1 00:00:02,680 --> 00:00:08,640 Speaker 1: Rous Morning Show, the Breakfast Club? What club? Y'all together? 2 00:00:08,920 --> 00:00:11,040 Speaker 1: Y'all are like a maga for us. Y'all just took 3 00:00:11,080 --> 00:00:16,439 Speaker 1: over every Chris Brown, I've officially joined the Breakfast Club. 4 00:00:16,600 --> 00:00:19,959 Speaker 1: Say something, mother, I'm with it. Stand Rous Morning Show, 5 00:00:20,079 --> 00:00:23,880 Speaker 1: crekface club. This is your time to get it off 6 00:00:23,880 --> 00:00:28,440 Speaker 1: your chest. Whether your man from you on the Breakfast Club. 7 00:00:28,640 --> 00:00:32,080 Speaker 1: But you got something on your mind? Let out hello? 8 00:00:32,120 --> 00:00:36,519 Speaker 1: Who's this? What's up in me? Hey? Traff? Hey? Have 9 00:00:36,600 --> 00:00:39,840 Speaker 1: you mad at me? No? I'm not mad at you? 10 00:00:39,920 --> 00:00:42,040 Speaker 1: What up? Since? Good morning? How are you? You snuck 11 00:00:42,080 --> 00:00:44,600 Speaker 1: into the back door again today? Huh? Fright and early, Charlie, 12 00:00:44,840 --> 00:00:46,360 Speaker 1: I want to let you know your your little clapp 13 00:00:46,360 --> 00:00:48,479 Speaker 1: back on. You're on your page after But when the 14 00:00:48,520 --> 00:00:50,519 Speaker 1: guy kept accusing you of only making it because you 15 00:00:50,640 --> 00:00:53,720 Speaker 1: sold just Sottle and you worshiping the devil, and he 16 00:00:53,800 --> 00:00:55,560 Speaker 1: was like, you don't know how powerful my guy is, 17 00:00:55,600 --> 00:00:57,800 Speaker 1: I was like, okay, Charlie, may I mean that's just 18 00:00:57,880 --> 00:00:59,640 Speaker 1: common sense. I don't know why people put so much 19 00:00:59,640 --> 00:01:02,920 Speaker 1: stock in the devil, but whatever, right, listen, I want 20 00:01:02,920 --> 00:01:05,560 Speaker 1: to say about this song. I call like maybe this 21 00:01:05,680 --> 00:01:07,560 Speaker 1: t to be about two three years ago and I 22 00:01:07,640 --> 00:01:09,480 Speaker 1: told y'all about this story about the little eight year 23 00:01:09,480 --> 00:01:14,280 Speaker 1: old boy, Gabriel Fernandez him like, I'm sorry, what's what 24 00:01:14,280 --> 00:01:17,560 Speaker 1: happened with him? His um, his stepdad? But let me 25 00:01:17,600 --> 00:01:20,560 Speaker 1: except that like his mom's boyfriend, UM had thought he 26 00:01:20,680 --> 00:01:22,400 Speaker 1: was gay, so he used to like beat him and 27 00:01:22,440 --> 00:01:25,440 Speaker 1: he starved um like Donald for beat me gun, forcing 28 00:01:25,520 --> 00:01:27,720 Speaker 1: to eat like dud trying to be trying to be 29 00:01:27,840 --> 00:01:32,920 Speaker 1: big gay away right, Yeah, he killed them. Yeah, he 30 00:01:33,000 --> 00:01:35,600 Speaker 1: killed a little boy. So basically, as an update, the 31 00:01:36,600 --> 00:01:39,920 Speaker 1: mom's boyfriend just got sentence like last week to death. 32 00:01:40,240 --> 00:01:41,560 Speaker 1: So I was gonna go and drop one of the 33 00:01:41,600 --> 00:01:43,759 Speaker 1: clues bombs that they're killing that man. You go drop 34 00:01:43,800 --> 00:01:47,880 Speaker 1: one clues bombs for him. Good riddens. I like, I like, 35 00:01:48,040 --> 00:01:51,480 Speaker 1: I like when people like that get canceled. Absolutely absolutely 36 00:01:53,560 --> 00:01:57,360 Speaker 1: all right, bro, all right, hello, who's this yo? I 37 00:01:57,360 --> 00:01:59,840 Speaker 1: don't want two alms out type bo what's up? Bro? 38 00:02:00,120 --> 00:02:03,559 Speaker 1: Adam with two ms? Get it off your chess. Third. Yeah, 39 00:02:03,640 --> 00:02:06,640 Speaker 1: I just want to give thanks some praise to guys 40 00:02:06,760 --> 00:02:11,040 Speaker 1: for my daughters in DAYA. She's a blessing to my life, sir. 41 00:02:11,160 --> 00:02:14,120 Speaker 1: And six weeks old on Thursday. So just my first 42 00:02:14,160 --> 00:02:16,200 Speaker 1: child and I just want to give thanks there and 43 00:02:16,400 --> 00:02:20,600 Speaker 1: her name actually means to give thanks. So named the 44 00:02:20,639 --> 00:02:24,560 Speaker 1: actress um funny story. I saw her on Spider Man 45 00:02:24,600 --> 00:02:27,240 Speaker 1: and yeah, pretty much. I love like intrigued by her. 46 00:02:27,280 --> 00:02:30,400 Speaker 1: So yeah, I love that name. By the way, I 47 00:02:30,440 --> 00:02:32,640 Speaker 1: love I love name Deathtart with Z. I got one 48 00:02:32,639 --> 00:02:35,440 Speaker 1: of my daughter's names. Well, enjoy it, man, they grow 49 00:02:35,520 --> 00:02:38,840 Speaker 1: so fast. Man, enjoy it yea. Her middle name is 50 00:02:38,919 --> 00:02:41,120 Speaker 1: Marley Peter in Love to the world. There you go, 51 00:02:41,360 --> 00:02:43,520 Speaker 1: so Dia Marley. We was just talking about how everybody 52 00:02:43,520 --> 00:02:46,280 Speaker 1: puts Molly on everything in order to sell stuff. We 53 00:02:46,440 --> 00:02:49,440 Speaker 1: just literally was having that conversation. Hello, who's this yo? 54 00:02:49,560 --> 00:02:52,000 Speaker 1: This will will get it off your chess. Hey man. 55 00:02:52,240 --> 00:02:56,639 Speaker 1: First of all, I love you, yeah man, Charlotte Man, 56 00:02:57,040 --> 00:02:59,560 Speaker 1: I got the book Thank You. I follow you all 57 00:03:00,040 --> 00:03:02,600 Speaker 1: on Instagram, but I got something called my chest Man. 58 00:03:03,040 --> 00:03:05,800 Speaker 1: Are you never why you never shout out? How you closing? 59 00:03:06,040 --> 00:03:08,560 Speaker 1: One of the hottest merchants out here. I love how 60 00:03:08,600 --> 00:03:11,880 Speaker 1: you Clothing? You know how you Clothing does? Does my 61 00:03:12,000 --> 00:03:15,400 Speaker 1: merchandise for my podcast? But I don't talk about my 62 00:03:15,440 --> 00:03:18,079 Speaker 1: podcast on the Breakfast Club, I said, yeah we do, Hill, 63 00:03:18,280 --> 00:03:20,679 Speaker 1: Oh it's from my man from how You oh yeah 64 00:03:20,760 --> 00:03:22,400 Speaker 1: for show. But you know, I don't like, I don't like, 65 00:03:22,720 --> 00:03:24,280 Speaker 1: I don't like, I don't like, I don't like I 66 00:03:24,280 --> 00:03:27,040 Speaker 1: don't like the mix to two right now, you shout 67 00:03:27,080 --> 00:03:29,560 Speaker 1: at them out. You brought on the clothes bomb, drop 68 00:03:29,600 --> 00:03:31,240 Speaker 1: on a clothes bombs for How You Clothing? They got 69 00:03:31,240 --> 00:03:33,600 Speaker 1: a lot of dope stuff, like even even outside of 70 00:03:33,760 --> 00:03:35,760 Speaker 1: my merch, Like you know, they got like Malcolm X 71 00:03:35,840 --> 00:03:38,280 Speaker 1: stuff and we got to talk about that podcast. You 72 00:03:38,320 --> 00:03:41,240 Speaker 1: feel me? Yeah, the hottest merch out here. Yeah, but 73 00:03:41,320 --> 00:03:43,760 Speaker 1: they did. Artist is that he shout out to shout 74 00:03:43,760 --> 00:03:47,720 Speaker 1: out to nas you rocketed. Yeah, I love How You Clothing? Man? 75 00:03:48,080 --> 00:03:51,800 Speaker 1: When I wore my Malcolm X jersey on Malcolm X's birthday, 76 00:03:51,800 --> 00:03:55,160 Speaker 1: that was from How You Clothe? All right, Well eight 77 00:03:55,200 --> 00:03:57,000 Speaker 1: hundred and five ain't five one on five one. If 78 00:03:57,040 --> 00:03:58,640 Speaker 1: you need to vent, hit this now. It's the Breakfast Club. 79 00:03:58,640 --> 00:04:04,560 Speaker 1: God morning, the break first club. You get, pick up 80 00:04:04,600 --> 00:04:07,240 Speaker 1: the mother mother phone and dial. This is your time 81 00:04:07,280 --> 00:04:10,680 Speaker 1: to get it off your chat, whether you're man or last. 82 00:04:11,120 --> 00:04:12,680 Speaker 1: We want to hear from you on the Breakfast Club, 83 00:04:12,720 --> 00:04:15,560 Speaker 1: so you better have the same energy. Hello, who's this 84 00:04:16,240 --> 00:04:18,720 Speaker 1: So it's resting from six month phone what's up, bro? 85 00:04:18,800 --> 00:04:21,039 Speaker 1: Get it off your chest? What's up? I'm just called 86 00:04:21,080 --> 00:04:23,760 Speaker 1: gluon Green movie. I just recently released my first get 87 00:04:23,800 --> 00:04:27,200 Speaker 1: your film was call all You one on YouTube right now, 88 00:04:27,200 --> 00:04:30,360 Speaker 1: I wrote director, somebody call what your phone with out? 89 00:04:30,400 --> 00:04:33,120 Speaker 1: Your phone is going crazy? Brother. It's called she Evil 90 00:04:33,240 --> 00:04:35,880 Speaker 1: Volume one. It's on your right now. I guess this 91 00:04:36,000 --> 00:04:38,480 Speaker 1: morning is the promo morning. Huh? Everybody calling and get 92 00:04:38,480 --> 00:04:40,839 Speaker 1: your promo on Luke and she Evil Volume one. What 93 00:04:41,000 --> 00:04:44,080 Speaker 1: is that a movie? You said? Yes? Jesse Dagod Morning 94 00:04:44,520 --> 00:04:47,280 Speaker 1: breakfast club. Jesse, what's up? Man? Get it off each other? 95 00:04:47,880 --> 00:04:49,719 Speaker 1: Get it off my chest today? I am Blesseddays my 96 00:04:49,720 --> 00:04:52,080 Speaker 1: wife's birthday, and all she says she wanted for her 97 00:04:52,080 --> 00:04:54,520 Speaker 1: birthday was for uncle Charlotte. That wish her happy birthday. 98 00:04:54,680 --> 00:04:57,960 Speaker 1: What's her name? Kisa? Happy boy day? Keisha? What keishat? 99 00:04:58,480 --> 00:05:00,200 Speaker 1: She in the bed right now waking up? Did you 100 00:05:00,240 --> 00:05:01,800 Speaker 1: let me at your question? How long y'all have been together? 101 00:05:02,480 --> 00:05:04,520 Speaker 1: Going on nine years now? Do you remember the first 102 00:05:04,560 --> 00:05:08,240 Speaker 1: time y'all ever had sex? Yes? Do you remember the date? No? 103 00:05:08,640 --> 00:05:11,600 Speaker 1: You should remember the date that that's the anniversary repertoire Okay, 104 00:05:11,600 --> 00:05:14,560 Speaker 1: like I did. My mind is June eight, But it's 105 00:05:14,560 --> 00:05:17,599 Speaker 1: a little cheer because that's also Charlemagne's cousin's birthday. Doesn't matter. 106 00:05:17,800 --> 00:05:20,479 Speaker 1: I remember, I know, I know he because it's not 107 00:05:20,560 --> 00:05:23,479 Speaker 1: actually he remembered the birthday exactly. You should remember that. 108 00:05:23,520 --> 00:05:25,240 Speaker 1: But have the anniversary. To you and the white Man, 109 00:05:25,480 --> 00:05:29,320 Speaker 1: it's a birthday, bro oh, birthday all the same, the anniversary. 110 00:05:29,760 --> 00:05:31,600 Speaker 1: All all we gotta do is men to show up 111 00:05:31,600 --> 00:05:33,320 Speaker 1: to something. All right, I know it's something of her 112 00:05:33,480 --> 00:05:37,320 Speaker 1: to day. Hello, who's this precious? Hey, precious, good morning, 113 00:05:37,440 --> 00:05:39,599 Speaker 1: good morning. How are you doing all right? Why are you? 114 00:05:39,640 --> 00:05:42,080 Speaker 1: Why are you calling this morning? Mama? Because my girls 115 00:05:42,080 --> 00:05:46,520 Speaker 1: and called me her ex the same A couple of currents. Hey, 116 00:05:46,800 --> 00:05:48,760 Speaker 1: shout out to shout out to your girls ex for 117 00:05:48,880 --> 00:05:53,680 Speaker 1: having that good game. No, what is she doing in 118 00:05:53,680 --> 00:05:57,160 Speaker 1: the bedroom or is it just d yes? Yes, yes, 119 00:05:57,520 --> 00:06:00,920 Speaker 1: yes in the bedroom. You know that means that means 120 00:06:00,920 --> 00:06:03,360 Speaker 1: that her jaw game way better than yours. Step it up. 121 00:06:03,560 --> 00:06:09,120 Speaker 1: It's not funny. I'm train what's her ex name? I'm 122 00:06:09,120 --> 00:06:11,919 Speaker 1: not gonna her name. Whatever you may be off the chamber. 123 00:06:12,000 --> 00:06:14,880 Speaker 1: She can't forget her ex name? What's her name? Credit? 124 00:06:15,320 --> 00:06:18,640 Speaker 1: What's her name? We just want to know her name MoMA, mama? Okay, 125 00:06:18,680 --> 00:06:20,800 Speaker 1: so maybe so what does she say when she says 126 00:06:20,800 --> 00:06:23,200 Speaker 1: her name by accident that she pretended didn't happen that 127 00:06:23,320 --> 00:06:27,880 Speaker 1: she apologize, Yeah, she pretended doesn't have it didn't happen. Wow, 128 00:06:28,440 --> 00:06:34,520 Speaker 1: like I heard you. That's what she gotta like. I'm moaning, moaning, 129 00:06:34,960 --> 00:06:40,719 Speaker 1: I'm sorry, I'm sorry. Game, she got like she gotta 130 00:06:40,760 --> 00:06:42,839 Speaker 1: be like I was just watching Love and Hipper have Mona. 131 00:06:43,120 --> 00:06:45,120 Speaker 1: That's crazy that your jaw game so whack. She can't 132 00:06:45,120 --> 00:06:47,440 Speaker 1: forget her ex his name though, I'm gonna be honest. 133 00:06:47,440 --> 00:06:50,000 Speaker 1: What not what? Maybe you need some new tricks. Try 134 00:06:50,120 --> 00:06:52,799 Speaker 1: Halls in your mouth for something. Halls all right, mama, 135 00:06:52,800 --> 00:06:57,200 Speaker 1: thank you for calling Mona? Thank you? That sucks? Say that? Yeah? Literally, 136 00:06:57,560 --> 00:07:01,320 Speaker 1: what's Upsequil? Get you off your chest? Morning too? Things 137 00:07:01,320 --> 00:07:04,200 Speaker 1: I want to say. Dan asked for the UNIMEX while 138 00:07:04,240 --> 00:07:06,080 Speaker 1: guys never gave it to me, because that's one past 139 00:07:06,360 --> 00:07:10,760 Speaker 1: whatever people's choice. They didn't give my choice. But what 140 00:07:11,080 --> 00:07:14,240 Speaker 1: with the Brooklyn shooting, I'm in the why I wasn't 141 00:07:14,240 --> 00:07:16,680 Speaker 1: in a marine corps. I just got out for when 142 00:07:16,720 --> 00:07:20,120 Speaker 1: somebody fires out up and say, Charlomans my friend and 143 00:07:20,200 --> 00:07:23,000 Speaker 1: he gets shot, but somebody put their weapon on. We're 144 00:07:23,040 --> 00:07:26,160 Speaker 1: no longer allowed to kill that person. Why should the 145 00:07:26,160 --> 00:07:28,360 Speaker 1: police be able to kill that person and they're no 146 00:07:28,400 --> 00:07:30,400 Speaker 1: longer a threat? And now was the shooting in Brooklyn? 147 00:07:30,480 --> 00:07:32,480 Speaker 1: He was holding the weapon. I'm pretty sure there's other 148 00:07:32,520 --> 00:07:34,400 Speaker 1: ways to just arm him. Like why do they never 149 00:07:34,400 --> 00:07:36,680 Speaker 1: shoot people in the legs? Maybe? Why why you had 150 00:07:36,720 --> 00:07:38,440 Speaker 1: to start the story off with me getting shot? I mean, 151 00:07:38,760 --> 00:07:42,680 Speaker 1: could you could have explained the situation without Charlomagne when 152 00:07:42,680 --> 00:07:45,360 Speaker 1: they get man? You know you you you would be 153 00:07:45,440 --> 00:07:49,880 Speaker 1: my friend and you get killed. No longer they're no 154 00:07:49,920 --> 00:07:53,120 Speaker 1: longer a threat. You can't you can't kill that person. Yeah, 155 00:07:53,880 --> 00:07:57,120 Speaker 1: I would be shot the fire those round Yeah. I 156 00:07:57,120 --> 00:07:58,800 Speaker 1: can't tell cops how to do their job. But if 157 00:07:58,840 --> 00:08:00,600 Speaker 1: they jumped out of this car, they didn't give a 158 00:08:00,640 --> 00:08:03,400 Speaker 1: warning before they fired fired ten rounds. I think something's 159 00:08:03,400 --> 00:08:05,280 Speaker 1: a little bit wrong there. Get it off your chest. 160 00:08:05,360 --> 00:08:07,560 Speaker 1: Eight hundred five eight five one o five one. If 161 00:08:07,560 --> 00:08:09,120 Speaker 1: you need to vent, you can hit us up at anytime. 162 00:08:09,240 --> 00:08:11,320 Speaker 1: Keep it locked. This to Breakfast club, Good morning, moaned, 163 00:08:11,360 --> 00:08:15,080 Speaker 1: everybody is DJ Envy Angela Yee. Charlottagne, the guy we 164 00:08:15,120 --> 00:08:17,240 Speaker 1: all the breakfast club. We got a special guest in 165 00:08:17,240 --> 00:08:22,280 Speaker 1: the building, my guy Neil Brunning. Yeah, I got my Starbucks. Everybody. 166 00:08:23,040 --> 00:08:26,160 Speaker 1: So after that training, I will say it took a 167 00:08:26,160 --> 00:08:29,000 Speaker 1: while to get service as a white person. But really 168 00:08:29,040 --> 00:08:32,160 Speaker 1: they finally once they took care of all the black people, 169 00:08:32,200 --> 00:08:34,480 Speaker 1: they finally got to me. Oh so, so y'all a 170 00:08:34,559 --> 00:08:37,040 Speaker 1: secondary now saw Bucks. I didn't realize all I could 171 00:08:37,200 --> 00:08:40,040 Speaker 1: use the bathroom was a nightmare. Really. Yeah, did you 172 00:08:40,040 --> 00:08:42,199 Speaker 1: see the anti biased training that they had to do. 173 00:08:42,320 --> 00:08:44,520 Speaker 1: I don't what do you think they did? Has there 174 00:08:44,520 --> 00:08:47,400 Speaker 1: been any inside Yes, we have it right here. Yes, 175 00:08:47,520 --> 00:08:50,040 Speaker 1: we had the whole entire question. That's the question is 176 00:08:50,080 --> 00:08:51,880 Speaker 1: that they had to ask people. Well, now, pating here, 177 00:08:51,880 --> 00:08:53,319 Speaker 1: I'm gonna have you answer room. I don't know if 178 00:08:53,320 --> 00:08:57,040 Speaker 1: Neill had an experience working with black people. So we 179 00:08:57,080 --> 00:08:59,800 Speaker 1: want you to recall when was the first time that 180 00:09:00,040 --> 00:09:06,800 Speaker 1: you noticed your racial identity. Oh that's a great question. Um, 181 00:09:06,840 --> 00:09:11,240 Speaker 1: I guess right away. Right when I came out, I 182 00:09:11,320 --> 00:09:15,160 Speaker 1: was like, it's good to be white. It is good 183 00:09:15,200 --> 00:09:18,760 Speaker 1: to be uh No, you know what's when I was 184 00:09:18,760 --> 00:09:20,360 Speaker 1: a kid that black people were always nice to me, 185 00:09:20,480 --> 00:09:23,280 Speaker 1: Like when I my brother worked was like an usher 186 00:09:23,320 --> 00:09:26,160 Speaker 1: in Chicago at the Chicago Stadium, and like Rigleyfield, and 187 00:09:26,240 --> 00:09:28,760 Speaker 1: like black all the black tuts you work with. We're 188 00:09:28,760 --> 00:09:31,240 Speaker 1: all straight with me. What's the next question. The first 189 00:09:31,280 --> 00:09:35,960 Speaker 1: time you noticed how your race affected your beauty standards? Um? Well, 190 00:09:35,960 --> 00:09:42,640 Speaker 1: you know people say I look like Scottie Pippin. I 191 00:09:42,679 --> 00:09:50,600 Speaker 1: see it too that this is a good one for you. Yeah, 192 00:09:50,600 --> 00:09:53,080 Speaker 1: when it is the first time you altered your communication 193 00:09:53,240 --> 00:09:56,440 Speaker 1: style in other words, you died or the king of that. 194 00:09:56,600 --> 00:10:00,600 Speaker 1: To avoid playing into stereotypes. When I when I'm dealing 195 00:10:00,679 --> 00:10:04,200 Speaker 1: with a someone, a someone I know is black on 196 00:10:04,200 --> 00:10:06,160 Speaker 1: the phone, it's really hard for me not to be like, 197 00:10:06,320 --> 00:10:11,280 Speaker 1: all right, bet a bet that. But I would be like, 198 00:10:11,320 --> 00:10:14,560 Speaker 1: thank you, thank you very much. Okay, agreed, and then 199 00:10:14,600 --> 00:10:17,600 Speaker 1: it's agreed too. So I am racist in that way 200 00:10:17,640 --> 00:10:20,760 Speaker 1: in that I try to be like, ah, a little 201 00:10:20,800 --> 00:10:24,439 Speaker 1: bit like bet, say, I know, Bet, I know. What 202 00:10:24,559 --> 00:10:28,559 Speaker 1: is that? You just kind of like using the latest 203 00:10:28,559 --> 00:10:34,560 Speaker 1: slap you say dead ass when you walk into naked 204 00:10:35,040 --> 00:10:39,480 Speaker 1: but ass? But do you use then? Do I don't 205 00:10:39,760 --> 00:10:42,440 Speaker 1: I really cut down? I'll say that if at all 206 00:10:43,280 --> 00:10:46,000 Speaker 1: my policy jokes, I used to do it. I did 207 00:10:46,040 --> 00:10:48,400 Speaker 1: it in a joke. Now my policy is like Neil, 208 00:10:48,520 --> 00:10:51,000 Speaker 1: just black people got enough problems, like don't want to 209 00:10:51,000 --> 00:10:52,680 Speaker 1: add to it. Yeah, I don't think it's worth it. 210 00:10:52,679 --> 00:10:55,280 Speaker 1: It's not. It's like it takes so much energy, which 211 00:10:55,320 --> 00:10:57,360 Speaker 1: sounds like a white priivlet thing to say, like do 212 00:10:57,400 --> 00:10:59,160 Speaker 1: you know how much energy it takes to say the animal? 213 00:10:59,679 --> 00:11:01,520 Speaker 1: But it's just not worth it? Was it easier to 214 00:11:01,520 --> 00:11:03,199 Speaker 1: say during the Obama era because that's when you I 215 00:11:03,240 --> 00:11:05,280 Speaker 1: remember you doing the jokes during that time. It was 216 00:11:05,360 --> 00:11:07,920 Speaker 1: easier to say it closers fell show in that I 217 00:11:08,040 --> 00:11:11,679 Speaker 1: was just so immersed in it and like getting called 218 00:11:11,679 --> 00:11:15,800 Speaker 1: it constantly. Uh so I felt like it Wasnay, it was, 219 00:11:15,960 --> 00:11:18,240 Speaker 1: it was all right. I did a joke about it, 220 00:11:18,280 --> 00:11:20,440 Speaker 1: so it was like about the word and you like 221 00:11:20,640 --> 00:11:23,200 Speaker 1: it was about using it. Yes, So now you just 222 00:11:23,200 --> 00:11:27,479 Speaker 1: don't do that joke anymore. That joke has been retired. Um, 223 00:11:28,360 --> 00:11:30,240 Speaker 1: but I will say that I was on ambient whenever 224 00:11:30,280 --> 00:11:36,000 Speaker 1: I'm kidding. Yeah, I just don't say it's just not 225 00:11:36,040 --> 00:11:37,800 Speaker 1: worth it. Let me ask you. Of course, as Charlemagne 226 00:11:38,240 --> 00:11:41,160 Speaker 1: uses a term that some white people don't like, Manni's 227 00:11:41,280 --> 00:11:45,719 Speaker 1: cause white people mayonnaise offended by that. No, like you, 228 00:11:46,720 --> 00:11:50,080 Speaker 1: I call racist bigots mayonnaise because mayonnaise is disgusting, so 229 00:11:50,080 --> 00:11:52,360 Speaker 1: so is racist and bigotry. I don't think there's anything 230 00:11:52,360 --> 00:11:54,440 Speaker 1: wrong with I know people that are like, don't like 231 00:11:54,679 --> 00:11:58,880 Speaker 1: white trash. I don't like saying white trash. A cracker 232 00:11:58,880 --> 00:12:03,400 Speaker 1: ass cracker is great. Hall of famer. Mayonnaise is a 233 00:12:03,400 --> 00:12:05,800 Speaker 1: Hall of Famer just because Chris said it. Because you can't. 234 00:12:05,840 --> 00:12:11,200 Speaker 1: Yeah that's it. Oh can't not say it like that, Yeah, mayonnaise. 235 00:12:11,240 --> 00:12:13,520 Speaker 1: I feel like it'll have a hard time catching on. 236 00:12:13,840 --> 00:12:15,640 Speaker 1: Oh they hate it. They hate it because I can 237 00:12:15,679 --> 00:12:17,560 Speaker 1: say crack ass crack a white devil on the radio, 238 00:12:17,960 --> 00:12:20,440 Speaker 1: but when I say mayonnaise, they call and complain. Oh yeah, 239 00:12:20,760 --> 00:12:23,120 Speaker 1: that's the weirdest thing in the world. Cracker is a delicious. 240 00:12:23,160 --> 00:12:26,400 Speaker 1: Mayonnaise is disgusting, true, And I think it's the connotation 241 00:12:26,440 --> 00:12:29,840 Speaker 1: of the mayonnaise. It's gross. Who eats mayonnaise exactly. I 242 00:12:29,840 --> 00:12:31,880 Speaker 1: don't mind mayonnaise. Although I am vegan. I go with 243 00:12:31,920 --> 00:12:35,000 Speaker 1: a vegan mayo, which is kind of almost whiter than maya. 244 00:12:35,080 --> 00:12:37,839 Speaker 1: All Right, we got more with comedian Neil Brennan when 245 00:12:37,880 --> 00:12:39,880 Speaker 1: we come back, So don't move. It's the Breakfast Club, 246 00:12:39,920 --> 00:12:47,079 Speaker 1: Go Morning, The Breakfast Club wanting everybody is DJ N 247 00:12:47,160 --> 00:12:50,520 Speaker 1: v Angela Yee, Charlomagne, the guy. We are the Breakfast Club. 248 00:12:50,840 --> 00:12:52,880 Speaker 1: We have a writer for the Dave Chappelle Show and 249 00:12:52,920 --> 00:12:55,520 Speaker 1: comedian Neil Brennan in the building. Charlomagne, do you think 250 00:12:55,600 --> 00:12:57,880 Speaker 1: have you even following the Drake push your beef? Yeah? 251 00:12:57,960 --> 00:13:00,840 Speaker 1: What do you think of blackface? Here's the thing about 252 00:13:01,040 --> 00:13:05,400 Speaker 1: you can't as a black person. It seems like you 253 00:13:05,520 --> 00:13:10,920 Speaker 1: can't ever, ever, ever, ever do black face under any circumstances, Like, 254 00:13:11,080 --> 00:13:13,560 Speaker 1: you just can't. It's like herpes. It's cooling in it's 255 00:13:13,559 --> 00:13:15,880 Speaker 1: the Mistress Show here, but it's gonna be found out. 256 00:13:15,920 --> 00:13:18,120 Speaker 1: The fact that it was on that guy's page. Did 257 00:13:18,120 --> 00:13:20,240 Speaker 1: you go to the page? Yeah, yeah, yeah, and like 258 00:13:20,440 --> 00:13:22,480 Speaker 1: it was and it wasn't even featured. It was like 259 00:13:22,559 --> 00:13:25,120 Speaker 1: bottom left, like it's another one of my photos. Drake 260 00:13:25,160 --> 00:13:27,000 Speaker 1: and black face, No big deal. But yeah, you just 261 00:13:27,080 --> 00:13:29,360 Speaker 1: can't do black Do you think that was the most 262 00:13:29,440 --> 00:13:32,360 Speaker 1: damning part of the to me? I think the fact 263 00:13:32,360 --> 00:13:35,360 Speaker 1: that he's not wasn't we don't know, but claiming his child. 264 00:13:35,400 --> 00:13:37,240 Speaker 1: I think people were more upset about that, like, damn, 265 00:13:37,320 --> 00:13:38,880 Speaker 1: Drake's now he's a dead be dead like. I think 266 00:13:38,880 --> 00:13:40,800 Speaker 1: people are more upset about that at first, But Jake 267 00:13:40,880 --> 00:13:43,000 Speaker 1: and say, I'm not a dead bee Dad. I just 268 00:13:43,040 --> 00:13:45,280 Speaker 1: did not put my son out there yet. But I 269 00:13:45,400 --> 00:13:48,000 Speaker 1: take care of him. He hasn't released the Sun yet. 270 00:13:48,040 --> 00:13:50,120 Speaker 1: He's got a dry, he's got a date. He's a 271 00:13:50,160 --> 00:13:53,080 Speaker 1: release the soun. You got to roll the Sun out slow, 272 00:13:53,640 --> 00:13:56,080 Speaker 1: you get the whole promo department behind it, and then 273 00:13:56,120 --> 00:13:58,200 Speaker 1: you bring the kid out. Come on. Man. Can put 274 00:13:58,240 --> 00:13:59,559 Speaker 1: a lot of pressure on people when it came to 275 00:13:59,559 --> 00:14:02,960 Speaker 1: the rolling your sign, man, that's that's exactly right. You 276 00:14:03,000 --> 00:14:05,800 Speaker 1: know what's a mean song? When the nicest thing he 277 00:14:05,880 --> 00:14:08,800 Speaker 1: said was you have an illegitimate song. Yeah, because like 278 00:14:08,920 --> 00:14:11,320 Speaker 1: that was the nicest thing he said, Like listen, and 279 00:14:11,360 --> 00:14:14,920 Speaker 1: I was like, that's me. The Sun part was pretty nice. 280 00:14:14,960 --> 00:14:18,120 Speaker 1: I was pretty sweet. Yeah, it's nicer than um. Did 281 00:14:18,120 --> 00:14:20,920 Speaker 1: anything offend you? Nothing offendive. I would like to say 282 00:14:20,960 --> 00:14:25,600 Speaker 1: that last time he dis Drake, he mentioned me specifically 283 00:14:25,800 --> 00:14:28,200 Speaker 1: on I don't know that it was some. It was 284 00:14:28,240 --> 00:14:30,440 Speaker 1: like some. It was a Chapelle Show reference and Dave 285 00:14:30,480 --> 00:14:34,280 Speaker 1: having writers and mentioned me specifically. Really yeah, push to it, Yeah, 286 00:14:34,560 --> 00:14:37,040 Speaker 1: go back with this. Look at the tape, Homie it's there, 287 00:14:37,960 --> 00:14:41,400 Speaker 1: but he just mentioned it's like that Drake has writers. Um. 288 00:14:41,440 --> 00:14:43,840 Speaker 1: The fact that he was talking about his friend dying 289 00:14:44,440 --> 00:14:48,920 Speaker 1: is a bit like, yeah, it was a bit like, well, 290 00:14:48,960 --> 00:14:52,520 Speaker 1: first I clutched my pearls. I like that how guys 291 00:14:52,520 --> 00:14:56,160 Speaker 1: are rapping like rich white women now where like the 292 00:14:56,280 --> 00:14:59,040 Speaker 1: audacity was with Drake Son and the last one. Then 293 00:14:59,040 --> 00:15:01,720 Speaker 1: he's like, I'm upset. He's got a song coming out 294 00:15:01,720 --> 00:15:06,480 Speaker 1: called I'm Flummixed. Um and and uh pusher wrapped about 295 00:15:07,000 --> 00:15:11,560 Speaker 1: caviare facials yes, and uh yeah. Like now he's like, 296 00:15:11,640 --> 00:15:13,920 Speaker 1: I don't think you're capable of love, Drake. That's right. 297 00:15:15,320 --> 00:15:18,440 Speaker 1: I don't think of love. I think because your father 298 00:15:18,520 --> 00:15:20,920 Speaker 1: walked out on your mother when you were five, I don't. 299 00:15:20,960 --> 00:15:22,880 Speaker 1: I've spoke to your therapist, and I think you're in 300 00:15:22,920 --> 00:15:25,920 Speaker 1: a lot of emotional troupe. He did, He said, Uh, 301 00:15:26,200 --> 00:15:29,200 Speaker 1: Chappelle show all of You Knew Brennan sketch comedy, Who 302 00:15:29,240 --> 00:15:31,800 Speaker 1: was for Real? Pinning? See yourself as I pull up 303 00:15:31,840 --> 00:15:35,480 Speaker 1: in that Mirrord scene skins versus blouses? You member, Prince 304 00:15:35,680 --> 00:15:39,520 Speaker 1: Chappelle's show All of Your Neil Brennan's sketch comedy Who 305 00:15:39,600 --> 00:15:41,960 Speaker 1: Was for Real? Pinning. Okay, you know what you know 306 00:15:42,400 --> 00:15:44,240 Speaker 1: in the middle of ra beef. I've been out here man, 307 00:15:45,400 --> 00:15:47,520 Speaker 1: and you from an era where you actually saw real 308 00:15:47,600 --> 00:15:50,520 Speaker 1: beefs rap beef. You know what's funny, If anything happens 309 00:15:50,560 --> 00:15:53,120 Speaker 1: to either one of those guys, they have to make 310 00:15:53,160 --> 00:15:55,920 Speaker 1: sure each other are okay now, because if anything happens 311 00:15:55,920 --> 00:15:59,960 Speaker 1: to Pusher, they're bringing in Yeah, they're bringing Draking like first, 312 00:16:00,200 --> 00:16:02,960 Speaker 1: so like he should hire Pushing security and like a 313 00:16:03,040 --> 00:16:05,800 Speaker 1: doctor and make sure his health is good because like 314 00:16:05,920 --> 00:16:09,200 Speaker 1: they're they're the number one suspect for either. The fact 315 00:16:09,200 --> 00:16:11,720 Speaker 1: that Biggie and Tubac got It's like and no one 316 00:16:11,720 --> 00:16:14,440 Speaker 1: got arrest is still amazing in light of this very 317 00:16:14,480 --> 00:16:15,800 Speaker 1: like well, I think both of the people that killed 318 00:16:15,840 --> 00:16:17,600 Speaker 1: him it dead though, that's why I think. That's what 319 00:16:17,640 --> 00:16:19,320 Speaker 1: I think. I think the streets did what they was 320 00:16:19,320 --> 00:16:21,080 Speaker 1: supposed to do, right, But I could just be making 321 00:16:21,080 --> 00:16:23,720 Speaker 1: it up. Yeah, you got your own show in development 322 00:16:23,760 --> 00:16:27,520 Speaker 1: as well, I did, so what's going on with It's Dead? Sorry, 323 00:16:27,960 --> 00:16:30,880 Speaker 1: thanks for bringing it up. Thanks for bringing it up, 324 00:16:31,240 --> 00:16:36,440 Speaker 1: Thanks for bringing it up. Push your tea, Pushing Pushing, Pushing, 325 00:16:37,360 --> 00:16:39,720 Speaker 1: Well this y'all go check Neil out man here we 326 00:16:39,800 --> 00:16:43,360 Speaker 1: go here, I am. I'm coming to Chicago June seventh 327 00:16:43,480 --> 00:16:46,479 Speaker 1: at Taliah Hall. Then yeah, then I'm going to Milwaukee. 328 00:16:46,680 --> 00:16:49,480 Speaker 1: Then I'm going to Indianapolis. Then the next week, I'm 329 00:16:49,480 --> 00:16:52,320 Speaker 1: going to Kansas City. Then I'm going to Detroit. Then 330 00:16:52,360 --> 00:16:55,520 Speaker 1: I'm going to Minneapolis. Uh, Chicago. I added a show 331 00:16:55,560 --> 00:16:57,960 Speaker 1: because it was it's so hot. Your seven thirty show 332 00:16:58,040 --> 00:17:00,480 Speaker 1: sold up, you know what I mean? Um? And uh, 333 00:17:01,480 --> 00:17:04,399 Speaker 1: but it's a nine o'clock show too though, yeah, yeah, yeah, Um, 334 00:17:04,720 --> 00:17:07,000 Speaker 1: I appreciate just as a white person, I gotta say, 335 00:17:07,040 --> 00:17:09,560 Speaker 1: you guys, so a few white people on here that 336 00:17:09,680 --> 00:17:13,200 Speaker 1: it feels good and uh, and I hope white people. 337 00:17:13,240 --> 00:17:15,280 Speaker 1: I hope that I represented as well. Lead The last 338 00:17:15,280 --> 00:17:17,280 Speaker 1: white person who was here was Melissa McCarthy. That's a 339 00:17:17,320 --> 00:17:19,399 Speaker 1: big deal. Tell them what to find you new? Uh. 340 00:17:19,480 --> 00:17:21,520 Speaker 1: Neil Brennon n A A. L. B ri Nna n 341 00:17:21,760 --> 00:17:24,800 Speaker 1: dot Com, Neil Brennon on Twitter, Neil Brenna on Instagram. 342 00:17:25,320 --> 00:17:29,320 Speaker 1: Uh yeah, those are my two main forms of communication. Well, 343 00:17:29,359 --> 00:17:33,879 Speaker 1: it's Neil Brennon. It's the Breakfast Club. Good Morning Brondon. 344 00:17:33,960 --> 00:17:37,639 Speaker 1: Everybody is DJ Envy, Angela Yee, Charlo Migne, the guy. 345 00:17:37,760 --> 00:17:39,960 Speaker 1: We are the Breakfast Club. Now, you guys all, No, 346 00:17:40,080 --> 00:17:42,680 Speaker 1: Monique stopped by the Breakfast Club yesterday and we're getting 347 00:17:42,720 --> 00:17:45,280 Speaker 1: it on today. So we're gonna play that for you 348 00:17:45,480 --> 00:17:51,760 Speaker 1: special guestsed to build it, Miss Monique. Good morning, good morning, 349 00:17:52,200 --> 00:17:54,800 Speaker 1: good morning, good morning. Yea. When Monique walked in, I 350 00:17:54,840 --> 00:17:57,560 Speaker 1: gave a hug. I wanted her to know it's all love. Yes, 351 00:17:57,640 --> 00:17:59,879 Speaker 1: he did my life. We just here to have a conversation. 352 00:18:00,080 --> 00:18:02,800 Speaker 1: That's all we're doing. Now, what's going on today, miss Mornique. 353 00:18:03,080 --> 00:18:04,879 Speaker 1: A while ago, I had to come out and I 354 00:18:04,920 --> 00:18:07,640 Speaker 1: spoke in reference to Netflix that we had to boy 355 00:18:07,720 --> 00:18:09,680 Speaker 1: you know, I was asking folks to stand with us 356 00:18:09,680 --> 00:18:12,720 Speaker 1: as we boycott Netflix for gender bias and color by 357 00:18:12,720 --> 00:18:16,480 Speaker 1: it correct and we were fighting for equality. And then 358 00:18:16,520 --> 00:18:19,600 Speaker 1: I found out that I had become Donkey of the 359 00:18:19,720 --> 00:18:22,960 Speaker 1: day by Leonard, and I gotta call you by your name, baby, 360 00:18:23,000 --> 00:18:27,159 Speaker 1: because then, okay, okay, baby, he's getting real special Leonard. 361 00:18:27,440 --> 00:18:31,520 Speaker 1: But we're gonna and then I was called Donkey of 362 00:18:31,560 --> 00:18:35,479 Speaker 1: the day, and it really caught me off guard because 363 00:18:35,560 --> 00:18:38,560 Speaker 1: when I met this brother some years ago, and I 364 00:18:38,600 --> 00:18:41,960 Speaker 1: met a young man that was full of humility and respect, 365 00:18:42,800 --> 00:18:44,960 Speaker 1: and when I got on an elevator. He actually held 366 00:18:45,000 --> 00:18:49,359 Speaker 1: the door. I remember like it was yesterday, and I said, oh, baby, 367 00:18:49,440 --> 00:18:52,080 Speaker 1: thank you, and he was just like that, yes, ma'am, 368 00:18:52,119 --> 00:18:54,159 Speaker 1: and miss Monique, is a pleasure to meet you. And 369 00:18:54,240 --> 00:18:57,840 Speaker 1: we had a very beautiful exchange. And I said to 370 00:18:57,880 --> 00:19:01,679 Speaker 1: that brother, tell your mama that she raised you right, 371 00:19:02,400 --> 00:19:05,320 Speaker 1: And I said it was my mama and my grandmama, yes, man. 372 00:19:06,080 --> 00:19:08,679 Speaker 1: So I felt like this was as still as a 373 00:19:08,680 --> 00:19:11,720 Speaker 1: beautiful young brother making this way, but full of humility 374 00:19:11,720 --> 00:19:16,240 Speaker 1: and respect. Two we fast forward and I become dunkey 375 00:19:16,280 --> 00:19:18,960 Speaker 1: of the day. So I didn't want to have to 376 00:19:19,000 --> 00:19:22,480 Speaker 1: be here say. I didn't want to have anybody exchange 377 00:19:22,480 --> 00:19:24,480 Speaker 1: words that I may have said to him. So my 378 00:19:24,560 --> 00:19:26,800 Speaker 1: husband and I wanted to come on so we could 379 00:19:26,880 --> 00:19:30,480 Speaker 1: understand how I got titled dunky of the day. So 380 00:19:30,520 --> 00:19:32,360 Speaker 1: why did you give a dunkey to day, Charlema, Well, 381 00:19:32,359 --> 00:19:34,600 Speaker 1: I think it was due to the whole Netflix situation. 382 00:19:34,680 --> 00:19:36,840 Speaker 1: You know, when I heard you say that you know, 383 00:19:36,880 --> 00:19:40,000 Speaker 1: you wanted us to boycott because of racial and gender biased, 384 00:19:40,040 --> 00:19:41,920 Speaker 1: but then you went on to you know, mentioned two 385 00:19:41,960 --> 00:19:45,080 Speaker 1: brothers and a woman. So I said, maybe she should 386 00:19:45,119 --> 00:19:48,040 Speaker 1: be more specific and say black woman gender biased but 387 00:19:48,080 --> 00:19:50,840 Speaker 1: then also just from a business aspect, I wanted to 388 00:19:50,840 --> 00:19:52,960 Speaker 1: know why did you feel like, you know you should 389 00:19:53,000 --> 00:19:55,880 Speaker 1: have gotten whatever Chris Rock got, whatever Day Chappelle got, 390 00:19:55,920 --> 00:19:58,040 Speaker 1: or whatever Amy Schulman got, because I feel like this 391 00:19:58,080 --> 00:19:59,960 Speaker 1: is a what are you doing for me right now? 392 00:20:00,000 --> 00:20:01,760 Speaker 1: Our type of age. She didn't say what they got, 393 00:20:01,840 --> 00:20:04,159 Speaker 1: she said she should have got more than she was offered. 394 00:20:04,240 --> 00:20:06,719 Speaker 1: And then Charlemagne you brought up an old Netflix special 395 00:20:07,320 --> 00:20:10,400 Speaker 1: as well, but that was later on. But my point 396 00:20:10,520 --> 00:20:12,199 Speaker 1: was like, this is what are you doing for me 397 00:20:12,320 --> 00:20:14,879 Speaker 1: right now? Kind of inski. We all know Monique is 398 00:20:14,920 --> 00:20:16,600 Speaker 1: the legend, but we also know that those things, those 399 00:20:16,640 --> 00:20:18,720 Speaker 1: deals that Netflix are given out are based off recent 400 00:20:19,680 --> 00:20:22,680 Speaker 1: stand up shows, recent shows, recent concert recent arena's, recent 401 00:20:22,720 --> 00:20:24,040 Speaker 1: tours like that. So I just wanted to know why 402 00:20:24,080 --> 00:20:27,320 Speaker 1: you felt like you deserved that much. Daddy, would you 403 00:20:27,359 --> 00:20:29,440 Speaker 1: like to start or would you like for me? It 404 00:20:29,440 --> 00:20:32,680 Speaker 1: didn't start with the offer where the color bias and 405 00:20:32,720 --> 00:20:37,280 Speaker 1: the disrespect transpired. It started from when we had our 406 00:20:37,320 --> 00:20:41,200 Speaker 1: initial conversation after Monique got her reviews from The Knights, 407 00:20:41,320 --> 00:20:46,359 Speaker 1: in which Benjamin and Caitlin, who were representatives for Netflix, 408 00:20:46,440 --> 00:20:49,080 Speaker 1: came out to see Monique, and which on two different 409 00:20:49,160 --> 00:20:53,360 Speaker 1: nights they saw her get a standing ovation, which subsequently 410 00:20:53,400 --> 00:20:58,240 Speaker 1: gave them reviews of amazing and great show. So when 411 00:20:58,320 --> 00:21:01,240 Speaker 1: we're in the midst of having the carversation prior to 412 00:21:01,320 --> 00:21:05,760 Speaker 1: them giving the offer, we're in the midst and he says, well, 413 00:21:05,800 --> 00:21:07,959 Speaker 1: I want to make it very clear that, you know, 414 00:21:08,200 --> 00:21:11,720 Speaker 1: people speak about Dave Chappelle, Amy Schumann what they got. 415 00:21:12,080 --> 00:21:13,960 Speaker 1: I want to just make it clear, you know, so 416 00:21:14,000 --> 00:21:18,160 Speaker 1: we can manage expectations that everybody doesn't get those type 417 00:21:18,160 --> 00:21:20,680 Speaker 1: of deals. Well, when we're in the midst of that conversation, 418 00:21:20,760 --> 00:21:25,080 Speaker 1: the phone disconnects. We never reconvened, He never gets us 419 00:21:25,080 --> 00:21:27,840 Speaker 1: back on, and our attorney looks, calls me up and 420 00:21:27,920 --> 00:21:30,360 Speaker 1: we speak and we're like, well, that was strange. Are 421 00:21:30,359 --> 00:21:31,720 Speaker 1: we going to get back on the phone or not, 422 00:21:32,080 --> 00:21:35,159 Speaker 1: because anybody who does business knows that this is a 423 00:21:35,280 --> 00:21:37,800 Speaker 1: key time in wish to build the value of your client. 424 00:21:38,920 --> 00:21:42,840 Speaker 1: Then we came back with an offer that they allegedly 425 00:21:42,960 --> 00:21:46,680 Speaker 1: had sent over that our attorney and I had never received, 426 00:21:47,040 --> 00:21:50,240 Speaker 1: and then on that it was a certain time limit 427 00:21:50,280 --> 00:21:53,080 Speaker 1: in which we were supposed to respond. Well, we had 428 00:21:53,080 --> 00:21:56,040 Speaker 1: passed the time limit because we never received it. When 429 00:21:56,040 --> 00:21:59,720 Speaker 1: our attorney had asked them to please resend the offer 430 00:21:59,800 --> 00:22:02,399 Speaker 1: that they had allegedly sent. It was clear that it 431 00:22:02,520 --> 00:22:04,679 Speaker 1: had never been sent in the first place. That to 432 00:22:04,720 --> 00:22:07,399 Speaker 1: the second red flag when we get on the phone 433 00:22:07,440 --> 00:22:10,600 Speaker 1: to discuss the offer that they had then finally sent over. 434 00:22:10,880 --> 00:22:14,080 Speaker 1: Initially they didn't want to have the conversation until I 435 00:22:14,119 --> 00:22:17,480 Speaker 1: expressed to them it is very ironic that the call 436 00:22:17,600 --> 00:22:22,639 Speaker 1: we had was disconnected. We never reconvened. You became evasive. 437 00:22:22,840 --> 00:22:24,840 Speaker 1: You can't get on the phone. Now I have to 438 00:22:24,880 --> 00:22:29,080 Speaker 1: express what it's feeling like, which is gender biased, color biased. 439 00:22:29,280 --> 00:22:32,400 Speaker 1: And there's also an age issue that we didn't discuss 440 00:22:32,440 --> 00:22:35,159 Speaker 1: that's in there as well. So those three things are 441 00:22:35,240 --> 00:22:37,720 Speaker 1: what led to it, in conjunction with the fact that 442 00:22:37,800 --> 00:22:41,160 Speaker 1: the very items that he said did not translate for Monique, 443 00:22:41,160 --> 00:22:45,920 Speaker 1: which were her resume, which she's done in terms of movies. 444 00:22:46,200 --> 00:22:49,200 Speaker 1: It didn't translate, but he said those were the things 445 00:22:49,280 --> 00:22:53,240 Speaker 1: that translated for Amy Schumer. So why Amy resume work 446 00:22:53,320 --> 00:22:55,760 Speaker 1: and Monique does not, And they could not explain that. 447 00:22:55,840 --> 00:22:58,080 Speaker 1: And if he's just joining us, that's Sydney, that's Monique's 448 00:22:58,080 --> 00:23:00,480 Speaker 1: managing husband. If he just joined us, you know the 449 00:23:00,560 --> 00:23:02,720 Speaker 1: voices well, for I don't think Amy Human is funny. 450 00:23:02,760 --> 00:23:05,400 Speaker 1: That's number one. But she did sell out fifty arenas 451 00:23:05,400 --> 00:23:08,439 Speaker 1: around the world and including MSG and HBO wanted her 452 00:23:08,440 --> 00:23:10,760 Speaker 1: as well, so she created a bidding war based on 453 00:23:10,840 --> 00:23:13,520 Speaker 1: those stats. So I assume that's the reason her number 454 00:23:14,160 --> 00:23:16,160 Speaker 1: was at that place. But I want to address something 455 00:23:16,200 --> 00:23:19,280 Speaker 1: because you said, I assume, and then you also said 456 00:23:19,640 --> 00:23:22,920 Speaker 1: Monique is a legend. That's what you said, absolutely, right, 457 00:23:23,960 --> 00:23:27,960 Speaker 1: And then when Robbie Prole and Netflix also says Monique 458 00:23:28,040 --> 00:23:31,480 Speaker 1: is a legend, correct, absolutely, And you believe that Chris 459 00:23:31,560 --> 00:23:34,160 Speaker 1: Rock is a legend as I do too as well. Yes, 460 00:23:34,560 --> 00:23:37,119 Speaker 1: and you would say Dave Chappelle is a legend, right absolutely. 461 00:23:37,119 --> 00:23:40,560 Speaker 1: What makes me a different legend from Dave Chappelle and 462 00:23:40,680 --> 00:23:43,120 Speaker 1: Chris Rock, Well when it comes to those that Netflix, 463 00:23:43,119 --> 00:23:46,000 Speaker 1: specially the fact that Dave Chappelle did fifteen hundred shows 464 00:23:46,000 --> 00:23:48,439 Speaker 1: prior to sign his Netflix deal. Chris Rock was on 465 00:23:48,480 --> 00:23:51,119 Speaker 1: tour with the Total Blackout Tours selling our shows arenas 466 00:23:51,400 --> 00:23:53,600 Speaker 1: around the world before they did it, and they learned 467 00:23:53,640 --> 00:23:57,280 Speaker 1: him away from HBO. I understand what y'all are coming 468 00:23:57,280 --> 00:23:59,760 Speaker 1: to the table with. When I came to the table 469 00:24:00,160 --> 00:24:03,400 Speaker 1: and I said, guys, and I said it humbly. I'm 470 00:24:03,440 --> 00:24:06,880 Speaker 1: gonna decorate a comedian a line and I said that humbly. 471 00:24:07,840 --> 00:24:10,960 Speaker 1: And then people, some people said, oh, Monique is crazy 472 00:24:11,040 --> 00:24:14,159 Speaker 1: till it was proven, till everybody actually saw the numbers 473 00:24:14,160 --> 00:24:17,679 Speaker 1: and said, well, I guess she's right about that. And 474 00:24:17,800 --> 00:24:19,600 Speaker 1: when you say this is a what have you done 475 00:24:19,640 --> 00:24:22,280 Speaker 1: for me lately? The question is how much more do 476 00:24:22,359 --> 00:24:25,040 Speaker 1: I have to do? Brother? Because when you do a 477 00:24:25,119 --> 00:24:29,720 Speaker 1: film called Almost Christmas, and that film has a seventeen 478 00:24:30,200 --> 00:24:34,160 Speaker 1: million dollar budget, but it makes forty five million dollars, 479 00:24:34,720 --> 00:24:37,560 Speaker 1: and then my sister Amy Schuman does a film called Snatched, 480 00:24:38,000 --> 00:24:41,520 Speaker 1: and that film makes forty five million dollars, but it 481 00:24:41,560 --> 00:24:44,520 Speaker 1: has a budget of forty two million dollars. Now what's 482 00:24:44,560 --> 00:24:48,760 Speaker 1: the profit on that? I'm asking the question. You made 483 00:24:48,960 --> 00:24:51,080 Speaker 1: a lot more profit than Amy. It was actually a 484 00:24:51,080 --> 00:24:54,400 Speaker 1: twenty five million dollar profit, but that movie can't Amy 485 00:24:54,440 --> 00:24:58,119 Speaker 1: did her Netflix deal before Snatched, No, he said. Robbie 486 00:24:58,200 --> 00:25:02,320 Speaker 1: Paul said that was what made him also give it 487 00:25:02,320 --> 00:25:04,600 Speaker 1: a deal because of the big movie that she had 488 00:25:04,640 --> 00:25:07,840 Speaker 1: coming out, right, and that's where we had to check, well, yeah, 489 00:25:07,880 --> 00:25:10,240 Speaker 1: coming out that was so. But she did the Netflix 490 00:25:10,280 --> 00:25:13,359 Speaker 1: deal before that movie came out. Well, we actually talked 491 00:25:13,359 --> 00:25:16,480 Speaker 1: to the vice president of Netflix, Leonard Leonard, and what 492 00:25:16,640 --> 00:25:19,080 Speaker 1: happens is when you're basing off of what you're assuming 493 00:25:19,640 --> 00:25:21,480 Speaker 1: and then you give me a title of Donkey of 494 00:25:21,520 --> 00:25:24,960 Speaker 1: the Day. Is your mother still alive? Yes? And you're 495 00:25:25,000 --> 00:25:28,560 Speaker 1: from what city in South Carolina? South Carolina, Monks Corner. 496 00:25:28,880 --> 00:25:30,920 Speaker 1: And if I was to call your mother or your grandmother, 497 00:25:30,960 --> 00:25:33,399 Speaker 1: could they tell me stories of inequality that they had 498 00:25:33,440 --> 00:25:37,040 Speaker 1: to deal with? Absolutely? So would your mother be a donkey? No? 499 00:25:37,400 --> 00:25:39,840 Speaker 1: Would your grandmother be a donkey? No? I need you 500 00:25:39,880 --> 00:25:42,920 Speaker 1: to explain how you gave me the title, because you're 501 00:25:42,960 --> 00:25:45,440 Speaker 1: not explaining it. You're going off of what I assume. 502 00:25:45,760 --> 00:25:48,760 Speaker 1: But because you on that microphone, and when we open 503 00:25:48,880 --> 00:25:53,040 Speaker 1: up these microphones, we know just how powerful our voices 504 00:25:53,040 --> 00:25:55,360 Speaker 1: can be, don't we Angelo, Yes, we do, and we 505 00:25:55,440 --> 00:25:59,120 Speaker 1: know that what we say can become law, correct Lenard, Absolutely, 506 00:25:59,320 --> 00:26:02,159 Speaker 1: So when we do that, we must then explain it 507 00:26:02,200 --> 00:26:05,760 Speaker 1: to our community because we know how poisonous it can 508 00:26:05,800 --> 00:26:08,720 Speaker 1: be when we put things out, but we can't back 509 00:26:08,760 --> 00:26:10,840 Speaker 1: it up. We just say it. We have more with 510 00:26:10,920 --> 00:26:12,880 Speaker 1: Monique when we come back. We got to talk more 511 00:26:13,000 --> 00:26:16,760 Speaker 1: Netflix or negotiations and it gets more awkward with her 512 00:26:16,800 --> 00:26:18,879 Speaker 1: and Charlomage's keep a lot. Is the breakfast club of Morning, 513 00:26:19,200 --> 00:26:27,280 Speaker 1: the breakfast Club Morning, everybody is dj N v Angela Yee, Charlomagne, 514 00:26:27,320 --> 00:26:31,159 Speaker 1: the guy we are the breakfast club. Monique is here, Charlemagne. 515 00:26:31,320 --> 00:26:34,000 Speaker 1: I think everything you're saying about racial biases absolutely correct. 516 00:26:34,040 --> 00:26:36,200 Speaker 1: Gender bias is absolutely correct. We know that the black 517 00:26:36,200 --> 00:26:39,760 Speaker 1: woman is unappreciated and undervalued and a lot of different industries. 518 00:26:39,760 --> 00:26:42,040 Speaker 1: But I think that when it comes to this Netflix situation, 519 00:26:42,080 --> 00:26:44,800 Speaker 1: it's very specific. I think it's more of an individual 520 00:26:44,840 --> 00:26:47,840 Speaker 1: thing than it is a collective problem. Like can you 521 00:26:48,000 --> 00:26:51,200 Speaker 1: can you can you honestly ask you is this? Can 522 00:26:51,320 --> 00:26:55,600 Speaker 1: you say? If it's an individual problem, how comes that 523 00:26:55,840 --> 00:26:59,720 Speaker 1: there are no individuals of color who happen to be 524 00:26:59,760 --> 00:27:03,160 Speaker 1: seen email comedians that have had the multiple million dollar 525 00:27:03,240 --> 00:27:07,320 Speaker 1: pay days with Netflix? Because what happens with the black 526 00:27:07,320 --> 00:27:10,640 Speaker 1: community it's what have you done lately? But when you 527 00:27:10,720 --> 00:27:13,960 Speaker 1: are a white person in this industry, it's you're only 528 00:27:13,960 --> 00:27:17,119 Speaker 1: as good as your last project. I thought it was 529 00:27:17,200 --> 00:27:19,640 Speaker 1: drawing now, I thought the amount of people that will 530 00:27:19,680 --> 00:27:22,760 Speaker 1: watch a special? Do you think it's specific to comedians? 531 00:27:22,840 --> 00:27:25,359 Speaker 1: Because I do know they've given out multimillion dollar deals 532 00:27:25,359 --> 00:27:28,080 Speaker 1: to a but Dubna Shonda Rhymes. So you think it's 533 00:27:28,119 --> 00:27:31,840 Speaker 1: specific to the comedy industry, Well, I'll let you answer it. 534 00:27:32,119 --> 00:27:35,920 Speaker 1: What black female comedian got the multi million dollars deal? 535 00:27:36,240 --> 00:27:37,920 Speaker 1: But don't you think it's coming? I'm sure, I'm sure. 536 00:27:37,920 --> 00:27:40,240 Speaker 1: I'm sure Tiffany Hatters will be presented with something if 537 00:27:40,240 --> 00:27:42,639 Speaker 1: she hasn't already. Well, but we got to speak about 538 00:27:42,720 --> 00:27:45,800 Speaker 1: the sisters. That's done it. See when Wanda Sykes is 539 00:27:45,880 --> 00:27:51,400 Speaker 1: number one hundred on Comedy Central's Top Comedians Ever, number seventy, 540 00:27:51,600 --> 00:27:54,960 Speaker 1: I'm sorry, daddy, number seventy on the top one hundred ever, 541 00:27:55,400 --> 00:27:58,119 Speaker 1: But they offer her two fifty. So what do you 542 00:27:58,160 --> 00:28:00,200 Speaker 1: say to that? La? Oh, you know, I actually asked 543 00:28:00,200 --> 00:28:02,280 Speaker 1: about that. I spoke to somebody on Netflix and they 544 00:28:02,600 --> 00:28:05,520 Speaker 1: offered that deal to want the Sykes before this guy 545 00:28:05,560 --> 00:28:07,359 Speaker 1: that does these stand up deals even got in the 546 00:28:07,400 --> 00:28:09,520 Speaker 1: position they offered this deal to her some years ago. 547 00:28:09,680 --> 00:28:12,439 Speaker 1: Does it seem strange that you always have an answer 548 00:28:12,440 --> 00:28:15,280 Speaker 1: when our finish line keeps getting moved When I say, 549 00:28:15,359 --> 00:28:18,120 Speaker 1: name me one black female comedian that's got the million 550 00:28:18,160 --> 00:28:21,239 Speaker 1: dollar payday, I'm waiting to hear the answer, right, So 551 00:28:21,280 --> 00:28:23,679 Speaker 1: you think it's specific to comedians because I don't. I 552 00:28:23,680 --> 00:28:26,280 Speaker 1: don't know on Netflix any what all that. But I 553 00:28:26,320 --> 00:28:29,400 Speaker 1: can't safe and history name her. Well, I would ask 554 00:28:29,440 --> 00:28:32,480 Speaker 1: what what what black female comedian has sold out fifty 555 00:28:32,560 --> 00:28:35,400 Speaker 1: arenas around the world? Tell you when it's there's four 556 00:28:35,920 --> 00:28:39,880 Speaker 1: beautiful black female comedians that we just got a Legends award. 557 00:28:40,120 --> 00:28:42,960 Speaker 1: Her name is Samore, the name is Adel, her name 558 00:28:43,040 --> 00:28:45,320 Speaker 1: is Miss Lore, her name is Monique. And when the 559 00:28:45,400 --> 00:28:48,200 Speaker 1: Queens of Comedy was on tour, see, we made history. 560 00:28:48,320 --> 00:28:50,280 Speaker 1: And I don't know if you've done your homework, because 561 00:28:50,280 --> 00:28:53,840 Speaker 1: we were the only female group black, white, Latin Asian 562 00:28:54,120 --> 00:28:58,600 Speaker 1: to sell out consecutively around this country. But you'll disregard 563 00:28:58,680 --> 00:29:01,440 Speaker 1: that because you'll say, well, what did you do yesterday? 564 00:29:01,760 --> 00:29:03,920 Speaker 1: So you can't take it away. But if I'm doing 565 00:29:04,000 --> 00:29:06,320 Speaker 1: business and I'm basing it off doing it deal with 566 00:29:06,360 --> 00:29:08,440 Speaker 1: somebody who did this last year, as opposed to doing 567 00:29:08,440 --> 00:29:10,400 Speaker 1: it fifteen years ago, at twenty years ago, whenever it was. 568 00:29:10,440 --> 00:29:11,680 Speaker 1: Wouldn't it make more sense to do it with the 569 00:29:11,680 --> 00:29:13,360 Speaker 1: person who did it just a couple of years ago. 570 00:29:13,360 --> 00:29:16,920 Speaker 1: If you're doing business and you say, what's Monique's resume. 571 00:29:17,880 --> 00:29:21,200 Speaker 1: Now you're a businessman and you're looking at that resume 572 00:29:21,720 --> 00:29:25,840 Speaker 1: and everything on that resume says number one, Everything on 573 00:29:25,960 --> 00:29:28,880 Speaker 1: that resume says sell out. Now all of a sudden, 574 00:29:29,000 --> 00:29:32,280 Speaker 1: is it going to change businessman? Yeah, I was saying, 575 00:29:32,320 --> 00:29:34,280 Speaker 1: if I had to sign Kobe Bryant today, I'm not 576 00:29:34,320 --> 00:29:36,800 Speaker 1: gonna give Kobe bryan one hundred million dollar contract. Well, 577 00:29:37,280 --> 00:29:40,360 Speaker 1: you're right, but his resume is amazing. The difference between 578 00:29:40,480 --> 00:29:45,080 Speaker 1: Kobe Bryant today and Monique today is when you're thirty 579 00:29:45,120 --> 00:29:48,120 Speaker 1: six in the game of basketball, you don't lost your step. 580 00:29:48,680 --> 00:29:51,640 Speaker 1: When you are fifty years old in the game of comedy, 581 00:29:51,840 --> 00:29:55,000 Speaker 1: your season and if she had to come, if they 582 00:29:55,040 --> 00:29:57,360 Speaker 1: had to come to Netflix to your point, because you 583 00:29:57,400 --> 00:30:00,920 Speaker 1: make a very good point, and Monique had a stumble 584 00:30:01,120 --> 00:30:04,000 Speaker 1: like a forty year old or a thirty eight year 585 00:30:04,000 --> 00:30:07,200 Speaker 1: old Kobe Bryant who's got a rupture to chilles heel 586 00:30:07,280 --> 00:30:09,600 Speaker 1: that you got to bounce back from, then it would 587 00:30:09,600 --> 00:30:12,640 Speaker 1: make sense. But if he dropped fifty and still was 588 00:30:12,720 --> 00:30:16,320 Speaker 1: dropping buckets, what would you say because they watched two 589 00:30:16,440 --> 00:30:20,440 Speaker 1: standing ovations and two sold out clubs. You're absolutely right, 590 00:30:20,440 --> 00:30:22,000 Speaker 1: Brothers City. Let me ask you this, Why not put 591 00:30:22,000 --> 00:30:25,720 Speaker 1: together a theater, our arena tour and sell that out 592 00:30:25,800 --> 00:30:27,680 Speaker 1: and then come back to the table, our table question. 593 00:30:28,080 --> 00:30:29,440 Speaker 1: It doesn't have to go there and see. My whole 594 00:30:29,440 --> 00:30:31,640 Speaker 1: thing is is that's something else. We were talking about 595 00:30:31,640 --> 00:30:34,880 Speaker 1: the money offered, and my whole thing is as a businessman, 596 00:30:35,880 --> 00:30:39,400 Speaker 1: being a legend and all that doesn't necessarily matter. It's 597 00:30:39,520 --> 00:30:41,680 Speaker 1: what's what's who the people I want to see. You 598 00:30:41,720 --> 00:30:44,960 Speaker 1: could be a legend and people love you, but if 599 00:30:44,960 --> 00:30:47,400 Speaker 1: you can't attract the people to come to the place 600 00:30:47,400 --> 00:30:49,200 Speaker 1: to see you, or to come to Netflix to watch you, 601 00:30:49,240 --> 00:30:56,280 Speaker 1: it doesn't mean you're talking the question. I mean almost Christmas. 602 00:30:56,280 --> 00:30:58,120 Speaker 1: Would you say that was a hit movie? Definitely a 603 00:30:58,160 --> 00:31:00,600 Speaker 1: hit movie. Would you say Bessie was a hit? Yes? 604 00:31:00,920 --> 00:31:06,560 Speaker 1: Would you say Precious was a hit? So the question is, so, Monique, 605 00:31:06,560 --> 00:31:08,680 Speaker 1: you didn't do nothing in twenty seventeen that was on 606 00:31:08,760 --> 00:31:11,640 Speaker 1: TV that we could see, So that means you're irrelevant. 607 00:31:11,760 --> 00:31:15,240 Speaker 1: I don't think anything. What happens is when someone said 608 00:31:15,280 --> 00:31:19,560 Speaker 1: to me, Monique, doesn't become disheartening when it's your folks, 609 00:31:20,600 --> 00:31:24,520 Speaker 1: it's understandable. I don't take offense. It's understandable, and I 610 00:31:24,520 --> 00:31:27,840 Speaker 1: explain why when I have to sit here and not 611 00:31:28,000 --> 00:31:31,480 Speaker 1: defend but explain to people that look like me. Well, 612 00:31:31,480 --> 00:31:34,120 Speaker 1: when did I become irrelevant? If that was a movie 613 00:31:34,120 --> 00:31:37,720 Speaker 1: I'll call almost Christmas, what in twenty sixteen? This is 614 00:31:37,720 --> 00:31:40,840 Speaker 1: twenty eighteen. So then all of a sudden, Oh, we 615 00:31:40,880 --> 00:31:43,680 Speaker 1: don't know if people are gonna show up and show out. Now, 616 00:31:43,680 --> 00:31:45,880 Speaker 1: when I did a show called The Bernie and said show, 617 00:31:46,040 --> 00:31:48,760 Speaker 1: I'll show you know those brothers, two white brothers. And 618 00:31:48,800 --> 00:31:51,480 Speaker 1: when I walked in there, Lenard, I walked in with 619 00:31:51,520 --> 00:31:53,880 Speaker 1: a preconceived notion that I was going to have to 620 00:31:53,920 --> 00:31:57,720 Speaker 1: defend myself because one is a strong Trump supporter and 621 00:31:57,840 --> 00:32:00,239 Speaker 1: the other is a Democrat. But I'm thinking, and I'm 622 00:32:00,240 --> 00:32:02,160 Speaker 1: gonna have to walk in and defend myself with these 623 00:32:02,160 --> 00:32:06,080 Speaker 1: white brothers. After five minutes of us talking, they shut 624 00:32:06,120 --> 00:32:09,240 Speaker 1: their showdown and they said, Monique, we're gonna call this 625 00:32:09,360 --> 00:32:12,200 Speaker 1: what this is. This is nothing but racism, and we 626 00:32:12,280 --> 00:32:14,800 Speaker 1: can't sit back and allow it and watch it happen. 627 00:32:15,120 --> 00:32:18,600 Speaker 1: So no, we're gonna tell our listeners to boycott Netflix 628 00:32:18,680 --> 00:32:21,080 Speaker 1: until they get it right, because you are a legend 629 00:32:21,320 --> 00:32:23,760 Speaker 1: and we have to honor and respect you. Now, those 630 00:32:23,760 --> 00:32:26,320 Speaker 1: are my white brothers. Then I come to my folks 631 00:32:27,560 --> 00:32:29,520 Speaker 1: and I have to be donkey of the day, which 632 00:32:29,560 --> 00:32:32,360 Speaker 1: you still haven't explained, Leonard, and you're gonna have to 633 00:32:32,840 --> 00:32:35,800 Speaker 1: because when you make those type of statements about your 634 00:32:35,840 --> 00:32:39,800 Speaker 1: sister to our community, what you're saying to the community 635 00:32:39,920 --> 00:32:43,440 Speaker 1: is as black women, you're devalued. And if you stand 636 00:32:43,520 --> 00:32:46,280 Speaker 1: up and you make a stand and you say we 637 00:32:46,360 --> 00:32:49,560 Speaker 1: need equality and we have to say what's right and 638 00:32:49,640 --> 00:32:52,040 Speaker 1: what's fair, and then a brother that looks like me 639 00:32:52,800 --> 00:32:55,800 Speaker 1: from South Kolana, since you're the donkey of the day, 640 00:32:56,440 --> 00:32:59,880 Speaker 1: you have to explain that to our community. I think 641 00:32:59,880 --> 00:33:03,520 Speaker 1: that you're using racial and gender bias with your actual 642 00:33:03,600 --> 00:33:05,719 Speaker 1: real issues to scrugged at the black women's going through 643 00:33:05,720 --> 00:33:08,000 Speaker 1: in many industries is a real issue, but you're using 644 00:33:08,000 --> 00:33:11,560 Speaker 1: it to focus on something that you're dealing with individually. 645 00:33:11,800 --> 00:33:14,560 Speaker 1: Did you just see Viola Davis come out and say 646 00:33:14,560 --> 00:33:17,440 Speaker 1: pay her equally? Did you just hear that? Absolutely? So 647 00:33:17,680 --> 00:33:21,120 Speaker 1: when you have us saying the same thing, we're saying 648 00:33:21,400 --> 00:33:24,120 Speaker 1: pay us equally, you're saying, oh, Monique, this is an 649 00:33:24,120 --> 00:33:26,920 Speaker 1: isolated situation. Well, then what that says is you don't 650 00:33:26,960 --> 00:33:29,560 Speaker 1: know the history of this business that you're in and 651 00:33:29,640 --> 00:33:32,080 Speaker 1: you sit behind this microphone and you try to be 652 00:33:32,160 --> 00:33:34,720 Speaker 1: the guru of black culture. I'm gonna need you to 653 00:33:34,800 --> 00:33:38,000 Speaker 1: know the history of us before you begin to label us. 654 00:33:38,400 --> 00:33:40,719 Speaker 1: And once you know the history, you know. I'm not 655 00:33:40,760 --> 00:33:43,640 Speaker 1: saying anything unique. Brother, I just understannderstand how you can 656 00:33:43,680 --> 00:33:47,040 Speaker 1: justify making thirty million twenty eighteen for a stand up special. 657 00:33:47,240 --> 00:33:50,240 Speaker 1: When you say justify thirteen millions, did you get a 658 00:33:50,320 --> 00:33:53,960 Speaker 1: chance to read what the offer was? I did read 659 00:33:54,000 --> 00:33:56,240 Speaker 1: some of it, yes, well, sure, but all of it. 660 00:33:56,600 --> 00:33:58,920 Speaker 1: The key is we got to read all of it 661 00:33:58,960 --> 00:34:01,360 Speaker 1: because we're Chris Rock said a long time ago, if 662 00:34:01,360 --> 00:34:03,400 Speaker 1: you want to hire something from a black person, put 663 00:34:03,480 --> 00:34:07,120 Speaker 1: it in the book. This is not about comparing the 664 00:34:07,240 --> 00:34:11,720 Speaker 1: definitive numbers as to what Amy got and what David 665 00:34:11,840 --> 00:34:15,320 Speaker 1: them got, because it's married to what you just communicated. 666 00:34:15,840 --> 00:34:20,719 Speaker 1: But when you ask a comedian to take a half 667 00:34:20,800 --> 00:34:24,920 Speaker 1: million dollars for two years, you can't say any jokes. 668 00:34:26,000 --> 00:34:28,920 Speaker 1: They don't want you to do stand up for two years, 669 00:34:28,960 --> 00:34:33,200 Speaker 1: and essentially they want you to take a half a 670 00:34:33,200 --> 00:34:37,319 Speaker 1: million dollars and lose out on two million dollars of 671 00:34:37,360 --> 00:34:40,560 Speaker 1: work that you would have made on the road anyway, 672 00:34:40,600 --> 00:34:43,560 Speaker 1: That right, there. It doesn't make sense how we have 673 00:34:43,640 --> 00:34:45,759 Speaker 1: more with Monique when we come back, don't move. It's 674 00:34:45,760 --> 00:34:49,759 Speaker 1: the breakfast clubal morning by everybody is DJ nd Angela Yee. 675 00:34:49,880 --> 00:34:53,279 Speaker 1: Chalomagne the guy we are the breakfast club. Monique is 676 00:34:53,360 --> 00:34:58,160 Speaker 1: in the building, chalomagnellion dollar deal. He just asks did 677 00:34:58,200 --> 00:35:00,840 Speaker 1: we make a counter offer? And that's a very important questions. 678 00:35:01,600 --> 00:35:03,720 Speaker 1: I did see that they responded to the kind offer 679 00:35:03,719 --> 00:35:05,880 Speaker 1: and said they won't They regretfully won't be able to 680 00:35:05,920 --> 00:35:07,840 Speaker 1: do this deal. Hopefully you guys can work together in 681 00:35:07,840 --> 00:35:11,080 Speaker 1: the future, and that's the point that we have to 682 00:35:11,120 --> 00:35:14,319 Speaker 1: make to you, Leonard. But in addition to that, my love, 683 00:35:14,880 --> 00:35:18,800 Speaker 1: and this is in conjunction with Roland Martin and John 684 00:35:18,880 --> 00:35:22,279 Speaker 1: Mary putting out a rumor that Monique was offered three 685 00:35:22,360 --> 00:35:26,719 Speaker 1: million dollars and then didn't have the decency as journalists 686 00:35:26,760 --> 00:35:30,400 Speaker 1: to come back and say we apologize for the misinformation. 687 00:35:30,680 --> 00:35:34,960 Speaker 1: Because if you notice Monique's keep Monique keeps producing receipts, 688 00:35:35,360 --> 00:35:38,160 Speaker 1: and as crazy as this sounds, this is a bigger 689 00:35:38,280 --> 00:35:42,399 Speaker 1: picture than just Netflix, because what has happened was you've 690 00:35:42,440 --> 00:35:45,359 Speaker 1: heard about Lee Daniels coming out speaking in reference to 691 00:35:45,400 --> 00:35:48,719 Speaker 1: how difficult Monique was and the whole nine. We live 692 00:35:48,760 --> 00:35:51,560 Speaker 1: in a culture in which the ladies who are going 693 00:35:51,640 --> 00:35:54,160 Speaker 1: up in the room saying hashtag me too, and people 694 00:35:54,160 --> 00:35:56,960 Speaker 1: are saying, well, you know, if you're going up in 695 00:35:56,960 --> 00:35:59,520 Speaker 1: the room at two o'clock in the morning, you know 696 00:35:59,560 --> 00:36:02,680 Speaker 1: you're to get screwed, So why did you go up 697 00:36:02,719 --> 00:36:05,359 Speaker 1: there and do it? Or what happens is they'll say 698 00:36:05,360 --> 00:36:07,960 Speaker 1: to Monique, why didn't you go promote a movie for 699 00:36:08,120 --> 00:36:11,200 Speaker 1: lions Gate for free? Because you know what they'll do 700 00:36:11,320 --> 00:36:13,879 Speaker 1: to you. So now you're in the damned if you do, 701 00:36:14,160 --> 00:36:17,000 Speaker 1: damned if you don't situation. Because the women who go 702 00:36:17,120 --> 00:36:18,759 Speaker 1: up in the room, the reason why they go up 703 00:36:18,840 --> 00:36:21,080 Speaker 1: in the room, they know they're gonna get screwed when 704 00:36:21,080 --> 00:36:23,040 Speaker 1: they go up in the room. They just don't know 705 00:36:23,120 --> 00:36:25,440 Speaker 1: how bad they're gonna get screwed. If they don't go 706 00:36:25,560 --> 00:36:32,120 Speaker 1: up in the room, what happens. This is why, again, Lenard, 707 00:36:32,160 --> 00:36:35,000 Speaker 1: you've got to be careful with your words, because you 708 00:36:35,080 --> 00:36:37,880 Speaker 1: called your sister donkey of the day, but you didn't 709 00:36:37,880 --> 00:36:41,160 Speaker 1: do your research, and you pulled that poison out into 710 00:36:41,160 --> 00:36:45,600 Speaker 1: our community. Was out fully doing your research, and now 711 00:36:45,640 --> 00:36:50,239 Speaker 1: as we sit here, you have to almost backtrack your words, Well, 712 00:36:50,239 --> 00:36:53,120 Speaker 1: when you ask a question, did you counter offer? We 713 00:36:53,239 --> 00:36:55,440 Speaker 1: put all of it out there. We put the information 714 00:36:55,480 --> 00:36:58,200 Speaker 1: out there. So you were so ready to do good 715 00:36:58,320 --> 00:37:02,040 Speaker 1: radio that you didn't do your homework. And when you 716 00:37:02,120 --> 00:37:05,440 Speaker 1: have a conversation, you know a brother named Geral Kelly. Absolutely, 717 00:37:05,520 --> 00:37:08,120 Speaker 1: would you consider him your friend? Absolutely? See. I was 718 00:37:08,160 --> 00:37:10,399 Speaker 1: on the road with Joel Kelly two weeks ago. Yeah, 719 00:37:10,400 --> 00:37:13,200 Speaker 1: he called me and he said, Monique. I talked to 720 00:37:14,280 --> 00:37:19,200 Speaker 1: uh Charlemagne and he said, man, you know I love Monique. 721 00:37:19,440 --> 00:37:21,919 Speaker 1: I wasn't doing nothing but making ready up. I didn't 722 00:37:21,960 --> 00:37:28,680 Speaker 1: see that with Geral Kelly, because what again, when you say, 723 00:37:28,719 --> 00:37:31,359 Speaker 1: did your counter offer? See, we did, and they said 724 00:37:31,560 --> 00:37:34,640 Speaker 1: there was no negotiations. You take it or leave it. 725 00:37:34,680 --> 00:37:38,160 Speaker 1: But we didn't actually counter offer. What they said in 726 00:37:38,200 --> 00:37:40,880 Speaker 1: the midst of our conversation, you've given us something to 727 00:37:41,000 --> 00:37:43,640 Speaker 1: you on. We're gonna come back and reflect on it. 728 00:37:43,960 --> 00:37:46,520 Speaker 1: And we said, and I said to them, trying to 729 00:37:46,560 --> 00:37:50,399 Speaker 1: give them out, are you sure, because here's the thing. 730 00:37:50,800 --> 00:37:54,399 Speaker 1: We don't want to waste your time if if it's 731 00:37:54,440 --> 00:37:57,719 Speaker 1: not real. However, if it's real and we can get 732 00:37:57,760 --> 00:38:00,400 Speaker 1: something done, of course we would love to do business 733 00:38:00,440 --> 00:38:02,960 Speaker 1: with you. So y'all really didn't make a counter offer, no, 734 00:38:03,120 --> 00:38:05,560 Speaker 1: because what we're saying, they said it was non negotiable. 735 00:38:07,160 --> 00:38:09,600 Speaker 1: They were going to go back to reflect on what 736 00:38:09,640 --> 00:38:12,960 Speaker 1: we had discussed, and when they came back, they said 737 00:38:13,000 --> 00:38:17,480 Speaker 1: that we are based upon our discussion, we decided not 738 00:38:17,520 --> 00:38:20,439 Speaker 1: to make a counter offer in reference to what it 739 00:38:20,520 --> 00:38:23,960 Speaker 1: is that you're speaking in reference to hopefully we can 740 00:38:24,000 --> 00:38:26,680 Speaker 1: do business in the future and so forth. Because what 741 00:38:26,800 --> 00:38:30,080 Speaker 1: they were trying to emphasize to us that a half 742 00:38:30,080 --> 00:38:34,000 Speaker 1: a million dollars was a strong enough number, and other 743 00:38:34,040 --> 00:38:37,640 Speaker 1: people that they considered equal to Monique, which they did 744 00:38:37,680 --> 00:38:41,920 Speaker 1: not name, they said, they've taken that number. If you 745 00:38:42,080 --> 00:38:46,839 Speaker 1: notice you're having a conversation with Monique, why is it 746 00:38:46,920 --> 00:38:51,160 Speaker 1: that Netflix won't have a conversation with people because they 747 00:38:51,200 --> 00:38:55,160 Speaker 1: can bank on people like Charlemagne, They can bank on 748 00:38:55,200 --> 00:38:58,920 Speaker 1: our brothers and sisters like Charlemagne that will say we'll 749 00:38:59,000 --> 00:39:01,800 Speaker 1: fight them, We'll fight them for you, for you don't 750 00:39:01,800 --> 00:39:03,239 Speaker 1: have to fight is I'm still trying to get you 751 00:39:03,239 --> 00:39:05,520 Speaker 1: and brother Sydney to justify why you think you deserve 752 00:39:05,600 --> 00:39:08,000 Speaker 1: thirteen million dollars? Was there a bidding war between your platforms? 753 00:39:08,040 --> 00:39:13,200 Speaker 1: When you say when you say justify I'm gonna put 754 00:39:13,200 --> 00:39:15,840 Speaker 1: my resume on the table. That's all I'm gonna have 755 00:39:15,880 --> 00:39:17,760 Speaker 1: to do, is I'm gonna put it on the table 756 00:39:17,960 --> 00:39:20,200 Speaker 1: when you say justify it, I'm gonna lay it out 757 00:39:20,239 --> 00:39:22,400 Speaker 1: on the table for you to look at it. Do 758 00:39:22,480 --> 00:39:24,560 Speaker 1: you do the numbers and ticket sales that Chris Rock 759 00:39:24,680 --> 00:39:27,960 Speaker 1: does that, Dave Chappelle does that? Ahou, if given the opportunities, 760 00:39:27,960 --> 00:39:31,040 Speaker 1: why don't you answer the question? See if given those opportunities, 761 00:39:31,080 --> 00:39:33,640 Speaker 1: you're answering the questions for yourself. We're not given the 762 00:39:33,680 --> 00:39:37,000 Speaker 1: same opportunities. Brother, But if you do your why why 763 00:39:37,000 --> 00:39:39,359 Speaker 1: can't you in Sydney Garden book arena tours? Do they 764 00:39:39,400 --> 00:39:41,400 Speaker 1: go I'm booked their tours or do promoter's book? Then 765 00:39:41,640 --> 00:39:43,360 Speaker 1: see what we're gonna do right now is and what 766 00:39:43,400 --> 00:39:45,239 Speaker 1: I'm not gonna do with you now you want to 767 00:39:45,239 --> 00:39:47,239 Speaker 1: play a tip for tech And what you're saying is 768 00:39:47,400 --> 00:39:50,279 Speaker 1: a black women's resume don't matter. I'm not saying that. 769 00:39:50,560 --> 00:39:52,680 Speaker 1: You have to be saying trying to weaponize things like 770 00:39:52,760 --> 00:39:57,239 Speaker 1: black woman the PsyS two hundred and fifty thousand dollars 771 00:39:57,280 --> 00:39:59,400 Speaker 1: and she's considered one of the best, or that was 772 00:39:59,480 --> 00:40:01,560 Speaker 1: years ago and they said that they would never do 773 00:40:01,600 --> 00:40:04,120 Speaker 1: that now, and I literally heard just like a few 774 00:40:04,120 --> 00:40:08,759 Speaker 1: weeks ago. So you did talk about the situation with 775 00:40:08,920 --> 00:40:12,640 Speaker 1: Lee Daniels, and you talked about people saying that. Now 776 00:40:12,680 --> 00:40:15,760 Speaker 1: we've read some things also because you're here and our cousins, 777 00:40:15,960 --> 00:40:17,840 Speaker 1: but left for you to speak on this. So there 778 00:40:17,880 --> 00:40:19,960 Speaker 1: are people that say that you didn't treat people well 779 00:40:20,400 --> 00:40:22,160 Speaker 1: and that they've had issues working with you and that 780 00:40:22,280 --> 00:40:24,720 Speaker 1: you're difficult. Yes, so let's address some of that because 781 00:40:24,840 --> 00:40:28,080 Speaker 1: Roland Martin brought it up when you guys spoke on Twitter. Yes, 782 00:40:28,200 --> 00:40:30,640 Speaker 1: And he talked about the Ebony magazine cover shoot that 783 00:40:30,680 --> 00:40:33,120 Speaker 1: you did with Chris Rock and Steve Harvey. Yes, and 784 00:40:33,440 --> 00:40:35,480 Speaker 1: he said that it was a nightmare because of you. 785 00:40:35,560 --> 00:40:38,200 Speaker 1: What happened at that shoot? Well, what happened if that 786 00:40:38,320 --> 00:40:41,879 Speaker 1: shoot was a check was thrown at one of our assistants, 787 00:40:42,440 --> 00:40:45,000 Speaker 1: and you don't throw anything at anyone. And I had 788 00:40:45,040 --> 00:40:47,279 Speaker 1: a problem with that. See, they won't fill you in 789 00:40:47,360 --> 00:40:49,480 Speaker 1: on all that happened, So you had to let that 790 00:40:49,520 --> 00:40:52,800 Speaker 1: person know that's not how you do business, and that's unacceptable. 791 00:40:53,000 --> 00:40:55,400 Speaker 1: So I have no problem speaking on it. When they 792 00:40:55,400 --> 00:40:58,200 Speaker 1: said I mistreated people on almost Christmas well, we have 793 00:40:58,280 --> 00:41:02,320 Speaker 1: twenty interviews because we knew that they would say something 794 00:41:02,360 --> 00:41:05,640 Speaker 1: like that with the people that worked in the background professionals, 795 00:41:05,800 --> 00:41:08,640 Speaker 1: the lighting guys, the camera guys, where they all said 796 00:41:08,640 --> 00:41:12,400 Speaker 1: our experience with Monique was stella. What happens is you 797 00:41:12,480 --> 00:41:15,200 Speaker 1: hear the bullies speak out, but then the bullies run. 798 00:41:15,760 --> 00:41:18,319 Speaker 1: Because when those videos did come out, did rolland Martin 799 00:41:18,400 --> 00:41:20,960 Speaker 1: come back when the videos did come out? Just with 800 00:41:21,040 --> 00:41:24,440 Speaker 1: the three little videos, you heard nothing else? Did you? 801 00:41:24,960 --> 00:41:29,200 Speaker 1: Let's backtrack a little bit because with Will Packer, yes, okay, 802 00:41:29,200 --> 00:41:33,680 Speaker 1: so Will Packer and Roland Martin and you know a 803 00:41:33,719 --> 00:41:35,480 Speaker 1: lot of people have spoken out that have dealt with 804 00:41:35,520 --> 00:41:38,439 Speaker 1: you personally and said these things. But I haven't really 805 00:41:38,440 --> 00:41:42,240 Speaker 1: heard anybody say anything negative about Will Packer, about working 806 00:41:42,239 --> 00:41:45,840 Speaker 1: with Lee Daniels, and I haven't heard them say anything 807 00:41:45,880 --> 00:41:47,640 Speaker 1: negative about some of the people that they've worked it. 808 00:41:47,719 --> 00:41:49,680 Speaker 1: So why is it? Let me I can answer that. 809 00:41:49,760 --> 00:41:52,440 Speaker 1: That's a great question. You know the guy Harvey Weinstein, 810 00:41:53,680 --> 00:41:57,280 Speaker 1: and he was able to do that for how many years? Decades? 811 00:41:57,480 --> 00:42:00,719 Speaker 1: And why do you think that was? Well, we're working 812 00:42:00,760 --> 00:42:02,399 Speaker 1: with a lot of people who felt like their career 813 00:42:02,400 --> 00:42:04,960 Speaker 1: would be in jeopardy. If so they spoke out. Do 814 00:42:05,040 --> 00:42:07,120 Speaker 1: you think this is a unique situation. Do you think 815 00:42:07,120 --> 00:42:09,720 Speaker 1: that people are fearful to speak out when they're mistreat 816 00:42:09,800 --> 00:42:13,400 Speaker 1: it mistreatment and sexual assault? Money? We we can't, we 817 00:42:13,400 --> 00:42:16,000 Speaker 1: can't put out false equivalences about people. I understand what 818 00:42:16,080 --> 00:42:20,400 Speaker 1: you're What is it between mistreatment and sexual Let me 819 00:42:20,480 --> 00:42:23,600 Speaker 1: let me say this. Its levels to mistreatment. You're you're 820 00:42:23,640 --> 00:42:28,280 Speaker 1: absolutely right, but mistreatment is mistreatment and campaign we campaign 821 00:42:28,320 --> 00:42:30,759 Speaker 1: willing the same. This is the same person. Let me 822 00:42:30,800 --> 00:42:34,320 Speaker 1: say this because based upon the information that you have, 823 00:42:35,120 --> 00:42:38,040 Speaker 1: you feel comfortable with it. Because this is the world 824 00:42:38,080 --> 00:42:40,520 Speaker 1: we live in. If you keep hearing it, it seems 825 00:42:40,560 --> 00:42:43,960 Speaker 1: as if it's true. Asked David Tiber who was the 826 00:42:44,040 --> 00:42:48,600 Speaker 1: director of Almost Christmas, if Monique had to stop because 827 00:42:48,760 --> 00:42:54,520 Speaker 1: Will Packer was given directions over the director and he's 828 00:42:54,560 --> 00:42:58,040 Speaker 1: the producer, and Monique said stop for a moment, please. 829 00:42:58,600 --> 00:43:00,719 Speaker 1: What we're not gonna do is just respect to this 830 00:43:00,840 --> 00:43:03,960 Speaker 1: black director, because if he was a white director, he 831 00:43:04,200 --> 00:43:08,160 Speaker 1: was the producer would not give direction over him. And 832 00:43:08,239 --> 00:43:11,120 Speaker 1: to his credit, at that moment, he seemed to have 833 00:43:11,239 --> 00:43:14,640 Speaker 1: got it and was embarrassed by what it was that 834 00:43:14,680 --> 00:43:18,600 Speaker 1: he had done. And the reason she had some difficulty 835 00:43:18,719 --> 00:43:22,200 Speaker 1: with one of the individuals who were the first ap 836 00:43:22,400 --> 00:43:26,600 Speaker 1: or something like that. She had walked into Monique's trailer 837 00:43:27,280 --> 00:43:31,160 Speaker 1: while she was undressed without knocking. And I don't know 838 00:43:31,200 --> 00:43:33,720 Speaker 1: if you know, but there was a letter that Steve 839 00:43:33,840 --> 00:43:36,879 Speaker 1: Harvey had written a while ago in reference to how 840 00:43:36,960 --> 00:43:41,280 Speaker 1: people just walk into his room. What happens is, she's 841 00:43:41,320 --> 00:43:45,240 Speaker 1: the type of person that doesn't allow people to get disrespected. 842 00:43:45,360 --> 00:43:48,760 Speaker 1: And she's not gonna have an issue with the people 843 00:43:48,880 --> 00:43:53,400 Speaker 1: that are the hourly wage folks. It's typically the people 844 00:43:53,600 --> 00:43:57,840 Speaker 1: who are the powerful one. She's not having no beef 845 00:43:57,880 --> 00:44:00,920 Speaker 1: with nobody. There were people that were getting their fingers 846 00:44:00,960 --> 00:44:03,200 Speaker 1: pointed in the face that happened to be black women 847 00:44:03,200 --> 00:44:06,560 Speaker 1: by white men on the set of Precious and she said, 848 00:44:06,719 --> 00:44:10,000 Speaker 1: I can't allow that to happen. Guy. So what happens 849 00:44:10,120 --> 00:44:14,200 Speaker 1: is you are forgetting that this is a country that 850 00:44:14,760 --> 00:44:18,120 Speaker 1: had slavery for hundreds of years. And when do we 851 00:44:18,200 --> 00:44:22,839 Speaker 1: start realizing that we are so conditioned to normalize bad 852 00:44:22,880 --> 00:44:27,959 Speaker 1: treatment when white men are able to say, hey, guys, 853 00:44:27,960 --> 00:44:31,680 Speaker 1: she's right. How does the black community not see it? 854 00:44:32,000 --> 00:44:34,239 Speaker 1: We have more with Monique when we come back, don't move. 855 00:44:34,280 --> 00:44:37,000 Speaker 1: It's the breakfast club. Good morning, good morning. Everybody is 856 00:44:37,080 --> 00:44:40,680 Speaker 1: DJ nd Angela. Yee, Charlomagne the guy. We are the 857 00:44:40,719 --> 00:44:44,280 Speaker 1: breakfast club. We have Monique in the building still, Charlomagne. 858 00:44:44,400 --> 00:44:46,480 Speaker 1: I want to know about this though. Have you received 859 00:44:46,520 --> 00:44:49,000 Speaker 1: other offers from other screaming services? Let me say this 860 00:44:49,040 --> 00:44:50,960 Speaker 1: because other than that help with negotiations when you can 861 00:44:51,040 --> 00:44:54,080 Speaker 1: come up black ball being put over my head. The 862 00:44:54,160 --> 00:44:56,920 Speaker 1: offers that come in from Netflix, they can come in 863 00:44:57,000 --> 00:45:00,719 Speaker 1: low like that because they know you've been blackball. You 864 00:45:00,760 --> 00:45:03,760 Speaker 1: know what the word is about you. So we assume 865 00:45:04,000 --> 00:45:06,960 Speaker 1: that you're suffering and we can offer you whatever we 866 00:45:07,000 --> 00:45:09,480 Speaker 1: want to offer you. So the offers have come in 867 00:45:09,920 --> 00:45:13,359 Speaker 1: even lower than that. You got a Netflix special beforehand, though, right, well, 868 00:45:13,400 --> 00:45:18,200 Speaker 1: I didn't have a Netflix special. What happened was exactly. 869 00:45:18,239 --> 00:45:21,040 Speaker 1: I didn't make any deal with Netflix. So those shows 870 00:45:21,080 --> 00:45:22,719 Speaker 1: just happened to be on it. And they've been on 871 00:45:22,760 --> 00:45:26,319 Speaker 1: there for a long time. So someone would say, if 872 00:45:26,360 --> 00:45:28,279 Speaker 1: this woman is not bringing in any views, why, but 873 00:45:28,440 --> 00:45:30,680 Speaker 1: we hold onto the content. They've been on there for 874 00:45:30,719 --> 00:45:35,040 Speaker 1: a minute. So as I well, I'm assuming so we 875 00:45:35,080 --> 00:45:37,279 Speaker 1: don't get a report on that. But as I sit 876 00:45:37,360 --> 00:45:41,839 Speaker 1: here again and I sit between my sister, who I 877 00:45:41,960 --> 00:45:45,080 Speaker 1: know you deal with inequality. Angela. You're in the same 878 00:45:45,120 --> 00:45:48,759 Speaker 1: business I'm in. But you'll look at me and you'll say, well, 879 00:45:48,800 --> 00:45:50,560 Speaker 1: I need you to explain to me. They said you 880 00:45:50,680 --> 00:45:53,359 Speaker 1: was a problem here and a problem there. We all 881 00:45:53,400 --> 00:45:55,680 Speaker 1: know when you don't allow bullies to take place, and 882 00:45:55,719 --> 00:45:58,040 Speaker 1: when you don't allow yourself to get bullied, don't you 883 00:45:58,080 --> 00:46:02,840 Speaker 1: get labeled? Yes? But can I just for full disclosure please? 884 00:46:02,960 --> 00:46:05,759 Speaker 1: There are definitely people that I know that have worked 885 00:46:05,800 --> 00:46:09,279 Speaker 1: with you on the Ebony shoot. Yes, and I've heard things. Well, 886 00:46:09,320 --> 00:46:11,319 Speaker 1: they've told me personally, people that were in the room 887 00:46:11,520 --> 00:46:14,080 Speaker 1: the names and if not, like I told Lenar before, 888 00:46:14,280 --> 00:46:16,480 Speaker 1: keep it on the playground. Well, okay, So I saw 889 00:46:17,880 --> 00:46:20,680 Speaker 1: Alfred Edmond Jr. Who's the editor in chief of Black 890 00:46:20,760 --> 00:46:24,279 Speaker 1: Enterprise Magazine. Yes, I saw that Amy Dubar Burnett, who 891 00:46:24,280 --> 00:46:25,759 Speaker 1: was the editor in chief of Ebony at the time 892 00:46:25,760 --> 00:46:27,719 Speaker 1: of that shoot, who was very excited to have you 893 00:46:27,760 --> 00:46:30,200 Speaker 1: on the shoot. She left a comment because he posted 894 00:46:30,239 --> 00:46:33,880 Speaker 1: something about you and the numbers and about your worth 895 00:46:33,960 --> 00:46:36,719 Speaker 1: and how you are the most decorated comedian and she 896 00:46:36,880 --> 00:46:40,239 Speaker 1: commented it was a nightmare working with her and I 897 00:46:40,280 --> 00:46:42,120 Speaker 1: would never want to go through something like that. Again, 898 00:46:42,160 --> 00:46:44,279 Speaker 1: I saw that comment is still on his page. Now. 899 00:46:44,360 --> 00:46:46,080 Speaker 1: I would love to sit down and talk with that 900 00:46:46,200 --> 00:46:48,800 Speaker 1: sister face to face so she can tell me about 901 00:46:48,800 --> 00:46:51,319 Speaker 1: the nightmare, because what they won't do is they won't 902 00:46:51,360 --> 00:46:53,879 Speaker 1: fill it in. See they won't fill in. We were 903 00:46:53,960 --> 00:46:56,680 Speaker 1: being arrogant and we wanted to treat that woman as 904 00:46:56,680 --> 00:46:58,879 Speaker 1: if we were doing her a favor by putting her 905 00:46:58,880 --> 00:47:01,600 Speaker 1: on the cover. As my husband told me years ago, 906 00:47:02,080 --> 00:47:05,879 Speaker 1: we don't disrespect anyone, but we over respect no one. 907 00:47:06,239 --> 00:47:08,319 Speaker 1: And I want you to look at me. I'm a 908 00:47:08,320 --> 00:47:13,840 Speaker 1: big fat black woman. We'll talk what big fat black 909 00:47:13,880 --> 00:47:16,640 Speaker 1: woman has to stand stands up and says this is 910 00:47:16,680 --> 00:47:19,279 Speaker 1: not fair because what the feeling is with some of 911 00:47:19,280 --> 00:47:22,480 Speaker 1: our sisters and brothers. Monique, you should be grateful you 912 00:47:22,520 --> 00:47:25,160 Speaker 1: just got invited to the party because of the way 913 00:47:25,200 --> 00:47:28,440 Speaker 1: you look. So for anyone that says they ever had 914 00:47:28,440 --> 00:47:31,439 Speaker 1: a problem with me, bring them to the table. Bring 915 00:47:31,480 --> 00:47:33,640 Speaker 1: them to the table and let's have a conversation. But 916 00:47:33,760 --> 00:47:37,680 Speaker 1: what you'll find is we'll speak about this woman when 917 00:47:37,680 --> 00:47:40,640 Speaker 1: she can't see us. We'll make comments. But we're the 918 00:47:40,640 --> 00:47:43,839 Speaker 1: type of people that say, let's have a conversation. And 919 00:47:43,880 --> 00:47:46,439 Speaker 1: when you find out that they're wrong, Will you then 920 00:47:46,560 --> 00:47:50,360 Speaker 1: speak up loudly for me as you speak up for them. Absolutely, 921 00:47:51,760 --> 00:47:54,520 Speaker 1: You'll ask you a question. Let's just talk numbers. If 922 00:47:54,520 --> 00:47:57,360 Speaker 1: you put your numbers up against the Amy Humors, the 923 00:47:57,520 --> 00:48:00,400 Speaker 1: Chris Rocks to Dave Chappeld and I'm talking about selling 924 00:48:00,400 --> 00:48:03,080 Speaker 1: out arenas all over the world. How can you justify 925 00:48:03,160 --> 00:48:06,280 Speaker 1: getting a huge payday like that when you're saying that 926 00:48:06,640 --> 00:48:09,520 Speaker 1: you're gonna offer her one twenty six of what Amy 927 00:48:09,560 --> 00:48:12,879 Speaker 1: Schumer got and you're referring to moniquez a legend, and 928 00:48:13,000 --> 00:48:18,920 Speaker 1: you're seeing her performance and you see the people standing 929 00:48:19,000 --> 00:48:20,880 Speaker 1: up for at the end of the show. Have you 930 00:48:21,000 --> 00:48:25,120 Speaker 1: read the reviews to the Netflix special for Amy Schumer? 931 00:48:25,400 --> 00:48:27,279 Speaker 1: I don't think Amy's funny. You don't got it. You 932 00:48:27,280 --> 00:48:33,160 Speaker 1: don't got Amy got me blocked on. This is the part, Daddy, 933 00:48:33,160 --> 00:48:35,520 Speaker 1: and we gotta wrap up the show. But you did 934 00:48:35,560 --> 00:48:37,840 Speaker 1: sell out then if they arenas around the world and 935 00:48:38,320 --> 00:48:41,399 Speaker 1: MSG a few times an HBO's pressure, that did great. 936 00:48:41,400 --> 00:48:44,680 Speaker 1: And this was all in twenty Here's what brother Leonarda saying. 937 00:48:45,120 --> 00:48:48,520 Speaker 1: Let this year another show comes and they become number 938 00:48:48,520 --> 00:48:51,040 Speaker 1: one and not the Breakfast Club. And then let a 939 00:48:51,120 --> 00:48:53,640 Speaker 1: host come in here that's been doing it for maybe 940 00:48:53,840 --> 00:48:56,440 Speaker 1: five years less than you, and then they get paid 941 00:48:56,680 --> 00:48:59,279 Speaker 1: twenty six times more than you. Then you come back 942 00:48:59,280 --> 00:49:02,680 Speaker 1: and have a conversation sation with us, because right, that's 943 00:49:02,719 --> 00:49:05,080 Speaker 1: all because what happens is when you sit here and 944 00:49:05,080 --> 00:49:07,600 Speaker 1: you say, make it make sense, Well, we don't have to, 945 00:49:08,000 --> 00:49:10,400 Speaker 1: because again we and if no, you do have to 946 00:49:10,480 --> 00:49:12,520 Speaker 1: make it make sense, especially if you're calling on people too. 947 00:49:13,360 --> 00:49:15,760 Speaker 1: We made things like we made it make gender bias 948 00:49:15,880 --> 00:49:20,000 Speaker 1: because we're saying, here's the resumes, guys in conjunction with that. 949 00:49:20,320 --> 00:49:23,600 Speaker 1: The only thing we're saying is if, hypothetically speaking, it 950 00:49:23,680 --> 00:49:28,239 Speaker 1: wasn't thirteen million Charlemagne, we're saying, is how come there's not. 951 00:49:28,480 --> 00:49:32,800 Speaker 1: They're saying to the community that it's not one black 952 00:49:32,920 --> 00:49:36,520 Speaker 1: woman that is a veteran comedian out there the day 953 00:49:36,560 --> 00:49:39,319 Speaker 1: that is worth a seventh figure number. So what would 954 00:49:39,360 --> 00:49:47,000 Speaker 1: have been a respectable number for miss Monique? Answer? Let me, 955 00:49:47,120 --> 00:49:51,760 Speaker 1: let me give you a respectable number for Monique, something 956 00:49:52,080 --> 00:49:56,760 Speaker 1: that would supersede what she would have made in two years, 957 00:49:57,520 --> 00:49:59,640 Speaker 1: and at the very least what she would have made 958 00:49:59,680 --> 00:50:03,480 Speaker 1: two years to be able to take to two years 959 00:50:03,520 --> 00:50:06,520 Speaker 1: off that they're contractually asking her to do to not 960 00:50:06,600 --> 00:50:09,960 Speaker 1: be able to tell jokes. You would not take a 961 00:50:10,040 --> 00:50:12,920 Speaker 1: deal because they're gonna give you a lump summer cash 962 00:50:13,080 --> 00:50:17,360 Speaker 1: that's gonna castrate you out of three fourths of your income. 963 00:50:17,760 --> 00:50:20,440 Speaker 1: Do you understand what I'm saying? Didn't include the two 964 00:50:20,520 --> 00:50:23,600 Speaker 1: years and didn't have that You couldn't tell jokes? If 965 00:50:23,640 --> 00:50:25,720 Speaker 1: I would have taken a deal for five hundred thousand 966 00:50:25,719 --> 00:50:28,560 Speaker 1: dollars Angela, what position would that pot of the babies 967 00:50:28,600 --> 00:50:30,239 Speaker 1: that's coming after you? No, the deal is foul. The 968 00:50:30,280 --> 00:50:32,719 Speaker 1: deal is absolutely positively found. Nobody says the deal is right, 969 00:50:32,760 --> 00:50:35,680 Speaker 1: but you know, and in Sydney, you're a businessman, Monique 970 00:50:35,680 --> 00:50:38,080 Speaker 1: your businesswoman. Right, the deal is foul. I mean, let's 971 00:50:38,080 --> 00:50:40,040 Speaker 1: be clear. But that's why you that's why you counter 972 00:50:40,080 --> 00:50:43,319 Speaker 1: off everything that they're hearing and based on what they know. 973 00:50:43,680 --> 00:50:47,040 Speaker 1: They know Monique's reputation as far as what people are 974 00:50:47,160 --> 00:50:52,640 Speaker 1: rumored to say, if it does matter, they other networks 975 00:50:52,640 --> 00:50:55,320 Speaker 1: are not necessarily giving her the money and giving her less. 976 00:50:55,480 --> 00:50:57,719 Speaker 1: They know what it is. So why would I give 977 00:50:57,800 --> 00:51:01,200 Speaker 1: as a business person obscene number when I know she 978 00:51:01,239 --> 00:51:04,280 Speaker 1: can't get it anywhere else? It's foul. But it's business. 979 00:51:04,320 --> 00:51:06,920 Speaker 1: But if you say, Monique, it is foul, and you 980 00:51:07,040 --> 00:51:10,399 Speaker 1: are right. So if we know it's right and we 981 00:51:10,440 --> 00:51:12,799 Speaker 1: know it's foul, then what do we do. We do 982 00:51:12,840 --> 00:51:15,480 Speaker 1: it on our own. That's just like talking to Steve Harvey, 983 00:51:15,520 --> 00:51:18,439 Speaker 1: and brother Steve Harvey says, mo, I know you're right, 984 00:51:19,120 --> 00:51:21,480 Speaker 1: and I know you're not lying, but could you have 985 00:51:21,560 --> 00:51:24,280 Speaker 1: done it another way? No, you know, what's the suggestion? 986 00:51:24,360 --> 00:51:26,640 Speaker 1: What's the other thing? I don't want you to do 987 00:51:26,640 --> 00:51:28,839 Speaker 1: any other way. We do it. We do do it 988 00:51:28,880 --> 00:51:30,759 Speaker 1: on our own. But we still got to speak up, 989 00:51:31,120 --> 00:51:33,520 Speaker 1: Like you say, Angela, well just go somewhere else. Do 990 00:51:33,560 --> 00:51:35,719 Speaker 1: you know how long we've been going somewhere else. But 991 00:51:35,880 --> 00:51:38,920 Speaker 1: here's the thing, and we we have to. We have 992 00:51:39,160 --> 00:51:41,840 Speaker 1: to and that's not an issue or what we're saying. 993 00:51:42,000 --> 00:51:45,239 Speaker 1: Is this just so people are aware, this is what 994 00:51:45,280 --> 00:51:48,000 Speaker 1: they're doing over here, and we want it to be 995 00:51:48,080 --> 00:51:52,960 Speaker 1: known because, as Wadsike so kindly said, she essentially suffered 996 00:51:53,000 --> 00:51:56,120 Speaker 1: in silence. She was hurt by but she went somewhere 997 00:51:56,160 --> 00:51:58,560 Speaker 1: else and the offer that they gave her was less 998 00:51:58,560 --> 00:52:02,080 Speaker 1: than half. And it doesn't matter about that was way 999 00:52:02,160 --> 00:52:04,680 Speaker 1: before they got what they got, because she was even 1000 00:52:04,760 --> 00:52:07,719 Speaker 1: hotter than she came up under the wing of Chris Rock. 1001 00:52:07,920 --> 00:52:10,960 Speaker 1: Her audience and Chris Rock are very, very similar. She's 1002 00:52:11,120 --> 00:52:13,799 Speaker 1: very unique in the industry and that she caters to 1003 00:52:13,840 --> 00:52:16,600 Speaker 1: a white artist. Now, over time, Monique has of her 1004 00:52:16,960 --> 00:52:20,680 Speaker 1: multitude of people in her and her crowd. However, we 1005 00:52:20,760 --> 00:52:24,680 Speaker 1: know the people that focus are people of color in 1006 00:52:24,760 --> 00:52:28,000 Speaker 1: terms of her crowd. From a standpoint of the comedy world, 1007 00:52:28,040 --> 00:52:30,520 Speaker 1: I think the problem started with you coming out comparing 1008 00:52:30,560 --> 00:52:33,759 Speaker 1: yourself to Chris Rock Dave Chapelle and why and she 1009 00:52:33,920 --> 00:52:36,480 Speaker 1: she well, here's the thing, because because because there's no 1010 00:52:36,520 --> 00:52:38,879 Speaker 1: way that you can justify getting that amount of money 1011 00:52:38,880 --> 00:52:40,319 Speaker 1: that they got. Now, since you have gotten more than 1012 00:52:40,320 --> 00:52:42,759 Speaker 1: five hundred thousand, yes, and I've said that they won, Well, 1013 00:52:42,800 --> 00:52:45,600 Speaker 1: here's what I say. No, that's not what y'all know. 1014 00:52:45,600 --> 00:52:47,319 Speaker 1: What y'all was saying was y'all should have got the 1015 00:52:47,400 --> 00:52:51,200 Speaker 1: same amount of roche. Let me, let me, let me said. 1016 00:52:51,400 --> 00:52:54,480 Speaker 1: Let me answer that, Daddy. What I said was, if 1017 00:52:54,520 --> 00:52:57,880 Speaker 1: I'm considered a legend like my brothers, then why wouldn't 1018 00:52:57,880 --> 00:53:00,759 Speaker 1: I get what legends get? Because that is exactly what 1019 00:53:01,040 --> 00:53:06,480 Speaker 1: I said, because their resume recently, We're gonna listen Leonard. 1020 00:53:06,600 --> 00:53:09,440 Speaker 1: We're gonna let you hold on to that. But what 1021 00:53:09,480 --> 00:53:11,239 Speaker 1: I will say to you is, and to all the 1022 00:53:11,360 --> 00:53:14,359 Speaker 1: black women and women of color that is listening when 1023 00:53:14,360 --> 00:53:16,840 Speaker 1: you hear this brother's voice come over the air, and 1024 00:53:16,840 --> 00:53:19,400 Speaker 1: I'm unapologizing about what I'm getting ready to say. He 1025 00:53:19,520 --> 00:53:22,840 Speaker 1: does not have a value on black women and women 1026 00:53:22,920 --> 00:53:26,759 Speaker 1: of color can say, I'm gonna I'm gonna tell you, 1027 00:53:27,920 --> 00:53:30,799 Speaker 1: I'm gonna tell you contradictory. I'm gonna tell you why 1028 00:53:30,800 --> 00:53:33,239 Speaker 1: I said it. Because what happens is when you leave 1029 00:53:33,280 --> 00:53:37,640 Speaker 1: a place called Monk Monk's Corner, South Carolina, and you 1030 00:53:37,680 --> 00:53:40,000 Speaker 1: come to a big city named New York, and then 1031 00:53:40,040 --> 00:53:44,000 Speaker 1: you change your name to Shaloman Morning. Well, when you 1032 00:53:44,040 --> 00:53:46,719 Speaker 1: were there, you become Shaloman the God. Now I don't 1033 00:53:46,719 --> 00:53:48,880 Speaker 1: know if you took the same principles that your mama 1034 00:53:48,920 --> 00:53:51,920 Speaker 1: and your grandmamma gave you in Monk's Corner and you 1035 00:53:52,000 --> 00:53:54,920 Speaker 1: bought it to Manhattan, New York. Because the brother I 1036 00:53:55,000 --> 00:53:57,200 Speaker 1: did meet on that elevator, I meant a brother that 1037 00:53:57,280 --> 00:53:59,799 Speaker 1: was full of principle. And i'man a brother who would 1038 00:53:59,880 --> 00:54:02,239 Speaker 1: not I call a sister a donkey of a day 1039 00:54:04,120 --> 00:54:07,239 Speaker 1: unless he knew all the information and he could back 1040 00:54:07,320 --> 00:54:09,520 Speaker 1: up his statements. But as we sit here and we 1041 00:54:09,600 --> 00:54:12,200 Speaker 1: did this interview, you begin to ask questions that you 1042 00:54:12,200 --> 00:54:14,800 Speaker 1: should have asked before you make the statement. So what 1043 00:54:15,000 --> 00:54:17,200 Speaker 1: I have questions, but y'all really don't have any answer. 1044 00:54:17,320 --> 00:54:19,759 Speaker 1: I have not justified why you feel like you should 1045 00:54:19,800 --> 00:54:22,799 Speaker 1: have gotten that money you should have got that. We're 1046 00:54:22,840 --> 00:54:29,799 Speaker 1: not back. And here's the thing, brothers and sisters that 1047 00:54:30,320 --> 00:54:31,719 Speaker 1: get it the way that they get it, and we 1048 00:54:31,800 --> 00:54:33,120 Speaker 1: get it the way that we get it. And it's 1049 00:54:33,120 --> 00:54:36,879 Speaker 1: not an argument. I respect your decision. I respect your 1050 00:54:37,080 --> 00:54:40,480 Speaker 1: no because you're entitled to it, however, as we are 1051 00:54:40,640 --> 00:54:43,040 Speaker 1: entitled to ours. So what I am saying that the 1052 00:54:43,120 --> 00:54:46,279 Speaker 1: devalue you place on black women, And you say, how 1053 00:54:46,280 --> 00:54:48,319 Speaker 1: can I say that? Because out of your mouth you're 1054 00:54:48,360 --> 00:54:51,600 Speaker 1: saying there is no black female comedian that is worth 1055 00:54:51,680 --> 00:54:57,880 Speaker 1: that money. There's saying that hasn't been I'll go if 1056 00:54:57,880 --> 00:55:00,600 Speaker 1: I go down the list of black female comedian and 1057 00:55:00,680 --> 00:55:03,040 Speaker 1: the work that those sisters have put in through the 1058 00:55:03,200 --> 00:55:06,520 Speaker 1: years that opened up doors so that people like you 1059 00:55:07,040 --> 00:55:10,120 Speaker 1: could sit where you sit. Her name is Marsha Warfield. 1060 00:55:10,239 --> 00:55:12,160 Speaker 1: Her name is there for a doll. Her name is 1061 00:55:12,160 --> 00:55:14,520 Speaker 1: mom's Mayblee, which she's no longer with us. That the 1062 00:55:14,600 --> 00:55:22,880 Speaker 1: list goes on and on and Monique, it's true, Monique 1063 00:55:22,880 --> 00:55:24,960 Speaker 1: wrapping it up. What are you going to do moving forward? 1064 00:55:24,960 --> 00:55:27,520 Speaker 1: As far as with this special, We're gonna keep on pushing. 1065 00:55:28,040 --> 00:55:31,440 Speaker 1: See the special's gonna happen. What's gonna happen, and we're 1066 00:55:31,440 --> 00:55:33,360 Speaker 1: gonna let y'all see it. But what we're gonna do 1067 00:55:33,360 --> 00:55:36,319 Speaker 1: with this situation right now called the fight for inequality, 1068 00:55:36,480 --> 00:55:39,200 Speaker 1: we're gonna keep standing and we're gonna hope the sisters 1069 00:55:39,239 --> 00:55:42,760 Speaker 1: like you would stand with us to say when it's inequality, 1070 00:55:42,920 --> 00:55:45,640 Speaker 1: we must speak up, and we must speak loudly because 1071 00:55:45,680 --> 00:55:51,040 Speaker 1: your daughters are coming. Okay, well, thank you for joining us, Monique. 1072 00:55:51,360 --> 00:55:53,560 Speaker 1: When we come back, we have Donkey of the Day, 1073 00:55:53,560 --> 00:55:58,640 Speaker 1: so don't go anywhere. It's the Breakfast Club. Good morning, Charmaine, 1074 00:55:58,719 --> 00:56:01,680 Speaker 1: say that gang. Don't get out to shame man you 1075 00:56:02,120 --> 00:56:08,799 Speaker 1: are or don't you? Donkey today does not discriminate. I 1076 00:56:08,920 --> 00:56:10,319 Speaker 1: might not have the song of to day, but I 1077 00:56:10,320 --> 00:56:12,440 Speaker 1: got to donkey that. So if you ever feel I 1078 00:56:12,480 --> 00:56:14,279 Speaker 1: need to be a donkey man, hit it with the 1079 00:56:16,160 --> 00:56:19,000 Speaker 1: Breakfast Club bitches. They just don't give the day today 1080 00:56:19,160 --> 00:56:21,960 Speaker 1: all right, listen, man, Charlomagne the God here, I'm on vacation. 1081 00:56:22,000 --> 00:56:23,640 Speaker 1: I don't give a damn what y'all think about that, 1082 00:56:23,719 --> 00:56:26,040 Speaker 1: because I deserve it. Now The Breakfast Club is in 1083 00:56:26,120 --> 00:56:28,120 Speaker 1: eighty plus markets in one hundred and fifty country, so 1084 00:56:28,160 --> 00:56:29,759 Speaker 1: we have a lot of new listeners who probably don't 1085 00:56:29,760 --> 00:56:32,239 Speaker 1: even know who Charlomagne the God is. So use my 1086 00:56:32,360 --> 00:56:36,240 Speaker 1: time off to catch up on some of my past work. Okay, okay, 1087 00:56:36,280 --> 00:56:38,319 Speaker 1: if you knew here, I do a segment every day 1088 00:56:38,320 --> 00:56:40,839 Speaker 1: called Donkey to Day donkey as in jackass, and that's 1089 00:56:40,880 --> 00:56:43,160 Speaker 1: when I give someone the credit they deserve for being stupid. 1090 00:56:43,239 --> 00:56:45,279 Speaker 1: So if you've never heard of it, this is new 1091 00:56:45,320 --> 00:56:46,759 Speaker 1: to you. But if you are a regular listener and 1092 00:56:46,880 --> 00:56:49,239 Speaker 1: this is an oldiep but goody because it's the best 1093 00:56:49,280 --> 00:56:51,239 Speaker 1: of the Donkey of the day, don't here to day 1094 00:56:51,280 --> 00:56:53,360 Speaker 1: goes the comedian Kat Williams. Now if you missed it, 1095 00:56:53,440 --> 00:56:55,760 Speaker 1: Kat Williams was a guest on Frank Sky and Wander's 1096 00:56:55,800 --> 00:56:57,759 Speaker 1: Morning show, Drop on a clues bomb for Frank Skin 1097 00:56:57,800 --> 00:57:00,640 Speaker 1: and Wanda. Franky has always been good to the Breakfast Club, 1098 00:57:00,680 --> 00:57:03,360 Speaker 1: always showed us love. Scalut to that man. I respect 1099 00:57:03,440 --> 00:57:05,600 Speaker 1: everything he does in business and in the game of radio. 1100 00:57:05,680 --> 00:57:07,800 Speaker 1: The reason I can respect that man is because, unlike 1101 00:57:07,840 --> 00:57:10,600 Speaker 1: Kat Williams, I am not a bit ass Hayter. That's 1102 00:57:10,600 --> 00:57:12,719 Speaker 1: all Kat Williams was doing on Frank Sky and wanted 1103 00:57:12,760 --> 00:57:14,680 Speaker 1: to show Hayton with a side of lion. A matter 1104 00:57:14,680 --> 00:57:17,000 Speaker 1: of fact, that wasn't a side of lion. Cat Williams 1105 00:57:17,000 --> 00:57:19,760 Speaker 1: served us two entrees during that interview. One was the 1106 00:57:19,800 --> 00:57:22,440 Speaker 1: main course of French chicken pot lie. The other was 1107 00:57:22,440 --> 00:57:25,920 Speaker 1: stir fried Hayton. Okay, what dish would you like to revisit? First? 1108 00:57:26,480 --> 00:57:28,520 Speaker 1: Let's start with the chicken pot lie. Okay, this is 1109 00:57:28,600 --> 00:57:31,800 Speaker 1: Kat Williams on Frank Sky and Wanda running down some 1110 00:57:31,960 --> 00:57:34,680 Speaker 1: of his resume. Let's hear it. I do have more 1111 00:57:34,720 --> 00:57:38,360 Speaker 1: comedy specials than any comedian breathing or dead. That's only 1112 00:57:38,520 --> 00:57:41,840 Speaker 1: seven more than Richard Bryron, six more than Martin Lawrence, 1113 00:57:41,920 --> 00:57:46,840 Speaker 1: and six more than Ris Frock, five more than Dave Chappelle. 1114 00:57:46,960 --> 00:57:49,160 Speaker 1: Those are just facts, sir. I have the top two 1115 00:57:49,400 --> 00:57:53,640 Speaker 1: comedy specials on Showtime, HBO, Comedy Central, and we just 1116 00:57:53,720 --> 00:57:56,720 Speaker 1: moved to Netflix. I'm on my fifteenth consecutive one hundred 1117 00:57:56,840 --> 00:57:59,880 Speaker 1: city tour on the exact day that Monique was asking 1118 00:57:59,920 --> 00:58:03,080 Speaker 1: for a Netflix boycott, Netflix had just cut me a 1119 00:58:03,160 --> 00:58:05,840 Speaker 1: check for two million dollars for the special that I 1120 00:58:05,880 --> 00:58:08,520 Speaker 1: got paid three hundred thousand dollars to do in Jackson, 1121 00:58:08,720 --> 00:58:12,959 Speaker 1: pep Chronicles has already gross over twenties four million dollars 1122 00:58:13,000 --> 00:58:16,600 Speaker 1: alone as one special because of Atlanta. What are your 1123 00:58:17,000 --> 00:58:20,720 Speaker 1: thoughts about Netflix? Well, everybody has to understand that Netflix 1124 00:58:20,760 --> 00:58:24,120 Speaker 1: doesn't have an opinion on stand up comedy. They base 1125 00:58:24,440 --> 00:58:27,320 Speaker 1: what they pay you by the amount of ticket sales 1126 00:58:27,400 --> 00:58:30,920 Speaker 1: for your last tour. So Moniqu's last tour had three 1127 00:58:31,040 --> 00:58:35,560 Speaker 1: hundred and sixteen thousand tickets. Therefore that's what she got offered. 1128 00:58:35,920 --> 00:58:39,000 Speaker 1: My last tour had two point four million tickets, and 1129 00:58:39,040 --> 00:58:42,120 Speaker 1: so that's what they offer. What Now, let's unpack some 1130 00:58:42,160 --> 00:58:44,760 Speaker 1: of this. We live in the information age. There's nothing 1131 00:58:44,800 --> 00:58:46,880 Speaker 1: you can't google, but a lot of us don't take 1132 00:58:46,920 --> 00:58:49,480 Speaker 1: the time to research. You know. We hear someone we 1133 00:58:49,560 --> 00:58:52,640 Speaker 1: respect say something in an interview, we read something someone 1134 00:58:52,680 --> 00:58:54,960 Speaker 1: posts on social media and we run with it as 1135 00:58:54,960 --> 00:58:56,920 Speaker 1: fact and the fact that Kat William said these are 1136 00:58:56,960 --> 00:58:59,520 Speaker 1: facts solidifies it for some people. Or the reason I 1137 00:58:59,600 --> 00:59:01,520 Speaker 1: hate touations like this is because when you have the 1138 00:59:01,560 --> 00:59:04,360 Speaker 1: experience that Kat Williams has, you should be using your 1139 00:59:04,400 --> 00:59:07,800 Speaker 1: opportunities and experiences to teach, not lie. Now let's break 1140 00:59:07,800 --> 00:59:09,840 Speaker 1: down some of these lives. Okay. Kat william said he 1141 00:59:09,880 --> 00:59:13,040 Speaker 1: has filmed. He has more film stand up specials than 1142 00:59:13,040 --> 00:59:17,840 Speaker 1: any comedian breathing are dead. That is a lie. George 1143 00:59:17,840 --> 00:59:21,680 Speaker 1: Carlin has fourteen HBO specials. Cat Williams said he has 1144 00:59:21,800 --> 00:59:24,919 Speaker 1: nine specials, George Carlin fourteen. We can all do math 1145 00:59:25,000 --> 00:59:27,840 Speaker 1: in here, right, okay. Next, he said he has the 1146 00:59:27,880 --> 00:59:31,280 Speaker 1: top two specials on HBO, Showtime, Comedy Central and Naughty 1147 00:59:31,360 --> 00:59:33,640 Speaker 1: on Netflix. I don't even know what that means. Okay, 1148 00:59:33,720 --> 00:59:35,760 Speaker 1: all right, but you could google the top ten stand 1149 00:59:35,840 --> 00:59:38,040 Speaker 1: up specials over the last forty years on HBO, Goal 1150 00:59:38,280 --> 00:59:40,720 Speaker 1: or HBO now. Chris Rock has number one with Bigger 1151 00:59:40,760 --> 00:59:43,800 Speaker 1: and Blacker. Number two is Take Natario Boys, Girl Interrupted. 1152 00:59:43,920 --> 00:59:46,640 Speaker 1: Number three is Dave Chappelle killing him softly. Comedy Central 1153 00:59:46,680 --> 00:59:48,960 Speaker 1: has a list of top one hundred stand up comics, 1154 00:59:49,040 --> 00:59:51,080 Speaker 1: and Kat not even on the list. I couldn't find 1155 00:59:51,120 --> 00:59:53,360 Speaker 1: the Showtime stand up special rankings, and my people that 1156 00:59:53,440 --> 00:59:55,640 Speaker 1: Showtime haven't hit me back head. But by now we 1157 00:59:55,680 --> 00:59:57,560 Speaker 1: should be noticing a pattern here, so it's safe to 1158 00:59:57,560 --> 01:00:00,480 Speaker 1: say that was a lie too. Cat Williams said Chronicles 1159 01:00:00,560 --> 01:00:04,120 Speaker 1: is grows twenty four million dollars. All right, so far, now, 1160 01:00:04,160 --> 01:00:06,200 Speaker 1: Pimp Chronicles did great, But where did you get to 1161 01:00:06,200 --> 01:00:08,200 Speaker 1: twenty four million dollars? Number? From Kat? We would like 1162 01:00:08,280 --> 01:00:10,600 Speaker 1: to see receipts because if Pimp Chronicles grows twenty four 1163 01:00:10,600 --> 01:00:12,600 Speaker 1: million dollars, it would be in the top ten of 1164 01:00:12,720 --> 01:00:15,960 Speaker 1: stand up comedy concerts ever, but it's not. In fact, 1165 01:00:16,000 --> 01:00:17,760 Speaker 1: if the Girls twenty four million, it would be number 1166 01:00:17,760 --> 01:00:19,760 Speaker 1: four on that list. Over Kevin Hart, what now which 1167 01:00:19,760 --> 01:00:22,560 Speaker 1: grows about twenty three million, Martin Lawrence runtill that which 1168 01:00:22,560 --> 01:00:25,000 Speaker 1: did like nineteen million, Richard Pryor here and now which 1169 01:00:25,000 --> 01:00:27,760 Speaker 1: did sixteen million. All I'm saying is, if Kat Williams 1170 01:00:27,800 --> 01:00:30,240 Speaker 1: really did twenty four million on Pimp Chronicles, how come 1171 01:00:30,360 --> 01:00:32,920 Speaker 1: nobody has any record of that? But Cat oh, and 1172 01:00:33,040 --> 01:00:35,040 Speaker 1: Kat did tell the truth when he said Netflix only 1173 01:00:35,040 --> 01:00:37,919 Speaker 1: cares about ticket sales, his business never personal. I told 1174 01:00:37,960 --> 01:00:40,080 Speaker 1: you all that earlier this year in regard to the 1175 01:00:40,080 --> 01:00:43,160 Speaker 1: Monique situation. But Kat Williams said he sold two point 1176 01:00:43,160 --> 01:00:46,920 Speaker 1: four million tickets on his last tour. Do y'all know 1177 01:00:47,000 --> 01:00:50,480 Speaker 1: how much two point four million tickets sold is. I'm 1178 01:00:50,520 --> 01:00:52,360 Speaker 1: trying to put this in perspective for you. If Kat 1179 01:00:52,400 --> 01:00:55,560 Speaker 1: Williams sold two point four million tickets on his last tour, 1180 01:00:55,800 --> 01:00:58,400 Speaker 1: that's more than Beyonce sold for her Formation tour. That's 1181 01:00:58,440 --> 01:01:00,520 Speaker 1: more than Taylor's Twitch Soul for her nineteen Needy nine 1182 01:01:00,560 --> 01:01:03,600 Speaker 1: world tour. That's more than McDonald's sold for her MDMA toy. 1183 01:01:03,640 --> 01:01:06,480 Speaker 1: That's more than the Eagles sold on their Long Road 1184 01:01:06,480 --> 01:01:08,720 Speaker 1: Out of Eating toy. That's more than Justin Timberlake sold 1185 01:01:08,720 --> 01:01:11,000 Speaker 1: on his twenty twenty Experience World tour. That's more than 1186 01:01:11,040 --> 01:01:13,840 Speaker 1: Billy Joel sold on his Billy Joel and Concert tour. 1187 01:01:14,040 --> 01:01:16,720 Speaker 1: And these are artists who are doing this globally around 1188 01:01:16,760 --> 01:01:19,440 Speaker 1: the world and arenas. So tell me how it's possible 1189 01:01:19,560 --> 01:01:21,960 Speaker 1: the Cat Williams to sell two point four million tickets 1190 01:01:21,960 --> 01:01:25,160 Speaker 1: domestically and theaters. The Cat sold two point four million tickets, 1191 01:01:25,160 --> 01:01:27,160 Speaker 1: he would have made the Fores list. See catch you 1192 01:01:27,240 --> 01:01:28,880 Speaker 1: sound smart to a dumb person. And there's a lot 1193 01:01:28,880 --> 01:01:30,760 Speaker 1: of people out there who won't take the time to research. 1194 01:01:30,760 --> 01:01:32,360 Speaker 1: And I know you're asking why it was Cat line 1195 01:01:32,440 --> 01:01:34,760 Speaker 1: so much. I'll tell you why because he knew he 1196 01:01:34,800 --> 01:01:36,520 Speaker 1: was about to start hating on people, so he had 1197 01:01:36,560 --> 01:01:38,720 Speaker 1: to show y'all he out here still winning, so it 1198 01:01:38,760 --> 01:01:41,200 Speaker 1: wouldn't look as if he was hating. Because the truth is, 1199 01:01:41,240 --> 01:01:43,720 Speaker 1: it's rare that you will have a hater that's doing 1200 01:01:43,840 --> 01:01:46,000 Speaker 1: better than you. Now, let's listen to what Kat Williams 1201 01:01:46,000 --> 01:01:50,280 Speaker 1: had to say about Kevin Hart. Let me rephrase, let's 1202 01:01:50,320 --> 01:01:52,720 Speaker 1: listen to what Kat Williams had to hate on about 1203 01:01:52,800 --> 01:01:56,680 Speaker 1: Kevin Hart. Grawd called Michael Littlerell, Hannibal Birds and Tiffany Hattis. 1204 01:01:56,760 --> 01:01:58,240 Speaker 1: Let's hear it. They gonna let you do your s 1205 01:01:58,280 --> 01:02:00,640 Speaker 1: fash your gird card, Michael, but nobody's gonna watch it. 1206 01:02:00,720 --> 01:02:03,040 Speaker 1: They're gonna let you be a star, Little Real, but 1207 01:02:03,200 --> 01:02:06,520 Speaker 1: you're ugly, and white people don't believe in ugly stars. 1208 01:02:06,600 --> 01:02:09,000 Speaker 1: They think you have to be somebody that women want 1209 01:02:09,000 --> 01:02:11,120 Speaker 1: to sleep with and men want to be. But because 1210 01:02:11,160 --> 01:02:13,480 Speaker 1: we black, they say, oh, you don't even deserve that. 1211 01:02:13,600 --> 01:02:17,600 Speaker 1: So you get Kevin Hard, little Real, Gerard Carmichael all 1212 01:02:17,640 --> 01:02:20,840 Speaker 1: in a row, Hannibal Birds, just dudes that no woman 1213 01:02:20,880 --> 01:02:24,240 Speaker 1: would talk to, and Lennox all. Let alone you making 1214 01:02:24,320 --> 01:02:28,200 Speaker 1: the movie stars. Let's let's keep going Tiffany, she'd been 1215 01:02:28,200 --> 01:02:31,040 Speaker 1: doing comment since she was sixteen. You can't tell me 1216 01:02:31,080 --> 01:02:34,200 Speaker 1: your favorite Tiffany had his joke? Why because she ain't 1217 01:02:34,240 --> 01:02:36,800 Speaker 1: done a tour yet, She ain't done a special. She 1218 01:02:36,880 --> 01:02:40,040 Speaker 1: has not proven the ability to tell jokes back to 1219 01:02:40,160 --> 01:02:43,000 Speaker 1: back for an hour to nobody. Did you think she 1220 01:02:43,080 --> 01:02:46,280 Speaker 1: wrote girls Trip Goofball or do you think that was 1221 01:02:46,320 --> 01:02:48,720 Speaker 1: already a script and they handed it to her. It's 1222 01:02:48,800 --> 01:02:51,280 Speaker 1: up to you whatever you want to believe. But people 1223 01:02:51,360 --> 01:02:56,000 Speaker 1: like real. What they like, They love real because everybody's real. Then, 1224 01:02:56,160 --> 01:02:59,200 Speaker 1: so don't trip. No, no, they like whatever you at 1225 01:02:59,280 --> 01:03:01,479 Speaker 1: under the sound my voice. Do you have a real 1226 01:03:01,560 --> 01:03:05,040 Speaker 1: car worker? Do you have a ratchet friend? Do you 1227 01:03:05,200 --> 01:03:07,440 Speaker 1: have a sister, do you have a cousin? Do you 1228 01:03:07,520 --> 01:03:10,040 Speaker 1: have a nephew? Do you have a niece? Is they 1229 01:03:10,120 --> 01:03:13,280 Speaker 1: so ganto? When did that become marketable? Knock it off? 1230 01:03:13,280 --> 01:03:15,040 Speaker 1: They like her because she want to sleep with a 1231 01:03:15,040 --> 01:03:17,920 Speaker 1: white man. That's one thing to have an opinion, right, 1232 01:03:18,240 --> 01:03:21,080 Speaker 1: It's another to just hate. Cat had zero opinion on 1233 01:03:21,160 --> 01:03:24,400 Speaker 1: Little Rall's talent, Girard's talent, Hannibal's talent, Cass talent. He 1234 01:03:24,480 --> 01:03:26,200 Speaker 1: was just hating. If you would have said I don't 1235 01:03:26,200 --> 01:03:28,200 Speaker 1: find any of them funny. I don't know why people 1236 01:03:28,320 --> 01:03:30,600 Speaker 1: like them. I think these individuals are funny or cool. 1237 01:03:30,800 --> 01:03:33,640 Speaker 1: That's an opinion. But what does Rale, Gerard and Hannibal 1238 01:03:33,720 --> 01:03:37,120 Speaker 1: being ugly got to do with anything? Oh cads, girls 1239 01:03:37,160 --> 01:03:39,080 Speaker 1: would walk past them? And Lenox mall what that got 1240 01:03:39,080 --> 01:03:41,520 Speaker 1: to do with that talent? And then being funny? Not 1241 01:03:41,600 --> 01:03:44,680 Speaker 1: to mention, Tiffany Addas has a stand up special Car 1242 01:03:44,760 --> 01:03:46,919 Speaker 1: to Hood to Hollywood on Showtime. She's been on tour 1243 01:03:46,960 --> 01:03:48,720 Speaker 1: for a year. She's got another stand up coming on 1244 01:03:48,760 --> 01:03:51,800 Speaker 1: Netflix next year. Like, what's the point of lying the 1245 01:03:51,840 --> 01:03:54,960 Speaker 1: way Kat Williams is lying? And those white Hollywood executives 1246 01:03:54,960 --> 01:03:58,440 Speaker 1: that like Kevin Girard, Reral, Hannibal and tiff that's not 1247 01:03:58,520 --> 01:04:01,240 Speaker 1: the talent fault. The white actives like them. I mean, 1248 01:04:01,320 --> 01:04:03,480 Speaker 1: damn Cat, they used to like you too. But then 1249 01:04:03,520 --> 01:04:06,440 Speaker 1: you became an unensurable liability because you couldn't say out 1250 01:04:06,480 --> 01:04:09,920 Speaker 1: of trouble, simple as that. You became a liability to Hollywood. 1251 01:04:10,120 --> 01:04:12,600 Speaker 1: Kat Williams, I need you to know that destiny is 1252 01:04:12,640 --> 01:04:13,960 Speaker 1: not a matter of the chance, It is a matter 1253 01:04:13,960 --> 01:04:17,440 Speaker 1: of choice. In Kat Williams, you chose drugs over your career. 1254 01:04:18,080 --> 01:04:20,480 Speaker 1: Those are the facts, sir so kids, what is the 1255 01:04:20,560 --> 01:04:22,640 Speaker 1: lesson to be learned from all of this? Well, always 1256 01:04:22,680 --> 01:04:25,920 Speaker 1: remember someone who hates you normally hates you for one 1257 01:04:26,000 --> 01:04:27,920 Speaker 1: or three reasons. They either see you as a threat, 1258 01:04:28,200 --> 01:04:31,240 Speaker 1: they hate themselves, or they want to be Kat Williams 1259 01:04:31,280 --> 01:04:32,880 Speaker 1: looking in the mirror and ask yourself which one of 1260 01:04:32,960 --> 01:04:39,280 Speaker 1: you please give kat William's the biggest ye. All all right, 1261 01:04:39,320 --> 01:04:41,280 Speaker 1: it's not rocket science people. All right, we got more 1262 01:04:41,400 --> 01:04:44,720 Speaker 1: coming up next with a breakfast club, the Breakfast Club 1263 01:04:47,520 --> 01:04:52,080 Speaker 1: wanting everybody's dj MD Angela Yee, Charlomagne the guy we 1264 01:04:52,120 --> 01:04:55,160 Speaker 1: are the breakfast Club. It is time for ask yee. Hello? 1265 01:04:55,200 --> 01:04:58,240 Speaker 1: Who's this? Good morning? This is Quentin's from California. Quentin, 1266 01:04:58,240 --> 01:05:00,480 Speaker 1: what's upthing? What's your question for you? Bro? Before I 1267 01:05:00,520 --> 01:05:02,520 Speaker 1: go up? First, I like to let you know brother 1268 01:05:02,560 --> 01:05:06,520 Speaker 1: that you know, my God versus my enemies. Geared you're 1269 01:05:06,520 --> 01:05:10,560 Speaker 1: wearing is solid. Bro. You appreciate that. But a body 1270 01:05:10,560 --> 01:05:12,320 Speaker 1: a guy, if you want to order something happen. So 1271 01:05:12,440 --> 01:05:15,120 Speaker 1: my situation, what happened was, uh, you know, I'm actually 1272 01:05:15,120 --> 01:05:18,080 Speaker 1: looking for a wife, and you know I was bating 1273 01:05:18,080 --> 01:05:20,720 Speaker 1: this woman for about three and a half four months 1274 01:05:21,200 --> 01:05:24,320 Speaker 1: and you know, things are going really well. I introduced 1275 01:05:24,360 --> 01:05:27,760 Speaker 1: it to my family and we had one night where 1276 01:05:28,000 --> 01:05:30,360 Speaker 1: you know, we both we both made the agreement to 1277 01:05:30,600 --> 01:05:32,960 Speaker 1: not you know, you remain asking it. You know, some 1278 01:05:33,040 --> 01:05:34,800 Speaker 1: people I don't want the kids, but out of where, licker, 1279 01:05:34,800 --> 01:05:37,240 Speaker 1: that's just me. Okay, So we um, you know, we 1280 01:05:37,280 --> 01:05:40,439 Speaker 1: got real close, and you know, she stopped me and 1281 01:05:40,520 --> 01:05:43,680 Speaker 1: before we push, she let me allow me to proceed, 1282 01:05:44,040 --> 01:05:46,640 Speaker 1: which I didn't, but she let me know that she 1283 01:05:46,720 --> 01:05:50,960 Speaker 1: was transgender. Okay. My only my issue was I'm looking 1284 01:05:50,960 --> 01:05:53,400 Speaker 1: for a wife, you know, and immediately I couldn't. I 1285 01:05:53,400 --> 01:05:56,280 Speaker 1: couldn't continue the relationship because and that and that is 1286 01:05:56,640 --> 01:05:59,320 Speaker 1: your choice. And at least she did tell you that 1287 01:05:59,360 --> 01:06:01,920 Speaker 1: before you got had sex, because I think that's a 1288 01:06:01,920 --> 01:06:05,320 Speaker 1: difficult thing for a person to say off the bat, 1289 01:06:05,400 --> 01:06:07,880 Speaker 1: just in case things don't work out. You know, maybe 1290 01:06:07,960 --> 01:06:11,440 Speaker 1: they don't want to tell everything about themselves upfront. How 1291 01:06:11,480 --> 01:06:13,040 Speaker 1: do you feel now, do you still feel like you 1292 01:06:13,080 --> 01:06:16,360 Speaker 1: want to be with her as feelings? Oh no, I 1293 01:06:16,360 --> 01:06:18,600 Speaker 1: don't have any feelings, no, because I can't have kids. 1294 01:06:18,600 --> 01:06:21,280 Speaker 1: Would okay, you know, I mean to me, you know, 1295 01:06:21,320 --> 01:06:24,200 Speaker 1: and I felt that she's a woman, but Okay, I 1296 01:06:24,200 --> 01:06:27,600 Speaker 1: feel you want her to biologically carry a child. It's 1297 01:06:27,640 --> 01:06:31,960 Speaker 1: hard to not make it seem like um to be offensive, 1298 01:06:32,000 --> 01:06:35,160 Speaker 1: but okay, so yeah, you feel like you wish you 1299 01:06:35,160 --> 01:06:37,480 Speaker 1: would have known this because you wouldn't pursue the relationship. 1300 01:06:37,520 --> 01:06:39,680 Speaker 1: But now that you have found out, you guys didn't 1301 01:06:39,720 --> 01:06:42,840 Speaker 1: have sex. It didn't get that far, and now she 1302 01:06:42,960 --> 01:06:45,400 Speaker 1: revealed something about herself and you've decided that you can't 1303 01:06:45,440 --> 01:06:47,920 Speaker 1: continue the relationship. So it just didn't work out, just 1304 01:06:48,000 --> 01:06:50,160 Speaker 1: like any relationship wouldn't work out. But I feel like 1305 01:06:50,200 --> 01:06:52,200 Speaker 1: it if I mean, at least give me the option. 1306 01:06:52,400 --> 01:06:55,000 Speaker 1: But Quentin, you want her to tell you, like immediately 1307 01:06:55,040 --> 01:06:57,120 Speaker 1: when your first went on your first date, or when 1308 01:06:57,280 --> 01:06:59,240 Speaker 1: when she feels like she knows you well enough to 1309 01:06:59,240 --> 01:07:01,480 Speaker 1: share things with you about her past. I feel like 1310 01:07:01,560 --> 01:07:05,160 Speaker 1: the moment, the moment we became, we weren't sexually intimate, 1311 01:07:05,200 --> 01:07:08,520 Speaker 1: but there is some intimacy involved. Okay, I'm thirty two 1312 01:07:08,560 --> 01:07:11,479 Speaker 1: years old, I've only introduced two women to my mother's right. 1313 01:07:11,760 --> 01:07:14,439 Speaker 1: I feel for your question. Listen, I understand like it's 1314 01:07:14,440 --> 01:07:17,960 Speaker 1: a difficult situation, and every situation is different for the person. 1315 01:07:18,360 --> 01:07:20,440 Speaker 1: You know. At least she did reveal to you before 1316 01:07:20,640 --> 01:07:23,520 Speaker 1: things went there, who she was, and you know you 1317 01:07:23,640 --> 01:07:25,760 Speaker 1: love this woman, but now you feel like that's not 1318 01:07:25,800 --> 01:07:27,960 Speaker 1: somebody you could be with because of where you see 1319 01:07:28,000 --> 01:07:30,600 Speaker 1: yourself later on in life with marriage and everything in children. 1320 01:07:30,760 --> 01:07:32,640 Speaker 1: But I feel them before we get intimate, before you 1321 01:07:32,680 --> 01:07:34,560 Speaker 1: kissed me, like, let's let's be honest, I want to 1322 01:07:34,560 --> 01:07:36,360 Speaker 1: know what's going on in your life. I wouldn't want 1323 01:07:36,360 --> 01:07:37,800 Speaker 1: to know as well. Well, yeah she did tell them 1324 01:07:37,800 --> 01:07:42,600 Speaker 1: before they had sex. We've had unaccountable, passionate kisses, I'm saying, 1325 01:07:42,640 --> 01:07:45,480 Speaker 1: and I respected the person. So if they could have 1326 01:07:45,480 --> 01:07:48,800 Speaker 1: come for while we established that respect, I couldn't have 1327 01:07:48,800 --> 01:07:52,080 Speaker 1: had these these deal feelings. Can you imagine how difficult 1328 01:07:52,080 --> 01:07:55,360 Speaker 1: that must be for her? Though also aspires dating. I'm just, 1329 01:07:55,520 --> 01:07:59,640 Speaker 1: you know, putting it out there and I understand and 1330 01:07:59,760 --> 01:08:04,280 Speaker 1: that's sense. However, if if we're trying to have a solid, 1331 01:08:04,520 --> 01:08:07,640 Speaker 1: keep it one hundred relationship at the very end, I 1332 01:08:07,680 --> 01:08:10,680 Speaker 1: couldn't at least had a friend, right. My mom actually 1333 01:08:10,680 --> 01:08:12,840 Speaker 1: called on to it. She said it's something that didn't 1334 01:08:12,840 --> 01:08:14,280 Speaker 1: add up to try to have a heart to heart 1335 01:08:14,400 --> 01:08:17,920 Speaker 1: woman A woman she said, feel like a woman to her. Okay, 1336 01:08:18,040 --> 01:08:21,400 Speaker 1: and that's just from my mom's perspective, but the fact 1337 01:08:21,439 --> 01:08:24,280 Speaker 1: that I love women. A matter of fact, you probably 1338 01:08:24,280 --> 01:08:27,320 Speaker 1: one of the most beautiful, natural looking women that I've seen. 1339 01:08:27,520 --> 01:08:32,639 Speaker 1: She's taken. She's taken, so that's okay. She has a boyfriend, 1340 01:08:33,080 --> 01:08:35,800 Speaker 1: has a boyfriend. But don't let this, don't let this 1341 01:08:35,920 --> 01:08:38,000 Speaker 1: make you give up on finding the right person, because, 1342 01:08:38,000 --> 01:08:40,360 Speaker 1: you know what, relationships don't always work out no matter 1343 01:08:40,400 --> 01:08:43,160 Speaker 1: what the situation is. There's different reasons why. But you 1344 01:08:43,240 --> 01:08:45,040 Speaker 1: just just got to put yourself out there and learn 1345 01:08:45,080 --> 01:08:46,840 Speaker 1: from everything that happens to you. Did she give you 1346 01:08:47,000 --> 01:08:51,320 Speaker 1: oral unfortunately? Yes? Unfortunately? Why it wasn't good? I mean 1347 01:08:51,360 --> 01:08:53,519 Speaker 1: it was, it was good, man, But then it doesn't 1348 01:08:53,560 --> 01:08:56,639 Speaker 1: sound unfortunately it was good. I mean I was harder 1349 01:08:56,640 --> 01:08:59,439 Speaker 1: than Chinese trig. I tell you that. Okay, well there 1350 01:08:59,439 --> 01:09:01,960 Speaker 1: you go. I don't know. It sounds like you still 1351 01:09:02,000 --> 01:09:06,840 Speaker 1: have some feelings, but he does. Listen, don't worry about 1352 01:09:06,880 --> 01:09:09,160 Speaker 1: what other people think. Just worry about how you feel. Now. 1353 01:09:09,160 --> 01:09:11,200 Speaker 1: I understand feeling like you. Wish you would have known 1354 01:09:11,280 --> 01:09:15,000 Speaker 1: so you could have made that decision earlier. But love 1355 01:09:15,120 --> 01:09:17,360 Speaker 1: is love. So what's your question for you? Bro? Thing 1356 01:09:17,560 --> 01:09:21,639 Speaker 1: is I'm having issues, you know, with trust? Just in general, 1357 01:09:21,680 --> 01:09:25,800 Speaker 1: how do I go about not assuming you know and 1358 01:09:25,880 --> 01:09:30,479 Speaker 1: having to do like gender tests, Just ask those questions 1359 01:09:30,479 --> 01:09:32,760 Speaker 1: you never asked her, right, I mean, she didn't lie 1360 01:09:32,800 --> 01:09:34,840 Speaker 1: to you. Ask that question on the first day. How 1361 01:09:34,840 --> 01:09:36,120 Speaker 1: do you ask that question on the first day. You 1362 01:09:36,120 --> 01:09:38,880 Speaker 1: can say I've had it an experience before. I'm trying 1363 01:09:38,920 --> 01:09:41,960 Speaker 1: to you know what I'm trying to do. So I 1364 01:09:42,040 --> 01:09:44,760 Speaker 1: mean the in the first in the first ninety days, 1365 01:09:44,760 --> 01:09:46,519 Speaker 1: I asked if she had if she ever had an STD. 1366 01:09:46,600 --> 01:09:47,960 Speaker 1: I mean, I thought that was kind of you know, 1367 01:09:47,960 --> 01:09:50,960 Speaker 1: because that's not the same question, sir. No matter what, 1368 01:09:51,080 --> 01:09:54,280 Speaker 1: right relationships are difficult, no matter what. It takes a 1369 01:09:54,280 --> 01:09:56,320 Speaker 1: while for us to find the right one sometimes, but 1370 01:09:56,360 --> 01:09:58,360 Speaker 1: when it does happen, it's the best thing in the world. 1371 01:09:58,680 --> 01:10:00,479 Speaker 1: I would tell you, man, you can aren't just not 1372 01:10:00,520 --> 01:10:03,360 Speaker 1: trust go around not trusting people because of this experience. 1373 01:10:03,560 --> 01:10:05,680 Speaker 1: And to keep it real, she didn't lie to you, 1374 01:10:05,720 --> 01:10:08,320 Speaker 1: and she did come clean to you without you having 1375 01:10:08,360 --> 01:10:12,000 Speaker 1: to ask her to. So you just feel deceived, and 1376 01:10:12,120 --> 01:10:14,360 Speaker 1: I get it. But no matter what, in relationships is 1377 01:10:14,360 --> 01:10:15,760 Speaker 1: a lot of things people aren't going to tell you 1378 01:10:15,760 --> 01:10:17,840 Speaker 1: from the beginning that you have to find out as 1379 01:10:17,840 --> 01:10:20,120 Speaker 1: they trust you and you trust them. I'm sure there's 1380 01:10:20,160 --> 01:10:22,400 Speaker 1: things that you held back on telling at first. I 1381 01:10:22,400 --> 01:10:26,040 Speaker 1: mean it's the vulnerability, the vulnerability piece. I actually share 1382 01:10:26,080 --> 01:10:28,120 Speaker 1: some things for her that I actually didn't share with 1383 01:10:28,160 --> 01:10:30,840 Speaker 1: any past women. And that's I think that's the part 1384 01:10:30,840 --> 01:10:34,160 Speaker 1: wropped up, betrayed. But it's moving forward. I'm not sure 1385 01:10:34,240 --> 01:10:36,400 Speaker 1: how to even and she shared some things with you 1386 01:10:36,479 --> 01:10:39,720 Speaker 1: as well. That's what relationships are. Try try Christian mingo, Bro, 1387 01:10:39,880 --> 01:10:43,480 Speaker 1: I appreciate that. Brother. All right, man, good luck. Man's 1388 01:10:43,520 --> 01:10:46,800 Speaker 1: never even been on Christian. I'm you hooie man? What's size? 1389 01:10:48,240 --> 01:10:53,920 Speaker 1: I got your size? What are not? What's your size? Bro? Pause? 1390 01:10:54,120 --> 01:10:56,360 Speaker 1: Why are you pausing? His side reacts, all right, man, 1391 01:10:56,360 --> 01:10:59,000 Speaker 1: we're gonna get you. Reacts you're a big guy. Well, 1392 01:10:59,000 --> 01:11:01,200 Speaker 1: we're gonna get you. Get your hoodie. Bro. Oh, I 1393 01:11:01,240 --> 01:11:04,360 Speaker 1: appreciate it, all right. Ask ye eight hundred five eighty 1394 01:11:04,400 --> 01:11:06,160 Speaker 1: five one on five one if you got a question 1395 01:11:06,160 --> 01:11:07,800 Speaker 1: for Ye? Calling now? It was the breakfast club. Good 1396 01:11:07,840 --> 01:11:11,439 Speaker 1: morning you are the breakfast club? Is time to ask yee? Hello? 1397 01:11:11,479 --> 01:11:14,760 Speaker 1: Who's this? Juicy? Juicy? Okay, juicy? What's your question for Ye? 1398 01:11:14,960 --> 01:11:19,160 Speaker 1: So basically I feel like I understand celebrities feel like, 1399 01:11:19,320 --> 01:11:21,559 Speaker 1: you know, all their fans are crazy or whatever. But 1400 01:11:21,640 --> 01:11:24,000 Speaker 1: I feel like if I go to every show, like 1401 01:11:24,040 --> 01:11:26,160 Speaker 1: I'm up there supporting you. I'm telling all my home 1402 01:11:26,200 --> 01:11:28,759 Speaker 1: girls about you. I play your music all the time. 1403 01:11:28,920 --> 01:11:31,680 Speaker 1: You know, anytime you come out, I'm there supporting you. 1404 01:11:31,880 --> 01:11:35,200 Speaker 1: If I respectfully ask you succumb with you know a 1405 01:11:35,360 --> 01:11:38,320 Speaker 1: company to my appointment, you know that basically it's gonna 1406 01:11:38,360 --> 01:11:39,760 Speaker 1: let me know if I got breast cancer or not. 1407 01:11:40,080 --> 01:11:42,439 Speaker 1: If I ask you as a fan, like, hey, I 1408 01:11:42,560 --> 01:11:45,400 Speaker 1: have you know, a lump in my breast, and you know, 1409 01:11:45,520 --> 01:11:48,840 Speaker 1: I have two appointments and the results you know, come out, 1410 01:11:49,160 --> 01:11:51,439 Speaker 1: you know, on the second appointment. And I wait, now, 1411 01:11:51,439 --> 01:11:54,920 Speaker 1: who who are you asking? You're asking celebrities, just random 1412 01:11:55,560 --> 01:11:58,040 Speaker 1: as well. The person I asked, I've met him three times, 1413 01:11:58,080 --> 01:12:00,360 Speaker 1: so he knows. You know, I'm not like a crazy 1414 01:12:00,360 --> 01:12:05,520 Speaker 1: fan like I'm a familyho's met him. Okay, juicy, juicy, 1415 01:12:05,880 --> 01:12:08,720 Speaker 1: all right? So I support you as an artist, and 1416 01:12:09,000 --> 01:12:10,519 Speaker 1: I asked you to. I want you to find out 1417 01:12:10,520 --> 01:12:13,320 Speaker 1: if I got breadcast or not. I'm crazy, yes, well, juicy, 1418 01:12:13,520 --> 01:12:17,519 Speaker 1: celebrity or not. You've met somebody three times, right, and 1419 01:12:17,600 --> 01:12:19,840 Speaker 1: you ask him the comments. I wouldn't ask somebody I 1420 01:12:20,360 --> 01:12:22,559 Speaker 1: met three times? Did you ask your mama? What about 1421 01:12:22,600 --> 01:12:25,160 Speaker 1: your daddy? Yeah? What about women? One of your best 1422 01:12:25,200 --> 01:12:28,160 Speaker 1: friends or something? My mama is there and my dad 1423 01:12:28,280 --> 01:12:31,559 Speaker 1: is he's not here, so I'm not here. I have phones. 1424 01:12:31,600 --> 01:12:33,599 Speaker 1: Then you have family. But I feel like you know, 1425 01:12:33,680 --> 01:12:36,920 Speaker 1: you're somebody that you know is able to help me 1426 01:12:36,920 --> 01:12:38,920 Speaker 1: in the sense that I wouldn't be in there crime. 1427 01:12:39,000 --> 01:12:41,280 Speaker 1: I wouldn't die if I found out, you know what 1428 01:12:41,280 --> 01:12:43,640 Speaker 1: I mean. I don't want to say that because I 1429 01:12:43,640 --> 01:12:46,320 Speaker 1: don't want to be like a I'm not a crazy person, 1430 01:12:46,400 --> 01:12:48,519 Speaker 1: and I don't feel like I'm crazy for asking you 1431 01:12:48,800 --> 01:12:51,640 Speaker 1: to help. Who is the celebrity? So Juicy said, let 1432 01:12:51,680 --> 01:12:54,040 Speaker 1: me okay? So he blocked you after you asked Yes, 1433 01:12:54,400 --> 01:12:56,799 Speaker 1: It's not like I was like, you know, crazier or anything, 1434 01:12:56,800 --> 01:12:58,760 Speaker 1: and I felt like I was. I said, I would 1435 01:12:58,760 --> 01:13:01,160 Speaker 1: be grateful to have this, That's what I said. I 1436 01:13:01,240 --> 01:13:02,840 Speaker 1: think you should tell us who it is so maybe 1437 01:13:02,840 --> 01:13:04,640 Speaker 1: he'll feel guilty and then maybe he'll go with you 1438 01:13:04,640 --> 01:13:07,559 Speaker 1: on your next support Who is the person? Let's nest up. 1439 01:13:07,640 --> 01:13:13,120 Speaker 1: I can't I feel like a singer? Yes, trade songs? 1440 01:13:13,400 --> 01:13:19,040 Speaker 1: Se with him? Why trade is trade. It's trade, right, 1441 01:13:19,320 --> 01:13:23,240 Speaker 1: that was so sad. It's trade. I know it was trade. 1442 01:13:23,320 --> 01:13:24,920 Speaker 1: The reason I know it was trade is only trades. 1443 01:13:24,960 --> 01:13:27,479 Speaker 1: Fans would feel like he's close enough with them to 1444 01:13:27,600 --> 01:13:31,360 Speaker 1: ask him to go right now? What is it so silly? Like, 1445 01:13:31,760 --> 01:13:35,240 Speaker 1: I'm sorry, I will just juicy Juicy Juicy supporting the 1446 01:13:35,320 --> 01:13:37,559 Speaker 1: whole music world because I feel like if I support 1447 01:13:37,600 --> 01:13:39,800 Speaker 1: you to that level, like I spent a lot of money, 1448 01:13:40,040 --> 01:13:42,920 Speaker 1: I traveled to shows like I was not because you know, 1449 01:13:43,120 --> 01:13:45,160 Speaker 1: like I wanted something to return, just because I wanted 1450 01:13:45,160 --> 01:13:49,400 Speaker 1: to support you as a fan, I'm like, you're I 1451 01:13:49,439 --> 01:13:51,439 Speaker 1: just want to say something here. Number one, I just 1452 01:13:51,439 --> 01:13:53,200 Speaker 1: want to tell you I am sorry that you're dealing 1453 01:13:53,240 --> 01:13:55,639 Speaker 1: with this with the lump in your breast and having 1454 01:13:55,640 --> 01:13:58,120 Speaker 1: to go to these appointments and everything. I'm not crazy. 1455 01:13:58,240 --> 01:14:01,080 Speaker 1: I'm not. I'm a very good person. Like I'm I 1456 01:14:01,200 --> 01:14:03,320 Speaker 1: do a lot of people like I take your own 1457 01:14:03,320 --> 01:14:07,400 Speaker 1: my siblings. I'm the oldest mama more than seven times 1458 01:14:07,400 --> 01:14:10,680 Speaker 1: in a five minute commentation. But but JUSI let me 1459 01:14:10,800 --> 01:14:13,800 Speaker 1: let me explain something to you. Okay, the artist is 1460 01:14:13,800 --> 01:14:16,800 Speaker 1: not asking you personally. Hey I need you to come 1461 01:14:16,800 --> 01:14:18,439 Speaker 1: to my show. Hey, I need You're doing this out 1462 01:14:18,439 --> 01:14:20,120 Speaker 1: of your own free will, and you should never do 1463 01:14:20,240 --> 01:14:23,080 Speaker 1: things to support people expecting them to do something for 1464 01:14:23,120 --> 01:14:24,880 Speaker 1: you in return. You should do it because you want 1465 01:14:24,880 --> 01:14:27,280 Speaker 1: to do it. You're right, You're right. So if you 1466 01:14:27,320 --> 01:14:31,120 Speaker 1: really support a person, and you're you know, a true, 1467 01:14:31,120 --> 01:14:34,320 Speaker 1: true person that feels like connected to somebody, you go 1468 01:14:34,400 --> 01:14:36,640 Speaker 1: to those shows. You spend your money because you want to, 1469 01:14:36,680 --> 01:14:39,120 Speaker 1: because it makes you feel good, and you should not say, well, 1470 01:14:39,120 --> 01:14:40,880 Speaker 1: because I've done this for you, you need to do 1471 01:14:40,920 --> 01:14:43,400 Speaker 1: this for me. I'm not. I'm just saying that I 1472 01:14:43,479 --> 01:14:47,120 Speaker 1: feel like when I did. How about you could ask 1473 01:14:47,160 --> 01:14:49,080 Speaker 1: him to just hey, can you offer me some kind 1474 01:14:49,120 --> 01:14:50,800 Speaker 1: words or let me know that I'm in your thoughts 1475 01:14:50,800 --> 01:14:53,559 Speaker 1: things like that. But you can't expect him to leave 1476 01:14:53,560 --> 01:14:56,320 Speaker 1: what he has to do in his responsibilities. He's only 1477 01:14:56,360 --> 01:14:59,200 Speaker 1: met you three times, and I'm sure it does appreciate 1478 01:14:59,280 --> 01:15:01,519 Speaker 1: your support and he loves the fact that you come 1479 01:15:01,560 --> 01:15:04,360 Speaker 1: out and support him. But you should never do anything 1480 01:15:04,360 --> 01:15:07,120 Speaker 1: in life expecting something in return. I never expect anybody 1481 01:15:07,120 --> 01:15:08,800 Speaker 1: to do anything for me. I can ask him. If 1482 01:15:08,840 --> 01:15:10,960 Speaker 1: you say no, I have to respect that. You sound 1483 01:15:11,160 --> 01:15:14,640 Speaker 1: very entitled. You're right, and I do respect that you 1484 01:15:14,680 --> 01:15:18,519 Speaker 1: don't even offer that man falaio or nothing. How you 1485 01:15:18,560 --> 01:15:20,760 Speaker 1: know I did. I asked him out. I was like, hey, 1486 01:15:20,800 --> 01:15:24,000 Speaker 1: I'll take you to dinner. You know. You know what 1487 01:15:24,200 --> 01:15:26,720 Speaker 1: did you say? I will give you falatio out of well? 1488 01:15:26,760 --> 01:15:29,400 Speaker 1: I mean it's tray thongs. He should already know that. Like, 1489 01:15:29,479 --> 01:15:36,440 Speaker 1: it's not true, true girl, this is not okay, my goodness, anyway, 1490 01:15:36,800 --> 01:15:40,280 Speaker 1: just leave him alone, don't expect anything, continue to be 1491 01:15:40,320 --> 01:15:43,280 Speaker 1: a fan and a supporter, and just chill. Jus, you 1492 01:15:43,320 --> 01:15:45,479 Speaker 1: got it For things like that. You really have to 1493 01:15:45,520 --> 01:15:47,680 Speaker 1: call on people that are very close to you, not 1494 01:15:47,880 --> 01:15:52,680 Speaker 1: somebody that you've met three times. When I told my grandma, like, 1495 01:15:52,800 --> 01:15:54,439 Speaker 1: she just was like, oh my god, it's the end 1496 01:15:54,439 --> 01:15:56,320 Speaker 1: of the world. So I stopped telling people. You know, 1497 01:15:56,400 --> 01:15:58,240 Speaker 1: I was like, oh, well, I can't tell nobody else 1498 01:15:58,280 --> 01:16:00,679 Speaker 1: because she started crying. She's like, oh, You're gonna die. 1499 01:16:00,800 --> 01:16:03,000 Speaker 1: Like so I was like, if I told anybody else 1500 01:16:03,040 --> 01:16:07,080 Speaker 1: post to me. She says, she does, ump. You got 1501 01:16:07,120 --> 01:16:11,479 Speaker 1: breast She got a lot breast cancer. She doesn't know 1502 01:16:11,479 --> 01:16:12,720 Speaker 1: what it is. But you don't know what it is. 1503 01:16:12,760 --> 01:16:19,240 Speaker 1: But I think the damn doctor doctor. I made two appointments, 1504 01:16:19,240 --> 01:16:20,880 Speaker 1: and that's why I told him. I was like, Hey, 1505 01:16:20,920 --> 01:16:22,439 Speaker 1: could you come me for the one where she's gonna 1506 01:16:22,479 --> 01:16:25,080 Speaker 1: get trade someone to go to the doctor. Yeah, just 1507 01:16:25,160 --> 01:16:27,439 Speaker 1: go hand to your business and worry about yourself. Okay, 1508 01:16:27,720 --> 01:16:29,679 Speaker 1: if you don't hang up on this dumb ass girl. Hey, 1509 01:16:29,680 --> 01:16:34,080 Speaker 1: oh my god, good like you, man, I would have 1510 01:16:34,680 --> 01:16:36,720 Speaker 1: that you don't have. And you we haven't trying to 1511 01:16:36,760 --> 01:16:39,160 Speaker 1: have patience with these people. And then you're talking to 1512 01:16:39,200 --> 01:16:41,240 Speaker 1: them and as soon as you call it, stupid, you 1513 01:16:41,360 --> 01:16:43,559 Speaker 1: the bad guy. That was the dumbest thing I ever 1514 01:16:43,560 --> 01:16:47,240 Speaker 1: heard of, Charloman and hit up ye and asked them 1515 01:16:47,240 --> 01:16:49,639 Speaker 1: to go with you. I'm not coming with you, Charlomagne. Busy. 1516 01:16:49,680 --> 01:16:52,280 Speaker 1: I got two daughters, I work hard, I got a 1517 01:16:52,280 --> 01:16:53,880 Speaker 1: lot of other things that I got to deal with 1518 01:16:54,120 --> 01:16:57,920 Speaker 1: you with your little entitled ass Shaloman daddy, Okay, crazy, 1519 01:16:58,160 --> 01:17:00,840 Speaker 1: all right, we got more coming up next. The Breakfast Club, 1520 01:17:01,400 --> 01:17:09,160 Speaker 1: The Breakfast Club Morning, Everybody's DJ Envy Angela Yee, Charlemagne, 1521 01:17:09,200 --> 01:17:12,599 Speaker 1: the guy we are the Breakfast Club as c n E. Hello, 1522 01:17:12,640 --> 01:17:17,080 Speaker 1: who's this? Hey? This is an Annie? Was he? I 1523 01:17:17,160 --> 01:17:20,200 Speaker 1: love Orlando. My aunt lives in Orlando. What's your question 1524 01:17:20,200 --> 01:17:23,160 Speaker 1: for city? All right? So I'm calling it because I've 1525 01:17:23,160 --> 01:17:26,599 Speaker 1: been with my boyfriend for twelve years and we're not married. 1526 01:17:27,000 --> 01:17:32,920 Speaker 1: I'm really frustrated. I'm a professional, a go getter, I'm beautiful, 1527 01:17:33,560 --> 01:17:36,400 Speaker 1: and I just don't understand why I can't get him 1528 01:17:36,439 --> 01:17:41,080 Speaker 1: to seriously think about and consider marriage as as possible. 1529 01:17:41,160 --> 01:17:44,640 Speaker 1: Let me, let me, let me handle this question. Let 1530 01:17:44,680 --> 01:17:48,080 Speaker 1: me handle this one. Any kids. Mommy got kids. I 1531 01:17:48,200 --> 01:17:50,559 Speaker 1: have children. He does not. All right, let me handle 1532 01:17:50,600 --> 01:17:53,280 Speaker 1: this one. I've been with my wife. I was with 1533 01:17:53,280 --> 01:17:56,599 Speaker 1: my wife since nineteen ninety eight. I proposed to her 1534 01:17:56,680 --> 01:17:59,880 Speaker 1: in two thousand and thirteen, so you do the math 1535 01:18:00,040 --> 01:18:02,679 Speaker 1: from nineteen ninety years a long term two thousand and three, 1536 01:18:03,160 --> 01:18:05,320 Speaker 1: all right, so you know, it just takes us a 1537 01:18:05,320 --> 01:18:07,960 Speaker 1: little bit of time. Plus you already got two kids, 1538 01:18:08,000 --> 01:18:09,400 Speaker 1: so you know what I'm saying. He may not want 1539 01:18:09,400 --> 01:18:13,800 Speaker 1: to take on all that baggage, all right, But but 1540 01:18:13,920 --> 01:18:15,960 Speaker 1: y'all been together twelve years, so I'm clear. I'm sure 1541 01:18:16,000 --> 01:18:18,800 Speaker 1: he loves those kids like there his own. So just 1542 01:18:18,880 --> 01:18:21,760 Speaker 1: get just give them some time. Bo, do you live 1543 01:18:21,800 --> 01:18:25,680 Speaker 1: with them? We live together? Yes, y'all live together. Has 1544 01:18:25,720 --> 01:18:27,880 Speaker 1: he been saving? Maybe he's shaving for the perfect ring 1545 01:18:27,880 --> 01:18:31,200 Speaker 1: and the perfect wedding. Is that possible. Listen, listen at 1546 01:18:31,240 --> 01:18:33,720 Speaker 1: this point, I don't even care about any of that. 1547 01:18:33,800 --> 01:18:36,280 Speaker 1: I really don't like you want to get married. You 1548 01:18:36,320 --> 01:18:40,200 Speaker 1: want to get married, I do. I do. Saddling, Jello 1549 01:18:40,280 --> 01:18:42,960 Speaker 1: starting to saddle, Stop it, Jello starting to sad. I 1550 01:18:43,000 --> 01:18:46,680 Speaker 1: have the conversation yet, We've been having a conversation for 1551 01:18:46,800 --> 01:18:48,640 Speaker 1: a long time, and for me, I just want to 1552 01:18:48,640 --> 01:18:51,080 Speaker 1: make sure that he is a solid you know. I 1553 01:18:51,160 --> 01:18:52,960 Speaker 1: want to make sure he's sure. I don't want to 1554 01:18:52,960 --> 01:18:55,840 Speaker 1: play any games. M O. Y'all been together twelve years. 1555 01:18:55,920 --> 01:18:57,320 Speaker 1: If you're not gonna marry you by now, if you 1556 01:18:57,360 --> 01:18:59,240 Speaker 1: don't know about now, you ain't the one listening. How 1557 01:18:59,240 --> 01:19:04,000 Speaker 1: old are the kids? My all this, it's sixteen. Have 1558 01:19:04,080 --> 01:19:06,160 Speaker 1: the sixteen year old? No, who's the youngest. What's the 1559 01:19:06,240 --> 01:19:09,000 Speaker 1: youngest one? The youngest one is twelve. I have the 1560 01:19:09,040 --> 01:19:12,400 Speaker 1: youngest one. Say when you're gonna marry my mama? Straight 1561 01:19:12,479 --> 01:19:15,320 Speaker 1: like that. I'm telling you tell her today to walk 1562 01:19:15,439 --> 01:19:17,479 Speaker 1: up on daddy and say when you're gonna marry my mama, 1563 01:19:17,520 --> 01:19:19,479 Speaker 1: when you're gonna make an honest woman out of my mama? 1564 01:19:19,479 --> 01:19:22,240 Speaker 1: Stop her staying like Cardi bars in that picture and 1565 01:19:22,280 --> 01:19:24,000 Speaker 1: put her hand on her hid and say my mama said, 1566 01:19:24,000 --> 01:19:25,519 Speaker 1: you ain't gonna make an honest woman out of her? 1567 01:19:25,560 --> 01:19:29,800 Speaker 1: All right, okay, I yes, the point where I feel 1568 01:19:29,920 --> 01:19:32,360 Speaker 1: like it's either now or never. I feel like I'm 1569 01:19:32,400 --> 01:19:34,640 Speaker 1: at the point where I want to move on, Like 1570 01:19:35,320 --> 01:19:37,920 Speaker 1: how old are you? No, I feel the same way. 1571 01:19:38,040 --> 01:19:39,800 Speaker 1: I feel the same way. Let's move on from this phone, car, 1572 01:19:39,800 --> 01:19:41,240 Speaker 1: I already told you what you do, all right, I 1573 01:19:42,400 --> 01:19:44,640 Speaker 1: hold the box from hold the box for a little bit. 1574 01:19:44,680 --> 01:19:46,519 Speaker 1: Don't let him get ne of that box until he stay, 1575 01:19:46,560 --> 01:19:50,360 Speaker 1: story starts thinking right, all right? Thanks? Oh sorry, hello, 1576 01:19:50,400 --> 01:19:55,559 Speaker 1: who's this? Hey? Jasmine asked me this morning. Good morning, Jasmine. Um, 1577 01:19:55,680 --> 01:19:58,240 Speaker 1: I was asking because I've been a single for two 1578 01:19:58,360 --> 01:20:00,519 Speaker 1: years and I'm just being back in the day and see, 1579 01:20:00,840 --> 01:20:03,840 Speaker 1: and I've been kind of uncomfortable with dating now because 1580 01:20:03,840 --> 01:20:05,479 Speaker 1: I don't really know how anymore. So I want to know, 1581 01:20:05,600 --> 01:20:07,479 Speaker 1: like what should I do? Like, what do you mean 1582 01:20:07,520 --> 01:20:08,680 Speaker 1: you don't know how to date? All? You gotta do 1583 01:20:08,720 --> 01:20:11,200 Speaker 1: a show up? Both. Yeah, it's about that easy, because 1584 01:20:11,200 --> 01:20:13,320 Speaker 1: I'll be it's like little things that turns me off 1585 01:20:13,360 --> 01:20:16,400 Speaker 1: about a guy, like what like I don't know, it'll 1586 01:20:16,400 --> 01:20:18,360 Speaker 1: be something that he says or doub or it's just 1587 01:20:18,560 --> 01:20:20,599 Speaker 1: I don't know, it'll be something, Patty, but I need 1588 01:20:20,680 --> 01:20:23,519 Speaker 1: to get past on safe. Have you been having sex 1589 01:20:23,560 --> 01:20:26,400 Speaker 1: over the past couple of years. Yeah, okay, then so 1590 01:20:26,439 --> 01:20:28,720 Speaker 1: if you can have sex, you can date. How you 1591 01:20:28,800 --> 01:20:30,519 Speaker 1: been letting these guys get the box? You've just been 1592 01:20:30,600 --> 01:20:33,080 Speaker 1: giving it to him here, We've been going on dates. 1593 01:20:33,160 --> 01:20:34,840 Speaker 1: But I'm just saying that, sorry, they want to move 1594 01:20:34,880 --> 01:20:37,280 Speaker 1: to the next level. But I'm not really like ready, Like, 1595 01:20:37,400 --> 01:20:40,360 Speaker 1: how do I How old are you? I'm twenty seven? Oh, 1596 01:20:40,479 --> 01:20:42,240 Speaker 1: twenty seven? Okay, so you're just playing the field. You 1597 01:20:42,280 --> 01:20:44,240 Speaker 1: just have a little fun right now. Yeah, every month, 1598 01:20:44,400 --> 01:20:46,000 Speaker 1: you got three more years to be a hole, so 1599 01:20:46,200 --> 01:20:48,080 Speaker 1: you know, call us back in three years. I'm saying, 1600 01:20:48,320 --> 01:20:50,559 Speaker 1: you got three more years. You got three more years 1601 01:20:50,640 --> 01:20:52,760 Speaker 1: to go through your whole phase. After thirty you kind 1602 01:20:52,800 --> 01:20:54,800 Speaker 1: of can't hold like you want to, Okay, So I 1603 01:20:54,960 --> 01:20:57,320 Speaker 1: just wait on making them, you know, want to go 1604 01:20:57,400 --> 01:21:01,920 Speaker 1: to the next level or should just enjoy yourself absolutely 1605 01:21:02,080 --> 01:21:04,519 Speaker 1: and if all else feels, If all else feels, just 1606 01:21:04,600 --> 01:21:07,400 Speaker 1: remember Laura being crossed. Stop. But if enjoy yourself. But 1607 01:21:07,439 --> 01:21:09,880 Speaker 1: I'm sure if that special certabody comes you feel it. 1608 01:21:10,120 --> 01:21:13,479 Speaker 1: Didn't know what that feels like okay, all right, good luck, 1609 01:21:13,680 --> 01:21:16,200 Speaker 1: all right, thank you, you're welcome. Mama, Todhi, good morning. 1610 01:21:17,200 --> 01:21:20,080 Speaker 1: It's as ce mama. Yes, I was asking and learning 1611 01:21:20,120 --> 01:21:22,880 Speaker 1: about pre marital sex. How do you guys feel about 1612 01:21:23,360 --> 01:21:26,960 Speaker 1: not getting that before marriage? Oh? I mean I had 1613 01:21:27,040 --> 01:21:28,760 Speaker 1: sex with my wife before we got married, and I'm 1614 01:21:28,840 --> 01:21:31,840 Speaker 1: Charlottagne definitely has sex with his wife. I think you 1615 01:21:31,920 --> 01:21:33,360 Speaker 1: need to test it out. I mean, I think you 1616 01:21:33,439 --> 01:21:35,200 Speaker 1: need to make sure that you know that you guys 1617 01:21:35,240 --> 01:21:37,839 Speaker 1: are compatibly sexually, because you might get into a situation 1618 01:21:37,960 --> 01:21:39,840 Speaker 1: where you hate it. You know, he might not know 1619 01:21:39,880 --> 01:21:41,519 Speaker 1: where he's putting this penis, he might put it in 1620 01:21:41,600 --> 01:21:43,600 Speaker 1: your You just don't like it. And I'm gonna be 1621 01:21:43,600 --> 01:21:46,400 Speaker 1: honest with you. Pre marital sex is something that the 1622 01:21:46,479 --> 01:21:49,320 Speaker 1: white man created to make the divorce rates in Black 1623 01:21:49,400 --> 01:21:52,200 Speaker 1: communities go up, because we end up marrying people who 1624 01:21:52,360 --> 01:21:54,639 Speaker 1: box was trash and we didn't realize it was trash. 1625 01:21:54,720 --> 01:21:56,479 Speaker 1: And you marry a man whose penis was trash and 1626 01:21:56,520 --> 01:21:58,360 Speaker 1: you didn't know it was trash because you was waiting, 1627 01:21:58,640 --> 01:22:00,759 Speaker 1: and now you're married and you got this whole big commitment, 1628 01:22:00,800 --> 01:22:02,559 Speaker 1: so now you got a divorce them because the sex trash. 1629 01:22:02,640 --> 01:22:05,720 Speaker 1: You know what I mean? Yeah, man, yeah, man. So 1630 01:22:05,840 --> 01:22:08,080 Speaker 1: I have a blessed dead good luck. Thanks? Don't we 1631 01:22:08,120 --> 01:22:11,799 Speaker 1: answered your question? Hello? Who's this? Patrice Jackson? Hey Patrice? 1632 01:22:11,840 --> 01:22:14,439 Speaker 1: What you're calling for? Mama? I just calling to which 1633 01:22:14,640 --> 01:22:19,360 Speaker 1: my husband John Jackson. A happy tenth year anniversary, John Jackson. 1634 01:22:19,439 --> 01:22:23,600 Speaker 1: That's fabulous John Jackson from Paul Spring Sporter. Oh, so 1635 01:22:23,720 --> 01:22:26,519 Speaker 1: what y'all doing of marriage? What are y'all doing? In 1636 01:22:26,560 --> 01:22:29,240 Speaker 1: a man? Laura Bencroft? But I'm not gonna work, so 1637 01:22:29,600 --> 01:22:32,880 Speaker 1: I wort um twelve hours ships today, so we will 1638 01:22:32,920 --> 01:22:34,960 Speaker 1: have to do something this weekend. Where does he work at? 1639 01:22:35,240 --> 01:22:39,080 Speaker 1: He works at Public distributor Center. You should take us 1640 01:22:39,120 --> 01:22:40,920 Speaker 1: take a long lunch break. You should drive over the 1641 01:22:40,960 --> 01:22:44,479 Speaker 1: public distribution center, take him in the bathroom and give 1642 01:22:44,600 --> 01:22:47,559 Speaker 1: him a fallacio of no kind and then pat him 1643 01:22:47,600 --> 01:22:49,200 Speaker 1: on his ass and go back to work for a 1644 01:22:49,280 --> 01:22:53,240 Speaker 1: fatal kind o religious to your radio station. I know 1645 01:22:53,360 --> 01:22:57,639 Speaker 1: he's wrecking up now him because I know he's listening. 1646 01:22:57,680 --> 01:23:00,040 Speaker 1: He's gonna say you need to do what Charlemagne and 1647 01:23:00,479 --> 01:23:03,639 Speaker 1: DJ ever, you should do it. It's your anniversary. Surprised 1648 01:23:03,640 --> 01:23:05,960 Speaker 1: and pop about his job. Push him in the bathroom, 1649 01:23:06,040 --> 01:23:08,720 Speaker 1: give him some great filatio, smack him on his ass 1650 01:23:08,720 --> 01:23:10,120 Speaker 1: and they have a great day. Let me give you 1651 01:23:10,200 --> 01:23:12,240 Speaker 1: one more tip. Take note, let me give you one 1652 01:23:12,240 --> 01:23:14,479 Speaker 1: more tip. When he was off in that bathroom, I 1653 01:23:14,560 --> 01:23:16,240 Speaker 1: want you to look him dead in his eyes and say, 1654 01:23:16,800 --> 01:23:21,120 Speaker 1: Laura being crossed, Oh my God, good time wanting anybody. 1655 01:23:21,160 --> 01:23:24,400 Speaker 1: It's dj M v Angela yee, Charlomagne, the guy. We 1656 01:23:24,479 --> 01:23:27,639 Speaker 1: are the breakfast club. It's time for slander the breakfast club. 1657 01:23:27,640 --> 01:23:28,920 Speaker 1: A right, this is where we opened up the phone 1658 01:23:28,960 --> 01:23:31,680 Speaker 1: lines eight hundred five eight five one O five one 1659 01:23:31,760 --> 01:23:35,640 Speaker 1: and let you slam the US. Slammer me slander, Ye, slander, Charlomagne. 1660 01:23:35,920 --> 01:23:39,519 Speaker 1: Let's go to the phone lines. Hello, who's this? Hey? 1661 01:23:39,560 --> 01:23:41,160 Speaker 1: So who you want to sland the bro I'm gonna 1662 01:23:41,200 --> 01:23:43,920 Speaker 1: slam the Andrews ye and her hate towards Phil Cosy 1663 01:23:44,160 --> 01:23:47,760 Speaker 1: what okay? All right? Well this is my deal. I 1664 01:23:47,920 --> 01:23:50,439 Speaker 1: do think angel Gig got a little hate towards Bill 1665 01:23:50,520 --> 01:23:53,360 Speaker 1: Cosby because she won't raised by black daddy, and she 1666 01:23:53,400 --> 01:23:56,080 Speaker 1: don't understand the struggle of the black men. Go through 1667 01:23:56,400 --> 01:23:59,439 Speaker 1: some of that hate is I mean about hell? What 1668 01:24:00,400 --> 01:24:03,759 Speaker 1: what do you this is so ridiculous? Go ahead? Continue 1669 01:24:03,800 --> 01:24:06,960 Speaker 1: what she goes. She goes hard against the black man 1670 01:24:07,320 --> 01:24:12,960 Speaker 1: because she don't have a grounded relationship with what man. 1671 01:24:13,320 --> 01:24:15,040 Speaker 1: She find that first Asian man who give her a 1672 01:24:15,040 --> 01:24:19,120 Speaker 1: little up, She's gonna get married. I just said part 1673 01:24:19,200 --> 01:24:21,960 Speaker 1: women who have been assaulted. That's all. You could have 1674 01:24:22,040 --> 01:24:25,280 Speaker 1: kept Billy out of this better point if you having 1675 01:24:25,320 --> 01:24:33,919 Speaker 1: to say Bill Cosby goodbye, Manby, just kept Bill Cosby 1676 01:24:34,000 --> 01:24:37,439 Speaker 1: out of you. Hello, who's this Ruby? Ruby? Who you 1677 01:24:37,439 --> 01:24:39,720 Speaker 1: want to sland this morning? Um? I kind of want 1678 01:24:39,760 --> 01:24:42,320 Speaker 1: to sland the Solomagne, But then again I want to 1679 01:24:42,520 --> 01:24:49,400 Speaker 1: kind of um hall out. I'm right here. You could 1680 01:24:49,400 --> 01:24:51,519 Speaker 1: do both, but I want to stand in him because 1681 01:24:51,560 --> 01:24:53,880 Speaker 1: he says, you know everything, like give people a chance 1682 01:24:53,960 --> 01:24:56,320 Speaker 1: to talk when you think, when you know that right, 1683 01:24:56,400 --> 01:24:59,400 Speaker 1: just be right. It's kind of like going right and 1684 01:24:59,439 --> 01:25:09,000 Speaker 1: don't say but On the other he thrum two things 1685 01:25:09,280 --> 01:25:13,400 Speaker 1: to be true. It's mama what you like about me? Though? 1686 01:25:14,520 --> 01:25:18,879 Speaker 1: He sound like she want you to be her girlfriend too. Goodbye. 1687 01:25:19,200 --> 01:25:21,000 Speaker 1: Don't be hanging up for people when they're telling me 1688 01:25:21,040 --> 01:25:25,320 Speaker 1: I'm sexy for real? Hello, Okay for real? Ruben? You 1689 01:25:25,400 --> 01:25:28,280 Speaker 1: know who you want to slam? The bro you're bollhead behind. 1690 01:25:29,240 --> 01:25:34,360 Speaker 1: I'm Charlomagne and Envy, which would Charlomagne, How are you, sir? 1691 01:25:34,520 --> 01:25:36,840 Speaker 1: Good morning? What's going on? I'm talking about I'm you know, 1692 01:25:36,880 --> 01:25:39,320 Speaker 1: I was slandering your punk behind because you told my 1693 01:25:39,760 --> 01:25:42,360 Speaker 1: daughters a thought when you get that eight book interview 1694 01:25:42,400 --> 01:25:44,519 Speaker 1: when nobody really knows the old story and he already 1695 01:25:44,600 --> 01:25:49,599 Speaker 1: knew what it was. But yeah, when he first started, 1696 01:25:49,800 --> 01:25:51,720 Speaker 1: I first had him up on the Breakfast club who 1697 01:25:51,760 --> 01:25:53,920 Speaker 1: is your doing? And once I think, but what what 1698 01:25:54,080 --> 01:25:55,639 Speaker 1: do you say about? What? What do you allegedly say 1699 01:25:55,640 --> 01:25:58,760 Speaker 1: about your daughter? He called my daughter thought? Who is 1700 01:25:58,800 --> 01:26:01,719 Speaker 1: your doing that? I don't know your sir, ex girl, 1701 01:26:01,800 --> 01:26:04,040 Speaker 1: the one that he made his first album over that 1702 01:26:04,120 --> 01:26:07,040 Speaker 1: you asked him about, Oh did you did his music 1703 01:26:07,479 --> 01:26:09,840 Speaker 1: portray her as a thought? No? Is your question that 1704 01:26:09,920 --> 01:26:12,880 Speaker 1: you portrayed her as a thought? Excuse my life? What 1705 01:26:13,040 --> 01:26:15,840 Speaker 1: was the exact question, sir? You asked him what was 1706 01:26:15,920 --> 01:26:17,560 Speaker 1: she had thought or anything? And both of y'all just 1707 01:26:17,720 --> 01:26:19,720 Speaker 1: laughed about the situation, like, my daughter some type of 1708 01:26:19,760 --> 01:26:22,320 Speaker 1: thought out there, and she's not, Well, that's that's that's 1709 01:26:22,360 --> 01:26:25,120 Speaker 1: that's why, that's why you that's why you asked the question. 1710 01:26:25,200 --> 01:26:27,000 Speaker 1: The question is what she had thought of? Somebody that 1711 01:26:27,080 --> 01:26:29,800 Speaker 1: you actually liked. Actually the boy's still in love with her, 1712 01:26:29,800 --> 01:26:31,439 Speaker 1: and the boy is still hearting up. But you shouldn't 1713 01:26:31,439 --> 01:26:33,519 Speaker 1: be talking about nobody's daughter when they do. A lot 1714 01:26:33,560 --> 01:26:35,920 Speaker 1: of daughters out here got fathers. Sir. I don't know 1715 01:26:35,960 --> 01:26:37,800 Speaker 1: what to tell you. I asked the question. I know 1716 01:26:37,920 --> 01:26:39,840 Speaker 1: you don't, but don't worry about it. You'd be good. 1717 01:26:40,000 --> 01:26:44,280 Speaker 1: You want to fight, sir, don't comment. Okay, all right, 1718 01:26:45,320 --> 01:26:47,600 Speaker 1: he did say something that you're doing it as a 1719 01:26:47,680 --> 01:26:50,160 Speaker 1: fall out here. Yeah. But if I'm asking a question, 1720 01:26:50,240 --> 01:26:52,400 Speaker 1: if I say that a boogie, was that somebody you 1721 01:26:52,560 --> 01:26:54,840 Speaker 1: loved or what she had thought to you, let's go 1722 01:26:54,880 --> 01:26:56,439 Speaker 1: to the woman. You don't know answer that question. I 1723 01:26:56,479 --> 01:27:00,720 Speaker 1: don't even remember the question me neither. I'm pretty sure 1724 01:27:00,760 --> 01:27:03,320 Speaker 1: that's what the question was about. Who's this? Yo? What up? 1725 01:27:03,400 --> 01:27:05,200 Speaker 1: It's back to who you want to sland the man? Yo? 1726 01:27:05,479 --> 01:27:07,760 Speaker 1: You hevery v That's what I want to spland the man. 1727 01:27:07,840 --> 01:27:09,479 Speaker 1: You're my man, fitny grand You know what I'm saying. 1728 01:27:09,520 --> 01:27:11,160 Speaker 1: Remember you back in the day when you do your 1729 01:27:11,200 --> 01:27:14,280 Speaker 1: start DJ man, but damn gonna do DJ B I'm 1730 01:27:14,320 --> 01:27:17,000 Speaker 1: side of here. The same music on the damn sun Man. 1731 01:27:17,360 --> 01:27:19,720 Speaker 1: You got Smiff and Wasshon head with a record that's 1732 01:27:19,760 --> 01:27:22,360 Speaker 1: fire and I ain't hear Noboddy playing it. What record 1733 01:27:22,400 --> 01:27:25,240 Speaker 1: you want to head go? I wanted that Smith and Weston, 1734 01:27:25,360 --> 01:27:28,760 Speaker 1: let it go. Let's go man, Smiff and Weston, Smiff 1735 01:27:28,760 --> 01:27:30,960 Speaker 1: and Weston Man boot camp click. You know what I'm saying. 1736 01:27:31,400 --> 01:27:33,360 Speaker 1: We're gonna do it for all the guys that were 1737 01:27:33,439 --> 01:27:36,160 Speaker 1: denim jeans short with Timberland's in the summer here in 1738 01:27:36,240 --> 01:27:39,720 Speaker 1: New York. You feel me? Yeah, Yo, the one that 1739 01:27:39,800 --> 01:27:42,320 Speaker 1: still walk around with the razor blades under their tongue. 1740 01:27:43,080 --> 01:27:46,800 Speaker 1: You know what I'm saying. All Right, I got you. 1741 01:27:47,640 --> 01:27:50,120 Speaker 1: That's what I needed. Son, Yo, we got you. We 1742 01:27:50,240 --> 01:27:52,080 Speaker 1: got you, son. Don't even worry about it. You know 1743 01:27:52,120 --> 01:27:53,840 Speaker 1: what I'm saying. I called my brother's son because he 1744 01:27:53,920 --> 01:27:57,160 Speaker 1: shined like one. What hi standing? The Breakfast Club eight 1745 01:27:57,240 --> 01:27:59,240 Speaker 1: hundred and five day five, one on five one, keep 1746 01:27:59,280 --> 01:28:00,880 Speaker 1: it like we have more all coming up next. It's 1747 01:28:00,920 --> 01:28:05,000 Speaker 1: the Breakfast Club. Patti is DJ Envy Angela yee. Charlomagne 1748 01:28:05,040 --> 01:28:08,240 Speaker 1: the guy. We are the Breakfast Club now, Charlomagne. Leave 1749 01:28:08,280 --> 01:28:10,280 Speaker 1: us on a positive note, listen, man. The positive note 1750 01:28:10,320 --> 01:28:12,599 Speaker 1: of the day is simply this The secret of being 1751 01:28:12,720 --> 01:28:15,719 Speaker 1: happy is accepting where you are in life and making 1752 01:28:15,760 --> 01:28:18,920 Speaker 1: the most out of every day. Breakfast club you're all 1753 01:28:19,000 --> 01:28:19,880 Speaker 1: finish for y'all dumb