1 00:00:00,040 --> 00:00:03,440 Speaker 1: First of all, you don't know me. We all about 2 00:00:03,480 --> 00:00:06,280 Speaker 1: that high school drama, Girl Drama, Girl, all about them 3 00:00:06,360 --> 00:00:09,479 Speaker 1: high school queens. We'll take you for a ride in 4 00:00:09,560 --> 00:00:16,439 Speaker 1: our comic girl drama Queens, Girl Fashion. But you'll tough girl. 5 00:00:16,560 --> 00:00:19,600 Speaker 1: You can sit with us. Girl Drama, Queens Drama, Queen's Drama, 6 00:00:19,680 --> 00:00:27,720 Speaker 1: Queen's Drama Drawn, Queen's Drama Queens. You guys, welcome to 7 00:00:27,760 --> 00:00:31,680 Speaker 1: another one of our totally sweet, totally random bonus episodes 8 00:00:31,800 --> 00:00:35,599 Speaker 1: where we just answer a fan questions. Um, we all 9 00:00:35,640 --> 00:00:39,400 Speaker 1: just sent out a tweet that we wanted your questions 10 00:00:39,400 --> 00:00:41,320 Speaker 1: because we're all getting together and like hopping on the 11 00:00:41,320 --> 00:00:47,360 Speaker 1: phone joys in an airport. Honestly, I just love our commitment. Yeah, 12 00:00:47,680 --> 00:00:49,720 Speaker 1: I'm just flying across the country, but I'll still be 13 00:00:49,760 --> 00:00:52,720 Speaker 1: there at eight am. It is very early today everyone, 14 00:00:53,960 --> 00:00:57,200 Speaker 1: So rather than send a question, someone just sent us 15 00:00:57,240 --> 00:01:02,400 Speaker 1: an article from sixteen that says, let's discuss this insane 16 00:01:02,560 --> 00:01:06,320 Speaker 1: One Tree Hill fan theory about Chris Keller and Dan Scott. 17 00:01:06,640 --> 00:01:11,240 Speaker 1: What have you heard about this nook For the tweet, 18 00:01:11,280 --> 00:01:13,720 Speaker 1: there's so many questions, it says. One of the most 19 00:01:13,760 --> 00:01:17,160 Speaker 1: nauseating characters on the show besides Dana debb was Chris Keller. 20 00:01:18,240 --> 00:01:22,760 Speaker 1: People are suggesting that he's another one of Dan Scott's 21 00:01:22,800 --> 00:01:30,720 Speaker 1: illegitimate sons. No, how could this be? Oh? Also, when 22 00:01:30,760 --> 00:01:38,000 Speaker 1: he met Dan, Dan said he reminded him of himself. Interesting. Interesting. 23 00:01:38,240 --> 00:01:40,160 Speaker 1: I don't know, guys, I don't know if I buy 24 00:01:40,200 --> 00:01:45,119 Speaker 1: that theory. It's a small town, but I think I 25 00:01:45,160 --> 00:01:50,440 Speaker 1: think um, the the king of the small town having 26 00:01:50,880 --> 00:01:54,880 Speaker 1: to children with people other than his wife might be aggressive. 27 00:01:55,200 --> 00:01:57,600 Speaker 1: Although I don't know. Mari Poe, which has been on 28 00:01:57,640 --> 00:02:01,400 Speaker 1: the air for a real long the whole the father 29 00:02:02,920 --> 00:02:06,320 Speaker 1: it's like a paternity test every week. Also, Chris Keller 30 00:02:06,360 --> 00:02:09,680 Speaker 1: was supposed to be older than us, So does that 31 00:02:09,760 --> 00:02:12,800 Speaker 1: mean the Dan was skirting around like as a sophomore 32 00:02:12,800 --> 00:02:18,440 Speaker 1: in high school? Maybe? Mm hmm wild. I don't know, guys. Anyway, 33 00:02:18,480 --> 00:02:20,600 Speaker 1: that was a fun way to kick off this bit. 34 00:02:22,760 --> 00:02:25,840 Speaker 1: I love like a news headline. I'm such a sucker. 35 00:02:26,919 --> 00:02:28,640 Speaker 1: What questions do we got? Baby? You know what? I 36 00:02:28,680 --> 00:02:31,680 Speaker 1: think was actually really sweet. Somebody just asked, oh my god, 37 00:02:31,720 --> 00:02:33,800 Speaker 1: they're coming in so fast, I'm starting to lose them. 38 00:02:33,800 --> 00:02:37,000 Speaker 1: Hold on, hold on, Okay, well I've lost it in 39 00:02:37,040 --> 00:02:41,560 Speaker 1: the in the feed. But somebody said was there a 40 00:02:41,680 --> 00:02:45,120 Speaker 1: character that you would have liked to end up in 41 00:02:45,120 --> 00:02:50,720 Speaker 1: a couple with mm hm is essentially the question, Um, 42 00:02:50,760 --> 00:02:56,280 Speaker 1: are you going to answer that? I mean, look, we 43 00:02:56,360 --> 00:02:58,800 Speaker 1: all know who our characters and games are, and that's great. 44 00:02:58,840 --> 00:03:02,519 Speaker 1: We watched it exists. But I think it's no secret, 45 00:03:03,480 --> 00:03:06,120 Speaker 1: especially as we're re watching seasons one and two, that 46 00:03:06,400 --> 00:03:11,440 Speaker 1: I am an enormous fan of the would be relationship 47 00:03:11,520 --> 00:03:14,760 Speaker 1: between Brooke Tavis and Marvin McFadden. Oh, I love it, 48 00:03:15,240 --> 00:03:20,520 Speaker 1: I love it. Continuing, I think she's going to co 49 00:03:20,680 --> 00:03:24,399 Speaker 1: sign all that answer, UM, don't you think? Yeah, we're 50 00:03:24,400 --> 00:03:27,560 Speaker 1: reading O our tweet questions Joy, what airport are you? 51 00:03:27,600 --> 00:03:30,200 Speaker 1: And I'm at L A X and Tom Bradley Terminal. 52 00:03:30,280 --> 00:03:32,200 Speaker 1: Can you guys hear me? Because I've got my headphones on, 53 00:03:32,280 --> 00:03:35,040 Speaker 1: but there's no I'm just using the computer speaker. Yeah, 54 00:03:35,080 --> 00:03:38,320 Speaker 1: you actually sound pretty great, great okay? And you look 55 00:03:38,400 --> 00:03:42,240 Speaker 1: cool to know. I'm like, how does your hair do that? What? 56 00:03:42,360 --> 00:03:45,560 Speaker 1: It looks awful? What are you talking about? Every time 57 00:03:45,560 --> 00:03:48,200 Speaker 1: we get on zoom, I'm like, what is how just 58 00:03:48,360 --> 00:03:51,560 Speaker 1: how last week you looked like you rolled out of 59 00:03:51,600 --> 00:03:55,280 Speaker 1: the seventies. Today you're like mess him at the airport 60 00:03:55,320 --> 00:03:58,360 Speaker 1: and I'm like, if that was my mess, I'd be thrilled. Oh, 61 00:03:58,480 --> 00:04:01,400 Speaker 1: I love you guys. I I'm still trying to put 62 00:04:01,440 --> 00:04:03,000 Speaker 1: myself together this morning, but you know what I have 63 00:04:03,080 --> 00:04:06,320 Speaker 1: to say, my hair is sort of the one super 64 00:04:06,400 --> 00:04:10,040 Speaker 1: fun constant in my life. But I can always like 65 00:04:10,520 --> 00:04:11,960 Speaker 1: you know, you know what I mean. It's like I 66 00:04:12,000 --> 00:04:14,200 Speaker 1: could always change my look. It's fun. It's been playing 67 00:04:14,200 --> 00:04:16,120 Speaker 1: with hair anyway. What are you guys talking about? What's 68 00:04:16,120 --> 00:04:18,839 Speaker 1: going on? Well, Sophia just asked a really good question 69 00:04:18,960 --> 00:04:21,560 Speaker 1: from we're reading the fan questions and there I was 70 00:04:21,600 --> 00:04:23,440 Speaker 1: just saying, the tweets are coming in so fast, I'm 71 00:04:23,440 --> 00:04:28,280 Speaker 1: actually like losing them in the thread. But somebody asked, um, 72 00:04:28,320 --> 00:04:32,320 Speaker 1: if if your character could have ended up with any 73 00:04:32,360 --> 00:04:36,400 Speaker 1: other character, like aside from your endgame couple, who would 74 00:04:36,440 --> 00:04:39,479 Speaker 1: it be? And we gave the disclaimer No one's allowed 75 00:04:39,520 --> 00:04:41,600 Speaker 1: to get mad that we're not rooting for our endgame. 76 00:04:41,680 --> 00:04:44,880 Speaker 1: This is this is for fun. And I was just saying, 77 00:04:45,000 --> 00:04:48,240 Speaker 1: especially given the episodes that we're watching, I mean the 78 00:04:48,279 --> 00:04:52,080 Speaker 1: time capsule, I just would have loved to see a 79 00:04:52,160 --> 00:04:56,760 Speaker 1: broken mouth yea like fun? Oh yeah, I love that. 80 00:04:56,800 --> 00:04:59,520 Speaker 1: Did you have one? Hillary? I haven't answered yet, but 81 00:04:59,600 --> 00:05:04,040 Speaker 1: you know mine as skills. Damn, I was thinking about skills. 82 00:05:04,360 --> 00:05:05,880 Speaker 1: I don't know We're going to have a week, going 83 00:05:05,920 --> 00:05:12,960 Speaker 1: to have a love triangle with skills. Honestly though, I 84 00:05:13,000 --> 00:05:20,880 Speaker 1: would watch the spiral that Peyton like always goes on. 85 00:05:21,600 --> 00:05:25,160 Speaker 1: I feel like skills has the capability to pull her 86 00:05:25,200 --> 00:05:28,280 Speaker 1: out of her bowls and be calm down, don't be 87 00:05:28,279 --> 00:05:32,080 Speaker 1: an idiot, relax. Well, if you get skills that I want, 88 00:05:32,800 --> 00:05:39,640 Speaker 1: I want, you could just sing together all all the time. 89 00:05:39,720 --> 00:05:43,640 Speaker 1: We just like live a life of musicians, travel and 90 00:05:44,200 --> 00:05:47,719 Speaker 1: raised babies, never wear shoes. You guys would just be 91 00:05:47,839 --> 00:05:53,120 Speaker 1: like playing guitar and tapping your feet. Okay for it. 92 00:05:53,640 --> 00:05:56,159 Speaker 1: We're onto something. Get are so are you? Guys? Like 93 00:05:56,279 --> 00:05:59,640 Speaker 1: on Twitter scrolling through Sorry every sorry everybody out there. 94 00:05:59,680 --> 00:06:02,360 Speaker 1: If it's sounds, can you hear that high pitched deeping? 95 00:06:02,680 --> 00:06:04,680 Speaker 1: I can try and mute it, but I'm in the airport. 96 00:06:05,040 --> 00:06:09,000 Speaker 1: It's actually it's ambiance because now everyone at home feels 97 00:06:09,000 --> 00:06:12,400 Speaker 1: like they're in the airport with you and we're all 98 00:06:12,440 --> 00:06:16,000 Speaker 1: just we're on a layover together. Baby from the Tom 99 00:06:16,040 --> 00:06:19,520 Speaker 1: Bradley Germinal. I like it because this is usually what 100 00:06:19,560 --> 00:06:22,239 Speaker 1: happens when the three of us are on FaceTime like always, 101 00:06:22,320 --> 00:06:25,400 Speaker 1: one of us is in that little FaceTime square running 102 00:06:25,440 --> 00:06:30,800 Speaker 1: through something. So Hilary's got like five plates and just 103 00:06:30,880 --> 00:06:35,159 Speaker 1: feeding children and goes like it's the last time set 104 00:06:35,279 --> 00:06:37,640 Speaker 1: like stebbing food in her mouth. They're like calling for her, 105 00:06:37,680 --> 00:06:39,680 Speaker 1: and she's like, but I'm here talking to my friends, 106 00:06:39,920 --> 00:06:43,040 Speaker 1: like hold on, just one second, just one The last 107 00:06:43,080 --> 00:06:44,719 Speaker 1: time I sent you guys a video, it was in 108 00:06:44,760 --> 00:06:47,000 Speaker 1: the school pickup line getting Gus and I was in 109 00:06:47,040 --> 00:06:50,280 Speaker 1: a rental car, so he didn't recognize me, and I'm like, Gus, 110 00:06:50,560 --> 00:06:54,480 Speaker 1: God damn it, Gus, I'm over here. I could have 111 00:06:54,520 --> 00:06:56,839 Speaker 1: like hit pause on the video. Whatever you hated the 112 00:06:56,839 --> 00:06:59,440 Speaker 1: world that day? Man, Oh my god, I was gonna 113 00:06:59,480 --> 00:07:03,880 Speaker 1: fiss like everything. So okay, so I have a good 114 00:07:03,880 --> 00:07:09,039 Speaker 1: one here, do it because it's super relevant to the 115 00:07:09,040 --> 00:07:13,320 Speaker 1: episodes were in the midst of now. Um Marie son 116 00:07:13,520 --> 00:07:16,760 Speaker 1: is asking, since Joy was touring, how much did she 117 00:07:17,000 --> 00:07:20,520 Speaker 1: know about the storyline Because you guys were out on 118 00:07:20,560 --> 00:07:22,680 Speaker 1: the road, did you have any idea what the rest 119 00:07:22,680 --> 00:07:25,960 Speaker 1: of us were doing back home? No idea, no idea. 120 00:07:26,000 --> 00:07:28,040 Speaker 1: In fact, you know, I was just watching a little bit, 121 00:07:28,520 --> 00:07:32,160 Speaker 1: uh of the last episode and the whole Jake and 122 00:07:32,240 --> 00:07:34,520 Speaker 1: Jenny thing. I mean I knew that there was Jake 123 00:07:34,560 --> 00:07:36,560 Speaker 1: and Jenny and that Nikki, like I knew that was 124 00:07:36,600 --> 00:07:39,040 Speaker 1: happening around Peyton, but I didn't really know that storyline. 125 00:07:39,320 --> 00:07:43,080 Speaker 1: I completely forgot that Brook moved and with Karen it 126 00:07:43,160 --> 00:07:46,680 Speaker 1: took over Lucas, which is so cool. Um, yeah, totally 127 00:07:46,680 --> 00:07:51,240 Speaker 1: forgot about that, and uh and the thing I just 128 00:07:51,320 --> 00:07:53,080 Speaker 1: I mean I knew it happened, but I didn't actually 129 00:07:53,120 --> 00:07:56,080 Speaker 1: watch any of this stuff. Um and oh when this 130 00:07:56,120 --> 00:08:02,640 Speaker 1: whole thing about Lucas finding like cash and ledgers and 131 00:08:02,920 --> 00:08:08,280 Speaker 1: dance like doing Superspy stuff and dance motors like no, 132 00:08:08,920 --> 00:08:12,120 Speaker 1: and I never saw anything about what Nathan was doing 133 00:08:12,120 --> 00:08:14,840 Speaker 1: when I wasn't on the road. I mean they sent 134 00:08:14,920 --> 00:08:16,600 Speaker 1: me the scripts. I think I was just I mean 135 00:08:16,680 --> 00:08:19,160 Speaker 1: Tyler and I were out touring. I think I was 136 00:08:19,200 --> 00:08:20,600 Speaker 1: just kind of like, well, if I'm not in it, 137 00:08:20,760 --> 00:08:22,880 Speaker 1: I'm not going to read it, which is dumb of 138 00:08:22,880 --> 00:08:25,200 Speaker 1: me at your antine thing of you to do it. 139 00:08:25,560 --> 00:08:28,720 Speaker 1: But now I will do that now. But I'm trying 140 00:08:28,760 --> 00:08:31,440 Speaker 1: to remember if they even emailed us the scripts, Like 141 00:08:31,480 --> 00:08:33,760 Speaker 1: did we get scripts emailed to a certain we get 142 00:08:33,880 --> 00:08:37,079 Speaker 1: hard copy that hard copies. Remember, we had leaks all 143 00:08:37,120 --> 00:08:40,920 Speaker 1: the time, so also did we have email back then. 144 00:08:41,559 --> 00:08:46,400 Speaker 1: I remember, remember this is actually a crazy thing I 145 00:08:46,440 --> 00:08:50,040 Speaker 1: haven't thought about in years, guys, when when the show 146 00:08:50,160 --> 00:08:54,240 Speaker 1: was on, we had so many leaks happening and and 147 00:08:54,440 --> 00:08:57,840 Speaker 1: hacks happening. People were hacking into email accounts of producers 148 00:08:57,840 --> 00:09:02,000 Speaker 1: on our show, which, by the way, just disclaimer, so inappropriate, 149 00:09:02,280 --> 00:09:05,680 Speaker 1: Like if you have to hack somebody's account, just don't 150 00:09:06,320 --> 00:09:11,960 Speaker 1: you supposed to be there, like respect boundaries. Rude, It's 151 00:09:12,120 --> 00:09:16,400 Speaker 1: very rude. People were stealing scripts and so they remember 152 00:09:16,440 --> 00:09:20,600 Speaker 1: they started giving us scripts on red paper because your 153 00:09:20,679 --> 00:09:27,040 Speaker 1: rocks red paper, and all these weird security measures we 154 00:09:27,040 --> 00:09:31,120 Speaker 1: were going through, they were like sides. I feel like 155 00:09:31,160 --> 00:09:34,160 Speaker 1: that started with the Nathan and Haley marriage. That when 156 00:09:34,240 --> 00:09:36,040 Speaker 1: it was like the big surprise that they got married, 157 00:09:36,080 --> 00:09:39,160 Speaker 1: and that's when that was reda just started it. I 158 00:09:39,200 --> 00:09:42,719 Speaker 1: haven't thought about that and so long, I just have 159 00:09:42,960 --> 00:09:46,880 Speaker 1: being like what dork is like, I'm gonna I'm gonna 160 00:09:46,960 --> 00:09:50,240 Speaker 1: ruin this surprise like a Marvel movie or something. I 161 00:09:50,320 --> 00:09:52,400 Speaker 1: was like, if you're a hacker, like, don't you want 162 00:09:52,400 --> 00:09:54,520 Speaker 1: to go I don't know, work for the government to 163 00:09:54,559 --> 00:09:57,760 Speaker 1: do something cool like I want to code like the 164 00:09:57,800 --> 00:10:01,120 Speaker 1: next spaceship. What are you doing? Be a whistleblower man, 165 00:10:01,360 --> 00:10:04,280 Speaker 1: not a ruiner. Hello, I have a good one. Guys, 166 00:10:04,360 --> 00:10:13,160 Speaker 1: this is funny. Okay, Elevator, pitch your characters go, come on, 167 00:10:13,240 --> 00:10:16,400 Speaker 1: that's so funny. I know my elevator pitch on. Peyton 168 00:10:19,280 --> 00:10:26,920 Speaker 1: grumpy cheerleader with lots of dead mothers and relationship and 169 00:10:26,960 --> 00:10:34,640 Speaker 1: boundary issues. But good taste in music, Dad great, Um, 170 00:10:34,920 --> 00:10:47,760 Speaker 1: Haley James overachiever, super um sweet, kind of repressed and 171 00:10:44,800 --> 00:10:50,360 Speaker 1: um and uh the girl next door. I don't know, 172 00:10:50,400 --> 00:10:53,679 Speaker 1: I'm boring you. Oh that was gentle and like loving, 173 00:10:54,400 --> 00:10:56,880 Speaker 1: we love Haley. I was funny. I was going to 174 00:10:57,040 --> 00:10:59,360 Speaker 1: use Girl next Door for Brooke as well, I do. 175 00:10:59,480 --> 00:11:02,960 Speaker 1: I think she is the popular girl next door who 176 00:11:03,120 --> 00:11:08,640 Speaker 1: has grown up with absentee parents, learned to validate herself 177 00:11:08,720 --> 00:11:12,720 Speaker 1: with all the wrong things men, money, etcetera, and is 178 00:11:13,440 --> 00:11:17,720 Speaker 1: coming into her own learning to replace external validation with 179 00:11:17,920 --> 00:11:24,080 Speaker 1: internal conflicts. What a journey, What a journey meaningful? That's 180 00:11:24,080 --> 00:11:27,880 Speaker 1: where we're at currently. Okay, speaking of characters, though, Sammy 181 00:11:28,000 --> 00:11:32,240 Speaker 1: wants to know silly question, but which Disney characters do 182 00:11:32,280 --> 00:11:34,760 Speaker 1: you think you're o t H. Characters are most like, 183 00:11:36,080 --> 00:11:42,280 Speaker 1: what's surprise for been Chanted? Oh? Yeah, dude, isn't wait? 184 00:11:42,559 --> 00:11:46,480 Speaker 1: Isn't Chanted a Disney movie? Yeah? An idiot? Yeah, Amy 185 00:11:46,520 --> 00:11:51,360 Speaker 1: Adams an Enchant? It's definitely a Disney Um, what's the 186 00:11:51,400 --> 00:11:54,920 Speaker 1: one in uh? In Hercules? Who's the really grumpy chicken that? 187 00:11:56,760 --> 00:11:58,920 Speaker 1: What's her name? Do you know what I'm talking about? 188 00:11:59,360 --> 00:12:06,320 Speaker 1: What she's like? Don't talk about the Yeah, if there's 189 00:12:06,360 --> 00:12:14,200 Speaker 1: a price for rotten judgment? Yeah? Yeah, megaa whatever? Man? 190 00:12:14,320 --> 00:12:19,040 Speaker 1: That was me? Um? Yeah, you know, super grump really 191 00:12:19,120 --> 00:12:21,559 Speaker 1: might be more like mo Wanna. I think actually she 192 00:12:21,640 --> 00:12:24,920 Speaker 1: had Disney Princess. I guess she is technically yeah, love 193 00:12:25,080 --> 00:12:29,559 Speaker 1: was Brooke. I don't know who is Brooke. Brooke is 194 00:12:29,960 --> 00:12:35,240 Speaker 1: the blonde chick from Princess and the Frog who Sean 195 00:12:35,320 --> 00:12:42,160 Speaker 1: and the Buff who's like catching Bigne's. Honestly, even in 196 00:12:42,200 --> 00:12:44,160 Speaker 1: an animated world, all I ever want to eat is 197 00:12:44,200 --> 00:12:47,480 Speaker 1: a vigne So that feels right. I took us to 198 00:12:47,600 --> 00:12:49,840 Speaker 1: New Orleans when that movie came out, and we went 199 00:12:49,880 --> 00:12:52,640 Speaker 1: to a restaurant and he ordered I'd like some man 200 00:12:52,679 --> 00:12:59,800 Speaker 1: catching Beignet's. Oh my god, he's Disney. I don't know 201 00:12:59,840 --> 00:13:01,920 Speaker 1: who would you say? So? Do you get to see 202 00:13:01,920 --> 00:13:05,280 Speaker 1: many Disney movies? No, it's been a minute since I 203 00:13:05,360 --> 00:13:11,440 Speaker 1: watched a Disney movie. I mean, I don't know all 204 00:13:11,440 --> 00:13:13,840 Speaker 1: my favorite songs to singer from the Little Mermaid, But 205 00:13:13,920 --> 00:13:17,560 Speaker 1: that's probably just because of nostalgia. Brooke Davis never sang 206 00:13:17,640 --> 00:13:22,560 Speaker 1: so yeah what else? Yeah? But Brooke Davis wants to 207 00:13:22,559 --> 00:13:25,840 Speaker 1: be more than just a princess of the ocean. She 208 00:13:25,880 --> 00:13:32,880 Speaker 1: wants adventure. She finds her voice, Brooke ariel Ael. It 209 00:13:32,960 --> 00:13:44,959 Speaker 1: makes me feel very emotional. Okay, I have a good one, 210 00:13:45,080 --> 00:13:48,400 Speaker 1: especially because on our on our elevator pitch you talked 211 00:13:48,400 --> 00:13:52,920 Speaker 1: about Payton's love of music, so it feels lightly tied together. Um, 212 00:13:52,960 --> 00:13:54,839 Speaker 1: it's not quite jumping the shark. To move on to 213 00:13:54,960 --> 00:13:58,200 Speaker 1: this next one. If Vic wants to know, if you 214 00:13:58,200 --> 00:14:01,320 Speaker 1: guys had a song that represented your character, what would 215 00:14:01,320 --> 00:14:05,040 Speaker 1: it be and why? And especially because your characters were 216 00:14:05,120 --> 00:14:10,840 Speaker 1: so rooted in music, was there a song or or 217 00:14:10,920 --> 00:14:14,880 Speaker 1: did you, like every season feel like you had a 218 00:14:14,920 --> 00:14:19,200 Speaker 1: song that represented Hailey or Peyton. Oh man, that's tough. 219 00:14:19,280 --> 00:14:21,240 Speaker 1: I'm gonna go into my I Tunes library right now. 220 00:14:21,440 --> 00:14:23,400 Speaker 1: We house for a second. I don't have any that 221 00:14:23,480 --> 00:14:27,320 Speaker 1: come to minds. You know what song I sang in 222 00:14:27,440 --> 00:14:29,960 Speaker 1: my head all the time while we were filming. You know, 223 00:14:30,000 --> 00:14:33,680 Speaker 1: I was like a huge Donnie Darko fan, and that 224 00:14:33,880 --> 00:14:37,320 Speaker 1: song Mad World, you know, like I find it kind 225 00:14:37,360 --> 00:14:41,120 Speaker 1: of funny. Yeah, which I'm dying or the best I 226 00:14:41,200 --> 00:14:45,960 Speaker 1: ever had. Like those lyrics were so Peyton Sawyer to me, 227 00:14:46,280 --> 00:14:49,920 Speaker 1: and like, there there's a Donnie Darko element to Peyton 228 00:14:49,960 --> 00:14:53,240 Speaker 1: Sawyer where she's just always right on the brink of 229 00:14:53,320 --> 00:14:59,520 Speaker 1: making like terrible choices. Um made world, Mad World is 230 00:14:59,600 --> 00:15:02,720 Speaker 1: beauty in that world? Is Brooke looking for the heart 231 00:15:02,720 --> 00:15:08,440 Speaker 1: of a Saturday night? Yeah, what's your vibe? Brook? God? 232 00:15:08,600 --> 00:15:11,640 Speaker 1: I don't know what I um what I do for 233 00:15:11,720 --> 00:15:14,880 Speaker 1: every project, I always make a soundtrack for a character 234 00:15:15,600 --> 00:15:20,080 Speaker 1: so that so that I have just something to immerse 235 00:15:20,160 --> 00:15:23,240 Speaker 1: myself in that puts me in a mood. Um. And 236 00:15:23,280 --> 00:15:26,200 Speaker 1: we did our show for so long that I made 237 00:15:26,320 --> 00:15:29,120 Speaker 1: so many I feel like every year I would make 238 00:15:29,160 --> 00:15:33,920 Speaker 1: a new playlist. But I think, um, the one that 239 00:15:34,400 --> 00:15:38,880 Speaker 1: always comes to mind first for me, ah is that 240 00:15:38,920 --> 00:15:42,280 Speaker 1: song from the Breakfast Club, because we did that in 241 00:15:42,400 --> 00:15:47,000 Speaker 1: later years where they like, you know, our our director 242 00:15:47,160 --> 00:15:50,280 Speaker 1: purposefully wanted me to do that eighties Molly Ringwall dance, 243 00:15:50,280 --> 00:15:53,600 Speaker 1: but do it really badly, and it's become like such 244 00:15:53,640 --> 00:15:58,920 Speaker 1: a funny thing for people, become an iconic. Yeah. I 245 00:15:58,920 --> 00:16:00,880 Speaker 1: remember when it first happened. We were like, Wow, you're 246 00:16:01,040 --> 00:16:03,040 Speaker 1: not a good dancer. I was like, this is on purpose, 247 00:16:03,640 --> 00:16:07,360 Speaker 1: this was this was a choice. You're a damn good actor. 248 00:16:07,600 --> 00:16:12,160 Speaker 1: I'm an actor. Um. Yeah. That that kind of really 249 00:16:12,200 --> 00:16:17,000 Speaker 1: gets me, especially because our show has become a sort 250 00:16:17,040 --> 00:16:20,640 Speaker 1: of iconic coming of age story, and that's how I 251 00:16:20,680 --> 00:16:23,000 Speaker 1: felt as a young actor about The Breakfast Club. It's 252 00:16:23,400 --> 00:16:26,760 Speaker 1: it's the movie that I have watched probably more than 253 00:16:26,840 --> 00:16:30,760 Speaker 1: any other coming of age story movie. So it feels 254 00:16:30,760 --> 00:16:35,680 Speaker 1: fun to have like a little yeah, yeah, that was 255 00:16:35,720 --> 00:16:39,560 Speaker 1: super freaking cute. Joy. What's your song, honey? I'm gonna 256 00:16:39,600 --> 00:16:47,600 Speaker 1: go with Pageant Material by Casey Musgrave, Yes, because I 257 00:16:47,680 --> 00:16:50,800 Speaker 1: think that fits for Haley. You know, she's like she's 258 00:16:50,840 --> 00:16:54,520 Speaker 1: in a small town. She really wants to please everybody, 259 00:16:54,680 --> 00:16:57,480 Speaker 1: and she wants to do what's right and be liked 260 00:16:57,680 --> 00:16:59,440 Speaker 1: and fit in. But at the end of the day, 261 00:16:59,440 --> 00:17:01,640 Speaker 1: she's just like, I don't know how to tell you. 262 00:17:01,720 --> 00:17:04,360 Speaker 1: I ain't pad to material like you, just I am 263 00:17:04,440 --> 00:17:08,680 Speaker 1: who I am. About her. Did you ever do pageants? 264 00:17:09,560 --> 00:17:14,160 Speaker 1: Never know? Did you? I did one as a joke. 265 00:17:14,880 --> 00:17:18,399 Speaker 1: I did one as a joke. Senior year in high school. 266 00:17:18,720 --> 00:17:20,760 Speaker 1: My job I was like school president, so I had 267 00:17:20,800 --> 00:17:24,239 Speaker 1: to read the morning announcements every morning, and so I 268 00:17:24,320 --> 00:17:27,399 Speaker 1: read this morning announcement that was like contestants for the 269 00:17:27,400 --> 00:17:30,399 Speaker 1: Miss Loudon County Pageant meet after school on Thursday, and 270 00:17:30,400 --> 00:17:33,520 Speaker 1: I was like, Miss Loudon County Pageant, I'm for sure 271 00:17:33,600 --> 00:17:38,720 Speaker 1: doing this. And so I gothed out, like wore the 272 00:17:38,760 --> 00:17:43,440 Speaker 1: black dress and a lot of heavy eye makeup and 273 00:17:43,640 --> 00:17:46,200 Speaker 1: went and was like kind of a dick about it. 274 00:17:46,880 --> 00:17:51,320 Speaker 1: But I ended up placing third huz um and that's 275 00:17:51,520 --> 00:17:53,000 Speaker 1: like my big claim to fame. I used to put 276 00:17:53,040 --> 00:17:55,359 Speaker 1: that on like resumes and stuff. Is like a joke. 277 00:17:55,680 --> 00:17:59,400 Speaker 1: Third runner up in the Miss loud County padget so much. 278 00:17:59,480 --> 00:18:05,840 Speaker 1: Hillary's so grumpy thinking about when you say that is 279 00:18:05,920 --> 00:18:09,720 Speaker 1: the excerpts that you showed us that you people's yearbook 280 00:18:09,720 --> 00:18:12,760 Speaker 1: from high school, and I'm like the tracks, it's so good. 281 00:18:14,119 --> 00:18:20,400 Speaker 1: There's a picture after life with a roar, like a fierceful, run, 282 00:18:20,640 --> 00:18:24,720 Speaker 1: straight ahead roar, Like that's how you tackle life, and 283 00:18:24,760 --> 00:18:27,239 Speaker 1: apparently how you've always been doing it, and I just 284 00:18:27,560 --> 00:18:30,560 Speaker 1: love it's the small town thing where it's just like, oh, 285 00:18:30,640 --> 00:18:33,800 Speaker 1: we're so bored, We're so bored. What are we going 286 00:18:33,840 --> 00:18:35,760 Speaker 1: to do this weekend? Well, we could pee on the 287 00:18:35,800 --> 00:18:39,600 Speaker 1: fifty yard line at the football field, or we could 288 00:18:39,880 --> 00:18:46,119 Speaker 1: go do a pageant. I love it make poor choices kids. Um, 289 00:18:46,240 --> 00:18:48,399 Speaker 1: you guys, we should do a pageant. We should do 290 00:18:48,640 --> 00:18:52,560 Speaker 1: they they're only for young girls. Why don't we host 291 00:18:53,160 --> 00:19:01,520 Speaker 1: a forty and fabulous paget forty flirty for what's our forty? Yeah? 292 00:19:01,760 --> 00:19:09,560 Speaker 1: Fabulous and uh forty and feisty fabulous, fisty done. What 293 00:19:09,600 --> 00:19:13,280 Speaker 1: are the questions do we have? Um? Oh, this is 294 00:19:13,280 --> 00:19:16,359 Speaker 1: a funny one, especially when we think about timing of 295 00:19:16,480 --> 00:19:19,960 Speaker 1: things like email and high school pageants. Sarah wants to 296 00:19:20,040 --> 00:19:22,360 Speaker 1: know when we see cast members using phones and scenes, 297 00:19:22,720 --> 00:19:26,639 Speaker 1: are those your actual phones or prop phones? It depends. 298 00:19:27,080 --> 00:19:30,840 Speaker 1: They're usually props, but sometimes your phone will fit the 299 00:19:30,920 --> 00:19:33,000 Speaker 1: same case as the set phone, and then you can 300 00:19:33,080 --> 00:19:36,520 Speaker 1: switch it out and use your real phone. Oh my god, 301 00:19:36,560 --> 00:19:41,560 Speaker 1: I could not. You're distracted, but you just turn it off. 302 00:19:41,560 --> 00:19:43,320 Speaker 1: I mean, there's just so much sitting around. You end 303 00:19:43,400 --> 00:19:45,439 Speaker 1: up for like a you know, half hour in between 304 00:19:45,480 --> 00:19:47,560 Speaker 1: setups and stuff sometimes and it's nice to be able 305 00:19:47,600 --> 00:19:52,359 Speaker 1: to have your I find just people get in less 306 00:19:52,359 --> 00:19:56,480 Speaker 1: trouble now on sets, I think because of phones, because 307 00:19:56,520 --> 00:19:58,159 Speaker 1: before we just used to have to like talk to 308 00:19:58,200 --> 00:20:00,480 Speaker 1: each other and like make out and make terrible choices. 309 00:20:01,200 --> 00:20:04,679 Speaker 1: And now you can retreat into your world and like 310 00:20:05,000 --> 00:20:08,040 Speaker 1: talk to your friends or your manager or like someone 311 00:20:08,080 --> 00:20:10,680 Speaker 1: that's going to keep you out of a predicament. Now 312 00:20:10,960 --> 00:20:17,160 Speaker 1: not as isolated. M hm, you know, we were very isolated. 313 00:20:17,320 --> 00:20:19,520 Speaker 1: Part though. I don't like having phones on sets, to 314 00:20:19,520 --> 00:20:22,040 Speaker 1: be honest. It's it's I feel like I much prefer 315 00:20:22,119 --> 00:20:24,600 Speaker 1: reading a book or talking to people because it really 316 00:20:24,680 --> 00:20:27,359 Speaker 1: drives me crazy when people are disengaged, because it is 317 00:20:27,400 --> 00:20:29,520 Speaker 1: it's a major distraction. You just get on your phone 318 00:20:29,560 --> 00:20:31,440 Speaker 1: and then like whatever the text message was that you've 319 00:20:31,440 --> 00:20:33,960 Speaker 1: just received when you're trying to do the scene, that 320 00:20:34,119 --> 00:20:36,240 Speaker 1: the person is still thinking about or I you know, 321 00:20:36,240 --> 00:20:38,000 Speaker 1: if I've got my phone, I'm still thinking about what 322 00:20:38,040 --> 00:20:40,000 Speaker 1: I've got to do when I get off the scene. 323 00:20:40,000 --> 00:20:41,159 Speaker 1: When I get done with the scene, to get on 324 00:20:41,240 --> 00:20:43,000 Speaker 1: my phone. So I don't like, I don't like bring 325 00:20:43,000 --> 00:20:44,600 Speaker 1: it to set. If I can help it, you know 326 00:20:44,640 --> 00:20:49,920 Speaker 1: what I'm thinking about that piano, that ragtime music that's happening. 327 00:20:50,920 --> 00:20:56,320 Speaker 1: I'm trying to mute it. I'm sorry you don't. Is 328 00:20:56,359 --> 00:20:58,800 Speaker 1: that an actual piano player or is it? No, it's 329 00:20:58,880 --> 00:21:01,480 Speaker 1: just like coming from the speakers somewhere in the airport. 330 00:21:01,600 --> 00:21:04,360 Speaker 1: I'm gonna walk, so you guys talking, I'll just keep 331 00:21:04,400 --> 00:21:07,119 Speaker 1: this rolling. I personally was enjoying it. I'm waiting for 332 00:21:07,200 --> 00:21:09,879 Speaker 1: Joy to get up and sing along with it and 333 00:21:13,080 --> 00:21:19,560 Speaker 1: my um. Okay, So here's a question from Courtney. She says, 334 00:21:19,640 --> 00:21:23,600 Speaker 1: if y'all could have chosen any guest star to have 335 00:21:23,640 --> 00:21:26,159 Speaker 1: been on the show like full time, who would that 336 00:21:26,240 --> 00:21:32,760 Speaker 1: have been? Man Um? I mean that's a hard question 337 00:21:32,800 --> 00:21:38,640 Speaker 1: because we loved, loved, loved our guest stars. Yeah. Yeah, 338 00:21:38,680 --> 00:21:42,880 Speaker 1: there's so many avenues, like if we're thinking about mentors, 339 00:21:43,240 --> 00:21:48,320 Speaker 1: you know, I go back to thinking about Gerald McCraney, 340 00:21:48,640 --> 00:21:51,520 Speaker 1: thinking about you know, other women we wish we'd had 341 00:21:51,560 --> 00:21:56,440 Speaker 1: for longer, obviously Danielle Along. So there's I think Sharon Lawrence, 342 00:21:56,640 --> 00:21:59,879 Speaker 1: Oh god, how fabulous was Sharon Lawrence? I think if 343 00:21:59,880 --> 00:22:03,600 Speaker 1: you do a show for as long as we did, yeah, 344 00:22:04,880 --> 00:22:07,919 Speaker 1: it gets hard. It's like asking I mean, I imagine 345 00:22:07,960 --> 00:22:09,480 Speaker 1: it's like kind of like asking your parents to pick 346 00:22:09,520 --> 00:22:11,720 Speaker 1: your favorite child. You're like, but I love him all 347 00:22:14,119 --> 00:22:19,680 Speaker 1: all my favorites died yea Robbie Jones right, like how 348 00:22:19,680 --> 00:22:23,560 Speaker 1: great would he guest star? Oh? I felt even real life, 349 00:22:25,640 --> 00:22:29,199 Speaker 1: but Cheryl Lee was like so dear to me and 350 00:22:29,280 --> 00:22:33,400 Speaker 1: loved her so much playing Ellie. Um Colin Ficus, who 351 00:22:33,440 --> 00:22:35,960 Speaker 1: is one of my dearest friends in real life, who 352 00:22:36,000 --> 00:22:39,760 Speaker 1: lives up here in the Hudson Valley, Like, what what 353 00:22:39,880 --> 00:22:41,520 Speaker 1: a layer it would have added to the show to 354 00:22:41,640 --> 00:22:45,439 Speaker 1: have him from the pilot till Jimmy Edwards death. Maybe like, 355 00:22:45,560 --> 00:22:48,359 Speaker 1: let's not kill him? How about that? I think Colin 356 00:22:48,440 --> 00:22:51,640 Speaker 1: added such a good layer to our show. And then yeah, 357 00:22:51,720 --> 00:22:57,040 Speaker 1: Robbie Jones, Like, guys, everybody leaves or dies, you will 358 00:22:57,040 --> 00:23:03,040 Speaker 1: always leave. Oh there's a question, Joy, do you have somebody? Sorry? 359 00:23:03,040 --> 00:23:05,720 Speaker 1: I saw another question on Twitter? Or not go go 360 00:23:05,800 --> 00:23:08,320 Speaker 1: for it? So this is interesting on the tropic of 361 00:23:08,440 --> 00:23:10,400 Speaker 1: leaving God. I don't know why I'm in the mood 362 00:23:10,400 --> 00:23:12,440 Speaker 1: for a pun this morning, but I got girl, your 363 00:23:12,480 --> 00:23:17,160 Speaker 1: segways are to today something happening to me. I didn't 364 00:23:17,160 --> 00:23:22,639 Speaker 1: sleep much last night anyway. Um Tessa is asking what 365 00:23:22,720 --> 00:23:24,560 Speaker 1: do you think Peyton and Lucas would have done if 366 00:23:24,600 --> 00:23:28,360 Speaker 1: they had stayed in Tree Hill? Well, the only thing 367 00:23:28,400 --> 00:23:31,320 Speaker 1: that happens when you're like happily ever after on a 368 00:23:31,320 --> 00:23:33,680 Speaker 1: TV show and you stay is they have to break 369 00:23:33,760 --> 00:23:38,160 Speaker 1: you up, um like to cause drama relationships. So there's 370 00:23:38,240 --> 00:23:41,080 Speaker 1: drama for the show. Yeah, how can we destroy you guys? 371 00:23:41,359 --> 00:23:43,879 Speaker 1: And so that's why I was kind of content just 372 00:23:43,920 --> 00:23:47,440 Speaker 1: to piece out. I don't think there's a chance in 373 00:23:47,480 --> 00:23:50,159 Speaker 1: hell that Peyton would have stayed at Tree Hill. I 374 00:23:50,160 --> 00:23:52,800 Speaker 1: could see Hayley staying, and I could see even Brooke 375 00:23:52,920 --> 00:23:55,199 Speaker 1: like becoming a really like a pillar member of the 376 00:23:55,200 --> 00:23:58,760 Speaker 1: community and really investing and just be you know, like 377 00:23:58,920 --> 00:24:00,879 Speaker 1: falling in love there and getting area to building a 378 00:24:00,920 --> 00:24:04,680 Speaker 1: life um and or doing her business out of Tree Hill. 379 00:24:04,760 --> 00:24:08,480 Speaker 1: But Peyton, Yeah, I mean Peyton had the same thing 380 00:24:08,520 --> 00:24:10,160 Speaker 1: that you have, Hillary, which is what I was just saying, 381 00:24:10,200 --> 00:24:13,200 Speaker 1: like running at life full speed with a roar. That 382 00:24:13,200 --> 00:24:15,960 Speaker 1: that's that was in Peyton too, because you gave that 383 00:24:16,080 --> 00:24:19,160 Speaker 1: to her, And I just I don't think there's any 384 00:24:19,200 --> 00:24:23,399 Speaker 1: circumstance that would have kept her in Tree Hill. I 385 00:24:23,440 --> 00:24:26,520 Speaker 1: can't imagine. It was so weird. We were talking the 386 00:24:26,520 --> 00:24:30,840 Speaker 1: other day about how our parents totally disengaged because like 387 00:24:31,040 --> 00:24:33,560 Speaker 1: either production didn't want to pay them or they didn't 388 00:24:33,600 --> 00:24:37,440 Speaker 1: think it was important. And for me, thinking about Peyton 389 00:24:37,480 --> 00:24:43,040 Speaker 1: as being an adopted kid who's last remaining parent, like 390 00:24:43,119 --> 00:24:46,439 Speaker 1: adopted dad doesn't come to her wedding, doesn't walk her 391 00:24:46,480 --> 00:24:49,880 Speaker 1: down the aisle, doesn't come to see her baby. It's 392 00:24:49,880 --> 00:24:53,159 Speaker 1: set such a bad example for adoption. And I think 393 00:24:53,240 --> 00:24:56,800 Speaker 1: it's like not realistic adopted parents. You know, that's a 394 00:24:56,880 --> 00:25:00,800 Speaker 1: really sacred thing, and I think most people take it 395 00:25:00,920 --> 00:25:04,879 Speaker 1: very seriously and we did not depict that well. Um, 396 00:25:04,960 --> 00:25:08,960 Speaker 1: And so it feels like rejection, do you know what 397 00:25:09,040 --> 00:25:11,520 Speaker 1: I mean? And so I feel Hayden a big town 398 00:25:11,520 --> 00:25:14,560 Speaker 1: full of rejection, right, Yeah, it's a big down full 399 00:25:14,560 --> 00:25:18,639 Speaker 1: of just like country song in there somewhere girl, it 400 00:25:18,720 --> 00:25:20,520 Speaker 1: feels big and sad and I can't wait for you 401 00:25:20,560 --> 00:25:24,359 Speaker 1: in Greenberg to sing that song together. I could see, 402 00:25:24,720 --> 00:25:27,800 Speaker 1: I could see Peyton coming back. But there's something about 403 00:25:27,800 --> 00:25:31,119 Speaker 1: her knee, Yeah, like she could come back and as 404 00:25:31,160 --> 00:25:34,359 Speaker 1: an adult or like find something new to love and 405 00:25:34,400 --> 00:25:37,600 Speaker 1: appreciate about the champ And at that age, at that stage, 406 00:25:38,119 --> 00:25:41,280 Speaker 1: she had to get out, she had to Yeah, I 407 00:25:41,280 --> 00:25:46,199 Speaker 1: think there's also something um it feels like something of 408 00:25:46,240 --> 00:25:51,840 Speaker 1: a hero's journey for her, with this set of experiences 409 00:25:51,880 --> 00:25:55,359 Speaker 1: that she had and this belief. You know, when we 410 00:25:55,400 --> 00:25:59,240 Speaker 1: think about her art, people always leave and then she 411 00:26:00,240 --> 00:26:03,199 Speaker 1: has that, but sometimes they come back peace. It's like, 412 00:26:04,400 --> 00:26:08,480 Speaker 1: I feel like Peyton needed to leave to see something 413 00:26:08,520 --> 00:26:13,480 Speaker 1: else aside from the pattern that her life had shown her, 414 00:26:14,160 --> 00:26:17,280 Speaker 1: you know, to take that control, to to change her 415 00:26:17,320 --> 00:26:21,119 Speaker 1: own fate too, to become you know, the captain of 416 00:26:21,160 --> 00:26:24,480 Speaker 1: her ship. And then yeah, if if there's a time 417 00:26:24,520 --> 00:26:27,960 Speaker 1: that leads her back, you know, to Brooke and Haley, 418 00:26:27,960 --> 00:26:31,399 Speaker 1: who are waiting patiently. There was a question that I 419 00:26:31,440 --> 00:26:34,040 Speaker 1: saw in here that was like specifically about the three 420 00:26:34,080 --> 00:26:37,720 Speaker 1: of us in real life coming back to Wilmington's and 421 00:26:38,240 --> 00:26:41,960 Speaker 1: how that feels because in the same way our characters 422 00:26:41,960 --> 00:26:45,880 Speaker 1: either experienced trauma or good memories in Tree Hill, the 423 00:26:45,880 --> 00:26:49,560 Speaker 1: three of us also experienced all, you know, the highs 424 00:26:49,600 --> 00:26:53,120 Speaker 1: and the very lows in Wilmington's. And I know when 425 00:26:53,160 --> 00:26:55,080 Speaker 1: we go back for conventions, I always feel a little 426 00:26:55,119 --> 00:26:58,480 Speaker 1: bit wiggily about it. I'm like, oh, who am I 427 00:26:58,520 --> 00:27:00,560 Speaker 1: going to see? Where am I going to know? Because 428 00:27:00,560 --> 00:27:05,120 Speaker 1: it could be awesome or it could also be incredibly awkward. 429 00:27:05,359 --> 00:27:08,439 Speaker 1: Do you guys feel that way? Yeah, I do a 430 00:27:08,480 --> 00:27:12,000 Speaker 1: little bit. I've never I mean, I think it's mostly 431 00:27:12,040 --> 00:27:17,320 Speaker 1: because I was so kind of in my own world. 432 00:27:17,320 --> 00:27:20,720 Speaker 1: I mean I knew our crew and and like are 433 00:27:20,840 --> 00:27:25,000 Speaker 1: all of us that were in that little bubble, But um, 434 00:27:25,040 --> 00:27:26,840 Speaker 1: I didn't make a lot of friends in town because 435 00:27:26,880 --> 00:27:29,240 Speaker 1: I think I was mostly just on set or at 436 00:27:29,240 --> 00:27:31,040 Speaker 1: home by myself, because I just didn't want to be 437 00:27:31,080 --> 00:27:33,879 Speaker 1: super social. I was already social all day on set 438 00:27:33,960 --> 00:27:36,040 Speaker 1: and being introverted, it was like a lot for me. 439 00:27:36,160 --> 00:27:38,920 Speaker 1: So sometimes when I go back to Wilmington's, I see 440 00:27:38,920 --> 00:27:41,480 Speaker 1: a lot of people who know who I am and 441 00:27:41,480 --> 00:27:44,280 Speaker 1: there and they've had the interactions with me at some point, 442 00:27:44,320 --> 00:27:47,520 Speaker 1: but I don't remember, or like we didn't I didn't 443 00:27:47,520 --> 00:27:51,360 Speaker 1: spend enough time investing in the friendship or relationship where 444 00:27:51,359 --> 00:27:53,160 Speaker 1: I really it was just like maybe somebody that worked 445 00:27:53,160 --> 00:27:56,200 Speaker 1: at a cafe or I mean whatever, And I feel 446 00:27:56,240 --> 00:27:58,560 Speaker 1: really like, oh my god, I know your face, but 447 00:27:58,600 --> 00:28:00,359 Speaker 1: I can't remember your name, and I don't remember what 448 00:28:00,440 --> 00:28:02,919 Speaker 1: we talked about when we talked. And so if that's 449 00:28:02,960 --> 00:28:06,600 Speaker 1: always feels a little like I don't know, it makes 450 00:28:06,600 --> 00:28:10,320 Speaker 1: you self conscious. It feels subconscious because I want people 451 00:28:10,359 --> 00:28:13,240 Speaker 1: to feel seen and known, and if I feel like 452 00:28:13,240 --> 00:28:15,480 Speaker 1: I'm in a position where I can do that or 453 00:28:15,560 --> 00:28:17,680 Speaker 1: make them feel the opposite, I always feel like I 454 00:28:17,720 --> 00:28:21,199 Speaker 1: have just feel horrible if I can't always remember. We 455 00:28:21,280 --> 00:28:24,600 Speaker 1: also were working eighteen hour days. Joy like eighteen hours 456 00:28:24,600 --> 00:28:27,399 Speaker 1: a day. It was. It was a lot, yeah, And 457 00:28:27,760 --> 00:28:29,960 Speaker 1: I mean, look, I think that is one of the 458 00:28:30,000 --> 00:28:33,600 Speaker 1: things that can be weird about what we do is 459 00:28:33,680 --> 00:28:39,560 Speaker 1: the the sort of uneven seesaw of someone's awareness of 460 00:28:39,880 --> 00:28:43,440 Speaker 1: who a person is from their favorite show versus what 461 00:28:43,600 --> 00:28:47,160 Speaker 1: anyone's normal awareness might be of Like I don't know 462 00:28:47,280 --> 00:28:49,800 Speaker 1: somebody who they see once a week at the grocery 463 00:28:49,800 --> 00:28:52,840 Speaker 1: store when they grab something, who you high too, but 464 00:28:53,120 --> 00:28:56,280 Speaker 1: you don't. You don't necessarily know where their kids go 465 00:28:56,360 --> 00:28:59,240 Speaker 1: to school or whatever. And so I have that too, 466 00:28:59,280 --> 00:29:01,280 Speaker 1: that feeling of like I should be better at this, 467 00:29:01,360 --> 00:29:04,040 Speaker 1: And then I'm like, well, there's no way I can remember. 468 00:29:04,280 --> 00:29:07,959 Speaker 1: A brain can't remember like two thousand people perfect there 469 00:29:07,960 --> 00:29:12,440 Speaker 1: were so many nights out in downtown. How could one remember? 470 00:29:13,800 --> 00:29:17,240 Speaker 1: But I will say it was it was cool to 471 00:29:17,480 --> 00:29:23,040 Speaker 1: find the friendships that we did, Like you know, Jane 472 00:29:23,040 --> 00:29:28,320 Speaker 1: and tricky, especially open the whole world for me. And 473 00:29:28,400 --> 00:29:33,120 Speaker 1: so when I think about you know, Aaron and Cody 474 00:29:33,240 --> 00:29:37,080 Speaker 1: and Mary, George and all like all my my local 475 00:29:37,160 --> 00:29:39,680 Speaker 1: friends there who I still see whenever we go back, 476 00:29:40,560 --> 00:29:45,440 Speaker 1: um it it feels really special. But yeah, when I, like, 477 00:29:45,600 --> 00:29:47,840 Speaker 1: you know, run into somebody at the co op who's like, hey, 478 00:29:47,840 --> 00:29:49,600 Speaker 1: I haven't seen you a while, I'm like, oh no, 479 00:29:49,640 --> 00:29:53,280 Speaker 1: oh no, oh no, no, I'm sorry, dude. I just 480 00:29:53,440 --> 00:29:58,040 Speaker 1: kissed so many waiters in town when were And I 481 00:29:58,120 --> 00:30:01,120 Speaker 1: remember coming back when I was I met with Gus, 482 00:30:01,680 --> 00:30:04,120 Speaker 1: when I was pregnant with Gus. You, I mean, the 483 00:30:04,160 --> 00:30:06,440 Speaker 1: show was still in the air. You guys were still 484 00:30:06,480 --> 00:30:09,080 Speaker 1: doing it. And I went to the Basics, which was 485 00:30:09,120 --> 00:30:12,080 Speaker 1: my favorite restaurant downtown. Oh God, I love that place. 486 00:30:12,240 --> 00:30:14,480 Speaker 1: And I'm like there with my family and this boy 487 00:30:14,560 --> 00:30:16,720 Speaker 1: that I had, like you know, been kissing the year 488 00:30:16,760 --> 00:30:19,480 Speaker 1: before walks in and it's like, hey, what's up. And 489 00:30:19,520 --> 00:30:24,840 Speaker 1: I stood up and he was just like oh. And 490 00:30:24,880 --> 00:30:28,680 Speaker 1: that feeling of like, yeah, you've been gone, but you've 491 00:30:28,720 --> 00:30:31,920 Speaker 1: come back and things are very very different now. Um 492 00:30:32,520 --> 00:30:34,640 Speaker 1: is always kind of how I feel. It's like the 493 00:30:34,640 --> 00:30:37,320 Speaker 1: world's moving so fast that every time we check back 494 00:30:37,360 --> 00:30:42,640 Speaker 1: in with Wilmington's. Like everything's changed, so but it remains 495 00:30:42,640 --> 00:30:46,480 Speaker 1: a touchstone. It's a good place to to check in with. 496 00:30:47,040 --> 00:30:49,000 Speaker 1: One of the things I will say that I love 497 00:30:49,360 --> 00:30:53,920 Speaker 1: is because we've stayed tethered to it, unto each other. 498 00:30:55,000 --> 00:30:59,000 Speaker 1: I feel like we have done physically with Wilmington's what 499 00:30:59,080 --> 00:31:04,000 Speaker 1: we've done emotional with our podcast. We've we've gone back 500 00:31:04,040 --> 00:31:09,480 Speaker 1: and kind of like done the dishes. We continue to go. 501 00:31:11,080 --> 00:31:14,920 Speaker 1: We love the places we love, and every time we 502 00:31:15,040 --> 00:31:17,760 Speaker 1: go back, I feel like I love it more and 503 00:31:17,800 --> 00:31:22,240 Speaker 1: like I have less of a tremor of what was unpleasant. Yeah, 504 00:31:22,360 --> 00:31:25,880 Speaker 1: that's right, all right, we got we got a question 505 00:31:26,000 --> 00:31:30,920 Speaker 1: from Lindsay. This is yeah, I guess that's true. So 506 00:31:30,960 --> 00:31:34,040 Speaker 1: Lindsay says, when it comes to shooting car scenes, how 507 00:31:34,040 --> 00:31:37,360 Speaker 1: does that work? Where's the person filming stand when you 508 00:31:37,440 --> 00:31:40,160 Speaker 1: see cars in the background? Is that real or fake? 509 00:31:40,360 --> 00:31:45,000 Speaker 1: Like interstate driving? That's a good question. We weren't in 510 00:31:45,000 --> 00:31:50,239 Speaker 1: this business, but we wouldn't know that either. Um well, Lindsay, Uh, 511 00:31:50,440 --> 00:31:52,760 Speaker 1: there's lots of different ways to shoot a car scene. 512 00:31:53,560 --> 00:31:56,920 Speaker 1: One of them is to actually put a car on 513 00:31:57,360 --> 00:32:01,880 Speaker 1: a on the on a It's like a flatbed it's 514 00:32:01,920 --> 00:32:06,400 Speaker 1: called a process trailer. Process trailer, that's right, Yeah, And 515 00:32:06,520 --> 00:32:07,920 Speaker 1: you just put the car on that and then the 516 00:32:07,960 --> 00:32:10,160 Speaker 1: cameras kind of like sit on either side of the 517 00:32:10,400 --> 00:32:12,320 Speaker 1: They just move the camera around the car and then 518 00:32:12,360 --> 00:32:15,000 Speaker 1: they pull like a truck pulls the car and you 519 00:32:15,080 --> 00:32:16,720 Speaker 1: just look like you're driving. Or you can put the 520 00:32:16,720 --> 00:32:20,080 Speaker 1: car actually on the road and the and the cinema 521 00:32:20,120 --> 00:32:23,720 Speaker 1: to cinema talking about the camera cameras. Camera sit sit 522 00:32:23,760 --> 00:32:26,440 Speaker 1: behind you in the back seat and they filmed from behind, 523 00:32:27,040 --> 00:32:30,120 Speaker 1: shooting the road ahead of you. And then they'll do 524 00:32:30,320 --> 00:32:32,840 Speaker 1: they'll also do so the car will be on the trailer, 525 00:32:32,840 --> 00:32:35,080 Speaker 1: which basically looks like a big raft, and the car 526 00:32:35,120 --> 00:32:36,560 Speaker 1: sits in the middle of it, and the crew is 527 00:32:36,600 --> 00:32:40,880 Speaker 1: around the sides with railings to protect them. Um, they'll 528 00:32:40,880 --> 00:32:42,920 Speaker 1: put crew in the car with you and the car 529 00:32:43,040 --> 00:32:46,720 Speaker 1: is driving, and then they'll also, Um, there's two other 530 00:32:46,800 --> 00:32:49,280 Speaker 1: kinds of rigs that are pretty cool. So the car 531 00:32:49,360 --> 00:32:51,880 Speaker 1: will be on the road and you'll really be driving. 532 00:32:52,080 --> 00:32:57,040 Speaker 1: And then um, they have there's this like famous car 533 00:32:57,440 --> 00:33:00,960 Speaker 1: that some stunt company owns. Um it's a blacked out 534 00:33:01,160 --> 00:33:03,120 Speaker 1: suv and I think they have three of them now 535 00:33:03,240 --> 00:33:05,520 Speaker 1: and they cost an absurd amount of money, and they 536 00:33:05,520 --> 00:33:08,440 Speaker 1: have a techno crane on them that's also blacked out, 537 00:33:08,960 --> 00:33:12,280 Speaker 1: and so that car can drive next to you and 538 00:33:12,320 --> 00:33:15,440 Speaker 1: the crane can maneuver the camera from the back of 539 00:33:15,640 --> 00:33:17,880 Speaker 1: the picture car, which would be the one one of 540 00:33:17,920 --> 00:33:21,120 Speaker 1: us would be driving like through through you know, down 541 00:33:21,160 --> 00:33:24,160 Speaker 1: the side, around the front, over the top. It's like 542 00:33:24,200 --> 00:33:27,440 Speaker 1: a whole crazy That's how they did for to be 543 00:33:27,560 --> 00:33:32,080 Speaker 1: Ferrari because that movie blo I know, there was drone shots, 544 00:33:32,160 --> 00:33:34,160 Speaker 1: and I know there was like you know, some some 545 00:33:34,240 --> 00:33:38,200 Speaker 1: of it was people on another car, but that was like, yeah, 546 00:33:38,320 --> 00:33:40,160 Speaker 1: we that's how we used to do like all of 547 00:33:40,160 --> 00:33:44,000 Speaker 1: our high speed chases in Chicago. And so locating with 548 00:33:44,080 --> 00:33:47,840 Speaker 1: that car, you can do some pretty insane things if 549 00:33:47,840 --> 00:33:50,800 Speaker 1: you have really good drivers. And then the other thing 550 00:33:50,880 --> 00:33:53,440 Speaker 1: that they'll do too is you'll be on the road, 551 00:33:54,120 --> 00:33:59,920 Speaker 1: um driving and they'll have like a like a extra 552 00:34:00,000 --> 00:34:04,680 Speaker 1: a wide um kind of technically outfitted pickup truck that 553 00:34:04,920 --> 00:34:06,920 Speaker 1: almost has like a stair step on the back of 554 00:34:06,960 --> 00:34:09,799 Speaker 1: it that a bunch of cameras can sit on, and 555 00:34:09,840 --> 00:34:12,960 Speaker 1: that'll be in front of you, so they can shoot, 556 00:34:13,120 --> 00:34:16,200 Speaker 1: you know, from the from the hood through the windshield. 557 00:34:16,600 --> 00:34:21,320 Speaker 1: So a driving scene. You know that might be four 558 00:34:21,360 --> 00:34:23,800 Speaker 1: minutes long, could take all day because you've got to 559 00:34:23,840 --> 00:34:26,480 Speaker 1: be on the trailer, off the trailer, in the wide shots, 560 00:34:26,520 --> 00:34:29,799 Speaker 1: in the close ups, or cars on the highway, and 561 00:34:30,000 --> 00:34:35,520 Speaker 1: you are all picture cars because the thought, right, what 562 00:34:35,719 --> 00:34:38,960 Speaker 1: is it? Lar? You do it? You say it? Are 563 00:34:38,960 --> 00:34:41,440 Speaker 1: you trying to? We just cheat it in the studio 564 00:34:41,600 --> 00:34:44,360 Speaker 1: and tell all the lights. Oh my god, that's the worst. 565 00:34:44,640 --> 00:34:46,960 Speaker 1: Listen you guys. Joy and I had to do a 566 00:34:47,000 --> 00:34:52,000 Speaker 1: scene in the comment inside of the studio. So they're 567 00:34:52,040 --> 00:34:55,839 Speaker 1: like the driving scenes at night. Okay, it's dark outside. 568 00:34:56,239 --> 00:34:58,839 Speaker 1: So what they do is they have one grip with 569 00:34:58,880 --> 00:35:05,319 Speaker 1: like two flashlights run at us like it's headlines. You 570 00:35:05,520 --> 00:35:08,200 Speaker 1: just get like and then they like circle back and 571 00:35:08,239 --> 00:35:10,239 Speaker 1: then they came back again and it's just like start 572 00:35:10,280 --> 00:35:12,200 Speaker 1: going back with a red light so it looks like 573 00:35:12,239 --> 00:35:15,200 Speaker 1: the break lights in front of you off. And then 574 00:35:15,239 --> 00:35:18,319 Speaker 1: there's someone else. Then there's greens shaking the bush, taking 575 00:35:18,360 --> 00:35:23,000 Speaker 1: the cars. There's everyone's they'll be like trees shaken that 576 00:35:23,040 --> 00:35:25,719 Speaker 1: you're driving past. But yes, and there's a fan. There's 577 00:35:25,760 --> 00:35:30,239 Speaker 1: fans in your windows open. You gotta have fans. And 578 00:35:30,280 --> 00:35:33,319 Speaker 1: then someone will shake the car to there's somebody like 579 00:35:33,400 --> 00:35:36,040 Speaker 1: just leaning on the back of the car shaking it. 580 00:35:36,800 --> 00:35:39,319 Speaker 1: So Joy and I were doing this scene one night. 581 00:35:39,480 --> 00:35:41,160 Speaker 1: It wasn't even night. It was the middle of the day, 582 00:35:41,200 --> 00:35:43,200 Speaker 1: which is why we were cheating it inside of a big, 583 00:35:43,280 --> 00:35:47,520 Speaker 1: huge studio. And I'm used to like driving, and I'm 584 00:35:47,560 --> 00:35:49,799 Speaker 1: trying to make it seem believable. So I'm doing all 585 00:35:49,800 --> 00:35:52,200 Speaker 1: the things with my hands, and I'm looking in the 586 00:35:52,239 --> 00:35:54,400 Speaker 1: rear view mirror and I'm like using my feet on 587 00:35:54,440 --> 00:35:58,480 Speaker 1: the pedals like one would And because it's a vintage car, 588 00:35:58,520 --> 00:36:02,760 Speaker 1: it's like very delicate. And when Peyton goes to break, 589 00:36:03,440 --> 00:36:05,560 Speaker 1: you know, they do this thing where they like rock 590 00:36:05,719 --> 00:36:08,400 Speaker 1: the car. So Joy and I both like, you know, 591 00:36:08,560 --> 00:36:12,800 Speaker 1: lean forward, like we're breaking really hard, and I actually 592 00:36:12,920 --> 00:36:15,480 Speaker 1: hit the brake, which would turn the tail lights on, 593 00:36:15,600 --> 00:36:18,360 Speaker 1: and you hear from the back of the car Dacious 594 00:36:18,480 --> 00:36:21,880 Speaker 1: yelling don't mash the break, don't mash the break, and 595 00:36:22,000 --> 00:36:26,239 Speaker 1: everyone's thinking he's saying, don't masturbate, and everyone's like what 596 00:36:26,600 --> 00:36:31,359 Speaker 1: he's saying to these girls said, oh my god, oh 597 00:36:31,360 --> 00:36:35,840 Speaker 1: my god, I totally forgot about that. For years. For 598 00:36:36,000 --> 00:36:38,600 Speaker 1: years they'd be like, Hillary, don't mash the breake. Don't 599 00:36:38,600 --> 00:36:43,480 Speaker 1: mash the breake whatever. But Jo and I we're just like, 600 00:36:43,680 --> 00:36:46,279 Speaker 1: go out and drive. That's ridiculous. We could just get 601 00:36:46,280 --> 00:36:51,360 Speaker 1: this done in ten minutes. Yes, tonight, just drive the 602 00:36:51,400 --> 00:36:54,120 Speaker 1: car to a stage. You know what I always love 603 00:36:54,239 --> 00:36:57,600 Speaker 1: to spot two is in older shows when they clearly 604 00:36:57,680 --> 00:37:01,480 Speaker 1: shot the scene inside on a green screen of course, 605 00:37:01,480 --> 00:37:04,360 Speaker 1: and then they just put non thescript city footage in 606 00:37:04,480 --> 00:37:08,520 Speaker 1: in post and everyone has that little black like pencil 607 00:37:08,560 --> 00:37:11,720 Speaker 1: outline around them, Dad, and you're just like, why didn't 608 00:37:11,719 --> 00:37:13,760 Speaker 1: you go outside and just do this on a street? 609 00:37:15,160 --> 00:37:17,160 Speaker 1: They turned the car and then the street behind them 610 00:37:17,200 --> 00:37:23,319 Speaker 1: turns like a half second. No one will notice. Man, 611 00:37:23,800 --> 00:37:34,080 Speaker 1: that's a good question if there had been a Dawson's 612 00:37:34,120 --> 00:37:37,359 Speaker 1: Creek O Teach crossover episode. I mean, they're kind of was. 613 00:37:37,520 --> 00:37:40,680 Speaker 1: Chad and I were both Dawson's together, and James Vanderbyt 614 00:37:40,719 --> 00:37:44,120 Speaker 1: came on our show. Yeah, James came on our shot. Guys, 615 00:37:44,200 --> 00:37:49,200 Speaker 1: the world is just so syncd up um. Which characters 616 00:37:49,239 --> 00:37:52,239 Speaker 1: do you think would have had chemistry love interests with 617 00:37:52,440 --> 00:38:00,080 Speaker 1: each other? Well, that's fun. I was very dry on 618 00:38:00,160 --> 00:38:04,240 Speaker 1: Too Busy Phillips when I did guest star on Dawson's Creek. 619 00:38:04,920 --> 00:38:10,439 Speaker 1: She's she's got strong, big dick energy. She's a powerful, fun, fun, 620 00:38:10,560 --> 00:38:14,680 Speaker 1: fun girl. And Peyton would have totally been swept up 621 00:38:15,239 --> 00:38:19,400 Speaker 1: in her for sure because she's she's fun, she's like 622 00:38:19,440 --> 00:38:24,799 Speaker 1: a fun magnet. Yeah, totally, And I think Peyton would 623 00:38:24,800 --> 00:38:27,000 Speaker 1: have would have seen her. I was like, look at 624 00:38:27,000 --> 00:38:30,160 Speaker 1: all that light. I want that. Yeah, let me in 625 00:38:34,080 --> 00:38:39,320 Speaker 1: Lucas and had a good, good chemistry. They're both broody 626 00:38:39,360 --> 00:38:43,360 Speaker 1: and moody and yeah, torture, well that would have been nice. 627 00:38:43,760 --> 00:38:47,360 Speaker 1: I as soon as you read that question, I was like, man, 628 00:38:47,760 --> 00:38:51,359 Speaker 1: and look, I will confess I didn't watch Dawson's Creek 629 00:38:51,360 --> 00:38:53,279 Speaker 1: all the way through, but in the early days when 630 00:38:53,280 --> 00:38:57,600 Speaker 1: I did, I my brain immediately thought, oh, Pacy's kind 631 00:38:57,640 --> 00:39:01,120 Speaker 1: of like the male Brook Davis, Like yeah, yeah, I 632 00:39:01,160 --> 00:39:04,400 Speaker 1: think with teachers and Pasty what was his last name, Pascy? 633 00:39:05,360 --> 00:39:11,760 Speaker 1: What was his name with something I don't know, well whatever, 634 00:39:12,320 --> 00:39:17,279 Speaker 1: uh whatever, jah, Josh Jackson, Can I say that name? 635 00:39:17,800 --> 00:39:20,560 Speaker 1: I think? I think, yeah, Pascy and Brooke would have 636 00:39:20,600 --> 00:39:25,440 Speaker 1: had like very pacy witter here it is. I think 637 00:39:25,480 --> 00:39:28,640 Speaker 1: they would have had some great chemistry and laughs and 638 00:39:28,680 --> 00:39:34,799 Speaker 1: like definitely gotten arrested and in real life Josh is 639 00:39:35,480 --> 00:39:39,399 Speaker 1: such a wonderful man. He's such a committed activist, like 640 00:39:39,800 --> 00:39:45,279 Speaker 1: the number of like underground, let's work on stuff and 641 00:39:45,320 --> 00:39:49,000 Speaker 1: really make sure. Um, you know, when there are elections 642 00:39:49,080 --> 00:39:51,920 Speaker 1: or social issues happening, there's groups of us that are like, Okay, 643 00:39:51,920 --> 00:39:55,600 Speaker 1: how do we help um? And and he's always first 644 00:39:55,640 --> 00:39:58,279 Speaker 1: in that, in that group with me, and so it's 645 00:39:58,320 --> 00:40:00,839 Speaker 1: really sweet. Every once in a while, you know, we'll 646 00:40:00,880 --> 00:40:04,000 Speaker 1: be at like a protester and organizing meeting and we're 647 00:40:04,040 --> 00:40:07,000 Speaker 1: just like, man, I remember what deep little kids we 648 00:40:07,120 --> 00:40:10,719 Speaker 1: used to be. Now we get out of the world 649 00:40:10,760 --> 00:40:15,560 Speaker 1: a better place. Um So, so I I feel that 650 00:40:15,640 --> 00:40:18,359 Speaker 1: there's a real foundation there. I would have liked Yeah, yeah, 651 00:40:18,360 --> 00:40:20,239 Speaker 1: you guys have been dreaming it was Haley. Who was 652 00:40:20,320 --> 00:40:22,760 Speaker 1: Haley dreaming too? I don't know. I mean, I guess 653 00:40:23,360 --> 00:40:25,920 Speaker 1: Haley probably would have liked Casey too, because I was 654 00:40:26,000 --> 00:40:27,919 Speaker 1: the only other option really is Dawson And I don't 655 00:40:27,920 --> 00:40:29,480 Speaker 1: know who else what other guys were on that show 656 00:40:29,480 --> 00:40:31,640 Speaker 1: because I didn't watch it long. Karl Smith was a babe, 657 00:40:32,120 --> 00:40:35,760 Speaker 1: but he didn't like girls, right, didn't he come out? Yeah? 658 00:40:35,840 --> 00:40:40,120 Speaker 1: Yeah that's right? Yeah? But did he come out right away? Yeah? 659 00:40:40,920 --> 00:40:44,359 Speaker 1: Try that sounds like something Haley would have attempt. That 660 00:40:44,400 --> 00:40:49,320 Speaker 1: does sound like something Haley would have done, because Dawson 661 00:40:49,400 --> 00:40:52,280 Speaker 1: feels like it would have been too much, too similar. 662 00:40:52,320 --> 00:40:55,000 Speaker 1: I think Dawson is too similar to Lucas, like the 663 00:40:55,040 --> 00:40:59,080 Speaker 1: same side of magnets. You'd be like, yeah, exactly, exactly. 664 00:41:00,320 --> 00:41:02,960 Speaker 1: That was a fun question. I liked that one a lot. 665 00:41:03,520 --> 00:41:05,560 Speaker 1: All right, we got time for one more. Let's one 666 00:41:05,600 --> 00:41:08,799 Speaker 1: more hit us did. Oh, this is kind of fun. 667 00:41:08,840 --> 00:41:12,000 Speaker 1: Andreas says. Whenever you GIRs did scenes on camera with 668 00:41:12,120 --> 00:41:14,480 Speaker 1: a rival, in an argument or a fight scene with 669 00:41:14,520 --> 00:41:19,200 Speaker 1: another actor, is there any pre briefing conversations of I 670 00:41:19,239 --> 00:41:20,799 Speaker 1: hope you know I love you and I don't mean 671 00:41:20,840 --> 00:41:22,719 Speaker 1: anything of what I'm about to say or do. It's 672 00:41:22,760 --> 00:41:25,160 Speaker 1: really cute, like Meryl Streep did with the films that 673 00:41:25,239 --> 00:41:27,480 Speaker 1: did with vant Hathaway before Devil wors Brought Us started. 674 00:41:27,719 --> 00:41:29,719 Speaker 1: Have you heard this story? She said her down. They 675 00:41:29,719 --> 00:41:31,879 Speaker 1: went out for a drink and she was like, I'm 676 00:41:31,920 --> 00:41:34,360 Speaker 1: going to treat you very badly for the next three months. 677 00:41:35,600 --> 00:41:37,800 Speaker 1: I just want you to know. Don't take it personally. 678 00:41:41,120 --> 00:41:46,160 Speaker 1: But yeah, that's really that's really smart. Um No, I 679 00:41:46,160 --> 00:41:48,439 Speaker 1: don't think we had We never did have those because 680 00:41:48,440 --> 00:41:51,359 Speaker 1: we all just hung out. You know, we all kind 681 00:41:51,360 --> 00:41:53,120 Speaker 1: of liked each other and we're nice to each other. 682 00:41:53,200 --> 00:41:56,520 Speaker 1: So I don't I think that's just part of the business. 683 00:41:56,560 --> 00:41:57,759 Speaker 1: You just kind of grow up. No, I mean that 684 00:41:57,920 --> 00:42:00,000 Speaker 1: you're just doing the work. You don't take it personally. 685 00:42:00,200 --> 00:42:03,759 Speaker 1: I think more than anything, at least, I know, I 686 00:42:03,840 --> 00:42:06,640 Speaker 1: do this like if I have to fight with one 687 00:42:06,640 --> 00:42:08,759 Speaker 1: of you or even on you know, good Sam, like 688 00:42:09,120 --> 00:42:11,319 Speaker 1: me and Sky have had to have these you know, 689 00:42:11,800 --> 00:42:14,879 Speaker 1: ram smashing sort of scenes all year and every time 690 00:42:14,880 --> 00:42:17,440 Speaker 1: we do the rehearsal and then we have to actually 691 00:42:17,560 --> 00:42:21,120 Speaker 1: you know, set up the scene right after rehearsal. My 692 00:42:21,239 --> 00:42:22,960 Speaker 1: go to is always, oh, I don't like this. I 693 00:42:22,960 --> 00:42:26,080 Speaker 1: don't like yelling at you. I don't like you. You know. 694 00:42:26,320 --> 00:42:31,040 Speaker 1: I think there's a natural inclination with your friends to say, like, 695 00:42:31,360 --> 00:42:35,239 Speaker 1: this feels weird. But it's also our job. Rehearsal is 696 00:42:35,239 --> 00:42:37,359 Speaker 1: a big important part of it though, I mean, yes, 697 00:42:37,440 --> 00:42:41,200 Speaker 1: because you're actually working together to solve the puzzle. So 698 00:42:41,840 --> 00:42:44,960 Speaker 1: and the audience that's just that's right. Yeah, the audience 699 00:42:45,000 --> 00:42:47,920 Speaker 1: is just seeing the final they're just seeing a fight 700 00:42:48,280 --> 00:42:50,759 Speaker 1: with the two characters that they love. But that's our 701 00:42:50,880 --> 00:42:53,239 Speaker 1: job is to go in and piece everything together, so 702 00:42:53,320 --> 00:42:58,200 Speaker 1: you're really working with the other person to choreograph this moment. 703 00:42:58,760 --> 00:43:00,799 Speaker 1: So it's actually, in a weird way, you don't feel 704 00:43:00,800 --> 00:43:02,720 Speaker 1: like you're fighting at all. You feel like you're dancing, 705 00:43:02,719 --> 00:43:06,520 Speaker 1: You're you're doing something together. You know, well, not always. 706 00:43:06,680 --> 00:43:08,120 Speaker 1: I don't know. Have you guys ever been on the 707 00:43:08,120 --> 00:43:11,360 Speaker 1: other side of it, where like the other person's the 708 00:43:11,360 --> 00:43:14,000 Speaker 1: alpha on the set and you're the one that's like 709 00:43:14,080 --> 00:43:18,560 Speaker 1: getting yelled at and they don't do that thing of okay, 710 00:43:18,920 --> 00:43:22,080 Speaker 1: this is hey, do you want to talk in between setups? 711 00:43:22,239 --> 00:43:24,960 Speaker 1: They're just like okay, go back to your corner, and 712 00:43:25,000 --> 00:43:28,440 Speaker 1: you're like, yeah, I have I don't like that. It 713 00:43:28,520 --> 00:43:31,200 Speaker 1: doesn't feel good. I won't say what job it was, 714 00:43:31,239 --> 00:43:34,359 Speaker 1: but boy, did it suck. I'm gonna tell you later. 715 00:43:34,360 --> 00:43:38,839 Speaker 1: I'm you tell us after this podcast. Yeah. I think 716 00:43:39,760 --> 00:43:42,520 Speaker 1: for whatever reason, my brain is also thinking now as 717 00:43:42,560 --> 00:43:45,520 Speaker 1: we talk about this, about when you have to do um, 718 00:43:45,560 --> 00:43:49,520 Speaker 1: not just arguments but actual physical fights, how important rehearsal 719 00:43:49,640 --> 00:43:52,880 Speaker 1: is to figure out how you're going to do that, 720 00:43:52,960 --> 00:43:55,279 Speaker 1: how you're going to take care of each other. God, 721 00:43:55,280 --> 00:43:58,759 Speaker 1: I wish I knew were the outtakes were hill. Was 722 00:43:58,760 --> 00:44:01,359 Speaker 1: it season three where we gotten fight on Payton's front lawn? 723 00:44:01,719 --> 00:44:04,480 Speaker 1: Oh my god when you got hurt. Yeah, we did 724 00:44:04,480 --> 00:44:06,160 Speaker 1: it over and over and over again. And you know 725 00:44:06,200 --> 00:44:09,680 Speaker 1: those season four season four soul you know we were 726 00:44:09,840 --> 00:44:11,799 Speaker 1: we were fighting and fighting and fighting and fighting and 727 00:44:11,840 --> 00:44:14,520 Speaker 1: screaming and crying and doing all these things together. And 728 00:44:14,520 --> 00:44:17,400 Speaker 1: then it was just one take where like, I don't know, 729 00:44:17,640 --> 00:44:20,600 Speaker 1: we twisted the opposite way we twisted the sixteen time 730 00:44:20,719 --> 00:44:23,880 Speaker 1: before it, and it was your elbow in my skull 731 00:44:23,920 --> 00:44:25,440 Speaker 1: and it was a whole moment and I just remember 732 00:44:25,480 --> 00:44:27,680 Speaker 1: like falling over and you falling on top of me, 733 00:44:27,719 --> 00:44:31,120 Speaker 1: going oh no, no, no, no, no no. That was 734 00:44:31,200 --> 00:44:36,359 Speaker 1: really scary. It was scary. But I there's something that's 735 00:44:36,400 --> 00:44:40,040 Speaker 1: also so sweet about the immediate stop and hold and 736 00:44:40,160 --> 00:44:41,799 Speaker 1: hug and like, oh my god, are you okay? Are 737 00:44:41,840 --> 00:44:48,200 Speaker 1: you okay? That actors you for each other, um, because sometimes, yeah, 738 00:44:48,280 --> 00:44:53,400 Speaker 1: sometimes you'd get hurt and it's not obviously on purpose. Um. 739 00:44:53,719 --> 00:44:56,960 Speaker 1: Remember when I was making the Hitcher with Sean Bean 740 00:44:57,360 --> 00:45:00,040 Speaker 1: and he was like literally trying to murder me and 741 00:45:00,040 --> 00:45:01,520 Speaker 1: in the middle of I mean, he would be like 742 00:45:01,960 --> 00:45:03,919 Speaker 1: literally beating the crap out of me throwing me around 743 00:45:03,920 --> 00:45:05,960 Speaker 1: like a rag doll, and I would never know when 744 00:45:05,960 --> 00:45:07,239 Speaker 1: it was coming. But in the middle of a scene 745 00:45:07,280 --> 00:45:09,200 Speaker 1: he'd always paused, and you know, he had it was 746 00:45:09,280 --> 00:45:14,480 Speaker 1: like really gravelly, formable American accent voice, and then he 747 00:45:14,520 --> 00:45:17,600 Speaker 1: would pause and go, oh you okay, darling, you're right, okay, 748 00:45:18,440 --> 00:45:22,239 Speaker 1: okay to three, and then he'd like snap, my, you know, 749 00:45:22,440 --> 00:45:24,600 Speaker 1: my face in a different direction, and I was like, God, 750 00:45:24,640 --> 00:45:29,600 Speaker 1: what a gentleman you are. It's funny to think that 751 00:45:29,640 --> 00:45:31,640 Speaker 1: the people at home never get to see, you know, 752 00:45:31,760 --> 00:45:35,160 Speaker 1: those little moments we get to the sweetness. It's all sweet, 753 00:45:35,239 --> 00:45:42,960 Speaker 1: joy catcher Plane. That was fun. Thanks he safe tracking 754 00:45:43,200 --> 00:45:45,960 Speaker 1: you guys. Thank you so much for all these great questions. 755 00:45:46,000 --> 00:45:50,440 Speaker 1: Please keep them. This is fun. Yeah, all right, we'll 756 00:45:50,440 --> 00:45:55,480 Speaker 1: talk to you guys soon. Hey, hey, thanks for listening. 757 00:45:55,600 --> 00:45:57,840 Speaker 1: Don't forget to leave us a review. You can also 758 00:45:57,920 --> 00:46:01,040 Speaker 1: follow us on Instagram at Drama Queens o th h 759 00:46:01,560 --> 00:46:04,840 Speaker 1: or email us at Drama Queens at I heart radio 760 00:46:04,960 --> 00:46:09,440 Speaker 1: dot com. See you next time. We are all about 761 00:46:09,440 --> 00:46:12,279 Speaker 1: that high school drama girl, drama girl, all about them 762 00:46:12,360 --> 00:46:15,440 Speaker 1: high school queens. We'll take you for a ride in 763 00:46:15,520 --> 00:46:19,080 Speaker 1: our comic girl Cheering for the right. Teen drama Queens 764 00:46:19,160 --> 00:46:22,480 Speaker 1: draws my girl up girl fashion, but your tough girls, 765 00:46:22,560 --> 00:46:25,560 Speaker 1: you could sit with us. Girl Drama, Queens, Drama, Queens Drama, 766 00:46:25,640 --> 00:46:29,239 Speaker 1: Queen's Drama, Drama, Queen's Drama, Queens