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Speaker 1: And it's drinks, motherfucking podcast Mason. He's a legendary queen's rapper.

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Speaker 1: He's agreed, is your boy in o R. He's a

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Speaker 1: Miami hippop pioneer up his dj e FN together they

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Speaker 1: drinking up with some of the biggest players in the

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Speaker 1: most professional unprofessional podcast and your number one sorts for

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Speaker 1: drunk fat drinks. Mother. Every day is New year' z.

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Speaker 1: That's time for drink champs. Drink up mother, mother. Would

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Speaker 1: it could be? Hopefully this is your boy in o R.

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Speaker 1: What up is d j e f N. This is

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Speaker 1: military crazy war drink chaps, yappy our Mason. Now, when

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Speaker 1: you talk about a man who has transitioned from one

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Speaker 1: place to another, when you talk about a man who's

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Speaker 1: who's braced his whole city, when when when the person

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Speaker 1: calls theirselves Mr their city, they usually never accomplished that.

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Speaker 1: But when he actually accomplishes that gets the key to

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Speaker 1: the city. And then he turns to Mr World. Why

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Speaker 1: he got records Enrica and Glecias, I'll never even be

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Speaker 1: the same boom with that nigga. He got records with

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Speaker 1: Jennifer Lopetis, he got w NEO and the list goes on.

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Speaker 1: I think even shakes his third thing on the This

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Speaker 1: man has accomplished goals. And it's crazy because I got

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Speaker 1: to see it from the beginning. You have se from

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Speaker 1: the beginning. So in case you don't understand who we're

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Speaker 1: saluting right now, who we're showing respect to, we're showing

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Speaker 1: respect to the almighty pit motherfucking the real the word, Mr.

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Speaker 1: So let's I'm gonna bounce around right first off, I

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Speaker 1: got keep keep in mind with you guy right now. Okay,

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Speaker 1: I got yousten to what I want to say, Thank

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Speaker 1: you for having you. Got to look up for you

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Speaker 1: for many many years from this Noriega complet days. The

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Speaker 1: first time I caught you was a Salvation club on

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Speaker 1: the beach. But I see how you started that funny

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Speaker 1: because I call it, he get, you know, and he

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Speaker 1: gets black side. I call him and they get churches.

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Speaker 1: I didn't know that because his church. Right then, you

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Speaker 1: said I was never in the same room as he came.

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Speaker 1: But then I caught that, you said, Jennifer Lopez, But

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Speaker 1: you ain't saying you was never in the same room.

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Speaker 1: Oh no, I can't. I can't say that. I can't

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Speaker 1: say that. If so let me just tell you something

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Speaker 1: this whole time, when we said we got pit Bull,

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Speaker 1: you know, the first thing I thought of, what is

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Speaker 1: he gonna wear? Yeah? You know why when I looked

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Speaker 1: at their last interviews, you really he q really like

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Speaker 1: really like you bout that light like that was silk pajamas,

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Speaker 1: super jamnas. I neither he been having a good time.

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Speaker 1: But the way I grew up in Miami, being one

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Speaker 1: of the neighborhoods being Little Havana. Actually lived here, and

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Speaker 1: when what I tell people all the time, I lived

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Speaker 1: in a good neighborhood. Point right, it was Little Heron City.

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Speaker 1: Now the Art America went from the hero Mecca to

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Speaker 1: the Art Marca. Wow. But I actually lived right up

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Speaker 1: the block. And actually my brother's mull was literally half

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Speaker 1: a block from here, right there, right right outside of

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Speaker 1: where we're having this conversation. But where where I'm going

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Speaker 1: with that is when I lived in Little Havana during

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Speaker 1: the eighties. It was after the Merrier boat lift. So

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Speaker 1: what was there was Little Maria Lithos and my father

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Speaker 1: used to that's the scarface when you watch scarf, if

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Speaker 1: you were exactly what scarface the beginning of money Lithos

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Speaker 1: are coming in. My father brought over three boats in

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Speaker 1: the Merria boat, hundred and forty eight people from Cuba

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Speaker 1: to the United States. And he would put me in

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Speaker 1: little Havana at the bars something not as nice as this,

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Speaker 1: because you know the bar was slash restaurant. I mean,

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Speaker 1: I know, man, let's go, let's go down there. It's

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Speaker 1: about you to But therefore he would put me up there.

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Speaker 1: He made me do send my te poems or send

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Speaker 1: my tears somebody we look up to. All the Cubans

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Speaker 1: do and it was all about freedom and fighting and

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Speaker 1: dying for the honor of freedom. And they would lose

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Speaker 1: their fucking mind in there. That's when I figured out

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Speaker 1: that words with that path from like five years old

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Speaker 1: at the turn by the way. But the guys that

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Speaker 1: would show up, though it would be dressed nice, they

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Speaker 1: were sharp. They were sharp. They were nice. You would

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Speaker 1: have regular, yeah, but but these boys they had to

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Speaker 1: you know, the suits on. They treated everybody nice, to respect,

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Speaker 1: great sense of humor, had all the women silent but dangerous.

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Speaker 1: And that's where that style comes down the pipeline. When

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Speaker 1: you seem like that, just know, I'm looking like Miami

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Speaker 1: and ain't now Google you. They said, you so over

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Speaker 1: sixty million records. You think, God me very bless my friends.

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Speaker 1: Let me let me just say something, and I'm i

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Speaker 1: gotta beat you up on this. We've interviewed for four years,

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Speaker 1: almost every rapper, almost every athlete, everybody, and I have

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Speaker 1: to say, hands down, out of the most successful people,

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Speaker 1: you're probably the only one who walked in here by yourself. Probably.

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Speaker 1: I don't think he told me that, and I was like,

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Speaker 1: maybe myself. People told me that. They was asking if

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Speaker 1: it was a problem for us, like is it cool

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Speaker 1: if he goes who know, it's not cool. I mean,

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Speaker 1: it's one of my old neighborhoods, even though it's a

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Speaker 1: different neighborhood now. But let me tell you why. I

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Speaker 1: grew up at the time looking up to every that

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Speaker 1: everybody was doing. On your side. If fan in the

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Speaker 1: whole crazyhood what they were doing, I was, man, I

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Speaker 1: would work hard to get on the mix tapes. I

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Speaker 1: saw everything that they were doing and to be a

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Speaker 1: Miami boy at that time when nobody really believed in Miami.

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Speaker 1: And I know what the I'm talking about, but you

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Speaker 1: were one of the ones that showed love Fat Joe,

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Speaker 1: show love White Clefford, come down and show love, especially

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Speaker 1: in this neighborhood. You right here when you had DJ

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Speaker 1: raw and and mine, he was a DJ and we

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Speaker 1: already know what he was in. We got to talk

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Speaker 1: about that. You can look it up. So his name

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Speaker 1: is DJ row stepped on dji another way of row.

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Speaker 1: But out of all to be able to sit here

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Speaker 1: and and and have this conversation, it comes from a

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Speaker 1: different level of respect. And the reason when I got

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Speaker 1: in the game and I got that opportunity to get in,

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Speaker 1: I looked at different lanes, different paths. So right after

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Speaker 1: I did Born and Raised in the County of day

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Speaker 1: It with trick Rick Color album album, Yeah, I was

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Speaker 1: done in Dominican Republic. Can't that's that's you know, Okay,

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Speaker 1: not everybody into yours like I am believe man, I

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Speaker 1: invested there, but so Youican Republic. I'm in Dominican Republic,

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Speaker 1: but I'm not. I'm in Santa Loomingo and I see

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Speaker 1: these two beautiful Dominican women dancing to Bobs and Claire's

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Speaker 1: record World hold On, World hold On, and the Boston

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Speaker 1: Claire has to be taking extasy right now. By world

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Speaker 1: hold he was awesome and I don't have animal on wow,

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Speaker 1: And I'm thinking in my head, I know his motherfuckers

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Speaker 1: don't speak English. So I'm like, well, let me how

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Speaker 1: light the real quicknest see what was on? So I

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Speaker 1: talked to him and I say, you like this record?

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Speaker 1: It's like, oh, human conta, you know what this saying?

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Speaker 1: You know, ship, I need to get in this music

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Speaker 1: right here. So when I heard that Bobs in Claire,

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Speaker 1: world hold On. That was the first for world music.

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Speaker 1: When I saw the play the Land, I'm like, man,

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Speaker 1: nobody looking at this ship. You know what I heard?

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Speaker 1: World hold On That at Mansion on South Beach taking ecstasy.

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Speaker 1: That's what I heard it that you just want the

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Speaker 1: story a lot of way because I want you to

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Speaker 1: remember what you said. But listen, j the big homie

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Speaker 1: jay Z seeing us drinking a champagne that he did

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Speaker 1: not prove, so he can't even say the name of

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Speaker 1: the champagne. So he wanted to And our show was

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Speaker 1: about celebrating. So which bottom do you want to do?

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Speaker 1: You want to pop the gold when you win a

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Speaker 1: Grammy because you got Grammys too, right, or you was

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Speaker 1: nominated a lot of time. We we've won Grammys, but

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Speaker 1: I'm over winning Grammars and Grammys at this point. So

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Speaker 1: you're saying, you're saying you want to go Rose. You

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Speaker 1: know you want to go keep it going. Now, I'm

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Speaker 1: here to show love that I don't really drink champagne.

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Speaker 1: And be honest, I said the show Love that somebody

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Speaker 1: as an entrepreneur doing what we need to do the game,

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Speaker 1: because the ship then milked us. So which one? So

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Speaker 1: which one you like? Gold or I've never tried anything,

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Speaker 1: but I'll try to Rose with you. Let's go to

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Speaker 1: its very expensive better. Hey, it's gotta be like deals, man.

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Speaker 1: We the Deals and Steves and Margains. So you remember

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Speaker 1: you were talking about down in the yard and when

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Speaker 1: I heard the Bobson Claire jumped on that record. It

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Speaker 1: was the remix and that is what allowed me to

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Speaker 1: get into the world of the DJs when nobody was

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Speaker 1: really looking at them and not allowed to hold in

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Speaker 1: other lane. So by the time I got into that,

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Speaker 1: which when we beat TVT Records for our own ship,

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Speaker 1: mind you, I would tell people I never beat from

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Speaker 1: no motherfucking wrappers guy Bless everybody understands. But we did

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Speaker 1: go against the company, and we went against TVT records

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Speaker 1: which allowed my self to be free, little John to

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Speaker 1: be free, Young Yang. If you don't go, don't go

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Speaker 1: to yet, because I got that in my notes and

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Speaker 1: now please please please. So let's the Dominican part, right,

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Speaker 1: So when we get it the DJ game that was

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Speaker 1: that was a spell, the DJ game. I see that,

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Speaker 1: that's the world nobody's looking at now you started DJ Now,

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Speaker 1: I started wrapping on the records record for the DJ

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Speaker 1: started wrapping them before the DJ became artists, before they

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Speaker 1: were looking at the Gethers or the Seclairs or the

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Speaker 1: t stores or the afro Jacks or you name it.

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Speaker 1: Because they really flipped their game around two thousand and twelve.

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Speaker 1: After we jumped on X amount of records, then everybody

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Speaker 1: started jump on them kind of records, you feel me?

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Speaker 1: So now I got to hold another lick I'm looking

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Speaker 1: at right now, and everybody put it. I'm gonna put

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Speaker 1: everybody on it. Yet, you go ahead, this bitch. First one. Hey,

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Speaker 1: the licks for everybody. But I got another one that

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Speaker 1: I'm looking at. But that was the pivotal point and

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Speaker 1: the only reason that I was able to make that

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Speaker 1: pivotal point without worrying about my career because a lot

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Speaker 1: of people worry about their career and say, oh, if

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Speaker 1: I jump on this, then these people ain't gonna think

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Speaker 1: I'm ne so I'm not credible this now, I looked

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Speaker 1: at it as if it wasn't for Miami building me

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Speaker 1: the way that we were built down here, meaning black, white, pink, purple, orange, Cuban,

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Speaker 1: Puerto Rican, Dominican, Mexican, Venezuelan, Colombia, hon during fucking like

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Speaker 1: what I ain't gonna but I simple give more a cover,

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Speaker 1: little breaking beer, shout out, drinking Dan back to his

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Speaker 1: napping rooms. So good. But with everybody that we grew

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Speaker 1: up around in Miami is what allowed me to step

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Speaker 1: out of the box and not worry about it because

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Speaker 1: I was raised around so much different music, whether it

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Speaker 1: was that something that ain't good by and based music,

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Speaker 1: hip hop, electronic music, adult they don't ye gumbo. But

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Speaker 1: what you did to Lindsay Lohan, why don't she see

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Speaker 1: I ain't nothing. I would have done something to Lindsay Lohan.

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Speaker 1: She wouldn't tried that. What for what does she assumed

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Speaker 1: me for saying? For you for showing her love? Basically,

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Speaker 1: get the funk out there as you think about it,

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Speaker 1: I got it locked up, like Lindsey Lohan. If we're

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Speaker 1: in the street, that's like ship. We wanted to see

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Speaker 1: what she was the gamest of her, Lindsey Lohan. So

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Speaker 1: what happens is they sued some internet company at the

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Speaker 1: time for or a milk company for something, for utilizing

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Speaker 1: Lindsey Lohan's brandy and that was an undisclosed whatever it is.

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Speaker 1: And when she stepped us with that, I just said,

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Speaker 1: I mean, well, what I really did. First of all,

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Speaker 1: I said, hey, let me invite you to the Music Awards,

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Speaker 1: the MTV Music Awards. We'll go together. Classy Move Classic continue.

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Speaker 1: And then after when we are we put these on

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Speaker 1: certain attorneys on the game. They figured out that their

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Speaker 1: attorneys were plagiarized in the whole game and they were

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Speaker 1: just grabbing certain cases and putting it on certain things,

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Speaker 1: and we told them they would, look, if you want

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Speaker 1: to go to court with this, this could be a

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Speaker 1: lot of fun. So you're saying, if I was to

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Speaker 1: say I'm a pit bull like pit bull and you

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Speaker 1: take it personal, you could sue me for that. But

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Speaker 1: that's what they do on that side. Me, I'd like anything. Yeah, yeah, yeah, Well,

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Speaker 1: I mean right now. That's why I had to I

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Speaker 1: had to trademark that, yeah, because they were using it

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Speaker 1: on records that I wasn't on. That we're becoming big

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Speaker 1: records around the world. So hey man, I'm all about

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Speaker 1: if you earn your keep, it's fair for you to

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Speaker 1: fight for it. But most people that bitch made and

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Speaker 1: what they do they they see you coming up, it's

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Speaker 1: crabs in a bucket at a whole another game. When

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Speaker 1: you get to that other level, you know, because they

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Speaker 1: got them attorneys that move different ambulance chases. One with

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Speaker 1: the men in the party with Lindsay Lohan and see

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Speaker 1: her party not be honest with you, may God blessed,

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Speaker 1: but she didn't look like my kind of party. Now

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Speaker 1: I heard your name yourself pit bull because he said

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Speaker 1: the pit bulls never fight. They never they never give up.

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Speaker 1: They mean they always fight, they always, but they never

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Speaker 1: give up. That's what that's what they fight to the death.

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Speaker 1: Is you. You thought it was a time you wanted

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Speaker 1: to give up and hip hop was a time you

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Speaker 1: doubted yourself. I think you always in life got yourself

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Speaker 1: from where another and that's what makes you reinvent yourself,

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Speaker 1: recreate yourself. Rechallenge yourself. But the pit bull came from

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Speaker 1: a Dominican friend of mine that I grew up with

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Speaker 1: named Jr. We were involved involved, I hope a lot

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Speaker 1: of my career too. Dominicans and their culture to be

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Speaker 1: honest with me too. And they thought was Dominican my

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Speaker 1: whole career. I never told him no, just like sucking,

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Speaker 1: I'm just honorary Domerican. Just just go with it. Don't work.

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Speaker 1: Jay Z did the same, was Dominican. And we were

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Speaker 1: going on the way to a pit bull fight. Uh.

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Speaker 1: And I was about sixteen years old, and he said, Chico,

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Speaker 1: that's your name? Oh man, all right cool. I was

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Speaker 1: looking for a rap name at the time. And at

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Speaker 1: the time when we were freestanding, I went to a

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Speaker 1: lot of different high schools and you had the corn

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Speaker 1: rolls and at that time you had to braise to

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Speaker 1: the bag and then he uh, I would battle four

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Speaker 1: different guys at the same time, and then they battled me.

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Speaker 1: M there we act respond well. It was. I was

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Speaker 1: very blessed living in so many different neighborhoods in Miami.

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Speaker 1: I had it, let's say, for lack of better terms,

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Speaker 1: where they call it not a lot of content. I

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Speaker 1: had a lot of ways to flip different things. You know,

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Speaker 1: I could flip pots on clear on the Spanish on them,

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Speaker 1: English on them. You know, different neighborhoods from black neighborhoods.

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Speaker 1: They were called different things, different things. Some it was

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Speaker 1: just so many ways to flip ship that you would

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Speaker 1: kill them at the end of the day if that's

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Speaker 1: the only neighborhood they grew up in. So therefore, Junior

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Speaker 1: turns to me, He's like, hey, man, that's your name pitbull.

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Speaker 1: I kind of like like that. So when I started

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Speaker 1: to study what the breed is the breed for one stereotype.

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Speaker 1: Everybody think a pit is a bad thing, especially in

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Speaker 1: Day County. You know, it's outlawed. Can hand pit bulls allow?

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Speaker 1: Though they allowed another thing too. It bikes, it locks,

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Speaker 1: doesn't let go to take care of business, and it

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Speaker 1: fights to the death. It's it's too stupid to lou

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Speaker 1: You don't understand what loses. It just understands fight fight,

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Speaker 1: fight fight. So you apply that to the game, you

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Speaker 1: apply that to my life, you apply to everything that

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Speaker 1: we've got going on. That's basically what it's become. Feel me.

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Speaker 1: So I owed the junior and that's for That's where

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Speaker 1: the whole pitbull thing came from. And then really funk

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Speaker 1: up the game where when people talk about the household

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Speaker 1: name and when you work so hard to get to

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Speaker 1: a certain level, you google people. Right now, I come

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Speaker 1: up before the dogs. That's hard. I've been doing shots.

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Speaker 1: We're doing shots like the water now we can do

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Speaker 1: shot man. I'm not what's what I what I invested into?

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Speaker 1: Everybody don't want to Yeah, everybody together for like one thing,

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Speaker 1: so voting yes, real wanna Oh my god, the day

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Speaker 1: is what I did is I invested into When I

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Speaker 1: seen everybody took one thing on. This was the flagship

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Speaker 1: for me. That was the vodka, right, that's the flagship.

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Speaker 1: We ended up buying this and we distill it now

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Speaker 1: and high leah, we're changing the way were to distill

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Speaker 1: it that now. But this right here and I look

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Speaker 1: at it as our Baccarti. So Baccarti became mothership or

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Speaker 1: an umbrella of great goose, patron black the whole name.

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Speaker 1: So I said, okay, this is gonna take a lead

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Speaker 1: to create a portfolio. Then I got a chance to

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Speaker 1: do business with a Panita, which they're killing it. They're

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Speaker 1: the ones that's gonna actually be the point guards and

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Speaker 1: all of this. You got a rum out of the

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Speaker 1: Dominican Republic. Where is this one made? Wait, this is

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Speaker 1: the same one. That's a rum out of Mexico and

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Speaker 1: Mexico another Roman makes it look like a tequila bottle

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Speaker 1: for a second. And then you have Condela, which is

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Speaker 1: the mamahuana that's got its own name. Nobody got my majuana.

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Speaker 1: So that's another company. This is our portfolio. This became

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Speaker 1: a carton little by little pot that means with patients

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Speaker 1: of basilone the elephant. Then I'm into that mex So

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Speaker 1: now we discovered the mystery of where that bottle came from.

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Speaker 1: Oh yeah, I didn't even know. I thought he was

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Speaker 1: thinking it up. Now we putting this. You gotta it

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Speaker 1: was sunny right right now. We got to celebrate your career.

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Speaker 1: We're taking that and thank you. But I want to

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Speaker 1: say congratulations to y'all. Man. It's the epiting me what

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Speaker 1: we've learned how to do throughout our careers and our lives.

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Speaker 1: Take nothing and make it something. You boyson, on your

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Speaker 1: way getting ready. Who was the first person like after

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Speaker 1: you you had this lustrious career, You're having this ustrious career.

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Speaker 1: Who was the first person that called you? Was like,

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Speaker 1: get the funk out of here. Who's the first person

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Speaker 1: you got like a little star struck from that called

331
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Speaker 1: you and went to work with you? Oh star struck.

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Speaker 1: Oh I'm just happy they Oh man, it was and

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Speaker 1: he could be in one of them, Jennifer being another

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Speaker 1: mar Canton. I'm sure you're high. Just Luke back in

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Speaker 1: the day, I mean, Luke was don't want to push

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Speaker 1: on the day that I mean, I want to be

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Speaker 1: here Without Luke, I think a lot of us will

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Speaker 1: be the king of Miami. And Luke was the one

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Speaker 1: that taught me the independent, grand independent hustle. And on

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Speaker 1: top of that too, A lot people don't see it

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Speaker 1: that way, but Luke, for I appreciate it. And Luke

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Speaker 1: fought the fucking Supreme Court and one and one for

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Speaker 1: the First Amendment. So none of us would be talking

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Speaker 1: to ship that we're talking about now. It wasn't for

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00:20:12,400 --> 00:20:14,840
Speaker 1: Louke that you win would not be you in without Loup,

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Speaker 1: the Heat, Dolphins, anything that moves in Miami at a

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00:20:19,000 --> 00:20:26,600
Speaker 1: certain time had to come through Uncle Luke. I don't

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00:20:26,600 --> 00:20:31,880
Speaker 1: want to seeing guy that man is sucking. That's good, man.

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Speaker 1: That mamajuana is good. It's mama wa that is good.

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Speaker 1: I'll see when this is going now, oh man. So

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00:20:46,640 --> 00:20:49,360
Speaker 1: so yeah to be able to hang out in Jennifer's

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Speaker 1: house with Mark, Anthony and them and said, oh she

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Speaker 1: she going on or something? Right? Yeah, And what what

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Speaker 1: period is was that nek I was about two thousand

355
00:20:59,200 --> 00:21:01,239
Speaker 1: and ten, because that's this is when they was doing

356
00:21:01,280 --> 00:21:03,399
Speaker 1: the Hector lot Ball movie or no yea, they just

357
00:21:03,480 --> 00:21:06,919
Speaker 1: finished the Heave Wall and she was an American idol.

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Speaker 1: I went and stayed at the house for the night,

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00:21:10,640 --> 00:21:13,680
Speaker 1: which is funny because me and Mark we got together

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00:21:13,720 --> 00:21:16,040
Speaker 1: about four o'clock in the afternoon. We stayed drinking till

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Speaker 1: nine o'clock in the morning. He's a real drinker. And yeah,

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Speaker 1: he's a lot of he's a lot of fun money.

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Speaker 1: The house is a block along in the Los Angeles

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Speaker 1: that's the one in bell there. I don't know where

365
00:21:27,080 --> 00:21:28,720
Speaker 1: the fund has had somethingthing hell or whatever it is.

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Speaker 1: I just know it's on that side and of the coast, right.

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Speaker 1: And I'm in the room with Mark and I'm going dog,

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00:21:36,320 --> 00:21:41,359
Speaker 1: he's hot. It's fucking this room, I say, you think

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Speaker 1: I can go ahead and change the A C right quick.

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Speaker 1: He's like, now, we can't touch that. Jennifer likes a

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Speaker 1: at eighties six. But I'm a Miami boy. I'm ship

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Speaker 1: from Miamie boy to be hot. You know what they

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Speaker 1: do right? No, that wasn't. It wasn't though, So then

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Speaker 1: I go mark, not for nothing. Jennifer's only on the

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Speaker 1: side of the house. Literally it's a block long. They

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Speaker 1: gotta go to all the side of the cribs like, no, no, no,

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Speaker 1: you don't liket me playing with the A C. Im

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Speaker 1: That's when I told them, And you think it's cool

379
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Speaker 1: if I go ahead and open these doors doing this

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Speaker 1: right quick in the back, because you know that there's

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Speaker 1: a they live on the hills or whatever. There's just

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Speaker 1: as the old crib. We just was there last weekend.

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Speaker 1: Because I'm not not with them. My boy bought their career.

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Speaker 1: Yeah I don't hopefully you know if criminal. So it

385
00:22:31,640 --> 00:22:33,400
Speaker 1: was just the same career. But what you're talking about,

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00:22:35,560 --> 00:22:37,840
Speaker 1: that's when I figured out. I said, boy, Jennifer's a general.

387
00:22:38,480 --> 00:22:40,440
Speaker 1: This thing's diligent. You can't even touch the A C.

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00:22:40,600 --> 00:22:49,119
Speaker 1: And even if you make motherfucking Anthony crier man. In

389
00:22:49,200 --> 00:22:53,520
Speaker 1: my mind, he's like hecked thet boy. You see the

390
00:22:53,560 --> 00:22:59,959
Speaker 1: movie obviously right because her name COUCHI Couchich got there.

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Speaker 1: Oh man, all right, we live on the podcast where

392
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Speaker 1: you at. I'm not racking on the backside, right, that's

393
00:23:10,080 --> 00:23:14,439
Speaker 1: the h Mr Lee gonna tell you right now from

394
00:23:14,480 --> 00:23:18,639
Speaker 1: first year. Um damn was that. I'm sorry we finished

395
00:23:18,640 --> 00:23:23,119
Speaker 1: the Couci hold on Cucci. I got notes and ship man,

396
00:23:23,119 --> 00:23:27,639
Speaker 1: you know, trying to be professional, you know what singes? Yeah, yeah, no, produm.

397
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Speaker 1: This is great. Man, you're underground radio station. You almost

398
00:23:31,720 --> 00:23:38,639
Speaker 1: killed a crackhead because you laced the baes. You almost

399
00:23:38,720 --> 00:23:43,280
Speaker 1: killed the crackhead just like that because he used the product.

400
00:23:44,280 --> 00:23:46,320
Speaker 1: And that's when you stopped out of drugs, because man,

401
00:23:46,560 --> 00:23:47,960
Speaker 1: he was trying to go home. You're trying to have

402
00:23:48,080 --> 00:23:50,639
Speaker 1: some Miami spice. I heard I lived. I lived in

403
00:23:50,720 --> 00:23:53,399
Speaker 1: South Miami Heights and I lived in these buildings they

404
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Speaker 1: called the shortstop. So next to the shortstop you have

405
00:23:56,200 --> 00:24:00,520
Speaker 1: the square, So that's that's one one dope whole. And

406
00:24:00,600 --> 00:24:03,920
Speaker 1: then between shortstop you have Googles, which is chocolate city

407
00:24:03,960 --> 00:24:07,680
Speaker 1: in the village on this side. Yeah, that's right for

408
00:24:07,800 --> 00:24:11,399
Speaker 1: Caribbean Boulevard, and so when one runs out, they got

409
00:24:11,520 --> 00:24:14,159
Speaker 1: to come through the shortstop basically, so you stop, Hey,

410
00:24:14,200 --> 00:24:16,560
Speaker 1: what they do? Whatever it is? So this one, that's

411
00:24:16,600 --> 00:24:22,440
Speaker 1: my father. He liked to drink the world. But it

412
00:24:22,600 --> 00:24:24,760
Speaker 1: was funny. She wasn't actually a base head to beyond

413
00:24:24,840 --> 00:24:29,040
Speaker 1: with at that level. The base that used to come

414
00:24:29,040 --> 00:24:30,800
Speaker 1: around with no tires on the rim and ship. That

415
00:24:30,880 --> 00:24:33,399
Speaker 1: was fun to watch, by the way, sliding the cross.

416
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Speaker 1: Did you say, no tires, just sliding on. I picture

417
00:24:37,720 --> 00:24:41,200
Speaker 1: to picture, yeah, so you picture. In these buildings, we

418
00:24:41,280 --> 00:24:44,560
Speaker 1: had our own we had our own police station and

419
00:24:44,600 --> 00:24:47,560
Speaker 1: then we had a Metro police station in the buildings.

420
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Speaker 1: So we had to be strategic about anything that we did.

421
00:24:51,160 --> 00:24:54,960
Speaker 1: And this one woman when she came up. We used

422
00:24:54,960 --> 00:24:57,800
Speaker 1: to be on the buildings that would be heavy, was

423
00:24:57,880 --> 00:25:01,720
Speaker 1: building sea and building a and she came up and

424
00:25:01,800 --> 00:25:07,520
Speaker 1: I happened to have you know a couple. Yeah, what

425
00:25:07,640 --> 00:25:09,119
Speaker 1: what's that thing that you that you was in on

426
00:25:09,600 --> 00:25:12,440
Speaker 1: mansion on on the box and Claire, yeah, some of

427
00:25:12,520 --> 00:25:16,520
Speaker 1: those things. And then it had her you know a

428
00:25:16,640 --> 00:25:21,400
Speaker 1: little onion on his side. I got the work, yeah,

429
00:25:23,520 --> 00:25:29,200
Speaker 1: and then together I'm about seventeen at the time, and

430
00:25:30,200 --> 00:25:34,240
Speaker 1: ain't know. She took a bag, ran off where then

431
00:25:34,359 --> 00:25:37,320
Speaker 1: came back, came back, which is all bloody all over

432
00:25:37,400 --> 00:25:40,240
Speaker 1: the place. And you know, down here in Miami, you

433
00:25:40,320 --> 00:25:43,560
Speaker 1: turn to somebody and she's like, Cracker, you let my cracker.

434
00:25:43,600 --> 00:25:45,840
Speaker 1: You can kill me, Crocker, I know what you crack.

435
00:25:46,520 --> 00:25:48,760
Speaker 1: And then my dog was written me. My dog was

436
00:25:48,800 --> 00:25:51,160
Speaker 1: written me, and he's like, first of all, you ain't

437
00:25:51,160 --> 00:25:58,640
Speaker 1: no cracker has a cheeko right, that's just too wrong.

438
00:25:58,760 --> 00:26:01,480
Speaker 1: When baby, that's just you wrong. You know, they ain't

439
00:26:01,480 --> 00:26:04,080
Speaker 1: ready for that kind of candidate. And in my mind

440
00:26:04,119 --> 00:26:07,679
Speaker 1: I'm thinking, oh shit, like, man, we don't gonna kill

441
00:26:07,720 --> 00:26:11,639
Speaker 1: the women over twenty dollars. I'm not gonna say, you

442
00:26:11,720 --> 00:26:14,920
Speaker 1: know what, parting them. I think I'm kind of straight on,

443
00:26:15,560 --> 00:26:19,280
Speaker 1: at least on this side of things. Playing it at

444
00:26:19,640 --> 00:26:22,800
Speaker 1: that level. Let's just say so, yeah, that was a

445
00:26:22,880 --> 00:26:26,000
Speaker 1: route awakening, but it's no worse than what these companies

446
00:26:26,080 --> 00:26:28,000
Speaker 1: do right now with these cell phones and ship. I

447
00:26:28,040 --> 00:26:31,000
Speaker 1: mean they get everybody hoo hooked. It's a bunch of dope.

448
00:26:31,040 --> 00:26:32,720
Speaker 1: Where they got all your data and ship they know

449
00:26:32,800 --> 00:26:35,320
Speaker 1: who you funk, where your ship, how many steps And

450
00:26:35,960 --> 00:26:38,119
Speaker 1: we'll all talk about say, let's take a trip to

451
00:26:38,160 --> 00:26:44,920
Speaker 1: cop Um United Airlines. When he sent me, how the

452
00:26:45,040 --> 00:26:48,240
Speaker 1: fun they just you know, did I'm talking you You

453
00:26:48,400 --> 00:26:52,119
Speaker 1: ain't seen that documentary, but I'm talking about this. Was

454
00:26:52,160 --> 00:26:57,639
Speaker 1: doing it to me before I see that documentary. So

455
00:26:57,920 --> 00:27:00,840
Speaker 1: what I'm saying, what I ask him to drink just

456
00:27:02,800 --> 00:27:04,639
Speaker 1: a perfect guess. They just keep going. Man, So I

457
00:27:04,640 --> 00:27:07,199
Speaker 1: a little. I want to some of his water, right

458
00:27:07,720 --> 00:27:11,200
Speaker 1: water least that's my mom my mom taking another shot. Okay,

459
00:27:11,240 --> 00:27:13,480
Speaker 1: I'm in come to one of my bad man. I've

460
00:27:13,480 --> 00:27:15,199
Speaker 1: been very good to the shot. Or you think that's

461
00:27:15,240 --> 00:27:17,440
Speaker 1: a drink, that's a drink. That's what I'm talking about.

462
00:27:18,200 --> 00:27:20,560
Speaker 1: Cuba guys taking to the image. I ain't gonna live.

463
00:27:24,200 --> 00:27:25,720
Speaker 1: Let me let me, let me, let me let me

464
00:27:25,800 --> 00:27:27,879
Speaker 1: in like my in a quarter weekend right now? How

465
00:27:27,960 --> 00:27:32,520
Speaker 1: look now this is my hate took me down at

466
00:27:32,560 --> 00:27:35,920
Speaker 1: the bay. Are you straight from the bottom? Yeah? Yeah,

467
00:27:36,760 --> 00:27:39,800
Speaker 1: he was daddy ship. I understand, I understand what we going.

468
00:27:39,920 --> 00:27:41,159
Speaker 1: You git a shot, get the shot that we got

469
00:27:41,280 --> 00:27:43,600
Speaker 1: to the shot, the shot. You see two shots? I

470
00:27:43,760 --> 00:27:51,280
Speaker 1: damn right man? Yeahky waits Cuban ships. What's starting that cube?

471
00:27:51,320 --> 00:27:54,359
Speaker 1: So I'm trying to do in the Cuban Miami's come on, man,

472
00:27:54,480 --> 00:28:01,320
Speaker 1: I'm really I got a guy why big ball? Yeah?

473
00:28:01,760 --> 00:28:12,639
Speaker 1: You been so continue you got me something now you

474
00:28:12,760 --> 00:28:15,320
Speaker 1: started out. That's I was saying, because I got a

475
00:28:15,400 --> 00:28:18,240
Speaker 1: chance to no problems. I've had a chance to not

476
00:28:18,359 --> 00:28:24,399
Speaker 1: only straight talking to you, I was thinking what happened?

477
00:28:24,640 --> 00:28:29,359
Speaker 1: He engineer has take a note. I've been very blessed

478
00:28:29,359 --> 00:28:31,120
Speaker 1: to be able to travel the world. Also with Tony

479
00:28:31,200 --> 00:28:35,320
Speaker 1: Robinson has speaking engagements and great to do the guy.

480
00:28:35,920 --> 00:28:39,040
Speaker 1: So we've been touring together for about four years now.

481
00:28:39,120 --> 00:28:42,440
Speaker 1: He's be time out that that's the next level and

482
00:28:42,480 --> 00:28:45,920
Speaker 1: that's not even your next level ship, right, Yeah, want

483
00:28:45,920 --> 00:28:48,480
Speaker 1: to I've never heard of this ship. You just said

484
00:28:48,920 --> 00:28:51,560
Speaker 1: you went on tour with Tony Robbins. So he goes

485
00:28:51,600 --> 00:28:53,040
Speaker 1: out and speaking to the people, and you come out

486
00:28:53,080 --> 00:28:56,120
Speaker 1: on the suit and you speak to the rappause he

487
00:28:56,160 --> 00:29:02,160
Speaker 1: got sitt look back into you. So one of the

488
00:29:02,240 --> 00:29:04,000
Speaker 1: things I talked about it is speaking engagement, where I

489
00:29:04,040 --> 00:29:06,120
Speaker 1: tell people, I say, look, I'm not religious, man, I

490
00:29:06,240 --> 00:29:08,480
Speaker 1: believe in God. But one of the stories out of

491
00:29:08,520 --> 00:29:10,280
Speaker 1: the Bible, one of the most famous stories is what

492
00:29:10,680 --> 00:29:14,560
Speaker 1: is Adam and Eve? What the Eve bite? She beat?

493
00:29:14,600 --> 00:29:16,320
Speaker 1: The Apple. Look at the logo on your fucking phones.

494
00:29:16,400 --> 00:29:19,800
Speaker 1: It's being Apple. So therefore everybody biting that bitch right now?

495
00:29:20,720 --> 00:29:38,400
Speaker 1: D tell you that's crazy. You know what I said

496
00:29:38,440 --> 00:29:41,720
Speaker 1: on the rhyme, I said, most people holding their phones,

497
00:29:42,920 --> 00:29:45,120
Speaker 1: it's like the two hands hold on your phone. It's

498
00:29:45,160 --> 00:29:47,400
Speaker 1: like you pray to it. Think about it, like that's

499
00:29:47,440 --> 00:29:50,120
Speaker 1: what you're you're actually doing. You're actually sitting there and

500
00:29:50,600 --> 00:29:54,280
Speaker 1: praying to this device. It's a cell phone for a reason.

501
00:29:54,400 --> 00:30:05,440
Speaker 1: You're prisoning to the phone. You're in the cell shi yo?

502
00:30:05,640 --> 00:30:08,960
Speaker 1: Who this is this? That's ill? That's you. You saw

503
00:30:09,040 --> 00:30:21,720
Speaker 1: that film, So I's not only saw it. The day

504
00:30:21,840 --> 00:30:24,040
Speaker 1: that I saw it, I'm talking to my wife. My

505
00:30:24,120 --> 00:30:25,840
Speaker 1: wife is just standing there in the kitchen. She's like this,

506
00:30:26,520 --> 00:30:28,600
Speaker 1: and I'm just like, so I wanted to see how

507
00:30:28,720 --> 00:30:31,560
Speaker 1: long it would take her to break out of the curse.

508
00:30:31,680 --> 00:30:34,200
Speaker 1: It's like the curse. And the next day she watched it.

509
00:30:34,280 --> 00:30:35,640
Speaker 1: She's like, that's what you was doing to me yesterday

510
00:30:35,680 --> 00:30:37,640
Speaker 1: cause I just stood there, just left just like, and

511
00:30:37,720 --> 00:30:39,560
Speaker 1: then she was. And then the next day I didn't

512
00:30:39,560 --> 00:30:42,080
Speaker 1: even tell her to watch it because her phone is

513
00:30:42,120 --> 00:30:44,080
Speaker 1: just connected. The next morning she just woke up and

514
00:30:44,120 --> 00:30:46,080
Speaker 1: watching it. She was like, Oh, okay, that's what you

515
00:30:46,400 --> 00:30:48,720
Speaker 1: every day, every hour of the day. I don't know

516
00:30:48,720 --> 00:30:50,840
Speaker 1: if I ever shared this. I think I did. You know,

517
00:30:51,000 --> 00:30:53,280
Speaker 1: one hour of the day, I'll take my phone. You've

518
00:30:53,280 --> 00:30:54,840
Speaker 1: talked about I take my phone away. You sit on

519
00:30:54,880 --> 00:30:57,640
Speaker 1: a BlackBerry dog what Yeah, you think I'm playing with you?

520
00:30:57,720 --> 00:31:06,120
Speaker 1: Sah wow, look at the screen. But that's what I

521
00:31:06,200 --> 00:31:08,240
Speaker 1: was staying on right there when Charlie got you. You

522
00:31:08,240 --> 00:31:19,800
Speaker 1: got a beeper stuff, you got peper clothes. If you

523
00:31:19,800 --> 00:31:21,240
Speaker 1: know what, I actually be hitting with the girls, with

524
00:31:21,360 --> 00:31:26,480
Speaker 1: the people cold right five five? I want sex? What

525
00:31:26,680 --> 00:31:31,320
Speaker 1: to fun? Mew yeah, so hey at the end of

526
00:31:31,360 --> 00:31:35,840
Speaker 1: the day. So now you're you're a Miami three five

527
00:31:36,800 --> 00:31:39,520
Speaker 1: in Miami. I've been coming from what he used to

528
00:31:39,600 --> 00:31:44,920
Speaker 1: hang with you on the over double digits, so Trick

529
00:31:44,960 --> 00:31:46,560
Speaker 1: told me once I was over double digits, I'm a

530
00:31:46,640 --> 00:31:49,200
Speaker 1: Miami God. Now you pay your bills, you pay my bills.

531
00:31:49,640 --> 00:31:59,400
Speaker 1: It's good for tax bills. But how about I know

532
00:31:59,480 --> 00:32:02,360
Speaker 1: you're not into sports, but I am impressed about what

533
00:32:02,440 --> 00:32:04,640
Speaker 1: the heat is doing right now that he's going with

534
00:32:04,720 --> 00:32:06,800
Speaker 1: the basketball. I've been seeing what they're doing in the

535
00:32:06,880 --> 00:32:09,400
Speaker 1: bubble now I'm proud of that. I like Jimmy Butler.

536
00:32:09,440 --> 00:32:11,280
Speaker 1: I like Jimmy Butler for many, many years. He's a

537
00:32:11,320 --> 00:32:12,880
Speaker 1: good guy. He's been to a lot of shows and

538
00:32:12,920 --> 00:32:15,120
Speaker 1: sisters a big fan actually, so I got a chance

539
00:32:15,160 --> 00:32:16,960
Speaker 1: to see him what he was in Chicago. I like

540
00:32:17,040 --> 00:32:19,880
Speaker 1: him because he's a crowded that's my brother, you know

541
00:32:19,920 --> 00:32:25,040
Speaker 1: what I mean. They are It's hard to find humble,

542
00:32:25,200 --> 00:32:27,560
Speaker 1: hard workers in the league in this day and age.

543
00:32:27,800 --> 00:32:30,000
Speaker 1: When we grew up, we watched players and if they

544
00:32:30,040 --> 00:32:31,920
Speaker 1: were down twenty with two minutes left, you couldn't get

545
00:32:31,960 --> 00:32:34,080
Speaker 1: the motherfucker's out the game. Now it's like they're down

546
00:32:34,120 --> 00:32:36,240
Speaker 1: twenty with two minutes less. Like man sitting down. I'm straight,

547
00:32:36,560 --> 00:32:38,560
Speaker 1: I'm not gonna lie to you and just might hurt

548
00:32:38,600 --> 00:32:41,800
Speaker 1: your feelings a little bit. Might hurt everybody's feelings here Miami.

549
00:32:41,880 --> 00:32:43,840
Speaker 1: I used to go to a lot of Miami games.

550
00:32:43,960 --> 00:32:47,000
Speaker 1: I lived out here. Miami might be the worst fans

551
00:32:47,160 --> 00:32:52,200
Speaker 1: ever though. They just they just go outside and start

552
00:32:52,280 --> 00:32:54,240
Speaker 1: messing with the little bitches, like you know what I'm saying,

553
00:32:54,280 --> 00:32:56,840
Speaker 1: Like you know, you know everywhere as a club in Miami,

554
00:32:56,960 --> 00:32:59,840
Speaker 1: Like you turn any fucking place into a club. That's

555
00:32:59,840 --> 00:33:01,480
Speaker 1: what I learned about Miami. I got here. It's just

556
00:33:01,600 --> 00:33:03,920
Speaker 1: like you're going to you gotta put on club clothes,

557
00:33:03,960 --> 00:33:05,920
Speaker 1: like we're going to the game. It's gonna turn into

558
00:33:05,960 --> 00:33:09,440
Speaker 1: a club. It's something like you know, and I heard that,

559
00:33:10,000 --> 00:33:13,440
Speaker 1: but now it's very once like once you guys as fans,

560
00:33:13,720 --> 00:33:15,800
Speaker 1: because you know, I got the worst fans in the world.

561
00:33:15,880 --> 00:33:19,600
Speaker 1: I mean, I'm a Knicks fan, and we we we are,

562
00:33:20,240 --> 00:33:22,920
Speaker 1: we abused were as. I think you guys are the

563
00:33:23,000 --> 00:33:26,160
Speaker 1: greatest fans with an interesting team. With the worst team,

564
00:33:26,200 --> 00:33:28,400
Speaker 1: you can say. You can say it with the worst team,

565
00:33:28,440 --> 00:33:30,760
Speaker 1: but you guys got a great team. But it's like

566
00:33:31,080 --> 00:33:34,000
Speaker 1: it's like Miami is so blessed that if you come

567
00:33:35,200 --> 00:33:38,280
Speaker 1: and and once they start losing, the fans just leave out.

568
00:33:38,760 --> 00:33:40,880
Speaker 1: And I think that like twelve times that coming to

569
00:33:40,920 --> 00:33:42,760
Speaker 1: the game. The only thing that Miami really right for

570
00:33:42,880 --> 00:33:47,000
Speaker 1: when it comes to that hurricane Hurricane, Yeah, you didn't

571
00:33:47,040 --> 00:33:51,360
Speaker 1: live in Miami planing when it comes to anything through

572
00:33:51,440 --> 00:33:55,080
Speaker 1: the hurricane, were in it. But yes, it's true. But

573
00:33:55,200 --> 00:33:57,600
Speaker 1: let me tell you, if you utilize that to your advantage,

574
00:33:57,800 --> 00:34:01,360
Speaker 1: once you know the Miami shot for you, then that's

575
00:34:01,400 --> 00:34:04,560
Speaker 1: a I mean it's how can I say you earn

576
00:34:04,720 --> 00:34:08,080
Speaker 1: that respect? You earn that I fought with you continue

577
00:34:08,360 --> 00:34:12,440
Speaker 1: between the look the matins one basically an inaugural season,

578
00:34:12,680 --> 00:34:14,920
Speaker 1: which leave I had nothing. I know your Miami you

579
00:34:15,000 --> 00:34:17,960
Speaker 1: know at that time, and then they broke up the team.

580
00:34:18,400 --> 00:34:20,560
Speaker 1: So Miami is like, damn dog, Like we just had

581
00:34:20,600 --> 00:34:23,399
Speaker 1: a great team. And even when you had to run

582
00:34:24,200 --> 00:34:26,040
Speaker 1: the n C, they we kept working with us. They

583
00:34:26,120 --> 00:34:28,479
Speaker 1: kept sanctioning us one way or another, you know, because

584
00:34:28,480 --> 00:34:32,360
Speaker 1: they didn't want basically thugs winning football games because the

585
00:34:32,400 --> 00:34:34,440
Speaker 1: way we were playing the game was different from everybody

586
00:34:34,480 --> 00:34:36,600
Speaker 1: else at the time. Mine, I used to park cards

587
00:34:36,640 --> 00:34:39,440
Speaker 1: at the Orange Bowl when I was seven years old.

588
00:34:39,600 --> 00:34:43,719
Speaker 1: The Orange at the Orange Bowl. Yeah, I don't even

589
00:34:43,760 --> 00:34:45,560
Speaker 1: know why they knocked that shipped down. But other oil

590
00:34:45,719 --> 00:34:48,520
Speaker 1: is what it is. Right now, when we get to

591
00:34:48,600 --> 00:34:51,560
Speaker 1: the heat, what happens. You put together a conglomerate an

592
00:34:51,600 --> 00:34:56,120
Speaker 1: animals got Lebron? Now you got Lebron, Boss Wade and mine?

593
00:34:56,320 --> 00:34:57,960
Speaker 1: Who the heart of that city is? U d being

594
00:34:58,000 --> 00:35:00,640
Speaker 1: an old tea boy, who's the one that about to anybody?

595
00:35:01,200 --> 00:35:05,000
Speaker 1: Either one jumping up on you? Right? They need that spirit.

596
00:35:05,680 --> 00:35:07,600
Speaker 1: Then when they do they win games boom, they break

597
00:35:07,600 --> 00:35:09,840
Speaker 1: it all up. So what does Miami really fall in

598
00:35:09,920 --> 00:35:12,879
Speaker 1: love with? You gotta put that in the perspective though,

599
00:35:14,120 --> 00:35:17,680
Speaker 1: man like damn man. Look, we live in a world

600
00:35:17,719 --> 00:35:19,840
Speaker 1: of criticizing thing because I come from a world to

601
00:35:19,920 --> 00:35:22,759
Speaker 1: being a critical thinker. I like to listen. I like

602
00:35:22,840 --> 00:35:24,560
Speaker 1: to look at ship breaking downe and then so when

603
00:35:24,600 --> 00:35:26,680
Speaker 1: someone get to talking ship, you go, ohay, that's cool.

604
00:35:26,840 --> 00:35:30,960
Speaker 1: I appreciate that, and I acknowledge your opinion. But what

605
00:35:31,120 --> 00:35:36,200
Speaker 1: about this? It's like spade right, boom, and then you're

606
00:35:36,200 --> 00:35:40,880
Speaker 1: wearing fat last want to go. You've definitely been the

607
00:35:40,960 --> 00:35:44,880
Speaker 1: jail before talking about stage. It depends on what what

608
00:35:45,000 --> 00:35:50,000
Speaker 1: spage you're talking about. I've been very blessed. How can

609
00:35:50,080 --> 00:35:54,399
Speaker 1: I say I've been very blessed to go to jail

610
00:35:54,440 --> 00:35:58,359
Speaker 1: and duck prison. Okay, that's great. Hit the whole three

611
00:35:58,360 --> 00:36:03,200
Speaker 1: sixty counties, enough counties. Enough you get there with the house.

612
00:36:04,880 --> 00:36:07,600
Speaker 1: You can't use the You gotta fight a couple of

613
00:36:07,960 --> 00:36:10,080
Speaker 1: I don't want to hurt anybody from Miami's feelings, but

614
00:36:10,200 --> 00:36:13,680
Speaker 1: you got the worst jails in America. Counties. Y'all don't

615
00:36:13,680 --> 00:36:16,120
Speaker 1: even clean. You know what y'all do? Just make it cold.

616
00:36:16,400 --> 00:36:27,120
Speaker 1: Who I'm like, why is some cold? And like it

617
00:36:27,239 --> 00:36:30,480
Speaker 1: kills the germs. I'm like, yo, during coronavirus that see

618
00:36:30,560 --> 00:36:33,600
Speaker 1: must have been zero but low that mothery' because that's

619
00:36:33,600 --> 00:36:35,640
Speaker 1: what they tell you, that I've been killing the germs

620
00:36:35,920 --> 00:36:39,360
Speaker 1: by making it look you got the foul jails in America.

621
00:36:39,719 --> 00:36:41,239
Speaker 1: I just want you to know that I've been very

622
00:36:41,280 --> 00:36:42,960
Speaker 1: blessed to get in and get out and the pre

623
00:36:43,080 --> 00:36:47,239
Speaker 1: try release. Appreciate you, Thank you very much. So all

624
00:36:47,320 --> 00:36:49,160
Speaker 1: right now we can trust something a little bit earlier.

625
00:36:49,160 --> 00:36:51,759
Speaker 1: I want to want to circle back to it. It

626
00:36:51,920 --> 00:36:54,400
Speaker 1: was at one point and I don't want to use

627
00:36:54,440 --> 00:36:57,480
Speaker 1: the worst slave because I don't feel like that's that's proper,

628
00:36:58,080 --> 00:37:00,600
Speaker 1: But it was at one point when any body signed

629
00:37:00,640 --> 00:37:04,480
Speaker 1: a t VT, it felt like that was a lifetime contract.

630
00:37:05,239 --> 00:37:12,760
Speaker 1: Like I mean for Mike Geronimo to click. Uh, you guys,

631
00:37:13,360 --> 00:37:15,480
Speaker 1: it just felt like once you signed to t VT,

632
00:37:15,800 --> 00:37:19,239
Speaker 1: Roy Flush, once you signed the t VT, that was it.

633
00:37:19,640 --> 00:37:21,560
Speaker 1: And I heard a rumor and I actually heard this

634
00:37:21,719 --> 00:37:25,719
Speaker 1: rumor uh from jay Z because um, this is crazy ship.

635
00:37:25,920 --> 00:37:28,080
Speaker 1: I was I had a record with you and I

636
00:37:28,160 --> 00:37:29,560
Speaker 1: was trying to put it out and I was like,

637
00:37:29,600 --> 00:37:32,880
Speaker 1: your people was my man, and he said, YO, trust me,

638
00:37:33,080 --> 00:37:34,960
Speaker 1: stay away from it for right now because Steve got

639
00:37:35,120 --> 00:37:36,680
Speaker 1: they just has This is what he said. This is

640
00:37:36,800 --> 00:37:40,040
Speaker 1: quote unquote, I switter guards almost quote unquote. I promise

641
00:37:40,080 --> 00:37:42,719
Speaker 1: you hope CO sign this. He said, he just has

642
00:37:42,840 --> 00:37:50,480
Speaker 1: new suits in his closet just to sue people. I mean,

643
00:37:50,560 --> 00:37:52,399
Speaker 1: just to go to the court. You know, I don't

644
00:37:52,440 --> 00:37:56,759
Speaker 1: think he meant that literally, but he was because he

645
00:37:56,840 --> 00:37:59,960
Speaker 1: was a lawyer's yeah, he's a Harvard grad. He's definitely

646
00:38:00,040 --> 00:38:02,600
Speaker 1: smart dude. It was a smart dude. So I look

647
00:38:02,680 --> 00:38:05,480
Speaker 1: at Steve Gott lived as the castro of the music industry,

648
00:38:05,640 --> 00:38:07,759
Speaker 1: a genius for all the wrong reasons, your Cuban, so

649
00:38:07,840 --> 00:38:11,080
Speaker 1: you're calling them castro that I learned a lot from

650
00:38:11,320 --> 00:38:14,200
Speaker 1: that world. Just now. I look at it where if

651
00:38:14,239 --> 00:38:15,759
Speaker 1: you look at the biggest robbery in the United States,

652
00:38:15,800 --> 00:38:18,160
Speaker 1: America's student loans. So I got a chance to go

653
00:38:18,200 --> 00:38:20,279
Speaker 1: to university and get paid for it, even though it

654
00:38:20,360 --> 00:38:23,160
Speaker 1: wasn't the It was the best university, but not by

655
00:38:23,280 --> 00:38:26,040
Speaker 1: music standards. When we were at TVT, we were not

656
00:38:26,120 --> 00:38:28,480
Speaker 1: gonna use motherfucker's out the park. That's that's the thing

657
00:38:28,520 --> 00:38:31,200
Speaker 1: about it. Y'all were so successful people didn't understand the

658
00:38:31,280 --> 00:38:33,840
Speaker 1: business part of you guys. I mean independently, I had

659
00:38:33,880 --> 00:38:37,040
Speaker 1: an album at that time, Miami sold seven and fifty

660
00:38:37,120 --> 00:38:41,480
Speaker 1: thousand albums independently. That that doesn't necessarily mean I ate

661
00:38:41,520 --> 00:38:43,520
Speaker 1: off that, but I did eat off the journey. I

662
00:38:43,560 --> 00:38:45,440
Speaker 1: got a chance to see independently how to break it

663
00:38:45,520 --> 00:38:47,600
Speaker 1: down and mine. Luke being independent was the first one

664
00:38:47,680 --> 00:38:50,520
Speaker 1: to break, uh break certain things down from me. So

665
00:38:50,600 --> 00:38:53,400
Speaker 1: the minute that I saw that Buddy's litigious meaning Steve,

666
00:38:54,120 --> 00:38:57,600
Speaker 1: he likes to swear everybody. Here's the crazy thing. IRV

667
00:38:57,719 --> 00:39:00,560
Speaker 1: Gotti was the beginning of my career, and then IRV

668
00:39:00,600 --> 00:39:05,000
Speaker 1: got You by default became the holy grail in my career.

669
00:39:05,560 --> 00:39:09,160
Speaker 1: I'm gonna break it down all right. When I went

670
00:39:09,160 --> 00:39:10,759
Speaker 1: to one of the high school I went to Core Park,

671
00:39:10,800 --> 00:39:13,200
Speaker 1: I'm gonna make this quick. Hope my Teens, my teacher

672
00:39:13,400 --> 00:39:16,200
Speaker 1: changed my life. Her name is Hope. Hope my Teens

673
00:39:16,239 --> 00:39:19,840
Speaker 1: gives me an invitation to a video shoot at Salvation

674
00:39:19,880 --> 00:39:22,280
Speaker 1: where I first saw y'all. By the way, component Noriega

675
00:39:22,320 --> 00:39:25,839
Speaker 1: Pocormuh Nigga's on the runnee in all that right there.

676
00:39:28,440 --> 00:39:30,560
Speaker 1: When I go to Salvation, it's a d MX video

677
00:39:30,640 --> 00:39:34,279
Speaker 1: shoot d m X and them doing the thing. One

678
00:39:34,320 --> 00:39:38,279
Speaker 1: of my dogs instagating ship. Uh. And next thing you know,

679
00:39:38,760 --> 00:39:40,279
Speaker 1: one of the guys named boom Tho at a rough

680
00:39:40,400 --> 00:39:44,000
Speaker 1: Riders tells him. Hey, He's like, yo, I'm not I'm

681
00:39:44,080 --> 00:39:46,320
Speaker 1: not gonna give you DMX, but I give you drag on.

682
00:39:46,640 --> 00:39:48,719
Speaker 1: Next thing you know, I'm battling the dragon. When I

683
00:39:48,800 --> 00:39:52,720
Speaker 1: battle drag that starts to send waves throughout the throughout

684
00:39:52,719 --> 00:39:55,319
Speaker 1: the city. When do you smoke drag now? I want

685
00:39:55,400 --> 00:39:56,759
Speaker 1: to say that. What I would say is this, I'm

686
00:39:56,760 --> 00:39:58,120
Speaker 1: gonna tell you not real ship. I'm gonna be real

687
00:39:58,160 --> 00:40:01,440
Speaker 1: with you. I got Swiss beach right next to me

688
00:40:01,480 --> 00:40:04,400
Speaker 1: when the battle starts and switch Swiss says, I give

689
00:40:04,440 --> 00:40:07,160
Speaker 1: you three rounds and drags gonna burn you. I don't

690
00:40:07,160 --> 00:40:09,480
Speaker 1: know what the dragon is at this, you know, and

691
00:40:09,560 --> 00:40:13,200
Speaker 1: you don't got little John. Nobody was just my dog.

692
00:40:13,320 --> 00:40:14,920
Speaker 1: Was just my dogs with me right and then mine.

693
00:40:14,960 --> 00:40:16,560
Speaker 1: I got home court advantage at best, so I can

694
00:40:16,640 --> 00:40:19,520
Speaker 1: flip English Spanish this and the third and video tape

695
00:40:19,520 --> 00:40:22,480
Speaker 1: of this ship, It's gonna come out and manu booming

696
00:40:22,560 --> 00:40:25,560
Speaker 1: battle and drag one round two, round three, round full round.

697
00:40:25,719 --> 00:40:28,440
Speaker 1: The reason that dragged loses this battom. It's because he

698
00:40:28,520 --> 00:40:31,799
Speaker 1: went to Dave Round. He went to me and Monday

699
00:40:32,200 --> 00:40:34,120
Speaker 1: nick shots even than hit cops. You can't wait for

700
00:40:34,200 --> 00:40:37,839
Speaker 1: my ship to drop again, to drop be four down

701
00:40:37,880 --> 00:40:40,759
Speaker 1: bottom hits with Juvenile on the rough Rider album Mind You.

702
00:40:40,840 --> 00:40:42,960
Speaker 1: I'm listening to this floor as the Miami, but I'm going,

703
00:40:43,160 --> 00:40:46,279
Speaker 1: what the fuck is this ship? I never heard no

704
00:40:46,400 --> 00:40:49,719
Speaker 1: flow like that before. You feel me something and he

705
00:40:49,840 --> 00:40:52,000
Speaker 1: got me, but his folks, no, no, he got you,

706
00:40:52,960 --> 00:40:55,480
Speaker 1: so ev got. He comes up and RV's like, hey,

707
00:40:55,520 --> 00:40:57,160
Speaker 1: you're the one causing all this rocket I don't know who.

708
00:40:57,200 --> 00:41:00,520
Speaker 1: I'm seventeen years old the time, and irvs, you know,

709
00:41:00,560 --> 00:41:04,920
Speaker 1: on causing all this ruggers. Yeah, he said you you

710
00:41:06,000 --> 00:41:08,560
Speaker 1: you write music? I said, now, I write music. Got

711
00:41:08,600 --> 00:41:12,160
Speaker 1: freestyle you're seventeen. Then they got the fucking world by

712
00:41:12,239 --> 00:41:15,919
Speaker 1: the balls and ship and he said that freestyle ship

713
00:41:16,200 --> 00:41:19,680
Speaker 1: is cool, but it don't make no money. Boom, I

714
00:41:19,760 --> 00:41:22,000
Speaker 1: see beating ding ding ding ding ding ding. I started

715
00:41:22,040 --> 00:41:24,600
Speaker 1: writing music at that. So that's where Earth changed my

716
00:41:24,719 --> 00:41:28,080
Speaker 1: life by default. Right all right, So now if you

717
00:41:28,120 --> 00:41:31,120
Speaker 1: look at the freestyles, what free style now to sit

718
00:41:31,200 --> 00:41:33,080
Speaker 1: in the freestyle to the paid style now, but now

719
00:41:33,120 --> 00:41:37,640
Speaker 1: I got it after so I go see Earth. Earth's

720
00:41:37,719 --> 00:41:39,920
Speaker 1: working on the murder in Project Earth takes jay z

721
00:41:40,120 --> 00:41:44,160
Speaker 1: DM mex job rule to death Jam job rule coming

722
00:41:44,200 --> 00:41:48,600
Speaker 1: off of the off of TV TV. All right, where

723
00:41:48,600 --> 00:41:51,960
Speaker 1: does it all flip with Earth again? Well, now Steve

724
00:41:52,719 --> 00:41:58,040
Speaker 1: sues death Jam for job rule and he wins for

725
00:41:58,120 --> 00:42:00,319
Speaker 1: about a hundred in I think it's like six meal

726
00:42:01,880 --> 00:42:04,320
Speaker 1: when he wins for hundred sixty mile. Here's the difference.

727
00:42:05,440 --> 00:42:09,919
Speaker 1: Steve is Jewish, Lara Cornen is Jewish, and Lyon corn

728
00:42:10,000 --> 00:42:17,200
Speaker 1: is like, okay, cooler product appeal. When's the appeal when

729
00:42:17,239 --> 00:42:19,239
Speaker 1: steal people? When he wins toe appeal, it goes down

730
00:42:19,320 --> 00:42:22,399
Speaker 1: to like about ninety four don't quote me on numbers,

731
00:42:22,440 --> 00:42:24,600
Speaker 1: but I'm playing you on ball parks nineties and change

732
00:42:24,680 --> 00:42:27,319
Speaker 1: drunk facts. That's what we call it, one of the facts.

733
00:42:27,360 --> 00:42:35,000
Speaker 1: I like that. It's almost like Miranda, right, Yeah, can't

734
00:42:35,000 --> 00:42:37,799
Speaker 1: be used against the law, that's the most important thing.

735
00:42:39,560 --> 00:42:42,879
Speaker 1: But he hits again. Lyle corn comes back appeals again.

736
00:42:42,960 --> 00:42:45,720
Speaker 1: Now buddies at about like sixty meal on a hundred

737
00:42:45,760 --> 00:42:48,800
Speaker 1: and sixty million dollar judgment that he pulled collateral on

738
00:42:48,920 --> 00:42:52,800
Speaker 1: a bank phone. But me hanging out at TVT Records

739
00:42:52,800 --> 00:42:54,520
Speaker 1: in the office and Ship when I'm trying to see

740
00:42:54,560 --> 00:42:59,279
Speaker 1: what the game plan is on different things, I'm listening Yan.

741
00:42:59,480 --> 00:43:02,439
Speaker 1: So when I he he in that spot, I'm like, Ship,

742
00:43:02,920 --> 00:43:05,080
Speaker 1: I took my little bit of advanced money. I never

743
00:43:05,200 --> 00:43:08,160
Speaker 1: bought nothing else other than property. I was living in

744
00:43:08,200 --> 00:43:10,000
Speaker 1: an open lock at the time. I already signed on

745
00:43:10,120 --> 00:43:13,520
Speaker 1: tv T, So I took that little bit of advanced

746
00:43:13,520 --> 00:43:15,080
Speaker 1: money I got. I bought a couple of properties. I

747
00:43:15,160 --> 00:43:17,520
Speaker 1: pulled everything. And this is right before two thou eight

748
00:43:17,640 --> 00:43:20,239
Speaker 1: hit with the crisis, and I'm like, I'm gonna fight

749
00:43:20,280 --> 00:43:22,879
Speaker 1: this ship. It was about a quarter meal. I put

750
00:43:22,960 --> 00:43:25,520
Speaker 1: that up and I told the woman that was in

751
00:43:25,600 --> 00:43:27,440
Speaker 1: my life at the time, so hey, look, it's real simple.

752
00:43:27,560 --> 00:43:29,239
Speaker 1: Either we're gonna win this or we're gonna end up

753
00:43:29,320 --> 00:43:32,120
Speaker 1: under Ary five on same nine Street for set night Street.

754
00:43:34,719 --> 00:43:38,160
Speaker 1: So why they happened, So they sued y'all rule over

755
00:43:38,239 --> 00:43:40,239
Speaker 1: the death game. Ship Earth got is a part of it.

756
00:43:40,320 --> 00:43:42,040
Speaker 1: Earth got to get hit by the Fairs. All this

757
00:43:42,080 --> 00:43:44,279
Speaker 1: ship is happening at the same time she was in

758
00:43:44,320 --> 00:43:46,920
Speaker 1: the contract and I'm on the ship. So Earth, by

759
00:43:47,000 --> 00:43:50,879
Speaker 1: these fact becomes my out due to Ja Rule at

760
00:43:50,920 --> 00:43:53,919
Speaker 1: t VT because he sued death Jam over j'all rule

761
00:43:54,520 --> 00:43:59,760
Speaker 1: you got. I'm trying to tell you, So Steve sues

762
00:44:00,239 --> 00:44:03,640
Speaker 1: Jam for job huh after he gave him away. Supposingly, yes,

763
00:44:03,880 --> 00:44:06,239
Speaker 1: and hers a part of that whole movement, right right,

764
00:44:06,520 --> 00:44:11,360
Speaker 1: So that whole movement corn fighting, Steve, I've been bugging

765
00:44:11,400 --> 00:44:13,040
Speaker 1: out the whole time. You kept saying liar. I was like,

766
00:44:13,080 --> 00:44:28,680
Speaker 1: who are you talking about? Lee or liar? So it

767
00:44:28,880 --> 00:44:31,200
Speaker 1: was that court case that allowed me to sneak in,

768
00:44:31,520 --> 00:44:34,920
Speaker 1: put my laws fuit in, and that's how we That's

769
00:44:34,960 --> 00:44:37,800
Speaker 1: how we got out. And you did you knew you

770
00:44:37,880 --> 00:44:40,200
Speaker 1: was gonna get out? Was you call? Because you know what?

771
00:44:40,800 --> 00:44:43,279
Speaker 1: I think Mike Geronimo still signed to him to this day.

772
00:44:45,040 --> 00:44:49,680
Speaker 1: Let me Temo was fucking he was wrong? I think.

773
00:44:49,800 --> 00:44:51,920
Speaker 1: So Bro's my friend. I've seen him in Butcher Rock

774
00:44:51,960 --> 00:44:53,600
Speaker 1: party the other day. But I'm just saying that's how

775
00:44:53,719 --> 00:44:57,520
Speaker 1: Steve got, Lee got to live, and my default, Steve

776
00:44:57,600 --> 00:45:00,960
Speaker 1: got to became the beginning of Interscope record to Jimmy

777
00:45:01,000 --> 00:45:03,480
Speaker 1: Ivene drew nine in snails in them now if you

778
00:45:03,560 --> 00:45:05,480
Speaker 1: look at the trajectory or Buddy's had, That's why I

779
00:45:05,480 --> 00:45:08,000
Speaker 1: say he's a well with the TV two. He's very

780
00:45:08,040 --> 00:45:10,720
Speaker 1: small all the rights of the TV to TVT records.

781
00:45:11,280 --> 00:45:14,399
Speaker 1: He sued anybody using the TV tunes. I'm gonna tell

782
00:45:14,400 --> 00:45:18,080
Speaker 1: you how nobody was an interesting character if you walked in.

783
00:45:18,120 --> 00:45:19,120
Speaker 1: I don't know if you've been in t V T

784
00:45:19,239 --> 00:45:21,960
Speaker 1: record in New York. He had this couch that when

785
00:45:21,960 --> 00:45:24,480
Speaker 1: you walk up there, when you walk up the stairs,

786
00:45:24,560 --> 00:45:26,520
Speaker 1: it was an inflatable couch and he put it up

787
00:45:26,560 --> 00:45:28,520
Speaker 1: on the frame. And it's something that his old boy

788
00:45:28,719 --> 00:45:31,840
Speaker 1: came up with. Oh boy down here means father, So

789
00:45:31,960 --> 00:45:37,799
Speaker 1: his father came up with He basically stole slash got

790
00:45:37,920 --> 00:45:41,320
Speaker 1: a loan from that idea to open TVT record. So

791
00:45:41,440 --> 00:45:46,000
Speaker 1: Buddy hit his ownadable couch. Yeah, it was on the

792
00:45:46,200 --> 00:45:48,879
Speaker 1: when you're coming up the steps, I can almost see

793
00:45:48,880 --> 00:45:50,880
Speaker 1: it like it's right now. But hey, look, I wouldn't

794
00:45:50,960 --> 00:45:52,920
Speaker 1: change anything in the world. I love that hustle lot

795
00:45:53,000 --> 00:45:59,960
Speaker 1: that grind loved to learn. And I think we look

796
00:46:01,239 --> 00:46:03,680
Speaker 1: we look what I'm saying, we look at at a

797
00:46:03,800 --> 00:46:10,120
Speaker 1: loss as an opportunity to We're going like, how can

798
00:46:10,200 --> 00:46:15,040
Speaker 1: I put it? We are you're in the building, you're

799
00:46:15,040 --> 00:46:16,920
Speaker 1: cleaning the building, you're cleaning the toilets, and in your

800
00:46:16,960 --> 00:46:18,600
Speaker 1: mind you're going, I'm gonna own this building one day

801
00:46:18,920 --> 00:46:21,280
Speaker 1: and people tell you that I don't never work Papa

802
00:46:21,640 --> 00:46:24,400
Speaker 1: watch me. So you brought yourself out of that contract. No,

803
00:46:24,520 --> 00:46:27,239
Speaker 1: we beat, we beat, We beat that motherfucker. All right,

804
00:46:27,280 --> 00:46:29,120
Speaker 1: take it from No, but real quick. I don't know

805
00:46:29,120 --> 00:46:31,359
Speaker 1: if you remember this, but around the time, I don't

806
00:46:31,360 --> 00:46:33,719
Speaker 1: know if it's before, you're trying to make the move.

807
00:46:34,160 --> 00:46:37,759
Speaker 1: You're coming to our office crazy, You're doing freestyles. You

808
00:46:38,400 --> 00:46:41,560
Speaker 1: steve steps to us to sign Garcia. I remember that

809
00:46:42,160 --> 00:46:44,000
Speaker 1: you talk to me and you pulled me to say

810
00:46:44,760 --> 00:46:46,399
Speaker 1: you didn't want to tell me detail. You just said,

811
00:46:46,800 --> 00:46:49,560
Speaker 1: don't do it. And at first I'm conflicted. I'm like,

812
00:46:49,600 --> 00:46:54,759
Speaker 1: oh man, we right there because he's hitting you a game.

813
00:46:54,960 --> 00:46:57,240
Speaker 1: But you probably did. You think that he was hating,

814
00:46:57,560 --> 00:47:00,080
Speaker 1: not hating, But I was confused by it. Teach was

815
00:47:00,120 --> 00:47:01,560
Speaker 1: the guy that pulled me to the side and said,

816
00:47:02,000 --> 00:47:04,239
Speaker 1: he's putting you on the game, he's taking care of you,

817
00:47:04,600 --> 00:47:06,440
Speaker 1: because you know what it was. I'm gonna be honest,

818
00:47:07,000 --> 00:47:10,200
Speaker 1: as the outside of the industry, everyone wanted to go

819
00:47:10,280 --> 00:47:13,640
Speaker 1: to t VT, but everyone in the industry knew Holy

820
00:47:13,800 --> 00:47:17,480
Speaker 1: Ship but you're not always privileg to say that information.

821
00:47:17,840 --> 00:47:19,759
Speaker 1: But looking from the outside, when you look, that was

822
00:47:19,840 --> 00:47:22,319
Speaker 1: like the most powerful label at one point all day

823
00:47:22,440 --> 00:47:24,840
Speaker 1: in the mid two thousands, and man, it's independence they

824
00:47:24,880 --> 00:47:28,400
Speaker 1: were they were killing, not investing in people that nobody

825
00:47:28,480 --> 00:47:31,680
Speaker 1: was a Buddy John. So how did you cook up

826
00:47:31,719 --> 00:47:35,520
Speaker 1: with TVT through John Little John and Brian Leach. Brian Leash,

827
00:47:35,600 --> 00:47:38,520
Speaker 1: that's how you got um because he's the one that

828
00:47:38,560 --> 00:47:40,520
Speaker 1: believed in me. I mean, John always showed me love.

829
00:47:41,000 --> 00:47:42,960
Speaker 1: But Leech was like, hey, look man, I'm not too

830
00:47:43,200 --> 00:47:46,279
Speaker 1: and this is really record him being a hallm boy.

831
00:47:46,360 --> 00:47:49,000
Speaker 1: He said, look, I ain't really too much into what

832
00:47:49,120 --> 00:47:51,200
Speaker 1: you'd be rapping about. I don't really understand too much.

833
00:47:51,920 --> 00:47:55,640
Speaker 1: But I see you fucking everywhere. I see you pushing

834
00:47:55,680 --> 00:47:57,719
Speaker 1: your mixed tapes. I see you everywhere trying to do things.

835
00:47:58,640 --> 00:48:01,320
Speaker 1: And then the one that that flipped his mind, we

836
00:48:01,400 --> 00:48:03,719
Speaker 1: were together on at DJ just told man he rest

837
00:48:03,760 --> 00:48:06,800
Speaker 1: in peace or the Just Awards. That was an incredible

838
00:48:06,800 --> 00:48:09,439
Speaker 1: and I ripped a rhyme there and that's when Brian

839
00:48:09,600 --> 00:48:12,160
Speaker 1: that was a verse off of I don't give a

840
00:48:12,239 --> 00:48:14,960
Speaker 1: fuck that Little John gave me an opportunity to the

841
00:48:15,000 --> 00:48:18,040
Speaker 1: remix on and I spent that verse to Brian Leach

842
00:48:18,680 --> 00:48:21,400
Speaker 1: on stage at but mind you this this is I

843
00:48:21,440 --> 00:48:23,080
Speaker 1: have to I have footage of this. I gave it

844
00:48:23,160 --> 00:48:25,320
Speaker 1: to teach you. I think he asked me for it.

845
00:48:25,360 --> 00:48:28,200
Speaker 1: I don't know if you using, but I have the footage.

846
00:48:28,440 --> 00:48:32,280
Speaker 1: We were there and he came out. Everybody in that venue,

847
00:48:32,360 --> 00:48:36,600
Speaker 1: including artists DJ's on stage, looked at him crazy, and

848
00:48:36,640 --> 00:48:39,360
Speaker 1: when he started spitting over that joint, we were the

849
00:48:39,440 --> 00:48:41,279
Speaker 1: only ones, a couple of us in the audience. We're

850
00:48:41,320 --> 00:48:46,080
Speaker 1: going crazy, everybody. I think people's gonna come perform. Everybody's

851
00:48:46,080 --> 00:48:48,399
Speaker 1: just like it wasn't like like a different type of crowd,

852
00:48:48,440 --> 00:48:50,719
Speaker 1: because it was. It was just a die hard New

853
00:48:50,800 --> 00:48:55,120
Speaker 1: York ghost Faces I think was there. And he came

854
00:48:55,160 --> 00:48:56,840
Speaker 1: out like like if the crowd was going wild. He

855
00:48:56,920 --> 00:48:58,879
Speaker 1: did his thing, you know, and it was like five

856
00:48:58,960 --> 00:49:01,759
Speaker 1: of us going crazy out of like three people or something,

857
00:49:02,160 --> 00:49:04,160
Speaker 1: not just those too. So you know, that's all about

858
00:49:05,080 --> 00:49:08,160
Speaker 1: certification stamping, you know, And that was the lyrics back

859
00:49:08,200 --> 00:49:11,120
Speaker 1: in the days. That's real, like the thing was, but

860
00:49:11,200 --> 00:49:13,000
Speaker 1: it was just people just didn't know what to think

861
00:49:13,080 --> 00:49:16,160
Speaker 1: of him at the time exactly, which was the verse

862
00:49:16,320 --> 00:49:19,360
Speaker 1: one trying to get it in my head because that

863
00:49:19,400 --> 00:49:22,920
Speaker 1: way nor we could kind of remember your verses. Now,

864
00:49:22,920 --> 00:49:24,320
Speaker 1: I'm gonna get I'm gonna get you gotta give me.

865
00:49:24,840 --> 00:49:28,040
Speaker 1: Let let's do a little shot, baby, let me get

866
00:49:28,040 --> 00:49:31,840
Speaker 1: that my head right. But ke kevil, I got that

867
00:49:31,880 --> 00:49:33,680
Speaker 1: foot if we could use it as a clipping, this

868
00:49:34,840 --> 00:49:40,600
Speaker 1: a fing out every footage I got you. And this

869
00:49:40,760 --> 00:49:43,320
Speaker 1: is this is the verse to say, because I attribute

870
00:49:43,360 --> 00:49:48,520
Speaker 1: my career to track a teen on Little John's Crunk

871
00:49:48,600 --> 00:49:51,840
Speaker 1: of Kings or Kings are crunk, I'm tripping. Yeah, thank you.

872
00:49:52,280 --> 00:49:54,960
Speaker 1: He gave me an opportunity on that, so you utilized

873
00:49:55,000 --> 00:49:59,800
Speaker 1: that on this versus say he said, okay, it was

874
00:50:00,000 --> 00:50:02,759
Speaker 1: don't give a FUX said. I said, I'm back at

875
00:50:02,760 --> 00:50:04,960
Speaker 1: that cub. I'm back keeping from track eighteen on the

876
00:50:05,040 --> 00:50:06,800
Speaker 1: Kings of Chromp. I get anything. Just let me know

877
00:50:06,840 --> 00:50:08,640
Speaker 1: exactly how many things you want. Catch us in the

878
00:50:08,640 --> 00:50:10,560
Speaker 1: club with the cups up, screaming we don't give a funk,

879
00:50:10,719 --> 00:50:12,319
Speaker 1: my nigga, you don't want them, because truly we don't

880
00:50:12,360 --> 00:50:14,719
Speaker 1: give a fun. Dottle John, don't put me on the remix. Now,

881
00:50:14,760 --> 00:50:18,040
Speaker 1: y'all have some deep ship. Y'all gotta sucked up. I'm

882
00:50:18,040 --> 00:50:23,000
Speaker 1: gonna get back now, so let's get you. No, I'm

883
00:50:23,000 --> 00:50:25,120
Speaker 1: gonna get it now. I'm back. Is that keeping from

884
00:50:25,160 --> 00:50:27,440
Speaker 1: track eighteen on the Kings and Chrome, I get anything?

885
00:50:27,520 --> 00:50:29,160
Speaker 1: Just let me know exactly how many things you want?

886
00:50:29,320 --> 00:50:30,960
Speaker 1: Catch us in the club with the cups up screaming,

887
00:50:31,000 --> 00:50:33,239
Speaker 1: we don't give a funny. You don't want because truly

888
00:50:33,280 --> 00:50:35,360
Speaker 1: we don't give a funk. Dottle John, put me on

889
00:50:35,440 --> 00:50:40,480
Speaker 1: the remix. Now y'all have some deep ship. There's a

890
00:50:40,520 --> 00:50:42,200
Speaker 1: fun part. You gotta put every part that is because

891
00:50:42,200 --> 00:50:46,480
Speaker 1: we're gonna get it. Do you want to shot between this?

892
00:50:46,760 --> 00:50:53,319
Speaker 1: I just didn't want remixing? Right here we go, I'm back?

893
00:50:53,400 --> 00:50:55,120
Speaker 1: Is that keeping from track eighteen on the Kings of

894
00:50:55,160 --> 00:50:57,080
Speaker 1: CHROMP I get anything. Just let me know exactly how

895
00:50:57,120 --> 00:50:58,719
Speaker 1: many things you won't catching in the club with the

896
00:50:58,760 --> 00:51:00,840
Speaker 1: cups up screaming, we don't give funk, My nigga, you

897
00:51:00,840 --> 00:51:02,640
Speaker 1: don't want to because truly we don't give a funk.

898
00:51:02,760 --> 00:51:04,520
Speaker 1: Little John, put me on the remix. Now y'all have

899
00:51:04,600 --> 00:51:10,520
Speaker 1: some deep ship. I fun up again. Let's take a

900
00:51:10,560 --> 00:51:14,360
Speaker 1: little shot get him getting we talked, sit watch and

901
00:51:14,400 --> 00:51:16,279
Speaker 1: then by the end this bitch, I'm gonna number. Come

902
00:51:16,320 --> 00:51:18,560
Speaker 1: back to it. Well, come back to it comes some

903
00:51:18,640 --> 00:51:24,319
Speaker 1: deep sit boom, so he is away, babies, how it goes?

904
00:51:25,280 --> 00:51:26,920
Speaker 1: I'm back? Is that? Keeping from track eighteen on The

905
00:51:27,000 --> 00:51:28,800
Speaker 1: Kings of Crump, I get anything. Just let me know

906
00:51:28,840 --> 00:51:30,680
Speaker 1: exactly how many things you won't catch us in the

907
00:51:30,680 --> 00:51:33,279
Speaker 1: club with the cups up screaming. We don't give a fuck, nigga,

908
00:51:33,280 --> 00:51:35,279
Speaker 1: you don't want that, truly, we don't give a funk.

909
00:51:35,400 --> 00:51:37,320
Speaker 1: Little John up for me. You'll remixing, y'all on some

910
00:51:37,400 --> 00:51:39,680
Speaker 1: deep ship, y'all like a eight ball in the corner pocket, y'all,

911
00:51:39,880 --> 00:51:43,120
Speaker 1: some deep ship. I'm still fun. We got it now.

912
00:51:43,160 --> 00:51:48,280
Speaker 1: I almost gotta listen to the first it's just one land.

913
00:51:48,840 --> 00:51:53,759
Speaker 1: Now you're some deep sit. My Now, I got here

914
00:51:53,760 --> 00:51:55,560
Speaker 1: in the shot. Well, let me do the shot together.

915
00:51:57,200 --> 00:52:03,600
Speaker 1: Got that some deep sit who ya? I got you

916
00:52:03,680 --> 00:52:06,799
Speaker 1: now ready, let's try it again. This is what Light's about.

917
00:52:06,840 --> 00:52:10,520
Speaker 1: I want to know everything, everything, everything at one time.

918
00:52:10,560 --> 00:52:12,840
Speaker 1: Not to that. It's not about how you falls, how

919
00:52:12,920 --> 00:52:16,120
Speaker 1: you get back up and get back up. So I'm back.

920
00:52:16,160 --> 00:52:18,400
Speaker 1: It's like cuping from track eighteen on the Kings of Krunk.

921
00:52:18,560 --> 00:52:20,359
Speaker 1: I get anything. Just let me know exactly how many

922
00:52:20,400 --> 00:52:21,880
Speaker 1: things you won't catch. It's in the club with the

923
00:52:21,920 --> 00:52:24,160
Speaker 1: cups up screaming, we don't give a funk, and my nigga,

924
00:52:24,160 --> 00:52:26,160
Speaker 1: you don't want to. Truely, we don't give a funk.

925
00:52:26,320 --> 00:52:28,200
Speaker 1: Little Jon. Put me on the remix now, y'alling some

926
00:52:28,280 --> 00:52:31,759
Speaker 1: deep ship, y'a like an eight ball in the wrong pocket, y'all. Ship, damn,

927
00:52:31,800 --> 00:52:36,480
Speaker 1: that's that one part. Don't work? Pull it up? Get it?

928
00:52:36,520 --> 00:52:40,399
Speaker 1: I got up as come on this twenty not twenty years,

929
00:52:40,719 --> 00:52:43,440
Speaker 1: fifteen years? Wait? Oh this is this is? This is

930
00:52:43,520 --> 00:52:46,120
Speaker 1: on a song song? Yeah he did this? Yeah, just

931
00:52:46,480 --> 00:52:48,200
Speaker 1: I'm trying to get the first in my mind, and

932
00:52:48,239 --> 00:52:49,959
Speaker 1: I'll tell you why he's fitting. And you see people

933
00:52:50,080 --> 00:52:51,960
Speaker 1: starting to look like, oh, shot on the stairs and

934
00:52:52,280 --> 00:52:55,919
Speaker 1: deep sick. I have the footage, I just I can't

935
00:52:55,920 --> 00:52:57,200
Speaker 1: find it right now. Oh wait wait, I think it

936
00:52:57,280 --> 00:53:02,040
Speaker 1: might be and then I'll hit it. I just need

937
00:53:02,120 --> 00:53:05,600
Speaker 1: that one new lane right there. We love this ship.

938
00:53:05,640 --> 00:53:07,200
Speaker 1: This is a hip hop ship right here, y'all. I

939
00:53:07,200 --> 00:53:10,839
Speaker 1: ain't gonna lie, y'all. It's crazy to much that verse

940
00:53:11,000 --> 00:53:16,640
Speaker 1: changed my life. Dog, Please be ready, Let's do it,

941
00:53:17,840 --> 00:53:22,440
Speaker 1: got you, Let's do it. I got you boa please

942
00:53:26,680 --> 00:53:28,880
Speaker 1: on the research. Let's try to get it's try to

943
00:53:28,920 --> 00:53:30,440
Speaker 1: get say that you want to hear one time, but

944
00:53:30,680 --> 00:53:33,279
Speaker 1: try I got you just that, please, bitch lane, that's

945
00:53:36,920 --> 00:53:40,640
Speaker 1: any more time. I'm back at the Cuban from Track

946
00:53:40,719 --> 00:53:42,960
Speaker 1: eight team on the Keys to Chrome get anything. Just

947
00:53:43,040 --> 00:53:45,279
Speaker 1: let me know exactly how many things you want the

948
00:53:45,320 --> 00:53:47,640
Speaker 1: club with the cups up screaming, we don't give a food.

949
00:53:48,200 --> 00:53:50,479
Speaker 1: You don't want to truly, we don't give a funk.

950
00:53:50,719 --> 00:53:52,560
Speaker 1: I'm telling up. Put me on the remix now, y'all

951
00:53:52,560 --> 00:53:57,000
Speaker 1: with some deep ship and I'm like, please, bitch, ain't

952
00:53:57,040 --> 00:53:58,839
Speaker 1: ball on the corner pocket. Y'all lose in the game.

953
00:54:00,000 --> 00:54:01,560
Speaker 1: All the store in this pocket. I go straight for

954
00:54:01,600 --> 00:54:03,839
Speaker 1: your brain when I doing my thing, and we're gonna

955
00:54:03,840 --> 00:54:05,680
Speaker 1: stop me walk of the rain that the fame give

956
00:54:05,719 --> 00:54:17,360
Speaker 1: me the game and give me holy serious man, I

957
00:54:17,480 --> 00:54:19,719
Speaker 1: try to keep my mind together. You can see it

958
00:54:19,800 --> 00:54:24,839
Speaker 1: was just please bit holy time. When you gotta get

959
00:54:24,840 --> 00:54:27,360
Speaker 1: you the whole ones. He thats about pushing yourself, man,

960
00:54:27,360 --> 00:54:29,760
Speaker 1: You gotta push yourself hit and you still care about

961
00:54:29,800 --> 00:54:33,440
Speaker 1: that ship after all? That ship. Not as far as

962
00:54:33,640 --> 00:54:37,400
Speaker 1: mentally I'd like to keep my mind together, but I

963
00:54:37,520 --> 00:54:40,600
Speaker 1: love to show people, especially in this society for the

964
00:54:40,760 --> 00:54:43,840
Speaker 1: bitch made motherfucking puss it boys. To be honest with you,

965
00:54:45,000 --> 00:54:49,960
Speaker 1: the gratification does not exist. So therefore, to be fifteen,

966
00:54:50,000 --> 00:54:51,719
Speaker 1: I've been twenty years in the game. You've been in

967
00:54:51,760 --> 00:54:55,520
Speaker 1: the game, what five something like that? Ninety seven seven,

968
00:54:57,400 --> 00:54:59,799
Speaker 1: so you know you three in the game. I've been

969
00:54:59,840 --> 00:55:02,600
Speaker 1: in since ninety nine. Was my first contract with Luke.

970
00:55:03,520 --> 00:55:06,399
Speaker 1: I mean I remember getting on. I remember seeing y'all

971
00:55:06,560 --> 00:55:09,759
Speaker 1: about nine ninety six when I was around certain people

972
00:55:09,840 --> 00:55:13,560
Speaker 1: in uh, you know, the cratiful women in Canada. Some

973
00:55:13,640 --> 00:55:17,040
Speaker 1: crazy But I google you. You know what it says.

974
00:55:17,120 --> 00:55:21,399
Speaker 1: It says your first break was on the Miami mixtape. Yeah,

975
00:55:21,960 --> 00:55:26,719
Speaker 1: And I wanted to wonder, did was that something that

976
00:55:26,840 --> 00:55:30,360
Speaker 1: intertwined with you guys? Or break it down? Because I

977
00:55:30,480 --> 00:55:32,359
Speaker 1: did a lot of mix tapes. They did a lot

978
00:55:32,400 --> 00:55:34,960
Speaker 1: of mix tapes, and then we would we would get

979
00:55:35,040 --> 00:55:39,680
Speaker 1: together to put together different verses on different things. But

980
00:55:39,800 --> 00:55:42,120
Speaker 1: to get to any offense at the time was like

981
00:55:42,239 --> 00:55:46,520
Speaker 1: getting to a flex in New York, getting to a clue.

982
00:55:47,160 --> 00:55:49,000
Speaker 1: I had to earn my stripes. I had to earn

983
00:55:49,040 --> 00:55:58,719
Speaker 1: my respect. Never get that story the way you get

984
00:55:59,200 --> 00:56:03,360
Speaker 1: little no way shape or form and none of the

985
00:56:03,440 --> 00:56:07,120
Speaker 1: click either. But like any like anything in life, you

986
00:56:07,480 --> 00:56:11,800
Speaker 1: look back there you flex flex flex was kind of

987
00:56:11,840 --> 00:56:13,800
Speaker 1: like hard to get to pause like he was like

988
00:56:13,960 --> 00:56:17,800
Speaker 1: he wasn't easy access accessible person like you had to

989
00:56:17,840 --> 00:56:20,879
Speaker 1: actually have something going. So that's why the reason when

990
00:56:20,880 --> 00:56:22,600
Speaker 1: I asked you, like you know, back in the days

991
00:56:22,640 --> 00:56:25,080
Speaker 1: when you know, we can't just look at everybody say

992
00:56:25,120 --> 00:56:26,479
Speaker 1: he's gonna be a star, you know what I'm saying,

993
00:56:26,520 --> 00:56:29,440
Speaker 1: and it just happens. Sometimes there is and sometimes it's

994
00:56:29,480 --> 00:56:31,040
Speaker 1: like you'll show you, let me see you work, you

995
00:56:31,040 --> 00:56:33,120
Speaker 1: know what I'm saying. So you told me a story

996
00:56:33,200 --> 00:56:35,960
Speaker 1: that you came to. My story, Crazy Goods of You

997
00:56:36,080 --> 00:56:37,680
Speaker 1: was a short I got jumped on the way to

998
00:56:37,719 --> 00:56:44,920
Speaker 1: that fucking store girl. Yeah, that was one of them.

999
00:56:44,960 --> 00:56:47,480
Speaker 1: Because remember look we had a lot of gangs in Miami.

1000
00:56:47,560 --> 00:56:50,520
Speaker 1: And remember so whether it was T and S, you

1001
00:56:50,640 --> 00:56:54,320
Speaker 1: had I M p LB, fucking Lan King's v O

1002
00:56:54,480 --> 00:56:58,080
Speaker 1: b ht WYLW. You know, the Black Boys had the

1003
00:56:58,080 --> 00:57:00,960
Speaker 1: Booby Boys, Genn doez paying. I mean, it's a game

1004
00:57:01,040 --> 00:57:03,800
Speaker 1: on the fus. Yeah, so I am Pete was the

1005
00:57:03,880 --> 00:57:06,640
Speaker 1: biggest game in my ami. The biggest game they came

1006
00:57:06,680 --> 00:57:09,400
Speaker 1: from folk, they came out of everywhere. They were everywhere,

1007
00:57:10,000 --> 00:57:12,160
Speaker 1: and they were and they were buy it, you know,

1008
00:57:12,239 --> 00:57:14,640
Speaker 1: they were they were loose. So I happened to go

1009
00:57:14,719 --> 00:57:16,320
Speaker 1: to I try to go to the store one day

1010
00:57:16,360 --> 00:57:18,640
Speaker 1: and I'm turning the corner and I'm going to see

1011
00:57:18,680 --> 00:57:22,320
Speaker 1: actually a girl friend of mine, Colombian girl and candle

1012
00:57:22,720 --> 00:57:27,760
Speaker 1: like I swallowed out and they jumped me. So that

1013
00:57:27,920 --> 00:57:30,320
Speaker 1: was the first you like, the guy that was singing

1014
00:57:30,360 --> 00:57:36,880
Speaker 1: outside the girls now it it was it was a

1015
00:57:36,960 --> 00:57:39,720
Speaker 1: different kind of okay to have a job. Well, how

1016
00:57:39,800 --> 00:57:42,280
Speaker 1: did they do I'm gonna say, no, no, no, they

1017
00:57:42,360 --> 00:57:45,520
Speaker 1: jump me. I was this what you're doing? Like, I

1018
00:57:45,600 --> 00:57:47,600
Speaker 1: just I just turned the corner during the corner, after

1019
00:57:47,720 --> 00:57:51,040
Speaker 1: the corner around there, not even like that. It was

1020
00:57:51,040 --> 00:57:55,920
Speaker 1: around the store. It was on the corner on the

1021
00:57:56,560 --> 00:57:59,760
Speaker 1: gas stations. No, I'm tripping the saying around your shop.

1022
00:57:59,760 --> 00:58:02,440
Speaker 1: This is I'm back way. Oh yeah a little bit.

1023
00:58:02,480 --> 00:58:04,960
Speaker 1: We just close by, but down straight. Yeah. Yeah, that's

1024
00:58:05,160 --> 00:58:07,400
Speaker 1: that's what I'm thinking about, because that's you. I would

1025
00:58:07,440 --> 00:58:09,640
Speaker 1: get that would get your mixtapes that one second twin

1026
00:58:09,680 --> 00:58:11,640
Speaker 1: I love you, But you definitely walked in with the

1027
00:58:11,680 --> 00:58:24,919
Speaker 1: cocaine face. I'm not gonna people walked this. Look. Let's

1028
00:58:24,960 --> 00:58:29,400
Speaker 1: notice he only said I definitely give a cocaine. I

1029
00:58:29,520 --> 00:58:36,600
Speaker 1: just read up. Let's just call human crime. Okay, alright,

1030
00:58:40,040 --> 00:58:44,040
Speaker 1: liquid cocaine. I'm so sorry pit I stopped you. Man,

1031
00:58:44,040 --> 00:58:48,880
Speaker 1: you want another shot, I'm going in. But I just

1032
00:58:48,920 --> 00:58:53,240
Speaker 1: want to tell you all this. I said again, congratulate y'all. No, no, no,

1033
00:58:53,400 --> 00:58:57,560
Speaker 1: we congratulate you today the interview arm through that NA

1034
00:58:57,840 --> 00:59:00,240
Speaker 1: through that gets giving me a great outlet to be

1035
00:59:00,360 --> 00:59:07,160
Speaker 1: able to build schools. I ain't graduated from high school,

1036
00:59:08,200 --> 00:59:09,800
Speaker 1: but to be able to build schools and have this

1037
00:59:09,880 --> 00:59:11,400
Speaker 1: kind of conversation. I know they love to watch your

1038
00:59:11,440 --> 00:59:13,360
Speaker 1: show in the whole nine. That's how when we first

1039
00:59:13,400 --> 00:59:15,280
Speaker 1: had the conversation, I say, man, if I come out

1040
00:59:15,320 --> 00:59:17,280
Speaker 1: and just make sure, I'm all about having fun. If

1041
00:59:17,280 --> 00:59:19,040
Speaker 1: I look at it, I look get loosened. No, we're

1042
00:59:19,080 --> 00:59:23,120
Speaker 1: gonna have fun. But making sure that the kids when

1043
00:59:23,200 --> 00:59:26,120
Speaker 1: we speak about certain things and then know that what

1044
00:59:26,320 --> 00:59:28,520
Speaker 1: we've come from and and all the obstacles in life

1045
00:59:28,560 --> 00:59:30,440
Speaker 1: and nobody ever believed in us one way or another,

1046
00:59:31,440 --> 00:59:33,560
Speaker 1: that through music and given it's given us a chance

1047
00:59:33,640 --> 00:59:36,800
Speaker 1: to build a school. I mean We're up to eleven

1048
00:59:36,880 --> 00:59:43,640
Speaker 1: now with ten kids. But I want to get back

1049
00:59:43,680 --> 00:59:46,440
Speaker 1: to something because I really admire the fact that you

1050
00:59:46,640 --> 00:59:51,280
Speaker 1: rode though though, Yeah, why why not if you have

1051
00:59:51,360 --> 00:59:53,560
Speaker 1: to be afraid of I don't know anybody know money. No,

1052
00:59:53,800 --> 00:59:56,560
Speaker 1: I'm just I'm just asking like um because you know,

1053
00:59:57,520 --> 00:59:59,400
Speaker 1: then return if a motherucker want to rob me a

1054
00:59:59,480 --> 01:00:04,600
Speaker 1: real simple three dollars in my pocket that I ain't

1055
01:00:04,600 --> 01:00:13,600
Speaker 1: got like that, got ship, mother, That's all I did

1056
01:00:13,800 --> 01:00:15,960
Speaker 1: right there. If you want that and didn't like yourself out,

1057
01:00:18,040 --> 01:00:21,240
Speaker 1: that's party time for somebody, though. But you don't see

1058
01:00:21,400 --> 01:00:24,920
Speaker 1: like you know, you know, God blessed our Miami is

1059
01:00:24,920 --> 01:00:26,800
Speaker 1: a Jewish road. You already know FI on top of

1060
01:00:26,840 --> 01:00:34,240
Speaker 1: the hunting. If you got a little shot, you got shot, shot,

1061
01:00:34,840 --> 01:00:37,400
Speaker 1: you got you got your shot. You I gotta shot,

1062
01:00:37,880 --> 01:00:46,520
Speaker 1: Let me get let me get get you. Yeah right, congratulations.

1063
01:00:53,240 --> 01:00:56,280
Speaker 1: I just want you to know, amire, that though you

1064
01:00:56,320 --> 01:00:59,280
Speaker 1: know what I'm saying because so many people you know

1065
01:00:59,720 --> 01:01:02,200
Speaker 1: me personally, I love I love crowds, I love people.

1066
01:01:02,200 --> 01:01:06,480
Speaker 1: I love showing my people, uh love. Yeah. But at

1067
01:01:06,520 --> 01:01:08,960
Speaker 1: the same token, I walked through the mall sometimes I

1068
01:01:09,040 --> 01:01:11,560
Speaker 1: go dolo and people always just look at me, and

1069
01:01:11,600 --> 01:01:16,760
Speaker 1: but like, what the fund is wrong? No, I don't

1070
01:01:16,800 --> 01:01:19,280
Speaker 1: let people nobody, but yeah, I mean I like that

1071
01:01:19,320 --> 01:01:21,240
Speaker 1: because you know why, I feel like it's one person

1072
01:01:21,320 --> 01:01:23,360
Speaker 1: in that bunch that we're gonna teach something too, and

1073
01:01:23,800 --> 01:01:26,439
Speaker 1: they're gonna spread that to the next person, the next person.

1074
01:01:26,520 --> 01:01:28,880
Speaker 1: It's all about you know. But I just but let

1075
01:01:28,920 --> 01:01:31,560
Speaker 1: me reiterate and get back to what it is. When

1076
01:01:31,640 --> 01:01:34,720
Speaker 1: defense said, yo, he said he's coming dollar he said

1077
01:01:34,760 --> 01:01:36,440
Speaker 1: his people said he's going on, and I was like,

1078
01:01:36,520 --> 01:01:39,320
Speaker 1: he gotta becoming dolar what security like, that's what dolo

1079
01:01:39,440 --> 01:01:43,000
Speaker 1: means when people at head level and then and you

1080
01:01:43,160 --> 01:01:47,280
Speaker 1: actually walked in I mean, which I appreciate that, but

1081
01:01:47,360 --> 01:01:49,280
Speaker 1: I'm gonna tell you what it is. Is that a

1082
01:01:49,400 --> 01:01:51,600
Speaker 1: lot of things that I've seen in the game and

1083
01:01:51,720 --> 01:01:56,520
Speaker 1: throughout life the person and we're connected through one of them.

1084
01:01:56,560 --> 01:02:01,960
Speaker 1: By the way, he's the person saying such as like,

1085
01:02:02,000 --> 01:02:05,200
Speaker 1: let's say myself, we're not the one that's the problem

1086
01:02:05,480 --> 01:02:08,360
Speaker 1: or the situation is there everybody around you. They're gonna

1087
01:02:08,360 --> 01:02:11,040
Speaker 1: can't do that. You can through it and show me

1088
01:02:11,080 --> 01:02:14,200
Speaker 1: your friends, I show your future. So I always looked

1089
01:02:14,240 --> 01:02:15,880
Speaker 1: at it, even when I ran around and did whatever

1090
01:02:15,960 --> 01:02:17,360
Speaker 1: I did because I don't even know what I did.

1091
01:02:17,440 --> 01:02:19,520
Speaker 1: If you know what I'm talking about, I did about myself.

1092
01:02:19,920 --> 01:02:22,520
Speaker 1: So if I found myself in a situation, can't listen

1093
01:02:22,520 --> 01:02:26,960
Speaker 1: to some they tell you no book ful pepet need one.

1094
01:02:27,320 --> 01:02:34,560
Speaker 1: You're going on, that's great, you know, I don't know

1095
01:02:34,640 --> 01:02:36,880
Speaker 1: what you're talking about. So therefore the same thing. In

1096
01:02:36,920 --> 01:02:39,760
Speaker 1: the music industry, I wrote the same way. And especially

1097
01:02:39,960 --> 01:02:43,440
Speaker 1: at this level. Why because if anybody's gonna sunk this up,

1098
01:02:43,440 --> 01:02:46,480
Speaker 1: I'd rather be me, not somebody I'm hanging with. And

1099
01:02:46,560 --> 01:02:48,919
Speaker 1: then they do some dumb ship, especially now on social media.

1100
01:02:48,960 --> 01:02:50,720
Speaker 1: I gotta do is take a picture, put the headline

1101
01:02:50,720 --> 01:02:52,360
Speaker 1: next to you know, they got me involved with some ship.

1102
01:02:52,360 --> 01:02:54,760
Speaker 1: I ain't gonna to do it, whether it's a video,

1103
01:02:54,880 --> 01:02:57,680
Speaker 1: whether it's a headline, because listen and you up. I'm

1104
01:02:57,720 --> 01:02:59,800
Speaker 1: sorry to cut you, but you're in the Papa ROSSI

1105
01:03:00,000 --> 01:03:02,120
Speaker 1: once like, you just hang out with we get glessis

1106
01:03:02,160 --> 01:03:04,680
Speaker 1: for no reason. But I just said, you drink with

1107
01:03:04,760 --> 01:03:06,280
Speaker 1: him just nine and I'm talking on the morning. Do

1108
01:03:06,320 --> 01:03:09,720
Speaker 1: you know how much that's part canton. That's what we're

1109
01:03:09,720 --> 01:03:14,480
Speaker 1: gonna call that. We now already came off. I can't

1110
01:03:14,520 --> 01:03:21,800
Speaker 1: make a get but you took over here. I got folks.

1111
01:03:24,000 --> 01:03:26,880
Speaker 1: I definitely got people moving around. The only other person

1112
01:03:26,960 --> 01:03:35,240
Speaker 1: that came by themselves was fifty No. You know, we

1113
01:03:36,360 --> 01:03:41,000
Speaker 1: tell you by the way. I'm gonna tell you Fat

1114
01:03:41,040 --> 01:03:43,760
Speaker 1: Joe always, I'm gonna tell you something that's a sign

1115
01:03:43,840 --> 01:03:46,040
Speaker 1: of respect. I see as well. Like when I was

1116
01:03:46,120 --> 01:03:49,480
Speaker 1: in Mallible, sorry, you know, my birthday just passed. I

1117
01:03:49,640 --> 01:03:54,720
Speaker 1: wasn't Malable and I hit NAS and I said, your nas,

1118
01:03:54,800 --> 01:03:57,520
Speaker 1: you know we're here, and he said I'll beat there

1119
01:03:57,520 --> 01:04:01,360
Speaker 1: in ten minutes. And I automatically it's like, yo, you know,

1120
01:04:01,480 --> 01:04:04,600
Speaker 1: he could come security down. He came with not once,

1121
01:04:06,080 --> 01:04:08,760
Speaker 1: not once, and it made me. It made me feel

1122
01:04:08,840 --> 01:04:11,880
Speaker 1: good about me because I was like, damn, that man

1123
01:04:12,000 --> 01:04:14,760
Speaker 1: trust me. They trust me even though we greet Malleable

1124
01:04:14,800 --> 01:04:16,840
Speaker 1: and it's nothing shouldn't happen, but at the end of

1125
01:04:16,880 --> 01:04:19,920
Speaker 1: the day, that's fucking nas. And he came. It was like, yo, man,

1126
01:04:19,920 --> 01:04:22,640
Speaker 1: it's your birthday, per room and I'm looking and I'm

1127
01:04:22,720 --> 01:04:26,360
Speaker 1: just so amazed that the man had not one security

1128
01:04:26,400 --> 01:04:30,480
Speaker 1: guard and that that that that that seriously touched me.

1129
01:04:30,560 --> 01:04:32,880
Speaker 1: And that's what I told and he said, I said,

1130
01:04:32,880 --> 01:04:36,640
Speaker 1: he's safe with us told him, I'm gonna go out

1131
01:04:36,680 --> 01:04:38,440
Speaker 1: there and mind you, what I love about this is

1132
01:04:38,520 --> 01:04:42,480
Speaker 1: we can actually have real conversations without the bullshit that's

1133
01:04:42,480 --> 01:04:45,080
Speaker 1: going on in the world right now. You know you

1134
01:04:45,120 --> 01:04:54,200
Speaker 1: can't with the mother you should have been. I was

1135
01:04:54,280 --> 01:04:56,320
Speaker 1: trying to spend the first off, little John said, at

1136
01:04:56,360 --> 01:05:01,840
Speaker 1: least and I sent it to you. You got team yeah.

1137
01:05:02,400 --> 01:05:05,120
Speaker 1: So and which by the way, he teaches one of

1138
01:05:05,160 --> 01:05:07,400
Speaker 1: the folks that I would my my career too. And

1139
01:05:07,480 --> 01:05:09,919
Speaker 1: when the time is right, and we're gonna have certain

1140
01:05:09,920 --> 01:05:14,200
Speaker 1: conversations about other things on why I even ended up

1141
01:05:14,240 --> 01:05:17,360
Speaker 1: on certain records, let's just say. You know, but they

1142
01:05:17,400 --> 01:05:19,800
Speaker 1: were asking me here you show up here old like that.

1143
01:05:19,920 --> 01:05:25,080
Speaker 1: You know. Yeah, it's crazy, man, I'm gonna be honest.

1144
01:05:25,120 --> 01:05:28,520
Speaker 1: He's crazy. It is. There's nothing that could be logically that.

1145
01:05:29,200 --> 01:05:31,200
Speaker 1: I mean, it's dope that you you rolled all over well.

1146
01:05:31,200 --> 01:05:32,600
Speaker 1: I mean, it was funny. I used to when I

1147
01:05:32,680 --> 01:05:35,400
Speaker 1: met teacher lived right up the block, teach you to

1148
01:05:35,480 --> 01:05:37,320
Speaker 1: come and get me on twenty if and no, Miamiyah

1149
01:05:38,200 --> 01:05:40,480
Speaker 1: literally right up the block got them. So to be

1150
01:05:40,560 --> 01:05:43,720
Speaker 1: here having this conversation with your means more to me

1151
01:05:43,840 --> 01:05:46,760
Speaker 1: than you guys really know. And when I say it

1152
01:05:46,800 --> 01:05:49,160
Speaker 1: is like, look, one time, one of the guys that

1153
01:05:49,240 --> 01:05:51,760
Speaker 1: connected me heavy with a con back in the day

1154
01:05:52,440 --> 01:05:54,880
Speaker 1: was a boy out of New Jersey. He had just

1155
01:05:55,000 --> 01:06:00,640
Speaker 1: jumped out his name is screw Man. Yeah, recipes and

1156
01:06:01,200 --> 01:06:07,280
Speaker 1: Screw happened to be with your and COMPONENT don't know

1157
01:06:07,360 --> 01:06:10,560
Speaker 1: that story, but God bless to that stuff, because don't

1158
01:06:10,560 --> 01:06:12,760
Speaker 1: I don't know. Sometimes people ask me about that story.

1159
01:06:13,040 --> 01:06:15,800
Speaker 1: They could get me confused. They think it was you.

1160
01:06:16,080 --> 01:06:18,000
Speaker 1: They think it was me because I got the bigger name,

1161
01:06:18,320 --> 01:06:20,360
Speaker 1: but it definitely wasn't me. I wasn't there that I

1162
01:06:20,520 --> 01:06:22,680
Speaker 1: actually left the best Screw. Screw is a good guy.

1163
01:06:22,800 --> 01:06:25,240
Speaker 1: You would like my promise you, and he's here, and

1164
01:06:25,280 --> 01:06:26,960
Speaker 1: he's here whether what I'm trying to tell you, it's

1165
01:06:27,000 --> 01:06:29,880
Speaker 1: exactly because of those kind of moments that you're in

1166
01:06:29,920 --> 01:06:33,680
Speaker 1: a situation and someone is just because as much as

1167
01:06:33,720 --> 01:06:35,960
Speaker 1: we call it being real, we're just passing it. And

1168
01:06:36,000 --> 01:06:37,920
Speaker 1: when you're around somebody, you feel you gotta look out

1169
01:06:37,960 --> 01:06:39,920
Speaker 1: for you willing to do whatever at that moment, not

1170
01:06:40,080 --> 01:06:44,680
Speaker 1: understanding what that moment made really mean in the near future.

1171
01:06:44,760 --> 01:06:47,240
Speaker 1: Let's just say, and that was one of those moments.

1172
01:06:47,400 --> 01:06:49,000
Speaker 1: But Screw was the one that put me down with

1173
01:06:49,120 --> 01:06:51,560
Speaker 1: a con. And this is when the old Zone magazine

1174
01:06:51,600 --> 01:06:53,720
Speaker 1: was out in the back that was breaking down South.

1175
01:06:54,200 --> 01:06:56,400
Speaker 1: Nobody was looking at us down South, but Julia Beverley

1176
01:06:56,480 --> 01:06:59,920
Speaker 1: was giving us a platform. Whether it was myself, David

1177
01:07:00,040 --> 01:07:04,160
Speaker 1: ban of t Little John, a con and ship, the

1178
01:07:04,200 --> 01:07:06,640
Speaker 1: list goes on paying Bieah, if you name it, you

1179
01:07:06,640 --> 01:07:09,560
Speaker 1: know what I'm saying. So therefore that's why I like

1180
01:07:09,640 --> 01:07:12,400
Speaker 1: to roll with my by myself because if anybody I

1181
01:07:12,520 --> 01:07:14,360
Speaker 1: go back to, if anybody's gonna suck this up, at

1182
01:07:14,400 --> 01:07:16,840
Speaker 1: least let it be me. Now I gotta put it

1183
01:07:16,920 --> 01:07:25,760
Speaker 1: on somebody else. I think you say, right off right,

1184
01:07:25,800 --> 01:07:28,560
Speaker 1: I'm doing my job. What you want? You alright? Cool?

1185
01:07:28,640 --> 01:07:32,480
Speaker 1: Anybody else want to try some mowana? You you get

1186
01:07:32,520 --> 01:07:37,920
Speaker 1: the I'm not over none of y'all way to spa. Listen, man,

1187
01:07:37,960 --> 01:07:45,120
Speaker 1: I've been saying, is certainly just it everybody else, I

1188
01:07:45,160 --> 01:07:52,000
Speaker 1: don't drink. I'm taking enough. Everybody choose. Yeah, you got

1189
01:07:53,520 --> 01:07:56,560
Speaker 1: my next business venture, so so pitt Listen, you got

1190
01:07:56,640 --> 01:07:59,720
Speaker 1: all these liquing pictures. We need a drink champ. Look

1191
01:08:00,000 --> 01:08:03,040
Speaker 1: to help us out. Absolutely at the end of the day,

1192
01:08:03,080 --> 01:08:07,520
Speaker 1: because you've got seventeen liquors over here. We were like, looking,

1193
01:08:07,720 --> 01:08:12,520
Speaker 1: what is this? What is this called? Sounds like she's

1194
01:08:12,520 --> 01:08:14,920
Speaker 1: doing great. That comes with bread. That one's doing really good.

1195
01:08:15,440 --> 01:08:18,160
Speaker 1: Let's do that's te killer that's on tequilling boom and

1196
01:08:18,560 --> 01:08:21,320
Speaker 1: ward winning tequill Him by the way, well in Colombia.

1197
01:08:21,520 --> 01:08:23,240
Speaker 1: This is the one that I'm involved with, Columbian White

1198
01:08:23,280 --> 01:08:27,400
Speaker 1: weird by association. It's the same distillery where it was

1199
01:08:27,479 --> 01:08:36,320
Speaker 1: for Voli too. Yeah at brook what doesn't have a

1200
01:08:36,400 --> 01:08:40,879
Speaker 1: lane here in the States, So congratulations, now you can exactly.

1201
01:08:41,040 --> 01:08:45,600
Speaker 1: But what didn't thing is the you've been before with

1202
01:08:45,800 --> 01:08:53,760
Speaker 1: this terrible man. It's just drinking. Yeah, you know what's

1203
01:08:53,760 --> 01:08:55,439
Speaker 1: great to him talking about the terrible We'll get him

1204
01:08:55,439 --> 01:09:01,479
Speaker 1: a little Columbian. I'm happy to take a shout of you,

1205
01:09:01,800 --> 01:09:11,120
Speaker 1: and you're the first guest. You don't he gonna let sea.

1206
01:09:13,200 --> 01:09:22,040
Speaker 1: I'll take a shout. You take a shot. No, this

1207
01:09:22,200 --> 01:09:23,560
Speaker 1: is the crazy ship. Me and him is all the

1208
01:09:23,600 --> 01:09:29,160
Speaker 1: same driveway. I gonna do it. That's that's last. We're

1209
01:09:29,160 --> 01:09:31,880
Speaker 1: in the same hold on. Don't take you when we

1210
01:09:31,880 --> 01:09:38,559
Speaker 1: get it's listen, this is how infants relationship last. We're

1211
01:09:38,600 --> 01:09:41,720
Speaker 1: on the same highway. What is this he's on the

1212
01:09:41,800 --> 01:09:44,479
Speaker 1: Scenic or I'm on the Scenic and he's on but

1213
01:09:44,520 --> 01:09:47,639
Speaker 1: we're on the same highway. So I don't drink bad.

1214
01:09:47,800 --> 01:09:52,439
Speaker 1: He doesn't drink champagne. I'm not drinking at day. How

1215
01:09:52,479 --> 01:09:56,400
Speaker 1: do you call it? Look, he said, exactly, Look at

1216
01:09:56,439 --> 01:10:04,880
Speaker 1: the cubid guys jumping me. Oh fu, fucked up way

1217
01:10:04,960 --> 01:10:10,320
Speaker 1: too much. Got that liquorice way too much. You gotta

1218
01:10:13,439 --> 01:10:15,080
Speaker 1: I got a man a poor too much. Bro, no

1219
01:10:15,320 --> 01:10:25,880
Speaker 1: man bad. Yeah, you gotta start every shop. Boom boom

1220
01:10:25,920 --> 01:10:42,120
Speaker 1: boom boom boom boom boom boom boom. Boy. Baby, you

1221
01:10:42,160 --> 01:10:43,760
Speaker 1: know what's friend? That so wouldn't work right now. No,

1222
01:10:43,840 --> 01:10:48,479
Speaker 1: my panda, you're not gonna see a little like Nina.

1223
01:10:49,040 --> 01:10:54,800
Speaker 1: I know it's wild. Did you ever get Sam Do

1224
01:10:54,920 --> 01:10:57,240
Speaker 1: you ever get slacked from going because like like he's

1225
01:10:57,280 --> 01:11:00,240
Speaker 1: just slack slack slack. Oh yeah, hold hold on, I

1226
01:11:00,720 --> 01:11:05,560
Speaker 1: explaining because you went from like the ghettos and ghettos

1227
01:11:05,760 --> 01:11:11,320
Speaker 1: music Chronk Cronk is underground for hip hop. Yeah, like

1228
01:11:11,560 --> 01:11:14,479
Speaker 1: like you gotta be into hip hop and into hip

1229
01:11:14,560 --> 01:11:17,320
Speaker 1: hop hip hop because Chrok was like the underground ship

1230
01:11:17,720 --> 01:11:20,879
Speaker 1: and you went from the underground to the most biggest

1231
01:11:20,960 --> 01:11:23,719
Speaker 1: stage in the world. You like perform the Times Square

1232
01:11:24,160 --> 01:11:26,840
Speaker 1: for New Year's Eve. He was out there doing your

1233
01:11:26,880 --> 01:11:30,720
Speaker 1: goddamn yeah. I mean, if it wasn't for And first

1234
01:11:30,760 --> 01:11:32,280
Speaker 1: of all, like I said, I grew up in Miami,

1235
01:11:32,320 --> 01:11:35,080
Speaker 1: good neighborhoods, bad neighborhoods, worst neighborhoods. I did come up

1236
01:11:35,120 --> 01:11:37,559
Speaker 1: through the underground. I think all of us did, whether

1237
01:11:37,600 --> 01:11:39,559
Speaker 1: it was he a fan, whether it was Catty, myself,

1238
01:11:40,240 --> 01:11:43,479
Speaker 1: Uncle Iman, he rest in peace ross all of us.

1239
01:11:43,560 --> 01:11:46,680
Speaker 1: A tricky girls, shitty girls doing what they're doing now.

1240
01:11:46,720 --> 01:11:49,640
Speaker 1: I know, let's just say up Mr Yeah, one time

1241
01:11:49,680 --> 01:11:55,960
Speaker 1: for Mr Marco. I don't know, I'm just saying shouts

1242
01:11:58,760 --> 01:12:03,000
Speaker 1: and all of us that I would say I go

1243
01:12:03,120 --> 01:12:05,600
Speaker 1: back to nobody ever believed in us. But that's what

1244
01:12:05,720 --> 01:12:08,760
Speaker 1: gave us that drive, and that's what example why we're

1245
01:12:08,800 --> 01:12:12,040
Speaker 1: having our didn't there right now, My Ma Juana and

1246
01:12:12,640 --> 01:12:14,000
Speaker 1: I don't know what the fund is smoking, but I

1247
01:12:14,040 --> 01:12:18,960
Speaker 1: don't hope it's yours, lazy Susie. This is what I'm smoking,

1248
01:12:19,040 --> 01:12:21,800
Speaker 1: blaze Susie. So it's coming from the underground and then

1249
01:12:22,080 --> 01:12:24,559
Speaker 1: being able to get on crunk crunk. To me, if

1250
01:12:24,600 --> 01:12:26,080
Speaker 1: you break it down, I broke it down for people

1251
01:12:26,080 --> 01:12:40,360
Speaker 1: before bass music gets crump. Sowhere, sir, here's some yelling

1252
01:12:47,080 --> 01:12:59,720
Speaker 1: little fuckers. Where do you go to? You killed it?

1253
01:13:00,120 --> 01:13:02,960
Speaker 1: You have super someone like you actually did it, like

1254
01:13:03,080 --> 01:13:06,080
Speaker 1: you actually worked it worked like you're probably the first

1255
01:13:06,120 --> 01:13:10,600
Speaker 1: person I ca C did that like it was super underground.

1256
01:13:11,680 --> 01:13:13,840
Speaker 1: Super I don't want to use the word commercial because

1257
01:13:13,840 --> 01:13:18,720
Speaker 1: that's whack, but super global. We'll find like global, like

1258
01:13:19,080 --> 01:13:21,680
Speaker 1: we found a way to cross over. And even now

1259
01:13:21,840 --> 01:13:24,719
Speaker 1: before we got going on this new album that's gonna

1260
01:13:24,720 --> 01:13:27,040
Speaker 1: come with Spanish album is doing great for us much

1261
01:13:27,120 --> 01:13:30,960
Speaker 1: for that what is it called? It called eight which

1262
01:13:31,000 --> 01:13:33,160
Speaker 1: is how many people my my father brought over and

1263
01:13:33,680 --> 01:13:36,640
Speaker 1: my mail boat lift said it again sat with his

1264
01:13:36,760 --> 01:13:45,000
Speaker 1: liberty freedom. Yeah yeah, when you I thought was forty

1265
01:13:45,080 --> 01:13:46,960
Speaker 1: eight people. My first one was called Mando, which is

1266
01:13:47,000 --> 01:13:49,200
Speaker 1: after my father. That's your first fan. My name is

1267
01:13:50,680 --> 01:13:57,240
Speaker 1: Mondoish album all those first fans albums. Just want album

1268
01:13:57,280 --> 01:14:01,360
Speaker 1: like Mando. Yes, yeah, nine, I think we put out

1269
01:14:02,880 --> 01:14:07,040
Speaker 1: you google it man, that's that's cheat a week. I've

1270
01:14:07,040 --> 01:14:08,840
Speaker 1: been like, yo, give me a I thought you did

1271
01:14:08,920 --> 01:14:12,599
Speaker 1: a documentary, but we've done a couple of different things.

1272
01:14:12,680 --> 01:14:15,479
Speaker 1: Now coming to life, you know, but to be able

1273
01:14:15,520 --> 01:14:19,320
Speaker 1: to bridge these two worlds together that I think it's

1274
01:14:19,320 --> 01:14:22,439
Speaker 1: been overlooked for many, many many years. We say those

1275
01:14:22,479 --> 01:14:25,599
Speaker 1: two worlds, the two worlds as far as the Latin culture,

1276
01:14:26,439 --> 01:14:30,680
Speaker 1: all right, and I would say the general public. Now.

1277
01:14:30,800 --> 01:14:34,840
Speaker 1: The thing is that between the Lane culture, Blacks Caribbean,

1278
01:14:35,400 --> 01:14:38,200
Speaker 1: anything that has to do with anything that moves African,

1279
01:14:38,760 --> 01:14:42,040
Speaker 1: we all relate. And that's one thing about help culture. Yeah,

1280
01:14:42,160 --> 01:14:44,000
Speaker 1: hip hop. What I love about hip hop is that

1281
01:14:44,680 --> 01:14:47,799
Speaker 1: hip hop brought everybody together, not through color, through poverty.

1282
01:14:48,439 --> 01:14:50,880
Speaker 1: Like if you were jammed up, ship, I relate to you.

1283
01:14:51,360 --> 01:14:54,599
Speaker 1: So your story something that your story that would listen

1284
01:14:54,600 --> 01:14:57,439
Speaker 1: to them going then that that happened to me. And

1285
01:14:57,640 --> 01:15:00,200
Speaker 1: and that was a difference. It wasn't really a color thing.

1286
01:15:00,280 --> 01:15:03,200
Speaker 1: It was more of a of when you're in poverty,

1287
01:15:03,280 --> 01:15:05,040
Speaker 1: no matter what color you are, your black white people,

1288
01:15:05,320 --> 01:15:08,160
Speaker 1: you're going you got bread, I got siglar, you got boughted,

1289
01:15:08,200 --> 01:15:10,000
Speaker 1: I got soup, you got this, you got that? How

1290
01:15:10,080 --> 01:15:14,120
Speaker 1: can we help you cooler? Plenty of it on things

1291
01:15:14,120 --> 01:15:17,200
Speaker 1: said at you know, But what I'm going with it

1292
01:15:17,360 --> 01:15:21,120
Speaker 1: is that no longer is it. It's not that right now.

1293
01:15:21,200 --> 01:15:23,040
Speaker 1: Now they're trying to find ways to divide everything that

1294
01:15:23,120 --> 01:15:25,560
Speaker 1: we got going on, everything that we've built, to be

1295
01:15:25,640 --> 01:15:27,040
Speaker 1: honest with you, and it has a lot to do

1296
01:15:27,240 --> 01:15:28,960
Speaker 1: with these tech companies. And I'm glad that you brought

1297
01:15:29,040 --> 01:15:32,240
Speaker 1: up social dilemma because social dilemma is all about that.

1298
01:15:32,400 --> 01:15:34,880
Speaker 1: I mean, it's selling dope online bottom line, So who's

1299
01:15:34,920 --> 01:15:39,080
Speaker 1: the cartail? Is seen a lot of cartel because you

1300
01:15:39,160 --> 01:15:41,040
Speaker 1: know why, it's worse than dope because at some point,

1301
01:15:41,439 --> 01:15:45,040
Speaker 1: on dope or on any other substance abuse, you actually

1302
01:15:45,160 --> 01:15:47,799
Speaker 1: realize that you're hitting rock bottom. You will never realize

1303
01:15:47,800 --> 01:15:50,720
Speaker 1: you're hitting rock bottom. But they said he has a

1304
01:15:50,720 --> 01:15:53,320
Speaker 1: great line. He says, you don't know how you're gonna

1305
01:15:53,360 --> 01:15:54,640
Speaker 1: know the matrix if you don't know you're in the

1306
01:15:54,720 --> 01:15:58,280
Speaker 1: matrix if you're not any other great and the users

1307
01:15:58,280 --> 01:16:02,120
Speaker 1: they use, he said, he said only two industries that

1308
01:16:02,280 --> 01:16:05,960
Speaker 1: called their customers users is software companies and drug drugs

1309
01:16:06,000 --> 01:16:10,080
Speaker 1: illegal drugs. So back to pick up social right now.

1310
01:16:10,080 --> 01:16:13,240
Speaker 1: I mean, we got no fucks documentary. We don't just

1311
01:16:13,280 --> 01:16:17,920
Speaker 1: spoke to us. But I hope that we, especially for

1312
01:16:18,000 --> 01:16:21,680
Speaker 1: the generation coming up, we waked them up, you see me,

1313
01:16:21,800 --> 01:16:24,759
Speaker 1: because it was different even you know what you should

1314
01:16:24,760 --> 01:16:26,920
Speaker 1: do during this one. Look when I spoke at the

1315
01:16:27,439 --> 01:16:31,920
Speaker 1: Songwriter's Hall of Fame, Songwriters Hall of Fame in New York,

1316
01:16:33,000 --> 01:16:37,559
Speaker 1: it was me, Jay z Berry, Gordy and Sharing bon Jovi,

1317
01:16:37,800 --> 01:16:41,000
Speaker 1: all of us got. But I went off on that

1318
01:16:41,160 --> 01:16:44,000
Speaker 1: Tom can get you, Tom can get you that footage

1319
01:16:44,000 --> 01:16:50,439
Speaker 1: And why I went off was from MySpace, no media,

1320
01:16:56,400 --> 01:17:00,479
Speaker 1: this community get you the footage and went with it.

1321
01:17:00,600 --> 01:17:05,200
Speaker 1: Is because of all these social platforms, oh, all their

1322
01:17:05,280 --> 01:17:09,200
Speaker 1: evaluations to music. If it wasn't for music being on Facebook,

1323
01:17:09,400 --> 01:17:12,599
Speaker 1: it wasn't music wouldn't be on Apple Facebook, it wouldn't

1324
01:17:12,600 --> 01:17:16,440
Speaker 1: be no goddamn Twitter shot, clearter Cloud of Snapchat, TikTok,

1325
01:17:16,520 --> 01:17:18,080
Speaker 1: keep propper, whatever you want to call it, you know

1326
01:17:18,080 --> 01:17:21,400
Speaker 1: what I'm saying. So all of that we there's a

1327
01:17:21,479 --> 01:17:23,600
Speaker 1: lot of money getting stuck to the gum under the

1328
01:17:23,680 --> 01:17:26,680
Speaker 1: table for artists that helped blow that up Spotify all

1329
01:17:26,760 --> 01:17:29,200
Speaker 1: of that, and I'm a bit I'm a big advocate

1330
01:17:29,280 --> 01:17:31,280
Speaker 1: on that because if you put the numbers together, me

1331
01:17:31,439 --> 01:17:35,160
Speaker 1: pushing I got close to at this point twenty billion

1332
01:17:35,240 --> 01:17:39,880
Speaker 1: views on YouTube official, right, But if I had a dollar,

1333
01:17:42,960 --> 01:17:45,559
Speaker 1: and I appreciate you're clapping it up, but y'all being

1334
01:17:45,600 --> 01:17:48,040
Speaker 1: some Miami boys at this point clap it up when

1335
01:17:48,080 --> 01:17:49,519
Speaker 1: each one of them worth a dollar, and I come

1336
01:17:49,560 --> 01:17:53,439
Speaker 1: back with twenty billion dollars. So therefore that's where it's at.

1337
01:17:54,360 --> 01:17:57,120
Speaker 1: Only on YouTube though that's just YouTube that you're talking

1338
01:17:57,120 --> 01:17:59,960
Speaker 1: about the streaming game. But that's just me. I'm just saying.

1339
01:18:00,000 --> 01:18:02,000
Speaker 1: And if if we get this message out the people

1340
01:18:02,040 --> 01:18:03,920
Speaker 1: is like, get them numbers look nice, but that's a facale,

1341
01:18:04,000 --> 01:18:06,439
Speaker 1: that's just smoking mirrors that she don't mean nothing. So

1342
01:18:06,439 --> 01:18:08,799
Speaker 1: there's a bunch of views to make some other company

1343
01:18:08,920 --> 01:18:11,280
Speaker 1: a bunch of bread. At the end of the day,

1344
01:18:11,320 --> 01:18:13,920
Speaker 1: we're the driving force. So it goes back to that

1345
01:18:14,040 --> 01:18:16,840
Speaker 1: independent mentality. It goes back to what Luke drove in me.

1346
01:18:17,080 --> 01:18:19,599
Speaker 1: It goes back to my my grandmother being a rebel

1347
01:18:19,680 --> 01:18:23,040
Speaker 1: next to Fidel Castro, my aunt being a political prisoner

1348
01:18:23,080 --> 01:18:26,439
Speaker 1: in Cuba, my mother feeling through betted upon Peter Pan,

1349
01:18:26,640 --> 01:18:29,479
Speaker 1: my my father bringing over merry boat lift. That's all

1350
01:18:29,479 --> 01:18:32,519
Speaker 1: I'm we look at see and we're going communely. Can't

1351
01:18:32,560 --> 01:18:35,479
Speaker 1: take that, of course we can't. It just maybe more

1352
01:18:35,640 --> 01:18:37,840
Speaker 1: chest freak that creed. I just feel rich right now,

1353
01:18:38,000 --> 01:18:40,320
Speaker 1: go ahead, I hope you're got to check from Creed

1354
01:18:40,360 --> 01:18:42,160
Speaker 1: though I ain't getting on check with Creely, but we

1355
01:18:42,240 --> 01:18:47,160
Speaker 1: gotta figure this out. Just let me see what it

1356
01:18:47,200 --> 01:18:53,600
Speaker 1: smells like this. I'm creed um the different, which is

1357
01:18:53,960 --> 01:18:56,479
Speaker 1: different ship? What's the other ship that I am? What's

1358
01:18:57,760 --> 01:19:00,800
Speaker 1: that you are? I'm a different Creed. This is impair real, No,

1359
01:19:00,960 --> 01:19:04,720
Speaker 1: this is adventist. I'm a I'm an imperial guy. Apologize

1360
01:19:05,400 --> 01:19:08,960
Speaker 1: you still smell like but let's make your own. You

1361
01:19:09,000 --> 01:19:13,280
Speaker 1: know we're gonna make you own here and there not

1362
01:19:13,400 --> 01:19:16,920
Speaker 1: in this kind of You said we're gonna make sing.

1363
01:19:17,439 --> 01:19:19,599
Speaker 1: You know, you said we're gonna make our own. Listen

1364
01:19:19,640 --> 01:19:22,960
Speaker 1: because we definitely need a look. But I'm gonna want

1365
01:19:23,000 --> 01:19:25,200
Speaker 1: to do one. This this is way too what we

1366
01:19:25,240 --> 01:19:28,000
Speaker 1: could definitely do it this way too hard. Cares what

1367
01:19:28,040 --> 01:19:34,040
Speaker 1: we were saying important. I love this guy, man, I'm here.

1368
01:19:34,040 --> 01:19:36,360
Speaker 1: I'm here to listen to you Miami boys. Right, Yeah,

1369
01:19:36,400 --> 01:19:38,360
Speaker 1: I'm a New York guy, your Miami boy. Now at

1370
01:19:38,400 --> 01:19:41,200
Speaker 1: this point a little bit and you think Kendall even

1371
01:19:42,000 --> 01:19:46,320
Speaker 1: hey man, where we going? Yes, I didn't live again

1372
01:19:46,760 --> 01:19:53,000
Speaker 1: like the big Apple Miami the plane app So I

1373
01:19:53,200 --> 01:20:00,599
Speaker 1: was Lapple. I'm still lapp continue one for that look, boy,

1374
01:20:00,720 --> 01:20:20,479
Speaker 1: like that. It's just good for me. Boys down the truth.

1375
01:20:20,680 --> 01:20:27,000
Speaker 1: Cha were together, and it's a blessing man to be

1376
01:20:27,040 --> 01:20:29,519
Speaker 1: able to shoot the ship with y'all and't want anything

1377
01:20:29,560 --> 01:20:31,599
Speaker 1: to be able to do it on some real ship.

1378
01:20:31,800 --> 01:20:34,040
Speaker 1: And you got an album coming out, so don't skin

1379
01:20:34,280 --> 01:20:37,240
Speaker 1: were talking about. You know, there's a lot of things,

1380
01:20:38,400 --> 01:20:40,920
Speaker 1: but I go back to if every view we got

1381
01:20:41,040 --> 01:20:44,120
Speaker 1: a dollar four, if I'm a twenty billion views, twenty

1382
01:20:44,160 --> 01:20:46,200
Speaker 1: billion dollars, and what label you signed to? Let I

1383
01:20:46,200 --> 01:20:49,080
Speaker 1: don't gotta label what I'm signed to, but independent that

1384
01:20:49,200 --> 01:20:52,559
Speaker 1: you got tech incubators that you sponsor, right well, we're

1385
01:20:52,640 --> 01:20:56,800
Speaker 1: part of and it's called Emerge Americas, which is all

1386
01:20:56,800 --> 01:20:58,800
Speaker 1: the startups coming out of Latin America that they were

1387
01:20:58,880 --> 01:21:02,799
Speaker 1: all shut down in Silicon Valley, Silicon Alley, Silicon Paradise.

1388
01:21:02,960 --> 01:21:06,640
Speaker 1: But here we've given them a platform. I've had that.

1389
01:21:06,840 --> 01:21:09,519
Speaker 1: We've had that for eight years with a partner of mine, yea,

1390
01:21:10,920 --> 01:21:12,920
Speaker 1: and it's been great for us to be honest with me,

1391
01:21:13,000 --> 01:21:15,880
Speaker 1: and we've created I think two unicorn companies at this point,

1392
01:21:16,000 --> 01:21:18,519
Speaker 1: meaning companies that are worth more than a billion dollars

1393
01:21:18,720 --> 01:21:21,120
Speaker 1: in money. I'm glad that teaches here by the way

1394
01:21:21,520 --> 01:21:23,439
Speaker 1: showing up talking about he I see you show olo,

1395
01:21:23,560 --> 01:21:25,160
Speaker 1: but you see how it is. I just saw gold

1396
01:21:25,200 --> 01:21:27,280
Speaker 1: on somehow, some way, the angels show up. You feel me.

1397
01:21:27,840 --> 01:21:30,120
Speaker 1: And Teach was one of the first guys to ever

1398
01:21:30,360 --> 01:21:34,280
Speaker 1: put me on to tech at that level. I would

1399
01:21:34,320 --> 01:21:37,000
Speaker 1: say maybe two thousand and eleven or two thousand twelve

1400
01:21:37,680 --> 01:21:40,559
Speaker 1: Teach put me on the uber if I'm not mistaken, right,

1401
01:21:41,160 --> 01:21:45,000
Speaker 1: So he's always had his eyes on that. When it

1402
01:21:45,080 --> 01:21:47,840
Speaker 1: comes to me and I see opportunity, I just always

1403
01:21:47,840 --> 01:21:50,040
Speaker 1: look at how do we get a piece of what

1404
01:21:50,160 --> 01:21:52,960
Speaker 1: they got going on and earn our keep. Now, I'm

1405
01:21:52,960 --> 01:21:55,360
Speaker 1: not trying to take food out your mouth. I'm just

1406
01:21:55,360 --> 01:21:57,960
Speaker 1: trying to bring food to beneficial. That's it. I see

1407
01:21:57,960 --> 01:22:01,320
Speaker 1: it so through music now and everything that's come to life.

1408
01:22:03,160 --> 01:22:07,360
Speaker 1: If if artists were to, in layman terms, wake the

1409
01:22:07,400 --> 01:22:10,479
Speaker 1: funk up, they would see that if you bring everybody

1410
01:22:10,520 --> 01:22:13,240
Speaker 1: together the kind of numbers that we can bring together,

1411
01:22:15,040 --> 01:22:17,559
Speaker 1: we can run a network. We can run them boys

1412
01:22:17,640 --> 01:22:20,479
Speaker 1: just to cut a certain deal. But everybody is so

1413
01:22:20,600 --> 01:22:23,280
Speaker 1: caught up in this vanity and his bullshit that if

1414
01:22:23,320 --> 01:22:25,559
Speaker 1: you look at the names, it's called followers and likes.

1415
01:22:25,600 --> 01:22:27,639
Speaker 1: I've never been around followers and likes. I've been around

1416
01:22:27,760 --> 01:22:31,920
Speaker 1: leaders in unique I run around motherfucker's that's different. You're different. Different.

1417
01:22:32,439 --> 01:22:35,839
Speaker 1: It was different, teach different everything, the Reacher differ, anything

1418
01:22:35,880 --> 01:22:37,680
Speaker 1: we ever did. We were different than what we did,

1419
01:22:38,000 --> 01:22:40,120
Speaker 1: and that's why we attracted to each other and then

1420
01:22:40,200 --> 01:22:43,680
Speaker 1: wanted to help each other. So, believe it or not,

1421
01:22:43,800 --> 01:22:46,000
Speaker 1: I looked forward to for a long time to have

1422
01:22:46,280 --> 01:22:49,559
Speaker 1: this kind of conversation because while I'm out and about,

1423
01:22:50,040 --> 01:22:52,680
Speaker 1: I have to be very almost every interview I do.

1424
01:22:52,760 --> 01:22:57,120
Speaker 1: It's like a goddamn fucking deposition right here, you know,

1425
01:22:57,360 --> 01:22:59,439
Speaker 1: and you're on MSNBC. You want to see NBC, you

1426
01:22:59,560 --> 01:23:01,680
Speaker 1: on this, on that places that you never think that

1427
01:23:02,080 --> 01:23:05,400
Speaker 1: you're on Bloomberg, which mind you, they're looking at me

1428
01:23:05,720 --> 01:23:09,880
Speaker 1: like they bought the throwaway, which we already know that

1429
01:23:09,960 --> 01:23:12,600
Speaker 1: feeling right, I'm looking at the game, going, oh, you

1430
01:23:12,600 --> 01:23:16,800
Speaker 1: don't even know what about to happen. So they have

1431
01:23:17,000 --> 01:23:19,200
Speaker 1: this kind of conversation and you're saying, you think on me,

1432
01:23:19,360 --> 01:23:24,800
Speaker 1: what didn't they I gotta come and say that's coming out.

1433
01:23:25,120 --> 01:23:31,760
Speaker 1: I need you, I need your help. Can you help me?

1434
01:23:32,240 --> 01:23:38,280
Speaker 1: Some tipe and looking at somewhere somewhere make it speech Mom,

1435
01:23:38,600 --> 01:23:40,559
Speaker 1: I'm gonna skip on that shout out to you also

1436
01:23:40,640 --> 01:23:42,840
Speaker 1: that that was a part of you always met man.

1437
01:23:43,000 --> 01:23:53,120
Speaker 1: Everybody high a yeah, I say hi Aaliyah fango in

1438
01:23:53,280 --> 01:24:14,760
Speaker 1: Factoria tru media that daddy. You just can't y'all ain't

1439
01:24:14,800 --> 01:24:19,439
Speaker 1: gonna lie. That's my man. I just hit me vines frames.

1440
01:24:19,439 --> 01:24:22,640
Speaker 1: I needed these. I needed these. Yeah, you know what.

1441
01:24:22,640 --> 01:24:25,320
Speaker 1: I come on, bro, you come on. You know we

1442
01:24:25,479 --> 01:24:28,599
Speaker 1: were feeling good. Baby. It was almost a far hunted

1443
01:24:28,600 --> 01:24:31,360
Speaker 1: out of the champagne. And you know it's crazy. We're

1444
01:24:31,479 --> 01:24:34,280
Speaker 1: part of the same company with podcast one, so I

1445
01:24:34,320 --> 01:24:37,120
Speaker 1: got you got a podcast now too, well, we got

1446
01:24:37,200 --> 01:24:41,400
Speaker 1: a podcast, so now you know y'all shop of course

1447
01:24:42,160 --> 01:24:45,479
Speaker 1: you sign up with Nickels already with y'alla, we're like

1448
01:24:45,560 --> 01:24:48,479
Speaker 1: the mafia. Bro. We Jo Gotti over here, but we

1449
01:24:48,640 --> 01:24:50,519
Speaker 1: got ship. Bro, Why are you going over there a

1450
01:24:50,600 --> 01:24:54,880
Speaker 1: freak of sell the niggas? You're good? You know what

1451
01:24:55,760 --> 01:24:57,280
Speaker 1: is that? You gotta know? I gotta drink a little more.

1452
01:24:57,360 --> 01:25:02,240
Speaker 1: You've got four different drinks over there. Man. You participating?

1453
01:25:02,680 --> 01:25:05,240
Speaker 1: You are, But I'm all about participate because you know

1454
01:25:05,280 --> 01:25:08,880
Speaker 1: I'm like one and one. That's it. You go, You're

1455
01:25:09,280 --> 01:25:11,400
Speaker 1: everything you can you take a shout as a killer

1456
01:25:11,520 --> 01:25:12,840
Speaker 1: right now? Can you do know? I'll tell you what.

1457
01:25:12,880 --> 01:25:13,960
Speaker 1: You want to play a game, and you want to

1458
01:25:14,000 --> 01:25:18,600
Speaker 1: do the game? We got to the game? What is

1459
01:25:18,640 --> 01:25:20,439
Speaker 1: the game? Is the game we played with pup that

1460
01:25:20,479 --> 01:25:22,680
Speaker 1: it didn't work out too well? Didn't this game? Y'all

1461
01:25:22,720 --> 01:25:24,760
Speaker 1: a know it? All right? It's the Jeffrey trust me

1462
01:25:25,520 --> 01:25:27,439
Speaker 1: white boy taught me. This game is a good ass

1463
01:25:27,520 --> 01:25:29,680
Speaker 1: game though, by the way, because if anybody knows how

1464
01:25:29,720 --> 01:25:32,360
Speaker 1: to dream is the White Boys. Yes, alright, but I

1465
01:25:32,400 --> 01:25:35,120
Speaker 1: feel like I'm not going to participate as you're gonna, pa.

1466
01:25:35,720 --> 01:25:38,240
Speaker 1: I need you my friends, alright, No, so we won't

1467
01:25:38,479 --> 01:25:42,400
Speaker 1: one cup it doesn't he got he got he got

1468
01:25:42,479 --> 01:25:47,640
Speaker 1: new cups right there, alright. Honestly, I don't know. So

1469
01:25:47,760 --> 01:25:49,639
Speaker 1: we got. We got a little bit of mamajuanna because

1470
01:25:49,640 --> 01:25:52,320
Speaker 1: that's who we got. The Jeffy. I don't like it.

1471
01:25:52,400 --> 01:25:55,920
Speaker 1: I like jeff I like it fun. Not my father.

1472
01:25:56,000 --> 01:25:57,839
Speaker 1: He likes to drink, all right. I don't know by champagne,

1473
01:25:57,880 --> 01:26:02,559
Speaker 1: but it's going on the murder. I dropped with my bad,

1474
01:26:02,640 --> 01:26:06,200
Speaker 1: my bad, and my bad A little bit of take

1475
01:26:07,120 --> 01:26:15,040
Speaker 1: someone did that talking to so you you don't have

1476
01:26:15,040 --> 01:26:23,080
Speaker 1: to put a little bit stuck. Let me get that rout.

1477
01:26:28,720 --> 01:26:30,840
Speaker 1: That was a fifty dollar little stir that was at

1478
01:26:30,920 --> 01:26:36,120
Speaker 1: least two seventy five. Alright, cool, soon, So this is

1479
01:26:36,160 --> 01:26:38,800
Speaker 1: what it's called dirty fingers. I don't like it, all right?

1480
01:26:40,360 --> 01:26:43,160
Speaker 1: Did you put a finger? That's the only three? It was? Pop? Either,

1481
01:26:43,200 --> 01:26:45,200
Speaker 1: we have to do this. Get you gotta beat water

1482
01:26:45,360 --> 01:26:50,800
Speaker 1: this year? Yeah, I'm not cuban. Get up? All right? Cool?

1483
01:26:51,240 --> 01:26:54,720
Speaker 1: So is a practice run? Okay, you save this one

1484
01:26:55,040 --> 01:26:57,439
Speaker 1: to three and then you gotta figure out the fingers

1485
01:26:57,479 --> 01:26:59,960
Speaker 1: that are going to stay on the car and that's

1486
01:27:00,000 --> 01:27:02,120
Speaker 1: how you get out. So if I say one to

1487
01:27:02,400 --> 01:27:05,680
Speaker 1: three to boom, y'all too, I'm out. Do you know

1488
01:27:05,720 --> 01:27:07,439
Speaker 1: what I'm saying? No, I do not keep me. You're

1489
01:27:07,439 --> 01:27:12,360
Speaker 1: saying at all? Get more by cuban. Dude, Look, I

1490
01:27:12,400 --> 01:27:15,519
Speaker 1: should be a fourth person. I just say I just

1491
01:27:15,600 --> 01:27:19,439
Speaker 1: take three people to three good, even though you can't

1492
01:27:19,439 --> 01:27:22,799
Speaker 1: pay four people? What the fun come out? Man? Hold Charlie,

1493
01:27:22,800 --> 01:27:25,240
Speaker 1: I'm sorry you from you from Miami. Let me get

1494
01:27:25,320 --> 01:27:27,519
Speaker 1: murder mook in here, man, I'm sorry, man, let me

1495
01:27:27,560 --> 01:27:32,720
Speaker 1: get murder New York doing here. What's the case the

1496
01:27:32,960 --> 01:27:36,240
Speaker 1: case of any New York rules. You you did it

1497
01:27:36,320 --> 01:27:38,639
Speaker 1: with me, all right? I don't know who the funk

1498
01:27:38,680 --> 01:27:41,360
Speaker 1: I'm doing right now? What's going on? Teaching like this

1499
01:27:41,439 --> 01:27:43,760
Speaker 1: ship come back to come overhead you go, we'll see

1500
01:27:44,320 --> 01:27:46,040
Speaker 1: over there right there, right there. That don't matter where

1501
01:27:46,040 --> 01:27:49,479
Speaker 1: you're at all right, murder, I don't know what this.

1502
01:27:50,680 --> 01:27:53,920
Speaker 1: Come on and tell you. All right, so we got

1503
01:27:54,000 --> 01:27:57,439
Speaker 1: four things, right, you gotta say one to three. I'm

1504
01:27:57,479 --> 01:27:59,719
Speaker 1: gonna go first and figure out how many things gonna

1505
01:27:59,720 --> 01:28:01,840
Speaker 1: stay on the car, so it goes one by one. Yeah,

1506
01:28:02,200 --> 01:28:04,519
Speaker 1: so I'm gonna say this is the trial. One. I

1507
01:28:04,640 --> 01:28:07,439
Speaker 1: go one to three. Two. Y'all can take your finger

1508
01:28:07,479 --> 01:28:10,280
Speaker 1: off on what I'm saying. Why you want to? I

1509
01:28:10,479 --> 01:28:12,439
Speaker 1: want to take it off? Why because I get more

1510
01:28:12,479 --> 01:28:14,200
Speaker 1: points if I take you No, not at all. That's

1511
01:28:14,200 --> 01:28:19,120
Speaker 1: your way of getting out the shot. That's what it is.

1512
01:28:19,880 --> 01:28:21,960
Speaker 1: First I'm saying. So I go, I'm gonna trying to

1513
01:28:22,479 --> 01:28:28,000
Speaker 1: someone that murder. Murder. Know you all, you can figure

1514
01:28:32,720 --> 01:28:35,200
Speaker 1: it was one left. It was right after both of

1515
01:28:35,240 --> 01:28:37,519
Speaker 1: your mother for limped out the game. You can't you

1516
01:28:37,600 --> 01:28:40,040
Speaker 1: can't go. You don't take a shot yet. You got

1517
01:28:40,080 --> 01:28:42,479
Speaker 1: to take a shot. So I want to lose so

1518
01:28:42,600 --> 01:28:45,000
Speaker 1: it's exactly no matter what do you get the shot.

1519
01:28:45,920 --> 01:28:48,040
Speaker 1: But it's called dirty fingers, all right, and money is

1520
01:28:48,040 --> 01:28:49,080
Speaker 1: a lot of fun to play with a lot of

1521
01:28:49,080 --> 01:28:52,040
Speaker 1: women by there's little women here, you know. But I'm

1522
01:28:52,040 --> 01:28:56,880
Speaker 1: teaching the shot games. So there are four. Now I

1523
01:28:57,000 --> 01:29:00,840
Speaker 1: go one to three two, So I'm still in right

1524
01:29:01,280 --> 01:29:03,240
Speaker 1: because there's three things happened. Now you go one to

1525
01:29:03,360 --> 01:29:05,120
Speaker 1: three and whatever you think gonna stay on the car,

1526
01:29:06,479 --> 01:29:08,479
Speaker 1: I'm not gonna. I'm not just smart to play this game.

1527
01:29:10,000 --> 01:29:16,479
Speaker 1: Three number one to three seven. It's only four big.

1528
01:29:18,960 --> 01:29:29,759
Speaker 1: I lost figuring that. That's goods. That was different. You're different?

1529
01:29:32,080 --> 01:29:45,360
Speaker 1: What is everything takes every time, made every tight a minute.

1530
01:29:45,360 --> 01:29:57,120
Speaker 1: I just I just gave it. So that makes only ships.

1531
01:30:02,080 --> 01:30:08,040
Speaker 1: You know that I want to like it's a loose

1532
01:30:08,080 --> 01:30:16,120
Speaker 1: smooth Oh wait, that was great. I hope, I hope

1533
01:30:16,160 --> 01:30:19,000
Speaker 1: you know I want to playing that game. He said,

1534
01:30:19,000 --> 01:30:22,519
Speaker 1: what saming? Just put salton on. But we can sit down,

1535
01:30:24,479 --> 01:30:28,559
Speaker 1: you know, all right? Only holder, this is crazy, man.

1536
01:30:28,640 --> 01:30:30,680
Speaker 1: That was the only all the person that did that

1537
01:30:30,960 --> 01:30:34,840
Speaker 1: wasty was pumped that without the dirty fingers, without the

1538
01:30:34,920 --> 01:30:39,760
Speaker 1: dirty fingers. What I say, one two, three, saving I

1539
01:30:39,800 --> 01:30:44,160
Speaker 1: gotta be I gotta be differ I gotta I gotta

1540
01:30:44,200 --> 01:30:47,280
Speaker 1: be different. I don't want to man, let's just give

1541
01:30:47,320 --> 01:30:57,280
Speaker 1: him a shout on my like I was the minute. Hum,

1542
01:30:57,840 --> 01:31:03,160
Speaker 1: that's funny. They got that ship everywhere. Man. Yeah you're

1543
01:31:03,200 --> 01:31:08,080
Speaker 1: in the back room. You look good, don't. I ain't

1544
01:31:08,080 --> 01:31:16,000
Speaker 1: gonna have got seven tea back now. Yeah, let's ship.

1545
01:31:17,720 --> 01:31:26,559
Speaker 1: I love to time. Let's straight person education. I was like, yea,

1546
01:31:27,280 --> 01:31:29,639
Speaker 1: let me do the resource home first, and now I'm

1547
01:31:29,640 --> 01:31:34,600
Speaker 1: saying special. Yeah, you know, hey, let's go because the

1548
01:31:34,640 --> 01:31:37,680
Speaker 1: women shot a mama, my mama, mama. One give you

1549
01:31:37,720 --> 01:31:43,080
Speaker 1: a lot mouth shot MoMA water bron like this baby

1550
01:31:43,120 --> 01:31:47,240
Speaker 1: with conda right now, you got the trump, chet y

1551
01:31:48,600 --> 01:31:52,920
Speaker 1: got love. Let's get it. Don't care you gott twin

1552
01:31:53,240 --> 01:31:55,600
Speaker 1: if you don't to get cocaine faced off. Man, you

1553
01:31:55,720 --> 01:31:59,000
Speaker 1: gotta stop. You're just standing over there. It's it's a

1554
01:31:59,040 --> 01:32:01,040
Speaker 1: cocaine or star or is. I don't know what it is.

1555
01:32:01,200 --> 01:32:05,160
Speaker 1: But your jewels so so strong. What are you doing? Bro?

1556
01:32:05,360 --> 01:32:14,960
Speaker 1: Your yeah? Congratinas? Man, you got a kid. Yeah, you

1557
01:32:15,040 --> 01:32:18,840
Speaker 1: can't say something doing cocaine congratulating you have a kid. Guys,

1558
01:32:19,200 --> 01:32:24,880
Speaker 1: what did you get past the girl? Boy a boy?

1559
01:32:25,040 --> 01:32:26,680
Speaker 1: This is this is this is, this is what it is.

1560
01:32:27,280 --> 01:32:34,840
Speaker 1: No no, no to amen stop ready to read. Yes,

1561
01:32:39,360 --> 01:32:41,920
Speaker 1: that was fun, Holy moment. Listen, pit Ball, I'm gonna

1562
01:32:41,920 --> 01:32:44,599
Speaker 1: be honest, all right, once or three seven you already.

1563
01:32:45,040 --> 01:32:47,960
Speaker 1: People want to be honest. That drinking game is very complicated.

1564
01:32:48,040 --> 01:32:52,439
Speaker 1: It was not contacting. It's the simplest game. Let me

1565
01:32:52,560 --> 01:32:56,519
Speaker 1: let me give you. Anybody got dice here? Yeah you

1566
01:32:56,600 --> 01:33:02,000
Speaker 1: got you like space? You want to play a bad

1567
01:33:02,120 --> 01:33:05,800
Speaker 1: page to you know, everybody got different rules of space.

1568
01:33:06,280 --> 01:33:08,120
Speaker 1: And see, let's just make sure no crack on the

1569
01:33:08,160 --> 01:33:10,360
Speaker 1: goddamn concrete, because if not, then we might get into something.

1570
01:33:10,400 --> 01:33:13,360
Speaker 1: We played, We play, we played, We played the joke

1571
01:33:13,400 --> 01:33:16,639
Speaker 1: a little joker, of course, all right, you get stop

1572
01:33:16,720 --> 01:33:21,800
Speaker 1: stop stop stop how you play the stop stop in

1573
01:33:21,840 --> 01:33:24,679
Speaker 1: the diamond like a joking joke, a little joke, Domin,

1574
01:33:25,040 --> 01:33:27,800
Speaker 1: do some diamond with you. I can with you, I

1575
01:33:27,840 --> 01:33:29,880
Speaker 1: can with you. The niggas they'd be like, you don't

1576
01:33:29,880 --> 01:33:32,960
Speaker 1: introduce diamond on't count on na. I'm like, you got

1577
01:33:33,200 --> 01:33:38,519
Speaker 1: you got you gotta calm, you leave your spade. Yeah

1578
01:33:38,600 --> 01:33:42,280
Speaker 1: that little bit. Then they're joking, little this, These niggas

1579
01:33:42,280 --> 01:33:45,920
Speaker 1: that got thirty nine years of life, the niggas liked

1580
01:33:46,240 --> 01:33:49,800
Speaker 1: diamond not good. I'm good. You're gonna be here for

1581
01:33:49,920 --> 01:33:54,519
Speaker 1: everything good. I never want to play with you ever

1582
01:33:54,640 --> 01:33:57,720
Speaker 1: again in my life. I'll go with three. I'm gonna

1583
01:33:57,720 --> 01:33:59,719
Speaker 1: tell you. That's why when I go, I don't gonna

1584
01:33:59,720 --> 01:34:02,760
Speaker 1: come the gamble. And it's funny because right up the

1585
01:34:02,800 --> 01:34:07,240
Speaker 1: block here by two thousand then one, I would say

1586
01:34:07,840 --> 01:34:09,600
Speaker 1: I saw them boys going at some ship over a

1587
01:34:09,680 --> 01:34:12,920
Speaker 1: Celo game, and because but he had a four five

1588
01:34:13,000 --> 01:34:16,160
Speaker 1: six and at four dropped on the crack of the cement,

1589
01:34:16,600 --> 01:34:20,760
Speaker 1: that's no good. Well, and that became gonna play you

1590
01:34:20,840 --> 01:34:27,519
Speaker 1: know everybody. Yeah, I'm gonna I still don't that rules

1591
01:34:27,560 --> 01:34:29,920
Speaker 1: in the beginning, like so, because my rules. But you're

1592
01:34:29,920 --> 01:34:33,280
Speaker 1: gonna hi somebody. If I say, somebody, come and stop

1593
01:34:33,439 --> 01:34:35,760
Speaker 1: banging this and they wrote at four five six, they're

1594
01:34:35,760 --> 01:34:39,519
Speaker 1: saying head crack. They say that's my ship. But if

1595
01:34:39,560 --> 01:34:41,599
Speaker 1: my rules say, if it's my bank, right, my bank,

1596
01:34:41,840 --> 01:34:44,240
Speaker 1: you could stop my bank right, it could be probably

1597
01:34:44,280 --> 01:34:46,400
Speaker 1: fifteen thousands and it you can stop my whole bank.

1598
01:34:46,760 --> 01:34:50,680
Speaker 1: But my rules, though, so if I say that's hot

1599
01:34:50,760 --> 01:34:54,240
Speaker 1: in the sky whatever whatever number is closest to the sky,

1600
01:34:55,000 --> 01:34:58,160
Speaker 1: which they're showing the moose. That's my rules. That's what

1601
01:34:58,280 --> 01:35:01,320
Speaker 1: it's gonna are. You're gonna win. You understand, So even

1602
01:35:01,400 --> 01:35:03,439
Speaker 1: if you don't, you don't understand it at all, not

1603
01:35:03,960 --> 01:35:07,600
Speaker 1: absolutely don't understand. It's who got the I got you

1604
01:35:07,680 --> 01:35:09,599
Speaker 1: your mo motherfucker got the bank rules. I'm gonna tell

1605
01:35:09,600 --> 01:35:12,679
Speaker 1: you how Roster say they don't understand me? Oh yeah?

1606
01:35:13,520 --> 01:35:19,280
Speaker 1: And with that said, is this that exactly I said?

1607
01:35:19,280 --> 01:35:24,080
Speaker 1: I ain't let be rolling. I'm in Vegas. I'll be

1608
01:35:24,120 --> 01:35:27,080
Speaker 1: wanting right by the casino, straping my room, do my soul.

1609
01:35:27,160 --> 01:35:29,439
Speaker 1: I'm out this bit. You're badass. Let me see. You

1610
01:35:29,439 --> 01:35:31,519
Speaker 1: know it's fun though, let me see it's fun. You

1611
01:35:31,600 --> 01:35:34,479
Speaker 1: got the key to Viamy. That's funny. Man Ken got

1612
01:35:34,520 --> 01:35:44,439
Speaker 1: the key, Oh man, the city. So we start. I

1613
01:35:44,439 --> 01:35:46,560
Speaker 1: ain't gonna key the ship. I like, I give me

1614
01:35:46,640 --> 01:35:50,040
Speaker 1: the key to the basement. You're working with me. They

1615
01:35:50,080 --> 01:35:55,320
Speaker 1: gave you the key to your city three times? Yeah,

1616
01:35:55,360 --> 01:35:57,519
Speaker 1: they gave you three times. Wait, so many doors that

1617
01:36:00,400 --> 01:36:02,000
Speaker 1: I can't even get out of the park and ticket

1618
01:36:02,040 --> 01:36:04,040
Speaker 1: pund and beyondest with you. But I'm still trying to

1619
01:36:04,040 --> 01:36:09,559
Speaker 1: figure out if it opens Motets City. But don't don't

1620
01:36:09,560 --> 01:36:11,880
Speaker 1: play like that. Stop you got the key three times? No,

1621
01:36:12,880 --> 01:36:14,760
Speaker 1: you know what I mean. Let's listen to me. The

1622
01:36:14,880 --> 01:36:18,920
Speaker 1: folks that are politicians in this city relieve, relate to

1623
01:36:19,240 --> 01:36:23,880
Speaker 1: the Andrew government. Wow, Andrew, you don't know. I'm so

1624
01:36:24,000 --> 01:36:28,679
Speaker 1: much you talking about somebody else. He was trying to Florida.

1625
01:36:29,720 --> 01:36:37,599
Speaker 1: But you're going to three seven right now. You ain't

1626
01:36:37,600 --> 01:36:43,280
Speaker 1: see if you even if you say you got the seven,

1627
01:36:43,560 --> 01:36:48,360
Speaker 1: you say cracks you get see the only day dirt

1628
01:36:48,439 --> 01:36:53,360
Speaker 1: listen to listen, listen or you on me dirty like

1629
01:36:53,479 --> 01:36:57,160
Speaker 1: they they Do's not Miami. Don't put on that you're

1630
01:36:57,200 --> 01:36:59,640
Speaker 1: trying to do. Give it the flets listen. So I

1631
01:36:59,640 --> 01:37:03,120
Speaker 1: don't want he said, they don't even ask him this ship.

1632
01:37:03,160 --> 01:37:04,840
Speaker 1: He like, I just want you to know before you

1633
01:37:04,920 --> 01:37:11,120
Speaker 1: asked me. I did sectly like yo, this niggas he

1634
01:37:11,400 --> 01:37:14,000
Speaker 1: said it. He said, you even asked me like he

1635
01:37:14,200 --> 01:37:16,600
Speaker 1: just wanted to. But his wife is right there, but

1636
01:37:16,760 --> 01:37:21,639
Speaker 1: she's straight faced, y'all. This nothing's not good A little

1637
01:37:21,680 --> 01:37:25,360
Speaker 1: good for Florida. And that was definitely one to seven.

1638
01:37:29,600 --> 01:37:32,840
Speaker 1: I love you guys as far as to get off Nick,

1639
01:37:32,880 --> 01:37:35,960
Speaker 1: come and say fucking let's ride, because yeah, it becomes

1640
01:37:36,040 --> 01:37:39,080
Speaker 1: something else. This is what the fun I'm talking about.

1641
01:37:39,840 --> 01:37:44,680
Speaker 1: We got the sp got the spirits not knowing me.

1642
01:37:44,760 --> 01:38:10,880
Speaker 1: I don't know, ye want to see it? Always told

1643
01:38:10,920 --> 01:38:13,360
Speaker 1: me when a person showed up in white pasts, he's

1644
01:38:13,360 --> 01:38:20,360
Speaker 1: getting a lot of money. How you brother? That's like,

1645
01:38:21,640 --> 01:38:24,360
Speaker 1: so what's the ever time? We're like, I don't know.

1646
01:38:24,560 --> 01:38:26,519
Speaker 1: Actually this is fun that I had it much fun

1647
01:38:26,560 --> 01:38:29,840
Speaker 1: a long time. That's right, just appreciatively, please come come

1648
01:38:30,080 --> 01:38:32,040
Speaker 1: come back. And you got when is the album dropping? This?

1649
01:38:32,200 --> 01:38:36,200
Speaker 1: This very s motherfucking you got something next next week?

1650
01:38:36,439 --> 01:38:39,360
Speaker 1: What's what's streaming? He don't even know he's so rich.

1651
01:38:39,600 --> 01:38:41,840
Speaker 1: Now we got the podcast on a Lot by Love,

1652
01:38:41,880 --> 01:38:44,479
Speaker 1: which the same company that were caught off podcast on

1653
01:38:44,600 --> 01:38:49,400
Speaker 1: the podcast called negative to negative to positive and negative depositive.

1654
01:38:49,439 --> 01:38:54,240
Speaker 1: And then we have the people. Yeah, so that'll come

1655
01:38:54,240 --> 01:38:57,320
Speaker 1: out October tenth and seventeen, which is basically putting out

1656
01:38:57,360 --> 01:38:59,040
Speaker 1: a concert in this world that we're living in right now,

1657
01:38:59,120 --> 01:39:01,800
Speaker 1: where it's a paying them, scan them whatever you can

1658
01:39:01,920 --> 01:39:04,960
Speaker 1: call it. Because you get dirty dollars people or shows.

1659
01:39:05,560 --> 01:39:07,400
Speaker 1: I've been very very blessed. How are you gonna throw

1660
01:39:07,400 --> 01:39:12,120
Speaker 1: a the concert right now? You now it's actually virtual.

1661
01:39:12,320 --> 01:39:14,519
Speaker 1: Now it's gonna be a virtual concept. Won't be a

1662
01:39:14,640 --> 01:39:17,400
Speaker 1: live stream. It's something that we pre recorded. It's a

1663
01:39:17,400 --> 01:39:20,760
Speaker 1: paper view about the live stream is something else that

1664
01:39:20,800 --> 01:39:24,280
Speaker 1: I'm working on with somebody else right now. But out

1665
01:39:24,280 --> 01:39:29,800
Speaker 1: of or in this damn age, I'm hoping that people

1666
01:39:29,880 --> 01:39:32,679
Speaker 1: see as quick as you get it. It's like dope, money,

1667
01:39:32,760 --> 01:39:35,200
Speaker 1: come quick, leave quickly. So when it comes to technology,

1668
01:39:35,240 --> 01:39:37,120
Speaker 1: exactly what it is. You got instagratification that you can

1669
01:39:37,160 --> 01:39:38,800
Speaker 1: touch as many people as quick as they're going to go,

1670
01:39:39,960 --> 01:39:42,479
Speaker 1: they can put it from. And right now we're talking

1671
01:39:42,520 --> 01:39:44,960
Speaker 1: about what we're talking about a virus, A virus that

1672
01:39:45,040 --> 01:39:50,720
Speaker 1: when we talk about sirs, mirs, bird, swine eboler now

1673
01:39:50,880 --> 01:39:54,559
Speaker 1: corona Like, come on, folks, I mean you gotta really,

1674
01:39:55,400 --> 01:39:57,920
Speaker 1: you gotta read the t leaves. Bro got the devils

1675
01:39:57,920 --> 01:40:01,080
Speaker 1: in the details. And with that said, is if you

1676
01:40:01,120 --> 01:40:03,360
Speaker 1: look at the recovery numbers on what we're talking about,

1677
01:40:03,479 --> 01:40:04,560
Speaker 1: I don't know what it is, but I get the

1678
01:40:04,560 --> 01:40:09,720
Speaker 1: flu went on vacation on this year. Everything went on

1679
01:40:09,800 --> 01:40:11,639
Speaker 1: vacation this year. When it came to I'm talking about

1680
01:40:11,840 --> 01:40:14,040
Speaker 1: you know what we're going through right now, and let's

1681
01:40:14,040 --> 01:40:15,400
Speaker 1: just call the spatest bag. And the reason I can

1682
01:40:15,439 --> 01:40:18,960
Speaker 1: have this conversation because my family comes from communism. They

1683
01:40:19,040 --> 01:40:23,479
Speaker 1: fled communism. They had everything taken away from Everybody got murdered,

1684
01:40:23,560 --> 01:40:27,680
Speaker 1: everybody got killed. And that's the reason me being the

1685
01:40:27,720 --> 01:40:31,880
Speaker 1: first generation Cuban American, or maybe us being first generation

1686
01:40:31,920 --> 01:40:35,720
Speaker 1: Cuban Americans. I look at freedom and I apppreciate that ship.

1687
01:40:36,280 --> 01:40:39,160
Speaker 1: I appreciate opportunity, I appreciate anything, and you give me

1688
01:40:39,200 --> 01:40:41,120
Speaker 1: all I need is a little slip parttern I got you.

1689
01:40:41,880 --> 01:40:45,519
Speaker 1: And that comes from the fact that when the Castro

1690
01:40:45,680 --> 01:40:48,760
Speaker 1: took over everything, and I'm looking at what's going on

1691
01:40:48,920 --> 01:40:52,200
Speaker 1: right now, the only person here that's hot thirty eight hot,

1692
01:40:52,600 --> 01:40:54,920
Speaker 1: it is Castro going y'all did it with a virus.

1693
01:40:56,080 --> 01:40:58,439
Speaker 1: Y'all took over the world with a virus. You gotta

1694
01:40:58,479 --> 01:41:00,880
Speaker 1: be kidding me. He had Mrs pointing to the United

1695
01:41:00,880 --> 01:41:03,760
Speaker 1: States of America. Then the Russians Christis during the Bare

1696
01:41:03,880 --> 01:41:06,040
Speaker 1: Pigs and what they went went on through. So this

1697
01:41:06,160 --> 01:41:10,080
Speaker 1: ship gets deep. The only thing is is do you

1698
01:41:10,880 --> 01:41:13,960
Speaker 1: want to realize how deep it is? You know? That's

1699
01:41:14,000 --> 01:41:15,519
Speaker 1: that's the way I look at this ship. And even

1700
01:41:15,720 --> 01:41:17,760
Speaker 1: going into this, I don't know if you'll know about this,

1701
01:41:17,880 --> 01:41:20,240
Speaker 1: but mine as well. Put it out there, especially in

1702
01:41:20,320 --> 01:41:22,280
Speaker 1: your show, because y'all got folks that need this more

1703
01:41:22,320 --> 01:41:26,880
Speaker 1: than anybody. We all need it. There's a there's a

1704
01:41:27,960 --> 01:41:30,120
Speaker 1: rehearsal that we went on that went on before this

1705
01:41:30,160 --> 01:41:34,240
Speaker 1: whole ship is called Event two oh one October eighteen,

1706
01:41:34,400 --> 01:41:37,680
Speaker 1: two thousand nineteen, and ship came out. It was ran

1707
01:41:37,800 --> 01:41:41,080
Speaker 1: by the Johns Hopkins University, which is in cahoots with

1708
01:41:41,360 --> 01:41:45,559
Speaker 1: Bill Gates Melinda Gates Foundation, and this was a complete

1709
01:41:45,600 --> 01:41:47,400
Speaker 1: rehearsal what we did right now. You can look at

1710
01:41:47,439 --> 01:41:50,320
Speaker 1: this up just to let them know. And they had

1711
01:41:50,360 --> 01:41:54,160
Speaker 1: a passion patent for coronavirus from two thousand and four.

1712
01:41:54,320 --> 01:41:57,800
Speaker 1: They like a patty the names. So therefore you have

1713
01:41:58,160 --> 01:42:01,080
Speaker 1: a segment what it said, segment financial, what we're gonna do,

1714
01:42:01,240 --> 01:42:03,840
Speaker 1: segment travel, what we're gonna do, segment what we're gonna

1715
01:42:03,880 --> 01:42:07,679
Speaker 1: do when it comes to online, and and it said

1716
01:42:07,760 --> 01:42:09,640
Speaker 1: if anybody is not a part of the narrative, we're

1717
01:42:09,640 --> 01:42:12,839
Speaker 1: gonna take it off off online, which to me smells

1718
01:42:12,960 --> 01:42:18,200
Speaker 1: like communists. And obviously that's what our families lived through,

1719
01:42:18,240 --> 01:42:20,879
Speaker 1: and I'm sure all of our families have similar stories.

1720
01:42:21,720 --> 01:42:24,840
Speaker 1: After Buddy and them did that, which the main doctor

1721
01:42:24,880 --> 01:42:29,720
Speaker 1: that was there. His name was George FuG Out. I

1722
01:42:29,800 --> 01:42:33,680
Speaker 1: might not remember the verse of fucking the verse I

1723
01:42:33,800 --> 01:42:37,000
Speaker 1: was trying to spit, but I remember George out all right.

1724
01:42:37,640 --> 01:42:41,280
Speaker 1: George FuG Out is the main doctor for the CDC

1725
01:42:41,560 --> 01:42:46,479
Speaker 1: in China and a virologist out of Wuha, the real

1726
01:42:46,560 --> 01:42:51,320
Speaker 1: ship now right listening? Well, yeah, now here's where I go.

1727
01:42:52,520 --> 01:42:54,960
Speaker 1: After all of that happened to be about a month later,

1728
01:42:55,479 --> 01:42:59,879
Speaker 1: all the main CEOs in the world major companies resigned

1729
01:43:00,439 --> 01:43:03,519
Speaker 1: about a thousand and some change. So that means they

1730
01:43:03,600 --> 01:43:07,240
Speaker 1: pull out high. That means they take the ride high

1731
01:43:08,680 --> 01:43:12,120
Speaker 1: and then they buy low. Well everything went. Who gotta

1732
01:43:12,160 --> 01:43:13,519
Speaker 1: knows what they did and they didn't do, but either

1733
01:43:13,640 --> 01:43:18,679
Speaker 1: I'm talking about Disney, Hulu, Microsoft, Nike, Wells, Fargo, Boning,

1734
01:43:18,840 --> 01:43:20,960
Speaker 1: you name it. You look at them. And this is

1735
01:43:21,000 --> 01:43:23,280
Speaker 1: the part that I gotta talk to the world about,

1736
01:43:23,920 --> 01:43:27,320
Speaker 1: is that that's the tail wagon and dog punny. Well

1737
01:43:27,400 --> 01:43:29,839
Speaker 1: y'are worried about followers and lives and who's on TikTok

1738
01:43:29,880 --> 01:43:32,080
Speaker 1: and Instagram? Min You. When I was growing up in

1739
01:43:32,120 --> 01:43:35,519
Speaker 1: Instagram was real simple. Here's a twenty bag, here's an

1740
01:43:35,560 --> 01:43:45,680
Speaker 1: instant Graham real So I know I'm gonna give you

1741
01:43:45,760 --> 01:43:48,479
Speaker 1: this and you're gonna get high. Now. It's like, hey, look,

1742
01:43:48,520 --> 01:43:50,080
Speaker 1: by the way, here's an instagram. I want you to

1743
01:43:50,160 --> 01:43:52,040
Speaker 1: picture the bag the product in it, and I promise

1744
01:43:52,080 --> 01:43:54,479
Speaker 1: you is gonna get your hat. It's a bunch of bulls.

1745
01:43:54,840 --> 01:43:57,800
Speaker 1: Go ahead, not a spell. This is a Will Champagne.

1746
01:43:57,960 --> 01:44:01,640
Speaker 1: Oh see so he's the same, ain't guy Champagne? No? No,

1747
01:44:01,760 --> 01:44:03,439
Speaker 1: I know so when I'm gonna come back with speaking

1748
01:44:03,479 --> 01:44:07,840
Speaker 1: a new word, Champagne of r I like that you

1749
01:44:07,920 --> 01:44:09,439
Speaker 1: just did cut you off. I just feel like y'all

1750
01:44:09,439 --> 01:44:12,000
Speaker 1: think it's Obie everything for making me drinks over the ship.

1751
01:44:12,120 --> 01:44:21,640
Speaker 1: Like when the ship shot. You can't out now you

1752
01:44:21,680 --> 01:44:23,400
Speaker 1: were you weren't drinking that ship? You figured out what

1753
01:44:23,560 --> 01:44:26,400
Speaker 1: was in that? I never figured it out. Y'all told

1754
01:44:26,439 --> 01:44:28,160
Speaker 1: me so at least was that it's the best shit

1755
01:44:28,240 --> 01:44:33,400
Speaker 1: on the planet. Right now, Spade, I was sad, you

1756
01:44:33,439 --> 01:44:40,800
Speaker 1: can't ship. That's my shack glass. Oh ship you got bro?

1757
01:44:41,000 --> 01:44:44,360
Speaker 1: Continue though, No, I'm saying this. Look, man, I hope

1758
01:44:44,360 --> 01:44:46,240
Speaker 1: everybody wake up with what we got going on. And

1759
01:44:46,920 --> 01:44:49,440
Speaker 1: bottom line, what it is people so connected to disconnected

1760
01:44:49,960 --> 01:44:51,800
Speaker 1: and they take so many pictures they missed a big patient.

1761
01:44:51,840 --> 01:44:56,200
Speaker 1: Let me ask you on I got one. I got

1762
01:44:56,280 --> 01:44:59,920
Speaker 1: one very serious question give me and now you ready,

1763
01:45:00,160 --> 01:45:05,760
Speaker 1: very serious, serous did he ask? I'm sure you like it.

1764
01:45:07,680 --> 01:45:13,720
Speaker 1: I'm gonna tell you story never before till I'm gonna

1765
01:45:13,720 --> 01:45:19,120
Speaker 1: tell you what liten I lift the South more when

1766
01:45:19,120 --> 01:45:21,519
Speaker 1: I'm living in southbody. I told you about Buddy, and

1767
01:45:21,560 --> 01:45:25,599
Speaker 1: we cook that when we're going in or something by

1768
01:45:25,640 --> 01:45:30,960
Speaker 1: apartment there and you know something hanging around a lot

1769
01:45:31,000 --> 01:45:32,880
Speaker 1: of black folks at the time, and they're going like, no, no,

1770
01:45:33,760 --> 01:45:37,880
Speaker 1: you said you eat? Asked from black folks. Listen you

1771
01:45:37,920 --> 01:45:40,600
Speaker 1: got listen? Tell you like Luke told me. You know

1772
01:45:40,640 --> 01:45:42,800
Speaker 1: when you take the word listen and you flip it

1773
01:45:42,880 --> 01:45:45,200
Speaker 1: up and know what it is. I'm a silent motherfucker.

1774
01:45:45,880 --> 01:45:48,720
Speaker 1: Listen is silent? You relaxed? Let me come by that gay.

1775
01:45:50,120 --> 01:45:53,320
Speaker 1: So how did you start eating? I got you so,

1776
01:45:53,479 --> 01:45:55,200
Speaker 1: Buddy said no, And I got a good for you.

1777
01:45:55,280 --> 01:45:58,559
Speaker 1: Watch play where you're getting up and all that which

1778
01:45:58,640 --> 01:46:03,080
Speaker 1: wa the white pads something this man so therefore and

1779
01:46:03,280 --> 01:46:08,400
Speaker 1: you got the old school wid wallet. I look, pay'll

1780
01:46:08,439 --> 01:46:17,439
Speaker 1: definitely play. Then I say, I'm saying I'm not good

1781
01:46:17,520 --> 01:46:22,640
Speaker 1: at that. I'm hanging out and they're saying, no, we

1782
01:46:22,680 --> 01:46:25,080
Speaker 1: don't need no pussy. And down here they called pussy cock.

1783
01:46:25,360 --> 01:46:27,800
Speaker 1: Is this jamakings you wroke around? No? This was this

1784
01:46:27,960 --> 01:46:30,760
Speaker 1: was you make like straight black Americans. I was hanging with,

1785
01:46:30,920 --> 01:46:35,120
Speaker 1: banging with the whole names back Cuban. My Cuban friend

1786
01:46:35,280 --> 01:46:36,920
Speaker 1: that takes me out of the street. His name is Eddie.

1787
01:46:37,040 --> 01:46:40,640
Speaker 1: Do going Eddie when you when you're resting in paradise

1788
01:46:40,720 --> 01:46:43,400
Speaker 1: up there as I don't know if you know hold

1789
01:46:44,160 --> 01:46:46,000
Speaker 1: out He knows, but he doesn't know him as ask

1790
01:46:47,439 --> 01:46:51,320
Speaker 1: Eddie put me down and I'm at Hooters and cooking

1791
01:46:51,360 --> 01:46:55,040
Speaker 1: the grove. Maybe he takes me. I'm sixteen at the time,

1792
01:46:55,800 --> 01:46:57,479
Speaker 1: and I no, I don't need no pussy. He said,

1793
01:46:57,479 --> 01:47:01,040
Speaker 1: you don't need what not listening ton, you're fucking Cuban.

1794
01:47:01,800 --> 01:47:07,920
Speaker 1: Not only do you pussy, you eat ass. I'm not saying,

1795
01:47:08,000 --> 01:47:11,920
Speaker 1: oh ship right, he's telling me that even at the picture,

1796
01:47:11,960 --> 01:47:20,439
Speaker 1: you got idea, that's something new to look for, right

1797
01:47:20,439 --> 01:47:26,400
Speaker 1: because because my friend Eddie, all right, now, my friend

1798
01:47:26,439 --> 01:47:32,400
Speaker 1: and told in two thousand and three, that's when I

1799
01:47:32,439 --> 01:47:34,200
Speaker 1: signed my first record deal with TVT right there at

1800
01:47:34,200 --> 01:47:36,040
Speaker 1: two thousand and three. And then this is me two

1801
01:47:36,120 --> 01:47:42,000
Speaker 1: thousand and thirteen in in India, in Mumbai. And he

1802
01:47:42,040 --> 01:47:43,720
Speaker 1: always told me, never be a waste of talent. That's

1803
01:47:43,720 --> 01:47:44,880
Speaker 1: why I was always with me right, Never be a

1804
01:47:44,920 --> 01:47:48,640
Speaker 1: waste sand so he told. He told the hoo does waitress,

1805
01:47:48,760 --> 01:47:55,280
Speaker 1: beautiful girl. He's like, bring me a penny. She said,

1806
01:47:55,320 --> 01:47:57,200
Speaker 1: bring me a penny, and he said, he bring me

1807
01:47:57,240 --> 01:47:59,439
Speaker 1: a penny to her. So she brings a penny and

1808
01:47:59,760 --> 01:48:01,320
Speaker 1: he with the penny on the table. That's why I wrote,

1809
01:48:01,320 --> 01:48:03,320
Speaker 1: with a penny, look at the penny. I got booming

1810
01:48:03,520 --> 01:48:05,000
Speaker 1: roll with a penny. I said, what's that? You said,

1811
01:48:05,280 --> 01:48:07,519
Speaker 1: take that penny and lick at motherfucker's what it tastes like?

1812
01:48:08,520 --> 01:48:11,400
Speaker 1: That right, I said, I'm not liking that shit and said,

1813
01:48:12,479 --> 01:48:37,120
Speaker 1: motherfucking penny. Listen, that's what ass tastes like, like a battery,

1814
01:48:40,720 --> 01:48:49,880
Speaker 1: a tree like even know what it was like. And

1815
01:48:50,000 --> 01:48:55,280
Speaker 1: then yeah, yeah, I thought it was the I ain't

1816
01:48:55,320 --> 01:48:58,760
Speaker 1: around it. That's it. That's it is already right there

1817
01:48:59,840 --> 01:49:08,840
Speaker 1: you quite often you wo Yeah, I love this ship.

1818
01:49:08,920 --> 01:49:17,680
Speaker 1: You guys got out all right, shot, y'all gotta love

1819
01:49:17,760 --> 01:49:19,800
Speaker 1: this Cuban. Yeah, you listen, I'm gonna be honest, but

1820
01:49:19,920 --> 01:49:22,439
Speaker 1: y'all jumping everybody right now, you're jumping the whole wing

1821
01:49:22,560 --> 01:49:25,760
Speaker 1: jumping on listen, yeah to pay times. You'll have another

1822
01:49:25,800 --> 01:49:27,360
Speaker 1: Cuban on the show. A right, but you need you

1823
01:49:27,479 --> 01:49:30,280
Speaker 1: fast last time. Now, I'm gonna take a shout with you.

1824
01:49:31,320 --> 01:49:33,479
Speaker 1: I'm gonna take a shout with you. Guys, stop and

1825
01:49:33,560 --> 01:49:35,760
Speaker 1: sow it down. Let me pour you just say it

1826
01:49:35,920 --> 01:49:37,880
Speaker 1: soon as you wait? Do you find that murder who

1827
01:49:37,960 --> 01:49:42,960
Speaker 1: might be cubinger. I'm not cubing I but I'm not

1828
01:49:43,080 --> 01:49:46,840
Speaker 1: cuban foot that's you. Hey, you eat some Cuban and

1829
01:49:47,520 --> 01:49:53,479
Speaker 1: I ain't gonna lie. Look my white as lessons. She

1830
01:49:53,760 --> 01:49:56,840
Speaker 1: got penny penny. I don't have that, dude. I ain't

1831
01:49:56,840 --> 01:49:59,600
Speaker 1: gonna hold you that. I don't gonna hold you. I

1832
01:49:59,720 --> 01:50:01,840
Speaker 1: need the pity I was. I was already. I was

1833
01:50:01,880 --> 01:50:07,880
Speaker 1: a nasty ding so I was young. I had said

1834
01:50:07,880 --> 01:50:10,160
Speaker 1: my uncle clad he said you never fun with no corners.

1835
01:50:10,200 --> 01:50:13,760
Speaker 1: He said it was he said I was a jag.

1836
01:50:14,040 --> 01:50:16,160
Speaker 1: I'm never letting no ship like a bitch gonna take

1837
01:50:16,200 --> 01:50:18,120
Speaker 1: me out. That was his and he was favorite ship.

1838
01:50:18,200 --> 01:50:25,599
Speaker 1: You want to shout out, Yeah, this is what I'm drinking.

1839
01:50:25,640 --> 01:50:30,640
Speaker 1: What this is the watermelon I'm gonna tell you how

1840
01:50:30,720 --> 01:50:33,439
Speaker 1: funked up it is to kind of like be like

1841
01:50:33,560 --> 01:50:37,280
Speaker 1: in my family, right, like my grand father, I told

1842
01:50:37,320 --> 01:50:42,080
Speaker 1: this story before my grandfather and like my older brother

1843
01:50:42,600 --> 01:50:45,880
Speaker 1: this is you know, Black and Porter weekend. So like

1844
01:50:45,960 --> 01:50:49,720
Speaker 1: I'm like, man, I'm like, I'm like eleven years old.

1845
01:50:50,080 --> 01:50:52,320
Speaker 1: They don't even say hi to me, like really, They're

1846
01:50:52,360 --> 01:50:55,080
Speaker 1: just like, yo, pap, don't come in. So I'm like,

1847
01:50:55,160 --> 01:50:59,880
Speaker 1: what's up. They're like, you eat pussy yet? Because my grandfather,

1848
01:51:00,360 --> 01:51:04,960
Speaker 1: I like, that doesn't happen in the black cock. You know,

1849
01:51:05,080 --> 01:51:09,320
Speaker 1: you're grandfathers telling you you should grow some vegetables, some

1850
01:51:09,840 --> 01:51:14,280
Speaker 1: cool ship. This is this is how I like. I

1851
01:51:14,360 --> 01:51:19,599
Speaker 1: like my grandfather. He's be team, he's he's passed away.

1852
01:51:19,920 --> 01:51:22,240
Speaker 1: But he gets me in the corner, him and my

1853
01:51:22,320 --> 01:51:25,600
Speaker 1: older brother and they're like, yo, you're looking at me

1854
01:51:25,720 --> 01:51:33,559
Speaker 1: up and down like okay, a pussy yet? And I'm

1855
01:51:33,640 --> 01:51:37,400
Speaker 1: eleven years old, eleven laughing. This is how foul they are.

1856
01:51:37,520 --> 01:51:42,400
Speaker 1: And he's going in the wrong direction to seven. Maybe

1857
01:51:42,439 --> 01:51:45,160
Speaker 1: I shouldn't just limited just border said, just laughing. You

1858
01:51:45,200 --> 01:51:48,479
Speaker 1: know we're gonna all get the fuckingbody. There's nothing wrong

1859
01:51:48,479 --> 01:52:00,240
Speaker 1: with pus bro I'll go back to to the to

1860
01:52:00,320 --> 01:52:07,040
Speaker 1: the hood. Niggas like niggas do what you pull your pussy. Yes,

1861
01:52:08,800 --> 01:52:12,680
Speaker 1: so I'm conflicting on one part. This is my grandfather.

1862
01:52:12,840 --> 01:52:15,639
Speaker 1: That's a lot to deal with that eleven years old, right, Yeah,

1863
01:52:15,680 --> 01:52:17,799
Speaker 1: I don't think I hate you talking about them Jamaican.

1864
01:52:17,880 --> 01:52:21,639
Speaker 1: So they say you think the Jamaicans ain't ship, Yes, Jamaican,

1865
01:52:24,400 --> 01:52:38,519
Speaker 1: I do not first pussy first real black people. Where

1866
01:52:38,880 --> 01:52:44,760
Speaker 1: about with Latinos? You fucking what we're conflicted with, y'all.

1867
01:52:45,240 --> 01:52:48,040
Speaker 1: And by the way, that Jamaican's like the first slaves,

1868
01:52:48,160 --> 01:52:52,880
Speaker 1: like I'm sorry first yeah, like for real, Like no,

1869
01:52:53,080 --> 01:52:55,320
Speaker 1: for real. So that's why you're so mad. That's the

1870
01:52:55,760 --> 01:53:00,920
Speaker 1: you know why you ain't see that happen to me.

1871
01:53:03,640 --> 01:53:11,519
Speaker 1: You never to make you like whatever you're making you

1872
01:53:11,640 --> 01:53:15,720
Speaker 1: the first time as you maka s first time as

1873
01:53:15,720 --> 01:53:19,960
Speaker 1: you maka I walked through a grandmother walked over my tool.

1874
01:53:21,280 --> 01:53:26,479
Speaker 1: Hear force was with bird car and I looked at

1875
01:53:26,560 --> 01:53:38,880
Speaker 1: us way I want Yankee boy, I'm looking my ground. Yeah, yeah,

1876
01:53:41,360 --> 01:53:45,920
Speaker 1: I went too far now, But it's nothing Jamian's one

1877
01:53:46,040 --> 01:53:49,519
Speaker 1: that you're making some pirates. That's what Jamaicans are known for.

1878
01:53:50,080 --> 01:53:53,080
Speaker 1: A minute. Yeah, Jamaicans makings were known to go and

1879
01:53:53,240 --> 01:53:59,200
Speaker 1: rob all of the Caribbean only. Yeah, back to Jamaican

1880
01:53:59,680 --> 01:54:03,599
Speaker 1: and when you shot at rocket's head. Then here listen,

1881
01:54:11,600 --> 01:54:15,479
Speaker 1: here you go, you go said, so you said, it's

1882
01:54:15,479 --> 01:54:19,599
Speaker 1: the truth. Jamaicans pirates, pirates, the original pirates, reginal pirates

1883
01:54:19,640 --> 01:54:23,280
Speaker 1: with Jamaicans the fault where they would go out and guy,

1884
01:54:23,320 --> 01:54:25,759
Speaker 1: I say it's my boat. Now I am the captain.

1885
01:54:26,400 --> 01:54:32,880
Speaker 1: They're still doing that in the period. They enjoy what

1886
01:54:33,040 --> 01:54:36,320
Speaker 1: they got going on. Yeah, but why tough they you know,

1887
01:54:36,400 --> 01:54:39,040
Speaker 1: anything they say they're gonna do. That's why the grandmother

1888
01:54:39,200 --> 01:54:41,720
Speaker 1: was like your young key boy. You know, she kept

1889
01:54:41,800 --> 01:54:44,480
Speaker 1: me down. I hurt my feelings. I looked at her

1890
01:54:44,520 --> 01:54:47,280
Speaker 1: and I wanted to know, you know what he said,

1891
01:54:47,320 --> 01:54:51,240
Speaker 1: Why I go on your push yard? You know stuff

1892
01:54:51,240 --> 01:54:53,880
Speaker 1: that At that point, you know, I'm not really going dope.

1893
01:54:54,120 --> 01:54:58,520
Speaker 1: I'm right, I'm gonna tell you why. I never like

1894
01:54:59,240 --> 01:55:01,320
Speaker 1: I don't tell you and take that your personal though,

1895
01:55:01,360 --> 01:55:03,560
Speaker 1: because the way like how they ends with you though

1896
01:55:03,880 --> 01:55:07,400
Speaker 1: they way worse for like their children real ship like

1897
01:55:07,560 --> 01:55:09,680
Speaker 1: they like a couple of my always like they just

1898
01:55:09,800 --> 01:55:12,680
Speaker 1: grew up in a in a pure jamaking like household,

1899
01:55:13,200 --> 01:55:16,160
Speaker 1: and it's like that ship is almost like you'd be like, damn.

1900
01:55:16,240 --> 01:55:18,040
Speaker 1: You know when the nigga grow up, how we used

1901
01:55:18,080 --> 01:55:20,040
Speaker 1: to get beat with you know what I'm saying, extension

1902
01:55:20,120 --> 01:55:23,560
Speaker 1: chords and the brooms in the back ground, right, they

1903
01:55:23,800 --> 01:55:27,440
Speaker 1: voice hurt when they talk thinking that all of that,

1904
01:55:27,600 --> 01:55:29,600
Speaker 1: like that ship hurt, like you could like damn and

1905
01:55:29,640 --> 01:55:33,000
Speaker 1: they can't do nothing like they come out the door creak.

1906
01:55:33,360 --> 01:55:36,040
Speaker 1: It'd be like different type of ship. Like you think

1907
01:55:36,080 --> 01:55:38,240
Speaker 1: when you're young, you're thinking food, like you think everything

1908
01:55:38,320 --> 01:55:41,400
Speaker 1: voodoo when you little. So you're like, yo, these motherfucker's

1909
01:55:41,440 --> 01:55:44,360
Speaker 1: just casting they're gonna, I'm good on you running around

1910
01:55:44,360 --> 01:55:53,960
Speaker 1: some Haitians like yeah, yeah something, yeah you know, or

1911
01:55:55,320 --> 01:55:58,760
Speaker 1: yeah man, a relationship with with life. Okay, so how

1912
01:55:58,800 --> 01:56:06,880
Speaker 1: many bitches you not there? You man? You get the

1913
01:56:06,960 --> 01:56:09,360
Speaker 1: league way y'all. Look cause I'm married. Man, I've been

1914
01:56:09,400 --> 01:56:13,600
Speaker 1: married and I'm happily married because like as you walk through,

1915
01:56:13,680 --> 01:56:18,560
Speaker 1: I could tell your fingers you still finger popping ship. Yeah,

1916
01:56:21,760 --> 01:56:28,360
Speaker 1: I mean, petty there, I'm being honest, Like I've been great.

1917
01:56:29,000 --> 01:56:30,920
Speaker 1: I've been very bless to have great people in my life.

1918
01:56:31,280 --> 01:56:32,880
Speaker 1: And one thing I've learned how to do is keep

1919
01:56:32,920 --> 01:56:36,160
Speaker 1: everything under the radar though. That's it. So the people

1920
01:56:36,440 --> 01:56:40,000
Speaker 1: that that are I love dearly and very special to me.

1921
01:56:41,720 --> 01:56:44,320
Speaker 1: You notice that when people move the good neighborhoods, what

1922
01:56:44,440 --> 01:56:46,680
Speaker 1: they do they put up gates and palm trees or

1923
01:56:46,760 --> 01:56:50,680
Speaker 1: trees or whatever be able to so nobody else can

1924
01:56:50,680 --> 01:56:54,560
Speaker 1: see what you got your property. So I got a

1925
01:56:54,640 --> 01:56:57,680
Speaker 1: chance to get up in the game speaking anybody out

1926
01:56:57,960 --> 01:57:01,520
Speaker 1: a man, any any chance. So I got anybody I

1927
01:57:01,640 --> 01:57:03,920
Speaker 1: love in my life, I protect him to keep him

1928
01:57:03,920 --> 01:57:08,000
Speaker 1: away from social media. You just knocked down? How about

1929
01:57:08,040 --> 01:57:11,280
Speaker 1: that about that you had a great life just just

1930
01:57:11,360 --> 01:57:14,920
Speaker 1: a minute, just a minute like you I had. You

1931
01:57:14,960 --> 01:57:17,400
Speaker 1: know what they say, anybody who was the's got a

1932
01:57:17,440 --> 01:57:19,520
Speaker 1: lot of I'm gonna tell you. I'm back here saying

1933
01:57:19,800 --> 01:57:21,160
Speaker 1: I'm gonna tell you what they do what they don't

1934
01:57:21,160 --> 01:57:26,040
Speaker 1: want it there with a game, okay, okay. And when

1935
01:57:26,040 --> 01:57:27,600
Speaker 1: you tell a trick that he say, trick, what they do?

1936
01:57:27,680 --> 01:57:31,880
Speaker 1: He said, whatever we tell them. So I can't tell

1937
01:57:31,880 --> 01:57:34,280
Speaker 1: you any much. In Vegas, they say, what happens in

1938
01:57:34,360 --> 01:57:38,080
Speaker 1: Vegas stays in Vegas. What happens in Minam is never happened.

1939
01:57:39,160 --> 01:57:41,040
Speaker 1: So anytime I have fun and anything I knocked down

1940
01:57:41,040 --> 01:57:45,320
Speaker 1: as an international. They have to be clear, missed three

1941
01:57:45,400 --> 01:57:48,360
Speaker 1: or five for a long time after in Brica and

1942
01:57:49,920 --> 01:57:53,960
Speaker 1: Churches and Richard Churches and um Usher and Neo and

1943
01:57:54,040 --> 01:57:57,080
Speaker 1: you had. We had sweet fucking real girl records like

1944
01:57:57,320 --> 01:57:59,960
Speaker 1: It's at the Coming Crime. Got some fun panty store

1945
01:58:00,080 --> 01:58:02,960
Speaker 1: that you on stage before? Oh yeah, I mean I

1946
01:58:03,040 --> 01:58:05,000
Speaker 1: think the most memorable one was a tampon put on

1947
01:58:05,080 --> 01:58:13,160
Speaker 1: stage with number one number you. The New York in

1948
01:58:13,280 --> 01:58:17,760
Speaker 1: me wasn't just read it because you have got that

1949
01:58:17,800 --> 01:58:20,400
Speaker 1: ship quick, I gonna lie like they'd be like, Yo,

1950
01:58:20,480 --> 01:58:23,360
Speaker 1: New York girls are too hard. I'd be like, I'm sorry,

1951
01:58:23,480 --> 01:58:25,360
Speaker 1: I love I love that ship. I kind of like

1952
01:58:25,800 --> 01:58:35,720
Speaker 1: my nigga, you come up. You was good, like you

1953
01:58:35,840 --> 01:58:43,200
Speaker 1: didn't know that I'm sorry. You gotta even New York

1954
01:58:43,240 --> 01:58:46,080
Speaker 1: to understand that. We understanding. And the thing is, I

1955
01:58:46,160 --> 01:58:48,800
Speaker 1: know a lot of motherfucker that and came to Miami

1956
01:58:48,880 --> 01:58:52,080
Speaker 1: with an athletes, artists and they've all been robbed. Yeah

1957
01:58:52,600 --> 01:58:56,720
Speaker 1: he's not gonna play Yeah that from Coko from take one.

1958
01:58:57,240 --> 01:58:58,720
Speaker 1: I didn't even get to the kro d. I was

1959
01:58:59,080 --> 01:59:02,000
Speaker 1: I'll tell your funny still one one time. I like

1960
01:59:02,160 --> 01:59:04,840
Speaker 1: this is like in the nineties. I would have a

1961
01:59:05,000 --> 01:59:09,280
Speaker 1: check and um, you know, I'm just on my New

1962
01:59:09,360 --> 01:59:12,840
Speaker 1: York ship, so I'll get out and the dude stalk

1963
01:59:12,880 --> 01:59:15,280
Speaker 1: to He got the goals on, he got all this ship.

1964
01:59:15,520 --> 01:59:18,560
Speaker 1: He goes and I look and I'm like, you know,

1965
01:59:18,800 --> 01:59:25,040
Speaker 1: to me, he's saying, to your bits, command. I can

1966
01:59:25,200 --> 01:59:28,640
Speaker 1: relate to that, like he's like command because in New

1967
01:59:28,720 --> 01:59:30,480
Speaker 1: York you're called as a bit. She's gonna stop you,

1968
01:59:30,920 --> 01:59:32,480
Speaker 1: you know what I'm saying. So like I'm like, and

1969
01:59:32,600 --> 01:59:34,800
Speaker 1: out here you can really call a bit a bit.

1970
01:59:36,640 --> 01:59:40,120
Speaker 1: This is bad. You're still right now. This is bad.

1971
01:59:41,240 --> 01:59:49,320
Speaker 1: Need to girls. You're talking to you everywhere else you

1972
01:59:49,400 --> 01:59:52,200
Speaker 1: can down South Beach talking to tourists. That's a big

1973
01:59:52,280 --> 01:59:54,960
Speaker 1: way we see the Miami niggas talking a different say.

1974
01:59:55,040 --> 01:59:56,640
Speaker 1: You know what, I don't want to defend that. I

1975
01:59:56,680 --> 01:59:59,120
Speaker 1: don't cause you know what, I'm not positive, but I'm weird.

1976
01:59:59,200 --> 02:00:02,040
Speaker 1: This took play, so you know what, I might, but

1977
02:00:03,400 --> 02:00:06,640
Speaker 1: let me finish my story, salvation. Let me finish my story,

1978
02:00:06,640 --> 02:00:09,480
Speaker 1: because that will give it to me flower story. No,

1979
02:00:09,720 --> 02:00:12,040
Speaker 1: let me finish my story. This is a real ship,

1980
02:00:13,480 --> 02:00:16,760
Speaker 1: a little ship. And when she walked away, she said

1981
02:00:16,800 --> 02:00:18,800
Speaker 1: to me, you know, just so you know, those are

1982
02:00:18,840 --> 02:00:21,880
Speaker 1: the type of dudes. I talked to the dudes with

1983
02:00:22,040 --> 02:00:24,280
Speaker 1: the goals that say, you know, big the room, and

1984
02:00:24,400 --> 02:00:27,680
Speaker 1: that was the opposite of what we icuse you that

1985
02:00:27,720 --> 02:00:29,160
Speaker 1: I'm not I'm not I'm not making this up. I

1986
02:00:31,040 --> 02:00:34,960
Speaker 1: don't know. We called him. We call a little bit

1987
02:00:35,640 --> 02:00:39,160
Speaker 1: after she like not talk to us, so like we've

1988
02:00:39,200 --> 02:00:54,120
Speaker 1: not want to go right over to the get I

1989
02:00:54,280 --> 02:00:56,160
Speaker 1: want to make I want to put this in perspective.

1990
02:00:56,720 --> 02:00:58,840
Speaker 1: I'm gonna put this in perspective. That's why traina is

1991
02:00:58,880 --> 02:01:01,520
Speaker 1: called the baddest bit. You feel me? So when you

1992
02:01:01,600 --> 02:01:03,520
Speaker 1: walk on on somebody black, what they do, bitch, and

1993
02:01:03,560 --> 02:01:06,720
Speaker 1: it's like, yeah, what they do? What it's it's like

1994
02:01:07,120 --> 02:01:09,880
Speaker 1: you're saying, hey, hey bitch. No, I'm not saying that

1995
02:01:11,640 --> 02:01:15,280
Speaker 1: the way it's that's what if you're looking at first,

1996
02:01:15,280 --> 02:01:17,320
Speaker 1: I haven't see the baddest But you're not gonna hate bitch.

1997
02:01:17,360 --> 02:01:19,000
Speaker 1: Come in like that. You're not gonna talk to me

1998
02:01:19,240 --> 02:01:21,400
Speaker 1: what happened before? Now, I've seen it with a girl

1999
02:01:21,600 --> 02:01:23,640
Speaker 1: that I was winning the nineties and she said, just

2000
02:01:23,720 --> 02:01:25,560
Speaker 1: so you know, because I was I this these niggs

2001
02:01:25,560 --> 02:01:27,440
Speaker 1: when they walked away, I was like, oh, ship YouTube,

2002
02:01:27,600 --> 02:01:29,680
Speaker 1: it seems like yo, just say you know it wasn't

2003
02:01:29,720 --> 02:01:31,440
Speaker 1: with you. Those are the type of niggers I talked

2004
02:01:31,480 --> 02:01:34,640
Speaker 1: to and I was like, oh ship big school wrote

2005
02:01:35,360 --> 02:01:42,400
Speaker 1: school and that bit. You know, I'm trying to before

2006
02:01:42,440 --> 02:01:44,760
Speaker 1: the recond I'm going on like this is the naties

2007
02:01:44,800 --> 02:01:48,400
Speaker 1: ain't not like that short and she wanted to be

2008
02:01:48,520 --> 02:01:53,200
Speaker 1: called bitch turning straight up being I've never seen some

2009
02:01:53,360 --> 02:01:56,320
Speaker 1: ship as far as bitch come out of context, bitch

2010
02:01:56,360 --> 02:01:58,040
Speaker 1: come in in power me like I said, trin up

2011
02:01:58,080 --> 02:02:00,560
Speaker 1: the baddest bit I can tell me, dear. Yeah, Yo,

2012
02:02:00,600 --> 02:02:03,120
Speaker 1: that's a bad beach right there. Watch out. That's a

2013
02:02:03,160 --> 02:02:05,280
Speaker 1: bad bitch and money living here and win would if

2014
02:02:05,360 --> 02:02:09,600
Speaker 1: anything bad, whether a woman or a man, they would say, Hey, example,

2015
02:02:09,640 --> 02:02:12,720
Speaker 1: you're that bitch so bad she paint the devil pink

2016
02:02:12,920 --> 02:02:14,600
Speaker 1: turning them up. Was on tail through in the corner

2017
02:02:14,640 --> 02:02:18,000
Speaker 1: and said it's a bad bitch, you feel me? So

2018
02:02:18,200 --> 02:02:23,560
Speaker 1: it all depends going in turning the sunshine through the

2019
02:02:23,600 --> 02:02:26,080
Speaker 1: sound like I mean, I mean, if you ever seen

2020
02:02:26,080 --> 02:02:29,760
Speaker 1: all the like, because that's through the sound like bro, No,

2021
02:02:29,880 --> 02:02:34,280
Speaker 1: but ot the order just soon and that's fun. Times

2022
02:02:34,560 --> 02:02:38,760
Speaker 1: we don't when the time is right right now deals

2023
02:02:38,800 --> 02:02:40,720
Speaker 1: with pepsi and all types of she's sitting. No, no, no,

2024
02:02:40,760 --> 02:02:42,800
Speaker 1: I'm trying to own pepsi baby a different story. But

2025
02:02:42,880 --> 02:02:45,840
Speaker 1: I hold the moment I never heard say that. Let

2026
02:02:45,880 --> 02:02:48,000
Speaker 1: me call down and let you get to you the dog.

2027
02:02:48,120 --> 02:02:51,160
Speaker 1: You know, I believe the ship out of you yet

2028
02:02:53,440 --> 02:02:57,640
Speaker 1: for all of us. But I can't tell you this much, man,

2029
02:02:58,160 --> 02:03:00,400
Speaker 1: I haven't had this much motherfucking fun in an inter

2030
02:03:00,440 --> 02:03:03,240
Speaker 1: of you in a long time. Doesn't mean take another

2031
02:03:03,320 --> 02:03:07,080
Speaker 1: shot time the shot that no better times take one

2032
02:03:07,120 --> 02:03:10,320
Speaker 1: of my old labors, that fat man, that's the same time,

2033
02:03:12,520 --> 02:03:15,200
Speaker 1: number one better wrapper in the world. I called him

2034
02:03:15,200 --> 02:03:18,080
Speaker 1: to Freud Mayweather. He's been slacking though I ain't told

2035
02:03:18,120 --> 02:03:20,200
Speaker 1: me Fabulous want a battle. I ain't been fun with him,

2036
02:03:21,160 --> 02:03:24,600
Speaker 1: I said, Yo, I told you in fac I ain't

2037
02:03:24,600 --> 02:03:27,800
Speaker 1: gonna like that movie. It wasn't it wasn't a battle

2038
02:03:28,880 --> 02:03:32,200
Speaker 1: the battle you know. He got off though that fact

2039
02:03:32,880 --> 02:03:37,200
Speaker 1: him and family and oh I'm not fad come on

2040
02:03:38,160 --> 02:03:42,160
Speaker 1: a free style and fab win twice. So for lack

2041
02:03:42,240 --> 02:03:44,720
Speaker 1: of a vert person h term, A lot of people

2042
02:03:44,800 --> 02:03:47,600
Speaker 1: say fab one because he went twice. I want that

2043
02:03:47,640 --> 02:03:50,360
Speaker 1: second time you went to hurt for us, said let

2044
02:03:50,440 --> 02:03:52,919
Speaker 1: me know who repping you guys and ones like Stephen

2045
02:03:54,120 --> 02:03:56,440
Speaker 1: who in the club without a weapon, shoot at your

2046
02:03:56,480 --> 02:04:00,480
Speaker 1: feet making do the perfection on man come your love

2047
02:04:07,040 --> 02:04:20,960
Speaker 1: Yet Funny said, it's not about me at all. Who

2048
02:04:21,040 --> 02:04:23,240
Speaker 1: gave me on the lute here in the nerve, he said,

2049
02:04:24,640 --> 02:04:28,040
Speaker 1: got just two rounds and one. I would never I

2050
02:04:28,080 --> 02:04:30,520
Speaker 1: would never do that to tell so I'm your biggest fan.

2051
02:04:30,880 --> 02:04:32,280
Speaker 1: Let me just let me just tell you why I

2052
02:04:32,400 --> 02:04:37,520
Speaker 1: got mad. I would never judge the nigga who got

2053
02:04:37,600 --> 02:04:41,760
Speaker 1: two rounds to you to one. But that was your fault.

2054
02:04:42,160 --> 02:04:44,520
Speaker 1: That's not my fault. Was just giving the n to

2055
02:04:44,600 --> 02:04:56,080
Speaker 1: the wind. You gotta relax. I calm down, Mary, gotta

2056
02:04:56,440 --> 02:05:01,120
Speaker 1: be right. But Clue told me relax. You already who

2057
02:05:01,200 --> 02:05:07,240
Speaker 1: you are. Let the homie go. I had to now

2058
02:05:07,480 --> 02:05:10,120
Speaker 1: retro respect. If you're looking at it from the outside,

2059
02:05:10,120 --> 02:05:11,920
Speaker 1: and I ain't mad at you at all, your kind,

2060
02:05:12,040 --> 02:05:15,440
Speaker 1: You're right. I should have ate it, Monk. I still

2061
02:05:15,480 --> 02:05:26,880
Speaker 1: feel like I gonna take that fat right manus me too,

2062
02:05:27,360 --> 02:05:30,640
Speaker 1: you sells me. Listen, let me tell you what he did.

2063
02:05:32,280 --> 02:05:38,960
Speaker 1: What already close to my house? Who's this shout out

2064
02:05:39,000 --> 02:05:42,160
Speaker 1: of the ghost? You know that shout out to the

2065
02:05:42,720 --> 02:05:50,160
Speaker 1: incredible Yeah, shout out to that incredible album. Let's not

2066
02:05:50,280 --> 02:05:53,760
Speaker 1: take away the shouts. He snucked me one day we

2067
02:05:53,840 --> 02:06:01,080
Speaker 1: did the Violet album Wait for My Birth, how can't wait? Wait?

2068
02:06:02,240 --> 02:06:06,240
Speaker 1: This is this lead the Cubans along, just let's stay here.

2069
02:06:06,480 --> 02:06:10,640
Speaker 1: So he waited for your verse both of my ships.

2070
02:06:11,680 --> 02:06:15,280
Speaker 1: I didn't know what it was. Speak got me came through.

2071
02:06:18,440 --> 02:06:20,560
Speaker 1: I'm not I'm not gonna lie. I didn't head up

2072
02:06:20,600 --> 02:06:26,120
Speaker 1: with him like like like what platform on the freestyle

2073
02:06:26,240 --> 02:06:29,360
Speaker 1: on the record you're saying, I don't understand where you

2074
02:06:29,480 --> 02:06:37,880
Speaker 1: think it's coming from. But I'm saying what I'm saying. Yo.

2075
02:06:38,120 --> 02:06:42,200
Speaker 1: Know look, I'm gonna tell you on some g ship's

2076
02:06:42,280 --> 02:06:48,880
Speaker 1: choking up, that's do a little good. You heard it

2077
02:06:48,960 --> 02:06:50,920
Speaker 1: working on talking about I know I know exactly what

2078
02:06:51,040 --> 02:06:54,480
Speaker 1: records you're talking about. What I didn't think. I didn't

2079
02:06:54,480 --> 02:06:56,760
Speaker 1: think it was that kind of I don't think it

2080
02:06:56,960 --> 02:06:59,920
Speaker 1: don't want to smooth. It was you were fabric the rate.

2081
02:07:00,040 --> 02:07:02,640
Speaker 1: It was that kind of smoke. It wasn't because you

2082
02:07:02,720 --> 02:07:05,040
Speaker 1: know why you're thinking fat is fat. No, I'm not

2083
02:07:05,160 --> 02:07:08,000
Speaker 1: thinking fat. I'm gonna tell you that was that was

2084
02:07:08,120 --> 02:07:11,680
Speaker 1: just regular trying to get to it, So why would

2085
02:07:11,720 --> 02:07:16,520
Speaker 1: you not expect that the clue is my man? Yeah,

2086
02:07:16,680 --> 02:07:18,960
Speaker 1: clewe asked me, Yo, could I have the new artists

2087
02:07:19,000 --> 02:07:21,240
Speaker 1: come up at the last minute? I could have said no,

2088
02:07:21,880 --> 02:07:25,400
Speaker 1: so so you manage number one record. I ain't mad

2089
02:07:26,800 --> 02:07:29,120
Speaker 1: and I wanted to. I want to say this though.

2090
02:07:29,240 --> 02:07:31,280
Speaker 1: I let me tell you something. Do you remember what

2091
02:07:31,400 --> 02:07:35,000
Speaker 1: you the first thing you ever told me as because

2092
02:07:35,040 --> 02:07:36,840
Speaker 1: this thing has been like my big brother for a

2093
02:07:36,920 --> 02:07:44,160
Speaker 1: long time or certain men, right, he's from Queens help

2094
02:07:45,840 --> 02:07:48,920
Speaker 1: everything from Queens I ever known, or that I know

2095
02:07:49,920 --> 02:07:52,400
Speaker 1: you don't remember what you told me about these things

2096
02:07:53,400 --> 02:07:55,720
Speaker 1: when it was me you ray Kawen. We was over

2097
02:07:55,800 --> 02:08:02,120
Speaker 1: there in Jersey Serton Hotel, right which this nigger told me, Yo,

2098
02:08:04,600 --> 02:08:11,880
Speaker 1: don't trust queens nicks life. That stuck with me for

2099
02:08:12,120 --> 02:08:14,880
Speaker 1: since all the way back then, because this is a

2100
02:08:15,040 --> 02:08:20,160
Speaker 1: queen's nigga telling don't keep telling me. I'm a leega

2101
02:08:20,240 --> 02:08:24,760
Speaker 1: from all right here queens. A queen's nigga is telling

2102
02:08:24,840 --> 02:08:28,760
Speaker 1: me don't trust queens niggers? Like, how am I supposed

2103
02:08:28,760 --> 02:08:30,880
Speaker 1: to even take that? At that moment, I didn't know

2104
02:08:30,920 --> 02:08:33,880
Speaker 1: what to say, right, I remember exactly where he's like

2105
02:08:34,360 --> 02:08:37,040
Speaker 1: exactly like, yo, the queens type of queens nigger niggers

2106
02:08:37,080 --> 02:08:39,200
Speaker 1: come out of the club. It was a different and

2107
02:08:39,280 --> 02:08:42,600
Speaker 1: see you getting beat up with on instead of like

2108
02:08:42,960 --> 02:08:45,360
Speaker 1: running over there like helping nigga, just chill and see what.

2109
02:08:45,480 --> 02:08:48,640
Speaker 1: It was a different type of time, yo' I'm not

2110
02:08:48,840 --> 02:08:51,480
Speaker 1: dying this. You're looking I'm looking at this now. I'm

2111
02:08:51,560 --> 02:08:57,000
Speaker 1: just saying that the same clue is from queens. Every Yeah,

2112
02:08:57,120 --> 02:09:08,120
Speaker 1: don't trust queens niggers. You gotta shake out a battle up.

2113
02:09:09,800 --> 02:09:13,520
Speaker 1: That's the punch line came in. That's the truth. You

2114
02:09:13,560 --> 02:09:25,640
Speaker 1: should came who y'all name your pet. I'm gonna be honest. Pitt.

2115
02:09:25,760 --> 02:09:28,240
Speaker 1: When they said we're booking pit Bull, I said, he's

2116
02:09:28,240 --> 02:09:31,240
Speaker 1: come up with those socks. Yeah you're already. I shut up.

2117
02:09:31,520 --> 02:09:36,240
Speaker 1: I said, have been twenty I felt like something, Ay,

2118
02:09:36,360 --> 02:09:42,280
Speaker 1: that's got how much how must pushing you do you got?

2119
02:09:42,400 --> 02:09:44,800
Speaker 1: And like to keep him back to that, I'm sorry,

2120
02:09:45,000 --> 02:09:47,360
Speaker 1: wait holding before you that question. I had to answer

2121
02:09:47,400 --> 02:09:53,760
Speaker 1: them already that I like this ship man send either

2122
02:09:56,400 --> 02:09:59,560
Speaker 1: because I like, no, not clear, but I feel like

2123
02:09:59,600 --> 02:10:01,480
Speaker 1: I feel like you got a lot of bitches. Let's

2124
02:10:01,480 --> 02:10:09,880
Speaker 1: say the nine scousand nine you want to do the

2125
02:10:09,880 --> 02:10:13,680
Speaker 1: little shot let's do it already go oh yeah. So

2126
02:10:13,920 --> 02:10:15,920
Speaker 1: as far as the pussy I knocked on in my life,

2127
02:10:17,560 --> 02:10:19,320
Speaker 1: I was raised by Uncle Luke, so I can tell

2128
02:10:19,320 --> 02:10:24,120
Speaker 1: you everything. Yes, yeah, and the Peep Show days too, Yeah. Yeah,

2129
02:10:24,200 --> 02:10:27,760
Speaker 1: we were joined the show. Yeah, that was the first two.

2130
02:10:27,760 --> 02:10:30,600
Speaker 1: I went on up and Down, the Mason Dixon and

2131
02:10:30,720 --> 02:10:34,520
Speaker 1: the Chicken serving. It was a joint Lollipop, Lollipop. It

2132
02:10:34,640 --> 02:10:38,320
Speaker 1: was mean. Little Zane and Luca Cameron was on that

2133
02:10:38,400 --> 02:10:45,240
Speaker 1: album to ship, Yeah, it was I mean to learn

2134
02:10:45,360 --> 02:10:47,880
Speaker 1: from Luke. There was no better ultimate, There was no

2135
02:10:48,040 --> 02:10:51,920
Speaker 1: better teaching Luke to teach you. Looked the music we

2136
02:10:52,000 --> 02:10:55,480
Speaker 1: know not independence. Now you teach you how the fingerpop

2137
02:10:57,320 --> 02:11:01,480
Speaker 1: Loo tell us all the fingerpop. Let's let's tell us

2138
02:11:03,840 --> 02:11:08,680
Speaker 1: your little show. I watched the footage, don't yeah, the

2139
02:11:08,720 --> 02:11:13,560
Speaker 1: girl sitting on the fort and when we when we

2140
02:11:13,680 --> 02:11:15,520
Speaker 1: used to be out, the kind of things that were happening,

2141
02:11:15,560 --> 02:11:18,720
Speaker 1: man dances, and what they would do all great girls.

2142
02:11:18,760 --> 02:11:20,720
Speaker 1: By the way, entrepreneurs will be honest with you, but

2143
02:11:20,760 --> 02:11:23,480
Speaker 1: they were doing what they do at the time. Actually,

2144
02:11:23,920 --> 02:11:27,520
Speaker 1: figure popper is telling stuff because they go out. I'm

2145
02:11:27,560 --> 02:11:30,120
Speaker 1: not sure I'm asking, he said. Finger popping, finger pop

2146
02:11:30,280 --> 02:11:32,600
Speaker 1: you think every now and then when you go with

2147
02:11:33,680 --> 02:11:36,760
Speaker 1: like I said, man, I come from the school of

2148
02:11:36,800 --> 02:11:42,080
Speaker 1: hard knocks and luking them. No so but I think

2149
02:11:43,440 --> 02:11:47,120
Speaker 1: you think finger poppers out of town. I'm asking, I'm

2150
02:11:47,120 --> 02:11:50,000
Speaker 1: not my finger. I sell my finger. Tell me what

2151
02:11:50,080 --> 02:11:54,920
Speaker 1: they're doing the shipping over there, I felt like I

2152
02:11:55,000 --> 02:11:57,960
Speaker 1: felt like it was it was you're still in action. Bright,

2153
02:11:58,440 --> 02:12:02,120
Speaker 1: you didn't action, bro, I'm a married man, but I'd

2154
02:12:02,160 --> 02:12:06,280
Speaker 1: like to live by curious. You know that I don't

2155
02:12:06,280 --> 02:12:09,320
Speaker 1: know what the what does that mean that? I mean,

2156
02:12:09,720 --> 02:12:12,960
Speaker 1: keep keep the motor, the more dentist like it Spanish,

2157
02:12:13,000 --> 02:12:17,920
Speaker 1: it makes more sense of the game. Keep again, better turn.

2158
02:12:17,920 --> 02:12:20,440
Speaker 1: You're knocking a lot of ship down right now. I'm

2159
02:12:20,480 --> 02:12:23,120
Speaker 1: not what you're knocking a lot of ship down. You're

2160
02:12:23,160 --> 02:12:25,920
Speaker 1: knocking everything down. You know you said you're in the relationships.

2161
02:12:26,160 --> 02:12:29,080
Speaker 1: I I'm enjoying myself, man, not in the relationship. So

2162
02:12:29,240 --> 02:12:31,680
Speaker 1: that doesn't say you knocking a lot of ship down.

2163
02:12:31,800 --> 02:12:34,320
Speaker 1: Got down? I listen. I live bout curious to you guys.

2164
02:12:35,560 --> 02:12:42,640
Speaker 1: I love that this guy's an instigator's like you know,

2165
02:12:43,280 --> 02:12:46,240
Speaker 1: Let'm saying something one day. One day I'm chilling with

2166
02:12:46,360 --> 02:12:48,080
Speaker 1: my homie. It is the worst compliment. You could have

2167
02:12:48,080 --> 02:12:51,080
Speaker 1: a half and my homie says, I could go to

2168
02:12:51,200 --> 02:13:01,320
Speaker 1: jail with your Homi told you the worst coming. That's

2169
02:13:01,360 --> 02:13:09,280
Speaker 1: like to a ten years you don't want to do it.

2170
02:13:09,400 --> 02:13:11,760
Speaker 1: Told me. I said, I'm living up like I need

2171
02:13:11,800 --> 02:13:16,960
Speaker 1: different friends. I need different friends. Okay, I need to

2172
02:13:17,040 --> 02:13:20,280
Speaker 1: understand that that supported to kill up with the water.

2173
02:13:20,520 --> 02:13:22,280
Speaker 1: I drank some vodka with the water. Yeah, you gotta

2174
02:13:22,320 --> 02:13:24,200
Speaker 1: keep it going over going. I thought it was like

2175
02:13:24,280 --> 02:13:27,880
Speaker 1: Selsa water, no regular water. What do you need to

2176
02:13:28,000 --> 02:13:32,280
Speaker 1: keep you going? Yeah? Man, you put some water keeping

2177
02:13:32,880 --> 02:13:36,360
Speaker 1: to it. You like to drink handy ramy boom drop

2178
02:13:36,480 --> 02:13:46,440
Speaker 1: some good man, I'm not Mr Lee Man. That's like

2179
02:13:46,560 --> 02:13:48,240
Speaker 1: that ship that you said about your friend telling you

2180
02:13:48,360 --> 02:13:50,520
Speaker 1: you'd be cool to hang with him prison ship. That's

2181
02:13:50,600 --> 02:13:54,160
Speaker 1: that's terrible. But that's like, you know, what is it

2182
02:13:55,000 --> 02:13:56,520
Speaker 1: a joke that a woman can tell you to make

2183
02:13:56,560 --> 02:13:58,960
Speaker 1: you mad and sad at the same time. I'm not

2184
02:13:59,080 --> 02:14:01,080
Speaker 1: sure he said he got all your friends, you got

2185
02:14:01,120 --> 02:14:27,760
Speaker 1: the biggest day. I reckon, you mean a big time

2186
02:14:27,880 --> 02:14:34,000
Speaker 1: Miami ship, right do He's still looking at his notes? No,

2187
02:14:34,080 --> 02:14:37,280
Speaker 1: I got notes, brother. Look. The only reason I wouldn't

2188
02:14:37,280 --> 02:14:39,480
Speaker 1: even bring this up man, but he brings it up

2189
02:14:39,560 --> 02:14:44,880
Speaker 1: on a lot of dream Champs. Okay, I thought you

2190
02:14:45,320 --> 02:14:48,080
Speaker 1: said that he has his version of a story. All right,

2191
02:14:48,200 --> 02:14:50,440
Speaker 1: I want to hear what if he even remembers the story.

2192
02:14:50,440 --> 02:14:52,400
Speaker 1: I doubt it. And I'm only bringing up because he

2193
02:14:52,400 --> 02:14:55,520
Speaker 1: brings it up in drink Champs, which you know, me

2194
02:14:55,560 --> 02:14:57,560
Speaker 1: and Nor have a very big record together, which was

2195
02:14:57,600 --> 02:15:01,240
Speaker 1: got Selena when we did the remix see them. Listen.

2196
02:15:02,880 --> 02:15:05,440
Speaker 1: Let me just say something. I'm looking at the um

2197
02:15:05,800 --> 02:15:10,200
Speaker 1: the other day. I'm going to some store and got

2198
02:15:10,280 --> 02:15:14,879
Speaker 1: Selina comes on and it says so I'm like, okay,

2199
02:15:14,960 --> 02:15:18,440
Speaker 1: maybe this is the version they used without me? Oh

2200
02:15:18,680 --> 02:15:25,280
Speaker 1: my god, listen, Dad is so patty then the record

2201
02:15:30,040 --> 02:15:32,320
Speaker 1: I'm looking. I don't think it's Daddy. Let's just be

2202
02:15:32,400 --> 02:15:36,520
Speaker 1: clear that. Remember you guys having those condos too about

2203
02:15:36,560 --> 02:15:40,880
Speaker 1: that record. Let me that conversation. Let me just be clear.

2204
02:15:43,240 --> 02:15:50,480
Speaker 1: I actually, you know, listen, this was when I seen

2205
02:15:50,560 --> 02:15:55,520
Speaker 1: it because I looked. I'm in my car, so I'm looking.

2206
02:15:55,600 --> 02:15:59,080
Speaker 1: I'm like, okay, because you know, it was two different versions.

2207
02:15:59,160 --> 02:16:01,920
Speaker 1: At first, it was pet Bulls version, it was my version.

2208
02:16:01,960 --> 02:16:04,560
Speaker 1: I think you had two verses. I had two verses.

2209
02:16:05,120 --> 02:16:08,560
Speaker 1: But Yankee or the pet Powers that be cut it

2210
02:16:08,600 --> 02:16:11,400
Speaker 1: down to you having the verse Little John, and then

2211
02:16:11,440 --> 02:16:14,400
Speaker 1: I having the as verse. But I looked at it

2212
02:16:14,480 --> 02:16:19,160
Speaker 1: on serious Satellite and they just erased my name. It's cool.

2213
02:16:19,240 --> 02:16:23,080
Speaker 1: I'm so glad, I'm up in life like I'm so Golod.

2214
02:16:23,400 --> 02:16:30,320
Speaker 1: But if I want, if you I looked at my listen, listen,

2215
02:16:30,400 --> 02:16:37,680
Speaker 1: you don't get publishing if that happens. But what I'm

2216
02:16:37,680 --> 02:16:40,920
Speaker 1: saying is I don't know what's going on. I just

2217
02:16:41,080 --> 02:16:43,720
Speaker 1: never seen that. Just exited me out the record but

2218
02:16:43,879 --> 02:16:46,840
Speaker 1: left me on the record, and I don't understand. Okay,

2219
02:16:46,920 --> 02:16:49,680
Speaker 1: so let's take it from there. What the fuck? What

2220
02:16:50,160 --> 02:16:53,320
Speaker 1: you want? I'm so good at this shop. What do

2221
02:16:53,440 --> 02:16:56,880
Speaker 1: you want to stop from? You wanna stop me? All right? Yeah,

2222
02:16:56,879 --> 02:16:58,680
Speaker 1: we're talking about got Selena. I brought that up. You're

2223
02:16:58,680 --> 02:17:01,760
Speaker 1: talking about something off them. No, I'm talking about Selena.

2224
02:17:01,840 --> 02:17:03,840
Speaker 1: Well that's what it was. I thought I sign got Selena.

2225
02:17:04,120 --> 02:17:14,600
Speaker 1: Oh I really, I really, I really? Um um, So

2226
02:17:14,680 --> 02:17:18,240
Speaker 1: what happened? I thought? I don't know. I wanna go.

2227
02:17:18,680 --> 02:17:22,760
Speaker 1: I want to go pee and then come back my energy. Alright, cool,

2228
02:17:22,800 --> 02:17:26,160
Speaker 1: but don't nobody to talk about this about you passing

2229
02:17:26,240 --> 02:17:28,560
Speaker 1: that though. All right, this one, this is great, man.

2230
02:17:28,840 --> 02:17:32,600
Speaker 1: I'm sorry. Hold on home. Another thing we got to

2231
02:17:32,640 --> 02:17:34,960
Speaker 1: clear up. You know, I got a lot of heat

2232
02:17:35,040 --> 02:17:38,480
Speaker 1: over the Cuban Link ship on the mixtapes. Do you

2233
02:17:38,600 --> 02:17:42,240
Speaker 1: remember that? I know Teach has to remember. Yeah, we

2234
02:17:42,320 --> 02:17:44,640
Speaker 1: even got into some ship with them one night with them.

2235
02:17:45,000 --> 02:17:48,760
Speaker 1: But you remember I've been attributed to starting the whole ship. No,

2236
02:17:49,000 --> 02:17:51,680
Speaker 1: I didn't get that part. Maybe I should move because

2237
02:17:51,680 --> 02:17:54,920
Speaker 1: because Cuban Link and I was cool Cuban Link and

2238
02:17:54,959 --> 02:17:59,040
Speaker 1: I'm cool Link. Um, we haven't talked, but I'm cool

2239
02:17:59,240 --> 02:18:02,280
Speaker 1: since he did the joint this and he dissed you,

2240
02:18:02,520 --> 02:18:05,160
Speaker 1: and I think, not just you, I think, And then

2241
02:18:05,200 --> 02:18:06,840
Speaker 1: I told you because I felt obligate. I'm like, I'm

2242
02:18:06,840 --> 02:18:09,360
Speaker 1: not gonna put this on a mixtape and I'll let

2243
02:18:09,400 --> 02:18:11,400
Speaker 1: you know. But he just dissed you on a like

2244
02:18:11,760 --> 02:18:15,080
Speaker 1: in in the like a part of a verse. I

2245
02:18:15,280 --> 02:18:17,720
Speaker 1: let you know. You did the whole track on the

2246
02:18:17,800 --> 02:18:22,560
Speaker 1: homie Yeah, put it on the mixtape. It's like, yeah,

2247
02:18:22,600 --> 02:18:24,360
Speaker 1: that was. To be honest with you, man, that was.

2248
02:18:26,200 --> 02:18:27,879
Speaker 1: And when you say you're young, dumb and fuller, come

2249
02:18:27,959 --> 02:18:31,959
Speaker 1: what I'm saying, and in too, and it goes back

2250
02:18:32,000 --> 02:18:34,240
Speaker 1: to when I said earlier, like, man, I don't batter

2251
02:18:34,320 --> 02:18:37,080
Speaker 1: rappers a batter companies, let's just say. And at that

2252
02:18:37,240 --> 02:18:40,880
Speaker 1: point that situation looked like an opportunity to me, and

2253
02:18:41,000 --> 02:18:42,880
Speaker 1: it was wrong on my behalf. They'll be honest with you,

2254
02:18:43,040 --> 02:18:44,640
Speaker 1: And I wonder if it was wrong on my behalf

2255
02:18:44,720 --> 02:18:47,200
Speaker 1: to I mean, I felt like I was him, but

2256
02:18:47,280 --> 02:18:50,440
Speaker 1: I was obligated also to my homie from from but

2257
02:18:50,560 --> 02:18:52,560
Speaker 1: he had he had some some boys down here that

2258
02:18:52,640 --> 02:18:56,160
Speaker 1: we're part of a certain organization or whatever running around

2259
02:18:56,200 --> 02:18:58,320
Speaker 1: in the whole nine. And but at that at that

2260
02:18:58,400 --> 02:19:00,680
Speaker 1: point of be honest with that was just me being

2261
02:19:01,840 --> 02:19:04,000
Speaker 1: and money. I wrote that and win with I wrote

2262
02:19:04,000 --> 02:19:05,320
Speaker 1: that right here in the house I used just staying

2263
02:19:06,400 --> 02:19:10,560
Speaker 1: and just being a chess player at that point. But

2264
02:19:10,680 --> 02:19:13,480
Speaker 1: I have a lot of love for what Cuman Links

2265
02:19:13,560 --> 02:19:17,959
Speaker 1: did on the Terror Squad album. What he didn't know. Yeah,

2266
02:19:18,720 --> 02:19:21,200
Speaker 1: so what I'm saying, what what even the way you

2267
02:19:21,240 --> 02:19:25,920
Speaker 1: wrapped those ship in the hand for a Cuban kid,

2268
02:19:26,000 --> 02:19:27,879
Speaker 1: what he was doing and rolling with punting all that day,

2269
02:19:28,760 --> 02:19:30,760
Speaker 1: it was huge. So from from my part being a

2270
02:19:30,840 --> 02:19:33,040
Speaker 1: young but just trying to get in the game, that's

2271
02:19:33,040 --> 02:19:35,480
Speaker 1: what that was. But there was a certain form of

2272
02:19:35,520 --> 02:19:38,199
Speaker 1: admiration and respect, like damn, because not for not cumick

2273
02:19:38,320 --> 02:19:43,640
Speaker 1: spit you know way you put words exactly so that

2274
02:19:44,000 --> 02:19:47,600
Speaker 1: for me being a young buck, it was, like I said,

2275
02:19:47,600 --> 02:19:50,360
Speaker 1: a form a form of disrespect, but a form of

2276
02:19:50,440 --> 02:19:54,960
Speaker 1: competition at the same time. And now, looking in hindsight,

2277
02:19:55,160 --> 02:19:58,320
Speaker 1: let's just say, you know, it was the wrong move.

2278
02:19:58,400 --> 02:20:00,440
Speaker 1: We should have been bringing each other up instead of

2279
02:20:00,520 --> 02:20:03,680
Speaker 1: trying to hit each other. It's always the case, exactly

2280
02:20:03,800 --> 02:20:05,560
Speaker 1: at the time. But you know, hip hop is based

2281
02:20:05,600 --> 02:20:08,600
Speaker 1: on competition. Who can spit better, Who's doing this, who's

2282
02:20:08,640 --> 02:20:10,760
Speaker 1: doing that better? He was just talking about what he

2283
02:20:10,800 --> 02:20:13,600
Speaker 1: went through with That was your problem. You did that.

2284
02:20:14,120 --> 02:20:15,920
Speaker 1: You think a ghost just went there for the dam

2285
02:20:17,080 --> 02:20:23,600
Speaker 1: what you're saying, I think the coast little everybody. So yeah,

2286
02:20:24,040 --> 02:20:25,600
Speaker 1: hold on, let me hold on, get mother on, let

2287
02:20:25,640 --> 02:20:31,960
Speaker 1: me get come on, let's do it to to all

2288
02:20:32,000 --> 02:20:33,640
Speaker 1: of the terrorist squad and all of them that came up.

2289
02:20:33,640 --> 02:20:36,200
Speaker 1: They opened a lot of doors, falling us shut up

2290
02:20:37,120 --> 02:20:39,920
Speaker 1: rest in piece of big plan with ship probably one

2291
02:20:39,959 --> 02:20:43,560
Speaker 1: of the best big upsipe of shals. I like that,

2292
02:20:44,840 --> 02:20:53,240
Speaker 1: even yeah one first dudes, and to break those barriers, man. Okay,

2293
02:20:53,320 --> 02:20:57,199
Speaker 1: So one day I don't know where this is. Story

2294
02:20:57,280 --> 02:21:00,640
Speaker 1: is gonna go music. But I'm be you're talking about

2295
02:21:00,640 --> 02:21:03,920
Speaker 1: I got to sign a bubble exactly. I'm good at

2296
02:21:03,959 --> 02:21:05,680
Speaker 1: my job. Thank you. How are you working? My friend?

2297
02:21:07,120 --> 02:21:09,600
Speaker 1: So one day I used to hang out with you

2298
02:21:09,720 --> 02:21:14,480
Speaker 1: guys a lot. Both of you guys. You know I'm

2299
02:21:14,680 --> 02:21:18,520
Speaker 1: crazy hood go to Donna sign Now I thought I

2300
02:21:18,560 --> 02:21:22,920
Speaker 1: sign him I'm black. Now you gotta get the I'm black.

2301
02:21:26,720 --> 02:21:30,960
Speaker 1: Just let me just said, this is a drunk fact story.

2302
02:21:31,080 --> 02:21:37,400
Speaker 1: He's telling his story. His story, His story got him

2303
02:21:37,400 --> 02:21:42,320
Speaker 1: all right. Let me say my way. By the way,

2304
02:21:43,160 --> 02:21:44,680
Speaker 1: I know you. You were here with your wife, and

2305
02:21:44,840 --> 02:21:47,920
Speaker 1: I'm married. So I was gonna be very careful how

2306
02:21:47,959 --> 02:21:50,080
Speaker 1: to describe the story. But I'm also going to tell

2307
02:21:50,080 --> 02:21:52,640
Speaker 1: you the truth. She tells. She good. Shout out to

2308
02:21:52,720 --> 02:21:56,520
Speaker 1: my baby man good. This is the first club. I

2309
02:21:56,600 --> 02:21:58,840
Speaker 1: did not know what was going on. I just walked

2310
02:21:58,879 --> 02:22:09,200
Speaker 1: in and just say get that, damn her. I don't

2311
02:22:09,480 --> 02:22:15,000
Speaker 1: blocking tricks. The y'all don't have no idea what's going

2312
02:22:16,360 --> 02:22:19,039
Speaker 1: I have an idea. What's going? Me? Me? I come

2313
02:22:19,160 --> 02:22:25,280
Speaker 1: from New York. Don't put it on York, what will right?

2314
02:22:27,440 --> 02:22:31,080
Speaker 1: Don't fall I'm from New York and I'm like, okay,

2315
02:22:32,000 --> 02:22:36,920
Speaker 1: and then I don't know how to say this because

2316
02:22:36,920 --> 02:22:39,760
Speaker 1: I definitely want to go home. You definitely want to

2317
02:22:39,760 --> 02:22:43,200
Speaker 1: go home. I'll definitely do you know, she's really I

2318
02:22:43,280 --> 02:22:47,560
Speaker 1: want to sleep in the bed. But some of the

2319
02:22:48,000 --> 02:22:53,480
Speaker 1: most extraordinary people in the world. I don't even know

2320
02:22:53,560 --> 02:23:00,879
Speaker 1: where you're going. What is he talking about? The baddest

2321
02:23:00,959 --> 02:23:10,240
Speaker 1: chicks in the world. All right, So I didn't stay right,

2322
02:23:10,920 --> 02:23:14,000
Speaker 1: So I'm like this, y'all, I'm coming from I'm coming

2323
02:23:14,000 --> 02:23:17,760
Speaker 1: from club room Box. I'm coming from Latin Quarters. They

2324
02:23:17,800 --> 02:23:20,320
Speaker 1: don't do this. We have fund Lane. I have fund

2325
02:23:20,400 --> 02:23:25,000
Speaker 1: Lane Quarters. They don't. But yeah, right, but I have

2326
02:23:25,080 --> 02:23:30,720
Speaker 1: my funds like funny Sue though. Okay, but listen, this

2327
02:23:30,800 --> 02:23:33,320
Speaker 1: is the reason why I'm throwing off about the town

2328
02:23:33,360 --> 02:23:36,600
Speaker 1: of Saana because it's not a strip club. This is

2329
02:23:37,280 --> 02:23:40,760
Speaker 1: even a strip club. No, this is this is this

2330
02:23:41,000 --> 02:23:44,320
Speaker 1: is how you call it? Yo? So this do you? Right? People?

2331
02:23:44,400 --> 02:23:54,800
Speaker 1: Right there? You be people, you'll be here. What's good?

2332
02:23:55,760 --> 02:24:05,800
Speaker 1: Let's take but they so yo, So mind you, this

2333
02:24:05,920 --> 02:24:07,920
Speaker 1: is a strip club. I would have been like, this

2334
02:24:08,080 --> 02:24:11,720
Speaker 1: is the remix story. No, this is great. So I'm

2335
02:24:11,760 --> 02:24:15,960
Speaker 1: addicted to this. Mind you I'm going on heavy Sunday

2336
02:24:16,200 --> 02:24:19,440
Speaker 1: religious to you. We're doing shows there time I was

2337
02:24:19,480 --> 02:24:23,959
Speaker 1: doing three shows. I was going clo cloth everywhere. Free,

2338
02:24:27,280 --> 02:24:33,200
Speaker 1: come and get slipping berth. No, this is before men

2339
02:24:33,240 --> 02:24:37,840
Speaker 1: were white. Please, I'm so clear. This great. Get another shot.

2340
02:24:38,120 --> 02:24:54,680
Speaker 1: Nobody get said. It's one night. See if I don't so,

2341
02:24:54,800 --> 02:24:57,240
Speaker 1: it's one night. Oh my god, this is the longest

2342
02:24:57,320 --> 02:25:05,160
Speaker 1: fucking night ever. Nish there, Oh my god, teas there.

2343
02:25:06,120 --> 02:25:09,800
Speaker 1: I'm the New York guy. I just go on there,

2344
02:25:09,920 --> 02:25:14,640
Speaker 1: keep that's all you're doing. That's I don't even come. No,

2345
02:25:18,280 --> 02:25:26,240
Speaker 1: all the girls cass and then you two guys arguing.

2346
02:25:26,720 --> 02:25:28,960
Speaker 1: We weren't arguing that night. Bro felt like it was

2347
02:25:29,440 --> 02:25:33,240
Speaker 1: was whose feadels? And right here man the guy his

2348
02:25:33,360 --> 02:25:39,600
Speaker 1: brother for like chack up and had a problem at

2349
02:25:39,640 --> 02:25:46,119
Speaker 1: that very moment. No, no, that's passionate. Yeah. See if

2350
02:25:46,160 --> 02:25:49,760
Speaker 1: you tie Cuban's hands behind his back, we ain't talking nothing.

2351
02:25:49,800 --> 02:25:52,120
Speaker 1: Come on. Our mouth was to be like there no now,

2352
02:25:52,640 --> 02:25:58,720
Speaker 1: but if you do like this, I'm going to cloud

2353
02:25:59,640 --> 02:26:02,720
Speaker 1: and then like you think, but that's my way said,

2354
02:26:02,760 --> 02:26:04,280
Speaker 1: you won't have a drink, take a shot when you're

2355
02:26:04,280 --> 02:26:06,520
Speaker 1: going on ya going on? You know, I kind of

2356
02:26:06,560 --> 02:26:09,160
Speaker 1: see and did you you did not want to take

2357
02:26:09,160 --> 02:26:14,080
Speaker 1: a drink at that time. That's fine, you're saying, yes,

2358
02:26:14,480 --> 02:26:18,720
Speaker 1: I believed I watched it. I just I was like,

2359
02:26:18,840 --> 02:26:21,680
Speaker 1: the only reason it got brought because he brings us

2360
02:26:21,760 --> 02:26:24,160
Speaker 1: up a lot in dream chaps. I loved it. Me

2361
02:26:24,240 --> 02:26:25,720
Speaker 1: and you were we had a show I think in

2362
02:26:25,800 --> 02:26:29,520
Speaker 1: Fort Myers. Well you used performing and Guarci opened up. Okay,

2363
02:26:30,080 --> 02:26:31,640
Speaker 1: and then we went back. It was in your room,

2364
02:26:31,680 --> 02:26:33,840
Speaker 1: hanging out with a bunch of people, and we got

2365
02:26:33,879 --> 02:26:40,160
Speaker 1: in the heated Cuban political drunk crazy as we always

2366
02:26:40,200 --> 02:26:42,760
Speaker 1: do right right in any Cuban families. But it ended

2367
02:26:42,920 --> 02:26:46,160
Speaker 1: terribly like we were like everybody that's mad. And the

2368
02:26:46,240 --> 02:26:48,119
Speaker 1: next time my sight was with him and I thought

2369
02:26:48,160 --> 02:26:51,600
Speaker 1: I saw but actually it was mad who he was

2370
02:26:51,680 --> 02:26:53,720
Speaker 1: like yo, Like we were both like yo, that was

2371
02:26:53,800 --> 02:26:56,480
Speaker 1: sucked up. But I thought it was so political cast

2372
02:26:57,360 --> 02:26:59,360
Speaker 1: But you want to remember, man, when our families come

2373
02:26:59,440 --> 02:27:03,840
Speaker 1: from me, people take everything serious. I was like, keep

2374
02:27:03,879 --> 02:27:13,800
Speaker 1: the teller, road the road, shout ship, y'all this before

2375
02:27:13,840 --> 02:27:17,400
Speaker 1: my wife, This is what sends my camera before my wife.

2376
02:27:17,800 --> 02:27:19,800
Speaker 1: I've never been just down to sauna. In fact, she

2377
02:27:19,840 --> 02:27:21,920
Speaker 1: came to me one time she said, you're never coming back.

2378
02:27:23,760 --> 02:27:25,680
Speaker 1: I've never been back since. But I thought, I sign

2379
02:27:25,720 --> 02:27:27,600
Speaker 1: I ain't then no more. But you're gonna go to

2380
02:27:27,640 --> 02:27:33,040
Speaker 1: the right of the block. Not a velvet bulletpart is

2381
02:27:33,040 --> 02:27:35,119
Speaker 1: on the other side of the town. Yeah, I'm thirty six,

2382
02:27:35,160 --> 02:27:39,200
Speaker 1: but I'm twenty seven Dominican style. And then you got

2383
02:27:39,240 --> 02:27:47,360
Speaker 1: deeper and keep me going before I meant my wife,

2384
02:27:47,440 --> 02:27:49,240
Speaker 1: let me just look at the camera and just focus

2385
02:27:49,320 --> 02:27:51,440
Speaker 1: on that part. Now, you know what? You know what

2386
02:27:51,560 --> 02:27:53,520
Speaker 1: the velvet is though, No, I don't know what the

2387
02:27:53,600 --> 02:28:02,880
Speaker 1: velvet swings. Yeah, trying to side thinking he's a nemer.

2388
02:28:03,440 --> 02:28:07,840
Speaker 1: He you know what? Only explain, dude, Look with glasses

2389
02:28:07,959 --> 02:28:10,160
Speaker 1: like that, how is he not a You got white glasses?

2390
02:28:10,680 --> 02:28:13,480
Speaker 1: You used to dog? Do you involved with swingers? You

2391
02:28:14,440 --> 02:28:19,840
Speaker 1: gotither either? Man? You either? Daddy ain't your motherfucker heard

2392
02:28:19,920 --> 02:28:23,480
Speaker 1: you hustle? Now? So so how is your relationship with daddy?

2393
02:28:23,480 --> 02:28:26,920
Speaker 1: Ain't you? Yeah? Great man? Yeah? Men, yankee, I got

2394
02:28:26,959 --> 02:28:29,920
Speaker 1: a great relationship man, and and I went through ups

2395
02:28:29,959 --> 02:28:32,600
Speaker 1: and downs throughout everything. Mind you. First of all, I

2396
02:28:32,640 --> 02:28:36,200
Speaker 1: wants to stop with or ending with me and I Finn.

2397
02:28:36,240 --> 02:28:38,440
Speaker 1: We're talking about between our culture. I can say I

2398
02:28:38,480 --> 02:28:41,120
Speaker 1: don't tom out of here. I't that's kind of what

2399
02:28:41,240 --> 02:28:45,279
Speaker 1: you did that. Yeah, you did it to My grandma

2400
02:28:45,360 --> 02:28:51,000
Speaker 1: was like, Mom, Yeah, that's that's what that's what I took.

2401
02:28:51,800 --> 02:28:54,280
Speaker 1: You got you and you actually apologize when we met,

2402
02:28:54,320 --> 02:28:57,720
Speaker 1: when we saw each other. I don't like saying I

2403
02:28:57,800 --> 02:28:59,440
Speaker 1: sit on your mother, but like sucking around you know

2404
02:28:59,440 --> 02:29:01,920
Speaker 1: what I mean? That ain't should like suck my dick

2405
02:29:01,959 --> 02:29:05,680
Speaker 1: though that's not your mother. Yeah, that's kind of way.

2406
02:29:06,200 --> 02:29:11,480
Speaker 1: My grandmother you to New York is like your that's like, yeah,

2407
02:29:12,040 --> 02:29:16,240
Speaker 1: you're like, you'll suck my dick. Dude, what do you

2408
02:29:16,320 --> 02:29:19,040
Speaker 1: get yours on? What kind of text exactly? You know

2409
02:29:19,080 --> 02:29:21,720
Speaker 1: what I'm saying. So then, for out of all that's

2410
02:29:21,760 --> 02:29:23,800
Speaker 1: the most days now. But we were talking to a

2411
02:29:23,800 --> 02:29:30,320
Speaker 1: little ship in your business doing and you do squared

2412
02:29:30,400 --> 02:29:35,880
Speaker 1: off in the middle of square off facts. But yeah,

2413
02:29:37,080 --> 02:29:40,320
Speaker 1: look for four years of dream chat. He stops to say,

2414
02:29:40,600 --> 02:29:42,680
Speaker 1: you know, your fam was about to fight pitbull, right,

2415
02:29:43,640 --> 02:29:47,400
Speaker 1: brost happened, all right, all right, leaving it at all

2416
02:29:48,680 --> 02:29:51,080
Speaker 1: but the only works good though. The person that was

2417
02:29:51,160 --> 02:29:54,320
Speaker 1: the most confused was you were definitely most confused. I

2418
02:29:54,440 --> 02:29:56,960
Speaker 1: was confused at what we were talking about. You know

2419
02:29:57,400 --> 02:30:00,680
Speaker 1: little what I'll say, these guys are drunk. Now. We

2420
02:30:01,480 --> 02:30:05,960
Speaker 1: just got that Tiler was so yeah, no guya Bors

2421
02:30:06,959 --> 02:30:10,280
Speaker 1: was the bors is scared. He was scared. You were scared,

2422
02:30:10,320 --> 02:30:13,680
Speaker 1: Like what was gonna happen up? They dare to take

2423
02:30:14,000 --> 02:30:17,680
Speaker 1: dragging me after and say hit my hand no, and

2424
02:30:17,800 --> 02:30:23,960
Speaker 1: I call it like, i't t I come off. But

2425
02:30:24,040 --> 02:30:25,560
Speaker 1: he's just funny because he brings it up in a

2426
02:30:25,640 --> 02:30:28,880
Speaker 1: different way. It's a funny joking. But this guy games

2427
02:30:28,920 --> 02:30:31,160
Speaker 1: to getting you already, see you guys, the day room

2428
02:30:31,200 --> 02:30:38,280
Speaker 1: guy on the rock shot. Let's go on. I'll take

2429
02:30:38,320 --> 02:30:39,600
Speaker 1: one more shot and then I got to clear it.

2430
02:30:40,000 --> 02:30:41,960
Speaker 1: But you said, yall like I got a couple of

2431
02:30:42,040 --> 02:30:45,320
Speaker 1: let me go to two or three years. Bro, you

2432
02:30:45,400 --> 02:30:48,880
Speaker 1: said you copley Grid, I ain't gonna you you have

2433
02:30:49,000 --> 02:30:53,760
Speaker 1: shotted drinking game. I got introduced it funny teach. We

2434
02:30:53,800 --> 02:30:59,360
Speaker 1: need you to side quick time and slot t slob.

2435
02:30:59,800 --> 02:31:02,880
Speaker 1: I'm We're ready on whatever you want to drink. We

2436
02:31:02,959 --> 02:31:04,840
Speaker 1: need have a shot with you. Man, Teach, come on,

2437
02:31:04,920 --> 02:31:08,160
Speaker 1: you know you're part of this history. Yeah, let's go on,

2438
02:31:08,240 --> 02:31:10,880
Speaker 1: y'all A chair, A quick your quick time and slow.

2439
02:31:10,959 --> 02:31:14,320
Speaker 1: I got I gotta quick Craig when that's a different story.

2440
02:31:15,320 --> 02:31:18,800
Speaker 1: A christ you want this, pitt? You want you ain't

2441
02:31:18,800 --> 02:31:22,360
Speaker 1: don't kiss? Come on fuit time side already like to

2442
02:31:22,440 --> 02:31:28,280
Speaker 1: keep the white you want to look up? Get this

2443
02:31:29,680 --> 02:31:33,280
Speaker 1: all right, let's do it. I'm in my shots. Fo yo,

2444
02:31:33,520 --> 02:31:48,360
Speaker 1: go nigh. It's good. Family, your family. Let too many?

2445
02:31:48,480 --> 02:31:54,600
Speaker 1: You all right? Said? Are you ready? Pet tea sit down, bro,

2446
02:31:54,720 --> 02:31:57,080
Speaker 1: come on a little bit man, we're gonna go to

2447
02:31:57,120 --> 02:31:59,280
Speaker 1: the world Citi's house, all right, right now? A right,

2448
02:31:59,320 --> 02:32:03,200
Speaker 1: pitt when you're gonna get you a couple of questions

2449
02:32:04,320 --> 02:32:06,200
Speaker 1: and you just you just you just shoot it out.

2450
02:32:06,280 --> 02:32:11,080
Speaker 1: Whatchever one you want? All right? Pause? You're ready? And

2451
02:32:11,200 --> 02:32:19,120
Speaker 1: this is called quick time? What's Slim's seven? What's it

2452
02:32:19,200 --> 02:32:21,520
Speaker 1: called the game back? Quick time with Slim? Just pick

2453
02:32:21,640 --> 02:32:24,000
Speaker 1: one quick time with Slammer's right. It doesn't matter who

2454
02:32:24,160 --> 02:32:29,039
Speaker 1: you pick. Just pick one two options. Okay, Yeah, you're

2455
02:32:29,080 --> 02:32:41,480
Speaker 1: ready taking the beef teacher, Well he's sitting there. He

2456
02:32:41,560 --> 02:32:50,879
Speaker 1: got the answer. You hear my dogs. But your family

2457
02:32:51,000 --> 02:32:58,280
Speaker 1: right now, okay, Daddy ain't get Nicky jams Yank, Nicki Minas,

2458
02:32:58,360 --> 02:33:03,120
Speaker 1: Cardi b Cardi b is jay Z. That's a tough

2459
02:33:06,080 --> 02:33:09,680
Speaker 1: that's a tough one, boy, damn it. Man. The first

2460
02:33:09,760 --> 02:33:11,600
Speaker 1: tape that put me on the game was zill Manic,

2461
02:33:11,640 --> 02:33:17,160
Speaker 1: So I gotta go with Nas especially that like a bit.

2462
02:33:17,520 --> 02:33:19,520
Speaker 1: I gotta actually go with a z that versus the

2463
02:33:20,800 --> 02:33:28,360
Speaker 1: versus hazy. But he said, hey listen, when that motherfucker

2464
02:33:28,440 --> 02:33:31,320
Speaker 1: said was the baddest. The person status depends on salary

2465
02:33:31,400 --> 02:33:34,600
Speaker 1: and my mentality. It's money orientated and that's really the

2466
02:33:34,720 --> 02:33:36,720
Speaker 1: dream for my piece. Have never made it because yeah,

2467
02:33:36,840 --> 02:33:39,120
Speaker 1: we were beginnings in the hoods Fopper seen us for

2468
02:33:39,240 --> 02:33:41,280
Speaker 1: something must go in this because all of us turn

2469
02:33:41,360 --> 02:33:47,120
Speaker 1: to sinners. I don't know what happened, chance please and

2470
02:33:47,760 --> 02:33:50,080
Speaker 1: even no, I'll tell you what do so now I

2471
02:33:50,120 --> 02:33:51,440
Speaker 1: wrote with you you want to go back to your

2472
02:33:53,280 --> 02:33:56,039
Speaker 1: when we get back there, it is Tony Robins, though

2473
02:33:56,520 --> 02:33:59,600
Speaker 1: I'm gonna do what you do right now. Nas had

2474
02:33:59,640 --> 02:34:01,520
Speaker 1: a line in there that changed my life when he

2475
02:34:01,600 --> 02:34:03,400
Speaker 1: said I gotta say a little bit of his say,

2476
02:34:03,440 --> 02:34:05,720
Speaker 1: I got my first piece of as smoking blunts with hats.

2477
02:34:05,959 --> 02:34:08,560
Speaker 1: Now it's all about cash and abundant sniggers. I used

2478
02:34:08,560 --> 02:34:11,800
Speaker 1: to run with this rich hundreds. I switched my model

2479
02:34:12,040 --> 02:34:15,160
Speaker 1: instead of saying fun tomorrow, that but the bottle could

2480
02:34:15,200 --> 02:34:18,480
Speaker 1: have struck the little that changed my life like this,

2481
02:34:19,120 --> 02:34:21,119
Speaker 1: So yeah, I gotta go with not even though Jay

2482
02:34:21,240 --> 02:34:25,879
Speaker 1: got something ja yes, sir, yeah, yeah, yeah, yeah, that's

2483
02:34:25,879 --> 02:34:27,840
Speaker 1: a fuck you man. That was a tough one. Dog.

2484
02:34:29,840 --> 02:34:32,200
Speaker 1: You got through some tricking them too, man. Yeah, trickers

2485
02:34:32,200 --> 02:34:37,840
Speaker 1: are j Z got in Miami sitting there? Uh are

2486
02:34:37,879 --> 02:34:41,120
Speaker 1: you calling track? You know next time we gotta do

2487
02:34:41,160 --> 02:34:45,040
Speaker 1: it with trick everybody in Miami. Oh no, I got more.

2488
02:34:45,080 --> 02:34:48,280
Speaker 1: I got more and j T money j got a

2489
02:34:48,320 --> 02:34:50,080
Speaker 1: big line that changed my life too when he say

2490
02:34:51,120 --> 02:34:54,000
Speaker 1: if your clicks Richard clicks rugged no want to funds everybody,

2491
02:34:55,480 --> 02:34:59,360
Speaker 1: jay Z, j T and then you go to he

2492
02:34:59,440 --> 02:35:02,560
Speaker 1: said j T money Ship. He was saying jay Z

2493
02:35:02,840 --> 02:35:06,440
Speaker 1: and damn got look we got we got, we gotta

2494
02:35:06,440 --> 02:35:12,120
Speaker 1: motherfucking pit ball here. That that's motherfucking you don't know

2495
02:35:12,160 --> 02:35:26,560
Speaker 1: who that's all that's yours. Let that right now, ship,

2496
02:35:27,760 --> 02:35:30,640
Speaker 1: God bless my friend. I would just quoting some of

2497
02:35:30,720 --> 02:35:34,680
Speaker 1: your ship. Man. It changed my life. Come onto the phone,

2498
02:35:36,440 --> 02:35:39,160
Speaker 1: look at me different the bottom cause it's struck. The

2499
02:35:39,200 --> 02:35:45,720
Speaker 1: lotto changed my life. I appreciate your one, and you know, wow, man,

2500
02:35:46,720 --> 02:35:49,560
Speaker 1: this is fucking this not see this is why you

2501
02:35:53,520 --> 02:35:59,600
Speaker 1: come on. That's amazing. I called people wh you picked

2502
02:35:59,680 --> 02:36:01,960
Speaker 1: up damn it and we love y'all. That's James, don't

2503
02:36:02,400 --> 02:36:35,320
Speaker 1: y'all everybody said everywhere that loves to very don't come

2504
02:36:35,400 --> 02:36:45,040
Speaker 1: on catching the queen fast. We went and I was

2505
02:36:45,200 --> 02:36:48,640
Speaker 1: and I was ship, I got and I was dead

2506
02:36:48,720 --> 02:36:51,119
Speaker 1: and ju long club When you and when when when

2507
02:36:51,160 --> 02:36:53,480
Speaker 1: that kind of like right when y'all really got back

2508
02:36:53,560 --> 02:36:56,280
Speaker 1: to be cool cool? I was dead, it was already cool.

2509
02:36:56,520 --> 02:36:58,320
Speaker 1: I was happy you're trying to drop with me and

2510
02:36:58,879 --> 02:37:08,920
Speaker 1: was happy. So happen. It was like seventy eight percent queens.

2511
02:37:09,160 --> 02:37:12,760
Speaker 1: It was seventy eight percent queens. Cool cool. Now it

2512
02:37:12,920 --> 02:37:18,160
Speaker 1: wasn't FaceTime cool. I promised you that. No in July. No,

2513
02:37:18,600 --> 02:37:21,840
Speaker 1: that's done already. I'm already. I'm already listen, I'm saying

2514
02:37:21,879 --> 02:37:25,720
Speaker 1: cool cool cool. You don't understand already, cats, I heard

2515
02:37:25,760 --> 02:37:38,600
Speaker 1: you checks this mas hey man, you're Cuban ship. You're

2516
02:37:38,640 --> 02:37:43,119
Speaker 1: gonna stop this ship and it's black table to English.

2517
02:37:43,240 --> 02:37:46,480
Speaker 1: Not everybody could call Not everybody could call it. Now,

2518
02:37:47,560 --> 02:37:55,560
Speaker 1: that's take, that's rude. Not everybody could just missed the

2519
02:37:55,600 --> 02:38:02,760
Speaker 1: worldwide brother, I did the scirl was like I didn't finish.

2520
02:38:03,400 --> 02:38:11,199
Speaker 1: I did know your time. You want to come Anthony,

2521
02:38:11,240 --> 02:38:14,640
Speaker 1: He'll pick up and telling you guys will go kin.

2522
02:38:17,720 --> 02:38:19,800
Speaker 1: You has pictures and a penny in the pocket. Bro,

2523
02:38:20,280 --> 02:38:26,200
Speaker 1: a little bit guy and pities too. Come on, tell

2524
02:38:26,240 --> 02:38:34,080
Speaker 1: them we got closet your body, close body, somebody BlackBerry

2525
02:38:34,120 --> 02:38:37,119
Speaker 1: can't talk too many paper and you don't even got

2526
02:38:37,200 --> 02:38:40,400
Speaker 1: FaceTime on. I feel like you're black. You're sucking Mary.

2527
02:38:40,760 --> 02:38:42,800
Speaker 1: I thought I want to give FaceTime. I don't be

2528
02:38:42,879 --> 02:38:49,920
Speaker 1: on FaceTime. Big difference. I respect that. So that back

2529
02:38:49,920 --> 02:38:57,160
Speaker 1: to the slamming Graham, No, I killed that fund a

2530
02:38:57,200 --> 02:39:00,320
Speaker 1: lot of fun. Can't you know you're got to come

2531
02:39:00,360 --> 02:39:05,519
Speaker 1: on my seat? Now? You got digital? Yeah, the past.

2532
02:39:05,640 --> 02:39:07,520
Speaker 1: I see the secret in the sauce, in the formula.

2533
02:39:07,640 --> 02:39:11,760
Speaker 1: Y'all we got you. We should give you that. He

2534
02:39:11,760 --> 02:39:13,640
Speaker 1: should be what us, bro, that's what I might do.

2535
02:39:13,760 --> 02:39:17,440
Speaker 1: I might all right, come here, y'all you got to

2536
02:39:17,520 --> 02:39:24,080
Speaker 1: heat here. He's in you're doing different? Yeah, we lit LiTi.

2537
02:39:24,600 --> 02:39:27,000
Speaker 1: What are you talking about? Bro? We could be anyway

2538
02:39:27,040 --> 02:39:30,080
Speaker 1: you want us to be here. He wants to go

2539
02:39:30,120 --> 02:39:35,000
Speaker 1: to Brazil. Your love good un to stand. We got

2540
02:39:35,080 --> 02:39:41,520
Speaker 1: seven candis from the hood here Yeah, that's the squad

2541
02:39:42,120 --> 02:39:44,280
Speaker 1: and they all hired from a drink chance. That makes

2542
02:39:44,280 --> 02:39:48,960
Speaker 1: it look we got to let it come on, We

2543
02:39:49,120 --> 02:39:58,320
Speaker 1: printed ourselves. We prent it ourselves from that one. Yeah,

2544
02:40:00,000 --> 02:40:09,400
Speaker 1: don't need to say this word. Alright, let's take that's

2545
02:40:09,440 --> 02:40:12,720
Speaker 1: where everybody got their chops. Yeah, that's y'all version of

2546
02:40:12,840 --> 02:40:16,240
Speaker 1: the Portugian Parade. I think y'all's bigger version of the

2547
02:40:16,320 --> 02:40:19,480
Speaker 1: Que of the Yeah, it's big goals too far. I'm

2548
02:40:19,560 --> 02:40:25,160
Speaker 1: kind of bad. I think first, I think nothing about

2549
02:40:25,160 --> 02:40:30,000
Speaker 1: the first. Maybe I'm doing I get your ship because

2550
02:40:30,000 --> 02:40:37,680
Speaker 1: the horst we did both on this on the float, right,

2551
02:40:39,360 --> 02:40:41,240
Speaker 1: don't put we can pad you do you can go

2552
02:40:41,360 --> 02:40:47,720
Speaker 1: to parade. We have that. Also, whatever is one point

2553
02:40:47,800 --> 02:40:51,360
Speaker 1: two million people from twenty seventh to fifth half, so

2554
02:40:51,520 --> 02:40:55,480
Speaker 1: between twenty five blocks, you got one point two million

2555
02:40:55,520 --> 02:40:58,080
Speaker 1: people on each block you have so will be seven

2556
02:40:58,080 --> 02:41:01,800
Speaker 1: twelve fast, seventeen fat a secondary the twenty seventh time

2557
02:41:02,040 --> 02:41:04,800
Speaker 1: where you have different stages, which I mean teachers right there.

2558
02:41:04,800 --> 02:41:10,360
Speaker 1: And every year there was an opportunity big, I see

2559
02:41:10,440 --> 02:41:16,000
Speaker 1: they know how. Let me win it, Miami winning. I'm

2560
02:41:16,000 --> 02:41:20,280
Speaker 1: gonna let you get this, get this all I'm saying

2561
02:41:20,360 --> 02:41:23,840
Speaker 1: that from Miami. At this point, I got you, but

2562
02:41:23,879 --> 02:41:29,680
Speaker 1: you're not a dish to Miami. You are Miami. He

2563
02:41:30,320 --> 02:41:40,360
Speaker 1: I do say, yeah, yeah, yeah, you leave, you leave

2564
02:41:40,400 --> 02:41:43,800
Speaker 1: this now. You never let never left unless you're even playing.

2565
02:41:44,920 --> 02:41:53,440
Speaker 1: But you batter. Not that the sound to make anybody sweitch.

2566
02:41:54,480 --> 02:41:59,000
Speaker 1: That's the issue. That was a crazy I thought that

2567
02:41:59,040 --> 02:42:03,680
Speaker 1: sounds fun. Holy you know, sorry, White don't know trust

2568
02:42:04,080 --> 02:42:07,720
Speaker 1: wife good? No, I do sign wife wife. He come

2569
02:42:07,800 --> 02:42:10,119
Speaker 1: with me? Me and wife. He put painting with bitches together.

2570
02:42:11,240 --> 02:42:17,280
Speaker 1: I'm not prepared for you here in the building. Pain

2571
02:42:17,320 --> 02:42:21,920
Speaker 1: When you say now we put painted with Yeah, yeah,

2572
02:42:22,280 --> 02:42:25,879
Speaker 1: she bring him to us. That's sounds like a good

2573
02:42:25,920 --> 02:42:33,720
Speaker 1: party's Yeah, she's used to she's tough like you. She

2574
02:42:33,879 --> 02:42:35,600
Speaker 1: from the Bronx. I don't got that type of party

2575
02:42:36,600 --> 02:42:38,360
Speaker 1: from the Bronx. Like you know you said you trust

2576
02:42:38,400 --> 02:42:44,280
Speaker 1: bron What where's my ship? Tyler? Sign me give me.

2577
02:42:44,320 --> 02:42:46,400
Speaker 1: I don't want to do that. I don't want to

2578
02:42:46,400 --> 02:42:49,560
Speaker 1: do that. Give me at I cant even walking. Yeah,

2579
02:42:49,720 --> 02:42:52,640
Speaker 1: don't want to enjoin you already three Yeah, I got

2580
02:42:52,720 --> 02:42:57,240
Speaker 1: like seventeen bro goddam, I got you brother God together nogether,

2581
02:42:58,000 --> 02:43:01,880
Speaker 1: he's he's almost out of here. I might say I

2582
02:43:02,120 --> 02:43:08,040
Speaker 1: love a man. People people showed up by itself the

2583
02:43:08,120 --> 02:43:15,080
Speaker 1: sixteen million, he's not himself. What I was, It's about

2584
02:43:15,200 --> 02:43:19,520
Speaker 1: yours and two two guys in two. I was in college, Bro,

2585
02:43:20,320 --> 02:43:23,280
Speaker 1: I might have played your song. What was the song?

2586
02:43:24,000 --> 02:43:27,240
Speaker 1: What was the song? Straight guy? It was? It was

2587
02:43:27,360 --> 02:43:29,960
Speaker 1: like it had a thunder dinner and dinner and the

2588
02:43:30,240 --> 02:43:33,600
Speaker 1: first song. I was right, what was it? Damn that

2589
02:43:34,200 --> 02:43:37,680
Speaker 1: listen to me at school in college. I'm not gonna

2590
02:43:37,760 --> 02:43:43,680
Speaker 1: hold you before you with high before wife. No, no,

2591
02:43:44,360 --> 02:43:46,680
Speaker 1: don't nothing to do a wife before a wife. You

2592
02:43:46,879 --> 02:43:50,000
Speaker 1: right now what I don't know me and wife? You

2593
02:43:50,040 --> 02:43:53,160
Speaker 1: start like been around since I was in since I

2594
02:43:53,240 --> 02:44:00,280
Speaker 1: was fifteen. Pick let me leave on my point. When

2595
02:44:00,320 --> 02:44:02,920
Speaker 1: I was in college, all I'm saying this, damn it, man,

2596
02:44:03,640 --> 02:44:07,080
Speaker 1: I didn't know what you were Cuban. I remember it

2597
02:44:07,160 --> 02:44:10,800
Speaker 1: was like, yo, I'm in college, Nick. All I knew

2598
02:44:10,959 --> 02:44:18,800
Speaker 1: was the record Bro, that real mean real ship and

2599
02:44:19,080 --> 02:44:21,160
Speaker 1: this is this is on my daughter. I was thinking

2600
02:44:21,200 --> 02:44:24,920
Speaker 1: about this before this. I was thinking about this four

2601
02:44:25,040 --> 02:44:28,120
Speaker 1: days ago about me in college, and I was like, damn,

2602
02:44:28,440 --> 02:44:30,840
Speaker 1: what got me through some of the like just being

2603
02:44:30,879 --> 02:44:34,200
Speaker 1: in college. What were some of the shout out of

2604
02:44:34,240 --> 02:44:37,520
Speaker 1: the Elm College at Springfield, Massachusetts. Yea, I think it

2605
02:44:37,640 --> 02:44:41,000
Speaker 1: took me off the gym a thousand points scorer ship

2606
02:44:41,680 --> 02:44:48,600
Speaker 1: since but my freshman though they did. But then you know,

2607
02:44:48,760 --> 02:44:51,160
Speaker 1: in the freshman you know you started, you go to

2608
02:44:51,240 --> 02:44:54,680
Speaker 1: college to learn, but then they get right to so

2609
02:44:55,160 --> 02:45:00,520
Speaker 1: but damn it man, I remember whatever I swear to you.

2610
02:45:00,680 --> 02:45:05,280
Speaker 1: I called me, I gotta give you this yo salute

2611
02:45:05,360 --> 02:45:08,680
Speaker 1: bro real ship because I played. I might have played

2612
02:45:08,720 --> 02:45:10,320
Speaker 1: that reck. I don't know what that was, but I

2613
02:45:11,600 --> 02:45:16,880
Speaker 1: played that record for about seven months, like like I

2614
02:45:16,959 --> 02:45:18,760
Speaker 1: could just play, play and play and play and play

2615
02:45:18,800 --> 02:45:22,080
Speaker 1: and played play that record. Why you never did nothing

2616
02:45:22,200 --> 02:45:26,000
Speaker 1: like that record again? Like Conda, So dammon man, was

2617
02:45:26,040 --> 02:45:27,640
Speaker 1: a record actually came out of here. I used to

2618
02:45:27,720 --> 02:45:30,080
Speaker 1: hang out and over town with Piccolo on third half.

2619
02:45:31,560 --> 02:45:33,440
Speaker 1: So anytime that one of the guys that with his

2620
02:45:33,520 --> 02:45:36,320
Speaker 1: name is Ron, they would see a old school shiping pack.

2621
02:45:36,680 --> 02:45:38,840
Speaker 1: The man say a bitch with a fat as damn

2622
02:45:38,879 --> 02:45:42,039
Speaker 1: it many, damn man. So I told him, I say,

2623
02:45:42,200 --> 02:45:43,920
Speaker 1: that's a fucking hook right now. We need to do

2624
02:45:44,000 --> 02:45:47,400
Speaker 1: that ship. That's why I damn it man, damn it man,

2625
02:45:48,400 --> 02:45:51,640
Speaker 1: damn it man. And then one of my actually a

2626
02:45:51,760 --> 02:45:54,320
Speaker 1: good friend of ours. Man, I would say, almost say

2627
02:45:54,480 --> 02:45:56,680
Speaker 1: like a brother to us. Right before he took a

2628
02:45:56,720 --> 02:46:00,320
Speaker 1: little vacation, I was I was writing up North for

2629
02:46:00,360 --> 02:46:02,720
Speaker 1: a second half, and I played them in man to

2630
02:46:02,840 --> 02:46:05,080
Speaker 1: him and I said, man, I need this little line

2631
02:46:05,160 --> 02:46:07,320
Speaker 1: right here, And he said, oh, Man, I got the

2632
02:46:07,360 --> 02:46:11,040
Speaker 1: perfect line for you. When I said, uh, when I

2633
02:46:11,120 --> 02:46:12,960
Speaker 1: hit it from the back, I got the MoMA saying

2634
02:46:13,080 --> 02:46:20,520
Speaker 1: them man, when I put it in them saying so

2635
02:46:20,640 --> 02:46:22,400
Speaker 1: if you noticed right out that line, I say, beat

2636
02:46:22,480 --> 02:46:25,000
Speaker 1: that up. Damn me so damn. It was the one

2637
02:46:25,080 --> 02:46:30,720
Speaker 1: that gave me that altogether. So it gave me a

2638
02:46:30,840 --> 02:46:33,840
Speaker 1: chance to to I could say that was one of

2639
02:46:33,879 --> 02:46:37,800
Speaker 1: the last Miami records I could really get my hands

2640
02:46:37,879 --> 02:46:40,800
Speaker 1: on too. But I've always been looking what's the next lick,

2641
02:46:40,920 --> 02:46:43,040
Speaker 1: what's the next avenue? I could get into it. Nobody

2642
02:46:43,120 --> 02:46:44,520
Speaker 1: looking at because they don't want to be on the

2643
02:46:44,600 --> 02:46:47,480
Speaker 1: same block, pumping on the same thing. Everybody. You want

2644
02:46:47,520 --> 02:46:48,959
Speaker 1: to live and say, oh wait to say you aren't

2645
02:46:48,959 --> 02:46:50,520
Speaker 1: even looking at this, and you take over a whole

2646
02:46:50,520 --> 02:46:56,600
Speaker 1: another town. So the DJ game, the E d M game,

2647
02:46:56,840 --> 02:46:59,240
Speaker 1: that ship gave me a whole another world. Box and

2648
02:46:59,280 --> 02:47:00,920
Speaker 1: clar that's the game a me a whole in the world.

2649
02:47:00,959 --> 02:47:02,920
Speaker 1: I'm going damn, nobody looking at this right now, it's

2650
02:47:02,959 --> 02:47:06,360
Speaker 1: a whole another lip and he gave me. Had nothing

2651
02:47:06,360 --> 02:47:07,680
Speaker 1: to do with it, no, none at all. I've never

2652
02:47:07,760 --> 02:47:12,200
Speaker 1: done that ship. I may have been involved with a

2653
02:47:12,280 --> 02:47:14,120
Speaker 1: little bit. I don't know about that, but I know

2654
02:47:14,240 --> 02:47:15,600
Speaker 1: what I'm trying to tell you is I never did

2655
02:47:15,640 --> 02:47:19,000
Speaker 1: the ship and it is this. It gave me a

2656
02:47:19,240 --> 02:47:22,640
Speaker 1: runway for like seven years dog and nobody was looking

2657
02:47:22,680 --> 02:47:25,560
Speaker 1: at Nobody was looking at So I'm able to knock

2658
02:47:25,600 --> 02:47:27,480
Speaker 1: out these record, knock at these records. N got these records,

2659
02:47:27,520 --> 02:47:30,000
Speaker 1: not got these records? Why everybody over here playing crabs

2660
02:47:30,040 --> 02:47:32,720
Speaker 1: in the bucket. I'm not ship. I can just wrap

2661
02:47:32,840 --> 02:47:36,280
Speaker 1: on these records ship bad, oh, my bad bad dad

2662
02:47:36,320 --> 02:47:44,640
Speaker 1: are and then show enough so that now this next

2663
02:47:44,800 --> 02:47:46,840
Speaker 1: project that I got coming up, I'm gonna knock out

2664
02:47:46,920 --> 02:47:53,119
Speaker 1: a mixtape with bringing you know, some old school ship back.

2665
02:47:53,840 --> 02:47:57,320
Speaker 1: But it's relevant because now what we're rapping about, everybody

2666
02:47:57,400 --> 02:47:59,280
Speaker 1: knows that it's been lived, so it ain't just something

2667
02:47:59,280 --> 02:48:02,320
Speaker 1: that you're talking about and other parties. A lot of

2668
02:48:02,400 --> 02:48:07,400
Speaker 1: people than came to like example, nor to so love

2669
02:48:07,480 --> 02:48:09,920
Speaker 1: for a long time in Miami. Fact, Joe solve for

2670
02:48:10,000 --> 02:48:12,800
Speaker 1: him in Miami for a long time, and I'm gonna

2671
02:48:12,800 --> 02:48:15,720
Speaker 1: say White Cleps so love for a long time ago.

2672
02:48:16,000 --> 02:48:18,320
Speaker 1: Carress One too because he back even most a pity

2673
02:48:20,200 --> 02:48:23,720
Speaker 1: DJ raw days when like a hood stock, that's what

2674
02:48:23,800 --> 02:48:28,400
Speaker 1: they call it. Nah. To be able to bring that

2675
02:48:28,560 --> 02:48:30,800
Speaker 1: all that ship back for me, it's a blessing. But

2676
02:48:30,879 --> 02:48:32,879
Speaker 1: there's a lot of motherfucker's that come to the crib,

2677
02:48:32,959 --> 02:48:35,160
Speaker 1: don't show no love, and all they do is want

2678
02:48:35,160 --> 02:48:37,119
Speaker 1: to be a live hanging the funk out. They take

2679
02:48:37,120 --> 02:48:39,800
Speaker 1: our stories, take it back to their cities and make

2680
02:48:39,840 --> 02:48:43,000
Speaker 1: it and they got drugs. God bless here. That's what

2681
02:48:43,040 --> 02:48:44,920
Speaker 1: you could do. But I'm not going to your city

2682
02:48:44,920 --> 02:48:48,040
Speaker 1: to hang the fun we call is that what it is?

2683
02:48:48,040 --> 02:48:49,720
Speaker 1: They got to tell me, that's what crazy, what we

2684
02:48:49,800 --> 02:48:54,199
Speaker 1: call that fake out of time. Come on, they gotta

2685
02:48:54,200 --> 02:49:00,520
Speaker 1: tell foties and foties. But to the being, got a

2686
02:49:00,560 --> 02:49:03,480
Speaker 1: lot of doubt and intended. So with that said, now

2687
02:49:03,720 --> 02:49:06,480
Speaker 1: watching what everything has come up through history and Miami

2688
02:49:06,560 --> 02:49:09,240
Speaker 1: becoming a mecca, like I said, New York, the Big Apple,

2689
02:49:09,360 --> 02:49:12,880
Speaker 1: Miami and the Pineapple because we're the most industrial thing

2690
02:49:12,920 --> 02:49:15,440
Speaker 1: with Lord Mason Dixon. They can try to call it,

2691
02:49:15,520 --> 02:49:18,680
Speaker 1: call us country, but we were a city like a motherfucker.

2692
02:49:18,840 --> 02:49:22,680
Speaker 1: And on top of that, our first everybody will go

2693
02:49:22,760 --> 02:49:25,520
Speaker 1: to good vacation in Miami. Now that, but remember Miami

2694
02:49:25,879 --> 02:49:34,400
Speaker 1: is the poort. Yeah. Continue, But now that everything coming out,

2695
02:49:34,520 --> 02:49:37,680
Speaker 1: like let's say, in Netflix and everything speaking about everything

2696
02:49:37,720 --> 02:49:39,440
Speaker 1: that was going on down here in the countries that

2697
02:49:39,520 --> 02:49:41,840
Speaker 1: we were involved in, then y'all see why we are

2698
02:49:41,959 --> 02:49:45,480
Speaker 1: who we are. We will. We called it to connect,

2699
02:49:45,760 --> 02:49:50,000
Speaker 1: y'all called it the plug. Miami was everything that came

2700
02:49:50,040 --> 02:49:52,440
Speaker 1: through had to meet with us before it meant anybody else.

2701
02:49:53,320 --> 02:49:55,880
Speaker 1: And in turn, we learned how to do that through music.

2702
02:49:55,959 --> 02:49:58,440
Speaker 1: Took us a little longer because I didn't get introduced

2703
02:49:58,480 --> 02:50:04,320
Speaker 1: to hip hop till eighty nine. I was eight years

2704
02:50:04,320 --> 02:50:06,720
Speaker 1: old when I got introduced to it. You know, by

2705
02:50:06,760 --> 02:50:08,440
Speaker 1: the time I already heard side something that ain't gry

2706
02:50:09,320 --> 02:50:14,680
Speaker 1: and and then bass music in third grade talking about

2707
02:50:16,160 --> 02:50:20,680
Speaker 1: but it wasn't basic, wasn'tim Yeah for us, because if

2708
02:50:20,680 --> 02:50:22,320
Speaker 1: you remember, all the beats were the same, even run

2709
02:50:22,400 --> 02:50:25,160
Speaker 1: DMC eight oh weights, all of that was the same baselines,

2710
02:50:25,360 --> 02:50:26,960
Speaker 1: the beats were the same. It was we just we

2711
02:50:27,080 --> 02:50:29,240
Speaker 1: just put and put women to dance. We just put

2712
02:50:29,400 --> 02:50:31,240
Speaker 1: made it fast as the RPMs. So we put women

2713
02:50:31,280 --> 02:50:33,800
Speaker 1: to dance there. Now, it was a big difference. Maybe

2714
02:50:34,040 --> 02:50:36,080
Speaker 1: nobody had dances with him on stage before. It was

2715
02:50:36,680 --> 02:50:38,080
Speaker 1: Why do you think I run around with girls on

2716
02:50:38,120 --> 02:50:39,560
Speaker 1: the stage with the mind and the most bad ones,

2717
02:50:40,240 --> 02:50:43,040
Speaker 1: all good girls, great girls, sophisticated, smart shot that. But

2718
02:50:43,080 --> 02:50:44,840
Speaker 1: when they hit that stage, I'm like, you'll give him

2719
02:50:44,879 --> 02:50:49,760
Speaker 1: that nasty getting people give me everything. That's your first

2720
02:50:49,879 --> 02:50:56,480
Speaker 1: number one? Got that seg shooting, he said, your first

2721
02:50:56,520 --> 02:50:59,160
Speaker 1: first number one, my first number one yet on the

2722
02:50:59,240 --> 02:51:03,400
Speaker 1: English side, Yeah, English, you have something in the land side, right, Yeah,

2723
02:51:03,879 --> 02:51:22,480
Speaker 1: and it's had a Japanese record fishing anyways, may it

2724
02:51:22,600 --> 02:51:27,120
Speaker 1: was good shooting ship I got. He's definitely out of here.

2725
02:51:29,200 --> 02:51:31,000
Speaker 1: But I want to tell you all, I appreciate it.

2726
02:51:31,320 --> 02:51:33,920
Speaker 1: We're gonna do many more of these and with God's help,

2727
02:51:34,280 --> 02:51:38,960
Speaker 1: but you gratulations you have come no man coming out.

2728
02:51:39,000 --> 02:51:40,720
Speaker 1: What I do got coming out is this? What else

2729
02:51:40,800 --> 02:51:42,320
Speaker 1: we love you? That I get a chance to funk

2730
02:51:42,360 --> 02:51:44,960
Speaker 1: with y'all and morning anything just to highlight the fact

2731
02:51:45,000 --> 02:51:46,760
Speaker 1: that do the music we give it. We get a

2732
02:51:46,840 --> 02:51:49,520
Speaker 1: chance to do what everybody should do in their own community,

2733
02:51:49,600 --> 02:51:52,280
Speaker 1: build schools, punning. That's the only way we break up

2734
02:51:52,320 --> 02:51:54,200
Speaker 1: what the fun is going on right now. Other than that,

2735
02:51:54,480 --> 02:51:56,200
Speaker 1: it's just gonna be game on top of game on

2736
02:51:56,280 --> 02:51:58,640
Speaker 1: type of game on top of game. The only way

2737
02:51:58,680 --> 02:52:03,920
Speaker 1: it's invested schools with the correct teachings in the schools

2738
02:52:04,840 --> 02:52:07,120
Speaker 1: regular for the school, we can build a school, but

2739
02:52:07,200 --> 02:52:12,080
Speaker 1: if they teach the state. Yeah, so the school, the

2740
02:52:12,120 --> 02:52:14,200
Speaker 1: school that we build, it's called SLAM and mine. If

2741
02:52:14,200 --> 02:52:15,280
Speaker 1: you want to look it up, you can see what

2742
02:52:15,320 --> 02:52:18,320
Speaker 1: they do. But SLAM in Sports, Leadership, Arts and Management.

2743
02:52:18,360 --> 02:52:20,200
Speaker 1: We've had it for eight years. The last three classes

2744
02:52:20,240 --> 02:52:23,160
Speaker 1: we've graduated at a D. You know what, I'm coming out.

2745
02:52:23,200 --> 02:52:28,760
Speaker 1: So that's true of the kids that we got in

2746
02:52:28,800 --> 02:52:31,520
Speaker 1: there on free lunch. So these are kids that need it.

2747
02:52:31,560 --> 02:52:35,560
Speaker 1: They're coming from Overtown now, Lopata, Windwood, Little Havana, Liberty City.

2748
02:52:35,640 --> 02:52:37,440
Speaker 1: We're putting them all out of the inner city and

2749
02:52:37,520 --> 02:52:40,120
Speaker 1: bringing them to a school that exactly that. You've got

2750
02:52:40,200 --> 02:52:43,680
Speaker 1: teachers that believe in them. Now, since we managed the teachers,

2751
02:52:43,760 --> 02:52:48,080
Speaker 1: we managed the administrators, were able to manage the curriculum.

2752
02:52:48,200 --> 02:52:50,920
Speaker 1: I fired. So therefore this ain't this ain't like a

2753
02:52:51,000 --> 02:52:53,360
Speaker 1: public how can I say it's a public school, but

2754
02:52:53,440 --> 02:52:56,240
Speaker 1: it's not run by the public school district. So the

2755
02:52:56,360 --> 02:52:59,880
Speaker 1: curriculum not the curriculum, the metrics are different. And if

2756
02:53:00,080 --> 02:53:02,960
Speaker 1: teacher bring home some you know, knock it out the

2757
02:53:03,000 --> 02:53:06,160
Speaker 1: park with some test scores, then they get incentivized in

2758
02:53:06,240 --> 02:53:07,960
Speaker 1: a different way where now you can go from a

2759
02:53:08,000 --> 02:53:10,520
Speaker 1: teacher to maybe an assistant principal, assistant priciple to a

2760
02:53:10,560 --> 02:53:13,879
Speaker 1: principal principal to getting paid accordingly to what they're doing,

2761
02:53:14,240 --> 02:53:17,120
Speaker 1: not only paid, but also accomplishment wise as far as

2762
02:53:17,160 --> 02:53:19,240
Speaker 1: where you're going in the game. It takes certain teachers

2763
02:53:19,280 --> 02:53:21,400
Speaker 1: in the public school system ten years just to say, hey,

2764
02:53:21,440 --> 02:53:22,800
Speaker 1: I hope I got a paycheck for the rest of

2765
02:53:22,840 --> 02:53:25,760
Speaker 1: my life, which is terrible exactly now, I'm sure that

2766
02:53:25,840 --> 02:53:28,440
Speaker 1: everybody here we went through the public school system. So

2767
02:53:28,600 --> 02:53:31,640
Speaker 1: to me, that's a part of our legacy and more

2768
02:53:31,640 --> 02:53:33,400
Speaker 1: than anything that's going on in the world right now.

2769
02:53:34,480 --> 02:53:36,480
Speaker 1: That's when anybody want to take a stance for anything.

2770
02:53:36,480 --> 02:53:39,680
Speaker 1: You say, look, man, invest in your community, invested around

2771
02:53:39,720 --> 02:53:41,600
Speaker 1: your folks, and then that's that's how you can be

2772
02:53:41,800 --> 02:53:44,080
Speaker 1: uplifting instead of crabs in the bucket. Is the opposite

2773
02:53:44,520 --> 02:53:46,160
Speaker 1: we get to the top, tip the bucket over and

2774
02:53:46,200 --> 02:53:49,320
Speaker 1: we all run off from because each other. It's whatnot

2775
02:53:49,920 --> 02:53:51,800
Speaker 1: ladders in the bucket? Yes, sir, there you go about

2776
02:53:55,240 --> 02:54:04,120
Speaker 1: you want to go Princons and I just feel like

2777
02:54:07,400 --> 02:54:09,800
Speaker 1: thanks for joining us for another episode of Drink Champs,

2778
02:54:09,879 --> 02:54:12,240
Speaker 1: hosted by Yours truly, d J e f N and

2779
02:54:12,440 --> 02:54:14,480
Speaker 1: n O R E. Please make sure to follow us

2780
02:54:14,520 --> 02:54:17,760
Speaker 1: on all our socials. Let's at drink Champs across all platforms,

2781
02:54:18,280 --> 02:54:21,760
Speaker 1: at the Real Noriegan, I g at Noriega on Twitter,

2782
02:54:22,200 --> 02:54:25,160
Speaker 1: mine is at Who's Crazy on I g at d

2783
02:54:25,320 --> 02:54:27,879
Speaker 1: J E f N on Twitter, And most importantly, stay

2784
02:54:27,959 --> 02:54:30,920
Speaker 1: up to date with the latest releases, news and merch

2785
02:54:31,120 --> 02:54:33,040
Speaker 1: by going to drink champs dot com