speaker 1: And so I'm glad you came back. I'm glad you

1167
01:02:27,320 --> 01:02:30,400
Speaker 1: found the good WiFi. Welcome back, but that wasn't chunky

1168
01:02:30,440 --> 01:02:32,200
Speaker 1: at all, my friend, thank you. I would also like

1169
01:02:32,240 --> 01:02:35,760
Speaker 1: to apologize for the chunky WiFi at the beginning. I

1170
01:02:35,800 --> 01:02:37,920
Speaker 1: know that all the rugal Lloyd's out there miss me

1171
01:02:38,040 --> 01:02:41,520
Speaker 1: for those five minutes. Um. I don't know what was said.

1172
01:02:41,640 --> 01:02:43,520
Speaker 1: I don't know what was going on, but I was

1173
01:02:43,560 --> 01:02:45,760
Speaker 1: happy to be happy to the peak of the show

1174
01:02:45,800 --> 01:02:49,439
Speaker 1: for sure, right right right right well to remember, I'll

1175
01:02:49,440 --> 01:02:51,720
Speaker 1: text you, dude, want to talk to you about that, Blake.

1176
01:02:51,760 --> 01:02:53,440
Speaker 1: I was bummed I couldn't talk to you about your

1177
01:02:53,480 --> 01:02:56,000
Speaker 1: freaking n a man. Yeah, and I just tried all

1178
01:02:56,200 --> 01:03:00,480
Speaker 1: free not good, not good. You're you're on a second

1179
01:03:00,520 --> 01:03:02,600
Speaker 1: and a beer drinks a case of night. Can I

1180
01:03:02,680 --> 01:03:05,520
Speaker 1: compliment Blake for going for the December to remember? Going

1181
01:03:05,560 --> 01:03:07,880
Speaker 1: thirty days without booze is not an easy thing, so

1182
01:03:08,080 --> 01:03:10,360
Speaker 1: great job, but probably won't make it given in a

1183
01:03:10,400 --> 01:03:13,440
Speaker 1: shot though. Is it really that hard? Yes? Absolutely, I

1184
01:03:13,440 --> 01:03:16,400
Speaker 1: love beer, especially during the holidays. It's a tough thing

1185
01:03:16,400 --> 01:03:18,520
Speaker 1: to do. Yeah, thirty days, come on, it's gonna get

1186
01:03:18,520 --> 01:03:20,920
Speaker 1: boring as fuck. I don't think I could just we

1187
01:03:20,920 --> 01:03:24,360
Speaker 1: didn't get quite into that. Why are you doing? Uh?

1188
01:03:24,480 --> 01:03:26,120
Speaker 1: Is it like a health thing. You're trying to like

1189
01:03:26,240 --> 01:03:28,520
Speaker 1: tight tighten up the midsection, You're trying to tighten up

1190
01:03:28,520 --> 01:03:30,959
Speaker 1: the game. No, because he's drinking beer every night still,

1191
01:03:31,160 --> 01:03:33,560
Speaker 1: or you just were blacking out a little too much.

1192
01:03:33,800 --> 01:03:37,600
Speaker 1: He's blacking out. It's to remember things. You were blacking

1193
01:03:37,600 --> 01:03:40,840
Speaker 1: out too much? Just enough now. It was a little

1194
01:03:40,880 --> 01:03:43,680
Speaker 1: bit of just coming off coming off the holidays. And

1195
01:03:43,680 --> 01:03:46,080
Speaker 1: also I just want to try um an a beers

1196
01:03:46,080 --> 01:03:47,560
Speaker 1: and I thought it would be fun for the pod

1197
01:03:47,640 --> 01:03:49,760
Speaker 1: for you guys, the journey with me. I'll be probably

1198
01:03:49,800 --> 01:03:52,760
Speaker 1: instating about it never We'll never know. Adam. I'm telling

1199
01:03:52,760 --> 01:03:56,680
Speaker 1: the truth, and I'm trying to remember December. I'm not trying. Yeah,

1200
01:03:56,920 --> 01:04:01,200
Speaker 1: let me I compliment you on telling air quotes the truth. Okay, okay,

1201
01:04:01,400 --> 01:04:03,480
Speaker 1: thank you. I would also like to compliment you for

1202
01:04:03,560 --> 01:04:06,560
Speaker 1: really digging deep there and telling us exactly why you're

1203
01:04:06,600 --> 01:04:08,600
Speaker 1: giving up drinking for the month and just being real

1204
01:04:08,640 --> 01:04:11,680
Speaker 1: and serious with us December to remember when I have

1205
01:04:11,720 --> 01:04:14,360
Speaker 1: shirts made, because by the way, you can taste in

1206
01:04:14,480 --> 01:04:18,640
Speaker 1: a beers and still drink beer. But hey, yea, so

1207
01:04:18,680 --> 01:04:21,720
Speaker 1: the whole point is to stop he's blacking out. The

1208
01:04:21,760 --> 01:04:25,919
Speaker 1: truth has been spoken December to remember. Yeah he was, Yeah,

1209
01:04:25,920 --> 01:04:28,160
Speaker 1: he was blacking out a little too often. He's blacking out,

1210
01:04:28,160 --> 01:04:30,960
Speaker 1: which he's been blacking out. He's been blacking out too much.

1211
01:04:31,480 --> 01:04:34,920
Speaker 1: So I'd like to compliment Blake for, you know, realizing

1212
01:04:34,960 --> 01:04:38,320
Speaker 1: he's blacking out way too often and sort of correcting

1213
01:04:38,360 --> 01:04:41,400
Speaker 1: the course. Just hey, we're staring this. The ship was

1214
01:04:41,400 --> 01:04:43,160
Speaker 1: going off the side of a cliff, and let's steer

1215
01:04:43,200 --> 01:04:46,240
Speaker 1: that back out to the lion open ocean. Okay, you

1216
01:04:46,280 --> 01:04:48,920
Speaker 1: got it, And my apologies will be I guess for

1217
01:04:49,120 --> 01:04:50,640
Speaker 1: you know, the sound board. I dropped the ball. I

1218
01:04:50,640 --> 01:04:53,360
Speaker 1: didn't come prepared. This will be the last time I

1219
01:04:53,440 --> 01:04:56,880
Speaker 1: have an excuse because I've fishally figured out. So all

1220
01:04:56,920 --> 01:05:00,280
Speaker 1: my all my borders out there because I'm ready because

1221
01:05:00,400 --> 01:05:04,880
Speaker 1: next week we're going crazy, all right, excited for the boarding.

1222
01:05:04,880 --> 01:05:09,360
Speaker 1: Hell yeah, you're not board members, the board teenagers, the

1223
01:05:09,440 --> 01:05:12,760
Speaker 1: board members of the chairman of the board. That works

1224
01:05:13,080 --> 01:05:16,200
Speaker 1: Chairman of the board. My complimentary to uh, the chairman

1225
01:05:16,200 --> 01:05:18,440
Speaker 1: of the board. They've got some good songs, thank you, sir,

1226
01:05:19,200 --> 01:05:21,720
Speaker 1: thank you. Okay, and with that and we will play

1227
01:05:21,720 --> 01:05:28,000
Speaker 1: off with the mask off by future. Oh okay, I

1228
01:05:28,040 --> 01:05:36,200
Speaker 1: know everybody set taking percose set. Everybody kicking mask on

1229
01:05:36,440 --> 01:05:44,960
Speaker 1: but Masco. There you go, you know, future guys. This

1230
01:05:45,040 --> 01:05:51,600
Speaker 1: was important. It was I feel so turned. Here we go,

1231
01:05:52,280 --> 01:05:55,320
Speaker 1: it really does. That was Dare I say, lyddy, it was,

1232
01:05:56,440 --> 01:05:57,120
Speaker 1: And we're out.