WEBVTT - SMNTY Classics: Circe

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<v Speaker 1>Hey, this is Anny and Samantha.

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<v Speaker 2>I'm welcome to stuff I never told you productuly iHeartRadio.

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<v Speaker 3>I try not to do this too often where we

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<v Speaker 3>bring back a ton of classics on entertainment because it

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<v Speaker 3>feels like we're sort of shifting what the podcast is

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<v Speaker 3>just being.

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<v Speaker 2>An entertainment podcast.

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<v Speaker 3>But there's just a lot of stuff going on right

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<v Speaker 3>now in the world of entertainment. So I thought I

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<v Speaker 3>would bring back this one. This book club we did

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<v Speaker 3>on Circe Who if you don't remember, and the book

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<v Speaker 3>is Turns Turns Men into Pigs.

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<v Speaker 2>Yes it was.

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<v Speaker 3>I remember it being a really fun read, but it

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<v Speaker 3>was a longer, a longer book than what we normally choose.

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<v Speaker 3>But I thought i'd bring it back because the Odyssey

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<v Speaker 3>in theaters right now, and there is so much discussion

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<v Speaker 3>about the depiction of women in it, but and seriously

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<v Speaker 3>is one of the big ones because they kind of

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<v Speaker 3>from what I understand, I haven't seen it, but I

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<v Speaker 3>believe she's more in line with this depiction as sort

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<v Speaker 3>of the vengeful witch as opposed to how she.

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<v Speaker 2>Was in the original Odyssey.

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<v Speaker 3>Of that being said, as we know of as a

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<v Speaker 3>lot of us I've seen well a lot of talk

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<v Speaker 3>about what particular.

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<v Speaker 2>Version of the Odyssey you're reading.

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<v Speaker 3>Because people translate it in different ways. So I just

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<v Speaker 3>thought this would be an interesting one to bring back

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<v Speaker 3>as all of that discussion is happening. Please enjoy this

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<v Speaker 3>classic episode.

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<v Speaker 2>Hey, this is Annymantha, and welcome to stuff. But I've

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<v Speaker 2>never told your protection of iHeartRadio.

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<v Speaker 3>It is time for our first book club of twenty

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<v Speaker 3>twenty one, and my question today for you, Samantha is

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<v Speaker 3>were you into Greek mythology I.

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<v Speaker 2>Was a kid.

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<v Speaker 4>I was.

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<v Speaker 1>I really was really big into all of that. I

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<v Speaker 1>had the encyclopedia stuff, you know how they had the

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<v Speaker 1>story version of all of that. Oh, and I would

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<v Speaker 1>read those all the times growing up. Of course, I've

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<v Speaker 1>kind of forgotten them since then, so I kind of

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<v Speaker 1>confused the names because there are similar stories obviously with

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<v Speaker 1>different names. So I have a moment of like who.

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<v Speaker 1>But I did really enjoy it. As in fact, recently

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<v Speaker 1>which I love to see, we saw pretty much a

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<v Speaker 1>battle of Xena Warrior Princess versus Hercules, and I'm pretty

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<v Speaker 1>sure seen I want slash Lucy Lawless in.

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<v Speaker 5>Their Twitter fight.

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<v Speaker 1>So I just want to put that out there.

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<v Speaker 2>You gotta put that out there.

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<v Speaker 5>I'm just gonna put that.

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<v Speaker 3>What do you think, Well, if you had been a

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<v Speaker 3>goddess would have been the goddess.

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<v Speaker 1>Of uh, some type of mischieff probably like I definitely

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<v Speaker 1>would not have been like the beauty or the loved one.

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<v Speaker 1>It's definitely as to cost some kind of mayhem every

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<v Speaker 1>now and again. Like I'm I'm absolutely sure how you

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<v Speaker 1>have put my dog Peaches in your dn D as

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<v Speaker 1>the mischievous, kind hearted but really disastrous uh character in

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<v Speaker 1>your thing. I'm pretty sure I would be somewhere along

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<v Speaker 1>those lines, which is why I love it.

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<v Speaker 2>Yeah, I could see that. I could see you that

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<v Speaker 2>for sure.

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<v Speaker 1>Because of course nothing really mean.

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<v Speaker 3>Spirited, right Oh no, no, no, no, no, no, no, Yeah,

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<v Speaker 3>I was. I was huge into Greek mythology. I also

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<v Speaker 3>had those uh like books with the like images and

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<v Speaker 3>I would trace them out and paint them and I'd

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<v Speaker 3>hang them on my wall.

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<v Speaker 2>That was the kind of kid I was.

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<v Speaker 3>Y And then I loved this show called Young Hercules,

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<v Speaker 3>which I'll said it before. I was on the Ryan

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<v Speaker 3>Gosling train before anyone else, because I was a nine

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<v Speaker 3>year old writing him a very very embarrassing fan letter

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<v Speaker 3>that I hope never made it to him, so that

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<v Speaker 3>the eyes were dotted with heart, Samantha. It was a disgrace.

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<v Speaker 2>But you can't get that show anywhere. And I taped

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<v Speaker 2>them all like I would get it came on at

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<v Speaker 2>three pm, I'd.

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<v Speaker 3>Like run in and tape them. And so now I'm like,

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<v Speaker 3>could I like turn to profit? Could I upload these?

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<v Speaker 3>Because I got all taped.

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<v Speaker 1>I was gonna say, daddy withheld, because you know, not

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<v Speaker 1>all VHS's are in a great condition for viewing.

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<v Speaker 2>Well.

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<v Speaker 1>I did.

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<v Speaker 3>The most recent time I watched them was in college,

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<v Speaker 3>and there was some they were still you know, skipping around,

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<v Speaker 3>and the commercials are still there obviously, but sometimes I

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<v Speaker 3>would like fast forward through them, you know, and it

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<v Speaker 3>would record that, Uh, it's all a pretty good shape.

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<v Speaker 3>I don't have a VCR anymore, though, so I can't

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<v Speaker 3>test it. Yeah, this is the issue.

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<v Speaker 1>You need to get. Well, we need a VCR obviously. Yeah.

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<v Speaker 1>I'm having flashbacks of me doing the same thing. I

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<v Speaker 1>think I did that with Green and of Green Gables,

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<v Speaker 1>except it wasn't commercials. It was just a long winded GPB.

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<v Speaker 1>Here in the Georgia, they're fundraising because it's one of

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<v Speaker 1>the only say it and I would pause, try and

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<v Speaker 1>make it the perfect succinct movie.

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<v Speaker 5>I failed. I'm pretty sure.

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<v Speaker 2>I love it. I did that stuff to it. All

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<v Speaker 2>of our young girl listeners are like.

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<v Speaker 5>What you no, don't worry about it.

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<v Speaker 1>As a kid, we rented our VCR from the Curtis Mathis.

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<v Speaker 5>That's how old I am.

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<v Speaker 2>Yeah, yeah, yeah, yeah.

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<v Speaker 3>I've been rewatching some old Seinfeld episodes and it's been

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<v Speaker 3>the technology it has been given me a chuckle.

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<v Speaker 2>But okay.

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<v Speaker 3>Today we were talking about Madeline Miller's twenty eighteen novel Circe,

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<v Speaker 3>which a few of you have recommended, and I actually

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<v Speaker 3>I really really enjoyed it, so thank you for the recommendation.

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<v Speaker 3>And this is a follow up to her previous book,

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<v Speaker 3>The Song of Achilles, and she like knows her stuff.

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<v Speaker 2>She has an ma in classic, so uh.

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<v Speaker 3>The book gives the witch from the Greek myth the

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<v Speaker 3>Odyssey Circe, a backstory that spans for thousands of years.

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<v Speaker 3>And it was really fun for me because I've obviously,

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<v Speaker 3>I imagine like most of us, I've read the Odyssey,

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<v Speaker 3>but it was a long time ago, so like I

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<v Speaker 3>would say, I recognize like half the.

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<v Speaker 2>Characters, but I knew all of them.

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<v Speaker 3>I was like, I know, I don't get the power

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<v Speaker 3>of this moment, but I know that you're a character,

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<v Speaker 3>and I should.

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<v Speaker 1>Know what this means. Yep, feel the same way.

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<v Speaker 3>Yeah, And Miller said she got the idea because as

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<v Speaker 3>a kid she heard about like this witch you could

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<v Speaker 3>turn men into pigs, and she was so excited to

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<v Speaker 3>read it, and then the Odyssey it's like fifteen lines

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<v Speaker 3>and she was so disappointed.

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<v Speaker 2>So she was like, I'm going to give her a story.

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<v Speaker 3>And yeah, if you need a reminder, that is Cyrus's

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<v Speaker 3>role in the Odyssey. She was this witch that turned

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<v Speaker 3>Odysseus's men into pigs. But he challenged her and kind

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<v Speaker 3>of tricked her with hermes, and she changed them back.

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<v Speaker 3>And then her and Odysseus become lovers for a while,

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<v Speaker 3>and then she helps them when they leave. Oh and

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<v Speaker 3>probably quick disclaimer, we did look up the Greek pronunciations

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<v Speaker 3>for things, but it might be a bit.

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<v Speaker 2>Of a mess and apologies in her vasis.

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<v Speaker 3>So Miller's work in this book flushes out Circe's story,

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<v Speaker 3>everything that brings her to that moment in the Odyssey

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<v Speaker 3>and carries her after it, and it reimagines many of

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<v Speaker 3>these heroic acts that we've heard in Greek mythology as

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<v Speaker 3>orchestrations of Circe or like Circe had something to do

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<v Speaker 3>with it. And this character is long inspired writers from

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<v Speaker 3>Ovid to James Joyce to Margaret Atwood. Which is actually

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<v Speaker 3>a theme in this story that that the men of

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<v Speaker 3>these Greek myths told these stories. They they made themselves

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<v Speaker 3>heroes in them, and then it was men who passed

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<v Speaker 3>those stories on and because of that they were these

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<v Speaker 3>men were painted as heroes when more often than not,

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<v Speaker 3>you're kind of like, well, it seems like the lady

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<v Speaker 3>here or.

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<v Speaker 1>You have saved your life or sacrifice herself for you,

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<v Speaker 1>so that seems.

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<v Speaker 2>Hmm, yeah, maybe you should mention that, I don't know.

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<v Speaker 3>And yeah, there are a lot of cameos from famous

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<v Speaker 3>Greek mythological characters like Daedalus, Icarus, Jason, Odsius, Hermes, Artemis, Achilles, Paris, Helen, Apollo, Agamemnon, Athena.

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<v Speaker 2>Just it was a delight.

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<v Speaker 3>And this book Ads of Now is getting an eight

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<v Speaker 3>part HBO mini series anyway.

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<v Speaker 1>Yeah, so we wanted to start with obviously the plot,

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<v Speaker 1>so the story follows, circe a nymph, or uprised nymphs

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<v Speaker 1>were called, but that is not really how the world

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<v Speaker 1>saw us. We are an endless feast laid out upon

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<v Speaker 1>a table, beautiful and renewing, and so very bad at

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<v Speaker 1>getting away, great lines.

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<v Speaker 5>So very bad at getting away. Just a little bit

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<v Speaker 5>of almost.

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<v Speaker 1>And she is the daughter of the god of the

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<v Speaker 1>Sun and one of the most powerful titans, Helios and

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<v Speaker 1>the nymph Percy. She is a witch who can use

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<v Speaker 1>plants and words to cast spells. Her family is not

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<v Speaker 1>kind to her. They treat her as a lesser. They

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<v Speaker 1>describe her voice as frail, the voice of the mortal,

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<v Speaker 1>obviously that she's weak and the weakest of the circles.

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<v Speaker 1>She's not as beautiful, so therefore she's completely cast aside.

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<v Speaker 1>Circey is one of many of Helio's children, including her

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<v Speaker 1>cruel sister Passafehi and her brother and the younger brother

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<v Speaker 1>that she helped raise eighties. Her family is not kinder,

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<v Speaker 1>like we said before, and at one point Helios, her

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<v Speaker 1>father burns her in punishment, and throughout the book we

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<v Speaker 1>see most we see multiple instances of their cruelty uh

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<v Speaker 1>and their desire for power.

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<v Speaker 2>I still love it.

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<v Speaker 3>I love Pacifa sounds like being pacified, and she's like

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<v Speaker 3>the officer of us. And in early formative memory, seriously

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<v Speaker 3>meets Prometheus just after he has disobeyed Zeus by helping

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<v Speaker 3>mortals by showing them fire. So it's the night before

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<v Speaker 3>he is to begin his sentence, chained to a rock

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<v Speaker 3>for all eternity, each day his liver devoured by an eagle,

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<v Speaker 3>only for the liver to regenerate overnight and the whole

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<v Speaker 3>process to start all over again, which sounds absolutely miserable.

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<v Speaker 3>Seriously witnesses him being whipped, and after everyone else leaves,

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<v Speaker 3>including the furies, who also make a cameo, Uh, seriously

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<v Speaker 3>brings him nectar even though it is forbidden, and the

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<v Speaker 3>two have this six change you aided mortals. I said,

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<v Speaker 3>that is why you are punished. It is Will you

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<v Speaker 3>tell me what is a mortal?

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<v Speaker 1>Like?

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<v Speaker 3>It was a child's question, but he nodded gravely. There

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<v Speaker 3>is no single answer. They are each different. The only

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<v Speaker 3>thing they share is death. You know the word, I

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<v Speaker 3>know it, I said, but I do not understand. No

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<v Speaker 3>God can their bodies crumble and pass into earth? Their

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<v Speaker 3>souls turn to cold smoke and fly to the underworld.

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<v Speaker 3>There they eat nothing and drink nothing, and feel no warmth.

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<v Speaker 3>Everything they reach for slips from their grasp. A chill

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<v Speaker 3>shivered across my skin? How do they bear it? As

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<v Speaker 3>best they can?

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<v Speaker 1>As best they can? So. While Circe is not powerful

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<v Speaker 1>in the traditional goddess sense, she discovers she has a

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<v Speaker 1>talent for witchcraft, which we all love. And this is

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<v Speaker 1>something she discovers in the Mortal Realm, where she falls

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<v Speaker 1>in love with a young fisherman named Glaucos. She uses

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<v Speaker 1>her magic to turn them into a god, but finds

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<v Speaker 1>that becoming god has made him shallow and cruel. Surprise, surprise,

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<v Speaker 1>he shows Sarce no gratitude and pretty much tosses her

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<v Speaker 1>away she uses to give her any attention. She also

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<v Speaker 1>uses her magic to transform a nymph and a romantic

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<v Speaker 1>rival for Glaucos, named Scilla, into a monster to match

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<v Speaker 1>her inner personality. Well damn, Silla becomes a behemoth twelve

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<v Speaker 1>tentacles and six mouths, guarding a straight in the ocean,

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<v Speaker 1>taking six or twelve men from any boat that tends passage.

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<v Speaker 1>This is something that haunts Cerce over the years. The

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<v Speaker 1>death of the mortals caused by circe spells and the

0:12:27.320 --> 0:12:29.440
<v Speaker 1>mindless monster. She's reduced Scilla too.

0:12:31.080 --> 0:12:33.480
<v Speaker 3>Yeah, and Silla was I forgot about Scilla so that

0:12:33.679 --> 0:12:37.120
<v Speaker 3>I had to look up, Like, yeah, it's the backstory there.

0:12:37.240 --> 0:12:38.960
<v Speaker 1>I'm not gonna lie because when I read, I just

0:12:39.120 --> 0:12:41.280
<v Speaker 1>move on. I kind of didn't give us like a

0:12:41.360 --> 0:12:44.199
<v Speaker 1>chick glance other than okay, great monster character next.

0:12:44.679 --> 0:12:47.679
<v Speaker 3>Yeah, So I love this. I love the story behind it.

0:12:48.880 --> 0:12:52.160
<v Speaker 3>Zeus feels threatened by Circe's power like King of the

0:12:52.240 --> 0:12:52.839
<v Speaker 3>Gods is like.

0:12:52.840 --> 0:12:54.680
<v Speaker 2>No lady could have this power?

0:12:55.240 --> 0:12:57.800
<v Speaker 3>Uh, and commands her father to exile her. Of course

0:12:57.800 --> 0:13:00.400
<v Speaker 3>he does, so he does to a small ice slated

0:13:00.400 --> 0:13:03.560
<v Speaker 3>island named Aya. So I couldn't find a pronization for that.

0:13:03.640 --> 0:13:07.319
<v Speaker 3>That's just get I like it on my part, so

0:13:07.400 --> 0:13:09.880
<v Speaker 3>apologies if I'm way off.

0:13:11.480 --> 0:13:11.840
<v Speaker 1>Here.

0:13:12.160 --> 0:13:15.600
<v Speaker 3>Circe tames animals like lions and wolves. She grows plants

0:13:15.600 --> 0:13:18.440
<v Speaker 3>and herbs. She works on her magic. She learns how

0:13:18.440 --> 0:13:21.480
<v Speaker 3>to be independent, to braid her hair back and tie

0:13:21.480 --> 0:13:23.520
<v Speaker 3>her skirts up so they wouldn't catch on twigs. She

0:13:23.640 --> 0:13:26.560
<v Speaker 3>like learns how to carve and so and all kinds

0:13:26.600 --> 0:13:31.880
<v Speaker 3>of things. While there, she encounters many famous figures from

0:13:32.040 --> 0:13:35.760
<v Speaker 3>Greek mythology. One of the first to appear is Dadalus,

0:13:36.040 --> 0:13:38.199
<v Speaker 3>who arrives via boat to summon her to attend to

0:13:38.200 --> 0:13:42.200
<v Speaker 3>her sister's birth, and Circe is furious about this, but

0:13:43.160 --> 0:13:45.720
<v Speaker 3>also wants to take the rare chance to break her exile,

0:13:45.720 --> 0:13:47.520
<v Speaker 3>as first she knows it could be here her only chance.

0:13:48.720 --> 0:13:53.840
<v Speaker 3>This journey, of course, required that they pass Silah. Dadalus's

0:13:53.880 --> 0:13:56.440
<v Speaker 3>crew had already lost men on the way to the island,

0:13:57.080 --> 0:14:00.640
<v Speaker 3>but with magic and with her wit is able to

0:14:00.640 --> 0:14:02.920
<v Speaker 3>protect the rest of the career. This is also something

0:14:02.920 --> 0:14:05.600
<v Speaker 3>that really annoys Sircey because she feels like her sister

0:14:06.200 --> 0:14:08.040
<v Speaker 3>totally did that on purpose, that they had to go

0:14:08.120 --> 0:14:11.160
<v Speaker 3>that way and sent the boat that way because she knew, like,

0:14:11.240 --> 0:14:16.560
<v Speaker 3>you created this monster, here you go. So when they arrive,

0:14:16.679 --> 0:14:19.120
<v Speaker 3>Circe learns that her sister, who is married to Minos,

0:14:19.160 --> 0:14:22.080
<v Speaker 3>the king of Crete, has sired a monster with one

0:14:22.080 --> 0:14:28.040
<v Speaker 3>of her and Circe's father's sacred white bulls. With Circe's help,

0:14:28.200 --> 0:14:33.040
<v Speaker 3>she gives birth to the minotaur. Circe has a heated

0:14:33.080 --> 0:14:36.760
<v Speaker 3>confrontation with her sister where sister lays bare how she

0:14:36.880 --> 0:14:39.280
<v Speaker 3>sees the world and the golden cages of men that

0:14:39.320 --> 0:14:43.000
<v Speaker 3>they both inhabit, the horrors and injustices they both had

0:14:43.000 --> 0:14:45.320
<v Speaker 3>to navigate because of the men in their lives, and

0:14:45.360 --> 0:14:47.400
<v Speaker 3>how she thought she and Sarce were alike, and how

0:14:47.480 --> 0:14:51.320
<v Speaker 3>she was disappointed actually that they weren't close there as children,

0:14:51.920 --> 0:14:55.000
<v Speaker 3>which I really loved that whole exchange and the argument

0:14:55.680 --> 0:14:59.040
<v Speaker 3>shakes CIRs like the fact that her sister says that

0:14:59.080 --> 0:15:02.920
<v Speaker 3>they have something in is like, oh.

0:15:02.080 --> 0:15:04.760
<v Speaker 1>Yeah, this is that I don't like this. So Circe

0:15:04.920 --> 0:15:07.640
<v Speaker 1>learns that Daedalus and his son Chris are in prison.

0:15:07.840 --> 0:15:11.960
<v Speaker 1>In Daedalus and Sarce have sex, obviously, with Circe's help,

0:15:12.000 --> 0:15:14.800
<v Speaker 1>he builds a mazed to trap the Minotaur, a creature

0:15:14.800 --> 0:15:16.960
<v Speaker 1>meant to frighten the citizens of Crete and keep them

0:15:17.000 --> 0:15:20.480
<v Speaker 1>under control. Now, Daedalus also gives Sarce with a beautiful

0:15:20.520 --> 0:15:23.200
<v Speaker 1>loom that she takes with her back to her island,

0:15:23.600 --> 0:15:26.720
<v Speaker 1>and later Circe learns that Icris died during their escape attempt,

0:15:26.960 --> 0:15:30.000
<v Speaker 1>flying too close to the sun and destroying his wings,

0:15:30.000 --> 0:15:34.120
<v Speaker 1>and Daedalus dies soon after from heartbreak.

0:15:34.200 --> 0:15:39.480
<v Speaker 3>Supposedly, yeah, one of the next people to visit her

0:15:39.480 --> 0:15:43.240
<v Speaker 3>island is Medea, her brother i e T's daughter, and

0:15:43.280 --> 0:15:47.000
<v Speaker 3>her husband Jason. Medea begs Circe for a ritual to

0:15:47.120 --> 0:15:48.880
<v Speaker 3>wash them clean of blood and crime, and they kind

0:15:48.880 --> 0:15:52.360
<v Speaker 3>of do this before revealing who they are, so Circe does,

0:15:52.400 --> 0:15:54.320
<v Speaker 3>but she learns the story of what brought them there,

0:15:55.560 --> 0:15:58.840
<v Speaker 3>that in order to protect Jason, Medea had helped him

0:15:58.880 --> 0:16:03.600
<v Speaker 3>accomplish several including stealing the Golden fleece, and as they

0:16:03.680 --> 0:16:08.240
<v Speaker 3>fled her very angry father, she dismembered her brother and

0:16:08.400 --> 0:16:11.080
<v Speaker 3>tossed him into the sea, knowing her father would have

0:16:11.160 --> 0:16:14.960
<v Speaker 3>to stop in his pursuit to perform the rites for.

0:16:15.360 --> 0:16:16.440
<v Speaker 2>Her deceased brother.

0:16:18.080 --> 0:16:21.680
<v Speaker 3>Searcy tries to convince Medea that Jason Is people will

0:16:21.680 --> 0:16:24.320
<v Speaker 3>not welcome her, that she will regret going with them,

0:16:25.000 --> 0:16:28.920
<v Speaker 3>that Medea should stay with her, but Medea lais and

0:16:29.080 --> 0:16:32.200
<v Speaker 3>to Circe, essentially calling her lonely and pathetic and trapped.

0:16:32.840 --> 0:16:37.360
<v Speaker 3>Desperately trying to keep Medea trapped next to her. She

0:16:37.440 --> 0:16:40.560
<v Speaker 3>also reveals the depth of it ET's cruelty, perhaps the

0:16:40.560 --> 0:16:44.160
<v Speaker 3>only family member Sercey had a close relation to at

0:16:44.200 --> 0:16:49.560
<v Speaker 3>one time, telling Circe that he hates women. Medea leaves

0:16:49.680 --> 0:16:53.120
<v Speaker 3>with Jason the next day, and later Circe finds out

0:16:53.120 --> 0:16:57.200
<v Speaker 3>that an enraged Medea killed her and Jason's children after

0:16:57.320 --> 0:17:00.920
<v Speaker 3>Jason betrayed her, unwilling to let any one have them

0:17:00.960 --> 0:17:04.560
<v Speaker 3>but her, and then returned to the realm of the gods.

0:17:05.480 --> 0:17:14.320
<v Speaker 4>Uh yeah she lived along then Yeah yeah who uh

0:17:14.440 --> 0:17:16.960
<v Speaker 4>And during all of this, by the way, Circe learned

0:17:17.119 --> 0:17:20.320
<v Speaker 4>most of this information from Hermes, whom she had an

0:17:20.320 --> 0:17:22.920
<v Speaker 4>on and off affair with for over one hundred years,

0:17:22.920 --> 0:17:25.399
<v Speaker 4>So like she would learn about Daedalus from him or

0:17:26.000 --> 0:17:26.880
<v Speaker 4>Medea from him.

0:17:27.400 --> 0:17:27.520
<v Speaker 1>Uh.

0:17:27.880 --> 0:17:30.640
<v Speaker 3>But he treated her like a game and she grew

0:17:30.720 --> 0:17:32.880
<v Speaker 3>to detest him before ending.

0:17:33.080 --> 0:17:37.040
<v Speaker 1>Mean, she didn't really like him either, but yeah, they didn't.

0:17:36.800 --> 0:17:38.439
<v Speaker 2>Seem to like each other. It was just sort of

0:17:38.440 --> 0:17:39.120
<v Speaker 2>a thing that.

0:17:39.920 --> 0:17:45.120
<v Speaker 1>You're here, I'm here, okay, okay. Sure. So Circe's cut

0:17:45.160 --> 0:17:47.639
<v Speaker 1>by Media's words, and she starts to open her island

0:17:47.720 --> 0:17:51.040
<v Speaker 1>to lost sailors looking for food and rests. On one

0:17:51.040 --> 0:17:54.560
<v Speaker 1>such occasion, the captain rapes her when he finds out

0:17:54.640 --> 0:17:56.879
<v Speaker 1>she's alone on the island, and before the other men

0:17:56.920 --> 0:17:59.280
<v Speaker 1>can do likewise, she kills the captain and turns the

0:17:59.320 --> 0:18:03.640
<v Speaker 1>rest into pigs. She is so consumed with rage and vengeance,

0:18:03.720 --> 0:18:08.320
<v Speaker 1>she turns any man who comes her island into a pig.

0:18:08.640 --> 0:18:12.080
<v Speaker 3>Yes, so here we arrive at the big Odyssey.

0:18:12.160 --> 0:18:13.640
<v Speaker 2>Yes, turning them into pigs thing.

0:18:14.160 --> 0:18:17.520
<v Speaker 3>So this doesn't change her turning men who visit her

0:18:17.560 --> 0:18:20.680
<v Speaker 3>island at the pigs until the arrival of Odysseus after

0:18:20.720 --> 0:18:24.760
<v Speaker 3>Circe transformed his crew into pigs. Odysseus arrives, and he

0:18:24.840 --> 0:18:27.880
<v Speaker 3>convinces her to transform his men back and allow them

0:18:27.880 --> 0:18:32.000
<v Speaker 3>to stay for several months. Listening to that without reading

0:18:32.040 --> 0:18:34.600
<v Speaker 3>the book, you might be like, but hell though, But

0:18:34.680 --> 0:18:36.679
<v Speaker 3>then they kind of like immediately hit it off and

0:18:36.680 --> 0:18:42.080
<v Speaker 3>had a conversation about it. So Circe and Odysseus become lovers,

0:18:42.280 --> 0:18:44.560
<v Speaker 3>and he keeps lengthening his stay longer and longer, like

0:18:44.560 --> 0:18:46.159
<v Speaker 3>maybe I'll just stay another month, maybe I'll stay in

0:18:46.160 --> 0:18:46.400
<v Speaker 3>the winter.

0:18:46.440 --> 0:18:46.800
<v Speaker 2>I don't know.

0:18:48.720 --> 0:18:50.760
<v Speaker 3>And this is despite the fact that Odysseus is, in

0:18:50.840 --> 0:18:53.560
<v Speaker 3>his words, happily married and the father to a son

0:18:53.600 --> 0:18:57.240
<v Speaker 3>he hasn't seen in many years, and he speaks.

0:18:56.920 --> 0:18:58.880
<v Speaker 2>Fondly of them.

0:18:59.080 --> 0:19:03.400
<v Speaker 3>Eventually, Apolo gives Circe a prophecy about Odysseus, but grudgingly

0:19:03.480 --> 0:19:05.480
<v Speaker 3>she shares it with him, and he and his men

0:19:05.760 --> 0:19:10.480
<v Speaker 3>return home, and just as he's leaving, ciriusly realizes she

0:19:10.600 --> 0:19:14.800
<v Speaker 3>is pregnant with his child old Row. Yeah, here's what CEUs,

0:19:14.800 --> 0:19:16.760
<v Speaker 3>he thinks when she hears the stories and poems of

0:19:16.760 --> 0:19:20.280
<v Speaker 3>her meeting with Odysseus later quote, I was not surprised

0:19:20.320 --> 0:19:23.280
<v Speaker 3>by the portrait of myself the proud, which undone before

0:19:23.280 --> 0:19:26.520
<v Speaker 3>the hero's sword, kneeling and begging for mercy. Humbling women

0:19:26.600 --> 0:19:29.359
<v Speaker 3>seems to me a chief pastime for poets, as if

0:19:29.359 --> 0:19:32.359
<v Speaker 3>there can be no story unless we crawl and weep.

0:19:32.880 --> 0:19:38.439
<v Speaker 1>That speaks volumes, and the experience of giving birth is tumultuous.

0:19:38.760 --> 0:19:43.240
<v Speaker 1>Is a tumultuous one that circe undertakes alone, and when

0:19:43.240 --> 0:19:45.680
<v Speaker 1>she realizes something is preventing her child from being born,

0:19:45.800 --> 0:19:49.000
<v Speaker 1>she cuts it from her stomach usual magic. She learns

0:19:49.040 --> 0:19:51.320
<v Speaker 1>that the godess Athena is determined to kill her son

0:19:51.560 --> 0:19:55.240
<v Speaker 1>Telegonus to prevent something he does in the future. Sarcey

0:19:55.320 --> 0:19:58.840
<v Speaker 1>does not back down and instead uses extremely powerful and

0:19:59.000 --> 0:20:02.480
<v Speaker 1>taxing magic toward the island so that no god or

0:20:02.520 --> 0:20:04.560
<v Speaker 1>goddess can set foot on her island.

0:20:05.760 --> 0:20:10.480
<v Speaker 3>Right and raising Telegonis proves to be a very arduous task.

0:20:10.800 --> 0:20:13.239
<v Speaker 3>He is an angry, difficult child that shapes at her

0:20:13.280 --> 0:20:15.720
<v Speaker 3>protection like he's always trying to run away and she's

0:20:15.720 --> 0:20:17.840
<v Speaker 3>always like, oh, you're staying right here by my side, never,

0:20:19.640 --> 0:20:23.480
<v Speaker 3>and he's constantly looking to the horizon for adventure. As

0:20:23.480 --> 0:20:25.800
<v Speaker 3>he grows a little older, he does he mellows out.

0:20:25.840 --> 0:20:27.920
<v Speaker 3>He becomes a sweet, curious child, but there's still that

0:20:28.080 --> 0:20:33.879
<v Speaker 3>thirst to go to go somewhere, and Circe tells him

0:20:33.920 --> 0:20:37.600
<v Speaker 3>these really sanitized tales of his father's adventures, which he

0:20:37.760 --> 0:20:41.399
<v Speaker 3>just eats up and anything that isn't flattering, even in

0:20:41.440 --> 0:20:44.240
<v Speaker 3>the slightest bit. He corrects her, telling her his father

0:20:44.359 --> 0:20:45.440
<v Speaker 3>was noble and.

0:20:45.560 --> 0:20:47.800
<v Speaker 2>Or heroic, he could never do anything wrong.

0:20:49.520 --> 0:20:53.480
<v Speaker 3>When he's fifteen, Circe learns that, with the help of Hermes,

0:20:53.520 --> 0:20:57.000
<v Speaker 3>which she's not happy about it at all, Telegonis has

0:20:57.040 --> 0:20:59.320
<v Speaker 3>been constructing a boat in order to sail to the

0:20:59.400 --> 0:21:02.280
<v Speaker 3>Kingdom of the Cut to meet his father Odysseus.

0:21:03.240 --> 0:21:04.800
<v Speaker 2>Circe tries very hard.

0:21:04.720 --> 0:21:08.159
<v Speaker 3>Convince him not to, reminding him of Athena's determination to

0:21:08.280 --> 0:21:12.640
<v Speaker 3>kill him that he'll be leaving the protection of the island,

0:21:13.240 --> 0:21:18.280
<v Speaker 3>but despite her terror, Telegonus is determined and naive, so

0:21:18.359 --> 0:21:21.320
<v Speaker 3>she weaves spells around and protection spells, and she marches

0:21:21.359 --> 0:21:24.280
<v Speaker 3>to the darkest, coldest, deepest depths of the waters to

0:21:24.320 --> 0:21:27.720
<v Speaker 3>confront one of its deadliest creatures, challenging it for its

0:21:27.840 --> 0:21:32.600
<v Speaker 3>goddess killing tail. It offers to give it to her

0:21:33.080 --> 0:21:35.679
<v Speaker 3>if she would touch the poison and condemn herself to

0:21:35.720 --> 0:21:39.240
<v Speaker 3>a life of eternal pain. She does so, but to

0:21:39.320 --> 0:21:42.040
<v Speaker 3>her shock, the pain does not come. The creature informs

0:21:42.040 --> 0:21:44.880
<v Speaker 3>her no one has ever passed the test before, and

0:21:45.080 --> 0:21:47.000
<v Speaker 3>commands her to cut off the tail.

0:21:47.200 --> 0:21:50.919
<v Speaker 2>She has won she can take the prize. She does so.

0:21:50.960 --> 0:21:53.239
<v Speaker 3>She feels very uncomfortable, but she does do it, and

0:21:53.320 --> 0:21:56.520
<v Speaker 3>she fashions the tail into a goddess killing spear, although

0:21:56.560 --> 0:21:59.119
<v Speaker 3>it could really kill just about anything, that she gives

0:21:59.200 --> 0:22:00.160
<v Speaker 3>to her son.

0:22:01.280 --> 0:22:06.040
<v Speaker 1>It's a spear, Yes, they can. He leaves, but returns

0:22:06.080 --> 0:22:10.679
<v Speaker 1>shortly after with Odysseus's wife Penelope and his son Telemachus.

0:22:10.840 --> 0:22:14.000
<v Speaker 1>Turns out Odysseus went mad without war to distract him,

0:22:14.080 --> 0:22:17.280
<v Speaker 1>killing subjects and any who would dare defy him. Surprise surprise.

0:22:17.640 --> 0:22:20.800
<v Speaker 1>When Telgonus arrived, he mistook him for an attacker, and

0:22:20.840 --> 0:22:26.160
<v Speaker 1>Telegonius accidentally killed him with the spear oops. As Odysseus died,

0:22:26.440 --> 0:22:28.639
<v Speaker 1>Telegonus told him he was his son, and instead of

0:22:28.720 --> 0:22:33.080
<v Speaker 1>staying on in Ithaca, Penelope and Telemachus wanted to accompany

0:22:33.119 --> 0:22:35.399
<v Speaker 1>him to the island of his mother and of the

0:22:35.440 --> 0:22:39.760
<v Speaker 1>lover the Odysseus had told him about. Circe is immediately

0:22:39.760 --> 0:22:42.600
<v Speaker 1>suspicious that they want to kill her son, but after

0:22:42.680 --> 0:22:45.840
<v Speaker 1>confronting them separately, she learns of odysseus poor treatment of

0:22:45.920 --> 0:22:49.879
<v Speaker 1>his family, of his deterioration on Ithaca that impacted Telegonus

0:22:50.040 --> 0:22:53.480
<v Speaker 1>and Penelope too, and Circe also learns that Athena intends

0:22:53.480 --> 0:22:57.680
<v Speaker 1>to have Telemachus take Odysseus's place as her champion, and

0:22:57.720 --> 0:23:01.040
<v Speaker 1>that's why Penelope brought him there so she could have

0:23:01.080 --> 0:23:03.959
<v Speaker 1>time to repair their relationship, and Sarcey agrees to give

0:23:04.000 --> 0:23:06.359
<v Speaker 1>them a few months only after ensuring an oh of

0:23:06.440 --> 0:23:11.359
<v Speaker 1>protection from Athena for her son, which is appropriate. Time

0:23:11.560 --> 0:23:15.080
<v Speaker 1>passes and Sarcey drops the protection. Athena offers Telemachus a

0:23:15.160 --> 0:23:17.480
<v Speaker 1>chance to build a kingdom and rule, but he turns

0:23:17.520 --> 0:23:21.000
<v Speaker 1>it down, so Athena turns to Telegonus is dead and

0:23:21.680 --> 0:23:25.000
<v Speaker 1>he accepts even though it hurts, and she's scared, even

0:23:25.000 --> 0:23:27.760
<v Speaker 1>though it hurts her, and she's scared, Sarcey lets him go.

0:23:29.359 --> 0:23:33.000
<v Speaker 3>Yeah, And if you're curious, like uh, Athena was trying

0:23:33.000 --> 0:23:36.280
<v Speaker 3>to prevent the death of Odysseus, who was her champion,

0:23:37.000 --> 0:23:40.080
<v Speaker 3>and so she saw Telegonus was going to kill him

0:23:40.080 --> 0:23:43.560
<v Speaker 3>with the spear that her Circe made to protect him,

0:23:44.200 --> 0:23:45.919
<v Speaker 3>and all he wanted was to meet his dad. But

0:23:46.320 --> 0:23:48.600
<v Speaker 3>now that Odysseus is dead, she really doesn't care about

0:23:48.600 --> 0:23:50.000
<v Speaker 3>Telegonus are killing him anymore?

0:23:50.560 --> 0:23:50.760
<v Speaker 1>Right?

0:23:50.840 --> 0:23:53.440
<v Speaker 3>She wants Telemachus, But then she flips real quick til

0:23:53.480 --> 0:23:54.880
<v Speaker 3>Marcus is like, nah.

0:23:54.760 --> 0:23:56.400
<v Speaker 2>All right, then I'll go to tele.

0:24:00.040 --> 0:24:06.280
<v Speaker 3>So after Telegana sleeves, Circe confronts her father and blackmails

0:24:06.359 --> 0:24:10.119
<v Speaker 3>him to lift her exile. When he tells her not

0:24:10.200 --> 0:24:12.679
<v Speaker 3>to bring shame to the family, she tells him to

0:24:12.760 --> 0:24:14.280
<v Speaker 3>count her out of it. He's like, you are the

0:24:14.400 --> 0:24:16.199
<v Speaker 3>least of my four children, and she's like, well, how

0:24:16.240 --> 0:24:17.399
<v Speaker 3>about you just say you have three.

0:24:17.320 --> 0:24:19.080
<v Speaker 2>Children and just leave me out of the whole thing.

0:24:21.320 --> 0:24:24.280
<v Speaker 3>She teaches Penelope the basics of witchcraft and then journeys

0:24:24.320 --> 0:24:27.359
<v Speaker 3>with tell Macchus. First to Scilla, where she uses a

0:24:27.359 --> 0:24:30.200
<v Speaker 3>potion to turn her to stone and and her misery

0:24:30.240 --> 0:24:32.800
<v Speaker 3>and her reign of terror. Then to the beach where

0:24:32.880 --> 0:24:35.160
<v Speaker 3>she first found the plants that allowed her to turn

0:24:35.200 --> 0:24:38.440
<v Speaker 3>Glaucos into a god, also her first foray into witchcraft.

0:24:38.480 --> 0:24:42.240
<v Speaker 3>Really she picks them. Her and Telmachus become lovers, which

0:24:42.240 --> 0:24:44.159
<v Speaker 3>was probably the biggest surprise in the whole thing to me,

0:24:45.840 --> 0:24:49.080
<v Speaker 3>and they return to the island where Penelope has really

0:24:49.119 --> 0:24:52.359
<v Speaker 3>taken to this witch thing and houses all wayward nip

0:24:52.440 --> 0:24:55.040
<v Speaker 3>daughters that this was a bunch of thing, that a

0:24:55.119 --> 0:24:57.360
<v Speaker 3>task that was put on Circe, but she shunned it.

0:24:57.280 --> 0:24:58.119
<v Speaker 2>And refused to do it.

0:24:58.160 --> 0:25:02.320
<v Speaker 3>After a while, Andelopie has picked it back up. Sirs

0:25:02.440 --> 0:25:04.520
<v Speaker 3>plants one of the flowers on the island to see

0:25:04.560 --> 0:25:07.359
<v Speaker 3>if it might grow, and then she imbibes the west,

0:25:07.600 --> 0:25:11.480
<v Speaker 3>wishing to become a mortal. She sees a vision of

0:25:11.520 --> 0:25:13.679
<v Speaker 3>a future with Telemachus where they love each other and

0:25:13.720 --> 0:25:16.240
<v Speaker 3>have two daughters, that they travel, which is something they've

0:25:16.240 --> 0:25:20.520
<v Speaker 3>always wanted to do. They go to seed Telegonus and

0:25:20.920 --> 0:25:23.600
<v Speaker 3>that one day she dies, and that is the end.

0:25:25.520 --> 0:25:30.119
<v Speaker 3>And here here's the quote overhead the constellation's dip and wheel.

0:25:30.359 --> 0:25:32.560
<v Speaker 3>My divinity shines in me like the last rays of

0:25:32.600 --> 0:25:35.080
<v Speaker 3>the sun before they drown in the sea. I thought

0:25:35.160 --> 0:25:37.639
<v Speaker 3>once that gods are the opposite of death, but I

0:25:37.640 --> 0:25:40.080
<v Speaker 3>see now they are more dead than anything, for they

0:25:40.080 --> 0:25:43.080
<v Speaker 3>are unchanging and can hold nothing in their hands. All

0:25:43.160 --> 0:25:45.600
<v Speaker 3>my life, I've been moving forward, and now I am here.

0:25:45.960 --> 0:25:48.359
<v Speaker 3>I have a mortal's voice. Let me have the rest.

0:25:48.720 --> 0:25:51.200
<v Speaker 3>I lift the brimming bowl to my lips and drink.

0:25:52.600 --> 0:25:59.480
<v Speaker 1>Boom. Yeah's another Creek Also tragedy.

0:26:00.320 --> 0:26:04.200
<v Speaker 3>A tragic tragedy, as they say, there were certainly tragic moments,

0:26:04.240 --> 0:26:08.760
<v Speaker 3>but yeah, it was pretty powerful overall. But now let's

0:26:08.760 --> 0:26:12.480
<v Speaker 3>talk about some themes. But first let's pause for a

0:26:12.560 --> 0:26:14.080
<v Speaker 3>quick break for word from our sponsor.

0:26:27.600 --> 0:26:31.360
<v Speaker 1>Am We're sponsor yup, and it's time for themes. So

0:26:31.520 --> 0:26:34.480
<v Speaker 1>let's go ahead and jump into the power and obviously heroes.

0:26:34.760 --> 0:26:38.000
<v Speaker 1>So recurring theme throughout is the idea of heroes and

0:26:38.000 --> 0:26:41.480
<v Speaker 1>the people behind them and their stories. Again we talked

0:26:41.480 --> 0:26:44.720
<v Speaker 1>about with Greek myths. There's many A heroes, many A villains.

0:26:45.280 --> 0:26:47.560
<v Speaker 1>Again and again we learn that they are complex people

0:26:47.560 --> 0:26:50.160
<v Speaker 1>with flaws. More than the gloss over legends we read

0:26:50.240 --> 0:26:52.520
<v Speaker 1>growing up and more often than not, there was a

0:26:52.560 --> 0:26:55.720
<v Speaker 1>woman or many women behind them.

0:26:56.119 --> 0:26:58.560
<v Speaker 3>Yeah, and you see this especially with Odseus when we

0:26:58.640 --> 0:27:01.320
<v Speaker 3>learn about him through the lens of those who knew him.

0:27:01.760 --> 0:27:04.800
<v Speaker 3>So Telegonis had this beautiful, perfect story as head of

0:27:04.800 --> 0:27:07.640
<v Speaker 3>who his father was, the one in the stories we've

0:27:07.680 --> 0:27:10.080
<v Speaker 3>all read, and this is his mother was telling him

0:27:10.080 --> 0:27:13.480
<v Speaker 3>these stories. But Telemachus, who had grew up with him,

0:27:14.160 --> 0:27:15.600
<v Speaker 3>well no he hadn't grown up with him, but he

0:27:15.680 --> 0:27:19.919
<v Speaker 3>had seen him when he returned, had this really unflinching,

0:27:20.040 --> 0:27:24.199
<v Speaker 3>violent reality that he saw, as does circ although for

0:27:24.280 --> 0:27:27.280
<v Speaker 3>her she interpreted it somewhat differently, coming from the world

0:27:27.359 --> 0:27:30.800
<v Speaker 3>of gods and goddesses, and her interpretation changes when she

0:27:30.840 --> 0:27:33.360
<v Speaker 3>hears the pain it caused Telemachus, which.

0:27:33.200 --> 0:27:34.280
<v Speaker 2>Was a really interesting thing.

0:27:36.040 --> 0:27:38.640
<v Speaker 3>So through them we see a more complex character who

0:27:38.680 --> 0:27:43.640
<v Speaker 3>did have these amazing qualities but also was quite quite flawed.

0:27:45.840 --> 0:27:50.040
<v Speaker 3>This character who needed these adventures, these one time experiences,

0:27:50.080 --> 0:27:52.879
<v Speaker 3>as seriously calls them, to be like the first, to

0:27:52.960 --> 0:27:55.480
<v Speaker 3>be as close to immortality as possible, to be the

0:27:55.560 --> 0:27:59.040
<v Speaker 3>hero in these stories and is absolutely willing to hurt

0:27:59.040 --> 0:28:01.840
<v Speaker 3>others to achieve it and paint that as a heroic act.

0:28:03.000 --> 0:28:05.960
<v Speaker 1>And another thing woman throughout is power and what it

0:28:06.000 --> 0:28:08.639
<v Speaker 1>can look like, abuse of power and the limitations on

0:28:08.720 --> 0:28:11.960
<v Speaker 1>how people can achieve it, especially for women. Many of

0:28:11.960 --> 0:28:13.960
<v Speaker 1>the powerful women in the book are limited by the

0:28:13.960 --> 0:28:17.400
<v Speaker 1>men in their lives and punish if they transgress seriously.

0:28:17.600 --> 0:28:20.439
<v Speaker 1>Was banished by our father after our Power's frightened the Zeus,

0:28:20.920 --> 0:28:23.240
<v Speaker 1>her sister, tells of the depths of pain and sacrifice

0:28:23.359 --> 0:28:25.959
<v Speaker 1>she's made to hold on to power and to please

0:28:26.280 --> 0:28:28.879
<v Speaker 1>the cruel men in her life. Power in the thirst

0:28:28.920 --> 0:28:32.320
<v Speaker 1>of it drives these violent, crueland or thoughtless gods and

0:28:32.320 --> 0:28:36.680
<v Speaker 1>goddesses and many of the heroes in their orbit right.

0:28:38.920 --> 0:28:46.080
<v Speaker 3>And another big theme in this book is loneliness and immortality,

0:28:46.880 --> 0:28:49.600
<v Speaker 3>and I thought, I thought the author did a really

0:28:49.640 --> 0:28:51.480
<v Speaker 3>good job of that because it would be difficult to

0:28:51.480 --> 0:28:53.920
<v Speaker 3>write for someone who just has such a different perspective

0:28:54.000 --> 0:28:57.120
<v Speaker 3>on what it is to be alive and not to

0:28:57.120 --> 0:28:59.040
<v Speaker 3>have that fear. And I think the biggest for me,

0:28:59.240 --> 0:29:03.080
<v Speaker 3>the biggest point of that where it was like, oh wow,

0:29:03.200 --> 0:29:05.880
<v Speaker 3>this would be very strange experience for a goddess is

0:29:05.880 --> 0:29:08.520
<v Speaker 3>when she gave birth and she's like, oh my god, anything.

0:29:08.160 --> 0:29:10.880
<v Speaker 2>Could kill this child, Like she didn't really have to

0:29:10.880 --> 0:29:11.479
<v Speaker 2>worry about that.

0:29:11.600 --> 0:29:16.840
<v Speaker 3>But so let's talk about loneliness first, especially as it

0:29:16.840 --> 0:29:21.520
<v Speaker 3>does pertain to immortality. Circe spends centuries alone and isolated,

0:29:21.560 --> 0:29:24.120
<v Speaker 3>and it leads her to make choices. She later regrets

0:29:25.240 --> 0:29:29.280
<v Speaker 3>her affair with Hermes, when she once treasured his slights

0:29:29.360 --> 0:29:33.440
<v Speaker 3>as crumbs, letting down her guard around men that led

0:29:33.440 --> 0:29:36.560
<v Speaker 3>to her rape, her absolute determination not to let her

0:29:36.560 --> 0:29:41.280
<v Speaker 3>son leave her side. Her immortality also influences how she

0:29:41.320 --> 0:29:45.440
<v Speaker 3>sees people, and throughout the book we see her mature

0:29:45.800 --> 0:29:48.239
<v Speaker 3>and age over centuries and what I thought was a

0:29:48.280 --> 0:29:50.959
<v Speaker 3>really fascinating way because she has just such a longer

0:29:51.160 --> 0:29:56.760
<v Speaker 3>arc of time than we do, like we see her

0:29:56.800 --> 0:30:00.840
<v Speaker 3>counsel media and telegonis, for example, on mistakes that she

0:30:01.080 --> 0:30:03.840
<v Speaker 3>made in her youth only should be ignored, of course,

0:30:05.200 --> 0:30:08.400
<v Speaker 3>and the mortality of those she loves terrifies her and

0:30:08.520 --> 0:30:11.440
<v Speaker 3>saddens her. And yeah, you see that when her first

0:30:11.560 --> 0:30:16.080
<v Speaker 3>her child is born and everything becomes really dangerous, everything

0:30:16.800 --> 0:30:20.120
<v Speaker 3>is one heart beat less taking him away from her.

0:30:20.640 --> 0:30:23.280
<v Speaker 1>On top of the loneliness, there's a layer of betrayal

0:30:23.400 --> 0:30:27.000
<v Speaker 1>and abandonment, especially by the men in Sertuce's life, whether

0:30:27.000 --> 0:30:29.720
<v Speaker 1>it's her father, her brother, her lover, and this is

0:30:29.800 --> 0:30:33.520
<v Speaker 1>often after Sarce puts these men first. Male relationships take

0:30:33.560 --> 0:30:37.560
<v Speaker 1>precedent over sisterly relationships or mother daughter of relationships. For instance,

0:30:38.560 --> 0:30:41.600
<v Speaker 1>Cirrusly spends much of her time with her family, trying

0:30:41.600 --> 0:30:43.760
<v Speaker 1>to please her father to care for her younger brother,

0:30:44.160 --> 0:30:46.120
<v Speaker 1>and when she gets older, she learns that her sister

0:30:46.160 --> 0:30:51.240
<v Speaker 1>wanted a relationship with her surprise. Although it's understandable why

0:30:51.440 --> 0:30:53.800
<v Speaker 1>cirrus is shied away from her, yeah, because you know,

0:30:53.880 --> 0:30:56.360
<v Speaker 1>they kind of hated each other. This is something that

0:30:56.480 --> 0:30:59.440
<v Speaker 1>changes as seriously ages, and at the end she rejects

0:30:59.480 --> 0:31:03.440
<v Speaker 1>her father, we evaluate her younger brother and comes to

0:31:03.440 --> 0:31:05.840
<v Speaker 1>see at least a little bit of herself in the

0:31:05.880 --> 0:31:10.200
<v Speaker 1>women Throughout. Many women who start as antagonists ends as

0:31:10.280 --> 0:31:11.400
<v Speaker 1>something more.

0:31:12.760 --> 0:31:17.640
<v Speaker 3>Right, and that brings us to attitudes towards women that

0:31:17.680 --> 0:31:21.800
<v Speaker 3>we see in these books. In this book, the women

0:31:21.840 --> 0:31:24.720
<v Speaker 3>are almost always the ones that are punished or the

0:31:24.760 --> 0:31:27.800
<v Speaker 3>women lash out against men or women as a way

0:31:27.800 --> 0:31:29.680
<v Speaker 3>to feel like they aren't in prison, there's a way

0:31:29.720 --> 0:31:32.800
<v Speaker 3>to feel like they have some kind of power or agency.

0:31:33.840 --> 0:31:36.160
<v Speaker 3>Women are seen as pawns for the men to dole

0:31:36.200 --> 0:31:39.640
<v Speaker 3>out and chain in one way or another. There's a

0:31:39.680 --> 0:31:41.840
<v Speaker 3>lot of slut shaming too, and also a lot of

0:31:41.920 --> 0:31:45.040
<v Speaker 3>judging of Circe is basically a weird witch spinster. L

0:31:47.520 --> 0:31:49.760
<v Speaker 3>Another thing we see a lot of is women fighting women,

0:31:49.920 --> 0:31:52.640
<v Speaker 3>and I mean, like even in the beginning with Circe

0:31:52.800 --> 0:31:56.800
<v Speaker 3>and Scylla, which Circe does kind of by the end

0:31:56.800 --> 0:31:59.320
<v Speaker 3>of the book, that's like one of her final acts

0:31:59.360 --> 0:32:01.560
<v Speaker 3>is the book end that she goes and tries to

0:32:01.560 --> 0:32:05.400
<v Speaker 3>make that right. And most of the women who do

0:32:05.680 --> 0:32:09.960
<v Speaker 3>succeed in this world do so through cruelty, like Circe's sister,

0:32:10.200 --> 0:32:14.560
<v Speaker 3>are kind of by like Circe's sister, I just found

0:32:14.600 --> 0:32:18.400
<v Speaker 3>her so fascinating because she kind of she didn't really succeed,

0:32:18.480 --> 0:32:20.560
<v Speaker 3>but she was as close as I imagine you can

0:32:20.600 --> 0:32:23.880
<v Speaker 3>get in this like really male dominated world. And that's

0:32:23.920 --> 0:32:28.240
<v Speaker 3>why she was so cruel and cut you to the bone,

0:32:28.680 --> 0:32:31.520
<v Speaker 3>because she had to play the game and she was

0:32:31.560 --> 0:32:33.640
<v Speaker 3>miserable for like she said, she talked about all the

0:32:33.640 --> 0:32:36.120
<v Speaker 3>pains she went through and the sacrifices she made, but

0:32:36.200 --> 0:32:44.240
<v Speaker 3>she was also like, yeah, pretty terrible, and yes, these

0:32:44.240 --> 0:32:47.520
<v Speaker 3>women were often cruel to other women.

0:32:48.680 --> 0:32:50.640
<v Speaker 2>And I remember I wrote this.

0:32:50.600 --> 0:32:52.720
<v Speaker 3>Down on a notepad when I was reading it and

0:32:52.760 --> 0:32:54.640
<v Speaker 3>I just wanted to put it in here because there's

0:32:54.680 --> 0:32:57.440
<v Speaker 3>definitely a vibe of lady, get married or you are

0:32:57.480 --> 0:32:59.760
<v Speaker 3>nothing and if no one wants to marry you, you're nothing.

0:33:01.240 --> 0:33:04.920
<v Speaker 2>Wow. It was pretty powerful. I mean throughout the.

0:33:04.960 --> 0:33:07.320
<v Speaker 1>Entire book, all the women are definitely pandering. Two men

0:33:07.960 --> 0:33:12.040
<v Speaker 1>that hired heroic man.

0:33:12.800 --> 0:33:16.200
<v Speaker 3>Really again, they were the ones probably behind the whole thing,

0:33:16.480 --> 0:33:16.960
<v Speaker 3>and take.

0:33:16.880 --> 0:33:20.120
<v Speaker 1>Care less if they were there or not. So going

0:33:20.160 --> 0:33:23.000
<v Speaker 1>back to that hero worship thing, we see so many

0:33:23.040 --> 0:33:27.600
<v Speaker 1>men taking credit for women's work and making themselves the

0:33:27.680 --> 0:33:31.200
<v Speaker 1>hero of the story. Is particularly exemplified in the marriage

0:33:31.200 --> 0:33:34.480
<v Speaker 1>between Jason and Medea, after Medea had used magic to

0:33:34.520 --> 0:33:38.480
<v Speaker 1>save him again and again and pretty much got that

0:33:38.560 --> 0:33:41.080
<v Speaker 1>golden fleece for him. Yet when he tells the story,

0:33:41.200 --> 0:33:45.280
<v Speaker 1>he's obviously the hero, and people remember him as the

0:33:45.400 --> 0:33:46.840
<v Speaker 1>hero and pass that story on.

0:33:47.520 --> 0:33:48.080
<v Speaker 5>It's written.

0:33:48.400 --> 0:33:53.120
<v Speaker 1>She Medea was silent alone moment one of Jason let

0:33:53.200 --> 0:33:55.000
<v Speaker 1>him be a hero. You are something else?

0:33:55.640 --> 0:33:56.400
<v Speaker 5>And what is that?

0:33:57.120 --> 0:33:57.680
<v Speaker 2>In my mind?

0:33:57.720 --> 0:34:00.600
<v Speaker 1>I saw us already our husband together over the purple

0:34:00.600 --> 0:34:03.640
<v Speaker 1>flowers of Aconite, the black roots of Molly. I would

0:34:03.680 --> 0:34:06.520
<v Speaker 1>rescue her from her tainted pass, of which I said

0:34:06.800 --> 0:34:09.800
<v Speaker 1>with unbound power, who need answer to none but herself.

0:34:11.719 --> 0:34:16.560
<v Speaker 3>But Medea says me, and we're holding off about that

0:34:16.640 --> 0:34:21.040
<v Speaker 3>more or later. Then there's the fact that Cirrus lies

0:34:21.080 --> 0:34:23.160
<v Speaker 3>to her son about the acts of his father DC

0:34:23.239 --> 0:34:25.640
<v Speaker 3>used to protect the child's image of him. And it

0:34:25.719 --> 0:34:28.919
<v Speaker 3>really emphasizes, at least to me, that's saying behind every

0:34:28.960 --> 0:34:32.960
<v Speaker 3>gay man, there is a woman. There's also many instances

0:34:33.000 --> 0:34:36.440
<v Speaker 3>of women making sacrifices that go ignored for love, only

0:34:36.480 --> 0:34:39.560
<v Speaker 3>to be discarded are otherwise punished. Also in that example

0:34:39.560 --> 0:34:43.560
<v Speaker 3>with Media and Jason, Jason, even at this early stage,

0:34:43.600 --> 0:34:47.640
<v Speaker 3>was clearly scared of Medea like in her power, and

0:34:47.760 --> 0:34:51.480
<v Speaker 3>was already kind of trying to distance himself even though

0:34:52.200 --> 0:34:56.600
<v Speaker 3>she'd gotten him that fleece pretty much. Here's another quote.

0:34:57.040 --> 0:35:00.000
<v Speaker 3>The nymphs wafted around me. There's smothered laughter drifted down

0:35:00.080 --> 0:35:02.200
<v Speaker 3>on the halls. At least I told myself it was

0:35:02.239 --> 0:35:04.640
<v Speaker 3>not their brothers who would have bragged and fought and

0:35:04.719 --> 0:35:07.120
<v Speaker 3>hunted down my wolves. But of course there was never

0:35:07.160 --> 0:35:09.960
<v Speaker 3>a real danger. Sons were not punished.

0:35:11.719 --> 0:35:15.400
<v Speaker 1>So there are so many tales of keeping wives in chains,

0:35:15.520 --> 0:35:19.240
<v Speaker 1>of torturing them, of pretty much disposing of them keeping

0:35:19.239 --> 0:35:23.360
<v Speaker 1>powerful women tamed in golden cages, making these smaller promises

0:35:23.400 --> 0:35:26.880
<v Speaker 1>of false power, of men afraid of powerful women, keeping

0:35:26.920 --> 0:35:30.759
<v Speaker 1>knowledge of magic to themselves, or punishing women for it

0:35:30.960 --> 0:35:35.160
<v Speaker 1>seriously specifically to an island by ourself. And when describing

0:35:35.160 --> 0:35:38.480
<v Speaker 1>her niece, the Demi goddess Medea, now that I knew

0:35:38.520 --> 0:35:41.400
<v Speaker 1>who she was, such meekness looked absurd on her, like

0:35:42.040 --> 0:35:44.600
<v Speaker 1>a great eagle trying to hunch down to fit inside

0:35:44.640 --> 0:35:46.000
<v Speaker 1>a sparrow's nest.

0:35:47.080 --> 0:35:51.840
<v Speaker 3>Yeah, yeah, I loved that quote, which brings us to

0:35:51.920 --> 0:35:54.600
<v Speaker 3>something we talk about a lot on this show, Women

0:35:54.719 --> 0:35:59.600
<v Speaker 3>Getting But first let's pause for one more quick break

0:35:59.600 --> 0:36:16.480
<v Speaker 3>for words. I'm a sponsor, and we're back, Thank you sponsor.

0:36:16.600 --> 0:36:20.560
<v Speaker 3>And yes, we are back with women getting revenge because

0:36:20.560 --> 0:36:23.400
<v Speaker 3>there are so many instances of it and revenge in general,

0:36:23.400 --> 0:36:26.839
<v Speaker 3>but specifically in this case, women getting revenge. Uh, You've

0:36:26.880 --> 0:36:30.560
<v Speaker 3>got Circe's sister cursing her husband for cheating by turning

0:36:30.600 --> 0:36:34.160
<v Speaker 3>his sperm into stinging insects that killed.

0:36:33.920 --> 0:36:36.960
<v Speaker 2>The women who slept with Which sounds.

0:36:37.080 --> 0:36:39.120
<v Speaker 1>Or which is really funny that it killed the woman

0:36:39.120 --> 0:36:40.440
<v Speaker 1>instead of him? I guess it.

0:36:40.600 --> 0:36:46.000
<v Speaker 3>Yes again again, women punishing other women and seeing disposable

0:36:46.200 --> 0:36:50.319
<v Speaker 3>women is disposable. Then of course there's Searcy killing and

0:36:50.360 --> 0:36:52.680
<v Speaker 3>burning the man who raped her and turning his crew

0:36:52.680 --> 0:36:55.600
<v Speaker 3>into pigs. After that, she punishes any man who come

0:36:55.600 --> 0:36:58.640
<v Speaker 3>to her island with the same which she turns into pigs,

0:37:00.280 --> 0:37:02.520
<v Speaker 3>especially when they learned she's a one alone and they

0:37:02.560 --> 0:37:05.560
<v Speaker 3>do not care that she is a goddess. Yeah, she'll

0:37:06.440 --> 0:37:08.359
<v Speaker 3>she has like this whole wine set up. She puts

0:37:08.400 --> 0:37:11.200
<v Speaker 3>some drug into wine and says the magic word fall asleep,

0:37:11.239 --> 0:37:16.040
<v Speaker 3>turn into pigs. And she doesn't stop doing this until Odysseus,

0:37:16.080 --> 0:37:20.080
<v Speaker 3>and later admits to herself that she almost lost herself

0:37:20.120 --> 0:37:23.560
<v Speaker 3>to cold fury that she was turning men into pigs indiscriminately.

0:37:24.400 --> 0:37:27.360
<v Speaker 3>And that is another recurrent theme in the book Regret,

0:37:27.440 --> 0:37:30.359
<v Speaker 3>And that's one of my favorite quotes is do not

0:37:30.400 --> 0:37:31.400
<v Speaker 3>take my regret from me.

0:37:31.560 --> 0:37:32.000
<v Speaker 1>M M.

0:37:32.320 --> 0:37:32.839
<v Speaker 2>I like that.

0:37:33.160 --> 0:37:37.040
<v Speaker 1>So here's another quote, mistress. It was later again, when

0:37:37.040 --> 0:37:40.640
<v Speaker 1>will your husband be home? We would toast such fine hospitality,

0:37:41.000 --> 0:37:43.480
<v Speaker 1>I laughed, Oh, I do not have a husband. He

0:37:43.600 --> 0:37:46.279
<v Speaker 1>smiled back. Of course, he said, you're too young to

0:37:46.320 --> 0:37:48.600
<v Speaker 1>be married. Then it is your father. We must think.

0:37:49.080 --> 0:37:51.719
<v Speaker 1>It was full dark outside and the room glowed warm

0:37:51.760 --> 0:37:54.680
<v Speaker 1>and bright. My father was far away, I said, I

0:37:54.719 --> 0:37:57.320
<v Speaker 1>waited for them to ask who he was a liplighter.

0:37:57.320 --> 0:38:00.120
<v Speaker 1>That would be a good gest, I smelled myself. And

0:38:00.120 --> 0:38:02.720
<v Speaker 1>perhaps there's some other hosts we should think, an uncle,

0:38:02.920 --> 0:38:05.600
<v Speaker 1>a brother, if you would thank your host, I said,

0:38:05.680 --> 0:38:08.520
<v Speaker 1>thank me. This house is mine alone. And at that

0:38:08.600 --> 0:38:10.920
<v Speaker 1>word the air changed the room.

0:38:12.160 --> 0:38:15.960
<v Speaker 3>Yeah, so this was a really like terrifying because he

0:38:16.000 --> 0:38:16.680
<v Speaker 3>was trying to find.

0:38:16.560 --> 0:38:17.600
<v Speaker 2>Out there's a man's probing.

0:38:17.760 --> 0:38:18.640
<v Speaker 5>Yeah.

0:38:18.880 --> 0:38:25.279
<v Speaker 3>Yeah, so that after that seriously is raped by the

0:38:25.320 --> 0:38:28.920
<v Speaker 3>captain and then kills him and turns the crew into pigs.

0:38:29.440 --> 0:38:35.600
<v Speaker 3>And then we see much later. Here's another quote, Mistress.

0:38:35.719 --> 0:38:37.440
<v Speaker 3>The leader would say, do not tell me that such

0:38:37.440 --> 0:38:40.080
<v Speaker 3>a beauty as yourself dwells all alone? Oh yes, I

0:38:40.080 --> 0:38:42.960
<v Speaker 3>would answer, quite alone, he would smile. He could not

0:38:43.040 --> 0:38:45.600
<v Speaker 3>help it. There was never any fear in him. Why

0:38:45.600 --> 0:38:47.600
<v Speaker 3>should there be. He had already noted for himself that

0:38:47.640 --> 0:38:49.560
<v Speaker 3>there was no man's cloak hanging by the door, no

0:38:49.640 --> 0:38:52.279
<v Speaker 3>hunter's bow, no shepherd's staff, no sign of brothers or

0:38:52.320 --> 0:38:56.600
<v Speaker 3>fathers or sons. No vengeance would follow after. If I

0:38:56.640 --> 0:38:59.560
<v Speaker 3>were valuable to anyone, I would not be allowed to

0:38:59.600 --> 0:39:06.400
<v Speaker 3>live alone. Yeah, and that's something that really hurts her too,

0:39:06.560 --> 0:39:09.560
<v Speaker 3>is her father surely knew that this was going to happen,

0:39:09.680 --> 0:39:14.000
<v Speaker 3>and did happen and did not come. Even though she

0:39:14.120 --> 0:39:16.840
<v Speaker 3>is a powerful witch, she is a woman alone in

0:39:16.880 --> 0:39:19.360
<v Speaker 3>the world and has to use techniques of self defense

0:39:19.480 --> 0:39:21.080
<v Speaker 3>that all women can recognize.

0:39:21.120 --> 0:39:21.160
<v Speaker 1>That.

0:39:21.120 --> 0:39:23.000
<v Speaker 3>That's something else I liked about this book is even

0:39:23.040 --> 0:39:26.040
<v Speaker 3>though it's like gods and goddesses, there are these themes

0:39:26.040 --> 0:39:28.280
<v Speaker 3>that you're like, no I can relate.

0:39:28.080 --> 0:39:33.439
<v Speaker 1>To her right oh man. Obviously. Another thing that we

0:39:33.560 --> 0:39:39.440
<v Speaker 1>have talked about many a times is motherhood, specifically single motherhood,

0:39:39.560 --> 0:39:42.719
<v Speaker 1>which is a big part of this book. When Circe

0:39:42.920 --> 0:39:46.359
<v Speaker 1>gives birth, she is alone and terrified, more terrified than

0:39:46.360 --> 0:39:49.359
<v Speaker 1>she has ever been. She can feel a goddess trying

0:39:49.360 --> 0:39:51.319
<v Speaker 1>to hold her baby back to kill it, but she

0:39:51.320 --> 0:39:53.799
<v Speaker 1>fights harder than she has ever fought, and after the

0:39:53.800 --> 0:39:56.520
<v Speaker 1>baby is born, despite being a difficult baby that cries

0:39:56.560 --> 0:40:00.279
<v Speaker 1>and fights, she realizes she would do anything to protect him,

0:40:00.320 --> 0:40:03.320
<v Speaker 1>and she does. With her magic, she is able to

0:40:03.360 --> 0:40:05.880
<v Speaker 1>keep Athena out. She walks to the darkest stepths of

0:40:05.920 --> 0:40:07.799
<v Speaker 1>the ocean and accepts the deal given to her for

0:40:08.040 --> 0:40:11.680
<v Speaker 1>unending pain in exchange for the god killing weapon to

0:40:11.719 --> 0:40:15.319
<v Speaker 1>protect her son, the weapon that would later kill the

0:40:15.440 --> 0:40:19.719
<v Speaker 1>father Odysseus when Telegani's journeys to meet him, causing her

0:40:19.760 --> 0:40:22.960
<v Speaker 1>son great pain. And she describes raising her son as

0:40:22.960 --> 0:40:26.160
<v Speaker 1>the most difficult of her life. That she's always exhausted,

0:40:26.239 --> 0:40:29.600
<v Speaker 1>which I was about right, and her waking hours consumed

0:40:29.719 --> 0:40:32.520
<v Speaker 1>with worry and work and letting him go is one

0:40:32.560 --> 0:40:36.200
<v Speaker 1>of the hardest things she has ever had to do. Oh,

0:40:36.280 --> 0:40:38.920
<v Speaker 1>and she finds so much strength in motherhood. She learns

0:40:38.920 --> 0:40:41.239
<v Speaker 1>even she doesn't know just how powerful she is and

0:40:41.320 --> 0:40:42.279
<v Speaker 1>just what she can do.

0:40:43.880 --> 0:40:46.040
<v Speaker 3>Yeah, and I loved that too, of her trying to

0:40:46.040 --> 0:40:49.200
<v Speaker 3>figure out again she's not mortal. So she's like, oh,

0:40:49.280 --> 0:40:51.400
<v Speaker 3>I got to make all these diapers. This isn't enough diapers.

0:40:51.480 --> 0:40:53.480
<v Speaker 2>Oh my god, it's longer again, it's still fear.

0:40:53.640 --> 0:40:53.880
<v Speaker 1>Oh no.

0:40:57.600 --> 0:41:00.480
<v Speaker 3>So I wanted to end on this cue, which I loved.

0:41:01.040 --> 0:41:04.920
<v Speaker 3>It is a common saying that women are delicate creatures, flowers, eggs,

0:41:04.960 --> 0:41:07.680
<v Speaker 3>anything that may be crushed in a moment's carelessness.

0:41:08.080 --> 0:41:10.839
<v Speaker 2>If I had ever believed it, I no longer did.

0:41:12.160 --> 0:41:14.239
<v Speaker 3>And this is what Circe thinks after talking to a

0:41:14.320 --> 0:41:19.760
<v Speaker 3>DC's wife Penelope and Yeah, that whole scene really drives

0:41:19.760 --> 0:41:21.840
<v Speaker 3>home out terrifying being a parent can be in this

0:41:21.960 --> 0:41:27.400
<v Speaker 3>single motherhood and the strength of women in these stories,

0:41:30.400 --> 0:41:34.320
<v Speaker 3>which I loved because yeah, when you read those Greek myths,

0:41:34.400 --> 0:41:37.520
<v Speaker 3>they are mostly about like the male heroes and then

0:41:37.560 --> 0:41:44.000
<v Speaker 3>the duplicitous like female goddesses messing with things or the

0:41:44.360 --> 0:41:47.759
<v Speaker 3>like really attractive young lady that caused.

0:41:47.440 --> 0:41:48.320
<v Speaker 2>A war or something.

0:41:48.400 --> 0:41:52.239
<v Speaker 3>Right, So it was good to get this different take

0:41:52.440 --> 0:41:55.040
<v Speaker 3>fleshed out conflicts female characters.

0:41:55.160 --> 0:41:57.399
<v Speaker 1>I loved it, right, they are usually side characters who

0:41:57.560 --> 0:42:01.960
<v Speaker 1>just give birth to babies, have gods who oftentimes didn't

0:42:01.960 --> 0:42:06.320
<v Speaker 1>have a choice, and being impregnated so.

0:42:07.840 --> 0:42:11.320
<v Speaker 2>Either killed or osta size.

0:42:12.800 --> 0:42:13.200
<v Speaker 1>Yeah.

0:42:13.520 --> 0:42:19.400
<v Speaker 3>Yeah, so I highly recommend it, and we would love

0:42:19.760 --> 0:42:25.160
<v Speaker 3>your recommendations for what on next book club pick should be. Yes,

0:42:25.640 --> 0:42:27.960
<v Speaker 3>you can send those to our email, which is Stuff

0:42:28.000 --> 0:42:30.760
<v Speaker 3>Media Mom Stuff at iHeartMedia dot com. You can also

0:42:30.800 --> 0:42:32.960
<v Speaker 3>find us on Instagram at stephone Never Told You or

0:42:33.000 --> 0:42:35.680
<v Speaker 3>on Twitter at Momstoff Podcast. Thanks as always to our

0:42:35.719 --> 0:42:39.680
<v Speaker 3>super producer Andrew Howard. Oh, thanks Andrew, and thanks to

0:42:39.719 --> 0:42:42.040
<v Speaker 3>you for listening. Steffane Never Told You his protection of

0:42:42.080 --> 0:42:46.080
<v Speaker 3>iHeartRadio for more podcasts from iHeartRadio visits, iHeartRadio app, Apple podcasts,

0:42:46.120 --> 0:43:02.000
<v Speaker 3>or wherever you listen to your favorite shows.