WEBVTT - Old Female Actresses Still Alive (feat. Bobby Finger)

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<v Speaker 1>Open your heart to me, Phoebe. Everyone's hearts need to

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<v Speaker 1>be open and holes hearts and holes and minds, the

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<v Speaker 1>big three hearts holes, minds open.

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<v Speaker 2>She's sheen a me non not my name? Yo?

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<v Speaker 1>No yo?

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<v Speaker 2>What is your childe rama?

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<v Speaker 3>I am a chook.

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<v Speaker 2>Your life's going down the floor like.

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<v Speaker 4>Round.

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<v Speaker 1>Welcome to Like a Virgin, the show where we give

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<v Speaker 1>yesterday's pop culture today's takes. I'm famously Rose Damu.

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<v Speaker 3>And I'm not so famously fan Torondo, and I think

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<v Speaker 3>pretty famously. Oh you think, well, yeah, I consider myself

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<v Speaker 3>not to be a niche legend and not so much famous.

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<v Speaker 1>But yes, not anywhere near as famous as Jocelyn one

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<v Speaker 1>name only of the idol, which I guess we're now

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<v Speaker 1>both caught up on because the last time we talked

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<v Speaker 1>about it, you.

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<v Speaker 3>Hadn't watched it yet, right, And then wow, now we

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<v Speaker 3>both watched all three episodes.

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<v Speaker 1>Yes, and my stance has not changed. I think I

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<v Speaker 1>said this with the first two episodes played out exactly

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<v Speaker 1>the same for me, where there was the first half

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<v Speaker 1>where I was very interested in what was going on

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<v Speaker 1>with Jocelyn and her team and the whole thing surrounding

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<v Speaker 1>this embattled pop star trying to make a comeback, and

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<v Speaker 1>the inner machinations of the industry thought that was very interesting.

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<v Speaker 1>And then the second half of the episode, when the

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<v Speaker 1>Weekend came into it, I like completely checked out my brain,

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<v Speaker 1>just like emptied because it was bad and because the

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<v Speaker 1>Weekend's acting is really bad. And then this third episode

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<v Speaker 1>everything changed because it was almost entirely about the Weekend

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<v Speaker 1>and the cult of it all. So now the show

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<v Speaker 1>is just bad.

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<v Speaker 2>Yeah, the third episode was not good.

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<v Speaker 3>Yeah, Okay, So I finally watched the pilot in the

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<v Speaker 3>second episode, and I felt like, honestly, I was I

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<v Speaker 3>was extremely surprised by how much I liked. I think

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<v Speaker 3>that Lily Rose Depp is kind of great, Like she's

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<v Speaker 3>a really good actress, amazing, And you know, it's funny

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<v Speaker 3>because she is the kind of actress that I just

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<v Speaker 3>like despise, Like she's like Emma Robert's adjacent, like completely nondescript,

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<v Speaker 3>like toothpick model girl. And when actresses like that are

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<v Speaker 3>just like good actresses, I still can't really see them

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<v Speaker 3>because I'm like, what are your defining characteristics? But for

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<v Speaker 3>the idol, those like the kind of nondescript, generic hotness

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<v Speaker 3>she has lends itself perfectly to her kind of like

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<v Speaker 3>characterized celebrity, Like she looks exactly like someone who would

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<v Speaker 3>be famous, you know, yes, and because she is.

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<v Speaker 2>Right, right, right, and.

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<v Speaker 1>She's like she's like genetically engineered to look like a

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<v Speaker 1>hot famous person.

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<v Speaker 3>Yeah, And you know, I think, especially in the first

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<v Speaker 3>kind of I think the first twenty minutes of the

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<v Speaker 3>pilot are We're so funny and gripping, and I loved

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<v Speaker 3>how the humor and the witticism's like we're really jumping

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<v Speaker 3>out even when like the common I think the commentary

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<v Speaker 3>about like pop culture and celebrity and cancel culture can

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<v Speaker 3>be like a lit all hay, I'm fisted sometimes, but

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<v Speaker 3>like when the joke is funny, it's funny. I think

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<v Speaker 3>my primary concern was that, just like you, like, I

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<v Speaker 3>loved the world of this idol, the world of this

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<v Speaker 3>like pop star and all the people in orchestration with

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<v Speaker 3>her who are kind of like controlling her, manipulating her,

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<v Speaker 3>but there are too many characters Like I love the

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<v Speaker 3>stunt casting, and I individually love Dan Levy, harnef choice

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<v Speaker 3>Avon like all all these other Jane Adams.

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<v Speaker 1>Yes, so I was missing her so much in this

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<v Speaker 1>third episode.

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<v Speaker 3>Yeah, me too, Like Divine Joy. Randolph is also so funny.

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<v Speaker 3>I remember she was like my favorite part of High Fidelity. Yeah,

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<v Speaker 3>but like there are so many of them that I

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<v Speaker 3>was like by the third episode, just you said, I

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<v Speaker 3>was like, where did they go?

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<v Speaker 2>I miss them?

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<v Speaker 3>The show is not like living or breathing without them,

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<v Speaker 3>but I really did. I was so surprised by what

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<v Speaker 3>I liked. And wait, let's talk about the sex scenes

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<v Speaker 3>in episode one, not episode three.

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<v Speaker 2>We'll get to that.

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<v Speaker 3>But like episode one when she is masturbating, and also

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<v Speaker 3>when they pulled the sheet over her head a robe,

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<v Speaker 3>the silk robe, I didn't mind it, Like I was like,

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<v Speaker 3>I was like shock value for the sake of shock value,

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<v Speaker 3>work on a kind of euphoria skins level, Like it

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<v Speaker 3>was delivering what I was expecting. It didn't offend me,

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<v Speaker 3>and it informed me about both of the characters. I

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<v Speaker 3>learned more about them and about their inner worlds through

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<v Speaker 3>the sex. So that's why episode three was like you

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<v Speaker 3>disagree with that, Yeah.

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<v Speaker 1>I agree with it. On on Lily rose.

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<v Speaker 3>Depths side, Yeah, when she was don't agree with it

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<v Speaker 3>about the weekend, I mean just I'm talking about just

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<v Speaker 3>the first episode, which she was like choking herself and masturbating.

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<v Speaker 3>I was like, Okay, I think I understand what you

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<v Speaker 3>get out of sex, what you want like on your own,

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<v Speaker 3>and therefore it kind of justified what was an uncomfortable

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<v Speaker 3>power dynamic between her and the Weekend. I think that

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<v Speaker 3>when the Weekend came in and they finally fucked, I

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<v Speaker 3>kind of understood that he needed that power dynamic in

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<v Speaker 3>whatever their relationship would be. And yeah, I think I

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<v Speaker 3>just knew him to be manipulative kind of and taking

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<v Speaker 3>advantage of her kink for the sake of also like

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<v Speaker 3>kind of send truly controlling her. Like it seems to

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<v Speaker 3>be some kind of sex cult.

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<v Speaker 1>Yeah, well, I think I think what has unraveled for

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<v Speaker 1>me specifically in the third episode is that, yes, it's

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<v Speaker 1>a cult, but it's also very much this thing that

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<v Speaker 1>we've seen with public figures of the new manager person

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<v Speaker 1>coming into their lives, like thinking about like Brittany with

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<v Speaker 1>like what was the name Sam Lutfi. You know, this

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<v Speaker 1>man who they're like romantically attached with and then takes

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<v Speaker 1>over their careers and it is running the shots and

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<v Speaker 1>is like usually very much like why is she fucking.

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<v Speaker 3>This kind of ugly guy. That, to me is what's

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<v Speaker 3>happening with the weekend, even more so than a cult thing.

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<v Speaker 3>And yeah, I mean in the third episode, like just

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<v Speaker 3>everything in the show is working except for his performance,

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<v Speaker 3>and the show is unfortunately hinging more and more.

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<v Speaker 2>On his performance.

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<v Speaker 1>And nowhere was that clearer than the scene where they're

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<v Speaker 1>having dinner and Ted DROs pushes Jocelyn to open up

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<v Speaker 1>about her trauma and Lily Rose Deep is actually giving

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<v Speaker 1>a fantastic you want vulnerable performance and Abel is giving nothing.

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<v Speaker 1>It's just it's not that he's giving nothing, it's that

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<v Speaker 1>he's giving all one thing. And yet he and the

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<v Speaker 1>show want us to buy into him as this complicated

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<v Speaker 1>figure who has all of these different agendas. But if

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<v Speaker 1>that's true, as an actor, his job is to clue

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<v Speaker 1>us into some of that, and he is not doing it.

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<v Speaker 1>And yet and all of the sort of supplemental material

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<v Speaker 1>that exists around the show, namely his interviews, he talks

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<v Speaker 1>about it, about all the different things that this guy

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<v Speaker 1>is thinking and feeling and doing and manipulating, and yet

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<v Speaker 1>none of that is on the screen. Now I believe

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<v Speaker 1>that it's I believe that it's in the script, and

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<v Speaker 1>I believe that it's slightly in the direction, but it's

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<v Speaker 1>not coming through in his acting, and that is a problem.

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<v Speaker 1>He's just playing it all one note.

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<v Speaker 2>Because he's a bad actor.

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<v Speaker 1>And also it's so fucking it takes me out of

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<v Speaker 1>it so much when he's in the show and then

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<v Speaker 1>I hear ye his voice come in on the soundtrack, like, yes,

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<v Speaker 1>you are, you know, a huge musician, and obviously you

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<v Speaker 1>want to be involved in the music and the show.

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<v Speaker 1>That doesn't mean you need to sing on it, because

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<v Speaker 1>all it does is remind me that you are the

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<v Speaker 1>Weekend and you are not the character that you're playing. Yeah,

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<v Speaker 1>I one hundred percent agree.

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<v Speaker 3>I I really just such a sanity for him to

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<v Speaker 3>want to be across every part of this show when

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<v Speaker 3>in fact he could have stuck more behind the scenes.

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<v Speaker 3>And I believe that he has very important insight into

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<v Speaker 3>the music industry that has gone into the creation and

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<v Speaker 3>the writing of this show. That doesn't mean that he

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<v Speaker 3>needed to be one of the stars of it.

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<v Speaker 2>Yeah, I agree.

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<v Speaker 3>I mean, like I so I was an og weekend Stan,

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<v Speaker 3>like I was a house of balloons, like the Morning,

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<v Speaker 3>like Weekend Stan and everybody who was there at the

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<v Speaker 3>ground level knows that he like sold out big time,

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<v Speaker 3>Like he sold out. Like I know, the term sold

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<v Speaker 3>out is like so like convoluted and stupid, but like

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<v Speaker 3>he is like the definition of selling out because he

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<v Speaker 3>made Tumblr music and now he's basically one of the

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<v Speaker 3>biggest musicians of the world.

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<v Speaker 1>And I think he has the most stream song ever

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<v Speaker 1>on Spotify.

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<v Speaker 3>Yeah, and I think that that in and of itself

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<v Speaker 3>actually makes him perfect for the show. I think it

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<v Speaker 3>would have made sense to cast him if he could act,

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<v Speaker 3>and I think it is perfect honestly for the music supervision,

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<v Speaker 3>But in reality, they should have cast someone else who

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<v Speaker 3>someone who could act, and someone who honestly was just hot,

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<v Speaker 3>like hotter, like someone who had this dark sexuality.

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<v Speaker 2>Like he is not sexy to me.

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<v Speaker 3>He's not hot, he's not giving me facial expressions.

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<v Speaker 1>I actually didn't need the character to be hot. I

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<v Speaker 1>actually think it would have been more interesting. I mean,

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<v Speaker 1>they're not going to cast ugly people on TV.

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<v Speaker 3>But if he had more of especially more of a

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<v Speaker 3>sort of sexy ugly quality, because that's that's the role.

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<v Speaker 3>He's like stee, you know, I just there's so much

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<v Speaker 3>interesting stuff going on. Like one of the scenes I

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<v Speaker 3>really liked was the scene where they're in the recording

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<v Speaker 3>studio and they're talking about Moses. Somny is talking about

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<v Speaker 3>how they don't say no to anything, and Joscelyn is like,

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<v Speaker 3>is like pushing back at him, and he's saying, no,

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<v Speaker 3>I would say yes to this, I would say yes

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<v Speaker 3>to this, I would say yes to this.

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<v Speaker 1>We don't say no to anything. This is Tedris's philosophy.

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<v Speaker 1>And then she says, well, what if I wanted you

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<v Speaker 1>to fuck me? And he goes, oh, well he would

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<v Speaker 1>kill me, and so that, like that is so interesting.

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<v Speaker 1>That's very good writing. That's telling us so much about

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<v Speaker 1>what's going on here. And then as soon as the

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<v Speaker 1>person that they're talking about comes on screen, it's like

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<v Speaker 1>all of that tension and suspense and intrigue I was

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<v Speaker 1>feeling just fucking evaporates.

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<v Speaker 3>Yeah, you didn't watch all of Euphoria, but you watched

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<v Speaker 3>enough at least to know that, like Sam Levinson writes,

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<v Speaker 3>I think well writes really cartoonishly evil characters, right, like

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<v Speaker 3>Nay and his Dad and Euphoria are cartoonishly evil, but

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<v Speaker 3>the show earns that kind of like dark complexity to

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<v Speaker 3>it an extent, like it is like a very extreme

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<v Speaker 3>version of a villain, and like, I think in a

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<v Speaker 3>way that we haven't seen on TV before. But I

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<v Speaker 3>don't really feel like and it seems like Tedris is

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<v Speaker 3>like meant to be.

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<v Speaker 2>This kind of amorphous unknown figure.

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<v Speaker 3>Like he's supposed to be mysterious, but like we don't

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<v Speaker 3>have any sort of justification of his actions or any

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<v Speaker 3>like weaknesses. We don't see a crack in what he's doing.

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<v Speaker 3>And I'm having a hard time with Moses's character too, Isaac,

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<v Speaker 3>Like some of these characters sometimes feel like set pieces,

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<v Speaker 3>like they're not really They're just like cogs in the

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<v Speaker 3>machine of the other characters, where like Rachel Senne, you know,

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<v Speaker 3>is like.

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<v Speaker 2>Moving plot points along.

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<v Speaker 3>You know, Troy Savon now stepping in, I think and

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<v Speaker 3>moving plot points along. And Troy is a good actor.

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<v Speaker 3>I like his performance in the show. Also, girl girl

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<v Speaker 3>who Moses is really good. The girl who is playing

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<v Speaker 3>the piano, she's good and she was singing at the

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<v Speaker 3>end of episode two.

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<v Speaker 2>What is her function?

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<v Speaker 4>The family thing?

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<v Speaker 2>All the it's what are all the cult members?

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<v Speaker 5>Like?

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<v Speaker 1>What?

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<v Speaker 2>I guess they're just like set dressing.

0:13:04.640 --> 0:13:07.760
<v Speaker 1>No They're they're drawing her, they're drawing her into their web.

0:13:07.800 --> 0:13:10.000
<v Speaker 1>They're making her feel like she's one of them.

0:13:10.600 --> 0:13:12.640
<v Speaker 3>One more thing that I want to say, because I

0:13:12.720 --> 0:13:16.120
<v Speaker 3>was talking about the sex scenes in the first episode,

0:13:16.120 --> 0:13:18.079
<v Speaker 3>and I was trying to get to this point of

0:13:18.640 --> 0:13:24.040
<v Speaker 3>how this third episode was so filled with gratuitous sex

0:13:24.080 --> 0:13:27.760
<v Speaker 3>scenes that were like pornographic and like, I love a

0:13:27.800 --> 0:13:31.960
<v Speaker 3>hot sex scene. I love a sex scene that goes there,

0:13:32.559 --> 0:13:35.400
<v Speaker 3>but like there was no point of view.

0:13:36.000 --> 0:13:38.600
<v Speaker 2>The sex wasn't like specific or kinky.

0:13:38.800 --> 0:13:41.239
<v Speaker 3>It didn't tell us anything about any of the characters

0:13:41.240 --> 0:13:44.000
<v Speaker 3>more than what we had already known. It was like

0:13:44.080 --> 0:13:46.440
<v Speaker 3>it didn't have like a cinematic point of view. Like

0:13:46.880 --> 0:13:49.800
<v Speaker 3>it felt hard to watch, especially knowing and on it.

0:13:49.920 --> 0:13:52.160
<v Speaker 3>I don't want to like recap the controversy, but like

0:13:52.240 --> 0:13:54.679
<v Speaker 3>understanding that you know, they don't have intimacy coordinators and

0:13:54.720 --> 0:13:57.319
<v Speaker 3>there's all this like controversy around how the sex scenes

0:13:57.320 --> 0:14:00.360
<v Speaker 3>were handled. Like I feel like I would have felt

0:14:00.440 --> 0:14:03.000
<v Speaker 3>weird about it even if I didn't know all that right,

0:14:03.280 --> 0:14:07.840
<v Speaker 3>Like I feel like if and also, just as we've

0:14:07.880 --> 0:14:11.320
<v Speaker 3>been talking, it's like, because he's not interesting, there's not

0:14:11.480 --> 0:14:15.840
<v Speaker 3>much we can glean from this episode where basically nothing happened,

0:14:16.360 --> 0:14:18.560
<v Speaker 3>Like they talked a little bit about the album cover,

0:14:18.640 --> 0:14:21.120
<v Speaker 3>and I think the dinner conversation gave us a little

0:14:21.120 --> 0:14:21.800
<v Speaker 3>plotin movement.

0:14:22.040 --> 0:14:25.840
<v Speaker 2>The rest of episode nothing happened. Nothing.

0:14:26.480 --> 0:14:29.760
<v Speaker 1>Yeah, I actually think the sex is all incredibly tame,

0:14:30.280 --> 0:14:33.640
<v Speaker 1>and I'm starting to believe that all of the press

0:14:33.760 --> 0:14:36.960
<v Speaker 1>leading up to the show was a huge conspiracy theory,

0:14:37.200 --> 0:14:40.960
<v Speaker 1>like inside job to make people interested, because the way

0:14:41.560 --> 0:14:44.560
<v Speaker 1>that critics talked about the show as if it was

0:14:44.880 --> 0:14:49.240
<v Speaker 1>the most offensive thing that's ever been committed to film,

0:14:49.480 --> 0:14:54.800
<v Speaker 1>when in fact it's like very basic sex is it's

0:14:54.800 --> 0:14:59.080
<v Speaker 1>giving payola. Yeah, well, okay, from a fake pop star

0:14:59.240 --> 0:15:04.200
<v Speaker 1>to a very pop star. I saw Kylie Minoak this weekend.

0:15:04.360 --> 0:15:07.200
<v Speaker 2>Yes you did? Oh my god? Wait what where did

0:15:07.240 --> 0:15:07.720
<v Speaker 2>you see her?

0:15:08.960 --> 0:15:12.880
<v Speaker 1>She did this show at Jones Beach. It was a

0:15:13.040 --> 0:15:18.880
<v Speaker 1>part of It was like a promotional radio show for Kati.

0:15:19.320 --> 0:15:24.400
<v Speaker 1>It's called Katie Euphoria. And I went because my brother

0:15:25.280 --> 0:15:29.120
<v Speaker 1>had tickets and asked super last minute if I wanted

0:15:29.160 --> 0:15:31.520
<v Speaker 1>to come, So my friend Ryan and I went with

0:15:31.600 --> 0:15:34.800
<v Speaker 1>him and his friend Matt. We drove out to Jones Beach,

0:15:34.840 --> 0:15:40.240
<v Speaker 1>which I'd never been to before. It was a little

0:15:40.440 --> 0:15:46.560
<v Speaker 1>run down and there was a there was a VIP

0:15:47.000 --> 0:15:50.160
<v Speaker 1>boat that we spent some time. All you got on

0:15:50.280 --> 0:15:52.000
<v Speaker 1>a boat, I got it.

0:15:52.120 --> 0:15:53.080
<v Speaker 2>Well, it was doc.

0:15:54.360 --> 0:15:56.880
<v Speaker 1>But the boat there was a bar and food on it,

0:15:56.920 --> 0:15:59.880
<v Speaker 1>which was nice. But the boat was like, So, have

0:16:00.080 --> 0:16:01.120
<v Speaker 1>over been to Jones Beach?

0:16:01.320 --> 0:16:02.320
<v Speaker 2>No, not at all.

0:16:02.520 --> 0:16:06.400
<v Speaker 1>So Jones Beach is it's an outdoor concert venue that's

0:16:06.520 --> 0:16:10.520
<v Speaker 1>right on the water, and the water comes up like

0:16:10.760 --> 0:16:14.240
<v Speaker 1>right to the floor of the stadium. And when we

0:16:14.280 --> 0:16:16.720
<v Speaker 1>got there, the tide was already like pretty high. It

0:16:16.760 --> 0:16:19.640
<v Speaker 1>was like right at the level of the floor. And

0:16:19.680 --> 0:16:23.480
<v Speaker 1>then at one point during the show the water like

0:16:23.480 --> 0:16:26.360
<v Speaker 1>like overflowed and we we tried to go back on

0:16:26.400 --> 0:16:29.800
<v Speaker 1>the boat to get drinks, but the but the part

0:16:29.840 --> 0:16:32.880
<v Speaker 1>of the stadium where you could access the boat had

0:16:32.920 --> 0:16:37.360
<v Speaker 1>been flooded by and we sat separately from my brother

0:16:37.400 --> 0:16:38.800
<v Speaker 1>and his friend, and he said that at one point

0:16:38.880 --> 0:16:42.840
<v Speaker 1>during the show, their section flooded and so they like

0:16:42.920 --> 0:16:45.360
<v Speaker 1>couldn't they had to like stand on their seats or something.

0:16:45.480 --> 0:16:47.000
<v Speaker 2>My god, they're going down with the ship.

0:16:47.560 --> 0:16:47.880
<v Speaker 4>I don't know.

0:16:47.920 --> 0:16:50.440
<v Speaker 2>It was crazy. And you were the unsinkable Molly Brown.

0:16:50.800 --> 0:16:56.560
<v Speaker 1>The unclockable Molly Brown. So the show was programmed with

0:16:56.600 --> 0:17:01.080
<v Speaker 1>a bunch of sort of like Kylie adjacent acts, some

0:17:01.840 --> 0:17:09.120
<v Speaker 1>you know, uh, club divas, like Deborah Cox, who was incredible.

0:17:09.280 --> 0:17:12.560
<v Speaker 1>I was so gagged by her. She was amazing. She

0:17:12.600 --> 0:17:18.520
<v Speaker 1>looked incredible, sounded incredible, had this like such like this

0:17:18.800 --> 0:17:22.480
<v Speaker 1>very enigmatic stage presence, and she just like fucking tore

0:17:23.040 --> 0:17:27.560
<v Speaker 1>this girl. This this woman Kristen w who apparently she

0:17:27.720 --> 0:17:32.000
<v Speaker 1>was like she was well, she was like very well

0:17:32.040 --> 0:17:34.919
<v Speaker 1>known in the nineties club scene and like even my

0:17:34.960 --> 0:17:37.760
<v Speaker 1>brother said she used to perform at clubs all the time.

0:17:37.840 --> 0:17:40.359
<v Speaker 1>She like she at one point had a song and

0:17:40.440 --> 0:17:43.359
<v Speaker 1>I think the Queers Folks soundtrack and there's a music

0:17:43.400 --> 0:17:46.000
<v Speaker 1>video of her with the Queers focast that she had

0:17:46.000 --> 0:17:49.320
<v Speaker 1>playing during her show. She was really great. She played

0:17:49.320 --> 0:17:52.840
<v Speaker 1>a saxophone. At one point she did she did say

0:17:52.880 --> 0:17:57.200
<v Speaker 1>something kind of transferred by on the microphone. No. Yeah,

0:17:57.240 --> 0:17:59.200
<v Speaker 1>So that wasn't great.

0:17:59.280 --> 0:18:00.480
<v Speaker 4>But then after you.

0:18:00.440 --> 0:18:07.280
<v Speaker 3>Know, hours of being there, Kylie came on and Kylie

0:18:07.400 --> 0:18:08.520
<v Speaker 3>was so great.

0:18:08.680 --> 0:18:10.760
<v Speaker 1>It was such a fun show. She was the only

0:18:10.800 --> 0:18:14.480
<v Speaker 1>one who did a proper set, Like all of the

0:18:14.520 --> 0:18:17.600
<v Speaker 1>other sets were like a couple songs, and she did

0:18:17.720 --> 0:18:20.399
<v Speaker 1>like seven or eight songs. She did like a forty

0:18:20.400 --> 0:18:25.280
<v Speaker 1>minute set. She you know, obviously did all the hits

0:18:25.400 --> 0:18:27.960
<v Speaker 1>Can't get You out of My Head, get out of

0:18:28.040 --> 0:18:32.119
<v Speaker 1>My Way. She ended with Padam Padam, which was super fun.

0:18:32.840 --> 0:18:37.480
<v Speaker 1>She sounded great, She was very cute. I was like

0:18:37.840 --> 0:18:42.320
<v Speaker 1>slightly underwhelmed by her as a performer, just because I

0:18:42.480 --> 0:18:47.879
<v Speaker 1>wanted a little more energy from her. And also for

0:18:48.000 --> 0:18:52.080
<v Speaker 1>a lot of the songs she wasn't singing the chorus. Oh,

0:18:52.080 --> 0:18:55.119
<v Speaker 1>and she would be like she would just let the

0:18:55.200 --> 0:18:59.200
<v Speaker 1>audience sing the chorus and like, Babe, I'm not booked.

0:18:59.760 --> 0:19:02.160
<v Speaker 1>I did not come here to sing. I came here

0:19:02.160 --> 0:19:06.719
<v Speaker 1>to see you sing, So please sing the choruses because

0:19:06.800 --> 0:19:09.400
<v Speaker 1>those are the parts that of the songs that we

0:19:10.040 --> 0:19:11.280
<v Speaker 1>want to hear you sing.

0:19:11.520 --> 0:19:15.000
<v Speaker 2>Yeah, I guess she is. I mean she's only fifty five,

0:19:15.160 --> 0:19:18.240
<v Speaker 2>like she can still be in her prime. I guess I.

0:19:18.359 --> 0:19:21.200
<v Speaker 3>Yeah, absolutely, especially don't spot put on Padam is such

0:19:21.240 --> 0:19:24.199
<v Speaker 3>a banger, Like what the fuck is that song? I

0:19:24.240 --> 0:19:26.680
<v Speaker 3>mean she did during pud Padam, but you know, like

0:19:26.960 --> 0:19:28.800
<v Speaker 3>the she opened with Can't get You out of My

0:19:28.840 --> 0:19:33.199
<v Speaker 3>Head and did not sing a single chorus throughout the

0:19:33.359 --> 0:19:36.000
<v Speaker 3>entire song. She would like speak sing it a little

0:19:36.040 --> 0:19:38.120
<v Speaker 3>but she was really just tossing it to the audience

0:19:38.160 --> 0:19:41.960
<v Speaker 3>and she did close with all the lovers. She came

0:19:42.000 --> 0:19:44.000
<v Speaker 3>back and did an encore of it, which was the

0:19:44.040 --> 0:19:46.280
<v Speaker 3>song that Ryan had really been hoping to hear, and

0:19:46.320 --> 0:19:49.080
<v Speaker 3>he was like very moved by it. Okay, she Ryan

0:19:49.119 --> 0:19:54.280
<v Speaker 3>and my brother Jeff like Kylie is their their diva.

0:19:54.920 --> 0:19:57.080
<v Speaker 1>She's not my diva like that. So I was happy

0:19:57.119 --> 0:19:59.920
<v Speaker 1>to be along for the ride. But I don't care

0:20:00.040 --> 0:20:02.919
<v Speaker 1>about her like that. But I will say it was

0:20:02.960 --> 0:20:06.720
<v Speaker 1>such a fun show. I haven't danced that much at

0:20:06.720 --> 0:20:10.000
<v Speaker 1>a concert in a long time. I had a great

0:20:10.119 --> 0:20:13.400
<v Speaker 1>night with everyone that I went there with, and it

0:20:13.440 --> 0:20:16.960
<v Speaker 1>was the only concert I've ever been to where there

0:20:17.040 --> 0:20:21.560
<v Speaker 1>was zero line for the women's bathroom and an incredibly

0:20:21.600 --> 0:20:22.960
<v Speaker 1>long line for the men's.

0:20:23.119 --> 0:20:27.240
<v Speaker 2>Love that love to hear that, I mean, women be women. Yeah.

0:20:27.280 --> 0:20:30.720
<v Speaker 3>I also am not really a Kylie stan I think

0:20:30.760 --> 0:20:32.679
<v Speaker 3>we definitely we've already said it, we need to do

0:20:32.680 --> 0:20:35.800
<v Speaker 3>a Kylie Epp so that we can learn more about her.

0:20:35.880 --> 0:20:39.160
<v Speaker 3>Because I was reading about how padam Param has put

0:20:39.200 --> 0:20:43.240
<v Speaker 3>her in like that UK record for you know, solo

0:20:43.720 --> 0:20:49.359
<v Speaker 3>women artists having number one hits in every decade for

0:20:49.400 --> 0:20:51.440
<v Speaker 3>the last four years or something, and she's like one

0:20:51.440 --> 0:20:53.879
<v Speaker 3>of four people to ever do or four women to

0:20:53.880 --> 0:20:56.399
<v Speaker 3>ever do it, And that makes complete sense to me.

0:20:57.280 --> 0:21:01.160
<v Speaker 3>Did you ever read Zadie Smith's book that kind of

0:21:01.200 --> 0:21:04.960
<v Speaker 3>spoofs her as a celebrity. It's called I've never read

0:21:04.960 --> 0:21:08.399
<v Speaker 3>a book in my life? Wow, I thought maybe this

0:21:08.440 --> 0:21:10.639
<v Speaker 3>would be the Okay, it's called Swing Time. It's like

0:21:10.680 --> 0:21:13.480
<v Speaker 3>one of the few literary novels that I've read in

0:21:13.600 --> 0:21:17.080
<v Speaker 3>like the last five year, five uh, five seven years

0:21:17.119 --> 0:21:20.840
<v Speaker 3>or whatever, because it's very literary and not really my tea.

0:21:20.960 --> 0:21:23.359
<v Speaker 3>But there's a there's a kind of pop star in

0:21:23.359 --> 0:21:27.879
<v Speaker 3>the book that is maybe loosely based on Kylie Interesting.

0:21:28.480 --> 0:21:31.439
<v Speaker 1>Oh you know what pissed me off? There was no

0:21:31.560 --> 0:21:35.640
<v Speaker 1>merch at the show at all. You know my toxic

0:21:35.720 --> 0:21:38.360
<v Speaker 1>trait is I never really buy merch at the show.

0:21:38.440 --> 0:21:43.480
<v Speaker 1>I buy the bootleg after I bought the Joni Mitchell

0:21:43.480 --> 0:21:45.200
<v Speaker 1>Brandy Carlisle bootleg, like.

0:21:45.640 --> 0:21:49.320
<v Speaker 3>I want the official merch and that's just leaving money

0:21:49.440 --> 0:21:53.160
<v Speaker 3>on the table, Kylie, come on, it is I would

0:21:53.160 --> 0:21:56.760
<v Speaker 3>have bought a put On butt plug, you know, or

0:21:57.000 --> 0:21:59.080
<v Speaker 3>it was or it was really it was really cold

0:21:59.200 --> 0:22:01.679
<v Speaker 3>that night. I would have bought a hoodie just to

0:22:01.800 --> 0:22:06.240
<v Speaker 3>be warm, you know, like she really she really missed out.

0:22:07.040 --> 0:22:10.679
<v Speaker 2>Bummer. Well, I have to ask you, just because you

0:22:10.680 --> 0:22:11.200
<v Speaker 2>brought it up.

0:22:11.119 --> 0:22:15.560
<v Speaker 3>Before record, you've notified me that you started watching the

0:22:15.600 --> 0:22:16.160
<v Speaker 3>other two.

0:22:16.520 --> 0:22:17.879
<v Speaker 2>What I'm kind of gaffed.

0:22:19.080 --> 0:22:26.080
<v Speaker 1>Yeah, you know, I was basically forced into it by

0:22:26.160 --> 0:22:29.919
<v Speaker 1>constantly seeing people talk about it on Twitter and seeing

0:22:29.920 --> 0:22:34.080
<v Speaker 1>clips of it. And I haven't had something to binge

0:22:34.119 --> 0:22:37.600
<v Speaker 1>in a while, and this weekend I just decided to

0:22:38.680 --> 0:22:41.720
<v Speaker 1>do it because after going to Kylie on Saturday, I

0:22:41.840 --> 0:22:44.960
<v Speaker 1>was like exhausted on Sunday and so I just wanted

0:22:45.000 --> 0:22:46.240
<v Speaker 1>to like binge something all day.

0:22:47.080 --> 0:22:47.800
<v Speaker 4>So, yeah, I.

0:22:47.760 --> 0:22:53.320
<v Speaker 3>Watched the other two and I do like it. How

0:22:53.400 --> 0:22:55.040
<v Speaker 3>much of it have you watched so far?

0:22:55.280 --> 0:22:59.320
<v Speaker 1>I've watched through the beginning of season three, so they're

0:22:59.440 --> 0:23:01.800
<v Speaker 1>very short episodes and like short season.

0:23:01.880 --> 0:23:04.480
<v Speaker 3>So in the first season I think is really good.

0:23:04.800 --> 0:23:05.560
<v Speaker 3>I think the first.

0:23:05.520 --> 0:23:08.480
<v Speaker 1>Yeah, you know, I said I would stop watching if

0:23:08.480 --> 0:23:11.080
<v Speaker 1>an episode passed in which I did not laugh out

0:23:11.119 --> 0:23:14.720
<v Speaker 1>loud once, and that hasn't happened yet and I still

0:23:14.760 --> 0:23:17.840
<v Speaker 1>will stick true to that rule. I mean, the beginning

0:23:17.880 --> 0:23:20.920
<v Speaker 1>of season three is not very good, and I do

0:23:21.000 --> 0:23:26.280
<v Speaker 1>think it's like literally engineered for gay Twitter in a

0:23:26.440 --> 0:23:31.080
<v Speaker 1>way that's pretty annoying. But I'm enjoying it more than

0:23:31.119 --> 0:23:34.240
<v Speaker 1>I'm rolling my eyes at it, so I'm just gonna

0:23:34.280 --> 0:23:34.720
<v Speaker 1>keep watching.

0:23:34.840 --> 0:23:37.560
<v Speaker 3>I think it feels less like Twitter and more like

0:23:38.400 --> 0:23:42.919
<v Speaker 3>really well produced SNL by and for gay people, Like

0:23:43.000 --> 0:23:45.280
<v Speaker 3>if it was an all gay writers which makes sense

0:23:45.280 --> 0:23:47.439
<v Speaker 3>because he was an SNL writer and he's gay, but

0:23:47.480 --> 0:23:49.880
<v Speaker 3>if it was like an all gay writers room, all

0:23:49.920 --> 0:23:53.920
<v Speaker 3>gay production team for like SNL. Sometimes, like the show

0:23:53.960 --> 0:23:57.840
<v Speaker 3>feels like a series of sketches about gay culture, and

0:23:57.960 --> 0:24:00.920
<v Speaker 3>I'm not mad about that. Like I like the satire

0:24:01.080 --> 0:24:04.600
<v Speaker 3>and I especially in the second season, like the Instagaze

0:24:04.600 --> 0:24:07.440
<v Speaker 3>episode or the episode where he joins that like church call,

0:24:07.680 --> 0:24:12.840
<v Speaker 3>like those are really funny, like insider baseball like jokes

0:24:12.880 --> 0:24:16.280
<v Speaker 3>that like you never would find everywhere anywhere, And I

0:24:16.280 --> 0:24:17.800
<v Speaker 3>think that's kind of the strength of the show. But

0:24:17.880 --> 0:24:20.560
<v Speaker 3>like now that the third season is trying to make

0:24:20.600 --> 0:24:23.239
<v Speaker 3>like a narrative like happen more and more, it's just

0:24:23.280 --> 0:24:26.120
<v Speaker 3>like not really, Yeah, I feel the same thing.

0:24:26.520 --> 0:24:31.639
<v Speaker 1>Love Molly Shannon though, oh she's perfect always Well. We

0:24:31.720 --> 0:24:34.640
<v Speaker 1>have a very exciting guest today, Bobby Finger from who

0:24:34.680 --> 0:24:37.879
<v Speaker 1>Weekly is here to talk about the Golden.

0:24:37.520 --> 0:24:40.960
<v Speaker 2>Girls podcasting royalty honestly.

0:24:40.760 --> 0:24:44.000
<v Speaker 1>So, I'm gonna cut myself a slice of cheesecake and

0:24:44.920 --> 0:24:47.360
<v Speaker 1>which is a bad idea because dark goes right through

0:24:47.400 --> 0:24:49.760
<v Speaker 1>me these days, and we'll.

0:24:49.480 --> 0:25:00.440
<v Speaker 6>Be back with Bobby God, I want chick now.

0:25:10.800 --> 0:25:13.840
<v Speaker 3>I looked up a list of the best Golden Girls

0:25:13.920 --> 0:25:18.040
<v Speaker 3>episodes to do like a little sampling, and I wonder

0:25:18.200 --> 0:25:20.119
<v Speaker 3>if you might have an idea of what some of

0:25:20.119 --> 0:25:20.800
<v Speaker 3>them want it.

0:25:21.000 --> 0:25:25.280
<v Speaker 5>Oh, yeah, I can guess. I can guess for sure, Like, okay,

0:25:25.480 --> 0:25:28.400
<v Speaker 5>did you watch did you watch Sick and Tired? Yeah,

0:25:29.840 --> 0:25:33.520
<v Speaker 5>the one where Dorothy has chronic fatigue syndrome? No, oh

0:25:33.560 --> 0:25:36.120
<v Speaker 5>my god, it's a two parter. Or it's amazing, it's

0:25:36.119 --> 0:25:39.679
<v Speaker 5>really meap, Yeah, it's a two parter. Are about you know,

0:25:39.800 --> 0:25:43.000
<v Speaker 5>like the creator, Susan Harris, had chronic fatigue syndrome and

0:25:43.040 --> 0:25:44.800
<v Speaker 5>she wanted to write it into the show. So Dorothy

0:25:44.840 --> 0:25:47.960
<v Speaker 5>gets chronic fatigue servent. It's about like doctors not believing women,

0:25:48.119 --> 0:25:51.520
<v Speaker 5>and she's going from place to place until someone finally says,

0:25:51.560 --> 0:25:55.000
<v Speaker 5>like your feelings are valid, and like your feelings of

0:25:55.040 --> 0:25:57.399
<v Speaker 5>sickness are real, and like here's what we can do

0:25:57.520 --> 0:25:59.520
<v Speaker 5>to treat you, but it takes forever farning and someone

0:25:59.520 --> 0:26:01.600
<v Speaker 5>who believes it's really good, I would say, well, I

0:26:01.600 --> 0:26:04.080
<v Speaker 5>don't agree with that, because doctors shouldn't believe whomen our

0:26:04.080 --> 0:26:07.280
<v Speaker 5>feelings aren't valid and chroduc contigue syndrome isn't real. It

0:26:07.320 --> 0:26:09.720
<v Speaker 5>isn't real. Yeah, it's like more Gallon's It's just not real.

0:26:10.119 --> 0:26:12.480
<v Speaker 3>It's like one of many instances in the show with

0:26:12.560 --> 0:26:15.399
<v Speaker 3>like gaslighting doctors too, Like that's like I feel like

0:26:15.440 --> 0:26:17.919
<v Speaker 3>it's something that like you never get to talk about,

0:26:17.960 --> 0:26:23.320
<v Speaker 3>like when like doctors really are just so manipulative and

0:26:23.440 --> 0:26:26.840
<v Speaker 3>do not, like you know, take people's opinions, like especially

0:26:26.880 --> 0:26:28.840
<v Speaker 3>when like ageism is is involved.

0:26:28.840 --> 0:26:31.840
<v Speaker 2>And yeah, I loved I loved watching that throughout the show.

0:26:31.960 --> 0:26:36.080
<v Speaker 5>Did you also watch I would guess the episode where

0:26:37.119 --> 0:26:41.320
<v Speaker 5>Dorothy's friend who's a tennis player fakes her death. I

0:26:41.720 --> 0:26:44.680
<v Speaker 5>wait till death, Till death do us volley, I believe

0:26:44.720 --> 0:26:46.040
<v Speaker 5>is what the name of the episode is called.

0:26:46.240 --> 0:26:48.480
<v Speaker 1>Not it doesn't quite roll off the tongue.

0:26:49.320 --> 0:26:53.160
<v Speaker 5>The episode where Rose is worried that she was given

0:26:53.160 --> 0:26:55.760
<v Speaker 5>a blood transfusion with HIV positive blood.

0:26:56.280 --> 0:26:59.840
<v Speaker 3>You know, but I am aware of that episode every

0:27:00.040 --> 0:27:03.000
<v Speaker 3>one talks about episode that's a good one, and then

0:27:03.080 --> 0:27:06.639
<v Speaker 3>what about the the one where one of my favorite

0:27:06.640 --> 0:27:09.440
<v Speaker 3>episodes is the one with George Clooney an early appearance

0:27:09.440 --> 0:27:10.600
<v Speaker 3>of George Clooney.

0:27:10.200 --> 0:27:10.640
<v Speaker 1>In a show.

0:27:11.240 --> 0:27:15.560
<v Speaker 5>And it's like two private detectives who have to live

0:27:15.600 --> 0:27:18.360
<v Speaker 5>in their house to spy on the jewel thieves who

0:27:18.400 --> 0:27:21.560
<v Speaker 5>moved in next door. And it's like some older hunk

0:27:21.680 --> 0:27:26.440
<v Speaker 5>and then his young deputy and it's George Clooney and Dorothy.

0:27:26.320 --> 0:27:27.400
<v Speaker 4>Are they gat them?

0:27:27.720 --> 0:27:31.480
<v Speaker 5>No, No, it's not even glimmer of it. This is

0:27:31.520 --> 0:27:33.960
<v Speaker 5>a vibe with George Clooney, but not with the older

0:27:33.960 --> 0:27:34.400
<v Speaker 5>guy at all.

0:27:34.680 --> 0:27:37.760
<v Speaker 3>Okay, what's with the crime aspect of Golden Girls? Because

0:27:37.760 --> 0:27:40.760
<v Speaker 3>I did watch the murder mystery episode where they go

0:27:40.840 --> 0:27:41.960
<v Speaker 3>to the hotel.

0:27:42.000 --> 0:27:43.679
<v Speaker 5>That's the best episode of the show.

0:27:44.320 --> 0:27:46.800
<v Speaker 4>I was, I was hooting and hollering.

0:27:47.119 --> 0:27:51.560
<v Speaker 3>I just, you know, as someone who didn't watch Golden

0:27:51.600 --> 0:27:55.280
<v Speaker 3>Girls a lot. I and also like I think most

0:27:55.320 --> 0:27:58.199
<v Speaker 3>shows today like are not laugh out loud funny. It

0:27:58.320 --> 0:28:00.480
<v Speaker 3>just was such a great experience to watch a TV

0:28:00.520 --> 0:28:03.639
<v Speaker 3>show where I was like actively laughing the whole time.

0:28:04.040 --> 0:28:07.840
<v Speaker 5>It's the show gets I think like a lot of sitcoms,

0:28:08.000 --> 0:28:10.679
<v Speaker 5>it gets more absurd as it goes by, and I

0:28:10.680 --> 0:28:14.639
<v Speaker 5>think there's a camp of people who don't like it

0:28:14.680 --> 0:28:16.520
<v Speaker 5>when it gets a little more absurd in the final seasons,

0:28:16.520 --> 0:28:17.880
<v Speaker 5>when they kind of run out of things to do.

0:28:17.920 --> 0:28:19.560
<v Speaker 5>So it's like, well, let's give them a murder mystery

0:28:19.560 --> 0:28:21.680
<v Speaker 5>episode or something, or like let's have the girls put

0:28:21.720 --> 0:28:24.920
<v Speaker 5>on a show for children where they dress up like chickens,

0:28:25.000 --> 0:28:28.760
<v Speaker 5>you know, Like it gets weird, but I find it funnier,

0:28:28.840 --> 0:28:30.760
<v Speaker 5>Like the show only gets funnier as it goes on,

0:28:30.840 --> 0:28:33.760
<v Speaker 5>and it's always funny, Like every episode of the show

0:28:33.800 --> 0:28:34.200
<v Speaker 5>is funny.

0:28:34.840 --> 0:28:37.000
<v Speaker 3>I think it's funny the idea that they would run

0:28:37.000 --> 0:28:40.360
<v Speaker 3>out of things to do, because like the premise is

0:28:40.400 --> 0:28:43.640
<v Speaker 3>not baked in with a lot of things to do anyway,

0:28:43.760 --> 0:28:46.120
<v Speaker 3>So I feel like that was kind of the whole run.

0:28:46.880 --> 0:28:51.440
<v Speaker 3>I was continually shocked by how much I found myself laughing,

0:28:51.600 --> 0:28:55.040
<v Speaker 3>Like just throughout watching the show, I was so immediately

0:28:55.080 --> 0:28:58.040
<v Speaker 3>attracted to like how dark the humor is, Like it's

0:28:58.200 --> 0:29:01.920
<v Speaker 3>really crass for the eighties. I loved, loved, love just

0:29:02.000 --> 0:29:05.000
<v Speaker 3>the tone and how everyone talked and made fun of

0:29:05.040 --> 0:29:08.080
<v Speaker 3>each other. I got a cosmetic peel yesterday and I

0:29:08.120 --> 0:29:10.520
<v Speaker 3>was sitting at home with my cosmetic peel on my face,

0:29:10.840 --> 0:29:12.640
<v Speaker 3>just like, but I'm not allowed to move my mouth

0:29:12.640 --> 0:29:13.800
<v Speaker 3>because I'm the peel falls awesome.

0:29:13.800 --> 0:29:15.400
<v Speaker 2>I'm just sitting there giggling.

0:29:15.000 --> 0:29:20.520
<v Speaker 3>Like Bobby for the Virgins. Can you give us like

0:29:20.560 --> 0:29:24.640
<v Speaker 3>a quick like TLDR of what the Golden Girls is

0:29:24.720 --> 0:29:26.960
<v Speaker 3>and who the Golden Girls are?

0:29:27.600 --> 0:29:30.760
<v Speaker 5>Yes? So, if you've never watched The Golden Girls, it's

0:29:30.840 --> 0:29:36.600
<v Speaker 5>a sitcom that ran for seven seasons about four women

0:29:36.720 --> 0:29:40.360
<v Speaker 5>in Miami, and the setup is there's the woman who

0:29:40.440 --> 0:29:43.000
<v Speaker 5>owns the house. Her name is Blanche Debeaux. She's a

0:29:43.000 --> 0:29:46.320
<v Speaker 5>Southern bell and kind of over the span of the

0:29:46.360 --> 0:29:50.880
<v Speaker 5>show learns to understand that her sort of loving the

0:29:50.920 --> 0:29:53.120
<v Speaker 5>old South and the Antebellum South is a problem. Like

0:29:53.160 --> 0:29:54.840
<v Speaker 5>there's a whole episode that deals with that, which is

0:29:54.880 --> 0:29:59.920
<v Speaker 5>really funny. And she when her husband dies, she decides

0:30:00.080 --> 0:30:04.800
<v Speaker 5>to rent out the rooms to people, and those people

0:30:04.840 --> 0:30:09.080
<v Speaker 5>include Dorothy Zbornak, who's a Brooklyn transplant who's like a

0:30:09.080 --> 0:30:15.080
<v Speaker 5>substitute teacher. Also, I mean that would be like the

0:30:15.120 --> 0:30:17.280
<v Speaker 5>reboot of the show. There's so they're like infinite ways

0:30:17.280 --> 0:30:20.280
<v Speaker 5>to reboot the show. Be amazing. She comes to Miami

0:30:20.320 --> 0:30:23.440
<v Speaker 5>after her husband dumps her, who's a recurring character in

0:30:23.480 --> 0:30:26.280
<v Speaker 5>the show, after like thirty eight years of marriage. She

0:30:26.360 --> 0:30:30.440
<v Speaker 5>brings her mom, Sophia Petrillo, who the show introduces as

0:30:30.600 --> 0:30:34.360
<v Speaker 5>like extremely crass and rude and mean because she just

0:30:34.400 --> 0:30:36.960
<v Speaker 5>had a stroke, so it like messed with her brain.

0:30:37.520 --> 0:30:40.280
<v Speaker 5>It like it disabled the part of her brain that

0:30:40.640 --> 0:30:44.080
<v Speaker 5>works on self control. So that's like very explicit in

0:30:44.120 --> 0:30:45.760
<v Speaker 5>the first few episodes of the show. And then they

0:30:45.840 --> 0:30:47.520
<v Speaker 5>just are like, no, let's just make her a bitch,

0:30:47.600 --> 0:30:50.239
<v Speaker 5>like it's fine, Like she's just an asshole, like they

0:30:50.600 --> 0:30:53.280
<v Speaker 5>take the stroke away. But then the other person is

0:30:53.400 --> 0:30:58.280
<v Speaker 5>Rose Nyland, who is just a lovable idiot with a

0:30:58.320 --> 0:31:01.240
<v Speaker 5>heart of gold, who you know, never finished high school,

0:31:01.640 --> 0:31:04.239
<v Speaker 5>does not know much about anything and is just like

0:31:04.440 --> 0:31:08.600
<v Speaker 5>sort of charmingly ignorant. And she lives with them too,

0:31:08.680 --> 0:31:11.000
<v Speaker 5>and she is also a widow. But I don't know,

0:31:11.040 --> 0:31:13.920
<v Speaker 5>it's just their comings and goings in this house that

0:31:14.600 --> 0:31:16.840
<v Speaker 5>they live in because they can't afford to live anywhere

0:31:16.840 --> 0:31:19.960
<v Speaker 5>else at least the three roommates to Blanche is like

0:31:20.680 --> 0:31:22.840
<v Speaker 5>has a little more money and is just like you

0:31:22.880 --> 0:31:25.200
<v Speaker 5>find out later in the series, the only reason she

0:31:25.240 --> 0:31:27.600
<v Speaker 5>has them live with her is because she no longer

0:31:27.640 --> 0:31:29.280
<v Speaker 5>has to pay the mortgage anymore. It's not like she's

0:31:29.320 --> 0:31:31.080
<v Speaker 5>desperate for cash. She just like doesn't want to have

0:31:31.120 --> 0:31:34.080
<v Speaker 5>to pay the mortgage. So that's what the show's about.

0:31:34.080 --> 0:31:36.040
<v Speaker 5>And they live in Miami and they have fun and

0:31:36.080 --> 0:31:41.680
<v Speaker 5>they fuck and they deal with I don't know, controversial subjects,

0:31:41.760 --> 0:31:44.960
<v Speaker 5>especially for the time, Like, like I said, HIV is

0:31:44.960 --> 0:31:51.240
<v Speaker 5>a topic she's constantly dealing with, Like Blanches her conflicted

0:31:51.280 --> 0:31:54.200
<v Speaker 5>feelings about her gay brother who she cannot accept. I

0:31:54.200 --> 0:31:54.440
<v Speaker 5>don't know.

0:31:54.520 --> 0:31:58.440
<v Speaker 3>That's the show solches. So Blanche is a landlord, Yeah,

0:31:58.760 --> 0:31:59.760
<v Speaker 3>landlord exactly.

0:32:00.120 --> 0:32:00.840
<v Speaker 5>Hate we have.

0:32:01.040 --> 0:32:06.280
<v Speaker 3>How much rent do you think the girls are paying Blanche?

0:32:06.360 --> 0:32:08.520
<v Speaker 5>I bet for the time. I bet they're paying her

0:32:08.600 --> 0:32:10.240
<v Speaker 5>like five hundred dollars a.

0:32:10.240 --> 0:32:13.280
<v Speaker 2>Month of them maybe less, honestly.

0:32:12.880 --> 0:32:15.719
<v Speaker 5>Maybe less. Yeah, probably no more than that. But like

0:32:15.880 --> 0:32:18.800
<v Speaker 5>the they're weird financial dynamics of the show. I think,

0:32:18.840 --> 0:32:20.520
<v Speaker 5>like there are in every sitcom where it's sort of

0:32:20.560 --> 0:32:23.880
<v Speaker 5>like I don't really understand like money here, but they

0:32:23.920 --> 0:32:26.520
<v Speaker 5>do kind of like how does money exist in this world?

0:32:26.520 --> 0:32:28.320
<v Speaker 5>But they do kind of go out of their way

0:32:28.360 --> 0:32:31.280
<v Speaker 5>to show that, Like these women are in a sense

0:32:31.320 --> 0:32:35.000
<v Speaker 5>living paycheck to paycheck, because that's another that's sometimes they're

0:32:35.080 --> 0:32:38.360
<v Speaker 5>like very special episode or they're like topical episode. It's

0:32:38.400 --> 0:32:42.240
<v Speaker 5>about how they have to work. They're they're quote unquote

0:32:42.280 --> 0:32:44.760
<v Speaker 5>retirement age at least for women of that generation. Like

0:32:44.760 --> 0:32:47.440
<v Speaker 5>you would expect that women of that generation at that age,

0:32:47.960 --> 0:32:52.000
<v Speaker 5>especially like white women from like relatively middle class, you know,

0:32:52.400 --> 0:32:56.479
<v Speaker 5>livelihoods preceding this moment, would be more comfortable, and they're not.

0:32:56.720 --> 0:32:58.920
<v Speaker 5>And that's kind of this recurring thing where it's like

0:32:59.200 --> 0:33:01.920
<v Speaker 5>I can't believe that we have to work and that

0:33:02.080 --> 0:33:04.360
<v Speaker 5>if I lose my job, I may have to be

0:33:05.720 --> 0:33:08.360
<v Speaker 5>I'm like, you know, I might have to be homeless,

0:33:08.400 --> 0:33:11.680
<v Speaker 5>you know, like I'm like housing insecure as a sixty

0:33:11.720 --> 0:33:15.120
<v Speaker 5>five year old woman. So but also they play that

0:33:15.160 --> 0:33:17.560
<v Speaker 5>for laughs too sometimes when it's like Blanche as the

0:33:17.560 --> 0:33:20.160
<v Speaker 5>evil landlord who like raises their rent without letting them

0:33:20.160 --> 0:33:20.800
<v Speaker 5>know in advance.

0:33:20.920 --> 0:33:22.880
<v Speaker 3>You know, I loved when it was used for laughs.

0:33:22.880 --> 0:33:25.400
<v Speaker 3>To be honest, I think I was continually like I

0:33:26.280 --> 0:33:30.040
<v Speaker 3>was continually surprised by like how there was all this

0:33:30.200 --> 0:33:34.360
<v Speaker 3>kind of like latent like you know, working class kind

0:33:34.360 --> 0:33:37.040
<v Speaker 3>of like commentary or just like just that that just

0:33:37.080 --> 0:33:39.120
<v Speaker 3>as you said, like the conceit and like the natural

0:33:39.200 --> 0:33:42.920
<v Speaker 3>order of their lives, just invoke conversations about just justice,

0:33:43.000 --> 0:33:45.160
<v Speaker 3>justice for like women of a certain age.

0:33:45.600 --> 0:33:47.600
<v Speaker 2>Not to not to start with the most basic question,

0:33:47.680 --> 0:33:50.240
<v Speaker 2>but Bobby, which one? Which one are you? Which Golden

0:33:50.240 --> 0:33:50.760
<v Speaker 2>Girl are you?

0:33:51.840 --> 0:33:54.200
<v Speaker 5>Which one am I? I'm probably I'm more of a

0:33:56.720 --> 0:33:59.600
<v Speaker 5>I'd love to see myself as a Dorothy and I'd

0:33:59.600 --> 0:34:02.160
<v Speaker 5>love to see myself but like the confidence of Dorothy

0:34:02.160 --> 0:34:06.400
<v Speaker 5>and Sophia and even Blanche. But I think I'm more

0:34:06.400 --> 0:34:11.920
<v Speaker 5>of like a Dorothy Rose hybrid, veering Rosey Rose hybrid.

0:34:12.239 --> 0:34:14.799
<v Speaker 5>But I think but that's also like I think that's

0:34:14.840 --> 0:34:16.759
<v Speaker 5>the fun of that's it's the fun of you know,

0:34:16.840 --> 0:34:18.680
<v Speaker 5>sex and the city too. It's like the fun of

0:34:18.680 --> 0:34:20.480
<v Speaker 5>all these sitcoms. It's like which one are you? And

0:34:20.560 --> 0:34:22.960
<v Speaker 5>it's like which one do you aspire to be? And

0:34:23.000 --> 0:34:24.960
<v Speaker 5>then which one is? It always like sort of like

0:34:25.600 --> 0:34:27.880
<v Speaker 5>a route awakening to realize that you are. But I

0:34:27.880 --> 0:34:30.680
<v Speaker 5>think in the Golden Girls case, they're all pretty great,

0:34:30.880 --> 0:34:33.680
<v Speaker 5>like when you realize, like, oh, I wish I were

0:34:34.080 --> 0:34:35.799
<v Speaker 5>as much fun as Blanche. I wish I was having

0:34:35.840 --> 0:34:37.560
<v Speaker 5>I was having as much sex as Blanche, Like I

0:34:37.560 --> 0:34:40.040
<v Speaker 5>wish I could speak my mind the way that Sophia does. Like,

0:34:40.080 --> 0:34:43.280
<v Speaker 5>they all have their positive attributes that are like pretty

0:34:43.760 --> 0:34:47.200
<v Speaker 5>admirable and aspirational. So I'm not that upset about being

0:34:47.239 --> 0:34:49.360
<v Speaker 5>a Dorothy Rose hybrid leaning Rose.

0:34:49.520 --> 0:34:51.919
<v Speaker 3>Yeah, it's really about what what do your friends think

0:34:51.960 --> 0:34:52.440
<v Speaker 3>you are?

0:34:52.520 --> 0:34:53.440
<v Speaker 2>That's what it's about.

0:34:53.560 --> 0:34:56.160
<v Speaker 4>Yeah, well, what who do you think Fran and I are?

0:34:57.160 --> 0:34:59.919
<v Speaker 5>Oh my god, I'm not. I'm not. I'm not gonna

0:35:00.040 --> 0:35:02.319
<v Speaker 5>I'm not even gonna say. Okay, I know that is

0:35:02.400 --> 0:35:04.359
<v Speaker 5>the disaster. That's okay.

0:35:04.360 --> 0:35:06.840
<v Speaker 3>A better question to speak to speak in the vernacular

0:35:06.920 --> 0:35:10.080
<v Speaker 3>of your show, can you rank the Golden Girls from

0:35:10.080 --> 0:35:11.719
<v Speaker 3>who to them? And I don't know if you've done

0:35:11.719 --> 0:35:14.400
<v Speaker 3>this before on New Weekly. I'm sure someone's out who

0:35:15.719 --> 0:35:16.400
<v Speaker 3>we haven't.

0:35:17.040 --> 0:35:20.800
<v Speaker 5>I would say, from who to them, it probably goes

0:35:22.360 --> 0:35:29.720
<v Speaker 5>Sophia Blanche Dorothy Rose. I think that, like, and maybe

0:35:29.719 --> 0:35:31.600
<v Speaker 5>that would have been different in nineteen eighty nine or

0:35:31.640 --> 0:35:34.480
<v Speaker 5>nineteen ninety one or whatever. But I think society is

0:35:34.560 --> 0:35:37.799
<v Speaker 5>just and has been so obsessed with Betty White. Yeah, like,

0:35:37.920 --> 0:35:39.640
<v Speaker 5>I think I think her death and the response to

0:35:39.640 --> 0:35:42.240
<v Speaker 5>her death was proof of that. And it's just like people,

0:35:42.640 --> 0:35:45.360
<v Speaker 5>if you don't know Golden Girls. You know Betty White's

0:35:45.400 --> 0:35:48.040
<v Speaker 5>character on Golden Girls, which is sort of an idiot,

0:35:48.280 --> 0:35:51.960
<v Speaker 5>like a lovable idiot. And I think she's top of

0:35:51.960 --> 0:35:54.680
<v Speaker 5>the list, even though she's really not. She's not my

0:35:54.680 --> 0:35:58.040
<v Speaker 5>favorite character. Blanche is my favorite, Dorothy's a close second,

0:35:58.160 --> 0:36:00.840
<v Speaker 5>and I think Roses third. Rose is like a solid

0:36:00.840 --> 0:36:01.360
<v Speaker 5>third place.

0:36:01.880 --> 0:36:04.000
<v Speaker 3>I don't know watching it, though, I think Rose has

0:36:04.040 --> 0:36:08.680
<v Speaker 3>the best jokes she heard. Her lines were definitely the

0:36:08.680 --> 0:36:11.919
<v Speaker 3>ones where I laughed the most. It was either her

0:36:12.400 --> 0:36:17.360
<v Speaker 3>or Blanche that really had me giggling. Yeah, same kind of.

0:36:17.400 --> 0:36:20.080
<v Speaker 3>I kind of could. I kind of could leave Dorothy.

0:36:20.320 --> 0:36:23.319
<v Speaker 3>I mean, no tea, but I mean she's like the

0:36:23.360 --> 0:36:25.239
<v Speaker 3>whole like dead pan thing is.

0:36:25.400 --> 0:36:28.040
<v Speaker 5>It's a little it's a vibe. If you don't connect

0:36:28.080 --> 0:36:29.800
<v Speaker 5>with it, it's like it can be grading.

0:36:30.000 --> 0:36:32.840
<v Speaker 3>I kind of understood her immediately, Like I think I

0:36:33.320 --> 0:36:36.080
<v Speaker 3>felt like I was like, oh, I'm I felt like

0:36:36.160 --> 0:36:38.480
<v Speaker 3>I can be a Dorothy sometimes because a lot of

0:36:38.480 --> 0:36:40.279
<v Speaker 3>times I'm the one that's like, let me come in

0:36:40.320 --> 0:36:43.240
<v Speaker 3>with a plan, let me break it down for everyone else,

0:36:43.360 --> 0:36:45.920
<v Speaker 3>Like I'm the queen mother. Like what I say goes,

0:36:46.880 --> 0:36:50.000
<v Speaker 3>But I'm definitely obviously not. I think Rose will tell

0:36:50.040 --> 0:36:53.960
<v Speaker 3>you that I'm I'm Rose. You I think you are,

0:36:55.040 --> 0:36:57.720
<v Speaker 3>and we should all say now in this very moment,

0:36:57.760 --> 0:37:02.320
<v Speaker 3>that Rose is Sophia obviously, and there's no other person

0:37:02.320 --> 0:37:02.719
<v Speaker 3>you could be.

0:37:02.880 --> 0:37:07.560
<v Speaker 2>Oh, I think do you disagree? Expression?

0:37:07.640 --> 0:37:09.160
<v Speaker 4>Yeah, No, I was.

0:37:09.320 --> 0:37:12.400
<v Speaker 3>I was about to say that I'm definitely the Sophia

0:37:12.520 --> 0:37:16.040
<v Speaker 3>of this podcast of the world. Literally, like every everything

0:37:16.280 --> 0:37:19.239
<v Speaker 3>if you in the show, like every single joke sop

0:37:19.280 --> 0:37:20.920
<v Speaker 3>he has, it's just like she walks and she's like,

0:37:20.920 --> 0:37:21.720
<v Speaker 3>you're all idiots?

0:37:21.719 --> 0:37:23.719
<v Speaker 2>Why aren't ident? Yes, you know what I mean.

0:37:24.640 --> 0:37:27.359
<v Speaker 3>Either she's calling everyone dumb, or she's calling Blanche hole,

0:37:27.440 --> 0:37:29.400
<v Speaker 3>or she's there was so much slugsharee.

0:37:29.440 --> 0:37:30.400
<v Speaker 4>Or she's talking about.

0:37:30.200 --> 0:37:34.000
<v Speaker 3>How she wants to die yeah, the floodshaing.

0:37:34.080 --> 0:37:37.000
<v Speaker 5>Yeah, the sledgshaming of the show is like one of

0:37:37.040 --> 0:37:39.959
<v Speaker 5>the biggest hurdles to get over watching it now because

0:37:39.960 --> 0:37:41.440
<v Speaker 5>I didn't watch it growing up. I didn't watch it

0:37:41.480 --> 0:37:45.200
<v Speaker 5>until I was like seventeen eighteen, and I had put off.

0:37:45.360 --> 0:37:46.840
<v Speaker 5>I'd put it off for a long time because I

0:37:46.880 --> 0:37:48.640
<v Speaker 5>knew people liked it and I knew it was on reruns.

0:37:48.640 --> 0:37:50.959
<v Speaker 5>But I think that's like like when I'm like trying

0:37:50.960 --> 0:37:53.120
<v Speaker 5>to figure out my own sexuality and like feeling very

0:37:53.200 --> 0:37:56.080
<v Speaker 5>uncomfortable about like my own identity. I was trying to

0:37:56.080 --> 0:37:59.120
<v Speaker 5>push away things that I think were coded queer coded.

0:37:59.640 --> 0:38:03.200
<v Speaker 5>It's been gave like for young white men, like a

0:38:03.239 --> 0:38:05.239
<v Speaker 5>young white man loves golden girl, a young gay white

0:38:05.280 --> 0:38:07.560
<v Speaker 5>man loves golden girls, like like join the club. But

0:38:07.600 --> 0:38:09.360
<v Speaker 5>there's like millions of clubs for this. So I was like,

0:38:09.680 --> 0:38:12.000
<v Speaker 5>I don't know, I'm like resisting this show, and so

0:38:12.080 --> 0:38:15.080
<v Speaker 5>once I fell into it, I was just like very surprised.

0:38:15.120 --> 0:38:17.600
<v Speaker 5>I was kind of having the same reaction both of

0:38:17.640 --> 0:38:19.239
<v Speaker 5>you did watching them. I was like, Oh, this is

0:38:19.320 --> 0:38:22.000
<v Speaker 5>just really really good. It's really funny and it's making

0:38:22.040 --> 0:38:25.640
<v Speaker 5>me laugh. But the slutshamy stuff is always the first

0:38:25.680 --> 0:38:27.560
<v Speaker 5>thing you notice because it's like, well it's such a

0:38:27.600 --> 0:38:32.120
<v Speaker 5>weird yeah, because it like it's sex positive posits is

0:38:32.320 --> 0:38:35.600
<v Speaker 5>exactly it posits itself as being very sex positive and

0:38:35.640 --> 0:38:38.880
<v Speaker 5>showing these older women having like very fulfilling sex lives.

0:38:39.160 --> 0:38:41.960
<v Speaker 3>Even Sophia. I watched the episode where she and Blanche

0:38:41.960 --> 0:38:47.000
<v Speaker 3>are dating the same guy. Oh yes, but even then

0:38:47.200 --> 0:38:50.880
<v Speaker 3>they're like so sex positive, and yet like every line

0:38:50.920 --> 0:38:54.040
<v Speaker 3>about Blanche is that she's poor Yeah, it's like it's

0:38:54.040 --> 0:38:56.640
<v Speaker 3>like they're easy word to use, like slut over and over,

0:38:56.640 --> 0:38:58.960
<v Speaker 3>and it's part of the sex positivity to me, Like

0:38:59.040 --> 0:39:01.480
<v Speaker 3>I didn't even see it slutshaming when I was watching

0:39:01.520 --> 0:39:03.440
<v Speaker 3>it because I was like, well, this is the world,

0:39:03.480 --> 0:39:07.640
<v Speaker 3>and so the sex positivity begets the slut shaming right,

0:39:07.719 --> 0:39:10.280
<v Speaker 3>Like it was the foil to like help us understand

0:39:10.320 --> 0:39:12.719
<v Speaker 3>how sexually active these women were. And I think that

0:39:12.719 --> 0:39:15.919
<v Speaker 3>that was just like so radical, Like how often, if ever,

0:39:16.000 --> 0:39:19.080
<v Speaker 3>do we get to see like the sex lives of

0:39:19.120 --> 0:39:21.480
<v Speaker 3>like women in their you know, sixties, seventies.

0:39:21.120 --> 0:39:45.520
<v Speaker 7>Eighties, sex lives of college drugs, you know, on that.

0:39:45.480 --> 0:39:48.239
<v Speaker 3>Note, just in terms of like, you know, how these

0:39:48.280 --> 0:39:50.719
<v Speaker 3>women are like avatars for gay men, for gay white

0:39:50.719 --> 0:39:54.319
<v Speaker 3>men specifically. Like that's just something that is part of

0:39:54.400 --> 0:39:58.760
<v Speaker 3>why Golden Girls has continues to have so much relevance today,

0:39:58.840 --> 0:40:02.000
<v Speaker 3>Like it belongs to this generation of shows like like

0:40:02.360 --> 0:40:06.359
<v Speaker 3>Designing Women or like Dynasty or you know other other

0:40:06.480 --> 0:40:09.840
<v Speaker 3>kind of like these like marquee sitcoms and TV shows

0:40:09.880 --> 0:40:14.440
<v Speaker 3>that had all these uh fabulous or extravagant or sassy

0:40:14.640 --> 0:40:18.800
<v Speaker 3>you know, older white women that you could canvass yourself

0:40:18.840 --> 0:40:22.480
<v Speaker 3>on and see yourself in because there were no gay characters.

0:40:23.000 --> 0:40:24.960
<v Speaker 5>You know, you're right, and they had I don't know

0:40:25.000 --> 0:40:27.080
<v Speaker 5>if you watched the pilot, they had a gay character

0:40:27.120 --> 0:40:30.640
<v Speaker 5>in the pilot episode of the show. It's so strange,

0:40:30.680 --> 0:40:35.839
<v Speaker 5>like he was there living chef. Oh my god, they

0:40:35.880 --> 0:40:39.640
<v Speaker 5>had a live in chef chef they had well they well,

0:40:39.640 --> 0:40:41.839
<v Speaker 5>that's like they have to change it after the first one, right,

0:40:41.880 --> 0:40:43.839
<v Speaker 5>Like the whole thing is like it doesn't make any

0:40:43.880 --> 0:40:46.279
<v Speaker 5>sense with their financial situation. God, what was his name.

0:40:46.719 --> 0:40:49.080
<v Speaker 1>It's someone said, get the fag off the TV. I'm

0:40:49.080 --> 0:40:49.640
<v Speaker 1>not watching that.

0:40:49.840 --> 0:40:50.120
<v Speaker 4>He was.

0:40:50.200 --> 0:40:53.879
<v Speaker 5>He was their out gay chef named Coco, and he

0:40:54.040 --> 0:40:57.360
<v Speaker 5>like basically does they basically I guess like meshed his

0:40:57.520 --> 0:41:00.759
<v Speaker 5>humor with Sophia, Like he's sort of like always having

0:41:00.760 --> 0:41:02.880
<v Speaker 5>the quips. He's always the one who's just like observing

0:41:02.920 --> 0:41:05.160
<v Speaker 5>them and like calling them ridiculous. But yeah, he's only

0:41:05.200 --> 0:41:06.799
<v Speaker 5>in one episode and then they cut him out. But

0:41:06.840 --> 0:41:09.640
<v Speaker 5>the show is like still incorporates gay people pretty frequently.

0:41:09.680 --> 0:41:13.240
<v Speaker 5>One of my favorite episodes is also about Dorothy's college

0:41:13.239 --> 0:41:14.319
<v Speaker 5>friend coming to stay with her.

0:41:14.400 --> 0:41:15.200
<v Speaker 4>I watched that last night.

0:41:15.239 --> 0:41:17.640
<v Speaker 5>Yeah, she's a lesbian and like you think that it's

0:41:17.640 --> 0:41:19.799
<v Speaker 5>her dead husband, but really it's her dead partner who

0:41:19.840 --> 0:41:22.160
<v Speaker 5>was a woman, and she falls in love with Rose.

0:41:22.200 --> 0:41:24.600
<v Speaker 5>And the greatest joke of that episode, which is like,

0:41:25.080 --> 0:41:26.960
<v Speaker 5>there are some there are just some lines where I'm

0:41:27.000 --> 0:41:28.680
<v Speaker 5>just like, I can't believe this was on television in

0:41:28.680 --> 0:41:31.880
<v Speaker 5>like nineteen eighty eight. But like when Blanche finds out

0:41:32.000 --> 0:41:36.279
<v Speaker 5>that the friend is a lesbian, she's outraged, but it's

0:41:36.360 --> 0:41:39.480
<v Speaker 5>not because she's homophobic. She's outraged that the lesbian is

0:41:39.480 --> 0:41:43.280
<v Speaker 5>attracted to Rose and not her. So it's so funny.

0:41:43.360 --> 0:41:45.160
<v Speaker 5>She's like, I was believe it.

0:41:45.239 --> 0:41:47.640
<v Speaker 3>I was losing my mind at that. It was so funny.

0:41:47.680 --> 0:41:50.440
<v Speaker 3>I like rewound it to watch three times. I maybe actually,

0:41:50.480 --> 0:41:53.719
<v Speaker 3>after watching so many Golden Girls episodes last night, I

0:41:53.800 --> 0:41:55.200
<v Speaker 3>might be a little Golden Girls pilled.

0:41:55.200 --> 0:41:57.000
<v Speaker 5>I think this might be a new a new journey

0:41:57.000 --> 0:41:58.640
<v Speaker 5>for Okay, so glad I could do that.

0:41:58.760 --> 0:41:59.839
<v Speaker 2>I'm starting to feel that way.

0:42:00.160 --> 0:42:02.280
<v Speaker 3>Well, And let me tell you, similar to you, Bobby,

0:42:02.360 --> 0:42:04.799
<v Speaker 3>like I had put off watching it because I was

0:42:04.880 --> 0:42:06.920
<v Speaker 3>just like, I think, when I watch it, it will

0:42:06.960 --> 0:42:10.040
<v Speaker 3>take over my life and personality and maybe like I'm

0:42:10.080 --> 0:42:13.640
<v Speaker 3>not in like a space for that, you know. I

0:42:13.640 --> 0:42:15.719
<v Speaker 3>feel like I continually like once a year, once every

0:42:15.760 --> 0:42:18.279
<v Speaker 3>other year, like I get the flu and then I'm like, oh,

0:42:18.400 --> 0:42:20.520
<v Speaker 3>let me watch this show that I've like put off forever.

0:42:20.840 --> 0:42:22.840
<v Speaker 3>And then all of a sudden, like I've watched twenty

0:42:22.840 --> 0:42:25.920
<v Speaker 3>six seasons of like Real Housewives or whatever and like

0:42:26.000 --> 0:42:28.160
<v Speaker 3>and I'm like, oh, I didn't actually want that to happen.

0:42:28.239 --> 0:42:30.399
<v Speaker 3>So you know, maybe I'm waiting for the flu again

0:42:30.480 --> 0:42:32.680
<v Speaker 3>to like actually go through the process of watching every

0:42:32.680 --> 0:42:35.440
<v Speaker 3>single episode. But I know that there will be a

0:42:35.520 --> 0:42:37.359
<v Speaker 3>period in my life where I do watch every single

0:42:37.400 --> 0:42:38.680
<v Speaker 3>episode because it is that good.

0:42:40.160 --> 0:42:43.520
<v Speaker 4>Yeah, I think I'm going to be on that journey.

0:42:43.560 --> 0:42:47.080
<v Speaker 3>And I'm honestly shocked that I like, even though I

0:42:47.120 --> 0:42:50.120
<v Speaker 3>have watched a little bit of Golden Girls before, I think,

0:42:50.239 --> 0:42:52.920
<v Speaker 3>especially because of the Florida of it all, it is

0:42:53.000 --> 0:42:56.400
<v Speaker 3>shocking that I have never watched it because I famously

0:42:56.600 --> 0:42:57.440
<v Speaker 3>am from Florida.

0:42:57.520 --> 0:42:59.320
<v Speaker 4>I'm from Boca Ratone.

0:42:58.960 --> 0:43:02.719
<v Speaker 3>So like this is my work used to like we

0:43:02.840 --> 0:43:04.720
<v Speaker 3>used to where I grew up. We call it God's

0:43:04.719 --> 0:43:06.840
<v Speaker 3>Waiting Room because it's like where old people go to

0:43:06.960 --> 0:43:13.080
<v Speaker 3>die and every like even just the like the production design,

0:43:13.120 --> 0:43:16.279
<v Speaker 3>it's like that's what everyone's houses look like down there.

0:43:16.320 --> 0:43:19.920
<v Speaker 3>They're all sort of like pastel and like wicker furniture

0:43:20.120 --> 0:43:23.680
<v Speaker 3>and you know, like palm trees through the windows. It

0:43:23.760 --> 0:43:26.279
<v Speaker 3>was like a little triggering, but in kind of a

0:43:26.280 --> 0:43:28.800
<v Speaker 3>good way. And I love that they live in Miami.

0:43:29.000 --> 0:43:33.400
<v Speaker 3>I it did make me think about Iggy Azalea sixteen

0:43:33.480 --> 0:43:35.120
<v Speaker 3>in the middle of Miami, but I guess it would

0:43:35.160 --> 0:43:36.920
<v Speaker 3>be sixty one in the middle.

0:43:36.640 --> 0:43:39.400
<v Speaker 4>Of my Yeah, this is your old girls, this is.

0:43:39.400 --> 0:43:40.640
<v Speaker 2>Your community, your culture.

0:43:41.120 --> 0:43:43.719
<v Speaker 3>Did you growing up like or do you have any

0:43:43.760 --> 0:43:47.439
<v Speaker 3>like Boca memories of like retirees or like funny experiences

0:43:47.440 --> 0:43:50.719
<v Speaker 3>with like retirees in Florida or things that you remember

0:43:50.960 --> 0:43:54.359
<v Speaker 3>about I don't know. I've never been like surrounded by

0:43:54.400 --> 0:43:55.399
<v Speaker 3>retirees or like.

0:43:55.360 --> 0:43:56.520
<v Speaker 5>In a yem either.

0:43:57.760 --> 0:43:58.080
<v Speaker 4>Yeah.

0:43:58.160 --> 0:44:03.879
<v Speaker 3>I mean, well, like my my, my like street, growing up,

0:44:04.200 --> 0:44:07.400
<v Speaker 3>like there were no other children who lived in our neighborhood.

0:44:07.600 --> 0:44:09.920
<v Speaker 4>This is all It was all old people.

0:44:10.040 --> 0:44:13.920
<v Speaker 3>I think I spent a lot of my adolescents avoiding

0:44:14.040 --> 0:44:19.920
<v Speaker 3>watching old people eat food at restaurants. You, honestly, Bobby,

0:44:20.040 --> 0:44:23.359
<v Speaker 3>your experience. I'm really discovering so much about you right now.

0:44:23.440 --> 0:44:23.640
<v Speaker 2>Rose.

0:44:23.680 --> 0:44:26.400
<v Speaker 3>The fact that you grew up with no children says

0:44:26.840 --> 0:44:31.160
<v Speaker 3>so much about you and who you are today. That

0:44:31.600 --> 0:44:35.880
<v Speaker 3>is an incredible thing we've onearthed and you just see

0:44:35.920 --> 0:44:38.680
<v Speaker 3>like one day, like someone's house being packed up and

0:44:38.719 --> 0:44:40.640
<v Speaker 3>you're like, oh, I guess they die. They're like, you know,

0:44:41.800 --> 0:44:45.279
<v Speaker 3>gotta go hit that estate sale. Oh, Bobby, do you

0:44:45.320 --> 0:44:48.399
<v Speaker 3>have any other like favorite episodes or like things that

0:44:48.520 --> 0:44:50.960
<v Speaker 3>like what were when you first watched the show? Like

0:44:51.000 --> 0:44:53.319
<v Speaker 3>what were the things that you talked on about some

0:44:53.400 --> 0:44:54.560
<v Speaker 3>of them, but what were the things that you like

0:44:54.640 --> 0:44:55.880
<v Speaker 3>drew out of the show or the things that you

0:44:55.920 --> 0:44:57.440
<v Speaker 3>really loved about it.

0:44:58.880 --> 0:45:01.719
<v Speaker 5>I just couldn't believe how funny was It's that was

0:45:01.800 --> 0:45:03.960
<v Speaker 5>the main thing that surprised me. I was like, Oh,

0:45:04.000 --> 0:45:08.040
<v Speaker 5>this is just jokes. It's just one liners. It's jokes

0:45:08.280 --> 0:45:11.640
<v Speaker 5>left and right. It's jokes that like I can quote

0:45:11.680 --> 0:45:13.520
<v Speaker 5>with my sister all the time, Like we have our

0:45:13.560 --> 0:45:16.239
<v Speaker 5>own little Golden Girls language. That drives the rest of

0:45:16.280 --> 0:45:18.680
<v Speaker 5>my family crazy because like we can speak exclusively in

0:45:18.680 --> 0:45:20.719
<v Speaker 5>Golden Girls lines, and it's funny to me because they're

0:45:20.760 --> 0:45:24.800
<v Speaker 5>just like universal and hilarious. But I think it felt

0:45:24.800 --> 0:45:27.919
<v Speaker 5>so contemporary in a way, like there was something again.

0:45:27.960 --> 0:45:29.920
<v Speaker 5>I was just surprised at every turn that, like I

0:45:30.040 --> 0:45:32.719
<v Speaker 5>was connecting with this thing. But also it made me

0:45:32.760 --> 0:45:35.879
<v Speaker 5>really that like, oh, of course I love I love

0:45:35.960 --> 0:45:40.560
<v Speaker 5>like media content, movies, books about older people like I didn't.

0:45:40.640 --> 0:45:42.960
<v Speaker 5>I didn't grow up in boke a ratone like surrounded

0:45:43.000 --> 0:45:46.279
<v Speaker 5>by retirees crossing the street all day, but like I

0:45:46.400 --> 0:45:51.160
<v Speaker 5>definitely grew up liking movies at least about older people,

0:45:51.320 --> 0:45:55.840
<v Speaker 5>like I love a you know, new divorce, like finding

0:45:55.880 --> 0:45:58.040
<v Speaker 5>a new life, like you know, like I grew up

0:45:58.080 --> 0:46:01.359
<v Speaker 5>liking under the Tuscan Sun and like how Stella got

0:46:01.400 --> 0:46:04.879
<v Speaker 5>her group that sort of shit, Like I always love

0:46:04.960 --> 0:46:07.480
<v Speaker 5>that stuff, and like I've never seen under the Tuscan sue,

0:46:07.520 --> 0:46:10.040
<v Speaker 5>Oh my god, under the set and then even better

0:46:10.280 --> 0:46:12.799
<v Speaker 5>like Waiting to Exhale, which is like four women going

0:46:12.840 --> 0:46:14.960
<v Speaker 5>through it, you know, like yeah, it's I loved that

0:46:15.000 --> 0:46:18.600
<v Speaker 5>stuff it and it watching Golden Girls. I just I

0:46:18.640 --> 0:46:23.319
<v Speaker 5>really connect with stories about people who and it's just

0:46:23.760 --> 0:46:27.600
<v Speaker 5>I think it's just by like it's incidental. I don't

0:46:27.640 --> 0:46:29.640
<v Speaker 5>know why it happens, but it's just like a factor

0:46:29.680 --> 0:46:32.719
<v Speaker 5>of like how things work in movies and TV, because

0:46:32.719 --> 0:46:35.400
<v Speaker 5>there are always stories about women, but it's like older

0:46:35.440 --> 0:46:38.759
<v Speaker 5>people like starting a new life or like realizing that

0:46:38.840 --> 0:46:40.719
<v Speaker 5>you can always change your mind and you can be

0:46:40.760 --> 0:46:42.560
<v Speaker 5>whoever you want to be at any point in your life.

0:46:42.600 --> 0:46:45.399
<v Speaker 5>Like I'm really drawn to that story, Like there's no

0:46:45.640 --> 0:46:49.600
<v Speaker 5>age limit for changing your mind or doing something crazy, Like.

0:46:49.960 --> 0:46:54.279
<v Speaker 3>There really is something about four women, But what is it?

0:46:54.400 --> 0:46:54.880
<v Speaker 7>What is it?

0:46:54.880 --> 0:46:57.239
<v Speaker 3>Because I don't think there would be a Sex in

0:46:57.280 --> 0:47:00.680
<v Speaker 3>the City without Golden Girls, no kind of And there

0:47:00.719 --> 0:47:03.600
<v Speaker 3>wouldn't be girls without sex and the City without Golden Girls,

0:47:03.640 --> 0:47:05.640
<v Speaker 3>and then there wouldn't be an end just like that,

0:47:06.040 --> 0:47:10.600
<v Speaker 3>although that's not for women. The Sex and the City

0:47:10.640 --> 0:47:13.280
<v Speaker 3>girls and the Golden Girls have like basically fit every

0:47:13.400 --> 0:47:18.680
<v Speaker 3>almost every archetype, like obviously, like you know Rose is Charlotte,

0:47:18.760 --> 0:47:24.520
<v Speaker 3>and Sophia is Miranda, and Blanche is Samantha. I think

0:47:24.760 --> 0:47:28.120
<v Speaker 3>Dorothy and Carrie are not Dorothy. No, they're not, They're

0:47:28.120 --> 0:47:30.040
<v Speaker 3>not really they're not really a match actually, Like I

0:47:30.040 --> 0:47:32.040
<v Speaker 3>think that's the one that doesn't really fit the archetype.

0:47:32.040 --> 0:47:35.359
<v Speaker 2>But I was gonna say, on the retiree.

0:47:34.840 --> 0:47:36.000
<v Speaker 1>Dorothy is Stanford.

0:47:36.880 --> 0:47:41.440
<v Speaker 5>Dorothy is Stanford, Oh my god.

0:47:40.280 --> 0:47:44.239
<v Speaker 3>On the retiree genre, because it is a genre. It's complicated.

0:47:44.400 --> 0:47:48.320
<v Speaker 3>Have we ever seen it's complicated? Yer? My favorite Nancy

0:47:48.360 --> 0:47:51.319
<v Speaker 3>Meyers film I love is that the one with no

0:47:51.440 --> 0:47:55.280
<v Speaker 3>that's something, that Something's okay. They all kind of blend

0:47:55.280 --> 0:47:58.560
<v Speaker 3>together a lot. But I love stories about women of

0:47:58.600 --> 0:48:02.120
<v Speaker 3>a certain age going especially I mean with Nancy Meers.

0:48:02.120 --> 0:48:05.120
<v Speaker 3>It's like wealthy women with nice kitchens in a moment

0:48:05.160 --> 0:48:06.480
<v Speaker 3>of emotional crisis.

0:48:06.600 --> 0:48:08.320
<v Speaker 2>It's just the best. It's the it's.

0:48:08.239 --> 0:48:10.200
<v Speaker 5>They can really go through it, you know, like they

0:48:10.200 --> 0:48:12.319
<v Speaker 5>can go through it extravagantly, like that.

0:48:12.400 --> 0:48:15.719
<v Speaker 3>They don't have to worry about like the worldly issues exactly.

0:48:15.760 --> 0:48:17.480
<v Speaker 5>It's even more of a fantasy. It's great.

0:48:17.640 --> 0:48:21.120
<v Speaker 3>Do any of y'all watch Grayson, Frankie or or like,

0:48:21.160 --> 0:48:23.680
<v Speaker 3>are we excited for like eighty for Brady or whatever

0:48:24.120 --> 0:48:26.759
<v Speaker 3>that is happening. I can't believe you thought that I

0:48:26.800 --> 0:48:30.160
<v Speaker 3>would be excited about Haiti for Brady, Bobby's it's Bob.

0:48:31.000 --> 0:48:33.879
<v Speaker 5>I'm excited Bobby. I'm excited for Adie, for Brady, I'm

0:48:33.920 --> 0:48:35.040
<v Speaker 5>excited for eighty Brady.

0:48:35.040 --> 0:48:35.839
<v Speaker 2>Tell me why come?

0:48:35.920 --> 0:48:40.160
<v Speaker 3>I also I also hated book Club. I did Love

0:48:40.360 --> 0:48:42.360
<v Speaker 3>was one of the worst movies I've ever seen that

0:48:42.400 --> 0:48:43.440
<v Speaker 3>I almost walked out.

0:48:43.600 --> 0:48:45.680
<v Speaker 4>Actually I may have walked out of it.

0:48:45.880 --> 0:48:49.680
<v Speaker 5>You walked out of book Club? You missed that Jane

0:48:49.719 --> 0:48:52.160
<v Speaker 5>Conda finally gets to kiss what's his name like on

0:48:52.200 --> 0:48:53.120
<v Speaker 5>the roof of her hotel.

0:48:53.640 --> 0:48:56.000
<v Speaker 3>The ending is, oh, no, I actually I watched the

0:48:56.040 --> 0:48:57.920
<v Speaker 3>whole thing. It was there's a different movie that I

0:48:57.920 --> 0:49:00.799
<v Speaker 3>walked up. You made a mistake. It's not a movie

0:49:00.800 --> 0:49:02.600
<v Speaker 3>to see in theaters. It's a movie to watch on

0:49:02.680 --> 0:49:04.480
<v Speaker 3>a plane, which is how I watched it. And it

0:49:04.560 --> 0:49:07.680
<v Speaker 3>was perfectly for the plane, perfect exactly.

0:49:07.840 --> 0:49:10.200
<v Speaker 5>And I and friend. To answer your question why I'm

0:49:10.200 --> 0:49:12.560
<v Speaker 5>gonna like eighty forbid year, why I'm in ad here, Brady,

0:49:12.760 --> 0:49:15.040
<v Speaker 5>it's the simple answer, which Rose is gonna have a

0:49:15.040 --> 0:49:18.160
<v Speaker 5>problem with. But it's because I liked book Club. I

0:49:18.200 --> 0:49:20.879
<v Speaker 5>was like, Oh, they found out that this format works.

0:49:20.880 --> 0:49:23.040
<v Speaker 5>They're just doing it again, only they're working in like

0:49:23.280 --> 0:49:26.920
<v Speaker 5>they replaced Diane Keaton with Sally Field and they replaced

0:49:27.440 --> 0:49:31.520
<v Speaker 5>I guess who else is in book Club? Read a Moreno? Yeah,

0:49:31.600 --> 0:49:34.239
<v Speaker 5>So it's like, wow, great, let's just do it again.

0:49:34.360 --> 0:49:35.879
<v Speaker 4>I'm just is Diane Keaton done?

0:49:35.960 --> 0:49:36.120
<v Speaker 2>Now?

0:49:36.200 --> 0:49:37.440
<v Speaker 4>Has she been canceled?

0:49:37.600 --> 0:49:39.880
<v Speaker 3>Did you see that movie where the young woman turned

0:49:39.920 --> 0:49:40.960
<v Speaker 3>into Diane Keaton?

0:49:41.040 --> 0:49:41.800
<v Speaker 5>Mac and rita?

0:49:42.600 --> 0:49:42.839
<v Speaker 2>Wait?

0:49:43.040 --> 0:49:46.120
<v Speaker 5>No, friend keeps saying, my friend keep saying it's actually good,

0:49:46.200 --> 0:49:48.960
<v Speaker 5>And I'm like, there's no way in hell it's actually good.

0:49:49.000 --> 0:49:50.840
<v Speaker 4>There's no way, there's.

0:49:50.680 --> 0:49:53.080
<v Speaker 3>No possible way that she like, what does she like

0:49:53.120 --> 0:49:55.160
<v Speaker 3>go into a tanning booth and then she comes out

0:49:55.160 --> 0:49:59.839
<v Speaker 3>as Diane King. Also, whenever somebody's review is it's actually good,

0:50:00.120 --> 0:50:04.480
<v Speaker 3>like that's an immediate flabum. Yeah, that actually is like hmmm,

0:50:04.760 --> 0:50:08.200
<v Speaker 3>oh actually it's in spite of something, got it exactly.

0:50:08.200 --> 0:50:11.440
<v Speaker 3>But I'm just honestly, we should be replacing Rita Morena.

0:50:11.480 --> 0:50:15.280
<v Speaker 3>We should be, sorry, replacing Diane Keaton with Riada Moreno

0:50:15.360 --> 0:50:17.800
<v Speaker 3>at every turn in every movie. I'm also so we

0:50:17.800 --> 0:50:20.960
<v Speaker 3>should we should have Rita Moreno film all of Diane

0:50:21.000 --> 0:50:23.879
<v Speaker 3>Keaton's Annie Hall. Yes, yes, we should actually know we can't.

0:50:23.960 --> 0:50:28.000
<v Speaker 3>We can't watch Annie Hall Allen. No, first first wive, Honey,

0:50:28.120 --> 0:50:30.279
<v Speaker 3>We're we're yes, no, no, no, I actually think you're

0:50:30.320 --> 0:50:33.560
<v Speaker 3>onto something. We're re recording all of Diane Keaton's films

0:50:33.560 --> 0:50:35.960
<v Speaker 3>with Rita Moreno and it's going to be like Parent's

0:50:36.040 --> 0:50:37.759
<v Speaker 3>Rita's version, okay version.

0:50:37.840 --> 0:50:39.800
<v Speaker 2>Yes, we're doing the back catalog.

0:50:39.920 --> 0:50:41.760
<v Speaker 4>Take that scooter by.

0:50:41.600 --> 0:50:44.320
<v Speaker 5>Yes, yeah, I mean, I mean she's an egod, she

0:50:44.320 --> 0:50:46.600
<v Speaker 5>can handle it. She can get all of the nuances

0:50:46.640 --> 0:50:50.040
<v Speaker 5>of every performance and like match everything perfectly, so she

0:50:50.120 --> 0:50:51.640
<v Speaker 5>can just like cover the frame.

0:50:52.320 --> 0:50:54.680
<v Speaker 3>Jane Fonda is also one of my favorite celebrities of

0:50:54.760 --> 0:50:58.160
<v Speaker 3>all time, point blank period. Like she is like a

0:50:58.280 --> 0:51:01.799
<v Speaker 3>much like actually like someone like be Arthur who just

0:51:02.200 --> 0:51:06.320
<v Speaker 3>a lifetime of consistent activism, you know, like a lifetime

0:51:06.440 --> 0:51:10.799
<v Speaker 3>of like standing for something and like never shying away

0:51:10.840 --> 0:51:14.000
<v Speaker 3>from that, never never being deterred by celebrity or all

0:51:14.040 --> 0:51:14.560
<v Speaker 3>that stuff.

0:51:15.600 --> 0:51:18.960
<v Speaker 5>No, it's it's crazy that you Like, it's hard to

0:51:19.000 --> 0:51:21.680
<v Speaker 5>think of an equivalent to her with someone who's like

0:51:22.000 --> 0:51:24.640
<v Speaker 5>spanned generations of being kind of on the right side

0:51:24.680 --> 0:51:29.680
<v Speaker 5>of public opinion and like loudly vocally sort of influentially

0:51:29.719 --> 0:51:31.520
<v Speaker 5>on the right side of public opinion even when it

0:51:32.000 --> 0:51:34.319
<v Speaker 5>kind of almost wrecked her career multiple times. I mean,

0:51:34.360 --> 0:51:35.759
<v Speaker 5>and she was just like, no, it did.

0:51:36.000 --> 0:51:38.200
<v Speaker 1>The only other person I can think of is Lady Gaga.

0:51:38.719 --> 0:51:44.600
<v Speaker 2>Shut up. She's never had a wrong opinion, oh my gods.

0:51:44.600 --> 0:51:44.799
<v Speaker 4>Never.

0:51:45.560 --> 0:51:49.400
<v Speaker 3>I mean, she's had some wrong creative decisions, but you know,

0:51:49.880 --> 0:51:52.080
<v Speaker 3>she's been on the right side of history, just maybe

0:51:52.080 --> 0:51:52.880
<v Speaker 3>not the right side.

0:51:52.680 --> 0:51:53.280
<v Speaker 5>Of her history.

0:51:54.600 --> 0:51:56.920
<v Speaker 3>Bobby, have you ever seen did you did you ever

0:51:56.960 --> 0:51:57.960
<v Speaker 3>watch Malcolm in the Middle.

0:51:59.560 --> 0:52:03.080
<v Speaker 5>I never No, for some reason, that never. That never

0:52:03.160 --> 0:52:03.600
<v Speaker 5>hit with me.

0:52:04.360 --> 0:52:10.160
<v Speaker 3>So Chloris Leachman and Betty White have like amazing scenes together,

0:52:10.440 --> 0:52:12.960
<v Speaker 3>like throughout this like throughout the show. Like Betty White

0:52:13.080 --> 0:52:15.839
<v Speaker 3>is like a character, a recurring character and a lot

0:52:15.840 --> 0:52:18.120
<v Speaker 3>of the seasons of the show. And it's like and

0:52:18.160 --> 0:52:21.520
<v Speaker 3>she is her like she she's a she. I would

0:52:21.520 --> 0:52:24.080
<v Speaker 3>say she doesn't play Rose. I think she almost plays

0:52:24.760 --> 0:52:27.560
<v Speaker 3>Dorothy More because she's kind of like but she has

0:52:27.640 --> 0:52:31.279
<v Speaker 3>like she's like, I'm an alluringly sweet old lady, but

0:52:31.400 --> 0:52:33.719
<v Speaker 3>like beneath, she's like rotten to the core and she's

0:52:33.840 --> 0:52:36.120
<v Speaker 3>evil and like and like, well, that's kind of what

0:52:36.320 --> 0:52:39.799
<v Speaker 3>her type evolved, yeah into. That's so much of what

0:52:39.880 --> 0:52:42.000
<v Speaker 3>she did, like when she played herself on Ugly Betty,

0:52:42.680 --> 0:52:45.200
<v Speaker 3>or when she was in wasn't she in the Proposal?

0:52:45.160 --> 0:52:45.840
<v Speaker 5>The Proposal?

0:52:46.160 --> 0:52:49.360
<v Speaker 3>Was like yeah, yeah, she was like she's like sweet

0:52:49.360 --> 0:52:51.640
<v Speaker 3>old lady who's secretly nasty.

0:52:51.800 --> 0:52:53.920
<v Speaker 5>She says fuck in the Proposal. I think it's like

0:52:54.000 --> 0:52:57.080
<v Speaker 5>it's a PG. Thirteen movie where you know, Betty White

0:52:57.120 --> 0:53:00.640
<v Speaker 5>says fuck and no one could believe it. I could

0:53:00.680 --> 0:53:01.200
<v Speaker 5>believe it.

0:53:02.000 --> 0:53:05.279
<v Speaker 3>She was seated but I was seeing it on a plane.

0:53:05.520 --> 0:53:09.120
<v Speaker 5>I love being able to tell people like Golden Girls, Virgins,

0:53:09.320 --> 0:53:12.560
<v Speaker 5>Golden Girls trivia. But like she was originally Blanche, you know,

0:53:12.800 --> 0:53:17.000
<v Speaker 5>like that I didn't know that because she was in

0:53:17.200 --> 0:53:18.759
<v Speaker 5>This is not a show. I'm not, like, I don't

0:53:18.800 --> 0:53:20.520
<v Speaker 5>have experience with the Mary Tyler Moore show, but I

0:53:20.560 --> 0:53:22.799
<v Speaker 5>guess on the Mary Tyler Moore Show, which she was

0:53:22.840 --> 0:53:26.279
<v Speaker 5>in before this, she was like the sexy employee at

0:53:26.280 --> 0:53:29.560
<v Speaker 5>the office, like the sultry one, the alluring one, and

0:53:30.840 --> 0:53:32.919
<v Speaker 5>she was going to play a similar character in Golden Girls.

0:53:32.920 --> 0:53:34.120
<v Speaker 5>They were like, she's good at this, We'll let her

0:53:34.200 --> 0:53:35.360
<v Speaker 5>do it, and she was like, I want to do

0:53:35.400 --> 0:53:39.280
<v Speaker 5>something different, let me be Rose. And then they got rude,

0:53:39.880 --> 0:53:42.000
<v Speaker 5>what's her name, Rue McClanahan to be Blanche. But I'm

0:53:42.040 --> 0:53:44.879
<v Speaker 5>just like, oh, I guess at the time that kind

0:53:44.880 --> 0:53:48.319
<v Speaker 5>of was a twist for her. So like audiences back

0:53:48.320 --> 0:53:50.720
<v Speaker 5>when the show premiered were like, Oh, she's not playing

0:53:50.719 --> 0:53:53.239
<v Speaker 5>the sexy one. That's so weird, But you two aren't

0:53:53.239 --> 0:53:55.719
<v Speaker 5>there yet. The reveal kind of in the middle of

0:53:55.760 --> 0:53:58.719
<v Speaker 5>the series is that no one has had more sex

0:53:58.760 --> 0:53:59.280
<v Speaker 5>than Rose.

0:54:00.239 --> 0:54:02.480
<v Speaker 3>Oh right, now she becomes the anointed slut. I was

0:54:02.520 --> 0:54:03.320
<v Speaker 3>reading about that.

0:54:03.200 --> 0:54:05.920
<v Speaker 5>She she becomes the anointed slut because they find out

0:54:05.960 --> 0:54:09.160
<v Speaker 5>that she had like like one hundred boyfriends in high

0:54:09.160 --> 0:54:11.880
<v Speaker 5>school and also that she and her husband had sex

0:54:11.960 --> 0:54:16.000
<v Speaker 5>every single night of their marriage until he died, and

0:54:16.160 --> 0:54:21.239
<v Speaker 5>Blanche like can't believe it, and it's just like, oh,

0:54:21.280 --> 0:54:23.520
<v Speaker 5>I love the reveal that even though she's the sort

0:54:23.520 --> 0:54:27.160
<v Speaker 5>of sweet one, she loves to fuck. Yeah, like, that's like.

0:54:27.080 --> 0:54:30.040
<v Speaker 3>That she probably in the show and she probably tears

0:54:30.080 --> 0:54:33.040
<v Speaker 3>those men apart. Also, one of the episodes I was watching,

0:54:33.080 --> 0:54:38.560
<v Speaker 3>she reveals that Hitler was like a teacher at her school.

0:54:38.719 --> 0:54:40.759
<v Speaker 5>Oh my god, that's one of that is one of

0:54:40.800 --> 0:54:44.200
<v Speaker 5>the weirdest reveals in the first of all, that episode

0:54:44.280 --> 0:54:46.200
<v Speaker 5>is so strange where she goes back to school to

0:54:46.200 --> 0:54:48.239
<v Speaker 5>get her high school diploma. Yeah yeah, and then you

0:54:48.280 --> 0:54:51.799
<v Speaker 5>find out that her like Jim teacher was Hitler and

0:54:51.920 --> 0:54:55.040
<v Speaker 5>that Ava Brown was there in saying Olaf, Minnesota, and

0:54:55.040 --> 0:54:56.759
<v Speaker 5>you find out that the whole reason the entire town

0:54:56.880 --> 0:54:59.359
<v Speaker 5>is dumb is because it was a secret plot by

0:54:59.360 --> 0:55:03.799
<v Speaker 5>the Germans make Americans stupid, Like what it's so it's

0:55:03.840 --> 0:55:06.440
<v Speaker 5>like so absurd, and then the show's like, anyway, I

0:55:06.520 --> 0:55:07.000
<v Speaker 5>was watching.

0:55:07.360 --> 0:55:09.800
<v Speaker 3>I really I would love to know what the Golden

0:55:09.800 --> 0:55:12.200
<v Speaker 3>Girls writer's room was, Like, I mean, I'm sure it

0:55:12.239 --> 0:55:15.120
<v Speaker 3>was like so fun and but also like they really

0:55:15.120 --> 0:55:17.560
<v Speaker 3>go there, Like I was. I think I only watched

0:55:17.560 --> 0:55:19.759
<v Speaker 3>the first season, like episodes in the first season, but

0:55:19.800 --> 0:55:21.680
<v Speaker 3>I was just watching an episode where Sophia makes this

0:55:21.719 --> 0:55:25.080
<v Speaker 3>offhanded joke about how she used to work in Mussolini's kitchen, and.

0:55:25.000 --> 0:55:25.759
<v Speaker 2>I was like what.

0:55:26.000 --> 0:55:29.720
<v Speaker 3>I was like, what, Like it's so funny and so dark,

0:55:30.400 --> 0:55:32.359
<v Speaker 3>but like, I don't know, I kind of love it.

0:55:32.400 --> 0:55:33.520
<v Speaker 2>I live for stuff like that.

0:55:53.120 --> 0:55:54.719
<v Speaker 5>There's a it's like every once in a while there

0:55:54.760 --> 0:55:58.080
<v Speaker 5>will just be something really surprising and like something that's

0:55:58.120 --> 0:56:01.920
<v Speaker 5>like overtly sexual or like extremely progressive, or just like

0:56:02.000 --> 0:56:04.760
<v Speaker 5>kind of a controversial political opinion, like a progressive political

0:56:04.760 --> 0:56:08.000
<v Speaker 5>opinion that they put on like network television that you

0:56:08.080 --> 0:56:11.400
<v Speaker 5>sort of are surprised to see on like populist entertainment.

0:56:11.440 --> 0:56:12.719
<v Speaker 5>But then it's like I think a lot of it

0:56:12.760 --> 0:56:15.120
<v Speaker 5>had to do with like who was watching it, Like

0:56:15.280 --> 0:56:18.400
<v Speaker 5>older people were watching it. It wasn't on like I

0:56:18.400 --> 0:56:20.600
<v Speaker 5>think it was on like Fridays and Saturdays, Like it

0:56:20.640 --> 0:56:23.080
<v Speaker 5>had a very weird time slot, so they could get

0:56:23.120 --> 0:56:25.360
<v Speaker 5>away with a lot of stuff because like it was

0:56:25.400 --> 0:56:29.720
<v Speaker 5>really popular, but it wasn't like mussy TV Thursdays or something.

0:56:29.840 --> 0:56:31.640
<v Speaker 5>You know. It was like in a very special, little

0:56:31.719 --> 0:56:33.919
<v Speaker 5>more secluded spot, so they could be a little more,

0:56:34.440 --> 0:56:35.560
<v Speaker 5>a little racier, I think.

0:56:36.520 --> 0:56:36.840
<v Speaker 4>Yeah.

0:56:37.080 --> 0:56:40.160
<v Speaker 3>And also they weren't afraid to be kind of like sad.

0:56:40.280 --> 0:56:43.840
<v Speaker 3>Like I watched the episode where their neighbor dies because

0:56:44.360 --> 0:56:48.839
<v Speaker 3>because Rose says that she hopes she drops dead, and

0:56:48.880 --> 0:56:51.239
<v Speaker 3>then they realize, like this woman like everyone hates her,

0:56:51.280 --> 0:56:54.000
<v Speaker 3>so they have to throw her a funeral, and like

0:56:54.040 --> 0:56:57.359
<v Speaker 3>that was so like devastatingly sad to think about, but

0:56:57.640 --> 0:56:59.160
<v Speaker 3>it was really funny.

0:56:59.600 --> 0:57:02.600
<v Speaker 5>Yeah, they make that whole episode. It's almost like, when

0:57:02.640 --> 0:57:04.480
<v Speaker 5>you think about an episode like that, if they made

0:57:04.520 --> 0:57:08.520
<v Speaker 5>that in twenty twenty two, you would want to work

0:57:08.560 --> 0:57:10.880
<v Speaker 5>in a little bit of a like some sort of

0:57:11.800 --> 0:57:14.759
<v Speaker 5>sad backstory about this evil woman who lived next door,

0:57:14.800 --> 0:57:17.960
<v Speaker 5>and that episode completely rejects it. It's like, no, she was,

0:57:18.240 --> 0:57:21.200
<v Speaker 5>she's a bawful evil woman, and we're glad that she's dead.

0:57:21.360 --> 0:57:24.000
<v Speaker 5>End of story. We're done, Like that's it. It's so like,

0:57:24.080 --> 0:57:25.200
<v Speaker 5>oh wow, they went there.

0:57:25.480 --> 0:57:26.120
<v Speaker 2>It's really new.

0:57:26.200 --> 0:57:29.160
<v Speaker 3>It's like really like they just yeah, they're not afraid

0:57:29.200 --> 0:57:32.160
<v Speaker 3>to just like be funny about death, Like there I want.

0:57:32.280 --> 0:57:33.680
<v Speaker 1>It's true sitcom lone.

0:57:33.800 --> 0:57:34.760
<v Speaker 2>Yeah, exactly.

0:57:34.800 --> 0:57:39.880
<v Speaker 3>I watched the episode where Blanche you know, is thinking

0:57:39.880 --> 0:57:43.560
<v Speaker 3>about giving her sister a kidney, and how it's like

0:57:43.600 --> 0:57:45.920
<v Speaker 3>a very real circumstance and the and the you know,

0:57:46.000 --> 0:57:48.800
<v Speaker 3>the climax does become very sincere. But at the end

0:57:48.800 --> 0:57:50.000
<v Speaker 3>of the day, she's like, I don't want to give

0:57:50.040 --> 0:57:52.360
<v Speaker 3>her my fucking kidney, like I hate her, and it's

0:57:52.400 --> 0:57:55.360
<v Speaker 3>like it's like and she can die, Like that's literally

0:57:55.400 --> 0:57:56.280
<v Speaker 3>like kind of what it is.

0:57:56.320 --> 0:57:59.440
<v Speaker 2>And it's like, I I love that episodes like that.

0:57:59.560 --> 0:58:02.240
<v Speaker 3>Honestly, I would say I haven't seen everything, but I

0:58:02.520 --> 0:58:05.360
<v Speaker 3>feel like all, if not most of the episodes that

0:58:05.400 --> 0:58:08.840
<v Speaker 3>I watched were about mortality in some way, Like death

0:58:09.080 --> 0:58:12.480
<v Speaker 3>is this kind of theme that's at a low simmer.

0:58:13.360 --> 0:58:16.280
<v Speaker 7>Death is the fifth.

0:58:17.360 --> 0:58:20.720
<v Speaker 3>Exactly, No, not no, you know, And I think that

0:58:20.720 --> 0:58:23.000
<v Speaker 3>that that was like the joy of the show is

0:58:23.040 --> 0:58:24.560
<v Speaker 3>like it revels in death.

0:58:24.600 --> 0:58:26.200
<v Speaker 2>It's joyful about death.

0:58:26.680 --> 0:58:30.120
<v Speaker 3>It show it shows you how these women live bigger

0:58:30.240 --> 0:58:33.680
<v Speaker 3>because death is at the doorstep, or that they have

0:58:33.920 --> 0:58:38.360
<v Speaker 3>less at stake, they can be more themselves because you know,

0:58:38.560 --> 0:58:41.560
<v Speaker 3>we're all gonna die, and like, I don't know, that's liberatory.

0:58:41.600 --> 0:58:45.120
<v Speaker 3>It's just amazing. It was so fun to watch the characters.

0:58:45.240 --> 0:58:47.600
<v Speaker 3>It's kind of like nihilistic, Yeah, a little bit exactly.

0:58:47.800 --> 0:58:50.640
<v Speaker 5>Yeah, it is got frand you got it. That's exactly

0:58:50.640 --> 0:58:52.760
<v Speaker 5>what it is. Like I guess I've never really like

0:58:52.800 --> 0:58:54.880
<v Speaker 5>thought about it in those terms exactly, but that's like

0:58:55.040 --> 0:58:56.880
<v Speaker 5>such a huge part of why it works. It's like

0:58:57.360 --> 0:58:59.240
<v Speaker 5>they know that they're near death even though they're like

0:59:00.040 --> 0:59:02.000
<v Speaker 5>they started making the show when they were like fifty five,

0:59:02.160 --> 0:59:05.320
<v Speaker 5>so like they were actually like fairly young, but at

0:59:05.400 --> 0:59:07.840
<v Speaker 5>the time it was they they were should they should

0:59:07.880 --> 0:59:09.760
<v Speaker 5>have been retired, They should have been you know, planning

0:59:09.800 --> 0:59:12.600
<v Speaker 5>for their funerals or whatever. The kidney thing reminds me

0:59:13.080 --> 0:59:16.360
<v Speaker 5>that kidney story that you picked up on a friend

0:59:16.400 --> 0:59:21.160
<v Speaker 5>of mine. His brother had some sort of kidney disease

0:59:21.280 --> 0:59:23.560
<v Speaker 5>and I don't know what it was, but needed a

0:59:23.640 --> 0:59:26.160
<v Speaker 5>kidney transplant. Like it was desperate, needed a kidney transplant.

0:59:26.160 --> 0:59:29.120
<v Speaker 5>And so the process is you like ask like I

0:59:29.120 --> 0:59:30.959
<v Speaker 5>don't know if you've seen this, Lena Gomez my mind

0:59:31.000 --> 0:59:33.200
<v Speaker 5>in me or whatever, but like you ask as many

0:59:33.200 --> 0:59:35.640
<v Speaker 5>people as you can like you you have to, you know,

0:59:36.160 --> 0:59:38.720
<v Speaker 5>you know, open up your circle and say like, are

0:59:38.760 --> 0:59:40.280
<v Speaker 5>you willing to give me a kidney or at least

0:59:40.280 --> 0:59:43.920
<v Speaker 5>get the test? And so he was like, it's my brother.

0:59:44.200 --> 0:59:47.520
<v Speaker 5>I love my brother, but like part of me rudely

0:59:47.600 --> 0:59:49.640
<v Speaker 5>hopes that I'm not a match because then I have

0:59:49.760 --> 0:59:52.720
<v Speaker 5>to have surgery or whatever, Like isn't that a horrible

0:59:52.720 --> 0:59:54.720
<v Speaker 5>feeling to have? And I was like, oh, I'd never

0:59:54.760 --> 0:59:57.600
<v Speaker 5>considered that, but like even if it is someone you love,

0:59:57.800 --> 1:00:00.400
<v Speaker 5>like you have to go under the knife to take

1:00:00.400 --> 1:00:02.200
<v Speaker 5>a piece of you out and give it to a person,

1:00:02.320 --> 1:00:05.439
<v Speaker 5>Like that's like rough. And I just never hear would

1:00:05.720 --> 1:00:07.840
<v Speaker 5>give a kidney to before? Who would I get?

1:00:07.880 --> 1:00:09.760
<v Speaker 4>Would you get? Would you give Rita Aura a kidney

1:00:09.800 --> 1:00:10.600
<v Speaker 4>if she needed one?

1:00:11.560 --> 1:00:14.080
<v Speaker 5>I feel like the thing is and I that's kind

1:00:14.080 --> 1:00:16.280
<v Speaker 5>of what my friend was saying, like the moment you're

1:00:16.320 --> 1:00:20.480
<v Speaker 5>a match, you have to like I somehow, if I

1:00:20.600 --> 1:00:23.400
<v Speaker 5>somehow end up on like the male gets mixed up,

1:00:23.400 --> 1:00:25.919
<v Speaker 5>that's like a movie or something like if I take

1:00:25.960 --> 1:00:28.320
<v Speaker 5>a if I take a test and the hospital finds

1:00:28.360 --> 1:00:29.920
<v Speaker 5>out that I'm a match for a Rita Aura or

1:00:29.960 --> 1:00:32.440
<v Speaker 5>like Jesse j or something, and they're just like Bobby

1:00:32.520 --> 1:00:35.880
<v Speaker 5>jesse J like needs a kidney. I'd be like, well, fuck,

1:00:36.560 --> 1:00:38.040
<v Speaker 5>how do you say no? How do you say no

1:00:38.080 --> 1:00:39.720
<v Speaker 5>to that? Like jesse J is getting my kidney?

1:00:39.760 --> 1:00:44.000
<v Speaker 4>I like you can't easily say no. I think as

1:00:44.080 --> 1:00:45.240
<v Speaker 4>jesse J has said.

1:00:45.120 --> 1:00:46.760
<v Speaker 5>No, no no no no no no no no no no.

1:00:47.880 --> 1:00:50.280
<v Speaker 5>But like I really do think that you just send

1:00:50.280 --> 1:00:53.520
<v Speaker 5>you that video out. Oh my god, if you get

1:00:53.560 --> 1:00:56.680
<v Speaker 5>asked like, don't you kind of have to like because

1:00:56.720 --> 1:00:57.680
<v Speaker 5>you don't speak for yourself.

1:00:57.720 --> 1:01:00.680
<v Speaker 2>Man, not me, I'd be like, good, diva.

1:01:01.640 --> 1:01:04.560
<v Speaker 5>Guilt guilt works on me, so like not on Rose

1:01:04.600 --> 1:01:08.320
<v Speaker 5>and I guilt is guilt is you know, my kryptonite,

1:01:08.320 --> 1:01:09.960
<v Speaker 5>And it's like, oh god, I gotta.

1:01:09.720 --> 1:01:12.240
<v Speaker 4>Give just no I'm I'm I'm Jewish. If it's not

1:01:12.280 --> 1:01:14.880
<v Speaker 4>my mother, I'm like, good luck with that.

1:01:15.520 --> 1:01:17.520
<v Speaker 3>Yeah, there are very few people that I would give

1:01:17.520 --> 1:01:20.440
<v Speaker 3>a kidney too. But also my kidneys are probably rotted,

1:01:20.520 --> 1:01:24.120
<v Speaker 3>like you don't want my kidneys? Like, no, man, I

1:01:24.160 --> 1:01:27.120
<v Speaker 3>would give you a kidney, fran I would give I mean,

1:01:27.160 --> 1:01:28.720
<v Speaker 3>I was gonna say I would give you a kidney,

1:01:28.720 --> 1:01:30.480
<v Speaker 3>But I don't think you would ever want a kidney.

1:01:30.480 --> 1:01:32.680
<v Speaker 2>I think you'd be like I be like.

1:01:32.640 --> 1:01:33.760
<v Speaker 4>No, I'd like I'm dying.

1:01:34.200 --> 1:01:38.400
<v Speaker 2>Yeah, yeah, You're like no, thanks, okay.

1:01:39.000 --> 1:01:42.960
<v Speaker 3>I'd feel like i'd be like'ally like thanks, you're in.

1:01:44.440 --> 1:01:46.240
<v Speaker 5>You had a great run of it or whatever. Yeah,

1:01:48.440 --> 1:01:52.160
<v Speaker 5>I feel I feel like rotten inside. Although like like honestly,

1:01:52.160 --> 1:01:54.280
<v Speaker 5>who gives a fuck about crystiality, Like that's not even

1:01:54.280 --> 1:01:57.200
<v Speaker 5>a controversial opinion, but like, this was one of the

1:01:57.240 --> 1:01:59.320
<v Speaker 5>first celebrity deaths in a long time where I was

1:01:59.360 --> 1:02:01.840
<v Speaker 5>just like, I cannot stop thinking about this funny tweet,

1:02:01.880 --> 1:02:05.440
<v Speaker 5>like I'm incapable of mourning this woman. I'm incapable of

1:02:05.440 --> 1:02:06.000
<v Speaker 5>mourning this one.

1:02:06.000 --> 1:02:09.480
<v Speaker 3>I know level I Also, it felt compounded for me

1:02:09.560 --> 1:02:13.720
<v Speaker 3>because a couple of days ago, I had I tweeted

1:02:13.760 --> 1:02:16.600
<v Speaker 3>that Kirsty Ali was one celebrity who I would not

1:02:16.720 --> 1:02:19.360
<v Speaker 3>eat if I was a cannibal because that tastes bad

1:02:19.960 --> 1:02:23.360
<v Speaker 3>and so and so last night, like someone with like

1:02:23.360 --> 1:02:26.480
<v Speaker 3>one hundred thousand followers quote tweeted it and was like,

1:02:26.760 --> 1:02:28.880
<v Speaker 3>what did you know? And now people are like in

1:02:28.960 --> 1:02:33.200
<v Speaker 3>my mention saying that I killed Kirsty Well and cheering

1:02:33.320 --> 1:02:33.920
<v Speaker 3>is next.

1:02:34.440 --> 1:02:35.000
<v Speaker 4>I didn't.

1:02:35.160 --> 1:02:36.280
<v Speaker 2>I just I just.

1:02:37.880 --> 1:02:39.400
<v Speaker 4>What I stand by what I said.

1:02:39.480 --> 1:02:40.959
<v Speaker 2>I had actually I forgot.

1:02:40.600 --> 1:02:45.120
<v Speaker 3>About the the Stephen Hawking tweet I loved, but I

1:02:45.160 --> 1:02:48.080
<v Speaker 3>just couldn't stop thinking about how she was like supporting

1:02:48.080 --> 1:02:51.800
<v Speaker 3>Trump is like, you know, I'm the most marginalized because

1:02:51.880 --> 1:02:54.280
<v Speaker 3>I support Trump and like and also she was like

1:02:54.360 --> 1:02:57.080
<v Speaker 3>cheering on the insurrection or whatever. Wait, yeah she was

1:02:57.080 --> 1:02:59.400
<v Speaker 3>a bad Yeah, Bobby, this is this is a who

1:02:59.480 --> 1:03:03.160
<v Speaker 3>n muquestion? What is the deal between like Kirsten Johnson

1:03:03.440 --> 1:03:06.400
<v Speaker 3>and Kirsty Ali and why they look exactly the same?

1:03:06.800 --> 1:03:09.680
<v Speaker 3>Like I don't is that Like I saw the Kirsten

1:03:09.760 --> 1:03:14.520
<v Speaker 3>Johnson memes after what is I like forgot that they're

1:03:14.560 --> 1:03:15.360
<v Speaker 3>not the same person.

1:03:16.720 --> 1:03:20.520
<v Speaker 5>I'd never considered it until she died, because suddenly we've

1:03:20.560 --> 1:03:22.720
<v Speaker 5>gotten a lot of calls and emails about it. I'm

1:03:22.760 --> 1:03:26.439
<v Speaker 5>just like, oh, that's really interesting. But I guess it's

1:03:26.600 --> 1:03:29.840
<v Speaker 5>just like why did they look so similar? I guess

1:03:29.840 --> 1:03:33.880
<v Speaker 5>it's like a nineties TV sitcom bucket that both of

1:03:33.880 --> 1:03:34.480
<v Speaker 5>them filled.

1:03:34.480 --> 1:03:36.400
<v Speaker 2>And yeah, they play the same, both of them.

1:03:37.120 --> 1:03:40.280
<v Speaker 5>Because I feel like Kristin Johnson when she made I

1:03:40.280 --> 1:03:44.120
<v Speaker 5>guess her first big show was Third Rock from the Sun,

1:03:44.240 --> 1:03:46.400
<v Speaker 5>I guess where it's like, like, it wouldn't surprise me

1:03:46.440 --> 1:03:48.040
<v Speaker 5>if they were like, well, we need a Kirsty Alley

1:03:48.120 --> 1:03:51.200
<v Speaker 5>type for this totally, so like here's this woman who'll

1:03:51.200 --> 1:03:53.840
<v Speaker 5>fill the bucket because like they're also plug and play,

1:03:53.960 --> 1:03:56.200
<v Speaker 5>especially in the nineties, like all those shows were basically

1:03:56.240 --> 1:03:58.160
<v Speaker 5>the same. It's like, oh, but this time they're Aliens.

1:03:58.200 --> 1:03:59.960
<v Speaker 3>Well, when she fell out of the Chirsty Ally was

1:04:00.160 --> 1:04:02.280
<v Speaker 3>arguably much more famous because.

1:04:02.080 --> 1:04:03.880
<v Speaker 5>She was a movie Oh yeah, she.

1:04:03.880 --> 1:04:07.080
<v Speaker 3>Had a film career and and Kristin Johnson, you know,

1:04:07.560 --> 1:04:09.760
<v Speaker 3>I mean to me, her greatest work was as Lexi

1:04:09.760 --> 1:04:12.720
<v Speaker 3>Featherstone in that one episode of Absolute I'll bet you

1:04:12.720 --> 1:04:14.800
<v Speaker 3>they went out to Kirsty Ali first, they were like, Kirsty,

1:04:14.800 --> 1:04:16.160
<v Speaker 3>will you please fall out of this window?

1:04:16.760 --> 1:04:17.720
<v Speaker 2>And she was like not.

1:04:19.040 --> 1:04:21.000
<v Speaker 5>I wonder if Kristy Ali like what. I feel like

1:04:21.040 --> 1:04:23.720
<v Speaker 5>she is too like self obsessed and has no sense

1:04:23.720 --> 1:04:25.400
<v Speaker 5>of humour about herself, Like I don't know that she

1:04:25.440 --> 1:04:27.680
<v Speaker 5>would be willing to like die and something like that,

1:04:27.720 --> 1:04:30.520
<v Speaker 5>like maybe she said no, And then Kristen Kirsten Johnson

1:04:30.560 --> 1:04:32.200
<v Speaker 5>just has a better sense of humor where she's like, yeah,

1:04:32.240 --> 1:04:33.960
<v Speaker 5>I don't care. I didn't all smoke a cigarette and

1:04:33.960 --> 1:04:34.560
<v Speaker 5>fall out a window.

1:04:34.640 --> 1:04:37.200
<v Speaker 3>I didn't watch fat actress, but I was told that

1:04:37.240 --> 1:04:40.120
<v Speaker 3>it was pretty good, So maybe she does have a

1:04:40.160 --> 1:04:41.280
<v Speaker 3>sense of humor about herself.

1:04:41.280 --> 1:04:41.919
<v Speaker 2>That's what I'm trying.

1:04:42.000 --> 1:04:44.200
<v Speaker 5>Were you were you told it was actually pretty good?

1:04:45.520 --> 1:04:47.439
<v Speaker 2>Yeah, it was actually pretty good.

1:04:48.440 --> 1:04:51.400
<v Speaker 3>I did watch Veronica's Closet when it was on. I

1:04:51.400 --> 1:04:55.080
<v Speaker 3>don't really remember anything about it, but I did.

1:04:56.360 --> 1:04:56.880
<v Speaker 4>Watch it.

1:04:57.320 --> 1:04:58.640
<v Speaker 5>I know I watched it too.

1:04:59.600 --> 1:05:01.520
<v Speaker 1>She will forever, but I I mean, I was just

1:05:01.520 --> 1:05:04.440
<v Speaker 1>thinking about it last night. She really had the filmography,

1:05:04.640 --> 1:05:07.920
<v Speaker 1>like she had a lot of hits dropped out. Gorgeous

1:05:07.920 --> 1:05:12.000
<v Speaker 1>obviously is my favorite, but like she was in every

1:05:12.040 --> 1:05:15.400
<v Speaker 1>big movie in the nineties, and like especially in a

1:05:15.440 --> 1:05:18.880
<v Speaker 1>lot of mom roles, like she was very good, having

1:05:18.960 --> 1:05:22.920
<v Speaker 1>like a a sort of like like down to earth

1:05:23.040 --> 1:05:25.080
<v Speaker 1>warmth but still like funny.

1:05:26.320 --> 1:05:28.360
<v Speaker 5>I like, like, look, Who's Talking is a good movie,

1:05:28.800 --> 1:05:32.160
<v Speaker 5>you know, like and it's good kind of mostly because

1:05:32.200 --> 1:05:33.959
<v Speaker 5>she's really good in it. I mean, also the baby

1:05:34.040 --> 1:05:37.800
<v Speaker 5>voices are funny, like whatever. But she's she's very likable.

1:05:37.920 --> 1:05:40.720
<v Speaker 5>Like the moment when she's on screen, she's very likable,

1:05:40.720 --> 1:05:42.439
<v Speaker 5>and the moment she's off screen, it's like no one's

1:05:42.480 --> 1:05:43.480
<v Speaker 5>ever been more unlikable.

1:05:43.720 --> 1:05:47.200
<v Speaker 3>That movie's about talking babies, right, I'm not mistaken. It is.

1:05:47.280 --> 1:05:50.640
<v Speaker 2>Yeah, it's fully like about but she talking babies.

1:05:50.560 --> 1:05:53.360
<v Speaker 5>And she gets pregnant like her boss, isn't it. Like

1:05:53.400 --> 1:05:55.400
<v Speaker 5>her boss is a real piece of shit. And they

1:05:55.480 --> 1:05:57.080
<v Speaker 5>have they have like some kind of affair and she

1:05:57.120 --> 1:05:59.040
<v Speaker 5>gets pregnant and the boss wants something to do with her,

1:05:59.480 --> 1:06:02.480
<v Speaker 5>so he ends up raising this baby alone and it

1:06:02.480 --> 1:06:04.680
<v Speaker 5>has the voice of Bruce Willis.

1:06:05.120 --> 1:06:05.320
<v Speaker 4>Yeah.

1:06:05.680 --> 1:06:07.880
<v Speaker 3>The only thing I remember about those movies is I

1:06:07.880 --> 1:06:10.560
<v Speaker 3>think there's a scene where there's a talking sperm fertilizing

1:06:10.600 --> 1:06:10.959
<v Speaker 3>an egg.

1:06:11.080 --> 1:06:13.919
<v Speaker 5>No, it's like the opening of the movie. Yeah, because

1:06:13.960 --> 1:06:16.920
<v Speaker 5>they like they have sex at the beginning and then

1:06:17.560 --> 1:06:20.160
<v Speaker 5>and then it immediately cuts to like all these sperm

1:06:20.320 --> 1:06:23.640
<v Speaker 5>like like floating around and like get into the egg.

1:06:24.400 --> 1:06:27.960
<v Speaker 3>We need more movies about sperm, right, we need more

1:06:28.120 --> 1:06:30.200
<v Speaker 3>movies inside vaginal canals.

1:06:30.200 --> 1:06:33.400
<v Speaker 2>Oh wait, we have blonde so glads.

1:06:33.400 --> 1:06:35.320
<v Speaker 5>I still haven't seen me either.

1:06:35.480 --> 1:06:37.000
<v Speaker 2>No, there's no reason, there's no reason.

1:06:37.080 --> 1:06:38.800
<v Speaker 5>I just don't think I'm ever gonna do it.

1:06:38.880 --> 1:06:41.200
<v Speaker 3>All you need to know is that the camera goes

1:06:41.280 --> 1:06:48.080
<v Speaker 3>inside Marilyn Monroe's vagina twice twice, not once, twice, Yes,

1:06:48.320 --> 1:06:51.120
<v Speaker 3>as part as a way to show her trauma or something.

1:06:51.240 --> 1:06:53.760
<v Speaker 4>Did that ever happen on Golden Girls? Did they ever

1:06:54.840 --> 1:06:55.800
<v Speaker 4>go to the college?

1:06:56.360 --> 1:06:56.440
<v Speaker 2>No?

1:06:56.520 --> 1:06:59.400
<v Speaker 5>But they do go to a sperm bank. There's like

1:06:59.440 --> 1:07:02.440
<v Speaker 5>funny there's there's a funny episode about like Blanche's daughter,

1:07:02.480 --> 1:07:04.320
<v Speaker 5>who's like one of the worst characters in the show,

1:07:04.320 --> 1:07:07.640
<v Speaker 5>and it's played by at least two actresses, maybe three,

1:07:08.040 --> 1:07:10.120
<v Speaker 5>decides that she wants to have a baby as a

1:07:10.160 --> 1:07:12.560
<v Speaker 5>single woman, and she has to go to a sperm

1:07:12.560 --> 1:07:16.600
<v Speaker 5>bank in Miami, and it's like a very funny scene

1:07:16.600 --> 1:07:18.440
<v Speaker 5>and they talk like openly about sperm in a way

1:07:18.480 --> 1:07:21.360
<v Speaker 5>that's like pretty hysterical, but like we don't go inside

1:07:21.400 --> 1:07:24.000
<v Speaker 5>any of their vaginas ever, So that was like a

1:07:24.000 --> 1:07:24.720
<v Speaker 5>bridge too far.

1:07:25.040 --> 1:07:28.600
<v Speaker 3>Yeah, if there was, I mean, and there probably inevitably

1:07:28.640 --> 1:07:30.600
<v Speaker 3>will be a Golden Girl's reboot.

1:07:31.240 --> 1:07:32.880
<v Speaker 4>Who would you want to see in it?

1:07:33.760 --> 1:07:33.920
<v Speaker 6>Oh?

1:07:34.000 --> 1:07:34.440
<v Speaker 2>My god?

1:07:34.760 --> 1:07:34.920
<v Speaker 5>Uh?

1:07:35.080 --> 1:07:36.040
<v Speaker 2>Did it? Okay?

1:07:36.040 --> 1:07:37.720
<v Speaker 3>Wait, I need to actually look up her name so

1:07:37.760 --> 1:07:40.400
<v Speaker 3>that I'm not just saying the lady from Triangle of Sadness.

1:07:40.480 --> 1:07:43.200
<v Speaker 2>But there's this car.

1:07:43.400 --> 1:07:44.240
<v Speaker 4>I still haven't seen it.

1:07:44.240 --> 1:07:48.080
<v Speaker 3>It's I mean, it needs an editor. But okay, Dolly

1:07:48.120 --> 1:07:49.520
<v Speaker 3>de Leon, is that's true?

1:07:49.560 --> 1:07:51.200
<v Speaker 2>There's this there's this character.

1:07:51.000 --> 1:07:53.600
<v Speaker 3>Dolly de Leon, who would be so good in A

1:07:53.600 --> 1:07:54.600
<v Speaker 3>Golden Girl's Reboot.

1:07:54.640 --> 1:07:57.520
<v Speaker 5>I feel she's so good and triangle of sadness that movie.

1:07:57.680 --> 1:08:00.240
<v Speaker 5>I agree with the editing thing, but like by the

1:08:00.400 --> 1:08:02.000
<v Speaker 5>you're sort of like, oh my god, this movie is

1:08:02.000 --> 1:08:03.920
<v Speaker 5>still on and then she shows up in your life

1:08:03.960 --> 1:08:06.800
<v Speaker 5>and find that this movie is exactly yeah.

1:08:06.720 --> 1:08:10.120
<v Speaker 3>Rose, no spoilers, but she basically emerged. She's a character

1:08:10.200 --> 1:08:12.800
<v Speaker 3>that essentially emerges in the third act of the film

1:08:12.880 --> 1:08:16.400
<v Speaker 3>and takes over and you're just like you're so in

1:08:16.479 --> 1:08:18.519
<v Speaker 3>her hands and she becomes the best character.

1:08:19.720 --> 1:08:22.080
<v Speaker 1>Okay, so she's one of the Golden girls in the rebo.

1:08:22.520 --> 1:08:23.440
<v Speaker 4>I think you would.

1:08:23.200 --> 1:08:26.439
<v Speaker 5>Need Gloria Estephan honestly, Like I think you lean into

1:08:26.439 --> 1:08:28.760
<v Speaker 5>the Miami. I think you lean into the Miami of it,

1:08:28.800 --> 1:08:32.160
<v Speaker 5>and you're like, this is Gloria Stephan's house, Like that's

1:08:32.200 --> 1:08:35.120
<v Speaker 5>the and she's the numberwelf. Yeah, I think that's maybe

1:08:35.160 --> 1:08:37.559
<v Speaker 5>like the number one mandatory. I think you like really

1:08:37.560 --> 1:08:39.680
<v Speaker 5>go all in on the Miami aspect, and it's like

1:08:40.320 --> 1:08:42.360
<v Speaker 5>you find three other women. I don't care who it is,

1:08:42.400 --> 1:08:44.880
<v Speaker 5>but like if Gloria Stephan is Blanche, I think that

1:08:45.160 --> 1:08:46.120
<v Speaker 5>we have a winning.

1:08:45.840 --> 1:08:48.800
<v Speaker 3>Show like that doesn't Rosi O'Donnell, has she that you

1:08:48.800 --> 1:08:52.000
<v Speaker 3>have a house the island, right, Yeah, that's the Rich

1:08:52.040 --> 1:08:53.559
<v Speaker 3>Island or whatever where they all live.

1:08:53.600 --> 1:08:56.080
<v Speaker 1>Okay, So Rose O'Donnell is one of the is one

1:08:56.080 --> 1:08:56.519
<v Speaker 1>of the women?

1:08:57.360 --> 1:08:58.840
<v Speaker 5>Yeah that works, not that?

1:08:59.800 --> 1:09:02.040
<v Speaker 4>And then who's the fourth one we should get?

1:09:02.800 --> 1:09:04.560
<v Speaker 5>Uh?

1:09:05.400 --> 1:09:06.760
<v Speaker 3>I was gonna say a queer woman, and then I

1:09:06.840 --> 1:09:10.080
<v Speaker 3>was like, we just said, like the biggest lesbian in.

1:09:10.080 --> 1:09:12.000
<v Speaker 1>The world, not Leah Delaria Phoebe.

1:09:12.040 --> 1:09:12.519
<v Speaker 4>We can't be.

1:09:14.960 --> 1:09:19.120
<v Speaker 2>Character these women are not they don't look.

1:09:19.200 --> 1:09:21.599
<v Speaker 3>The thing about honestly Golden Girls is that these women

1:09:21.880 --> 1:09:24.680
<v Speaker 3>looked old but now like women like now it's like,

1:09:24.720 --> 1:09:27.559
<v Speaker 3>oh Lucy lou is fifty five, You're like, what the

1:09:27.600 --> 1:09:29.880
<v Speaker 3>fuck like happened? Like, no, with them, we have to

1:09:29.880 --> 1:09:32.680
<v Speaker 3>get someone truly ancient people that look like Kilda in

1:09:32.720 --> 1:09:39.880
<v Speaker 3>her Suspiria Matrix lay Yeah exactly, yeah, God, who who

1:09:40.080 --> 1:09:41.160
<v Speaker 3>I was just it's just.

1:09:41.120 --> 1:09:43.360
<v Speaker 1>C G I Betty White like we used like the

1:09:43.520 --> 1:09:45.160
<v Speaker 1>we use like Betty White.

1:09:45.680 --> 1:09:46.160
<v Speaker 2>Yes.

1:09:46.360 --> 1:09:48.640
<v Speaker 3>Actually, maybe there should be a man as one of

1:09:48.640 --> 1:09:51.760
<v Speaker 3>the Golden Girls, a gay guy who's an old gay

1:09:51.760 --> 1:09:55.840
<v Speaker 3>guy who could who could be Ian McKellen has never

1:09:56.000 --> 1:09:59.880
<v Speaker 3>had like an old fag role like he I mean

1:10:00.080 --> 1:10:03.519
<v Speaker 3>in the colle he needs a role where he is

1:10:03.560 --> 1:10:04.240
<v Speaker 3>a fat.

1:10:06.360 --> 1:10:07.160
<v Speaker 4>I'm really glad.

1:10:08.640 --> 1:10:10.479
<v Speaker 5>It's just a good format. Like I'm just saying, any

1:10:10.640 --> 1:10:14.519
<v Speaker 5>you could really cast anyone in that fourth bucket and

1:10:14.720 --> 1:10:16.760
<v Speaker 5>it would be a good show. I think that they're

1:10:16.840 --> 1:10:19.960
<v Speaker 5>just it's a good format. Like older people like doing

1:10:19.960 --> 1:10:22.000
<v Speaker 5>whatever they want to do in Miami, especially if they're

1:10:22.080 --> 1:10:23.960
<v Speaker 5>rich and they live on whatever that island is.

1:10:24.280 --> 1:10:26.000
<v Speaker 3>Yeah, we have to get rid of the whole, like

1:10:26.520 --> 1:10:28.200
<v Speaker 3>they have to move in because they can't pay rent.

1:10:28.280 --> 1:10:31.519
<v Speaker 3>There needs to be some kind of like other conceit

1:10:31.600 --> 1:10:34.200
<v Speaker 3>because they have to be wealthy. It just doesn't work

1:10:34.280 --> 1:10:37.920
<v Speaker 3>otherwise there's no class consciousness in this reboot.

1:10:39.120 --> 1:10:40.000
<v Speaker 2>Did we cast them.

1:10:39.880 --> 1:10:42.000
<v Speaker 3>Into their specific roles or are we just going to

1:10:42.040 --> 1:10:44.440
<v Speaker 3>give them new archetypes. It's probably new archetypes.

1:10:45.960 --> 1:10:47.439
<v Speaker 5>But then I think, well, if we need a slut

1:10:47.479 --> 1:10:48.840
<v Speaker 5>glorious stuff on his blood one.

1:10:48.840 --> 1:10:53.479
<v Speaker 3>Still Dolly daily On can be the Sofia because she's

1:10:53.560 --> 1:10:54.280
<v Speaker 3>like the meanest.

1:10:54.960 --> 1:10:57.479
<v Speaker 5>And then who wilse to be? Oh Rosie O'Donnell's Rose

1:10:59.280 --> 1:11:03.600
<v Speaker 5>and no Harvey Firestein is Rose the AI or the

1:11:03.680 --> 1:11:09.720
<v Speaker 5>AI hologram Rose and then Rosie O'donald's, Rosie O'donald's Dorothy. No,

1:11:09.840 --> 1:11:11.479
<v Speaker 5>Rosie Donalds Dorothy. I think it works.

1:11:12.000 --> 1:11:12.760
<v Speaker 2>I don't like.

1:11:12.920 --> 1:11:15.200
<v Speaker 4>And then Gloria Estefan is the slide.

1:11:17.479 --> 1:11:20.560
<v Speaker 3>I have to say, I don't approve of Rosie o'donnald

1:11:20.640 --> 1:11:23.120
<v Speaker 3>and this.

1:11:21.960 --> 1:11:24.280
<v Speaker 4>This well, too bad, too bad.

1:11:24.400 --> 1:11:26.519
<v Speaker 1>Central Central Casting has spoken.

1:11:26.680 --> 1:11:29.080
<v Speaker 2>She talks, said that she wants to do it. Really,

1:11:29.560 --> 1:11:30.880
<v Speaker 2>she said she wanted to do it.

1:11:31.240 --> 1:11:32.519
<v Speaker 5>Oh, I mean, I'm just assuming.

1:11:32.520 --> 1:11:36.800
<v Speaker 1>Oh she's yeah, No, I I texted her she's she's

1:11:37.080 --> 1:11:37.799
<v Speaker 1>Oh God.

1:11:38.280 --> 1:11:38.479
<v Speaker 6>Wait.

1:11:38.520 --> 1:11:42.280
<v Speaker 3>Can I just say I did just google old female

1:11:42.360 --> 1:11:43.879
<v Speaker 3>actresses still alive?

1:11:44.720 --> 1:11:45.840
<v Speaker 2>And the first let.

1:11:45.800 --> 1:11:49.040
<v Speaker 5>Me let me so it's really old female?

1:11:49.080 --> 1:11:51.240
<v Speaker 3>I know not and also not let me tell you

1:11:51.320 --> 1:11:54.160
<v Speaker 3>I did not use the old cis gender female. No,

1:11:54.240 --> 1:11:58.719
<v Speaker 3>I have to say it's still alive. Still, let me clarify.

1:11:58.840 --> 1:12:02.559
<v Speaker 3>I did not type in old female actresses. I typed

1:12:02.640 --> 1:12:07.479
<v Speaker 3>in like an old actress now or something like that,

1:12:07.600 --> 1:12:10.120
<v Speaker 3>and then it suggested one of the suggested ones this

1:12:10.240 --> 1:12:12.000
<v Speaker 3>old female actress is still live, and that is the

1:12:12.000 --> 1:12:13.040
<v Speaker 3>page that I'm on right now.

1:12:13.160 --> 1:12:14.759
<v Speaker 2>And let me read you this list.

1:12:15.560 --> 1:12:23.680
<v Speaker 3>Nicole Kidman now, Helena Bonham Garter Robin Wright, Halle.

1:12:23.320 --> 1:12:27.920
<v Speaker 2>Berry and Salma Hayak. None of these women are old.

1:12:28.800 --> 1:12:31.680
<v Speaker 4>We live in a variety. This is crazy.

1:12:31.960 --> 1:12:35.040
<v Speaker 2>I feel insane reading this anyways.

1:12:36.160 --> 1:12:39.160
<v Speaker 1>Well, I identify as an old female actress still.

1:12:39.080 --> 1:12:40.240
<v Speaker 2>Yeah, yeah, yeah.

1:12:40.280 --> 1:12:42.680
<v Speaker 5>For now, I just want to say one last thing.

1:12:43.479 --> 1:12:47.679
<v Speaker 5>Blanche Rue McClanahan was fifty three when the Golden Girls started,

1:12:47.720 --> 1:12:51.080
<v Speaker 5>and Nicole Kimman is fifty five. So but in eighties,

1:12:51.160 --> 1:12:54.080
<v Speaker 5>in eighties Hollywood terms, Nicole Kidman is an old all

1:12:54.120 --> 1:12:56.679
<v Speaker 5>Hollywood actress, still alive. When they said when they said

1:12:56.720 --> 1:12:58.639
<v Speaker 5>heartbreak feels good in a place like this, they were

1:12:58.720 --> 1:13:09.320
<v Speaker 5>talking about that, how us and eating cheesecake, slide into

1:13:09.320 --> 1:13:11.599
<v Speaker 5>our dms at like a Virgin four twenty sixty nine

1:13:11.640 --> 1:13:15.200
<v Speaker 5>and let us know which Golden Girl are you, and

1:13:15.320 --> 1:13:17.160
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1:13:17.200 --> 1:13:22.080
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1:13:22.360 --> 1:13:24.479
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1:13:24.520 --> 1:13:28.080
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1:13:28.160 --> 1:13:31.760
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1:13:31.840 --> 1:13:36.880
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1:13:36.960 --> 1:13:38.560
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1:13:38.240 --> 1:13:41.559
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1:13:43.320 --> 1:13:47.080
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1:13:47.080 --> 1:13:49.840
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1:13:50.479 --> 1:13:53.640
<v Speaker 3>Like a Virgin is an iHeartRadio production. Our producer is

1:13:53.680 --> 1:13:57.280
<v Speaker 3>Foodie Unter, with support from Lindsay Hoffman and Nikki Metur.

1:13:58.560 --> 1:14:00.640
<v Speaker 1>Thank you for being friend.

1:14:03.600 --> 1:14:09.080
<v Speaker 3>Bye bye bye bye.

1:14:08.920 --> 1:14:14.000
<v Speaker 2>Bye bye now mm hmm